Podcasts about American studies

Send us a textDr. Jonathan W. White is a professor of American Studies at Christopher Newport University. He is the author or editor of 17 books covering various topics, including civil liberties during the Civil War, the USS Monitor and the Battle of Hampton Roads, the presidential election of 1864, and what Abraham Lincoln and soldiers dreamt about. Among his awards are the State Council of Higher Education for Virginia's Outstanding Faculty Award (2019), CNU's Alumni Society Award for Teaching and Mentoring (2016), the Abraham Lincoln Institute Book Prize (2015), and the University of Maryland Alumni Excellence Award in Research (2024). His recent books include A House Built By Slaves: African American Visitors to the Lincoln White House (2022), which was co-winner of the Gilder Lehrman Lincoln Prize (with Jon Meacham); Shipwrecked: A True Civil War Story of Mutinies, Jailbreaks, Blockade-Running, and the Slave Trade (2023); Final Resting Places: Reflections on the Meaning of Civil War Graves (2023); and an exciting new children's book, My Day with Abe Lincoln (2024).A Quote From This Episode"Viewed from the abolition ground, Lincoln seemed tardy, cold, dull; but measured by his country, he was swift, zealous, radical, and determined.”Resources Mentioned in This EpisodeBook: Measuring the Man: The Writings of Frederick Douglass on Abraham LincolnArticle: Flag burning has a long history in the U.S. — and legal protections from the Supreme CourtAbout The International Leadership Association (ILA)The ILA was created in 1999 to bring together professionals interested in studying, practicing, and teaching leadership. Plan for Prague - October 15-18, 2025!About  Scott J. AllenWebsiteWeekly Newsletter: Practical Wisdom for LeadersBlogMy Approach to HostingThe views of my guests do not constitute "truth." Nor do they reflect my personal views in some instances. However, they are views to consider, and I hope they help you clarify your perspective. Nothing can replace your reflection, research, and exploration of the topic. ♻️ Please share with others and follow/subscribe to the podcast!⭐️ Please leave a review on Apple, Spotify, or your platform of choice.➡️ Follow me on LinkedIn for more on leadership, communication, and tech.

It's Fun Day Monday on the Majority Report On Today's Show: The Trump slump is really starting to punish Americans as farmers panic and stagflation builds McDonald's CEO breaks down the dual realities of the American economy. People making over 100k are living in a strong, healthy economy while lower income people are skipping breakfast to save money. Associate Professor in the Department of American Studies at the University of Maryland - Baltimore County, Sarah Fouts joins the show to discuss her book Rebuilding New Orleans: Immigrant Laborers and Street Food Vendors in the Post-Katrina Era In the Fun Half: In an interview in the hallways of Congress, Speaker Mike Johnson claims Donald Trump was an FBI informant. Tim Pool has a magical thought experiment over Daddy Trump saving the country from pedophiles as an informant. Bernie Sanders and Zohran Mamdani hold a town hall in Brooklyn. All that and more. The Congress switchboard number is (202) 224-3121. You can use this number to connect with either the U.S. Senate or the House of Representatives. Become a member at JoinTheMajorityReport.com: https://fans.fm/majority/join Follow us on TikTok here: https://www.tiktok.com/@majorityreportfm Check us out on Twitch here: https://www.twitch.tv/themajorityreport Find our Rumble stream here: https://rumble.com/user/majorityreport Check out our alt YouTube channel here: https://www.youtube.com/majorityreportlive Gift a Majority Report subscription here: https://fans.fm/majority/gift Subscribe to the ESVN YouTube channel here: https://www.youtube.com/esvnshow Subscribe to the AMQuickie newsletter here: https://am-quickie.ghost.io/ Join the Majority Report Discord! https://majoritydiscord.com/ Get all your MR merch at our store: https://shop.majorityreportradio.com/ Get the free Majority Report App!: https://majority.fm/app Go to https://JustCoffee.coop and use coupon code majority to get 10% off your purchase Check out today's sponsors: CURRENT AFFAIRS: For 30% for a year on any subscription of your choice Go to currentaffairs.org/subscribe and enter the code MAJORITYREPORT at checkout. The offer expires October 31st PROLON: ProlonLife.com/majority Get 15% off sitewide plus a $40 bonus gift when you subscribe to their 5-Day Nutrition Program COZY EARTH: Go to cozyearth.com/MAJORITYREPORT for up to 40% off the best pants, joggers, shirts, everything! SUNSET LAKE:  Head to SunsetLakeCBD.com and buy any three 4-packs, and you'll get a fourth one for free. Just add four 4-packs to your cart and use the code LABORDAY25 at checkout Follow the Majority Report crew on Twitter: @SamSeder @EmmaVigeland @MattLech Check out Matt's show, Left Reckoning, on YouTube, and subscribe on Patreon! https://www.patreon.com/leftreckoning Check out Matt Binder's YouTube channel: https://www.youtube.com/mattbinder Subscribe to Brandon's show The Discourse on Patreon! https://www.patreon.com/ExpandTheDiscourse Check out Ava Raiza's music here! https://avaraiza.bandcamp.com/

Asians and Asian Americans are numerous within the classical music industry, but their identities are often politicized and racialized in this Eurocentric musical genre. For the third episode of Obbligato on APEX Express, Isabel Li discusses this intersection with Mari Yoshihara, Professor of American Studies at the University of Hawaiʻi at Mānoa and Professor at the Center for Global Education at the University of Tokyo, Japan; author of many books, including Musicians from a Different Shore: Asians and Asian Americans in Classical Music (2007) and Dearest Lenny: Letters from Japan and the Making of the World Maestro (2019). Tonight's episode features music by Chinese American composer Zhou Tian. To learn more about Mari and her work, please visit her website: https://www.mariyoshihara.com/index.html  Musicians from a Different Shore: https://tupress.temple.edu/books/musicians-from-a-different-shore-2 Dearest Lenny: https://global.oup.com/academic/product/dearest-lenny-9780190465780?cc=jp&lang=en&  Transcript  Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.    00:00:53 Isabel Li  Good evening. You're listening to KPFA 94.1 FM. My name is Isabel Li and I'm delighted to be hosting a new edition of Obbligato on Apex Express, which is a semimonthly segment specifically about AAPI identities in classical music. Tonight's guest is someone I have been incredibly excited to speak to because her writings have actually very much informed my studies and research. In fact, her books are exactly about the subject matter of Obbligato. I am honored to be speaking to Mario Yoshihara, Professor of American Studies at the University of Hawaiʻi at Mānoa and Professor at the Center for Global Education at the University of Tokyo, Japan; author of many books, including Musicians from a Different Shore: Asians and Asian Americans in Classical Music, published in 2007, and Dearest Lenny: Letters from Japan and the Making of the World Maestro, which was published in 2019. Welcome to Obbligato on Apex Express. Mari, how are you doing?  00:01:55 Mari Yoshihara  I'm doing fine. Thank you for having me.  00:01:58 Isabel Li  Of course, my first question for you is how do you identify and what communities are you a part of?  00:02:06 Mari Yoshihara  Oh well, that's actually a little bit complicated I am. I am a Japanese woman who have spent a little bit over well, maybe not more than a little more than half of my life in the United States. Born in New York but raised in Tokyo, educated mostly in Japan, but also earned my graduate degrees in the United States and most of my academic career has been in Hawaii, so I've been in American academia for almost 30 years now, but I also have a dual appointment with the University of Tokyo in Japan. So I split my time between Japan and Hawaii now.  00:02:54 Isabel Li  Can you tell us a little bit about your work and your books? I had a chance to read Musicians from a Different Shore, but how would you summarize your research to someone who might not have read your book?  00:03:04 Mari Yoshihara  So I am a scholar of American studies, which is an interdisciplinary field that has anything to do with America broadly defined. And within that, my area of expertise is about, well, I would say I'm a scholar of US cultural history. US Asian relations, mostly US, East Asian relations, especially in the cultural dimension, cultural studies, gender studies, Asian American studies, etc. And so I have written a number of books, both in English and Japanese, but the one that you're referring to, Musicians from a Different Shore, is a book that I did research for more than 20 years ago and was published in 2007. It's a study of Asians and Asian Americans and classical music. So it was partly historical in that I examined the ways. which Western music, so-called western classical music, was introduced to East Asia and how also East Asians became have become so successful and prominent in this field that is generally considered a white European elite art form, so it was partly historical, but then the rest of the book was based on my ethnographic field work and interviews among Asians and Asian Americans in classical music looking at how well who these people are in the first place and then also how musicians, Asian and Asian musicians themselves, understand the relationship between their racial and cultural identity on the one hand, and their practice of Western classical music on the other, so that was my study.   And then I also wrote another book called Dearest Lenny. It's about—the subtitle is Letters from Japan and the Making of the World Maestro. It's about Leonard Bernstein's relationship with two very special individuals in Japan. And through that story, I interweave an account of various things. For one thing, how Leonard Bernstein became a world maestro and also the relationship between politics and arts, gender, sexuality, art and commerce, etcetera, etcetera. So that was my most recent book published in English and then, I'm sure we'll talk more about this, but I'm currently doing a follow up research on the on Musicians from a Different Shore, taking into account all the changes that have been taking place in the classical music industry in the United States in the past, I would say five years or so especially so that's my that's the abbreviated version of my research.  00:05:55 Isabel Li  That's really cool, and I also want to ask you about these changes, if you can talk a little bit about the classical music world. I feel like classical music is one of those genres that seems to be unchanging on the outside. But as a scholar of classical music, what types of changes have you observed that has influenced how AAPI identities play into this world?  00:06:18 Mari Yoshihara  Yeah, I think especially in the last, I would say, yeah, 5 to 10 years, especially in the last five years, classical music industry in the United, I mean I say specifically in the United States because I don't see the similar kind of changes taking place in Japan where I'm currently located. And I also don't really know the situation in Europe. But the field of classical music in the US is changing. I think most significantly because of movements like the Black Lives Matter movement and also with the onset of COVID and the rise of anti Asian hate, there's been a lot more heightened awareness about how issues of race and also class shapes classical music. So there's a lot more vibrant conversations and debates about these topics in the industry and also in terms of AAPI community, are the biggest changes, the biggest change I'm seeing is that Asian and Asian American musicians themselves are being a lot more vocal and active in issues of race and racism in the field and there I've encountered many Asian and Asian American musicians who have, for instance, you know organized events or organizations, or taken up various forms of advocacy and activism on these issues. So compared to, say, 20 years ago, 20, 25 years ago, when I was doing the original research, I see a lot more kind of, you know, explicit awareness and awareness and articulation of these issues by Asian and Asian American musicians themselves.  00:08:12 Isabel Li  That's really interesting. Just because classical music is also one of those genres, that doesn't seem like a genre that most people explicitly associate with politics or activism. What are some examples of these, like activist movements that you've observed within the Asian American community in classical music?  00:08:32 Mari Yoshihara  So for instance, some Asian and Asian American musicians are are becoming a lot more vocal about the actual like racism or sexism that they have themselves experienced, or that they witness in the industry, like in in schools, conservatories, orchestras, opera companies, etc. Either through the media or you know their own writing, and also like speaking up within the organizations that they work in. So that's one. There are other kinds of advocacy and activism in that they demand more diverse repertoire, and I think the repertoire is in terms of the industry industry changes. That's the area that's changing the most, the the kind of repertoire that many orchestras for instance perform have become a lot more– I mean overall it's still very white, European centered– but in terms of the actual numbers of pieces that are performed, works by living, composers and composers of color, women composers, etcetera. That is significantly increased in the last 10 years and that is, you know significantly to do with the advocacy and activism on the part of, you know, artists of color.  So yeah, so things like that and then, you know, many Asian, Asian American artists are doing their own programming, for instance, like event organizing programming. So yeah, those are the areas that I see changes. I see things happening that I didn't see 25 years ago.  00:10:20 Isabel Li  Definitely. I remember reading your book, and your book has been published since 2007, so a lot of changes have happened since then. But in general, when you did your research at first, what how would you summarize the dynamic of Asian identities, Asian American identities in this very Eurocentric field, it's a juxtaposition of two different cultures and identities that a lot of people also observe in orchestras. There's a large population of Asian and Asian American musicians, conductors just in general. It's a very large population, but yet this identity is still not quite represented in media. It's not quite seen, so talk to us a bit about this juxtaposition and how you observe these dynamics in your research.  00:11:10 Mari Yoshihara  Yeah. So. The thing is, Asians and Asian Americans are indeed numerically overrepresented in classical music, in the sense that compared to the general public, the the the proportion of Asians and Asian Americans in the overall US population, the number of Asian and Asian Americans in classical music indexed by things like the student body at major conservatories or membership roster of US orchestras, etcetera, Asians and Asian Americans percentage is higher than the general population, right. So in terms of the numbers, Asians and Asian Americans are, quote unquote overrepresented. But those numbers are not reflected in the actual like voice, power and influence that they have in the industry.   So that was my finding back 2025 years ago and I think that's still true today. Also, the thing about Asian, Asian American musicians is that it's a racialized category. They are seeing and treated as Asian. It's this racial category. But their identities and experiences as Asians is not at all uniform, right?   Some of these Asian musicians are Asian Americans, like multi generational Asian Americans whose parents or grandparents or great grandparents etcetera have come to the United States and they themselves are U.S. citizens. So that's one group.   Many Asian musicians working in the United States are people who were born and raised in Asia, places like China or South Korea, Japan, etcetera, and came to the United States as international students to study music, often at the college level, college conservatory level, so obviously these people have very different sense of identity and experience as Asians compared to say, you know 3rd, 4th generation Chinese Americans or 1.5 Korean Americans.   There are other people who live in the United States because they were very talented, very young musicians, and the whole whole family immigrated to the United States specifically for their music education. So Midori, the famous violinist, Midori is a case, example of this, but there are also a number of other, especially among Koreans and Chinese. There are families, the whole family immigrated to the United States when the child was a very promising musician at age 7 or something. So that's one group. They too have a different sense of identity and experience of Asians than the two former groups that I that I talked about.   There are other people who also came to the United States because not because of the music education, but because of their parents' profession, for instance. And they have transnational kind of family ties and you know, they move, they go back and forth between US and Asia, for instance. And then there are also mixed roots families where one parent is Asian and the other is non Asian.   And then there are also Asians who were born and raised in Europe for other parts of the globe and then came to the United States, for either personal or professional reasons.   So in other words, they're all Asians in terms of their racial identity. But what that means is really quite diverse and their experience as Asian and Asian American musicians is also quite diverse. So it's not as if you know, just because they're Asian, they share some kind of experience and identities around which they coalesce. So that's, you know, that was true 20, 25 years ago. And I think that's still true today.  More and more Asian musicians are coming to the United States to study, study or work in classical music, but especially because of this, like new influence, this Asian category is becoming even more diverse. However, because of the COVID, you know the rise of Anti Asian hate during the COVID pandemic, I think that heightened the awareness of, you know, these different kinds of Asians, the heightened awareness that they are Asians. First and foremost, you know, in, in that in the sense of being racialized in the United States. So I have talked with a number of musicians, Asians and Asian American musicians, who did not really, hadn't thought about their Asianness before. It wasn't at the forefront of their identity before, but during this rise of anti Asian hate it they became they basically became more politicized. You know, they had quite a politicized language and awareness to think about race and racism especially against Asians and Asian Americans.  00:16:31 Isabel Li  Yeah, that's a great point. It is a such a diverse group and there are so many different identities, even within just the Asian American framework AAPI, as a label is very, very diverse. And that applies to classical music as well. But I think there's also this social perception of Asian and Asian Americans as a group that also relates to the model minority stereotype that's historically been present and, for example, a lot of people might think of, like a young Asian or Asian American musician as being like a prodigy because they are technically skilled at their instrument, where like these social perceptions that exist both in media and in the culture around us, why do you think that is?  00:17:15 Mari Yoshihara  Well, that as you said, there is a model minority myth and there is a stereotype of Asians and Asian Americans as being very studious and diligent, but also quiet, right? I mean, they just quietly follow, like, obedient, obediently follow the instructions and that translates in the field of music as the stereotype that Asian musicians are technically very proficient but artistically non expressive. I mean, that's a very common stereotype that yeah, you know, practically any Asian, Asian Americans in classical music have been subjected to, you know, quite regularly and frequently. And I think that, yeah, that just comes with the overall kind of racial stereotype of Asians and Asians and Asian Americans in American society at large. And also the fact that, you know, classical music, especially in terms of instrumental performance, it is an area that is, it's something that is, indeed, technically very demanding, right? You need many, many years of disciplined training and a lot of practice. And there is a myth of merit– well, no, not entirely a myth– but there is this this very, you know, dearly held faith in meritocracy in classical music. The idea that if you have the chops you will be rewarded, you will be recognized and you know, no matter what kind of great artistic idea you might have, if you can't play the notes, you can't play the notes. That kind of ethos of meritocracy is particularly strong in classical music because of the technical demands of the genre, and that and that kind of, you know, goes hand in hand with the model minority methods for Asian Americans.  00:19:20 Isabel Li  Definitely. That's really interesting and another part of your book that was quite fascinating to me when I first read it was chapter 3. You talked about the intersection of gender as well as, you know, racial identity in classical music. The chapter is called Playing Gender and you talk about, I think at large don't necessarily associate classical music with a discipline that provides a stable job. It is an art form and there is kind of an uphill battle for artists in a sense like a starving artist myth there. We're not even a myth. Like if there's a starving artist image, whereas the image of a very successful classical musician there's this duality that you also mentioned in one of your other chapters about class. So what really interested me in for this chapter was that there was this intersection of power in classical music of who would go down the path that might not be traditionally as successful. How do you think gender dynamics play into this and how do you think they might have shifted within the last two decades or so?  00:20:20 Mari Yoshihara  Huh. I'm not sure if it has shifted all that much in the last two decades, but as you said, because music I mean, not just classical music, but music. Like, you know, arts in general is a field that is very like economically insecure in terms of career, right?   But at the same time. Classical music is associated with kind of, you know, bourgeois identity and just kind of overall cultivation and so, many Asian, Asian American parents are very eager to send their kids to, say, piano lessons, violin lessons, cello lessons, etcetera. To, you know, give them a well-rounded education and also because it is considered useful tool, you know, when you're going to college and stuff like, you know being, you know, being able to show that you're very talented violinist, for instance, is believed to help your college application.  So there's this, you know, both stereotype and reality that like, you know, places like Julliard Pre-College, very competitive, you know, school, like music education program for kids is filled with Asian, Asian American, you know, students and their parents who are waiting, waiting for them to come out of school.   So there's that. But how gender plays into this is that while both men and women are do study music at a young age. When it comes to, you know, choosing say, college, like what they would, what they would pursue at the college level, far fewer male students tend to choose music as their college major or go to conservatory and pursue it as a as a career. But I think it's both their own choice. And also especially for Asian and Asian Americans, like parental pressure to not pursue music professionally because of, you know, financial insecurity.   So there's that, and also how that plays into the actual experiences of Asian, Asian Americans musicians who do study music is that I have heard from a number of female Asian musicians that either their peers or especially their teachers are doubtful that they are actually serious about music. There is a stereotype that, you know, say for instance, Japanese or Korean female students at Juilliard School, Manhattan School or whatever, they are there because they, you know, they want to study music and then find a good husband and marry, you know, a lawyer or doctor or engineer or something. [laughs] And and not that that doesn't happen. But that's a stereotype of, you know, that's a racialized and gender stereotype that comes from these, you know, gender and class and racialized dynamics.  00:23:35 Isabel Li  And just for clarification, is the classical music world at large still a male dominated field?  00:23:41 Mari Yoshihara  Yes. Oh yes. Definitely. I mean, it depends on the segment of you know, I mean classical music is itself quite diverse. So if you look at, for instance, the string section, especially the violin section of the New York Philharmonic for instance, you will find that like, I think the majority of those violin players are Asian women, perhaps. But if you look at say for instance, the Faculty of Conservatories or music directors and major orchestras and said, I mean still very male dominated.  00:24:23 Isabel Li  Yeah. Yeah, definitely. I like how your book also has so many different layers for each chapter. So Chapter 3 was about the gender intersection with this, with this identity, and Chapter 4, was it Chapter 4, I believe it was about class, Class Notes, and you've already mentioned a little bit about how class plays into the perception of music, how class influences gender even. But there's a statement in there that you said that, “it's misleading to characterize Asian musicians as just coming from the upper middle class.” And it makes sense that people would think of musicians coming from this economic bracket, because classical music is an in and of itself a very kind of expensive undertaking. You need so many lessons, so many instruments. But tell us why this statement would be misleading.  00:25:15 Mari Yoshihara  Because I mean, first of all, most of the overwhelmed, I would say overwhelming majority of the Asian, Asian American musicians that I interviewed come from middle class backgrounds, many of them from so-called like professional executive class backgrounds in, meaning that their parents hold these professional executive positions, right. And that's why they were able to afford advanced musical studies from a fairly young age. They need, you know, sustained and disciplined and often costly, you know, lessons, you know, competitions, etcetera, auditions, travel, etcetera. So that's for sure, yeah.   At the same time, there are also Asian musicians who come from less privileged backgrounds, you know, immigrant families who have, because quite a few. I mean overall Asian American population, many immigrants experience downward social mobility upon immigrating to the United States because of, you know, oftentimes linguistic barriers or you know, or plain old racism. And so you're not Asian families that immigrate to the United States, like, for instance, if the parents have professional positions back in South Korea, oftentimes they become, you know, for instance, you know, small business owners and they experience downward social mobility. I mean, that's a very common scenario. Yeah, so now all Asian, Asian American musicians grow up in a privileged environment.  00:27:06 Isabel Li  Definitely a great point. Now before we move on to some discussions about Mari's research. First of all, thank you for tuning in to Obbligato on APEX Express, we'll be taking a short music break and as mentioned earlier, a great way to increase diversity within classical music is to uplift works by living composers. If you're listening to my first.  00:27:26 Isabel Li  Episode 2 months ago, you'll know that I featured music by Chinese American composer Zhou Tian. I'm happy to say that coming up next is one of Zhou's compositions inspired by a trip to Italy. This is a piece called Hidden Grace performed by the Formosa Trio.  27:45 – COMP MUSIC – Hidden Grace  00:35:34 Isabel Li  That was a piece called Hidden Grace, composed by Zhou Tian for a fascinating instrumentation of flute, Viola and heart coming up for our second piece. In this interview, break another movement by Zhou Tian, the third movement of his double concerto for violin and Viola, called Rendezvous.  35:58 – COMP MUSIC – Double Concerto for Violin and Viola, III. Rendezvous  00:41:09 Isabel Li  Noah Bendix-Balgley on violin, Shanshan Yao on viola, and the Hangzhou Philharmonic, playing the third and final movement of Zhou Tian's Double Concerto for violin and viola. So back to the conversation with Professor Mari Yoshihara.  00:41:25 Isabel Li  As you also mentioned before, you're working on an updated version of Musicians from a Different Shore. Can you talk–I don't know how much you can talk about your, like upcoming projects, but are you using similar research methods to what you've done before using ethnographic field work? You've mentioned the new changing dynamics of classical music in the United States with new waves of activism and awareness. What are some new topics of your chapters that you might focus on? So for your 2007 publication, you talked about your gender and class and how these intersect with identity. Are there any new things that you're drawing upon here?  00:42:02 Mari Yoshihara  Yeah. So I'm using basically the same research method. I'm interviewing actually some of the same people that appeared in Musicians from a Different Shore. Some people kept in touch with over the years, I've gone back to them and interviewed them to see the trajectories of their careers since the first time I interviewed them. But then I've also interviewed a bunch of other, you know, new musicians that I'm speaking with for the first time. So it's essentially an interview and ethnographic fieldwork-based research.  I told you earlier about I think one of the biggest changes is, as I said before, the activism and advocacy on the part of Asian, Asian American musicians themselves. So I have one chapter about that. Like, what? How? What kinds of advocacy and activism they're engaged in.   Another big change that I'm seeing is that compared to 20 years ago, there are a lot more Asian musicians in the field of opera.  00:43:01 Isabel Li  Ohh yeah.  00:43:02 Mari Yoshihara  Uh. Both as singers. Yeah, many of them singers, but also in other, you know, like for instance opera, you know, pianist for opera or be opera directors, et cetera. There are many more Asians in this particular field than what I saw 20 years ago. And I talked about this a little bit in my first book, but opera is a very particular kind of field within classical music.   How race plays into opera is very different from other areas of classical music because it's a theatrical art form. It's visually oriented, you know art form. And because singers have to be cast in order to, you know, sing on stage. So the racial politics in opera, you know, unfolds very differently from, say, for pianists or cellists or conductors or or composers.   So I now have a whole chapter about opera, especially Madame Butterfly, that this very fraught work, you know, opera that many Asian and Asian Americans have love hate relationships. A lot of pigeon-holing that happens in that through that opera. But also, production of new opera by Asian and Asian American artists, composers, directors, singers, etcetera. So I have a whole chapter about that.   And then I also will have another chapter about, you know, what it means to, you know, sit at the table, basically. Like stand on the podium and sit at the table, stand on the podium. Not only, I mean I will, I will have a whole discussion about Asian and Asian Americans conductors, but not only in that literal sense of, you know, standing at the podium, but like being at the table like in other words, not only, Asian and Asian American musicians playing music that are given to them and they are assigned to them that they're hired to play, but also having a real voice in the organizational and institutional dimensions of classical music industry. So the kinds of people, Asians, who are in these positions more executive positions with decision making power what their experiences are like. I'm going to have a chapter about that.   So those are some of my ideas. I'm still in the middle of the project, so I can't. I can't see the whole picture, but those are some of my current ideas.  00:45:48 Isabel Li  I see. And do you have an idea of when this book will be published or an updated version?  00:45:54 Mari Yoshihara  Well [laughs], my goal rather ambitious goal is to have it published in 2027, because that would be 20 years since Musicians from a Different Shore, so that would be ideal if I can make that.  00:46:08 Isabel Li  Well, yeah. Nice. That's really exciting, definitely. I will also kind of bridge, I guess my part of the research into this part of the interview, since I'd love to talk to you a little bit more about how classical music in general is portrayed in media.   So as I've introduced myself before, I had a back, I have a background in media studies as well as music history and theory. And what was really interesting to me in my senior thesis while I was doing research for that was I coined this term and it could just be loosely associated with the genre of film. But it's the “classical music film.” So think of any narrative fictional film you can think of with a classical musician in there. So it could be like Amadeus, where I think of like Tár. If you watch Tár like a lot of these depictions are quite understandably white and European, but they my senior thesis I've never really seen any depictions of Asian American or Asian classical musicians? I was wondering if you have ever watched a film like that, or could maybe talk a bit about maybe the lack of representation in media, how media plays into how people perceive classical music as a genre as a whole.  00:47:23 Mari Yoshihara  That is a very interesting question. I think you know, because of the stereotype of Asian and Asian American model minority and model minority stereotype often is associated with, you know, violin or piano-playing Asian American kids, I think. Asian, Asian American characters who are, you know, these kind of musical classical music geniuses appear here and there. But the ones that center on such a character as the main, you know, like the protagonist, come to think of it, I'm not sure if I've seen. I mean, I've seen several Korean dramas, you know, character, but those are Korean dramas, not Asian American, so more American works with Asian classical musicians…  00:48:21 Isabel Li  And I think also classical music as a genre is. It's interesting because classical music is also kind of underrepresented. It's not quite in the mainstream. And then one of my final questions for you is I do also want to take a second to acknowledge that your book was actually one of the only books that I could find about this topic. I think there are not that many other books about Asian and Asian Americans in classical music. I think there are a few other books and a few and definitely some papers that talk about this, but what got you interested in this field? And I don't know if you think there's a scarcity of information, but do you think there's relative scarcity of information about this topic?  00:49:01 Mari Yoshihara  Yeah. So how I got into it is. So I was a pretty serious student of piano when I was a child. That's like, yeah, that really kind of preoccupied my childhood and adolescence. But then I, for various reasons I ended up not going to a music Conservatory and became an academic.   And then once I entered academia and became a scholar of American studies, all I was studying was like race, gender, class. I mean, that's what  we do in American studies. And my first book, which was originally my doctoral dissertation, was a cultural history of orientalism and white women. So that was a study of the intersections of race and gender and to some extent class in American history.   So once I finished that book, I was thinking about what projects to work on next. And I happened to turn on the TV, and it just so happens that the Vienna Phil New Year's concert, conducted by Seiji Ozawa was playing on the TV and that was sort of my “aha” moment because I had always known or, you know, kind of generally aware that Asians and Asian Americans are, if not necessarily overrepresented, but, you know, they're quite numerous, you know. They're present. Their numerical presence is quite notable in classical music that is often associated with white, you know, European culture, elite culture.  So I was kind of curious about that phenomenon, but I hadn't really thought too much about it until I watched Seiji Ozawa were conducting the Vienna Phil. And that's when I thought, well, maybe I can kind of combine my classical music background and my academic training in studies of race, gender, class into this project. So that's when I decided to work on. You know, this topic of Asians and Asian Americans, classical music.  I think the reason that there hadn't been at least a book-length study on the topic until my book is that for one thing, classical music is considered to be kind of a very abstract absolute form of music. This ethos that it is kind of transcends– that it is a universal, transcendental kind of genre, that is sort of above things like politics or race or gender. Like it shouldn't matter that these, you know, individual identity, racialized gender identity shouldn't matter vis-à-vis the universalism of classical music. I mean that kind of ethos is very strong in this particular genre of music. I think that has a lot to do with it.   And also the study of classical music until rather recently, like musicological study of classical music, really tended to be focused on the study of composers and their works, right? It was the textual that, like it, was an analysis of Beethoven Symphony or, you know, Bach Fugues, etcetera. Yeah. It was really focused on the study of the score, the study of the composer's ideas, as reflected in the score, I mean that was the centerpiece of musicological approach to classical music.  And so sort of more sociological anthropological study of the musical practice is a relatively new approach in in the field of musicology. I'm not a musicologist. So that's not how I'm trained. But I think the academic approach to classical music was not very, kind of, open to the kinds of topics that I raised in Musicians from a Different Shore.  00:53:12 Isabel Li  Definitely. I see. And my very final fun question for you is can you name three of your favorite classical music pieces for any recommendations you have for the audience who might be listening, who might be wondering what they will listen to next?  00:53:27 Mari Yoshihara  Well, OK well. Pieces well, because I wrote a book about Leonard Bernstein. I mean, I ended up– I wrote a book about Leonard Bernstein. Not necessarily because I was an avid fan of Bernstein. It just kind of happened this this project. But nonetheless of while I was doing research and writing the book I did listen to a lot of Bernstein. I and I have come to really love Bernstein music and so. And you know, of course, everybody knows West Side Story, but he actually wrote many other pieces that may not be as well known.   Well among the pieces that I like, I like…which one should I choose? I will choose. Ohh well, I'll choose a piece that I learned myself as a pianist.  I learned the piece called “Touches” that he wrote. It was a commission piece for the Van Cliburn International Piano Competition, and it's kind of yeah, it's a chorale and variation. So that's very interesting and very interesting and very Bernstein-esque so well.   I'll OK, as an American study scholar. I'll, I'll stick with American pieces. I like someone Barber a lot. I like Barber “Excursions,” which I also learned to play.  00:55:04 Isabel Li  Yeah.  00:55:09 Isabel Li  Tough question.  00:55:11 Mari Yoshihara  Umm, Mason Bates piece that I also learned, “White Lies For Lomax.” This one was also, I believe…was it commissioned by the Cliburn? But no, maybe it wasn't. Yeah, I think it was commissioned. But anyway, I played it at the Van Cliburn International– the amateur competition of the Cliburn competition.  I did all these. So like Bernstein, Bates, Amy Beach piece I also played. Yeah, I'll stop there. I I wish you had prepped me for that then [laughs]–  00:55:42 Isabel Li  Oh my gosh. Great responses.  00:55:46 Mari Yoshihara  Hard to think on the spot.  00:55:47 Isabel Li  Yeah, I totally get that. Whenever people ask me for my favorite composer, I never have an answer. No, so I totally get it.   Well, thank you so much for your time, Mari. And thank you for your wonderful insights. I'll put the link to your books so that people can learn about your works on APEX Express on kpfa.org. So thank you so much for your time, Mari.  00:56:07 Mari Yoshihara  Thank you.  00:56:09 Isabel Li  As mentioned, please check our website kpfa.org to find out more about Mari Yoshihara, her scholarship, and links to two of her books. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world. Your voices are important.  00:56:31 Isabel Li  APEX Express is produced by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, and Cheryl Truong. Tonight's show was produced by Isabel Li. Thanks to the team at KPFA  for their support. Have a great night.  [OUTRO MUSIC]  The post APEX Express – 09.04.2025 – Obbligato with Mari Yoshihara appeared first on KPFA.

