Podcasts about premiere pro

From NAB in Las Vegas, Matt Bach, Senior Product Manager at Puget Systems, explains PugetBench, a free benchmarking tool for end users that tests real applications such as Premiere Pro, Photoshop, After Effects, DaVinci Resolve, and soon Unreal Engine. Matt discusses why real-world benchmarks beat synthetic scores, how software updates can dramatically change performance, and how Mac and Windows systems each excel in different workflows.  Show Notes: Chapters: [0:03] Introduction from NAB 2026[0:20] Matt Bach introduces PugetBench[0:31] Real-world benchmarking for creative applications[1:23] Why first-party claims and synthetic benchmarks can mislead[1:53] Software updates and changing performance over time[2:18] Synthetic benchmarks versus real application testing[3:19] Variables that affect benchmark accuracy[4:04] Why testing your own projects is the gold standard[4:27] Using benchmarks to evaluate upgrades realistically[5:07] Comparing your system through PugetBench's database[6:09] Supported apps and future Unreal Engine benchmarking[7:06] Unreal Engine uses beyond gaming[7:56] Mac versus Windows value and workflow strengths[9:16] Where to get PugetBench and end-user pricing[10:05] Closing from NAB in Las Vegas Support:      Become a MacVoices Patron on Patreon     http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:     http://macvoices.com      Twitter:     http://www.twitter.com/chuckjoiner     http://www.twitter.com/macvoices      Mastodon:     https://mastodon.cloud/@chuckjoiner      Facebook:     http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:     http://www.facebook.com/macvoices/      MacVoices Group on Facebook:     http://www.facebook.com/groups/macvoice      LinkedIn:     https://www.linkedin.com/in/chuckjoiner/      Instagram:     https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes     Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

From NAB in Las Vegas, Matt Bach, Senior Product Manager at Puget Systems, explains PugetBench, a free benchmarking tool for end users that tests real applications such as Premiere Pro, Photoshop, After Effects, DaVinci Resolve, and soon Unreal Engine. Matt discusses why real-world benchmarks beat synthetic scores, how software updates can dramatically change performance, and how Mac and Windows systems each excel in different workflows.  Show Notes: Chapters: [0:03] Introduction from NAB 2026 [0:20] Matt Bach introduces PugetBench [0:31] Real-world benchmarking for creative applications [1:23] Why first-party claims and synthetic benchmarks can mislead [1:53] Software updates and changing performance over time [2:18] Synthetic benchmarks versus real application testing [3:19] Variables that affect benchmark accuracy [4:04] Why testing your own projects is the gold standard [4:27] Using benchmarks to evaluate upgrades realistically [5:07] Comparing your system through PugetBench's database [6:09] Supported apps and future Unreal Engine benchmarking [7:06] Unreal Engine uses beyond gaming [7:56] Mac versus Windows value and workflow strengths [9:16] Where to get PugetBench and end-user pricing [10:05] Closing from NAB in Las Vegas Support:      Become a MacVoices Patron on Patreon      http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:      http://macvoices.com      Twitter:      http://www.twitter.com/chuckjoiner      http://www.twitter.com/macvoices      Mastodon:      https://mastodon.cloud/@chuckjoiner      Facebook:      http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:      http://www.facebook.com/macvoices/      MacVoices Group on Facebook:      http://www.facebook.com/groups/macvoice      LinkedIn:      https://www.linkedin.com/in/chuckjoiner/      Instagram:      https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes      Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

On the show floor at NAB in Las Vegas, Jim Tierney of Digital Anarchy discusses ShotNotes, a Premiere Pro panel that keeps project notes, time codes, links, timers, and collaboration details inside the edit instead of scattered across documents or sticky notes. He also previews Beauty Box Video AI development and explains where generative AI can help video pros, where traditional AI still shines, and why AI is useful but not a magic bullet.  Show Notes: Chapters: [0:02] Introduction from NAB 2026[0:11] Jim Tierney joins the conversation on the show floor[0:38] Digital Anarchy introduces Shot Notes for Premiere Pro[0:50] Keeping notes attached to sequences and time code[1:03] Linking notes to other sequences, projects, and web resources[1:14] Time tracking for tasks, management, and invoicing[1:26] Replacing notebooks, documents, and sticky notes inside Premiere[1:47] Sharing embedded project notes and exporting JSON[2:26] Why project-based notes are better than separate files[2:43] User feedback from Transcriptive and common note-taking habits[2:52] Frame.io comparisons and Premiere's lack of a built-in notepad[3:02] How Shot Notes works with markers[3:33] Marker limitations and richer Shot Notes features[3:45] Exporting notes as PDFs[4:15] Ongoing Digital Anarchy development[4:20] AI features being developed for Beauty Box[4:37] How Jim Tierney now views AI in professional workflows[4:59] Separating generative AI from other AI tools[5:21] Using generative AI for backgrounds and B-roll[5:39] Why generative AI is still limited for full film creation[6:01] Older-school AI, face parsing, and Beauty Box[6:21] AI as a coding aid with limitations[6:46] AI as a useful tool, not a magic bullet[7:01] Beauty Box, face correction, and podcast visuals[7:38] Beauty Box as visual makeup rather than face recreation[7:57] Eye whitening, teeth whitening, and cleaning up original footage[8:16] The difference between subtle enhancement and generative alteration[8:46] Taking the edge off camera-added skin texture[8:58] Where to learn more about Digital Anarchy products[9:09] Closing from NAB in Las Vegas Support:      Become a MacVoices Patron on Patreon     http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:     http://macvoices.com      Twitter:     http://www.twitter.com/chuckjoiner     http://www.twitter.com/macvoices      Mastodon:     https://mastodon.cloud/@chuckjoiner      Facebook:     http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:     http://www.facebook.com/macvoices/      MacVoices Group on Facebook:     http://www.facebook.com/groups/macvoice      LinkedIn:     https://www.linkedin.com/in/chuckjoiner/      Instagram:     https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes     Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

On the show floor at NAB in Las Vegas, Jim Tierney of Digital Anarchy discusses ShotNotes, a Premiere Pro panel that keeps project notes, time codes, links, timers, and collaboration details inside the edit instead of scattered across documents or sticky notes. He also previews Beauty Box Video AI development and explains where generative AI can help video pros, where traditional AI still shines, and why AI is useful but not a magic bullet.  Show Notes: Chapters: [0:02] Introduction from NAB 2026 [0:11] Jim Tierney joins the conversation on the show floor [0:38] Digital Anarchy introduces Shot Notes for Premiere Pro [0:50] Keeping notes attached to sequences and time code [1:03] Linking notes to other sequences, projects, and web resources [1:14] Time tracking for tasks, management, and invoicing [1:26] Replacing notebooks, documents, and sticky notes inside Premiere [1:47] Sharing embedded project notes and exporting JSON [2:26] Why project-based notes are better than separate files [2:43] User feedback from Transcriptive and common note-taking habits [2:52] Frame.io comparisons and Premiere's lack of a built-in notepad [3:02] How Shot Notes works with markers [3:33] Marker limitations and richer Shot Notes features [3:45] Exporting notes as PDFs [4:15] Ongoing Digital Anarchy development [4:20] AI features being developed for Beauty Box [4:37] How Jim Tierney now views AI in professional workflows [4:59] Separating generative AI from other AI tools [5:21] Using generative AI for backgrounds and B-roll [5:39] Why generative AI is still limited for full film creation [6:01] Older-school AI, face parsing, and Beauty Box [6:21] AI as a coding aid with limitations [6:46] AI as a useful tool, not a magic bullet [7:01] Beauty Box, face correction, and podcast visuals [7:38] Beauty Box as visual makeup rather than face recreation [7:57] Eye whitening, teeth whitening, and cleaning up original footage [8:16] The difference between subtle enhancement and generative alteration [8:46] Taking the edge off camera-added skin texture [8:58] Where to learn more about Digital Anarchy products [9:09] Closing from NAB in Las Vegas Support:      Become a MacVoices Patron on Patreon      http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:      http://macvoices.com      Twitter:      http://www.twitter.com/chuckjoiner      http://www.twitter.com/macvoices      Mastodon:      https://mastodon.cloud/@chuckjoiner      Facebook:      http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:      http://www.facebook.com/macvoices/      MacVoices Group on Facebook:      http://www.facebook.com/groups/macvoice      LinkedIn:      https://www.linkedin.com/in/chuckjoiner/      Instagram:      https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes      Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

Je MacBook Neo s procesorem řady A18 skutečně „počítač pro každého“, nebo jen elegantní způsob, jak vyprázdnit sklady? V dnešním díle podrobně rozebíráme osobní zkušenosti z testování – od překvapivého výkonu při střihu videa v Premiere Pro až po limity, které pocítíte při exportu. Probereme také konec vrstvy Rosetta 2, proč na Macu stále (ne)hrajeme AAA hry jako Cyberpunk a co můžeme čekat od nové éry pod vedením Johna Ternuse. Je čas na „Ultra“ upgrade?

Rachel Mellon-Skemp, une adolescente de 13 ans, a disparu sans laisser de trace le 31 janvier 1996 de sa maison en Illinois alors qu'elle était malade et seule avec son beau-père. Lien vers la page Facebook de la famille : https://www.facebook.com/missing25years Mes sources :https://people.com/where-is-rachel-mellon-skemp-teen-girl-vanished-illinois-8663044 https://www.reddit.com/r/UnresolvedMysteries/comments/v2c23v/what_happened_to_rachel_mellon_skemp_missing_from/ https://int-missing.fandom.com/wiki/Rachel_Mellon https://abc7chicago.com/post/rachel-mellon-vincent-jeff-skemp-bolingbrook-missing-girl/10107761/ https://youtu.be/nEmkMvufDfw?si=Q8HcH4cXewiuQ553Attention, cette vidéo peut contenir des images ou des propos qui sont déconseillés aux plus jeunes. Chanson Intro : Danse of questionable tuning - Kevin MacLeod Vidéo Intro par https://www.instagram.com/frenchyartist/ ♥Suis-moi sur les réseaux sociaux: INSTAGRAM: https://www.instagram.com/victoria.charlton/ FACEBOOK : https://www.facebook.com/victoriacharltonofficiel TIKTOK : https://www.tiktok.com/@victoriacharltonn EMAIL : victoriacharltonpro@gmail.com ♥Podcast Over n Out : APPLE PODCAST : https://podcasts.apple.com/us/podcast/over-n-out/id1545187858?uo=4 SPOTIFY : https://open.spotify.com/show/6OgK35AojAk4emWYfq5sk8 ♥Podcast Post-Mortem : SPOTIFY : https://open.spotify.com/show/1m0Yx1jAOos8ewx5o2OgJA QUB RADIO : https://www.qub.ca/radio/balado/post-mortem-avec-victoria-charlton-saison-1-roxanne-luce Logiciel de montage : Premiere Pro, After Effects, Blender 3DDirecteur de Post-Production: Sebastian Messinger Recherche et Montage: Juliette FayMontage et Animation: Juan Jose Mendoza, Sebastian Messinger, Marie (frenchy artist)Camera : Canon G7X Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This episode is a repurposed Hybrid Hub coaching call focused on the early stages of adding video to a photography business. I walk through the first phases inside the program, including practicing hybrid photo and video during client sessions, keeping editing simple in Premiere Pro, refining video offers, and using blogs, YouTube, and short-form content to get found. You'll also hear real questions from photographers inside Hybrid Hub around perfectionism, consistency, SEO, and how to start without making the process way harder than it needs to be. JOIN HYBRID HUB: https://hybridhangout.com/hybrid-hub-callSnag the Video Upsell Starter Kit: https://hybridhangout.com/starter-kitIf you're a photographer who already wants to add video but keeps getting stuck in research mode, this is for you. Your clients are already asking, and you're leaving money on the table. The free Video Upsell Starter Kit shows you exactly how to start using the camera you already have and simple add-ons.   If you're running your photo or hybrid photo and video business from your inbox, you're making it harder than it needs to be. I use HoneyBook to manage everything — inquiries, emails, scheduling, contracts, and payments. It keeps my pipeline organized and saves hours every week. If you want a smoother system, grab my discount here: https://share.honeybook.com/shayna29637  Hybrid Hub teaches photographers how to add video so they can make more per booking. Learn how to shoot, edit, market, and sell photo and video together with a simple, repeatable system. Ready to raise your booking value? Book a free strategy call so we can chat 1x1 about how to scale your photography business with video, and if Hybrid Hub is right for your business: https://hybridhangout.com/book-a-callThanks for listening to Hybrid Hangout!! Don't forget to rate and review on your fave podcast platform -- it helps me grow, get amazing guests, and climb in the charts! DM me a screenshot of your review so I can say thanks :) Andddd say hi @hybridhangout on Instagram! 

