Podcasts about davinci resolve

TubeTalk: Your YouTube How-To Guide

Play Episode Listen Later Sep 10, 2026 111:27

After more than a decade of complaining on this podcast about the lack of innovation in lighting, we finally had to put our own name on something. The OrBrella is a 60W bi-colour umbrella softlight we developed with SmallRig: eight LED ribs fire inward into a 47cm white dome for the softest possible source, then flip around on their USB-C connectors when you need more punch. It collapses into a camera bag, runs more than two hours on a 99Wh V-mount, and if you are heading to IBC 2026, make sure to stop by the booth and check it out! This Episode is Sponsored by Hollyland. Check it out at (00:15:55) ► Check out the Pyro S wireless video transmitter: http://cined.co/nImvmn Topics and Chapters in this Episode: (00:00:00) Intro (00:02:04) The SmallRig x CineD OrBrella Light (00:20:45) DaVinci Resolve 21.1 Released – AI Assistant Integration via MCP, Individual HDR Trims, and Python Scripting Moves to Studio https://www.cined.com/davinci-resolve-21-1-released-ai-assistant-integration-via-mcp-individual-hdr-trims-and-python-scripting-moves-to-studio/ (00:29:32) Blackmagic Cuts Full-Frame 6K Camera Prices – Cinema Camera 6K Now $1,755, PYXIS 6K From $2,245, and More https://www.cined.com/blackmagic-cuts-full-frame-6k-camera-prices-cinema-camera-6k-now-1755-pyxis-6k-from-2245-and-more/ (00:36:11) Nikon ZR Firmware Update V2.00 & NIKKOR Z CINEMA VV Lenses Development Announced https://www.cined.com/nikon-zr-firmware-update-v2-00-nikkor-z-cinema-vv-lenses-development-announced/ (00:44:25) Lab Test of the iPhone 17 Pro – Rolling Shutter, Dynamic Range Trials and Exposure Challenges https://www.cined.com/lab-test-of-the-iphone-17-pro-rolling-shutter-dynamic-range-trials-and-exposure-challenges/ (00:50:58) GoPro Says the Cameras Are Staying – Reading Nick Woodman's Post-Merger Letter https://www.cined.com/gopro-says-the-cameras-are-staying-reading-nick-woodmans-post-merger-letter/ (00:53:57) Sony DP7 and DP5 Announced – Camera Control Monitors for the FX5, FX3, FX2, and FX30 https://www.cined.com/sony-dp7-and-dp5-announced-camera-control-monitors-for-the-fx5-fx3-fx2-and-fx30/ (01:00:02) Tilta Adds EVF Extension Support to Its Sony FX5 Cage – Dedicated Cable and Multi-Directional Bracket for the DVF-EL1 https://www.cined.com/tilta-adds-evf-extension-support-to-its-sony-fx5-cage-dedicated-cable-and-multi-directional-bracket-for-the-dvf-el1/ (01:02:17) Sony DWX Gen 4 Announced – DWT-B40 Bodypack with 32-Bit Float Recording, DWR-R40Q 4-Channel Receiver https://www.cined.com/sony-dwx-gen-4-announced-dwt-b40-bodypack-with-32-bit-float-recording-dwr-r40q-4-channel-receiver/ (01:05:57) FUJIFILM VF-GFXC2 Viewfinder for the GFX ETERNA 55 Announced – 0.64-inch 4:3 OLED, 2048 x 1536, 1,000 Nits, 370g https://www.cined.com/fujifilm-vf-gfxc2-viewfinder-for-the-gfx-eterna-55-announced-0-64-inch-43-oled-2048-x-1536-1000-nits-370g/ (01:08:42) FUJIFILM ETERNA ProRemote App Announced – iOS Remote Control, Live View, and Four-Camera Setups for the GFX ETERNA 55 https://www.cined.com/fujifilm-eterna-proremote-app-announced-ios-remote-control-live-view-and-four-camera-setups-for-the-gfx-eterna-55/ (01:10:37) DJI Osmo 360 II Launched – 8K60 360° Video, Replaceable Lenses, and a 14.5-Stop Dynamic Range Claim https://www.cined.com/dji-osmo-360-ii-launched-8k60-360-video-replaceable-lenses-and-a-14-5-stop-dynamic-range-claim/ (01:17:20) Hohem Eyepic Announced – World's First 2-in-1 Pocket Gimbal Camera With Native Vertical 4K https://www.cined.com/hohem-eyepic-announced-worlds-first-2-in-1-pocket-gimbal-camera-with-native-vertical-4k/ (01:21:39) DZOFILM Arles Zoom 25-75mm and 65-180mm T2.6 Announced – Constant Aperture, Parfocal, Under 1.8kg https://www.cined.com/dzofilm-arles-zoom-25-75mm-and-65-180mm-t2-6-announced-constant-aperture-parfocal-under-1-8kg/ (01:23:26) Libec Q30B and Q50B Tripods Announced – Quick-Deploy System, 45kg Payload, Under 3kg https://www.cined.com/libec-q30b-and-q50b-tripods-announced-quick-deploy-system-45kg-payload-under-3kg/ (01:27:01) NANLITE FC-1200B and FC-1200C Released – 1350W Rated Power, Bowens Mount, All-in-One Design https://www.cined.com/nanlite-fc-1200b-and-fc-1200c-released-1350w-rated-power-bowens-mount-all-in-one-design/ (01:28:38) Hollyland Pyro 7 Ultra Released – Calman-Calibrated 7-Inch Wireless Monitor with 4K60 and 20ms Latency https://www.cined.com/hollyland-pyro-7-ultra-released-calman-calibrated-7-inch-wireless-monitor-with-4k60-and-20ms-latency/ (01:31:15) CAME-TV KUMINIK8 PRO Now Shipping – 30-Hour Runtime, 518m Range, and $128 per Headset https://www.cined.com/came-tv-kuminik8-pro-now-shipping-30-hour-runtime-518m-range-and-128-per-headset/ (01:35:52) CODEX CFexpress Cards Announced – Type A and Type B, VPG1600, and a USB4 Reader https://www.cined.com/codex-cfexpress-cards-announced-type-a-and-type-b-vpg1600-and-a-usb4-reader/ (01:39:23) CineDream Releases Native Plug-Ins for Premiere Pro, After Effects, Final Cut Pro, and DaVinci Resolve https://www.cined.com/cinedream-releases-native-plug-ins-for-premiere-pro-after-effects-final-cut-pro-and-davinci-resolve-on-image-grading-with-aces-2-0-color-management/ (01:41:13) Caira Adds Generative Video Editing – Gemini Omni 1.1 Flash, Runway Aleph 2.0, and 720p or 1080p Output https://www.cined.com/caira-adds-generative-video-editing-gemini-omni-1-1-flash-runway-aleph-2-0-and-720p-or-1080p-output/ (01:47:29) Chasing the Glow – Understanding Halation and Why Filmmakers Keep Coming Back to It https://www.cined.com/chasing-the-glow-understanding-halation-and-why-filmmakers-keep-coming-back-to-it/ Let us know what you think about the OrBrella in the comments, write to us at podcast@cined.com, and subscribe for the IBC coverage coming over the next two weeks.

video iphone sony studio flash chasing chapters outlook led range output oled usb c t2 headset mcp ibc latency final cut pro after effects davinci resolve nits type b premiere pro payload liveview dji osmo smallrig 60w fx2

Six-Figure Sponsorships Without Chasing AdSense

Play Episode Listen Later Sep 9, 2026 49:15 Transcription Available

Send us Fan MailGet vidIQ Boost for an exclusive price! https://vidiq.com/podcastWant a 1 on 1 coach? https://vidiq.ink/theboost1on1Join our Discord! https://www.vidiq.com/discordWatch the video: https://youtu.be/_kUOrWhNynwA six-figure sponsorship can happen long before you have a massive subscriber count, but only if you treat your channel like a business and your audience like a real community. Travis sits down with YouTube educator Daniel Batal to break down the exact mindset that turns “nice channel” into “we need to work with you,” including how Daniel approached DaVinci Resolve, why he is comfortable saying AdSense is only one revenue stream, and what it means to build income you can actually rely on. We get tactical about YouTube sponsorships and brand deals: why a multi-page proposal beats a casual email, what data sponsors care about, and how to make it easy for a marketing team to say yes. Daniel shares how audience connection creates leverage, even at small sizes, and why creators who chase quick wins often sabotage long-term growth. If you've been searching for creator monetization advice, sponsor outreach tips, or how to price partnerships, this conversation is built to give you a clearer playbook. We also talk YouTube growth strategy in 2026, including AI as a practical tool for ideation and proposal writing, the risks of repetitive farmed content, and why viewer behavior still rules everything. Daniel explains how shorts can function as real educational content, not just a funnel, and why metrics like CTR and retention shift when you hit scale. Subscribe, share this with a creator friend, and leave a review with the one revenue stream you want to build next.

ai discord chasing six figure ctr adsense davinci resolve podcast want

Obsession's Secret VFX Behind Nikki's Uncanny Face | Peter Timberlake | Ep 564

CG Garage

Play Episode Listen Later Sep 7, 2026 91:05

Nobody thinks Obsession has visual effects. That's the point. Peter Timberlake, the VFX supervisor behind one of the year's biggest indie breakouts, joins Chris and Daniel to break his silence on work so subtle most audiences never register it as VFX at all. The centerpiece is the character Nikki: rather than fighting to escape the uncanny valley, director Curry Barker asked Timberlake to push straight into it, mismatching her facial expressions on purpose so her eyes tell one emotional story while the rest of her face tells another. The result reads as a performance choice, not an effect, and it's exactly the kind of restraint the team wanted. Peter walks through why the studio debated whether to talk about this work publicly at all, and lands on a simple answer: nothing he says can take anything away from the lead actress's performance. Before Obsession, Peter built his career the hard way: driving to LA with two thousand dollars, sleeping in a parking lot, and landing his first industry job cleaning dishes at Framestore. He went on to found his own studio, Queen Studio, in 2018, work at Weta and The Mill, and eventually build the small, scrappy team that shot Obsession in twenty days after blocking the entire film shot for shot in Unreal Engine before a single frame was captured. Chris and Daniel dig into what indie filmmakers can actually learn from this: planning replaces budget, ownership replaces plug-and-play pipelines, and the best VFX work is often the kind the audience never notices. Guest links: Peter Timberlake LinkedIn > Peter Timberlake IMDB > Peter Timberlake Instagram > Queen Studio LinkedIn > Focus Features LinkedIn > Focus Features Instagram > Tools and companies mentioned: Framestore LA, Weta, The Mill, Sony Imageworks, Queen Studio, Maya, Cinema 4D, TurboSquid, DaVinci Resolve, Embergen, Unreal Engine, Arri Alexa 65, Panavision, Peacock, TIFF (Toronto International Film Festival), Focus Features People mentioned: Curry Barker (director, Obsession), Taylor Clemens (DP), Haley Johnson (producer), Michael Rolla (comp supervisor, mutual connection), Janelle Croshaw Ralla (VFX supervisor colleague, Spike Jonze collaborator), Edward Douglas (upcoming guest re: Backrooms) Thank you to our sponsor: CenterGrid Virtual Studio >

secret obsession peacock mill vfx unreal engine uncanny spike jonze timberlake davinci resolve weta cinema 4d panavision framestore arri alexa edward douglas haley johnson

From Client Work to Original Films with Snaggletooth Creative | Aug 31, 2026

The Monday Meeting

Play Episode Listen Later Sep 2, 2026 66:18

In this guest episode, Nick and Sam Snyder of Snaggletooth Creative join Monday Meeting to talk about launching a public-facing motion design studio, making the award-winning folk horror short Nurture, navigating the film festival circuit, and how live-action filmmaking sharpens the storytelling skills motion designers bring to client work.This episode covers:How to finish a personal project when client work keeps winning: The scheduling mindset that finally got a years-long film idea out the door.From freelancer billing name to public-facing studio: What actually changes when you stop talking like a freelancer and start talking like a studio owner.Why a mascot character can carry a brand beyond its founders: How Snaggy came to be, and the part of the process nobody warns you about.Bringing motion design tricks to live-action: The pre-production habits from mograph that made a 3–4 day shoot possible.Why horror is a smart genre for first-time filmmakers: Creative constraints, community, and a surprisingly welcoming room.How to navigate the film festival circuit: Where to submit, how to figure out where your film fits, and how to make festivals work for your business.The festival market motion designers overlook: A whole category of clients that need exactly what you do.Building the promotion muscle when imposter syndrome hits: A low-stakes way to get comfortable putting yourself out there.DaVinci Resolve vs. Adobe for color: Why the final conform didn't happen in Premiere.How cinema language levels up your motion design portfolio: What live-action storytelling teaches you that client work won't.How to get on a film set with zero experience: Free, local, and closer than you think.Follow Nurture on Instagram at nurture.film and find behind-the-scenes breakdowns at snaggletooth.tv.Upcoming Events:Open Discussion: Monday, September 14Game Night (usually the last Wednesday of the month): TBA for September — watch the website, newsletter, or DiscordOffice Hours voice channel on Discord on off-Mondays — unrecorded, drop-in co-working and hangoutAdditional guest episodes to be announcedVisit MondayMeeting.org for this episode and other conversations from the motion design community!SHOW NOTES:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Monday Meeting Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Monday Meeting Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MondayMeeting LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MondayMeeting Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MondayMeeting Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MondayMeeting Newsletter⁠⁠⁠Snaggletooth.tv"Nuture" FilmFilm Festival Submission Resource

building creative clients original discord films premiere adobe nurture tba davinci resolve client work nuture snaggletooth monday meeting

The Offset Podcast EP062: GFX & VFX Workflows

business color finishing editing offset vfx workflows post production davinci resolve gfx matt s

Play Episode Listen Later Sep 1, 2026 64:14

In this episode we're discussing a question we got from viewer/listener Matt S. who in part wrote:'I'd love to hear your thoughts on working with GFX and VFX through color. I run a motion design studio in Denver and we are often delivering GFX to DI houses. We've gotten surprised a few times seeing how our material gets laid into a show, and sometimes heavily graded'Thanks Matt for writing in! It's a deep topic, but in this episode we do our best to explore it. Some of the specifics we discuss include:Understanding GFX vs VFX and why they're sometimes used interchangeablyThe importance of communication in a GFX/VFX pipelineWorking with GFX in a color pipelineContext & keeping GFX updated with the gradeWorking with VFX in a color pipelineThe benefit of working with mattes from VFXColor management and how it impacts GFX/VFX workflowsHDR and its impact on the pipeline If you enjoy the topics and discussion of The Offset Podcast you can join in the conversation with our new Discord communityCheck out offsetpodcast.com for our entire library of episodes. You can also follow us on Instagram & Facebook - just search for The Offset Podcast.Be sure to like and subscribe to the podcast wherever you found it and be sure to check out our growing library of episodes. If you like the podcast it'd mean the world to us if you'd consider supporting the show by buying us a cup of virtual coffee -https://buymeacoffee.com/theoffsetpodcastSee you again in about two weeks for a new episode

100 Elephants, Same Blind Spot

Play Episode Listen Later Aug 30, 2026 6:57

My first-ever post (2012) meets 100 life-sized elephants on Commonwealth Ave. Episode 625. I still haven’t found the whole animal. Click here to view the verbatim transcript Summary I revisit my first-ever blog post, a 2012 story about two strangers in wheelchairs, each certain the other had it worse, as I ride my wheelchair through The Great Elephant Migration’s 100 life-sized sculptures on Boston’s Commonwealth Avenue. Fourteen years and 625 episodes later, the argument holds: best health isn’t fixed, and no one, not the patient, not the organization, not me, ever gets the whole animal. Episode Proem: Orientation On July 24, 2012, over 14 years ago, I published my first post, Best Health: Different Lens, Different Point of View. I wrote it while vacationing on Cape Cod with my family. My son-in-law, Eric Pinaud, helped me set up my website. The episode has stood the test of time. For those of you listening instead of watching (see the video in the show notes), I’m on my trike on Commonwealth Ave, threading through a hundred elephants. They’re not real. They’re not statues either, not exactly — they’re woven. Dried lantana root, an invasive weed, hand-carved by artisans in India’s Nilgiri Hills. Each one modeled after a real elephant those artisans know by name. Calves knee-high, matriarchs taller than my head, tusks close enough to touch. A mile of them, all facing the same direction, as if they’re walking somewhere together. I’m riding at wheelchair height, which means I see knees, trunks, and the undersides of ears before I see a whole animal. One elephant at a time. Never the herd. Episode #1 featured two people with recent disabilities approaching each other in wheelchairs in a rehab hallway. An eighteen-year-old with a gunshot wound, learning to steer with his mouth. A fifty-year-old stroke patient, learning to steer with one hand and a foot, with his wife behind him, dressed up and disgusted. The younger one muttered, “Glad I’m not him.” Neither of them was wrong about what they saw. Neither saw the whole thing. Best health isn’t one thing. Not for you, not for the person next to you, not for the organization billing you for services. Best health moves. It depends on which part of the elephant you’ve got your hand on. So today: the old post, the new elephants, and a hundred and sixty-nine months of me still not knowing the whole shape. This is episode #625. Yikes. 2012, Uncorrected: First Lens This first blog sets the stage. “Best health.” How will we recognize it? For individuals, could it be love, peace of mind, a cure, the ability to perform activities of daily living, or freedom from dis-ease? For organizations, could it be profitability, increased volume, high overall satisfaction, or a high Net Promoter score? Just like anything in the human condition, best health isn’t static. It’s constantly changing. At one point in my life, while working for a landscaping company, I had to complete the final hand raking of topsoil for a brand-new 2-acre rolling lawn. It took 20 hours. Through the lens of that solitary, monotonous gig, I learned that there is no up without a down. Every depression had a corresponding rise. Zen for the 20-year-old! Best implies less than best, always together. While in nursing school, I worked as a rehab aide. I was walking down the hall with an 18-year-old quadriplegic from a gunshot wound to the neck, learning to maneuver his wheelchair with his mouth. Coming the other way was a 50-year-old man suffering from a debilitating stroke, learning to propel his wheelchair with his left hand and foot. Behind the drooling, slouching, struggling man was his beautiful 20-something wife, dressed to the hilt, looking completely disgusted. Out of the corner of his mouth, my young patient muttered, “glad I’m not him.” It’s all relative. Different lens, different point of view. Attaining best health means figuring out the unique goal of the person or organization and working toward that goal collaboratively. I invite you to tell your story. Reflection: Still Best Health, Somehow Fourteen years ago, I used one cane, no forearm crutches, no wheelchair. I was between jobs after being laid off from Boston Children's Hospital. My oldest grandson was four, and my youngest was one. I was playing bari sax in Herb's Heard Big Band. I had just begun my relationship with PCORI. Today, I still have best health! Life is good. Please comment and ask questions: at the comment section at the bottom of the show notes on LinkedIn via email YouTube channel DM on Instagram, TikTok to @healthhats Substack Patreon Production Team Kayla Nelson: Web and Social Media Coach, Dissemination, Help Desk Steve Heatherington: Help Desk and podcast production counseling Joey van Leeuwen, Drummer, Composer, and Arranger, provided the music for the intro, outro, proem, and reflection Claude, Perplexity, Auphonic, Descript, Grammarly, DaVinci Resolve, DaVinci AI Art Generator, OpenArt AI Creator Studio Inspired by and Grateful to: Eric Pinaud, Jane Sarasohn-Kahn, and my sisters Artificial Intelligence in Podcast Production Health Hats, the Podcast, utilizes AI tools for production tasks such as editing, transcription, and content suggestions. While AI assists with various aspects, including image creation, most AI suggestions are modified. All creative decisions remain my own, with AI sources referenced as usual. Questions are welcome. Creative Commons Licensing CC BY-NC-SA This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator. If you remix, adapt, or build upon the material, you must license the modified material under identical terms. CC BY-NC-SA includes the following elements: BY: credit must be given to the creator. NC: Only noncommercial uses of the work are permitted. SA: Adaptations must be shared under the same terms. Please let me know. dannyhealthhats@gmail.com Material on this site created by others is theirs, and use follows their guidelines. Disclaimer The views and opinions presented in this podcast and publication are solely my responsibility and do not necessarily represent the views of the Patient-Centered Outcomes Research Institute® (PCORI®), its Board of Governors, or Methodology Committee. Danny van Leeuwen (Health Hats)

tiktok ai board dm hospitals grateful elephants material zen composer drummer governors herb cape cod blindspot perplexity grammarly attaining boston children descript dried calves arranger leeuwen davinci resolve dissemination auphonic cc by nc sa social media coach pcori net promoter jane sarasohn kahn commonwealth avenue commonwealth ave

ep131 - Inside the Cirrus Apple Immersive Film: Shooting 180° Stereo From a Plane – CineD Focus Check

effects blindspot ict cavalry davinci resolve candlesticks

Play Episode Listen Later Aug 27, 2026 35:41

Imagine putting on a headset and seven minutes later feeling like you have actually flown a light aircraft over the Grand Canyon. That is the pitch behind the Cirrus app for Apple Vision Pro, and it might be the most convincing case yet for Apple Immersive Video as a commercial format. This week's Focus Check is a special one – not a news episode, but a long-form interview. Nino talks to Anthony Bottini, Director of Media at Cirrus Aircraft, who had to sell this project internally, and to John "JR" Racine of Rogue Labs, who shot and finished it. Five days over the Arizona desert, three Blackmagic URSA Cine Immersive cameras, the Top Gun: Maverick aerial team, 25 to 30 terabytes for two hours of footage – and people taking the headset off in tears. Topics and Chapters in this Episode: (00:00:00) Cold open: flying the Grand Canyon in a headset (00:01:06) Why Cirrus built an Apple Vision Pro app (00:01:51) Meet John "JR" Racine (Rogue Labs) and Anthony Bottini (Cirrus) (00:03:40) Selling immersive internally: Vision Pros for the global sales team (00:06:10) Five days in the desert: Page, Arizona and the weather (00:06:28) Who did what: Cirrus, Rogue Labs, Blackmagic and XBrand (00:07:59) The weather day that snow-dusted the Grand Canyon (00:09:11) Air-to-air with a fixed 180° lens (00:09:30) Kevin LaRosa, Michael FitzMaurice and the Piper Aerostar camera ship (00:11:23) Rigging and vibration: why nothing was stabilised in post (00:12:11) Why the Blackmagic URSA Cine Immersive made this possible (00:13:17) The limits of the medium: shooting inside a cockpit (00:15:30) One BRAW file per shot: the DaVinci Resolve workflow (00:16:16) Fixed focus from the factory (00:17:40) Lens borrowing: winning back 5 to 10 degrees of field of view (00:19:15) Directing the viewer's gaze (00:21:05) 16K, 25 to 30 terabytes and the post pipeline (00:22:33) From a December shoot to a January demo (00:23:32) "A good spatial edit is 50% of the experience" (00:26:52) Measuring success without a big installed base (00:29:35) "I've seen people cry" and the 100% scale aircraft models (00:32:13) One-off, or the start of an immersive programme? (00:34:54) Outro

director apple media film arizona selling cold air shooting chapters lens plane measuring top gun maverick grand canyon immersive stereo nino apple vision pro black magic rigging davinci resolve 16k cirrus michael fitzmaurice cirrus aircraft kevin larosa

“LION” Cinematographer Sophie Darlington ASC on Crafting the Disney+ and National Geographic Documentary

The Making Of

Play Episode Listen Later Aug 26, 2026 25:35

In this episode, we welcome Sophie Darlington ASC, an award-winning cinematographer whose remarkable career has taken her around the world capturing wildlife and the natural world. In our conversation, she takes us behind the scenes of LION, sharing how she filmed the documentary over the course of four years in the wild, and what went into bringing the Jon Favreau–executive-produced project to life. She discusses the technologies used to craft the film's stunning imagery, along with the challenges of this type of production. “The Making Of” is presented by AJA:Futureproofing with IP videoAs production workflows rapidly evolve, IP video is key to building more scalable, future-ready pipelines. To get up to speed on the IP fundamentals and gain insights into the various IP paths – like ST 2110, NDI, Dante AV, and SRT – download AJA's free IP video white paper today.Post|Production World New YorkOct. 20-21 | New YorkSharpen your edit, your motion graphics, and your AI workflow in two days. Post|Production World New York brings certified trainers and working pros to NAB Show New York, October 20-21, with hands-on sessions in Premiere, After Effects, DaVinci Resolve, and Cinema 4D. Registration includes show floor access.Discount Code: PPWTMORegister hereA Solution Built Around Your WorkflowThe OWC Express 4M2 Ultra is available in a range of configurations to fit your workflow and budget. Choose from ready-to-run solutions with up to 32TB of high-performance NVMe storage, giving you the speed, capacity, and reliability needed for everything from multi-camera editing to demanding VFX and finishing workflows. Available now. Explore hereElgato Prompter XLThe Elgato Prompter XL is a professional all-in-one teleprompter with a 15.6” removable display and a reading range of up to 15 feet. Featuring USB 3.2 connectivity and broad compatibility, it's ideal for live productions and content creation. Available now at Videoguys.com—call 800-323-2325 to learn more.Explore hereZEISS Introduces Horizon Anamorphic: Full-Frame 2x Anamorphics with a New Lens Technology PlatformZEISS unveils the Horizon Anamorphic series, a new lineup of full-frame 2x anamorphic cinema lenses designed to deliver a distinctive cinematic look along with a new lens technology platform that answers the need for speed and precision demanded by contemporary production workflows.Spanning 35mm to 200mm across seven focal lengths, Horizon lenses combine their anamorphic look—incorporating a pronounced oval bokeh and stretched sense of spatial depth—with a lightweight, fully integrated motorized system that eliminates the need for external focus or iris motors. Read more herePodcast Rewind:July 2026 - Ep. 147.Partner with The Making Of:Reach 275,000+ film industry, broadcast pros, and content creators reading this weekly newsletter. To explore advertising, please email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

ai disney partner lion premiere ip crafting horizon spanning jon favreau vfx cinematographers darlington aja after effects davinci resolve srt nvme ndi cinema 4d national geographic documentary

226: Tumbleweed, Tablet Trouble, and the Browser Grudge Match | Linux Out Loud 128

DLN Xtend

Play Episode Listen Later Aug 22, 2026 51:58

It's back-to-school season on Linux Out Loud! Wendy gives Ultramarine Linux high marks after moving camp laptops over from Zorin and getting DaVinci Resolve working with Nvidia, while Nate explains his hybrid-atomic openSUSE Tumbleweed update workflow and continues his one-sided feud with Microsoft Edge. Bill returns from the Pacific Northwest, starts a new professional chapter, and explores FleetDM as an open-source way to manage a growing herd of devices. Show Links: Wendy Ultramarine Linux https://ultramarine-linux.org/ DaVinciBox — run DaVinci Resolve in a container https://github.com/zelikos/davincibox Helium Browser https://helium.computer/ Apache Guacamole https://guacamole.apache.org/ RustDesk https://rustdesk.com/ Nate Hybrid Atomic Updates with openSUSE Tumbleweed https://cubiclenate.com/2026/07/24/hybrid-atomic-updates-with-opensuse-tumbleweed/ Simplifying Admin Tasks in openSUSE with the Wheel Group https://cubiclenate.com/2025/02/04/simplifying-admin-tasks-in-opensuse-with-the-wheel-group/ Bill FleetDM — open-source device management https://fleetdm.com/ Chapters: 00:00 Back to School, Back to Linux 00:43 Ultramarine Makes the Grade 01:51 DaVinci Resolve Needs a Permission Slip 06:39 The Camp Laptop Distro Swap 07:03 Nate vs. Edge: The Browser Grudge Match 16:24 Tumbleweed Updates Without the Homework 24:19 Bill's New Chapter and Northwest Escape 28:17 FleetDM: Open-Source Device Wrangling 33:27 Remote Desktop Without the Desk 38:22 Apple Tablets: Colorful Language Required 39:32 Don't Turn Your Hobby Into Homework 50:51 Recess Is Over: The Outro Connect with the Hosts on Discord: Matt – @Dark1ltg Wendy – @Wendy.sh Nate – CubicleNate.com @CubicleNate Bill – @ctlinux on Mastodon Neal - @neal@social.gompa.me on Mastodon Special Guest: Bill.

school hosts chapters loud pacific northwest nvidia linux new chapters tablet browsers tumbleweeds microsoft edge snapper grudge match davinci resolve opensuse zorin zorin os open source podcast linux podcast tuxdigital

Every After Effects Alternative Has the Same Blind Spot: Candlesticks

UBC News World

Play Episode Listen Later Aug 19, 2026 5:05

ChartAnimator has documented why Cavalry and DaVinci Resolve leave trading educators building candles by hand: neither tool has a native concept of a candlestick, an ICT order block, or a fair value gap. ChartAnimator makes all three right out of the box. ChartAnimator City: Sheridan Address: 30 North Gould Street Website: https://www.chartanimator.io/

The Offset Podcast EP061: Communities For Post Production

business color discord communities finishing editing offset oem post production davinci resolve

Play Episode Listen Later Aug 17, 2026 43:43

In this episode of The Offset Podcast we're discussing online communities and their value. Way back when, it used to be ‘community' was those you worked with and people in your local/regional geographic area. At the birth of the modern internet, community took on a different form that has progressed greatly over the past 30 or so years. Some of the specifics we explore this episode include:The early days of online communitiesOnline forums and the power of search & moderationThe rise of OEM communities, private training websites and the modern YouTuberEvaluating an online communityIntroducing The Offset Podcast Discord communityAs mentioned in the episode, if you enjoy the topics and discussion of The Offset Podcast you can join in the conversation with our new Discord community Check out offsetpodcast.com for our entire library of episodes. You can also follow us on Instagram & Facebook - just search for The Offset Podcast.Be sure to like and subscribe to the podcast wherever you found it and be sure to check out our growing library of episodes. If you like the podcast it'd mean the world to us if you'd consider supporting the show by buying us a cup of virtual coffee -https://buymeacoffee.com/theoffsetpodcastSee you again in about two weeks for a new episode

2-Minute Bitch Session in 14 Minutes

Play Episode Listen Later Aug 15, 2026 13:31

Pathological optimism meets its cathartic downside. Listen to a 2-minute burst about what sucks in life as I ride my recumbent trike. It's lame & heartfelt. Click here to view the printable newsletter. More readable than a transcript. Click here to view the verbatim transcript Summary Pathological optimism doesn’t mean things don’t suck. Sometimes you just need a 2-minute burst of complaining. I hate leaking misery in dribs and drabs. I let loose about my sax struggles, MS fatigue, too many pills, old-man prostate, and empty nesting. It’s ridiculous, it’s cathartic, and by the end, my annoyances are down a notch. Episode Proem: The Downside of Pathological Optimism Okay. Good morning. I’m riding my trike, and I’m feeling the need for a 2-minute bitch. I don’t know if I’ve talked to you before; I might have, about the 2-minute bitch. See, one downside of being pathologically optimistic is that it doesn’t mean things still don’t suck. So every once in a while, I just must have a 2-minute bitch. I don’t like it to— I don’t like my miserableness, or unhappiness, or whatever it is to, like, leak out in drips and drabs and— you know, I’d rather have a burst. Sourpuss Kick-off: I Suck at Music. I Quit. So, today—last night, I had a rehearsal. Oh my God. A rehearsal with the Latin band, Lechuga Fresca. Oh, man. You know, right now I’m— I was the only horn there, and I’m often the only horn. And I’m a Bari sax player, and I’m never the only horn. So this is a really new experience for me. Well, it’s not so new; it’s been going on for a year, so. But anyway, I’m— oh man, I just— I just don’t hear the music, or I’m not counting the 1, and I’m just, like, I feel like, you know, there’s like 3 percussionists— no, what were there? Today— yesterday— there was just— last night— there was just 2 percussionists, a keyboard player, and that was it. So it was not enough. Clearly not enough. But it’s stuff I’ve been working on. I’ve just been working on it, and I— I just can’t get it. I just don’t hear it. And then I sort of freeze up, and I— ugh, I just hate that. And I feel like I’m remedial, you know? Like, my band mates were— they’re really nice, and they work with me, and— I don’t know. But anyway, I just— I just have this feeling that I’m going to quit. I’m going to quit this band. This is too much. I’m also playing with a Dixieland band and rehearsing once a week. I still play an hour a day. An hour a day. And I’m just not— I don’t know— not getting better fast enough, I guess. Tired of Tired And I’m tired. I just hate being tired all the time. I wake up in the morning, and I’m exhausted. I hate that. I hate being exhausted. And then, yeah, I don’t sleep that well. I usually say, “Oh, good enough.” And it is good enough. I mean, I do what I do. But I want to have more energy. I don’t know. What would I do with more energy? Anyway, I’m just going to be miserable. Let’s see. What else can I be miserable about? I have cramps. I have cramps. Cramps in my calves. Cramps in my back. Cramps in my shoulders. It’s just annoying. It’s like stuff I've got to manage all the time. I don’t want to manage this stuff. I want to be 74 years old and not have pain. Ugh, that sounds ridiculous. Anyway, I’m bitching. Ugh. What else? Well, here I am, riding my trike. I had— oh, my legs really aren’t that strong. I wish they were stronger. And it’s actually my strong right leg that feels weak. I mean, it makes sense. You know? I got MS, but anyway, I’m bitching. And what have I done? Ridden the trike— what, so far? 6 times, maybe, this season. And I don’t feel like I’m getting stronger. I mean, I don’t have to be stronger. I got a lovely ICE trike. It’s a top-of-the-line trike. It’s got great gears. It’s very comfortable to ride. Old White Man with Old White Man Problems Wait a minute. I’m bitching. What else can I bitch about? I wish I wasn’t an old man with prostate issues. How do you like them apples? It’s just annoying. Annoying, annoying, annoying. Oh goodness. What else can I— I’m going to dig deep here. Find something else to bitch about. I don’t have anything else. Ugh. Oh, here. I got another one. I take too many pills. You know? I have to sit there for 20 minutes every Sunday and lay out my pills. What am I doing taking so many pills? Pills for my cholesterol. Pills for my MS. Pills for anemia. Pills for diabetes. Ugh. What have I gotten to? Pills, pills, pills. I might have just run out of steam on that. Let me ride a little longer and see if I can come up with something else to bitch about. Here, I can bitch about having to wait for a red light. How you like that? How you like that, huh? Oh, I didn’t have to wait. Oh well. That was a wasted bitch. Man, it’s a great temperature. Really nice. It’s cloudy, and it’ll probably rain. I could bitch about the rain, even though we need it. I like rain. It’s so much work to be at the top of my game. I want to be at the top of my game all the time. There. There’s another bitch. Man, this is really lame. My lame bitching. All right. I’ll turn it on again if I think of more. Round 2. Losing It All right. I’m a little farther along now, and I have a couple more things to bitch about. One is, I got back on the video because my wife just called to say that some very nice man stopped at the house on his electric bike, bringing my wallet, which I dropped on the bike path here. So, you know, I’m such an idiot. I— I know these pockets suck, and I don’t— I thought I had my wallet in this pocket that has a flap on it, but it’s not really, I guess, a flap that closes. So anyway. There. I’m bitching about being such an idiot, doing stupid things. Empty Nesting I have another thing I thought I had to bitch about. So my—my son, my daughter-in-law, and my grandson moved. They lived upstairs from us for 18 years. We had 18 years with them. And they needed to go. It was enough with the in-laws. But I really miss my son and my grandson. My grandson’s going to college. He’s such a sweetie. And he— he’s gone. And I feel it even more than when my— I guess, when my kids left. I don’t know. Simon, I was glad to see him go. He was just ready to be away from us. He hated me. And then when Ruben left, Mike was still there. When Mike left, that was hard. Really hard. I missed him. I still miss him. He died at 26, God. Anyway. But Leon. I miss Leon. I try to text him almost every day. I’m a pain in the ass, Opa. But he says it’s fine. He likes it. But anyway. There you go. Something else I can feel sorry for myself about. Cycling / Walking Community Pretty nice, isn’t it? Look at this beautiful here. I’m going so slow. It’s a little bit uphill. I think there’s a limit to how strong I can get. There. I got to bitch about that. If I already bitched about that, I don’t like to be repetitive. Anyway. It’s pretty lame. Good morning. (as I pass a cluster of people on the bike path talking). I like seeing people out here. Chatting and exercising. It’s nice being in a community. All right. I’m going to turn it off again. Anyway, I just listened to it. That was it. Reflection: Catharsis. Downgrading Annoyances It was cathartic. It was ridiculous. I hate complaining. Though, when I’m with other people who are gossiping, I gossip. When I’m— when I sour on a relationship or a job, I can be really negative. And when I’m sour or negative for more than a few minutes, I can feel it. All my annoyances escalate a step. It’s my scale. Not 1 to 10, but annoyances. I go from annoying to moderately annoying, to seriously annoying, to catastrophizing, to crippling. So. That was it. A little longer than 2 minutes, but you know, I packed it right in there. Anyway. Thanks for spending this time with me. Later. Please comment and ask questions: at the comment section at the bottom of the show notes on LinkedIn via email YouTube channel DM on Instagram, TikTok to @healthhats Substack Patreon Production Team Kayla Nelson: Web and Social Media Coach, Dissemination, Help Desk Steve Heatherington: Help Desk and podcast production counseling Joey van Leeuwen, Drummer, Composer, and Arranger, provided the music for the intro, outro, proem, and reflection Claude, Perplexity, Auphonic, Descript, Grammarly, DaVinci Resolve, DaVinci AI Art Generator, OpenArt AI Creator Studio Inspired by and Grateful to: Peter Lehman, Jeff Harrington, Shel Schenkler Artificial Intelligence in Podcast Production Health Hats, the Podcast, utilizes AI tools for production tasks such as editing, transcription, and content suggestions. While AI assists with various aspects, including image creation, most AI suggestions are modified. All creative decisions remain my own, with AI sources referenced as usual. Questions are welcome. Creative Commons Licensing CC BY-NC-SA This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator. If you remix, adapt, or build upon the material, you must license the modified material under identical terms. CC BY-NC-SA includes the following elements: BY: credit must be given to the creator. NC: Only noncommercial uses of the work are permitted. SA: Adaptations must be shared under the same terms. Please let me know. dannyhealthhats@gmail.com Material on this site created by others is theirs, and use follows their guidelines. Disclaimer The views and opinions presented in this podcast and publication are solely my responsibility and do not necessarily represent the views of the Patient-Centered Outcomes Research Institute® (PCORI®), its Board of Governors, or Methodology Committee. Danny van Leeuwen (Health Hats)

ep128 - Sony FX5 Poll Results & Delivery Delays + Sony's Bid to Buy Tamron – CineD Focus Check

Play Episode Listen Later Aug 6, 2026 88:35

Sony is warning that FX5 orders have outstripped its own expectations, and at the same time the company has put a non-binding offer on the table to buy Tamron outright. We extensively cover the FX5, and also talk about the FCC pressure on XTRA in the US, a major Nexus G1 update, Christopher Nolan's fully analogue IMAX production of The Odyssey, and a long run of lens, accessory and software releases. This episode is sponsored by Hollyland at (29:29) ► Check out the Pyro S wireless video transmitter: http://cined.co/nImvmn Chapters & Articles Mentioned in This Episode: (00:00) Intro (01:48) Sony warns of possible delivery delays as Sony FX5 orders far exceed expectations https://www.cined.com/sony-warns-of-possible-delivery-delays-as-sony-fx5-orders-far-exceed-expectations/ (09:01) Poll: Sony FX5 – which missing feature do you want most? https://www.cined.com/poll-sony-fx5-which-missing-feature-do-you-want-most/ (20:18) Sony FX5 interview – firmware V2 timing confirmed, anamorphic limitations, and Cinema Line strategy https://www.cined.com/sony-fx5-interview-firmware-v2-timing-confirmed-anamorphic-limitations-and-cinema-line-strategy/ (30:21) Sony proposes to acquire lens maker Tamron – what a takeover could mean for the lens market https://www.cined.com/sony-proposes-to-acquire-lens-maker-tamron-what-a-takeover-could-mean-for-the-lens-market/ (40:03) XTRA Muse 2 Pro pre-orders paused in the US – full refunds issued as FCC scrutiny intensifies https://www.cined.com/xtra-muse-2-pro-pre-orders-paused-in-the-us-full-refunds-issued-as-fcc-scrutiny-intensifies/ (45:48) Nexus G1 update – CINAF autofocus for any lens, U-Mount now standard, production nears final stretch https://www.cined.com/nexus-g1-update-cinaf-autofocus-for-any-lens-u-mount-now-standard-production-nears-final-stretch/ (54:48) How Christopher Nolan shot The Odyssey entirely on IMAX film – inside the new Keighley camera https://www.cined.com/how-christopher-nolan-shot-the-odyssey-entirely-on-imax-film-inside-the-new-keighley-camera/ (01:02:54) Does film have a future? A Kodak factory tour documentary about film, shot on film https://www.cined.com/does-film-have-a-future-a-kodak-factory-tour-documentary-about-film-shot-on-film/ (01:06:27) DaVinci Resolve 21.0.3 released – keyframe ease actions, interlaced fixes, and Sony BURANO X-OCN decode fix https://www.cined.com/davinci-resolve-21-0-3-released-keyframe-ease-actions-interlaced-fixes-and-sony-burano-x-ocn-decode-fix/ (01:07:26) Blackmagic UltraStudio Mini 12G family released – Thunderbolt 4 capture and playback, 12G-SDI fill and key, DaVinci Resolve replay https://www.cined.com/blackmagic-ultrastudio-mini-12g-family-released-thunderbolt-4-capture-and-playback-12g-sdi-fill-and-key-davinci-resolve-replay/ (01:09:11) Cooke SP3 and AP3 lenses now available for Nikon Z mount https://www.cined.com/cooke-sp3-and-ap3-lenses-now-available-for-nikon-z-mount/ (01:10:27) Simmod 4-in-1 ARRI PL lens adapter with interchangeable mount released https://www.cined.com/simmod-4-in-1-arri-pl-lens-adapter-with-interchangeable-mount-released/ (01:13:08) CINELUX REDUXA A1 focal reducer for ARRI ALEXA Classic/XT/SXT teased https://www.cined.com/cinelux-reduxa-a1-focal-reducer-for-arri-alexa-classic-xt-sxt-teased/ (01:15:18) Megadap M2RF Leica M to Canon RF autofocus adapter released https://www.cined.com/megadap-m2rf-leica-m-to-canon-rf-autofocus-adapter-released/ (01:18:19) SmallRig HawkLock cage and accessories for Sony FX5 announced https://www.cined.com/smallrig-hawklock-cage-and-accessories-for-sony-fx5-announced/ (01:19:01) Tilta full camera cage for Sony FX5 announced https://www.cined.com/tilta-full-camera-cage-for-sony-fx5-announced/ (01:20:24) MID49 previews a modular support and power system for the Sony FX5 https://www.cined.com/mid49-previews-a-modular-support-and-power-system-for-the-sony-fx5/ (01:22:10) MID49 Baseline 15mm LW baseplate released for Pixboom Spark https://www.cined.com/mid49-baseline-15mm-lw-baseplate-released-for-pixboom-spark/ (01:23:51) Native Premiere Pro masking and overlapping performances in Resolve – AI masking course update on MZed https://www.cined.com/native-premiere-pro-masking-and-overlapping-performances-in-resolve-ai-masking-course-update-on-mzed/ (01:25:53) The philosophy of shooting with available light https://www.cined.com/the-philosophy-of-shooting-with-available-light/ Email us at podcast@cined.com. New episodes every Thursday.

sony delivery odyssey christopher nolan delays fcc imax kodak thunderbolt v2 xtra poll results lw davinci resolve keighley tamron nikon z canon rf u mount ap3

I Love This So Much I Have to Do Less of It

Play Episode Listen Later Aug 5, 2026 5:01

Less, more frequently. Keeping my glorious subscribers up to date on some changes. Click here to view the printable newsletter. More readable than a transcript. Summary 600 blog posts and 250 podcast episodes in. I’m making a change. Production runs 50-60 hours per episode — unsustainable, even though I love every minute. In this trike-ride solo episode, I share what’s pulling my time: co-founding Trust My Own Health (a new startup, weekly one-screen newsletter ), co-leading an endometriosis series with Phee, and playing more baritone sax. The plan going forward: shorter, more frequent Health Hats episodes — 15-minute check-ins instead of long-form deep dives. Recorded live on a trike at 6:30 am, because that’s how I do things. Episode Okay, hello. How you doing? I’m back on my trike. It’s like 65, supposed to be 90 today. Maybe it’s 6:30 in the morning. I’m wearing a long-sleeve shirt just ’cause it’s a little cool, but not too bad. Anyway, good to be out here with you. So let’s see, what am I thinking about? I’m thinking I’m gonna make a change to my podcast. I thought I would take a moment with my most avid longtime followers. Thank you very much. ‘Cause I’ve been overwhelmed by my long-form podcasting. It’s taking 50 to 60 hours to do an episode. It’s just ridiculous. Actually, I enjoy every minute, but it’s too many minutes. And so let me tell you why it’s too many minutes and what my plan is going forward. I’m co-founding a startup, Trust My Own Health. And I will include a link to that ’cause I would love for you all to learn about it and subscribe to yet another Danny thing, a weekly one-screen newsletter. But anyway, this is taking a lot of my time, and I’m really enjoying it. I feel like it’s actually a culmination of my whole career, my whole life in healthcare, and I really wanna put the time in it. We’re in the raising money stage. And I’m actually, for the first time, feeling like we can do this and we’re getting ready to do this, and I wanna put in the time. But I don’t wanna stop doing Health Hats, the podcast, ’cause I love it. So I’m thinking about doing more frequent, like 15-minute things like this, just talking to you about life and health and what’s going on. And then meanwhile, What’s also happening is that I’ve been working with Phee, who is a person. with some very serious endometriosis. And over the past couple of years, my awareness of endometriosis has grown. Phee uses the pronouns they and him. So Phee wants to tell their story, and it’s a great story. I suggested that they co-lead the series about it. We’ve met a few times on Zoom, and we’re in the process of inviting a couple of guests. I see this as a series that will come out when it comes out. But I think I’m gonna– I think we are gonna put it out in half-hour bursts, just to go with the getting used to shorter, more frequent bursts. And actually, I’m spending a lot more time playing music, which I love. So again, it’s squeezing the podcast time, hence the change. I’m delighted to hear what you think of that, and you all have been with me through thick and thin for a lot of years. So this is probably the 600th episode since I started the blog, and we’re at 250 for the podcast. So there you have it. We’ll see you later Please comment and ask questions: at the comment section at the bottom of the show notes on LinkedIn via email YouTube channel DM on Instagram, TikTok to @healthhats Substack Patreon Production Team Kayla Nelson: Web and Social Media Coach, Dissemination, Help Desk Leon van Leeuwen: editing and site management Oscar van Leeuwen: video editing Julia Higgins: Digital marketing therapy Steve Heatherington: Help Desk and podcast production counseling Joey van Leeuwen, Drummer, Composer, and Arranger, provided the music for the intro, outro, proem, and reflection Claude, Perplexity, Auphonic, Descript, Grammarly, DaVinci Resolve, DaVinci AI Art Generator, OpenArt AI Creator Studio Inspired by and Grateful to: Steve Heatherington, Tania Marien, Heidi Frei, Jane Beddall, Matt Neil, Phee Marcial Artificial Intelligence in Podcast Production Health Hats, the Podcast, utilizes AI tools for production tasks such as editing, transcription, and content suggestions. While AI assists with various aspects, including image creation, most AI suggestions are modified. All creative decisions remain my own, with AI sources referenced as usual. Questions are welcome. Creative Commons Licensing CC BY-NC-SA This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator. If you remix, adapt, or build upon the material, you must license the modified material under identical terms. CC BY-NC-SA includes the following elements: BY: credit must be given to the creator. NC: Only noncommercial uses of the work are permitted. SA: Adaptations must be shared under the same terms. Please let me know. dannyhealthhats@gmail.com Material on this site created by others is theirs, and use follows their guidelines. Disclaimer The views and opinions presented in this podcast and publication are solely my responsibility and do not necessarily represent the views of the Patient-Centered Outcomes Research Institute® (PCORI®), its Board of Governors, or Methodology Committee. Danny van Leeuwen (Health Hats)

The Offset Podcast EP060: Listener Question - Breaking Into The Industry

business color finishing editing listener questions offset mehdi post production davinci resolve

Play Episode Listen Later Aug 2, 2026 53:59

It's our 60th episode! Thanks to our amazing audience for keeping the show going over the past 3 years. Huge thanks to our sponsors @flanderscientific, @conform.tools. Thanks to our editor Stella that cut so many of these episodes. We have 100 episodes in our sights. Thank you - Robbie & Joey———In this installment of The Offset Podcast we're addressing a message we got on Instagram from 16-Year old budding colorist Mehdi who asks:‘(I) would love to know if you guys could talk more about getting into the color industry, breaking through, any advice for young colorists trying to make it'First, congrats Mehdi for being so motivated at such a young age - and thanks listening to the show. We've covered this topic in various ways over the years, but in this episode we thought we'd take a look at some of the personal characteristics and attitudes that working in post requires. Specific topics covered include:Overview of desirable personal characteristicsBeing a sponge, self-motivated, and a team playerOwnership & not making excusesKnowledge & demonstration of learningAttitude & professionalism And more!Check out offsetpodcast.com for our entire library of episodes. You can also follow us on Instagram & Facebook - just search for The Offset Podcast.Be sure to like and subscribe to the podcast wherever you found it and be sure to check out our growing library of episodes. If you like the podcast it'd mean the world to us if you'd consider supporting the show by buying us a cup of virtual coffee -https://buymeacoffee.com/theoffsetpodcastSee you again in about two weeks for a new episode

Krotos CEO Orfeas Boteas Addresses Community Backlash: Why Video to Sound Released for Adobe, Not DAWs, Misleading Marketing, Social Media Backlash & How the Company Plans to Support Audio Professionals in 2026

Production Expert Podcast

Play Episode Listen Later Jul 22, 2026 20:28

In this Production Expert Podcast Special Edition, Mike Thornton, co-founder of Production Expert invites Orfeas Boteas, founder and CEO of Krotos, and Matthew Collins, head of product, to address significant community concerns following the release of Video to Sound integration for Adobe Premiere Pro and DaVinci Resolve.This candid conversation tackles difficult questions about the company's strategic direction, the role of AI in sound design, misleading social media practices, and Krotos' commitment to the professional audio community. Orfeas and Matthew respond directly to concerns from industry professionals and clarify misconceptions about generative AI, product positioning, and future roadmap.In This Episode:Why Video to Sound Released for Adobe Premiere Before DAWs — Technical constraints preventing DAW video track access, with integrations coming later in 2024Addressing 'Abandonment' Concerns from Audio Professionals — Krotos is expanding markets, not abandoning professionalsThe Core Mission: Making Sound Important Earlier — Bringing sound into creative workflows as an equal partner rather than afterthoughtAI is Not Generative: The Truth About Krotos Technology — All sounds are professionally recorded; AI is assistive, not generativeAI as Automation, Not Replacement — Automating tedious tasks like auditioning thousands of sounds, not replacing human creativityEvolution from Specialised Tools to Krotos Studio Platform — Journey from Dehumanizer, Reformer, Weaponizer to unified Krotos StudioMisconceptions About Social Media Posts and Credits — Addressing posts implying Krotos involvement in Jurassic World, House of the Dragon, and Nolan filmsSound Redesign vs. Official Production Credits — Distinguishing creative sound redesign exercises from official product involvement claimsSocial Media Clarity and Labelling Issues — Acknowledging unclear messaging in fast-scrolling social feeds, committing to better labellingIndustry-Wide Social Media Challenges — Platforms encouraging content reuse without explicit permission creates attribution confusionMarketplace and Collaboration Possibilities — Vision for professionals to contribute assets and create ecosystem marketplaceIndustry Change with New Technology — Technological disruption requires community to work as united front, not adversariallyCommunication Missteps on Product Roadmap — Acknowledgement of moving too quickly without explaining technical constraints and timeline to communityAbout Our Guests:Orfeas Boteas:Founder and CEO of Krotos, leading sound design software company. Founded Krotos with a passion for sound, guiding the company through evolution from specialised tools to the broader Krotos Studio platform. Deeply committed to understanding and supporting the audio production community.Matthew Collins:Head of product at Krotos, responsible for product development and strategy. Works with both the professional audio community and content creators to develop streamlined sound design tools. Actively communicates technical roadmap and product philosophy to industry stakeholders.About Our Host:Mike Thornton has been involved in the broadcast audio industry for all his working life, some 45 years. Mike has worked with Pro Tools since the mid-1990s, recording, editing, and mixing documentaries, comedy, and drama for both radio and TV, as well as doing the occasional music project. He was the co-founder of Pro Tools Expert and has now retired, taking up the role of Chairman of Production Expert Ltd., bridging innovative companies and the professional audio industry.

tv ceo community ai house sound video dragon concerns released automation professionals backlash adobe deeply jurassic world addresses abandonment misleading reformer daw pro tools davinci resolve daws generativeai adobe premiere pro marketing social media matthew collins mike thornton pro tools expert

ChartAnimator Turns ICT Order Blocks and Fair Value Gaps Into Animations

UBC News World

Play Episode Listen Later Jul 22, 2026 5:04

Trading educators can now animate ICT and Smart Money Concepts setups, including order blocks, fair value gaps, and liquidity sweeps, using built-in tools that speak trading vocabulary, removing the need to rebuild candlesticks by hand in Adobe After Effects or DaVinci Resolve. ChartAnimator City: Sheridan Address: 30 North Gould Street Website: https://www.chartanimator.io/

trading blocks gaps ict animations davinci resolve fair value adobe after effects

296 Pages of Data, Zero Bites of Information

The DevOps Kitchen Talks's Podcast

Play Episode Listen Later Jul 19, 2026

As a nurse with MS, I’m interviewed about AI’s real role in care: pattern recognition, human-in-the-loop skepticism, and the Three T’s and Two C’s framework. Click here to view the printable newsletter. More readable than a transcript. Click here for a verbatim transcript Summary I sit in the guest chair on Practical AI in Healthcare with Steve Labkoff. I walk through my experience feeding my own symptom logs, lab results, and ten years of clinician notes into an AI LLM: a physical therapy referral I needed and hadn’t scheduled, a medication side effect my neurologist later confirmed, and a rating scale buried in my chart that no one had surfaced. I describe the less impressive side: the four-pound box of unsorted paper my primary care practice mailed me and the 296 pages of unsearchable PDFs I got back from another system in fifteen minutes. Along the way, I lay out my framework for judging any digital health tool, the Three T’s and Two C’s: time, trust, talk, control, and connection, and explain why I insist on keeping humans in the loop even though the research on that is more complicated than people assume. This isn’t a pitch for AI in healthcare. It’s a working nurse and patient’s honest field report. What’s your experience been feeding your own health data into an AI LLM? Tell us in the comments. Episode Transcript Proem I usually ask the questions. This time I'm the guest. I met Drs. Steve Labkoff and Leon Rozenblit a couple of years ago at a DCI Network conference. They host Practical AI in Healthcare, a show I've listened to steadily, though it creates more tension for me than any other podcast I keep coming back to. Usually, I jettison podcasts that do that. I stay with this one because I approach AI in healthcare the way I approach best health; I'm an N of one and resist generalizing, while most guests do a fair amount of it. I bristle at most of them, wanting the shades of gray that reflect deep understanding. In four of 33 episodes, the guest has had lived experience: ePatient Dave DeBronkart, Amy Price, Hugo Campos, and me. I invited Steve and Leon to join my virtual Reckoning group, which I've hosted since 2019. We give podcasters warm critiques of selected episodes: the kind of feedback you give when you've made a hundred mistakes yourself, can spot them quickly in someone else's cut, and have endless thoughts about production, audience, dissemination, and life. They took the critique well. When Steve later asked me to come on his show to talk about how I use AI, not the theory but the daily grind, I readily agreed. They let me publish it here unchanged, apart from this Proem and Reflection. I struggled to prepare for this conversation. I wanted to wear all my hats, but had to narrow my focus to two. I chose my lived experience and nurse hats. Underneath it all was the question I keep circling back to. Not a cure. Best health, the most function, and Hello, and welcome to this week’s edition of Practical AI in Healthcare. My name is Dr. Steven Lapcoff, and this week I’m actually on my own because my partner, Dr. Leon Rosenblatt, is actually on spring break with his kids, so I am covering for him and he’ll be back in the next week. This week we have a guest who we met at a conference in Boston a few months ago at the Beth Israel at the DCI network. Steven Labkoff: We have Danny van Leeuwen. Danny is a nurse. He has background in giving actual physical care to patients. He actually runs his own podcast called Health Hats, the Podcast, and he’s been using AI in both his personal life and in his professional life very extensively. Also, Danny has a significant medical condition, and I’ll let him explain that in the course of the discussion because it’s with that lens that we got introduced at our patient-centric AI conference, and that’s why we thought it’d be a good idea to have Danny come and have a chat with us. So welcome to the podcast, Danny. How are you today? Health Hats: I’m good. Thank you. Thanks for having me. I appreciate it. Steven Labkoff: So Danny, as you probably have heard because you’ve helped us with our podcast, and for that I want to say thank you. For those who are listening in, Danny runs actually a group that actually helps folks running podcasts improve their podcasts, and he’s had Leon and I on many times to listen to critiques and feedback, and it’s been very, very helpful. Danny, we often start our podcast with asking for folks’ origin stories, like how did they get their cape and their superhero tights. What did you do to get you to this point in your life? And just tell us the background of what brought you here. Health Hats: Oh, thanks. So I’m a child of Holocaust survivors, and my parents– when I was young, my parents were active in the civil rights and fair housing movement in the ’60s. And when I was 16 and I was thinking about the war in Vietnam and worried about getting drafted, I wanted to learn what I could learn about the draft and how I could protect myself and manage. And I went to a church in downtown Detroit, and I went for a session of draft counseling as, you know, a little precocious at 16, and I found it fascinating, and they found me fascinating, and they encouraged me to become a draft counselor. And so I, uh, I actually took their course and became a draft counselor, and what I learned is that you change systems from the inside, not the outside. And I learned how the sausage was made, and that, uh, really pointed me in a direction. The way I got into nursing is really because I didn’t want to cut my hair I had an opportunity for a job at one point, and I could have read water meters or become an aide at the Detroit Psychiatric Institute. And reading water meters paid more, but I didn’t wanna cut my hair, so I got the job as, as nurse’s aide. And while I was there, they introduced me to the idea of going to nursing school, which was amazing. Steven Labkoff: It was more– You got paid more to read meters, water meters, than you did- Health Hats: Yes. Steven Labkoff: That’s unbelievable. Life gives you some real interesting turns and twists, doesn’t it? Health Hats: It does. And I was really fortunate because my first jobs in nursing were in physical rehabilitation and home care. I just happened to be in a place where the Holyoke Visiting Nurses was dying to hire a guy, and I was a brand-new nurse, and they ended up hiring me. And so my first introduction to nursing was not in acute care. It was in home care, and actually, I was the first male public health nurse in Western Massachusetts in 1976. And really, what I learned there was that most healthcare does not occur in the medical system. It occurs outside the medical system. And so when I ended up getting into medical care, it was always so interesting to me that everybody there thought this is where, you know, health happened, which it doesn’t. So over the 20 years of working as a nurse, I’ve worked in, other than the rehab and home care, I’ve worked in the emergency department, I’ve worked in ICU, I worked in pediatrics, behavioral health. And after about 15, 20 years, I shifted from becoming a student of individual health to a student o- of organizational health. And what I mean by that is I got into performance improvement. I led a couple of electronic health record implementations. I had a couple of gigs in the C-suite. I did some consulting. Now, in 2009, I was diagnosed with multiple sclerosis, and when I was diagnosed, I learned that I had had it for 25 years. And since my father died young, he died at 45 when I was 19 of his second heart attack, and so every time I would have some kind of episode, I would get a cardiac workup. And by the time the cardiac workup was done, you know, the episode was over, and this went on two, three, four times a year for a long time. And there was a pattern there, and nobody was connecting the dots for 25 years. That’s very important to me because the pattern of what was going on was in my records for 25 years, but nobody had synthesized it. Steven Labkoff: Yeah, they may have been biased, right? Because of your family history and having these episodes, you know, as a clinician, you get very biased by family history, and that can actually lead you down roads which may not be correct, and it sounds like that’s precisely what happened with you. Health Hats: So I’ve– I wanna bring in the caregiver role because I have been a caregiver for my grandmother, my mother, and a son in their end-of-life journeys. So I’ve been on many sides of very difficult decisions. As you said, that my shtick is health hats, and I’m health hats because I’m a patient, I’m a caregiver, I’m a nurse, I’m an advocate, I’m an informaticist, I’m a podcast host. I wear a lot of hats. And wearing many hats has gotten me a seat at many tables because they can check off boxes. When it was really different to be bringing patients o-on board, I was an easy choice. Uh, I was at the table for technical expert panels at CMS, at National Academy of Medicine, at AHRQ, National Quality Forum, PCORI, Patient-Centered Outcomes Research Institute. But really, I wasn’t really there in it for the seat itself. My goal was always to open seats for people who weren’t there yet Now let’s build the bridge, since this is a podcast about AI, let’s build that little bit of that bridge. So my first, like, serious experience with– Well, I don’t know about my first. I was involved in something that you probably are familiar with, which was the Blue Button Plus program, and my goal in that, I was there both as a patient and as somebody who was working with people with disabilities. I, I was VP of quality for an organization that supported about 40,000 people with disabilities. And my goal for that couple of years of weekly or every other week, I can’t remember, calls was, uh, to add a f- a caregiver field to the data set, and to also introduce the idea that what people needed was information that would be able to say what works for me when I’m in pain and what works for me when I’m afraid, which was an issue for me, and it was an issue for the organization that I was working with at the time. Now, I have to say that the caregiver field got added, so I felt some success in that. But as a nurse leader in the informatics group I was part of, really they were only interested in putting a name in the field, not doing anything with that information, which I- Just collecting, so just collecting the data. Steven Labkoff: They didn’t care what the data was used for? Is that what you’re saying? Health Hats: Correct. Yeah. And I couldn’t– got no traction on the pain and fear, which now that I’m older, I understand why, how difficult that is. Nevertheless, it’s something that’s important to patients and caregivers. So I think I would close this section with that I am both an early adopter of technology and a rapid skeptic, that I’m kinda making this number up, but I’ve probably tried over 100 health apps, and I would say that I’ve used five more than three times. And so I think there’s a gap between what’s promised with digital technology and what’s useful for people. So that’s really why I’m here and what’s guiding for me in this. Steven Labkoff: So let’s take it to the next step. In our prequel, I didn’t even know about your personal background to that degree. Mm-hmm. We can take that one offline later about the Holocaust survivor issues. We, we have family, I have family in that same situation, frankly. Let’s change gears and talk about the challenges that you’ve seen. You opened the door a little bit on that a few minutes ago- Yeah … in terms of people wanting to collect data but not necessarily doing much with the data, not being able to understand the true value of the data to some degree. And you said it yourself, people weren’t connecting the dots. Medical records have always been complicated. They’ve always been bulky. They’ve always been full of information, some of which is really relevant, a lot of which is not so relevant, and connecting the dots to making that a, uh, an important information source is not always an obvious task. So what, what was the particular angle on that challenge that you were trying to gun at? Health Hats: Well, I think we have to take a step back- and think about what is– Well, I’m just gonna speak for myself, okay? I know that I often, you know, as I said, I get asked to sit at the table because people can, you know, check boxes, like is that I’m a patient. I wanna be clear that I’m a privileged white old man with MS living in Boston, but I’m an N of one, and I don’t represent other patients. I’m representing myself here and my perspectives. My goal in terms of my health is best health, and what I mean by best health is optimal health and function, physical, mental, spiritual. Not a cure, but best health for where I am, what I have right now. And to get there, I need my own health data, not just what’s in my clinician’s chart, but what I know about myself, my circumstances, my environment, my history, my habits. Not just my medical history, my life history, my treatment responses. And so that’s like patient-reported data, and that’s stuff that’s only exists because I observe it and sometimes I record it And that’s where it falls apart right away. You were just alluding to some of it, that there’s all this medical data and what’s useful about that. I think Dave DeBronkart was a guest on your show. And when he launched his Gimme My Damn Data campaign, I responded to him with, “Watch what you wish for. You’ll be trying to drink dirty water from a fire hose.” And, and that was years ago, and it’s still true. So six months ago, I, I’d been on a mission to gather my medical data, and my– I’d been with my, uh, primary care practice since 2011, and I wanted all that data from 2011 to 2025. This was, like, in December I started on this crusade of trying to get my data. And actually, two months later, I got a box, a four-pound box of paper, and it was paper that was not in chronological order. And it’s just sitting right here. I’ve scanned it in. It’s not, um- Was it in– Steven Labkoff: Was it a printout of Epic or something, or was it actual- Health Hats: It’s a computer printout. It seems like it’s a vendor that they use to- Steven Labkoff: It wasn’t digital. They sent you, literally sent you a box of paper. Health Hats: Yeah, it was a box of paper. Oh. And then I use a lot the, the Beth Israel Lahey Mount Auburn system, and I asked for the last three months of my records, and I got 296 pages of redundant, non-searchable PDFs, and I got that in 15 minutes. Uh, I see a lot of doctors, so maybe I had seen Hmm. I think I had maybe eight or nine visits, and it just happened to be a three-month period that was busy for me, but I got s- 296 pages. And so that really adds to your comment, which is that access to data and access to usable data are really different. Steven Labkoff: Oh, absolutely. And yeah, I’ll tell you, in my world, I think you know that I’ve worked in the life sciences for many, many years, and we are consumers of healthcare data on many levels. We consume medical claims, we consume electronic medical records, and one of the hardest things about using medical records for research or for outcome studies and things like that is the very fact you’re describing, which is the data tends to be sparse, it tends to be poorly organized. It doesn’t always come in an encoded fashion. Thank God most of what we get these days is at least digital. No boxes of paper for us these days, but it wasn’t so long ago that when it was all paper, we couldn’t get that data in the first place. It just wasn’t even gettable. So at least you’ve made some progress. And- Yeah … yeah, I know that you sit on some national level boards, uh, around outcomes, and you can talk about that in a moment. But those are, you know, those boards are trying very hard to come up with outcome studies and ways of– Let me back that up. They’re coming up with ways of using data to perform outcome studies by harmonizing and, and distilling down to usable forms of this EHR data, which is so challenging. Health Hats: I think what’s key, I– like I, I think I w- I’d like to focus on my data. And so what I wanna do is I wanna see patterns. I wanna see patterns that takes my circumstances, my environment, my habits, my treatment over time, and because I think that these patterns are how I formulate the right questions, so the right questions before I go into a clinical encounter. They’re how I track when something is actually working, and it helps me to coordinate across care teams that don’t talk to each other and make decisions that I can live with that help me attain this goal of best health. So that’s the job, formulate better questions, g- seek better answers, make better decisions. And AI is the tool that I try to use to do it. Now, whether it’s up to the task or not is different. I wanna stick in the nursing angle, if you don’t mind- You know, one of the things that I learned the way I got started in nursing is that my goal as a nurse was to put myself out of a job. Steven Labkoff: So that sounds counterintuitive, but what I mean is from minute one with a patient and family, I’m planning my exit. Like, and to do that, I need maximum face time. I need real present, real conversation, real relationships, not less charting. I was gonna say not charting, not documentation, so that’s just ridiculous. Health Hats: But less, you know. The way you do that, I think, is, you know, less charting, less documentation, you know, not hunting through information you can’t find. And that’s where nursing, that’s a genuine promise. So pattern recognition across specific cohorts of patients. So as a nurse, even though I worked a lot of different places, in each place I worked, there was commonalities. In– When I lived in West Virginia and I was an ER nurse in a super rural hospital, if I had had more information about my patients, their families, I could get– an AI could help me surface those patterns that exist for the people that I’m taking care of, I think I could get time back as a nurse. And if the nurse gets time back, then the patient and family gets the presence of the clinician. So that’s the trade that I’m interested in I wanna go back to that thing about pain and fear. I wanna add what I’ve learned working on the blue button, plus I wanna add cognition. So when you think about it, the data almost never captures the variability of pain, fear, and cognition, and those things are really important because pain changes what you can do and what you can decide. Fear closes your heart. It closes your mind. And so when you’re scared in a clinical encounter, you’re not making good decisions. You’re just saying yes to end it. And cognition is, you know, it varies. Like I can absorb better at 10 in the morning on a good day compared to 3:00 in the afternoon when I’m spent. You know, you could extrapolate this to other people. They have their own particular patterns and circumstances. But I think What I’m trying to get at in all of this is it isn’t first about the data, it’s first about what about life and what about the things that are important to people, uh, patients, caregivers, and the clinicians that they partner with, and how can AI help them? Steven Labkoff: So you’ve explained to me in the pre-call that you’re doing some of this work, so maybe you can unpack a little bit about what it is you’re actually doing with it and how it’s helping or, in some cases, not helping those efforts. Health Hats: Well, what have I done? I, I’ve done different things. One of the things that, that I’ve done is to try to build my toolkit. You know? So when I say build my toolkit, I’m a, I’m a, a conglomeration of symptoms. I mean, you know, I’m, I’m not MS, I’m not my symptoms, but they’re big and they’re there, and I feel like I’m trying to, I’m trying to figure out for anything that I have to deal with, whether it’s any of the different kinds of pains I have, my, my anxiety, my bladder, you know, my mobility, I have challenges, and I, I need a toolbox. I need a toolbox, and the way I think is I need at least three things that will work so that when they happen, I got something I can go do, and pretty much the most common thing is drink water. Drink water is by far the most successful intervention across all of my symptoms. It’s kind of amazing. It’s so cheap, so easy. It isn’t the drugs. Okay, but so how do I do that? Well, for me, I’ve done that partially just in my head. Partially I’ve done that by keeping lists. Like, I keep track of the steps I take. I keep track of the amount of time I play music. I keep track of my falls. I keep track of my weight. And so I use digital tools to do that when I can. Steven Labkoff: I also record my clinician visits because- When you say record, do you mean like audio record or dig- Health Hats: Yeah. Yeah, audio record, right. And, uh, until recently I used Abridge, which is a company that, um- Steven Labkoff: How did you get to use Abridge? You– I thought Abridge was only selling basically into doctor’s offices, uh, from the clinician side. Do you- Health Hats: So I was before that. Ah. And they started as a patient-facing product, and actually they sponsored my podcast for three years. So I was pre that. So putting all that together, so I play with, you know, trying to put into Claude There’s nothing magic or special. You know, it’s me playing, just trying stuff. You know, some of it, you know, my wife will say, “Hey,” she sees a pattern. My kids will see a pattern, or I’ll- Steven Labkoff: Give, give, give us an example of what, of what this looks like. I mean, you’re saying you’re giving Claude or another LLM- Yeah … a series of symptoms, or you’re giving it a series of, plus your data. Like, unpack it and let us know. Yeah. What have you did- Okay, so what- … with the system, and how is it working for you? Health Hats: I’ve done a couple of different things. One is, you know, I have a spreadsheet, and I just put the spreadsheet in, you know, as a document or whatever you call it when you have a project and, you know, you load. I load my spreadsheet. I keep a annual summary, and I keep the year that I’m working on. And I will have fits of journaling. You know, I, this is not something that I am, like, super consistent on, but I’ll, especially when I’m struggling with something, if I’m struggling with my blood pressure or I’m struggling with my mood. I have a progressive mobility thing going on, and I’ll put that in and I’ll prompt. I’ll say, “Can you– do you see a pattern in this?” You know, and I’ve gotten, you know, that there’s- Steven Labkoff: Has it given you some insights? Is it… Like, give me an example of some of the insights it’s actually given you that you didn’t see yourself. Health Hats: Well, I’ve gotten, like, uh, it’s kind of humorous. But, but I’ve gotten, like, you know, “Have you thought about seeing a physical therapist?” And I, I have. You know, I have a physical therapist, uh, that I don’t go to very often. You know, my relationship with her is I go for a tune-up. But they’ll– I, I want– It’ll show, like, I’ll do my sort of things are clearly, you know, I’m not walking as far, I’ve fell on a few times, you know, and I’ll get this suggestion, you know. I also– What else have I done? Oh, oh, uh, once I had a medication that I was taking for neuropathy, and I was– my mood had, like, changed considerably and, you know, I got a thing on that might be a side effect. You know, “Have you talked to your doctor about this?” Steven Labkoff: And I- And you got that out of the LLM? You fed that to the LLM? Health Hats: I did. Yeah. Steven Labkoff: And it suggested it was a side effect, which you didn’t figure out. Health Hats: I didn’t. A neurologist said that he thought– He said, “It sounds like you have an allergy to it.” And, you know, he wanted it to be listed as an allergy because he thought it was very possible that he’s had people that have had a problem. Steven Labkoff: When you tell me that you’ve loaded your data, you give the LLM your signs, your symptoms, you give it your labs, you give it what’s in, in the system, and it comes up with a recommendation that you hadn’t thought– Now, you’re a clinician. You’re a nurse. Yeah. You’ve been a nurse for many, many decades. Health Hats: 50 years. Steven Labkoff: 50 years. And does it surprise you that it comes up with stuff that you didn’t see? Health Hats: No. Steven Labkoff: Cause I, to be honest with you- I- … if I, if I did what you just said and it came up with something completely radical that I’d never thought of and it was right- I would be scratching my head and thinking, “Okay, that’s in- that’s beyond interesting. I better pay more attention to this, and maybe I wanna use it differently.” Because not, it’s not just yous using it. Like, people around everywhere are starting to use it for the same, in the same sim- in the same exact way. So that’s the simplification of the medical system, right? Health Hats: It does. I mean, like when I tell my neurologist, he laughs, and he’s like a whatever works kinda guy, you know? That he feels like he doesn’t have all the answers, and that he likes- those stories. I feel like I’ve learned, I think you know Amy Price, right? Steven Labkoff: Yeah, very well. Health Hats: Yeah. We’re buddies. And so one of the things that I’ve learned from her is how to query and how to be skeptical and how to ask questions from different angles, from different perspectives so that you– And that’s why I think that’s where the unexpected comes up. Steven Labkoff: Well, you’re describing something that we did at the conference. I don’t know if you were in the room in the working group that we did this on, but you’re describing, and actually we’re submitting a paper on it very shortly, on AI literacy. Yeah. And you, you didn’t label it as such, but you’re describing yourself as being AI literate and understanding how to use the tools, most importantly, how to be skeptical of the answers, how to interpret the information that’s being presented to you. Health Hats: A- and that, those are all components of literacy, of AI literacy specifically. One of the things I’m finding in my world is that painfully few people are indeed AI literate. Even the folks in IT departments in large life science companies or hospitals who even work in the space and think that they’re good at it and are literate sometimes are not. That has other implications, which are if people are taking on these really impressively powerful tools and they don’t quite know how to use them as well as they should, and if they query them incorrectly, to your point earlier about making good queries, the responses that come out may or may not be the point. And if patients use that information inappropriately because they didn’t know how to ask the right questions to start with, that could have deep implications to the healthcare system. You could say that same thing about doctors. Steven Labkoff: I will say it about doctors. I mean, not about AI, about the advice that doctors give. Health Hats: There’s a, a tremendous variation, and it is very different. When I am feeling good enough to be organized and to be directive in the conversation with a clinician, I get a very different output than when I’m not. And I still have to be skeptical of what doctors tell me, and until I build some trust. And, and then I, you know, then there’s just too many decisions to make when you’re a person with chronic illness. It’s like putting in a kitchen. There’s so many decisions to make, and I’m happy for the doctors that I trust to make the decisions for me. But there are certain decisions I don’t want to give to the doctor or to AI, like I don’t wanna mess with my pathological optimism. I wanna progress as slowly as possible, and I wanna keep playing my horn. These are really important things to me, and I don’t give those decisions that affect that, I don’t give up. But all the rest of it I do, and, and I’ve worked really hard to build the team that I have that appreciates me and my strangeness and my assertiveness, and, you know, they’re not threatened by it. Steven Labkoff: Is your team AI literate? Do they also use the, these same tools in your care? Health Hats: Uh, like I don’t know. I mean, AI literate is like, is huge. You know? I mean, that’s just such a big thing. Do they use AI? Yes. Do I know how they use AI? Well, you know, they use what’s attached to Epic. I know that. Uh, I mean, look, my neurologist, who I just love, he thinks like he uses, he uses the portal well because he takes– he just keeps adding things to the end of the, a note. Yeah. And so he feels like… Well, I don’t find his notes at all useful, and I tell him that. I tell him, “What I really wanna know is, how am I doing? Am I getting better? Am I getting worse? Am I stable? What should I be paying attention to in the next six months till I see you again?” And I can’t find that in his note. That’s true. Yeah. Now, on the other hand, I’ve taken his note and asked Claude and say, “Here’s the note. How am I doing? You know, have I progressed? H-how is he measuring it?” Oh, well, then I find he’s using this scale, right? And it’ll come up with looking through this note, which is like 10 years running, and it’ll find, I can’t remember the name of it, but there’s a scale that he uses. And then we go back and I’ll say to him, “Oh, you’re using this scale.” And he goes, “Yeah.” And I say, “Well, why don’t you like put that at the top of your note?” You know, so that I can find it. You know, so we have that kind of conversation- Yeah … that AI has helped. Steven Labkoff: Well, that’s actually an interesting perspective that AI is helping to reorganize things, ’cause one of the use cases that has been discussed at, at length actually, and it was discussed at our conference, is using AI to digest medical records. Health Hats: And when I say digest, it’s not about like ingesting them, which is slightly different, but digesting, which means find all the different pieces, put them together, come up with a narrative that summarizes perhaps 300 pages of information which may be sparse and may be poorly organized, and bring it all together. And that’s actually a task that AI is actually turning out to be pretty darn good at. And that again changes the nature of the healthcare system and the healthcare journey. You know- And it does a fair job. You say it’s really good at it. So- It’s better than I could do. It’s better than I could do. Well, yes. Well, you’re not– First of all, that’s not your training, and you don’t have the time for it. And you still have to review it. Yeah, of course. Because I have never used AI that gave me a, “Oh, this is great.” I mean, the first time I read it pretty much every time I think it’s amazing. And then, you know, my rule is sleep on it and check it again. And then it’s like, oh my God, this, first of all, it either just said nothing very fancy or it got some very basic things wrong. And then I’ll say, “Oh, you know, you missed this and you missed that.” And it’ll go, “Oh, you’re right, I did.” You know? Steven Labkoff: Well, that also speaks to the concept of keeping a human in the loop- Yeah which is something that you espouse and many folks in the healthcare aisle- I do … espouse. Ironically, you know Adam Rodman, I think. He was at our conference, he spoke. Yeah. Uh, he’s done a study which shows actually having a human in the loop in some cases actually makes the conclusions worse, believe it or not. Ah. Which is w- a non-intuitive finding. You would think that the two together would be better than either one alone, but so that’s, that’s now relatively n- well, it’s not even that new anymore. That information came out about a year ago. So I, we gotta start wrapping up in a few minutes here. Yeah. You know, we didn’t cover the concept around outcomes around your three T’s and two C’s. Maybe we can cover that in the last bit here, and then we can get to closing. Health Hats: Okay. So I feel like one of the questions that you’ve asked is how AI helped, right? And so what I need to tell you is the framework that I’ve developed over the years, which I’ve actually shared in my AI Claude project that’s Danny’s Health, what I call the three T’s and the two C’s, and this is like the framework I use to evaluate any digital health technology. And so they are time, trust, talk, control, and connection. What I mean by that is time is, you know, you need time to learn, to plan, to talk, to build trust. So I say the clock isn’t the enemy, it’s the, the wrong things filling the time, so the, the time. The second is trust. You know, trust can take a really long time. It can happen really quickly. Sometimes you never have it, and you know in your gut when you don’t have it. And most digital health tools, AI, have a trust deficit, I think, not because they’re untru- untrustworthy, which maybe they are, but it’s really because the people who use them, use the tools, don’t, don’t trust them, and I think it’s really important. You c- you can’t shortcut trust in the use of any tool. I think talk is really important. It’s woven through all of it, real conversation. There is nothing like actual conversation that is making decisions together, which is a lot of what healthcare is about, is making decisions. AI can help you prepare for it, and it can help process it. And then control. I trust more when I have power in a situation. So if I’m feeling like an ant ready to be crushed, I’m not making good decisions. And finally, I would say connection is, it’s the human lifeline. You know, when somebody greets you when you cross a threshold, that’s a connection. When someone’s been where you’re going and they can say, “Oh, that helped me.” AI can extend that connection. They can help people find communities that are available at 3:00 in the morning, but you can’t manufacture it. I, I think that connection is really important, so that’s where I g- you know, time, talk, trust, control, and connection, and I use that framework when I’m evaluating. Steven Labkoff: And that framework gives you a better, you know, a how do I say this right? It gives you a, like a rubric, if you will, to go- Yes … through, uh, the information that’s coming out of it. Danny- Yeah … we’re gonna have to wrap up here in a second. Sure. Are there any last comments you wanna make that, that will, you know, help other patients in the, in the space in terms of how they might wanna think about adopting- an AI tool in their world? Health Hats: I think that I would say use it, use AI, keep using it, experiment with it. That, that i- i- just like anything else, it takes time to learn. It takes time to be comfortable with it. Use it. I would say advocate for humans in the loop. I don’t care what the study says. It’s about humans. We are human. Keep it humans in the loop. I would say find a buddy, you know. Do this with somebody else. Find a buddy- That’s good advice … and experiment. I would say, yeah, talk to your clinician about it. It’s a good barometer of a physician. If they don’t wanna talk or blow you off, that tells you something. Absolutely right. And I would say if you’re comfortable with it, mentor. You know- That’s a good idea … be the buddy. And for clinicians and for systems and developers, I would say you need to have patients, caregivers, and practicing partner clinicians in the design. They need to be there from the beginning. And, you know, so i- it solves the problems people have, not the problems that the developers think are there or the venture capitalists thinks are gonna make money. You know, y- and if you have an opportunity, join, you know, participate. Steven Labkoff: All good advice. Well, Danny, I wanna thank you very much for your participation in, in today’s discussion. Hopefully that there are other patients out there who listen to the podcast, they’ll take something away. For the clinicians out there who are listening, you know, you’ve heard it straight out from a patient who happens to be a healthcare provider himself, and he’s got very strong perspectives on how this can be used in a positive and productive way, and I think the framework that he’s put together is very useful. Danny, I wanna just say thank you for all the help that you’ve provided helping this podcast get off the ground. That’s been really incredibly generous of you and your friends who have helped us a lot, and a lot of the things that have happened on our podcast, uh, for improvement’s sake, have come directly from those conversations, so thank you for that. I wanna thank you for being a guest and sharing your journey and sharing your experiences here. And for the rest of us, I’m gonna say thank you for joining us, and we will see you again next time on another episode of Practical AI in Healthcare. Thank you for listening. Thank you for joining us this week on Practical AI in Healthcare. If you’re ready to go beyond buzzwords and hype and explore how AI is truly transforming healthcare, stay tuned for more conversations that get us to what works. Until next time, stay practical Reflection When Steve interviewed me, he didn't know that everything I told him is the origin story of TrustMyOwn.Health. The box of paper. The 296 pages that were technically my data and practically useless. Twenty-five years of a pattern that sat in my chart the whole time, that it took a person, my PCP, a year to put together. Could AI have done it in an afternoon? I got tired of that being the normal experience instead of the exception. [Add: what specifically prompted starting TMOH, and when.] TMOH starts from a premise I didn't have language for until I said it out loud to Steve: trust isn't a feature you bolt onto a health platform after the engineering is done. It's the whole structure, or the whole thing fails. The three T's and two C's I use to size up any digital health tool turn out to be close to a design spec. Time, because a vault of your whole health history takes patience to build, not a single import. Trust, built into governance rather than promised in marketing; TMOH's Data Sovereignty Covenant binds the board and investors to the same terms as everyone else, which is the only version of trust I believe in. Talk, because the point was never to replace the conversation with my clinician, it was to walk in more prepared for it. Control, because I decide what goes in the vault and who sees it, the same way I decide which of my own decisions I hand to a doctor or an AI and which ones I keep for myself. Connection, which no vault can manufacture, but a good one can make room for. I told Steve that AI found a pattern in my chart that twenty-five years of clinicians missed. That's not really a story about AI being smart. It's a story about who owned the data long enough to ask the question. That's the whole bet behind TMOH: put the owner at the center, and let the rest of the ecosystem, the networks, the vendors, the AI, earn its place around that. See you around the block. Practical AI in Healthcare Episodes https://open.spotify.com/episode/4wA4ltjmZfIZ5VpmTeTTOF?si=KbEvc2_ERNWakJ3JeP2Ddg https://open.spotify.com/episode/0LDetUFJJrSV1cy6LtpGFx?si=qAqoqKBBSNm9PiwPjSIXYA https://open.spotify.com/episode/0wXEm1KnnGorOvTt9GTh7o?si=K_DKXzGyThusBPA6KoVkCg https://open.spotify.com/episode/6krV94ob6Lcv7VNo0qahZ5?si=B6lZDkvsQ9y2Z2FhkXzQGQ Referenced in episode Patient data access history: “Introducing Blue Button Plus: The Next Generation in PHRs” — HealthIT.gov (Office of the National Coordinator for Health IT) — https://www.healthit.gov/blog/consumer/introducing-blue-button/ The “Gimme My Damn Data” campaign Danny references: “Gimme My Damn Data (and Let Patients Help!): The #GimmeMyDamnData Manifesto” — Dave deBronkart, Journal of Medical Internet Research — https://www.jmir.org/2019/11/e17045/ Amy Price, mentioned as a mentor in questioning and skepticism: “Welcoming Dr. Amy Price as Editor-in-Chief” — Society for Participatory Medicine — https://participatorymedicine.org/2024/welcoming-dr-amy-price-dphil-as-the-editor-in-chief-for-the-journal-of-participatory-medicine/ AI literacy for patients, the concept Steve names in the episode: “Critical AI Health Literacy as Liberation Technology: A New Skill for Patient Empowerment” — National Academy of Medicine — https://nam.edu/perspectives/critical-ai-health-literacy-as-liberation-technology-a-new-skill-for-patient-empowerment/ Human-in-the-loop research Danny and Steve discuss (Adam Rodman): “AI and the Evolution of Medical Thought with Dr. Adam Rodman” — NEJM AI Grand Rounds (podcast) — https://ai-podcast.nejm.org/e/ai-and-the-evolution-of-medical-thought-with-dr-adam-rodman/ Abridge, the ambient AI scribe tool Danny mentions using: “Pioneers in Generative AI for Healthcare” — Abridge — https://www.abridge.com/about The DCI Network conference where Danny met the hosts: “About DCI Network” — DCI Network, Beth Israel Deaconess Medical Center — https://www.dcinetwork.org/about-us Please comment and ask questions: at the comment section at the bottom of the show notes on LinkedIn via email YouTube channel DM on Instagram, TikTok to @healthhats Substack Patreon Production Team Kayla Nelson: Web and Social Media Coach, Dissemination, Help Desk Leon van Leeuwen: editing and site management Oscar van Leeuwen: video editing Julia Higgins: Digital marketing therapy Steve Heatherington: Help Desk and podcast production counseling Joey van Leeuwen, Drummer, Composer, and Arranger, provided the music for the intro, outro, proem, and reflection Claude, Perplexity, Auphonic, Descript, Grammarly, DaVinci Resolve, DaVinci AI Art Generator, OpenArt AI Creator Studio Inspired by and Grateful to: Steve Labkoff, Leon Rosenbilt, Amy Price, Leon and Oscar van Leeuwen, Laura Marcial Artificial Intelligence in Podcast Production Health Hats, the Podcast, utilizes AI tools for production tasks such as editing, transcription, and content suggestions. While AI assists with various aspects, including image creation, most AI suggestions are modified. All creative decisions remain my own, with AI sources referenced as usual. Questions are welcome. Creative Commons Licensing CC BY-NC-SA This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator. If you remix, adapt, or build upon the material, you must license the modified material under identical terms. CC BY-NC-SA includes the following elements: BY: credit must be given to the creator. NC: Only noncommercial uses of the work are permitted. SA: Adaptations must be shared under the same terms. Please let me know. dannyhealthhats@gmail.com Material on this site created by others is theirs, and use follows their guidelines. Disclaimer The views and opinions presented in this podcast and publication are solely my responsibility and do not necessarily represent the views of the Patient-Centered Outcomes Research Institute® (PCORI®), its Board of Governors, or Methodology Committee. Danny van Leeuwen (Health Hats)

god fear time tiktok health ai trust talk office ms data evolution board er dm medicine healthcare detroit journal epic human vietnam reflection drink medical grateful twenty west virginia holocaust material pages thank god reckoning icu composer drs ironically drummer bites mm governors pioneers national academy cms llm underneath pdfs perplexity soit pcp grammarly ehr descript western massachusetts arranger national coordinator leeuwen beth israel deaconess medical center davinci resolve dissemination auphonic dci practical ai health it cc by nc sa social media coach beth israel ai llm welcoming dr pcori national quality forum ahrq amy price participatory medicine dave debronkart health hats danny yeah

DKT100 | 100 выпусков DKT и 10 лет ADV-IT празднуем вместе

Play Episode Listen Later Jul 16, 2026 90:04

Сотый выпуск DevOps Kitchen Talks! Мы на YouTube шесть лет, и вот он, сотый выпуск. А в гости пришёл Денис Астахов, автор канала ADV-IT, у которого в конце июля свой юбилей: десять лет каналу. Получился кухонный разговор авторов двух образовательных каналов, разговор обо всём и ни о чём. Про технику сегодня почти ничего, зато про ремесло, мотивацию и жизнь. О ЧЁМ ВЫПУСК • Как Денис начал канал в 2016-м: пять уроков Python за раз, вдохновение от thenewboston, работа в Intel. • «Знаменитая кухня» DKT: провальные студии и почему запись переехала домой. • Почему самый популярный ролик за 10 лет не про DevOps, а про SSD-диски. • Мотивация и выгорание за десять лет ведения канала. • Честно про монетизацию: падение роста в 10 раз и сколько реально приносит канал на 140к подписчиков. • AI в обучении и найме: можно ли выучить DevOps через нейросеть и не отупеть от копипаста. • Стоит ли сейчас заводить технический YouTube и что для этого нужно. ГОСТЬ Денис Астахов, автор канала ADV-IT (AWS, DevOps, Terraform, Kubernetes, облака). AWS Hero. 10 лет на YouTube. ADV-IT: https://www.youtube.com/@ADV-IT 100 ВЫПУСКОВ Это наш юбилейный сотый выпуск. Скоро проведём праздничный стрим, следите за анонсами в Telegram. ССЫЛКИ

ai telegram intel python podbean aws devops ssd kubernetes terraform davinci resolve dkt aws hero

The Offset Podcast EP059: Quality Control (QC)

business color finishing editing offset qc quality control post production davinci resolve 'check

Play Episode Listen Later Jul 15, 2026 64:37

In this installment of The Offset Podcast we're discussing quality control or QC for short. If you've worked in production & post for long enough, you've probably encountered QC challenges and QC reports. While passing QC can sometimes be challenging - understanding what it is, how it works, and how (at least most of the time) that its not personal attack can go a long way to treating QC as just like any part of a project pipeline. Some of the specifics we'll explore in this episode include:When & where does QC happen?Understanding QC specs & why they're sometimes challengingThe importance of communication in the QC processWhat are the goals of QCHow is QC performed?Internal QC & client trustQC severity flags & understanding 'inherent to source'Check out offsetpodcast.com for our entire library of episodes. You can also follow us on Instagram & Facebook - just search for The Offset Podcast.Be sure to like and subscribe to the podcast wherever you found it and be sure to check out our growing library of episodes. If you like the podcast it'd mean the world to us if you'd consider supporting the show by buying us a cup of virtual coffee -https://buymeacoffee.com/theoffsetpodcast

AutoCut Helps Speed up Editing Time?

Geekazine

Play Episode Listen Later Jul 10, 2026 36:43 Transcription Available

Make a Logo on Fiverr AI video-editing services can create captions, remove pauses and turn horizontal videos into social clips, but many require uploading footage to a website and downloading the finished result. AutoCut takes a different approach by putting those tools inside Adobe Premiere Pro and DaVinci Resolve. The AutoCut Premiere plugin and Resolve plugin can automate repetitive parts of an edit while leaving the resulting cuts, captions, camera changes and B-roll inside the timeline. That is the important distinction: AutoCut does not try to replace the editor. It attempts to complete the first pass so the editor can concentrate on corrections and creative decisions. AutoCut sponsored the accompanying video and provided access to the software. All opinions are those of Geekazine. What AutoCut Adds to Premiere and Resolve AutoCut installs on Windows and macOS and works from inside Adobe Premiere Pro or DaVinci Resolve. It connects to AutoCut’s cloud services, so an internet connection is required even though the editor remains inside the familiar desktop application. The available modules include silence removal, automatic captions, podcast editing, zooms, B-roll, viral clips, repeated-take detection, profanity filtering, resizing and automatic chapters. Feature availability can differ between Premiere and Resolve. During testing, for example, Auto Resize was available in Premiere but not in the Resolve version. Timeline-Based AI Editing Unlike a browser-based AI editing service that returns a collection of rendered clips, AutoCut makes changes within the project timeline. Editors can extend a cut, replace a shot, move B-roll, correct a caption or disable an automated effect without rebuilding the entire project. That flexibility matters when the AI makes a nearly correct decision. An editor can fix the result in seconds instead of accepting an imperfect export or repeating the automated process from the beginning. Automatic Captions Without Leaving the Project AutoCaptions analyzes a selected audio track across the full timeline or a defined set of in-and-out points. Limiting the analysis to a specific section can reduce processing time when only part of a project needs captions. The software creates a transcript that can be reviewed and corrected before captions are added. Editors can also supply an existing SRT file. Once the text is ready, AutoCut provides controls for fonts, animation, highlight colors, line count, position, width and size. Captions Stay Editable The finished captions appear as a normal caption track in Premiere. Individual words and timing can be adjusted with the editor’s standard tools, making it easier to correct names, brand terms and transcription mistakes. Safe-area guides also help position captions for vertical and horizontal social formats. In the test project, AutoCut generated and styled the caption track in roughly a minute. The transcription was generally accurate, although it still needed the same human review expected from other automatic transcription tools. Turning Horizontal Video Into Vertical Clips Auto Resize converts a sequence for TikTok, YouTube Shorts, Reels and square social formats. It analyzes the video, follows the subject and creates a new sequence at the selected aspect ratio. Tracking speed can be adjusted, and a watermark can be added for client previews. The test conversion completed quickly and followed a single speaker effectively. A split-screen shot with two people created more trouble because the system did not always know which face or layout should remain in frame. AI Gets the Edit Started, Not Finished Auto Resize still saved time because every adjustment remained editable. Tracking could be disabled for a specific shot, the crop could be repositioned and cuts could be moved directly in Premiere. Browser-based tools can have similar framing problems, but they do not always provide the same level of timeline control afterward. AutoCut Podcast Handles Multicam Switching AutoCut Podcast is designed for interviews and multicamera shows. The editor identifies the audio tracks, assigns each speaker to a camera and can include a split-screen angle. AutoCut then listens to the conversation and creates camera changes based on who is speaking. Reaction shots can be enabled to show the person who is listening, and shot duration can be adjusted for a faster or more relaxed pace. The finished result uses Premiere’s multicamera tools, so every automated camera choice can be changed later. Fast First Pass With Some Cleanup A six-minute, 30-second test podcast was processed in under a minute after the tracks were configured correctly. Most camera changes worked well, but the opening shot selected the guest while the host was speaking. One safety audio track also needed to be muted to remove an echo. Those were small fixes compared with manually switching the entire interview. The automated edit could be reviewed at higher playback speed, corrected where necessary and then finished with normal audio processing. B-Roll, Zooms and Repeated Takes AutoBrolls analyzes the conversation and suggests stock footage or AI-generated images. The module can use Storyblocks content with an eligible subscription and lets the editor control how frequently B-roll appears. The generated media is placed on an overlay track, where its duration, scale, position and transitions can be changed. Not every suggestion matched the context perfectly, but unwanted clips were easy to replace or delete. Automated Motion and Cleanup AutoZoom can add speaker-based zooms, cut-based punch-ins or smoother motion. The zoom range and animation style are adjustable, which helps avoid the aggressive jump-cut look used by some social videos. Processing the test podcast took around five to six minutes, longer than the caption and multicamera tools. AutoCut Repeat looks for false starts and repeated lines, a common problem when recording scripted videos. Suggested removals are highlighted so the editor can approve or reject them. It made some incorrect choices in testing, but reviewing highlighted sections was still faster than searching the entire recording manually. Premiere Plugin vs. Resolve Plugin The Resolve plugin offers many of the same core tools, including silence removal, captions, podcast editing, B-roll, viral clips, repeated-take detection, profanity filtering and chapters. AutoCut recognizes the license on the computer, making it possible to switch between Premiere and Resolve on the same machine. The feature sets are not identical, and new modules may reach one editor before the other. Editors should confirm that the specific automation they need is supported in their preferred application. The Biggest Limitations AutoCut requires an internet connection. If the computer is offline, the cloud-assisted features will not work. That can be a problem for editors working while traveling or in locations with unreliable connectivity. The license is also tied to one machine at a time. Editors who regularly move between a desktop workstation and a laptop must deactivate one computer or purchase another license. A simpler sign-in system that allows users to manage activations between two machines would make the plugin more flexible. AI editing also needs supervision. AutoCut can make an impressive first pass, but multicamera choices, B-roll, reframing and repeated-take detection should all be reviewed before export. Pricing and the Bottom Line Plans for Basic and AI Editing AutoCut offers a 14-day trial. At the time of the review, the Basic plan was approximately $80 per year and focused mainly on silence removal. The AI plan was approximately $179 per year and included the broader set of AI editing tools. Enterprise pricing is available for teams and organizations with multiple users. Does AutoCut Actually Save Time? Yes, particularly for repeatable work such as captions, silence removal, podcast camera switching and social-video resizing. AutoCut will not eliminate the final editing pass, but it can reduce the amount of mechanical work required to reach it. The plugin is most valuable for creators who want AI editing assistance without giving up Premiere or Resolve. Because the results remain inside the timeline, AutoCut provides a useful middle ground between fully manual editing and one-click web services that limit what can be changed afterward. Check it out at https://geni.us/autocutcom Check out the Geekazine Merch, including "I AM AI " T-Shirt. Thanks for reading! Don't forget to subscribe to Geekazine: RSS Feed - YouTubeTwitter - Facebook Tip Me via Paypal.me Send a Tip via Venmo RSS Bandwidth by Cachefly Get a 14 Day Trial Be a Patreon: Part of the Sconnie Geek Nation! Reviews: Geekazine gets products in to review. Opinions are of Geekazine.com. Sponsored content will be labeled as such. Read all policies on the Geekazine review page. Reviews: Geekazine is also an affiliate of Amazon Last Updated on September 15, 2026 6:39 pm by Jeffrey PowersThe post AutoCut Helps Speed up Editing Time? appeared first on Geekazine.

ep123 - DJI Osmo Pocket 4P: 17 Stops of Dynamic Range? | Leica SL3-P Video Review | Apple Price Hike - CineD Focus Check

Play Episode Listen Later Jul 9, 2026 88:49

Nino reports back from DJI's Malta press event with first impressions of the Osmo Pocket 4P, Johnnie's Leica SL3-P video review goes live, and Apple has a mixed week – raising MacBook and iPad prices while also shipping a meaningful Creator Studio update for Final Cut Pro. We also cover Adobe's planned acquisition of Topaz Labs, MultiDyne stepping in to save the MRMC motion-control brand, a new sun-tracking cinema viewfinder app, and a stack of smaller gear and firmware news. This episode is sponsored by Hollyland — check it out at (25:13). Learn more: LINK Chapters & Articles Mentioned in This Episode: (00:00) Intro & topic outlook (05:32) DJI Osmo Pocket 4P Malta hands-on – 17-stop dynamic range claim and LOFIC sensor tech (26:17) Leica SL3-P review – gorgeous color rendition, confusing menu, now with video review https://www.cined.com/leica-sl3-p-review-gorgeous-color-rendition-confusing-menu/ (32:03) 7Artisans DREAM Series Announced – MF 35mm/50mm/75mm T1.5 Full-Frame Cine Lens for E/L/Z/RF Mounts https://www.cined.com/7artisans-dream-series-announced-mf-35mm-50mm-75mm-t1-5-full-frame-cine-lens-for-e-l-z-rf-mounts/ (37:07) Apple raises MacBook and iPad prices as AI memory crisis reaches consumer hardware https://www.cined.com/apple-raises-macbook-and-ipad-prices-as-ai-memory-crisis-reaches-consumer-hardware/ (40:04) Apple Creator Studio update adds generate captions, edit detection, and auto mask to Final Cut Pro https://www.cined.com/apple-creator-studio-update-adds-generate-captions-edit-detection-and-auto-mask-to-final-cut-pro/ (52:32) XPPen Pilot Pro review – a versatile editing controller, but not for everyone https://www.cined.com/xppen-pilot-pro-review-a-versatile-editing-controller-but-not-for-everyone/ (58:27) LIGHTFRAMER PRO app introduced – turns iPhone into cinema viewfinder with sun tracking https://www.cined.com/lightframer-pro-app-introduced-turns-iphone-into-cinema-viewfinder-with-sun-tracking/ (1:01:40) MultiDyne acquires MRMC assets – forms new company to revive the motion-control brand https://www.cined.com/multidyne-acquires-mrmc-assets-forms-new-company-to-revive-the-motion-control-brand/ (1:05:33) Adobe to acquire Topaz Labs – AI upscaling and image enhancement, on-device models, standalone apps to continue https://www.cined.com/adobe-to-acquire-topaz-labs-ai-upscaling-and-image-enhancement-on-device-models-standalone-apps-to-continue/ (1:11:21) AtomOS 12.7.0 for Ninja RAW, Ninja TX, and Ninja TX GO released – RAW support for Sony α7R VI, Canon EOS R6 V, and Leica SL3-P https://www.cined.com/atomos-12-7-0-for-ninja-raw-ninja-tx-and-ninja-tx-go-released-raw-support-for-sony-%ce%b17r-vi-canon-eos-r6-v-and-leica-sl3-p/ (1:12:47) ARRI LUKA Unreal Engine plugin announced – virtual ARRI lights and cameras, real-time Lumen previs, DMX and LiveLink control https://www.cined.com/arri-luka-unreal-engine-plugin-announced-virtual-arri-lights-and-cameras-real-time-lumen-previs-dmx-and-livelink-control/ (1:17:11) DaVinci Resolve 21.0.1 released – improved RAW decoding, better HDR delivery, and Sony Alpha 7R VI support https://www.cined.com/davinci-resolve-21-0-1-released-improved-raw-decoding-better-hdr-delivery-and-sony-alpha-7r-vi-support/ (1:18:48) rsv.repair by OTTOMATIC introduced – free recovery tool for Sony .RSV files https://www.cined.com/rsv-repair-by-ottomatic-introduced-free-recovery-tool-for-sony-rsv-files/ (1:21:55) KIPON drop-in variable ND PL mount adapter announced with a deep-recessed design https://www.cined.com/kipon-drop-in-variable-nd-pl-mount-adapter-announced-with-a-deep-recessed-design/ (1:23:51) iFootage Shark Slider Pico Pro released with a higher payload https://www.cined.com/ifootage-shark-slider-pico-pro-released-with-a-higher-payload/ (1:27:01) Canon EOS C50, C80, and C400 firmware updates released https://www.cined.com/canon-eos-c50-c80-and-c400-firmware-updates-released/

ai apple iphone sony ipads raw stops adobe malta dmx macbook nino rsv lumen hdr johnnie dji t1 leica arri price hike final cut pro davinci resolve creator studio dji osmo pocket atomos dynamic range mrmc

ep124 - Best & Worst Camera Brands for Battery Longevity | Steadicam Inventor Doc – CineD Focus Check

Play Episode Listen Later Jul 9, 2026 86:16

We settle a question every filmmaker has cursed at some point: which camera brands actually let your batteries last — and which strand you the moment you upgrade? Nino goes brand by brand, ranking the best and worst for battery longevity, from Canon's decade-proof LP-E6 to the fragmentation that leaves Insta360 owners buying new cells with every generation. Then: the man who invented the stabilized camera. Garrett Brown — the mind behind the Steadicam — is finally getting a documentary backed by Francis Ford Coppola, and it's a reminder of just how much one person changed the way movies move. Plus ARRI's new Alexa 35 Live Xtreme, a tiny $200 pocket camera that came out of nowhere, a new electronic variable ND, fresh lights from Godox, iPhone lenses from Tilta, and the free, filmmaker-built apps quietly reshaping post-production. This episode is sponsored by Hollyland — check it out at 40:39. Learn more: LINK (00:00) Intro & topic outlook (07:17) Your Camera Lasts Only as Long as You Can Buy Its Battery: Camera Battery Compatibility, Brand by Brand https://www.cined.com/your-camera-lasts-only-as-long-as-you-can-buy-its-battery-camera-battery-compatibility-brand-by-brand/ (41:43) Steadicam Documentary “Thank You Mr. Brown” Enters Production, Backed by Francis Ford Coppola https://www.cined.com/steadicam-documentary-thank-you-mr-brown-enters-production-backed-by-francis-ford-coppola/ (48:16) ARRI ALEXA 35 Live Xtreme Announced – Up to 8x HFR via SDI, 480fps, Baseband Slow Motion https://www.cined.com/arri-alexa-35-live-xtreme-announced-up-to-8x-hfr-via-sdi-480fps-baseband-slow-motion/ (52:24) AulGo Pocket Camera Hits Kickstarter – 4K Sony Sensor, 6-Axis EIS, 56g Body https://www.cined.com/aulgo-pocket-camera-hits-kickstarter-4k-sony-sensor-6-axis-eis-56g-body/ (55:55) Sony Teases a New RX10 – First Bridge Camera Update in Nearly a Decade https://www.cined.com/sony-teases-a-new-rx10-first-bridge-camera-update-in-nearly-a-decade/ (58:30) KipperTie LCcineND Now Available – Remote Controllable 4×5.65” Electronic ND Filter https://www.cined.com/kippertie-lccinend-now-available-remote-controllable-4x5-65-electronic-nd-filter/ (01:02:30) KNOWLED PL600 RF and PL1200 RF Announced – Nine-Band PaletteLab Engine, 92% Rec.2020, IP65 Weatherproofing https://www.cined.com/knowled-pl600-rf-and-pl1200-rf-announced-palettelab-rgbww-engine-92-rec-2020-ip65-weatherproofing/ (01:08:45) Tilta iPhone Lenses Bring Fisheye, Macro, Wide, and Telephoto Glass for T-Mount https://www.cined.com/tilta-iphone-lenses-bring-fisheye-macro-wide-and-telephoto-glass-for-t-mount/ (01:12:31) Vimeo and FiLMiC Pro Owner Bending Spoons Surges in $1.68 Billion Nasdaq IPO Debut https://www.cined.com/vimeo-and-filmic-pro-owner-bending-spoons-surges-in-1-68-billion-nasdaq-ipo-debut/ (01:15:02) Boris FX Acquires iZotope – RX, Ozone, Neutron, and Nectar Join the Post-Production Toolmaker https://www.cined.com/boris-fx-acquires-izotope-rx-ozone-neutron-and-nectar-join-the-post-production-toolmaker/ (01:17:05) Beat App Introduced – Free Mac Tool for Story Development and Shoot Planning https://www.cined.com/beat-app-introduced-free-mac-tool-for-story-development-and-shoot-planning/ (01:21:28) Clip Sweeper v2 Now Available – Free Mac App for Cleaning Video Project Drives https://www.cined.com/clip-sweeper-v2-now-available-free-mac-app-for-cleaning-video-project-drives/ (01:22:52) Artemis Studio for Mac – Chemical Wedding's Desktop Companion to Its Director's Viewfinder App https://www.cined.com/artemis-studio-for-mac-chemical-weddings-desktop-companion-to-its-directors-viewfinder-app/ (01:24:39) DaVinci Resolve 21.0.2 Released – Keyframe Fixes, Retime Curve Improvements, and Better Fusion Vertical Transitions https://www.cined.com/davinci-resolve-21-0-2-released-keyframe-fixes-retime-curve-improvements-and-better-fusion-vertical-transitions/ Thanks for listening! Leave a comment on the article or the YouTube video, and don't forget to subscribe on your favorite podcasting platform. Questions or feedback? Email us at podcast@cined.com.

The Offset Podcast EP058: Revisiting Client Communication

business clients color finishing editing offset businessthe post production davinci resolve client communication communicationthe

Play Episode Listen Later Jul 2, 2026 59:42

In this episode we're revisiting our very first episode from all the way back in early 2024 - Client Communication. In the past two years a lot as changed, and in service based industry like postproduction revisiting your approaches every once and while is a useful exercise. While we hit on some familiar themes, there's lots of new topics and viewpoints discussed in this episode. Some of the specifics discussed in this episode include:How post is still (and will always be) a people/communication businessThe good & bad of video conferencingAsynchronous text communicationReview commentsSynchronous text communicationThe role of no communicationCheck out offsetpodcast.com for our entire library of episodes. You can also follow us on Instagram & Facebook - just search for The Offset Podcast. Be sure to like and subscribe to the podcast wherever you found it and be sure to check out our growing library of episodes. If you like the podcast it'd mean the world to us if you'd consider supporting the show by buying us a cup of virtual coffee -https://buymeacoffee.com/theoffsetpodcast

Does anyone else remember Wish Bass?

60 Cycle Hum: The Guitar Podcast!

Play Episode Listen Later Jun 29, 2026 50:30

Episode 640 is brought to you by:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chase Bliss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support this channel on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send us mail?60 Cycle Hum9450 Mira Mesa Blvd #615San Diego, CA 92126Every week DaVinci Resolve tells me to download an update 00:00 Intro03:43 Tricked out SG10:14 Where does Ryan not want to travel?13:40 Blast Off19:36 So I was listening to Object Worship25:52 Thanks Patreon and our Sponsors! 32:08 Wishes and Wood42:44 Let's give away a gift card! ----------------------------------60CH on Patreon: https://www.patreon.com/60CycleHumcastAffiliate Links: https://60cyclehum.com/affiliate-links/Social Media: https://60cyclehum.com/social-links/

social media bass wishes tricked anyone else davinci resolve

This AI Makes Listing Videos 50x Cheaper (Every Agent Needs This) | Ori Harel

Stay Paid - A Sales and Marketing Podcast

Play Episode Listen Later Jun 22, 2026 31:44

What does getting fired from a yogurt shop have to do with $50 billion in luxury real estate video? Everything, if you're Ori Harel. Ori Harel is the founder of Reel-E.AI and Lumara Media, the company behind some of the most iconic luxury property videos ever filmed — for clients like Blackstone, Marriott International, the Altman Brothers, and Jason Oppenheimer. But now, he's building the tool that makes professional listing videos accessible to every agent, not just the top 2%. In this episode, hosts break down: • How Ori went from getting fired at a yogurt shop to filming $50M-$100M homes in Los Angeles • What makes a great listing video (and what makes a terrible one) • How Reel-E.AI turns existing listing photos into cinematic, music-synced videos automatically • Why AI-generated music is immediately royalty-free and how to use it for your listings • A step-by-step DIY guide: Suno or Gemini for music, VO3/Cling for photo-to-video, DaVinci Resolve or Premiere to cut to the beat • Why AI listing videos from today already outperform Ori's own 2017 work — at 50-100x less cost • Whether AI will eventually replace all real estate video production Try Reel-E.AI for free (3 videos, no strings attached): https://www.reel-e.ai/ Contact Ori directly: ori@reel-e.ai

ai los angeles diy videos agent premiere gemini listing cheaper blackstone ori suno marriott international davinci resolve whether ai harel

Ezt teszi az AI a munkáddal | Content Rumble S06E17

Content Rumble

Play Episode Listen Later Jun 22, 2026 50:38

A csapból is az AI folyik, de vajon tényleg rettegnie kell a fotósoknak és videósoknak? Ebben az adásban Viktorral az AI tartalomgyártásra gyakorolt hatását vesézzük ki. Tényleg elveszi a munkánkat a YouTube AI Stúdiója vagy a DaVinci Resolve automatikus vágása? Megnézzük a lokális renderek és a felhő alapú megoldások harcát, és az is kiderül, miért jelenthet azonnali veszélyt a termék videósokra a Higgsfield. Támogass minket! Csatlakozz a csatornatagok közé:https://www.youtube.com/channel/UCk4_upwPPBpMIJhnfdT2kbA/joinFacebook csoport: https://www.facebook.com/groups/contentrumble✅ Iratkozz fel hogy ne maradj le a további tartalmainkról.https://www.youtube.com/channel/UCk4_upwPPBpMIJhnfdT2kbA?sub_confirmation=1Értesítünk e-mailben is az új podcast epizódokról: http://bit.ly/3qHoONu

ai team rumble munk ebben davinci resolve megn helysz viktorral csatlakozz iratkozz

The Offset Podcast EP057: Parenting As A Post Production Professional

Play Episode Listen Later Jun 16, 2026 54:41

Recently we've been thinking a lot about how quickly time seems to go by and nothing demonstrates this more than how our kids have gone from being to toddlers to graduating high school and moving on to their next stage in life. While there isn't anything novel about this transition, it got us thinking about the unique challenges of being a parent who's also a post production professional. In this episode of The Offset Podcast we're exploring this topic in detail. Some specifics include:Time management & being presentHow the work around the work is a big parenting challengeParenting when your partner isn't in the post businessGiving a peak behind the curtain to your familyIs post a good career path for kids?How knowledge won in post applies to other careers & industriesCheck out offsetpodcast.com for our entire library of episodes. You can also follow us on Instagram & Facebook - just search for The Offset Podcast. Be sure to like and subscribe to the podcast wherever you found it and be sure to check out our growing library of episodes. If you like the podcast it'd mean the world to us if you'd consider supporting the show by buying us a cup of virtual coffee -https://buymeacoffee.com/theoffsetpodcastSee you in about two weeks for a new episode.

time business parenting professional color finishing editing offset post production davinci resolve present how

MacVoices #26162: NAB - PugetBench Helps Creators Compare, Troubleshoot, and Upgrade Systems

MacVoices Video

Play Episode Listen Later Jun 2, 2026 11:05

From NAB in Las Vegas, Matt Bach, Senior Product Manager at Puget Systems, explains PugetBench, a free benchmarking tool for end users that tests real applications such as Premiere Pro, Photoshop, After Effects, DaVinci Resolve, and soon Unreal Engine. Matt discusses why real-world benchmarks beat synthetic scores, how software updates can dramatically change performance, and how Mac and Windows systems each excel in different workflows. Show Notes: Chapters: [0:03] Introduction from NAB 2026[0:20] Matt Bach introduces PugetBench[0:31] Real-world benchmarking for creative applications[1:23] Why first-party claims and synthetic benchmarks can mislead[1:53] Software updates and changing performance over time[2:18] Synthetic benchmarks versus real application testing[3:19] Variables that affect benchmark accuracy[4:04] Why testing your own projects is the gold standard[4:27] Using benchmarks to evaluate upgrades realistically[5:07] Comparing your system through PugetBench's database[6:09] Supported apps and future Unreal Engine benchmarking[7:06] Unreal Engine uses beyond gaming[7:56] Mac versus Windows value and workflow strengths[9:16] Where to get PugetBench and end-user pricing[10:05] Closing from NAB in Las Vegas Support: Become a MacVoices Patron on Patreon http://patreon.com/macvoices Enjoy this episode? Make a one-time donation with PayPal Connect: Web: http://macvoices.com Twitter: http://www.twitter.com/chuckjoiner http://www.twitter.com/macvoices Mastodon: https://mastodon.cloud/@chuckjoiner Facebook: http://www.facebook.com/chuck.joiner MacVoices Page on Facebook: http://www.facebook.com/macvoices/ MacVoices Group on Facebook: http://www.facebook.com/groups/macvoice LinkedIn: https://www.linkedin.com/in/chuckjoiner/ Instagram: https://www.instagram.com/chuckjoiner/ Subscribe: Audio in iTunes Video in iTunes Subscribe manually via iTunes or any podcatcher: Audio: http://www.macvoices.com/rss/macvoicesrss Video: http://www.macvoices.com/rss/macvoicesvideorss

las vegas real video helps software mac windows comparing upgrade creators compare photoshop mastodon synthetic unreal engine nab variables senior product manager after effects davinci resolve troubleshoot premiere pro matt bach macvoices puget systems macvoices page macvoices group

The Offset Podcast EP056: The Post FPE Era?

Play Episode Listen Later Jun 1, 2026 55:56

In this installment of The Offset Podcast we're discussing why there's been an obsession with film print emulation over the past few years and if we're ever going to move on from the FPE mania that has been gripping the color world recently.The 2020s at least in most western media, could easily be defined as the FPE era. One only has to look to the plethora of FPE tools available and to their screens to see that FPE is everywhere. But is that a good thing? What constitutes good FPE and poorly executed FPE? Will we ever move past the obsession with the film print look?Specifics covered in this episode include:What's good vs poorly executed FPE?How the goal posts for FPE keep movingWhat about HDR in an FPE world?Remastering of film orginated projectsWhy developers are choosing FPE for productsEnd user fatigue & is FPE popular everywhere?Check out offsetpodcast.com for our entire library of episodes. You can also follow us on Instagram & Facebook - just search for The Offset Podcast. You can also watch this episode on YouTubeBe sure to like and subscribe to the podcast wherever you found it and be sure to check out our growing library of episodes. If you like the podcast it'd mean the world to us if you'd consider supporting the show by buying us a cup of virtual coffee -https://buymeacoffee.com/theoffsetpodcast

business color finishing editing offset hdr post production specifics davinci resolve remastering fpe

MacVoices #26162: NAB - PugetBench Helps Creators Compare, Troubleshoot, and Upgrade Systems

MacVoices Audio

Play Episode Listen Later Jun 1, 2026 11:06

From NAB in Las Vegas, Matt Bach, Senior Product Manager at Puget Systems, explains PugetBench, a free benchmarking tool for end users that tests real applications such as Premiere Pro, Photoshop, After Effects, DaVinci Resolve, and soon Unreal Engine. Matt discusses why real-world benchmarks beat synthetic scores, how software updates can dramatically change performance, and how Mac and Windows systems each excel in different workflows. Show Notes: Chapters: [0:03] Introduction from NAB 2026 [0:20] Matt Bach introduces PugetBench [0:31] Real-world benchmarking for creative applications [1:23] Why first-party claims and synthetic benchmarks can mislead [1:53] Software updates and changing performance over time [2:18] Synthetic benchmarks versus real application testing [3:19] Variables that affect benchmark accuracy [4:04] Why testing your own projects is the gold standard [4:27] Using benchmarks to evaluate upgrades realistically [5:07] Comparing your system through PugetBench's database [6:09] Supported apps and future Unreal Engine benchmarking [7:06] Unreal Engine uses beyond gaming [7:56] Mac versus Windows value and workflow strengths [9:16] Where to get PugetBench and end-user pricing [10:05] Closing from NAB in Las Vegas Support: Become a MacVoices Patron on Patreon http://patreon.com/macvoices Enjoy this episode? Make a one-time donation with PayPal Connect: Web: http://macvoices.com Twitter: http://www.twitter.com/chuckjoiner http://www.twitter.com/macvoices Mastodon: https://mastodon.cloud/@chuckjoiner Facebook: http://www.facebook.com/chuck.joiner MacVoices Page on Facebook: http://www.facebook.com/macvoices/ MacVoices Group on Facebook: http://www.facebook.com/groups/macvoice LinkedIn: https://www.linkedin.com/in/chuckjoiner/ Instagram: https://www.instagram.com/chuckjoiner/ Subscribe: Audio in iTunes Video in iTunes Subscribe manually via iTunes or any podcatcher: Audio: http://www.macvoices.com/rss/macvoicesrss Video: http://www.macvoices.com/rss/macvoicesvideorss

Podcasters Share Best and Worst Platforms for Interviews

School of Podcasting

Play Episode Listen Later May 25, 2026 51:03 Transcription Available

So many people need remote recording for co-hosts and guests. Yet in the 20+ years of podcasting once we get a solid solution, they upgrade the software and we're back to always having a backup "Just in case." So I reached out to my audience to see what they used and they chimed in.The HistoryBlog Talk Radio (now gone) was an EASY choice but sounded like the phone. There was Skype (also gone), but everyone needed an account, and for the technically challenged, it was intimidating. Squadcast came on with a winning strategy with a firm understanding of what podcasters needed. Make it simple. Make it reliable.Then Video Entered the PictureThen tools like Squadcast added video, and while I never had an issue I know people who spoke of "Drift" where the audio didn't line up with the video (making it look like a bad Godzilla movie). There are tools like Evmux (browser based), Ecamm (Mac Only), Descript (browser based), and Streamyard (brwoser based).Text Based EditingWhen Descript entered the picture with text based editing (you edit the transcript, and it edits the audio) it became impressive after a few years. They purchased Squadcast, but haven't implemented all the tech from Squadcast (like being able to schedule a future episode in their "Rooms.").All in One SolutionsThis is one of the symptoms of a "All in one" solution. They do most things about 75%, but the details in that last 25 is what makes the difference. Riverisde started as remote recording, added text based editing, clip generation, and recently podcast hosting (the podcast hosting is very basic see video as of May 2026).It May Not Be All Riverside's FaultI wrote a blog post about all the things podcasters could do to be ready to make great recordings with Riverside.If you want Riverside to work, don't overcomplicate it:Solid internetUpdated browserDecent computerEnough disk spaceDon't rush the uploadThat's it.Do those things, and suddenly Riverside becomes “magically reliable.”What I Use For Live Streaming and RecordingBefore moving to a Mac computer, I use Streamyard, and loved it. When I got a Mac Mini, I switched to Ecamm. It's amazing and much you have more control over how things look. If you have a Streamdeck, you can do some pretty magical things. Worth that said, I'm considering going back to Streamyard even though it's $5 more a month (I used Ecamm for making recording for the School of Podcasting, but I now do those in Tella).What is The Most Reliable?For me, after talking with the School of Podcasting members and now hearing from the audience I would say Ecamm (mac only) and Streamyard (browser based).That doesn't mean Riverside, Evmux, Squadcast are not reliable, but I feel Ecamm and Streamyard are more reliable. They also are primarily focused on one thing RECORDING (although streamyard just added clip generation).So What If I Don't Want an All In One?Then you record with something like Ecamm or Streamyard, if you need clips, there is Opus Clip. There is free video software like Davinci Resolve, and free audio editing like Audacity.Thanks to The ContributorsFrank Bravo From Your Tech MakeoverTodd the Gator from Gaurdian DowncastChris From Cool Cars with ChrisEd from the Days Dumpster FireTim from My Solo MS JourneyMentioned In This EpisodeStreamyardEcammRiversideDescriptEvMuxCleanfeedZencastrOBS ProjectVDO NinjaPodtrack P4NextZoom H6Samson Q2U MicrophoneOpus ClipBoomer BunkerWar Room Online JournalTakeaways:Remote recording can be a total pain if you don't have solid internet; trust me, I know.Zoom works great for audio-only shows but struggles with video quality when the internet hiccups.Streamyard's simplicity makes remote recording a breeze; just send a link and boom, done!Clean Feed is solid for high-quality audio, especially for those who want to keep it simple.For video, Riverside sounds fancy but can be hit or miss; make sure it meets your needs first.Discord is free and surprisingly powerful for remote recordings, even if you're not a gamer.Mentioned in this episode:Live AppearancesI will be at the Empower Podcasting Conference (Year 3!) in Charlotte North Carolina. This is my favorite type of conference with a cap at 250 people, it's a great crowd without being overwhelming. Great speakers, great networking, and a great location.Where Will I Be?Question of the MonthThis might be harder question to answer because when I ask people, the sometimes freeze. The question? How do you measure success for your podcast beyond download numbers? I need your answer by June 26th, 2026. Don't forget to tell us a little bit about your show and your website address so I can link to it in the show notes.Question of the MonthPodcasting in Six Weeks Starts SoonIf you've tried to start a podcast before and got lost in the jargon, and felt overwhelmed, this is the course for you. We will meet LIVE for six weeks and go step by step in launching your successful podcast. The best part, we are only charging $1 Check it out at www.schoolofpodcasting.com/sixweeksPodcasting in Six WeeksPodpage is Now Included with Blubrry HostingBlubrry Podcasting — one of the longest-running podcast hosting platforms in the industry — has chosen Podpage to replace their built-in website tool entirely. That means every Blubrry hosting customer gets a professional, automatically updated podcast website powered by Podpage, included with their hosting plan. For Podpage, this is more than a partnership announcement. It's validation that podcast websites deserve dedicated website tools built specifically for podcasters.Podpage

The Offset Podcast EP055: Refactoring Your Post Business

The No Film School Podcast

Play Episode Listen Later May 18, 2026 49:56

There's a term that's been on our minds a lot recently - refactoring.It's a computer programing that essentially refers to the idea of restructuring, and optimizing source code to improve the efficiency of software while persevering the intent and overall functionality.In this episode of The Offset Podcast, we want to extend that idea to postproduction businesses - most of which (ours included) could use some streamlining, added efficiency, automation, and in general, improvement on all things related to the business. Specific topics covered include:Refactoring pre-sales & sales Improving the onboarding processGaining efficiencies in technical and operations workflowBringing the refactoring concept to creative approachUnderstanding the idea of taking a step backwards to take two steps forwardAnd more! Check out offsetpodcast.com for our entire library of episodes. You can also follow us on Instagram & Facebook - just search for The Offset Podcast. You can also watch this episode on YouTubeBe sure to like and subscribe to the podcast wherever you found it and be sure to check out our growing library of episodes. If you like the podcast it'd mean the world to us if you'd consider supporting the show by buying us a cup of virtual coffee -https://buymeacoffee.com/theoffsetpodcastSee you in about two weeks for a new episode.

business color improving finishing editing offset post production davinci resolve refactoring forwardand

Insights Into Blackmagic Design's Latest Cameras and Products Introduced at NAB 2026, Including Recommendations for Filmmakers of Every Level

Play Episode Listen Later May 15, 2026 27:36

Jourdan Aldridge speaks with Blackmagic Design's Simon Westland at NAB 2026 about the company's latest camera, live production, mobile filmmaking, DaVinci Resolve, Blackmagic Cloud, and AI workflow updates. They discuss how Blackmagic's new products serve both high-end live production and independent filmmakers, why hands-on trade show demos matter, and how filmmakers can think about camera choices as they grow their craft. In this episode, No Film School's Jourdan Aldridge and guest Simon Westland discuss... Blackmagic Design's NAB 2026 product announcements and why the company released news before the show The value of hands-on product demos, workshops, and planning ahead for NAB Blackmagic's URSA Cine 12K live production workflow, including 100G connectivity, 2110, 440fps, and 16 stops of dynamic range Why cinematic images are becoming more important in live production, sports, YouTube content, and live events How the Blackmagic Camera app is becoming an entry point for iPhone and Android filmmakers Using mobile phones in professional workflows with HDMI or SDI output, genlock, zoom demands, and focus demands Apple Watch control for Blackmagic Camera on iOS How Blackmagic's products connect across cameras, ATEM switchers, DaVinci Resolve, and Blackmagic Cloud Why beginner filmmakers should focus on learning craft, exposure, lighting, and storytelling instead of searching for the “perfect” camera DaVinci Resolve's new photo editing tools and how shared looks can help match stills and video How brands, agencies, and social media teams can use Resolve for color consistency across moving and still images Blackmagic's view on AI tools, including transcription, media search, object search, and workflow acceleration The difference between workflow AI and generative AI replacement tools The future of Blackmagic Pocket Cinema Cameras and why the company still sees them as important for independent filmmakers Memorable Quotes: “That really is what it's all about. You want to have that hands-on interaction.” “I would say, look, that camera app is an amazing entry point, but really just try it.” “It's about the content. It's about storytelling.” “Competition is a healthy thing. It's healthy for everybody.” Guests: Simon Westland Resources: Blackmagic Design Blackmagic Camera App DaVinci Resolve NAB Show Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

ai iphone competition android products recommendations filmmakers resolve apple watches cameras atem black magic nab hdmi every level davinci resolve sdi blackmagic design 100g no film school

MacVoices #26144: NAB - Blackmagic Design's Creator Empowerment Philosophy

MacVoices Video

Play Episode Listen Later May 13, 2026 9:24

From NAB in Las Vegas, Dan May, President of Blackmagic Design, talks about DaVinci Resolve 21, local AI tools, the new photo page, Blackmagic Cloud collaboration, Fairlight Live, and the free Blackmagic Camera app. The conversation highlights Blackmagic Design's focus on accessible professional tools and creator growth paths. Show Notes: Chapters: 00:08 Chuck Joiner introduces the Blackmagic Design booth00:34 Dan May joins the conversation at NAB00:44 Two accessible Blackmagic software products for creators00:58 DaVinci Resolve as the first featured product01:18 DaVinci Resolve 21 adds a new photo page01:49 Local AI tools and privacy-focused processing02:01 Resolve's color-grading power expands to photos02:29 DaVinci Resolve 21 beta availability02:36 Chuck reacts to DaVinci Resolve training at Post-Production World04:31 Fairlight Live introduced as the second major product04:35 Fairlight's audio heritage inside Resolve05:50 Free Blackmagic Camera app brings camera controls to phones06:00 Free DaVinci Resolve supports professional editing07:29 Blackmagic's creator growth path from phone to pocket camera to cinema camera07:49 Education and access as Blackmagic's core strategy Support: Become a MacVoices Patron on Patreon http://patreon.com/macvoices Enjoy this episode? Make a one-time donation with PayPal Connect: Web: http://macvoices.com Twitter: http://www.twitter.com/chuckjoiner http://www.twitter.com/macvoices Mastodon: https://mastodon.cloud/@chuckjoiner Facebook: http://www.facebook.com/chuck.joiner MacVoices Page on Facebook: http://www.facebook.com/macvoices/ MacVoices Group on Facebook: http://www.facebook.com/groups/macvoice LinkedIn: https://www.linkedin.com/in/chuckjoiner/ Instagram: https://www.instagram.com/chuckjoiner/ Subscribe: Audio in iTunes Video in iTunes Subscribe manually via iTunes or any podcatcher: Audio: http://www.macvoices.com/rss/macvoicesrss Video: http://www.macvoices.com/rss/macvoicesvideorss

ai president education las vegas video creator philosophy empowerment resolve mastodon black magic davinci resolve blackmagic design fairlight dan may chuck joiner macvoices macvoices group macvoices page

MacVoices #26144: NAB - Blackmagic Design's Creator Empowerment Philosophy

MacVoices Audio

Play Episode Listen Later May 13, 2026 9:25

From NAB in Las Vegas, Dan May, President of Blackmagic Design, talks about DaVinci Resolve 21, local AI tools, the new photo page, Blackmagic Cloud collaboration, Fairlight Live, and the free Blackmagic Camera app. The conversation highlights Blackmagic Design's focus on accessible professional tools and creator growth paths. Show Notes: Chapters: 00:08 Chuck Joiner introduces the Blackmagic Design booth 00:34 Dan May joins the conversation at NAB 00:44 Two accessible Blackmagic software products for creators 00:58 DaVinci Resolve as the first featured product 01:18 DaVinci Resolve 21 adds a new photo page 01:49 Local AI tools and privacy-focused processing 02:01 Resolve's color-grading power expands to photos 02:29 DaVinci Resolve 21 beta availability 02:36 Chuck reacts to DaVinci Resolve training at Post-Production World 04:31 Fairlight Live introduced as the second major product 04:35 Fairlight's audio heritage inside Resolve 05:50 Free Blackmagic Camera app brings camera controls to phones 06:00 Free DaVinci Resolve supports professional editing 07:29 Blackmagic's creator growth path from phone to pocket camera to cinema camera 07:49 Education and access as Blackmagic's core strategy Support: Become a MacVoices Patron on Patreon http://patreon.com/macvoices Enjoy this episode? Make a one-time donation with PayPal Connect: Web: http://macvoices.com Twitter: http://www.twitter.com/chuckjoiner http://www.twitter.com/macvoices Mastodon: https://mastodon.cloud/@chuckjoiner Facebook: http://www.facebook.com/chuck.joiner MacVoices Page on Facebook: http://www.facebook.com/macvoices/ MacVoices Group on Facebook: http://www.facebook.com/groups/macvoice LinkedIn: https://www.linkedin.com/in/chuckjoiner/ Instagram: https://www.instagram.com/chuckjoiner/ Subscribe: Audio in iTunes Video in iTunes Subscribe manually via iTunes or any podcatcher: Audio: http://www.macvoices.com/rss/macvoicesrss Video: http://www.macvoices.com/rss/macvoicesvideorss

ai president education las vegas video creator philosophy empowerment resolve mastodon black magic nab davinci resolve blackmagic design fairlight dan may chuck joiner macvoices macvoices group macvoices page

The Alan Smithee Round Table (“NAB-More Acquisitions & Software Updates”)

Art of the Cut

Play Episode Listen Later May 7, 2026 75:03

Hey everyone, welcome to the Alan Smithee Podcast! The gang have just returned from NAB and have lots of stories to share with us. They also discuss the latest updates from Davinci Resolve and Adobe Premiere, AVID's partnership with Gemini, several key acquisitions and a whole lot more. And as always, there are some really cool things to get excited about! Show notes:Sony Pictures Entertainment to Lay Off Hundreds in Reorganization Across TV, Film and - Corporate - https://variety.com/2026/film/news/sony-entertainment-layoffs-tv-film-1236710554/Quixote Cuts Most of Its L.A. Soundstage Business, Leaves Georgia and New Mexico Entirely - https://www.hollywoodreporter.com/business/business-news/quixote-hudson-pacific-atlanta-1236578946/Netflix buying Radford Studios https://www.hollywoodreporter.com/business/business-news/netflix-los-angeles-radford-1236571301/FSI / Atomos https://www.atomos.com/2026/04/07/flanders-scientific-aquisition/Tim Cook to become Apple Executive Chairman. John Ternus to become Apple CEO. https://www.apple.com/newsroom/2026/04/tim-cook-to-become-apple-executive-chairman-john-ternus-to-become-apple-ceo/Apple reports second quarter results https://www.apple.com/newsroom/2026/04/apple-reports-second-quarter-results/Marvel layoffs https://www.forbes.com/sites/robsalkowitz/2026/04/14/disney-layoffs-hit-marvel-studios-hard/NAB:https://www.nabshow.com/press-release/the-2026-nab-show-wraps-with-proof-the-future-of-media-and-entertainment-is-expanding-beyond-broadcasting/https://www.provideocoalition.com/arri-enters-new-era-with-riedel-sale/https://www.provideocoalition.com/aja-to-acquire-comprimatos-portfolio-of-software-solutions/https://www.provideocoalition.com/nab-2026-avid-is-opening-up-and-gemini-might-help/Digital Glue / Creative.Space: CSITencent was the most interesting https://multimedia.tencent.com/zh/products/video-codec-engines/ (h.266)https://www.tencentcloud.com/document/product/647/60034 (streaming)The AI editing assistants (as was my one cool thing): https://www.provideocoalition.com/nab-2026-eddie-ai-quickture-selects-the-ai-editing-assistants/One Cool Thing:Katie: met some of the robots at Incheon Airport https://webjium.com/icn-wac/14.Panel4-1_Eunjeoung%20Seo.pdfMichael: Hermes: https://hermes-agent.nousresearch.com/Scott: The whole music video for that viral boarding school thing that's been going around the socials GENER8ION - STORM https://youtu.be/x6_mbnsh6VU?si=EJgsqOhXHFBBCqyU

netflix ai apple film marvel corporate roundtable gemini acquisitions tim cook avid nab software updates davinci resolve apple ceo sony pictures entertainment adobe premiere alan smithee

MacVoices #26139: NAB - Krotos' Newest Sound and Integration Enhancements

MacVoices Video

Play Episode Listen Later May 7, 2026 15:21

Matthew Collings, Head of Product for Krotos was manning their booth at NAB in Las V, showing off the latest upgrades to their new AI-assisted sound design workflows in Krotos Studio for Adobe Premiere, with support for DaVinci Resolve and other NLEs planned. The system analyzes selected video regions, places synchronized royalty-free sound effects from Krotos' recorded library, and lets editors quickly swap, remix, and customize impacts, ambiences, drones, footsteps, cloth, and surfaces without generative audio. Show Notes: Chapters: 0:03 Introduction from NAB 20260:24 Matthew introduces Krotos Studio's new Adobe Premiere integration0:51 AI analyzes selected video regions for sound design1:33 Traditional Krotos Studio workflow and interactive sound performance2:31 Automatically generated sounds appear in the Premiere timeline3:17 Customizing AI-assisted sound choices after placement4:14 Swapping impacts and transitions while maintaining sync4:46 Security, privacy, and cloud processing questions5:32 AI tools used and planned launch timing6:04 Royalty-free licensing and ownership of sounds6:51 Krotos' expanded sound library and AI-assisted placement7:25 Recorded sound vs. generative audio8:02 Cloud processing and connection-speed considerations8:36 Using AI for footsteps, ambience, and cloth sounds9:55 Instant Render for drones, ambiences, and music beds10:42 Stem drag-and-drop for greater mix control11:15 AI-generated synchronized footsteps demo11:42 Changing footstep surfaces while preserving sync12:23 Manual fine-tuning and creative flexibility13:04 AI as a time-saving creative assistant13:40 Pricing, subscription tiers, and website Support: Become a MacVoices Patron on Patreon http://patreon.com/macvoices Enjoy this episode? Make a one-time donation with PayPal Connect: Web: http://macvoices.com Twitter: http://www.twitter.com/chuckjoiner http://www.twitter.com/macvoices Mastodon: https://mastodon.cloud/@chuckjoiner Facebook: http://www.facebook.com/chuck.joiner MacVoices Page on Facebook: http://www.facebook.com/macvoices/ MacVoices Group on Facebook: http://www.facebook.com/groups/macvoice LinkedIn: https://www.linkedin.com/in/chuckjoiner/ Instagram: https://www.instagram.com/chuckjoiner/ Subscribe: Audio in iTunes Video in iTunes Subscribe manually via iTunes or any podcatcher: Audio: http://www.macvoices.com/rss/macvoicesrss Video: http://www.macvoices.com/rss/macvoicesvideorss

head ai sound video security product cloud stem premiere integration pricing manual newest using ai mastodon enhancements swapping nab automatically las v davinci resolve adobe premiere nles macvoices macvoices group macvoices page

MacVoices #26139: NAB - Krotos' Newest Sound and Integration Enhancements

MacVoices Audio

Play Episode Listen Later May 7, 2026 15:21

Matthew Collings, Head of Product for Krotos was manning their booth at NAB in Las Vegas, showing off the latest upgrades to their new AI-assisted sound design workflows in Krotos Studio for Adobe Premiere, with support for DaVinci Resolve and other NLEs planned. The system analyzes selected video regions, places synchronized royalty-free sound effects from Krotos' recorded library, and lets editors quickly swap, remix, and customize impacts, ambiences, drones, footsteps, cloth, and surfaces without generative audio. Show Notes: Chapters: 0:03 Introduction from NAB 2026 0:24 Matthew introduces Krotos Studio's new Adobe Premiere integration 0:51 AI analyzes selected video regions for sound design 1:33 Traditional Krotos Studio workflow and interactive sound performance 2:31 Automatically generated sounds appear in the Premiere timeline 3:17 Customizing AI-assisted sound choices after placement 4:14 Swapping impacts and transitions while maintaining sync 4:46 Security, privacy, and cloud processing questions 5:32 AI tools used and planned launch timing 6:04 Royalty-free licensing and ownership of sounds 6:51 Krotos' expanded sound library and AI-assisted placement 7:25 Recorded sound vs. generative audio 8:02 Cloud processing and connection-speed considerations 8:36 Using AI for footsteps, ambience, and cloth sounds 9:55 Instant Render for drones, ambiences, and music beds 10:42 Stem drag-and-drop for greater mix control 11:15 AI-generated synchronized footsteps demo 11:42 Changing footstep surfaces while preserving sync 12:23 Manual fine-tuning and creative flexibility 13:04 AI as a time-saving creative assistant 13:40 Pricing, subscription tiers, and website Support: Become a MacVoices Patron on Patreon http://patreon.com/macvoices Enjoy this episode? Make a one-time donation with PayPal Connect: Web: http://macvoices.com Twitter: http://www.twitter.com/chuckjoiner http://www.twitter.com/macvoices Mastodon: https://mastodon.cloud/@chuckjoiner Facebook: http://www.facebook.com/chuck.joiner MacVoices Page on Facebook: http://www.facebook.com/macvoices/ MacVoices Group on Facebook: http://www.facebook.com/groups/macvoice LinkedIn: https://www.linkedin.com/in/chuckjoiner/ Instagram: https://www.instagram.com/chuckjoiner/ Subscribe: Audio in iTunes Video in iTunes Subscribe manually via iTunes or any podcatcher: Audio: http://www.macvoices.com/rss/macvoicesrss Video: http://www.macvoices.com/rss/macvoicesvideorss

The Offset Podcast EP054: NAB 2026 Recap