In Episode 181 of Ill Literacy, Tim Benson talks with Jonathan W. White, co-editor of From Dakota to Dixie: George Buswell's Civil War.Heartland's Tim Benson is joined once again by Jonathan W. White, Professor of American Studies at Christopher Newport University, to discuss his latest book, co-edited with Reagan Connolly, From Dakota to Dixie: George Buswell's Civil War. They chat about who George Buswell was, his interesting service record in the Civil War, and the uniqueness of his diary of the period. They pay particular attention to the Dakota War in Minnesota and the Dakota Territory in 1862, in which Buswell served, as well as the execution of 38 Dakota men at Mankato at theend of the conflict, the largest officially sanctioned mass execution in American history, of which Buswell was an eyewitness. They also discuss Buswell's tenure fighting in the Deep South as an officer in the 68th U.S. Colored Infantry, his views of the men under his command, and the impact the experience had on him. Get the book here: https://www.upress.virginia.edu/title/10075/ In The Tank broadcasts LIVE every Thursday at 12pm CT on on The Heartland Institute YouTube channel. Tune in to have your comments addressed live by the In The Tank Crew. Be sure to subscribe and never miss an episode. See you there!Climate Change Roundtable is LIVE every Friday at 12pm CT on The Heartland Institute YouTube channel. Have a topic you want addressed? Join the live show and leave a comment for our panelists and we'll cover it during the live show!

