Podcasts about davinci resolve

Sony is warning that FX5 orders have outstripped its own expectations, and at the same time the company has put a non-binding offer on the table to buy Tamron outright. We extensively cover the FX5, and also talk about the FCC pressure on XTRA in the US, a major Nexus G1 update, Christopher Nolan's fully analogue IMAX production of The Odyssey, and a long run of lens, accessory and software releases. This episode is sponsored by Hollyland at (29:29) ► Check out the Pyro S wireless video transmitter: http://cined.co/nImvmn Chapters & Articles Mentioned in This Episode: (00:00) Intro (01:48) Sony warns of possible delivery delays as Sony FX5 orders far exceed expectations https://www.cined.com/sony-warns-of-possible-delivery-delays-as-sony-fx5-orders-far-exceed-expectations/ (09:01) Poll: Sony FX5 – which missing feature do you want most? https://www.cined.com/poll-sony-fx5-which-missing-feature-do-you-want-most/ (20:18) Sony FX5 interview – firmware V2 timing confirmed, anamorphic limitations, and Cinema Line strategy https://www.cined.com/sony-fx5-interview-firmware-v2-timing-confirmed-anamorphic-limitations-and-cinema-line-strategy/ (30:21) Sony proposes to acquire lens maker Tamron – what a takeover could mean for the lens market https://www.cined.com/sony-proposes-to-acquire-lens-maker-tamron-what-a-takeover-could-mean-for-the-lens-market/ (40:03) XTRA Muse 2 Pro pre-orders paused in the US – full refunds issued as FCC scrutiny intensifies https://www.cined.com/xtra-muse-2-pro-pre-orders-paused-in-the-us-full-refunds-issued-as-fcc-scrutiny-intensifies/ (45:48) Nexus G1 update – CINAF autofocus for any lens, U-Mount now standard, production nears final stretch https://www.cined.com/nexus-g1-update-cinaf-autofocus-for-any-lens-u-mount-now-standard-production-nears-final-stretch/ (54:48) How Christopher Nolan shot The Odyssey entirely on IMAX film – inside the new Keighley camera https://www.cined.com/how-christopher-nolan-shot-the-odyssey-entirely-on-imax-film-inside-the-new-keighley-camera/ (01:02:54) Does film have a future? A Kodak factory tour documentary about film, shot on film https://www.cined.com/does-film-have-a-future-a-kodak-factory-tour-documentary-about-film-shot-on-film/ (01:06:27) DaVinci Resolve 21.0.3 released – keyframe ease actions, interlaced fixes, and Sony BURANO X-OCN decode fix https://www.cined.com/davinci-resolve-21-0-3-released-keyframe-ease-actions-interlaced-fixes-and-sony-burano-x-ocn-decode-fix/ (01:07:26) Blackmagic UltraStudio Mini 12G family released – Thunderbolt 4 capture and playback, 12G-SDI fill and key, DaVinci Resolve replay https://www.cined.com/blackmagic-ultrastudio-mini-12g-family-released-thunderbolt-4-capture-and-playback-12g-sdi-fill-and-key-davinci-resolve-replay/ (01:09:11) Cooke SP3 and AP3 lenses now available for Nikon Z mount https://www.cined.com/cooke-sp3-and-ap3-lenses-now-available-for-nikon-z-mount/ (01:10:27) Simmod 4-in-1 ARRI PL lens adapter with interchangeable mount released https://www.cined.com/simmod-4-in-1-arri-pl-lens-adapter-with-interchangeable-mount-released/ (01:13:08) CINELUX REDUXA A1 focal reducer for ARRI ALEXA Classic/XT/SXT teased https://www.cined.com/cinelux-reduxa-a1-focal-reducer-for-arri-alexa-classic-xt-sxt-teased/ (01:15:18) Megadap M2RF Leica M to Canon RF autofocus adapter released https://www.cined.com/megadap-m2rf-leica-m-to-canon-rf-autofocus-adapter-released/ (01:18:19) SmallRig HawkLock cage and accessories for Sony FX5 announced https://www.cined.com/smallrig-hawklock-cage-and-accessories-for-sony-fx5-announced/ (01:19:01) Tilta full camera cage for Sony FX5 announced https://www.cined.com/tilta-full-camera-cage-for-sony-fx5-announced/ (01:20:24) MID49 previews a modular support and power system for the Sony FX5 https://www.cined.com/mid49-previews-a-modular-support-and-power-system-for-the-sony-fx5/ (01:22:10) MID49 Baseline 15mm LW baseplate released for Pixboom Spark https://www.cined.com/mid49-baseline-15mm-lw-baseplate-released-for-pixboom-spark/ (01:23:51) Native Premiere Pro masking and overlapping performances in Resolve – AI masking course update on MZed https://www.cined.com/native-premiere-pro-masking-and-overlapping-performances-in-resolve-ai-masking-course-update-on-mzed/ (01:25:53) The philosophy of shooting with available light https://www.cined.com/the-philosophy-of-shooting-with-available-light/   Email us at podcast@cined.com. New episodes every Thursday.

Less, more frequently. Keeping my glorious subscribers up to date on some changes. Click here to view the printable newsletter. More readable than a transcript. Summary 600 blog posts and 250 podcast episodes in. I’m making a change. Production runs 50-60 hours per episode — unsustainable, even though I love every minute. In this trike-ride solo episode, I share what’s pulling my time: co-founding Trust My Own Health (a new startup, weekly one-screen newsletter ), co-leading an endometriosis series with Phee, and playing more baritone sax. The plan going forward: shorter, more frequent Health Hats episodes — 15-minute check-ins instead of long-form deep dives. Recorded live on a trike at 6:30 am, because that’s how I do things. Episode Okay, hello. How you doing? I’m back on my trike. It’s like 65, supposed to be 90 today. Maybe it’s 6:30 in the morning. I’m wearing a long-sleeve shirt just ’cause it’s a little cool, but not too bad. Anyway, good to be out here with you. So let’s see, what am I thinking about? I’m thinking I’m gonna make a change to my podcast. I thought I would take a moment with my most avid longtime followers. Thank you very much. ‘Cause I’ve been overwhelmed by my long-form podcasting. It’s taking 50 to 60 hours to do an episode. It’s just ridiculous. Actually, I enjoy every minute, but it’s too many minutes. And so let me tell you why it’s too many minutes and what my plan is going forward. I’m co-founding a startup, Trust My Own Health. And I will include a link to that ’cause I would love for you all to learn about it and subscribe to yet another Danny thing, a weekly one-screen newsletter. But anyway, this is taking a lot of my time, and I’m really enjoying it. I feel like it’s actually a culmination of my whole career, my whole life in healthcare, and I really wanna put the time in it. We’re in the raising money stage. And I’m actually, for the first time, feeling like we can do this and we’re getting ready to do this, and I wanna put in the time. But I don’t wanna stop doing Health Hats, the podcast, ’cause I love it. So I’m thinking about doing more frequent, like 15-minute things like this, just talking to you about life and health and what’s going on. And then meanwhile, What’s also happening is that I’ve been working with Phee, who is a person. with some very serious endometriosis. And over the past couple of years, my awareness of endometriosis has grown. Phee uses the pronouns they and him. So Phee wants to tell their story, and it’s a great story. I suggested that they co-lead the series about it. We’ve met a few times on Zoom, and we’re in the process of inviting a couple of guests. I see this as a series that will come out when it comes out. But I think I’m gonna– I think we are gonna put it out in half-hour bursts, just to go with the getting used to shorter, more frequent bursts. And actually, I’m spending a lot more time playing music, which I love. So again, it’s squeezing the podcast time, hence the change. I’m delighted to hear what you think of that, and you all have been with me through thick and thin for a lot of years. So this is probably the 600th episode since I started the blog, and we’re at 250 for the podcast. So there you have it. We’ll see you later Please comment and ask questions: at the comment section at the bottom of the show notes on LinkedIn  via email YouTube channel  DM on Instagram, TikTok to @healthhats Substack Patreon Production Team Kayla Nelson: Web and Social Media Coach, Dissemination, Help Desk  Leon van Leeuwen: editing and site management Oscar van Leeuwen: video editing Julia Higgins: Digital marketing therapy Steve Heatherington: Help Desk and podcast production counseling Joey van Leeuwen, Drummer, Composer, and Arranger, provided the music for the intro, outro, proem, and reflection Claude, Perplexity, Auphonic, Descript, Grammarly, DaVinci Resolve, DaVinci AI Art Generator, OpenArt AI Creator Studio Inspired by and Grateful to: Steve Heatherington, Tania Marien, Heidi Frei, Jane Beddall, Matt Neil, Phee Marcial Artificial Intelligence in Podcast Production Health Hats, the Podcast, utilizes AI tools for production tasks such as editing, transcription, and content suggestions. While AI assists with various aspects, including image creation, most AI suggestions are modified. All creative decisions remain my own, with AI sources referenced as usual. Questions are welcome. Creative Commons Licensing CC BY-NC-SA This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator. If you remix, adapt, or build upon the material, you must license the modified material under identical terms. CC BY-NC-SA includes the following elements:    BY: credit must be given to the creator.   NC: Only noncommercial uses of the work are permitted.    SA: Adaptations must be shared under the same terms. Please let me know. dannyhealthhats@gmail.com  Material on this site created by others is theirs, and use follows their guidelines. Disclaimer The views and opinions presented in this podcast and publication are solely my responsibility and do not necessarily represent the views of the Patient-Centered Outcomes Research Institute®  (PCORI®), its Board of Governors, or Methodology Committee. Danny van Leeuwen (Health Hats)

It's our 60th episode!  Thanks to our amazing audience for keeping the show going over the past 3 years.  Huge thanks to our sponsors @flanderscientific, @conform.tools.  Thanks to our editor Stella that cut so many of these episodes.  We have 100 episodes in our sights.  Thank you - Robbie & Joey———In this installment of The Offset Podcast we're addressing a message we got on Instagram from 16-Year old budding colorist Mehdi who asks:‘(I) would love to know if you guys could talk more about getting into the color industry, breaking through, any advice for young colorists trying to make it'First, congrats Mehdi for being so motivated at such a young age - and thanks listening to the show. We've covered this topic in various ways over the years, but in this episode we thought we'd take a look at some of the personal characteristics and attitudes that working in post requires.  Specific topics covered include:Overview of desirable personal characteristicsBeing a sponge, self-motivated, and a team playerOwnership & not making excusesKnowledge & demonstration of learningAttitude & professionalism And more!Check out offsetpodcast.com for our entire library of episodes. You can also follow us on Instagram & Facebook - just search for The Offset Podcast.Be sure to like and subscribe to the podcast wherever you found it and be sure to check out our growing library of episodes.  If you like the podcast it'd mean the world to us if you'd consider supporting the show by buying us a cup of virtual coffee -https://buymeacoffee.com/theoffsetpodcastSee you again in about two weeks for a new episode

Czy twórca musi pytać klienta o zgodę na używanie AI? Moim zdaniem, nie zawsze. Ale klient powinien wiedzieć, czego się spodziewać. Ten odcinek nagrałem na setkę, prosto po konsultacji: zamawiający zakwestionował część dzieła, bo „wygląda, jakby było robione z AI", choć polityka projektu zabrania AI. To powrót podcastu „Prawo dla Kreatywnych" po dłuższej przerwie, bez montażu, bez plansz, czysta merytoryka. W odcinku: - polityka AI w branży kreatywnej: ustalenia z klientem, nie korporacyjny dokument, - shadow AI: wszyscy korzystają, nikt się nie przyznaje, - czy „zrobione z AI" to wada dzieła i kto miałby to udowodnić, - transparentność zamiast zgody: co klient ma wiedzieć, - ta sama usługa w dwóch cenach: opcja biznesowa, - manifest AI: jak sam chcę komunikować pracę z AI w kancelarii. Spis treści 0:00 Polityka AI, ale w wydaniu praktyka 0:36 Nowy format: na setkę, bez montażu 1:35 Sprawa z konsultacji: „dzieło zbyt robotyczne" 2:18 Shadow AI: wszyscy korzystają, nikt się nie przyznaje 2:54 Transparentność zamiast zgody 4:33 Kto udowodni, że to AI? I czy to w ogóle wada 5:17 AI slop: plaga produktów bez jakości 6:16 Polityka AI to ustalenia z klientem 6:34 Ta sama usługa w dwóch cenach: opcja biznesowa 9:18 Onboarding: zasady AI zaszyte na starcie współpracy 10:03 Manifest AI mojej kancelarii 11:52 Podsumowanie: jasne zasady współpracy O autorze Nazywam się Wojciech Wawrzak. Jestem radcą prawnym i pomagam twórcom, markom i firmom internetowym. Blog: https://prakreacja.pl Newsletter Praliny praKreacji: https://prakreacja.pl/praliny-prakreacji/ Współpraca z kancelarią: https://prakreacja.legal Szczegóły techniczne "produkcji" Nagranie na setkę z wykorzystaniem DJI OSMO Pocket 3 i mikrofonu Shure MV7-K. Poprawa audio i eksport: DaVinci Resolve. Transkrypcja: MacWhisper. Tytuł, opis, rozdziały: praca iteracyjna z Claude Fable 5. Miniatura YT: praca iteracyjna z ChatGPT 5.6 Sol.

In this Production Expert Podcast Special Edition, Mike Thornton, co-founder of Production Expert invites Orfeas Boteas, founder and CEO of Krotos, and Matthew Collins, head of product, to address significant community concerns following the release of Video to Sound integration for Adobe Premiere Pro and DaVinci Resolve.This candid conversation tackles difficult questions about the company's strategic direction, the role of AI in sound design, misleading social media practices, and Krotos' commitment to the professional audio community. Orfeas and Matthew respond directly to concerns from industry professionals and clarify misconceptions about generative AI, product positioning, and future roadmap.In This Episode:Why Video to Sound Released for Adobe Premiere Before DAWs — Technical constraints preventing DAW video track access, with integrations coming later in 2024Addressing 'Abandonment' Concerns from Audio Professionals — Krotos is expanding markets, not abandoning professionalsThe Core Mission: Making Sound Important Earlier — Bringing sound into creative workflows as an equal partner rather than afterthoughtAI is Not Generative: The Truth About Krotos Technology — All sounds are professionally recorded; AI is assistive, not generativeAI as Automation, Not Replacement — Automating tedious tasks like auditioning thousands of sounds, not replacing human creativityEvolution from Specialised Tools to Krotos Studio Platform — Journey from Dehumanizer, Reformer, Weaponizer to unified Krotos StudioMisconceptions About Social Media Posts and Credits — Addressing posts implying Krotos involvement in Jurassic World, House of the Dragon, and Nolan filmsSound Redesign vs. Official Production Credits — Distinguishing creative sound redesign exercises from official product involvement claimsSocial Media Clarity and Labelling Issues — Acknowledging unclear messaging in fast-scrolling social feeds, committing to better labellingIndustry-Wide Social Media Challenges — Platforms encouraging content reuse without explicit permission creates attribution confusionMarketplace and Collaboration Possibilities — Vision for professionals to contribute assets and create ecosystem marketplaceIndustry Change with New Technology — Technological disruption requires community to work as united front, not adversariallyCommunication Missteps on Product Roadmap — Acknowledgement of moving too quickly without explaining technical constraints and timeline to communityAbout Our Guests:Orfeas Boteas:Founder and CEO of Krotos, leading sound design software company. Founded Krotos with a passion for sound, guiding the company through evolution from specialised tools to the broader Krotos Studio platform. Deeply committed to understanding and supporting the audio production community.Matthew Collins:Head of product at Krotos, responsible for product development and strategy. Works with both the professional audio community and content creators to develop streamlined sound design tools. Actively communicates technical roadmap and product philosophy to industry stakeholders.About Our Host:Mike Thornton has been involved in the broadcast audio industry for all his working life, some 45 years. Mike has worked with Pro Tools since the mid-1990s, recording, editing, and mixing documentaries, comedy, and drama for both radio and TV, as well as doing the occasional music project. He was the co-founder of Pro Tools Expert and has now retired, taking up the role of Chairman of Production Expert Ltd., bridging innovative companies and the professional audio industry.

Trading educators can now animate ICT and Smart Money Concepts setups, including order blocks, fair value gaps, and liquidity sweeps, using built-in tools that speak trading vocabulary, removing the need to rebuild candlesticks by hand in Adobe After Effects or DaVinci Resolve. ChartAnimator City: Sheridan Address: 30 North Gould Street Website: https://www.chartanimator.io/

As a nurse with MS, I’m interviewed about AI’s real role in care: pattern recognition, human-in-the-loop skepticism, and the Three T’s and Two C’s framework. Click here to view the printable newsletter. More readable than a transcript. Click here for a verbatim transcript Summary I sit in the guest chair on Practical AI in Healthcare with Steve Labkoff. I walk through my experience feeding my own symptom logs, lab results, and ten years of clinician notes into an AI LLM: a physical therapy referral I needed and hadn’t scheduled, a medication side effect my neurologist later confirmed, and a rating scale buried in my chart that no one had surfaced. I describe the less impressive side: the four-pound box of unsorted paper my primary care practice mailed me and the 296 pages of unsearchable PDFs I got back from another system in fifteen minutes. Along the way, I lay out my framework for judging any digital health tool, the Three T’s and Two C’s: time, trust, talk, control, and connection, and explain why I insist on keeping humans in the loop even though the research on that is more complicated than people assume. This isn’t a pitch for AI in healthcare. It’s a working nurse and patient’s honest field report. What’s your experience been feeding your own health data into an AI LLM? Tell us in the comments. Episode Transcript Proem I usually ask the questions. This time I'm the guest. I met Drs. Steve Labkoff and Leon Rozenblit a couple of years ago at a DCI Network conference. They host Practical AI in Healthcare, a show I've listened to steadily, though it creates more tension for me than any other podcast I keep coming back to. Usually, I jettison podcasts that do that. I stay with this one because I approach AI in healthcare the way I approach best health; I'm an N of one and resist generalizing, while most guests do a fair amount of it. I bristle at most of them, wanting the shades of gray that reflect deep understanding. In four of 33 episodes, the guest has had lived experience: ePatient Dave DeBronkart, Amy Price, Hugo Campos, and me. I invited Steve and Leon to join my virtual Reckoning group, which I've hosted since 2019. We give podcasters warm critiques of selected episodes: the kind of feedback you give when you've made a hundred mistakes yourself, can spot them quickly in someone else's cut, and have endless thoughts about production, audience, dissemination, and life. They took the critique well. When Steve later asked me to come on his show to talk about how I use AI, not the theory but the daily grind, I readily agreed. They let me publish it here unchanged, apart from this Proem and Reflection. I struggled to prepare for this conversation. I wanted to wear all my hats, but had to narrow my focus to two. I chose my lived experience and nurse hats. Underneath it all was the question I keep circling back to. Not a cure. Best health, the most function, and Hello, and welcome to this week’s edition of Practical AI in Healthcare. My name is Dr. Steven Lapcoff, and this week I’m actually on my own because my partner, Dr. Leon Rosenblatt, is actually on spring break with his kids, so I am covering for him and he’ll be back in the next week. This week we have a guest who we met at a conference in Boston a few months ago at the Beth Israel at the DCI network. Steven Labkoff: We have Danny van Leeuwen. Danny is a nurse. He has background in giving actual physical care to patients. He actually runs his own podcast called Health Hats, the Podcast, and he’s been using AI in both his personal life and in his professional life very extensively. Also, Danny has a significant medical condition, and I’ll let him explain that in the course of the discussion because it’s with that lens that we got introduced at our patient-centric AI conference, and that’s why we thought it’d be a good idea to have Danny come and have a chat with us. So welcome to the podcast, Danny. How are you today? Health Hats: I’m good. Thank you. Thanks for having me. I appreciate it. Steven Labkoff: So Danny, as you probably have heard because you’ve helped us with our podcast, and for that I want to say thank you. For those who are listening in, Danny runs actually a group that actually helps folks running podcasts improve their podcasts, and he’s had Leon and I on many times to listen to critiques and feedback, and it’s been very, very helpful. Danny, we often start our podcast with asking for folks’ origin stories, like how did they get their cape and their superhero tights. What did you do to get you to this point in your life? And just tell us the background of what brought you here. Health Hats: Oh, thanks. So I’m a child of Holocaust survivors, and my parents– when I was young, my parents were active in the civil rights and fair housing movement in the ’60s. And when I was 16 and I was thinking about the war in Vietnam and worried about getting drafted, I wanted to learn what I could learn about the draft and how I could protect myself and manage. And I went to a church in downtown Detroit, and I went for a session of draft counseling as, you know, a little precocious at 16, and I found it fascinating, and they found me fascinating, and they encouraged me to become a draft counselor. And so I, uh, I actually took their course and became a draft counselor, and what I learned is that you change systems from the inside, not the outside. And I learned how the sausage was made, and that, uh, really pointed me in a direction. The way I got into nursing is really because I didn’t want to cut my hair I had an opportunity for a job at one point, and I could have read water meters or become an aide at the Detroit Psychiatric Institute. And reading water meters paid more, but I didn’t wanna cut my hair, so I got the job as, as nurse’s aide. And while I was there, they introduced me to the idea of going to nursing school, which was amazing. Steven Labkoff: It was more– You got paid more to read meters, water meters, than you did- Health Hats: Yes. Steven Labkoff: That’s unbelievable. Life gives you some real interesting turns and twists, doesn’t it? Health Hats: It does. And I was really fortunate because my first jobs in nursing were in physical rehabilitation and home care. I just happened to be in a place where the Holyoke Visiting Nurses was dying to hire a guy, and I was a brand-new nurse, and they ended up hiring me. And so my first introduction to nursing was not in acute care. It was in home care, and actually, I was the first male public health nurse in Western Massachusetts in 1976. And really, what I learned there was that most healthcare does not occur in the medical system. It occurs outside the medical system. And so when I ended up getting into medical care, it was always so interesting to me that everybody there thought this is where, you know, health happened, which it doesn’t. So over the 20 years of working as a nurse, I’ve worked in, other than the rehab and home care, I’ve worked in the emergency department, I’ve worked in ICU, I worked in pediatrics, behavioral health. And after about 15, 20 years, I shifted from becoming a student of individual health to a student o- of organizational health. And what I mean by that is I got into performance improvement. I led a couple of electronic health record implementations. I had a couple of gigs in the C-suite. I did some consulting. Now, in 2009, I was diagnosed with multiple sclerosis, and when I was diagnosed, I learned that I had had it for 25 years. And since my father died young, he died at 45 when I was 19 of his second heart attack, and so every time I would have some kind of episode, I would get a cardiac workup. And by the time the cardiac workup was done, you know, the episode was over, and this went on two, three, four times a year for a long time. And there was a pattern there, and nobody was connecting the dots for 25 years. That’s very important to me because the pattern of what was going on was in my records for 25 years, but nobody had synthesized it. Steven Labkoff: Yeah, they may have been biased, right? Because of your family history and having these episodes, you know, as a clinician, you get very biased by family history, and that can actually lead you down roads which may not be correct, and it sounds like that’s precisely what happened with you. Health Hats: So I’ve– I wanna bring in the caregiver role because I have been a caregiver for my grandmother, my mother, and a son in their end-of-life journeys. So I’ve been on many sides of very difficult decisions. As you said, that my shtick is health hats, and I’m health hats because I’m a patient, I’m a caregiver, I’m a nurse, I’m an advocate, I’m an informaticist, I’m a podcast host. I wear a lot of hats. And wearing many hats has gotten me a seat at many tables because they can check off boxes. When it was really different to be bringing patients o-on board, I was an easy choice. Uh, I was at the table for technical expert panels at CMS, at National Academy of Medicine, at AHRQ, National Quality Forum, PCORI, Patient-Centered Outcomes Research Institute. But really, I wasn’t really there in it for the seat itself. My goal was always to open seats for people who weren’t there yet Now let’s build the bridge, since this is a podcast about AI, let’s build that little bit of that bridge. So my first, like, serious experience with– Well, I don’t know about my first. I was involved in something that you probably are familiar with, which was the Blue Button Plus program, and my goal in that, I was there both as a patient and as somebody who was working with people with disabilities. I, I was VP of quality for an organization that supported about 40,000 people with disabilities. And my goal for that couple of years of weekly or every other week, I can’t remember, calls was, uh, to add a f- a caregiver field to the data set, and to also introduce the idea that what people needed was information that would be able to say what works for me when I’m in pain and what works for me when I’m afraid, which was an issue for me, and it was an issue for the organization that I was working with at the time. Now, I have to say that the caregiver field got added, so I felt some success in that. But as a nurse leader in the informatics group I was part of, really they were only interested in putting a name in the field, not doing anything with that information, which I- Just collecting, so just collecting the data. Steven Labkoff: They didn’t care what the data was used for? Is that what you’re saying? Health Hats: Correct. Yeah. And I couldn’t– got no traction on the pain and fear, which now that I’m older, I understand why, how difficult that is. Nevertheless, it’s something that’s important to patients and caregivers. So I think I would close this section with that I am both an early adopter of technology and a rapid skeptic, that I’m kinda making this number up, but I’ve probably tried over 100 health apps, and I would say that I’ve used five more than three times. And so I think there’s a gap between what’s promised with digital technology and what’s useful for people. So that’s really why I’m here and what’s guiding for me in this. Steven Labkoff: So let’s take it to the next step. In our prequel, I didn’t even know about your personal background to that degree. Mm-hmm. We can take that one offline later about the Holocaust survivor issues. We, we have family, I have family in that same situation, frankly. Let’s change gears and talk about the challenges that you’ve seen. You opened the door a little bit on that a few minutes ago- Yeah … in terms of people wanting to collect data but not necessarily doing much with the data, not being able to understand the true value of the data to some degree. And you said it yourself, people weren’t connecting the dots. Medical records have always been complicated. They’ve always been bulky. They’ve always been full of information, some of which is really relevant, a lot of which is not so relevant, and connecting the dots to making that a, uh, an important information source is not always an obvious task. So what, what was the particular angle on that challenge that you were trying to gun at? Health Hats: Well, I think we have to take a step back- and think about what is– Well, I’m just gonna speak for myself, okay? I know that I often, you know, as I said, I get asked to sit at the table because people can, you know, check boxes, like is that I’m a patient. I wanna be clear that I’m a privileged white old man with MS living in Boston, but I’m an N of one, and I don’t represent other patients. I’m representing myself here and my perspectives. My goal in terms of my health is best health, and what I mean by best health is optimal health and function, physical, mental, spiritual. Not a cure, but best health for where I am, what I have right now. And to get there, I need my own health data, not just what’s in my clinician’s chart, but what I know about myself, my circumstances, my environment, my history, my habits. Not just my medical history, my life history, my treatment responses. And so that’s like patient-reported data, and that’s stuff that’s only exists because I observe it and sometimes I record it And that’s where it falls apart right away. You were just alluding to some of it, that there’s all this medical data and what’s useful about that. I think Dave DeBronkart was a guest on your show. And when he launched his Gimme My Damn Data campaign, I responded to him with, “Watch what you wish for. You’ll be trying to drink dirty water from a fire hose.” And, and that was years ago, and it’s still true. So six months ago, I, I’d been on a mission to gather my medical data, and my– I’d been with my, uh, primary care practice since 2011, and I wanted all that data from 2011 to 2025. This was, like, in December I started on this crusade of trying to get my data. And actually, two months later, I got a box, a four-pound box of paper, and it was paper that was not in chronological order. And it’s just sitting right here. I’ve scanned it in. It’s not, um- Was it in– Steven Labkoff: Was it a printout of Epic or something, or was it actual- Health Hats: It’s a computer printout. It seems like it’s a vendor that they use to- Steven Labkoff: It wasn’t digital. They sent you, literally sent you a box of paper. Health Hats: Yeah, it was a box of paper. Oh. And then I use a lot the, the Beth Israel Lahey Mount Auburn system, and I asked for the last three months of my records, and I got 296 pages of redundant, non-searchable PDFs, and I got that in 15 minutes. Uh, I see a lot of doctors, so maybe I had seen Hmm. I think I had maybe eight or nine visits, and it just happened to be a three-month period that was busy for me, but I got s- 296 pages. And so that really adds to your comment, which is that access to data and access to usable data are really different. Steven Labkoff: Oh, absolutely. And yeah, I’ll tell you, in my world, I think you know that I’ve worked in the life sciences for many, many years, and we are consumers of healthcare data on many levels. We consume medical claims, we consume electronic medical records, and one of the hardest things about using medical records for research or for outcome studies and things like that is the very fact you’re describing, which is the data tends to be sparse, it tends to be poorly organized. It doesn’t always come in an encoded fashion. Thank God most of what we get these days is at least digital. No boxes of paper for us these days, but it wasn’t so long ago that when it was all paper, we couldn’t get that data in the first place. It just wasn’t even gettable. So at least you’ve made some progress. And- Yeah … yeah, I know that you sit on some national level boards, uh, around outcomes, and you can talk about that in a moment. But those are, you know, those boards are trying very hard to come up with outcome studies and ways of– Let me back that up. They’re coming up with ways of using data to perform outcome studies by harmonizing and, and distilling down to usable forms of this EHR data, which is so challenging. Health Hats: I think what’s key, I– like I, I think I w- I’d like to focus on my data. And so what I wanna do is I wanna see patterns. I wanna see patterns that takes my circumstances, my environment, my habits, my treatment over time, and because I think that these patterns are how I formulate the right questions, so the right questions before I go into a clinical encounter. They’re how I track when something is actually working, and it helps me to coordinate across care teams that don’t talk to each other and make decisions that I can live with that help me attain this goal of best health. So that’s the job, formulate better questions, g- seek better answers, make better decisions. And AI is the tool that I try to use to do it. Now, whether it’s up to the task or not is different. I wanna stick in the nursing angle, if you don’t mind- You know, one of the things that I learned the way I got started in nursing is that my goal as a nurse was to put myself out of a job. Steven Labkoff: So that sounds counterintuitive, but what I mean is from minute one with a patient and family, I’m planning my exit. Like, and to do that, I need maximum face time. I need real present, real conversation, real relationships, not less charting. I was gonna say not charting, not documentation, so that’s just ridiculous. Health Hats: But less, you know. The way you do that, I think, is, you know, less charting, less documentation, you know, not hunting through information you can’t find. And that’s where nursing, that’s a genuine promise. So pattern recognition across specific cohorts of patients. So as a nurse, even though I worked a lot of different places, in each place I worked, there was commonalities. In– When I lived in West Virginia and I was an ER nurse in a super rural hospital, if I had had more information about my patients, their families, I could get– an AI could help me surface those patterns that exist for the people that I’m taking care of, I think I could get time back as a nurse. And if the nurse gets time back, then the patient and family gets the presence of the clinician. So that’s the trade that I’m interested in I wanna go back to that thing about pain and fear. I wanna add what I’ve learned working on the blue button, plus I wanna add cognition. So when you think about it, the data almost never captures the variability of pain, fear, and cognition, and those things are really important because pain changes what you can do and what you can decide. Fear closes your heart. It closes your mind. And so when you’re scared in a clinical encounter, you’re not making good decisions. You’re just saying yes to end it. And cognition is, you know, it varies. Like I can absorb better at 10 in the morning on a good day compared to 3:00 in the afternoon when I’m spent. You know, you could extrapolate this to other people. They have their own particular patterns and circumstances. But I think What I’m trying to get at in all of this is it isn’t first about the data, it’s first about what about life and what about the things that are important to people, uh, patients, caregivers, and the clinicians that they partner with, and how can AI help them? Steven Labkoff: So you’ve explained to me in the pre-call that you’re doing some of this work, so maybe you can unpack a little bit about what it is you’re actually doing with it and how it’s helping or, in some cases, not helping those efforts. Health Hats: Well, what have I done? I, I’ve done different things. One of the things that, that I’ve done is to try to build my toolkit. You know? So when I say build my toolkit, I’m a, I’m a, a conglomeration of symptoms. I mean, you know, I’m, I’m not MS, I’m not my symptoms, but they’re big and they’re there, and I feel like I’m trying to, I’m trying to figure out for anything that I have to deal with, whether it’s any of the different kinds of pains I have, my, my anxiety, my bladder, you know, my mobility, I have challenges, and I, I need a toolbox. I need a toolbox, and the way I think is I need at least three things that will work so that when they happen, I got something I can go do, and pretty much the most common thing is drink water. Drink water is by far the most successful intervention across all of my symptoms. It’s kind of amazing. It’s so cheap, so easy. It isn’t the drugs. Okay, but so how do I do that? Well, for me, I’ve done that partially just in my head. Partially I’ve done that by keeping lists. Like, I keep track of the steps I take. I keep track of the amount of time I play music. I keep track of my falls. I keep track of my weight. And so I use digital tools to do that when I can. Steven Labkoff: I also record my clinician visits because- When you say record, do you mean like audio record or dig- Health Hats: Yeah. Yeah, audio record, right. And, uh, until recently I used Abridge, which is a company that, um- Steven Labkoff: How did you get to use Abridge? You– I thought Abridge was only selling basically into doctor’s offices, uh, from the clinician side. Do you- Health Hats: So I was before that. Ah. And they started as a patient-facing product, and actually they sponsored my podcast for three years. So I was pre that. So putting all that together, so I play with, you know, trying to put into Claude There’s nothing magic or special. You know, it’s me playing, just trying stuff. You know, some of it, you know, my wife will say, “Hey,” she sees a pattern. My kids will see a pattern, or I’ll- Steven Labkoff: Give, give, give us an example of what, of what this looks like. I mean, you’re saying you’re giving Claude or another LLM- Yeah … a series of symptoms, or you’re giving it a series of, plus your data. Like, unpack it and let us know. Yeah. What have you did- Okay, so what- … with the system, and how is it working for you? Health Hats: I’ve done a couple of different things. One is, you know, I have a spreadsheet, and I just put the spreadsheet in, you know, as a document or whatever you call it when you have a project and, you know, you load. I load my spreadsheet. I keep a annual summary, and I keep the year that I’m working on. And I will have fits of journaling. You know, I, this is not something that I am, like, super consistent on, but I’ll, especially when I’m struggling with something, if I’m struggling with my blood pressure or I’m struggling with my mood. I have a progressive mobility thing going on, and I’ll put that in and I’ll prompt. I’ll say, “Can you– do you see a pattern in this?” You know, and I’ve gotten, you know, that there’s- Steven Labkoff: Has it given you some insights? Is it… Like, give me an example of some of the insights it’s actually given you that you didn’t see yourself. Health Hats: Well, I’ve gotten, like, uh, it’s kind of humorous. But, but I’ve gotten, like, you know, “Have you thought about seeing a physical therapist?” And I, I have. You know, I have a physical therapist, uh, that I don’t go to very often. You know, my relationship with her is I go for a tune-up. But they’ll– I, I want– It’ll show, like, I’ll do my sort of things are clearly, you know, I’m not walking as far, I’ve fell on a few times, you know, and I’ll get this suggestion, you know. I also– What else have I done? Oh, oh, uh, once I had a medication that I was taking for neuropathy, and I was– my mood had, like, changed considerably and, you know, I got a thing on that might be a side effect. You know, “Have you talked to your doctor about this?” Steven Labkoff: And I- And you got that out of the LLM? You fed that to the LLM? Health Hats: I did. Yeah. Steven Labkoff: And it suggested it was a side effect, which you didn’t figure out. Health Hats: I didn’t. A neurologist said that he thought– He said, “It sounds like you have an allergy to it.” And, you know, he wanted it to be listed as an allergy because he thought it was very possible that he’s had people that have had a problem. Steven Labkoff: When you tell me that you’ve loaded your data, you give the LLM your signs, your symptoms, you give it your labs, you give it what’s in, in the system, and it comes up with a recommendation that you hadn’t thought– Now, you’re a clinician. You’re a nurse. Yeah. You’ve been a nurse for many, many decades. Health Hats: 50 years. Steven Labkoff: 50 years. And does it surprise you that it comes up with stuff that you didn’t see? Health Hats: No. Steven Labkoff: Cause I, to be honest with you- I- … if I, if I did what you just said and it came up with something completely radical that I’d never thought of and it was right- I would be scratching my head and thinking, “Okay, that’s in- that’s beyond interesting. I better pay more attention to this, and maybe I wanna use it differently.” Because not, it’s not just yous using it. Like, people around everywhere are starting to use it for the same, in the same sim- in the same exact way. So that’s the simplification of the medical system, right? Health Hats: It does. I mean, like when I tell my neurologist, he laughs, and he’s like a whatever works kinda guy, you know? That he feels like he doesn’t have all the answers, and that he likes- those stories. I feel like I’ve learned, I think you know Amy Price, right? Steven Labkoff: Yeah, very well. Health Hats: Yeah. We’re buddies. And so one of the things that I’ve learned from her is how to query and how to be skeptical and how to ask questions from different angles, from different perspectives so that you– And that’s why I think that’s where the unexpected comes up. Steven Labkoff: Well, you’re describing something that we did at the conference. I don’t know if you were in the room in the working group that we did this on, but you’re describing, and actually we’re submitting a paper on it very shortly, on AI literacy. Yeah. And you, you didn’t label it as such, but you’re describing yourself as being AI literate and understanding how to use the tools, most importantly, how to be skeptical of the answers, how to interpret the information that’s being presented to you. Health Hats: A- and that, those are all components of literacy, of AI literacy specifically. One of the things I’m finding in my world is that painfully few people are indeed AI literate. Even the folks in IT departments in large life science companies or hospitals who even work in the space and think that they’re good at it and are literate sometimes are not. That has other implications, which are if people are taking on these really impressively powerful tools and they don’t quite know how to use them as well as they should, and if they query them incorrectly, to your point earlier about making good queries, the responses that come out may or may not be the point. And if patients use that information inappropriately because they didn’t know how to ask the right questions to start with, that could have deep implications to the healthcare system. You could say that same thing about doctors. Steven Labkoff: I will say it about doctors. I mean, not about AI, about the advice that doctors give. Health Hats: There’s a, a tremendous variation, and it is very different. When I am feeling good enough to be organized and to be directive in the conversation with a clinician, I get a very different output than when I’m not. And I still have to be skeptical of what doctors tell me, and until I build some trust. And, and then I, you know, then there’s just too many decisions to make when you’re a person with chronic illness. It’s like putting in a kitchen. There’s so many decisions to make, and I’m happy for the doctors that I trust to make the decisions for me. But there are certain decisions I don’t want to give to the doctor or to AI, like I don’t wanna mess with my pathological optimism. I wanna progress as slowly as possible, and I wanna keep playing my horn. These are really important things to me, and I don’t give those decisions that affect that, I don’t give up. But all the rest of it I do, and, and I’ve worked really hard to build the team that I have that appreciates me and my strangeness and my assertiveness, and, you know, they’re not threatened by it. Steven Labkoff: Is your team AI literate? Do they also use the, these same tools in your care? Health Hats: Uh, like I don’t know. I mean, AI literate is like, is huge. You know? I mean, that’s just such a big thing. Do they use AI? Yes. Do I know how they use AI? Well, you know, they use what’s attached to Epic. I know that. Uh, I mean, look, my neurologist, who I just love, he thinks like he uses, he uses the portal well because he takes– he just keeps adding things to the end of the, a note. Yeah. And so he feels like… Well, I don’t find his notes at all useful, and I tell him that. I tell him, “What I really wanna know is, how am I doing? Am I getting better? Am I getting worse? Am I stable? What should I be paying attention to in the next six months till I see you again?” And I can’t find that in his note. That’s true. Yeah. Now, on the other hand, I’ve taken his note and asked Claude and say, “Here’s the note. How am I doing? You know, have I progressed? H-how is he measuring it?” Oh, well, then I find he’s using this scale, right? And it’ll come up with looking through this note, which is like 10 years running, and it’ll find, I can’t remember the name of it, but there’s a scale that he uses. And then we go back and I’ll say to him, “Oh, you’re using this scale.” And he goes, “Yeah.” And I say, “Well, why don’t you like put that at the top of your note?” You know, so that I can find it. You know, so we have that kind of conversation- Yeah … that AI has helped. Steven Labkoff: Well, that’s actually an interesting perspective that AI is helping to reorganize things, ’cause one of the use cases that has been discussed at, at length actually, and it was discussed at our conference, is using AI to digest medical records. Health Hats: And when I say digest, it’s not about like ingesting them, which is slightly different, but digesting, which means find all the different pieces, put them together, come up with a narrative that summarizes perhaps 300 pages of information which may be sparse and may be poorly organized, and bring it all together. And that’s actually a task that AI is actually turning out to be pretty darn good at. And that again changes the nature of the healthcare system and the healthcare journey. You know- And it does a fair job. You say it’s really good at it. So- It’s better than I could do. It’s better than I could do. Well, yes. Well, you’re not– First of all, that’s not your training, and you don’t have the time for it. And you still have to review it. Yeah, of course. Because I have never used AI that gave me a, “Oh, this is great.” I mean, the first time I read it pretty much every time I think it’s amazing. And then, you know, my rule is sleep on it and check it again. And then it’s like, oh my God, this, first of all, it either just said nothing very fancy or it got some very basic things wrong. And then I’ll say, “Oh, you know, you missed this and you missed that.” And it’ll go, “Oh, you’re right, I did.” You know? Steven Labkoff: Well, that also speaks to the concept of keeping a human in the loop- Yeah which is something that you espouse and many folks in the healthcare aisle- I do … espouse. Ironically, you know Adam Rodman, I think. He was at our conference, he spoke. Yeah. Uh, he’s done a study which shows actually having a human in the loop in some cases actually makes the conclusions worse, believe it or not. Ah. Which is w- a non-intuitive finding. You would think that the two together would be better than either one alone, but so that’s, that’s now relatively n- well, it’s not even that new anymore. That information came out about a year ago. So I, we gotta start wrapping up in a few minutes here. Yeah. You know, we didn’t cover the concept around outcomes around your three T’s and two C’s. Maybe we can cover that in the last bit here, and then we can get to closing. Health Hats: Okay. So I feel like one of the questions that you’ve asked is how AI helped, right? And so what I need to tell you is the framework that I’ve developed over the years, which I’ve actually shared in my AI Claude project that’s Danny’s Health, what I call the three T’s and the two C’s, and this is like the framework I use to evaluate any digital health technology. And so they are time, trust, talk, control, and connection. What I mean by that is time is, you know, you need time to learn, to plan, to talk, to build trust. So I say the clock isn’t the enemy, it’s the, the wrong things filling the time, so the, the time. The second is trust. You know, trust can take a really long time. It can happen really quickly. Sometimes you never have it, and you know in your gut when you don’t have it. And most digital health tools, AI, have a trust deficit, I think, not because they’re untru- untrustworthy, which maybe they are, but it’s really because the people who use them, use the tools, don’t, don’t trust them, and I think it’s really important. You c- you can’t shortcut trust in the use of any tool. I think talk is really important. It’s woven through all of it, real conversation. There is nothing like actual conversation that is making decisions together, which is a lot of what healthcare is about, is making decisions. AI can help you prepare for it, and it can help process it. And then control. I trust more when I have power in a situation. So if I’m feeling like an ant ready to be crushed, I’m not making good decisions. And finally, I would say connection is, it’s the human lifeline. You know, when somebody greets you when you cross a threshold, that’s a connection. When someone’s been where you’re going and they can say, “Oh, that helped me.” AI can extend that connection. They can help people find communities that are available at 3:00 in the morning, but you can’t manufacture it. I, I think that connection is really important, so that’s where I g- you know, time, talk, trust, control, and connection, and I use that framework when I’m evaluating. Steven Labkoff: And that framework gives you a better, you know, a how do I say this right? It gives you a, like a rubric, if you will, to go- Yes … through, uh, the information that’s coming out of it. Danny- Yeah … we’re gonna have to wrap up here in a second. Sure. Are there any last comments you wanna make that, that will, you know, help other patients in the, in the space in terms of how they might wanna think about adopting- an AI tool in their world? Health Hats: I think that I would say use it, use AI, keep using it, experiment with it. That, that i- i- just like anything else, it takes time to learn. It takes time to be comfortable with it. Use it. I would say advocate for humans in the loop. I don’t care what the study says. It’s about humans. We are human. Keep it humans in the loop. I would say find a buddy, you know. Do this with somebody else. Find a buddy- That’s good advice … and experiment. I would say, yeah, talk to your clinician about it. It’s a good barometer of a physician. If they don’t wanna talk or blow you off, that tells you something. Absolutely right. And I would say if you’re comfortable with it, mentor. You know- That’s a good idea … be the buddy. And for clinicians and for systems and developers, I would say you need to have patients, caregivers, and practicing partner clinicians in the design. They need to be there from the beginning. And, you know, so i- it solves the problems people have, not the problems that the developers think are there or the venture capitalists thinks are gonna make money. You know, y- and if you have an opportunity, join, you know, participate. Steven Labkoff: All good advice. Well, Danny, I wanna thank you very much for your participation in, in today’s discussion. Hopefully that there are other patients out there who listen to the podcast, they’ll take something away. For the clinicians out there who are listening, you know, you’ve heard it straight out from a patient who happens to be a healthcare provider himself, and he’s got very strong perspectives on how this can be used in a positive and productive way, and I think the framework that he’s put together is very useful. Danny, I wanna just say thank you for all the help that you’ve provided helping this podcast get off the ground. That’s been really incredibly generous of you and your friends who have helped us a lot, and a lot of the things that have happened on our podcast, uh, for improvement’s sake, have come directly from those conversations, so thank you for that. I wanna thank you for being a guest and sharing your journey and sharing your experiences here. And for the rest of us, I’m gonna say thank you for joining us, and we will see you again next time on another episode of Practical AI in Healthcare. Thank you for listening. Thank you for joining us this week on Practical AI in Healthcare. If you’re ready to go beyond buzzwords and hype and explore how AI is truly transforming healthcare, stay tuned for more conversations that get us to what works. Until next time, stay practical Reflection When Steve interviewed me, he didn't know that everything I told him is the origin story of TrustMyOwn.Health. The box of paper. The 296 pages that were technically my data and practically useless. Twenty-five years of a pattern that sat in my chart the whole time, that it took a person, my PCP, a year to put together. Could AI have done it in an afternoon?  I got tired of that being the normal experience instead of the exception. [Add: what specifically prompted starting TMOH, and when.] TMOH starts from a premise I didn't have language for until I said it out loud to Steve: trust isn't a feature you bolt onto a health platform after the engineering is done. It's the whole structure, or the whole thing fails. The three T's and two C's I use to size up any digital health tool turn out to be close to a design spec. Time, because a vault of your whole health history takes patience to build, not a single import. Trust, built into governance rather than promised in marketing; TMOH's Data Sovereignty Covenant binds the board and investors to the same terms as everyone else, which is the only version of trust I believe in. Talk, because the point was never to replace the conversation with my clinician, it was to walk in more prepared for it. Control, because I decide what goes in the vault and who sees it, the same way I decide which of my own decisions I hand to a doctor or an AI and which ones I keep for myself. Connection, which no vault can manufacture, but a good one can make room for. I told Steve that AI found a pattern in my chart that twenty-five years of clinicians missed. That's not really a story about AI being smart. It's a story about who owned the data long enough to ask the question. That's the whole bet behind TMOH: put the owner at the center, and let the rest of the ecosystem, the networks, the vendors, the AI, earn its place around that. See you around the block. Practical AI in Healthcare Episodes https://open.spotify.com/episode/4wA4ltjmZfIZ5VpmTeTTOF?si=KbEvc2_ERNWakJ3JeP2Ddg https://open.spotify.com/episode/0LDetUFJJrSV1cy6LtpGFx?si=qAqoqKBBSNm9PiwPjSIXYA https://open.spotify.com/episode/0wXEm1KnnGorOvTt9GTh7o?si=K_DKXzGyThusBPA6KoVkCg https://open.spotify.com/episode/6krV94ob6Lcv7VNo0qahZ5?si=B6lZDkvsQ9y2Z2FhkXzQGQ Referenced in episode Patient data access history: “Introducing Blue Button Plus: The Next Generation in PHRs” — HealthIT.gov (Office of the National Coordinator for Health IT) — https://www.healthit.gov/blog/consumer/introducing-blue-button/ The “Gimme My Damn Data” campaign Danny references: “Gimme My Damn Data (and Let Patients Help!): The #GimmeMyDamnData Manifesto” — Dave deBronkart, Journal of Medical Internet Research — https://www.jmir.org/2019/11/e17045/ Amy Price, mentioned as a mentor in questioning and skepticism: “Welcoming Dr. Amy Price as Editor-in-Chief” — Society for Participatory Medicine — https://participatorymedicine.org/2024/welcoming-dr-amy-price-dphil-as-the-editor-in-chief-for-the-journal-of-participatory-medicine/ AI literacy for patients, the concept Steve names in the episode: “Critical AI Health Literacy as Liberation Technology: A New Skill for Patient Empowerment” — National Academy of Medicine — https://nam.edu/perspectives/critical-ai-health-literacy-as-liberation-technology-a-new-skill-for-patient-empowerment/ Human-in-the-loop research Danny and Steve discuss (Adam Rodman): “AI and the Evolution of Medical Thought with Dr. Adam Rodman” — NEJM AI Grand Rounds (podcast) — https://ai-podcast.nejm.org/e/ai-and-the-evolution-of-medical-thought-with-dr-adam-rodman/ Abridge, the ambient AI scribe tool Danny mentions using: “Pioneers in Generative AI for Healthcare” — Abridge — https://www.abridge.com/about The DCI Network conference where Danny met the hosts: “About DCI Network” — DCI Network, Beth Israel Deaconess Medical Center — https://www.dcinetwork.org/about-us Please comment and ask questions: at the comment section at the bottom of the show notes on LinkedIn  via email YouTube channel  DM on Instagram, TikTok to @healthhats Substack Patreon Production Team Kayla Nelson: Web and Social Media Coach, Dissemination, Help Desk  Leon van Leeuwen: editing and site management Oscar van Leeuwen: video editing Julia Higgins: Digital marketing therapy Steve Heatherington: Help Desk and podcast production counseling Joey van Leeuwen, Drummer, Composer, and Arranger, provided the music for the intro, outro, proem, and reflection Claude, Perplexity, Auphonic, Descript, Grammarly, DaVinci Resolve, DaVinci AI Art Generator, OpenArt AI Creator Studio Inspired by and Grateful to: Steve Labkoff, Leon Rosenbilt, Amy Price, Leon and Oscar van Leeuwen, Laura Marcial Artificial Intelligence in Podcast Production Health Hats, the Podcast, utilizes AI tools for production tasks such as editing, transcription, and content suggestions. While AI assists with various aspects, including image creation, most AI suggestions are modified. All creative decisions remain my own, with AI sources referenced as usual. Questions are welcome. Creative Commons Licensing CC BY-NC-SA This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator. If you remix, adapt, or build upon the material, you must license the modified material under identical terms. CC BY-NC-SA includes the following elements:    BY: credit must be given to the creator.   NC: Only noncommercial uses of the work are permitted.    SA: Adaptations must be shared under the same terms. Please let me know. dannyhealthhats@gmail.com  Material on this site created by others is theirs, and use follows their guidelines. Disclaimer The views and opinions presented in this podcast and publication are solely my responsibility and do not necessarily represent the views of the Patient-Centered Outcomes Research Institute®  (PCORI®), its Board of Governors, or Methodology Committee. Danny van Leeuwen (Health Hats)

Сотый выпуск DevOps Kitchen Talks! Мы на YouTube шесть лет, и вот он, сотый выпуск. А в гости пришёл Денис Астахов, автор канала ADV-IT, у которого в конце июля свой юбилей: десять лет каналу. Получился кухонный разговор авторов двух образовательных каналов, разговор обо всём и ни о чём. Про технику сегодня почти ничего, зато про ремесло, мотивацию и жизнь. О ЧЁМ ВЫПУСК • Как Денис начал канал в 2016-м: пять уроков Python за раз, вдохновение от thenewboston, работа в Intel. • «Знаменитая кухня» DKT: провальные студии и почему запись переехала домой. • Почему самый популярный ролик за 10 лет не про DevOps, а про SSD-диски. • Мотивация и выгорание за десять лет ведения канала. • Честно про монетизацию: падение роста в 10 раз и сколько реально приносит канал на 140к подписчиков. • AI в обучении и найме: можно ли выучить DevOps через нейросеть и не отупеть от копипаста. • Стоит ли сейчас заводить технический YouTube и что для этого нужно. ГОСТЬ Денис Астахов, автор канала ADV-IT (AWS, DevOps, Terraform, Kubernetes, облака). AWS Hero. 10 лет на YouTube. ADV-IT: https://www.youtube.com/@ADV-IT 100 ВЫПУСКОВ Это наш юбилейный сотый выпуск. Скоро проведём праздничный стрим, следите за анонсами в Telegram. ССЫЛКИ

In this installment of The Offset Podcast we're discussing quality control or QC for short.  If you've worked in production & post for long enough, you've probably encountered QC challenges and QC reports.  While passing QC can sometimes be challenging - understanding what it is, how it works, and how (at least most of the time) that its not personal attack can go a long way to treating QC as just like any part of a project pipeline.  Some of the specifics we'll explore in this episode include:When & where does QC happen?Understanding QC specs & why they're sometimes challengingThe importance of communication in the QC processWhat are the goals of QCHow is QC performed?Internal QC & client trustQC severity flags & understanding 'inherent to source'Check out offsetpodcast.com for our entire library of episodes. You can also follow us on Instagram & Facebook - just search for The Offset Podcast.Be sure to like and subscribe to the podcast wherever you found it and be sure to check out our growing library of episodes.  If you like the podcast it'd mean the world to us if you'd consider supporting the show by buying us a cup of virtual coffee -https://buymeacoffee.com/theoffsetpodcast

Nino reports back from DJI's Malta press event with first impressions of the Osmo Pocket 4P, Johnnie's Leica SL3-P video review goes live, and Apple has a mixed week – raising MacBook and iPad prices while also shipping a meaningful Creator Studio update for Final Cut Pro. We also cover Adobe's planned acquisition of Topaz Labs, MultiDyne stepping in to save the MRMC motion-control brand, a new sun-tracking cinema viewfinder app, and a stack of smaller gear and firmware news.  This episode is sponsored by Hollyland — check it out at (25:13). Learn more: LINK Chapters & Articles Mentioned in This Episode: (00:00) Intro & topic outlook (05:32) DJI Osmo Pocket 4P Malta hands-on – 17-stop dynamic range claim and LOFIC sensor tech (26:17) Leica SL3-P review – gorgeous color rendition, confusing menu, now with video review https://www.cined.com/leica-sl3-p-review-gorgeous-color-rendition-confusing-menu/ (32:03)  7Artisans DREAM Series Announced – MF 35mm/50mm/75mm T1.5 Full-Frame Cine Lens for E/L/Z/RF Mounts https://www.cined.com/7artisans-dream-series-announced-mf-35mm-50mm-75mm-t1-5-full-frame-cine-lens-for-e-l-z-rf-mounts/ (37:07) Apple raises MacBook and iPad prices as AI memory crisis reaches consumer hardware https://www.cined.com/apple-raises-macbook-and-ipad-prices-as-ai-memory-crisis-reaches-consumer-hardware/ (40:04) Apple Creator Studio update adds generate captions, edit detection, and auto mask to Final Cut Pro https://www.cined.com/apple-creator-studio-update-adds-generate-captions-edit-detection-and-auto-mask-to-final-cut-pro/ (52:32) XPPen Pilot Pro review – a versatile editing controller, but not for everyone https://www.cined.com/xppen-pilot-pro-review-a-versatile-editing-controller-but-not-for-everyone/ (58:27) LIGHTFRAMER PRO app introduced – turns iPhone into cinema viewfinder with sun tracking https://www.cined.com/lightframer-pro-app-introduced-turns-iphone-into-cinema-viewfinder-with-sun-tracking/ (1:01:40) MultiDyne acquires MRMC assets – forms new company to revive the motion-control brand https://www.cined.com/multidyne-acquires-mrmc-assets-forms-new-company-to-revive-the-motion-control-brand/ (1:05:33) Adobe to acquire Topaz Labs – AI upscaling and image enhancement, on-device models, standalone apps to continue https://www.cined.com/adobe-to-acquire-topaz-labs-ai-upscaling-and-image-enhancement-on-device-models-standalone-apps-to-continue/ (1:11:21) AtomOS 12.7.0 for Ninja RAW, Ninja TX, and Ninja TX GO released – RAW support for Sony α7R VI, Canon EOS R6 V, and Leica SL3-P https://www.cined.com/atomos-12-7-0-for-ninja-raw-ninja-tx-and-ninja-tx-go-released-raw-support-for-sony-%ce%b17r-vi-canon-eos-r6-v-and-leica-sl3-p/ (1:12:47) ARRI LUKA Unreal Engine plugin announced – virtual ARRI lights and cameras, real-time Lumen previs, DMX and LiveLink control https://www.cined.com/arri-luka-unreal-engine-plugin-announced-virtual-arri-lights-and-cameras-real-time-lumen-previs-dmx-and-livelink-control/ (1:17:11) DaVinci Resolve 21.0.1 released – improved RAW decoding, better HDR delivery, and Sony Alpha 7R VI support https://www.cined.com/davinci-resolve-21-0-1-released-improved-raw-decoding-better-hdr-delivery-and-sony-alpha-7r-vi-support/ (1:18:48) rsv.repair by OTTOMATIC introduced – free recovery tool for Sony .RSV files https://www.cined.com/rsv-repair-by-ottomatic-introduced-free-recovery-tool-for-sony-rsv-files/ (1:21:55) KIPON drop-in variable ND PL mount adapter announced with a deep-recessed design https://www.cined.com/kipon-drop-in-variable-nd-pl-mount-adapter-announced-with-a-deep-recessed-design/ (1:23:51) iFootage Shark Slider Pico Pro released with a higher payload https://www.cined.com/ifootage-shark-slider-pico-pro-released-with-a-higher-payload/ (1:27:01) Canon EOS C50, C80, and C400 firmware updates released https://www.cined.com/canon-eos-c50-c80-and-c400-firmware-updates-released/

We settle a question every filmmaker has cursed at some point: which camera brands actually let your batteries last — and which strand you the moment you upgrade? Nino goes brand by brand, ranking the best and worst for battery longevity, from Canon's decade-proof LP-E6 to the fragmentation that leaves Insta360 owners buying new cells with every generation. Then: the man who invented the stabilized camera. Garrett Brown — the mind behind the Steadicam — is finally getting a documentary backed by Francis Ford Coppola, and it's a reminder of just how much one person changed the way movies move. Plus ARRI's new Alexa 35 Live Xtreme, a tiny $200 pocket camera that came out of nowhere, a new electronic variable ND, fresh lights from Godox, iPhone lenses from Tilta, and the free, filmmaker-built apps quietly reshaping post-production. This episode is sponsored by Hollyland — check it out at 40:39. Learn more: LINK (00:00) Intro & topic outlook (07:17) Your Camera Lasts Only as Long as You Can Buy Its Battery: Camera Battery Compatibility, Brand by Brand https://www.cined.com/your-camera-lasts-only-as-long-as-you-can-buy-its-battery-camera-battery-compatibility-brand-by-brand/ (41:43) Steadicam Documentary “Thank You Mr. Brown” Enters Production, Backed by Francis Ford Coppola  https://www.cined.com/steadicam-documentary-thank-you-mr-brown-enters-production-backed-by-francis-ford-coppola/ (48:16) ARRI ALEXA 35 Live Xtreme Announced – Up to 8x HFR via SDI, 480fps, Baseband Slow Motion  https://www.cined.com/arri-alexa-35-live-xtreme-announced-up-to-8x-hfr-via-sdi-480fps-baseband-slow-motion/ (52:24) AulGo Pocket Camera Hits Kickstarter – 4K Sony Sensor, 6-Axis EIS, 56g Body  https://www.cined.com/aulgo-pocket-camera-hits-kickstarter-4k-sony-sensor-6-axis-eis-56g-body/ (55:55) Sony Teases a New RX10 – First Bridge Camera Update in Nearly a Decade  https://www.cined.com/sony-teases-a-new-rx10-first-bridge-camera-update-in-nearly-a-decade/ (58:30) KipperTie LCcineND Now Available – Remote Controllable 4×5.65” Electronic ND Filter  https://www.cined.com/kippertie-lccinend-now-available-remote-controllable-4x5-65-electronic-nd-filter/ (01:02:30) KNOWLED PL600 RF and PL1200 RF Announced – Nine-Band PaletteLab Engine, 92% Rec.2020, IP65 Weatherproofing  https://www.cined.com/knowled-pl600-rf-and-pl1200-rf-announced-palettelab-rgbww-engine-92-rec-2020-ip65-weatherproofing/ (01:08:45) Tilta iPhone Lenses Bring Fisheye, Macro, Wide, and Telephoto Glass for T-Mount  https://www.cined.com/tilta-iphone-lenses-bring-fisheye-macro-wide-and-telephoto-glass-for-t-mount/ (01:12:31) Vimeo and FiLMiC Pro Owner Bending Spoons Surges in $1.68 Billion Nasdaq IPO Debut  https://www.cined.com/vimeo-and-filmic-pro-owner-bending-spoons-surges-in-1-68-billion-nasdaq-ipo-debut/ (01:15:02) Boris FX Acquires iZotope – RX, Ozone, Neutron, and Nectar Join the Post-Production Toolmaker  https://www.cined.com/boris-fx-acquires-izotope-rx-ozone-neutron-and-nectar-join-the-post-production-toolmaker/ (01:17:05) Beat App Introduced – Free Mac Tool for Story Development and Shoot Planning  https://www.cined.com/beat-app-introduced-free-mac-tool-for-story-development-and-shoot-planning/ (01:21:28) Clip Sweeper v2 Now Available – Free Mac App for Cleaning Video Project Drives  https://www.cined.com/clip-sweeper-v2-now-available-free-mac-app-for-cleaning-video-project-drives/ (01:22:52) Artemis Studio for Mac – Chemical Wedding's Desktop Companion to Its Director's Viewfinder App  https://www.cined.com/artemis-studio-for-mac-chemical-weddings-desktop-companion-to-its-directors-viewfinder-app/ (01:24:39) DaVinci Resolve 21.0.2 Released – Keyframe Fixes, Retime Curve Improvements, and Better Fusion Vertical Transitions  https://www.cined.com/davinci-resolve-21-0-2-released-keyframe-fixes-retime-curve-improvements-and-better-fusion-vertical-transitions/ Thanks for listening! Leave a comment on the article or the YouTube video, and don't forget to subscribe on your favorite podcasting platform. Questions or feedback? Email us at podcast@cined.com.

In this episode we're revisiting our very first episode from all the way back in early 2024 - Client Communication.  In the past two years a lot as changed, and in service based industry like postproduction revisiting your approaches every once and while is a useful exercise. While we hit on some familiar themes, there's lots of new topics and viewpoints discussed in this episode.  Some of the specifics discussed in this episode include:How post is still (and will always be) a people/communication businessThe good & bad of video conferencingAsynchronous text communicationReview commentsSynchronous text communicationThe role of no communicationCheck out offsetpodcast.com for our entire library of episodes. You can also follow us on Instagram & Facebook - just search for The Offset Podcast. Be sure to like and subscribe to the podcast wherever you found it and be sure to check out our growing library of episodes.  If you like the podcast it'd mean the world to us if you'd consider supporting the show by buying us a cup of virtual coffee -https://buymeacoffee.com/theoffsetpodcast

Episode 640 is brought to you by:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chase Bliss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support this channel on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send us mail?60 Cycle Hum9450 Mira Mesa Blvd #615San Diego, CA 92126Every week DaVinci Resolve tells me to download an update 00:00 Intro03:43 Tricked out SG10:14 Where does Ryan not want to travel?13:40 Blast Off19:36 So I was listening to Object Worship25:52 Thanks Patreon and our Sponsors! 32:08 Wishes and Wood42:44 Let's give away a gift card! ----------------------------------60CH on Patreon: https://www.patreon.com/60CycleHumcastAffiliate Links: https://60cyclehum.com/affiliate-links/Social Media: https://60cyclehum.com/social-links/

What does getting fired from a yogurt shop have to do with $50 billion in luxury real estate video? Everything, if you're Ori Harel. Ori Harel is the founder of Reel-E.AI and Lumara Media, the company behind some of the most iconic luxury property videos ever filmed — for clients like Blackstone, Marriott International, the Altman Brothers, and Jason Oppenheimer. But now, he's building the tool that makes professional listing videos accessible to every agent, not just the top 2%. In this episode, hosts break down: •       How Ori went from getting fired at a yogurt shop to filming $50M-$100M homes in Los Angeles •       What makes a great listing video (and what makes a terrible one) •       How Reel-E.AI turns existing listing photos into cinematic, music-synced videos automatically •       Why AI-generated music is immediately royalty-free and how to use it for your listings •       A step-by-step DIY guide: Suno or Gemini for music, VO3/Cling for photo-to-video, DaVinci Resolve or Premiere to cut to the beat •       Why AI listing videos from today already outperform Ori's own 2017 work — at 50-100x less cost •       Whether AI will eventually replace all real estate video production   Try Reel-E.AI for free (3 videos, no strings attached): https://www.reel-e.ai/ Contact Ori directly: ori@reel-e.ai

A csapból is az AI folyik, de vajon tényleg rettegnie kell a fotósoknak és videósoknak? Ebben az adásban Viktorral az AI tartalomgyártásra gyakorolt hatását vesézzük ki. Tényleg elveszi a munkánkat a YouTube AI Stúdiója vagy a DaVinci Resolve automatikus vágása? Megnézzük a lokális renderek és a felhő alapú megoldások harcát, és az is kiderül, miért jelenthet azonnali veszélyt a termék videósokra a Higgsfield. Támogass minket! Csatlakozz a csatornatagok közé:https://www.youtube.com/channel/UCk4_upwPPBpMIJhnfdT2kbA/joinFacebook csoport: https://www.facebook.com/groups/contentrumble✅ Iratkozz fel hogy ne maradj le a további tartalmainkról.https://www.youtube.com/channel/UCk4_upwPPBpMIJhnfdT2kbA?sub_confirmation=1Értesítünk e-mailben is az új podcast epizódokról: http://bit.ly/3qHoONu

Recently we've been thinking a lot about how quickly time seems to go by and nothing demonstrates this more than how our kids have gone from being to toddlers to graduating high school and moving on to their next stage in life.  While there isn't anything novel about this transition, it got us thinking about the unique challenges of being a parent who's also a post production professional. In this episode of The Offset Podcast we're exploring this topic in detail.  Some specifics include:Time management & being presentHow the work around the work is a big parenting challengeParenting when your partner isn't in the post businessGiving a peak behind the curtain to your familyIs post a good career path for kids?How knowledge won in post applies to other careers & industriesCheck out offsetpodcast.com for our entire library of episodes. You can also follow us on Instagram & Facebook - just search for The Offset Podcast.  Be sure to like and subscribe to the podcast wherever you found it and be sure to check out our growing library of episodes.  If you like the podcast it'd mean the world to us if you'd consider supporting the show by buying us a cup of virtual coffee -https://buymeacoffee.com/theoffsetpodcastSee you in about two weeks for a new episode.

เหนื่อยไหมกับการต้องจ่ายค่าเช่ารายเดือนให้ Adobe แบบไม่มีวันจบ แถมพอยกเลิกก็ยังโดนค่าปรับมหาโหด? รู้หรือเปล่าครับว่าตอนนี้ มืออาชีพทั่วโลกกำลังแห่ทิ้ง Premiere Pro แล้วย้ายไปหาซอฟต์แวร์ที่ ‘ไม่มีการเก็บรายเดือน' ซื้อขาดครั้งเดียวจบ… และที่ช็อกที่สุดคือ มีเวอร์ชันแจกฟรีที่ให้ฟีเจอร์ระดับมืออาชีพมาให้ใช้ถึง 95%! โปรแกรมนั้นคือ DaVinci Resolve สุดยอดเครื่องมือระดับฮอลลีวูดที่อดีตเคยแพงถึงหลักแสนดอลลาร์ เกิดอะไรขึ้น ทำไมโปรแกรมระดับโลกถึงยอมหั่นราคาและแจกฟรีเพื่อทุบหม้อข้าว Adobe? เกมล้มยักษ์ที่กำลังเปลี่ยนวงการครั้งนี้มีเบื้องหลังที่ฉลาดและน่าทึ่งมาก คลิปนี้เราจะมาเจาะลึกให้ฟังกันครับ! เลือกฟังกันได้เลยนะครับ อย่าลืมกด Follow ติดตาม PodCast ช่อง Geek Forever's Podcast ของผมกันด้วยนะครับ #DaVinciResolve #Adobe #PremierePro #ตัดต่อวิดีโอ #โปรแกรมตัดต่อฟรี #สอนตัดต่อ #BlackmagicDesign #กลยุทธ์ธุรกิจ #กรณีศึกษา #พอดแคสต์ธุรกิจ #ทำช่องยูทูป #ครีเอเตอร์ #ไอที #คัลเลอร์เกรดดิ้ง #geekstory #geekforeverpodcast

From NAB in Las Vegas, Matt Bach, Senior Product Manager at Puget Systems, explains PugetBench, a free benchmarking tool for end users that tests real applications such as Premiere Pro, Photoshop, After Effects, DaVinci Resolve, and soon Unreal Engine. Matt discusses why real-world benchmarks beat synthetic scores, how software updates can dramatically change performance, and how Mac and Windows systems each excel in different workflows.  Show Notes: Chapters: [0:03] Introduction from NAB 2026[0:20] Matt Bach introduces PugetBench[0:31] Real-world benchmarking for creative applications[1:23] Why first-party claims and synthetic benchmarks can mislead[1:53] Software updates and changing performance over time[2:18] Synthetic benchmarks versus real application testing[3:19] Variables that affect benchmark accuracy[4:04] Why testing your own projects is the gold standard[4:27] Using benchmarks to evaluate upgrades realistically[5:07] Comparing your system through PugetBench's database[6:09] Supported apps and future Unreal Engine benchmarking[7:06] Unreal Engine uses beyond gaming[7:56] Mac versus Windows value and workflow strengths[9:16] Where to get PugetBench and end-user pricing[10:05] Closing from NAB in Las Vegas Support:      Become a MacVoices Patron on Patreon     http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:     http://macvoices.com      Twitter:     http://www.twitter.com/chuckjoiner     http://www.twitter.com/macvoices      Mastodon:     https://mastodon.cloud/@chuckjoiner      Facebook:     http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:     http://www.facebook.com/macvoices/      MacVoices Group on Facebook:     http://www.facebook.com/groups/macvoice      LinkedIn:     https://www.linkedin.com/in/chuckjoiner/      Instagram:     https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes     Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

In this installment of The Offset Podcast we're discussing why there's been an obsession with film print emulation over the past few years and if we're ever going to move on from the FPE mania that has been gripping the color world recently.The 2020s at least in most western media, could easily be defined as the FPE era. One only has to look to the plethora of FPE tools available and to their screens to see that FPE is everywhere.  But is that a good thing?  What constitutes good FPE and poorly executed FPE? Will we ever move past the obsession with the film print look?Specifics covered in this episode include:What's good vs poorly executed FPE?How the goal posts for FPE keep movingWhat about HDR in an FPE world?Remastering of film orginated projectsWhy developers are choosing FPE for productsEnd user fatigue & is FPE popular everywhere?Check out offsetpodcast.com for our entire library of episodes. You can also follow us on Instagram & Facebook - just search for The Offset Podcast.  You can also watch this episode on YouTubeBe sure to like and subscribe to the podcast wherever you found it and be sure to check out our growing library of episodes.  If you like the podcast it'd mean the world to us if you'd consider supporting the show by buying us a cup of virtual coffee -https://buymeacoffee.com/theoffsetpodcast

From NAB in Las Vegas, Matt Bach, Senior Product Manager at Puget Systems, explains PugetBench, a free benchmarking tool for end users that tests real applications such as Premiere Pro, Photoshop, After Effects, DaVinci Resolve, and soon Unreal Engine. Matt discusses why real-world benchmarks beat synthetic scores, how software updates can dramatically change performance, and how Mac and Windows systems each excel in different workflows.  Show Notes: Chapters: [0:03] Introduction from NAB 2026 [0:20] Matt Bach introduces PugetBench [0:31] Real-world benchmarking for creative applications [1:23] Why first-party claims and synthetic benchmarks can mislead [1:53] Software updates and changing performance over time [2:18] Synthetic benchmarks versus real application testing [3:19] Variables that affect benchmark accuracy [4:04] Why testing your own projects is the gold standard [4:27] Using benchmarks to evaluate upgrades realistically [5:07] Comparing your system through PugetBench's database [6:09] Supported apps and future Unreal Engine benchmarking [7:06] Unreal Engine uses beyond gaming [7:56] Mac versus Windows value and workflow strengths [9:16] Where to get PugetBench and end-user pricing [10:05] Closing from NAB in Las Vegas Support:      Become a MacVoices Patron on Patreon      http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:      http://macvoices.com      Twitter:      http://www.twitter.com/chuckjoiner      http://www.twitter.com/macvoices      Mastodon:      https://mastodon.cloud/@chuckjoiner      Facebook:      http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:      http://www.facebook.com/macvoices/      MacVoices Group on Facebook:      http://www.facebook.com/groups/macvoice      LinkedIn:      https://www.linkedin.com/in/chuckjoiner/      Instagram:      https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes      Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

1382. Las ondas de audio son algo tan cotidiano dentro del podcasting que muchas veces ni nos paramos a pensar qué estamos viendo realmente cuando abrimos un editor y aparecen esas formas moviéndose por la pantalla. Y precisamente de eso quiero hablar en esta nueva entrega del glosario podcastero, intentando explicar un concepto bastante técnico de una forma sencilla, cercana y sobre todo útil para cualquiera que grabe, edite o simplemente escuche podcast. En este episodio parto de algo muy básico: el sonido son vibraciones moviendo aire. Cuando hablamos delante de un micrófono estamos generando pequeñas ondas que viajan por el aire hasta llegar al propio micro, que es el encargado de transformar todo eso en información que luego nuestro ordenador puede interpretar. O dicho de otra forma, pasamos de algo físico a algo digital. También explico cómo esas vibraciones no las vemos normalmente, pero sí podemos sentirlas constantemente. Cuando un altavoz hace vibrar una ventana, cuando notas el pecho retumbar en un concierto o incluso cuando piensas en cómo se comunican las ballenas bajo el agua, todo eso son ondas sonoras desplazándose por un medio físico. Porque sin aire, sin agua o sin algún tipo de medio, el sonido simplemente no existe. A partir de ahí entro un poco más en el terreno del podcasting y en cómo los micrófonos, interfaces y programas de edición convierten todas esas vibraciones en las famosas formas de onda que vemos en herramientas como Audition, Reaper, Audacity o DaVinci Resolve. Y en una verdad como un templo, cuando llevas muchas horas editando podcast, llega un momento en el que prácticamente “lees” el audio con los ojos. Detectamos silencios viendo huecos. Sabemos cuándo alguien ha gritado viendo una pared enorme en pantalla. Reconocemos una saturación simplemente observando una forma de onda extraña. Y eso me parece fascinante porque realmente el ordenador no escucha como nosotros, simplemente interpreta miles de pequeñas muestras por segundo para reconstruir una representación visual del sonido. También aprovecho para explicar de manera muy sencilla conceptos que suelen aparecer constantemente en grabadoras o configuraciones de exportación, como los famosos 44.100 Hz, 48 kHz o los 24 bits. No me meto demasiado en la parte técnica porque no quería convertir esto en una clase de ingeniería de sonido, pero sí intento dejar clara la idea de que cuanto mayor es esa captura de muestras, más fiel es la representación de las ondas de audio. Y cierro el episodio con una reflexión que me parece importante recordar en pleno auge del videopodcast, la IA, los algoritmos y toda la parafernalia tecnológica que rodea ahora mismo al sector. Porque al final, por muy espectacular que sea un estudio o una producción, todo empieza exactamente igual: una persona hablando, aire vibrando y un micrófono capturándolo._____________El sábado 30 de mayo, la Sala Cooltural del Hotel DormirDCine Madrid acogerá la 3ª edición de Podnights Madrid 2026 en la que el podcast ‘¿Cómo ye la tu movida?' repetirá por cuarto año consecutivo.Tienes toda la info y entradas en este enlace https://www.eventbrite.es/e/entradas-como-ye-la-tu-movida-en-podnights-madrid-1987453018479_____________ ¡Gracias por pasarte 'Al otro lado del micrófono' un día más para seguir aprendiendo sobre podcasting! Si quieres descubrir cómo puedes unirte a la comunidad o a los diferentes canales donde está presente este podcast, te invito a visitar https://alotroladodelmicrofono.com/unete Además, puedes apoyar el proyecto mediante un pequeño impulso mensual, desde un granito de café mensual hasta un brunch digital. Descubre las diferentes opciones entrando en: https://alotroladodelmicrofono.com/cafe. También puedes apoyar el proyecto a través de tus compras en Amazon mediante mi enlace de afiliados https://alotroladodelmicrofono.com/amazon La voz que puedes escuchar en la intro del podcast es de Juan Navarro Torelló (PoniendoVoces) y el diseño visual es de Antonio Poveda. La dirección, grabación y locución corre a cargo de Jorge Marín. La sintonía que puedes escuchar en cada capítulo ha sido creada por Jason Show y se titula: 2 Above Zero.  'Al otro lado del micrófono' es una creación de EOVE Productora.

So many people need remote recording for co-hosts and guests. Yet in the 20+ years of podcasting once we get a solid solution, they upgrade the software and we're back to always having a backup "Just in case." So I reached out to my audience to see what they used and they chimed in.The HistoryBlog Talk Radio (now gone) was an EASY choice but sounded like the phone. There was Skype (also gone), but everyone needed an account, and for the technically challenged, it was intimidating. Squadcast came on with a winning strategy with a firm understanding of what podcasters needed. Make it simple. Make it reliable.Then Video Entered the PictureThen tools like Squadcast added video, and while I never had an issue I know people who spoke of "Drift" where the audio didn't line up with the video (making it look like a bad Godzilla movie). There are tools like Evmux (browser based), Ecamm (Mac Only), Descript (browser based), and Streamyard (brwoser based).Text Based EditingWhen Descript entered the picture with text based editing (you edit the transcript, and it edits the audio) it became impressive after a few years. They purchased Squadcast, but haven't implemented all the tech from Squadcast (like being able to schedule a future episode in their "Rooms.").All in One SolutionsThis is one of the symptoms of a "All in one" solution. They do most things about 75%, but the details in that last 25 is what makes the difference. Riverisde started as remote recording, added text based editing, clip generation, and recently podcast hosting (the podcast hosting is very basic see video as of May 2026).It May Not Be All Riverside's FaultI wrote a blog post about all the things podcasters could do to be ready to make great recordings with Riverside.If you want Riverside to work, don't overcomplicate it:Solid internetUpdated browserDecent computerEnough disk spaceDon't rush the uploadThat's it.Do those things, and suddenly Riverside becomes “magically reliable.”What I Use For Live Streaming and RecordingBefore moving to a Mac computer, I use Streamyard, and loved it. When I got a Mac Mini, I switched to Ecamm. It's amazing and much you have more control over how things look. If you have a Streamdeck, you can do some pretty magical things. Worth that said, I'm considering going back to Streamyard even though it's $5 more a month (I used Ecamm for making recording for the School of Podcasting, but I now do those in Tella).What is The Most Reliable?For me, after talking with the School of Podcasting members and now hearing from the audience I would say Ecamm (mac only) and Streamyard (browser based).That doesn't mean Riverside, Evmux, Squadcast are not reliable, but I feel Ecamm and Streamyard are more reliable. They also are primarily focused on one thing RECORDING (although streamyard just added clip generation).So What If I Don't Want an All In One?Then you record with something like Ecamm or Streamyard, if you need clips, there is Opus Clip. There is free video software like Davinci Resolve, and free audio editing like Audacity.Thanks to The ContributorsFrank Bravo From Your Tech MakeoverTodd the Gator from Gaurdian DowncastChris From Cool Cars with ChrisEd from the Days Dumpster FireTim from My Solo MS JourneyMentioned In This EpisodeStreamyardEcammRiversideDescriptEvMuxCleanfeedZencastrOBS ProjectVDO NinjaPodtrack P4NextZoom H6Samson Q2U MicrophoneOpus ClipBoomer BunkerWar Room Online JournalTakeaways:Remote recording can be a total pain if you don't have solid internet; trust me, I know.Zoom works great for audio-only shows but struggles with video quality when the internet hiccups.Streamyard's simplicity makes remote recording a breeze; just send a link and boom, done!Clean Feed is solid for high-quality audio, especially for those who want to keep it simple.For video, Riverside sounds fancy but can be hit or miss; make sure it meets your needs first.Discord is free and surprisingly powerful for remote recordings, even if you're not a gamer.Mentioned in this episode:Live AppearancesI will be at the Empower Podcasting Conference (Year 3!) in Charlotte North Carolina. This is my favorite type of conference with a cap at 250 people, it's a great crowd without being overwhelming. Great speakers, great networking, and a great location.Where Will I Be?Question of the MonthThis might be harder question to answer because when I ask people, the sometimes freeze. The question? How do you measure success for your podcast beyond download numbers? I need your answer by June 26th, 2026. Don't forget to tell us a little bit about your show and your website address so I can link to it in the show notes.Question of the MonthPodcasting in Six Weeks Starts SoonIf you've tried to start a podcast before and got lost in the jargon, and felt overwhelmed, this is the course for you. We will meet LIVE for six weeks and go step by step in launching your successful podcast. The best part, we are only charging $1 Check it out at www.schoolofpodcasting.com/sixweeksPodcasting in Six WeeksPodpage is Now Included with Blubrry HostingBlubrry Podcasting — one of the longest-running podcast hosting platforms in the industry — has chosen Podpage to replace their built-in website tool entirely. That means every Blubrry hosting customer gets a professional, automatically updated podcast website powered by Podpage, included with their hosting plan. For Podpage, this is more than a partnership announcement. It's validation that podcast websites deserve dedicated website tools built specifically for podcasters.Podpage

There's a term that's been on our minds a lot recently - refactoring.It's a computer programing that essentially refers to the idea of restructuring, and optimizing source code to improve the efficiency of software while persevering the intent and overall functionality.In this episode of The Offset Podcast, we want to extend that idea to postproduction businesses - most of which (ours included) could use some streamlining, added efficiency, automation, and in general, improvement on all things related to the business.    Specific topics covered include:Refactoring pre-sales & sales Improving the onboarding processGaining efficiencies in technical and operations workflowBringing the refactoring concept to creative approachUnderstanding the idea of taking a step backwards to take two steps forwardAnd more!    Check out offsetpodcast.com for our entire library of episodes. You can also follow us on Instagram & Facebook - just search for The Offset Podcast.  You can also watch this episode on YouTubeBe sure to like and subscribe to the podcast wherever you found it and be sure to check out our growing library of episodes.  If you like the podcast it'd mean the world to us if you'd consider supporting the show by buying us a cup of virtual coffee -https://buymeacoffee.com/theoffsetpodcastSee you in about two weeks for a new episode.

Jourdan Aldridge speaks with Blackmagic Design's Simon Westland at NAB 2026 about the company's latest camera, live production, mobile filmmaking, DaVinci Resolve, Blackmagic Cloud, and AI workflow updates. They discuss how Blackmagic's new products serve both high-end live production and independent filmmakers, why hands-on trade show demos matter, and how filmmakers can think about camera choices as they grow their craft. In this episode, No Film School's Jourdan Aldridge and guest Simon Westland discuss... Blackmagic Design's NAB 2026 product announcements and why the company released news before the show The value of hands-on product demos, workshops, and planning ahead for NAB Blackmagic's URSA Cine 12K live production workflow, including 100G connectivity, 2110, 440fps, and 16 stops of dynamic range Why cinematic images are becoming more important in live production, sports, YouTube content, and live events How the Blackmagic Camera app is becoming an entry point for iPhone and Android filmmakers Using mobile phones in professional workflows with HDMI or SDI output, genlock, zoom demands, and focus demands Apple Watch control for Blackmagic Camera on iOS How Blackmagic's products connect across cameras, ATEM switchers, DaVinci Resolve, and Blackmagic Cloud Why beginner filmmakers should focus on learning craft, exposure, lighting, and storytelling instead of searching for the “perfect” camera DaVinci Resolve's new photo editing tools and how shared looks can help match stills and video How brands, agencies, and social media teams can use Resolve for color consistency across moving and still images Blackmagic's view on AI tools, including transcription, media search, object search, and workflow acceleration The difference between workflow AI and generative AI replacement tools The future of Blackmagic Pocket Cinema Cameras and why the company still sees them as important for independent filmmakers Memorable Quotes: “That really is what it's all about. You want to have that hands-on interaction.” “I would say, look, that camera app is an amazing entry point, but really just try it.” “It's about the content. It's about storytelling.” “Competition is a healthy thing. It's healthy for everybody.” Guests: Simon Westland Resources: Blackmagic Design Blackmagic Camera App DaVinci Resolve NAB Show Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

From NAB in Las Vegas, Dan May, President of Blackmagic Design, talks about DaVinci Resolve 21, local AI tools, the new photo page, Blackmagic Cloud collaboration, Fairlight Live, and the free Blackmagic Camera app. The conversation highlights Blackmagic Design's focus on accessible professional tools and creator growth paths.  Show Notes: Chapters: 00:08 Chuck Joiner introduces the Blackmagic Design booth00:34 Dan May joins the conversation at NAB00:44 Two accessible Blackmagic software products for creators00:58 DaVinci Resolve as the first featured product01:18 DaVinci Resolve 21 adds a new photo page01:49 Local AI tools and privacy-focused processing02:01 Resolve's color-grading power expands to photos02:29 DaVinci Resolve 21 beta availability02:36 Chuck reacts to DaVinci Resolve training at Post-Production World04:31 Fairlight Live introduced as the second major product04:35 Fairlight's audio heritage inside Resolve05:50 Free Blackmagic Camera app brings camera controls to phones06:00 Free DaVinci Resolve supports professional editing07:29 Blackmagic's creator growth path from phone to pocket camera to cinema camera07:49 Education and access as Blackmagic's core strategy Support:      Become a MacVoices Patron on Patreon     http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:     http://macvoices.com      Twitter:     http://www.twitter.com/chuckjoiner     http://www.twitter.com/macvoices      Mastodon:     https://mastodon.cloud/@chuckjoiner      Facebook:     http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:     http://www.facebook.com/macvoices/      MacVoices Group on Facebook:     http://www.facebook.com/groups/macvoice      LinkedIn:     https://www.linkedin.com/in/chuckjoiner/      Instagram:     https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes     Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

From NAB in Las Vegas, Dan May, President of Blackmagic Design, talks about DaVinci Resolve 21, local AI tools, the new photo page, Blackmagic Cloud collaboration, Fairlight Live, and the free Blackmagic Camera app. The conversation highlights Blackmagic Design's focus on accessible professional tools and creator growth paths.  Show Notes: Chapters: 00:08 Chuck Joiner introduces the Blackmagic Design booth 00:34 Dan May joins the conversation at NAB 00:44 Two accessible Blackmagic software products for creators 00:58 DaVinci Resolve as the first featured product 01:18 DaVinci Resolve 21 adds a new photo page 01:49 Local AI tools and privacy-focused processing 02:01 Resolve's color-grading power expands to photos 02:29 DaVinci Resolve 21 beta availability 02:36 Chuck reacts to DaVinci Resolve training at Post-Production World 04:31 Fairlight Live introduced as the second major product 04:35 Fairlight's audio heritage inside Resolve 05:50 Free Blackmagic Camera app brings camera controls to phones 06:00 Free DaVinci Resolve supports professional editing 07:29 Blackmagic's creator growth path from phone to pocket camera to cinema camera 07:49 Education and access as Blackmagic's core strategy Support:      Become a MacVoices Patron on Patreon      http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:      http://macvoices.com      Twitter:      http://www.twitter.com/chuckjoiner      http://www.twitter.com/macvoices      Mastodon:      https://mastodon.cloud/@chuckjoiner      Facebook:      http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:      http://www.facebook.com/macvoices/      MacVoices Group on Facebook:      http://www.facebook.com/groups/macvoice      LinkedIn:      https://www.linkedin.com/in/chuckjoiner/      Instagram:      https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes      Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

Make a Logo on Fiverr Blackmagic Brings Fairlight Into the Live Audio World Blackmagic Design has been steadily building Fairlight into its larger production ecosystem, and at NAB 2026, the company showed off a major step forward: Blackmagic Fairlight Live, a standalone audio mixing system built for live production. Fairlight has long been known as the audio engine inside DaVinci Resolve, giving editors and post-production teams tools for mixing, EQ, compression, gating and audio cleanup. But this new version pulls Fairlight out of Resolve and gives it a dedicated live workflow, designed for people who need to mix audio during events, broadcasts, houses of worship, livestreams and video productions. It Looks Like a Console, But the Mac Does the Heavy Lifting The big thing to understand about Blackmagic Fairlight Live is that the hardware panel is a controller. The actual processing runs on a computer, with Blackmagic showing the system running through a Mac at NAB. That means the console itself is not a traditional all-in-one audio mixer with every input and output built directly into the back. Instead, your audio I/O connects through the computer using interfaces, virtual sound cards or networked audio workflows. The Fairlight Live panel then gives you hands-on control of the mix. That approach may feel different from a traditional soundboard, but it also makes the system more flexible. If your venue already has audio running over Ethernet, Dante Virtual Soundcard, AES, USB, Thunderbolt or another digital audio interface, Fairlight Live can fit into that existing setup without requiring a completely new wiring plan. Built for ATEM and Blackmagic Video Workflows While Fairlight Live can operate as a standalone audio mixer, Blackmagic is clearly positioning it as part of a larger live production chain. The system can pair with ATEM switchers, allowing a dedicated audio operator to control audio separately from the video switcher. That could be a big advantage for churches, live music venues, schools, conference rooms and production teams already using Blackmagic ATEM hardware. Instead of forcing one person to manage both video switching and audio control from the same panel, Fairlight Live gives the audio side its own dedicated surface. 10, 20 and 40 Channel Panels Blackmagic showed multiple Fairlight Live hardware options at NAB, including 10-channel, 20-channel and 40-channel panels. The larger models include multiple screens, giving operators direct access to processing tools and master controls. Those screens can show channel strips, EQ, compression, gates, expanders and other controls, making it feel closer to a traditional digital mixing console. Multiple banks also allow users to layer deeper channel counts beyond the physical faders in front of them. Plugins, Effects and Live Processing Because Fairlight Live runs its processing on the computer, the available CPU power matters. Blackmagic suggested that a newer Mac mini would be a professional baseline, while something like a Mac Studio would offer far more headroom. The system supports the same kind of audio processing users may already know from DaVinci Resolve's Fairlight page. That includes Blackmagic's built-in effects as well as AU and VST plugins from third-party manufacturers. For live production, that means common tools like reverb, delay, EQ and dynamics processing should be available inside the Fairlight workflow. More demanding plugins could introduce latency, so the computer and plugin choices will matter for larger productions. A Possible Replacement for Traditional Live Soundboards For venues already using compact digital mixers, Blackmagic audio workflows could become a serious option. Fairlight Live is designed to replace a traditional soundboard, but with one important caveat: you still need a computer and an audio interface or network audio system to bring signals in and out. The back of the panel includes features like XLR talkback inputs, XLR monitor outputs, Ethernet connections and USB for updates. But the main audio I/O is handled outside the console. That makes Fairlight Live less like a self-contained mixer and more like a control surface for a computer-based live audio system. Remote Control and Flexible Setups Blackmagic also noted that the system can be controlled remotely, including from an iPad. That opens the door for operators to adjust audio from different locations in a room, stage or production space. For live events, that could be especially useful. A venue could have the main Fairlight Live surface at front of house, while another operator or technician checks levels from another position. Release Timing and Platform Support At NAB 2026, Blackmagic said the Fairlight Live software beta was already available on its website, and the hardware panels were expected around the July to August timeframe. The system was shown running on Mac, and while Blackmagic's broader software ecosystem often supports Mac, Windows and Linux, the final platform support for Fairlight Live was still being worked on at the time of the NAB demo. Why Fairlight Live Matters The biggest takeaway is that Blackmagic Fairlight Live brings Blackmagic's audio tools into the same live production conversation as ATEM switchers, 2110 workflows and modern networked production systems. For creators, venues and live production teams already using Blackmagic gear, this could become a more integrated way to manage blackmagic audio without relying on a separate traditional console. It is not just an audio mixer in the old-school sense. It is a computer-powered, software-driven live mixing system with dedicated hardware control — and for Blackmagic users, that could make Fairlight Live one of the most interesting NAB 2026 announcements. Last Updated on June 9, 2026 5:16 pm by Jeffrey PowersThe post Blackmagic Fairlight Live: Standalone Audio Mixing System (NAB 2026) appeared first on Geekazine.

Hey everyone, welcome to the Alan Smithee Podcast! The gang have just returned from NAB and have lots of stories to share with us. They also discuss the latest updates from Davinci Resolve and Adobe Premiere, AVID's partnership with Gemini, several key acquisitions and a whole lot more. And as always, there are some really cool things to get excited about! Show notes:Sony Pictures Entertainment to Lay Off Hundreds in Reorganization Across TV, Film and  - Corporate   - https://variety.com/2026/film/news/sony-entertainment-layoffs-tv-film-1236710554/Quixote Cuts Most of Its L.A. Soundstage Business, Leaves Georgia and New Mexico Entirely - https://www.hollywoodreporter.com/business/business-news/quixote-hudson-pacific-atlanta-1236578946/Netflix buying Radford Studios https://www.hollywoodreporter.com/business/business-news/netflix-los-angeles-radford-1236571301/FSI / Atomos https://www.atomos.com/2026/04/07/flanders-scientific-aquisition/Tim Cook to become Apple Executive Chairman. John Ternus to become Apple CEO. https://www.apple.com/newsroom/2026/04/tim-cook-to-become-apple-executive-chairman-john-ternus-to-become-apple-ceo/Apple reports second quarter results https://www.apple.com/newsroom/2026/04/apple-reports-second-quarter-results/Marvel layoffs https://www.forbes.com/sites/robsalkowitz/2026/04/14/disney-layoffs-hit-marvel-studios-hard/NAB:https://www.nabshow.com/press-release/the-2026-nab-show-wraps-with-proof-the-future-of-media-and-entertainment-is-expanding-beyond-broadcasting/https://www.provideocoalition.com/arri-enters-new-era-with-riedel-sale/https://www.provideocoalition.com/aja-to-acquire-comprimatos-portfolio-of-software-solutions/https://www.provideocoalition.com/nab-2026-avid-is-opening-up-and-gemini-might-help/Digital Glue / Creative.Space: CSITencent was the most interesting https://multimedia.tencent.com/zh/products/video-codec-engines/ (h.266)https://www.tencentcloud.com/document/product/647/60034 (streaming)The AI editing assistants (as was my one cool thing): https://www.provideocoalition.com/nab-2026-eddie-ai-quickture-selects-the-ai-editing-assistants/One Cool Thing:Katie: met some of the robots at Incheon Airport https://webjium.com/icn-wac/14.Panel4-1_Eunjeoung%20Seo.pdfMichael: Hermes: https://hermes-agent.nousresearch.com/Scott:  The whole music video for that viral boarding school thing that's been going around the socials GENER8ION - STORM             https://youtu.be/x6_mbnsh6VU?si=EJgsqOhXHFBBCqyU

Matthew Collings, Head of Product for Krotos was manning their booth at NAB in Las V, showing off the latest upgrades to their new AI-assisted sound design workflows in Krotos Studio for Adobe Premiere, with support for DaVinci Resolve and other NLEs planned. The system analyzes selected video regions, places synchronized royalty-free sound effects from Krotos' recorded library, and lets editors quickly swap, remix, and customize impacts, ambiences, drones, footsteps, cloth, and surfaces without generative audio.  Show Notes: Chapters: 0:03 Introduction from NAB 20260:24 Matthew introduces Krotos Studio's new Adobe Premiere integration0:51 AI analyzes selected video regions for sound design1:33 Traditional Krotos Studio workflow and interactive sound performance2:31 Automatically generated sounds appear in the Premiere timeline3:17 Customizing AI-assisted sound choices after placement4:14 Swapping impacts and transitions while maintaining sync4:46 Security, privacy, and cloud processing questions5:32 AI tools used and planned launch timing6:04 Royalty-free licensing and ownership of sounds6:51 Krotos' expanded sound library and AI-assisted placement7:25 Recorded sound vs. generative audio8:02 Cloud processing and connection-speed considerations8:36 Using AI for footsteps, ambience, and cloth sounds9:55 Instant Render for drones, ambiences, and music beds10:42 Stem drag-and-drop for greater mix control11:15 AI-generated synchronized footsteps demo11:42 Changing footstep surfaces while preserving sync12:23 Manual fine-tuning and creative flexibility13:04 AI as a time-saving creative assistant13:40 Pricing, subscription tiers, and website Support:      Become a MacVoices Patron on Patreon     http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:     http://macvoices.com      Twitter:     http://www.twitter.com/chuckjoiner     http://www.twitter.com/macvoices      Mastodon:     https://mastodon.cloud/@chuckjoiner      Facebook:     http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:     http://www.facebook.com/macvoices/      MacVoices Group on Facebook:     http://www.facebook.com/groups/macvoice      LinkedIn:     https://www.linkedin.com/in/chuckjoiner/      Instagram:     https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes     Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

Matthew Collings, Head of Product for Krotos was manning their booth at NAB in Las Vegas, showing off the latest upgrades to their new AI-assisted sound design workflows in Krotos Studio for Adobe Premiere, with support for DaVinci Resolve and other NLEs planned. The system analyzes selected video regions, places synchronized royalty-free sound effects from Krotos' recorded library, and lets editors quickly swap, remix, and customize impacts, ambiences, drones, footsteps, cloth, and surfaces without generative audio.  Show Notes: Chapters: 0:03 Introduction from NAB 2026 0:24 Matthew introduces Krotos Studio's new Adobe Premiere integration 0:51 AI analyzes selected video regions for sound design 1:33 Traditional Krotos Studio workflow and interactive sound performance 2:31 Automatically generated sounds appear in the Premiere timeline 3:17 Customizing AI-assisted sound choices after placement 4:14 Swapping impacts and transitions while maintaining sync 4:46 Security, privacy, and cloud processing questions 5:32 AI tools used and planned launch timing 6:04 Royalty-free licensing and ownership of sounds 6:51 Krotos' expanded sound library and AI-assisted placement 7:25 Recorded sound vs. generative audio 8:02 Cloud processing and connection-speed considerations 8:36 Using AI for footsteps, ambience, and cloth sounds 9:55 Instant Render for drones, ambiences, and music beds 10:42 Stem drag-and-drop for greater mix control 11:15 AI-generated synchronized footsteps demo 11:42 Changing footstep surfaces while preserving sync 12:23 Manual fine-tuning and creative flexibility 13:04 AI as a time-saving creative assistant 13:40 Pricing, subscription tiers, and website Support:      Become a MacVoices Patron on Patreon      http://patreon.com/macvoices      Enjoy this episode? Make a one-time donation with PayPal Connect:      Web:      http://macvoices.com      Twitter:      http://www.twitter.com/chuckjoiner      http://www.twitter.com/macvoices      Mastodon:      https://mastodon.cloud/@chuckjoiner      Facebook:      http://www.facebook.com/chuck.joiner      MacVoices Page on Facebook:      http://www.facebook.com/macvoices/      MacVoices Group on Facebook:      http://www.facebook.com/groups/macvoice      LinkedIn:      https://www.linkedin.com/in/chuckjoiner/      Instagram:      https://www.instagram.com/chuckjoiner/ Subscribe:      Audio in iTunes      Video in iTunes      Subscribe manually via iTunes or any podcatcher:      Audio: http://www.macvoices.com/rss/macvoicesrss      Video: http://www.macvoices.com/rss/macvoicesvideorss

In this episode of And Now For Something Completely Machinima, Phil Rice, Tracy Harwood, and Damien Valentine dive into the latest news in machinima, virtual production, AI creative tools, game cinematics, and real-time animation.They discuss the explosive hype around Kane Parsons' The Backrooms movie, new Starfield expansions and what they could mean for Starfield machinima, the release of Fortnite Star Wars assets for fan-made experiences, and useful production updates including DaVinci Resolve optimisation, Headshot 3, free mocap tools, and local AI voice cloning.The conversation also takes a deeper turn with a thoughtful debate on AI video generation, Sora, creative AI fatigue, public sentiment toward AI tools, and where AI in filmmaking and digital storytelling may be heading next.If you're interested in machinima filmmaking, AI tools for creators, virtual production workflows, Star Wars fan creation, The Backrooms, Starfield, Fortnite UEFN, or digital storytelling, this episode is packed with insights.Topics covered:·       Kane Parsons and The Backrooms trailer reaction·       Starfield Free Lanes and Terra Nomada·       Fortnite Star Wars creator tools·       DaVinci Resolve performance tips·       Headshot 3 for Character Creator·       Free motion capture and text-to-mocap tools·       Local AI voice cloning·       Sora shutdown and shifting attitudes toward AI·       Project Hail Mary and practical effects vs AI hypeTimestamps: 00:00 Intro 00:42 Welcome and episode setup 01:45 Kane Parsons' The Backrooms movie trailer 04:02 Will The Backrooms work as a feature film? 08:24 Kane Parsons directing an A24 film 09:02 Starfield update: Free Lanes and Terra Nomada 12:48 Could Starfield finally get better machinima tools? 17:36 Fortnite Star Wars assets released for creators 19:58 DaVinci Resolve optimisation tips 21:18 Headshot 3 and Character Creator updates 25:10 Free mocap tools and Nvidia text-to-motion 28:12 Local AI voice cloning with Voicebox 31:10 Realusion, Houdini, and animation workflows 32:20 Has AI turned a corner? Public sentiment and backlash 34:53 Sora, Disney, and the future of AI video 38:35 AI fatigue, Microsoft, Nvidia, and creator reactions 41:56 AI beneath the surface vs AI as the product 44:00 Human performance, authenticity, and audience response 47:19 Creator burnout and the “George Lucas effect” 51:06 Is AI backlash irrational or inevitable? 57:58 Project Hail Mary and practical filmmaking 1:02:56 Outro#Machinima #VirtualProduction #TheBackrooms #KaneParsons #Starfield #Fortnite #StarWars #AI #AIVideo #DaVinciResolve #Headshot3 #VoiceCloning #ProjectHailMary #DigitalStorytelling #RealTimeAnimationCredits -Co-hosts: Phil Rice, Damien Valentine, Tracy HarwoodProducer/Editor: Phil RiceMusic: Phil Rice & Suno AI

In this Episode, we're wrapping up NAB 2026 with some first hand experience from Joey - who, as he's done for almost a decade, was the lead Resolve demo artist at the Blackmagic Design booth. In addition to Joey's NAB experience, we'll discuss the state of affairs with trade shows like NAB and then explore some of our favorite things centered around DaVinci Resolve 21.  Specific topics include:The state of NABJoey's experience at the Blackmagic BoothThe new photo page in Resolve 21Other great new Resolve 21 featuresThe new trim pass workflowLayers!Other cool stuff - Luminary, Gaia Autocal Reporting, Adobe Color modeCheck out offsetpodcast.com for our entire library of episodes. You can also follow us on Instagram & Facebook - just search for The Offset Podcast.  Be sure to like and subscribe to the podcast wherever you found it and be sure to check out our growing library of episodes.  If you like the podcast it'd mean the world to us if you'd consider supporting the show by buying us a cup of virtual coffee -https://buymeacoffee.com/theoffsetpodcastSee you in about two weeks for a new episode.

The well regarded video editor DaVinci Resolve just introduced a Photos module inside the app, making some people wonder whether the free software could replace traditional photography tools like Lightroom. We also talk about a book of passport photos, photos that change history and film simulations. (Image: Black Magic Design) Hosts: Jeff Carlson: website, Jeff's photos, Jeff on Instagram, Jeff on Glass, Jeff on Mastodon, Jeff on Bluesky Kirk McElhearn: website, Kirk's photos, Kirk on Instagram, Kirk on Glass, Kirk on Mastodon, Kirk on Bluesky Show Notes: (View show notes with images at PhotoActive.co) Rate and Review the PhotoActive Podcast! Book Review: 'Passport Photo Service,' by Philip SHarkey, NYTimes Occasionally a picture can change the course of history, The Guardian DaVinci Resolve The color grading tool used by Hollywood now supports still photos - and it's free, Digital Camera World The film simulation rabbit hole: Why digital photographers are obsessing over analog looks, Digital Camera World Episode #8 - Gordon Laing on Taking Great Photos In Camera The difference between drinking coffee and tea Parachute Backup at Mac App Store Episodes on Backups Jeff's Snapshot EPSON inkjet printer cleaning sheet A4 size 3 pieces MJCLS Kirk's Snapshot Parachute Backup app Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site to be notified of new episodes and be eligible for occasional giveaways. If you've already subscribed, you're automatically entered. If you like the show, please subscribe in iTunes/Apple Podcasts or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group to discuss the podcast, share your photos, and more. Disclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.

Live from NAB 2026 — Nino Leitner, Johnnie Behiri, Graham Sheldon, and Michael Cioni break down four packed days on the show floor. AI is finally landing inside tools you actually use, a new wave of affordable Chinese cameras is threatening Japan's dominance, and the ARRI acquisition raises big questions about the future of cinema cameras. We also get into the GoPro effect, the sunk-cost fallacy killing established brands, and why NAB itself might be at a dangerous inflection point. Plus our show floor favorites: 4D video & Gaussian Splatting, Profoto 3x2, NanoLux 5C, Kinefinity Vista, and the Blackmagic URSA Cine Immersive.

On this episode of AwesomeCast, Sorg and Dave Podnar cover practical tech from the gym floor to the bedroom to the browser tab. Sorg reviews the PurePlank workout board after his first session and talks about whether a gadget like this can realistically fit into a busy travel-heavy schedule. Dave follows up on his experience with the ResMed AirSense 11 CPAP, sharing how the app, sleep data, and improved rest are already making a difference. The conversation also spotlights Taher Elgamal, often called the father of SSL, as part of their Arab American History Month recognition. From there, they pivot into fast-moving tech news and commentary, including Microsoft's changing Game Pass Ultimate value proposition, Sorg's shift from Facebook and other feeds over to Reddit, early thoughts on DaVinci Resolve's still-image color tools, and big Apple leadership news as Tim Cook steps aside as CEO and John Ternus moves into the top role. They also touch on the strange realities of online comments, ad-heavy platforms, software lock-in, and what makes some tools hard to leave even when alternatives are everywhere. Plus: Chachi's Video Game Minute, a quick mention of the NFL Draft app experience in Pittsburgh, and a tease for extra Patreon conversation. News stories and gadgets discussed PurePlank workout board Sorg gives first impressions of the plank-focused fitness device, including build quality, comfort, portability, app support, and whether it feels more approachable than traditional planking. ResMed AirSense 11 CPAP Dave shares an early follow-up after getting his machine, including setup, comfort, mask style, sleep scoring, and the real-world impact it is already having on his rest and recovery. Taher Elgamal / father of SSL A spotlight on one of the foundational figures behind secure internet communication and web security, tied to Arab American History Month. Microsoft Game Pass Ultimate changes The hosts react to pricing/value changes and the decision to delay launch access for future Call of Duty titles, asking whether the new structure is actually a better deal for non-Call of Duty players. Reddit replacing other social feeds Sorg talks about moving away from Facebook, political content, and repetitive tech feeds in favor of a more curated Reddit experience, including the appeal of paying to remove ads. DaVinci Resolve still-image color tools Dave and Sorg discuss Blackmagic's push into photo workflows, especially for creators who already live in video editing and want consistent color tools across media. Tim Cook stepping down as Apple CEO The show breaks down what Cook's transition means, why his supply-chain and operations legacy matters, and what it could mean that Apple's next leader comes from the hardware side. Chachi Says Video Game Minute Quick hits include the Zelda movie moving to post-production, Artemis II driving interest in Kerbal Space Program, and the 91-year-old woman found safe and happily gaming during a welfare check. NFL Draft app reminder Dave flags a practical tip for anyone attending the NFL Draft in Pittsburgh: make sure the official app is installed before you arrive. Show-notes links paired to topics mentioned on-air PurePlank — https://gopureplank.com/ ResMed AirSense 11 — https://www.resmed.com/en-us/products/cpap/machines/airsense-11/ Taher Elgamal — https://en.wikipedia.org/wiki/Taher_Elgamal Tim Cook stepping down / Apple leadership story — https://www.macworld.com/article/3119381/tim-cook-stepping-down-as-apple-ceo-in-shock-announcement.html DaVinci Resolve photo/still image discussion source — https://www.facebook.com/photo/?fbid=25876562148688561&set=a.334146796690114

Steam releases Proton for ARM plus a native Linux client, Davinci Resolve bring professional photo editing to Linux, running NVIDIA GPUs on Rockchip SBCs, and Firefox get a native GTK emoji picker.Patreon: ⁠⁠⁠https://www.patreon.com/lwdw⁠⁠⁠⁠⁠⁠⁠Discord: ⁠⁠⁠⁠⁠⁠⁠https://discord.gg/uQVckr5gEZ⁠⁠⁠⁠⁠⁠⁠TOPICSResolve 21 Editor https://petapixel.com/2026/04/16/the-davinci-resolve-21-photo-editing-tools-show-promise-but-are-imperfect/ARMing Steam Protonhttps://www.techpowerup.com/348297/steams-proton-gets-wine-11-gaming-performance-improvements-valve-launches-arm64-compatibility-layerFirefox 150

As the NAB announcements start flowing in, we look at Blackmagic's latest features in DaVinci Resolve, as well as some of their other new offerings such as Fairlight Live. Also, GoPro seems to be trying to move into a higher tier of cameras with the Mission 1 series, but is it a good move? If you enjoy the show, we'd welcome your support on Patreon. It's only $3 per month and helps us keep the show running. You can check it out here: https://www.patreon.com/cameragearpodcast If you prefer to make a one-time donation, you can find us on Buy Me a Coffee: https://buymeacoffee.com/cameragearpodcast  Want to send us a question or comment, or just learn more about the show? Check out our website at https://cameragearpodcast.com, or email us directly at cameragearpodcast@gmail.com. Also, some of the product links in the notes below are affiliate links, which earn us a commission if you make a purchase at no additional cost to you. Notes: H&Y RevoRing Tally Arbiter (discussed in detail in episode 151) Blackmagic Design NAB 2026 Announcements DaVinci Resolve 21 Beta Changes DaVinci Resolve Product Page GoPro GP3 GoPro Mission 1 GoPro Mission 1 Pro GoPro Mission 1 Pro ILS

EPISODIO #76_______Un viejo conocido del canal y experto formador de DaVinci como lo es Antonio J. Bazalo (https://dvrmastered.es/), se ha pasado por nuestro estudio para hablarnos de las novedades de DaVinci Resolve 21. Pero como siempre es habitual, no solo hablamos de eso, incluso nos da tiempo de comentar la reciente compra de MotionVFX por parte de Apple, y especulamos mucho, pero muchísimo, sobre el futuro que nos depararán tanto Final Cut, como DVR en el mundo de la ediciónDale al play por que te va a encantar._______☕️ ¿Te gustaría colaborar conmigo e invitarme a un café (¡el que me tomo mientras grabo el podcast!)? Puedes hacerlo a través de

Blackmagic just loaded DaVinci Resolve with AI tools that can clone voices, reshape actor performances, remove motion blur, and simulate cinematic depth of field — and it's all built in. In this pre-NAB episode, Joey and Addy break down the most notabl...

Send us a text!This week: Apple's $600 MacBook Neo is absolutely breaking expectations—and maybe Apple's own plans—as demand explodes and supply starts running thin. Plus, macOS just got a HUGE new feature you've probably never noticed, And Apple's satellite tech is about to go next-level, with faster speeds, new capabilities, and features that could completely change how your iPhone works when you're off the grid. Also: a surprise DaVinci Resolve update that could shake up photo editing, and new details on Apple's upcoming smart glasses that feel straight out of sci-fi.SponsorsClean My MacCleanMyMac is your ultimate solution for Mac control and care, notarized by Apple and meticulously crafted by MacPaw.  Try 7 days free and use my code CULTCAST for 20% off at clnmy.com/CULTCASTSquarespaceIf you've been thinking about building a website — or rebuilding one that hasn't aged well — head to Squarespace.com/cultcast for 10% off your first purchase of a website or domain with code CultCast at checkout.CultClothKeep your gadgets, glasses, and more sparkling clean with CultCloth, premium grade cleaning cloths available only at CultCloth.co. Support the CultCast!Fork over $5 a month, show papa ERF you care, at support.thecultcloth.com.You can also go to unfork.thecultcast.com to unfork your support!StoriesApple's $599 MacBook Neo Sold Out Through April Amid Surging Demandhttps://www.macrumors.com/2026/04/16/macbook-neo-demand-surging/Microsoft Raises Prices for All Surface PCs, Making Them More Expensive Than Equivalent Macshttps://www.macrumors.com/2026/04/14/microsoft-surface-pc-price-hike/Make Your MacBook Battery Last Longer With This Settinghttps://www.macrumors.com/how-to/macbook-charge-limit-setting-benefits/Apple has four new iPhone satellite features rumored, here's what's cominghttps://9to5mac.com/2026/04/16/apple-has-four-new-iphone-satellite-features-rumored-heres-whats-coming/DaVinci Resolve 21 Adds Photo Editing and AI Search Toolshttps://www.macrumors.com/2026/04/14/davinci-resolve-21-photo-editing-ai-search/Apple Testing Four Smart Glasses Styles Made of High-End Materialshttps://9to5mac.com/2026/04/16/apple-has-four-new-iphone-satellite-features-rumored-heres-whats-coming/

This episode is brought to you by our friends at DxO and their newest release, PureRAW 6. If you want to learn more about how DxO's PureRAW 6 works, you'll find PetaPixel's "DxO PureRAW 6: The Ultimate Beginner's Guide" hugely informative.DxO is giving PetaPixel Podcast listeners 15% off any of their software, including PureRAW 6. Head to dxo.com and use the code "PetaPixel" to save 15% today!Now saving when you shop for your favorite gear at B&H Photo is even easier with the B&H Payboo Credit Card which lets you Save the Tax — you pay the tax, and B&H pays you back instantly! (Save the Tax on eligible purchases shipped to eligible states.) OR you can pay over time with our 6 & 12 month financing (on minimum purchases of $199 for 6 months, and $599 for 12 months). Terms apply, learn more at http://bhphoto.com/payboo. Credit card offers are subject to credit approval.Payboo Credit Card Accounts are issued by Comenity Capital BankThis week has been a big one, and the PetaPixel Podcast team is joined by Sarah Teng to talk DJI Osmo Pocket 4 and GoPro Mission 1 and how each is going to affect content creators.Check out PetaPixel's limited-edition merch drop with Harper Finch: store.petapixel.com/ We use Riverside to record The PetaPixel Podcast in our online recording studio.We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe.In This Episode:00:00 - Intro07:46 - Dirty Dew13:12 - DaVinci Resolve looks like a possible Lightroom alternative now21:41 - ProGrade forced to increase prices due to memory shortage24:30 - Freefly has joined the L-mount alliance26:56 - OM System announced an infrared OM-1 Mark II32:01 - Arri acquired by a German entrepreneur38:03 - GoPro impresses with the Mission 1 Pro series54:49 - DJI's Osmo Pocket 4 is here1:14:13 - What have you been up to?1:21:07 - Do you want a NASA video? 1:24:28 - Tech Support1:34:13 - Feel good story of the week

Blackmagic just loaded DaVinci Resolve with AI tools that can clone voices, reshape actor performances, remove motion blur, and simulate cinematic depth of field — and it's all built in. In this pre-NAB episode, Joey and Addy break down the most notable Resolve updates, including AI CineFocus, Face Age Transformer, and IntelliSearch clip analysis. They also cover Adobe Premiere's completely redesigned color mode and the new Frame Drive feature, plus an under-the-radar peer-to-peer editing tool called Strata Connect that turns your local hard drive into a virtual cloud drive with no storage fees. Rounding it out: Sony's new 3D world scanner pipeline in XYN, NVIDIA's Lyra 2.0 spatial world model, and a World Labs Spark update for browser-based Gaussian splat viewing.--The views and opinions expressed in this podcast are the personal views of the hosts and do not necessarily reflect the views or positions of their respective employers or organizations. This show is independently produced by VP Land without the use of any outside company resources, confidential information, or affiliations.

「AmazonによるGlobalstar買収がiPhoneの衛星機能に与える影響」AmazonがGlobalstarを約115億ドルで買収することで、iPhoneの衛星通信機能の基盤に変化が生まれる可能性があると報じています。現行のサービスは維持されつつ、将来的にはAmazonの衛星インフラによる機能強化が期待されています。「GeminiアプリがMacに対応」GoogleのAIアプリ「Gemini」がMac向けに正式リリースされ、デスクトップ環境でネイティブに利用できるようになりました。これにより、作業中のアプリ連携や生産性向上が期待されています。「GucciとAndroid XRがスマートグラスで提携」GucciがAndroid XRプラットフォームと提携し、ファッション性とテクノロジーを融合したスマートグラスの開発に取り組んでいることが報じられました。高級ブランドとXRの融合により、新たなウェアラブル市場の可能性が注目されています。「AllbirdsがAI企業への転換を表明し株価が急騰」サンフランシスコの靴ブランドAllbirdsが、中核の靴事業売却後にAI企業へ転換し、社名も「NewBird AI」に変更する方針を発表しました。AI向け計算資源の需要拡大を狙い、GPUを調達して外部に貸し出す事業へ進もうとしている点が注目されています。「Blackmagic DesignがDaVinci Resolve 21を発表」Blackmagic DesignがDaVinci Resolve 21のパブリックベータを発表し、大型アップデートとして写真編集向けの新しい「Photo」ページなどを追加しました。動画編集・カラー・音声だけでなく、静止画編集まで1つのソフトに取り込もうとする動きが大きなポイントです。「Spotifyが紙の本の販売を開始」SpotifyがBookshop.orgとの連携により、アプリ内から紙の本を購入できるようになりました。オーディオブックだけでなく紙の本との行き来をしやすくし、読書体験全体をSpotify上でつなげようとしているのがポイントです。「宝くじでピカソ当選」= = = = = = = = = = = = = = = = = = = = = = = = =【ユカスタポッドキャスト // Podcast by Yuka Studio】ユカスタポッドキャストは、テックとクリエイティビティがもっと身近になる、トーク番組です。ニューヨークを拠点に、テック系クリエイターとして活動する大石結花がメインホストとして、テックニュースや、インタビューコンテンツをお届けします。

The team discusses steep price hikes for Microsoft devices, argues over Amazon's controversial cutting-off of old Kindle models and wonders exactly who would want to talk to an AI-powered virtual clone of Mark Zuckerberg. Our Hot Hardware candidate this week is in fact a piece of software, namely DaVinci Resolve 21, which builds on the package's powerful video-editing capabilities with a new photo-processing module.

This is a recap of the top 10 posts on Hacker News on April 14, 2026. This podcast was generated by wondercraft.ai (00:30): DaVinci Resolve – PhotoOriginal post: https://news.ycombinator.com/item?id=47760529&utm_source=wondercraft_ai(01:55): Backblaze has stopped backing up OneDrive and Dropbox folders and maybe othersOriginal post: https://news.ycombinator.com/item?id=47762864&utm_source=wondercraft_ai(03:20): A new spam policy for “back button hijacking”Original post: https://news.ycombinator.com/item?id=47760764&utm_source=wondercraft_ai(04:45): Rare concert recordings are landing on the Internet ArchiveOriginal post: https://news.ycombinator.com/item?id=47765604&utm_source=wondercraft_ai(06:10): I wrote to Flock's privacy contact to opt out of their domestic spying programOriginal post: https://news.ycombinator.com/item?id=47768813&utm_source=wondercraft_ai(07:36): Claude Code RoutinesOriginal post: https://news.ycombinator.com/item?id=47768133&utm_source=wondercraft_ai(09:01): Stop FlockOriginal post: https://news.ycombinator.com/item?id=47772012&utm_source=wondercraft_ai(10:26): jj – the CLI for JujutsuOriginal post: https://news.ycombinator.com/item?id=47763759&utm_source=wondercraft_ai(11:51): Tell HN: Fiverr left customer files public and searchableOriginal post: https://news.ycombinator.com/item?id=47769796&utm_source=wondercraft_ai(13:17): Spain to expand internet blocks to tennis, golf, movies broadcasting timesOriginal post: https://news.ycombinator.com/item?id=47768195&utm_source=wondercraft_aiThis is a third-party project, independent from HN and YC. Text and audio generated using AI, by wondercraft.ai. Create your own studio quality podcast with text as the only input in seconds at app.wondercraft.ai. Issues or feedback? We'd love to hear from you: team@wondercraft.ai

It's that time of year again - NAB time!That annual gathering in the desert that in many way acts a launching point not just for new products but industry trends and standards.In this installment of The Offset Podcast, we're discussing NAB 2026, what we hope to see, but also what we're a little worried about (AI Slop). Specific topics we'll explore in this show include:The proliferation of IP video & significantly faster networkingStorage: innovations or vaporware due to memory shortagesThe continued move to QD OLED and network features for monitorsSoftware: bug and workflow improvements maybe more important then shiny featuresPlugins and the end of the film emulation crazeAI everywhereIf you're attending NAB - be sure to bring comfortable shoes, drink plenty of water, and take care of your voice in the loud convention halls and parties!  Also there's still time to get tickets for the Colorist Mixer - check out www.coloristmixer.com for more info.  As mentioned in the episode, Joey will be attending the show, if you see him please be sure to say hiCheck out offsetpodcast.com for our entire library of episodes. You can also follow us on Instagram & Facebook - just search for The Offset Podcast.  Be sure to like and subscribe to the podcast wherever you found it and be sure to check out our growing library of episodes.  If you like the podcast it'd mean the world to us if you'd consider supporting the show by buying us a cup of virtual coffee -https://buymeacoffee.com/theoffsetpodcastSee you in about two weeks for a new episode.

In this sponsored episode, GG Hawkins speaks with Eddie AI co-founder and CEO Shamir Allibhai about Eddie AI's latest release, Eddie v3, which launched on April 14, 2026 ahead of NAB Show 2026. Their conversation explores the new Night Shift workflow, designed to process footage overnight by sorting interviews from B-roll, syncing multicam interviews, logging media, and building a rough cut ready for Adobe Premiere Pro, DaVinci Resolve, or Final Cut Pro by morning. They also discuss Eddie's expanding role as an AI assistant editor for professional workflows, including docu-style rough cuts with B-roll placement, and the broader questions filmmakers face around creative control, sustainability, curiosity, and the future of storytelling in an AI-assisted post-production landscape. In this episode, No Film School's GG Hawkins and guest Shamir Allibhai discuss... Eddie AI's new Night Shift feature and how it aims to build a structured rough cut overnight Why the company positions Eddie AI as an assistant editor rather than a replacement for Premiere, Resolve, or Final Cut Pro How AI can help with multicam syncing, A-roll and B-roll organization, logging, and assembly edits The difference between AI tools that generate synthetic media and tools built to work from a filmmaker's real footage Why editing still depends on human taste, timing, emotional judgment, and story instinct How AI tools may help filmmakers handle paid client work more efficiently while protecting time for passion projects The tension between fear and curiosity as filmmakers adapt to new technology How creative professionals can think about money, sustainability, and long-term career support without sidelining the art Why Allibhai sees storytelling as a fundamentally human act, even in a future shaped by AI What filmmakers should watch for around security, ownership, and platform terms when using AI tools Memorable Quotes: “We're not trying to be another timeline editor, like Premiere, Resolve, FCP.” “When we think about it from the consumer's perspective, they just care about great stories.” “This is the root of a lot of the fear because we have struggled so hard just to be able to be here.” “In 10,000 years, we will still be sitting around a campfire or somewhere and telling each other stories.” Guests: Shamir Allibhai Resources: The AI Doc Breakdown: Filmmaking in the Age of Uncertainty How to Scale Video Editing With an AI Storytelling Partner Eddie AI The Eddie AI team will be demoing Eddie v3 at NAB 2026 Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

In this episode of The Offset Podcast, we're joined by Brandon Thomas & Stefan Allen from Conform.Tools. Conforming is one of those processes in modern postproduction and finishing that can be technically challenging and a huge time suck. Different NLEs and color/finishing tools all think slightly differently. For example; positioning or a speed change in Premiere Pro might not show up correctly when conformed into DaVinci Resolve.  Over the years editors, colorists, and conform artists have built hacks and built up institutional knowledge of workflows for moving projects from one system to another but even at their best, the methods can be tedious and are seldom set it and forget it.  Conform.Tools is a suite of tools that is poised to really change how conforms are done making them efficient, fast and dare we say fun!  We were super excited to sit down with the guys and talk about the challenges of conforming and how conform.tools can help on your text project. Some of the specifics we discuss in this episode include:What makes conforming so challengingThe problem of different math and algorithms between different applicationsDealing with common conform problems like in/out point slippage, reel names, and other timecode issuesWorking with sizing and speed differences including speed ramps, interpreted clips, and speed interpolationGoals of conform.tools and looking at the workflowConform.Tools module: Timeline ExchangeConform.Tools module: i20Conform.Tools module Conform Connect including the forthcoming desktop appThe team at NAB & The NAB 2026 Colorist MixerAnd more!Check out offsetpodcast.com for our entire library of episodes. You can also follow us on Instagram & Facebook - just search for The Offset Podcast.  Be sure to like and subscribe to the podcast wherever you found it and be sure to check out our growing library of episodes.  If you like the podcast it'd mean the world to us if you'd consider supporting the show by buying us a cup of virtual coffee -https://buymeacoffee.com/theoffsetpodcastSee you in about two weeks for a new episode.

This episode, quite literally, has it all! Every strategy, every freebie, every way to implement hybrid into your ministry. It's horrible for me, because I'm giving away anything and everything I've ever created! MEGA EPISODE GUIDE - Product & Freebie Links https://www.patreon.com/posts/hybrid-ministry-151264417?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link SHOW NOTES Shownotes & Transcripts https://www.hybridministry.xyz/192

Church podcasting has evolved from simply uploading sermons to producing interviews, devotionals, leadership content, and more. If you're exploring podcasting for your church, we're sharing our recommended gear for 2026. From mics to interfaces and accessories, we'll cover options for every budget from two podcasters who've been hosting since 2014.   ============================= Table of Contents: ============================= 0:00 - Intro 3:11 - Microphones 9:22 - Interfaces & Recorders 17:30 - Headphones 19:40 - Accessories 21:06 - Software 22:32 - Full Setups   IMPORTANT LINKS - Micro Church Podcast Studio [Tour]: https://youtu.be/aCrpic5rugc - Shure SM7B: https://bit.ly/3Ob9s5x - Rode PodMic: https://rode.com/en-ca/products/podmic - Shure MV7+: https://bit.ly/40abh5b - Audio-Technica AT2040: https://bit.ly/4raD5Cl - DJI Mic 2: https://www.dji.com/mic-2 - Rodecaster Pro II: https://rode.com/en-int/products/rodecaster-pro-ii - Rodecaster Duo: https://rode.com/en-ca/products/rodecaster-duo - Focusrite Scarlett 2i2: https://focusrite.com/products/scarlett-2i2 - Focusrite Vocaster Two: https://focusrite.com/products/vocaster-two - Sound Devices MixPre: https://www.sounddevices.com/mixpre/ - Beyerdynamic DT 770 Pro: https://north-america.beyerdynamic.com/p/dt-770-pro - Sony MDR-7506: https://bit.ly/4tuzlgz - Audio-Technica ATH-M50x: https://bit.ly/46A7eTr - Audio-Technica ATH-M20x: https://bit.ly/4rdBw6Y - Rode PSA1+: https://rode.com/en-ca/products/psa1-plus - Audacity: https://www.audacityteam.org/ - DaVinci Resolve: https://bit.ly/4adljIX - Adobe Audition: https://www.adobe.com/ca/products/audition.html - AutoPod: https://www.autopod.fm/ - Auphonic: https://auphonic.com/ - HELP ME SEE Show: https://www.youtube.com/@helpmeseepossibility   THE 167 NEWSLETTER