Podcasts about Color grading

#558 In this episode of the podcast, I wanted to shake things up by sharing five practical photo assignments that can help you build your skills no matter where you are in your photography journey. My goal was to get you out of passive learning mode and encourage you to actually take action—because in photography, ideas mean little without execution. Throughout the episode, I weave in personal stories and lessons learned from both my professional work and family life, emphasizing that constraints (like shooting with only 12 photos or at high noon) aren't your enemy—they're your creative fuel.Key themes include being intentional with every shot, appreciating and mastering different types of light (even the ones we usually try to avoid), developing an efficient editing workflow, and learning to tell complete stories with your images. My hope is that by giving you these specific assignments, you'll find not only growth in your technical skills, but also gain confidence and a deeper understanding of your personal style. I also encourage you to reflect on your process and results so you can identify what truly matters to you as a photographer. There were no guest speakers in this episode—just me sharing practical advice and my own experiences to help you get the most out of your camera and creativity.THE 5 SKILL BUILDER SHOOTSThe One-Hour StoryHigh-Noon Portrait5-Minute Editing BatonSame Subject, Four MoodsThe 24-Frame RollIMPORTANT DEFINITIONS & CONCEPTSThree-Act Structure in Storytelling: Borrowed from filmmaking, this divides a photographic story into a beginning (context), middle (action), and end (resolution), guiding the photographer to create a cohesive narrative in a series of images.DISCUSSION & REFLECTION QUESTIONSHow does imposing creative constraints (like a shot limit) shift your approach to photography?After trying one of these assignments, what did you learn about your personal style or decision-making process?Can you identify an image you captured with intention? What elements made it stand out?RESOURCES:Download The 5 Skill Builder Shoots Kit- beginnerphotopod.com/skillsRecommended Reflectors - https://amzn.to/3GnD0J3Sign up for your free CloudSpot Account today at www.DeliverPhotos.comConnect with Raymond! Join the free Beginner Photography Podcast Community at https://beginnerphotopod.com/group Get your Photo Questions Answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

Welcome to Trilith Institute Talks!     In this episode of Trilith Institute Talks, host Hunter Barcroft discusses the intersection of storytelling and visual effects with guest Austin Baur, a filmmaker with experience in VFX, animation, and color grading. Joined by film students Andres and Baker, the conversation covers practical filmmaking on a budget, the evolution of visual effects technology, and the future of the film industry in terms of smaller, more efficient teams. Austin highlights his career journey from a VFX artist to a director, emphasizing the importance of creativity and decisiveness in the filmmaking process.       Episode Timestamps     00:00 Introduction to Trilith Institute Talks 00:50 Meet the Guests: Austin Baur and Film Students 02:06 Austin Baur's Journey in the Film Industry 05:21 Challenges and Growth in Visual Effects 07:46 Innovative VFX Techniques and Practical Effects 10:12 CT Cantina and Taqueria: A Culinary Experience 22:10 Andres' Thesis Film: Ambitious VFX on a Budget 27:02 Future of Filmmaking: Technology and AI 31:57 Unexpected Career Shift: From VFX to Color Grading 32:46 Challenges of Color Science and Display Technology 33:44 Practical Effects vs. Digital: A Filmmaker's Dilemma 36:12 The Evolution of Visual Effects in Filmmaking 43:25 The Rise of Small Teams in High-Quality Productions 53:31 The Future of Filmmaking: Technology and Collaboration 57:47 Conclusion and Final Thoughts     About Trilith Institute Support The Next Generation of Storytellers Take A Professional Education Course Get Involved With Trilith Institute Contact Us Follow Us On Social Media! Trilith Institute Talks Instagram Trilith Institute Instagram Trilith Institute Facebook Trilith Institute LinkedIn

Join the Imagen Community on Facebook to continue the discussions between episodes.Scott Wyden Kivowitz sits down with Mary Vance, a passionate photographer specializing in high school senior portraits, renowned for her comprehensive approach to inclusivity and storytelling.Mary Vance is a lifestyle photographer and videographer who specializes in high school senior portraiture. Over the past decade, Mary Vance has earned a reputation for creating connections in single-subject images as well as crafting inclusive experiences for her senior clients, specifically for those who are neurodiverse or identify as a part of the LGBTQIA+ community. Mary merges her past life as a professional dancer with her ease of interaction with teenagers to create natural posing workflows to flatter all bodies. She also speaks Gen Z slang fluently.  Mary has shared her approach to senior photography thru speaking engagements with WPPI, Imaging USA, Squarespace, the RangeFinder Lounge, The North City Studio, on podcasts, as a guest in masterminds, and at retreats. Her work and words have been seen in RangeFinder.com and Professional Photographer magazine. Mary Vance has been educating in one form or another for over 20 years.Mary Vance opens up about her journey in high school senior photography, her seamless client booking process through Squarespace, and how she incorporates video alongside her photography work. By using Imagen to streamline her editing workflow, Mary highlights the benefits of integrating AI tools to save precious time during pivotal moments in life."I realized a long time ago, the more time that I can spend behind a camera, the more money that I'll make as opposed to behind a computer." - Mary VanceResourcesSquarespaceShootProofLearn about Imagen VideoWhy You Should Listen:Get exclusive insights from Mary Vance on integrating video with photography for compelling storytelling.Discover efficient workflow strategies using AI to save time and increase profitability.Learn how industry-leading tools like Squarespace, Imagen, and ShootProof can enhance your photography business.Explore the importance of inclusivity and advocacy in senior portrait photography.Find out how to effectively manage life's unexpected challenges while running a successful photography business.Don't miss out on this episode where Mary shares invaluable insights into her workflow, the power of video storytelling, and the role of AI in transforming her business.(00:00) - 58 (01:38) - High School Senior Photography Approach (03:43) - Booking Process and Client Management (06:06) - Workflow Optimization with Squarespace (14:31) - Editing Workflow and Imagen Integration (18:54) - Hybrid Photography and Videography (20:28) - Maximizing Profits with Hybrid Photography (20:48) - Incorporating Video into Senior Sessions (22:13) - Technical Aspects of Shooting Video (28:07) - Outsourcing Video Editing (29:20) - Challenges in Color Grading (32:24) - The Role of AI in Photography and Video (37:40) - Final Thoughts and Contact Information

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/color-timer-podcast-daria-fissoun-color-grading-history-terminology/Buy the Color Timer Shirt, now for sale: https://vincenttaylorcolor.myshopify.com/===In this episode of the Color Timer Podcast, I speak with the multi-talented Daria Fissoun, CSI.Daria is a highly skilled colorist, compositor, and certified DaVinci Resolve trainer with over a decade of experience in the post-production industry. She is also a Mixing Light contributor.We dove into the details of Daria's latest project, a literal thesis about the etymology used in color correction and grading. Where do these terms come from? I had no idea I wanted to learn about this subject, but Daria quickly made me realize how incredible a history of our craft there is to discover. (00:00) - Introduction (02:08) - How Daria became a colorist (04:39) - Daria's thesis on Color Grading etymology (07:00) - How do you research a thesis? (09:31) - The idea of a thesis (11:43) - Daria's end goal of her thesis (14:49) - Daria's insights on how people learn (19:11) - How do you remember everything you've learned? (20:42) - Final thoughts

Join us on an engaging journey into the colorful world of filmmaking with John Daro, the lead DI colorist at Warner Post Production Creative Services. John shares his fascinating insights into the art of color grading, drawing parallels between the meticulous craft of filmmaking and the simple pleasure of brewing coffee and tea. Together, we unravel the unconventional path of an editor whose passion was sparked by early tech experiences and unique ventures like selling breakfast burritos and DJing. From pivotal moments in Camarillo to the life-changing Avid certification, we celebrate the magic that happens when technology, creativity, and a human ingenuity combine in a relentless pursuit to make cool stories. Our conversation also sheds light on the groundbreaking use of HDR in animated films, where subtle enhancements in character emotions and minute details transform storytelling, drawing unexpected yet powerful parallels with classical art techniques.Reflecting on the evolving landscape of filmmaking in the remote (COVID) era, we emphasize the irreplaceable value of collaborating with talent in person and how the essence of in-person creativity remains unmatched in the sport of filmmaking. Grab your favorite beverage and get ready for an excellent episode of Color & Coffee!Guest Links:IG - https://www.instagram.com/johndaro/Website + Blog - https://www.johndaro.com/ Studio Website - https://www.watertowercolor.com/ IMDB - https://www.imdb.com/name/nm2237933/NeatVideo - https://www.neatvideo.com/Send us a textFlanders Scientific Inc. (FSI)Reference Displays for Editors, Colorists and DITSPixelToolsModern Color Grading Tools and Presets for DaVinci Resolve Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Like the show? Leave a review!This episode is brought to you by FSI and PixelToolsFollow Us on Social: Instagram @colorandcoffeepodcast YouTube @ColorandCoffee Produced by Bowdacious Media LLC

In this episode of Movies in a Podshall, Jamie and Jonny delve into the theme of alien invasions, exploring War of the Worlds and Rob Zemeckis' Contact. They discuss personal experiences with recent films, the impact of streaming on the music industry, and the emotional depth of storytelling in cinema. The conversation highlights the significance of practical effects, character development, and the darker themes present in Spielberg's work, particularly in War of the Worlds. The episode concludes with reflections on the collaboration between Tom Cruise and Spielberg, emphasizing their unique contributions to the film industry. In this episode, the hosts delve into the behind-the-scenes stories of 'War of the Worlds' and its box office performance in 2005, discussing the challenges of adapting classic literature into modern films. They explore the most annoying child characters in cinema, the ending of 'War of the Worlds', and transition into a detailed analysis of 'Contact', highlighting its themes of science versus religion, visual and auditory mastery, and the philosophical questions it raises about humanity and existence. The conversation wraps up with thoughts on the potential existence of aliens and the future of humanity. Chapters 00:00 Introduction to Alien Invasions 03:07 Personal Updates and Film Recommendations 06:15 Discussion on Silo and Color Grading in Film 09:23 Exploring Recent Film Viewings 12:09 Deep Dive into Cube and Its Influence 15:15 Review of Baby Girl and Nicole Kidman's Performance 18:27 Wallace and Gromit: A Nostalgic Journey 21:15 Reflections on Gladiator 2 and Ridley Scott's Style 28:51 Exploring 'War of the Worlds' - A New Perspective 30:06 The Impact of 9/11 on Spielberg's Vision 31:59 Character Dynamics and Development 34:00 The Realism of Human Reactions in Crisis 38:29 Visual Storytelling and Practical Effects 41:13 The Dark Themes and Emotional Depth 45:30 Character Relationships and Growth 50:01 The Role of Tim Robbins' Character 54:03 The Film's Pacing and Narrative Structure 01:00:19 The Relationship Between Spielberg and Cruise 01:02:11 Behind the Scenes of War of the Worlds 01:03:59 Box Office Battles of 2005 01:04:57 Child Characters in Film: A Discussion 01:05:52 Classic Literature Adaptations in Modern Cinema 01:10:46The Ending of War of the Worlds: A Critical Analysis 01:12:52 The Making of Contact: A Deep Dive 01:30:49 The Cost of Space Exploration 01:31:38 Love Transcending Time and Space 01:33:34 The Journey of Discovery 01:36:13 Zemeckis' Cinematic Mastery 01:37:30 Visual Aesthetics and Color Grading 01:45:11 The Existence of Aliens and UFOs 01:53:02The Future of Humanity and Technology

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/color-grading-animation-john-daro-color-timer-podcast/Buy the Color Timer Shirt, now for sale: https://vincenttaylorcolor.myshopify.com/===Seasoned lead digital intermediate colorist John Daro joins me for this episode of The Color Timer Podcast. Our deep-dive conversation gets into the nitty-gritty of the art and craft of color grading animation, and John shares a ton of practical details for polishing animated projects.John Daro is part of the Visual Effect Society, the Motion Picture Editors Guild, and the Colorist Society in Hollywood. (00:00) - Introduction (01:53) - The most beautiful thing John has ever seen (05:44) - Color grading workflows and similarities to animation (12:29) - Where to start in an animation production? (21:15) - Favourite movie from the 80s?

In this episode, I sit down with Daria Fissoun—Colorist, Compositor, and Certified Blackmagic Trainer. We dive into her captivating journey from creating video tutorials on YouTube to collaborating with Blackmagic Design on the official DaVinci Resolve manual.We cover a range of fascinating topics, including:•The evolution of her YouTube channel.•The challenge of “scope creep” and how it manifests in creative projects.•Her experience using AI upscaling on an SD restoration project and navigating client feedback.Grab your favorite mug, fill it with your beverage of choice, and settle in for another engaging episode of Color & Coffee!Guest Links:IG - https://www.instagram.com/daria.fissoun/Facebook - https://www.facebook.com/dariafissoun/Blackmagic Official Training - https://www.blackmagicdesign.com/products/davinciresolve/trainingDaria's YouTube Channel - https://www.youtube.com/@DaVinciMasterKeyTopaz Video AI (Upscaling) - https://www.topazlabs.com/topaz-video-aiSend us a textFlanders Scientific Inc. (FSI)Reference Displays for Editors, Colorists and DITSPixelToolsModern Color Grading Tools and Presets for DaVinci Resolve Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Like the show? Leave a review!This episode is brought to you by FSI and PixelToolsFollow Us on Social: Instagram @colorandcoffeepodcast YouTube @ColorandCoffee Produced by Bowdacious Media LLC

Gold Derby editors and experts Christopher Rosen and Joyce Eng answer your questions about "Wicked," Kate Winslet's campaign, category fraud, and more. Email your questions to slugfests@goldderby.com.  Intro - 00:00 Press tours - 02:36 Category fraud - 06:54 “Wicked” - 12:16 “Emilia Pérez” - 16:21 Demi Moore as Margot Robbie? - 20:01 “Wicked's” color grading - 25:11 Unknown Awards Predictions - 30:19 'September 5' release - 31:10 Steve McQueen's 'Blitz' - 31:23 Austin Butler as Elvis or Timothée Chalamet as Bob Dylan? - 35:15 Norbert Leo Butz - 40:56 Kate Winslet - 42:44 Movie stars - 44:50 Paul Mescal and Daisy Edgar-Jones miscast? - 47:37 'Anora' - 51:27 Andy Murray coaching Novak Djokovic - 57:21 A Bob Dylan correction - 59:25 Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr Phil LIVE! is coming out of Philadelphia with interviews from Matt Friend, Joe DeRosa and of course Rocky Balboa. This episode is sponsored by: BetterHelp - Visit BetterHelp.com/aboutlastnight today to get 10% off your first month. Bilt - Go to joinbilt.com/aln to start earning points with your rent payments today. "We'll keep it right here." Adam Ray as Dr. Phil Matt Friend as himself Joe DeRosa as himself Jeremiah Watkins as Rocky ‪@jeremiahwatkins‬ ‪@standupots‬ ‪@TrailerTalesPod‬ https://bit.ly/adamraycomedy Crew: (in credits order) Produced, Written, and Directed by Adam Ray Makeup by Jennifer Aspinall Live Audio Recording Tarcisio Longobardi Show Technician Stephen Hauser Post Sound Audio by Cory Choy, Silver Sound Director of Photography Jason Katz Editor, Color Grading, Camera Operator Raj Belani Special thanks to Amanda Ray The Miller Theater Jack Fink Norman Parker Van Corona Jon Sosis Learn more about your ad choices. Visit megaphone.fm/adchoices

In our second episode of the season, I sit down for a fascinating chat with fellow podcast host and lead colorist of DC Color, Joey D'Anna.Our conversation begins with Joey's strong opinions on coffee preparation, followed by a quick overview of his journey to becoming a colorist. We then dive into the power of HDR and how new display technology can completely changed the creative approach to grading - or not. Finally, we delve into the tech behind WOLED panels, used in the popular LG C and G series displays—and, most importantly, why they aren't ideal as “reference” displays, even when professionally calibrated.Grab your favorite cup of coffee and enjoy the first episode of the new season!Guest Links:IG - https://www.instagram.com/danna_joey/Website - https://www.joeydanna.tv/The Offset Podcast - https://dccolor.com/podcast/IMDB - https://www.imdb.com/name/nm3539316/Send us a textFlanders Scientific Inc. (FSI)Reference Displays for Editors, Colorists and DITSPixelToolsModern Color Grading Tools and Presets for DaVinci Resolve Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Like the show? Leave a review!This episode is brought to you by FSI and PixelToolsFollow Us on Social: Instagram @colorandcoffeepodcast YouTube @ColorandCoffee Produced by Bowdacious Media LLC

In dieser Episode sprechen wir über den kompletten Postproduction-Workflow – von den ersten Schritten bis hin zum finalen Export. Wir erklären, wie wir unsere Ordnerstrukturen und Sequenzen organisieren, damit alles übersichtlich bleibt, und wie wir das Rohmaterial sichten, um effizienter (mit anderen) arbeiten zu können. Dazu geben wir wertvolle Tipps für das Schneiden und Color Grading und führen dich durch die verschiedenen Phasen der Nachbearbeitung. Egal ob du gerade erst in die Videoproduktion einsteigst oder schon fortgeschritten bist, diese Folge bietet dir Einblicke, wie du deine Projekte schneller und professioneller fertigstellst.Hast du Feedback? Schreib uns!Wenn dir die Folge gefällt, lass uns gerne eine 5-Sterne Bewertung da. Damit hilfst du uns ungemein!Folg uns auch gerne bei Instagram: https://www.instagram.com/kreativgelaber/

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/what-a-contemporary-artist-can-teach-colorists-about-color/Buy the Color Timer Shirt, now for sale: https://vincenttaylorcolor.myshopify.com/===The Color Timer podcast aims to speak with professionals who work with color.Yet, so often, I fall into the habit of speaking with professionals closer to my field of film and television, but I really do want to cast the further and learn from professionals working in other disciplines—that is what we are doing in this episode!Anna Evans is a contemporary New Zealand landscape painter, children's book illustrator, mural painter, and games artist.With so many talents at her disposal, who better to learn about color from?I discovered Anna while watching an Instagram video she made about color mixing that challenges some of the fundamental things we learned in art class as children. I was totally hooked by the way Anna explained things.Her passion for color and the threads of science that keep popping up throughout our conversation make this an episode for both technicians and artists. Anna's work is beautiful, so after listening to our chat, please check it out through the links below.It made me wonder, whose art most inspires and provokes you to try new color grading techniques?- - -Editor: Rich RoddmanExecutive Producer: https://mixinglight.comPodcast Home: https://colortimerpodcast.mixinglight.com (00:00) - - Introduction (01:12) - - Anna's background and journey (02:08) - - And... the timer begins (02:48) - - The painter's primary colors (05:18) - - Mixing with light (08:08) - - Anna's color palette (09:02) - - Painting birds (12:28) - - New inspiration (14:11) - - Painting as a jazz performance (16:19) - - What kind of paint do you use? (16:53) - - Do you force yourself to paint? (17:59) - - Is there a color that you tend to avoid? (19:09) - - Thoughts on the King Charles portrait (21:36) - - Get the Color Timer T-Shirt!

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/colorist-jason-bowdach-pixeltools-color-timer-podcast/Buy the Color Timer Shirt, now for sale: https://vincenttaylorcolor.myshopify.com/===Today, I will be speaking to Jason Bowdach. Jason is a fellow contributor here on Mixing Light. He is a colorist and online editor with an impressive CV that includes major networks such as Fox and Disney. Jason creates a suite of colorist tools through his company, PixelTools. Jason shares what inspires him to create software offerings for the industry and his approach to a new project. He also has an interesting view on AI / Machine Learning and its likely impact on our industry.This is putting the shoe on the other foot at last. Jason has his very cool podcast, Color & Coffee, on which I was a guest, so now it's time for Jason to answer some of my questions! Outside of Pixel Tools and his own grading work, Jason also teaches about color and post-workflow, so he keeps fairly busy, to say the least.- - -Editor: Rich RoddmanExecutive Producer: https://mixinglight.comPodcast Home: https://colortimerpodcast.mixinglight.com (00:00) - - Introduction (02:29) - - Starting the Timer: What is Pixel Tools? (05:27) - - How LUTs inspired PixelTools' first product (08:08) - - How do you reverse engineering a LUT? (11:36) - - How Jason got into DCTLs (14:53) - - Exploring filmic contrast (18:20) - - What is Jason's take on AI? (20:23) - - Closing remarks

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/matt-mcfarland-mastering-colorist-interview-color_timer_podcast/Buy the Color Timer Shirt, now for sale: https://vincenttaylorcolor.myshopify.com/===Matt McFarland is a Digital Intermediate & Mastering Colorist at ColorTime based in Los Angeles.In this episode of The Color Timer Podcast, we have a wonderful conversation that delves into the world of remastering classic films from days gone by, cult films, and those that turned into classics almost right after they were released.I had briefly considered listing Todd's films, but honestly, the list is so massive that the following shortlist misses out on so many amazing films that he has worked on. So definitely check out his IMDB, and you'll see exactly the films that Matt has been involved with. Here are a few highlights to whet your appetite:- Mad Max: Fury Road – Mastering Colorist: Special Edition- Pacific Rim – DI Color Assist- Flight – Colorist- Up In The Air – Colorist- Revolutionary Road – Colorist- Hustle & Flow – Colorist- Matchstick Men – Remastering ColoristYou'll soon see that there are more variables to manage than you might have imagined when bringing these films back to life. It's inspiring to hear Matt's combination of grading and analytical skills to achieve a result that not only pleases the filmmakers but also delights the fans! You'll quickly see why Matt's unofficial job description is that of a ‘forensic colorist'.- - -Editor: Rich RoddmanExecutive Producer: https://mixinglight.comPodcast Home: https://colortimerpodcast.mixinglight.com (00:00) - - Introduction (01:55) - - Matt's Career Journey (03:28) - - How the Re-mastering process begins (04:41) - - Being a Forensic Colorist (06:02) - - Does Matt reference the original prints? (06:52) - - Fixing mistakes vs original intent (09:32) - - Directors, when remastering to HDR (11:00) - - Studio motivations for remastering (12:09) - - Remastering Wayne's World (12:50) - - Remastering King Creole (14:22) - - What is actually being Archived? (16:35) - - ACES and the future of remastering (20:40) - - Matt's top three favorite films (21:30) - - Conclusion

Filmmaking tips from Joel Smith about the importance of color in film. Joel is a New Jersey filmmaker born and raised. Currently, he is based in Tokyo. His production company specializes in short films,music videos, and commercials. His amazing work can be seen at www.onemillionjoel.com. Joel's philosophy on content creation: “A good video is an organized one. Make it so they watch it more than once. The more personal it is the more people will see it.”

In this installment of The Offset Podcast, we're diving into some common color grading myths that we've heard over the years. This is by no means a comprehensive collection of myths, but rather a few select ones that we hear often.  We'll start by taking a look at the 'skin tone line' on a vectorscope and why its use is not as cut and dry as you think it might be. We'll then jump into why 'more' grading is usually not the best approach to your grades and the related issue of why teal & orange looks engineered in post can sometimes be a tell to 'over grading'.  We'll explore why lots of LUTs are nothing more than snake oil and why the one-size-fits-all-all LUT doesn't exist. We'll also discuss why separate P3 grades for film festivals can be an over complication for most projects, why you don't have to normalize a log image first before keying, and where you place noise reduction depends on the shot & your needs.  Remember, if you like The Offset Podcast please like and subscribe wherever you watch or listen!

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/the-color-timer-podcast-louper-ceo-alex-williams/ = = =On this session of the Color Timer Podcast I chat with Louper CEO Alex Williams. What is Louper? As Alex describes it, “It's Zoom for video professionals.” While this snapshot is easy to picture, creating yet another review application in a crowded marketplace is no easy task, yet Louper has found its footing rather quickly. The platform allows live streaming without proprietary hardware boxes and is built around collaboration rather than pasting offline review links.While it's fun to geek out with the creators of our favorite bits of gear, we're careful not to make this a cozy infomercial. Is remote grading really here to stay? Or is the human touch needed to drive a session forward? Join in on my wonderful conversation with Alex to find out.- - -Editor: Rich RoddmanExecutive Producer: https://mixinglight.comPodcast Home: https://colortimerpodcast.mixinglight.com

In this episode, I talk with cinematographer, colorist, and head of Venture Films Jake Pierrelee on the art of color grading for documentary.Jake's Instagram: www.instagram.com/jvkeJake's YouTube: https://www.youtube.com/channel/UCOhajf8RvcGz3wMPekSkOpwJake's course: www.jvke.us/tcbThank you for listening. Please subscribe to keep up to date with new episodes. If you enjoy this podcast, please leave a review.“On Documentary” podcast page: www.adamjamessmithfilm.com/on-documentaryAdam James Smith's Instagram: www.instagram.com/ajsfilmContact: ajsfilm@alumni.stanford.edu

The Truth and Legend Podcast is a companion to the hosts' wildlife photography and cinematography YouTube channel. The hosts transitioned from corporate jobs to pursue their passion for wildlife photography and cinematography. GoPro cameras can be used as effective camera traps to capture wildlife behavior. The moose rut is currently in progress, with various stages of behavior observed. Filming in remote locations comes with challenges such as clearance issues and last-minute jobs with tight deadlines. Having reliable gear is crucial for successful filming in challenging environments. Hiking uphill at the end of the day can be physically demanding and challenging. Editing videos can be a complex process that requires attention to detail and storytelling skills. Preparation and attention to detail are key to successful filming. Shooting scenic shots can be challenging but adds depth and beauty to videos. Portrait photography can be rewarding but also comes with its own set of challenges. Editing your own work helps identify areas for improvement and enhances your skills. Finding reliable crew members can be difficult but is crucial for successful video production. Sharing behind-the-scenes stories and engaging with the audience is important for building a connection and seeking feedback.

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/the-color-timer-podcast-interview-with-paul-harrison/======Season 1 of The Color Timer Podcast wraps: We chat with Paul Harrison, a colorist renowned for his award-winning short-form work and films.Paul Harrison's professional journey has covered just about every corner of the industry that could possibly be painted 18% gray. Currently, Paul is the Senior Colorist and Partner at Residence Pictures and has completed the visually stunning The Killing Kind (Paramount +) and The Gallows Pole (BBC).From humble beginnings as an on-set runner, to learning the dark arts of telecine with a Pandora Pogle, to honing the look of top-notch brands like Guinness, Levi's, and BMW; Paul shares his insights and his inspiration.One of the world's top colorists, Paul Harrison has been continually ranked amongst the top three finishing artists in the UK throughout his career, frequently topping the Televisual Best Colorist polls as well as winning successive BTAA awards for best colorist.Chatting with Paul feels like chatting with an old friend, he quickly puts you at ease and I would imagine that this is something that would make those long hours in a color session so much easier.- - -Editor: Arthur DitnerExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.com

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/steve-shaw-color-timer-podcast/------------Steve Shaw is the CEO of a company called Light Illusion. The journey that Steve has taken to get to where he is now is a fascinating one, and the products that his company is offering are a testament to that journey.As a colorist, you may wonder, why do I need monitor or projection calibration?In simple terms, the answer is fairly logical – so you can trust your display (and your eyes). In speaking with Steve Shaw, you quickly find that the topic goes much deeper, and he is the perfect person to explain it!----------Editor: Arthur DitnerExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.com

Waqas Qazi is the founder and senior colorist at Qazi and Co, an LA based color studio known for its collaborations with some of the world's leading brands, including Toyota, Prime Video, Adidas, Alfa Romeo, and Canon. Beyond his role at the studio, @theqazman has the fastest-growing YouTube channel and Instagram page in the Color Grading Category, where he passionately shares his expertise and teaches his audience about color grading. Episode 32 Timestamps: 00:00:00 Introduction 00:02:25 Waqas's Color Grading Setup 00:09:19 Moving to LA and Grinding 00:21:38 The First Big Break 00:27:13 Freelancing vs Full time 00:35:44 Importance of Content Creation 00:47:42 Balancing Content and Client Jobs 00:58:24 Story telling through Color Grading 01:09:14 Best way to Learn Color Grading 01:20:39 Color Grading and AI 01:33:46 How to trend on Social Media Find out more about Waqas: https://www.youtube.com/ @theqazman https://www.instagram.com/theqazman Join our discord server where we connect and share assets: https://discord.gg/zwycgqezfD Bad Decisions Audio Podcast

In our final episode of the season, we chat with senior colorist Evan Anthony, CSI from Goldcrest Post, who recently finished up work on the AppleTV documentary "The Super Models".We dive into his career highlights, discussing his early days at Showtime Networks, the transition from freelance to his current position, and his work on several acclaimed documentaries, music videos, and commercials. Evan shares insights on the evolution of the industry, including his experience with some colorful characters in the finishing suite. Grab you favorite cup of joe (or tea) and get ready for an great episode to round out the season! Links:AppleTV's The Super Models Disney+ On PointeGoldcrest PostPixelTools Exposure CollectionRavenGrade CineLookGuest Links:IG - https://www.instagram.com/evananthonypost/Evan's Website - https://www.evananthonypost.com/Evan's IMDB -https://www.imdb.com/name/nm1344507/Like the show? Leave a review! This episode is brought to you by PixelTools, Modern Color Grading Tools for Professional ColoristsFollow Us on Social: Instagram @colorandcoffeepodcast YouTube @ColorandCoffee Produced by Bowdacious Media LLC

On the eleventh episode of Color & Coffee, we chat with veteran colorist and fellow podcast host Vincent Taylor.  We discuss his audacious moves around the world to work at a large post production facility, his transition back to freelance work, and how he navigates the challenges and opportunities that come with each.  We then discuss the importance of stepping out of your comfort zone, embracing diverse perspectives, and welcoming fresh ideas while grading. Like a good espresso, this episode is bite sized yet highly potent. Links:Empire Of The Sun - Walking On A Dream (Official Music Video) The Color Timer PodcastTBD PostColor NationThe Colour SuiteGuest Links:Vincent Taylor ColorIG - https://www.instagram.com/vincenttaylorcolor The Color Timer Podcast IG - https://www.instagram.com/thecolortimerpodcastLike the show? Leave a review! This episode is brought to you by PixelTools, Modern Color Grading Tools for Professional ColoristsFollow Us on Social: Instagram @colorandcoffeepodcast YouTube @ColorandCoffee Produced by Bowdacious Media LLC

In this episode, Richard and Mabel share how to triple your prices, work with high-end couples, and unlock the secrets of Luxury Color Grading.We also cover: How to finally break out of the Average Market, What sets High-End Brands apart?, How to elevate your client experience, Foolproof workflows to get more leads, Inside the mind of a Luxury Bride, Why less is more in your packages, Does monitor calibration really matter? Connect with: Blue Couch on IGConnect with: Blue Couch on their Website--------------------------------------------

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/kali-bateman-emily-reid-color-timer-podcast/---I worked with Kali Bateman many years ago in Australia, and I jumped at the opportunity to speak with both her and Emily about the relationship between the Colorist and Color Assistant and their new venture, 'The Colour Suite'. (Yes, that's how Color is spelled in other parts of the world!)Kali Bateman is a Senior Colorist for film and television and has been involved with many amazing projects, including Venom: Let There Be Carnage, Jungle Cruise, Ghostbusters: Afterlife, Wonder Woman: 1984, and Baz Luhrman's masterpiece Elvis.Emily Reid began her career as a camera assistant and freelance cinematographer. She crossed over into post-production as an assistant colorist. Under Kali's supervision, Emily has grown into the role of Colorist and led numerous grading projects.- - -Editor: Arthur DitnerExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.com

On the ninth episode of Color & Coffee, we chat with Rob Bessette, Senior Colorist from Color Refinery.  He shares his humble beginnings in post-production, his foray into color grading, and how dabbling with dailies color changed the way he looked at the craft. Next, Rob shares with us what led him to leave his comfortable position as a staff colorist to start his own facility, Color Refinery, along with some of the challenges he encountered along the way.  Grab you favorite cup of joe (or tea) and get ready for an fascinating episode of color discussion!  Links:Color RefineryAdvanced Panel New Key Caps (for the curious)Guest Links:IG - https://www.instagram.com/robsbessette/Color Refinery IG - https://www.instagram.com/color_refinery/Like the show? Leave a review! This episode is brought to you by PixelTools, Modern Color Grading Tools for Professional ColoristsFollow Us on Social: Instagram @colorandcoffeepodcast YouTube @ColorandCoffee Produced by Bowdacious Media LLC

This week John and Nick are nerding out on all things color grading...we're talking about the theory behind your color grade, practical tips to improving your color and 6 tips to take it all to the next level.  We are also super pumped to announce our new lut pack that we've created with Gamut! Check it out here: howtofilmweddings.com/luts

On our latest episode, we chat with colorist and color scientist, Dado Valentic!  He shares his journey from DJ to colorist, his experience grading on BetaSP tape,  and especially - the evolving landscape of the film industry with the introduction of AI technology and how to prepare yourself for the coming wave. Get yourself a extra large mug, as its the longest episode of the season !Links:ColourLab.AIColour.TrainingTito Heron Guest Links:IG - https://www.instagram.com/dadovalentic/Like the show? Leave a review! This episode is brought to you by PixelTools, Modern Color Grading Tools for Professional ColoristsFollow Us on Social: Instagram @colorandcoffeepodcast YouTube @ColorandCoffee Produced by Bowdacious Media LLC

Join us for a vibrant chat with colorist veteran, Warren Eagles. Broadcasting from a nice diner in Burbank, California, we get into the nitty-gritty of color grading and its evolution from film to digital. Warren paints a picture of his career progression, highlighting his move from London to Australia, how he  got started with his role as an online professor at FXPHD. Grab a good cup of coffee (or tea), sit back, and enjoy this insightful conversation with one of the industry's finest! Links:Warren's FXPHD CoursesGuest Links:IG - https://www.instagram.com/warreneagles/iColorist / ICA - https://icolorist.com/Website - https://www.warreneagles.com.auLike the show? Leave a review! This episode is brought to you by PixelTools, Modern Color Grading Tools for Professional ColoristsFollow Us on Social: Instagram @colorandcoffeepodcast YouTube @ColorandCoffee Produced by Bowdacious Media LLC

Accelerate your post-production career: https://mixinglight.comFull episode notes and additional links: https://mixinglight.com/color-grading-tutorials/interview-tattoo-artist-jhon-gutti-color-timer-podcast-ep_106/=======In this special episode of The Color Timer Podcast, I head out on the road to visit award-winning tattoo artist Jhon Gutti in his LA studio. Originally trained as an architect in Colombia, Jhon has worked as a tattooist for over 10 years, with 20 years of practice under his belt, specializing in stunningly realistic black and grey tattoos.During our conversation, Jhon shares his approach to:- Creating separation between the black ink and the skin tone- Selecting the right clients- Managing his three tones of black- Handling the uncontrollable variables of tattooing human skin.- - -Producer: Kayla UribeEditor: Arthur DitnerExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.com

Peter Doyle is a colorist like no other. To write an introduction for a man who really doesn't need an introduction is challenging. I've followed Peter Doyle's career for the past two decades, ever since the release of The Lord of the Rings Trilogy.During our conversation, Peter discusses the role of a colorist within the creative team, how to use language to put (new) filmmakers at ease, appreciating the cultural context of color, and a colorist's explanation of metameric failure within the rise of laser projectors.For the uninitiated, Peter Doyle is a supervising colorist at PostWorks NY, whose 70+ credits include The Tragedy of Macbeth, Paddington 2, The Edge of Tomorrow, Inside Llewyn Davis, and many more!Full episode notes and additional links: https://mixinglight.com/color-grading-tutorials/15-minutes-with-legendary-colorist-peter-doyle-the-color-timer-podcast/- - -Producer: Kayla UribeEditor: Arthur DitnerExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.com

We are excited to bring you our conversation with Senior Colorist, Ara Thomassian, per his recent recoloring and conversion of Walker, Texas Ranger to HD!See complete episode stats (# of fights, explosions, vehicle chases, roundhouse kicks & more) at roundhouseroulette.com.Share your opinions with us on Facebook, Instagram and Twitter or by emailing us at roundhouseroulette@gmail.com.If you'd like to support the show, leave us a review on Apple Podcasts. To further support our shenanigans, check out our fresh Merch or our ever evolving Patreon mayhem. Most importantly, thanks for hanging with us!

Full episode notes and links: mixinglight.com===Ana Escorse is a senior colorist at Toronto's Studio Feather. Ana was born and raised in Brazil and was influenced by her exposure to Brazillian Baroque art at a young age. Last year Ana was recognized at the Filmlight Color Awards, where she won the award for Best Music Video. This year she returns to the color awards as a judge.During our conversation, Ana discusses the industry's challenges, her influences, and what it's like to be a judge.- - -Producer: Kayla UribeEditor: Arthur DitnerExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.com

The homepage for this episode, with full show notes, can be found here:https://mixinglight.com/color-grading-tutorials/color-aura-spiritualist-nina-ashby-color-timer-podcast-ep-103/- - -Producer: Kayla UribeEditor: Arthur DitnerExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.comPodcast on YouTube: https://www.youtube.com/playlist?list=PLYBfZs5q3JKyLAmryR9LRp_nKaag7Bj3h=======I was drawn toward Nina's work because of her book, “Color Therapy”. After researching further, I discovered that Nina works with Color Energy. This energy, or aura, is considered an unseen field of energy surrounding a person's physical body. These auras are affected by mood and emotional state.Nina has a career spanning 40 years; she has studied Spiritual Philosophy, Meditation, various forms of bodywork and energy healing – and much more!During our 15-minute conversation, we speak about what it was like as a child to understand what she was seeing, her determination to learn more about that, and the lifelong journey this took her on.Learn More About Nina AshbyVisit Nina's websiteConnect with Nina on LinkedInBook: Colour Therapy, Orion Plain and Simple (2018)Book: Simply Color Therapy (2007)Psychic learning materials – Nina Ashby

“Hey, big 300th episode coming up soon…what movie should we watch?” A complex question with a simple answer. We watched 300, one of Zack Snyder's first movies, and brought back OG co-hosts Ricky and April to weigh in. Adding a unique twist to the matter: only one of these five folks had ever seen this movie before.Later, of course, we look back at some of our favorite memories from our first 300 episodes.What's GoodAlonso - Kyle Turner, The Queer Film GuideDrea - The Cloud Appreciation SocietyRicky - Reservation DogsApril - I Think You Should Leave S3Ify - A Very Gay Book: An Inaccurate Resource for Gay ScholarsITIDICNew “Max” App's Credits Debacle Sparks DGA IreFlorida School District in a Mess Over 5th Grade Teacher's Screening of a Disney FilmJustine Triet Wins the Palme D'Or – the 3rd Woman to do so in 76 yearsStaff PicksDrea - Lynch/OzAlonso - Past LivesApril - Diary of a Mad HousewifeRicky - Serpico, Speak No EvilIfy - Sucker PunchWith Ify NwadiweDrea ClarkAlonso DuraldeRicky CarmonaApril WolfeProducer Marissa FlaxbartSr. Producer Laura Swisher

A Conversation with Colorist Rob Trombino AI-based tools can now analyze footage and automatically apply corrections to achieve a desired look or match shots seamlessly. These tools have the potential to speed up the post-production process and make color grading more accessible to filmmakers without extensive color grading experience. What does all this mean to professional colorists? In this episode, I have a chat with Colorist Rob Trombino about color grading and correcting and how AI is affecting his workflow. We chat about the tools available today, the art of color grading and where does the human fit into this new workflow? Learn how to use cutting edge technologies, workflows and tools to be a more creative and productive filmmaker. Listen to podcasts or watch tutorials by filmmakers for filmmakers on AI / Generative AI, Virtual Production, Cloud Production, AR/VR, NeRF / LIDAR, Drones and 3D Printing! Learn more at https://www.CreativeSpark.ai

Eric Weidt has worked as a Colorist on impressive projects such as Mindhunter and Mank. He spent 15 years in Paris working with fashion photographers and filmmakers (developing look-up tables) and has a BA in theatre arts.Eric has worked exclusively with director David Fincher since 2015. We delve into his relationship with the famous director and explore his process for his incredible Black & White work in the motion picture ‘Mank'. We even talk about the one film he would watch if he only had one choice (stuck on a desert island with electricity).The homepage for this episode, with full show notes, can be found here:https://mixinglight.com/color-grading-tutorials/interview-eric-weidt-color-timer-podcast-102/- - -Producer: Kayla UribeEditor: Arthur DitnerExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.comPodcast on YouTube: https://www.youtube.com/playlist?list=PLYBfZs5q3JKyLAmryR9LRp_nKaag7Bj3h

On this episode of The Beginner Photography Podcast, join host Raymond as he speaks with fantasy portrait photographer and retreat organizer Liza Roberts. Liza shares her journey towards using photography as a tool to capture her creative vision instead of experimenting with it. The discussion revolves around using failure as an opportunity to learn, not giving up despite disappointments, and tips for planning photoshoots. Liza also talks about her experience as a beginner photographer and how she faced a learning curve as a beginner using a DSLR camera. Listeners also learn about Liza's retreats where participants can dress up and do photo shoots, providing opportunities to network and collaborate with others in the field. The main takeaway from the episode is the importance of following one's passion, experimenting, and sharing it with others.Liza Roberts discovered her love for photography when she stumbled upon her dad's old Nikon film camera in high school. Despite already being passionate about other forms of art like painting and drawing, she was immediately drawn to the camera and began experimenting with it. Her dad was thrilled to have someone to share his love of photography with and when the family got their first DSLR, Liza realized that her interest was more than just a passing hobby. While she didn't know it at the time, photography would become a significant part of her life and ultimately lead to a career.The Big Ideas with Timestamps[00:10:19] "Learning Photography: A Frustrating Technical Challenge"[00:12:22] "Embrace Failure: Why New Photographers Should Experiment"[00:15:37] "Inspired by Cinema: A Photographer's Style"[00:18:05] Realistic Lord of the Rings-style Editing Techniques.[00:27:18] "Finding Inspiration: An Easy Guide for Photographers"[00:29:46] "Tips for Successful Outdoor Photography Shoots"[00:34:47] "Dealing with Disappointing Photography Results: Tips & Advice"[00:37:18] Fun Pro Photoshoot Takes a Colorful Turn[00:41:38] "Dragon dress-up retreat with networking and photoshoots"[00:45:19] "Creating a Renaissance Look on a Budget"Links and ResourcesFantasy Photographer Liza Roberts websiteFollow Liza on InstagramFollow Liza on TiktokJoin The Beginner Photography Podcast Facebook CommunitySign up for your free CloudSpot account to deliver beautiful images galleries todayFree Lightroom Presets! Connect with the Beginner Photography Podcast! Email me at BeginnerPhotographyPodcast@gmail.com Send in your Photo Questions to get answered on the show - https://beginnerphotopod.com/qa Grab your free camera setting cheatsheet - https://perfectcamerasettings.com/ Thanks for listening & keep shooting!

Rory Gordon is one of the most experienced HDR colorists working in television and streaming, with experience finishing over 120 episodes in HDR10 and Dolby Vision.During our 15-minute conversation, Rory articulates very clearly her process and love of color. She's also created amazing artwork, including a series of physical clocks that explore the color timeline of films and display those color changes around the clock's face!The homepage for this episode, with full show notes, can be found here:https://mixinglight.com/color-grading-tutorials/color-timer-aurora-gordon-ep-101/- - -Producer: Kayla UribeExecutive Producer: https://mixinglight.comSupporting Sponsor: https://www.filmlight.ltd.uk/Podcast Home: https://colortimerpodcast.mixinglight.comPodcast on YouTube: https://www.youtube.com/playlist?list=PLYBfZs5q3JKyLAmryR9LRp_nKaag7Bj3h

Michael Mintz joins me on this episode of the podcast.  For over 28 years, Michael has worked as a colorist at notable post facilities like Post Group, Tunnel Post, New Hat, and Walt Disney Animation Studios. Currently, he is a Senior Colorist at Margarita Mix in Hollywood.  The focus of this episode is decidedly “tech free.” We discuss the ins and outs of working with clients, what it takes to run a supervised session, and how to land new work. There are tons of articles and tutorials covering workflow, software, and color science, but we rarely talk about our relationship to clients.

In this episode, I talk with Senior Colorist, Mark Todd Osborne. Mark is known for coloring feature films like Need for Speed, Silk Road, and It Follows. But, in addition to those movies, Mark has graded a wide range of documentary subjects from Phil Spector to Sesame Street. Documentaries can have specific challenges for a colorist. Recreations and stock footage need to fit into the story, and some docs even use a look to set the time and mood. And there can be a debate over whether to restore footage, versus keeping it as authentic as possible.

On this episode of the Colorist Society Podcast, I chat with Sheri Eisenberg, Senior Colorist at Warner Brothers. Sheri's focus is on restoration, and has helped bring some of the biggest classic films into the 21st century. Her work includes restorations of Rosemary's Baby, Close Encounters of the Third Kind, Taxi Driver, and Casablanca. As she explains, there's a lot that goes into a restoration from dealing with multiple unmatched sources, how older films fit into an UHD/HDR world, and understanding the viewer's and filmmaker's original expectations of a film.

Blackmagic Design sent Ant Pruitt its Micro Panel to try in his video editing workflow. Ant shares his thoughts on this device designed to be a tool that enhances your video color grading workflow. Host: Ant Pruitt Find Hands-On Photography on your favorite podcatcher. https://twit.tv/shows/hands-on-photography Follow Ant Pruitt on Instagram https://www.instagram.com/ant_pruitt/ Follow TWiT on Instagram https://www.instagram.com/twit.tv/ Join the TWiT forums https://www.twit.community/ Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsor: Melissa.com/twit

Blackmagic Design sent Ant Pruitt its Micro Panel to try in his video editing workflow. Ant shares his thoughts on this device designed to be a tool that enhances your video color grading workflow. Host: Ant Pruitt Find Hands-On Photography on your favorite podcatcher. https://twit.tv/shows/hands-on-photography Follow Ant Pruitt on Instagram https://www.instagram.com/ant_pruitt/ Follow TWiT on Instagram https://www.instagram.com/twit.tv/ Join the TWiT forums https://www.twit.community/ Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsor: Melissa.com/twit

Blackmagic Design sent Ant Pruitt its Micro Panel to try in his video editing workflow. Ant shares his thoughts on this device designed to be a tool that enhances your video color grading workflow. Host: Ant Pruitt Find Hands-On Photography on your favorite podcatcher. https://twit.tv/shows/hands-on-photography Follow Ant Pruitt on Instagram https://www.instagram.com/ant_pruitt/ Follow TWiT on Instagram https://www.instagram.com/twit.tv/ Join the TWiT forums https://www.twit.community/ Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsor: Melissa.com/twit

Blackmagic Design sent Ant Pruitt its Micro Panel to try in his video editing workflow. Ant shares his thoughts on this device designed to be a tool that enhances your video color grading workflow. Host: Ant Pruitt Find Hands-On Photography on your favorite podcatcher. https://twit.tv/shows/hands-on-photography Follow Ant Pruitt on Instagram https://www.instagram.com/ant_pruitt/ Follow TWiT on Instagram https://www.instagram.com/twit.tv/ Join the TWiT forums https://www.twit.community/ Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsor: Melissa.com/twit

Let's talk about color...it's arguably one of the most talked about aspects of wedding filmmaking. Color science, color spaces, LUTs, and more all go into creating a look that represents your brand and the type of client that you're looking to serve. In this week's episode of the How To Film Weddings Podcast, John and Nick share 5 aspects of the color world that can level up your films.