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Episode Summary In this special feed drop episode, Please Me host Eve Hall shares a powerful conversation from the Shameless Care Podcast, exploring the history of HIV and AIDS—from its devastating beginnings to today's life-saving medical breakthroughs. This episode traces how fear, misinformation, and stigma shaped the early AIDS crisis, how science and activism transformed treatment, and where we stand now with modern prevention tools like antiretroviral therapy (ART) and PrEP. It's a vital conversation about education, access, consent, and the importance of shame-free sexual health care. The first reported HIV/AIDS cases in the early 1980s Early misconceptions, panic, and stigma surrounding transmission The discovery of HIV and the development of testing Why AIDS was once considered universally fatal The role of public health leaders, including Dr. Anthony Fauci Activism, government response, and public education efforts Breakthroughs in HIV treatment and combination therapy (HAART) The meaning of Undetectable = Untransmittable (U=U) How PrEP has transformed HIV prevention Why HIV still affects communities today due to gaps in access and awareness Connect With the Hosts Website: https://shamelesscare.com Podcast: Shameless Care Podcast Connect With Eve Website: https://pleaseme.online Social Media & Contact: https://pleaseme.online/contacts Substack Newsletter: https://pleaseme.substack.com Patreon (Ad-Free & Bonus Content): https://patreon.com/PleaseMePodcast Be a Guest: Apply via PodMatch https://www.podmatch.com/hostdetailpreview/beaguestonpleasemepodcast Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to Season 7! We start our fifth year recording with some loose ends that need to be tied. First off the 1993 legal drama that garnered Tom Hanks his first Best Actor Oscar. As well as finally getting to talk about one of the greatest actors ever, Denzel Washington. With serious topics like AIDS,homophobia, and workplace discrimination what's not to love?! Follow Billy and Raul on Bluesky @masterofpuns196 and @raulvaderrdz as well as the main show @synspod
THE EROSION OF NEUTRALITY AFTER POLAND AND FRANCE Colleague H.W. Brands. H.W. Brandsoutlines the erosion of neutrality following the fall of Poland and France. Roosevelt maneuvers to adjust neutrality laws and aids Britain via the destroyers-for-bases deal, despite isolationist skepticism. Lindbergh and his allies fear these steps are a trap leading to inevitable war. Meanwhile, Churchill's correspondence with FDR becomes increasingly manipulative, desperate to secure American support against Germany, while Lindbergh warns that the British are seeking a US bailout. NUMBER 3
A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight's show features Asian Refugees United and Lavender Phoenix in conversation about art, culture, and organizing, and how artists help us imagine and build liberation. Important Links: Lavender Phoenix: Website | Instagram Asian Refugees United: Website | Instagram | QTViệt Cafe Collective Transcript: Cheryl: Hey everyone. Good evening. You tuned in to APEX Express. I'm your host, Cheryl, and tonight is an AACRE Night. AACRE, which is short for Asian Americans for Civil Rights and Equality is a network made up of 11 Asian American social justice organizations who work together to build long-term movements for justice. Across the AACRE network, our groups are organizing against deportations, confronting anti-blackness, xenophobia, advancing language justice, developing trans and queer leaders, and imagine new systems of safety and care. It's all very good, very important stuff. And all of this from the campaigns to the Organizing to Movement building raises a question that I keep coming back to, which is, where does art live In all of this, Acts of resistance do not only take place in courtrooms or city halls. It takes place wherever people are still able to imagine. It is part of how movements survive and and grow. Art is not adjacent to revolution, but rather it is one of its most enduring forms, and tonight's show sits in that very spirit, and I hope that by the end of this episode, maybe you'll see what I mean. I;d like to bring in my friends from Lavender Phoenix, a trans queer API organization, building people power in the Bay Area, who are also a part of the AACRE Network. This summer, Lavender Phoenix held a workshop that got right to the heart of this very question that we're sitting with tonight, which is what is the role of the artist in social movements? As they were planning the workshop, they were really inspired by a quote from Toni Cade Bambara, who in an interview from 1982 said, as a cultural worker who belongs to an oppressed people, my job is to make the revolution irresistible. So that raises a few questions worth slowing down for, which are, who was Toni Cade Bambara? What does it mean to be a cultural organizer and why does that matter? Especially in this political moment? Lavender Phoenix has been grappling with these questions in practice, and I think they have some powerful answers to share. So without further ado, I'd like to introduce you to angel who is a member of Lavender Phoenix. Angel: My name is Angel. I use he and she pronouns, and I'm part of the communications committee at LavNix. So, let's explore what exactly is the meaning of cultural work. Cultural workers are the creators of narratives through various forms of artistic expression, and we literally drive the production of culture. Cultural work reflects the perspectives and attitudes of artists and therefore the people and communities that they belong to. Art does not exist in a vacuum. You may have heard the phrase before. Art is always political. It serves a purpose to tell a story, to document the times to perpetuate and give longevity to ideas. It may conform to the status quo or choose to resist it. I wanted to share a little bit about one cultural worker who's made a really big impact and paved the way for how we think about cultural work and this framework. Toni Cade Bambara was a black feminist, cultural worker, writer, and organizer whose literary work celebrated black art, culture and life, and radically supported a movement for collective liberation. She believed that it's the artist's role to serve the community they belong to, and that an artist is of no higher status than a factory worker, social worker, or teacher. Is the idea of even reframing art making as cultural work. Reclaimed the arts from the elite capitalist class and made clear that it is work, it does not have more value than or take precedence over any other type of movement work. This is a quote from an interview from 1982 when Toni Cade Bambara said, as a cultural worker who belongs to an oppressed people, my job is to make revolution irresistible. But in this country, we're not encouraged and equipped at any particular time to view things that way. And so the artwork or the art practice that sells that capitalist ideology is considered art. And anything that deviates from that is considered political, propagandist, polemical, or didactic, strange, weird, subversive or ugly. Cheryl: After reading that quote, angel then invited the workshop participants to think about what that means for them. What does it mean to make the revolution irresistible? After giving people a bit of time to reflect, angel then reads some of the things that were shared in the chat. Angel: I want my art to point out the inconsistencies within our society to surprised, enraged, elicit a strong enough reaction that they feel they must do something. Cheryl: Another person said, Angel: I love that art can be a way of bridging relationships. Connecting people together, building community. Cheryl: And someone else said. Angel: I want people to feel connected to my art, find themselves in it, and have it make them think and realize that they have the ability to do something themselves. Cheryl: I think what is rather striking in these responses that Angel has read aloud to what it means to make art that makes the revolution irresistible isn't just aesthetics alone, but rather its ability to help us connect and communicate and find one another to enact feelings and responses in each other. It's about the way it makes people feel implicated and connected and also capable of acting. Tony Cade Bambara when she poses that the role of cultural workers is to make the revolution irresistible is posing to us a challenge to tap into our creativity and create art that makes people unable to return comfortably to the world as is, and it makes revolution necessary, desirable not as an abstract idea, but as something people can want and move towards now I'm going to invite Jenica, who is the cultural organizer at Lavender Phoenix to break down for us why we need cultural work in this political moment. . Speaker: Jenica: So many of us as artists have really internalized the power of art and are really eager to connect it to the movement. This section is about answering this question of why is cultural work important. Cultural work plays a really vital role in organizing and achieving our political goals, right? So if our goal is to advance radical solutions to everyday people, we also have to ask ourselves how are we going to reach those peoples? Ideas of revolution and liberation are majorly inaccessible to the masses, to everyday people. Families are being separated. Attacks on the working class are getting worse and worse. How are we really propping up these ideas of revolution, especially right in America, where propaganda for the state, for policing, for a corrupt government runs really high. Therefore our messaging in political organizing works to combat that propaganda. So in a sense we have to make our own propaganda. So let's look at this term together. Propaganda is art that we make that accurately reflects and makes people aware of the true nature of the conditions of their oppression and inspires them to take control of transforming this condition. We really want to make art that seeks to make the broader society aware of its implications in the daily violences, facilitated in the name of capitalism, imperialism, and shows that error of maintaining or ignoring the status quo. So it's really our goal to arm people with the tools to better struggle against their own points of views, their ways of thinking, because not everyone is already aligned with like revolution already, right? No one's born an organizer. No one's born 100% willing to be in this cause. So, we really focus on the creative and cultural processes, as artists build that revolutionary culture. Propaganda is really a means of liberation. It's an instrument to help clarify information education and a way to mobilize our people. And not only that, our cultural work can really model to others what it's like to envision a better world for ourselves, right? Our imagination can be so expansive when it comes to creating art. As organizers and activists when we create communication, zines, et cetera, we're also asking ourselves, how does this bring us one step closer to revolution? How are we challenging the status quo? So this is exactly what our role as artists is in this movement. It's to create propaganda that serves two different purposes. One, subvert the enemy and cultivate a culture that constantly challenges the status quo. And also awaken and mobilize the people. How can we, through our art, really uplift the genuine interests of the most exploited of people of the working class, of everyday people who are targets of the state and really empower those whose stories are often kept outside of this master narrative. Because when they are talked about, people in power will often misrepresent marginalized communities. An example of this, Lavender Phoenix, a couple years ago took up this campaign called Justice for Jaxon Sales. Trigger warning here, hate crime, violence against queer people and death. Um, so Jaxon Sales was a young, queer, Korean adoptee living in the Bay Area who went on a blind like dating app date and was found dead the next morning in a high-rise apartment in San Francisco. Lavender Phoenix worked really closely and is still connected really closely with Jaxon's parents, Jim and Angie Solas to really fight, and organize for justice for Jaxon and demand investigation into what happened to him and his death, and have answers for his family. I bring that up, this campaign because when his parents spoke to the chief medical examiner in San Francisco, they had told his family Jaxon died of an accidental overdose he was gay. Like gay people just these kinds of drugs. So that was the narrative that was being presented to us from the state. Like literally, their own words: he's dead because he's gay. And our narrative, as we continue to organize and support his family, was to really address the stigma surrounding drug use. Also reiterating the fact that justice was deserved for Jaxon, and that no one should ever have to go through this. We all deserve to be safe, that a better world is possible. So that's an example of combating the status quo and then uplifting the genuine interest of our people and his family. One of our key values at Lavender Phoenix is honoring our histories, because the propaganda against our own people is so intense. I just think about the everyday people, the working class, our immigrant communities and ancestors, other queer and trans people of color that really fought so hard to have their story told. So when we do this work and think about honoring our histories, let's also ask ourselves what will we do to keep those stories alive? Cheryl: We're going to take a quick music break and listen to some music by Namgar, an international ethno music collective that fuses traditional Buryat and Mongolian music with pop, jazz, funk, ambient soundscapes, and art- pop. We'll be back in just a moment with more after we listen to “part two” by Namgar. Cheryl: Welcome back. You are tuned in to APEX express on 94.1 KPFA and 89.3 KPFB B in Berkeley and online at kpfa.org. That song you just heard was “part two” by Namgar, an incredible four- piece Buryat- Mongolian ensemble that is revitalizing and preserving the Buryat language and culture through music. For those just tuning in tonight's episode of APEX Express is all about the role of the artist in social movements. We're joined by members of Lavender Phoenix, often referred to as LavNix, which is a grassroots organization in the Bay Area building Trans and queer API Power. You can learn more about their work in our show notes. We talked about why cultural work is a core part of organizing. We grounded that conversation in the words of Toni Cade Bambara, who said in a 1982 interview, as a cultural worker who belongs to an oppressed people, my job is to make revolution irresistible. We unpacked what that looks like in practice and lifted up Lavender Phoenix's Justice for Jaxon Sales campaign as a powerful example of cultural organizing, which really demonstrates how art and narrative work and cultural work are essential to building power Now Jenica from Levner Phoenix is going to walk us through some powerful examples of cultural organizing that have occurred in social movements across time and across the world. Speaker: Jenica: Now we're going to look at some really specific examples of powerful cultural work in our movements. For our framework today, we'll start with an international example, then a national one, a local example, and then finally one from LavNix. As we go through them, we ask that you take notes on what makes these examples, impactful forms of cultural work. How does it subvert the status quo? How is it uplifting the genuine interest of the people? Our international example is actually from the Philippines. Every year, the Corrupt Philippines president delivers a state of the nation address to share the current conditions of the country. However, on a day that the people are meant to hear about the genuine concrete needs of the Filipino masses, they're met instead with lies and deceit that's broadcasted and also built upon like years of disinformation and really just feeds the selfish interests of the ruling class and the imperialist powers. In response to this, every year, BAYAN, which is an alliance in the Philippines with overseas chapters here in the US as well. Their purpose is to fight for the national sovereignty and genuine democracy in the Philippines, they hold a Peoples' State of the Nation Address , or PSONA, to protest and deliver the genuine concerns and demands of the masses. So part of PSONA are effigies. Effigies have been regular fixtures in protest rallies, including PSONA. So for those of you who don't know, an effigy is a sculptural representation, often life size of a hated person or group. These makeshift dummies are used for symbolic punishment in political protests, and the figures are often burned. In the case of PSONA, these effigies are set on fire by protestors criticizing government neglect, especially of the poor. Lisa Ito, who is a progressive artists explained that the effigy is constructed not only as a mockery of the person represented, but also of the larger system that his or her likeness embodies. Ito pointed out that effigies have evolved considerably as a form of popular protest art in the Philippines, used by progressive people's movements, not only to entertain, but also to agitate, mobilize and capture the sentiments of the people. This year, organizers created this effigy that they titled ‘ZomBBM,' ‘Sara-nanggal' . This is a play on words calling the corrupt president of the Philippines, Bongbong Marcos, or BBM, a zombie. And the vice president Sara Duterte a Manananggal, which is a, Filipino vampire to put it in short, brief words. Organizers burnt this effigy as a symbol of DK and preservation of the current ruling class. I love this effigy so much. You can see BBM who's depicted like his head is taken off and inside of his head is Trump because he's considered like a puppet president of the Philippines just serving US interests. Awesome. I'm gonna pass it to Angel for our national perspective. Angel: Our next piece is from the national perspective and it was in response to the AIDS crisis. The global pandemic of HIV AIDS began in 1981 and continues today. AIDS is the late stage of HIV infection, human immunodeficiency virus, and this crisis has been marked largely by government indifference, widespread stigma against gay people, and virtually no federal funding towards research or services for everyday people impacted. There was a really devastating lack of public attention about the seriousness of HIV. The Ronald Reagan administration treated the crisis as a joke because of its association with gay men, and Reagan didn't even publicly acknowledge AIDS until 19 85, 4 years into the pandemic. Thousands of HIV positive people across backgrounds and their supporters organize one of the most influential patient advocacy groups in history. They called themselves the AIDS Coalition to Unleash Power or ACT up. They ultimately organize and force the government and the scientific community to fundamentally change the way medical research is conducted. Paving the way for the discovery of a treatment that today keeps alive, an estimated half million HIV positive Americans and millions more worldwide. Sarah Schulman, a writer and former member of ACT Up, wrote a list of ACT UPS achievements, including changing the CDC C'S definition of aids to include women legalizing needle exchange in New York City and establishing housing services for HIV positive unhoused people. To highlight some cultural work within ACT Up, the AIDS activist artist Collective Grand Fury formed out of ACT Up and CR and created works for the public sphere that drew attention to the medical, moral and public issues related to the AIDS crisis. Essentially, the government was fine with the mass deaths and had a large role in the active killing off of people who are not just queer, but people who are poor working class and of color. We still see parallels in these roadblocks. Today, Trump is cutting public healthcare ongoing, and in recent memory, the COVID crisis, the political situation of LGBTQ people then and now is not divorced from this class analysis. So in response, we have the AIDS Memorial Quilt, this collective installation memorializes people who died in the US from the AIDS crisis and from government neglect. Each panel is dedicated to a life lost and created by hand by their friends, family, loved ones, and community. This artwork was originally conceived by Cleve Jones in SF for the 1985 candlelight March, and later it was expanded upon and displayed in Washington DC in 1987. Its enormity demonstrated the sheer number at which queer folk were killed in the hiv aids crisis, as well as created a space in the public for dialogue about the health disparities that harm and silence our community. Today, it's returned home to San Francisco and can be accessed through an interactive online archive. 50,000 individual panels and around a hundred thousand names make up the patchwork quilt, which is insane, and it's one of the largest pieces of grassroots community art in the world. Moving on to a more local perspective. In the Bay Area, we're talking about the Black Panther Party. So in October of 1966 in Oakland, California, Huey Newton and Bobby Seale founded the Black Panther Party for self-defense. The Panthers practiced militant self-defense of black communities against the US government and fought to establish socialism through organizing and community-based programs. The Black Panthers began by organizing arm patrols of black people to monitor the Oakland Police Department and challenge rampant rampant police brutality. At its peak, the party had offices in 68 cities and thousands of members. The party's 10 point program was a set of demands, guidelines, and values, calling for self-determination, full employment of black people, and the end of exploitation of black workers housing for all black people, and so much more. The party's money programs directly addressed their platform as they instituted a free B Breakfast for Children program to address food scarcity Founded community health clinics to address the lack of adequate, adequate healthcare for black people and treat sickle cell anemia, tuberculosis, and HIV aids and more. The cultural work created by the Black Panther Party included the Black Panther Party newspaper known as the Black Panther. It was a four page newsletter in Oakland, California in 1967. It was the main publication of the party and was soon sold in several large cities across the US as well as having an international readership. The Black Panther issue number two. The newspaper, distributed information about the party's activities and expressed through articles, the ideology of the Black Panther Party, focusing on both international revolutions as inspiration and contemporary racial struggles of African Americans across the United States. Solidarity with other resistance movements was a major draw for readers. The paper's international section reported on liberation struggles across the world. Under Editor-in-Chief, David Du Bois, the stepson of WEB Du Bois, the section deepened party support for revolutionary efforts in South Africa and Cuba. Copies of the paper traveled abroad with students and activists and were tra translated into Hebrew and Japanese. It reflected that the idea of resistance to police oppression had spread like wildfire. Judy Juanita, a former editor in Chief Ads, it shows that this pattern of oppression was systemic. End quote. Paper regularly featured fiery rhetoric called out racist organizations and was unabashed in its disdain for the existing political system. Its first cover story reported on the police killing of Denzel Doel, a 22-year-old black man in Richmond, California. In all caps, the paper stated, brothers and sisters, these racist murders are happening every day. They could happen to any one of us. And it became well known for its bold cover art, woodcut style images of protestors, armed panthers, and police depicted as bloodied pigs. Speaker: Jenica: I'm gonna go into the LavNix example of cultural work that we've done. For some context, we had mentioned that we are taking up this campaign called Care Not Cops. Just to give some brief background to LavNix, as systems have continued to fail us, lavender Phoenix's work has always been about the safety of our communities. We've trained people in deescalation crisis intervention set up counseling networks, right? Then in 2022, we had joined the Sales family to fight for justice for Jaxon Sales. And with them we demanded answers for untimely death from the sheriff's department and the medical examiner. Something we noticed during that campaign is that every year we watch as people in power vote on another city budget that funds the same institutions that hurt our people and steal money from our communities. Do people know what the budget is for the San Francisco Police Department? Every year, we see that city services and programs are gutted. Meanwhile, this year, SFPD has $849 million, and the sheriff has $345 million. So, honestly, policing in general in the city is over $1 billion. And they will not experience any cuts. Their bloated budgets will remain largely intact. We've really been watching, Mayor Lurie , his first months and like, honestly like first more than half a year, with a lot of concern. We've seen him declare the unlawful fentanyl state of emergency, which he can't really do, and continue to increase police presence downtown. Ultimately we know that mayor Lurie and our supervisors need to hear from us everyday people who demand care, not cops. So that leads me into our cultural work. In March of this year, lavender Phoenix had collaborated with youth organizations across the city, youth groups from Chinese Progressive Association, PODER, CYC, to host a bilingual care, not cops, zine making workshop for youth. Our organizers engaged with the youth with agitating statistics on the egregious SFPD budget, and facilitated a space for them to warm up their brains and hearts to imagine a world without prisons and policing. And to really further envision one that centers on care healing for our people, all through art. What I really learned is that working class San Francisco youth are the ones who really know the city's fascist conditions the most intimately. It's clear through their zine contributions that they've really internalized these intense forms of policing in the schools on the streets with the unhoused, witnessing ice raids and fearing for their families. The zine was really a collective practice with working class youth where they connected their own personal experiences to the material facts of policing in the city, the budget, and put those experiences to paper. Cheryl: Hey everyone. Cheryl here. So we've heard about Effigies in the Philippines, the AIDS Memorial Quilt, the Black Panther Party's newspaper, the Black Panther and Lavender Phoenix's Care Cop zine. Through these examples, we've learned about cultural work and art and narrative work on different scales internationally, nationally, locally and organizationally. With lavender Phoenix. What we're seeing is across movements across time. Cultural work has always been central to organizing. We're going to take another music break, but when we return, I'll introduce you to our next speaker. Hai, from Asian Refugees United, who will walk us through, their creative practice, which is food, as a form of cultural resistance, and we'll learn about how food ways can function as acts of survival, resistance, and also decolonization. So stay with us more soon when we return. Cheryl: And we're back!!. You're listening to APEX express on 94.1 KPFA, 89.3 KPFB in Berkeley. 88.1. KFCF in Fresno and online@kpfa.org. That was “Juniper” by Minjoona, a project led by Korean American musician, Jackson Wright. huge thanks to Jackson and the whole crew behind that track. I am here with Hai from Asian Refugees United, who is a member QTViet Cafe Collective. A project under Asian Refugees United. QTViet Viet Cafe is a creative cultural hub that is dedicated to queer and trans viet Liberation through ancestral practices, the arts and intergenerational connection. This is a clip from what was a much longer conversation. This episode is all about the role of the artist in social movements and I think Hai brings a very interesting take to the conversation. Hai (ARU): I think that what is helping me is one, just building the muscle. So when we're so true to our vision and heart meets mind and body. So much of what QTViet Cafe is, and by extension Asian refugees and like, we're really using our cultural arts and in many ways, whether that's movement or poetry or written word or song or dance. And in many ways I've had a lot of experience in our food ways, and reclaiming those food ways. That's a very embodied experience. We're really trying to restore wholeness and health and healing in our communities, in our bodies and our minds and our families and our communities that have been displaced because of colonization, imperialism, capitalism. And so how do we restore, how do we have a different relationship and how do we restore? I think that from moving from hurt to healing is life and art. And so we need to take risk and trying to define life through art and whatever means that we can to make meaning and purpose and intention. I feel like so much of what art is, is trying to make meaning of the hurt in order to bring in more healing in our lives. For so long, I think I've been wanting a different relationship to food. For example, because I grew up section eight, food stamps, food bank. My mom and my parents doing the best they could, but also, yeah, grew up with Viet food, grew up with ingredients for my parents making food, mostly my mom that weren't necessarily all the best. And I think compared to Vietnam, where it's easier access. And there's a different kind of system around, needs around food and just easier access, more people are involved around the food system in Vietnam I think growing up in Turtle Island and seeing my parents struggle not just with food, but just with money and jobs it's just all connected. And I think that impacted my journey and. My own imbalance around health and I became a byproduct of diabetes and high cholesterol and noticed that in my family. So when I noticed, when I had type two diabetes when I was 18, made the conscious choice to, I knew I needed to have some type of, uh, I need to have a different relationship to my life and food included and just like cut soda, started kind of what I knew at the time, exercising as ways to take care of my body. And then it's honestly been now a 20 year journey of having a different relationship to not just food, but health and connection to mind, body, spirit. For me, choosing to have a different relationship in my life, like that is a risk. Choosing to eat something different like that is both a risk and an opportunity. For me that's like part of movement building like you have to. Be so in tune with my body to notice and the changes that are needed in order to live again. When I noticed, you know, , hearing other Viet folks experiencing diet related stuff and I think knowing what I know also, like politically around what's happening around our food system, both for the vie community here and also in Vietnam, how do we, how can this regular act of nourishing ourselves both be not just in art, something that should actually just honestly be an everyday need and an everyday symbol of caregiving and caretaking and care that can just be part of our everyday lives. I want a world where, it's not just one night where we're tasting the best and eating the best and being nourished, just in one Saturday night, but that it's just happening all the time because we're in right relationship with ourselves and each other and the earth that everything is beauty and we don't have to take so many risks because things are already in its natural divine. I think it takes being very conscious of our circumstances and our surroundings and our relationships with each other for that to happen. I remember reading in my early twenties, reading the role of, bring Coke basically to Vietnam during the war. I was always fascinated like, why are, why is Coke like on Viet altars all the time? And I always see them in different places. Whenever I would go back to Vietnam, I remember when I was seven and 12. Going to a family party and the classic shiny vinyl plastic, floral like sheet on a round table and the stools, and then these beautiful platters of food. But I'm always like, why are we drinking soda or coke and whatever else? My dad and the men and then my family, like drinking beer. And I was like, why? I've had periods in my life when I've gotten sick, physically and mentally sick. Those moments open up doors to take the risk and then also the opportunity to try different truth or different path. When I was 23 and I had just like crazy eczema and psoriasis and went back home to my parents for a while and I just started to learn about nourishing traditions, movement. I was Very critical of the us traditional nutrition ideas of what good nutrition is and very adamantly like opposing the food pyramid. And then in that kind of research, I was one thinking well, they're talking about the science of broths and like soups and talking about hard boiling and straining the broth and getting the gunk on the top. And I'm like, wait, my mom did that. And I was starting to connect what has my mom known culturally that now like science is catching up, you know? And then I started just reading, you know, like I think that my mom didn't know the sign mom. I was like, asked my mom like, did you know about this? And she's like, I mean, I just, this is, is like what ba ngoai said, you know? And so I'm like, okay, so culturally this, this is happening scientifically. This is what's being shared. And then I started reading about the politics of US-centric upheaval of monocultural agriculture essentially. When the US started to do the industrial Revolution and started to basically grow wheat and soy and just basically make sugar to feed lots of cows and create sugar to be put in products like Coke was one of them. And, and then, yeah, that was basically a way for the US government to make money from Vietnam to bring that over, to Vietnam. And that was introduced to our culture. It's just another wave of imperialism and colonization. And sadly, we know what, overprocessed, like refined sugars can do to our health. And sadly, I can't help but make the connections with what happened. In many ways, food and sugar are introduced through these systems of colonization and imperialism are so far removed from what we ate pre colonization. And so, so much of my journey around food has been, you know, it's not even art, it's just like trying to understand, how do we survive and we thrive even before so many. And you know, in some ways it is art. 'cause I making 40 pounds of cha ga for event, , the fish cake, like, that's something that, that our people have been doing for a long time and hand making all that. And people love the dish and I'm really glad that people enjoyed it and mm, it's like, oh yeah, it's art. But it's what people have been doing to survive and thrive for long, for so long, you know? , We have the right to be able to practice our traditional food ways and we have the right for food sovereignty and food justice. And we have the right to, by extension, like have clean waters and hospitable places to live and for our animal kin to live and for our plant kin to be able to thrive. bun cha ga, I think like it's an artful hopeful symbol of what is seasonal and relevant and culturally symbolic of our time. I think that, yes, the imminent, violent, traumatic war that are happening between people, in Vietnam and Palestine and Sudan. Honestly, like here in America. That is important. And I think we need to show, honestly, not just to a direct violence, but also very indirect violence on our bodies through the food that we're eating. Our land and waters are living through indirect violence with just like everyday pollutants and top soil being removed and industrialization. And so I think I'm just very cognizant of the kind of everyday art ways, life ways, ways of being that I think that are important to be aware of and both practice as resistance against the forces that are trying to strip away our livelihood every day. Cheryl: We just heard from Hai of Asian refugees United who shared about how food ways function as an embodied form of cultural work that is rooted in memory and also survival and healing. Hai talked about food as a practice and art that is lived in the body and is also shaped by displacement and colonization and capitalism and imperialism. I shared that through their journey with QTV at Cafe and Asian Refugees United. High was able to reflect on reclaiming traditional food ways as a way to restore health and wholeness and relationship to our bodies and to our families, to our communities, and to the earth. High. Also, traced out illness and imbalance as deeply connected to political systems that have disrupted ancestral knowledge and instead introduced extractive food systems and normalized everyday forms of soft violence through what we consume and the impact it has on our land. And I think the most important thing I got from our conversation was that high reminded us that nourishing ourselves can be both an act of care, an art form, and an act of resistance. And what we call art is often what people have always done to survive and thrive Food. For them is a practice of memory, and it's also a refusal of erasure and also a very radical vision of food sovereignty and healing and collective life outside of colonial violence and harm. As we close out tonight's episode, I want to return to the question that has guided us from the beginning, which is, what is the role of the artist in social movements? What we've heard tonight from Tony Cade Bambara call to make revolution irresistible to lavender Phoenix's cultural organizing here, internationally to Hai, reflections on food ways, and nourishing ourselves as resistance. It is Really clear to me. Art is not separate from struggle. It is how people make sense of systems of violence and carry memory and also practice healing and reimagining new worlds in the middle of ongoing violence. Cultural work helps our movements. Endure and gives us language when words fail, or ritual when grief is heavy, and practices that connect us, that reconnect us to our bodies and our histories and to each other. So whether that's through zines, or songs or murals, newspapers, or shared meals, art is a way of liberation again and again. I wanna thank all of our speakers today, Jenica, Angel. From Lavender Phoenix. Hi, from QTV Cafe, Asian Refugees United, And I also wanna thank you, our listeners for staying with us. You've been listening to Apex Express on KPFA. Take care of yourselves, take care of each other, and keep imagining the world that we're trying to build. That's important stuff. Cheryl Truong (she/they): Apex express is produced by Miko Lee, Paige Chung, Jalena Keane-Lee, Preeti Mangala Shekar. Shekar, Anuj Vaidya, Kiki Rivera, Swati Rayasam, Nate Tan, Hien Nguyen, Nikki Chan, and Cheryl Truong Cheryl Truong: Tonight's show was produced by me, cheryl. Thanks to the team at KPFA for all of their support. And thank you for listening! The post APEX Express – January 1, 2026 – The Role of the Artist in Social Movements appeared first on KPFA.
What happens when a school district demands you teach content that isn't legally required? Military wife and homeschool mom Jennifer Moye found herself in exactly that situation when New York officials insisted she add AIDS education to her sixth-grader's curriculum—or face truancy charges. In this episode of Refining Rhetoric, Jennifer shares her unexpected journey from compliant homeschooler to constitutional defender. After moving to upstate New York in 2019, she faced increasing demands from her local school district, culminating in a requirement that went beyond what homeschool law actually mandated. With three boys to educate and a military family's already complex life, Jennifer had to make a choice: comply with government overreach or stand her ground. In this episode, you'll discover: How Classical Conversations provided consistency and community through four military moves The moment Jennifer realized she needed HSLDA (Home School Legal Defense Association) The surprising number of families facing similar harassment from school officials What happened when attorneys showed up to defend her rights—at no cost to her family Why this fight mattered for every homeschooling family in New York How she's now empowering the next generation through Turning Point USA This is a must-listen for every homeschooling family who thinks these battles are behind us. They're not. And Jennifer's courage reminds us why defending our freedoms matters for every generation. This episode of Refining Rhetoric is sponsored by: Woke and Weaponized: How Karl Marx Won the Battle for American Education—And How We Can Win It Back – A new book written by Robert Bortins and Alex Newman. Discover the shocking truth about how current education reform efforts may actually accelerate the destruction of educational freedom. Through meticulous research, Woke and Weaponized traces the philosophical roots of educational corruption from Robert Owen and John Dewey to critical race theory, while offering practical strategies for families ready to pursue genuine educational independence. Join our exclusive list to be notified the moment it becomes available — plus receive special launch updates and insider information. www.WokeAndWeaponized.com National Number Knockout 2027 Does your student think math is boring? What if they stopped seeing math as drill work and started seeing it as an exciting mental sport? That's the power of National Number Knockout, a nationwide mental math competition that's transforming how students think about numbers. Here's how basic Number Knockout works: Students ages 10-14 use three dice and a 6x6 grid to create as many mathematical equations as possible in just 60 seconds. It's fast, strategic, and seriously addictive. In spring of 2027, 16 national finalists will compete aboard a Caribbean cruise for grand prizes. But the real win? Whether your student makes it to nationals or just plays at home, they're building lightning-fast mental math skills and genuine mathematical confidence—watching them fall in love with mathematics. National Number Knockout—where math becomes a game, and every student can win. Visit https://classicalconversations.com/national-number-knockout/ to find free resources and learn about the 2027 competition.
THE ROYAL WE is a poetic survey of a time set in a magical city that once was and is no more. It is a memoir written by Roddy Bottum, a musician and artist, that documents his coming of age and out of the closet in 1980s San Francisco, a charged era of bicycle messengers, punk rock, street witches, wheatgrass, and rebellion. The book follows his travels from Los Angeles, growing up gay with no role models, to San Francisco, where he formed Faith No More and went on to tour the world relentlessly, surviving heroin addiction and the plight of AIDS, to become a queer icon. The book is an elevated wallop of tongue and insight, much more than a tell-all. There are personal encounters with public figures like Kurt and Courtney and Guns N' Roses, and recaps of gold records and arena rock- but it's the testimonies of tragedy and addiction and preposterous life-spins that make this work so unique and intriguing. Bottum writes about his dark and harrowing past in a clear-eyed voice that is utterly devoid of self pity, and his emboldened and confident pronouncements of achievement and unorthodox heroism flow in an unstoppable train that's both captivating and inspirational.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.
NOBEL SNUBS AND LATER CONTROVERSIES Colleague Professor Paul Halpern. In the aftermath of the Big Bang's confirmation, Gamow fought for recognition of his prior theoretical contributions before his death in 1968. Halpern discusses the controversy surrounding the Nobel Prize for nucleosynthesis, which was awarded to William Fowler but excluded Hoyle, possibly due to misconceptions by the nominators. In his later years, Hoyle became a controversial figure, promoting panspermia—the idea that diseases like AIDS come from comets—and rejecting Darwinian evolution. Halpern concludes by describing both men as intuitive, "seat of the pants" thinkers who preferred spontaneity over rigid archival research. NUMBER 4 1960
FINE-TUNING THE RIDER / FINE-TUNING THE AIDS - MEREDITH HODGES - LUCKY THREE RANCHThe benefits of using positive reinforcement early on in your mule's training.Apply corrective measures appropriately when working with your young mule.Each mule learns in their own way and at their own pace.Using your seat bones to fine-tune your aids.Use half-halts when making a transition will alert your mule a change is going to occur. Using circles to benefit your training.Working at a pace so as not to confuse or create anxiety in your mule. Establishing fine-tuning will create harmony and balance in your work.Mule Talk is an Every Cowgirl's Dream production - www.EveryCowgirlsDream.Com www.MuleTalk.Net Meredith Hodges Interviews: www.LuckyThreeRanch.Com/Podcast-Appearances/
Hospice doctor Dr. Alen Voskanian is sharing the lessons he's learned at the bedside of the dying, including why managing compassion fatigue is so vital. Working with AIDs patients led him to hospice work and to obtaining his board certification in hospice and palliative care medicine. Through his practice, Alen tries to humanize his patients and tries to connect with them. He works to find the best balance of doing his job and seeing the patients as human beings. Debriefing with the hospice team and finding an outlet for his secondary grief has helped Alen create personal wellbeing and sustainability as a hospice physician. Connect with Alen Voskanian: LinkedIn Purchase a copy of “Reclaiming the Joy of Medicine: Finding Purpose, Fulfillment, and Happiness in Today's Medical Industry” by Dr. Alen Voskanian here. Podcast host Helen Bauer is a great addition to your event or conference! For speaking inquiries, send an email to helen@theheartofhospice.com. Hospice Navigation Services understands that you need unbiased, expert support to have the best end of life experience possible. And we believe you deserve to get good hospice care. If you have questions about hospice care for yourself or someone you care about, Hospice Navigation Services can help. Whether you want to connect by phone or video, you can book a FREE 30-Minute Hospice Navigation Session, or a more in-depth 60-Minute Navigation Session for $95. If you need to troubleshoot the care you're already receiving, we're here to answer your questions. A 60-Minute Navigation Session by video call allows up to 3 family members to get the same expert information at the same time. Book a session with an expert Hospice Navigator at theheartofhospice.com. Connect with The Heart of Hospice Podcast and host Helen Bauer Website: theheartofhospice.com Social media: Facebook Twitter Instagram LinkedIn Email: helen@theheartofhospice.com More podcast episodes: The Heart of Hospice Podcast
Send Us an Email to Chat!This week we delve deep into 1990's Demon Cop! What was this movie? Why is it all ADR? Why was it called Demon Cop when he's a Werewolf Parole Officer? Whatchu got in that bag sweetie? This is a movie!! KELLY!Follow us on Instagram:@Gaspatchojones@Homewreckingwhore@The_Miseducation_of_DandG_Pod@QualityHoegramming@MullhollanddazeCheck Out Our WebsiteSupport the show
Original Air Date - 8/22/24 Comedian and host of Normal World, Dave Landau, sits down with Bridget for a fun conversation about how they should start their own morning show, Dave's childhood in Detroit, their respective struggles with addiction, Agent Orange, AIDS, parents with mental illness, dealing with Satanists in rehab, their experiences in mental hospitals, how Dave's teacher suggested he get into stand up, the ups and downs of his career, and stumbling into the culture wars. They cover texting each other when Trump was shot, living in a country where the middle class has been eviscerated, how we're becoming a country that we're not supposed to be, the rise of billionaires, how people want to be inspired, what he loves about America, finding happiness, and Dave shares his advice for people struggling with depression. Sponsor Links: - Quest offers 100+ lab tests to empower you to have more control over your health journey. Choose from a variety of test types that best suit your needs, use code WALKINS25 to get 25% off - https://www.questhealth.com--------------------------------------------------------------------- Walk-Ins Welcome with Bridget Phetasy - Podcast Bridget Phetasy admires grit and authenticity. On Walk-Ins Welcome, she talks about the beautiful failures and frightening successes of her own life and the lives of her guests. She doesn't conduct interviews—she has conversations. Conversations with real people about the real struggle and will remind you that we can laugh in pain and cry in joy but there's no greater mistake than hiding from it all. By embracing it all, and celebrating it with the stories she'll bring listeners, she believes that our lowest moments can be the building blocks for our eventual fulfillment. ---------------------------------------------------------------------- PHETASY IS a movement disguised as a company. We just want to make you laugh while the world burns. https://www.phetasy.com/ Buy PHETASY MERCH here: https://www.bridgetphetasy.com/ For more content, including the unedited version of Dumpster Fire, BTS content, writing, photos, livestreams and a kick-ass community, subscribe at https://phetasy.com/ Twitter - https://twitter.com/BridgetPhetasy Instagram - https://www.instagram.com/bridgetphetasy/ Podcast - Walk-Ins Welcome with Bridget Phetasy https://itunes.apple.com/us/podcast/walk-ins-welcome/id1437447846 https://open.spotify.com/show/7jbRU0qOjbxZJf9d49AHEh https://play.google.com/music/listen?u=0#/ps/I3gqggwe23u6mnsdgqynu447wvaSupport the show
The vibes are at an all-time high on this family holiday episode! We're joined by the hilarious JC Mendoza and Sam Santos (aka PeachfuzzPapi and soon to be PeachfuzzMami) to cover everything from Geo's transformation goals to the great Dave Chappelle debate.The crew dives deep into Derek's mid-life crisis, why Sam and Derek are officially "homegirls," and the conspiracy theories keeping them up at night. Plus, we talk about the reality of dating apps, Nicki Minaj's latest moves, and why everyone is suddenly heading to Turkey.ON THE GATE! ENJOY!Original air date: 12.22.25Join the live chat Wednesday nights at 11pm EST. Uncensored versions of the show streamed Monday and Thursday at 2pm EST on GaSDigital.com. Signup with code OTG for the archive of the show and others like Legion of Skanks, In Godfrey We Trust, and Story Warz. FOLLOWGeo PerezInstagram - https://www.instagram.com/geoperez86/Derek DrescherInstagram - https://www.instagram.com/derekdrescher/00:30 welcome back JC and Sam!01:00 PeachFuzzDiddy PeachFuzzCassie01:50 JCs employment03:20 hims plug04:20 getting Derek and Geo to Turkey06:00 Geo's family homes07:20 Geo gaining weight and getting on testosterone08:20 Geo is stereotypically Dominican 09:30 Seasonal Affective Disorder10:30 Dereks mid life crisis13:50 food delivery jokes15:00 Derek glazing Andrew Schultz16:00 ruh roh17:05 Myles Toe chasing Dave Attell in NOLA18:30 new Dave Chappelle special on Netflix19:30 old Chappelle = funny new Dave = money21:20 conspiracy conspiracies23:15 5 degrees of wikipedia24:18 Rob Reiner theory25:15 AIDS 26:15 homosexuals can't donate blood28:50 derek gay stuff30:05 derek and geos horny times31:10 getting old34:00 dereks big pharma36:35 solving depression38:05 astrology derek42:00 sam and derek are homegirls43:30 art therapy and pet psychics44:30 geo vs jc and sam as friends45:30 geos ideal body and gaining weight47:15 DR trip48:30 JCs dad49:20 s3x work support52:00 geo spray and prayin53:50 condom use54:40 derek movin on dating56:15 dating app failures57:30 nicki minaj right winging1:00:30 soft launch podcast1:01:10 Laugh Boston1:02:05 plugsOn The Gate! A podcast hosted by two jailbird/recovering drug addicts and active comedians Geo Perez and Derek Drescher, who talk each week about their times in jail, what they learned, what you should know, and how they are improving their life or slipping into recidivism each daySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This is a re-release celebrating a decade of love and allyship on A Gay And A NonGay. This week we're throwing it back to May 2020... We've heard about 'expendable' populations before, but last time they meant gay people. 32 million people have died of AIDS related illnesses since the 1980s and in 2018, 770,000 people died worldwide because of the virus. The London Patient: A Cure For HIV? is the first episode in a brand new two-part series - funded by the Wellcome Trust and the British Podcast Awards Fund. Both episodes were recorded in accordance with government social distancing measures. On this episode, we look at the start of the epidemic, chat to AIDS activist Sir Nick Partridge OBE and head to Oxford to meet Professor John Frater who explains the science behind HIV. Trigger warning: Contains upsetting audio. Incredible advances in medicine now mean that if you are HIV+ and on effective treatment, you can't pass it on. Undetectable = Untransmittable. And in March 2019, it was revealed that a second person had been cured of HIV - The London Patient. What does the London Patient's story tell us about a cure for HIV? Plus in the age of Covid19, can the story of HIV and AIDS offer the world any hope? This episode is bought to you with thanks to the MTV Staying Alive Foundation, the Terrence Higgins Trust and the National AIDS Trust. Follow A Gay & A NonGay TikTok: @gaynongay Instagram: @gaynongay YouTube: @gaynongay Facebook: @gaynongay Website: gaynongay.com Email Us: us@gaynongay.com Learn more about your ad choices. Visit megaphone.fm/adchoices
The Ice House is part of the BBC Ghost Stories for Christmas tradition, originally broadcast under the banner A Ghost Story for Christmas. First shown on BBC1 on Christmas Day 1978, it marked the final instalment of the original 1971 to 1978 run. This episode completes our podcast coverage of that era. - Written by John Bowen, who previously delivered The Treasure of Abbot Thomas, The Ice House was produced by Rosemary Hill and directed by Derek Lister. Its Christmas Day broadcast made it only the second entry in the strand to air on 25 December, following Lost Hearts, securing its place in the BBC Ghost Story for Christmas canon despite being quietly sidelined over the years. - Starring John Stride as Paul, Geoffrey Burridge as Clovis and Elizabeth Romilly as Jessica, The Ice House breaks from tradition by being a contemporary ghost story rather than a period adaptation. This change was driven by Rosemary Hill after she took over the strand. Series creator Lawrence Gordon Clark preferred the earlier M R James style and left after Stigma, making The Ice House the only film in the original run not directed by him. - John Stride had appeared uncredited in Sink the Bismarck! before gaining wider recognition in The Omen and A Bridge Too Far. He later starred in the BBC adaptation of The Old Devils. Producer Adrian Mourby later described Stride as a powerful actor whose volatility could be difficult to manage. - Geoffrey Burridge is remembered for Blake's 7, Emmerdale Farm and his appearance in An American Werewolf in London. He died in 1987 from an AIDS related illness. His partner Alec McCowen later insisted their relationship be acknowledged during the broadcast of This Is Your Life. McCowen also connects back to the podcast through Frenzy and his role as Q in Never Say Never Again. - Elizabeth Romilly appeared in several television plays and in Secrets of a Door to Door Salesman. By 2011 she had left acting and was working as a lawyer in the Government Legal Service. - Writer John Bowen went on to create Hetty Wainthropp Investigates and wrote for Dead of Night and The Guardians, a 1971 series imagining a fascist Britain. It feels increasingly relevant and is very much on our list for future podcast coverage.Support this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.
Get MORE Bad Friends at our Patreon!! https://www.patreon.com/c/badfriends Thank you to our Sponsors: Shopify & Rocket Money • Shopify: Sign up for your $1 per month trial and start selling today at https://shopify.com/badfriends • Rocket Money: Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Go to https://RocketMoney.com/BADFRIENDS today. YouTube Subscribe: http://bit.ly/BadFriendsYouTube Audio Subscribe: https://apple.co/31Jsvr2 Merch: http://badfriendsmerch.com 0:00 Bobby Skellington & Santino Grinch 5:00 Thanksgiving w/ Michael Bay 10:00 The Secret Lives of Mormon Wives 15:00 Banana Ketchup 21:30 Biggest in Hollywood 27:00 Bombs Have an Essence 32:00 Rudy Loves Guava D 37:00 Under the Mistletoe 40:22 The Whole Bloody Affair 47:45 Bad Friendsmas Jeopardy 55:00 What is Aids? 1:00:00 The Big C Returns! 1:07:00 White Vans & Mad Libs More Bobby Lee TigerBelly: https://www.youtube.com/tigerbelly Instagram: https://www.instagram.com/bobbyleelive Twitter: https://twitter.com/bobbyleelive Tickets: https://bobbylee.live More Andrew Santino Whiskey Ginger: https://www.youtube.com/andrewsantinowhiskeyginger Instagram: https://www.instagram.com/cheetosantino Twitter: https://Twitter.com/cheetosantino Tickets: http://www.andrewsantino.com More Fancy SOS VHS: https://www.youtube.com/@7EQUIS Instagram: https://www.instagram.com/fancyb.1 More Bad Friends iTunes: https://podcasts.apple.com/us/podcast/bad-friends/id1496265971 Instagram: https://www.instagram.com/badfriendspod/ Twitter: https://twitter.com/badfriends_pod Official Website: http://badfriendspod.com/ Opening Credits and Branding: https://www.instagram.com/joseph_faria & https://www.instagram.com/jenna_sunday Credit Sequence Music: http://bit.ly/RocomMusic // https://www.instagram.com/rocom Character Design: https://www.instagram.com/jeffreymyles Bad Friends Mosaic Sign: https://www.instagram.com/tedmunzmosaicart Produced by: 7EQUIS https://www.7equis.com/ Podcast Producer: Andrés Rosende This video contains paid promotion. #bobbylee #andrewsantino #badfriends #sponsored #ad Learn more about your ad choices. Visit megaphone.fm/adchoices
In the season of giving, Datshiane Navanayagam talks to philanthropists from France and Nigeria about using their wealth to help others thrive. Historically philanthropic giving has been dominated by men, but as women's global wealth grows so does their capacity for donating money to charitable causes and enterprise. The Conversation talks to a French heiress who felt compelled to give away her money following the death of her son in a helicopter crash and a former corporate banker from Nigeria who's galvanising businesswomen from the African diaspora to invest in the futures of women on the continent.Albina du Boisrouvay was born into extreme wealth as granddaughter of a Bolivian tin magnate and daughter of a French aristocrat. She went on to pursue an alternative career as a film director and when her 24 year old son François-Xavier Bagnoud died, Albina sold three-quarters of her assets and founded FXB Foundation in his name. Its mission is to fight poverty, AIDs and support orphans and vulnerable children. Since 1989, FXB Foundation has impacted the lives of 20 million people. She's recently written about her extraordinary life in a book called Phoenix Rising.Former corporate banker, Dr Anino Emuwa is from Nigeria and managing director at Avandis Consulting in France. She co-founded Women in Philanthropy and Impact Africa, bringing together women in business from the African diaspora to use the power of philanthropy to drive sustainable development. With only 0.4% of foundation grants globally directed toward organisations addressing women's issues, WIPIA approaches philanthropy through a gendered lens and supports women to lead scalable change in Africa.Produced by Jane Thurlow(Image: (L) Albina du Boisrouvay credit Karine Bauzin. (R), Dr Anino Emuwa courtesy Dr Anino Emuwa.)
The leader of Shelby County's Community Services Division talks about the safety net of programs and the balancing act that comes with uncertain money.
In this powerful episode, LGBTQ+ historian and collector Adrian Cardwell shares how his project, Badge of Pride, is preserving 30 years of queer history to ensure our stories are never forgotten. From the AIDS crisis to modern-day equality movements, Adrian's journey reminds us that visibility, unity, and storytelling are the backbone of our community's strength. We explore what it means to protect queer archives, how personal stories shape collective progress, and why showing up—especially in politically divisive times—matters more than ever. Our stories aren't just history—they're our legacy, our power, and our connection to each other. 3 Key Takeaways From This Episode: How storytelling and archiving protect LGBTQ+ legacy and visibility. The role of Badge of Pride in connecting and empowering queer communities. Why unity and solidarity are vital to progress in challenging political times. About Adrian Adrian Cardwell is the founder and executive director of Badge Of Pride, an organization dedicated to activating LGBTQ+ history through artifacts and storytelling. For more than 30 years, Adrian has been building a nationally significant collection of Queer history—over 10,000 artifacts—through relationships with LGBTQ+ activists and communities around the world. After a more than 25-year career in corporate leadership, directing national sales and marketing for a global telecommunications firm and serving on international committees to expand broadband access in underserved and conflict-affected regions, Adrian pivoted in 2022 to launch Badge Of Pride. His goal: to bring this collection out of the shadows and into public spaces as a tool for truth-telling, resistance, and connection. He is the curator of Badge Of Pride: From Silence…To Celebration!, the largest artifact-centered exhibition of LGBTQ+ history ever presented in Texas, and a bold counterpoint to today's climate of censorship and cultural erasure. Connect With Adrian Website Instagram Facebook LinkedIn Hey Guys, Check This Out! Are you a guy who keeps struggling to do that thing? You know the thing you keep telling yourself and others you're going to do, but never do? Then it's time to get real and figure out why. Join the 40 Plus: Gay Men Gay Talk, monthly chats. They happen the third Monday of each month at 5:00 pm Pacific - Learn More! Also, join our Facebook Community - 40 Plus: Gay Men, Gay Talk Community Break free of fears. Make bold moves. Live life without apologies
R-Soul: Reclaiming the Soul of Reproductive Health, Rights, and Justice
2025 brought what feels like several years' worth of experiences: a new federal political administration, drastic worsening of life for families in the U.S. due to Project 2025, and a deepening struggle for reproductive freedom in Ohio and beyond. Kelley Fox and Rev. Terry Williams look back on the year from both community and organizational perspectives, exploring how the seemingly darkest of times can be fruitful ground for growth, strategic development, and expectant preparation. Kelley and Terry highlight the amazing things that happened at Faith Choice Ohio in the past year including launching our on-demand Faith for Repro Training Center, developing 10 new mini-zine offerings, organizing across regions with various clergy & congregations, and much more! Links to discussed content: Presidential pardons for anti-abortion criminals: https://apnews.com/article/abortion-trump-executive-order-pardon-817774b21d32a4edf6d39ee43cbc18f4 Project 2025 targets repro advocates, transgender rights, and more: https://19thnews.org/2025/12/project-2025-heritage-foundation-progress/ DOGE undermines AIDS prevention and health policy: https://thehill.com/policy/healthcare/5263506-former-trump-official-doge-cuts-hiv-aids-epidemic/ FDA approves Mifepristone generic as safe and effective: www.pbs.org/newshour/health/fda-approves-another-generic-abortion-pill-prompting-conservativ... Faith for Repro Training Center: www.faithchoiceohio.org/trainings PRIDE 2025 with Faith Choice Ohio: www.faithchoiceohio.org/pride Faith4Repro Store: www.faithchoiceohio.org/store Minister in Residence, Constance M. Dunlap: www.faithchoiceohio.org/blog/justice-as-an-invitation-to-transformation 2025 Intern, Karina Streeter: www.faithchoiceohio.org/blog/the-power-of-youth-led-organizing FREE Mini-Zines for distribution: www.faithchoiceohio.org/zines Get plugged in with Ohio Clergy for Choice: www.faithchoiceohio.org/clergy-for-choice Video Library at Faith Choice Ohio: www.faithchoiceohio.org/videos Give Faithfully for Reproductive Justice: www.faithchoiceohio.org/blog/give-faithfully-for-reproductive-justice Music by Korbin Jones
Send us a textIn this episode, hosts Charles MacKenzie and Lyn uncover the true story behind a tainted blood donor known only as Code Donor D20 and how decisions made by Australia's blood bank led to the death of Lyn's young son, Martin, in 1989.But this is not just one family's tragedy.Was D20 a tragic anomaly, or evidence of a far wider and hidden practice where thousands of high risk donors were knowingly recruited into the blood supply despite the dangers?This episode challenges the official narrative and asks a question that still echoes today:Was this a single failure or a systemic betrayal?Show links Another scalp taken! The CEO of the regulator on blood John Cahill jumps ship https://www.blood.gov.au/national-blood-authority-chief-executiveHow governments failed to stop the catastrophic impact of 'tainted blood' on thousands of peoplehttps://www.smh.com.au/opinion/how-governments-failed-to-stop-the-catastrophic-impact-of-tainted-blood-on-thousands-of-people-20160714-gq602j.htmlTurner Freeman submission to 2004 Senate inquiry exposing the Australian Red Cross Lifeblood's knowing use of tainted blood donors tohttps://www.infectedbloodaustralia.com/_files/ugd/efbdad_8a9b6821be874d798ed8a79e338fa439.pdfThis is where the Australian Red Cross Lifeblood used to advertise for blood donors during the AIDS crisis https://www.infectedbloodaustralia.com/art6https://www.infectedbloodaustralia.com/art5The ‘Lookback report' https://ddd792de-b24d-47fe-8177-91b7438b0894.usrfiles.com/ugd/ddd792_ffa5e979b8db4c4790adf814cc5344f8.pdfSydney Morning Herald story: Inquiry hears how a Sydney schoolboy was given blood from a heroin addicthttps://www.smh.com.au/national/inquiry-hears-how-a-sydney-schoolboy-was-given-blood-from-a-heroin-addict-20220105-p59m4o.htmlIta Buttrose deceives the public in 1985 incorrectly stating that Haemophilia treatments have been purified. https://static.wixstatic.com/media/ddd792_d2874372777a4ef3a2c9342cce36349b~mv2.jpgHelp fund justice and purchase a Make Accountabilty happen again cap here https://joinhighadventure.com.au/patriot-cap/Support a Royal commission of inquiry into the Australian Red Cross/CSL Infected Blood Scandal here https://www.infectedbloodaustralia.com/registration
"We are the monsters" — that's the premise for the genre of film known as body horror — movies that fixate on monstrous and grotesque changes to the body. There have been good body horror films and bad ones, but "The Fly" starring Jeff Goldblum and Geena Davis was perhaps the most consequential. The movie captured anxieties around bodily autonomy and physical decay, just as the AIDS epidemic was becoming catastrophic. Forty years later, Body Horror is back with films like "The Substance" and "Together." Producer Matthew Lazin-Ryder examines what these films reveal about our bodies, our minds and our sense of who we are.
Send us a textAfter surviving two life-threatening illnesses, one he was told was terminal, Tom LeNoble was given six months to live on three separate occasions. Tom lives by the phrase: “I'm Still Here.” Whether on his podcast, or in his bestselling book, he shares his potent message with the world. The book is wonderfully titled: My Life in Business Suits, Hospital Gowns and High Heels.Book: https://a.co/d/2vC4ug8This is such an amazing, engaging, compelling episode full of highs and lows and Tom is such an brilliant guest as we are sure you will agree! Some of the stories are wild!Site: https://www.tomlenoble.com/Support the show
✨15-minute lesson preview. To listen to the full lesson and get access to hundreds of other listen-while-you-ride audio lessons with Kyle and other great coaches, just head to Ride-iQ.com to start your 2-week free trial. We'd love to have you!✨If your horse feels a bit dull to the aids or disconnected after time off, this ride will help sharpen responsiveness and reestablish clarity in your communication. Your coach, Kyle Carter, focuses on leg-yields and stride-length adjustments in both trot and canter to encourage acceptance of the aids, straightness, and balance. You'll work through thoughtful, repeatable exercises that keep the horse in front of the leg while staying soft in the connection. By the end of the ride, your horse should feel more adjustable, aligned, and tuned in to your aids.✅ This lesson is great for…
Drs. Lee welcomes Connie Garrett from Choice Health Network for a World AIDS Day conversation that cuts through stigma and brings clarity to HIV education. Originally from Celina, Connie draws on her eight years of experience serving eight counties to explain the difference between HIV and AIDS, how the virus is transmitted, and why awareness month matters. She outlines the free, non-medical support services available to anyone living with HIV and shares how to easily access them. Connie also highlights the major medical progress that allows people to live full, healthy lives today. Tune in for myth-busting, practical insight, and important local resources. Listen To The Local Matters Podcast Today! News Talk 94.1
In this episode of Skin Anarchy, Dr. Ekta Yadav sits down with Dr. Alexes Hazen—board-certified plastic surgeon, microsurgery specialist, and founder of Zen Essentials—for a thoughtful conversation on skin health, ethical aesthetics, and why real results can never be separated from whole-body well-being. With a background that spans public health, global medicine, and some of the most technically demanding surgical training, Dr. Hazen brings a rare depth to how she thinks about beauty, healing, and care.Her path to medicine was anything but linear. From working with the New York City Department of Health during the AIDS crisis to serving in the Peace Corps in Honduras, Dr. Hazen learned early that medicine isn't just technical—it's human. Those experiences shaped a philosophy she carries into every aspect of her work today: outcomes are influenced as much by mental health, sleep, nutrition, and support systems as they are by surgical skill.Throughout the conversation, Dr. Hazen challenges the surface-level thinking that dominates skincare culture. Skin, she reminds us, is an organ—and it reflects what's happening internally. No product can compensate for chronic stress, dehydration, or exhaustion. When those fundamentals are addressed, skincare finally has the space to work as it should.She also speaks candidly about ethics in aesthetic medicine—why board certification matters, why saying “no” is sometimes the most responsible choice, and how listening to patients should always come before selling solutions.That same restraint and intention led to the creation of Zen Essentials, born from Dr. Hazen's own struggles with severe skin sensitivities. Designed to be effective yet calming, the line reflects her belief that skincare should support the body—not fight it.Listen to the full episode to hear Dr. Alexes Hazen unpack holistic healing, ethical aesthetics, and why real skin health starts with caring for the whole person.SHOP Zen Essentials and learn more on social media!CHAPTERS:(0:02) - Introduction & Guest Welcome(0:46) - A Nonlinear Path Into Medicine(1:26) - Public Health, AIDS Education & the Peace Corps(2:46) - Falling in Love With Surgery & Plastic Surgery Training(3:01) - Early Burn Injury, Scars & Coming Full Circle(4:12) - Why Holistic Care Matters in Surgical Outcomes(8:40) - Skin as a Reflection of Whole-Body Health(11:22) - Ethics, Training & Responsibility in Aesthetic Surgery(26:21) - The Origins of Zen Essentials & Sensitive Skin SciencePlease fill out this survey to give us feedback on the show!Don't forget to subscribe to Skin Anarchy on Apple Podcasts, Spotify, or your preferred platform.Reach out to us through email with any questions.Sign up for our newsletter!Shop all our episodes and products mentioned through our ShopMy Shelf!*This is a paid collaboration Hosted on Acast. See acast.com/privacy for more information.
The Notes: Will's musical endeavors have evolved yet again! "We like this one," say wife and son! The gap, and the minding of it! In America, the gap minds you! Space age 70's technology! Nelson is the one without hope this time! AIDS is back and better than ever! Middle class Bob Cratchit! Sports Corner! Are you ready for some football (talk)!? Barring executive level bribery, Will's team has been eliminated! Less knees, mo problems! Get yourself one of those white lady knees! Will is gonna forget about you, Simple Minds! Is it really kidnapping if you only take them out for ice cream!? One score games? Tired. Twilight squeakers? Inspired! Why do you hate women, Stephanie Meyer!? Two lawyers enter, one lawyer leaves! Contact Us! Follow Us! Love Us! Email: doubledeucepod@gmail.com Twitter & Instagram: @doubledeucepod Bluesky: @doubledeucepod.bsky.social Facebook: www.facebook.com/DoubleDeucePod/ Patreon: patreon.com/DoubleDeucePod Also, please subscribe/rate/review/share us! We're on Apple, Android, Libsyn, Stitcher, Google, Spotify, Amazon, Radio.com, RadioPublic, pretty much anywhere they got podcasts, you can find the Deuce! Podcast logo art by Jason Keezer! Find his art online at Keezograms! Intro & Outro featuring Rob Schulte! Check out his many podcasts! Brought to you in part by sponsorship from Courtney Shipley, Official Superfans Stefan Rider, Amber Fraley, Nate Copt, and listeners like you! Join a tier on our Patreon! Advertise with us! If you want that good, all-natural focus and energy, our DOUBLEDEUCE20 code still works at www.magicmind.com/doubledeuce for 20% off all purchases and subscriptions. Check out the Lawrence Times's 785 Collective at https://lawrencekstimes.com/785collective/ for a list of local LFK podcasts including this one!
Handel on the Law. Marginal Legal Advice.See omnystudio.com/listener for privacy information.
In this episode of Mark Langley's Horsemanship Podcast, we explore key aspects of horse training, including the timing of aids in relation to footfall, strategies to stop a horse from pawing when tied, and techniques to help a shut-down horse become more responsive. Mark shares insights on achieving a centered mindset in horses and the importance of focusing on their thoughts rather than just their movements. Join us for practical advice and expert tips to enhance your horse training approach. Mark Langley provides solutions to support horses as well as positive training approaches. His psychological approach fosters soft mindsets and horses active decision making. Gain improvements in your horse through his Online Membership. FREE for 7 days! Membership includes personal support from Mark. Find out more: https://www.marklangley.com.au/join
no inserted ads: www.patreon.com/dopeypodcastThis Week on a super classic episode of Dopey! Dave is visited by local Long Islander - Will P. AKA Hairy Tongue Will. Dave opens the show drinking Ryze mushroom coffee while talking about how cold his recording room is. He announces that Dopey will be releasing five episodes per week throughout December, including replays, Patreon teasers, deep cuts, and new interviews.He gives sobriety shoutouts — notably Lauren's three-year milestone and Maddie Veitch from Leftover Salmon celebrating her own recovery marker. He encourages listeners to email in clean-time milestones for future episodes.Dave then goes through a lengthy run of Spotify comments left on the Darrell Hammond episode. The comments range from people complaining about the “This or That” game, others defending it, jokes about possums, encouragement about psychedelics, questions about whether Darrell is truly sober, praise for the episode, frustration with the interview pacing, random remarks about Lime Drive and “Mike's Amazing Stuff,” plus multiple requests for stickers. Dave reads each comment and jokes along, sometimes offering to send merch.Ads for Mountainside and Link Diagnostics follow. Dave talks about how Mountainside is central to the history of Dopey and how Link Diagnostics offers drug testing services that help people “stay positive and test negative.”Dave then plays an LSD voicemail from Henry in San Francisco, who took two hits of acid alone in college. Henry becomes one with his bicycle, panics at a house fumigation tent he interprets as a circus, fears he'll be mutated by pesticides, runs home, listens to the Butthole Surfers, sees Aztec gods appearing from shifting ceiling patterns, and eventually rides it out. He is now 15 months sober and credits Dopey Nation for support.Next he reads an email from Jerry, who describes crazy addiction history including fighting cops on PCP, overdoses, ventilators, and robbing heroin dealers. Jerry discovered Dopey by typing “heroin” into the podcast search bar while newly out of rehab in 2018. His biggest complaint is that Dave has never watched Joe Dirt.The episode opens with your intro, then the bulk of the show is Hairy Tongue Will's massive, chaotic, detailed telling of his addiction, near-death runs, arrests, relapse cycles, dead friends, and eventual recovery.Will describes the early Long Island chaos with Richie, Mike, and Lenny—everyone strung out on heroin, crack, coke, and whatever they could get. He recalls the first serious turn: showing up to a house where Lenny was passed out after a three-day crack run, realizing “the demons are taking over.” Mike and Richie spiral deeper, and Will keeps managing to “hold it together” thanks to jobs, work ethic, and a strange electrical-job stabilizer that kept him semi-functional.He details years of DUIs, probation, manipulating drug tests, smoking crack constantly while still working 16-hour electrician shifts, and thriving socially because coworkers lived vicariously through him. He normalized chaos, missing only “one no-call/no-show every two weeks,” which he considered acceptable.Will then dives into his first short attempt at stability, living in a basement apartment. His probation officer surprises him the day after a holiday: the apartment is filled with beer cans, bongs, baggies. He fails the test, is sent back to rehab/jail cycles, and explains why Long Island addicts often choose jail over treatment. He describes his surreal time in jail—being sent to the Montauk Lighthouse on work crews, eating egg sandwiches and black-and-milds with the guards, becoming “the useful guy,” actually feeling respected and purposeful.Back outside, he tries again, fails again, collects DUIs, cycles through companies, loses jobs, hustles side work, and repeatedly relapses. A wedding night leads to another DUI. COVID hits while he's in jail. He gets out, starts working nonstop, earns money, piles cash in a closet, stacks crypto, reads self-help books, sleeps on a mattress on the floor, becomes obsessed with success and control.Then he meets a girl in Tennessee. He drinks again “successfully” only when he flies there. He builds a double life—working himself numb, drinking out of state, convincing himself he's different.Eventually, on a work trip, he gambles, wins big, drinks an old fashioned, and secretly cooks his boss's cocaine into crack. This reignites the obsession. Will starts traveling the Northeast and Midwest, repeatedly pulling crack-seeking missions: gas stations, high-crime neighborhoods, asking strangers, “I'm looking for some hard.” He builds drug contacts in Bridgeport, Dayton, Maine, Virginia, wherever the job sends him. He smokes in hotels, hallucinates blood on floors, changes rooms repeatedly.He recounts the deaths of friends:Mike, whose father turned their home into a sheet-walled trap house with dealers and bikers living inside.How Mike died with his father selling sneakers off his dead son's body.Richie, who got sober then died of fentanyl after nearly two years clean.Will's life collapses further—obsession, resentment toward God, jealousy, terminal uniqueness. He becomes a “demon,” wanting to die like his friends. He terrifies his girlfriend with delusional FaceTimes, nine-day runs, psychosis. She moves in without knowing the truth and becomes trapped in codependency.He stays high for 26 straight days, manipulates her with antihistamine allergy episodes to cover his psychosis, hides crack pipes around the house with ring cameras everywhere. He finally admits some truth, gives her $5,000 to escape, but she stays another nine months.He tells insane stories:Pretending he's a trust-fund baby to get free crackGetting shot at by a dealer after a misunderstanding over “two grams” vs “two ounces”Driving through wooded roads barefoot at gas stationsDealers trying to jump himBecoming a mule for a recently-released dealer (Ace)Near misses, violence, and pure street insanityEventually, during a pickup, he gets chased, prays for police lights, and his car breaks down. Cops descend. He gets a mountain of charges (“five decades worth”). He thinks he'll die in prison. Bail reform gets him released. He immediately uses again for 17 more days.A sober lawyer tries pushing him toward St. Christopher's. Will resists, manipulates LICR, relapses again, cancels his own insurance, tries to die, and after weeks of chaos his mother gets him re-approved. He enters St. Chris, still delusional, still dangerous.There he breaks. He admits suicidal thoughts, gets a guard stationed outside his door, hears the blunt truth—you're the worst-off guy here and you did this to yourself. It lands. Will begins working the program: spiritual direction, grief groups, codependency, meetings, kitchen duty, everything. He reconnects with his mother in sobriety. He attends court in suits provided by the facility and ultimately receives an unexpectedly generous plea deal.He comes home early, tries to run his own program, stays sober for months, but on Mother's Day runs into an old acquaintance who shows him a Newport box with a pipe inside. He relapses immediately for three days, misses Mother's Day entirely.That night, suicidal again, he receives a series of calls: first from Jordan, then from his tough sponsor, who gives him clear direction—go to a sober house, go to daily groups, go to nightly meetings, call people, build structure. Will frauds his urine to get in, but once inside, follows every instruction. He stabilizes.He recounts being 18 months sober now, having been at meetings nearly every night, with a recent slip in commitment due to chasing an “intimate partner godshot” that didn't work out. You reassure him that it's fine and that balance is part of recovery.More or less thats the whole thing! On a brand new fucko, crackead episode of that good old dopey show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
In this special episode of 'Straight White American Jesus,' the host introduces the podcast series 'When We All Get To Heaven,' which chronicles the history of the Metropolitan Community Church of San Francisco during the AIDS epidemic. The series, produced by Lynn Gerber and available on Slate, uses an archive of 1200 cassette tape recordings from the church to explore themes of grief, joy, faith, and community amidst the crisis. The episode features reflections from church members, including Reverend Jim Mitulsky, detailing personal and collective struggles and resilience. The series celebrates the church's inclusive theology and its unyielding commitment to supporting its queer congregation through the darkest times. https://www.heavenpodcast.org/#home-section Donate: https://axismundi.supercast.com/donations/new Learn more about your ad choices. Visit megaphone.fm/adchoices
In this short episode of the Supplement Ingredient Series, Nurse Doza breaks down the benefits of L-glutamine, one of the most abundant amino acids in the body and a foundational part of the Good Poops Protocol. Learn how L-glutamine supports digestion, immune health, and muscle recovery, and why it's a go-to daily supplement in the clinic. ✅ 5 Key Takeaways • L-glutamine is the most abundant amino acid in the body • Supports digestion and better bowel movements • Strengthens immune system, especially during stressful seasons • Aids post-workout muscle recovery • Comes in powder form for easy morning use
Shifting the focus of AIDS history away from the coasts to the Twin Cities of Minneapolis and St. Paul, this impressive book uncovers how homonormative political strategies weaponized the AIDS crisis to fuel gentrification. During the height of the epidemic, white gay activists and politicians pursued social acceptance by assimilating to Midwestern cultural values. This approach, Dr. René Esparza argues in From Vice to Nice: Midwestern Politics and the Gentrification of AIDS (UNC Press, 2025), diluted radical facets of LGBTQ activism, rejected a politics of sexual dissidence, severed ties with communities of color, and ushered in the destruction of vibrant queer spaces.Drawing from archival research, oral histories, and urban studies from the 1970s through the 1990s, Dr. Esparza illustrates how the onset of the AIDS epidemic provided a pretext for further criminalization of perceived sexual deviance, targeting sex workers, “promiscuous” gay men, and transgender women. More than the criminalization of people and behaviors, this time period also saw increased targeting of urban venues such as bathhouses, adult bookstores, and public parks where casual, anonymous encounters occurred. Cleansing the city of land uses that undermined gentrification became a protective measure against AIDS, and the most marginalized bore the brunt of the ensuing surveillance and displacement. From Vice to Nice illuminates how, despite purporting seemingly progressive values, LGBTQ Midwestern politics of conformity leveraged the AIDS crisis to further instigate racial and sexual exclusion and fundamentally alter the urban landscape. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In the second episode of the Prevention Intention mini-series, Katherine speaks with Wafaa El-Sadr, University Professor in Epidemiology at Columbia University and the director of ICAP. They discuss El-Sadr's formative experience treating AIDS patients in New York City in the early 1980s, as the global HIV epidemic began to emerge; her decision to found ICAP in order to bring HIV treatments to patients worldwide; and ICAP's contributions to HIV prevention research. They also cover the evolution of PEPFAR, the challenges and opportunities associated with current efforts to reform U.S. global health assistance, and El-Sadr's emphasis on ensuring people and their communities are at the heart of all health research and service delivery endeavors.
In the final episode of When We All Get to Heaven, we catch up on what's happened in the many years between the emergence of effective treatment for AIDS in the late ‘90s and the fall of 2025, when we recorded this episode. We linger on a moment back in June 1999, when Jim was still pastor and called on the church to remember that AIDS wasn't over. Because—advances notwithstanding—it still isn't over. For more on Gilbert Baker and the history of the rainbow flag see the Gilbert Baker Foundation. For more on Prep see San Francisco AIDS Foundation, What is PrEP? “The Path that Ends AIDS: 2023 UNAIDS Global Update” outlines a possible end to the AIDS epidemic. The story of Jacob's Ladder is in the book of Genesis chapter 28, verses 10-19. The text for “This is the Day that God Has Made” is biblical with music by Leon C. Roberts. “We are Climbing Jacob's Ladder” is a traditional hymn. “This Little Light of Mine” – text traditional, music by Penelope Gneisen “Song of the Soul” is by Cris Williamson and was sung by her at MCC San Francisco on April 24, 2000. For images and links about this episode visit https://www.heavenpodcast.org/episode-10. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. Thanks to Dr. Judy Auerbach of the University of California at San Francisco. Thanks to Sue Fulton for permission to use “This Little Light of Mine.” Thanks to Cris Williamson for permission to use “Song of the Soul.” Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website. Metropolitan Community Churches – the denomination of which MCC San Francisco is a part. San Francisco AIDS Foundation – a place to seek information about HIV. POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site. LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the final episode of When We All Get to Heaven, we catch up on what's happened in the many years between the emergence of effective treatment for AIDS in the late ‘90s and the fall of 2025, when we recorded this episode. We linger on a moment back in June 1999, when Jim was still pastor and called on the church to remember that AIDS wasn't over. Because—advances notwithstanding—it still isn't over. For more on Gilbert Baker and the history of the rainbow flag see the Gilbert Baker Foundation. For more on Prep see San Francisco AIDS Foundation, What is PrEP? “The Path that Ends AIDS: 2023 UNAIDS Global Update” outlines a possible end to the AIDS epidemic. The story of Jacob's Ladder is in the book of Genesis chapter 28, verses 10-19. The text for “This is the Day that God Has Made” is biblical with music by Leon C. Roberts. “We are Climbing Jacob's Ladder” is a traditional hymn. “This Little Light of Mine” – text traditional, music by Penelope Gneisen “Song of the Soul” is by Cris Williamson and was sung by her at MCC San Francisco on April 24, 2000. For images and links about this episode visit https://www.heavenpodcast.org/episode-10. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. Thanks to Dr. Judy Auerbach of the University of California at San Francisco. Thanks to Sue Fulton for permission to use “This Little Light of Mine.” Thanks to Cris Williamson for permission to use “Song of the Soul.” Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website. Metropolitan Community Churches – the denomination of which MCC San Francisco is a part. San Francisco AIDS Foundation – a place to seek information about HIV. POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site. LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the final episode of When We All Get to Heaven, we catch up on what's happened in the many years between the emergence of effective treatment for AIDS in the late ‘90s and the fall of 2025, when we recorded this episode. We linger on a moment back in June 1999, when Jim was still pastor and called on the church to remember that AIDS wasn't over. Because—advances notwithstanding—it still isn't over. For more on Gilbert Baker and the history of the rainbow flag see the Gilbert Baker Foundation. For more on Prep see San Francisco AIDS Foundation, What is PrEP? “The Path that Ends AIDS: 2023 UNAIDS Global Update” outlines a possible end to the AIDS epidemic. The story of Jacob's Ladder is in the book of Genesis chapter 28, verses 10-19. The text for “This is the Day that God Has Made” is biblical with music by Leon C. Roberts. “We are Climbing Jacob's Ladder” is a traditional hymn. “This Little Light of Mine” – text traditional, music by Penelope Gneisen “Song of the Soul” is by Cris Williamson and was sung by her at MCC San Francisco on April 24, 2000. For images and links about this episode visit https://www.heavenpodcast.org/episode-10. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. Thanks to Dr. Judy Auerbach of the University of California at San Francisco. Thanks to Sue Fulton for permission to use “This Little Light of Mine.” Thanks to Cris Williamson for permission to use “Song of the Soul.” Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Some links to good groups: The Metropolitan Community Church of San Francisco – the congregation's current website. Metropolitan Community Churches – the denomination of which MCC San Francisco is a part. San Francisco AIDS Foundation – a place to seek information about HIV. POZ Magazine – a place to learn everything else about HIV (information included). Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site. LGBTQ Religious Archives Network – the place to get lost in LGBTQ+ religious history. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
Between The Lines Radio Newsmagazine (Broadcast-affiliate version)
Eisenhower Media Network Associate Director Matthew Hoh: U.S. War Crime Attacks on ‘Drug Boats': A Prelude to U.S. Attack on VenezuelaYale Law School professor Bruce Ackerman: Supreme Court Hears Case that Could Further Increase Trump's Unchecked Executive Power Journalist and author Nell Bernstein: New Book In Our Future We Are Free Recounts 25-Year Campaign that Cut U.S. Youth Incarceration 75%Bob Nixon's Under-reported News Summary• Major cuts in AIDS treatment, prevention to spike HIV infections by 3.3 million• South Asia, among most water-stressed regions globally, faces ‘water wars'• Chicago Mercantile Exchange data center's 11-hour blackout exposes vulnerabilityVisit our website at BTLonline.org for more information, in-depth interviews, related links, transcripts and subscribe to our BTL Weekly Summary and/or podcasts. New episodes every Wednesday at 12 noon ET, website updated Wednesdays after 4 p.m. ETProduced by Squeaky Wheel Productions: Scott Harris, Melinda Tuhus, Bob Nixon, Anna Manzo, Susan Bramhall, Jeff Yates and Mary Hunt. Theme music by Richard Hill and Mikata.
Angel Studios https://Angel.com/Herman Join the Angel Guild today where you can stream Thank You, Dr. Fauci and be part of the conversation demanding truth and accountability. Renue Healthcare https://Renue.Healthcare/ToddYour journey to a better life starts at Renue Healthcare. Visit https://Renue.Healthcare/Todd Bulwark Capital https://KnowYourRiskPodcast.comBe confident in your portfolio with Bulwark! Schedule your free Know Your Risk Portfolio review. Go to KnowYourRiskPodcast.com today. Alan's Soaps https://www.AlansArtisanSoaps.comUse coupon code TODD to save an additional 10% off the bundle price.Bonefrog https://BonefrogCoffee.com/ToddThe new GOLDEN AGE is here! Use code TODD at checkout to receive 10% off your first purchase and 15% on subscriptions.LISTEN and SUBSCRIBE at:The Todd Herman Show - Podcast - Apple PodcastsThe Todd Herman Show | Podcast on SpotifyWATCH and SUBSCRIBE at: Todd Herman - The Todd Herman Show - YouTubeThe Left will use scripture as a cudgel to beat you into submission. Does “Be kind to sojourners” really mean “welcome the lawless one?” The Left would have you believe it so.Episode Links:BREAKING: The Supreme Court has just agreed to hear President Trump's case BANNING birthright citizenship in the U.S.Sen. Mark Warner: "I think, in many ways, the uniformed military may help save us from this President." They're now just openly calling for military coups against President Trump.“Breaking News in downtown Los Angeles, a man has been arrested, accused of throwing Molotov cocktails at a federal building” and at ICE agents. The man arrested has an extensive criminal record, Democrats kept releasing himKetanji lost it today during oral arguments and went on a “No Kings” style rant about President Trump wanting to rule like a monarch, and how we should instead have many issues handled by “the experts and PhDs” like Dr. Fauci, Dr. “Rachel” Levine, and the gay bondage AIDS dude. BREAKING: Voter fraud case in Minnesota TIES Somali communities with registering fake Democrat voters.Minneapolis Mayor Jacob Frey says city police will not cooperate with ICE. Then he turns to the Somali community and begins speaking… Somalian. Hard to believe this was the less extreme candidate.Here's a confidential CIA memo from 1983 on illegal immigration from Mexico. It says illegal immigrants send 1/3 of their earnings back home to Mexico in remittances, the Mexican economy is totally dependent on those remits, and that Mexico thinks we can't politically stop it.https://www.cia.gov/readingroom/docs/CIA-RDP85T00287R000400380002-7.pdfBREAKING: Trump admin to CUT OFF SNAP funding to states who REFUSE to provide data on SNAP benefits. The only reason Democrat states don't want to hand over data is because they know there's MAJOR FRAUD and illegals are receiving SNAP. EXPOSE THEMReplacement Migration is literally a plan from the UN.Northwestern's Contract With Qatar Forbids School From Criticizing Regime; House interview with ousted Northwestern University president Michael Schill reveals university employees, students, faculty—even family members—are required to submit to Qatari law, which prohibits criticism of the ruling family
In December 2025, the U.S. government broke tradition by refusing to recognize World AIDS Day; echoing the deadly silence that fueled the early epidemic. This episode traces the history of AIDS stigma, activism, and policy failure, from Reagan to today, and honors the caretakers, communities, and cultural figures who fought to make survival possible. Take a human look at how prejudice reshapes public health and why remembering matters.
“Create A More Positive Rehoboth” was a decades-long goal for progress and inclusiveness in a charming beach town in southern Delaware. Rehoboth, which was established in the 19th century as a Methodist Church meeting camp, has, over time, become a thriving mecca for the LGBTQ+ community. In Queering Rehoboth Beach: Beyond the Boardwalk (Temple UP, 2024), historian and educator Dr. James Sears charts this significant evolution. Dr. Sears draws upon extensive oral history accounts, archival material, and personal narratives to chronicle the "Battle for Rehoboth,” which unfolded in the late 20th century, as conservative town leaders and homeowners opposed progressive entrepreneurs and gay activists. He recounts not just the emergence of the gay and lesbian bars, dance clubs, and organizations that drew the queer community to the region, but also the efforts of local politicians and homeowners, among other groups who fought to develop and protect the traditional identity of this beach town. Moreover, issues of race, class, and gender and sexuality informed opinions as residents and visitors struggled with the AIDS crisis and the legacy of Jim Crow. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
From conflict zones to refugee camps, from neonatal units to global health leadership—nurses are at the heart of humanitarian medicine.In this episode, host Eoin Walker is joined by Elsa Afonso and Marcus Wootton from the Royal College of Nursing's International Academy. Together they bring decades of frontline and strategic experience with organisations including MSF, UNICEF, and academic institutions worldwide.We explore:What drives nurses into humanitarian workLessons learned from conflict zones, HIV & AIDS programs, and neonatal careThe power of education and capacity-building in fragile health systemsLeadership, advocacy, and cultural adaptability in global healthThe future of nursing in humanitarian responseA powerful conversation about resilience, leadership, and the global role of nurses.Important links:RCN International AcademyPhoenix Nursing MyanmarRCN Report: Care Amongst the Chaos – The Voices of Nurses Working in Conflict (PDF)
All month, KALW's Queer Power Hour will be airing a special series called ‘When We All Get To Heaven.' With archival tape it tells the story of one of the first gay-positive churches, the Metropolitan Community Church of San Francisco during the height of the AIDS crisis in the 80s and 90s.The series brings to life a community facing personal, social, and political trials, including the deaths of hundreds of its members. It's hosted by Lynne Gerber. Here's Lynne speaking with Crosscurrents host, Hana Baba.
What happens in kids' brains… when they're improvising? Today, we learn how brains work in childhood, and how that's linked to creativity. Then, a woman in prison discovers her inner beauty. And, a new series captures San Francisco at the height of the AIDS epidemic. We hear a conversation with the host of “When We All Get To Heaven.”
The Patriotically Correct Radio Show with Stew Peters | #PCRadio
Trump's “Institute of Peace” is dropping bombs in eight countries and quietly putting boots on the ground in Venezuela, the same Zionist war machine, new puppet, more White blood for the cabal. They injected you with spike protein bioweapons and called the damage “irreversible.” Jonathan Otto just proved them all liars by showing red light therapy completely heals myocarditis, vaccine-induced AIDS, and brain destruction faster than they can say “booster.” The Zionist controlled Turning Point USA snakes just invited Candace Owens to Phoenix in a blatant ambush while they rake in blood money off Charlie Kirk's corpse and hide Israeli assassins, Egyptian jets, and pedophile grift inside their fake “conservative” empire.
In 1996 everything changed. With the introduction of antiretroviral medications called the “AIDS cocktail,” people started getting better – some dramatically – and surviving AIDS became a real possibility. In the wake of these changes, MCC found itself taking stock of what they lost to AIDS and using what they learned to address larger social issues– from medical marijuana to homelessness. Sometimes these political stances felt heroic and a way to use that collective energy, and other times it made the church very unpopular with the changing Castro neighborhood. “Freedom is Coming” is by Anders Nyberg. “All Things New” is by Rory Cooney. “Blessed Assurance” is by Franny Crosby. “Gloria (Angels We Have Heard on High” is a traditional Christmas hymn. “The Potter's House” is by V. Michael McKay. For images and links about this episode visit https://www.heavenpodcast.org/episode-9. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Production credits: When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. Special thanks to Tom Ammiano, Tommi Avicolli-Mecca, Stuart Gaffney, John Lewis, Dr. Jen Reck, Matt Sharp, and Dana Van Gorder for their help with this episode. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Some links to good groups Lyric Center for LGBTQQ+ Youth The Ali Forney Center The Trevor Project's 2022 report on LGBTQ youth and homelessness Learn more about your ad choices. Visit megaphone.fm/adchoices
If you've ever found yourself staring at a golf training aid, wondering if it'll fix your swing—or wreck it—this is the episode you need.Mike Granato and Shaun Webb of Athletic Motion Golf sit down and break down the best training aids for golfers, the ones that are absolute game-changers... and the ones that belong in the trash.Inside, you'll hear real coaching stories, personal experiences with tools like the Swing Guide, Impact Bag, and the HITs Driver, and why most golfers are chasing "quick fixes" instead of real feedback. They also reveal how video feedback and biomechanics are transforming golf instruction—and how YOU can take advantage of it without fancy gear.
On World AIDS Day, Pratik Pawar, Future Perfect fellow at Vox, talks about a new HIV prevention drug the U.S. is making available everywhere except South Africa, the country with the most people living with HIV.
On World AIDS Day, a look at the impact of foreign aid cuts on HIV prevention programs, particularly in South Africa.On Today's Show:Pratik Pawar, Future Perfect fellow at Vox, talks about a new HIV prevention drug the U.S. is making available worldwide, except to South Africa, the country with the most people living with HIV.
President Trump wants to pardon former Honduran president Juan Orlando Hernandez, who was convicted of trafficking drugs into the United States. At the same time, his administration is blowing up what they call drug boats in the Caribbean and Pacific. Juan Sebastián González of the Georgetown Americas Institute explains more about Trump's actions in Latin America.And, bipartisan support is growing for congressional review of those strikes after multiple reports have raised questions about whether at least one of the strikes amounts to a war crime. Franco Ordoñez, a White House correspondent for NPR, joins us.Then, for the first time since 1988, the United States will not commemorate World AIDS Day. Dr. Monica Gandhi of the University of California, San Francisco, explains what the move says about the Trump administration's policy to fight HIV and AIDS.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
When the Metropolitan Community Church was founded in the late sixties, it was one of the first gay positive churches in America. When AIDS hit, it became a refuge for people who were sick and those who were mourning them. In this episode, Anna talks to researcher Lynne Gerber, about finding boxes of cassettes under the church floor in an MCC church in San Francisco, and how those recordings of sermons and songs became a podcast about finding community and comfort during a crisis. Lynne Gerber is the host of the 10-episode series When We All Get to Heaven. Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus. And if you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices