Podcasts about davinci resolve

In this episode of The Offset Podcast we're asking & discussing the question - Is HDR really taking off?At first blush, the answer is yes, but the really, the answer is decidedly more nuanced.  Specifics discussed in this episode include:HDR seems to be everywhere - streaming platforms, consumer electronics, professional gear with billions made in investmentWhile wildly available, access to HDR content is still often based on  ‘level' of plan. Disconnect for consumers between HDR capable hardware and plansThe role the iPhone has played in helping spread HDRAlthough available & accessible, HDR is still widely weighted to the ‘higher end'.  Mid and entry level productions aren't utilizing HDR. Why? And how can that change?The language of HDR has become conservative and very similar to SDR versions making differentiation harderA safe approach to HDR may be tied to derived downstream HDR and SDR performance.   Investment in expensive gear (reference monitoring) for what many see as niche is also a contributing factorHow to sell and consistency in selling HDR content is importantMany feel that HDR is something that is being dictated to them…but for technical not creative reasonsImportant to remember HDR technology and workflows are still relatively newStunning HDR content does exist and shows what can be done (Ian Vertovec examples)Given artists space and time to work on HDR can produce amazing resultsIf you like the show be sure to like and subscribe where ever you find The Offset Podcast

Welcome to the Alan Smithee Podcast in which hosts Scott Simmons, Katie Hinsen & Michael Kammes talk about the latest news in production, post production, entertainment, tech and beyond. In this episode, the gang are joined by Beryl Shereshewsky, a successful YouTuber and former CNN producer, to explore the intricacies of content versus traditional media. There's a lively discussion centered around content creation, underscoring the evolving media landscape where traditional filmmaking intersects with modern digital content. And of course, there's a bunch of really cool things to get excited about. Special guest: Beryl Shereshewsky: https://www.beryl.nyc/Veo 3: https://gemini.google/overview/video-generation/Adobe price changes. It goes up if you want AI, goes down if you don't: https://www.provideocoalition.com/please-read-adobes-official-article-on-the-pricing-changes-coming-to-the-creative-cloud-plans/DaVinci Resolve 20 leaves beta, way before IBC: https://www.provideocoalition.com/davinci-resolve-20-released/American Society of Cinematographers Elects Mandy Walker, first woman, as President: https://theasc.com/news/american-society-of-cinematographers-elects-mandy-walker-as-presidentOne Cool Thing:Kaite: https://www.youtube.com/@OneSongPodcastMichael: Amaran t2c + 3" Baby Nail-On PlateScott:  https://wisprflow.ai/Beryl: Fluffy Cows - https://www.iowafarmbureau.com/Article/Iowas-fluffy-cows-go-viral-on-social-media

In this documentary, Neil looks at the emergence of location sound recording for cinema and one of the significant technological developments that enabled this.  Starting with the Italian neorealism movement of the late 1940's, the desire for dialogue authenticity gained hold in 1950's Hollywood films. This and the artistic truth of French New Wave filmmaking in the 1960's led to the indispensability of the location sound recordist by the 1970's and one of their important needs was met by the invention and refinement of the now-familiar microphone basket windshield. To help tell the story, Neil plays real-world examples of Outside Broadcast sport; excerpts from classic movies and amateur YouTube filmmakers and also talks with Radius Windshields Managing Director Simon Davies as well as the owner and MD of plastic injection moulding company Elbmar Limited, Keven Rich and the Oscar-winning feature film Production Sound Mixer - and enthusiastic Radius Windshields user - Simon Hayes.  About the presenters: You can find more about Simon Hayes' work here The Radius Windshield site is here Details about Neil Hillman and Jason Nicholas's work as dialogue editors and mixers and how to contact them is here Details of our 1-to-1, training and coaching programmes for ambitious media professionals are available at: https://www.drneilhillman.com and https://soundproducer.com.au/coaching and www.soundformovingpictures.com Technical notes: Written, produced and presented by Dr. Neil Hillman – IMDb Programme edited and mixed by Dr. Neil Hillman on DaVinci Resolve v20. Recorded on location by Neil using a Sound Devices 664 recorder, with Sennheiser 416 and Sanken COS-11 microphones. YouTube fair use disclaimer: Where copyrighted material appears in episodes of The Apple and Biscuit Show, it is used under the ‘fair use' guidelines of the Copyright Act. In instances where copyright or credit is questioned, please contact us directly to discuss receiving credit, or removing the featured content. Content: 02:39 – 03:25 The Bicycle Thieves, (1948), Dir. Vittorio De Sica 04:25 – 06:24 On the Waterfront, (1954), Dir. Elia Kazan 06:57 – 07:42 Breathless, (1960), Dir. Jean Luc Goddard 09:55 – 11:58 The Conversation, (1970), Dir. Francis Ford-Coppola 19:48 – 21:28 Les Misérables, (2012), Dir. Tom Hooper 27:52 – 28:50 @MakingParadiseinVA, YouTube channel (2023) 51:57 – 52:25 Wimbledon, Men's Singles Final 2024, Alcaraz v Djokovic 52:30 – 52:38 FIFA World Cup, South Africa 2010 53:41 – 54:21 Sydney 2000 Olympics, Men's-8 Rowing Final  

It's no secret that the post production (and production) industry is in a bit of tumultuous period resulting in a lot of people wondering if they should stay in the industry and for young people who are drawn to postproduction, if they're making the right move trying to pursue editing, color, mixing etc.In this episode, we'll explore these issues and more.  While we don't have the fixes for the macro issues at play in our industry, we discus many ways to battle the current downturn in post including:The current challenges in post production are multi-faceted and no single way to solve themPost production requires a massive amount of effort other industries can be more appealing (and more lucrative)Jobs at post facilities are few and far between but its hard to recommend to young folks starting out to just start their own business or go freelance - there are significant challenges in doing soMedium and small size post production companies can be doing a better job with training, mentorship and recruitment.Better understanding were postproduction work has gone - social content, corporate communications etcDeveloping adjacent stills are absolute necessity for the modern post worker - programing, AI , IT workflowsUnderstanding not all work is art, but all work is commerceThe product of ‘production companies' has changed drastically and leverages more than just traditional post skillsContent creation really only works with a purpose and a goalMoving from an operator role to other roles in the industry - even ones you might think of like software creation/managementSkills learned in post are highly desirable and portable in a wide swath of industriesIf you liked this show, checkout our library of past episodes and please like and subscribe to the show where ever you find it!

Discover why the Sony FX2 is a game-changer for hybrid shooters!

É melhor de assistir no YouTube: https://youtu.be/OSAlmxkkEAg

A camera that shoots half-images? Sounds unusual—but that's exactly what FUJIFILM's newly released X-Half brings to the table with its unique feature set. Join Johnnie and Nino as they dive into what makes this mysterious new camera stand out, and as always, catch up on the latest gear updates and industry news from the week. Tune in and enjoy the episode!   Sponsor: This episode is sponsored by FUJIFILM. Check it out at (24:38) Chapters & Articles Mentioned in This Episode: (00:00) -  Intro (05:00) - FUJIFILM Introduces X half  Premium Compact Digital Camera https://www.cined.com/fujifilm-x-half-camera-announced-when-analog-heritage-and-digital-capabilities-merge-together/   (16:09) - Poll: …. https://www.cined.com/poll-innovation-in-cameras-which-is-your-favorite-brand/   (17:05) - Sony Camera Sales in Early 2025 – Camera Gear and Image Sensors Support Growth Amid Wider Slowdown https://www.cined.com/sony-camera-sales-in-early-2025-camera-gear-and-image-sensors-support-growth-amid-wider-slowdown/   (25:30) - The Rolux RL-VP4D V-Mount Plate lets you ditch proprietary batteries https://www.instagram.com/reel/DJ4C6TtCr07/    (30:29) - Rolux Grand Series Professional Gold Mount Batteries Launched https://www.cined.com/rolux-grand-series-professional-gold-mount-batteries-launched/   (31:47)- ARRI Sells Claypaky, Refocuses on Core Filmmaking Technologies – Stage Lighting Brand Moves to EK Lights https://www.cined.com/arri-sells-claypaky-refocuses-on-core-filmmaking-technologies-stage-lighting-brand-moves-to-ek-lights/   (34:02) - Eddie AI Extension for DaVinci Resolve Released -Virtual Editing Assistant https://www.cined.com/eddie-ai-extension-for-davinci-resolve-released-virtual-editing-assistant/   (39:38) - Sennheiser Profile Wireless Audio Single-Channel System Released & 32-bit Float Firmware Update   https://www.cined.com/sennheiser-profile-wireless-audio-single-channel-system-released-32-bit-float-firmware-update/   (46:45) - Tilta Camera Cage for Panasonic LUMIX S1RII / S1II / S1IIE https://www.cined.com/tilta-camera-cage-for-panasonic-lumix-s1rii-s1ii-s1iie/   (49:41) - Different Types of Tracking Shots and What Emotions They Evoke https://www.cined.com/different-types-of-tracking-shots-and-what-emotions-they-evoke/   (50:50) - Laowa 15mm f/4.5 0.5X Macro Lens for Full-Frame Released https://www.cined.com/laowa-15mm-f-4-5-0-5x-macro-lens-for-full-frame-released/   (53:12) - Panasonic Offers 5-Year Extended Warranty on LUMIX S Cameras and Lenses in Europe https://www.cined.com/panasonic-offers-5-year-extended-warranty-on-lumix-s-cameras-and-lenses-in-europe/   (55:36) - Leica SL3 and SL3-S Firmware Update v3.1.1 Released – Adds New Video Formats for C4K and C6K https://www.cined.com/leica-sl3-and-sl3-s-firmware-update-v3-1-1-released-adds-new-video-formats-for-c4k-and-c6k/   (01:01:20) - OCTOPUS RAW Studio Enhances Raw Video Workflow in Adobe Premiere https://www.cined.com/octopus-raw-studio-enhances-raw-video-workflow-in-adobe-premiere/   (01:05:35) - Inside the Super Bowl Halftime Show – A Steadicam Operator's Perspective with Sean Flannery https://www.cined.com/inside-the-super-bowl-halftime-show-a-steadicam-operators-perspective-with-sean-flannery/   (01:08:16) - NANLITE Bowens Mount Projection Attachment 25°–45° Introduced https://www.cined.com/nanlite-bowens-mount-projection-attachment-25-45-introduced/   (01:09:55) - DaVinci Resolve 20 Beta 4 Adds Keyframe and Remote Monitoring Upgrades https://www.cined.com/davinci-resolve-20-beta-4-adds-keyframe-and-remote-monitoring-upgrades/   We hope you enjoyed this episode! You have feedback, comments, or suggestions? Write us at podcast@cined.com 

Davinci Resolve 20 is here (at least, in beta) and it has several features we're really excited to use. Also, there are a surprising number of new camera announcements this month, and TTArtisan released a lens with an interesting selectable bokeh feature. Finally, we end up with a topic that's right up the alley of the Camera Gear Podcast–a debate about sensor bit depth as it relates to photos. If you enjoy the show and want to contribute to our hosting costs, we'd welcome your support on Patreon. You can check it out here: https://www.patreon.com/cameragearpodcast Want to send us a question or comment, or just learn more about the show? Check out our website at https://cameragearpodcast.com, or email us directly at cameragearpodcast@gmail.com. Notes: Sony FX3a Released - A Change So Subtle, You'll Need a Spec Sheet [CineD] Davinci Resolve 20 Public Beta Feature List [Blackmagic Design Forums] TTArtisan's New 35mm T2.1 Lens Features Two Different Bokeh Styles [PetaPixel]

In this episode we're exploring a audience member submitted question about how to know when a grade is done and ready to present to a client.  It's a more nuanced and complex question than you'd think! Specific topics discussed in this episode include:Color is very subjective thing - how to balance your ‘done' vs a client's doneThe importance of pre-grade goalsHow initial project evaluation is a vital part of the grading processGetting to know a client's preferences, aesthetic, and things they focus onThe immense value of working in passesFocusing first on ‘tone', white/black point, and overall shot to shot contrastMoving to large feature matchingDetailed work  - beauty, clothing, small features shot to shotShowing the client for the first time - balancing confidence and accepting constructive criticism  Putting the project back in front of client again after addressing notes and gauging successEvaluating ‘translatability' on consumer devicesPreparing for big changes, disasters etc with project backups, duplicated timelines, and versionsBalancing perfectionism with staying on schedule and deliveringThe long term value of being committed to your workIf you liked this episode be sure to check out our growing library of shows. Also be sure to like and subscribe to The Offset Podcast where ever you find it!

En el episodio de hoy: Godox lanza el MG2400R, un monolight RGB LED de 2650W pensado para grandes producciones; ARRI vende Claypaky para enfocarse en cine; Sennheiser presenta su Profile Wireless de un canal con grabación en 32-bit float; DJI rediseña por completo el Mavic 4 Pro con triple cámara, gimbal 360° y visión nocturna; y Eddie AI llega a DaVinci Resolve con funciones de edición automatizada.Además, te contamos la oferta del día en tarjetas Lexar CFexpress.Todo lo que necesitas saber, en menos de 5 minutos.

Partner der heutigen Folge sind Davinci Resolve & Teltec. Mit dem Code filmdudes20 bekommt ihr ab 400 EUR Warenkorb 20 Euro Rabatt auf alle Artikel von Blackmagic Design – also zum Beispiel auch auf das Micro Panel Bundle.In dieser Folge begrüßen wir Quirin Berg, einen der erfolgreichsten deutschen Produzenten für Film und Serie. Wir sprechen über seinen beeindruckenden Werdegang und wie Leonine Studios entstanden ist. Quirin gibt spannende Einblicke hinter Projekten wie “Girl You Know It's True” und “Crooks” und erzählt, wie er entscheidet, welche Filme oder Serien er produziert.Wir sprechen über die Herausforderungen der Branche, von Corona-bedingten Drehabbrüchen bis hin zu Kooperationen mit Plattformen wie Netflix. Und natürlich stellt sich die Frage: Was macht einen richtig guten Produzenten aus?Viel Spaß mit der Folge!Im ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FILMDUDES Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ geht es um die Filmbranche, digitales Marketing, Gründertum und Fotografie. Jede zweite Woche gibt es eine neue Folge mit inspirierenden Gästen aus der Branche. Wenn wir uns nicht mit dem Thema Podcast beschäftigen, dann sind wir eine ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Filmproduktion⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ mit Fokus auf Werbefilm mit zwei Standorten in NRW. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hier⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ findest du uns auf Instagram. Unsere Arbeit schaust du dir am besten auf ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Vimeo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ an.Wenn dir die Folge gefallen hat, dann kannst du uns sehr helfen, indem du eine Podcast-Bewertung abgibst und die Episode auf Instagram teilst oder weiterempfiehlst.

Nuevas Surface con IA sin conexión, más baratas que el MacBook Air M4, listas antes del fin de Windows 10Por Félix Riaño @LocutorCoMicrosoft acaba de presentar dos nuevos computadores Surface que pueden ejecutar inteligencia artificial sin conexión a internet. Son más livianos, más delgados y, sobre todo, más baratos que los modelos anteriores. El Surface Laptop de 13 pulgadas cuesta 899 dólares, cien menos que el nuevo MacBook Air con chip M4, que parte desde 999. Por su parte, la Surface Pro tipo tableta cuesta 799 dólares, acercándose al precio base de un iPad Pro, pero ofreciendo una experiencia completa de Windows. ¿Por qué estas nuevas máquinas podrían cambiar la forma en la que usamos nuestros computadores? ¿Y qué significa esto para quienes aún usan Windows 10, que dejará de recibir soporte este mismo año?  Bajan los precios, pero aún hay dudas sobre su utilidad real.  Vamos a comenzar por cómo lucen y funcionan. El nuevo Surface Laptop tiene una pantalla de 13 pulgadas, lo que equivale a 33 centímetros en diagonal. Es más pequeño que el modelo del año pasado, pero lo suficientemente grande para trabajar cómodamente. Usa un chip Snapdragon X Plus de ocho núcleos que incluye una unidad de procesamiento neuronal, o NPU, capaz de realizar 45 billones de operaciones por segundo. Eso le permite ejecutar funciones de inteligencia artificial sin conexión a internet. La batería promete durar hasta 16 horas navegando por la web y hasta 23 horas viendo video, lo que significa que podrías usarlo durante toda una jornada laboral, más el viaje de vuelta, sin cargarlo. La Surface Pro también trae este chip, y se transforma en portátil al conectarle un teclado desmontable. Pesa apenas 680 gramos y tiene un lápiz que se guarda magnéticamente detrás de la pantalla.  A pesar de las mejoras técnicas y el precio más accesible —cien y doscientos dólares menos que los modelos de 2024— no todos están convencidos. Los computadores Copilot+ con IA integrada no han tenido la acogida que Microsoft esperaba. Analistas de firmas como Raymond James reportan que muchas personas y empresas aún no ven claro el valor añadido de estas funciones. Además, al usar procesadores basados en arquitectura Arm, puede haber incompatibilidades con programas más antiguos diseñados para chips Intel. También desaparece el cargador con puerto magnético tradicional de Microsoft: ahora se usa un puerto USB‑C estándar, algo que algunos celebran por su universalidad, pero que otros ven como una pérdida del “sello Surface”. Y hay una preocupación más profunda: muchas de estas funciones nuevas, como Recall, que graba todo lo que aparece en tu pantalla para permitir búsquedas posteriores, han generado inquietudes sobre privacidad.  Ahora bien, Microsoft ha diseñado estas Surface pensando en el futuro de Windows. Con el fin del soporte para Windows 10 anunciado para el 14 de octubre, muchas personas deberán decidir si pagan por soporte extendido —que costará 30 dólares al año— o si cambian de equipo. La compañía quiere que esta nueva generación de Surface sea una opción atractiva para actualizar. Por ejemplo, incorpora funciones como el agente en Configuración, que entiende órdenes en lenguaje natural. Puedes decir “la letra está muy pequeña” y el sistema ajustará el tamaño por ti. También estrena mejoras en la herramienta de capturas de pantalla, que identifica automáticamente la parte más relevante de una imagen. Algunas aplicaciones como CapCut y DaVinci Resolve ya están optimizadas para estas Surface con IA: tareas como editar video o separar voces en una canción pueden ser hasta 30 veces más rápidas que en un computador sin NPU. Todo esto apunta a una nueva generación de PCs más inteligentes, autónomos y adaptables.  Estos equipos estarán disponibles para entrega a partir del 20 de mayo, en colores nuevos como violeta, océano y platino. Las versiones empresariales llegarán el 22 de julio, con Windows 11 Pro, pantallas antirreflejo y lector NFC para mayor seguridad. Además de la velocidad y autonomía, Microsoft también ha puesto el foco en la sostenibilidad. El Surface Laptop incluye cobalto 100 % reciclado en la batería y metales reciclados en los imanes y la carcasa. La Surface Pro llega con un 82,9 % de materiales reciclados en su estructura. Ambas máquinas permiten reemplazar componentes clave a través de técnicos certificados, lo cual representa un paso importante hacia una tecnología más circular y reparable. Para quienes ya tienen experiencia con dispositivos Apple, estas Surface ofrecen algo diferente: un sistema Windows completo, más abierto a personalización, y ahora, con una integración de inteligencia artificial que se ejecuta directamente en el equipo, sin depender de la nube.  Las nuevas Surface llegan más baratas, más livianas y listas para aprovechar la inteligencia artificial desde el primer día, justo cuando Windows 10 se despide. ¿Estás pensando en renovar tu equipo? Cuéntamelo y escucha más en el pódcast Flash Diario en Spotify.   

In this documentary, Neil travels back to his home town of Birmingham to learn more about what he considers to be the city's best kept cultural secret – Grosvenor Road Studios: the family-run sound facility that came to be known as ‘Birmingham's Abbey Road'. Still in operation today, the studios were founded 80 years ago by John Taylor, and his business partner Charles Hollick, to record music - which they did prolifically; as well as expanding into creating soundtracks and recording dialogue for iconic television series' and blockbuster movies. To help reveal the story, Neil talks with John Taylor's wife and creative partner Jean Taylor, their two successful musician sons Christopher and Richard Taylor, and Birmingham popular music academic, Jez Collins, from the Birmingham Music Archive. About the presenters: You can find more about Chris Taylor's work here You can find more about Richard Taylor's work here  The Birmingham Music Archive is here Details about Neil Hillman and Jason Nicholas's work as dialogue editors and mixers and how to contact them is here Details of our 1-to-1, training and coaching programmes for ambitious media professionals are available at: https://www.drneilhillman.com and https://soundproducer.com.au/coaching and www.soundformovingpictures.com Technical notes: Written, produced and presented by Dr. Neil Hillman – IMDb Programme edited and mixed by Dr. Neil Hillman on DaVinci Resolve. YouTube fair use disclaimer: Where copyrighted material appears in episodes of The Apple and Biscuit Show, it is used under the ‘fair use' guidelines of the Copyright Act: i.e. “Use of these clips follows Fair Use laws regarding commenting and criticizing”, where Fair Use allows for the unlicensed use of copyrighted material for purposes such as Commentary, Criticism, Parody, News reporting, Teaching, Scholarship, and Research. In instances where copyright or credit is questioned, please contact us directly to discuss receiving credit, or removing the featured content.

In this episode, we're continuing our discussion with monitoring experts Bram Desmet from Flanders Scientific, Nate McFarlin from Dolby, and David Abrams from Avical/Portrait DisplaysSome of the specific topics we cover in this episode include:How are panels actually made? And why does it cost billions?The role of material science in panel manufacturing Understanding the split between panel manufacturers and consumer brands of the same nameThe importance of viewing environment in regards to display performanceUnderstanding preference vs accuracyThe shift to consumer-sized panels as reference monitors and the ongoing challenges of using multiple monitorsBuilding meter matrices with the four color method, and are there better approaches, like the Bodner method or the volumetric approaches used by some calibration softwareRevisiting using consumer displays in a professional setting & why consumer TV companies have little incentive to integrate reference capabilitiesContinuing challenges of Rec.2020Calibrating computer monitors, iPads, and mobile devicesIf you like this episode, please be sure to subscribe to the podcast give the show a like wherever you're watching/listening! 

Join this week's episode of Focus Check for an exclusive glimpse at an exciting new MZed course coming soon. Plus, we've got your regular dose of weekly updates on lights, lenses, and cameras. Tune in and stay until the end—you won't want to miss it! Sponsor: This episode is sponsored by FUJIFILM. Check it out at (27:14) Chapters & Articles Mentioned in This Episode: (00:00) -  Intro (01:40) - Poll: Filmmakers, Are You Taking Care of Yourself? https://www.cined.com/poll-filmmakers-are-you-taking-care-of-yourself/ Last week's Focus Check: "Cooking video" https://www.cined.com/recipes-in-focus-fuel-for-filmmakers-cined-focus-check-ep61/ (05:32) - New MZed Course coming soon https://www.mzed.com/?tap_a=17272-420962&tap_s=2964533-bb92db    (12:11) - Yongnuo YNLUX 300RGB Review – Reliable Performance on a Budget https://www.cined.com/yongnuo-ynlux-300rgb-review-reliable-performance-on-a-budget/   (16:57) - K&F Concept KF-V99 Pro and KF-V50 Review – Budget-Friendly V-Mount Batteries https://www.cined.com/kf-concept-kf-v99-pro-and-kf-v50-review-budget-friendly-v-mount-batteries/   (28:11) - Sony a7S III Firmware Update Version 4.00 Released – Adds In-Camera LUTs and More https://www.cined.com/sony-a7s-iii-firmware-update-version-4-00-released-adds-in-camera-luts-and-more/   (38:37) - Insta360 X5 Camera Released – InstaFrame Mode, Larger Sensor, User-Replaceable Lens, and More https://www.cined.com/insta360-x5-camera-released-instaframe-mode-larger-sensor-user-replaceable-lens-and-more/   (45:46) - Sony FE 50-150mm F2 GM Unveiled – A Zoom Lens with Prime Features https://www.cined.com/sony-fe-50-150mm-f2-gm-unveiled-a-zoom-lens-with-prime-features/   (49:19) - DZOFILM Vespid Prime Lenses – Limited-Time Offer Starting at $799 https://www.cined.com/dzofilm-vespid-prime-lenses-limited-time-offer-starting-at-799/   (51:50) - Godox KNOWLED MG6K High Power LED Light Introduced https://www.cined.com/godox-knowled-mg6k-high-power-led-light-introduced/   (54:07)- DaVinci Resolve 20 Public Beta 2 Released – Speed Keyframe Improvements, Voiceover Recording Fixes, and More https://www.cined.com/davinci-resolve-20-public-beta-2-released-speed-keyframe-improvements-voiceover-recording-fixes-and-more/   (58:11) - Raw Convertor App Update – Convert ProRes RAW into CinemaDNG, Proxy, iOS Version, and More https://www.cined.com/raw-convertor-app-update-convert-prores-raw-into-cinemadng-proxy-ios-version-and-more/   We hope you enjoyed this episode! You have feedback, comments, or suggestions? Write us at podcast@cined.com 

So many new gear updates have dropped recently due to NAB Show 2025—it's almost overwhelming to keep track! But don't worry—sit back, relax, and check out this week's episode of FocusCheck for all the highlights and key updates. From cameras and lenses to lighting and software, we've got everything covered in one easy-to-digest episode. Enjoy! Sponsor: This episode is sponsored by FUJIFILM. Check it out at (34:36) Chapters & Articles Mentioned in This Episode: (00:00) -  Intro (02:07) - Blackmagic Design NAB 2025 Update – Join the Live Stream https://www.cined.com/blackmagic-design-nab-2025-update-join-the-live-stream/ (03:29) - Blackmagic PYXIS 12K Camera Explained in Video Interview https://www.cined.com/blackmagic-pyxis-12k-camera-explained-in-video-interview/ (07:16) - Blackmagic PYXIS 12K Camera Price Increased by 32% to $6,595 in the USA Due to Tariffs https://www.cined.com/blackmagic-pyxis-12k-camera-price-increased-by-32-to-6595-in-the-usa-due-to-tariffs/  (10:57) - Immersive Video for Apple Vision Pro with Blackmagic Design URSA Cine Immersive & DaVinci Resolve 20 – Interview https://www.cined.com/immersive-video-for-apple-vision-pro-with-blackmagic-design-ursa-cine-immersive-davinci-resolve-20-interview/ (15:30) - Blackmagic Design PYXIS Top and Side Handles Explained https://www.cined.com/blackmagic-design-pyxis-top-and-side-handles-explained/ (19:27) - DaVinci Resolve 20 Released in Public Beta – with AI-Powered Features https://www.cined.com/davinci-resolve-20-released-in-public-beta-with-ai-powered-features/ (23:49) - FUJIFILM GFX ETERNA Camera Development Update – Internal ND, Hot Swap, Audio, and More https://www.cined.com/fujifilm-gfx-eterna-camera-development-update-internal-nd-hot-swap-audio-and-more/ (35:40) - Tilta Nucleus-M II Introduced – Features a New 4-Channel FIZ Unit, Flexible Motors, and More https://www.cined.com/tilta-nucleus-m-ii-introduced-new-fiz-unit-flexible-motors-and-more/ (40:04) - NiSi AUREUS PRIME T1.4 Cinema Lens Series Introduced – Fast & Full-Frame https://www.cined.com/nisi-aureus-prime-t1-4-cinema-lens-series-introduced-fast-amp-full-frame/ (44:31) - BLAZAR Mantis 1.33x Anamorphic Full-frame Lightweight Lens Series Announced https://www.cined.com/blazar-mantis-1-33x-anamorphic-full-frame-lightweight-lens-series-announced/ (46:57) - DZOFILM X-tract Macro Zoom Probe Lens Introduced – 3 versions, 18-28mm, T8, and Full-Frame https://www.cined.com/dzofilm-x-tract-macro-zoom-probe-lens-introduced-3-versions-18-28mm-t8-and-full-frame/ (49:25) - Laowa Probe Zoom Lenses Introduced – 15-35mm T12 / 15-24mm T8 with Interchangeable Barrel Options https://www.cined.com/laowa-probe-zoom-lenses-introduced-15-35mm-t12-15-24mm-t8-with-interchangeable-barrel-options/ (51:36) - Hollyland LARK MAX 2 – 32-bit Float and Wireless Monitoring https://www.cined.com/hollylands-lark-max-mk-ii/ (55:12) - Saramonic K9 Audio System Debuts with Ultra-Wide UHF Transmission https://www.cined.com/saramonic-k9-audio-system-debuts-with-ultra-wide-uhf-transmission/ (57:56) - Sennheiser Profile Wireless Introduced – All-In-One, Clip-On Microphone System https://www.cined.com/sennheiser-profile-wireless-introduced-all-in-one-clip-on-microphone-system/ (01:00:09) - NANLITE PavoTube II 6XR RGBWW Tubes with CRMX and 8 Pixels Explained https://www.cined.com/nanlite-pavotube-ii-6xr-rgbww-tubes-with-crmx-and-8-pixels-explained/ (01:01:35) - GVM Reign FH400 Introduced – Flat, Lightweight COB Light https://www.cined.com/gvm-reign-fh400-introduced-flat-lightweight-cob-light/ (01:03:17) - Aputure STORM XT52 – First Look at the Brightest LED Fixture Yet https://www.cined.com/aputure-storm-xt52-first-look-at-the-brightest-led-fixture-yet/ (01:05:45) - amaran Pano 120c Presented – a Lightweight, Full Color, LED Light Panel with Multiple Powering Options https://www.cined.com/amaran-pano-120c-presented-a-lightweight-full-color-led-light-panel-with-multiple-powering-options/ (01:08:35) - ASUS ProArt Monitors, a MicroLED Display, and a Display Calibrator Explained https://www.cined.com/asus-proart-monitors-a-microled-display-and-a-display-calibrator-explained/ (01:13:06) - ATOMOSphere, A-Eye PTZ cameras, a TX-RX System, and StudioSonic Headphones Introduced https://www.cined.com/atomos-atomosphere-a-eye-ptz-cameras-a-tx-rx-system-and-studiosonic-headphones-introduced/ (01:18:51) - Strada Agents Introduced – Be Your Own Cloud for Remote Collaboration https://www.cined.com/strada-agents-introduced-be-your-own-cloud-for-remote-collaboration/ We hope you enjoyed this episode! You have feedback, comments, or suggestions? Write us at podcast@cined.com

The one about brands in saturated markets, why people change and the film, Black Bag - TG124 00:00:00 Introduction Here are your hosts, Roger and Pascal. 00:04:12 In the News A selection of announcements and news releases from the world of marketing and technology that caught our attention. 00:22:22 Content Spotlights ROGER: 5 Strategies to Make Your Brand Unforgettable In a Saturated Market by John Hall at Inc: https://www.inc.com/john-hall/5-strategies-to-make-your-brand-unforgettable-in-a-saturated-market/91172672 PASCAL: 4 Reasons People Change by Dr. John C. Maxwell https://www.youtube.com/shorts/v2j2W_e2UZ8 00:38:57 This Week in History Our selection of historical events and anniversaries from the world of science, technology and popular culture. 00:49:20 Marketing Tech and Apps ROGER: It's all about moving away from Adobe – one year on. Davinci Resolve: https://www.blackmagicdesign.com/uk/products/davinciresolve Photopea: https://www.photopea.com/ Audacity: https://www.audacityteam.org/ PASCAL: It's all about better vertical videos Canva https://www.canva.com/templates/?group=social-media new and impressive vertical video templates for reels, stories and LinkedIn messages Etsy https://www.etsy.com/uk/market/video_templates a surprising option but you will be amazed by all the templates carefully crafted by creators out there! 00:58:02 Film Marketing Black Bag (2025) When intelligence agent Kathryn Woodhouse is suspected of betraying the nation, her husband - also a legendary agent - faces the ultimate test of whether to be loyal to his marriage, or his country. Director: Steven Soderbergh Writer: David Koepp Stars: Michael Fassbender, Gustaf Skarsgård, Cate Blanchett, Tom Burke, Marisa Abela, Regé-Jean Page, Naomie Harris Taglines: It takes a spy to hunt a spy. Espionage is deadly. Marriage can be deadlier. A world of espionage. A marriage of spies. We look at why the marketing was almost nonexistent for this film and what we might have doe if we'd been in charge. About Two Geeks and A Marketing Podcast Hosted by the two geeks, Roger Edwards and Pascal Fintoni, to keep you up to date with the latest news, tech, content and wisdom from the world of marketing. Roger is a marketing speaker and consultant who's spent his whole career helping his customers keep their marketing simple but effective. He's the author of Cats, Mats and Marketing Plans and the creator of the RogVLOG video...

For our 30th episode we're discussing that topic we always seem to revisit - monitoring!  While we have some opinions on the state of reference and consumer monitors in 2025 we thought it'd be fun to celebrate our 30th episode with some good friends who also happen to be experts in their part of the monitoring ecosystem.  In Part 1 of a two-part series, we're joined by Flander Scientific CEO Bram Desmet, Nate McFarlin from Dolby, and David Abrams from Portrait Displays/Avical.We'll discuss their areas of expertise with each of them a little bit - monitor manufacturing, display testing and validation, and calibration.  Specific topics explored in this episode include:Staying on top of monitoring technologiesChoosing display technologies for a monitor product lineDetermining what features make it into monitor softwareAddressing different needs of different users e.g. DITs vs ColoristsHow staying at the forefront of color science helps deliver the most accurate monitors possibleThe role that an R&D company like Dolby plays in the monitor ecosystemHow monitor usability is just as important as performanceThe complexity of monitor display technologies and how they can complicate monitor evaluationSometimes monitor evaluation brings with it things manufacturers don't want to hearConsumer monitors can be considerably harder to evaluate than professional monitorsWhat does Dolby Certification really mean for consumer TVsWhen will we hit a point where HDR is standard & SDR is looked at in a similar way to HD or 4:3 Professional vs Consumer displays when it comes to calibration accuracy out of the boxCalibration is not a replacement for understanding & proper setup/use of a monitorExploring how calibration has become both easier and harderHow accurate is accurate enough and is the cost of reference calibration gear worth itNoticeable differences & degrees of accuracy with calibrationDrift and the frequency of recalibration In part 2 we explore some monitoring topics provided by our listeners and ones that Joey and Robbie have been eager to discuss.

Scott and Wes break down the Model Context Protocol (MCP), a new open standard that gives AI agents secure, tool-like access to your dev environment. They cover how it works, why it's a big deal for AI coding workflows, and real-world use cases like GitHub, Sentry, and YouTube. Show Notes 00:00 Welcome to Syntax! 00:49 The lore of ICP. Wes MCP Shirt. 03:09 Brought to you by Sentry.io. 03:33 What is MCP? 05:06 The steps of AI coding. 07:11 MCP hosts. 07:28 MCP clients. 07:35 MCP servers. 08:24 Why you might want to do this. 10:39 How this works in VS Code. 14:10 Wes built an MCP server. SVGL. 14:57 Playwright. 17:24 Sentry's implementation. Building Sentry's MCP with David Cramer. 18:54 YouTube implementation. 21:19 DaVinci Resolve implementation. Smithery. 23:02 Postgres. 24:40 Transport protocols. 24:49 STDIO. 25:19 SSE. 25:32 Streaming. 26:24 Writing you own MCP server. 26:28 FastMCP. 27:00 Cloudflare. 28:01 Data validation. 28:47 Standard schema. Episode 873. 29:27 Other parts of MCP. 29:35 MCP resources. 30:37 MCP prompts. 30:48 MCP roots. Hit us up on Socials! Syntax: X Instagram Tiktok LinkedIn Threads Wes: X Instagram Tiktok LinkedIn Threads Scott: X Instagram Tiktok LinkedIn Threads Randy: X Instagram YouTube Threads

Entérate de lo que está cambiando el podcasting y el marketing digital:-El audio con publicidad capta más atención en EE. UU.-Julio Rojas alcanza, con “Caso 63: Enigma”, las 50 millones de reproducciones en Spotify.-Los Webby Awards 2025 anuncian las categorías, destacando a los pódcast.-La IA revoluciona DaVinci Resolve 20.-Instagram prueba publicaciones bloqueables para aumentar la interacción. Patrocinios¿Estás en la Ciudad de México y quieres grabar tu pódcast? En RSS.media, powered by RSS.com, tenemos todo lo que necesitas en un solo lugar. Graba, edita, hospeda, promociona y monetiza tu pódcast con nosotros. Visítanos en www.rss.media y escríbenos para descubrir cómo podemos ayudarte a hacer realidad tu idea.Entérate, en solo cinco minutos, sobre las noticias, herramientas, tips y recursos que te ayudarán a crear un pódcast genial y exitoso. Subscríbete a la “newsletter“ de Via Podcast.

En este episodio de El Minicast analizamos las novedades más importantes de DaVinci Resolve 20.0 y cómo estas innovaciones dejan atrás a Final Cut Pro.puedes comentarlo conmigo en ⁠⁠elminicast@gmail.com⁠⁠ o en twitter en ⁠⁠**@laurindel⁠⁠ .**No olvides compartir este podcast con todo aquel a quien creas que le puede interesar, y las valoraciones en cualquiera que sea la plataforma en que me escuchas son super agradecidas, con envíos de jamones a final ese año etc. :)music by Dyalla Swain ⁠⁠http://soundcloud.com/dyallas

Riley Hill is back to talk about a grab bag of different topics including; Beats Solo Buds, Final Cut Pro, DaVinci Resolve 20, ZBrush, Pages Removing Apple Books Integration, Affinity Update 2.6, 15 Years Of iPad, and iPadOS 18.4.Early episodes with chapter markers are available by supporting the podcast at www.patreon.com/ipadpros. Early episodes are also now available in Apple Podcasts!Show notes are available at www.iPadPros.net. Feedback is welcomed at iPadProsPodcast@gmail.com.Links:https://slatepad.orgChapter Markers:00:00:00: Opening00:00:28: Beats Solo Buds00:06:43: Magnetic Pencil00:13:26: Final Cut Pro00:20:35: DaVinci Resolve 2000:27:29: ZBrush00:29:07: Pages00:33:35: Affinity 2.600:36:31: 15 Years Of iPad00:40:10: iPadOS 18.400:47:17: Follow Riley And Closing02:45:27: Closing Hosted on Acast. See acast.com/privacy for more information.

Need incredible music and sound effects? Use what PetaPixel uses: Audiio! You can get 70% off your first year of Audiio Pro (just $59 for unlimited music & SFX downloads) when using our exclusive partner deal. Go to audiio.com/petapixel and use code "petapixel" at checkout!The NAB Show (National Association of Broadcasters) is the largest video-centric exhibition of the year and Chris Niccolls, Jordan Drake, and Jaron Schneider walked the show, saw it all, and have thoughts!Check out PetaPixel Merch: store.petapixel.com/ We use Riverside to record The PetaPixel Podcast in our online recording studio.We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe.In This Episode:00:00 - Intro, from the floor of NAB!06:11 - So we have to talk about tariffs07:29 - Sony a1 II shortage is getting worse12:54 - DxO quietly pulls back on X-Trans 5, apologizes for "misleading" messaging14:15 - Don't hold out hope for native leaf shutters on GFX17:26 - DJI is begging the US government to do its job18:39 - Fujifilm film prices in Japan are going way up 22:54 - DaVinci Resolve adds more than 100 new features26:54 - We got more details on the GFX Eterna cinema camera32:54 - The stuff at NAB that caught our eye51:39 - Curtis Judd drops by52:25 - Never read the comments55:37 - Tech Support

¿Adiós a las películas Fujifilm? ¿Hola DaVinci AI? Exploraremos a fondo cinco noticias que están sacudiendo el universo de la fotografía y la tecnología digital. En este video, te llevamos por una travesía informativa y emocionante siguiendo la estructura del Camino del Héroe. Desde las últimas actualizaciones de DaVinci Resolve, hasta los preocupantes aumentos en los precios de rollos Fujifilm, pasando por las cámaras inteligentes de Apple, el adiós de un ícono de la fotografía de vida silvestre y las nuevas lentes premium de Nikon. Si eres fotógrafo profesional o apasionado de la imagen, este resumen semanal te dará contexto, claridad y motivación para adaptarte a los cambios del sector.Suscríbete y acompáñame en este viaje donde la fotografía sigue reinventándose.#Fotografía2025#NoticiasFotografía#DaVinciResolve#FujifilmRollos#AppleCámaras#NikonLentes#FotografíaDigital#CaminoDelHéroe#TecnologíaFotográfica#FotografíaAnalógica

Bienvenidos a Wrap It Up! Daily, soy Marco y hoy arrancamos con todo desde Las Vegas en la NAB Show 2025, la feria más importante del mundo audiovisual. En este episodio te comparto las novedades que están marcando tendencia:

In this episode of Linux Out Loud, we explore the latest in Linux hardware experiments, distro discoveries, and creative workflows. Wendy walks through her setup with Fedora 41 and DaVinci Resolve, Matt dives into Windows frustrations, and Nate teases his excitement about trying out Bazzite, even before getting hands-on with the OneXPlayer. We chat about eGPU setups, Wayland oddities, 3D printer troubleshooting with Mainsail and NGINX, and highlight the unique challenges (and wins) of gaming on Linux—like Dark Envoy. It's a lively mix of tech insights, problem-solving, and distro excitement—all wrapped in open-source goodness. Find the rest of the show notes at https://tuxdigital.com/podcasts/linux-out-loud/lol-109/ Contact info Matt (Twitter @MattTDN (https://twitter.com/MattTDN)) Wendy (Mastodon @WendyDLN (https://mastodon.online/@WendyDLN)) Nate (Website CubicleNate.com (https://cubiclenate.com/)) Bill (Discord: ctlinux, Mastodon @ctlinux)

In this episode, we continue our discussion about ARM-based computing and its impact on postproduction. If you missed part 1 in this series, be sure to check that out, as we cover a lot of helpful background information. In this show, some of the specifics discussed include:How ARM will factor into our next workstation purchasesDo we think Apple will deliver on a ‘beast mode' Mac ProWill Apple Silicon ever support discreet GPUsHow ARM Linux systems are very appealing from a hardware point of view but have software challengesIs widespread adoption of ARM an inflection point for cloud-based workstations for the massesA side effect of cloud-based workstations might be faster feature/bug fix deploymentWhy the future of workstations is really excitingBe sure to check out our library of episodes, and if you liked the show, be sure to like and subscribe to the podcast wherever you find it.

Get ready for NAB 2025—the ultimate event for content creators and filmmakers! In this video, we're breaking down the top 5 NAB 2025 innovations you can't miss and how they'll revolutionize your business and creativity. Whether you're looking for cutting-edge AI tools, affordable LED screens, or new camera tech, this year's NAB is packed with opportunities to turn your passion into profit. Watch Part 2 Only at FlashFilmAcademy.com (also I'll provide a promo code to get in for FREE)Here's what you'll discover:- **New Camera Bodies**: Game-changing releases from brands like Canon, Sony, Insta360, and GoPro.- **AI Tools**: Smart, practical solutions for editing, color grading, and more, designed to save you time and enhance your workflow.- **Affordable LED Walls**: Virtual production tools are becoming more accessible for smaller studios.- **Robotic Camera Arms**: High-end motion control tech at budget-friendly prices.- **Software Upgrades**: Major updates from Adobe and DaVinci Resolve to streamline your projects.If you're ready to take your PhotographyBusiness or VideographyBusiness to the next level, this is the event you can't afford to miss. Plus, I'll be there with the FlashFilm Academy family to share insights and help you maximize your experience.Don't wait—subscribe now and turn your creative vision into a profitable entrepreneurship journey! Join the FlashFilm Academy community today and start transforming your passion into a thriving career. See you at NAB 2025!#NAB2025 #aivideogenerator #runwaygen3 #freeaivideogenerator #aivideoediting #texttovideoai#socialmediamarketing #bestaitools #contentmarketing #contentcreation #aitoolsforcontentcreatorsCHAPTERS:00:00 - NAB 202500:48 - Channel Overview01:03 - Benefits of Attending NAB 202505:20 - Flash Film Academy Review

Nesse episódio do Podcast da Lambda powered by TIVIT, Fernando Okuma convida Eduardo Liron, Nelson Simplício e André Okuma para um papo sobre a relação do cinema com a tecnologia e o quando as pessoas de uma área tão artística precisam estar muito atualizadas softwares e hardwares.    Lambda3 · #427 - Cinema e tecnologia   Participantes: Fernando Okuma - @feokuma Eduardo Liron - @eduardoliron Nelson Simplício - @nelsonsimplicio André Okuma - @andre_okuma   Pauta: Um pouco de história do cinema A evolução do cinema em paralelo com a tecnologia As mortes do cinema Ferramentas que ajudam a fazer cinema (além das essenciais) Desafios para produzir, armazenar e manter os artefatos atualizados Abrindo arquivos gerados em versões antigas de softwares de edição Como as "facilidades" das novas tecnologias influenciam na forma de fazer cinema Quanto faz sentido novas gerações de cineastas aprenderem tecnologias antigas Comunidade de discussão técnica de produção de cinema Futuro do cinema e tecnologia Referências: Livro Cinema e Guerra - Paul Virilio Livro O fim do cinema?: Uma mídia em crise na era digital - André Gaudreault e Philippe Marion Celtx - Software para escrita de roteiro - https://www.celtx.com @moti.curta Davinci Resolve - https://www.blackmagicdesign.com/br/products/davinciresolve/ Mobiliário Urbano - www.moburb.org   Edição: Compasso Coolab   Créditos das músicas usadas neste programa: Music by Kevin MacLeod (incompetech.com) licensed under Creative Commons: By Attribution 3.0 - creativecommons.org/licenses/by/3.0

Major camera announcements from leading manufacturers Sony and Canon happened this week - the Sony VENICE Extension System Mini as well as the Canon Powershot V1 and R50 V. In addition to that, we talk about Johnnie's experience transforming the FUJIFILM GFX100RF into an anamorphic camera via adapter. We're also diving into a wide range of topics, including the creator economy vs. Hollywood, the innovative production techniques behind Netflix's Adolescence, and the latest gear updates from across the industry. It's a packed episode, so grab some popcorn and join the conversation to stay up to date with everything happening in the world of filmmaking. Sponsor: This episode is sponsored by FUJIFILM. Check it out at (30:37). Chapters & Articles Mentioned in This Episode: (00:00) - Intro & Overview (01:45) - FUJIFILM GFX100RF Announced – A Compact Fixed-Lens GFX Camera with Pro Features https://www.cined.com/fujifilm-gfx100rf-announced-a-compact-fixed-lens-gfx-camera-with-pro-features/   14:26 - Sony VENICE Extension System Mini Unveiled – A Compact Solution for Cinema Production https://www.cined.com/sony-venice-extension-system-mini-unveiled-a-compact-solution-for-cinema-production/   22:35 - Canon PowerShot V1 Goes Global – Pocketable 4K https://www.cined.com/canon-powershot-v1-goes-global-pocketable-4k/   25:54 - Canon EOS R50 V Announced with RF-S 14-30mm F4–6.3 IS STM PZ Lens https://www.cined.com/canon-eos-r50-v-announced-with-rf-s-14-30mm-f4-6-3-is-stm-pz-lens/   31:41 - Canon RF 20mm F1.4L VCM Lens Announced https://www.cined.com/canon-rf-20mm-f1-4l-vcm-lens-announced/   (34:38) - CineD Special Edition AV PRO SE CFexpress A 160GB/330GB Launched https://www.cined.com/cined-special-edition-av-pro-se-cfexpress-a-160gb-330gb-launched-from-99-excl-taxes/   (36:46) - Creator Economy vs. Hollywood: Michael Cioni's Industry Wake-Up Call https://www.cined.com/creator-economy-vs-hollywood-michael-cionis-industry-wake-up-call/ (47:55) - Blackmagic URSA Cine 17K 65 Footage, BTS & DaVinci Resolve 19.1.4 Gets ProRes Encoding for Windows https://www.cined.com/blackmagic-ursa-cine-17k-65-footage-bts-davinci-resolve-19-1-4-gets-prores-encoding-for-windows/   (54:21) - One Take, No Cuts – How Netflix's Adolescence Was Made https://www.cined.com/one-take-no-cuts-how-netflixs-adolescence-was-made/   (01:07:46) - KipperTie LCminiND – Electronic Variable ND for Drop-In Filter Adapters with LC-Tec's Technology https://www.cined.com/kippertie-lcminind-electronic-variable-nd-for-drop-in-filter-adapters-with-lc-tecs-technology/   (01:11:31) - SIRUI Joins the L-Mount Alliance https://www.cined.com/sirui-joins-the-l-mount-alliance/   (01:13:58) - The Sunglasses Billionaire Who Got Hollywood to Leave Film Behind – The Story of RED Cameras https://www.cined.com/the-sunglasses-billionaire-who-got-hollywood-to-leave-film-behind-the-story-of-red-cameras/   (01:18:28) - Laowa Wide-Angle Vista Vision Line Expanded with 9mm, 10mm, 12mm, and 14mm Cine Lenses https://www.cined.com/laowa-wide-angle-vista-vision-line-expanded-with-9mm-10mm-12mm-and-14mm-cine-lenses/   (01:20:30) -The Power of Backlight in Film – What It Reveals and Conceals https://www.cined.com/the-power-of-backlight-in-film-what-it-reveals-and-conceals/   We hope you enjoyed this episode! You have feedback, comments, or suggestions? Write us at podcast@cined.com 

Pros & Cons Of Using Davinci Resolve EditorThe Goods ⤵️ www.linktr.ee/flc1Use code FILL for 50% OFF your Equip Expo registration OR use this auto-code applied link: https://rb.gy/b8ki5xIf you found this podcast episode informative in any way, please make sure to leave it a well-worded 5 star review. If you are on Spotify, please consider answering the question pinned to today's episode. Check out our links below for more information on the products we use and recommend. Thank you!Our Affiliate Partners (SAVE 10% codes) ⤵️

Magnum Photos, en colaboración con Fujifilm y la Biblioteca de Fotografía y Patrimonio de París (MPP), ha iniciado un proyecto histórico para digitalizar su archivo de fotografías en color en París, que ha estado inactivo durante décadas. Utilizando la avanzada cámara Fujifilm GFX 100 II, este esfuerzo busca preservar y revitalizar imágenes inéditas capturadas por fotógrafos de Magnum en todo el mundo. Paralelamente, Blackmagic Design ha lanzado "La Guía para Coloristas de DaVinci Resolve 18", un recurso educativo gratuito de 400 páginas que ofrece ejercicios prácticos para dominar las herramientas de corrección de color de DaVinci Resolve. Este libro está disponible en formato PDF gratuito o en versión impresa paga. Estas iniciativas representan avances significativos en la preservación y edición de imágenes, proporcionando a fotógrafos y editores herramientas modernas para explorar y compartir historias visuales.

ARM SoCs (system on a chip) have become a hot topic in the computing world in the past few years. Apple branded ‘Apple Silicon', Qualcomm's Snapdragon, Ampere's Altra, and others have been disruptive in a world once dominated by x86/x64-based systems from Intel & AMD.In Part 1 of a two-part series on ARM in postproduction, we explore some of the essentials of ARM systems, including:Basics of ARM vs x86/x64 processorsRISK vs Non-RISK CPUsThe flexibility & scalability of ARMThe goal of a uniform product architecture and its advantage for a company like AppleGPU design/performance - the surprise of Apple's ARM implementationThe appeal and benefits of efficiency and low power consumptionThe benefits of unified memoryPackage scalability - faster/more cores, multiple SoCsDoes clock speed matter with ARM SOCs?Additional benefits - onboard encode/decode abilitiesAre SoC GPUs ever going to be on par with discrete GPUs? Will discrete GPUs ever come to Apple ARM systems?In part two, we'll dive a bit deeper, exploring additional topics, including how cloud-based ARM computing could be a game changer for cost-effective, decentralized post workflows, what the future may hold for workstations from Apple and others, and much more. 

The built-in tools in grading applications like DaVinci Resolve are immensely powerful, but sometimes, you need a tool that goes further—or, at the very least, approaches a task in a slightly different way. In this installment of The OffSet Podcast, we're exploring how power grades, DCTLs, and OFX fit into a grading workflow.Specific topics we discuss in this episode include:Defining Powergrades, DCTL & OFXThe benefits of extending the toolset without cluttering the user interfaceIntegrating DCTLS and OFX into fix node tree structuresThe DCTL ecosystem as R&D for Blackmagic DesignKeeping DCTLs & OFX in sync, up to date, and on multiple systems and locationsExploring how to NOT paint yourself into a corner with DCTLs & OFXHow DCTLS and OFX require a lot of steps and clicks for useThere could be better interface & panel integrationSome of our favorite DCTLs and OFXBe sure to check out our library of episodes, and if you liked the show, be sure to like and subscribe to the show wherever you find it.

EPISODIO #65_______En este episodio de El Corte Final, Jordi Extremera y Jesús Hernández, de MotionFX (www.motionfx.es), discuten una variedad de temas relacionados con la edición de vídeo, herramientas para filmmakers y emprendimiento audiovisual. Jesús comparte su experiencia con el lanzamiento de su curso de DaVinci Resolve, que ha tenido una buena acogida, pero no tanto como sus cursos de FCP.El episodio también aborda la popularidad de diferentes programas de edición, con Adobe Premiere liderando el mercado profesional, seguido de Final Cut Pro y DaVinci Resolve. Se menciona el crecimiento exponencial de DaVinci Resolve, que ha pasado de 324,000 usuarios en 2018 a más de 5.5 millones en 2023.Jesús y Jordi analizan la importancia de los plugins y plantillas en el flujo de trabajo de los editores, destacando la falta de un ecosistema robusto en DaVinci Resolve en comparación con Final Cut Pro. Se mencionan varios plugins, como los de Jake Wipe  (https://wipptemplates.com/ y su canal de YouTube https://www.youtube.com/@JakeWipp) y Video Editor Studio (https://videoeditorstudio.com/), que ofrecen herramientas útiles para la edición, aunque con ciertas limitaciones en términos de rendimiento en DaVinci Resolve.Además, se discute el uso de CapCut, un editor de vídeo móvil que ha ganado popularidad por su facilidad de uso y herramientas específicas para redes sociales, aunque no está diseñado para proyectos profesionales de gran envergadura.También hablamos sobre Notion, una herramienta de organización que Jordi ha estado utilizando para gestionar sus proyectos. Recomienda una plantilla específica llamada Video Production Agency OS (https://simonotion.gumroad.com/l/tsqjqo), creada por Simo, que ofrece una solución integral para la gestión de productoras audiovisuales.También se habla del nuevo plugin multisistema de Kromatica, llamado DigiDiff (https://www.kromatica.co/pages/digidiff), que emula los filtros difusores tipo glow o mist, y explican la diferencia de hacerlo en set o en postproducción. Por fin se resuelven una de las grandes incógnitas.No olvidan la importancia del audio, y hablan de unos de los paquetes de efectos de sonido mas grandes y económicos que puedes conseguir en la red. Se trata de Ocular Sounds (https://ocularsounds.com/en-es), que con un precio imbatible, puede llegar a cubrir practicamente todas tus necesidades de edición de sonido.Finalmente, Jesús anuncia que ha subido un curso gratuito de Final Cut Pro y DaVinci Resolve a su canal de YouTube, con más de siete horas de contenido dividido en capítulos (http://www.youtube.com/watch?v=mBNvSD7QB2k&t=123s).Sin mas, aquí tienes un programazo lleno de contenido que seguro que le sacas el provecho necesario._______Si quieres colaborar conmigo e invitarme a un café (el que me tomo mientras grabo el podcast) lo puedes hacer a través de la plataforma https://www.buymeacoffee.com/elcortefinal y así estaré mas despierto para el siguiente episodio

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/color-timer-podcast-daria-fissoun-color-grading-history-terminology/Buy the Color Timer Shirt, now for sale: https://vincenttaylorcolor.myshopify.com/===In this episode of the Color Timer Podcast, I speak with the multi-talented Daria Fissoun, CSI.Daria is a highly skilled colorist, compositor, and certified DaVinci Resolve trainer with over a decade of experience in the post-production industry. She is also a Mixing Light contributor.We dove into the details of Daria's latest project, a literal thesis about the etymology used in color correction and grading. Where do these terms come from? I had no idea I wanted to learn about this subject, but Daria quickly made me realize how incredible a history of our craft there is to discover. (00:00) - Introduction (02:08) - How Daria became a colorist (04:39) - Daria's thesis on Color Grading etymology (07:00) - How do you research a thesis? (09:31) - The idea of a thesis (11:43) - Daria's end goal of her thesis (14:49) - Daria's insights on how people learn (19:11) - How do you remember everything you've learned? (20:42) - Final thoughts

In this episode of The Offset Podcast, we're discussing strategies for managing client review sessions - both in person and remote.  The review session sounds straightforward on paper, but it can be a complicated balancing act of moving things along, addressing changes, and keeping everyone happy.  Some of the specifics we discuss in this episode include:Managing both in-person and remote review sessionsThe importance of ‘knowing' the show - content, characters, etcModulating small talk and reading the roomLeveraging markers & notes for remaining tasks to accomplish & notes to selfAnticipating problems, tangents, and pushbackSetup your grading pipeline to make changes and comparisons easy for the clientThe power of making choices and changes visual Documenting and tracking changes for consistency and completion Making sure the technology works - audio, networking, lighting, passwords etcHaving a backup strategy  - rendering out intermediate masters, duplicate projects/timelinesHaving clearly defined goals for the review session & a post-review plan You can submit show ideas and find show notes by visiting www.offsetpodcast.com. You can also follow us on Instagram, Facebook, and YouTube - just search for The Offset Podcast

In this installment of The Offset Podcast, we're discussing many of the things no one told us before we decided to become professional colorists.  While being a professional colorist can be exciting and rewarding, the job also comes with a plethora of challenges and things you might not realize.  Some specifics we discuss in this episode include:Is being a colorist everything it's made out to be?How being a colorist can challenge your physical and mental healthHow not every project is share-worthy and it's easy to feel like you're not making artChallenges of long hours and being away from family and friendsBeing an independent colorist is hard, but the benefits can be numerous  There is more out there to color besides movies, television, and commercials - i.e. the great middleHow postproduction knowledge as a colorist can be leveraged for lots of other thingsHow you have to learn to check your ego at the doorLong-term success usually means consistency and repeatability vs one awesome gradeLearning how to be a team player with other parts of the pipeline Putting your knowledge to work through education, speaking, etc can be just as rewarding as gradingAdvancement in postproduction isn't really connected to titles - - but more so responsibility and overall trust from stakeholders Thanks for listening/watching and if you liked this show be sure to check out other episodes and tell your colleagues and friends about the podcast! 

If you are an avid listener of this podcast you know how much I LOVE Blackmagic Design products. From giving away Davinci Resolve for free to releasing a 4K Pocket Camera with RAW, Blackmagic is truly in the corner of every filmmaker. Their motto is…“Power to the people!”I always wanted to know how and why they make such amazing products for filmmakers at such ridiculously affordable prices. Today's guest, Dan May – President of Blackmagic Design, would be the man to ask. I go deep into the weeds on how the company works, why they make their products so accessible to so many people and why they care so much about the little guy.Just to clarify, no I was not paid for this interview at all. I really wanted to get into the mind of one of my favorite camera and post production companies. We also talk a little bit about gear.Enjoy this rare look behind the curtain at Blackmagic Design with President Dan May.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

We hope you had a great holiday season! The Offset Podcast is back for Season 2. We publish an episode every two weeks, and for Season 2 (2025), we're excited to discuss a wide range of exciting topics.  In this episode, we explore a subject that should be important to everyone who cares about image quality and accuracy—calibration. While this episode is not encyclopedic, it should give you a high-level overview of modern calibration.Topics covered in this episode include:The importance of calibration & why calibration = the truthUsing color bars to set a monitor baseline isn't calibration How standards guide calibrationCalibration and monitor perfection is unattainable - the goal is to eliminate visual deviations from reference as much as possible. Understanding the parts of a closed-loop calibration systemColorimetersSpectroradiometersCreating display-specific offset matrices for a colorimeter with a spectroradiometer Pattern generatorsPattern/Patch size and understanding the basics of loading behaviorCalibration software Direct device control within calibration softwareMeter placement Challenges of calibrating projectors vs. direct-view monitorsUnderstanding what calibration can't do & recalibration considerations Is auto calibration any good?Hiring a professional calibrator Thanks for checking out the show!  If you liked this episode please like, subscribe, and share the show with friends and colleagues.

As the end of the year approaches, it's time to choose the best cameras of the year. Join Nino and Johnnie for their discussion, and don't forget to share your opinion in the poll! See what others think is the top contender for the trophy. Sponsor: This episode is sponsored by FUJIFILM. Check it out at (27:22) Chapters & articles mentioned in this episode: (00:00) - Intro   (06:45) - GVM Pro SD300C RGB LED Monolight Review – How Does It Compare to the amaran 300c? https://www.cined.com/gvm-pro-sd300c-rgb-led-monolight-review-how-does-it-compare-to-the-amaran-300c/   (14:51) - DaVinci Resolve 19.1.1 – Incremental Update Brings Workflow and Stability Improvements https://www.cined.com/davinci-resolve-19-1-1-incremental-update-brings-workflow-and-stability-improvements/   (18:08) - Sony Alpha a1 II – Newly Added to Camera Database https://www.cined.com/camera-database/?camera=Alpha-a1-II   (21:28) - BLAZAR APEX 1.33x 50mm Anamorphic AF Lens Available Now for Preorder https://www.cined.com/blazar-apex-1-33x-50mm-anamorphic-af-lens-available-now-for-preorder/ Johnnie's Review of the lens: https://www.cined.com/blazar-apex-35mm-and-50mm-autofocus-anamorphic-lenses-review-with-sample-footage-great-quality-for-the-price/   (25:53) - AtomOS 11.13.00 Firmware Released – Adds HDMI RAW 6K Mode Support for Canon C80 & R1 https://www.cined.com/atomos-11-13-00-firmware-released-adds-hdmi-raw-6k-mode-support-for-canon-c80-r1/   (28:23) - Poll: Vote for Camera of the Year 2024 https://www.cined.com/poll-vote-for-camera-of-the-year-2024/   We hope you enjoyed this episode! You have feedback, comments, or suggestions? Write us at podcast@cined.com 

In Episode 191 of The Business Development Podcast, Kelly Kennedy dives into the essential tools that simplify and elevate content creation in 2025. Whether you're a podcaster, YouTuber, or building your personal brand on LinkedIn, this episode is your guide to navigating the world of modern content production. Kelly shares the five indispensable tools he uses to produce high-quality audio, video, and social media content, breaking down how each one contributes to his success. From mastering Adobe Audition for flawless audio production to leveraging Canva for visually engaging posts, he demystifies the process and offers actionable insights for content creators of all levels.This episode isn't just about tools—it's about empowering creators to overcome the overwhelm of starting from scratch. Drawing from his own journey of trial and error, Kelly highlights how tools like Riverside.fm, Descript, and DaVinci Resolve have transformed his production process, making professional-grade content achievable for anyone. Whether you're a beginner or an experienced creator looking to optimize your workflow, this episode offers a blueprint for success, proving that with the right tools and a willingness to learn, content creation can be both simplified and impactful.Key Takeaways: 1. The right tools simplify content creation and make professional-quality output achievable for anyone. 2. Adobe Audition is the gold standard for audio editing, offering unmatched control for creating studio-quality sound. 3. Riverside.fm is a must-have for remote interviews, ensuring high-quality recordings regardless of internet issues. 4. Descript makes editing simple, allowing creators to refine audio and video by editing the transcript directly. 5. Canva is a versatile tool for designing professional-grade social media content, even for beginners. 6. DaVinci Resolve is a powerful and free video editing software that allows for advanced audio enhancements. 7. Content creation tools are evolving rapidly—staying updated ensures your workflow stays efficient and competitive. 8. Plugins can elevate your audio quality by removing reverb, noise, and imperfections for a polished finish. 9. Authenticity matters more than ever; the best tools help amplify your voice, not replace it. 10. Content creation is a learnable skill—starting small and consistently improving will lead to great results over time. Companies mentioned in this episode: Adobe Riverside FM Hindenburg Journalist Pro Canva DaVinci Resolve Predis AI Opus Clips Adobe Podcast Capital Business Development

We return to software this week, with a look at the notable new features in Final Cut Pro 11 and DaVinci Resolve 19.1. Also, Canon expanded their lineup of “hybrid” photo/video RF mount lenses. Want to send us a question or comment, or just learn more about the show? Check out our website at https://cameragearpodcast.com, or email us directly at cameragearpodcast@gmail.com. Some links below to product sites are affiliate links and may result in a commission to the Camera Gear Podcast. Links: Canon press release about new hybrid lenses [Canon] Canon RF 24mm f/1.4 L VCM Lens [B&H] Canon RF 50mm f/1.4 VCM Lens [B&H] Canon RF 70-200mm f/2.8 IS USM Z Lens [B&H] Final Cut Pro 11 Press Release [Apple] Davinci Resolve Studio 19.1 Release Notes [Blackmagic]

Programming Note: The Offset Podcast is taking a break for the holidays.  We'll return in mid-January 2025 with new episodes and back to our regular release schedule. A very sincere thanks to our listeners for an amazing 2024 and for helping us launch the show!--------------------------------------Continuing with our two-part series on DIY approaches, in this installment of The Offset Podcast we'll discuss using a DIY approach to software. No, we're not talking about making your own turn-key color or editing software (but let us know if you do!), but rather things like scripting, basic coding for tool building, automation, and more.  Specific topics covered in this episode include:  Why DIY software approaches & can you really do these things yourself?The importance of always starting with an ideaBasic scripting to improve workflowsIntegrating scripts through the Resolve APILeveraging Resolve developer documentation for helpLearning by looking at other/open-source scriptsDCTLs - creating custom color tools for DaVinci ResolveHow color science and DCTLs relate Using low code/no code workflow automation platforms to connect the dots with different APIsAutomating while also allowing for human decision-makingMake your own UI/Interface for custom tools with Budibase Keeping interfaces simple to get more user compliance SaaS (Software As A Service) in the cloud vs local integrationsThe danger of using too many services Using developer marketplaces Thanks for checking out the episode.  Please subscribe and like the show anywhere you find it!   

Is Final Cut Pro 11 falling behind in the professional editing world? This in-depth analysis reveals why Apple's latest update might be too focused on ecosystem lock-in rather than professional editing needs. A professional editor's perspective on why Final Cut Pro 11's new features like magnetic masking and spatial video editing might not be enough to compete with rapidly evolving alternatives like DaVinci Resolve and CapCut. Key points covered: • How Final Cut Pro's 14-year head start in the industry might not matter anymore • Why features like magnetic masking feel more like gimmicks than revolutionary tools • The rise of DaVinci Resolve as the new industry standard • CapCut's emergence as a powerful alternative for content creators • Real-world comparison of editing capabilities across platforms As a former Army Combat photographer and owner of a successful production company, I share honest insights about choosing the right editing software for your career growth. Whether you're a beginner or seasoned pro, this video helps you make an informed decision about your editing future. Get professional guidance on choosing the right editing software and building your content creation career. Ready to transform your editing skills into a thriving business? Visit FlashFilm Academy for your free Capture and Convert Kit. #finalcutpro11 #fcp11 #finalcutpro #finalcutprotutorial #davinciresolve#fcp11 #finalcutpro11 #blackmagicdesign #finalcutpro #davinciresolvetutorial CHAPTERS: 00:00 - Final Cut Pro 11 Overview 01:08 - New Features in Final Cut Pro 11 03:02 - Apple's Position with Final Cut Pro 11

Marty, Eric, and Daniel talk about the new immersive video by The Weeknd and new versions of Final Cut Pro and DaVinci Resolve that are equipped to edit spatial video. Marty Gets a Belkin headstrap Apple debuts The Weeknd: Open Hearts, the first-of-its-kind immersive music experience for Apple Vision Pro Apple Releases First-of-Its-Kind Immersive Music Experience for Vision Pro Feat. The Weeknd NEWS Apple Vision Pro weekend viewing: 'currents' on Vimeo Apple Vision Pro needs something bigger than a software update Channel 4 launches Vision Pro streaming app with a Taskmaster environment Betas and new OS Developer beta  VisionOS 2.2.3 released today   StoriesGuide for demoing the Apple Vision Pro Fitting light seals Apple Immersive 'Concert for One' arrives next week on Vision Pro Coming soon to Apple Vision Pro: mixed reality hit game 'Little Cities: Diorama' What do you capture in spatial video… A 2 hour long interview with my 96yr old grandma with a family member translating. We used one of those games with a ton of interesting questions to learn about her life. Reviews Apple Vision Pro proves best home theater as 2024 top grossing films arrive in 3D The Macalope Apple is doomed because no one wants to wait for anything : Patience is a virtual reality. The Apple Vision Pro Is One of the Worst Headsets for Gaming App news - Final Cut 11 and Davinci Resolve 19.1 Final Cut Pro update with Spatial Editing Final Cut Pro 11 touts Al-powered features for the Mac Apple's Al-infused Final Cut Pro 11 is now available Final Cut Pro 11 Has Apple Intelligence's Image Clean Up, But For Videos DaVinci Resolve 19.1 with spatial video editing support now available on the Mac App Store NEW APPS WORTH MENTIONINGSeasons: Immersive Weather - see the weather inside snowflakes or wind-blown leaves ( 3 day trial ) In-App Purchases:Pay Annually $24.99, Pay Permanent $49.99, Pay Seasonly $8.99, Pay Monthly $3.99  Spatial audio soundscapes one free sound to try it out. Place sounds around your environment. Annual Subscription $19.99, Monthly Subscription $3.99, H2O $3.99, Alliage $3.99, Lifetime $99.99, Unlimited Access $3.99 Vimeo - spatial videos - a way to upload and share spatial videos on social media. New video edited in Final Cut Pro and uploaded to vimeo, worked much better than my first attempt Mastodon post which then plays in vimeo. Mac Virtual Display example. Zoom in on the image to see the level of detail in the new display.  ​​ Follow the live stream at YouTube.com/@VisionProfiles on Monday nights at 9 PM EST or catch the video later on Youtube or audio on any pod catcher service VisionProfilesPodcast@gmail.com ThePodtalk.net

You've likely heard the phrase 'work smarter, not harder'. Well, for the professional colorist who has to grade tons of shots day in and day out, working smarter is at the core of what we call grade management. In this installment of The Offset Podcast, we explore a plethora of tools & techniques for grade management. While many of these things are Resolve-specific, grade management approaches can apply to your grading tool of choice. Highlights include: What does grade management mean?The power of fixed node tree (fixed structure)The process of building your own fixed treeLeveraging Node Stack LayersUsing compound nodes Using groups, Lightbox & Smart Filters to work fasterShared nodesUnderstanding sort modesUsing multiple playheads Remote and Local gradesUsing VersionsSplit screens for complex comparisons  Stills and wipesTimeline (Layer) organization and track disabling Burn in options and rendering specific tracksSingle Clip vs Individual Clip render optionsRemember to subscribe and like wherever you find The Offset Podcast. We appreciate you checking out this episode!

What kind of Artificial Intelligence does Health Hats, the Podcast, use in production? Understanding types of AI, transparency, and ethical considerations. Summary Perplexity used in this summary AI Tools in Use Various AI-powered software and apps are utilized in production, including Zoom, Descript, Grammarly, DaVinci Resolve, Canva, Perplexity, and OpenArt AI. Types of AI The episode breaks down different categories of AI, including Narrow AI, Artificial General Intelligence (AGI), and Artificial Superintelligence (ASI). AI functionalities are explained, from Reactive Machine AI to the theoretical Self-Aware AI. Ethical Considerations Transparency and disclosure of AI usage in content creation Maintaining authenticity and human creativity Ensuring content accuracy and preventing misinformation Addressing bias and fairness in AI algorithms Protecting user privacy and data Ensuring Transparency Disclosing AI usage in audio content and metadata Clear communication with the audience about AI utilization Appropriate use of AI as a tool to enhance, not replace, human creativity Verifying and fact-checking AI-generated content The episode emphasizes the importance of using AI responsibly to enhance the podcasting experience while maintaining integrity, authenticity, and trust with the audience. Click here to view the printable newsletter with images. More readable than a transcript, which can also be found below. Contents Table of Contents Toggle EpisodeProemAI used in Health Hats ProductionAI in Podcast Production According to Health HatsAI in Content Creation and EditingAudio ProcessingVideo EditingAI for Content EnhancementTranscription and SubtitlingContent GenerationAI for Audience Engagement and AnalyticsPersonalizationAnalytics and InsightsTypes of AI Based on CapabilitiesNarrow AI (Weak AI)Artificial General Intelligence (AGI)Artificial Superintelligence (ASI)Types of AI Based on FunctionalityReactive Machine AILimited Memory AITheory of Mind AISelf-Aware AIAI Ethical ConsiderationsTransparency and DisclosureMaintaining AuthenticityContent Accuracy and MisinformationBias and FairnessPrivacy and Data ProtectionJob Displacement ConcernsClimate and Resource ImpactTransparencyDisclosure RequirementsClear CommunicationAppropriate AI UsageContent VerificationOngoing EvaluationTransparency: AI Notice in Health Hats, the Podcast Show NotesAI Notice for Health Hats, the PodcastReflectionRelated episodes from Health Hats Please comment and ask questions: at the comment section at the bottom of the show notes on LinkedIn  via email YouTube channel  DM on Instagram, Twitter, TikTok to @healthhats Production Team Kayla Nelson: Web and Social Media Coach, Dissemination, Help Desk  Leon van Leeuwen: article-grade transcript editing  Oscar van Leeuwen: video editing Julia Higgins: Digital marketing therapy Steve Heatherington: Help Desk and podcast production counseling Joey van Leeuwen, Drummer, Composer, and Arranger, provided the music for the intro, outro, proem, and reflection, including Moe's Blues for Proem and Reflection and Bill Evan's Time Remembered for on-mic clips. Podcast episodes on YouTube from Podcast. Inspired by and Grateful to  Amy Price, Fred Trotter, Dave deBronkart, Eric Pinaud, Emily Hadley, Laura Marcial, James Cummings, Ken Goodman Links and references https://conversational-leadership.net/quotation/ai-is-neither-artificial-not-intelligent/ AI in Podcasting: Transforming Podcast with AI Technology Best AI tools for podcasts AI in Podcasting: A Guide for Brand Marketers https://www.carmatec.com/blog/ai-in-media-and-entertainment-complete-guide/ AI in Media and Entertainment Complete Guide Episode Proem No surprise, I use Artificial Intelligence in my podcast production. As an early adopter of technology,

Xe Iaso returns to Screaming in the Cloud, and it's been quite an interesting few months for them. They're now the CEO of Techaro and are back for a discussion that spans career trials, the peculiarities of AI, and the intricacies of video production. Xe shares candid insights about being laid off multiple times and how it paradoxically led to career growth (and the tricks to resume-building). Xe also highlights the nuanced world of video editing and they're learning tools like DaVinci Resolve.Show Highlights:(00:00) Intro(00:50) Backblaze sponsor read(0:52) Xe's transparency with their layoffs over the past couple of years(04:39) What Xe has been up to with their coding lately (05:05) Xe's method of addressing AI models' Strawberry Problem(10:44) Xe's use of prompt injection attacks in their resume(13:23) Why Xe has been embracing independent contracting(15:20) How Xe has been working with video(18:10) Common Fate sponsor read(19:56) The shifting nature of content creation and the need for practice(24:23) The importance of having audio backups for presentations(26:17) What Xe is building toward as a contractor(28:50) Where you can find more from XeAbout Xe IasoXe Iaso is a top voice on cloud computing, developer marketing, and shitposting. They focus on making computers easier to understand and entertaining people in the process. They also use satire as a way to cope with the surreal madness that is the technology industry these days.LinksXe's blog: https://xeiaso.net/ Friend pendant ad: https://www.youtube.com/watch?v=O_Q1hoEhfk4SponsorsBackblaze: https://www.backblaze.com/Common Fate: https://www.commonfate.io/ 

In part 2 of covering the best apps for web developers, Scott and Wes dive into must-have tools that will level up your workflow. From screenshot utilities to development tools and video production apps, this episode is packed with recommendations to boost your productivity and creativity. Show Notes 00:00 Welcome to Syntax! 01:44 Brought to you by Sentry.io. 02:30 Utilities. 02:48 BetterTouchTool. 09:31 Hyperkey. 11:46 Amethyst. 12:51 Klack. 13:47 Bottom (Btm). 14:54 Pearcleaner 16:40 App Cleaner. 17:35 Rocket Emoji. 20:27 Clippy. 23:37 Screenshots and Screen Recordings. 24:05 Dropshare. 25:29 OBS with Source Record. 29:20 Screen Studio. 30:58 Detail.co. 31:22 Cap. 32:08 Kap. 32:46 CleanShot X 34:15 Video and Production. 34:24 DaVinci Resolve. 37:46 Affinity Pro. 39:42 PrincipleForMac. 40:39 Inkscape. 41:34 Development tools. 41:38 DBngin. 43:12 TablePlus. 45:48 MongoDB Compass. 46:14 Proxyman. 47:00 Wireshark. 47:31 Polypane. 48:30 Setapp. 49:44 SVG Grabber. 51:42 Sick Picks & Shameless Plugs. Sick Picks Scott: Untold Sign Stealer. Wes: Magentiles Marble Run. Shameless Plugs Hit us up on Socials! Syntax: X Instagram Tiktok LinkedIn Threads Wes: X Instagram Tiktok LinkedIn Threads Scott: X Instagram Tiktok LinkedIn Threads Randy: X Instagram YouTube Threads