La nuit du 10 septembre 2001, Sneha Anne Philip, une médecin de 32 ans vivant dans le sud de Manhattan, a disparu après avoir été aperçue sur des images de surveillance d'un grand magasin près de son appartement. Elle n'a jamais été revue depuis. Comme elle habitait près du World Trade Center et avait une formation médicale, sa famille croit qu'elle est décédée le lendemain matin en portant secours aux victimes des attentats du 11 septembre.Mes sources : http://nataliepompilio.com/?page_id=502 https://www.reddit.com/r/SnehaPhilipCase/ https://nymag.com/news/features/17336/ https://www.independent.co.uk/news/world/americas/sneha-philip-mystery-disappeared-9-11-b1917381.html https://en.wikipedia.org/wiki/Disappearance_of_Sneha_Anne_PhilipAttention, cette vidéo peut contenir des images ou des propos qui sont déconseillés aux plus jeunes. Chanson Intro : Danse of questionable tuning - Kevin MacLeod Vidéo Intro par https://www.instagram.com/frenchyartist/ ♥Suis-moi sur les réseaux sociaux: INSTAGRAM: https://www.instagram.com/victoria.charlton/ FACEBOOK : https://www.facebook.com/victoriacharltonofficiel TIKTOK : https://www.tiktok.com/@victoriacharltonn EMAIL : victoriacharltonpro@gmail.com ♥Podcast Over n Out : APPLE PODCAST : https://podcasts.apple.com/us/podcast/over-n-out/id1545187858?uo=4 SPOTIFY : https://open.spotify.com/show/6OgK35AojAk4emWYfq5sk8 ♥Podcast Post-Mortem : SPOTIFY : https://open.spotify.com/show/1m0Yx1jAOos8ewx5o2OgJA QUB RADIO : https://www.qub.ca/radio/balado/post-mortem-avec-victoria-charlton-saison-1-roxanne-luce Logiciel de montage : Premiere Pro, After Effects, Blender 3DDirecteur de Post-Production: Sebastian Messinger Recherche et Montage: Juliette FayMontage et Animation: Juan Jose Mendoza, Sebastian Messinger, Marie (frenchy artist)Camera : Canon G7X Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Send us Fan MailIf you are still opening Premiere Pro every day, you have a $100,000 identity problem. You're performing $30/hr laboor in a business that needs $500/hr leadership. Today, I'm breaking down the 'Technician's Ceiling' and the exact moment you must put down the mouse to save your profit margins.First of the "shorties" back on the feed. Straight out of last week's Elite call, where two or three members were wrestling with the same stuck point: they're still in the edit, and it's capping the business.The belief underneath it is the one I want to kill in this episode. The idea that your client hires you because of what you do on the tools. They don't. That's an identity you've attached to yourself, and it's the exact thing keeping you stuck as the operator. Richard Branson doesn't fly the plane. Nobody thinks Virgin is a worse airline for it.I talk through one client with a $160K/year account that nearly walked because the founder over-promised, hit a capacity wall, and the edit became the bottleneck. And another Elite client who just won a $67K government project in a technical area he knew almost nothing about, with four more in the pipeline. Potentially $335K of work, because he built the environment and the team instead of trying to be the one pressing the buttons.Then I walk through the S.C.A.L.E. Staircase from the book: Operator, Juggler, Stabilizer, Strategist, Scaler. Most people think they're further up than they are. Most are still in Operator or Juggler. The move out of Operator isn't more AI agents, more tools, or a more complex stack. It's simplification. Delete first, delegate second, defer third, in that order.Pat grew from $160K to over $2M once he accepted that the creativity was in building the team, building the machine, and buying back his time, not in touching the last 10% of the edit.If you want to know where you actually sit on the staircase, the quiz is at scalemethodbook.com.The question I'll leave you with: are you still the bottleneck in your own business?Mentoring options : www.denlennie.comConnect with Den on Instagram: https://www.instagram.com/den_lennie

We finally solve the mysteries of the universe—or at least the ones involving aluminum cans and why your garage door is trying to kill you. We dive into the "uncanny valley" of AI-generated emails that try just a little too hard to be your friend, and why Eric would rather do drywall every day than ever touch rubber gym flooring again.If you've ever wondered about the surface area to volume ratio of a White Claw versus a standard beer can, or why an HVAC technician wants you to watch a video on his iPad, this one is for you. We help Zac break down the agonizing process of filming a woodworking course when you have 8 hours of footage and no idea when to stop explaining the "why".Highlights:The Bubbly Koozie Engineering: Deric breaks down the complex world of 3D-printed koozies and the actual math behind can sizes.The AI "Tom" Scandal: Zac gets a "personalized" email from an AI agent that knows way too much about his Xbox mods.Door-to-Door Combat: Strategies for handling salesmen, including the Seinfeld "Home Phone Number" maneuver.The Garage Door Disaster: Eric's near-death experience with spring tension and the "Cattywampus" cable.The 50-Blade Floor: Why Eric went through an entire pack of utility blades for one rubber floor.Editing Secrets: The Q and W keys that will save your life in Premiere Pro.Got questions? Email us at offthecutpodcast@gmail.comJoin the Aftershow: https://www.patreon.com/offthecutpodcastWatch Live: https://www.youtube.com/channel/UCcRJPIp6OaffQtvCZ2AtWWQMerch: https://www.spencleydesignco.comStart a Podcast: https://streamyard.com/pal/c/5926541443858432Follow the Hosts:Zac: @ZacBuildsEric: @SpencleyDesignCoDeric: @PecanTreeDesignProudly Sponsored By: KM Tools (kmtools.com/SPENCLEYDESIGNCO)WTB Woodworking (wtbwoodworking.com/giveaway)#Woodworking #DIY #3DPrinting #Maker #ContentCreation #OffTheCutPodcast #Sponsored #KMTools #WTBWoodworking

GG Hawkins speaks with editors Lam T. Nguyen and Austin Keeling about building the visual language of Mercy, a hybrid screen life thriller directed by Timur Bekmambetov. They break down how editorial shaped not just pacing and performance, but also the film's digital camera moves, interface design, screen choreography, and collaboration with VFX. The conversation also expands into how texting, phones, and screen-based storytelling can work in contemporary filmmaking, and why the core principles of editing still matter even inside a highly technical workflow. In this episode, No Film School's GG Hawkins and guests discuss... How Lam T. Nguyen and Austin Keeling first came together on Mercy What defines the film's hybrid “screen life” visual language How the team used early previs to explore a more immersive 3D screen experience Why the Apple Vision Pro became an early point of reference for the film's digital courtroom design How editorial functioned as editing, design, animation, and virtual cinematography all at once The Premiere Pro workflow they used to manage complex multi-layered timelines Why the team kept the process technically simple with adjustment layers, transform effects, and blur How they decided where the audience should look when multiple story elements were happening at once What the handoff to VFX looked like and why the editorial version had to be nearly final Their thoughts on how texting and phones can be made cinematic in modern films How Mercy balanced futuristic technology with interfaces that still feel recognizable to audiences Why collaboration, adaptability, and saying yes to unexpected opportunities helped shape their careers Memorable Quotes: “We had four weeks to build the previs and all they wanted was in traditional screen life formats.” “The best way to do is simplify it, right?” “The fundamentals still apply as an editor for this film.” “It's all just using the tools that are available and kind of like using them to your advantage.” Guests: Lam T. Nguyen Austin Keeling Resources: Vote for No Film School's Webby-nominated explainer video Tickets: Beacon Film Society screening — May 7, New York Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

The I'm Back Roll goes APS-C on Kickstarter, Videndum's near-bankruptcy and what it means for Teradek, SmallHD, and Manfrotto, Apple's 50-year impact on filmmaking, why camera batteries fail, CVP expanding into the DACH region, the AutoCut 2.0 Premiere Pro plugin, and a new AI pre-production lesson on MZed. Sponsor of this episode is NANLITE. Check out the section at 20:40 Chapters and Articles in this Episode: (00:00) Intro & overview (04:38) I'm Back Roll APS-C Now On Kickstarter – Digital Film Cartridge Moves to APS-C Sensor https://www.cined.com/im-back-roll-aps-c-now-on-kickstarter-digital-film-cartridge-moves-to-aps-c-sensor/ (21:42) Videndum Posts Third Straight Year of Losses as £85 Million Refinancing Reshapes the Future of Teradek, SmallHD, and Manfrotto https://www.cined.com/videndum-posts-third-straight-year-of-losses-as-85-million-refinancing-reshapes-the-future-of-teradek-smallhd-and-manfrotto/ (46:11) Apple 50 Years Anniversary Link coming soon (01:10:41) Why Camera Batteries Fail: Core SWX CEO Ross Kanarek Explains Watt Hours, Voltage, and Amps https://www.cined.com/why-camera-batteries-fail-core-swx-ceo-ross-kanarek-explains-watt-hours-voltage-and-amps/ (01:14:13) CVP Expands Into Germany, Austria, and Switzerland with Dedicated Local Team https://www.cined.com/cvp-expands-into-germany-austria-and-switzerland-with-dedicated-local-team/ (01:16:51) AutoCut Plugin Now Integrates AI Directly Into Premiere Pro to Automatically Handle Time-Consuming Tasks https://www.cined.com/autocut-plugin-now-integrates-ai-directly-into-premiere-pro-to-automatically-handle-time-consuming-tasks/ (01:20:06) Using AI for Pre-Production Mood Boards and Look Development – New Lesson in "Directing the Future" on MZed https://www.cined.com/using-ai-for-pre-production-mood-boards-and-look-development-new-lesson-in-directing-the-future-on-mzed/

Les Goler sont un clan de familles rurales pauvres du Canada, situé sur South Mountain en Nouvelle-Écosse, près de Wolfville, connu pour sa pauvreté intergénérationnelle et la condamnation dans les années 1980 de nombreux membres de sa famille pour abus sexuels et inceste.Livre On South Mountain : https://www.indigo.ca/fr-ca/on-south-mountain-the-dark-secrets-of-the-goler-clan/9781771084833.htmlAttention, cette vidéo peut contenir des images ou des propos qui sont déconseillés aux plus jeunes. Chanson Intro : Danse of questionable tuning - Kevin MacLeod Vidéo Intro par https://www.instagram.com/frenchyartist/ ♥Suis-moi sur les réseaux sociaux: INSTAGRAM: https://www.instagram.com/victoria.charlton/ FACEBOOK : https://www.facebook.com/victoriacharltonofficiel TIKTOK : https://www.tiktok.com/@victoriacharltonn EMAIL : victoriacharltonpro@gmail.com ♥Podcast Over n Out : APPLE PODCAST : https://podcasts.apple.com/us/podcast/over-n-out/id1545187858?uo=4 SPOTIFY : https://open.spotify.com/show/6OgK35AojAk4emWYfq5sk8 ♥Podcast Post-Mortem : SPOTIFY : https://open.spotify.com/show/1m0Yx1jAOos8ewx5o2OgJA QUB RADIO : https://www.qub.ca/radio/balado/post-mortem-avec-victoria-charlton-saison-1-roxanne-luce Logiciel de montage : Premiere Pro, After Effects, Blender 3DDirecteur de Post-Production: Sebastian Messinger Recherche et Montage: Juliette FayMontage et Animation: Juan Jose Mendoza, Sebastian MessingerCamera : Canon G7X Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Welcome to Grumpy Old Geeks, where we're starting to notice a patience epidemic! As people get used to barking orders at their AI, they're starting to talk to other humans with the same terse impatience. We discuss the enshittification of social media like Threads, which are now completely overrun with AI-generated slop.This week, we dive into the corporate shenanigans of the tech world. OpenAI was caught secretly funding an advocacy group to push for age verification laws that just so happen to benefit Sam Altman's other company. We also cover Elon Musk's troubles, including all of xAI's co-founders quitting, a SpaceX satellite exploding, and Tesla's "fully autonomous" robotaxis being revealed to have remote human drivers.Plus, we celebrate NASA's successful Artemis II launch, review a fantastic Premiere Pro plugin for multicam editing, and give our thoughts on shows like "The Pit" and "Downton Abbey."Sponsors:SquareSpace - go to squarespace.com/GRUMPY for a free trial. And when you're ready to launch, use code GRUMPY to save 10% off your first purchase of a website or domain.Private Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.SetApp - With a single monthly subscription you get 240+ apps for your Mac. Go to SetApp and get started today!!!1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordShow notes at https://gog.show/740Watch on YouTube: https://youtu.be/IpzOakbBftYFOLLOW UPAustria is pursuing a social media ban for kids under 14Group Pushing Age Verification Requirements for AI Turns Out to Be Sneakily Backed by OpenAIOpenAI takes on another “side quest,” buys tech-focused talk show TBPNIN THE NEWSElon Musk's last co-founder reportedly leaves xAISpaceX loses contact with one of its Starlink satellitesSpaceX has reportedly filed for the biggest IPO in historyOpenAI Is Falling Out of Favor With Secondary BuyersOracle Lays Off Thousands to Offset AI SpendingAnthropic leaks part of Claude Code's internal source codeAnthropic is having a monthWikipedia Just Drew the Line on A.I.-Written ContentTesla Admits Its Robotaxis Are Being Driven RemotelyGetting Stuck Inside a Glitching Robotaxi Is a Whole New Thing to Be Scared ofWhite House App Found Tracking Users' Exact Location Every 4.5 Minutes via Third-Party ServerKash Patel's personal email account was accessed by hackers linked to IranNASA's Artemis II Live Mission Coverage (Official Broadcast)MEDIA CANDYThe Hobbit: The Tolkien EditThe PittDTF St. LouisProject Hail MarySUPERGIRL | Official TrailerDownton AbbeyDarker Waves FestivalAPPS & DOODADSBluesky's next product is an AI assistant that helps build custom social media feedsChatGPT app launches for CarPlay on iOS 26.4Apple Removes iPhone Vibe Coding App from App StoreMeta is testing an Instagram Plus subscription service with exclusive featuresWraith Multi-Cam EditorTHE DARK SIDE WITH DAVEDave BittnerThe CyberWireHacking HumansCaveatControl LoopOnly Malware in the BuildingCurrent ReaderJournalist Sues FAA Over Drone No Fly Zone Designed to Prevent Filming ICENicholas Carlini - Black-hat LLMs | [un]prompted 2026See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

If you're a photographer wondering whether video editing is now part of the job, this episode is for you. In this conversation, Kersten Luts is joined by video editor Bayleigh Dilloway to break down why photographers need video skills in 2026, and how learning the basics of video editing can help grow a photography business.We talk about social media marketing for photographers, creating reels, shorts and behind the scenes content, using video to attract clients, and why customer expectations are changing for portrait photographers, wedding photographers, commercial photographers and content creators. Bayleigh also walks through beginner video editing skills, editing workflow, storytelling, cutting clips, audio, pacing, captions, AI video tools, and the best video editing software for photographers.If you want to learn how to start video editing as a beginner, choose between Final Cut Pro, Premiere Pro and other editing apps, and understand how video can improve your photography marketing, branding and online presence, this episode will help.This is a practical, friendly guide for amateur photographers, semi professional photographers, professional photographers, and anyone building a photography business in 2026 through modern content creation and smarter visual marketing.

In this episode of The Offset Podcast, we're joined by Brandon Thomas & Stefan Allen from Conform.Tools. Conforming is one of those processes in modern postproduction and finishing that can be technically challenging and a huge time suck. Different NLEs and color/finishing tools all think slightly differently. For example; positioning or a speed change in Premiere Pro might not show up correctly when conformed into DaVinci Resolve.  Over the years editors, colorists, and conform artists have built hacks and built up institutional knowledge of workflows for moving projects from one system to another but even at their best, the methods can be tedious and are seldom set it and forget it.  Conform.Tools is a suite of tools that is poised to really change how conforms are done making them efficient, fast and dare we say fun!  We were super excited to sit down with the guys and talk about the challenges of conforming and how conform.tools can help on your text project. Some of the specifics we discuss in this episode include:What makes conforming so challengingThe problem of different math and algorithms between different applicationsDealing with common conform problems like in/out point slippage, reel names, and other timecode issuesWorking with sizing and speed differences including speed ramps, interpreted clips, and speed interpolationGoals of conform.tools and looking at the workflowConform.Tools module: Timeline ExchangeConform.Tools module: i20Conform.Tools module Conform Connect including the forthcoming desktop appThe team at NAB & The NAB 2026 Colorist MixerAnd more!Check out offsetpodcast.com for our entire library of episodes. You can also follow us on Instagram & Facebook - just search for The Offset Podcast.  Be sure to like and subscribe to the podcast wherever you found it and be sure to check out our growing library of episodes.  If you like the podcast it'd mean the world to us if you'd consider supporting the show by buying us a cup of virtual coffee -https://buymeacoffee.com/theoffsetpodcastSee you in about two weeks for a new episode.

Le vendredi 8 février 2002, Brenda Heist, une femme de 42 ans, va porter ses enfants à l'école, comme à tous les matins. Elle leur dit bye et quitte pour la journée. Le soir venu, lorsque ses enfants rentrent de l'école, leur mère a disparu.Mes Sources : https://lancasteronline.com/news/missing-for-7-years-lititz-mom-declared-dead/article_6e355c4d-f389-5d4b-9c25-5101f4f20082.html https://allthatsinteresting.com/brenda-heist https://abcnews.go.com/US/mom-missing-11-years-reemerges-husband-forgives/story?id=19094488 https://www.cnn.com/2013/05/04/us/pennsylvania-woman-reappears https://www.today.com/video/mom-who-vanished-for-a-decade-opens-up-to-dr-phil-30581827769 https://www.cbsnews.com/news/children-describe-shock-anger-at-discovery-of-missing-mom-11-years-later/Attention, cette vidéo peut contenir des images ou des propos qui sont déconseillés aux plus jeunes. Chanson Intro : Danse of questionable tuning - Kevin MacLeod Vidéo Intro par https://www.instagram.com/frenchyartist/ ♥Suis-moi sur les réseaux sociaux: INSTAGRAM: https://www.instagram.com/victoria.charlton/ FACEBOOK : https://www.facebook.com/victoriacharltonofficiel TIKTOK : https://www.tiktok.com/@victoriacharltonn EMAIL : victoriacharltonpro@gmail.com ♥Podcast Over n Out : APPLE PODCAST : https://podcasts.apple.com/us/podcast/over-n-out/id1545187858?uo=4 SPOTIFY : https://open.spotify.com/show/6OgK35AojAk4emWYfq5sk8 ♥Podcast Post-Mortem : SPOTIFY : https://open.spotify.com/show/1m0Yx1jAOos8ewx5o2OgJA QUB RADIO : https://www.qub.ca/radio/balado/post-mortem-avec-victoria-charlton-saison-1-roxanne-luce Logiciel de montage : Premiere Pro, After Effects, Blender 3DDirecteur de Post-Production: Sebastian Messinger Recherche et Montage: Juliette FayMontage et Animation: Juan Jose Mendoza, Sebastian MessingerCamera : Canon G7X Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

The latest In Touch With iOS with Dave he is joined by Jill McKinley, Chuck Joiner, Jeff Gamet, Eric Bolden, Marty Jencius, Guy Serle. Apple scores a major legal win for the Apple Watch, Vision Pro gets a gaming boost with NVIDIA, and the MacBook Neo continues to impress the panel. Plus, iOS 26.4 improves Family Sharing, AirPods Max 2 arrives, and Final Cut Pro gets a major upgrade with Apple's Motion VFX acquisition. The show notes are at InTouchwithiOS.com  Direct Link to Audio  Links to our Show Give us a review on Apple Podcasts! CLICK HERE we would really appreciate it! Click this link Buy me a Coffee to support the show we would really appreciate it. intouchwithios.com/coffee  Another way to support the show is to become a Patreon member patreon.com/intouchwithios Website: In Touch With iOS YouTube Channel In Touch with iOS Magazine on Flipboard Facebook Page BlueSky Mastodon X Instagram Threads Summary In episode 413, David Ginsburg is joined by Jeff Gamet, Chuck Joiner, Guy Serle, Marty Jencius, Jill McKinley, and Eric Bolden for a packed discussion across Apple's ecosystem. The show kicks off with breaking news: Apple secures a favorable ruling in the ongoing Apple Watch blood oxygen dispute. The panel explores what this means for current and future Apple Watch users, including the workaround using the iPhone and whether full functionality could return. Vision Pro takes a major step forward with NVIDIA GeForce NOW support, enabling higher frame rates and improved gaming experiences. The panel discusses how this positions Vision Pro as a more serious gaming and computing platform. iOS 26.4 brings a long-awaited improvement to Family Sharing, finally allowing individual payment methods—something users have wanted for years. Meanwhile, tvOS gets subtle but useful discovery improvements. A standout segment focuses on the MacBook Neo, with strong early impressions. The panel highlights its surprising performance in real-world use, including Final Cut Pro workflows, multitasking, and even running Windows via Parallels. A new companion podcast—the Neo Notebook—is also announced. Apple also releases AirPods Max 2, featuring the H2 chip, improved ANC, and better audio performance, though at a higher price point. The discussion explores whether the upgrade is compelling enough. The episode wraps with excitement for MacStock 2026 and continued community engagement. Topics and Links Breaking News ITC Judge Rules Apple Watch Blood Oxygen Workaround Does Not Infringe Masimo Patents In Touch With Vision Pro this week.  visionOS 26.4 Release Candidate Now Available for Apple Vision Pro visionOS 26.4 Beta 4 Release Notes | Apple Developer Documentation Apple Vision Pro gains smoother gameplay with Nvidia's top GeForce Now streaming plan Beta this week.  Apple Seeds iOS 26.4 and iPadOS 26.4 Release Candidates macOS Tahoe 26.4 RC Release Notes: 6 New Features Coming to Mac iOS 26.4 to finally let Family Sharing members use their own payment methods Apple Releases watchOS 26.4, tvOS 26.4 and visionOS 26.4 Release Candidates Here Are Apple's Release Notes for iOS 26.4 - MacRumors Apple Adds 'Genius Browse' Movie and TV Recommendations to Apple TV in tvOS 26.4 - MacRumors Apple Releases Background Security Improvement Update for macOS Tahoe 26.3.1, iOS 26.3.1, and iPadOS 26.3.1 Apple Urges iPhone Users Running Outdated iOS Versions to Update Immediately In Touch With Mac this week macOS Tahoe 26.4 Release Candidate Now Available - MacRumors New segment:  In Touch with Macbook Neo Despite hardware limits, Parallels supports running Windows on MacBook Neo  MacBook Neo runs Premiere Pro and almost 60 Chrome tabs without issues New vodcast The Neo Notebook starting Sunday March 23rd 9 PM EST  Other Topics Apple introduces AirPods Max 2 Apple announces AirPods Max 2 update with H2 chip, same price AirTag 2 vs AirTag: Here's everything new  Cool thing Spigen's New AirPods Pro 3 Case Is Modeled After the Original Macintosh Mouse Amazon link: https://amzn.to/40LmFF9 Rolling Square Wallet Tracker: https://amzn.to/4stzQqC News Perplexity Launches Comet AI Browser for iPhone With Built-In Assistant - MacRumors Apple's Head of Home Hardware Leaves for Smart Ring Maker Oura  Apple's First Lightning iPhone is Now Obsolete Apple buys Final Cut Pro plug-in partner, MotionVFX Announcements Macstock X is here celebrating its 10th anniversary ! Dave, Chuck, Jeff, Marty, and Jill are all speaking this year!. With Three Full Days of expert-led Presentations and Workshops, Macstock's sessions are crammed full of productivity-enhancing content. NEW this year is a partnership with sponsor Ecamm. Ecamm Creator Camp: Mac Edition on July 9, 2026 there are only 100 tickets available for the bundle. There are 2 passes available: Macstock weekend pass July 10,11,12, 2026 or the Macstock Ecamm Bundle starting July 9 (only 100 tickets available)  Come join us. Register HERE Its official! Dave is speaking for a 10th consecutive year!! Our Host Dave Ginsburg is an IT professional supporting Mac, iOS and Windows users and shares his wealth of knowledge of iPhone, iPad, Apple Watch, Apple TV and related technologies. Visit the YouTube channel https://youtube.com/intouchwithios follow him on Mastodon @daveg65, , BlueSky @daveg65  and the show @intouchwithios   Our Regular Contributors Jeff Gamet is a podcaster, technology blogger, artist, and author. Previously, he was The Mac Observer's managing editor, and Smile's TextExpander Evangelist. You can find him on Mastadon @jgamet Pixelfed @jgamet@pixelfed.social and Bluesky @jgamet.bsky.social‬ Podcasts The Context Machine Podcast  Retro Rewatch Retro Rewatch His YouTube channel https://youtube.com/jgamet Marty Jencius, Ph.D., is a professor of counselor education at Kent State University, where he researches, writes, and trains about using technology in teaching and mental health practice. His podcasts include Vision Pro Files, The Tech Savvy Professor and Circular Firing Squad Podcast. Find him at jencius@mastodon.social  https://thepodtalk.net  Eric Bolden is into macOS, plants, sci-fi, food, and is a rural internet supporter. You can connect with him by email at eabolden@mac.com, on Mastodon at @eabolden@techhub.social, on his blog, Trending At Work, and as co-host on The Vision ProFiles podcast.   Jill McKinley works in enterprise software, server administration, and IT A lifelong tech enthusiast, she started her career with Windows but is now an avid Apple fan. Beyond technology, she shares her insights on nature, faith, and personal growth through her podcasts—Buzz Blossom & Squeak, Start with Small Steps, and The Bible in Small Steps. Watch her content on YouTube at @startwithsmallsteps and follow her on X @schmern. Find all her work at http://jillfromthenorthwoods.com  Chuck Joiner is the host of MacVoices and hosts video podcasts with influential members of the Apple community. Make sure to visit macvoices.com and subscribe to his podcast. You can follow him on Twitter @chuckjoiner and join his MacVoices Facebook group. Guy Serle is one of the hosts of the new The Gmen Show along with GazMaz and email GMenshow@icloud.com  @MacParrot and @VertShark on X  Vertshark on YouTube, Google Voice +1 Area code  703-828-4677

Na de mega-ontslagen bij Amazon en Block snijdt ook Meta in eigen vlees. Twintig procent van het personeelsbestand, afgerond 16.000 mensen worden binnenkort op straat gezet, schrijft Reuters. Meta gaat dit jaar 165 miljard dollar aan kosten maken en met maar liefst 135 daarvan wordt vooral rekenkracht voor AI aangeschaft. Dat geld moet ergens vandaan komen, dus vliegen er mensen de laan uit. Of ze die mensen wel kunnen missen, bespreken we deze aflevering. Hoor je ook waarom Unicredit een overnamebod doet op Commerzbank. Ze bieden slechts 4 procent premie op de slotkoers van vrijdag - die koers is vandaag alweer ingelopen - en het bod is volledig in aandelen. Hoe graag willen ze het dan écht? Dat zoeken we voor je uit. Hoor je ook nog: Hoe een bedrijf met een Nederlands tintje profiteert van Meta's miljardeninvesteringen Waarom niemand zal klagen over de laatste bonus van de topvrouw van Wolters Kluwer Hoe slecht het gaat met kunstmestproducent OCI en waarom dat volgens onze gast allemaal schijn is Welk bedrijf Apple overneemt Te gast: Arend-Jan Kamp van Stockwatch.nl BNR Beurs is een journalistiek onafhankelijke productie, mede mogelijk gemaakt door Saxo. Over de makers: Jelle Maasbach is presentator van BNR Beurs en freelance financieel journalist. Zijn favoriete aandeel om over te praten is Disney, maar daar lijkt hij de enige in te zijn. Sinds de eerste uitzending van BNR Beurs is 'ie er bij. Maxim van Mil is presentator van BNR Beurs en journalist bij BNR, waar hij zich focust op de financiële markten en ontwikkelingen in de tech-wereld. Je krijgt hem het meest enthousiast als hij kan praten over ASML, of oer-Hollandse bedrijven zoals Ahold of ABN Amro. Jorik Simonides is presentator van BNR Beurs, economieredacteur en verslaggever bij BNR. Hij wordt er vooral blij van als het een keer níet over AI gaat. Milou Brand is presentator van BNR Beurs, freelance podcastmaker en columnist bij het Financieele Dagblad. Jochem Visser is presentator van BNR Beurs, maakt Beursnerd XL en de podcast Onder Curatoren. Vraag hem naar obscure zaken op financiële markten en hij vertelt je waarom het eigenlijk nóg leuker is dan je al dacht. Over de podcast: Met BNR Beurs ga je altijd voorbereid de nieuwe beursdag in. We praten je in een kleine 25 minuten bij over alle laatste ontwikkelingen op de handelsvloer. We blijven niet alleen bij de AEX of Wall Street, maar vertellen je ook waar nog meer kansen liggen. En we houden het niet bij de cijfers, maar zoeken ook iedere dag voor je naar duiding van scherpe gasten en experts. Of je nu een ervaren belegger bent of net begint met je eerste stappen op de beurs, de podcast biedt waardevolle inzichten voor je beleggingsstrategie. Door de focus op zowel de korte termijn als de lange termijn, helpt BNR Beurs luisteraars om de ruis van de markt te scheiden van de essentie. Van Musk tot Microsoft en van Ahold tot ASML. Wij vertellen je wat beleggers bezighoudt, wie de markten in beweging zet en wat dat betekent voor jouw beleggingsportefeuille.See omnystudio.com/listener for privacy information.

Na de mega-ontslagen bij Amazon en Block snijdt ook Meta in eigen vlees. Twintig procent van het personeelsbestand, afgerond 16.000 mensen worden binnenkort op straat gezet, schrijft Reuters. Meta gaat dit jaar 165 miljard dollar aan kosten maken en met maar liefst 135 daarvan wordt vooral rekenkracht voor AI aangeschaft. Dat geld moet ergens vandaan komen, dus vliegen er mensen de laan uit. Of ze die mensen wel kunnen missen, bespreken we deze aflevering. Hoor je ook waarom Unicredit een overnamebod doet op Commerzbank. Ze bieden slechts 4 procent premie op de slotkoers van vrijdag - die koers is vandaag alweer ingelopen - en het bod is volledig in aandelen. Hoe graag willen ze het dan écht? Dat zoeken we voor je uit. Hoor je ook nog: Hoe een bedrijf met een Nederlands tintje profiteert van Meta's miljardeninvesteringen Waarom niemand zal klagen over de laatste bonus van de topvrouw van Wolters Kluwer Hoe slecht het gaat met kunstmestproducent OCI en waarom dat volgens onze gast allemaal schijn is Welk bedrijf Apple overneemt Te gast: Arend-Jan Kamp van Stockwatch.nl BNR Beurs is een journalistiek onafhankelijke productie, mede mogelijk gemaakt door Saxo. Over de makers: Jelle Maasbach is presentator van BNR Beurs en freelance financieel journalist. Zijn favoriete aandeel om over te praten is Disney, maar daar lijkt hij de enige in te zijn. Sinds de eerste uitzending van BNR Beurs is 'ie er bij. Maxim van Mil is presentator van BNR Beurs en journalist bij BNR, waar hij zich focust op de financiële markten en ontwikkelingen in de tech-wereld. Je krijgt hem het meest enthousiast als hij kan praten over ASML, of oer-Hollandse bedrijven zoals Ahold of ABN Amro. Jorik Simonides is presentator van BNR Beurs, economieredacteur en verslaggever bij BNR. Hij wordt er vooral blij van als het een keer níet over AI gaat. Milou Brand is presentator van BNR Beurs, freelance podcastmaker en columnist bij het Financieele Dagblad. Jochem Visser is presentator van BNR Beurs, maakt Beursnerd XL en de podcast Onder Curatoren. Vraag hem naar obscure zaken op financiële markten en hij vertelt je waarom het eigenlijk nóg leuker is dan je al dacht. Over de podcast: Met BNR Beurs ga je altijd voorbereid de nieuwe beursdag in. We praten je in een kleine 25 minuten bij over alle laatste ontwikkelingen op de handelsvloer. We blijven niet alleen bij de AEX of Wall Street, maar vertellen je ook waar nog meer kansen liggen. En we houden het niet bij de cijfers, maar zoeken ook iedere dag voor je naar duiding van scherpe gasten en experts. Of je nu een ervaren belegger bent of net begint met je eerste stappen op de beurs, de podcast biedt waardevolle inzichten voor je beleggingsstrategie. Door de focus op zowel de korte termijn als de lange termijn, helpt BNR Beurs luisteraars om de ruis van de markt te scheiden van de essentie. Van Musk tot Microsoft en van Ahold tot ASML. Wij vertellen je wat beleggers bezighoudt, wie de markten in beweging zet en wat dat betekent voor jouw beleggingsportefeuille.See omnystudio.com/listener for privacy information.

Procurez-vous CRIMES SANS FRONTIÈRES en précommande : https://linktr.ee/crimessansfrontieresCompte Instagram de Josiane Aubuchon : https://www.instagram.com/josiane.aubuchon/Mes sources : https://www.reddit.com/r/Unexplained/comments/1l7mle5/my_dead_dad_texting_me/ https://ia800303.us.archive.org/28/items/phone-calls-from-the-dead-d.-scott-rogo-raymond-bayless/Phone%20Calls%20from%20the%20Dead%20%28D.%20Scott%20Rogo%2C%20Raymond%20Bayless%29%20%28Z-Library%29_text.pdf https://www.reddit.com/r/RBI/comments/1pxrtj8/i_was_taken_out_of_school_at_age_10_and_shown/ https://www.reddit.com/r/Ghosts/comments/1jruc8i/what_do_you_see_in_this_picture_backstory_for/ https://www.reddit.com/r/morbidquestions/comments/1pw03u3/will_we_ever_know_what_happened_to_uworthless319/ https://www.reddit.com/user/worthless319/ https://www.reddit.com/r/RBI/comments/1fwua9u/my_friend_found_this_weird_balloon_with_crazy/ https://www.reddit.com/r/RBI/s/lWA61JFaQKAttention, cette vidéo peut contenir des images ou des propos qui sont déconseillés aux plus jeunes. Chanson Intro : Danse of questionable tuning - Kevin MacLeod Vidéo Intro par https://www.instagram.com/frenchyartist/ ♥Suis-moi sur les réseaux sociaux: INSTAGRAM: https://www.instagram.com/victoria.charlton/ FACEBOOK : https://www.facebook.com/victoriacharltonofficiel TIKTOK : https://www.tiktok.com/@victoriacharltonn EMAIL : victoriacharltonpro@gmail.com ♥Podcast Over n Out : APPLE PODCAST : https://podcasts.apple.com/us/podcast/over-n-out/id1545187858?uo=4 SPOTIFY : https://open.spotify.com/show/6OgK35AojAk4emWYfq5sk8 ♥Podcast Post-Mortem : SPOTIFY : https://open.spotify.com/show/1m0Yx1jAOos8ewx5o2OgJA QUB RADIO : https://www.qub.ca/radio/balado/post-mortem-avec-victoria-charlton-saison-1-roxanne-luce Logiciel de montage : Premiere Pro, After Effects, Blender 3DDirecteur de Post-Production: Sebastian Messinger Recherche et Montage: Juliette FayMontage et Animation: Juan Jose Mendoza, Sebastian MessingerCamera : Canon G7X Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In this episode, No Film School host GG Hawkins speaks with editor Sonny Atkins about shaping fear through sound, rhythm, and restraint in the horror feature Undertone. Atkins breaks down how the film's audio-first concept influenced everything from the script to the cut, why long pauses and musical timing can heighten dread, and how a deeply personal story about grief and caregiving evolved through the editorial process. He also shares practical insights into working scrappy on a low-budget feature, using Premiere Pro's Productions workflow, speech-to-text, temp sound design, and test screenings to refine both story and suspense. In this episode, No Film School's GG Hawkins and guest Sonny Atkins discuss... How Undertone began as an audio-driven concept and why that immediately stood out in the script Why sound design became central to the edit, not just an atmospheric layer The challenge of building horror around what the audience hears instead of what they see How Ian Tuason's personal experience with caregiving and grief shaped the emotional core of the film Discovering story solutions in post, including the addition of a saved voicemail from the protagonist's mother Creating distinct sonic and visual worlds between the downstairs living space and the mother's upstairs room What it took to make a low-budget Canadian horror feature feel polished and cinematic Why Atkins cut his first assembly extremely short, then built the film back up from its essential skeleton How rhythm, blank space, and even drum rudiments became part of the team's language for suspense Using Premiere Pro's Productions workflow to keep a feature edit organized and responsive How speech-to-text helped manage ADR, offscreen dialogue, and hundreds of audio files Why editors should mock up sound ideas early for test screenings instead of waiting for the final sound team How Frame.io helped organize notes with timecode-based feedback Why humor can be an important release valve inside horror Career advice on longevity, mentorship, process, and closing the gap between taste and ability Memorable Quotes: “Because in this film, sound isn't just part of the atmosphere, it's the engine of the story.” “A lot of it's about rhythm and where to leave blank space, and that kind of stuff.” “The people who make it in this business are the people who don't quit. It's a longevity game.” “If your focus is really just not about making the work really good and working a lot, you can sort of inoculate yourself against having your heart broken over and over again.” Guests: Sonny Atkins (IMDb) Resources: Undertone on IMDb The Gap by Ira Glass Taylor Mason on editing Him for No Film School Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

Have you ever wondered how we capture those beautiful shots of our paper flowers? In this episode, Quynh, Jessie, and Sara pull back the curtain on their photography and videography equipment, settings, and creative processes. Sara shares her daily filming routine and why she shoots the same action from multiple angles. Jessie breaks down her camera choices and explains why the person behind the lens matters more than the equipment. And Quynh reveals her favorite affordable tripod and why she upgraded her Canon for her book deal. "Do a B-roll shot list of things that you want to capture because when you're filming, you forget you're thinking you're getting all this." - Quynh Whether you're shooting with an iPhone or investing in professional equipment, this conversation is packed with practical tips to help you showcase your work beautifully. Here's What You'll Hear in This Episode: Sara's complete camera setup and why she switched from Canon to Sony The importance of lenses over camera bodies (and which ones to invest in first) How to shoot multiple angles of the same action for dynamic content iPhone camera settings for the highest quality photos and videos Why natural light beats artificial lighting every single time The pre-production process: shot lists, prep work, and planning your day Editing software recommendations: Premiere Pro, Final Cut Pro, Lightroom, and more How to find affordable secondhand camera equipment The best tripods for overhead shots and easy movement Microphone recommendations for clear audio in videos Equipment & Tools Mentioned: Sony cameras (various models) with GM 16-35mm wide angle zoom lens Canon DSLR cameras Fujifilm GFX 50S II (for professional photography) Viltrox 20mm lens (affordable option, around $100) iPhone 16 Pro Max with specific camera settings Rode shotgun and wireless microphones DJI Osmo and DJI wireless remote Greek Geekcraft tripod (extends to 7 feet with magnetic phone mount) Tethering cables for shooting directly to computer Editing Software Mentioned: Adobe Premiere Pro (video editing) Final Cut Pro (video editing for Mac users) Adobe Lightroom (photo editing) Adobe Photoshop (advanced photo editing) Edits app (mobile video editing) Snapseed (mobile photo editing) Capture One (professional photo editing with tethering)

Procurez-vous CRIMES SANS FRONTIÈRES en précommande : https://linktr.ee/crimessansfrontieresBecky Watts, 16 ans, a disparu le 19 février 2015 dans la ville de Bristol, en Angleterre. Livre « The Evil Within » par Darren Galsworthy : https://www.indigo.ca/en-ca/the-evil-within-murdered-by-her-stepbrother-–-the-crime-that-shocked-a-nation.-the-heartbreaking-story-of-becky-watts-by-her-father/9780008179618.htmlAttention, cette vidéo peut contenir des images ou des propos qui sont déconseillés aux plus jeunes. Chanson Intro : Danse of questionable tuning - Kevin MacLeod Vidéo Intro par https://www.instagram.com/frenchyartist/ ♥Suis-moi sur les réseaux sociaux: INSTAGRAM: https://www.instagram.com/victoria.charlton/ FACEBOOK : https://www.facebook.com/victoriacharltonofficiel TIKTOK : https://www.tiktok.com/@victoriacharltonn EMAIL : victoriacharltonpro@gmail.com ♥Podcast Over n Out : APPLE PODCAST : https://podcasts.apple.com/us/podcast/over-n-out/id1545187858?uo=4 SPOTIFY : https://open.spotify.com/show/6OgK35AojAk4emWYfq5sk8 ♥Podcast Post-Mortem : SPOTIFY : https://open.spotify.com/show/1m0Yx1jAOos8ewx5o2OgJA QUB RADIO : https://www.qub.ca/radio/balado/post-mortem-avec-victoria-charlton-saison-1-roxanne-luce Logiciel de montage : Premiere Pro, After Effects, Blender 3DDirecteur de Post-Production: Sebastian Messinger Recherche et Montage: Juliette FayMontage et Animation: Juan Jose Mendoza, Sebastian MessingerCamera : Canon G7X Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Kacie Woody était une adolescente américaine de 13 ans qui a été kidnappée par un prédateur qu'elle avait rencontré en ligne. Site Exploitation des enfants en ligne : https://www.canada.ca/fr/securite-publique-canada/campagnes/exploitation-sexuelle-enfants-en-ligne.html?utm_campaign=ps-sp-child-exploitation-25-26&utm_source=ggl&utm_medium=sem&utm_content=ad-text_fr&adv=2526-810950&utm_term=dangers+en+ligne&gclsrc=aw.ds&gad_source=1&gad_campaignid=23211005500&gbraid=0AAAAABoNbHjmNniwwNaw4IYsN96uNAN7k&gclid=Cj0KCQiAgP_JBhD-ARIsANpEMxwA5tKpd0zawXe0vlVLg-y98uU1M_jJt2yahhGhsZVWrRzToPk1_PIaArJFEALw_wcB Mes sources : https://www.arkansasonline.com/news/2003/dec/14/evil-door/?f=news-arkansas-specials-caughtintheweb https://en.wikipedia.org/wiki/Murder_of_Kacie_WoodyAttention, cette vidéo peut contenir des images ou des propos qui sont déconseillés aux plus jeunes. Chanson Intro : Danse of questionable tuning - Kevin MacLeod Vidéo Intro par https://www.instagram.com/frenchyartist/ ♥Suis-moi sur les réseaux sociaux: INSTAGRAM: https://www.instagram.com/victoria.charlton/ FACEBOOK : https://www.facebook.com/victoriacharltonofficiel TIKTOK : https://www.tiktok.com/@victoriacharltonn EMAIL : victoriacharltonpro@gmail.com ♥Podcast Over n Out : APPLE PODCAST : https://podcasts.apple.com/us/podcast/over-n-out/id1545187858?uo=4 SPOTIFY : https://open.spotify.com/show/6OgK35AojAk4emWYfq5sk8 ♥Podcast Post-Mortem : SPOTIFY : https://open.spotify.com/show/1m0Yx1jAOos8ewx5o2OgJA QUB RADIO : https://www.qub.ca/radio/balado/post-mortem-avec-victoria-charlton-saison-1-roxanne-luce Logiciel de montage : Premiere Pro, After Effects, Blender 3DDirecteur de Post-Production: Sebastian Messinger Recherche et Montage: Juliette FayMontage et Animation: Juan Jose Mendoza, Sebastian MessingerCamera : Canon G7X Tout commentaire incitant à la haine ou au manque de respect sera supprimé. Je veux que mon espace commentaire soit positif et amical ☺ Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Stocks for Beginners and Tykr proudly present "Weekend Watchlist". We dissect a company using Tykr's risk rating and fair value analysis process. Learn how to avoid emotional mistakes, choose investments with a rationale, and build wealth with confidence. Get your free trial and special discount offer. Join Tykr today and take advantage of this special offer of 30% off with coupon code SAVE30. See for yourself why Tykr is the essential tool for every serious DIY share investor. 14-day free trial included, then a no-quibble 30-day money back guarantee: Get your free trial and special discount offer. Is Adobe (ADBE) a smart stock pick in the AI era, or is it getting eaten alive by generative tech? In this episode of Weekend Watch, host Phil Muscatello dives deep with Sean Tepper from Tykr into Adobe's business model, revenue streams, and the massive AI threat to tools like Photoshop, Illustrator, and Premiere Pro. Discover Tykr's proven 7-point methodology for picking winners—focusing on scores, margins, returns, and earnings beats—to decide if Adobe is a buy, sell, or watch. Disclosure: The links provided are affiliate links. I will be paid a commission if you use this link to make a purchase. You will receive a discount by using these links/coupon codes. I only recommend products and services that I use and trust myself or where I have interviewed and/or met the founders and have assured myself that they're offering something of value. Stocks for Beginners is a production of Finpods Pty Ltd. The advice shared on Stocks for Beginners is general in nature and does not consider your individual circumstances. Opinions expressed by guests are theirs alone and may not represent the views of Finpods, Money Sherpa, or Phil Muscatello. Stocks for Beginners exists purely for educational and entertainment purposes and should not be relied upon to make an investment or financial decision. If you do choose to buy a financial product, read the PDS, TMD, and obtain appropriate financial advice tailored towards your needs. Philip Muscatello and Finpods Pty Ltd are authorised representatives of Money Sherpa PTY LTD ABN - 321649 27708, AFSL - 451289. Hosted on Acast. See acast.com/privacy for more information.

Shares for Beginners and Tykr proudly present "Weekend Watchlist". We dissect a company using Tykr's risk rating and fair value analysis process. Learn how to avoid emotional mistakes, choose investments with a rationale, and build wealth with confidence. Get your free trial and special discount offer. Join Tykr today and take advantage of this special offer of 30% off with coupon code SAVE30. See for yourself why Tykr is the essential tool for every serious DIY share investor. 14-day free trial included, then a no-quibble 30-day money back guarantee: Get your free trial and special discount offer. Is Adobe (ADBE) a smart stock pick in the AI era, or is it getting eaten alive by generative tech? In this episode of Weekend Watch, host Phil Muscatello dives deep with Sean Tepper from Tykr into Adobe's business model, revenue streams, and the massive AI threat to tools like Photoshop, Illustrator, and Premiere Pro. Discover Tykr's proven 7-point methodology for picking winners—focusing on scores, margins, returns, and earnings beats—to decide if Adobe is a buy, sell, or watch. Disclosure: The links provided are affiliate links. I will be paid a commission if you use this link to make a purchase. You will receive a discount by using these links/coupon codes. I only recommend products and services that I use and trust myself or where I have interviewed and/or met the founders and have assured myself that they're offering something of value. Shares for Beginners is a production of Finpods Pty Ltd. The advice shared on Shares for Beginners is general in nature and does not consider your individual circumstances. Opinions expressed by guests are theirs alone and may not represent the views of Finpods, Money Sherpa, or Phil Muscatello. Shares for Beginners exists purely for educational and entertainment purposes and should not be relied upon to make an investment or financial decision. If you do choose to buy a financial product, read the PDS, TMD, and obtain appropriate financial advice tailored towards your needs. Philip Muscatello and Finpods Pty Ltd are authorised representatives of Money Sherpa PTY LTD ABN - 321649 27708, AFSL - 451289. Hosted on Acast. See acast.com/privacy for more information.

Le 15 novembre 2024, y'a un livre obscur nommé "Tesla and the Pyramid" qui a été publié. On s'est vite rendus compte que le livre semblait annoncer d'importants événements qui ont eu lieu APRÈS la sortie du livre. Mes sources : https://www.reddit.com/r/conspiracy/comments/1oja20z/this_is_one_of_the_wildest_conspiracy_theories/ https://www.amazon.ca/Tesla-Pyramid-Jenner-Brown/dp/B0DNCT3PKSAttention, cette vidéo peut contenir des images ou des propos qui sont déconseillés aux plus jeunes. Chanson Intro : Danse of questionable tuning - Kevin MacLeod Vidéo Intro par https://www.instagram.com/frenchyartist/ ♥Suis-moi sur les réseaux sociaux: INSTAGRAM: https://www.instagram.com/victoria.charlton/ FACEBOOK : https://www.facebook.com/victoriacharltonofficiel TIKTOK : https://www.tiktok.com/@victoriacharltonn EMAIL : victoriacharltonpro@gmail.com ♥Podcast Over n Out : APPLE PODCAST : https://podcasts.apple.com/us/podcast/over-n-out/id1545187858?uo=4 SPOTIFY : https://open.spotify.com/show/6OgK35AojAk4emWYfq5sk8 ♥Podcast Post-Mortem : SPOTIFY : https://open.spotify.com/show/1m0Yx1jAOos8ewx5o2OgJA QUB RADIO : https://www.qub.ca/radio/balado/post-mortem-avec-victoria-charlton-saison-1-roxanne-luce Logiciel de montage : Premiere Pro, After Effects, Blender 3DDirecteur de Post-Production: Sebastian Messinger Recherche et Montage: Juliette FayMontage et Animation: Juan Jose Mendoza, Sebastian MessingerCamera : Canon G7X Tout commentaire incitant à la haine ou au manque de respect sera supprimé. Je veux que mon espace commentaire soit positif et amical ☺ Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Episode 10

Send us a textIf you're a video agency owner doing $250k a year but still spending 70 hours a week in an edit suite, you don't have a business, you have a high-paid job. You are stuck in the "Technician Trap," trading your life for deliverables while clutching onto "creativity" as your profit margins bleed out.In this episode, Den breaks down why the most "passionate" filmmakers are often the ones struggling to pay rent. We're moving past the "AI is the enemy" noise and looking at the cold, hard business logic of scaling. If a heart surgeon mopped the floors of the operating room, the hospital would go bankrupt. So why are you still opening Premiere Pro?Here's what you'll discover:The $250k Dead Zone: Why this specific revenue marker is where most agencies fail to scale.The Surgeon's Logic: Reframing your value from "the guy with the camera" to the Architect of the result.The AI Tech Stack: A 3-phase framework to automate the "grunt work" and reclaim 30+ hours a week.The Math of Profitability: Why a 70% margin at $1,000/hr beats an 80% margin at $100/hr every single time.The Ego Tax: How your obsession with "authenticity" and "the tools" is actually a bottleneck for your team.Stop being the janitor of your business. It's time to take the CEO chair. Mentoring options : www.denlennie.com Connect with Den on Instagram: https://www.instagram.com/den_lennie

Patrick McDermott, 48 ans, a disparu le 30 juin 2005 lors d'un voyage de pêche. Encore aujourd'hui, on se demande s'il aurait mis en scène une noyade afin de refaire sa vie sous la couverture de l'anonymat?Mes Sources :https://oag.ca.gov/missing/person/patrick-kim-mcdermott https://allthatsinteresting.com/patrick-mcdermott https://www.nzherald.co.nz/world/is-olivia-newton-johns-ex-patrick-mcdermott-really-alive/EJOCK3UEZWE6HYKXWQKMHVXSF4/ https://www.cbsnews.com/news/missing-man-has-money-problems/ https://www.dailymail.co.uk/tvshowbiz/article-11414209/Shock-twist-disappearance-Olivia-Newton-Johns-ex-boyfriend-Patrick-McDermott.html https://www.nbcnews.com/id/wbna15520212 https://people.com/music/olivia-newton-john-missing-boyfriend-canadian-pub-owner/Attention, cette vidéo peut contenir des images ou des propos qui sont déconseillés aux plus jeunes. Chanson Intro : Danse of questionable tuning - Kevin MacLeod Vidéo Intro par https://www.instagram.com/frenchyartist/ ♥Suis-moi sur les réseaux sociaux: INSTAGRAM: https://www.instagram.com/victoria.charlton/ FACEBOOK : https://www.facebook.com/victoriacharltonofficiel TIKTOK : https://www.tiktok.com/@victoriacharltonn EMAIL : victoriacharltonpro@gmail.com ♥Podcast Over n Out : APPLE PODCAST : https://podcasts.apple.com/us/podcast/over-n-out/id1545187858?uo=4 SPOTIFY : https://open.spotify.com/show/6OgK35AojAk4emWYfq5sk8 ♥Podcast Post-Mortem : SPOTIFY : https://open.spotify.com/show/1m0Yx1jAOos8ewx5o2OgJA QUB RADIO : https://www.qub.ca/radio/balado/post-mortem-avec-victoria-charlton-saison-1-roxanne-luce Logiciel de montage : Premiere Pro, After Effects, Blender 3DDirecteur de Post-Production: Sebastian Messinger Recherche et Montage: Juliette FayMontage et Animation: Juan Jose Mendoza, Sebastian MessingerCamera : Canon G7X Tout commentaire incitant à la haine ou au manque de respect sera supprimé. Je veux que mon espace commentaire soit positif et amical ☺ Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In this episode, we break down our Canon EOS C50 Lab Test results and explore the gap between specs and real-world performance. We also cover the Nikon ZR firmware update, Vimeo's mass layoffs under Bending Spoons, rumors of a potential Leica sale, SmallHD and Iodyne product updates, this year's Oscar cinematography nominees, and Google's $2 million partnership with Sundance to train filmmakers on AI tools. Plus: why Adobe's 20% stock drop signals bigger shifts in the creative software landscape. --- Chapters and Articles in This Episode (00:00) - Intro (03:06) - Canon EOS C50 Lab Test – Rolling Shutter, Dynamic Range and Exposure Latitude https://www.cined.com/canon-eos-c50-lab-test-rolling-shutter-dynamic-range-and-exposure-latitude/ (11:22) - Nikon ZR Firmware V1.10 Released – Wired Timecode Sync, RED File Naming, and More https://www.cined.com/nikon-zr-firmware-v1-10-released-wired-timecode-sync-red-file-naming-and-more/ (14:34) - Vimeo Layoffs Eliminate Majority of Staff Just Four Months After $1.38B Acquisition https://www.cined.com/vimeo-layoffs-eliminate-majority-of-staff-just-four-months-after-1-38b-acquisition/ (23:48) - Leica Camera AG Owners Reportedly Considering Sale of Controlling Stake Valued at €1 Billion https://www.cined.com/leica-camera-ag-owners-reportedly-considering-sale-of-controlling-stake-valued-at-e1-billion/ (33:38) - ProClip Acquires INOVATIV – What It Means for the Film Industry's Favorite Cart Maker https://www.cined.com/proclip-acquires-inovativ-what-it-means-for-the-film-industrys-favorite-cart-maker/ (38:31) - 98th Academy Awards Nominations: “Sinners” Breaks All-Time Record With 16 Nods, Cinematography Race Features Diverse Field https://www.cined.com/98th-academy-awards-nominations-sinners-breaks-all-time-record-with-16-nods-cinematography-race-features-diverse-field/ (40:23) - SmallHD PageOS Update Adds Fleet Control, Portrait Mode, and Canon Camera Control https://www.cined.com/smallhd-pageos-update-adds-fleet-control-portrait-mode-and-canon-camera-control/ (45:13) - Accsoon CineView M7 Firmware Update Adds Sony EI Control, Nikon Support, ARRI-Style False Color, and Vertical Workflow https://www.cined.com/accsoon-cineview-m7-firmware-update-adds-sony-ei-control-nikon-support-arri-style-false-color-and-vertical-workflow/ (51:33) - Eddie AI “Dirty Multicam” Support for Premiere Pro and DaVinci Resolve Launched https://www.cined.com/eddie-ai-dirty-multicam-support-for-premiere-pro-and-davinci-resolve-launched/ (59:53) - Google.org Invests $2 Million in Sundance Institute for AI Filmmaking Education https://www.cined.com/google-org-invests-2-million-in-sundance-institute-for-ai-filmmaking-education/ (01:09:50) - LumaFusion for Android 2.5 Brings Head and Tail Transitions, Multi-Clip Editing, and APV Codec Support https://www.cined.com/lumafusion-for-android-2-5-brings-head-and-tail-transitions-multi-clip-editing-and-apv-codec-support/ (01:11:33) - SWIT PowerCell Batteries Now Available for Sony, Canon, Nikon, and FUJIFILM Cameras https://www.cined.com/swit-powercell-batteries-now-available-for-sony-canon-nikon-and-fujifilm-cameras/ (01:14:43) - Cinematographer Bob Poole on Filming Elephants With FUJINON Duvo HZK25-1000mm – Respectful Wildlife Filmmaking https://www.cined.com/cinematographer-bob-poole-on-filming-elephants-with-fujinon-duvo-hzk25-1000mm-respectful-wildlife-filmmaking/ (01:18:42) - Adding Elements in VFX Compositing to Sell the Illusion – A Step-by-Step Guide from Digby Hogan https://www.cined.com/adding-elements-in-vfx-compositing-to-sell-the-illusion-a-step-by-step-guide-from-digby-hogan/ We hope you enjoyed this episode! You have feedback, comments, or suggestions? Write us at podcast@cined.com

In this deeply personal episode of the AART Podcast, host Chris Stafford sits down with acclaimed American film editor Jazzy Kettenacker for an intimate conversation about life, identity, and a career shaped by storytelling. Rather than focusing on technical process, this episode explores the human journey behind the edit — the experiences, values, and turning points that have defined Jazzy's path in film and beyond. Jazzy Kettenacker reflects on growing up with a creative instinct, discovering film as a way to make sense of the world, and how editing became not just a profession but a way of thinking and living. She speaks candidly about navigating the film industry, finding her voice as an artist, and the emotional intelligence required to shape stories that resonate. This is a conversation about resilience, intuition, and the unseen labor that gives films their emotional rhythm. Throughout the episode, Jazzy opens up about the realities of sustaining a creative life — the doubts, the breakthroughs, and the personal evolution that comes with long-term artistic work. Her story highlights the importance of trust, collaboration, and empathy, revealing how an editor's sensibility is deeply intertwined with who they are as a person. The AART Podcast is known for thoughtful, biographical conversations with artists across disciplines, and this episode is no exception. Chris guides the discussion with warmth and curiosity, creating space for reflection on creativity, identity, and what it truly means to build a life in the arts. Whether you're a filmmaker, artist, or simply someone interested in honest creative journeys, this episode offers rare insight into the inner life of a film editor whose work — and perspective — is shaped by lived experience.BIOJazzy Kettenacker, a St. Louis native and full-time Editor at BSS Outpost, is known for her dynamic editing style and relentless work ethic. A Hollins University graduate and Premiere Pro wiz, she's collaborated with top brands like The North Face, Disney+, MLS, Rolling Stone, Under Armour, Pepsi, and FX. Jazzy's dedication to creative excellence drives her to push boundaries and redefine cinematic storytelling.  Born in 199 in Columbia, MI, Jazzy is the only child of Donna Garrett, a lieutenant for the St. Louis Police Department, and Lynn Hard, a retired Home School Communicator.  She attended Compton-Drew Middle School, Webster Groves High School and Hollins University—an all women's University in Roanoke, VA. Her love for film and the process of filmmaking that she learned in college guided her to a career that began behind the camera before she realized the magic for her was to be found in the edit suite. With experience across the genres, Jazzy has now found her metier in documentary film.Keywords:Jazzy Kettenacker, Jazzy Kettenacker film editor, American film editor, film editing career, women in film, film industry stories, creative life podcast, artist biography podcast, AART Podcast, Chris Stafford podcast, film editor interview, life in film, creative identity, storytelling in cinema, behind the scenes film, artist conversations, biographical podcast, independent film voicesHost: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.A Hollowell Studios ProductionInstagram: @theaartpodcast Email: hollowellstudios@gmail.com© Copyright: Chris Stafford | Hollowell StudiosAll Rights Reserved

Send us a textThe creative middle class is dying. While most video production owners are panic-selling their gear because of AI slop, a small group of creators is using this chaos to scale past the million-dollar mark.If your business model is built on "we shoot on 4k cameras and use Premiere Pro," you have become a commodity. In the age of AI, commodities go to zero. Fast.In this episode, Den Lennie breaks down the Human-Only moat you need to build to stay relevant and move from a Video Guy to a Strategic Partner before the floor falls out from under your production house.Here is what you'll discover:The Canary in the Coal Mine: Why the bloodbath in photography is the ultimate warning for video production.The Integrity Moat: How to become the guardian of your client's brand authenticity in a world of fake content.Outcome over Output: Why charging for brand films is losing you money, and what you should be charging for instead.Efficiency Arbitrage: The secret to using AI internally to slash production time by 50% without lowering your prices.The Mindset Shift: Why scaling beyond $250k is 10% gear and 90% psychology.Stop making videos and start building a business. Mentoring options : www.denlennie.com Connect with Den on Instagram: https://www.instagram.com/den_lennie

Polly Klaas est une adolescente de 12 ans qui a été victime d'un enlèvement puis d'un assassinat perpétré par Richard Allen Davis le 1ᵉʳ octobre 1993 à Santa Rosa en Californie.Livre "In Light of All Darkness" par Kim Cross : https://www.indigo.ca/en-ca/in-light-of-all-darkness-inside-the-polly-klaas-kidnapping-and-the-search-for-americas-child/9781538725061.html PARTIE 1 : La fillette d'à côté 00:03:52:01 PARTIE 2 : Pyjama Party 00:08:27:13 PARTIE 3 : La scène de crime 00:20:16:12 PARTIE 4 : Polly dans les médias 00:28:37:01 Partie 5 : les outils du FBI 00:43:10:16 PARTIE 6 : UN HOMME LOUCHE 00:52:29:09 PARTIE 7 : PREMIER SUSPECT 01:03:33:07 PARTIE 8 : L'AMÉRIQUE PLEURE 01:10:51:08 PARTIE 9 : LE PROCÈS 01:18:25:21 Attention, cette vidéo peut contenir des images ou des propos qui sont déconseillés aux plus jeunes. Chanson Intro : Danse of questionable tuning - Kevin MacLeod Vidéo Intro par https://www.instagram.com/frenchyartist/ ♥Suis-moi sur les réseaux sociaux: INSTAGRAM: https://www.instagram.com/victoria.charlton/ FACEBOOK : https://www.facebook.com/victoriacharltonofficiel TIKTOK : https://www.tiktok.com/@victoriacharltonn EMAIL : victoriacharltonpro@gmail.com ♥Podcast Over n Out : APPLE PODCAST : https://podcasts.apple.com/us/podcast/over-n-out/id1545187858?uo=4 SPOTIFY : https://open.spotify.com/show/6OgK35AojAk4emWYfq5sk8 ♥Podcast Post-Mortem : SPOTIFY : https://open.spotify.com/show/1m0Yx1jAOos8ewx5o2OgJA QUB RADIO : https://www.qub.ca/radio/balado/post-mortem-avec-victoria-charlton-saison-1-roxanne-luce Logiciel de montage : Premiere Pro, After Effects, Blender 3DDirecteur de Post-Production: Sebastian Messinger Recherche et Montage: Juliette FayMontage et Animation: Juan Jose Mendoza, Sebastian MessingerCamera : Canon G7X Tout commentaire incitant à la haine ou au manque de respect sera supprimé. Je veux que mon espace commentaire soit positif et amical ☺ Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Le 15 juin 2021, la petite Summer Wells de 5 ans disparait de sa maison, isolée en forêt. Que s'est-il passé et pourquoi est-elle encore introuvable?Page Facebook Summer Wells : https://www.facebook.com/FindSummerWells/ Mes sources : https://www.timesnews.net/news/crime/candus-bly-calls-911-to-report-don-wells-for-assault/article_6cab6214-7d4c-11ec-a627-b3853d69a6b8.html https://charleyproject.org/case/summer-moon-utah-wellsAttention, cette vidéo peut contenir des images ou des propos qui sont déconseillés aux plus jeunes. Chanson Intro : Danse of questionable tuning - Kevin MacLeod Vidéo Intro par https://www.instagram.com/frenchyartist/ ♥Suis-moi sur les réseaux sociaux: INSTAGRAM: https://www.instagram.com/victoria.charlton/ FACEBOOK : https://www.facebook.com/victoriacharltonofficiel TIKTOK : https://www.tiktok.com/@victoriacharltonn EMAIL : victoriacharltonpro@gmail.com ♥Podcast Over n Out : APPLE PODCAST : https://podcasts.apple.com/us/podcast/over-n-out/id1545187858?uo=4 SPOTIFY : https://open.spotify.com/show/6OgK35AojAk4emWYfq5sk8 ♥Podcast Post-Mortem : SPOTIFY : https://open.spotify.com/show/1m0Yx1jAOos8ewx5o2OgJA QUB RADIO : https://www.qub.ca/radio/balado/post-mortem-avec-victoria-charlton-saison-1-roxanne-luce Logiciel de montage : Premiere Pro, After Effects, Blender 3DDirecteur de Post-Production: Sebastian Messinger Recherche et Montage: Juliette FayMontage et Animation: Juan Jose Mendoza, Sebastian MessingerCamera : Canon G7X Tout commentaire incitant à la haine ou au manque de respect sera supprimé. Je veux que mon espace commentaire soit positif et amical ☺ Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

