Podcasts about American studies

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema's most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus of what would become Williams's final project. In the last few years of her life, she was working on a project that traced melodrama's divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture. Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams's unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media. For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University. Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague's unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us. Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema's most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus of what would become Williams's final project. In the last few years of her life, she was working on a project that traced melodrama's divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture. Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams's unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media. For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University. Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague's unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us. Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema's most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus of what would become Williams's final project. In the last few years of her life, she was working on a project that traced melodrama's divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture. Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams's unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media. For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University. Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague's unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us. Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema's most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus of what would become Williams's final project. In the last few years of her life, she was working on a project that traced melodrama's divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture. Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams's unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media. For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University. Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague's unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us. Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The centerpiece of Melodrama as Provocateur (Duke UP, 2026) is an essay by Linda Williams (1946–2025). Williams was Professor of Film Studies and Rhetoric at the University of California, Berkeley. Her highly influential work reframed some of cinema's most neglected or denigrated genres from a feminist perspective, including documentary, pornography, horror, and melodrama. Melodrama is the focus of what would become Williams's final project. In the last few years of her life, she was working on a project that traced melodrama's divergent fortunes in France and the US—and argued for its enduring relevance in contemporary life and culture. Williams's work on this project was curtailed when she suffered a stroke, the complications of which led to her death in 2025. In the wake of her passing, some of her friends, collaborators, and admirers joined together to make a book that honors and memorializes her. Not only sharing Williams's unfinished work with the world, Melodrama as Provocateur also expands on that work through a series of essays by scholars working in melodrama studies across time, place, and media. For New Books in Film, Alix Beeston sits down with the three editors of Melodrama as Provocateur: Christine Gledhill, an esteemed scholar of film and feminism who is presently a Visiting Professor of Cinema Studies at the University of Leeds; Laura Horak, Professor of Film Studies at Carleton University; and Elisabeth R. Anker, Professor of American Studies and Political Science and Director of Film Studies at the George Washington University. Celebrating the model of incisive and generous research, teaching, mentorship, and collaboration Williams provided, the editors of Melodrama as Provocateur discuss the unique shape of a scholarly book generated in response to a colleague's unfinished labor. They also take up some of Williams's provocations, including the political possibilities of melodrama in contemporary culture—from Trumpian discourse to trans cinema and beyond—and explore the kinds of labor, thought, and feeling necessary for studying melodrama as a form that moves or provokes us. Like their book, a work forged in grief and loss, Gledhill, Horak, and Anker's conversation casts film and media scholarship as an act of collectivity and love: a bid for a better kind of world. Learn more about your ad choices. Visit megaphone.fm/adchoices

What can a bird's nest, a set of porcelain ice cream vases, and a portrait of Confucius tell us about the early American republic? In this episode, host Dr. Katie Crawford-Lackey sits down with Dr. Lisa Goff, Associate Professor of English and American Studies at the University of Virginia and former director of its Institute for Public History, to explore how historians read objects as evidence.Lisa walks us through the furnishings, art, and tableware inside James and Dolly Madison's Montpelier home — from European landscape paintings and portraits of foreign rulers to Dolly's elaborate porcelain ice cream service — and what they reveal about the Madisons' global ambitions, Dolly's political skill as a hostess, and the enslaved labor that made it all possible. We talk about the dining room as a stage for both diplomacy and denial, the archaeology behind the mansion's restoration, and the objects enslaved individuals at Montpelier owned and chose for themselves. Lisa also previews her forthcoming book, Stories in the Soil: Recovering Black and White Histories at James Madison's Montpelier, out this April.