In Episode 181 of Ill Literacy, Tim Benson talks with Jonathan W. White, co-editor of From Dakota to Dixie: George Buswell's Civil War.Heartland's Tim Benson is joined once again by Jonathan W. White, Professor of American Studies at Christopher Newport University, to discuss his latest book, co-edited with Reagan Connolly, From Dakota to Dixie: George Buswell's Civil War. They chat about who George Buswell was, his interesting service record in the Civil War, and the uniqueness of his diary of the period. They pay particular attention to the Dakota War in Minnesota and the Dakota Territory in 1862, in which Buswell served, as well as the execution of 38 Dakota men at Mankato at theend of the conflict, the largest officially sanctioned mass execution in American history, of which Buswell was an eyewitness. They also discuss Buswell's tenure fighting in the Deep South as an officer in the 68th U.S. Colored Infantry, his views of the men under his command, and the impact the experience had on him. Get the book here: https://www.upress.virginia.edu/title/10075/

James Dobson, the founder of Focus on the Family and author of many popular books about "Christian parenting", died in late August at the age of 89. Dobson's death was celebrated by many ex-Evangelicals of a certain age who were raised in part or in total by Dobson's teaching and methods. He leaves behind a complicated and questionable legacy, including a generation of ex-Evangelicals who despise him and credit him for ruining their lives on the one hand, and an Evangelical movement that seems to have moved past him on the other. Joining Kelly and John to talk about the life and times of James Dobson is Hilde Løvdal Stephens, an associatie professor of American Studies at the University of Oslo. Her first book, Family Matters: James Dobson and Focus on the Family's Crusade for the Christian Home, was published by the University of Alabama Press in 2019. You can find her on Bluesky @hildelstephens (NOTE: At about the 15 minute mark, John's audio goes crackly. We did our best to make it as listenable as possible! Our apologies to all. We'll do better next time!)

Ever wondered how growing up between worlds can actually make you see your own culture more clearly? This conversation with Dr. Holly Berkley Fletcher flips the script on what it means to be a missionary kid—not just as someone with wild stories or an identity crisis, but as a kind of secret decoder for understanding white evangelicalism's grip on American politics. There's a moment here where a single high school banquet in Kenya, complete with a Confederate flag, opens up a whole hidden history most of us never learned in Sunday school. What if the very things you thought were just “normal” missionary experiences are actually the missing puzzle pieces for understanding the rise of Christian nationalism today? Stick around, because the connections Holly draws between global childhoods and the current culture wars in the U.S. will surprise you—and might even change how you see your own story. In this episode, you will be able to: Explore how white evangelicalism shapes political landscapes and influences key decisions that affect society. Discover the unique role missionary kids play in decoding the complexities of evangelical culture worldwide. Understand the challenges third culture kids face as they navigate identity, belonging, and faith across different worlds. Trace the historical roots of Christian nationalism to see how it impacts modern cultural and political conversations. My special guest is Dr. Holly Berkley Fletcher Holly Berkley Fletcher is an author and historian who really knows what it means to live between worlds. Raised in Kenya as the daughter of Southern Baptist missionaries, Holly attended Rift Valley Academy and grew up balancing both her American roots and the culture around her. Her background extends far beyond childhood, though—she earned a PhD in American Studies, taught at the university level, and later worked as a CIA analyst specializing in Africa. Holly's life as a third culture kid gives her a distinctive lens on white evangelicalism and Christian nationalism, while her research dives into how missionary kids navigate the complicated push and pull of belonging and identity. She brings a clear-eyed, honest perspective that connects personal experience with bigger questions about faith, power, and the impact of evangelical culture around the globe. The key moments in this episode are:00:11:00 - The Emotional Challenges of MKs: Privilege, Grief, and Sacrifice 00:13:30 - Impact of Missions on White Evangelicalism's Global Narrative 00:14:05 - The American Influence on Global Evangelicalism and Missions 00:17:00 - Navigating the Complexities of Missionary Identity and Cultural Systems 00:19:01 - Missionaries' Political Complicity and Moral Accountability 00:23:18 - Practical Ways Missionaries Can Advocate for Justice Amid Political Pressures 00:26:43 - The Disconnect Between American Evangelical Consumers and Missionary Realities 00:27:56 - Origins and Evolution of Christian Nationalism in White Evangelicalism 00:29:06 - Growing Up as a Missionary Kid Abroad and Its Impact 00:33:14 - The Authoritarian Culture of Evangelicalism and Biblical Inerrancy 00:36:40 - Favorite Books and Writers on Missions and Analysis 00:39:19 - Resilience of Missionary Kids and Comparing History Writing to Intelligence Analysis 00:41:07 - Common Stereotypes and Misconceptions About Missionary Kids 00:42:00 - Navigating Trauma and the Danger of Simplistic Narratives 00:43:44 - Complicity and Accountability Within Missionary Communities Order the book The Missionary Kids: Unmasking the Myths of White Evangelicalism by Dr. Holly Berkley Fletcher Join the Patreon community for exclusive content at https://patreon.com/aworldofdifference. Read A Just Mission by Mekdes Haddis for a non-white American perspective on missions. Subscribe to The Bulwark newsletter for insightful commentary (paid subscription recommended for Jonathan V. Last's Triad newsletter). Learn more about your ad choices. Visit megaphone.fm/adchoices

Ever wondered how growing up between worlds can actually make you see your own culture more clearly? This conversation with Dr. Holly Berkley Fletcher flips the script on what it means to be a missionary kid—not just as someone with wild stories or an identity crisis, but as a kind of secret decoder for understanding white evangelicalism's grip on American politics. There's a moment here where a single high school banquet in Kenya, complete with a Confederate flag, opens up a whole hidden history most of us never learned in Sunday school. What if the very things you thought were just “normal” missionary experiences are actually the missing puzzle pieces for understanding the rise of Christian nationalism today? Stick around, because the connections Holly draws between global childhoods and the current culture wars in the U.S. will surprise you—and might even change how you see your own story. In this episode, you will be able to: Explore how white evangelicalism shapes political landscapes and influences key decisions that affect society. Discover the unique role missionary kids play in decoding the complexities of evangelical culture worldwide. Understand the challenges third culture kids face as they navigate identity, belonging, and faith across different worlds. Trace the historical roots of Christian nationalism to see how it impacts modern cultural and political conversations. My special guest is Dr. Holly Berkley Fletcher Holly Berkley Fletcher is an author and historian who really knows what it means to live between worlds. Raised in Kenya as the daughter of Southern Baptist missionaries, Holly attended Rift Valley Academy and grew up balancing both her American roots and the culture around her. Her background extends far beyond childhood, though—she earned a PhD in American Studies, taught at the university level, and later worked as a CIA analyst specializing in Africa. Holly's life as a third culture kid gives her a distinctive lens on white evangelicalism and Christian nationalism, while her research dives into how missionary kids navigate the complicated push and pull of belonging and identity. She brings a clear-eyed, honest perspective that connects personal experience with bigger questions about faith, power, and the impact of evangelical culture around the globe. The key moments in this episode are:00:11:00 - The Emotional Challenges of MKs: Privilege, Grief, and Sacrifice 00:13:30 - Impact of Missions on White Evangelicalism's Global Narrative 00:14:05 - The American Influence on Global Evangelicalism and Missions 00:17:00 - Navigating the Complexities of Missionary Identity and Cultural Systems 00:19:01 - Missionaries' Political Complicity and Moral Accountability 00:23:18 - Practical Ways Missionaries Can Advocate for Justice Amid Political Pressures 00:26:43 - The Disconnect Between American Evangelical Consumers and Missionary Realities 00:27:56 - Origins and Evolution of Christian Nationalism in White Evangelicalism 00:29:06 - Growing Up as a Missionary Kid Abroad and Its Impact 00:33:14 - The Authoritarian Culture of Evangelicalism and Biblical Inerrancy 00:36:40 - Favorite Books and Writers on Missions and Analysis 00:39:19 - Resilience of Missionary Kids and Comparing History Writing to Intelligence Analysis 00:41:07 - Common Stereotypes and Misconceptions About Missionary Kids 00:42:00 - Navigating Trauma and the Danger of Simplistic Narratives 00:43:44 - Complicity and Accountability Within Missionary Communities Order the book The Missionary Kids: Unmasking the Myths of White Evangelicalism by Dr. Holly Berkley Fletcher Join the Patreon community for exclusive content at https://patreon.com/aworldofdifference. Read A Just Mission by Mekdes Haddis for a non-white American perspective on missions. Subscribe to The Bulwark newsletter for insightful commentary (paid subscription recommended for Jonathan V. Last's Triad newsletter). Learn more about your ad choices. Visit megaphone.fm/adchoices

Seven months out from a US midterm election which will determine whether President Donald Trump maintains control over the US House of Representatives, a key piece of legislation was passed in Texas to redraw the political map. Bob Schmuhl, Professor of American Studies at the University of Notre Dame, gives his analysis.

“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation's urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in Born in Flames: The Business of Arson and the Remaking of the American City (Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords. Ansfield's book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like The Towering Inferno to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks. Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. Bluesky. Website. Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation's urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in Born in Flames: The Business of Arson and the Remaking of the American City (Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords. Ansfield's book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like The Towering Inferno to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks. Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. Bluesky. Website. Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In this episode of The Positive Pause®, host Claire Gill speaks with Dr. Adrienne Bitar, PhD and Dr. Jennifer Han, PharmD, BCACP, co-founders of Seen Nutrition about their personal experiences with bone health issues, including pre-menopausal osteoporosis, the important role of calcium in bone health & bone density, how to protect bone health at midlife, and the creation of their brand & its new calcium chew. Drawing from their personal and family experiences with osteoporosis, they created a food-first calcium chew, free of added sugars, synthetics, preservatives, and fillers, to help women protect their bones across all stages of life.Adrienne Bitar, PhD is a food studies researcher and lecturer in the Program in American Studies at Cornell University. She is the author of Diet and the Disease of Civilization (published by Rutgers University Press in 2018), a cultural history of diets in the US and analyzes how the obesity epidemic and diet book narratives reflect and shape broad cultural, religious, historical, and moral meaning. An expert in gender studies, food research, and the history of nutrition, Bitar has been widely consulted by journalists in the academic and popular press. Jennifer Han, PharmD is a Board-certified ambulatory care pharmacist (BCACP) practitioner at Syracuse Veterans Affairs Health System in New York, where she directs the chronic pain and whole health program. She has treated patients with full scope of practice to prescribe medications for chronic conditions such as diabetes, obesity, hypertension, dyslipidemia, pain and heart disease. Previously at Pomona Valley Hospital in Los Angeles, CA, Dr. Han created the first interdisciplinary clinical pharmacy practice at the Women and Family Medicine Clinic, as well as serving as clinical faculty of the Family Medicine Residency and residency coordinator for the Pharmacy Residency Program.Key Points CoveredPersonal Journeys & MotivationUnderstanding Bone Health Across the LifespanCalcium's Role in Bone HealthThe Problem with Traditional SupplementsPrevention & Early ActionPractical Advice for ListenersResources Available: Purchase your first order of the Seen Calcium Chew Complete - 1 Month Supply for only $35Bone Health and Osteoporosis Foundation (BHOF)International Osteoporosis Foundation (IOF)IOF Calcium CalculatorDr. Han and Dr. Bitar emphasize prevention, education, and smarter supplementation.  Start now, start small, and prioritize your bones for lifelong strength and mobility.Connect with Dr. Bitar and Dr. Han: Website LinkedIn: https://www.linkedin.com/company/seennutrition  https://www.linkedin.com/in/adriennerosebitar https://www.linkedin.com/in/jennifer-han-pharmd-bcacp  FacebookInstagram

“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation's urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in Born in Flames: The Business of Arson and the Remaking of the American City (Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords. Ansfield's book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like The Towering Inferno to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks. Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. Bluesky. Website. Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation's urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in Born in Flames: The Business of Arson and the Remaking of the American City (Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords. Ansfield's book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like The Towering Inferno to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks. Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. Bluesky. Website. Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation's urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in Born in Flames: The Business of Arson and the Remaking of the American City (Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords. Ansfield's book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like The Towering Inferno to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks. Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. Bluesky. Website. Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation's urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in Born in Flames: The Business of Arson and the Remaking of the American City (Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords. Ansfield's book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like The Towering Inferno to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks. Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. Bluesky. Website. Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation's urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in Born in Flames: The Business of Arson and the Remaking of the American City (Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords. Ansfield's book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like The Towering Inferno to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks. Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. Bluesky. Website. Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation's urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in Born in Flames: The Business of Arson and the Remaking of the American City (Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords. Ansfield's book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like The Towering Inferno to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks. Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. Bluesky. Website. Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Ladies and gentlemen, the Bronx is burning!” That legendary and apocryphal phrase, allegedly uttered by announcers during the 1977 World Series as flames rose above Yankee Stadium, seemed to encapsulate an entire era in this nation's urban history. Across that decade, a wave of arson coursed through American cities, destroying entire neighborhoods home to poor communities of color. Yet as historian Bench Ansfield demonstrates in Born in Flames: The Business of Arson and the Remaking of the American City (Norton, 2025), the vast majority of the fires were not set by residents, as is commonly assumed, but by landlords looking to collect insurance payouts. Driven by perverse incentives—new government-sponsored insurance combined with tanking property values—landlords hired “torches,” mostly Black and Brown youth, to set fires in the buildings, sometimes with people still living in them. Tens of thousands of families lost their homes to these blazes, yet for much of the 1970s, tenant vandalism and welfare fraud stood as the prevailing explanations for the arson wave, effectively indemnifying landlords. Ansfield's book, based on a decade of research, introduces the term “brownlining” for the destructive insurance practices imposed on poor communities of color under the guise of racial redress. Ansfield shows that as the FIRE industries—finance, insurance, and real estate— eclipsed manufacturing in the 1970s, they began profoundly reshaping Black and Brown neighborhoods, seeing them as easy sources of profit. At every step, Ansfield charts the tenant-led resistance movements that sprung up in the Bronx and elsewhere, as well as the explosion of popular culture around the fires, from iconic movies like The Towering Inferno to hit songs such as “Disco Inferno.” Ultimately, they show how similarly pernicious dynamics around insurance and race are still at play in our own era, especially in regions most at risk of climate shocks. Bench Ansfield is Assistant Professor of History at Temple University. They hold a PhD in American Studies from Yale University and won the Allan Nevins Prize for the best dissertation in American history from the Society of American Historians. They live in Philadelpha, Pennsylvania. Bluesky. Website. Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/finance

Steven Hayward has been involved in so many conservative institutions and organizations it may be simpler to list where he hasn't left a mark.  This conservative man-about-town joins Saving Elephants host Josh Lewis as they unravel what it means to be a conservative, how Straussians might make peace with Burke, and why Josh shouldn't be so critical of the Trump administration.   About Steven Hayward Steven F. Hayward is a fellow of the Public Law and Policy Program at Berkeley Law and visiting professor in School of Public Policy at Pepperdine University.   Steven frequently writes on a wide range of current topics, including environmentalism, law, economics, and public policy for publications including National Review, Reason, The Weekly Standard, The American Spectator, The Public Interest, the Claremont Review of Books, and the Policy Review at the Hoover Institution.  His newspaper articles have appeared in the New York Times, Washington Post, The Wall Street Journal, the San Francisco Chronicle, the Chicago Tribune, and dozens of other daily newspapers.   He is the author of a two-volume narrative history of Ronald Reagan and his effect on American political life, The Age of Reagan: The Fall of the Old Liberal Order, 1964-1980, and The Age of Reagan: The Conservative Counter-Revolution, 1980-1989.  His other books include Index of Leading Environmental Indicators; The Almanac of Environmental Trends; Mere Environmentalism: A Biblical Perspective on Humans and the Natural World, Churchill on Leadership; Greatness: Reagan, Churchill, and the Making of Extraordinary Leaders; Patriotism Is Not Enough; and M. Stanton Evans: Conservative Wit, Apostle of Freedom.   Steven has also served as visiting fellow professor, scholar, or lecturer at the Intercollegiate Studies Institute (ISI), Ashland University, Mont Pelerin Society, Pacific Research Institute, The Heritage Foundation, American Enterprise Institute, Georgetown University, The Fund for American Studies, and University of Colorado Boulder.   His blog, powerlineblog.com, is one of the nation's most-read political websites.  

Freeman's Challenge: The Murder That Shook America's Original Prison for Profit. Robin Bernstein is a cultural historian who specializes in race and racism from the nineteenth century to the present. She teaches at Harvard, where she is the Dillon Professor of American History and Professor of African and African American Studies and of Studies of Women, Gender, and Sexuality. She also chairs Harvard's doctoral program in American Studies. Bernstein wrote Freeman's Challenge: The Murder that Shook America's Original Prison for Profit with fellowships from the National Endowment for the Humanities and the Radcliffe Institute for Advanced Study. Her previous book, Racial Innocence: Performing American Childhood from Slavery to Civil Rights, won five awards. Other publications include a Jewish feminist children's book, many prize-winning articles, and op-eds and essays in the New York Times, The Chronicle of Higher Education, and other venues. She recently received the Everett Mendelsohn Excellence in Mentoring Award.https://www.robinbernsteinphd.com/https://www.amazon.com/Freemans-Challenge-Murder-Americas-Original/dp/022674423Xhttps://press.uchicago.edu/ucp/books/book/chicago/F/bo213968137.html

On today's episode, Kornel Chang discusses his new book “A Fractured Liberation: Korea Under U.S. Occupation,” which sheds light on the period from 1945 to 1950 when the country was divided into the North and South. Chang describes how the immediate post-liberation “opening” was more fluid than commonly portrayed, with ordinary Koreans pursuing varied aspirations that did not map neatly onto left-right labels. He also discusses land redistribution in the North in 1946 and the resulting migrations, including elites moving south and left-leaning writers heading north. Kornel Chang is associate professor of History and American Studies and chair of the History Department at Rutgers University-Newark.  About the podcast: The North Korea News Podcast is a weekly podcast hosted by Jacco Zwetsloot exclusively for NK News, covering all things DPRK — from news to extended interviews with leading experts and analysts in the field, along with insight from our very own journalists. NK News subscribers can listen to this and other exclusive episodes from their preferred podcast player by accessing the private podcast feed. For more detailed instructions, please see the step-by-step guide at nknews.org/private-feed.

Until now, the standard narrative of American religious history has begun with English settlers in Jamestown or Plymouth and remained predominantly Protestant and Atlantic. Driven by his strong sense of the historical and moral shortcomings of the usual story, Thomas A. Tweed offers a very different narrative in this ambitious new history. He begins the story much earlier—11,000 years ago—at a rock shelter in present-day Texas and follows Indigenous Peoples, African Americans, transnational migrants, and people of many faiths as they transform the landscape and confront the big lifeway transitions, from foraging to farming and from factories to fiber optics. Setting aside the familiar narrative themes, Dr. Tweed highlights sustainability, showing how religion both promoted and inhibited individual, communal, and environmental flourishing during three sustainability crises: the medieval Cornfield Crisis, which destabilized Indigenous ceremonial centers; the Colonial Crisis, which began with the displacement of Indigenous Peoples and the enslavement of Africans; and the Industrial Crisis, which brought social inequity and environmental degradation. The unresolved Colonial and Industrial Crises continue to haunt the nation, Dr. Tweed suggests, but he recovers historical sources of hope as he retells the rich story of America's religious past. Our guest is: Dr. Thomas A. Tweed, who is professor emeritus of American Studies and history at the University of Notre Dame. A past president of the American Academy of Religion, he is the editor of Retelling U.S. Religious History and the author numerous books including Religion: A Very Short Introduction, and Religion in the Lands That Became America. Our host is: Dr. Christina Gessler, who holds a PhD in American history. She works as a grad student and dissertation coach, and is a developmental editor for scholars in the humanities and social sciences. She is the producer of the Academic Life podcast and the author of the Academic Life newsletter, found at christinagessler.substack.com Playlist for listeners: The Lost Journals of Sacajewea Disabled Ecologies: Lessons From A Wounded Desert Gay on God's Campus How to Human The Good-Enough Life Mindfulness A Conversation About Yiddish Studies Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Russell Shorto‘s Revolution Song: A Story of American Freedom (Norton, 2017) is a history of many revolutions, kaleidoscopic turns through six individual lives. There is Cornplanter, a leader of the Seneca Indians; George Germain, who led the British war strategy during the Revolution; Margaret Moncrieffe Coghlan, the daughter of a British major; the always worried and wearied George Washington; Venture Smith, an African slave who eventually purchased his freedom in Connecticut; and Abraham Yates, the self-taught rabble rouser from Albany who helped shape the politics of New York, and the country. With each turn in their stories, these six lives continuously remerge and recolor the text, and together make one Revolution. Shorto keeps the reader on the ground, so that we can see how the term “freedom,” among other concepts of the time, gained its meaning and importance. We feel each individual's fight for self-determinacy, including its ugly and oppressive aspects, across their life spans. In our conversation, Shorto and I talk about the insecurities and failures, the feelings of incompleteness, and the attempts at asserting or gussying up one's self that drive the stories of all these historical subjects. The book slips and slides into ‘great' events through wonderfully stark portraits of contingency, circumstance, and personality. What Shorto's approach makes viscerally clear, and what we return to as we talk, is that no one person determined the Revolution more than any other, and no individual view contains all. This matters for the very reason that this Revolution song is no fiction. It is a history with many parts in contrapuntal relation that resolve only to hear a new dissonance and seek another resolution. It is a song we continue to sing. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bad Bunny, one of the most-streamed artists on the planet, is in the middle of his 30-concert residency in San Juan, Puerto Rico titled No me Querio Ir de Aqui, or "I don't want to leave here". Much like his latest album Debí Tirar Más Fotos, it is both a celebration of Puerto Rican culture and heritage but also a statement against the political and economic forces that have worked against the well-being and livelihoods of people on the island.With Petra Rivera Rideau, Associate Professor of American Studies at Wellesley College and the author of Remixing Reggaeton: The Cultural Politics of Race in Puerto Rico, we take a look at the message of Bad Bunny's album and concert residency, the political and historical context behind the work and how he fits into a generation of young Puerto Ricans hungry for change.For transcripts of Front Burner, please visit: https://www.cbc.ca/radio/frontburner/transcripts

Russell Shorto‘s Revolution Song: A Story of American Freedom (Norton, 2017) is a history of many revolutions, kaleidoscopic turns through six individual lives. There is Cornplanter, a leader of the Seneca Indians; George Germain, who led the British war strategy during the Revolution; Margaret Moncrieffe Coghlan, the daughter of a British major; the always worried and wearied George Washington; Venture Smith, an African slave who eventually purchased his freedom in Connecticut; and Abraham Yates, the self-taught rabble rouser from Albany who helped shape the politics of New York, and the country. With each turn in their stories, these six lives continuously remerge and recolor the text, and together make one Revolution. Shorto keeps the reader on the ground, so that we can see how the term “freedom,” among other concepts of the time, gained its meaning and importance. We feel each individual's fight for self-determinacy, including its ugly and oppressive aspects, across their life spans. In our conversation, Shorto and I talk about the insecurities and failures, the feelings of incompleteness, and the attempts at asserting or gussying up one's self that drive the stories of all these historical subjects. The book slips and slides into ‘great' events through wonderfully stark portraits of contingency, circumstance, and personality. What Shorto's approach makes viscerally clear, and what we return to as we talk, is that no one person determined the Revolution more than any other, and no individual view contains all. This matters for the very reason that this Revolution song is no fiction. It is a history with many parts in contrapuntal relation that resolve only to hear a new dissonance and seek another resolution. It is a song we continue to sing. Michael Amico holds a PhD in American Studies from Yale University. His dissertation, The Forgotten Union of the Two Henrys: The True Story of the Peculiar and Rarest Intimacy of the American Civil War, is about the romance between Henry Clay Trumbull and Henry Ward Camp of the Tenth Connecticut Regiment. He is the author, with Michael Bronski and Ann Pellegrini, of “You Can Tell Just by Looking”: And 20 Other Myths about LGBT Life and People (Beacon, 2013), a finalist for the Lambda Literary Award in Nonfiction. He can be reached at mjamico@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amy Mackin joins Let's Talk Memoir for a conversation about the disability landscape and advocating for our children, special education and early intervention, struggling to get kids the help they need, parental guilt and shame, mom rage,  flexible education programs, balancing how we write about loved ones, changing names for privacy, showing the parts of us that are really cranky, wondering if we're getting it wrong, beginning a memoir in MFA program, using a hybrid memoir form, placing work in literary journals, trusting our intuition and voice, staying true to our own style and vision, and her new memoir Henry's Classroom: A “Special” Education in American Motherhood.   Also in this episode: -family and gender roles -feeling as if we don't fit in -conflicting feedback from agents   Books mentioned in this episode: The Year of Magical Thinking by Joan Didion Lit by Mary Karr Mom Rage by Minna Dubin Screaming on the Inside by Jessica Grose books by Barbara Ehrenreich books by Nora Ephron   Amy Mackin writes at the intersection of education, cultural history, public health, and social equity. Her essays have been featured in The Atlantic, Chalkbeat, The Washington Post, Literary Mama, The Writers Chronicle, The Shriver Report, and elsewhere. She earned her MA in American Studies from the University of Massachusetts and her MFA in Creative Writing from Vermont College of Fine Arts. Her new memoir is Henry's Classroom: A “Special” Education in American Motherhood from Apprentice House/Loyola University Press.    Connect with Amy: Website: www.amymackin.com Facebook Author Page: https://www.facebook.com/AmyMackinWriter/ LinkedIn: https://www.linkedin.com/in/amymackin/ X (formerly Twitter): https://x.com/mackinwriting Get the book: https://bookshop.org/p/books/henry-s-classroom-a-special-education-in-american-motherhood-a-memoir-amy-mackin/22134318?ean=9781627205726&next=t&affiliate=109363   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

Democrats long assumed they could count on voters of color to support their candidates and causes, and for many years they did. But last year's presidential election was a wake up call for Democrats as Donald Trump gained significant support from Black, Latino and Asian American voters, especially men. In studying the racially and ethnically diverse voter coalition that brought Barack Obama to power, Yale professor Daniel Martinez HoSang, has found discontent and collapsing support for Democrats. This shift comes at a critical time for the left as they scramble to make headway before the 2026 midterms. We'll talk to HoSang and Republican political strategist Mike Madrid about how the left lost these voters and whether it's too late to regain their support. Guests: Daniel Martinez HoSang, professor of American Studies, Yale University Mike Madrid, political strategist; co-founder, The Lincoln Project; author, "The Latino Century: How America's Largest Minority is Transforming Democracy" Learn more about your ad choices. Visit megaphone.fm/adchoices

In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Until now, the standard narrative of American religious history has begun with English settlers in Jamestown or Plymouth and remained predominantly Protestant and Atlantic. Driven by his strong sense of the historical and moral shortcomings of the usual story, Thomas A. Tweed offers a very different narrative in this ambitious new history. He begins the story much earlier—11,000 years ago—at a rock shelter in present-day Texas and follows Indigenous Peoples, African Americans, transnational migrants, and people of many faiths as they transform the landscape and confront the big lifeway transitions, from foraging to farming and from factories to fiber optics. Setting aside the familiar narrative themes, Dr. Tweed highlights sustainability, showing how religion both promoted and inhibited individual, communal, and environmental flourishing during three sustainability crises: the medieval Cornfield Crisis, which destabilized Indigenous ceremonial centers; the Colonial Crisis, which began with the displacement of Indigenous Peoples and the enslavement of Africans; and the Industrial Crisis, which brought social inequity and environmental degradation. The unresolved Colonial and Industrial Crises continue to haunt the nation, Dr. Tweed suggests, but he recovers historical sources of hope as he retells the rich story of America's religious past. Our guest is: Dr. Thomas A. Tweed, who is professor emeritus of American Studies and history at the University of Notre Dame. A past president of the American Academy of Religion, he is the editor of Retelling U.S. Religious History and the author numerous books including Religion: A Very Short Introduction, and Religion in the Lands That Became America. Our host is: Dr. Christina Gessler, who holds a PhD in American history. She works as a grad student and dissertation coach, and is a developmental editor for scholars in the humanities and social sciences. She is the producer of the Academic Life podcast and the author of the Academic Life newsletter, found at christinagessler.substack.com Playlist for listeners: The Lost Journals of Sacajewea Disabled Ecologies: Lessons From A Wounded Desert Gay on God's Campus How to Human The Good-Enough Life Mindfulness A Conversation About Yiddish Studies Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Until now, the standard narrative of American religious history has begun with English settlers in Jamestown or Plymouth and remained predominantly Protestant and Atlantic. Driven by his strong sense of the historical and moral shortcomings of the usual story, Thomas A. Tweed offers a very different narrative in this ambitious new history. He begins the story much earlier—11,000 years ago—at a rock shelter in present-day Texas and follows Indigenous Peoples, African Americans, transnational migrants, and people of many faiths as they transform the landscape and confront the big lifeway transitions, from foraging to farming and from factories to fiber optics. Setting aside the familiar narrative themes, Dr. Tweed highlights sustainability, showing how religion both promoted and inhibited individual, communal, and environmental flourishing during three sustainability crises: the medieval Cornfield Crisis, which destabilized Indigenous ceremonial centers; the Colonial Crisis, which began with the displacement of Indigenous Peoples and the enslavement of Africans; and the Industrial Crisis, which brought social inequity and environmental degradation. The unresolved Colonial and Industrial Crises continue to haunt the nation, Dr. Tweed suggests, but he recovers historical sources of hope as he retells the rich story of America's religious past. Our guest is: Dr. Thomas A. Tweed, who is professor emeritus of American Studies and history at the University of Notre Dame. A past president of the American Academy of Religion, he is the editor of Retelling U.S. Religious History and the author numerous books including Religion: A Very Short Introduction, and Religion in the Lands That Became America. Our host is: Dr. Christina Gessler, who holds a PhD in American history. She works as a grad student and dissertation coach, and is a developmental editor for scholars in the humanities and social sciences. She is the producer of the Academic Life podcast and the author of the Academic Life newsletter, found at christinagessler.substack.com Playlist for listeners: The Lost Journals of Sacajewea Disabled Ecologies: Lessons From A Wounded Desert Gay on God's Campus How to Human The Good-Enough Life Mindfulness A Conversation About Yiddish Studies Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Until now, the standard narrative of American religious history has begun with English settlers in Jamestown or Plymouth and remained predominantly Protestant and Atlantic. Driven by his strong sense of the historical and moral shortcomings of the usual story, Thomas A. Tweed offers a very different narrative in this ambitious new history. He begins the story much earlier—11,000 years ago—at a rock shelter in present-day Texas and follows Indigenous Peoples, African Americans, transnational migrants, and people of many faiths as they transform the landscape and confront the big lifeway transitions, from foraging to farming and from factories to fiber optics. Setting aside the familiar narrative themes, Dr. Tweed highlights sustainability, showing how religion both promoted and inhibited individual, communal, and environmental flourishing during three sustainability crises: the medieval Cornfield Crisis, which destabilized Indigenous ceremonial centers; the Colonial Crisis, which began with the displacement of Indigenous Peoples and the enslavement of Africans; and the Industrial Crisis, which brought social inequity and environmental degradation. The unresolved Colonial and Industrial Crises continue to haunt the nation, Dr. Tweed suggests, but he recovers historical sources of hope as he retells the rich story of America's religious past. Our guest is: Dr. Thomas A. Tweed, who is professor emeritus of American Studies and history at the University of Notre Dame. A past president of the American Academy of Religion, he is the editor of Retelling U.S. Religious History and the author numerous books including Religion: A Very Short Introduction, and Religion in the Lands That Became America. Our host is: Dr. Christina Gessler, who holds a PhD in American history. She works as a grad student and dissertation coach, and is a developmental editor for scholars in the humanities and social sciences. She is the producer of the Academic Life podcast and the author of the Academic Life newsletter, found at christinagessler.substack.com Playlist for listeners: The Lost Journals of Sacajewea Disabled Ecologies: Lessons From A Wounded Desert Gay on God's Campus How to Human The Good-Enough Life Mindfulness A Conversation About Yiddish Studies Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

Until now, the standard narrative of American religious history has begun with English settlers in Jamestown or Plymouth and remained predominantly Protestant and Atlantic. Driven by his strong sense of the historical and moral shortcomings of the usual story, Thomas A. Tweed offers a very different narrative in this ambitious new history. He begins the story much earlier—11,000 years ago—at a rock shelter in present-day Texas and follows Indigenous Peoples, African Americans, transnational migrants, and people of many faiths as they transform the landscape and confront the big lifeway transitions, from foraging to farming and from factories to fiber optics. Setting aside the familiar narrative themes, Dr. Tweed highlights sustainability, showing how religion both promoted and inhibited individual, communal, and environmental flourishing during three sustainability crises: the medieval Cornfield Crisis, which destabilized Indigenous ceremonial centers; the Colonial Crisis, which began with the displacement of Indigenous Peoples and the enslavement of Africans; and the Industrial Crisis, which brought social inequity and environmental degradation. The unresolved Colonial and Industrial Crises continue to haunt the nation, Dr. Tweed suggests, but he recovers historical sources of hope as he retells the rich story of America's religious past. Our guest is: Dr. Thomas A. Tweed, who is professor emeritus of American Studies and history at the University of Notre Dame. A past president of the American Academy of Religion, he is the editor of Retelling U.S. Religious History and the author numerous books including Religion: A Very Short Introduction, and Religion in the Lands That Became America. Our host is: Dr. Christina Gessler, who holds a PhD in American history. She works as a grad student and dissertation coach, and is a developmental editor for scholars in the humanities and social sciences. She is the producer of the Academic Life podcast and the author of the Academic Life newsletter, found at christinagessler.substack.com Playlist for listeners: The Lost Journals of Sacajewea Disabled Ecologies: Lessons From A Wounded Desert Gay on God's Campus How to Human The Good-Enough Life Mindfulness A Conversation About Yiddish Studies Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life

Until now, the standard narrative of American religious history has begun with English settlers in Jamestown or Plymouth and remained predominantly Protestant and Atlantic. Driven by his strong sense of the historical and moral shortcomings of the usual story, Thomas A. Tweed offers a very different narrative in this ambitious new history. He begins the story much earlier—11,000 years ago—at a rock shelter in present-day Texas and follows Indigenous Peoples, African Americans, transnational migrants, and people of many faiths as they transform the landscape and confront the big lifeway transitions, from foraging to farming and from factories to fiber optics. Setting aside the familiar narrative themes, Dr. Tweed highlights sustainability, showing how religion both promoted and inhibited individual, communal, and environmental flourishing during three sustainability crises: the medieval Cornfield Crisis, which destabilized Indigenous ceremonial centers; the Colonial Crisis, which began with the displacement of Indigenous Peoples and the enslavement of Africans; and the Industrial Crisis, which brought social inequity and environmental degradation. The unresolved Colonial and Industrial Crises continue to haunt the nation, Dr. Tweed suggests, but he recovers historical sources of hope as he retells the rich story of America's religious past. Our guest is: Dr. Thomas A. Tweed, who is professor emeritus of American Studies and history at the University of Notre Dame. A past president of the American Academy of Religion, he is the editor of Retelling U.S. Religious History and the author numerous books including Religion: A Very Short Introduction, and Religion in the Lands That Became America. Our host is: Dr. Christina Gessler, who holds a PhD in American history. She works as a grad student and dissertation coach, and is a developmental editor for scholars in the humanities and social sciences. She is the producer of the Academic Life podcast and the author of the Academic Life newsletter, found at christinagessler.substack.com Playlist for listeners: The Lost Journals of Sacajewea Disabled Ecologies: Lessons From A Wounded Desert Gay on God's Campus How to Human The Good-Enough Life Mindfulness A Conversation About Yiddish Studies Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Human Costs of War: 21st Century Human (In)Security from 2003 Iraq to 2022 Ukraine (Taylor & Francis, 2024) documents and analyses the direct and indirect toll that war takes on civilians and their livelihoods, taking a human security approach exploring personal, economic, political and community security in Afghanistan, Iraq and Ukraine, in the contexts of the War on Terror and the New Cold War. The book offers an understanding of war through the recording and comprehension of its civilian casualties and evaluates whether the force used has been proportionate to the threat that prompted it and the concern for human welfare. In the 21st century, the power of the USA has declined, while countries such as China and India become more powerful. The global power balance has been altered in a fundamental way towards a multi-polar world system, with the West no longer able to enforce its policies abroad. Regional and global governance are not assured, and devastating wars have taken a heavy toll in terms of death, poverty and displacement, which feed into the cycle of long-term insecurity. The authors argue that it is important for any conflict to be understood not only in terms of the perpetrators of violence, or of the political and economic reasons behind it, but also in terms of its impact on the civilian population and their security, focusing on conflicts in the Middle East which followed 9/11 and Russia's invasion of Ukraine. The book will be of interest to academics, the public, the media, security agencies and international organisations. It will be useful for undergraduate and postgraduate students of International Relations, International Law, Security, Politics, Policing, Human Rights, Ethics, Peace Studies, Eastern Europe, American Studies and the Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Human Costs of War: 21st Century Human (In)Security from 2003 Iraq to 2022 Ukraine (Taylor & Francis, 2024) documents and analyses the direct and indirect toll that war takes on civilians and their livelihoods, taking a human security approach exploring personal, economic, political and community security in Afghanistan, Iraq and Ukraine, in the contexts of the War on Terror and the New Cold War. The book offers an understanding of war through the recording and comprehension of its civilian casualties and evaluates whether the force used has been proportionate to the threat that prompted it and the concern for human welfare. In the 21st century, the power of the USA has declined, while countries such as China and India become more powerful. The global power balance has been altered in a fundamental way towards a multi-polar world system, with the West no longer able to enforce its policies abroad. Regional and global governance are not assured, and devastating wars have taken a heavy toll in terms of death, poverty and displacement, which feed into the cycle of long-term insecurity. The authors argue that it is important for any conflict to be understood not only in terms of the perpetrators of violence, or of the political and economic reasons behind it, but also in terms of its impact on the civilian population and their security, focusing on conflicts in the Middle East which followed 9/11 and Russia's invasion of Ukraine. The book will be of interest to academics, the public, the media, security agencies and international organisations. It will be useful for undergraduate and postgraduate students of International Relations, International Law, Security, Politics, Policing, Human Rights, Ethics, Peace Studies, Eastern Europe, American Studies and the Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Human Costs of War: 21st Century Human (In)Security from 2003 Iraq to 2022 Ukraine (Taylor & Francis, 2024) documents and analyses the direct and indirect toll that war takes on civilians and their livelihoods, taking a human security approach exploring personal, economic, political and community security in Afghanistan, Iraq and Ukraine, in the contexts of the War on Terror and the New Cold War. The book offers an understanding of war through the recording and comprehension of its civilian casualties and evaluates whether the force used has been proportionate to the threat that prompted it and the concern for human welfare. In the 21st century, the power of the USA has declined, while countries such as China and India become more powerful. The global power balance has been altered in a fundamental way towards a multi-polar world system, with the West no longer able to enforce its policies abroad. Regional and global governance are not assured, and devastating wars have taken a heavy toll in terms of death, poverty and displacement, which feed into the cycle of long-term insecurity. The authors argue that it is important for any conflict to be understood not only in terms of the perpetrators of violence, or of the political and economic reasons behind it, but also in terms of its impact on the civilian population and their security, focusing on conflicts in the Middle East which followed 9/11 and Russia's invasion of Ukraine. The book will be of interest to academics, the public, the media, security agencies and international organisations. It will be useful for undergraduate and postgraduate students of International Relations, International Law, Security, Politics, Policing, Human Rights, Ethics, Peace Studies, Eastern Europe, American Studies and the Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Human Costs of War: 21st Century Human (In)Security from 2003 Iraq to 2022 Ukraine (Taylor & Francis, 2024) documents and analyses the direct and indirect toll that war takes on civilians and their livelihoods, taking a human security approach exploring personal, economic, political and community security in Afghanistan, Iraq and Ukraine, in the contexts of the War on Terror and the New Cold War. The book offers an understanding of war through the recording and comprehension of its civilian casualties and evaluates whether the force used has been proportionate to the threat that prompted it and the concern for human welfare. In the 21st century, the power of the USA has declined, while countries such as China and India become more powerful. The global power balance has been altered in a fundamental way towards a multi-polar world system, with the West no longer able to enforce its policies abroad. Regional and global governance are not assured, and devastating wars have taken a heavy toll in terms of death, poverty and displacement, which feed into the cycle of long-term insecurity. The authors argue that it is important for any conflict to be understood not only in terms of the perpetrators of violence, or of the political and economic reasons behind it, but also in terms of its impact on the civilian population and their security, focusing on conflicts in the Middle East which followed 9/11 and Russia's invasion of Ukraine. The book will be of interest to academics, the public, the media, security agencies and international organisations. It will be useful for undergraduate and postgraduate students of International Relations, International Law, Security, Politics, Policing, Human Rights, Ethics, Peace Studies, Eastern Europe, American Studies and the Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Human Costs of War: 21st Century Human (In)Security from 2003 Iraq to 2022 Ukraine (Taylor & Francis, 2024) documents and analyses the direct and indirect toll that war takes on civilians and their livelihoods, taking a human security approach exploring personal, economic, political and community security in Afghanistan, Iraq and Ukraine, in the contexts of the War on Terror and the New Cold War. The book offers an understanding of war through the recording and comprehension of its civilian casualties and evaluates whether the force used has been proportionate to the threat that prompted it and the concern for human welfare. In the 21st century, the power of the USA has declined, while countries such as China and India become more powerful. The global power balance has been altered in a fundamental way towards a multi-polar world system, with the West no longer able to enforce its policies abroad. Regional and global governance are not assured, and devastating wars have taken a heavy toll in terms of death, poverty and displacement, which feed into the cycle of long-term insecurity. The authors argue that it is important for any conflict to be understood not only in terms of the perpetrators of violence, or of the political and economic reasons behind it, but also in terms of its impact on the civilian population and their security, focusing on conflicts in the Middle East which followed 9/11 and Russia's invasion of Ukraine. The book will be of interest to academics, the public, the media, security agencies and international organisations. It will be useful for undergraduate and postgraduate students of International Relations, International Law, Security, Politics, Policing, Human Rights, Ethics, Peace Studies, Eastern Europe, American Studies and the Middle East. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/national-security

Dr. Emalee Nelson Stone and host Elizabeth Emery discuss the Wayland Baptist Flying Queens' 131-game winning streak during the 1950s and how that impacted women's basketball today.  Dr. Emalee Nelson Stone is an Assistant Professor of Instruction in the Department of Kinesiology and Health Education at The University of Texas at Austin. Her research and teaching interests lie at the intersection of sport, history, society, and culture. Specifically, her research examines the sporting experiences of American women. She has presented her work at numerous national and international academic conferences. Her writing can be found in various academic journals, including The International Journal of Sport History, Sport History Review, the Journal of Sport History, and The Journal of Issues in Intercollegiate Athletics. Recently, she served as a speaker and facilitator at the U.S. Soccer Federation's SheChampions Summit during the 2024 SheBelieves Cup. Currently, she is engaged in two book projects through Texas Tech University Press. The first project explores the Wayland Baptist Flying Queens' 131-game winning streak during the 1950s. The second project investigates the landscape of Texas collegiate women's sports during the 1970s within the context of the Association for Intercollegiate Athletics for Women (AIAW). She received a BA in Geography and MA in History from Texas Tech University, an MA in American Studies from the University of Hawaii at Mānoa, and a PhD in Kinesiology from The University of Texas at Austin. Get involved and support the show directly at https://bit.ly/givetoHHSpodcast Find all episodes http://www.hearhersports.com/ Sign up for Hear Her Sports newsletter at https://bit.ly/HHSnewsletterFollow Emalee on Instagram at https://www.instagram.com/emaleenelsonstone/ Find out more about Emalee at https://education.utexas.edu/faculty/emalee_nelson/ Learn more about your ad choices. Visit megaphone.fm/adchoices

*Content warning: distressing topics, death, child abuse, child sex abuse, psychological and physical violence, cultic abuse, torture, addiction, humiliation, systemic abuse, religious abuse.  Maia Szalavitz's website:  maiasz.com/ Help at Any Cost: How the Troubled-Teen Industry Cons Parents and Hurts Kids here: maiasz.com/books/help-at-any-cost/  *Sources: Asheville Academy faces $45,000 in fines after state investigation into child safety violations, Spectrum Local News spectrumlocalnews.com/charlotte/supreme-court/news/2025/06/18/asheville-academy-violations  Asheville Academy Gives Up Its License Following Two Suicides in May, Asheville News asheville.com/news/2025/06/asheville-academy-gives-up-its-license-following-two-suicides-in-may/ Asheville Academy violated NC law, will face fines after child suicides report says, Yahoo News .yahoo.com/news/asheville-academy-violated-nc-law-184725552.html  BHAD BHABIE - Breaking Code Silence - Turn About Ranch abuse Dr. Phil | Danielle Bregoli youtube.com/watch?v=GteqbsYGv1I  Bhad Bhabie Says She Was Abused at Troubled-Teen Camp She Was Sent to by Dr. Phil: 'No Sympathy', People people.com/music/bhad-bhabie-says-she-was-abused-camp-she-was-sent-to-dr-phil  Breaking Code Silence Takes On the Troubled Teen Industry, Treatment Magazine treatmentmagazine.com/breaking-code-silence-takes-on-the-troubled-teen-industry/  A Death in the Desert, Los Angeles Times latimes.com/archives/la-xpm-1995-01-15-tm-20285-story.html  Dr. Phil Has Responded To Bhad Bhabie's Allegations Of Abuse And Then She Replied With Another Video, BuzzFeed buzzfeed.com/ryanschocket2/dr-phil-responds-to-bhad-bhabie-allegations  Dr. Phil responds to 'Bhad Bhabie' claims of abuse at troubled teen camp, News Nation facebook.com/watch/?v=2501186526842381  Cults and the Law, ICSA articles3.icsahome.com/articles/cults-and-the-law The Cult that Spawned the Tough-Love Teen Industry, Mother Jones motherjones.com/politics/2007/08/cult-spawned-tough-love-teen-industry/ Ex-Counselor Convicted of Neglect, Desert News deseret.com/1996/11/7/19275546/ex-counselor-convicted-of-neglect/ Father Sues Challenger Over Daughter's Death, Desert News deseret.com/1991/7/24/18932325/father-sues-challenger-over-daughter-s-death/  Five Facts About the Troubled Teen Industry, American Bar Association  americanbar.org/groups/litigation/resources/newsletters/childrens-rights/five-facts-about-troubled-teen-industry/  Former North Star Counselor Sentences to a Year in Jail, Desert News deseret.com/1996/12/21/19284306/former-north-star-counselor-sentenced-to-a-year-in-jail/  Here's what Paris Hilton says about Utah in her new memoir, ‘Paris', The Salt Lake Tribune sltrib.com/news/2023/03/14/heres-what-paris-hilton-says-about/  House passes bill backed by Paris Hilton to reform youth treatment facilities, AP News apnews.com/article/paris-hilton-child-abuse-youth-facilities-congress-8729a53bbf17b25ae2726040ce3cc203  Jury Acquits Cartisano of All Charges, Desert News deseret.com/1992/5/28/18986401/jury-acquits-cartisano-of-all-charges-br/  Keeping 'Cult' Out of the Case, Cult Education Institute  culteducation.com/group/1274-straight-inc/19713-keeping-cult-out-of-the-case.html  KIDS Centers of America, Breaking Code Silence breakingcodesilence.org/kids-centers-of-america/ Lawsuit claims staff at former St. George youth center abused, impregnated teenage girls, KUTV kutv.com/news/local/lawsuit-claims-staff-at-former-st-george-youth-center-abused-impregnated-teenage-girls  Nine charged after teen's camp death, Tampa Bay Times tampabay.com/archive/1994/10/20/nine-charged-after-teen-s-camp-death/  One school with an alarming death rate has its alumni fighting for answers, The Independent the-independent.com/news/long_reads/new-york-hancock-school-overdose-death-suicide-education-america-a8531006.html   Paris Hilton's Powerful Speech in DC: Ending Abuse in the Troubled Teen Industry, Paris Hilton youtube.com/watch?v=HcHXWc7N2xc    Paris Hilton testifying today in Sacramento for bill aimed at ‘troubled teen industry', Los Angeles Times latimes.com/california/story/2024-04-04/paris-hilton-sacramento-california-bill-troubled-teen-industry-residential-treatment  The Program: Cons, Cults, and Kidnapping https://www.netflix.com/title/81579761 Rebecca Ehrlich vs. Kids of North Jersey, Inc., et al law.justia.com/cases/new-jersey/appellate-division-published/2001/a4975-99-opn.html Residential treatment school closes in NC after deaths of 2 girls, AP News apnews.com/article/therapy-school-closes-north-carolina-asheville-academy-9854c3ca7cda11cc06f05d9fccef4112  Romney Cans Golden Goose Over Abuse, Radar Online radaronline.com/exclusives/2008/10/mitt-romney-robert-lichfield-php   Romney, Torture, and Teens, Reason Foundation reason.com/2007/06/27/romney-torture-and-teens  Senate report says US taxpayers help fund residential treatment facilities that put vulnerable kids at risk, OPB opb.org/article/2024/06/12/senate-report-us-taxpayers-fund-residential-treatment-facilities-that-put-vulnerable-kids-at-risk/  State investigation finds licensing violations at Asheville Academy amid student suicides, ABC 13 News wlos.com/news/local/asheville-academy-state-licensing-violations-student-suicides-north-carolina-department-health-human-services-mental-health-certification-section-report-letter-buncombe-county-weaverville  Survival program charged in death of Fla. teen-ager, Tampa Bay Times tampabay.com/archive/1990/08/15/survival-program-charged-in-death-of-fla-teen-ager The Synanon Case, IRS.gov https://www.irs.gov/pub/irs-tege/eotopicb90.pdf    Teen Torture Inc. Is the Latest Documentary to Explore Abuses at Youth Treatment Centers, Time time.com/6997172/teen-torture-max-abuse-documentary  This 1970s Cult Inspired Abusive Teen Rehabilitation Methods Still Used Today, Teen Vogue teenvogue.com/story/this-1970s-cult-inspired-abusive-teen-rehabilitation-methods-still-used-today   How the Brainwashing Label Threatened and Enabled the Troubled-Teen Industry, Journal of American Studies researchgate.net/publication/379883774_To_Use_This_Word_Would_Be_Absurd_How_the_Brainwashing_Label_Threatened_and_Enabled_the_Troubled-Teen_Industry  Troubled-teen industry oversight bill sails through Congress, NBC News yahoo.com/news/troubled-teen-industry-oversight-bill-222536418.html   The Troubled Teen Industry's Troubling Lack of Oversight, Penn Carey Law law.upenn.edu/live/news/15963-the-troubled-teen-industrys-troubling-lack-of  The Troubled Teen Industry Timeline unsilenced.org/troubled-teen-industry-timeline/ Virgil Miller Newton, Surviving Straight Inc. survivingstraightinc.com/MillerNewton/MillerNewtonTimeline.pdf  Unexpected Turn Of Events With Teen After Appearance On ‘Dr. Phil' youtube.com/watch?v=L_kiav0p5Iw  Utah Criminal Code le.utah.gov/xcode/Title76/Chapter5/76-5-S206.html What You Need to Know About the Troubled Teen Industry, The Law Offices of Lisa Kane Brown lisakanebrown.com/what-you-need-to-know-about-the-troubled-teen-industry  WWASP, Unsilenced https://www.unsilenced.org/timeline/wwasp/  Why has the USA not ratified the UN Convention on the Rights of the Child?, medRxiv medrxiv.org/content/10.1101/2024.09.05.24312304v2.full  Wyden Investigation Exposes Systemic Taxpayer-Funded Child Abuse and Neglect in Youth Residential Treatment Facilities, United States Senate Committee on Finance  finance.senate.gov/chairmans-news/wyden-investigation-exposes-systemic-taxpayer-funded-child-abuse-and-neglect-in-youth-residential-treatment-facilities  3 Plead Guilty to Negligence in Teen's Death, Desert News deseret.com/1996/9/28/19268520/3-plead-guilty-to-negligence-in-teen-s-death/  *SWW S24 Theme Song - U Think U by Glad Rags: https://www.gladragsmusic.com/  The S24 cover art is by the Amazing Sara Stewart

Dr. Thomas A. Tweed, who did his graduate study at Harvard and Stanford, is the Harold and Martha Welch Professor of American Studies and Professor of History at Notre Dame University. Dr. Tweed served as president of the American Academy of Religion in 2015, the largest learned society for the study of religion. He is the author of many books, including his more recent: Religion in the Lands That Became America: A New History (Yale University Press) Learn more about your ad choices. Visit megaphone.fm/adchoices

We hold these truths to be self-evident, that all men are created equal...How many times have we heard these words? Back in 2007, the Washington Post ran an article by Gene Weingarten called “Pearls Before Breakfast”. In it, he chronicles an experiment by the newspaper, in which world-renowned violinist Joshua Bell put on a baseball cap and a t-shirt, and entered the L'Enfant Plaza metro station in Washington DC. Once there, he removed his Stradivarius violin from its case, and began to play. This is the music you're hearing right now. This an artist who has sold out opera houses and played for heads of state, playing a $4 million dollar violin. Of the approximately 1,000 people who walked past, only seven stopped to listen.  And so it is, sometimes, with our national identity as Americans. We are busy, we are desensitized, that it is an act of the will to stop, screen out the noise, and appreciate for a moment just how fundamentally unique and beautiful our country is. And the Declaration of Independence, the founding document of our country, has its own special music. In an effort to listen, I sat down with Brenda Hafera, Assistant Director of the Simon Center for American Studies, here at the Heritage Foundation. —Follow Brenda Hafera at Heritage.org:https://www.heritage.org/staff/brenda-haferaWashington Post Video of the Joshua Bell Experiment: https://www.youtube.com/watch?v=hnOPu0_YWhwFull Text of the Declaration of Independence: https://www.archives.gov/founding-docs/declaration-transcriptHave thoughts? Let us know at heritageexplains@heritage.org

June 9, 1954. Senator Joseph McCarthy has accused the United States Army of having communists within its midst. After rising to power during a time of great fear in America, McCarthy's name has become synonymous with anti-communism – and with baseless, life-ruining accusations. But today, five simple words will take down one of the most notorious men in American political history. What made McCarthy so powerful in the first place? And how did that very same thing eventually bring him down? Thank you to our guest, Ellen Schrecker, historian, author and expert on McCarthyism. Thank you to Thomas Doherty, Professor of American Studies at Brandeis University, for speaking with us for this episode. He is the author of Cold War, Cool Medium: Television, McCarthyism, and American Culture.  ** This episode originally aired June 8, 2020. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices