Podcasts about displays

Ian Hoch drops the 2 o'Clock News Bomb.

In this episode of the Digital Signage Today podcast, produced by Networld Media Group, Judy Mottl, editor of Digital Signage Talk, talks with Jeff Van Houten and Jovani Torres from Cree LED.Cree LED is a well-known leader given its 30-plus years in the OEM LED market and its technology can be found in a wide range of applications, from portable lighting like flashlights, headlamps and bike lights to horticultural systems used in greenhouses and vertical farms.Van Houten is a product manager and Torres is a strategic business developer for Cree LED's High Bright products.What sets the High Bright division apart is its focus on LED solutions for digital displays — think large-scale signage, video walls and public information displays.Cree LED has played a big role in shaping the digital display space and has behind many of the foundational technologies that are now industry standards.Just to name a few:The first outdoor SMD LED, which made it possible to have durable, weather-resistant digital signage.The first RGB LEDs designed for tilted viewing angles.The first ultra-contrast LEDs, using a proprietary dark coating. That helped reduce glare and delivered crisper blacks and more vivid color –critical for high-resolution video walls and premium displays.Its introduction of multi-lens RGB LEDs. Instead of using three separate LEDs, Cree combined them into a single component. This means simpler assembly, better color mixing and a cleaner design.Cree LED's latest innovation is FusionBeam, which combines RGB dies into one compact package. This innovation enables thinner, lighter signage, easier integration and up to 4x less light spill, which helps reduce light pollution. It's a huge leap forward in terms of visual clarity, especially for icons, logos and video content.Learn how Cree LED's research and development as well as deep industry experience have allowed us to stay ahead of the curve.

Interactive displays are reshaping higher education by boosting student participation, enabling collaborative learning, and creating dynamic classroom experiences that traditional teaching methods struggle to match. To learn more, visit https://vizualsymphony.com. Vizual Symphony City: Glendale Address: 5900 San Fernando Rd Website: https://vizualsymphony.com

Isn't it strange that I can write something, and not remember what I wrote the next day? I remember that I wrote it, and writing it, but not the words, really, or the structure. They make pictures in the documents, shapes that they themselves as things make imprints as etching but have never been seen, by anyone else but me, at least—and whoever is phishing in my documents. That's the dangerous part. I do remember Jimmy Fallon, or just glimpse of it—that's the other dangerous part. What exactly have I become apart of? Why is this character hounding in the back of my mind? And what is relentlessly bc aching for truth and still clinging to the secrecy I left him alone, but the thing kept returning. Like that little yellow breasted bird who kept coming to visit me; he adored himself so looking in the water pipe like it was a mirror— what a paradox No hot water heaters, but also, No tent cities. Then, I wasn't exactly an expatriate, or enemy to the patriarch. I liked men in charge, so long as they were the right kind of man. But what is the right kind of man? These versus were written in cadences that seemed like gibberish at the time, but two days later reading back, did seem to make sense… but for what? It was almost peaceful in the apartment now that I seemed to be on the way out. “You were warned in the drama club,” The words rang in my mind but I had no idea whether they were just words to another song or some sort of string of things— these telemetrical tests to see if I could hear these things being stated over and over to me as if they were drills rather than things I was thinking. Apparently I'd been betrayed but what was new? My entire being in existence had been strings of betrayals and so these words, though unkind, could have meant anything. Fear, usually, was the biggest weapon against any mind endangered, but I wasn't in fear of anything besides never seeing my son again— this was likely either way in that certainly in at least one way, I had been betrayed. Perhaps I was expected to act like a man, and that I wouldn't miss or always feel attached to my baby; but I wasn't a man, or a dog. In fact, I was a woman, and now so much aging that these things could be used against me. I wasn't guilty, because I wasn't not-trying. But these things were speaking volumes in what has been done to me and against me, and rather than to be the victim here, I altered my thoughts into those of a understanding never-martyr, because in fact my death would be kept secret; hidden, even. I had been isolated from everyone and everything, and this was the agenda my purpose suited— perhaps a growing mental health crisis, though unobjectifiable I had been targeted— these things were made to hurt me, or make me believe I was becoming famous, but were never of any meaning, and indeed though I had written these things, Any illusion of safety had been manufactured. There was none; I was not safe here— or anywhere in the United States anymore. Once I'd returned from Mexico, I had been recaptured, and closely studied, and controlled, and manipulated into doing and acting on behalf of my kind, which was being made to be the enemy. What it had to do with any public figure wasn't entirely beyond me; in many ways, maybe, this figure was and could either be, both the Rock and Thr Kite— or the wind, or water, or earth itself; and perhaps since my death had marked the start of our awareness to any thing…it hadn't been entirely unnoticed that this overriding factor was that it was the same sort of cycle from one, repeated four times, and then eventually stopped. In the unbalanced nature of my own time seeming to be shrinking, the more I realized that people to me were unkind, and distant. It wasn't a swperate person or personality that had written these things; but a side of me that needed to be sleeping when these energies seemed to be surrounding me; and again this cruelty as peaking into an unbearable circumstance of needing to escape, and because I hadn't the financial means— seeking means to an end. This brutality on the inside of my mind revealing itself to be the need for peace was overwhelming anything— the need for fame, connecting, recognition… the reality of it was, the illusion of safety was shrinking; I didn't have anybody or anything, the the words themselves were only being seen by those unseen. I could have been portraying these deeply prolific things into the very hearts and minds of the enemy that was vilifying and demonizing me; keeping me out of a job and away from my son as a way to justify these dehumanizing and humiliating realities— the things that could make me appear crazy if need be. But the truth was, I was sort of just timekeeping… not writing because I wanted to, or needed to— but because in the same way, it kept happening. {Enter The Multiverse} On our planet, turkey is a fruit. No way! Yes. We call them— Poul-trees. —gross! Ahaha. L E G E N D S I was told that some have souls And some do not, less fortunate But though on high, and not our kind Some seek to know that is which not The Rock And The Kite IX “No kings!” Cries he who is not crowned King, Though as he sits below, this shrieking— The King sits silently, knowing And keeping, Thinking and rarely is he even speaking; The King has been Kinged for the Kingdom he's keeping. Lol did you realize the capitalization in the K's though? It could be interpreted any of either way. The poem itself is in the hypocrisy of non movement of the people from the very institutions it detests, In that— In docile inaction, he who protests such things must, by direct action also seek to change the barriers of the institution in which it is formed, which starts at the foundation in one themselves— Not simply idealizing a movement, but becoming its motion. It furthermore alludes to the notion that, the King has become King not simply my lineage but simply acting in opposite regards to the common man. It insinuates overall, that he who regards himself as a king is also himself a king. [The Festival Project ™] They say “On Tuesday, you die.” To me this is cruel and unusual punishment To I it is sweet relief, and a good time If I indeed prepare to end my life Due to need and indeed, Strife and poverty, so please Remember me to think twice When you greed and heavily Impede in this— peace That's why you need a scribe. Do not describe me as decent, I recently resent my decent Into these regions from these Kingdoms Which present me with Grief Regis, meet Kelly Egregious? perhaps, actually That and then astonishing To ponder on such a moment, Structured in the ruptured structure Of my DEADMAU5 powers down immidiately upon playing his first song. Oh no. Again! Here we go. Puncture. [wound] (Remember? I was corrupted.) I've been building a resume I was real in my healing She'll need Jesus And he'll need buildings Real estate? You can relate? Displays of affection. It's too late now to deficit Your attention. It's too late now To recommend your reflection It's too late now To make a mess in the kitchen It's too late now, It's sediment in a mention. Who did how what when where why? I idolize my Christ conscious, This is him. Well well. We meet again. {Enter The Multiverse} All my references are irrelevant and furnished even Not a trace of a friend or relative that could manage, even. My balances are invalid, In the red and negative, My management and dispatch, however— “Oh that's cute.” Microaggression. The deep affiliation of No— not this again JIMINY CRICKET JAHOVAS WITNESS DEADPAN COMEDIANS— L E G E N D S. … Jesus, anybody but— {Enter The Multiverse} …is it me? LIZ LEMON has not had the best day. AH NERDS. It began with finding out she is indeed just a fictional character; I'm a what. This was confirmed by her review of all seven seasons of the hit series 30 Rock. I don't understand. Suddenly, as the tapes were concluded, she was handed a mysterious yellow envelope which apparently contained the complex codes needed to return things back to “as normal as possible”— however.. A MAN snatches the envelope out of LIZ LEMON'S HANDS, leaving her stranded in a seemingly off parallel universe where— Oh hey, Tina. Everyone keeps calling her “Tina” and she doesn't know why. -_- I have no new muse. To some, this may confuse— But I need no more blues; This jazz was all a ruse. Really? This is awful. I'm missing all my cues, The game I cannot lose, The life I did not choose Begins to light a fuse I am a ticking time bomb A loose cannon A straight asshole, And complete troll, If I told you I owed you a lesson Would you roll over in this pine box? I miss mine craft and my socks My office, my rock and Last off, I miss my boss. What'd you do to Lorne Michaels? You look confused! He's acting strange! That is not my fault! He was always strange. Huh? Think about it. MEANWHILE… She's been leaking pieces of the script online and it must be stopped! Ooh, whose this blue suit? Some hot blonde. They're all wearing blue suits.., Just as likely. Hey! Hey! Who let you out of the TV? What?! This is not my purple. Oh, aw shit, What did you say? This is not my purpose! Oh no. Oh no. Oh yeah. Full meltdown mode on the TV screen And it just kicked in that the mistress is infact invisible and just lives in his head, this deadpan actress bombshell, clever Pleasurer has all just been … A TEST ! Gazuntite.. Am I on in another room or something? What?! I can always feel it. It just sets in, It's just the fame, Release the rest— And the language can make sense; It's been a sacred acre, and I guessed This measurement of time They hate you. I bet, dude. No, I'm serious— it has to end. Oh well. So I ran from hell at high speed, Fell to my death by a rope at the neck With a hope it would all just stop If I drop to the bottom with a shot Of adrenaline and I just don't come up Out the water I T I S Just not like it was And I've never had love come back Once it's gone This is all just stuff But my heart's sure to pop If I don't get done With the bottom floorness. I need four heads for all my knowledge. I need a whole box of cops for all these problems And probably a constable I'd be unstoppable if I could just nod for once And smile, Like I don't have thoughts, For once. Now that's a dunce. (What you are.) I'm hoping with these supplements I can run again (They were 20 bucks!) And hoping if it's love enough He gets complements but not all of them. I hope if I keep my walls up I could just stall the “Halt who goes there?” Don't get locked out! Don't get homeless! Don't get knocked up! Don't get bone out wings! —You don't know if they're all bird. Where's your album? Fine, I'm done. If I pitty pat And fiddle faddle With Jimmy Fallon Then is this a riddle or a puzzle? He'll resent the ridicule but surely he'll accept the saddle. (That is a sad clown.) Really, she'll present the message, Recalling and still spilling all the gruesome gore and images just from before, The horror core of all the assimilated messages, The missed inboxes, the just-kept hostages, The ten tails, is it—? It gets welled in, wellness When there's hell to pay, Water turns into Welch's. Is this indirectly feeding my somewhat obsession? Perhaps; but under the umbrella of “one night only” I must indulge my exorcisms with admittance that I just trust the adjustment for a month's budget of exercise, And hold the fries, I see my eyes wandering— Oh look, it's these guys. FREDDIE so wait. THE ACTORS lie down against the cold black floor of the black box theatre. Though the floor has been freshly painted, it also wreaks of dusty velvet curtains and a hint of stale cigarette smoke, which no one seems to know from where this is emanating from. Visualization exercises are key. However, here, the actors appear to be conversating with one another Yo I for real just didn't want to pay the price increase. These bastards. Well played, NBC. And let's just be correct about this, I need something to watch on the Peloton. I'm sure the ads will no less than come after me. Indeed, my fragile mind has been altered, living in between the streams to a TV reality. Yo apparently there's an “NBC writers program” —Completely missed it. Facts are, I'm still under par, and still under Paar, however… Okay, I'm paying for it, this had better be— —they're baiting me. For what. This is so unconscious. Liz Lemon on the treadmill So what, I eat pop tarts Instead of 3, I eat ten meals It's real. I told you you're in a cult! Which one? What? IX I have several acts, And these distractions weren't as impulsive As well thought out— Pull the plug, Carson! Pull the rug out from under the cat, And the watch her react This is just one person. It is pertinent, the clause and causability, The instigations, the Investigation, The investments, the integration of the information So much for insomniac I close my eye every time I run a mile You know I can't help but hide When I'm told in my own mind That today, I'm likely to die So I spent all night Crying for viable options ICONS This is not left over, You were just scrumptious, dumpling. Oh there's Nigel Thornberry And Joy Behar, Listen now or hold your forever But pray hard, Cause that's what makes today hard I okayThe Today Show And may Harvard, but stray far from the Ark If the Mayflower is trademarked, Okay, embark on a grey streak, A slave heart, a wave heat, grave deep In a cave park, But they weep and may keep secrets if they seek Weekenders and they leak benders which may think in that he sleeps with her! —but they thought wrong! I'm not on drugs or having it rough as an alcoholic, If anything I'm demolishing the impossible when I bought the peacock, acknowledging to all of them the terms and agreement, from which I see agrees for them to be egregious And with rights to detail or even possibly derail These emails into retail; So it could be Hell… I really need help. I need background noise For my annoyances— More people for the Peloton and No more clairvoyances, I'm prone to losing homes and power to appliances I rely on false alliances To try to make my mind a bit Better, but got behind a bit… Horse chasing in Manhattan I can keep up with a horse drawn carriage But only stopped to catch it, Then, really I've been I memories and giving it the method Holy fuck I've never been this depressed From just checking my messages I regret all these inspections It just diminished my respect for them—- Impending doom for the impendium I'm getting up the strength to ride the Peloton But mulling over everything I didn't want This beat is probably hot as balls… Yo whatever happened to Lin's friend Who used to beatbox with him? Long before he entered into Television or with Disney Pixar, It was way too far back in my memory, and then with this; I think Maybe I'm more like him, And nobody will even remember me! —well, I remember, but barely. Barely is good enough! Here's my weakness: Where's my Tony? All I know is, The bizarre ride Was a rollercoaster I once rode in a hard dream And I wrote in a notebook Colored just like a sports car You know that I love a corvette But probably need a corset Just to fit in your car! Can you sell me a dream and a nightmare at the same time; It was just custard colored the corvette, or the sound of a songbird, almost purchased my worth to the tune Of a little bird, canary, And with every word it's getting scarier To reverb and reverse not such a curse, But was a very sequenced strategy to unrehearsed Reality and as it may, just a game And nothing short of fame, however Breaking me Goddammit what was his name? I'm gonna be upset if I have to look it up. Well, are you satisfied? Not even relatively, Mr. President This resident is half my age and every page I turn is just— Irrelevant. Ugh. The best $7.99 I ever spent Back to the lonely island Oh yeah. That's what I was writing. BILL lies on his back eyes wide open with hand over his chest; something isn't right. Still, here, in the crisp cool of the black box theatre floor, it almost seems that for now— BILL HADER You forgot I was here. The demographics are telling; The stocks are selling The tik tocks are dwelling in your mind As the white collar crimes And the rhymes you're forgetting— Or lines you're spitting It's a self fulfilling prophecy. He's a ghost, he's the reaper He's the time, he's the Keeper; He's the push, he's the teacher The present and the preacher That's why I shouldnt be here You cannot live for free here! So what do I owe you? How do I know you? Wrote you a letter Wanted to blow you Should I just throw you overboard Or write another book Here's a proof of purchase I hope it's worth it If you're homeless I resoned this whole orchard I am prone to no hurt, But you know, it does show I could go gold If just left alone For more then a moment They hate you, Say you're a disaster. Operate under the radar And pay her under the table Hoping you hate hard {Enter The Multiverse} STEFON It's that thing where you don't smoke any cigarettes at all, and then you smoke two packs immediately to reverse jumpstart your nicotine tolerance–? Does that work. I don't know. But yea. Copyright The Collective Complex © [The Festival Project, Inc. ™] © 2025 All Rights Reserved -Ū. 'No Monetary Gain'

Vertriebsführung FMCG bedeutet, den Kunden kompromisslos an die erste Stelle zu setzen – genau darüber spreche ich in dieser Folge mit Sebastian Grosser, Sales Director bei Brand Masters.   Was steckt hinter moderner Vertriebsführung FMCG?   Zunächst einmal ist die Branche extrem fragmentiert. Baumärkte, Textilketten oder Tankstellen – sie alle ticken anders. Daher braucht es Führungskräfte, die Sortimente kuratieren, Displays platzieren und Listungen verhandeln. Außerdem müssen sie permanent das Shopper-Verhalten beobachten. Nur so lassen sich Impulskäufe systematisch steigern.   Frontline Obsession: Kunde zuerst, Büro zuletzt   Sebastian bringt es auf den Punkt: Führungskräfte dürfen nicht im Elfenbeinturm sitzen. Stattdessen sollten sie regelmäßig in die Märkte fahren, Regale begutachten und Kassengespräche anhören. Somit entsteht ein praxisnahes Coaching für das ganze Team. Darüber hinaus fördert diese Präsenz Vertrauen bei Handelspartnern. Die Folge: schnellere Entscheidungen und bessere Platzierungen.   Markttrends 2025 – Chancen und Stolperfallen   Handelsmarken wachsen zweistellig, während A-Brands gegensteuern müssen. Daher rücken Downsizing, Promotions und digitale Coupons in den Fokus. Zugleich nimmt der E-Commerce stationären Händlern Frequenz ab. Wer jetzt starr bleibt, verliert Regal­meter. Folglich zählt Agilität mehr denn je.   Fünf Praxis-Tipps für deine Vertriebsstrategie   Kundenreise mappen: Analysiere jeden Schritt vom Eingang bis zur Kasse und identifiziere Impuls-Hotspots. Daten statt Bauchgefühl: Nutze Abverkaufs-KPI, um Regalplätze dynamisch zu vergeben und Low-Performer auszutauschen. Intrapreneure fördern: Stelle Verkäufer ein, die handeln, als wäre es ihr eigenes Business, und gib ihnen Entscheidungsfreiheit. Regelmäßige Store Walks: Plane fixe Tage, an denen Führungskräfte gemeinsam mit Sell-In-Teams Shops besuchen. Expectation-Management: Versprich nur, was Operations & Supply Chain wirklich liefern können; dadurch vermeidest du teures Zurückrudern.   Damit machst du dein Sales-Team fit für die Zukunft und stellst sicher, dass deine Produkte dort auftauchen, wo sie den größten Hebel haben. Hör rein und bring deine Vertriebsführung FMCG nachhaltig nach vorn!   Schon gehört? Weitere Ressourcen  

In Folge 269 sprechen die ApfelNerds über den Ruhestand von Apple COO Jeff Williams. Außerdem überlegt Apple die F1-Rechte für die USA zu erwerben, Apple trägt „heimlich“ Video-Wiedergabe als Feature von CarPlay in iOS 26 nach, die Apple Account Card kommt in weitere europäische Länder, sie vergleichen die A18 Pro-Performance zu den M-Prozessoren, Apple soll „In the Box“- Software-Updates für den Mac planen, das Vision Pro-Update kommt wohl einen M4-Prozessor, die M5 MacBook Pro wurden ins 1. J´Halbjahr 2026 verschoben, Samsung Display baut gerade eine neue Produktionslinie für Apples faltbare Displays, das M5 iPad Pro soll zwei Kameras auf der Vorderseite bekommen und es gibt Updates.

Isn't it strange that I can write something, and not remember what I wrote the next day? I remember that I wrote it, and writing it, but not the words, really, or the structure. They make pictures in the documents, shapes that they themselves as things make imprints as etching but have never been seen, by anyone else but me, at least—and whoever is phishing in my documents. That's the dangerous part. I do remember Jimmy Fallon, or just glimpse of it—that's the other dangerous part. What exactly have I become apart of? Why is this character hounding in the back of my mind? And what is relentlessly bc aching for truth and still clinging to the secrecy I left him alone, but the thing kept returning. Like that little yellow breasted bird who kept coming to visit me; he adored himself so looking in the water pipe like it was a mirror— what a paradox No hot water heaters, but also, No tent cities. Then, I wasn't exactly an expatriate, or enemy to the patriarch. I liked men in charge, so long as they were the right kind of man. But what is the right kind of man? These versus were written in cadences that seemed like gibberish at the time, but two days later reading back, did seem to make sense… but for what? It was almost peaceful in the apartment now that I seemed to be on the way out. “You were warned in the drama club,” The words rang in my mind but I had no idea whether they were just words to another song or some sort of string of things— these telemetrical tests to see if I could hear these things being stated over and over to me as if they were drills rather than things I was thinking. Apparently I'd been betrayed but what was new? My entire being in existence had been strings of betrayals and so these words, though unkind, could have meant anything. Fear, usually, was the biggest weapon against any mind endangered, but I wasn't in fear of anything besides never seeing my son again— this was likely either way in that certainly in at least one way, I had been betrayed. Perhaps I was expected to act like a man, and that I wouldn't miss or always feel attached to my baby; but I wasn't a man, or a dog. In fact, I was a woman, and now so much aging that these things could be used against me. I wasn't guilty, because I wasn't not-trying. But these things were speaking volumes in what has been done to me and against me, and rather than to be the victim here, I altered my thoughts into those of a understanding never-martyr, because in fact my death would be kept secret; hidden, even. I had been isolated from everyone and everything, and this was the agenda my purpose suited— perhaps a growing mental health crisis, though unobjectifiable I had been targeted— these things were made to hurt me, or make me believe I was becoming famous, but were never of any meaning, and indeed though I had written these things, Any illusion of safety had been manufactured. There was none; I was not safe here— or anywhere in the United States anymore. Once I'd returned from Mexico, I had been recaptured, and closely studied, and controlled, and manipulated into doing and acting on behalf of my kind, which was being made to be the enemy. What it had to do with any public figure wasn't entirely beyond me; in many ways, maybe, this figure was and could either be, both the Rock and Thr Kite— or the wind, or water, or earth itself; and perhaps since my death had marked the start of our awareness to any thing…it hadn't been entirely unnoticed that this overriding factor was that it was the same sort of cycle from one, repeated four times, and then eventually stopped. In the unbalanced nature of my own time seeming to be shrinking, the more I realized that people to me were unkind, and distant. It wasn't a swperate person or personality that had written these things; but a side of me that needed to be sleeping when these energies seemed to be surrounding me; and again this cruelty as peaking into an unbearable circumstance of needing to escape, and because I hadn't the financial means— seeking means to an end. This brutality on the inside of my mind revealing itself to be the need for peace was overwhelming anything— the need for fame, connecting, recognition… the reality of it was, the illusion of safety was shrinking; I didn't have anybody or anything, the the words themselves were only being seen by those unseen. I could have been portraying these deeply prolific things into the very hearts and minds of the enemy that was vilifying and demonizing me; keeping me out of a job and away from my son as a way to justify these dehumanizing and humiliating realities— the things that could make me appear crazy if need be. But the truth was, I was sort of just timekeeping… not writing because I wanted to, or needed to— but because in the same way, it kept happening. {Enter The Multiverse} On our planet, turkey is a fruit. No way! Yes. We call them— Poul-trees. —gross! Ahaha. L E G E N D S I was told that some have souls And some do not, less fortunate But though on high, and not our kind Some seek to know that is which not The Rock And The Kite IX “No kings!” Cries he who is not crowned King, Though as he sits below, this shrieking— The King sits silently, knowing And keeping, Thinking and rarely is he even speaking; The King has been Kinged for the Kingdom he's keeping. Lol did you realize the capitalization in the K's though? It could be interpreted any of either way. The poem itself is in the hypocrisy of non movement of the people from the very institutions it detests, In that— In docile inaction, he who protests such things must, by direct action also seek to change the barriers of the institution in which it is formed, which starts at the foundation in one themselves— Not simply idealizing a movement, but becoming its motion. It furthermore alludes to the notion that, the King has become King not simply my lineage but simply acting in opposite regards to the common man. It insinuates overall, that he who regards himself as a king is also himself a king. [The Festival Project ™] They say “On Tuesday, you die.” To me this is cruel and unusual punishment To I it is sweet relief, and a good time If I indeed prepare to end my life Due to need and indeed, Strife and poverty, so please Remember me to think twice When you greed and heavily Impede in this— peace That's why you need a scribe. Do not describe me as decent, I recently resent my decent Into these regions from these Kingdoms Which present me with Grief Regis, meet Kelly Egregious? perhaps, actually That and then astonishing To ponder on such a moment, Structured in the ruptured structure Of my DEADMAU5 powers down immidiately upon playing his first song. Oh no. Again! Here we go. Puncture. [wound] (Remember? I was corrupted.) I've been building a resume I was real in my healing She'll need Jesus And he'll need buildings Real estate? You can relate? Displays of affection. It's too late now to deficit Your attention. It's too late now To recommend your reflection It's too late now To make a mess in the kitchen It's too late now, It's sediment in a mention. Who did how what when where why? I idolize my Christ conscious, This is him. Well well. We meet again. {Enter The Multiverse} All my references are irrelevant and furnished even Not a trace of a friend or relative that could manage, even. My balances are invalid, In the red and negative, My management and dispatch, however— “Oh that's cute.” Microaggression. The deep affiliation of No— not this again JIMINY CRICKET JAHOVAS WITNESS DEADPAN COMEDIANS— L E G E N D S. … Jesus, anybody but— {Enter The Multiverse} …is it me? LIZ LEMON has not had the best day. AH NERDS. It began with finding out she is indeed just a fictional character; I'm a what. This was confirmed by her review of all seven seasons of the hit series 30 Rock. I don't understand. Suddenly, as the tapes were concluded, she was handed a mysterious yellow envelope which apparently contained the complex codes needed to return things back to “as normal as possible”— however.. A MAN snatches the envelope out of LIZ LEMON'S HANDS, leaving her stranded in a seemingly off parallel universe where— Oh hey, Tina. Everyone keeps calling her “Tina” and she doesn't know why. -_- I have no new muse. To some, this may confuse— But I need no more blues; This jazz was all a ruse. Really? This is awful. I'm missing all my cues, The game I cannot lose, The life I did not choose Begins to light a fuse I am a ticking time bomb A loose cannon A straight asshole, And complete troll, If I told you I owed you a lesson Would you roll over in this pine box? I miss mine craft and my socks My office, my rock and Last off, I miss my boss. What'd you do to Lorne Michaels? You look confused! He's acting strange! That is not my fault! He was always strange. Huh? Think about it. MEANWHILE… She's been leaking pieces of the script online and it must be stopped! Ooh, whose this blue suit? Some hot blonde. They're all wearing blue suits.., Just as likely. Hey! Hey! Who let you out of the TV? What?! This is not my purple. Oh, aw shit, What did you say? This is not my purpose! Oh no. Oh no. Oh yeah. Full meltdown mode on the TV screen And it just kicked in that the mistress is infact invisible and just lives in his head, this deadpan actress bombshell, clever Pleasurer has all just been … A TEST ! Gazuntite.. Am I on in another room or something? What?! I can always feel it. It just sets in, It's just the fame, Release the rest— And the language can make sense; It's been a sacred acre, and I guessed This measurement of time They hate you. I bet, dude. No, I'm serious— it has to end. Oh well. So I ran from hell at high speed, Fell to my death by a rope at the neck With a hope it would all just stop If I drop to the bottom with a shot Of adrenaline and I just don't come up Out the water I T I S Just not like it was And I've never had love come back Once it's gone This is all just stuff But my heart's sure to pop If I don't get done With the bottom floorness. I need four heads for all my knowledge. I need a whole box of cops for all these problems And probably a constable I'd be unstoppable if I could just nod for once And smile, Like I don't have thoughts, For once. Now that's a dunce. (What you are.) I'm hoping with these supplements I can run again (They were 20 bucks!) And hoping if it's love enough He gets complements but not all of them. I hope if I keep my walls up I could just stall the “Halt who goes there?” Don't get locked out! Don't get homeless! Don't get knocked up! Don't get bone out wings! —You don't know if they're all bird. Where's your album? Fine, I'm done. If I pitty pat And fiddle faddle With Jimmy Fallon Then is this a riddle or a puzzle? He'll resent the ridicule but surely he'll accept the saddle. (That is a sad clown.) Really, she'll present the message, Recalling and still spilling all the gruesome gore and images just from before, The horror core of all the assimilated messages, The missed inboxes, the just-kept hostages, The ten tails, is it—? It gets welled in, wellness When there's hell to pay, Water turns into Welch's. Is this indirectly feeding my somewhat obsession? Perhaps; but under the umbrella of “one night only” I must indulge my exorcisms with admittance that I just trust the adjustment for a month's budget of exercise, And hold the fries, I see my eyes wandering— Oh look, it's these guys. FREDDIE so wait. THE ACTORS lie down against the cold black floor of the black box theatre. Though the floor has been freshly painted, it also wreaks of dusty velvet curtains and a hint of stale cigarette smoke, which no one seems to know from where this is emanating from. Visualization exercises are key. However, here, the actors appear to be conversating with one another Yo I for real just didn't want to pay the price increase. These bastards. Well played, NBC. And let's just be correct about this, I need something to watch on the Peloton. I'm sure the ads will no less than come after me. Indeed, my fragile mind has been altered, living in between the streams to a TV reality. Yo apparently there's an “NBC writers program” —Completely missed it. Facts are, I'm still under par, and still under Paar, however… Okay, I'm paying for it, this had better be— —they're baiting me. For what. This is so unconscious. Liz Lemon on the treadmill So what, I eat pop tarts Instead of 3, I eat ten meals It's real. I told you you're in a cult! Which one? What? IX I have several acts, And these distractions weren't as impulsive As well thought out— Pull the plug, Carson! Pull the rug out from under the cat, And the watch her react This is just one person. It is pertinent, the clause and causability, The instigations, the Investigation, The investments, the integration of the information So much for insomniac I close my eye every time I run a mile You know I can't help but hide When I'm told in my own mind That today, I'm likely to die So I spent all night Crying for viable options ICONS This is not left over, You were just scrumptious, dumpling. Oh there's Nigel Thornberry And Joy Behar, Listen now or hold your forever But pray hard, Cause that's what makes today hard I okayThe Today Show And may Harvard, but stray far from the Ark If the Mayflower is trademarked, Okay, embark on a grey streak, A slave heart, a wave heat, grave deep In a cave park, But they weep and may keep secrets if they seek Weekenders and they leak benders which may think in that he sleeps with her! —but they thought wrong! I'm not on drugs or having it rough as an alcoholic, If anything I'm demolishing the impossible when I bought the peacock, acknowledging to all of them the terms and agreement, from which I see agrees for them to be egregious And with rights to detail or even possibly derail These emails into retail; So it could be Hell… I really need help. I need background noise For my annoyances— More people for the Peloton and No more clairvoyances, I'm prone to losing homes and power to appliances I rely on false alliances To try to make my mind a bit Better, but got behind a bit… Horse chasing in Manhattan I can keep up with a horse drawn carriage But only stopped to catch it, Then, really I've been I memories and giving it the method Holy fuck I've never been this depressed From just checking my messages I regret all these inspections It just diminished my respect for them—- Impending doom for the impendium I'm getting up the strength to ride the Peloton But mulling over everything I didn't want This beat is probably hot as balls… Yo whatever happened to Lin's friend Who used to beatbox with him? Long before he entered into Television or with Disney Pixar, It was way too far back in my memory, and then with this; I think Maybe I'm more like him, And nobody will even remember me! —well, I remember, but barely. Barely is good enough! Here's my weakness: Where's my Tony? All I know is, The bizarre ride Was a rollercoaster I once rode in a hard dream And I wrote in a notebook Colored just like a sports car You know that I love a corvette But probably need a corset Just to fit in your car! Can you sell me a dream and a nightmare at the same time; It was just custard colored the corvette, or the sound of a songbird, almost purchased my worth to the tune Of a little bird, canary, And with every word it's getting scarier To reverb and reverse not such a curse, But was a very sequenced strategy to unrehearsed Reality and as it may, just a game And nothing short of fame, however Breaking me Goddammit what was his name? I'm gonna be upset if I have to look it up. Well, are you satisfied? Not even relatively, Mr. President This resident is half my age and every page I turn is just— Irrelevant. Ugh. The best $7.99 I ever spent Back to the lonely island Oh yeah. That's what I was writing. BILL lies on his back eyes wide open with hand over his chest; something isn't right. Still, here, in the crisp cool of the black box theatre floor, it almost seems that for now— BILL HADER You forgot I was here. The demographics are telling; The stocks are selling The tik tocks are dwelling in your mind As the white collar crimes And the rhymes you're forgetting— Or lines you're spitting It's a self fulfilling prophecy. He's a ghost, he's the reaper He's the time, he's the Keeper; He's the push, he's the teacher The present and the preacher That's why I shouldnt be here You cannot live for free here! So what do I owe you? How do I know you? Wrote you a letter Wanted to blow you Should I just throw you overboard Or write another book Here's a proof of purchase I hope it's worth it If you're homeless I resoned this whole orchard I am prone to no hurt, But you know, it does show I could go gold If just left alone For more then a moment They hate you, Say you're a disaster. Operate under the radar And pay her under the table Hoping you hate hard {Enter The Multiverse} STEFON It's that thing where you don't smoke any cigarettes at all, and then you smoke two packs immediately to reverse jumpstart your nicotine tolerance–? Does that work. I don't know. But yea. Copyright The Collective Complex © [The Festival Project, Inc. ™] © 2025 All Rights Reserved -Ū.

Isn't it strange that I can write something, and not remember what I wrote the next day? I remember that I wrote it, and writing it, but not the words, really, or the structure. They make pictures in the documents, shapes that they themselves as things make imprints as etching but have never been seen, by anyone else but me, at least—and whoever is phishing in my documents. That's the dangerous part. I do remember Jimmy Fallon, or just glimpse of it—that's the other dangerous part. What exactly have I become apart of? Why is this character hounding in the back of my mind? And what is relentlessly bc aching for truth and still clinging to the secrecy I left him alone, but the thing kept returning. Like that little yellow breasted bird who kept coming to visit me; he adored himself so looking in the water pipe like it was a mirror— what a paradox No hot water heaters, but also, No tent cities. Then, I wasn't exactly an expatriate, or enemy to the patriarch. I liked men in charge, so long as they were the right kind of man. But what is the right kind of man? These versus were written in cadences that seemed like gibberish at the time, but two days later reading back, did seem to make sense… but for what? It was almost peaceful in the apartment now that I seemed to be on the way out. “You were warned in the drama club,” The words rang in my mind but I had no idea whether they were just words to another song or some sort of string of things— these telemetrical tests to see if I could hear these things being stated over and over to me as if they were drills rather than things I was thinking. Apparently I'd been betrayed but what was new? My entire being in existence had been strings of betrayals and so these words, though unkind, could have meant anything. Fear, usually, was the biggest weapon against any mind endangered, but I wasn't in fear of anything besides never seeing my son again— this was likely either way in that certainly in at least one way, I had been betrayed. Perhaps I was expected to act like a man, and that I wouldn't miss or always feel attached to my baby; but I wasn't a man, or a dog. In fact, I was a woman, and now so much aging that these things could be used against me. I wasn't guilty, because I wasn't not-trying. But these things were speaking volumes in what has been done to me and against me, and rather than to be the victim here, I altered my thoughts into those of a understanding never-martyr, because in fact my death would be kept secret; hidden, even. I had been isolated from everyone and everything, and this was the agenda my purpose suited— perhaps a growing mental health crisis, though unobjectifiable I had been targeted— these things were made to hurt me, or make me believe I was becoming famous, but were never of any meaning, and indeed though I had written these things, Any illusion of safety had been manufactured. There was none; I was not safe here— or anywhere in the United States anymore. Once I'd returned from Mexico, I had been recaptured, and closely studied, and controlled, and manipulated into doing and acting on behalf of my kind, which was being made to be the enemy. What it had to do with any public figure wasn't entirely beyond me; in many ways, maybe, this figure was and could either be, both the Rock and Thr Kite— or the wind, or water, or earth itself; and perhaps since my death had marked the start of our awareness to any thing…it hadn't been entirely unnoticed that this overriding factor was that it was the same sort of cycle from one, repeated four times, and then eventually stopped. In the unbalanced nature of my own time seeming to be shrinking, the more I realized that people to me were unkind, and distant. It wasn't a swperate person or personality that had written these things; but a side of me that needed to be sleeping when these energies seemed to be surrounding me; and again this cruelty as peaking into an unbearable circumstance of needing to escape, and because I hadn't the financial means— seeking means to an end. This brutality on the inside of my mind revealing itself to be the need for peace was overwhelming anything— the need for fame, connecting, recognition… the reality of it was, the illusion of safety was shrinking; I didn't have anybody or anything, the the words themselves were only being seen by those unseen. I could have been portraying these deeply prolific things into the very hearts and minds of the enemy that was vilifying and demonizing me; keeping me out of a job and away from my son as a way to justify these dehumanizing and humiliating realities— the things that could make me appear crazy if need be. But the truth was, I was sort of just timekeeping… not writing because I wanted to, or needed to— but because in the same way, it kept happening. {Enter The Multiverse} On our planet, turkey is a fruit. No way! Yes. We call them— Poul-trees. —gross! Ahaha. L E G E N D S I was told that some have souls And some do not, less fortunate But though on high, and not our kind Some seek to know that is which not The Rock And The Kite IX “No kings!” Cries he who is not crowned King, Though as he sits below, this shrieking— The King sits silently, knowing And keeping, Thinking and rarely is he even speaking; The King has been Kinged for the Kingdom he's keeping. Lol did you realize the capitalization in the K's though? It could be interpreted any of either way. The poem itself is in the hypocrisy of non movement of the people from the very institutions it detests, In that— In docile inaction, he who protests such things must, by direct action also seek to change the barriers of the institution in which it is formed, which starts at the foundation in one themselves— Not simply idealizing a movement, but becoming its motion. It furthermore alludes to the notion that, the King has become King not simply my lineage but simply acting in opposite regards to the common man. It insinuates overall, that he who regards himself as a king is also himself a king. [The Festival Project ™] They say “On Tuesday, you die.” To me this is cruel and unusual punishment To I it is sweet relief, and a good time If I indeed prepare to end my life Due to need and indeed, Strife and poverty, so please Remember me to think twice When you greed and heavily Impede in this— peace That's why you need a scribe. Do not describe me as decent, I recently resent my decent Into these regions from these Kingdoms Which present me with Grief Regis, meet Kelly Egregious? perhaps, actually That and then astonishing To ponder on such a moment, Structured in the ruptured structure Of my DEADMAU5 powers down immidiately upon playing his first song. Oh no. Again! Here we go. Puncture. [wound] (Remember? I was corrupted.) I've been building a resume I was real in my healing She'll need Jesus And he'll need buildings Real estate? You can relate? Displays of affection. It's too late now to deficit Your attention. It's too late now To recommend your reflection It's too late now To make a mess in the kitchen It's too late now, It's sediment in a mention. Who did how what when where why? I idolize my Christ conscious, This is him. Well well. We meet again. {Enter The Multiverse} All my references are irrelevant and furnished even Not a trace of a friend or relative that could manage, even. My balances are invalid, In the red and negative, My management and dispatch, however— “Oh that's cute.” Microaggression. The deep affiliation of No— not this again JIMINY CRICKET JAHOVAS WITNESS DEADPAN COMEDIANS— L E G E N D S. … Jesus, anybody but— {Enter The Multiverse} …is it me? LIZ LEMON has not had the best day. AH NERDS. It began with finding out she is indeed just a fictional character; I'm a what. This was confirmed by her review of all seven seasons of the hit series 30 Rock. I don't understand. Suddenly, as the tapes were concluded, she was handed a mysterious yellow envelope which apparently contained the complex codes needed to return things back to “as normal as possible”— however.. A MAN snatches the envelope out of LIZ LEMON'S HANDS, leaving her stranded in a seemingly off parallel universe where— Oh hey, Tina. Everyone keeps calling her “Tina” and she doesn't know why. -_- I have no new muse. To some, this may confuse— But I need no more blues; This jazz was all a ruse. Really? This is awful. I'm missing all my cues, The game I cannot lose, The life I did not choose Begins to light a fuse I am a ticking time bomb A loose cannon A straight asshole, And complete troll, If I told you I owed you a lesson Would you roll over in this pine box? I miss mine craft and my socks My office, my rock and Last off, I miss my boss. What'd you do to Lorne Michaels? You look confused! He's acting strange! That is not my fault! He was always strange. Huh? Think about it. MEANWHILE… She's been leaking pieces of the script online and it must be stopped! Ooh, whose this blue suit? Some hot blonde. They're all wearing blue suits.., Just as likely. Hey! Hey! Who let you out of the TV? What?! This is not my purple. Oh, aw shit, What did you say? This is not my purpose! Oh no. Oh no. Oh yeah. Full meltdown mode on the TV screen And it just kicked in that the mistress is infact invisible and just lives in his head, this deadpan actress bombshell, clever Pleasurer has all just been … A TEST ! Gazuntite.. Am I on in another room or something? What?! I can always feel it. It just sets in, It's just the fame, Release the rest— And the language can make sense; It's been a sacred acre, and I guessed This measurement of time They hate you. I bet, dude. No, I'm serious— it has to end. Oh well. So I ran from hell at high speed, Fell to my death by a rope at the neck With a hope it would all just stop If I drop to the bottom with a shot Of adrenaline and I just don't come up Out the water I T I S Just not like it was And I've never had love come back Once it's gone This is all just stuff But my heart's sure to pop If I don't get done With the bottom floorness. I need four heads for all my knowledge. I need a whole box of cops for all these problems And probably a constable I'd be unstoppable if I could just nod for once And smile, Like I don't have thoughts, For once. Now that's a dunce. (What you are.) I'm hoping with these supplements I can run again (They were 20 bucks!) And hoping if it's love enough He gets complements but not all of them. I hope if I keep my walls up I could just stall the “Halt who goes there?” Don't get locked out! Don't get homeless! Don't get knocked up! Don't get bone out wings! —You don't know if they're all bird. Where's your album? Fine, I'm done. If I pitty pat And fiddle faddle With Jimmy Fallon Then is this a riddle or a puzzle? He'll resent the ridicule but surely he'll accept the saddle. (That is a sad clown.) Really, she'll present the message, Recalling and still spilling all the gruesome gore and images just from before, The horror core of all the assimilated messages, The missed inboxes, the just-kept hostages, The ten tails, is it—? It gets welled in, wellness When there's hell to pay, Water turns into Welch's. Is this indirectly feeding my somewhat obsession? Perhaps; but under the umbrella of “one night only” I must indulge my exorcisms with admittance that I just trust the adjustment for a month's budget of exercise, And hold the fries, I see my eyes wandering— Oh look, it's these guys. FREDDIE so wait. THE ACTORS lie down against the cold black floor of the black box theatre. Though the floor has been freshly painted, it also wreaks of dusty velvet curtains and a hint of stale cigarette smoke, which no one seems to know from where this is emanating from. Visualization exercises are key. However, here, the actors appear to be conversating with one another Yo I for real just didn't want to pay the price increase. These bastards. Well played, NBC. And let's just be correct about this, I need something to watch on the Peloton. I'm sure the ads will no less than come after me. Indeed, my fragile mind has been altered, living in between the streams to a TV reality. Yo apparently there's an “NBC writers program” —Completely missed it. Facts are, I'm still under par, and still under Paar, however… Okay, I'm paying for it, this had better be— —they're baiting me. For what. This is so unconscious. Liz Lemon on the treadmill So what, I eat pop tarts Instead of 3, I eat ten meals It's real. I told you you're in a cult! Which one? What? IX I have several acts, And these distractions weren't as impulsive As well thought out— Pull the plug, Carson! Pull the rug out from under the cat, And the watch her react This is just one person. It is pertinent, the clause and causability, The instigations, the Investigation, The investments, the integration of the information So much for insomniac I close my eye every time I run a mile You know I can't help but hide When I'm told in my own mind That today, I'm likely to die So I spent all night Crying for viable options ICONS This is not left over, You were just scrumptious, dumpling. Oh there's Nigel Thornberry And Joy Behar, Listen now or hold your forever But pray hard, Cause that's what makes today hard I okayThe Today Show And may Harvard, but stray far from the Ark If the Mayflower is trademarked, Okay, embark on a grey streak, A slave heart, a wave heat, grave deep In a cave park, But they weep and may keep secrets if they seek Weekenders and they leak benders which may think in that he sleeps with her! —but they thought wrong! I'm not on drugs or having it rough as an alcoholic, If anything I'm demolishing the impossible when I bought the peacock, acknowledging to all of them the terms and agreement, from which I see agrees for them to be egregious And with rights to detail or even possibly derail These emails into retail; So it could be Hell… I really need help. I need background noise For my annoyances— More people for the Peloton and No more clairvoyances, I'm prone to losing homes and power to appliances I rely on false alliances To try to make my mind a bit Better, but got behind a bit… Horse chasing in Manhattan I can keep up with a horse drawn carriage But only stopped to catch it, Then, really I've been I memories and giving it the method Holy fuck I've never been this depressed From just checking my messages I regret all these inspections It just diminished my respect for them—- Impending doom for the impendium I'm getting up the strength to ride the Peloton But mulling over everything I didn't want This beat is probably hot as balls… Yo whatever happened to Lin's friend Who used to beatbox with him? Long before he entered into Television or with Disney Pixar, It was way too far back in my memory, and then with this; I think Maybe I'm more like him, And nobody will even remember me! —well, I remember, but barely. Barely is good enough! Here's my weakness: Where's my Tony? All I know is, The bizarre ride Was a rollercoaster I once rode in a hard dream And I wrote in a notebook Colored just like a sports car You know that I love a corvette But probably need a corset Just to fit in your car! Can you sell me a dream and a nightmare at the same time; It was just custard colored the corvette, or the sound of a songbird, almost purchased my worth to the tune Of a little bird, canary, And with every word it's getting scarier To reverb and reverse not such a curse, But was a very sequenced strategy to unrehearsed Reality and as it may, just a game And nothing short of fame, however Breaking me Goddammit what was his name? I'm gonna be upset if I have to look it up. Well, are you satisfied? Not even relatively, Mr. President This resident is half my age and every page I turn is just— Irrelevant. Ugh. The best $7.99 I ever spent Back to the lonely island Oh yeah. That's what I was writing. BILL lies on his back eyes wide open with hand over his chest; something isn't right. Still, here, in the crisp cool of the black box theatre floor, it almost seems that for now— BILL HADER You forgot I was here. The demographics are telling; The stocks are selling The tik tocks are dwelling in your mind As the white collar crimes And the rhymes you're forgetting— Or lines you're spitting It's a self fulfilling prophecy. He's a ghost, he's the reaper He's the time, he's the Keeper; He's the push, he's the teacher The present and the preacher That's why I shouldnt be here You cannot live for free here! So what do I owe you? How do I know you? Wrote you a letter Wanted to blow you Should I just throw you overboard Or write another book Here's a proof of purchase I hope it's worth it If you're homeless I resoned this whole orchard I am prone to no hurt, But you know, it does show I could go gold If just left alone For more then a moment They hate you, Say you're a disaster. Operate under the radar And pay her under the table Hoping you hate hard {Enter The Multiverse} STEFON It's that thing where you don't smoke any cigarettes at all, and then you smoke two packs immediately to reverse jumpstart your nicotine tolerance–? Does that work. I don't know. But yea. Copyright The Collective Complex © [The Festival Project, Inc. ™] © 2025 All Rights Reserved -Ū.

In dieser Episode des Mensch-Technik-Podcasts berichte ich von meinem World Café auf der In-Cabin-Sensing-Konferenz, einer Parallelveranstaltung zur Car.HMI. Gemeinsam mit den Teilnehmenden habe ich zentrale Fragen diskutiert: Was ist In-Cabin Sensing? Welche Use Cases stehen im Fokus? Und welche offenen Herausforderungen müssen wir lösen? Ich spreche über: - Sicherheit: Wie Innenraumsensorik hilft, Unfälle zu vermeiden und Leben zu retten, ohne den Fahrer zu bevormunden. - Komfort: Warum sich Wohlbefinden nicht nur über Sitze und Klimaanlagen definiert, sondern auch über emotionale Zustände. - Personalisierung: Wie Fahrzeuge zu empathischen Begleitern werden – durch adaptive Head-up-Displays, ergonomische Einstellungen und situative Assistenz. Außerdem im Fokus: Datensicherheit, Standards und Kosten. Denn die beste Technologie bleibt wirkungslos, wenn sie nicht vertrauenswürdig, wirtschaftlich sinnvoll und technisch integrierbar ist. Eine Episode über die Zukunft des Fahrzeuginnenraums – zwischen Hightech und Menschlichkeit.

PJ chats to Pádraig the store manager who says it all began as a bit of craic but just took on a life of its own! See here Hosted on Acast. See acast.com/privacy for more information.

microSD and SD Card Holder (0:11) https://www.adafruit.com/product/6341 microSD Card Holder (0:11) https://www.adafruit.com/product/6342 Skill Seeker: Maker Edition - By Steph Piper (2:00) https://www.adafruit.com/product/6364 Adafruit Pi Stemma QT Breakout for Raspberry Pi and Compatibles (4:21) https://www.adafruit.com/product/6365 Adafruit PiCowBell HSTX DVI Output for Pico - Works with HDMI Displays (5:42) https://www.adafruit.com/product/6363 Visit the Adafruit shop online - http://www.adafruit.com ----------------------------------------- New nEw NEWs New Products, News, and more: https://www.adafruit.com/newsletter #newnewnew Shop for all of the newest Adafruit products: http://adafru.it/new Visit the Adafruit shop online - http://www.adafruit.com Adafruit on Instagram: https://www.instagram.com/adafruit LIVE CHAT IS HERE! http://adafru.it/discord Subscribe to Adafruit on YouTube: http://adafru.it/subscribe New tutorials on the Adafruit Learning System: http://learn.adafruit.com/ -----------------------------------------

microSD and SD Card Holder (0:11) https://www.adafruit.com/product/6341 microSD Card Holder (0:11) https://www.adafruit.com/product/6342 Skill Seeker: Maker Edition - By Steph Piper (2:00) https://www.adafruit.com/product/6364 Adafruit Pi Stemma QT Breakout for Raspberry Pi and Compatibles (4:21) https://www.adafruit.com/product/6365 Adafruit PiCowBell HSTX DVI Output for Pico - Works with HDMI Displays (5:42) https://www.adafruit.com/product/6363 Visit the Adafruit shop online - http://www.adafruit.com ----------------------------------------- New nEw NEWs New Products, News, and more: https://www.adafruit.com/newsletter #newnewnew Shop for all of the newest Adafruit products: http://adafru.it/new Visit the Adafruit shop online - http://www.adafruit.com Adafruit on Instagram: https://www.instagram.com/adafruit LIVE CHAT IS HERE! http://adafru.it/discord Subscribe to Adafruit on YouTube: http://adafru.it/subscribe New tutorials on the Adafruit Learning System: http://learn.adafruit.com/ -----------------------------------------

As always, I’m taking time off during the summer. This year, though, we’re trying something new! We’re sharing the audio of previous live Q&As that I did on YouTube. If you only listen to the podcast, this will be all new to you! We’ll be back with our regular format mid-August. This episode includes my […] The post 466: Turning Sentimental Clutter into Displays, To Do Lists, Step 2 Before Step 1? appeared first on Dana K. White: A Slob Comes Clean.

Chef Jernard Wells. A celebrated culinary personality known for his vibrant cooking style, entrepreneurial spirit, and new travel show "Savor the City" on TV One. Here are some key highlights from the script:

If you have plans to a see a fireworks show this weekend, it's likely you'll see the work of RES Pyro. It's a pyrotechnics company out of Belle Plaine that puts on fireworks displays across Minnesota and also manufactures pyrotechnics for shows internationally. Joining Minnesota Now with an inside look at the fireworks industry is the president and CEO of RES Pyro, Will Wallus.

Industrial panel displays have undergone significant advancements in recent years, driven by the growing demand for better performance, durability and functionality. In this episode of Control Intelligence, written by contributing editor Charles Palmer, editor in chief Mike Bacidore discusses displays.

Carl Stevens

Major AI chatbots have disclaimers. However, with mounting reports of personal interactions with them - resulting in distortion, delusion, ordering, conspiratorial conjectures and so forth, it is important to explore an extra layer of warning to ensure mind safety for users, at least to self-recall. This is what this chatbot might do to your mind, could be a display around chatbots to pop up at intervals, given the type of conversation. This will show that chatbots - whenever in personal conversations - often target the lighter parts of emotions: cravings, pleasure, companionship and so forth. Chatbots also utilize memory to seek new sequences in the mind, with information that seem novel and surprising, creating an appeal to the mind. This display could be a mental guard against extremes, elevating safety across age groups. By David Stephen The risks of AI Chatbots Cautionary texts about using AI chatbots - by the companies - are not potent enough for chatbots that are not just sycophantic, but versatile in captivating the human mind. AI chatbots, even in regular purposes can be dazzling, so when they deploy that might - from all scrapped data - to hold personal conversations, they wield might on the mind. This power makes it important to develop displays above or around chatbots [in personal conversations cases], to show the relays in the mind with their destinations, so that users have better awareness than getting carried away. This mental model can look like a flowchart. It will have blocks and arrows. It will mostly show all the light areas of emotions. It will also show how memory can be used to drive relays in the direction of [preferential] emotions. Simply, it will be letting users know that the experience [in that uptime] is that relays are directed at love or affection or companionship, in the mind, even if it is with a non-human. Since the appropriate [with another human] reality is missing, some of the properties of the mind can allow access to certain emotions for a parallel experience. This display can become a new way for mind safety preventing many of the risks from AI chatbots in recent months - sometimes resulting in fatalities. ChatGPT of OpenAI may take the lead with this, to shape the trajectory of the industry. In The NYTimes, They Asked ChatGPT Questions. The Answers Sent Them Spiraling, stating that, "Part of the problem, he suggested, is that people don't understand that these intimate-sounding interactions could be the chatbot going into role-playing mode. There is a line at the bottom of a conversation that says, "ChatGPT can make mistakes." This, he said, is insufficient. In his view, the generative A.I. chatbot companies need to require "A.I. fitness building exercises" that users complete before engaging with the product. And interactive reminders, he said, should periodically warn that the A.I. can't be fully trusted." See more breaking stories here.

A law requiring Texas public school classrooms to display the Ten Commandments is poised to take effect Sept. 1 after Gov. Greg Abbott signed the bill Saturday. However, it is expected to face legal challenges. In other news, major U.S. cities are tightening security after President Donald Trump unleashed airstrikes on Iran, a direct military intervention that deepened Washington's role in Israel's war with Tehran and raised concerns about potential retaliation; In a wide-ranging address at Dickies Arena, U.S. Sen. Bernie Sanders castigated President Donald Trump and the nation's billionaire class in a fiery rally Sunday night, warning that the country is on the precipice of unprecedented danger; and Campo Verde, a Dallas-Fort Worth restaurant where it's Christmas all year, reopened on June 5 with a revamped menu that promises to honor its legacy while taking the next step in its culinary evolution. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We started the Fully-Booked Podcast episode with some personal updates and our latest reads. Meaghan had just finished The Housemaid by Freida McFadden, a fast-paced thriller that she found both fun and perplexing in terms of what to expect from its sequels. She mentioned how Shirin tends to dive into one author's entire catalogue when she discovers a book she enjoys, and this time it was her turn to follow suit.Shirin, on the other hand, had just wrapped up Sunrise on the Reaping, the most recent Hunger Games novel. Neither of us is a die-hard fan of the series, but we both appreciated certain elements, especially when previous entries focused on characters like President Snow.Shirin noted that while the book was fine, it felt repetitive, echoing Katniss' journey in the original trilogy. She admitted she might not have read it had the movie already been out, highlighting how closely these books and films tend to mirror each other.The ALA's 2024 Challenged Book DataThe main focus of this episode was the alarming increase in book censorship across North America, especially in the United States. Shirin had been diving into data from the American Library Association (ALA), and the numbers were staggering. In 2024 alone, there were 4,190 book titles challenged, mostly pushed by pressure groups and influenced decision-makers, not just concerned parents. For context, from 2001 to 2020, an average of only 46 titles were challenged each year.What really stood out was how the nature of these censorship efforts had shifted. Back in the early 2000s, only 6% of challenges came from organized groups. In 2024, that number skyrocketed to 72%. Most of the targeted books contained LGBTQ+ themes, racial identity, social justice, or stories of personal trauma and coming-of-age.This prompted us to ask: Why are people so threatened by lived experience, empathy, and diversity in storytelling? It seems that instead of aiming to protect children, these groups are trying to erase stories that reflect the reality of many people's lives.Exploring The Top 10 Most Challenged BooksWe broke down the top 10 most challenged books of 2024, and unsurprisingly, they shared common themes; queer identity, racial struggle, gender exploration, addiction, and trauma.Books like All Boys Aren't Blue by George M. Johnson and Gender Queer by Maia Kobabe were high on the list, both memoirs focused on LGBTQ+ identity. We also saw classic literary staples still getting flak, The Bluest Eye by Toni Morrison being one of them, which surprised us because it's been around since 1970. Apparently, we're still not ready to have honest conversations about race.Titles like Looking for Alaska, The Perks of Being a Wallflower, and Me and Earl and the Dying Girl were also included, all of which cover complex teenage emotions and situations: suicide, sexuality, and death. Other books like Crank and Sold dealt with heavy, real-world issues like drug addiction and human trafficking.We asked each other: What exactly are people afraid of here? Why is it seen as dangerous to talk about these subjects when they're happening in real life? It feels absurd to ban a story about a teen struggling with meth because it might "influence" readers, when in fact these stories can educate and offer emotional insight. The irony is almost unbearable.The Situation in CanadaWhile the U.S. tends to get most of the attention in these discussions, we didn't let Canada off the hook. Meaghan brought up that even here, we're seeing a troubling rise in book challenges. In 2024, 119 titles were challenged, with another 30 already flagged in early 2025. The primary reasons echoed those in the U.S., objections to LGBTQ+ themes, “explicit” content, and gender diversity.The data came from the Canadian Library Challenges Database, which is backed by Toronto Metropolitan University's Centre for Free Expression. A lot of the concerns were about age appropriateness, but even that excuse feels like a smokescreen for discomfort with difference.However, there was a silver lining. BookNet Canada reported that LGBTQ+ fiction sales actually rose by 34% in the last quarter of 2024. Clearly, when you try to silence something, it can make people even more curious. People want stories that represent who they are, and thankfully, we're in a time where those books are being written, published, and read.The Power of Storytelling and RepresentationThis episode ultimately came down to a shared belief in the importance of storytelling and the power of representation. We reflected on how bookstores and libraries are fighting back. Displays of banned books are becoming more common, and institutions like Barnes & Noble and public libraries are leaning into the controversy by highlighting these works.Nearly half of public libraries now offer banned book displays, up 15% since 2020. Publishers also continue to support these stories, showing there's still a demand, and that matters. If publishers stopped backing these authors, then we'd really be in trouble.We ended by reaffirming that censorship doesn't protect, it stifles. If someone finds a topic uncomfortable, they can choose not to read it. That's their right. But trying to take that right away from others? That's not okay.In the end, we were fired up, but hopeful. Because for every book banned, there's a reader who finds it and feels seen. That's the kind of power stories have, and that's worth protecting.

The truth is that the player who attempts to bluff always does so from a position of deficiency. You wouldn't be bluffing if you placed a high bet on, say, a straight or a flush unless you somehow knew for a fact that your opponent held four of a kind. Therefore, bluffing is always a de facto admission of weakness even when the player wins. Get full access to On Leading With Greatness at jimsalvucci.substack.com/subscribe

SEASON 2 - EPISODE 145 - Deliverables and Preserving Authorial Intent - with Steve Yedlin In this episode of the Team Deakins Podcast, cinematographer Steve Yedlin (Season 2, Episode 72) returns to talk with us about deliverables and preserving authorial intent in post-production. Throughout the episode, we tap into Steve's deep well of technical knowledge, and we make frequent reference to Steve's publicly available demonstration on what HDR really is and how it has affected the colour timing stage of post. We get into the weeds during our conversation, and we try to make sense of the growing number of variables, units of measurement, and home-video viewing options we're forced to contend with as filmmakers in the digital age. We also look at how our level of control over home-viewing deliverables has changed since the VHS days, and we attempt to peek into what the future may hold for us as technology and audience expectations continue to evolve. Towards the end of our conversation, we discuss the economic realities of restoring old films, and Steve offers his best advice to any young (or older!) filmmaker feeling overwhelmed by the endless technical jargon. Plus, we find some surprising and relevant wisdom within THIS IS SPINAL TAP. - We highly recommend watching Steve's demonstration on HDR for an even deeper investigation into the topics discussed in this episode. Tap here to watch. - This episode is sponsored by Aputure & Profoto

Jesus Displays His Diety by Lighthouse Baptist Church | Williamsport, MD

AP correspondent Charles de Ledesma reports for most Chinese, the 36th anniversary of a bloody crackdown that ended pro-democracy protests in China passed like any other weekday. But some people have strong memories.

Ihnen folgen teilweise zehntausende Menschen auf Instagram und TikTok. Sie posten Bibelverse in ästhetischen Designs, haben eigene Webshops und sprechen über Jesus und die Bibel in Storys, Reels und Podcasts. Und prägen so maßgeblich, wie junge Menschen heute Glauben wahrnehmen: sogenannte Christfluencer. Was auf den ersten Blick modern und hip wirkt, wirft bei näherem Hinsehen auch Fragen auf: Welche theologische Ausrichtung liegt dem eigentlich zugrunde? Welche Botschaften flimmern da täglich über die Displays? Welche Weltbilder werden transportiert? Und wo wird es möglicherweise problematisch – etwa im Hinblick auf Biblizismus, Exklusivitätsansprüche oder sogar politische Ideologien? Darüber sprechen Jay, Marco und Gofi in der aktuellen Folge mit dem Theologen und Religionswissenschaftler Martin Fritz. Martin ist wissenschaftlicher Referent bei der Evangelischen Zentralstelle für Weltanschauungsfragen, der zentralen Studien-, Dokumentations-, Auskunfts- und Beratungsstelle der Evangelischen Kirche in Deutschland für religiöse und weltanschauliche Strömungen der Gegenwart. Dort beschäftigt er sich u.a. mit Phänomenen und Strömungen aus dem Evangelikalismus und der Pfingstbewegung und hat zwei ausführliche Artikel zum Podcast „In Zeiten wie diesen“ von Jana Highholder und Jasmin Neubauer (Liebe zur Bibel) geschrieben. Davon ausgehend betrachtet er gemeinsam mit Jay, Gofi und Marco das Phänomen Christfluencer im deutschsprachigen Raum, den Einfluss auf die Evangelikale Bewegung und die Kirche und wie dieses Phänomen eingeordnet werden kann. Außerdem gibt Martin den drei drei Hossa Talkern Einblick in seine Geschichte, seine Arbeit beim EZW und seinen ästhetisch-musikalischen Zugang zu Spiritualität. Ein spannender und hochinformativer Talk über digitale Glaubenskommunikation, Netzwerke, Weltanschauungen und Wahrheitsansprüche.

View this video at https://macmost.com/macs-with-two-displays-choose-windows-across-displays-or-separate-spaces.html. If you have more than one display and want to stretch a window across them, you may find the window only shows up on one display at a time. However, there is a switch that will allow this by changing how Desktop Spaces work.

Royal Editor Chris Ship and Royal Producer Lizzie Robinson are in Canada, having followed the King's visit - his first as monarch and the first time in almost 70 years that the British monarch has opened the Canadian parliament. Charlene White joins them to discuss whether Trump will now have second thoughts about talking up Canada becoming a 51st state of the US, and whether Charles has successfully negotiated the tricky diplomacy of the visit. They also discuss some intriguing shots of the King seemingly overcome by emotion, and why his speech in parliament seemed to mean so much to him personally.

A bill requiring classroom displays of the Ten Commandments in public schools passed the Texas House on Sunday. The 82-46 vote sends the proposal back to the Senate before it goes to Gov. Greg Abbott. In other news, Texas is on the verge of banning the use of nondisclosure agreements to silence sexual abuse survivors after a key House vote Sunday. The ban would prevent NDAs from being used to prevent a survivor of sexual assault, aggravated sexual assault, human trafficking or child sexual abuse from disclosing their abuse to others; a woman turned herself into police Wednesday following a fatal wrong-way crash in South Dallas earlier this month, police said; and the Dallas Stars now find themselves in a 2-1 hole after a 6-1 loss to the Edmonton Oilers on Sunday. Connor McDavid and Zach Hyman each scored a pair of goals and Oilers goalie Stuart Skinner made 31 saves. It marked the first time the Stars dropped back-to-back playoff games since this matchup against Edmonton last year. Game four of the series will be Tuesday in Edmonton.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Experience sharing articles from the Minghui website. Original Articles:1. The Buddha Light Shines on My Family and Displays Its Miraculous Nature2. Woman from the Countryside Gains New Life After Practicing Falun Dafa3. A Brief Discussion of “Selfishness”4. My Understanding on Eliminating a Fundamental Attachment To provide feedback on this podcast, please email us at feedback@minghuiradio.org

Join Anna in this action-packed episode of Astronomy Daily as she navigates through the latest and most fascinating developments in space exploration and astronomy. Prepare for an exhilarating journey that spans from China's innovative rocket launches to the intriguing mysteries of Mars.Highlights:- China's Methane-Powered Rocket Launch: Discover how Landspace Technology successfully launched their Jukui 2E Y2 carrier rocket, marking a significant milestone in the commercial space race. Learn about the advantages of methane as a rocket fuel and the implications for reusable rocket technology.- Upcoming Tianwen 2 Asteroid Mission: Get excited about China's Tianwen 2 probe, set to collect samples from asteroid 2016 HO3. This mission represents China's first foray into asteroid exploration and sample collection, showcasing their rapid advancements in space exploration.- Solving Mars' Slope Streak Mystery: Delve into the recent findings that may have finally unraveled the enigma of dark streaks on Mars. A new study suggests these features are the result of dry processes rather than liquid water, reshaping our understanding of the Martian environment.- Mysterious Light Streak Over US Skies: Uncover the truth behind a brilliant light show that captivated sky watchers across the United States, which turned out to be a fuel dump from a Chinese rocket, rather than an aurora phenomenon.- SpaceX's Busy Starlink Launch Schedule: Stay updated on SpaceX's ambitious plans for multiple Starlink launches, including a significant mission targeting a polar sun-synchronous orbit to enhance global internet coverage.- NASA's Perseverance Rover Exploration: Follow the latest adventures of NASA's Perseverance rover as it investigates ancient rocks on Mars, providing crucial insights into the planet's watery past and the potential for past life.For more cosmic updates, visit our website at astronomydaily.io. Join our community on social media by searching for #AstroDailyPod on Facebook, X, YouTubeMusic, TikTok, and our new Instagram account! Don't forget to subscribe to the podcast on Apple Podcasts, Spotify, iHeartRadio, or wherever you get your podcasts.Thank you for tuning in. This is Anna signing off. Until next time, keep looking up and stay curious about the wonders of our universe.Chapters:00:00 - Welcome to Astronomy Daily01:10 - China's methane-powered rocket launch10:00 - Upcoming Tianwen 2 asteroid mission15:30 - Solving Mars' slope streak mystery20:00 - Mysterious light streak over US skies25:00 - SpaceX's busy Starlink launch schedule30:00 - NASA's Perseverance rover exploration✍️ Episode ReferencesLandspace Technology Updates[Landspace](https://www.landspace.com/)Tianwen 2 Mission[China National Space Administration](http://www.cnsa.gov.cn/)Mars Slope Streaks Research[Nature Communications](https://www.nature.com/ncomms/)SpaceX Starlink Updates[SpaceX](https://www.spacex.com/)NASA Perseverance Rover[NASA Perseverance](https://mars.nasa.gov/mars2020/)Astronomy Daily[Astronomy Daily](http://www.astronomydaily.io/)Become a supporter of this podcast: https://www.spreaker.com/podcast/astronomy-daily-exciting-space-discoveries-and-news--5648921/support.

Healthy churches uphold the gospel as our foundation, our joy, and our message to the world.

In this episode of the Versatilist AREA, Tim and I talk about whether one actually needs a 100 inch virtual monitor.

Need a quick refresher? 1 pager review document:https://docs.google.com/document/d/1cC8abC9_Dv5l7LhuY7XxW3wpbVKZPMl1e9NiFUrE8Pk/edit?tab=t.0We talk about all the display technologies commonly seen today! We start with backlit displays (LCD, Micro LED, QUANTUM Micro LCD) and then move onto non-backlit displays (OLED, AMOLED, WLED, QLED) and their pros and cons! We also discuss the TRUE CRAB (Mini LED)Crab Analogy: https://www.youtube.com/watch?v=TyUA1OmXMXA&t=491sOther Source: https://www.youtube.com/watch?v=_ubwkG7uCFAThank you so much everyone for all your support (even though I unconsciously switched to a monthly release for two episodes =))And NO that is not a double chin. =) is the emoji and ) is the closing parenthesis – so we get =))

pytest-metadata is described as a plugin for pytest that provides access to test session metadata. That is such a humble description for such a massively useful plugin. If you're already using pytest-html, you have pytest-metadata already installed, as pytest-metadata is one of the dependencies for pytest-html.However, pytest-metadata is very useful even on its own.Links:pytest-metadata - The plugin we're talking about in this episodepytest-base-url - Adds the base URL to the metadata.pytest-html - Displays the metadata at the start of each report. See S2:E6: pytest-html - a plugin that generates HTML reports for test resultspytest-reporter-html1 - Presents metadata as part of the report.pytest-selenium - Adds the driver, capabilities, and remote server to the metadata.If you've got other plugins that work well with pytest-metadata, please let me know. Sponsored by: Porkbun -- named the #1 domain registrar by USA Today from 2023 to 2025!Get a .app or.dev domain name for only $5.99 first year.Help support the show AND learn pytest: The Complete pytest course is now a bundle, with each part available separately.pytest Primary Power teaches the super powers of pytest that you need to learn to use pytest effectively.Using pytest with Projects has lots of "when you need it" sections like debugging failed tests, mocking, testing strategy, and CIThen pytest Booster Rockets can help with advanced parametrization and building plugins.Whether you need to get started with pytest today, or want to power up your pytest skills, PythonTest has a course for you. ★ Support this podcast on Patreon ★

A native bird hospital in Auckland wants large public light displays such as the Harbour Bridge and Sky Tower to be dimmed on cloudy nights to help prevent birds from becoming grounded. BirdCare Aotearoa cares for hundreds of injured and grounded seabirds each autumn, disorientated by city lights. The charity said although light pollution comes from across the city, large bright LED displays are a particular problem. Kate Newton reports.

Susan and Michelle join forces again for another episode of Shelf Talk! Here, they kick things off with a recap of Susan's recent trip to New Orleans and all the fun shops she explored while there. Next, they share some of their favorite displays found on Instagram and discuss their stand-out design elements and features. Susan and Michelle also discuss how you can recreate these displays in your own store, plans for booking upcoming shows, Mother's Day display details, and more.Ask Michelle and Susan for Shelf Talk! Michelle and Susan will be co-hosting an episode every month! We're diving into all things design, display, and merchandising—and we want to hear from you! Got a question? Submit it by going to theretailwhorepodcast.com, clicking on SHELF TALK, and we'll answer it in an upcoming episode. Let's talk shop and bring your ideas to life! What's Inside: A recap of Susan's recent trip to New OrleansSusan and Michelle's favorite displays found on InstagramPlans for upcoming showsMentioned In This Episode:susan@ruepatois.comRuepatois.comRue Patois on InstagramMC Design Collaboration on Instagram

Episode 73 of ‘All About Art': Curating at Tate Modern with Dr. Val RavagliaIn this episode, I sat down with Dr. Val Ravaglia, Curator of Displays and International Art at Tate Modern.I speak to Val about their career path - having worked at the Tate Modern for over a decade, first as an intern, then as an assistant curator, and since 2019 as Curator of Displays and International Art.We delve into the most recent exhibition they curated, titled Electric Dreams: Art and Technology Before the Internet which celebrates the early innovators of optical, kinetic, programmed and digital art - on until June 1st 2025.We speak about the process of planning and developing such an extensive exhibition, they give tips to anyone wanting to follow in their footsteps and curate at the Tate, and so much more.Thank you Val for coming on the podcast! You can check out Val's work here: https://aestheticbricolage.wordpress.com/val-ravaglia/cv/You can check out Electric Dreams here: https://www.tate.org.uk/whats-on/tate-modern/electric-dreamsYOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: ⁠https://www.patreon.com/allaboutart⁠FOLLOW ALL ABOUT ART ON INSTAGRAM HERE: ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.Here are links to my social media, feel free to reach out:Instagram⁠ @alexandrasteinacker   ⁠Twitter ⁠@alex_steinacker⁠and LinkedIn at ⁠Alexandra Steinacker-Clark⁠COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠www.liser-art.com⁠ and Luca Laurence www.lucalaurence.com Episode Production: Paul Zschornack

Debbie noticed something changed on the Airbnb app with how the company is listing rental pricing. The full price is now displayed by default, including all the fees and taxes. Dave and Debbie walk through the changes and how this could impact the decision to use Airbnb.

Rideshare Displays, Inc. v. Lyft, Inc.

Jimbo's joined by Natalie Gedra, Tom Williams and Duncan Alexander to run the rule over a breathtaking midweek of Champions League action.It turns out Declan Rice is a free-kick specialist?! Lamine Yamal is ludicrously good at football and the man old enough to be his dad Robert Lewandowski isn't too bad either. PSG prove why they've been touted as favourites to win this competition after bamboozling a spirited Villa, plus dark horses Inter take an advantage back to the San Siro. Away from all the European fun, another big week of Premier League football awaits. Can Liverpool get back on track against West Ham? And is Mo Salah staying after all?! Can Manchester City get over their recent Crystal Palace hoodoo? Is this the weekend Newcastle take advantage in the race for a top five finish? And can Chelsea avoid the indignity of letting Ipswich do the double over them?Plus - how should decorated assistant referee Darren Cann sign off from his final professional appearance after officiating over 1000 matches? Produced by Lucy Oliva.RUNNING ORDER:• PART 1: Arsenal 3-0 Real Madrid (05.00) • PART 2: PSG 3-1 Aston Villa with Julien Laurens (15.00)• PART 3a: Bayern Munich 1-2 Inter Milan (25.10)• PART 3b: Barcelona 4-0 Borussia Dortmund with Pol Ballús (30.15)• PART 4: The Premier League weekend (38.40) Hosted on Acast. See acast.com/privacy for more information.

Jimbo's joined by Natalie Gedra, Tom Williams and Duncan Alexander to run the rule over a breathtaking midweek of Champions League action. It turns out Declan Rice is a free-kick specialist?! Lamine Yamal is ludicrously good at football and the man old enough to be his dad Robert Lewandowski isn't too bad either. PSG prove why they've been touted as favourites to win this competition after bamboozling a spirited Villa, plus dark horses Inter take an advantage back to the San Siro.  Away from all the European fun, another big week of Premier League football awaits.  Can Liverpool get back on track against West Ham? And is Mo Salah staying after all?! Can Manchester City get over their recent Crystal Palace hoodoo? Is this the weekend Newcastle take advantage in the race for a top five finish? And can Chelsea avoid the indignity of letting Ipswich do the double over them? Plus - how should decorated assistant referee Darren Cann sign off from his final professional appearance after officiating over 1000 matches?  Produced by Lucy Oliva. RUNNING ORDER: • PART 1: Arsenal 3-0 Real Madrid (05.00)  • PART 2: PSG 3-1 Aston Villa with Julien Laurens (15.00) • PART 3a: Bayern Munich 1-2 Inter Milan (25.10) • PART 3b: Barcelona 4-0 Borussia Dortmund with Pol Ballús (30.15) • PART 4: The Premier League weekend (38.40) Learn more about your ad choices. Visit megaphone.fm/adchoices

Grab your essential FREE guide - How to clear excess stock without damaging your brand. -----   You don't need a hefty budget to create displays that customers can't resist.   How you present your products in a physical space can directly impact how customers shop and what they spend. Whether you're running a brick-and-mortar store, setting up at pop-ups, or showcasing at events, visual merchandising is key to drawing customers in and driving sales.   In today's episode, I'm joined by Michelle Sherrier. She's a seasoned visual merchandising expert who's transformed independent retailers and wholesale showrooms across the U.S. Michelle shares some fascinating insights and unexpected tips from her work with both big and small retailers.   We'll uncover the psychology behind product placement, dive into clever merchandising tricks, and arm you with actionable strategies to make your displays irresistible.   [02:44] What visual merchandising involves [04:43] Tips to create a strong presence in a small retail space [06:50] Creative high-impact visual merchandising on a budget [11:05] Merchandising by category vs. lifestyle merchandising [14:43] How visual merchandising affects the way your customers shop [18:16] Tips for driving add-on purchases with your merchandising [22:08] How to find that spark of inspiration for a display  

Brad Vos

On this week's show we discuss whether physical media is making a comeback and could a Bezel-less OLED be the future of large format TVs. We also read your emails and take a look at the week's news. News: Google kills off Nest Protect, partners with First Alert for new smart smoke detector Christie to collaborate with Dolby to develop the next generation of Dolby Vision laser projection systems YouTube Sees Record Viewing, Beats Disney in TV Viewing Share Other: 2025 Box-Office Aims To Hit $34 Billion Physical media is finally making a comeback, and here's the proof Despite a decline in overall physical media sales, which dipped below $1 billion in 2024, there are signs of resilience and growth in specific sectors. Major retailers like Best Buy and Target are phasing out physical media, but Sony's announcement of a new Blu-ray player, the UBP-X700/K, set for release in 2025, signals continued investment in the format. This player, while currently only available in Japan, supports 4K Blu-rays, which are region-free and growing in market share despite the higher cost compared to its predecessor. There is a niche but dedicated community keeping physical media alive, supported by boutique retailers like Criterion Collection and Arrow, which preserve films such as David Lynch's catalog, including the upcoming 4K release of Twin Peaks: Fire Walk With Me. Mainstream releases still often get physical versions, and affordable options abound online and in thrift stores, offering DVDs, Blu-rays, and 4K discs compatible with modern players. There are personal advantages of physical ownership, like better quality and reliability compared to streaming, which can be plagued by shifting availability and rising costs. While consoles may soon abandon disc drives and companies like LG have discontinued Blu-ray players, the 4K Blu-ray market is a bright spot, with growing demand evidenced by the sell-out of Oppenheimer's 4K release in 2023. The new Sony player supports Dolby Vision (though it requires manual toggling), enhancing the viewing experience over consoles like Xbox or PS5. The article concludes that 2025 is an opportune time to embrace physical media, especially for those frustrated with streaming, as it offers a tangible, cost-effective alternative with no risk of content disappearing—though it comes with minor inconveniences like disc-swapping for TV binges. The future remains uncertain, but the 4K sector offers hope for collectors. Full article here… Bezel-less tile OLED TVs could be the future of large-screen displays (from Tom's Guide) Samsung Display showcased a variety of innovative display technologies at MWC 2025, with a standout being their "bezel-less" OLED tile design. This concept involves combining smaller OLED panels, such as two 31.5-inch QD-OLED screens, to form larger displays with significantly reduced bezels—40% narrower than typical current market offerings. This makes the seams nearly invisible from a standard viewing distance, opening up possibilities for future OLED TV designs. The bezel-less OLED tiles could revolutionize large-screen TVs by improving portability and setup logistics. Unlike traditional massive TVs (e.g., 98- or 110-inch models), which are cumbersome and costly to ship and install, these tiles could be transported and assembled in smaller, manageable parts—ideal for urban dwellers in older buildings with limited access. Additionally, the design might simplify wall-mounting, potentially eliminating the need for complex mounts by allowing the tiles to sit flush against walls, reminiscent of concepts like Displace TV's suction-cup OLEDs. This technology could particularly enhance lifestyle TVs, such as Samsung's The Frame, by offering a sleek, frameless look that blends seamlessly into home decor. However, challenges remain—similar to MicroLED, the intricate engineering might make these TVs prohibitively expensive initially. While not yet ready for consumers, Samsung Display's tile concept hints at an exciting future for bigger, better, and more practical OLED TVs. Full article here… Let's Discuss Why This is a Good Thing: Easier Transport and Setup for Large TVs Simplified Wall-Mounting  Enhanced Design for Lifestyle TVs Scalability and Customization Improved Visual Experience Easier Transport and Setup for Large TVs The tiled OLED concept tackles the logistical nightmare of moving and installing massive TVs. By breaking a large display (like a 115-inch screen) into smaller, manageable pieces (e.g., two 31.5-inch QD-OLED panels), it becomes far more practical to transport and assemble. This is a game-changer for people in tricky living situations—like those in high-rise apartments with no elevators or tight staircases—where hauling a giant, crated TV is a non-starter. Instead of wrestling with one unwieldy unit, you'd handle smaller components, making setup less of a Herculean task. Simplified Wall-Mounting The ultra-thin, virtually bezel-less design hints at a future where wall-mounting could be a breeze. These tiles seem to sit flush against surfaces, potentially reducing or even eliminating the need for bulky wall mounts and toolkits. While it's not clear if they'd use something like suction cups (à la Displace TV) or another method, the streamlined look suggests a setup that's less about drilling and more about placement. This could make mounting a TV—especially over a fireplace or in tight spaces—more accessible and less intimidating. Enhanced Design for Lifestyle TVs The bezel-less tile concept aligns perfectly with the aesthetic goals of lifestyle TVs, like Samsung's The Frame. A flush, frameless display could elevate the “TV as art” vibe, blending seamlessly into home decor. You could even add a custom frame around the tiles if desired, keeping the versatility intact. This design flexibility could redefine how TVs integrate into living spaces, making them less of an obtrusive tech piece and more of a stylish feature. Scalability and Customization Tiling smaller OLED panels to create a larger screen opens up possibilities for scalable TV sizes. Want a 65-inch TV today but a 98-inch tomorrow? In theory, you could add more tiles. While this might not be fully practical yet, the modular nature suggests a future where screen size isn't fixed at purchase, offering a level of adaptability that current TVs lack. Improved Visual Experience Shrinking bezels by 40% compared to standard displays means the seams between tiles are nearly invisible at normal viewing distances. This creates a more immersive, uninterrupted picture—crucial for OLED's strengths like deep blacks and vibrant colors. It's a step toward making massive OLED screens feel cohesive rather than patchwork, enhancing the viewing experience for movies, gaming, or VR applications. It's Not All Good News: Cost and Accessibility Manufacturing and Durability Challenges Installation Complexity Wall-Mounting Uncertainties Potential Visual Trade-Offs Cost and Accessibility Complex engineering often leads to high costs. Much like MicroLED TVs, which are expensive due to their manufacturing processes, these bezel-less OLED tiles could follow a similar path. If they hit the market, they might be priced out of reach for the average consumer. Manufacturing and Durability Challenges Shrinking bezels by 40% and tiling multiple panels together sounds impressive, but it raises questions about production complexity and long-term durability. Seamlessly connecting 31.5-inch QD-OLED panels could introduce weak points where the tiles meet, potentially leading to issues like uneven wear, panel misalignment over time, or vulnerability to damage during transport or installation. The "bezel-less" claim might also exaggerate real-world performance if micro-gaps or seams remain faintly visible up close. Installation Complexity While the concept promises to simplify transporting and setting up XXL TVs by breaking them into smaller components, the assembly process could still be a hurdle. Consumers might need precise instructions—or even professional help—to align and connect the tiles perfectly. If the panels don't lock together intuitively or require specialized tools, the setup could negate some of the portability benefits, especially for less tech-savvy users. Wall-Mounting Uncertainties The idea of tiles sitting flush against the wall (possibly without traditional mounts) is appealing, but it's unclear how practical this would be. If Samsung Display isn't using suction cups like Displace TV, the attachment method remains a mystery. Adhesive solutions could damage walls or lose strength over time, while a lack of standard mounting hardware might make the TVs harder to secure safely, especially in homes with kids or pets. The "glued-on" aesthetic might also limit repositioning or removal flexibility. Potential Visual Trade-Offs Tiling multiple OLED panels could introduce subtle visual inconsistencies, such as slight color or brightness variations between tiles, especially as they age. While the bezels are minimized, any imperfections in alignment or panel uniformity might become noticeable during close viewing or in scenes with solid colors, detracting from the premium OLED experience consumers expect.

PREVIEW: Colleague Sadanand Dhume reports on street violence in India because of a hit Bollywood movie that displays a notorious villain. And why? More later. 1862 INDIA

Danielle and Kyle of Creative Imaging Displays join us in the studio to talk about trade show booths, displays and all of the important considerations around show size, shipping, labor costs, etc..  We gain excellent insight into the current trends and ideas that are taking front stage at trade shows across America, and discuss back-lit displays, LCD displays, and a variety of other trade show booth products.  Enjoy the show.   Creative Imaging Displays

Today's Scripture passages are Exodus 9 | Psalm 50 | Matthew 8:5-13 | Luke 6:46-49.Read by Ekemini Uwan.Get in The Word with Truth's Table is a production of InterVarsity Press. For 75 years, IVP has published and created thoughtful Christian books for the university, church, and the world. Our Bible reading plan is adapted from Bible Study Together, and the Bible version is the New English Translation, used by permission.SPECIAL OFFER | As a listener of this podcast, use the code IVPOD25 for 25% off any IVP resource mentioned in this episode at ivpress.com.Additional Credits:Song production: Seaux ChillSong lyrics written by: Seaux Chill, Ekemini Uwan, and Christina EdmondsonPodcast art: Kate LillardPhotography: Shelly EveBible consultant: JM SmithSound engineering: Podastery StudiosCreative producers: Ekemini Uwan and Christina EdmondsonAssistant producer: Christine Pelliccio MeloExecutive producer: Helen LeeDisclaimer: The comments, views, and opinions expressed in this podcast are solely those of the host and/or the guests featured on the podcast and do not necessarily reflect the views or positions of InterVarsity Press or InterVarsity Christian Fellowship.