I tried and evaluated every "Youth Ministry Social Media" Pack I could find on the internet. I evaluated on 4 criteria, and the verdict is in! I discovered the pack you should be using at your church in 2026 and beyond! SHOW NOTES Shownotes & Transcripts https://www.hybridministry.xyz/182 Social Team Checklist https://www.patreon.com/posts/social-media-138081327?utmmedium=clipboardcopy&utmsource=copyLink&utmcampaign=postsharecreator&utmcontent=join_link Mic'd Kid Reel https://www.instagram.com/p/DGtLVQOxLw8/ LIFE CHURCH https://open.life.church/resources/5220-youth-social-media-graphics DYM MONTHLY SOCIAL MEDIA PACK January Pack: https://www.downloadyouthministry.com/p/dym-january-2026-social-media-pack/social-media/instagram-10658.html Membership: https://www.dymmembership.com/ YOUTH MINISTRY DROP https://youthministrydrop.com/ SUNDAY SOCIAL https://sundaysocial.tv/social/ NUCLEUS Video: https://youtu.be/onqh7dHLwKs?si=XFtY-4Lcv32XMoH8 Nucleus Social: https://www.nucleus.church/media SERMON MULTIPLIER https://sermonmultiplier.com/ DYM Membership: https://www.dymmembership.com/ HYBRID HERO SOCIAL PACK https://www.patreon.com/posts/winter-seasonal-144943791?utmmedium=clipboardcopy&utmsource=copyLink&utmcampaign=postsharecreator&utmcontent=join_link Hybrid Heroes get this pack for $4/mo https://www.patreon.com/hybridministry

Ronald Henry Tammen Jr. était un étudiant de l'Université de Miami à Oxford, Ohio, disparu le 19 avril 1953. Son cas n'est toujours pas résolu. Les étudiants de l'université l'ont depuis surnommé le « Fantôme d'Oxford Lien vers le blog : https://ronaldtammen.comAttention, cette vidéo peut contenir des images ou des propos qui sont déconseillés aux plus jeunes.Chanson Intro : Danse of questionable tuning - Kevin MacLeod VidéoIntro par https://www.instagram.com/frenchyartist/♥Suis-moi sur les réseaux sociaux:INSTAGRAM: https://www.instagram.com/victoria.charlton/FACEBOOK : https://www.facebook.com/victoriacharltonofficielTIKTOK : https://www.tiktok.com/@victoriacharltonnEMAIL : victoriacharltonpro@gmail.com♥Podcast Over n Out :APPLE PODCAST : https://podcasts.apple.com/us/podcast/over-n-out/id1545187858?uo=4SPOTIFY : https://open.spotify.com/show/6OgK35AojAk4emWYfq5sk8♥Podcast Post-Mortem :SPOTIFY : https://open.spotify.com/show/1m0Yx1jAOos8ewx5o2OgJAQUB RADIO : https://www.qub.ca/radio/balado/post-mortem-avec-victoria-charlton-saison-1-roxanne-luceLogiciel de montage : Premiere Pro, After Effects, Blender 3DDirecteur de Post-Production: Sebastian MessingerRecherche et Montage: Juliette FayMontage et Animation: Juan Jose Mendoza, Sebastian MessingerTout commentaire incitant à la haine ou au manque de respect sera supprimé. Je veux que mon espace commentaire soit positif et amical ☺ Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Episode SummaryIn this episode of Filmmaking Conversations with Damien Swaby, Damien is joined by the talented and driven, a promo producer, editor, and filmmaker whose determination, discipline, and creative resilience have shaped a truly distinctive career in post-production. From her early beginnings as a theatre actor in Ireland to becoming a multi-skilled editor and producer across some of the UK's most recognisable broadcasters — including Channel 5, MTV, Discovery, Warner Bros., and CNBC — Itunu shares a journey built on hard choices, constant upskilling, and an unwavering commitment to craft. She opens up about the reality behind her pivot away from acting, explaining why stability mattered, how she rebuilt her creative identity from the ground up, and how storytelling eventually led her to fall in love with the edit suite. Her career path includes assisting on A Place in the Sun, creating fast-turnaround promos for global networks, and navigating high-pressure workflows with precision and clarity. She also discusses what it takes to produce compelling short-form content in a world where audiences may never turn the sound on — and how music, rhythm, editorial choices, and graphic design all work together to deliver powerful messaging in under 30 seconds. A highlight of the conversation is her work on CNBC's digital-first franchise Built for Billions, and how collaboration, trust, and editorial instinct helped elevate the promos beyond expectation. She also shares her experiences with software like Avid, Premiere Pro, DaVinci Resolve, Baselight, and her philosophy on clean, organised projects that support entire teams.Outside her broadcast work, she speaks candidly about her award-supported short film Give Me Your Phone — a story born from a deeply personal and frightening moment. She reveals how she turned that experience into a thoughtful exploration of privilege, vulnerability, and perspective, bringing the film from concept to completion through grit, community, and creative conviction. This episode offers inspiring insight for filmmakers, editors, post-production professionals, and anyone building a creative career based on skill, dedication, and self-belief.Key Topics CoveredHow Itunu transitioned from acting to a sustainable career in post-productionWorking across Channel 5, Discovery, MTV, Warner Bros., and CNBCNavigating high-speed editorial environments and promo productionCreating impactful short-form content for news, business, and digital audiencesDetailed insights into editing workflows, graphics integration, QC, AAF/EDL handling, and version controlPremiere Pro vs Avid vs DaVinci Resolve vs Baselight — honest comparisonsCrafting the promos for CNBC's Built for BillionsThe story behind her first short film Give Me Your Phone and turning trauma into artHow organisation, humility, and collaboration strengthen post-production workStaying adaptable and relevant in a fast-changing creative industryCall to Action. If you enjoyed this episode, please rate, review, and share the podcast. Follow Damien Swaby for more filmmaker interviews and insights into the craft and business of storytelling.Use Promo Code "FILMMAKINGSWABY" for all my deals or just click the link:25% Off More Labshttps://www.morelabs.com/discount/FILMMAKINGSWABY20% Off Strong Coffee Companyhttps://strongcoffeecompany.com/discount/FILMMAKINGSWABY15% Off Tusslehttps://www.tusslegear.com/discount/FILMMAKINGSWABY20% Off Eric Javitshttps://ericjavits.com/discount/FILMMAKINGSWABY25% Off Quantum Energy Squarehttps://quantumsquares.com/discount/FILMMAKINGSWABY20% Off Long Tablehttps://longtablepancakes.com/discount/FILMMAKINGSWABY20% Off HyperNaturalhttps://hypernaturalstyle.com/discount/FILMMAKINGSWABY20% Off wearplaygroundhttps://wearplayground.com/discount/FILMMAKINGSWABY15% Off STAND+https://www.standshoes.com/discount/FILMMAKINGSWABY10% Off Molly Bzhttps://mollybz.com/discount/FILMMAKINGSWABY41% Off Cozy Earthhttps://cozyearth.com/discount/FILMMAKINGSWABYX (Twitter): @DamienSwaby https://x.com/DamienSwaby/status/1864468655582437405Instagram: @filmmaker__damien_swaby. https://www.instagram.com/filmmaker__damien_swaby/?hl=en 

Para precio y disponibilidad, vaya a este vínculo: https://amzn.to/4on7YRV ogitech MX Creative Console te da el control total de tu flujo creativo con 9 teclas LCD personalizables y un dial giratorio preciso. Perfecto para edición de fotos, video y diseño — desde Adobe Photoshop hasta Premiere Pro, Lightroom o Figma — permite asignar atajos, abrir apps, ajustar herramientas o navegar con fluidez sin depender del teclado. Con solo un giro o un toque, automatizas tareas repetitivas y mantienes tu enfoque creativo. Compatible con Mac y PC, ideal para diseñadores, editores y creadores que buscan trabajar más rápido y eficiente.

 If you want to understand the full spectrum of AI software, from "straightforward problem-solving tool" to "never-ending slop machine," all you need to do is pay attention to everything Adobe launched at its conference this week. David and Nilay run through the news, which will change how people use Photoshop but also maybe change our social feeds forever. After that, they talk about OpenAI's conversion to a for-profit business, and specifically the truly wild way OpenAI and Microsoft talk about the future of AGI. Finally, in the lightning round, they discuss Brendan Carr, Cybertrucks, the Trump Phone, Ghost Posts, and more. Help us improve The Verge: Take our quick survey at theverge.com/survey. Further reading: ⁠Photoshop and Premiere Pro's new AI tools can instantly edit your work ⁠ ⁠You can tell Adobe Express's new AI assistant to edit designs for you⁠ ⁠Adobe's AI social media admin is here with ‘Project Moonlight' ⁠ ⁠Mark Zuckerberg is excited to add more AI content to all your social feeds⁠ ⁠Meta CEO Mark Zuckerberg defends AI spend: 'We're seeing the returns'⁠ ⁠OpenAI completed its for-profit restructuring — and struck a new deal with Microsoft ⁠  ⁠The next chapter of the Microsoft–OpenAI partnership⁠ ⁠OpenAI lays groundwork for juggernaut IPO at up to $1 trillion valuation | Reuters⁠ ⁠OpenAI has an AGI problem — and Microsoft just made it worse ⁠ ⁠OpenAI made ChatGPT better at sifting through your work information ⁠ ⁠Sam, Jakub, and Wojciech on the future of OpenAI with audience Q&A⁠ ⁠The Kingmaker | WIRED⁠ ⁠Congratulations to the Tesla Cybertruck on its 10th recall.⁠ ⁠Trump℠ Mobile | All-American Performance. Everyday Price. $47.45/Month⁠ ⁠Threads is getting disappearing posts ⁠ ⁠Ads will arrive on Samsung Family Hub smart fridges next month. ⁠ ⁠The FCC is going after broadband nutrition labels. ⁠ ⁠Brendan Carr is a Dummy⁠ ⁠Bending Spoons is buying AOL for some reason ⁠ Subscribe to The Verge for unlimited access to theverge.com, subscriber-exclusive newsletters, and our ad-free podcast feed.We love hearing from you! Email your questions and thoughts to vergecast@theverge.com or call us at 866-VERGE11. Learn more about your ad choices. Visit podcastchoices.com/adchoices

From Adobe Max 2025 in Los Angeles, Corey and Grant sit down with Ely Greenfield, Adobe's Chief Technology Officer, to explore the philosophy behind Adobe's practical AI strategy. Discover why the crowd went wild over AI renaming layers, how Adobe thinks about "additive not subtractive" AI, and where creative tools are heading next. Ely shares Adobe's vision for making AI a creative partner that enhances rather than replaces human artistry, and explains why the best AI features are often the most boring ones.Topics covered include: the Photoshop AI Assistant, Harmonize for instant compositing, auto-masking in Premiere Pro, the Express conversational workflow, and Adobe's unique approach to balancing automation with creative control.Read our Adobe Max coverage:• Adobe Reinvents Creative Suite with AI• Day 2 Keynote Recap• NVIDIA's Beyond-GPUs StrategyThis episode was made possible by our sponsor, Clutch: https://clutch.co/resources/how-smbs-see-ai-crawlers?source=theneuron&utm_medium=referral&utm_campaign=newsletter_10-14-2025Related resources:• Adobe Max 2025 announcements: https://www.theneuron.ai/explainer-articles/adobe-goes-all-in-on-ai-max-2025-unleashes-creative-ai-arsenal-across-every-tool• Day 2 Keynote and Sneaks recap: https://www.theneuron.ai/explainer-articles/adobe-max-day-2-the-storyteller-is-still-king-but-ai-is-their-new-superpower• Check out Adobe Firefly: https://firefly.adobe.com/• Project Graph demo: https://www.youtube.com/live/wQza2t9Qs64?t=10409sMake sure to check out Clutch's new report on AI crawling for SMBS! https://clutch.co/resources/how-smbs-see-ai-crawlers?source=theneuron&utm_medium=referral&utm_campaign=newsletter_10-14-2025Subscribe to The Neuron newsletter for daily AI news: https://theneuron.aiOriginal article: https://www.theneuron.ai/explainer-articles/adobe-goes-all-in-on-ai-max-2025-unleashes-creative-ai-arsenal-across-every-tool

It's also introducing new AI tools for Illustrator, Premiere Pro and Lightroom. Learn more about your ad choices. Visit podcastchoices.com/adchoices

OpenAI has officially done its whole reorg to for-profit thing. Amazon is cutting a metric ton of employees and its blaming AI. Elon launches Grokpedia to take on Wikipedia. And does Anthropic's success in the enterprise give it a leg up on OpenAI in the one metric that counts? Making money? OpenAI completed its for-profit restructuring — and struck a new deal with Microsoft (The Verge) Amazon to Cut 14,000 Jobs as Jassy Looks to Reduce Bureaucracy (Bloomberg) Elon Musk launches a Wikipedia rival that extols his own ‘vision' (The Washington Post) Photoshop and Premiere Pro's new AI tools can instantly edit more of your work (The Verge) OpenAI's Less-Flashy Rival Might Have a Better Business Model (WSJ) Jimmy Wales on IHP Margit Wennmachers on IHP Fred Wilson on IHP Blog post to post on Hacker News Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, No Film School's GG Hawkins, and guests Erin Sullivan and Johnny Han take listeners behind the curtain of The Penguin, exploring how a VFX team builds a gritty, immersive Gotham — from early concept to final composite. The conversation covers creative philosophy, technical workflow, tool choices, collaboration across departments, and the emotional stakes of creating visuals that feel both bold and invisible. In this episode, No Film School's GG Hawkins and guests Erin Sullivan and Johnny Han discuss… What their roles were on The Penguin, how they broke into VFX, and how their backgrounds shaped their approach The bridge role of a visual effects editor, and how VFX editors work with directors, editors, and artists How they developed the visual “language” of Gotham: referencing The Batman, leaning into New York elements, and creating a distinct but consistent style Their Adobe‑based workflow: using Premiere Pro, After Effects, Dynamic Link, project collection, mockups, and how small elements evolved into full assets On‑set and script‑stage involvement: how they break down scenes with all departments (stunts, production design, camera) Maintaining creative vitality: absorbing inspiration, staying curious, and making small work even when not on paid projects Practical advice for aspiring VFX practitioners: making work regularly, being patient with timelines, embracing iteration Memorable Quotes: “I was the visual effects editor on the Penguin. … The visual effects editor is the link between editorial and VFX.” “We would amass this huge library of just New York stuff … trash in a sidewalk, a mailbox, a bus stop … weird.” “There's only one rule in photography to take good pictures … you might … get one good picture. So what do you do? You just shoot lots of rolls of pictures, right?” Guests: Erin Sullivan Johnny Han Find No Film School everywhere: On the Web: No Film School (https://nofilmschool.com/) Facebook: No Film School on Facebook (https://www.facebook.com/nofilmschool) Twitter: No Film School on Twitter (https://twitter.com/nofilmschool) YouTube: No Film School on YouTube (https://www.youtube.com/user/nofilmschool) Instagram: No Film School on Instagram (https://www.instagram.com/nofilmschool)

Welcome to the Alan Smithee Podcast in which hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment, tech and beyond. In this episode the gang's conversation centers around the annual Science and Technical (Sci-Tech) Emmys, significant innovations presented at the IBC trade show, and emerging guidelines around AI use in media production. The discussion also examines the Television Academy's AI task force, which has introduced broad ethical guidelines for AI use in production. And of course, there's a bunch of really cool things to get excited about. Show Notes:Sci Tech emmys: https://www.televisionacademy.com/features/news/awards-news/2025-engineering-250902TV Academy AI Guidelines: https://deadline.com/2025/09/tv-academy-ai-guidelines-members-1236528315/IBC 2025https://www.tvtechnology.com/news/tv-tech-unveils-best-of-show-winners-at-ibc-2025Blackmagic Resolve 20.2Blackmagic ProDock for iPhone 17 AnnouncedBlackmagic Design Brings ProRes RAW to DaVinci Resolve and Pocket 4KASUS ProArt Display OLED PA27USD Monitor Introduced - A Dedicated Filmmaking Monitor90 new, modern effects, transitions and animations, all included in your plan. These tools are powered by Adobe's recent acquisition of Film Impact, whose high-value library is now seamlessly built into Premiere Pro.Avid Content Core and more: https://www.avid.com/press-room/2025/09/avid-unveils-new-ai-and-automation-breakthroughs-to-accelerate-storytelling-ibc2025Nikon ZR (R3d) https://www.provideocoalition.com/introducing-the-nikon-zr-cinema-camera/Kyno update!!!!!!!!!!!!!!!!!! iPhone 17Blackmagic Camera ProDock: https://www.blackmagicdesign.com/media/release/20250910-01Review 17 Pro: https://www.provideocoalition.com/review-iphone-17-pro-max/Photographers review: https://youtu.be/KIwKEIMjBLM?si=awqppgG-sW_kR9YxOne Cool ThingKatie: https://podcasts.apple.com/us/podcast/how-to-beat-impostor-syndrome/id1677016372?i=1000726844767Michael: Personal setup upgrade: https://prompterpeople.com/flex-plus-16-9-15-rgb-ips-3g-sdi-hdmi-teleprompter/Scott: CineMath for iOS   https://apps.apple.com/us/app/cinemath/id6742495949?uo=2

In this episode, I demo Adobe Premiere Pro's Scene Edit Detection—how to run it and why it's a serious time-saver. You'll see how auto-detecting cuts on a flattened file lets you: color grade shot-by-shot, stabilize only the shaky bits, replace music under specific scenes, rebuild a trailer timeline, pull selects for a reel, and study pacing/coverage from existing edits. I'll show the basic setup (right-click a clip in the timeline → Scene Edit Detection → add cuts and/or markers) and share pro tips to keep things organized. Drop your own creative use cases in the comments—let's build a list together.

Industrial Talk is talking to Jeremy Toeman, Founder of Augie Studio about "Powerful and nimble AI video editing solutions". Scott Mackenzie interviews Jeremy Toeman, founder of Augie , an AI-powered video editing platform. Augie simplifies video editing by creating transcripts, analyzing content, and suggesting clips for social media. Toeman explains the platform's evolution, including its integration with AI technologies like ChatGPT and synthetic voices. He emphasizes the importance of human interaction in refining clips and the potential for Augie's API to automate video editing across various platforms. Toeman also discusses the broader implications of AI in content creation, balancing automation with human creativity and the potential impact on jobs. Action Items [ ] Check out the Augie website at Augie.studio and try out the free video clipping feature. [ ] Reach out to Jeremy Toeman on LinkedIn. [ ] Subscribe to Jeremy's podcast "Founder at 50" to hear more entrepreneurial stories. Outline Introduction and Overview of Industrial Talk Podcast Scott Mackenzie introduces the Industrial Talk Podcast, emphasizing its focus on industry professionals and innovations. Scott MacKenzie expresses his passion for marketing and efficiency, highlighting the importance of storytelling and marketing for industrial professionals. Scott MacKenzie introduces Jeremy Toeman, founder and head of Augie, an AI platform for creating and editing videos. Scott MacKenzie encourages industrial professionals to visit industrialtalk.com for opportunities to amplify their messages and gain greater visibility. Jeremy Toeman's Background and Career Journey Jeremy Toeman provides a detailed overview of his career, starting with his work at Mediabolic and Sling Media, where he helped build streaming media platforms. Jeremy Toeman discusses his experience as a consultant and his own startup, Digit, which developed the Next Guide app for iPad. Jeremy Toeman shares his time at CBS Interactive, Etsy, and Warner Media, where he led the innovation team. Jeremy Toeman explains his transition to starting Augie in January 2022, following his departure from Warner Media in October 2021. Development and Purpose of Augie Scott MacKenzie and Jeremy Toeman discuss the name "Augie," which was derived from "Aug X Labs" and later simplified to "Auggie." Jeremy Toeman explains that Augie is designed as a video editor for busy business professionals, aiming to simplify video editing for non-professionals. Jeremy Toeman shares his experience of struggling with video editing tools like Premiere Pro and the inspiration behind creating Augie. Scott MacKenzie and Jeremy Toeman discuss the integration of AI in Augie, which helps in creating transcripts, analyzing content, and suggesting clips. AI Integration and Features of Augie Jeremy Toeman explains how Augie uses AI to create transcripts with speaker voice detection and analyze content to suggest clips. Scott MacKenzie and Jeremy Toeman discuss the importance of human interaction in refining the suggested clips and the role of AI in enhancing the editing process. Jeremy Toeman highlights the paradox of choice and the decision to limit the number of suggested clips to three for better user experience. Scott MacKenzie and Jeremy Toeman discuss the potential for integrating Augie with other platforms like Zapier and the importance of...

In this episode, we sit down with the incredibly talented BMX filmmaker, Grant Castelluzzo. We dive deep into the making of his latest video, "Lead by Example," discussing everything from the initial concept and funding to the filming process and the challenges of editing. Grant shares his journey from a dedicated rider to a world-class filmmaker, and we get a behind-the-scenes look at what it takes to create a masterpiece.______________00:00:12 - Welcome to Kanode Knows and introduction of Grant Castelluzzo00:00:27 - Discussing the premiere of "Lead by Example" at BMX Day00:00:56 - Grant's passion for BMX filmmaking00:01:12 - The digital release of "Lead by Example"00:01:27 - The planning and funding process for the premiere00:02:22 - The idea for a new segment, "This or That"00:03:02 - "This or That" segment begins with filming questions00:03:26 - Premiere Pro vs. Final Cut Pro00:05:37 - "This or That" segment with BMX riding questions00:06:16 - Discussion about wearing helmets00:08:27 - Grant's jobs as a photo booth operator and valet00:11:20 - Discussing the budget for "Lead by Example"00:11:37 - Talking about the BMX Day premiere00:14:38 - Garrett's role in helping with the premiere costs00:17:25 - Post-premiere changes to the video file00:18:08 - Filming with film and scanning issues00:19:49 - Dan Kruk's insane trick and the video's ender00:20:43 - How hard it was to order the video00:29:46 - The struggle to get a perfect clip and high standards for filming00:34:29 - Grant's transition from rider to filmmaker00:39:21 - The thought process behind choosing the riders and the project00:48:49 - The trip to Lisbon and rider motivation00:56:29 - The most difficult part of the project: the soundtrack01:06:12 - Taking out a loan to buy a new camera for motivation01:20:25 - The feeling of finishing the video and the void it creates01:23:25 - The marketing plan for "Lead by Example" Want to be featured on the show? Send an email to KanodeKnows@gmail.com

In this episode, GG Hawkins sits down with Emmy and ACE Eddie-nominated editor Isaac Hagy, whose emotionally charged and visually inventive work includes Waves, Atlanta, Mr. and Mrs. Smith, and The Friend. Known for his moody and immersive editing style, Hagy shares how he found his voice as an editor, the unconventional path that led him to Atlanta, and the creative and technical strategies that shape his work. He also dives into his Adobe Premiere workflow, the importance of collaboration, and how intuition—and his pit bull Blue—help fuel his storytelling. In this episode, No Film School's GG Hawkins and guest Isaac Hagy discuss... How Hagy's religious upbringing led to his first foray into filmmaking The unorthodox path from critical studies major to documentary editor Jumping from music videos to the groundbreaking series Atlanta Why Hagy chooses Premiere Pro and how he builds intuitive workflows Collaborating remotely and the magic of edit dogs like Blue The creative process behind The Friend and working with indie auteurs The importance of collaboration, mentorship, and finding your crew Memorable Quotes: "My dog carries so much emotional baggage. Yeah, he's an essential part of the editing room." "I try to think like... what is the conventional way of cutting this? And then maybe what is an interesting outside-the-box way of cutting it?" "You're not going to come crashing through the back door by doing something very conventional." "Premiere works the way my brain works... I don't think about editing when I'm editing in Premiere." Guest: Isaac Hagy Resources: The Friend (2024) Montana Story (2021) Clapping for the Wrong Reasons Sirens on Netflix Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram