Team Mixing Light interviews colorists, color engineers, hardware vendors, and anyone else who can help you better understand the craft and business of digital color grading.
Attorney Seth Polansky, Esq, discusses the rights of creative professionals if clients start to pull jobs (and you've turned away other work)?
Trying to understand the value of pro video displays? Want to know the differences (and trade-offs) between the technologies? Listen on...
Flanders Scientific is shipping it's highly anticipated XM310K - a 31 inch DCI 4k 3000 NIT HDR mastering monitor with 12G connectivity. Robbie Carman talks with FSI CEO Bram Desmet about HDR & the XM310K.
Technical Evangelist Tyler Pruitt joins Robbie to discuss LG's 2018 OLED monitors and various calibration issues like metamerism, colorimeter matrices and more!
Film restoration and remastering is a very unique specialty in the craft of digital color correction. Learn how a Hollywood colorist handles the unique challenges. Get some insights into his workflow and 'insider' stories.
If you need to buy a high-performance video post-production computer today, then you're looking at a PC. Here are more answers to questions of Mac users.
A 2-part interview series for media pros talking about the challenges Mac users face when moving to the PC elicited many questions. Here are the answers.
In Part 2, Eric Bowden of ADK Video highlights the importance of optimizing PC hardware to your specific workflows, codecs and software.
Are you a Mac-based Post-Production professional moving to the PC platform? Eric Bowden, a custom PC builder, talks about the differences.
Apple provided a much needed glimpse into their thinking about the Mac Desktop. But does it bode well for video post-production professionals?
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