Podcast appearances and mentions of Judy Chicago

Marcus, Dorothea www.deutschlandfunkkultur.de, Fazit

Marcus, Dorothea www.deutschlandfunk.de, Kultur heute

Co se stane, když spojíme jídlo a umění? V prvním díle nové řady podcastu Raut se bavíme s umělkyněmi Barborou Gábovou a Františkou Malaskovou o jedlých instalacích a designových hostinách nebo o chlebě jako udržitelném sochařském materiálu. Díl prostupuje sedmichodové kunsthistorické menu připravené kurátorem Piotrem Sikorou. —Podcast Raut vydává iniciativa pro současné umění tranzit.cz a vychází každé 3-4 týdny. Přihlaste se k odběru tranzit.cz a Alarmu na platformách Apple Podcasts, SoundCloud nebo Spotify, ať vám žádný díl neunikne. Podcast vznikl díky finanční podpoře Ministerstva kultury České republiky. Hlavním partnerem tranzit.cz je nadace ERSTE. Epizodou vás provázely Ester Grohová a Nela Pietrová. Dramaturgem podcastu je Max Dvořák. Zvukový obal vytvořila Ester Grohová. Zvukový mix a mastering dělal Ondřej Holý. Vizuální identitu pro celou sérii navrhlo studio Day Shift Office, food design pro doprovodné fotografie připravila Barbora Gábová ve spolupráci s Annou Kameníkovou a Natálií Košťálovou z tria Bláznivé bruschetty. Fotografkou série je Viktorie Macánová.IG @tranzit.cz@biennale.matterof.artFB @tranzit.cz@biennale.matterof.artWEB https://matterof.art/cz/podcast-raut-2025  

Kunstkritiker Hanna Hattrem har vært i London og sett utstillinger av de banebrytende kunstnerne Yoko Ono og Judy Chicago. I denne episoden, i samtale med kunsthistoriker Cecilie Tyri Holt, finner hun møtepunkter og ulikheter, ting hun liker og noen detaljer ved utstillingene som lugger litt.

L'art féministe est un mouvement artistique regroupant des artistes et des œuvres revendiquant ou s'inscrivant dans un discours féministe, c'est-à-dire qui promeut l'égalité entre les femmes et les hommes. Le principal objectif de l'art féministe est de repenser la place des femmes dans le monde. Sa popularisation, dans les années 60 et 70 est concomitante à la prise d'ampleur du mouvement, mais également à l'émergence de nouvelles formes d'expressions artistiques, comme la performance. Judy Chicago, Niki De Saint Phalle ou encore Louise Bourgeois sont des artistes féministes particulièrement connues de l'époque. Mais alors, sous quelle forme est apparue la première œuvre d'art féministe ? Et ensuite, quelles sont les œuvres qui ont marqué le féminisme en France ? Et dans la peinture alors, les femmes ont-elles réussi à s'imposer dans l'Histoire de l'art ? Écoutez la suite dans cet épisode de "Maintenant vous savez - Culture". Un podcast Bababam Originals, écrit et réalisé par Carole Beaudouin. Première diffusion : 19 décembre 2022. À écouter aussi : Qui se cache derrière l'Homme de Vitruve ? Le cinéma est-il l'ennemi ultime de l'environnement ? Comment la culture a-t-elle détourné "Notre Dame de Paris" ? Retrouvez tous les épisodes de "Maintenant vous savez - Culture". Suivez Bababam sur Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Artist and educator Judy Chicago has revolutionized the art world with her unique and brave takes on art from a feminist perspective. On this special episode, Chicago reads excerpts from five chapters of her recent book “Revelations,” which explores a new creation myth, brings to light forgotten heroes of history, tells a new kind of harrowing end-of-days story, and more. Between the chapters, Chicago gives advice to young artists and activists, tells her own personal story that informed the book, and sets her record straight on what feminism is really all about. Hosted on Acast. See acast.com/privacy for more information.

In her summer 2024 exhibition Trial By Fire at Core Art Space, Lakewood, Colorado, Maria Sheets exhibited a series of colorful, sculpturally dense, illuminated glass panels of portraits and landscapes created in a unique process that combines the mediums of traditional stained glass grisaille/enameling with fused glass “painting” known as Vitreonics. The technique was documented in Justin Monroe's award-winning documentary Holy Frit. The movie traces artist/designer Tim Carey's journey through making the world's largest stained and fused glass window with the help of Italian glass maestro Narcissus Quagliata. Says Sheets: “Our family experienced a major loss in late 2023 that inspired a radical shift in what I was producing. In an attempt to address this swing of emotional intensity, I found I desperately needed to break some sh#t. Inspired by the project created in the new film Holy Frit, I began to learn Vitreonics. The process, particularly the intense smashing, layering, and heating of glass, gave me the change I needed. Vitreonics brought balance to my creative world and reminded me that though I can and do use my skills to make art that is highly technical, I can also relax into flexibility and levity.” With a conservation and glass studio located in Evergreen, Colorado, Sheets is a senior conservator of Foothills Art Conservation and a master glass designer, painter and fabricator. She was Chief Conservator of a fire recovery project with the Museum of Biblical Art, Dallas from 2005-2018. A partial list of additional clients includes the Ross Perot Collection, George Bush Family, Gerald Ford, Dallas Museum of Art, Nasher Sculpture Center, and the Ann and Gabriel Barbier-Mueller Samurai Collection. She served as President of the Conservators Private Practice Group of the American Institute for Conservation and holds a Professional Associates status.  Signed commissioned works in architectural glass include large-scale projects presently housed in museums, universities, houses of worship, businesses and private residences internationally. In 2021, Sheets designed and painted the Legacy Window for Tulsa's Vernon AME in Greenwood, illustrating 120 years of the church's history and survival from the Tulsa Race Massacre. Her own work was included in recent juried exhibitions such as American Glass Guild NOW 2016 (juror, contemporary artist Judith Schaechter), Texas National 2018 (juror Jed Perl, international art critic), and Materials Hard and Soft International Craft Exhibition 2019 (2nd place of 1100 entries). She is a resident artist for Valkarie Gallery in Lakewood, Colorado, where her work will be exhibited in a solo exhibition from November 13 through December 8, 2024.  In 2022, Martin Faith, Scottish Stained Glass, Centennial, Colorado, approached Sheets with a project that involved reproducing an artist's pieces made in the 1970s onto glass. Sheets explains: “He showed them to me, and I gasped, recognizing the work as Judy Chicago's. I had read her early biographies while I was in college in the ‘90s. My feminist art teacher taught us about her work and the famous piece The Dinner Party, which congress was crucifying along with a number of artists trying to get funding through the National Endowment for the Arts.  I even wrote her fan mail.” Sheets and Chicago met and spent several years working collaboratively in Chicago's Belen, New Mexico studio. There they created complex airbrushed/masked pieces onto glass. These took five months of research and development as the technique/design would be some of the most unforgiving yet enlightening of Sheet's life. Last year Chicago had a blockbuster show of the work at New Museum in New York accompanied by a four-page spread in the New York Times as well as an exhibition at Serpentine in London. Occupying a rare niche in the art world, Sheets was inspired by her great-uncle, a Russian Orthodox priest and iconographer to apply old-world art materials on stained glass to create both traditional religious imagery or modern portraits and scenes rife with politics. Her work Motherboard Madonna was recently exhibited in AI Love You at Niza Knoll Gallery, Denver, Colorado.  Says Sheets: “The gallery got blackballed, but the whole point of show was to discuss the ethical concerns and use of AI as a tool. One could say creativity was used in the creation of this technology and that “paint” is not the only medium. Adapt or die…”  

Hello and welcome back to a new episode of Jo's Art History Podcast Bitesize. The week we deep dive into Judy Chicago's  incredible work The Dinner Party. Host: Jo McLaughlin Instagram: ⁠⁠https://www.instagram.com/josarthistory/⁠⁠ Website: ⁠⁠https://www.josarthistory.com/podcast⁠⁠ Email: ⁠⁠josarthistory@gmail.com⁠⁠ Please support the podcast by buying me a book from my Amazon Wishlist - this will go towards future episodes of the podcast: https://www.amazon.co.uk/hz/wishlist/ls/FZ1XZKILJJCJ?ref_=wl_sha

A FIGHTER FOR EGALITARIANISM AND JUSTICE. Judy Chicago is an artist, author, feminist, cultural historian, and educator who lives and works in New Mexico, USA. In 2018 she was named one of Time Magazine's most influential people, and she has garnered an enduring stature. Born Judy Cohen in 1939, and known briefly after her first marriage as Judy Gerowitz, Chicago attended the Art Institute of Chicago and the University of California, Los Angeles. In 1970, she adopted the surname ‘Chicago' and initiated the United States' first Feminist Art Programme at California State University, Fresno. Chicago became particularly well known for her 1970s installation The Dinner Party. In 2024 her show Revelations is at London's Serpentine and Herstory is at LUMA Arles. “Feminist art promotes diversity. I believe that every voice counts.” “I look at the history of art as the history of men's art, and so feminist art opens the way for a history of women's art.” “I don't think people quite understand how much work it is for an artist to have three shows within one year.”  

This time we went to the Serpentine gallery in Hyde park. What a nice setting for a contemporary art venue. That walk back to the tube is always a slow and ponderous one. We do talk a lot about walks back to the tube after visiting exhibitions in this episode!We visited the retrospective exhibition of the feminist pioneer Judy Chicago, whose blueprint was a hitherto unpublished manuscript, Revelations, inspired by Illuminations and myths of the Goddess. You can purchase it online or in the book shop. The show was curated by Hans Ulrich Obrist, the artistic director of the gallery.We exchanged different experiences and thoughts about the exhibition, based partially on the curatorial choices that were made and which puzzled us somewhat, although we support the ecological reasons they are based on.For more information about the exhibition go here: https://www.serpentinegalleries.org/whats-on/judy-chicago-revelations/Follow Judy Chicago on Instagram: @judy.chicagoAnd follow us! @exhibitionistas_podcastMusic by Sarturn.

John Wilson's guest is the pioneering American artist, author and educator Judy Chicago. Having run the first ever feminist art course in California, she established herself as a powerful advocate of women artists in the early 1970s. She is best known for a ground-breaking installation piece called The Dinner Party, a monumental work which was made with the help of a team of ceramists and needle-workers over five years and first displayed in 1979. Now enjoying her sixth decade as an artist, Judy Chicago is regarded as a trailblazing figure in the art world.Judy recalls studying at the Art Institute of Chicago's children's classes at the age of five, and afterwards wandering around the galleries upstairs where she was particularly drawn to the Impressionists. It was here that she first decided to become an artist. As a young woman she moved to the west coast to pursue her dream. Although she found the art scene there "inhospitable" to women, she was inspired by a group of male artists including Ed Rucha, Larry Bell and Bill Al Bengton, associated with the LA-based Ferus gallery. Judy also cites discovering Christine de Pisan, the Italian-born French medieval poet at the court of King Charles VI of France, as a turning point in her own research and art practice. Like Judy herself, de Pisan had faced obstacles because of her gender and sought to challenge contemporary attitudes towards women by creating an allegorical City of Ladies. She is one of the women represented in Judy Chicago's landmark work The Dinner Party.Producer: Edwina PitmanArchive used: Omnibus: Judy Chicago's Dinner Party, BBC1, 13 January 1981 Rebel Women: The Great Art Fight Back, BBC4, 10 July 2020

During her often tumultuous, challenging, and sometimes controversial career, Judy Chicago pioneered Feminist art and art education. She joins to talk about her memoir Revelations, a radical retelling of human history in the form of an illuminated manuscript.

As the Louvre's director admits that the Paris museum wants to move its most famous painting away from the crowded gallery in which it is currently displayed, we ask the Leonardo specialist Martin Kemp: does the museum have a Mona Lisa problem? We also talk about the painting's continuing allure and the ongoing efforts to explain its mysteries. In London, remarkably, Judy Chicago has just opened her first major multidisciplinary survey in a British public gallery, at the Serpentine North. We talk to her about the show. And this episode's Work of the Week is Christian Schad's Self-Portrait with Model (1927). The painting features in Splendour and Misery: New Objectivity in Germany at the Leopold Museum in Vienna. Hans-Peter Wipplinger, the director of the museum and co-curator of the show, tells us more.Judy Chicago: Revelations, Serpentine North, London, until 1 September.Splendour and Misery: New Objectivity in Germany, Leopold Museum, Vienna, until 29 September. Subscription offer: get a free six-week trial of a digital subscription to The Art Newspaper. Visit theartnewspaper.com to find out more. Hosted on Acast. See acast.com/privacy for more information.

I am so excited to say that my guest on the GWA Podcast is one of the most pioneering and revelatory artists alive, Judy Chicago. Born Judith Sylvia Cohen, then Judy Gerowitz, but changed it to Judy Chicago to renounce the name of her first husband to instead adopt the name of her birth city instead, Chicago has been at the forefront of art since the 1960s. Following her studies at UCLA in the 1950s, Chicago attended auto body school, as the only woman out of 250 men. It was here that she learnt to use spray guns, but instead of actually painting cars, she used these skills to formulate vaginal forms onto carhoods, as if to poke fun at her male contemporaries. In the 1960s, she turned to Minimalism, creating block-like sculptures which she executed in exuberant colours. While her work was acclaimed, she was one of only three women (out of 51 artists) included in the landmark Jewish Museum exhibition, Primary Structures, in 1966. During this decade, she became increasingly aware of the lack of women artists available to her – as an undergraduate at UCLA in the late 1950s and 60s, she had taken a class titled the Intellectual History of Europe, where her professor declared that women had made zero contributions to European History – so she set herself the task of looking for it herself. As she has said “there was actually a huge amount of information if one looked for it, especially dating back to the 19th century…” Out of this – and turning to the importance of education – she began the first ever feminist art programme, at Fresno State College, with artist Miriam Schapiro in 1970, which, as feminist art historian, Linda Nochlin has declared, was a time when there were no women's studies, no feminist theory, no African American studies, no queer theory, no postcolonial studies. What there was ... was a seamless web of great art, often called “The Pyramids to Picasso”... extolling great (male, of course) artistic achievement since the very dawn of history'... In the 1970s, Chicago created the famous Dinner Party, worked on between 1974 and 1978: a giant minimalist-like table that awards 39 women from history and mythology a ‘seat at the table' – with the further names of 999 women in the porcelain in the middle. She has created images of birth, death, animals, plants, that deal with an attitude entrenched in feminism towards caring for our planet, and so much more. But! The reason why we are speaking to her today is because this summer in London, Chicago will take over the Serpentine Gallery with an exhibition that corresponds to her major new book: Revelations, a project that has been unrealised for over 30 years, but is finally being published, that includes rewriting the story of creation, spotlighting the Great Mother Goddess, and a plethora of other women, and challenging the patriarchal paradigms that have always dictated how stories have been read, written, and accepted. -- LINKS: https://www.serpentinegalleries.org/whats-on/judy-chicago-revelations/?gad_source=1&gclid=CjwKCAjwo6GyBhBwEiwAzQTmc3bNjJ0zjNj2RgMuZomrRmjd8Bhuvx6YlLjhkJ8sk0ZYIgxU_IQVmRoCEWoQAvD_BwE https://www.thamesandhudsonusa.com/books/judy-chicago-revelations-hardcover https://judychicago.com/ https://www.newmuseum.org/exhibitions/view/judy-chicago-herstory -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm.mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

This week, we look at Judy Chicago's iconic feminist work, “The Dinner Party” (1979), which debuted at the San Francisco Museum of Modern Art to both rave reviews and stark criticism. Laid out as a dinner party, the formal table is set for 39 distinguished guests complete with elaborate handmade runners and 3D ceramic plates. It's a table celebrating famous women in history and the female archetype - a place where women usually prepared the meal and then receded out of view. Nothing like it had been done before, a push to bring the stories and histories of these women into the modern narrative. A revolutionary artist with works spanning over 60 years, Judy Chicago continues to push the conversation with her themes of identify, self-exploration, and challenges to the status quo.  If you'd like to see more images of "The Dinner Party" and past episodes, check out our Instagram. To see it in person at the Brooklyn Museum, find out more here.

Russell Tovey may have started as a television heartthrob, but it's his podcast, Talk Art that's propelled him to new heights among London's creative circles. Since it was launched in 2018 with gallerist co-founder Robert Diament, the podcast has set out to make discourse around art approachable and relatable, with in-depth interviews from the likes of Dan Levy, Judy Chicago and more. Joining DJ Fat Tony, Tovey tells our host why it was important for him to make the enjoyment of art less daunting, the queer artists that keep him inspired, and the pop girls he listens to day-to-day. Hosted on Acast. See acast.com/privacy for more information.

We meet stand up comedian, actress and author Grace Campbell to discuss her experiences with art! We discover that in spite of growing up with artist friends, she had a childhood fear of galleries, her admiration for artists Tracey Emin, Judy Chicago, Marilyn Minter, Elmgreen & Dragset and living with artworks by Marcelina Amelia, Mr Brainwash, and more. Plus we learn about her close friendship with art historian Katy Hessel, her collaborations with illustrator Alice Skinner, and we discuss a new documentary about sex educator and feminist Shere Hite.Grace Campbell is a riotous force of nature. The stand up comedian, author, and actor, is on a constant, rebellious mission to undermine most of the bullshit we are taught by society. An acclaimed stand-up, and host of the popular comedy night the Disgraceful Club, currently holding a residency at Bush Hall, Grace's comedy is wild, glamorous, fiery, and provocative.Grace has just announced a UK tour Grace Campbell Is On Heatfrom October to December 2024. Buy tickets now via TicketMaster: https://www.ticketmaster.co.uk/grace-campbell-tickets/artist/1832543 or visit Grace's website.Follow @DisGraceCampbell on Instagram and visit https://www.disgracecampbell.com/

We meet the LEGENDARY, trailblazing artist, author, educator and feminist icon Judy Chicago (b. 1939, Chicago, USA!!! We explore her major retrospective in New York's New Museum. Judy Chicago: Herstory spans her epic sixty-year career to encompass the full breadth of the artist's contributions across painting, sculpture, installation, drawing, textiles, photography, stained glass, needlework, and printmaking.Expanding the boundaries of a traditional museum survey, the exhibition will place six decades of Chicago's work in dialogue with work by other women across centuries in a unique Fourth Floor installation. Entitled “The City of Ladies,” this exhibition-within-the-exhibition will feature artworks and archival materials from over eighty artists, writers, and thinkers, including Simone de Beauvoir, Hildegard of Bingen, Artemisia Gentileschi, Zora Neale Hurston, Frida Kahlo, Hilma af Klint, and Virginia Woolf, among many others.Taking over four floors of the Museum, “Herstory” traces the entirety of Chicago's practice from her 1960s experiments in Minimalism and her revolutionary feminist art of the 1970s to her narrative series of the 1980s and 1990s in which she expanded her focus to confront environmental disaster, birth and creation, masculinity, and mortality. Contextualizing her feminist methodology within the many art movements in which she has participated—and from whose histories she has frequently been erased—“Herstory” will showcase Chicago's tremendous impact on American art and highlight her critical role as a cultural historian claiming space for women artists previously omitted from the canon.Summer 2024, Serpentine gallery in London will present a new exhibition of Judy Chicago. Revelations will be Chicago's first solo presentation in a major London institution. One of the most provocative and influential artists working today, Chicago came to prominence in the late 1960s when she challenged the male-dominated landscape of the art world by making work that was boldly from a woman's perspective.With a specific focus on drawing – a medium that has occupied Chicago's artistic practice for over seven-decades – Judy Chicago: Revelations charts the arc of the artist's career allowing visitors to uncover the breadth of her practice. It brings together archival and never-before-seen artworks, preparatory studies, notebooks and sketchbooks that reveal her working process and rigour in incorporating intensive, often years-long research. The exhibition presents the ways in which drawing functions as a mode to express Chicago's innermost thoughts, hopes and, at times, most painful memories and experiences.Judy Chicago lives and works in New Mexico, USA.Follow @Judy.Chicago and @NewMuseum on InstagramVisit HERSTORY at the New Museum until 3rd March 2024: https://www.newmuseum.org/exhibitions/view/judy-chicago-herstoryVisit Judy's official website: https://judychicago.com/ Hosted on Acast. See acast.com/privacy for more information.

In the first episode of 2024 we look ahead to the next 12 months. The Art Newspaper's acting art market editor Tim Schneider peers into his crystal ball to tell us what we might expect from the coming 12 months in the art market. Then, Jane Morris, editor-at-large, Gareth Harris, chief contributing editor, and host Ben Luke select the biennials and exhibitions they are most looking forward to in 2024.Events discussed:60th Venice Biennale: Foreigners Everywhere, 20 April-24 November; Pierre Huyghe, Punta Della Dogana, Venice, 17 March-24 November; Julie Mehretu, Palazzo Grassi, Venice, 17 March-6 January; Willem de Kooning, Gallerie dell'Accademia, Venice, 16 April–15 September; Jean Cocteau, Peggy Guggenheim Collection, Venice, 13 April-16 September; Whitney Biennial: Whitney Museum of American Art, opens 20 March; PST Art: Art & Science Collide, 14 September-16 February; Istanbul Biennial, 14 September-17 November; Diriyah Contemporary Art Biennale 2024, Saudi Arabia, 20 February-24 May; Desert X 2024 AlUla, Saudi Arabia, 9 February-30 April; Frick Collection, New York, reopening late 2024; Grand Egyptian Museum, Giza, Egypt, dates tbc; IMAGINE!: 100 Years of International Surrealism, The Royal Museums of Fine Arts of Belgium, 21 February-21 July; Centre Pompidou, Paris, 4 September-6 January (travels to Hamburger Kunsthalle, Germany, Fundación Mapfré, Madrid, Philadelphia Museum of Art, US); Paris 1874: Inventing impressionism, Musée d'Orsay, 26 March-14 July; National Gallery of Art, Washington DC, 8 September-19 January; Van Gogh, National Gallery, London, 14 September-19 January; Matthew Wong, Vincent van Gogh, Van Gogh Museum, Amsterdam, 1 March-1 September; Caspar David Friedrich, Kunsthalle, Hamburg, Germany, until 1 April; Caspar David Friedrich, Alte Nationalgalerie, Berlin, 19 April-4 August; Caspar David Friedrich, Albertinum and Kupferstich-Kabinett, Dresden, Germany, 24 August-5 January; Arte Povera, Bourse de Commerce, Paris, 9 October-24 March; Brancusi, Centre Pompidou, Paris, 27 March-1 July; Comics, Centre Pompidou, Paris, 29 May-4 November; Yoko Ono, Tate Modern, London, 15 February-1 September 2024; Angelica Kauffman, Royal Academy, London, 1 March-30 June; Women Artists in Britain, Tate Britain, London, 16 May-13 October; Judy Chicago, Serpentine North, London, 22 May-1 September; Vanessa Bell, Courtauld Gallery, London, 25 May-6 October; Woven Histories: Textiles and Modern Abstraction, Los Angeles County Museum of Art, US, until 21 January; National Gallery of Art, Washington DC, 17 March-28 July; National Gallery of Canada, Ottawa, 25 October-2 March; The Museum of Modern Art, New York, dates tbc; Unravel: The Power and Politics of Textiles in Art, Barbican, London, 13 February-26 May 2024, Stedelijk Museum, Amsterdam, 14 September-5 January; The Harlem Renaissance, Metropolitan Museum of Art, New York, 25 February-28 July; Siena: the Rise of Painting, 1300-50, Metropolitan Museum, 13 October-26 January; Museum of Modern Art, New York, shows: Joan Jonas, 17 March-6 July, LaToya Ruby Frazier, 12 May-7 September, Käthe Kollwitz, 31 March-20 July; Kollwitz, Städel Museum, Frankfurt, Germany, 20 March-9 June; Käthe Kollwitz, SMK-National Gallery of Denmark, Copenhagen, 7 November-25 February; The Anxious Eye: German Expressionism and Its Legacy, National Gallery of Art, Washington DC, 11 February-27 May; Expressionists, Tate Modern, London, 25 April-20 October; Gabriele Münter: the Great Expressionist Woman Painter, Thyssen Bornemisza, Madrid, 12 November-9 February Hosted on Acast. See acast.com/privacy for more information.

This week Wes and Todd sit down with Master Glass Designer, Painter, and Fabricator, Maria Sheets. Maria discusses her childhood growing up in a Russian Orthodox church, some of her Russian family history, her art education, her journey as an Art Conservator, how her experience in art conservation informs her glass work, her experience with the Museum of Biblical Art, starting her own art conservation business, working with liturgical glass, her start in doing her glass work, her grandmother, her family's roots in art glass and ceramics manufacturing, resilience & optimism, art being her religion, Agnes Marin, Scottish Stained Glass, research & glass design, halo history, iconography, breaking the rules, the provenance of liturgical artifacts, weird things she's been asked to create, social-political imagery, Judy Chicago, early female anarchists/activists, science, conserving & restoring art, living to open the kiln in the morning, material science, art safety, process, her latest exhibition “Out Of Our Hands”, artificial intelligence, and her basic rule of successJoin us for a remarkable and educational conversation with Maria Sheets!Check out Maria's extraordinary work at her website www.mariasheetsglassworks.com  Follow Maria Sheets on social media: Instagram - www.instagram.com/mariavalentinasheets/@mariavalentinasheets Facebook - www.facebook.com/maria.sheets Check out Maria's work in person at: Valkarie Gallery – www.valkariefineart.com Scottish Stained Glass – www.scottishstainedglass.com

In this episode, we're joined by REDCAT's Chief Curator, Daniela Lieja Quintanar and Assistant curator, Talia Heiman to talk about their new exhibition celebrating and honoring the groundbreaking effort of the Feminist Art Program pioneered by Judy Chicago in 1970. The Feminist Art Program (1970–1975): Cycles of Collectivity, which is on view through February 18, 2024 at REDCAT, CalArts' downtown center for contemporary arts, presents an ever-growing feminist contribution to art and pedagogy with a multiplicity of voices, contexts, and identities, with an intergenerational collective of scholars, artists, activists, and curators contributing to the research, memory, syllabi, and artworks on display.Learn more about The Feminist Art Program (1970–1975): Cycles of CollectivityLearn more about REDCATBeyond the Blue Wall is a production of the CalArts Office of Advancement. You can find all of the episodes at calarts.edu/btbw.

On this episode of Friends Talking Nerdy, join Professor Aubrey and Tim the Nerd as they delve into a captivating array of topics that blend art, music, professional wrestling, and cultural nuances. Professor Aubrey kicks off the episode with an animated recount of her recent visit to the Hopscotch art exhibit in Portland, Oregon. With vivid detail, she immerses listeners into the world of artistic expression, painting a colorful picture of what made the exhibit so enthralling. Her descriptions transport the audience, emphasizing the emotive power of the artworks that left a lasting impact on her. Tim the Nerd takes the reins next, steering the conversation towards the multifaceted persona of Billy Corgan. He delves into Corgan's legacy as the founder of The Smashing Pumpkins and the intricate web of his involvement with the National Wrestling Alliance. Tim sheds light on a groundbreaking television deal involving the NWA and the CW Network, juxtaposing it against the turbulence caused by a controversial segment during the Samhain PPV. The complexities of Corgan's ventures provide fodder for an engaging discussion, weaving together the realms of music, professional wrestling, and entertainment industry politics. Returning to the realm of art, Professor Aubrey passionately shares her admiration for the iconic art exhibit, The Dinner Party by Judy Chicago. She unravels the significance of its reopening after years of closure, expressing her deep-seated fondness for the piece and its cultural significance. Her insights offer a rich understanding of the art's historical and artistic importance, inviting listeners to appreciate its revival. The duo then turns their attention to an enlightening article from Psychology Today titled "5 Words to Retire in 2020" by Dr. Karen Stollznow. Professor Aubrey and Tim the Nerd engage in a spirited dialogue, dissecting the impact of language on culture and psychology. They explore the power dynamics embedded in certain words and phrases, reflecting on Dr. Stollznow's perspective and contemplating their own linguistic habits in a thought-provoking exchange. Throughout the episode, Professor Aubrey and Tim the Nerd effortlessly traverse diverse subjects, seamlessly blending their expertise and enthusiasm, offering listeners a multifaceted journey through the realms of art, pop culture, psychology, and more. Be sure to check out Dr. Karen Stollznow's latest book, On The Offensive: Prejudice in Language Past and Present, available at all major book retailers. As always, we wish to thank Christopher Lazarek for his wonderful theme song. Head to his ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for information on how to purchase his EP, Here's To You, which is available on all digital platforms. Head to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Linktree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠for more information on where to find us online. Friends Talking Nerdy is a proud member of the ⁠⁠⁠⁠Deluxe Edition Network⁠⁠⁠⁠. Head to their website to find out more information about all the shows available on the Network. --- Send in a voice message: https://podcasters.spotify.com/pod/show/ftnerdy/message

Christine Kuan is the President and Creative Director of Creative Capital. Before joining Creative Capital, Christine Kuan was CEO and Director of Sotheby's Institute of Art, where she oversaw the Master's Degree programs in Art Business, Contemporary Art, and Fine & Decorative Art & Design, as well as the Online, Summer, and Pre-College programs. In this role, she established new programs and partnerships with Tsinghua University in Beijing, Ewha University in Seoul, Centro University in Mexico City, and ESCP Business School in Paris. Kuan also launched a new scholarship program in partnership with Spelman College at the Atlanta University Center Consortium (AUCC). Prior to Sotheby's Institute, she was the Chief Curator and Director of Strategic Partnerships at Artsy, where she oversaw museum and institutional partnerships, digital collection strategy, open access policy, educational initiatives, and launched their auctions business, including benefit auctions such as Whitney Art Party, Brooklyn Museum Artists Ball, ICI Benefit, Public Art Fund Benefit, Sotheby's x Planned Parenthood. Notably, Kuan established more than 500 museum and institutional partnerships worldwide, including Musée du Louvre, Musée Picasso, Musée d'Orsay, SFMOMA, J. Paul Getty Museum, Smithsonian Cooper-Hewitt Museum, Diebenkorn Foundation, Rauschenberg Foundation, Frankenthaler Foundation, Fondation Cartier, and more. Prior to Artsy, Kuan was Chief Curatorial Officer and Vice President of External Affairs at Artstor, a nonprofit image library founded by The Andrew W. Mellon Foundation, where she led digital collections acquisitions and the funding for the digitization of archives and collections. She has also served as Editor-in-Chief of Oxford Art Online/Grove Art Online at Oxford University Press, where she significantly expanded scholarly information on women artists and Asian contemporary artists working with guest editors Whitney Chadwick and Melissa Chiu, commissioning biographies on Faith Ringgold, Judy Chicago, Ai Weiwei, Cai Guo-Qiang, and others. Kuan has also worked at The Metropolitan Museum of Art in the Department of Asian Art and the General Counsel's Office, and she has taught English Literature and Writing at the University of Iowa, Peking University, Rutgers University, and guest lectured at Stanford University's pilot program of Arts Leadership. She has been interviewed by The New York Times, Wall Street Journal, Refinery29, Vogue, New York, China Global Television Network (CGTN), and other outlets. Kuan's publications include: Creative Legacies: Artists' Estates and Foundations (eds. Kathy Battista and Bryan Faller); Rights and Reproductions: The Handbook for Cultural Institutions (ed. Anne Young), Digital Heritage and Culture: Strategy and Implementation (eds. Herminia Din and Steven Wu), Guest Critic May 2022 for The Brooklyn Rail, and Best Practices Guide for Artist Demographic Data Coordination (Association of Art Museum Curators Foundation). She has lectured and published extensively on digital strategy, museum policy, and new technologies for the art world. Kuan holds an MFA in Creative Writing Poetry from the University of Iowa Writers' Workshop, and a BA in Art History and English Literature from Rutgers University. Creative Capital: https://creative-capital.org/ theartcareer.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Christine Kuan:⁠ ⁠⁠@kuannyc Follow us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theartcareer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Podcast host: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@emilymcelwreath_art⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Editing: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@benjamin.galloway⁠⁠ The Art Career is supported by ⁠The New York Studio School⁠

Dans ce nouvel épisode de Pour de vrai, je vous parle de l'artiste Etats-Unienne Judy Chicago. Si elle n'est pas très connue en dehors des milieux artistiques, Judy Chicago est une des pionnières de l'art féministe. Par sa pratique artistique engagée et en s'imposant dans un milieu de l'art californien sexiste et masculin dans les années 70, elle a permis l'émergence de sujets touchant les femmes. Elle a formalisé, presque théorisé une forme d'art féministe et l'a ensuite mis en pratique au travers de ces enseignements et de ses œuvres amenant ainsi des milliers de femmes non activistes à entrer dans le féminisme. Sources et références : Chicago, Judy. Through the flower : mon combat d'artiste femme. Les presses du réel, 2018. Federica Martini et Julia Taramarcaz. Feminist Exposure : pratiques féministes de l'exposition et de l'archive. Editions Art&Fiction, à paraître en novembre 2023 ⁠https://artfiction.ch/produit/feminist-exposure-pratiques-feministes-curatoriales-et-de-larchive⁠ Røstvik, Camilla Mørk. “Blood Works: Judy Chicago and Menstrual Art Since 1970.” Oxford art journal 42, no. 3 (2019): 335–353. https://research-repository.st-andrews.ac.uk/bitstream/handle/10023/24473/Rostvik_2019_OAJ_BloodWorks_AAM.pdf;jsessionid=57526333521BDA802128926A571EA073?sequence=1 Gerhard, Jane. “Judy Chicago and the Practice of 1970s Feminism.” Feminist studies 37, no. 3 (2011): 591–618. https://www.lemonde.fr/m-actu/article/2018/08/03/judy-chicago-artiste-envers-et-contre-tous_5339069_4497186.html https://fr.wikipedia.org/wiki/The_Dinner_Party https://www.radiofrance.fr/franceculture/podcasts/la-dispute/arts-plastiques-why-not-judy-chicago-et-helena-almeida-corpus-5360949 https://www.swissinfo.ch/fre/culture/les-donn%C3%A9es-le-montrent_les-mus%C3%A9es-suisses-exposent-peu-d-artistes-femmes/45006902 Swissuniversities. Femmes et hommes dans les hautes écoles suisses. 2011 https://www.swissuniversities.ch/fileadmin/swissuniversities/Dokumente/Forschung/Chancengleichheit/F_und_M_Hochschulen_F.pdf https://prohelvetia.ch/fr/dossier/diversite-egalite-des-chances/#tab-faits-et-chiffres https://www.letemps.ch/culture/arts/femmes-musees-lumiere-fut https://aaar.fr/revue/article/place-femmes-occupent-lart/ Mots-clés : art, artiste, féminisme, Californie, CalArts, FAP, Judy Chicago, féministe, art menstruel, pyrotechnique Instagram : @pour_de_vrai.podcast Pour soutenir Pour de vrai et m'aider à le développer, vous pouvez faire un don ici : https://fr.tipeee.com/pour-de-vrai-podcast

In December 2020, Congress approved funding for a new Smithsonian Museum dedicated to women's history to be built on the National Mall in Washington, D.C. But our nation's capital has actually been home to a dedicated women's museum, the vaunted National Museum of Women in the Arts, since 1987. The institution, founded by Wilhelmina Cole Holliday and her husband Wallace, was the first of its kind in the world. Its mission was simple, to educate viewers about women's long overlooked contributions to art history. In its 36 years of existence, the museum has amassed an impressive collection of over 6, 000 works by more than 1,500 international artists including Frida Kahlo, Berthe Morisot, and Louise Bourgeois, as well as contemporary figures such as Judy Chicago, Nan Goldin, Mariah Robertson, and Amy Sherald. Less than six months after Wilhelmina's death in March 2021, the museum closed for its first major renovation, a planned $67.5 million project slated to take two years. The work has included a revamp of the performance hall, adding a new learning commons with a research library and education studios where there were once offices, as well as 15 percent more exhibition galleries. Plus, behind the scenes space for collection storage and conservation. On the eve of its reopening, Artnet News spoke with NMWA director Susan Fisher Sterling about the institution's past, present, and future, and the work that still needs to be done to ensure proper recognition for women artists.

In December 2020, Congress approved funding for a new Smithsonian Museum dedicated to women's history to be built on the National Mall in Washington, D.C. But our nation's capital has actually been home to a dedicated women's museum, the vaunted National Museum of Women in the Arts, since 1987. The institution, founded by Wilhelmina Cole Holliday and her husband Wallace, was the first of its kind in the world. Its mission was simple, to educate viewers about women's long overlooked contributions to art history. In its 36 years of existence, the museum has amassed an impressive collection of over 6, 000 works by more than 1,500 international artists including Frida Kahlo, Berthe Morisot, and Louise Bourgeois, as well as contemporary figures such as Judy Chicago, Nan Goldin, Mariah Robertson, and Amy Sherald. Less than six months after Wilhelmina's death in March 2021, the museum closed for its first major renovation, a planned $67.5 million project slated to take two years. The work has included a revamp of the performance hall, adding a new learning commons with a research library and education studios where there were once offices, as well as 15 percent more exhibition galleries. Plus, behind the scenes space for collection storage and conservation. On the eve of its reopening, Artnet News spoke with NMWA director Susan Fisher Sterling about the institution's past, present, and future, and the work that still needs to be done to ensure proper recognition for women artists.

Knallbunte Haare und dazu ein ebenso knalliger Lippenstift — die US-amerikanische Künstlerin Judy Chicago scheint oft direkt aus ihren Werken gekommen zu sein. Durch ihre Performances mit bunten Rauchbomben im öffentlichen Raum, ihre kraftvollen Bilder von gebärenden Frauen und nicht zuletzt durch eine besondere „Dinnerparty“ gilt sie heute als Ikone des Feminismus. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-judy-chicago

Knallbunte Haare und dazu ein ebenso knalliger Lippenstift — die US-amerikanische Künstlerin Judy Chicago scheint oft direkt aus ihren Werken gekommen zu sein. Durch ihre Performances mit bunten Rauchbomben im öffentlichen Raum, ihre kraftvollen Bilder von gebärenden Frauen und nicht zuletzt durch eine besondere „Dinnerparty“ gilt sie heute als Ikone des Feminismus. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-judy-chicago

Knallbunte Haare und dazu ein ebenso knalliger Lippenstift — die US-amerikanische Künstlerin Judy Chicago scheint oft direkt aus ihren Werken gekommen zu sein. Durch ihre Performances mit bunten Rauchbomben im öffentlichen Raum, ihre kraftvollen Bilder von gebärenden Frauen und nicht zuletzt durch eine besondere „Dinnerparty“ gilt sie heute als Ikone des Feminismus. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-judy-chicago

Gurupioupiou continue dans cet épisode à redonner l'histoire, les histoires aux femmes, à ces Sarasvatis dont on a volé les récits et exploits. Cette fois elle donne vie à l'œuvre de l'artiste féministe Judy Chicago, The Dinner Party, qui rend femmage, et non pas hommage, à toutes ses femmes qui ont marqué l'histoire et qui ont été invisibilisées.  Bonne écoute et bon envol à tous les pious!

Journey through time with Detlef Schlich in Episode 181 of #Arteetude as we explore the ancient encoding of carvings and engravings in megalithic structures, and how these primaeval practices resonate in contemporary art.

illycaffè presenta la nuova illy Art Collection realizzata da Judy Chicago, la poliedrica artista americana e pioniera del Feminist Art Movement.Judy Chicago è nota per le sue grandi installazioni, come The Dinner Party e Birth Project, che celebrano i molteplici ruoli della donna nella storia e nella cultura. Quest'artista di fama mondiale ha cominciato a occuparsi del ruolo di genere già negli anni Settanta, integrando stereotipi e competenze tipicamente femminili, come cucire o ricamare, in competenze strettamente maschili, come saldare metalli e realizzare giochi pirotecnici. La sua ricerca spazia dalla pittura alle arti tessili, dalla scultura alle installazioni.

In this episode, fashion-insider, host Kristen Cole sits with the wildly brilliant multi-hyphenates Claudia Dey and Heidi Sopinka, founders and designers of HORSES Atelier, and accomplished authors, to indulge in some favorite fashion in fiction. Kristen gets to geek out over the fashion and prose in *must-reads* Heartbreaker by Claudia Dey and Utopia by Heidi Sopinka, and some all-time fashion moment classics in C.S. Lewis, J.D. Salinger, and Roald Dahl; while Claudia and Heidi nerd out over fashion in Elena Ferrante's Neapolitan novels, Orlando by Virginia Woolf, James Salter's Light Years and everyone's favorite, Anne of Green Gables. The women discuss: "fashion as a form of autobiography", the role of vintage in their friendship, design and ethos and the HORSES values set around beauty, utility, wildness and endurance. They also talk about the cosmic founding of the brand, favorite spots in Toronto "like Brooklyn without Manhattan", their atelier practice, what's on their mood boards, prairie dresses, punk dressing, wildness and rebellion, Simone de Beauvoir, Judy Chicago, swans, donkeys, amazing cocktails, dressing their characters, creativity, connecting to life through observation, clothing as "soft armor", and what they are both reading now. "Fashion can be seen as frivolous, but it's also profound and emotional." -HORSES. Kristen also touches on what she's reading (and hopes to be beach-reading soon), NYC sample sales, Palm Beach retail, fashion in context, the perfect summer necklace, the dangers of working in SoHo... and more.

My guest for this special Independent art fair Episode is Nina Johnson, who runs her eponymous gallery in Miami since more than 15 years. Nina was born into a family of business owners on the maternal side, dealing being a part of her DNA. As a child she developed a deep interest in the history and charging of objects and the stories that could be told through them. She decided to become an art dealer and knew, to excell in that field, she needed a deeper understanding of the way artists make work. From her teenage years on she learned and worked at galleries, while through studying art she got the deep knowledge she desired. Nina discusses the importance of personal, long lasting relationships and her dedication to find "her people". For her, place and space of a gallery have to be interrelated and match the hosting City and it's local indvidual characteristics - Nature, Architecture, Neighborhood. She shares her take on art fairs and explores her special admiration for the Independent, where she will show a solo-presentation by artist Rob Davis. 38 min., recorded March 8, 2023, Portrait photo by Gesi Schilling Shownotes: https://www.independenthq.com/ https://ninajohnson.com/gallery/ About Founded by Nina Johnson in 2007, the eponymous Nina Johnson gallery is both a pillar of Miami's contemporary art community and an internationally recognized art space known for its eclectic and intuitive program. The gallery has produced renowned exhibitions by a diverse range of emerging and established artists from around the world, including Judy Chicago, Awol Erizku, Rochelle Feinstein, Derek Fordjour, Emmett Moore, Woody De Othello, and Katie Stout. Nina Johnson is dedicated to the discovery of hidden pockets of talent and divergence in the art world, priding itself on artist-driven relationships that center on authenticity and variety. #IndependentArtFair #IndependentNewYork #Independent2023 #NinaJohnson #Miami #VoicesOnArt #VanHornGallery #DanielaSteinfeld #Podcast #Talk #Storytelling

Women! Can't live without em can't live without em! Join us on today's art farts episode where we learn more about Judy Chicago and her leaps in the feminist art world. There may even be a new game presented today. We hope you'll have us for dinner (party)! Socials: twitter: @artfartspod instagram: @artfartspodcast tiktok: @artfartspodcast email us at theartfartspodcast@gmail.com Sources: https://www.brooklynmuseum.org/exhibitions/dinner_party/ https://en.m.wikipedia.org/wiki/Judy_Chicago --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/artfarts037/support

Broken Boxes is thrilled to present a very special conversation with the prolific artist Caledonia Curry, known globally as SWOON. In speaking with Broken Boxes producer Ginger Dunnill during the opening of Seven Contemplations at CONTAINER in Santa Fe, NM, Callie reflects on how art has been a healing practice for her throughout life. She talks about her pivot from art school to street art, in a time before the genre's fame in the global art market and untangles the complexity of being a woman artist in male dominated spaces of that time, while giving credit to the continued brilliance of the next generation who are teaching us the expanse of the gender spectrum. We end our conversation with notes on the impact of accessing and valuing experiences of artists who came before, such as a mentor of hers, Judy Chicago. In closing, Callie offers a bit of fearless inspiration, imploring us as artists to always “follow the impulse” in order to unlock the next gift and adventure. About the artist: Caledonia Curry, known as Swoon, is a contemporary artist and filmmaker recognized around the world for her pioneering vision of public artwork.Through intimate portraits, immersive installations and multi-year community based projects, she has spent over 20 years exploring the depths of human complexity by mobilizing her artwork to fundamentally re-envision the communities we live in toward a more just and equitable world. She is best known as one of the first women Street Artists to gain international recognition in a male-dominated field, pushing the conceptual limits of the genre and paving the way for a generation of women Street Artists. Her recent work has been focused on the relationship of trauma and addiction. Through community partnerships that center compassion and the transformative power of art, Curry draws on her personal history growing up in an opioid addicted family as a catalyst for connection and healing. Over the past 10 years, she has founded and developed collaborative multi-year projects in Braddock and Philadelphia, Pennsylvania; New Orleans, Louisiana; and Komye, Haiti, that address crises ranging from natural disasters to the opioid epidemic. She is currently developing a full length narrative movie which will bring together drawing, immersive installation, stop motion animation and her collaborative work, with the traditions of storytelling through film. Website: https://swoonstudio.org IG: https://www.instagram.com/swoonhq/ SWOON's Seven Contemplations retrospective exhibition is now on view at the new art space, CONTAINER in Santa Fe, NM. Special thanks to Tonya Turner Carroll and Michael Carroll for supporting us with space to conduct this interview in the gallery. Song featured on this episode: What They Call Us by Fever Ray

Leanne Prain is the writer of The Creative Instigator's Handbook: A DIY Guide to Making Social Change and Yarn Bombing: The Art of Crochet & Knit Graffiti. In this episode, Melissa Roach and Leanne discuss the inspiration for The Creative Instigator's Handbook, the different range of projects and artists described in the book, the impact of the pandemic, and the creativity of “Do It Yourself” art projects. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/183-leanne-prain.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/183-leanne-prain.html Resources: Leanne Prain: https://www.leanneprain.com/about The Creative Instigator's Handbook: A DIY Guide to Making Social Change through Art: https://arsenalpulp.com/Books/T/The-Creative-Instigator-s-Handbook Godfrey Stephens and the Weeping Cedar Woman of Clayoquot Sound: https://www.godfreysart.com/weeping-cedar-woman Morris and Helen Belkin Art Gallery: https://belkin.ubc.ca/ Jenny Hart: https://sublimestitching.com/pages/jenny_hart Smokey D: https://www.cbc.ca/news/canada/british-columbia/respect-chinatown-art-exhibit-1.6493781 Aram Han Sifuentes: https://www.aramhansifuentes.com BE MIGHTY: https://medium.com/bemighty/learning-to-be-mighty-chapter-1-e744a9b2b110 Thomas Dambo: https://thomasdambo.com Dave Eggers - The Spirit of the Animals is in the Wheels: https://daveeggers.net/spirit Laura Farina: https://www.sfu.ca/continuing-studies/instructors/e-h/laura-farina.html Maker Faire: https://makerfaire.ca The Dinner Party by Judy Chicago: https://www.brooklynmuseum.org/exhibitions/dinner_party/ Ravelry: https://www.ravelry.com/tour/getting-started Yarn Bombing: The Art of Crochet and Knit Graffiti: https://arsenalpulp.com/Books/Y/Yarn-Bombing Bio: Leanne Prain helps communities connect through creative ideas. A writer, speaker and certified design professional, her previous books include Yarn Bombing: The Art of Crochet & Knit Graffiti, and Strange Material: Storytelling through Textiles. Her latest book The Creative Instigator's Handbook: A DIY Guide to Making Social Change through Art was published in 2022. Cite this episode: Chicago Style Roach, Melissa. “The Creative Instigator's Handbook — with Leanne Prain.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, August 30, 2022. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/183-leanne-prain.html.

Over the years, we've been very fortunate to have some bona fide legendary artists on this show, from Ai Weiwei to Judy Chicago to Anish Kapoor to Ed Ruscha. But none of them, to my mind, are as surprising to talk to as the great performance artist Marina Abramović, who host Andrew Goldstien had the privilege of interviewing toward the start of this year. When you think about her art, what comes to the fore are profound themes of life and death, pain, and transcending the body. When you're talking to her, you think: wait, she's hilarious? And provocative, and blunt, and something like down-to-earth. We enjoyed the conversation about her work and her Abramovic Method so much that, this week, while the Art Angle team hits the beach for a little vacation, we thought we'd re-air the episode for your listening pleasure. In fact, the Abramovic Method might even come in handy for durationally enduring all this heat. Enjoy.  

In this episode the Drs. Schmidt and Kruger-Ross - the Notorious Pedagogues - are BACK and better than ever. We share what we've been up to for the past year and what to look forward to in our podcast feed. Links/Places referenced in the episode: National Museum of African American History & Culture Hadestown the Musical The Kennedy Center MoMA Moulin Rouge Musical Brooklyn Museum The Dinner Party by Judy Chicago

Judy Chicago, feminist, artist and art educator is best known for her seminal artwork, The Dinner Party 1974-79.  This conceptual art installation also incorporates the use of embroidery.

Toronto outdoors update: Judy Chicago on her smoke sculpture at Sugar Beach; Somalian musical in High Park; and good luck trying to find a working drinking fountain in town.

Pull up a chair ladies because there is room at the table! This week Bonnie is telling us about the installation art of The Dinner Party by Judy Chicago that debuted March 14, 1979. Totally a NSFW episode! More info at galsguide.org

The godmother of feminist art, Judy Chicago, reflects on her incredible career and the power of art to change the world. Actor Jamie Foxx discusses his memoir, Act Like You Got Some Sense, about his childhood in Texas and his experiences as a father. To mark the 25th anniversary of Buffy the Vampire Slayer, our screen panellists Teri Hart and Elamin Abdelmahmoud unpack the show's enduring appeal as well as some of its controversies. Some of the producers and one of the screenwriters behind Tim Burton's Beetlejuice share an oral history of the psychedelic ghost comedy.

Eileen Hunt Botting is a Professor political science at the University of Notre Dame. Dr. Botting is a widely published and cited scholar on the thought of Mary Wollstonecraft, the eighteenth-century author of A Vindication of the Rights of Woman. As editor of a two-volume collection, Portraits of Wollstonecraft (Bloomsbury Academic,2021), she offers primary sources of criticism, literature and representation in portraiture, from the early international reception to Wollstonecraft's present global influence. Through well curated selections, we see Wollstonecraft in new light. From the iconic portrait painted by John Opie in 1797, to Sarah A. Underwood's essay Heroines of Free Thought in 1876, to references by modern feminists including Simone de Beauvoir, Betty Friedan, and the artist Judy Chicago, the reader discovers the many implications of Wollstonecraft's ideas. This two-volume collection is sure to be of interest to anyone curious about Wollstonecraft's contribution to political philosophy, literature, and feminist thought. Lilian Calles Barger is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current writing project is on the intellectual history of women and the origins of feminism seen through the emblematic life and work of Simone de Beauvoir. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eileen Hunt Botting is a Professor political science at the University of Notre Dame. Dr. Botting is a widely published and cited scholar on the thought of Mary Wollstonecraft, the eighteenth-century author of A Vindication of the Rights of Woman. As editor of a two-volume collection, Portraits of Wollstonecraft (Bloomsbury Academic,2021), she offers primary sources of criticism, literature and representation in portraiture, from the early international reception to Wollstonecraft's present global influence. Through well curated selections, we see Wollstonecraft in new light. From the iconic portrait painted by John Opie in 1797, to Sarah A. Underwood's essay Heroines of Free Thought in 1876, to references by modern feminists including Simone de Beauvoir, Betty Friedan, and the artist Judy Chicago, the reader discovers the many implications of Wollstonecraft's ideas. This two-volume collection is sure to be of interest to anyone curious about Wollstonecraft's contribution to political philosophy, literature, and feminist thought. Lilian Calles Barger is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current writing project is on the intellectual history of women and the origins of feminism seen through the emblematic life and work of Simone de Beauvoir. Learn more about your ad choices. Visit megaphone.fm/adchoices

We discuss Georgia O'Keeffe and her contemporaries such as Ansel Adams and Frida Kahlo. We also discuss her influence on feminist artists like Judy Chicago. --- Support this podcast: https://anchor.fm/your-favorite-artists-favorite-artists/support

  Les règles, c'est pas sale. On peut même faire de l'art avec ! Dans cet épisode, on vous parle de ces artistesqui ont fait couler leur sang sur des toiles, qui ont littéralement montrer leurs règles et qui utilisent les menstruations pour faire passer des messages forts. Notre invitée : Julie Beauzac du podcast Vénus s'épilait-elle la chatte ? qui tient également le compte instagram du même nom. Les recos L'origine du monde de Liv Stromquist  le livre Station Eleven, de Emily St. John Mandel le podcast Akwabook et le livre Règles douloureuses de Kopano Matlwa (Le serpent à plumes) recommandé dans l'épisode 8 Sources chronique Fanny La plaie du Christ serait-elle une vulve - Les 400 culs La plaie du côté du Christ dans le Bréviaire de Bonne de Luxembourg Sainte Agathe, pourquoi lui avoir arraché les seins ? Du lait au sang, du sein aux règles - Blog Lunettes rouges sur Le Monde Le sang dans l'art, l'art dans le sang Oeuvres citées VALIE EXPORT, Aktionshose : Genitalpanik  Shigeko Kubota, Vaginal paintings + article analytique Orlan, Etude documentaire : la tête de méduse Judy Chicago : Menstruation bathroom et Red flag Zanele Muholi, Isilumo Siyalama A.J. Dirtystein, portraits de femmes avec son sang menstruel Poppy Jackson, Constellation + Vidéo de la performance Lani Beloso, The period piece Sarah Levy, Whatever (Bloody Trump) Laetitia Bourget : Les Mouchoirs menstruelset Recyclage Vanessa Tiegs, Menstrala Joana Vasconcelos, A Noiva + article sur sa censure Elone, messages sur serviettes périodiques Jen Lewis, Beauty in blood (avec Rob Lewis) Lili Murphy-Johnson, collection de bijoux Rupi Kaur, Period Vous pouvez nous suivre sur Instagram, Facebook et Twitter.  Crédit logo : Clayton DRX

Pourquoi faire un podcast sur les règles ? On a fait le tour du sujet en deux minutes, non ? Dans cet épisode, enregistré la veille du 8 mars, nous vous expliquons pourquoi nous croyons que parler de menstruations est important et pourquoi ce n'est pas un combat féministe de seconde zone. Notre invitée : Clara, qui gère le compte Coup de Sang sur Instagram, sur lequel elle receuille et partage des histoires de règles. Les recos : Le cannabis pourrait aider à gérer les douleurs menstruelles ? C'est l'enquête à lire sur Slate. Le parlement écossais vote la gratuité des protections périodiques, youhou ! Judy Chicago, une artiste américaine qui travaille avec son sang menstruel, notamment sur les oeuvres Red Flag et Menstruation Bathroom. Sarah Levy, une artiste américaine qui a réalisé un portrait de Donald Trump avec son sang menstruel : Bloody Trump ("Whatever"). La tribune de Virginie Despentes sur les Cesars : «Désormais on se lève et on se barre». À l'occasion du mois de mars, mois de prévention et d'information sur l'endométriose, deux podcast à mettre dans vos oreilles : Parlons d'Endo, produit par Tiphaine Chaillou, avec la collaboration de l'association EndoFrance. Le second, c'est Endo Ed, donc le but est aussi d'apporter des outils pour soulager les douleurs et rendre la vie avec l'endométriose un peu plus facile. Merci à la Bibliothèque Louise Michel et sa super équipe de nous avoir invité pour enregistrer ! Vous pouvez nous suivre sur Instagram, Facebook et Twitter.  Crédit logo : Clayton DRX

We all like beautiful things. Do you want to know how to make your — and everyone else's— life more beautiful? WE are going to learn a very talented artist's journey of turning adversity into inspiration.    WE learn the mystery of art can help stir emotions in us and in others. And also, by doing and appreciating art, we can get closer to spirit and Earth, and the reason we're all here.    For this phenomenal lesson, we've got the guidance of Cudra Clover, an abstract biomorphic silk painter, Exotica DJ, multimedia, and installation artist who's got a  permanent collection at the Hawaii State Museum of Art and she has also exhibited in Chicago, Denver, Japan, China, Black Rock City, Honolulu, and Maui.  Clover's work will be in 3 rooms of the Museum of Art & History (MOAH) in Lancaster, California May 8-August 22, 2021.    You Will Learn:  About the Experiment of the Week: beautifying our world!  You don't have to be an artist to make things look pretty Microscopic Threats: what are they and how are they interfering with our groove   Questions I Ask:   So, what is hysteria? Why is interaction so important to you? What can you do to make life beautiful? How does it feel to be compared to icons like David Kannenberg and Judy Chicago?  What would you tell yourself from 10 years in the past?