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In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies
In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion
In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program.
Emerging in the 1980s, the AIDS epidemic was not just a public health crisis. It was a moral crisis too, argues Anthony M. Petro in his new book, After the Wrath of God: AIDS, Sexuality, and American Religion (Oxford University Press, 2015). Throughout the book, Petro describes the entanglements between the supposedly secular field of public health and the religious spheres of American Christianity during the long 1980s. After the Wrath of God, however, is not merely a book about the religious right or Protestant evangelical responses to the HIV/AIDS crisis. It is a broader exploration of the ways that a set of sexual ethics inspired by Christian doctrine encompassing abstinence and monogamy within heterosexual marriage came to become the national moral prescription against the epidemic as well as the religious and medical leaders who shaped that national sexuality and the AIDS activists who fought against it. Learn more about your ad choices. Visit megaphone.fm/adchoices
Emerging in the 1980s, the AIDS epidemic was not just a public health crisis. It was a moral crisis too, argues Anthony M. Petro in his new book, After the Wrath of God: AIDS, Sexuality, and American Religion (Oxford University Press, 2015). Throughout the book, Petro describes the entanglements between the supposedly secular field of public health and the religious spheres of American Christianity during the long 1980s. After the Wrath of God, however, is not merely a book about the religious right or Protestant evangelical responses to the HIV/AIDS crisis. It is a broader exploration of the ways that a set of sexual ethics inspired by Christian doctrine encompassing abstinence and monogamy within heterosexual marriage came to become the national moral prescription against the epidemic as well as the religious and medical leaders who shaped that national sexuality and the AIDS activists who fought against it. Learn more about your ad choices. Visit megaphone.fm/adchoices
Emerging in the 1980s, the AIDS epidemic was not just a public health crisis. It was a moral crisis too, argues Anthony M. Petro in his new book, After the Wrath of God: AIDS, Sexuality, and American Religion (Oxford University Press, 2015). Throughout the book, Petro describes the entanglements between the supposedly secular field of public health and the religious spheres of American Christianity during the long 1980s. After the Wrath of God, however, is not merely a book about the religious right or Protestant evangelical responses to the HIV/AIDS crisis. It is a broader exploration of the ways that a set of sexual ethics inspired by Christian doctrine encompassing abstinence and monogamy within heterosexual marriage came to become the national moral prescription against the epidemic as well as the religious and medical leaders who shaped that national sexuality and the AIDS activists who fought against it.
Emerging in the 1980s, the AIDS epidemic was not just a public health crisis. It was a moral crisis too, argues Anthony M. Petro in his new book, After the Wrath of God: AIDS, Sexuality, and American Religion (Oxford University Press, 2015). Throughout the book, Petro describes the entanglements between the supposedly secular field of public health and the religious spheres of American Christianity during the long 1980s. After the Wrath of God, however, is not merely a book about the religious right or Protestant evangelical responses to the HIV/AIDS crisis. It is a broader exploration of the ways that a set of sexual ethics inspired by Christian doctrine encompassing abstinence and monogamy within heterosexual marriage came to become the national moral prescription against the epidemic as well as the religious and medical leaders who shaped that national sexuality and the AIDS activists who fought against it.
Emerging in the 1980s, the AIDS epidemic was not just a public health crisis. It was a moral crisis too, argues Anthony M. Petro in his new book, After the Wrath of God: AIDS, Sexuality, and American Religion (Oxford University Press, 2015). Throughout the book, Petro describes the entanglements between the supposedly secular field of public health and the religious spheres of American Christianity during the long 1980s. After the Wrath of God, however, is not merely a book about the religious right or Protestant evangelical responses to the HIV/AIDS crisis. It is a broader exploration of the ways that a set of sexual ethics inspired by Christian doctrine encompassing abstinence and monogamy within heterosexual marriage came to become the national moral prescription against the epidemic as well as the religious and medical leaders who shaped that national sexuality and the AIDS activists who fought against it. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine
Emerging in the 1980s, the AIDS epidemic was not just a public health crisis. It was a moral crisis too, argues Anthony M. Petro in his new book, After the Wrath of God: AIDS, Sexuality, and American Religion (Oxford University Press, 2015). Throughout the book, Petro describes the entanglements between the supposedly secular field of public health and the religious spheres of American Christianity during the long 1980s. After the Wrath of God, however, is not merely a book about the religious right or Protestant evangelical responses to the HIV/AIDS crisis. It is a broader exploration of the ways that a set of sexual ethics inspired by Christian doctrine encompassing abstinence and monogamy within heterosexual marriage came to become the national moral prescription against the epidemic as well as the religious and medical leaders who shaped that national sexuality and the AIDS activists who fought against it. Learn more about your ad choices. Visit megaphone.fm/adchoices
Emerging in the 1980s, the AIDS epidemic was not just a public health crisis. It was a moral crisis too, argues Anthony M. Petro in his new book, After the Wrath of God: AIDS, Sexuality, and American Religion (Oxford University Press, 2015). Throughout the book, Petro describes the entanglements between the supposedly secular field of public health and the religious spheres of American Christianity during the long 1980s. After the Wrath of God, however, is not merely a book about the religious right or Protestant evangelical responses to the HIV/AIDS crisis. It is a broader exploration of the ways that a set of sexual ethics inspired by Christian doctrine encompassing abstinence and monogamy within heterosexual marriage came to become the national moral prescription against the epidemic as well as the religious and medical leaders who shaped that national sexuality and the AIDS activists who fought against it. Learn more about your ad choices. Visit megaphone.fm/adchoices
Emerging in the 1980s, the AIDS epidemic was not just a public health crisis. It was a moral crisis too, argues Anthony M. Petro in his new book, After the Wrath of God: AIDS, Sexuality, and American Religion (Oxford University Press, 2015). Throughout the book, Petro describes the entanglements between the supposedly secular field of public health and the religious spheres of American Christianity during the long 1980s. After the Wrath of God, however, is not merely a book about the religious right or Protestant evangelical responses to the HIV/AIDS crisis. It is a broader exploration of the ways that a set of sexual ethics inspired by Christian doctrine encompassing abstinence and monogamy within heterosexual marriage came to become the national moral prescription against the epidemic as well as the religious and medical leaders who shaped that national sexuality and the AIDS activists who fought against it. Learn more about your ad choices. Visit megaphone.fm/adchoices
Emerging in the 1980s, the AIDS epidemic was not just a public health crisis. It was a moral crisis too, argues Anthony M. Petro in his new book, After the Wrath of God: AIDS, Sexuality, and American Religion (Oxford University Press, 2015). Throughout the book, Petro describes the entanglements between the supposedly secular field of public health and the religious spheres of American Christianity during the long 1980s. After the Wrath of God, however, is not merely a book about the religious right or Protestant evangelical responses to the HIV/AIDS crisis. It is a broader exploration of the ways that a set of sexual ethics inspired by Christian doctrine encompassing abstinence and monogamy within heterosexual marriage came to become the national moral prescription against the epidemic as well as the religious and medical leaders who shaped that national sexuality and the AIDS activists who fought against it. Learn more about your ad choices. Visit megaphone.fm/adchoices
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