Blood on the Sawdust: The Brutal World of Victorian Boxing Episode Overview In this 9th Anniversary Special, we step out of the West End drawing rooms and into the blood-flecked, sawdust-covered floors of 19th-century “Fancy” public houses. Inspired by the depiction of East End street culture in A Thousand Blows, this episode explores the history of Victorian boxing—from the illegal bare-knuckle bouts of the Regency era to the gentrified, gloved sport codified under the Marquess of Queensberry Rules. We examine how prizefighting evolved from a brutal survival strategy into a national obsession, the legal cat-and-mouse games played across county lines, and the medical and physical toll extracted from the fighters. We also dive into the remarkable life of international combat instructor Colonel Thomas Hoyer Monstery and uncover the overlooked history of 19th-century female prizefighters. Key Topics Covered: Housekeeping & AI Voice Policy: Why the podcast is permanently stepping away from AI-generated voice models in favour of human research, along with updates on replacement recording equipment and audio access. The “Sweet Science” & Prizefighting History: How bare-knuckle fighting functioned as a mix of martial arts, local wrestling, and survival in an era where the body was often a worker’s sole asset. The Structural Cage of the Law: The jurisdictional loopholes that allowed fights to flourish on county borders, and the evolution of legal precedents from R v Billingham (1825) to R v Coney (1882). The Aristocratic “Fancy” & Early Pioneers: The rise of sports journalism via Pierce Egan's Boxiana, and landmark international contests like the 1810 bout between Tom Cribb and former American slave Tom Molineaux. Case Study – The Ruin of Harry Broome: Following the career arc of Harry Broome from his controversial match at Acorn Bridge to his defeat by Tom Paddock and his eventual death in poverty. The Queensberry Transition: Why the introduction of gloves in 1867 was viewed with suspicion by working-class fighters, and how padded gloves inadvertently increased the long-term risk of chronic brain injury. Gentlemen, Self-Defence & Martial Arts: Highlights from Colonel Thomas Hoyer Monstery's C19th treatise Self Defence for Ladies and Gentlemen, including his views on boxing over firearms and his praise for female swordmasters. Women in the Ring: The subversion of Victorian gender norms, focusing on the 1888 world championship bout between Hattie Leslie and Alice Leary, and the legal outrage that followed. Sources & Footnotes Academic Articles & Published Journals Anderson, Jack. “The Right to a Fair Fight: Sporting Lessons on Consensual Harm.” New Criminal Law Review, vol. 17, no. 1, 2014, pp. 55–75. Betts, John Rickards. “Sporting Journalism in Nineteenth-Century America.” American Quarterly, vol. 5, no. 1, 1953, pp. 39–56. Brayne, Hugh, Lincoln Sargeant, and Carol Brayne. “Could Boxing Be Banned? A Legal and Epidemiological Perspective.” BMJ, vol. 316, no. 7147, 1998, pp. 1813–15. Burnett, John. A History of the Cost of Living. Penguin Books, 1969, pp. 219–220. Cone, Carl B. “The Molineaux-Cribb Fight, 1810: Wuz Tom Molineaux Robbed?” Journal of Sport History, vol. 9, no. 3, 1982, pp. 83–91. De la Cova, Carlina. “Cultural Patterns of Trauma among 19th-Century-Born Males in Cadaver Collections.” American Anthropologist, vol. 112, no. 4, 2010, pp. 589–606. Di Méo, Grace. “Women, Gangs, and Criminal Networks: A Social Network Analysis of the Forty Elephants Gang.” Social Science History, vol. 50, 2026, pp. 1–25. Early, Gerald. “The Black Intellectual and the Sport of Prizefighting.” The Kenyon Review, vol. 10, no. 3, 1988, pp. 102–17. Godfrey, Emelyne. “Urban Heroes versus Folk Devils: Civilian Self-Defence in London (1880–1914).” Crime, Histoire & Sociétés, vol. 14, no. 2, 2010, pp. 5–30. Gorn, Elliott J. “John L. Sullivan: ‘The Champion of All Champions’.” The Virginia Quarterly Review, vol. 62, no. 4, 1986, pp. 614–33. Gorn, Elliott J. “The First American Championship Prizefight.” OAH Magazine of History, vol. 7, no. 1, 1992, pp. 19–23. Huggins, Mike. “Reading the Funeral Rite: A Cultural Analysis of the Funeral Ceremonials and Burial of Selected Leading Sportsmen in Victorian England, 1864–1888.” Journal of Sport History, vol. 38, no. 3, 2011, pp. 407–24. Juengel, Scott J. “Bare-Knuckle Boxing and the Pedagogy of National Manhood.” Studies in Popular Culture, vol. 25, no. 3, 2003, pp. 91–110. Kerr, Douglas. “The Straight Left: Sport and the Nation in Arthur Conan Doyle.” Victorian Literature and Culture, vol. 38, no. 1, 2010, pp. 187–206. McCrory, Paul. “Boxing and the Risk of Chronic Brain Injury.” BMJ, vol. 335, no. 7624, 2007, pp. 781–82. McLeod, Hugh. “The ‘Sportsman’ and the ‘Muscular Christian’: Rival Ideals in Nineteenth-Century England.” Gender and Christianity in Modern Europe, edited by Patrick Pasture et al., Leuven University Press, 2012, pp. 85–105. Monstery, Thomas Hoyer. Self-Defence for Ladies and Gentlemen: A Nineteenth-Century Treatise on Boxing, Kicking, Grappling, and Fencing with the Cane and Quarterstaff. Edited by Ben Miller, Blue Snake Books, 2015. Moore, Louis. “Fit for Citizenship: Black Sparring Masters, Gymnasium Owners, and the White Body, 1825–1886.” The Journal of African American History, vol. 96, no. 4, 2011, pp. 448–73. Obi, T. J. Desch. “Black Terror: Bill Richmond’s Revolutionary Boxing.” Journal of Sport History, vol. 36, no. 1, 2009, pp. 99–114. Oswell, George E. “Antedatings of Some Prize-Fighting Terms.” American Speech, vol. 32, no. 2, 1957, p. 155. Reynolds, Margaret. “‘In Chancery’ Again: Dickens and Prize-Fighting.” Dickens Studies Newsletter, vol. 14, no. 2, 1983, pp. 48–50. Ross, Ellen. “‘Fierce Questions and Taunts’: Married Life in Working-Class London, 1870–1914.” Feminist Studies, vol. 8, no. 3, 1982, pp. 575–602. Ross, Macintosh. “The Boxing Boys in Blue: Gloved Sparring and Bare-Knuckle Prizefighting in the Union Army, 1861–65.” Journal of Sport History, vol. 44, no. 3, 2017, pp. 438–55. Ryan, James Emmett. “Fight Club, 1880: Boxing, Class, and Literary Culture in John Boyle O’Reilly’s Boston.” Journal of American Studies, vol. 54, no. 4, 2020, pp. 706–36. Sandhu, Sukhdev. “London Calling.” AA Files, no. 49, 2003, pp. 50–56. Siegler, J. “The Dangers of Boxing.” BMJ, vol. 307, no. 6900, 1993, p. 379. Standen, Jeffrey. “The Manly Sports: The Problematic Use of Criminal Law to Regulate Sports Violence.” The Journal of Criminal Law and Criminology, vol. 99, no. 3, 2009, pp. 619–42. Wood, Michael T. “Review of Prizefighting and Civilization… by David C. LaFevor.” Mexican Studies/Estudios Mexicanos, vol. 37, no. 3, 2021, pp. 479–81. Legal Cases Cited R v Billingham (1825) R v Perkins (1831) R v Hunt (1845) R v Coney (1882) Digital & Regional Archival Sources Chevallot, Isabelle. “18th and 19th Century Fight Club: The Beginnings of British Boxing.” Guildhall Library Blog, 2014. Cox, Sarah Elizabeth. “A Quick Note on A Thousand Blows, Black Boxers in 1880s London, and ‘Woke History’.” Rediscovering the Wrestlers and Boxers of Late-Victorian London, 2025. Faith-Kelly, Killian. “The True Story of A Thousand Blows‘ Boxing Behemoth Sugar Goodson.” British GQ, 2025. Shrivenham Heritage Society. “The Prize Fights at Acorn Bridge.” Shrivenham Heritage Archive, Access Date May 2026. WBAN Member Archive. “Hattie Leslie vs. Alice Leary: The Prizefight That Sent Victorian Era Buffalo into an Uproar.” Women Boxing Archive Network. The post 9TH ANNIVERSARY SPECIAL 2026 “Put ’em up!” appeared first on AGE OF VICTORIA PODCAST.

In 1897, journalist and novelist Stephen Crane boarded the SS Commodore, a gunrunning ship bound for Cuba, and nearly didn't survive the trip. When the ship sank off the coast of Florida, Crane spent over 30 hours adrift in a small dinghy with three other men, an ordeal that became the basis for one of the greatest short stories in American literature: "The Open Boat." In this episode, Rich speaks with Professor of American Studies Ben Railton to explore the true story behind Crane's fiction, from the real-life sinking of the Commodore and the harrowing survival at sea, to how Crane transformed his own near-death experience into a landmark work of literary naturalism.

Over the last century, tens of millions of people quit Eastern Europe for the United States. The push-pull factors were many—war, poverty, instability, persecution at home and opportunity, refuge, and liberty abroad. But manna didn't simply fall from the sky in America. Immigrants from Eastern Europe confronted many of the same challenges migrants do everywhere—exploitation, hardship, and discrimination.Thresholds is a REEES podcast series that will grapple with these histories through interviews with scholars and immigrants' personal profiles. What pushed them to leave? What did they discover when they arrived? How did they change and be changed by American society? What opportunities and challenges did they face to become “American”? And what can we learn about immigration today?Guest:David Roediger is the Foundation Distinguished Professor of American Studies and History at the University of Kansas. He is the author of Working Toward Whiteness: How America's Immigrants Became White: The Strange Journey from Ellis Island to the Suburbs published by Basic Books. Hosted on Acast. See acast.com/privacy for more information.

Why is socialism suddenly becoming popular again in America—and what are the real consequences if it succeeds? In this episode of The Tudor Dixon Podcast, Tudor sits down with Dr. Anne Bradley, professor of economics at the Institute of World Politics and Vice President of Academic Affairs at The Fund for American Studies, to examine the resurgence of democratic socialism and why so many young Americans are embracing it. The conversation explores why "free" government programs have become politically appealing, how envy and economic frustration fuel socialist movements, and why history repeatedly shows socialism leading to economic failure and government control. Tudor and Dr. Bradley also discuss the rise of crony capitalism, corporate welfare, regulatory barriers facing small businesses, and how government favoritism undermines entrepreneurship and opportunity. Drawing from history, economics, and Tudor's own experience running for governor of Michigan, they explain the difference between free-market capitalism and government-controlled economies—and why protecting opportunity matters more than ever.See omnystudio.com/listener for privacy information.

Kathleen W. Taylor Kollman has a new book out that focuses on the reality of women running for president in the United States, and the fictional representations of this idea that we have seen over the past hundred years. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 (Bloomsbury Academic, 2026) takes up a number of different and intriguing examples of this idea, a woman serving as president, and unpacks the various narratives to help us understand what popular culture may be communicating about this concept and what those narratives may be teaching the audience (viewers or readers). Taylor Kollman comes at her research from a variety of perspectives, including Media Studies, Women's Studies, Feminist Studies, and American Studies. This makes the research particularly rich – since it explores these ideas from a host of analytical viewpoints, helping the reader to consider different genres (television, film, literature) and different approaches. Undergirding all of this is an interrogation of the idea of women and power, which is a controversial concept for many voters, even if it remains unacknowledged. Taylor Kollman goes through the decades, with a focus on examples of female presidents in a variety of different cultural artifacts. In tracing this concept through almost a hundred years of different narratives, the research highlights some interesting themes, including the accidental way in which women become president within the fictional framework. One of the points Taylor Kollman makes is that, in all the different genres and contexts, there seems to be something wrong with this idea of a woman as president. Often the characters are presented as deceptive, evil, corrupt, illegitimate, or they are seen as incapable of doing the job and are often torn between work and homelife/family life. In tracing these examples, Taylor Kollman also provides the reader with an understanding of the different iterations (waves) of feminism and feminist thought, as well as noting the various backlashes to feminism. The Fictional Female Presidency in Film, Television, and Literature takes the reader through a host of different examples, fleshing out these feminist and backlash imaginary spaces that focus on women and power. Another part of the equation, that is often overlooked in the research on this topic, is that there are fewer female film and television producers, directors, and showrunners, thus often constraining the opportunity to present these ideas of woman and power. This also influences the narratives that come before audiences, since women are not generally “trusted” in the same way that men are to helm major film releases with multi-million dollar budgets. This is another form of reality influencing the imaginary, but in a less expected way. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 takes the reader from Betty Boop for President to Allison Janney as President Grace Penn in The Diplomat and many other fascinating examples of fictional portrayals of women as president of the United States. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Kathleen W. Taylor Kollman has a new book out that focuses on the reality of women running for president in the United States, and the fictional representations of this idea that we have seen over the past hundred years. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 (Bloomsbury Academic, 2026) takes up a number of different and intriguing examples of this idea, a woman serving as president, and unpacks the various narratives to help us understand what popular culture may be communicating about this concept and what those narratives may be teaching the audience (viewers or readers). Taylor Kollman comes at her research from a variety of perspectives, including Media Studies, Women's Studies, Feminist Studies, and American Studies. This makes the research particularly rich – since it explores these ideas from a host of analytical viewpoints, helping the reader to consider different genres (television, film, literature) and different approaches. Undergirding all of this is an interrogation of the idea of women and power, which is a controversial concept for many voters, even if it remains unacknowledged. Taylor Kollman goes through the decades, with a focus on examples of female presidents in a variety of different cultural artifacts. In tracing this concept through almost a hundred years of different narratives, the research highlights some interesting themes, including the accidental way in which women become president within the fictional framework. One of the points Taylor Kollman makes is that, in all the different genres and contexts, there seems to be something wrong with this idea of a woman as president. Often the characters are presented as deceptive, evil, corrupt, illegitimate, or they are seen as incapable of doing the job and are often torn between work and homelife/family life. In tracing these examples, Taylor Kollman also provides the reader with an understanding of the different iterations (waves) of feminism and feminist thought, as well as noting the various backlashes to feminism. The Fictional Female Presidency in Film, Television, and Literature takes the reader through a host of different examples, fleshing out these feminist and backlash imaginary spaces that focus on women and power. Another part of the equation, that is often overlooked in the research on this topic, is that there are fewer female film and television producers, directors, and showrunners, thus often constraining the opportunity to present these ideas of woman and power. This also influences the narratives that come before audiences, since women are not generally “trusted” in the same way that men are to helm major film releases with multi-million dollar budgets. This is another form of reality influencing the imaginary, but in a less expected way. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 takes the reader from Betty Boop for President to Allison Janney as President Grace Penn in The Diplomat and many other fascinating examples of fictional portrayals of women as president of the United States. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Kathleen W. Taylor Kollman has a new book out that focuses on the reality of women running for president in the United States, and the fictional representations of this idea that we have seen over the past hundred years. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 (Bloomsbury Academic, 2026) takes up a number of different and intriguing examples of this idea, a woman serving as president, and unpacks the various narratives to help us understand what popular culture may be communicating about this concept and what those narratives may be teaching the audience (viewers or readers). Taylor Kollman comes at her research from a variety of perspectives, including Media Studies, Women's Studies, Feminist Studies, and American Studies. This makes the research particularly rich – since it explores these ideas from a host of analytical viewpoints, helping the reader to consider different genres (television, film, literature) and different approaches. Undergirding all of this is an interrogation of the idea of women and power, which is a controversial concept for many voters, even if it remains unacknowledged. Taylor Kollman goes through the decades, with a focus on examples of female presidents in a variety of different cultural artifacts. In tracing this concept through almost a hundred years of different narratives, the research highlights some interesting themes, including the accidental way in which women become president within the fictional framework. One of the points Taylor Kollman makes is that, in all the different genres and contexts, there seems to be something wrong with this idea of a woman as president. Often the characters are presented as deceptive, evil, corrupt, illegitimate, or they are seen as incapable of doing the job and are often torn between work and homelife/family life. In tracing these examples, Taylor Kollman also provides the reader with an understanding of the different iterations (waves) of feminism and feminist thought, as well as noting the various backlashes to feminism. The Fictional Female Presidency in Film, Television, and Literature takes the reader through a host of different examples, fleshing out these feminist and backlash imaginary spaces that focus on women and power. Another part of the equation, that is often overlooked in the research on this topic, is that there are fewer female film and television producers, directors, and showrunners, thus often constraining the opportunity to present these ideas of woman and power. This also influences the narratives that come before audiences, since women are not generally “trusted” in the same way that men are to helm major film releases with multi-million dollar budgets. This is another form of reality influencing the imaginary, but in a less expected way. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 takes the reader from Betty Boop for President to Allison Janney as President Grace Penn in The Diplomat and many other fascinating examples of fictional portrayals of women as president of the United States. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Kathleen W. Taylor Kollman has a new book out that focuses on the reality of women running for president in the United States, and the fictional representations of this idea that we have seen over the past hundred years. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 (Bloomsbury Academic, 2026) takes up a number of different and intriguing examples of this idea, a woman serving as president, and unpacks the various narratives to help us understand what popular culture may be communicating about this concept and what those narratives may be teaching the audience (viewers or readers). Taylor Kollman comes at her research from a variety of perspectives, including Media Studies, Women's Studies, Feminist Studies, and American Studies. This makes the research particularly rich – since it explores these ideas from a host of analytical viewpoints, helping the reader to consider different genres (television, film, literature) and different approaches. Undergirding all of this is an interrogation of the idea of women and power, which is a controversial concept for many voters, even if it remains unacknowledged. Taylor Kollman goes through the decades, with a focus on examples of female presidents in a variety of different cultural artifacts. In tracing this concept through almost a hundred years of different narratives, the research highlights some interesting themes, including the accidental way in which women become president within the fictional framework. One of the points Taylor Kollman makes is that, in all the different genres and contexts, there seems to be something wrong with this idea of a woman as president. Often the characters are presented as deceptive, evil, corrupt, illegitimate, or they are seen as incapable of doing the job and are often torn between work and homelife/family life. In tracing these examples, Taylor Kollman also provides the reader with an understanding of the different iterations (waves) of feminism and feminist thought, as well as noting the various backlashes to feminism. The Fictional Female Presidency in Film, Television, and Literature takes the reader through a host of different examples, fleshing out these feminist and backlash imaginary spaces that focus on women and power. Another part of the equation, that is often overlooked in the research on this topic, is that there are fewer female film and television producers, directors, and showrunners, thus often constraining the opportunity to present these ideas of woman and power. This also influences the narratives that come before audiences, since women are not generally “trusted” in the same way that men are to helm major film releases with multi-million dollar budgets. This is another form of reality influencing the imaginary, but in a less expected way. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 takes the reader from Betty Boop for President to Allison Janney as President Grace Penn in The Diplomat and many other fascinating examples of fictional portrayals of women as president of the United States. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Kathleen W. Taylor Kollman has a new book out that focuses on the reality of women running for president in the United States, and the fictional representations of this idea that we have seen over the past hundred years. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 (Bloomsbury Academic, 2026) takes up a number of different and intriguing examples of this idea, a woman serving as president, and unpacks the various narratives to help us understand what popular culture may be communicating about this concept and what those narratives may be teaching the audience (viewers or readers). Taylor Kollman comes at her research from a variety of perspectives, including Media Studies, Women's Studies, Feminist Studies, and American Studies. This makes the research particularly rich – since it explores these ideas from a host of analytical viewpoints, helping the reader to consider different genres (television, film, literature) and different approaches. Undergirding all of this is an interrogation of the idea of women and power, which is a controversial concept for many voters, even if it remains unacknowledged. Taylor Kollman goes through the decades, with a focus on examples of female presidents in a variety of different cultural artifacts. In tracing this concept through almost a hundred years of different narratives, the research highlights some interesting themes, including the accidental way in which women become president within the fictional framework. One of the points Taylor Kollman makes is that, in all the different genres and contexts, there seems to be something wrong with this idea of a woman as president. Often the characters are presented as deceptive, evil, corrupt, illegitimate, or they are seen as incapable of doing the job and are often torn between work and homelife/family life. In tracing these examples, Taylor Kollman also provides the reader with an understanding of the different iterations (waves) of feminism and feminist thought, as well as noting the various backlashes to feminism. The Fictional Female Presidency in Film, Television, and Literature takes the reader through a host of different examples, fleshing out these feminist and backlash imaginary spaces that focus on women and power. Another part of the equation, that is often overlooked in the research on this topic, is that there are fewer female film and television producers, directors, and showrunners, thus often constraining the opportunity to present these ideas of woman and power. This also influences the narratives that come before audiences, since women are not generally “trusted” in the same way that men are to helm major film releases with multi-million dollar budgets. This is another form of reality influencing the imaginary, but in a less expected way. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 takes the reader from Betty Boop for President to Allison Janney as President Grace Penn in The Diplomat and many other fascinating examples of fictional portrayals of women as president of the United States. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Kathleen W. Taylor Kollman has a new book out that focuses on the reality of women running for president in the United States, and the fictional representations of this idea that we have seen over the past hundred years. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 (Bloomsbury Academic, 2026) takes up a number of different and intriguing examples of this idea, a woman serving as president, and unpacks the various narratives to help us understand what popular culture may be communicating about this concept and what those narratives may be teaching the audience (viewers or readers). Taylor Kollman comes at her research from a variety of perspectives, including Media Studies, Women's Studies, Feminist Studies, and American Studies. This makes the research particularly rich – since it explores these ideas from a host of analytical viewpoints, helping the reader to consider different genres (television, film, literature) and different approaches. Undergirding all of this is an interrogation of the idea of women and power, which is a controversial concept for many voters, even if it remains unacknowledged. Taylor Kollman goes through the decades, with a focus on examples of female presidents in a variety of different cultural artifacts. In tracing this concept through almost a hundred years of different narratives, the research highlights some interesting themes, including the accidental way in which women become president within the fictional framework. One of the points Taylor Kollman makes is that, in all the different genres and contexts, there seems to be something wrong with this idea of a woman as president. Often the characters are presented as deceptive, evil, corrupt, illegitimate, or they are seen as incapable of doing the job and are often torn between work and homelife/family life. In tracing these examples, Taylor Kollman also provides the reader with an understanding of the different iterations (waves) of feminism and feminist thought, as well as noting the various backlashes to feminism. The Fictional Female Presidency in Film, Television, and Literature takes the reader through a host of different examples, fleshing out these feminist and backlash imaginary spaces that focus on women and power. Another part of the equation, that is often overlooked in the research on this topic, is that there are fewer female film and television producers, directors, and showrunners, thus often constraining the opportunity to present these ideas of woman and power. This also influences the narratives that come before audiences, since women are not generally “trusted” in the same way that men are to helm major film releases with multi-million dollar budgets. This is another form of reality influencing the imaginary, but in a less expected way. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 takes the reader from Betty Boop for President to Allison Janney as President Grace Penn in The Diplomat and many other fascinating examples of fictional portrayals of women as president of the United States. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Kathleen W. Taylor Kollman has a new book out that focuses on the reality of women running for president in the United States, and the fictional representations of this idea that we have seen over the past hundred years. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 (Bloomsbury Academic, 2026) takes up a number of different and intriguing examples of this idea, a woman serving as president, and unpacks the various narratives to help us understand what popular culture may be communicating about this concept and what those narratives may be teaching the audience (viewers or readers). Taylor Kollman comes at her research from a variety of perspectives, including Media Studies, Women's Studies, Feminist Studies, and American Studies. This makes the research particularly rich – since it explores these ideas from a host of analytical viewpoints, helping the reader to consider different genres (television, film, literature) and different approaches. Undergirding all of this is an interrogation of the idea of women and power, which is a controversial concept for many voters, even if it remains unacknowledged. Taylor Kollman goes through the decades, with a focus on examples of female presidents in a variety of different cultural artifacts. In tracing this concept through almost a hundred years of different narratives, the research highlights some interesting themes, including the accidental way in which women become president within the fictional framework. One of the points Taylor Kollman makes is that, in all the different genres and contexts, there seems to be something wrong with this idea of a woman as president. Often the characters are presented as deceptive, evil, corrupt, illegitimate, or they are seen as incapable of doing the job and are often torn between work and homelife/family life. In tracing these examples, Taylor Kollman also provides the reader with an understanding of the different iterations (waves) of feminism and feminist thought, as well as noting the various backlashes to feminism. The Fictional Female Presidency in Film, Television, and Literature takes the reader through a host of different examples, fleshing out these feminist and backlash imaginary spaces that focus on women and power. Another part of the equation, that is often overlooked in the research on this topic, is that there are fewer female film and television producers, directors, and showrunners, thus often constraining the opportunity to present these ideas of woman and power. This also influences the narratives that come before audiences, since women are not generally “trusted” in the same way that men are to helm major film releases with multi-million dollar budgets. This is another form of reality influencing the imaginary, but in a less expected way. The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024 takes the reader from Betty Boop for President to Allison Janney as President Grace Penn in The Diplomat and many other fascinating examples of fictional portrayals of women as president of the United States. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

“It's too easy to look back at sciences of the past and say they were all fools. The exact same thing is gonna happen two hundred years from now when people look back at us.” — Paul Stob on the lessons of phrenology Step right up. Over the road from P.T. Barnum's American Museum in 19th century New York stood the city's more metaphorical circus — the Phrenological Cabinet, where admission was free and you could hold a murderer's skull in your hand. After the Barnum museum, it was the second most popular show in town. Although back then phrenology — the supposed science of skull size and head bumps — wasn't seen as the province of tricksters or clowns. So who created this 19th century American obsession with skulls, who created the phrenology phenomenon? In his new book, Empire of Skulls, the Vanderbilt scholar Paul Stob tells the phrenology story through the wealthy Fowler family — Orson, Lorenzo, and Charlotte — who financed and promoted this American circus. It was the Fowlers, Stob explains, who shaped phrenology into the intellectual glue of 19th century American progress and convinced reformers like Walt Whitman, Susan B. Anthony, John Brown, and Elizabeth Cady Stanton of its social value. The appeal was self-improvement, that most American ideal. In Europe, your skull was your fate; in Fowler's America, you could supposedly reshape your brain like a bicep in order to grow new bumps. A gym for skulls. And, in P.T. Barnum fashion, it toured, bringing replica skull collections to the utopian communes of mid 19th century America. And in good (or bad) American fashion, this bunk often had a darker subtext with skulls pilfered from native burial mounds and, inevitably, a slaveholding phrenologist wing. Not everyone bought a ticket. Mark Twain visited Lorenzo Fowler's London depot incognito and was told his skull shape indicated an absence of humor. Three months later, he reappeared, this time as Twain, and got the reverse prognosis. But what finally killed phrenology wasn't Twain but the hitherto unparalleled bloodshed of the Civil War. Not even the Fowlers could glean much positive from the mountains of actual skulls at Gettysburg or Antietam. The circus had ended. Now it's the Fowlers who are the freaks. We gawk at them rather than their skulls. Step right up. The show must go on. Five Takeaways •       The Intellectual Glue of American Reform. From the 1830s to the 1860s — the era of reform — practically every movement to improve the young republic was led by believers in phrenology: abolition, women's suffrage, temperance, prison and education reform. Whitman, Susan B. Anthony, John Brown, Stanton, and Mott were all sympathetic; Orson Fowler barnstormed Massachusetts with his Amherst friend Henry Ward Beecher, who swore by phrenology for the rest of his life; John Brown Jr. worked at the Fowlers' Phrenological Cabinet until Bleeding Kansas called him west. The reason was one word: improvement. Even the enslaved, the phrenologists argued, must be freed — because every human being deserves the chance to improve.•       Curl Your Brain Like a Bicep. European phrenology said your skull was your fate. The Fowlers Americanized it: exercise a mental faculty, they taught, and the brain deposits new gray matter that literally pushes out the skull — self-improvement you could measure with calipers. Parents brought children for readings, returned years later, and found the head had grown just as prescribed: to the Fowlers, concrete proof. The ideal male head measured twenty-three inches around, the female twenty-two — women started in a different place, but nothing said they couldn't climb. And in 1843's Hereditary Descent, Orson made an argument radical for his century: that race mixing was a positive good for humanity.•       Second Only to Barnum. For three decades the Fowlers' Phrenological Cabinet at Clinton Hall — free of charge, unlike the American Museum kitty-corner across the street — was the second most visited tourist attraction in New York City. Visitors could hold a murderer's skull and feel for themselves why he killed, or trace the bumps of statesmen and writers. The empire was literal: the global skull trade of the era, from Samuel Morton's Crania Americana to skulls pilfered from native burial mounds, stocked the shelves. The Fowlers were millionaires, not billionaires — and Orson spent his share on a sixty-room octagon mansion, flagship of the 500-odd octagon houses he inspired across America.•       Twain's Two Visits — and the Birth of “Pseudoscience.” Oliver Wendell Holmes Sr. said reading a brain through a skull was like reading the inside of a safe by feeling the knob — and coined the word “pseudoscience” specifically for the phrenologists. Mark Twain ran the experiment: visiting Lorenzo Fowler's London depot incognito, he was told his organ of mirthfulness was a divot; three months later, business card presented, it was off the charts. Stob still insists on calling phrenology a science — because that is how its era understood it, because it was more accurate than much of the competition, and because one of the fathers of American neurology emerged from the Fowlers' own circle.•       We Are the Phrenologists Now. What killed phrenology was the Civil War: three decades of promising heaven on earth ran skull first into carts of actual skulls, and the utopia of self-improvement died on the battlefield. But the impulse never did. Phrenology, Stob argues, was self-help before the word existed — and its descendants fill the airport bookstore: astrology, Myers-Briggs, the Enneagram, the genetic ancestry kit, all of them, in his words, scientifically garbage yet enormously significant in people's lives. The uncharitable reading of the past is a trap. In two hundred years, Stob warns, they will look back at our sciences of the self exactly the way we look at the Fowlers. About the Guest Paul Stob is Director of the Program in American Studies at Vanderbilt University, where he also teaches in the Department of Communication Studies and the Program in the Communication of Science and Technology. His research focuses on nineteenth-century American intellectual culture — religion, democracy, populism, and social movements. He is co-author, with Stephen Lucas, of The Art of Public Speaking, now in its fourteenth edition. His first trade book is Empire of Skulls: Phrenology, the Fowler Family, and a New Nation's Quest to Unlock the Secrets of the Mind (Counterpoint, April 14, 2026). References: •       Empire of Skulls: Phrenology, the Fowler Family, and a New Nation's Quest to Unlock the Secrets of the Mind by Paul Stob (Counterpoint, April 2026). Jennifer Wright in The New York Times Book Review: “A thoroughly researched and intriguing work.”•       The Gospel According to Hobby Lobby by Michael Blanding — the recent Keen On episode on the Greens, this show's previous installment of ...

Between 1863 and 1866, more than 10,000 Navajo (Diné) were forcibly removed from their lands by the U.S. Military and forced to marched hundreds of miles into present day New Mexico. Many died of starvation and exposure on the march and while in exile. Don is joined by Dr. Jennifer Nez Denetdale, professor and chair of American Studies at the University of New Mexico, and author of the books Reclaiming Diné History: The Legacies of Navajo Chief Manuelito and Juanita, as well as The Long Walk: The Forced Exile of the Navajo.Edited by Tim Arstall. Produced by Hannah Feodorov. Senior Producer is Freddy Chick.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  All music from Epidemic Sounds.American History Hit is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.

In 1905, when Broadway was already the most famous thoroughfare in New York City, a recreational photographer from Newark, New Jersey named Charles Gilbert Hine set out to document the street's entire length. Taking pictures from downtown Bowling Green and its skyscrapers to uptown Inwood with its fields and wildflowers, Hine depicted a Broadway animated by the presence of the past and the relentless pressures of change. Through his lens appear shanties, brownstones and country houses; horse-drawn wagons and trolley cars; downtown sex workers and uptown famers. Hines' photographs lingered in the collection of the New York Historical until they were discovered by Nick Yablon, a professor of history and American Studies at the University of Iowa. Now they appear in Nick's new book, From the Skyscraper to the Wildflower: C.G. Hine's 1905 Photographic Survey of Broadway (Columbia University Press, 2026). Combining Hines' photographs with his own analysis, along with maps and other images, Nick has produced an illuminating book that depicts Broadway, its peoples, its buildings, and the many neighborhoods that Broadway traverses, at a distinct moment in time. A digital companion to From the Skyscraper to the Wildflower, with a selection of Hine's photographs, an interactive map of Broadway, and more, can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1905, when Broadway was already the most famous thoroughfare in New York City, a recreational photographer from Newark, New Jersey named Charles Gilbert Hine set out to document the street's entire length. Taking pictures from downtown Bowling Green and its skyscrapers to uptown Inwood with its fields and wildflowers, Hine depicted a Broadway animated by the presence of the past and the relentless pressures of change. Through his lens appear shanties, brownstones and country houses; horse-drawn wagons and trolley cars; downtown sex workers and uptown famers. Hines' photographs lingered in the collection of the New York Historical until they were discovered by Nick Yablon, a professor of history and American Studies at the University of Iowa. Now they appear in Nick's new book, From the Skyscraper to the Wildflower: C.G. Hine's 1905 Photographic Survey of Broadway (Columbia University Press, 2026). Combining Hines' photographs with his own analysis, along with maps and other images, Nick has produced an illuminating book that depicts Broadway, its peoples, its buildings, and the many neighborhoods that Broadway traverses, at a distinct moment in time. A digital companion to From the Skyscraper to the Wildflower, with a selection of Hine's photographs, an interactive map of Broadway, and more, can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In 1905, when Broadway was already the most famous thoroughfare in New York City, a recreational photographer from Newark, New Jersey named Charles Gilbert Hine set out to document the street's entire length. Taking pictures from downtown Bowling Green and its skyscrapers to uptown Inwood with its fields and wildflowers, Hine depicted a Broadway animated by the presence of the past and the relentless pressures of change. Through his lens appear shanties, brownstones and country houses; horse-drawn wagons and trolley cars; downtown sex workers and uptown famers. Hines' photographs lingered in the collection of the New York Historical until they were discovered by Nick Yablon, a professor of history and American Studies at the University of Iowa. Now they appear in Nick's new book, From the Skyscraper to the Wildflower: C.G. Hine's 1905 Photographic Survey of Broadway (Columbia University Press, 2026). Combining Hines' photographs with his own analysis, along with maps and other images, Nick has produced an illuminating book that depicts Broadway, its peoples, its buildings, and the many neighborhoods that Broadway traverses, at a distinct moment in time. A digital companion to From the Skyscraper to the Wildflower, with a selection of Hine's photographs, an interactive map of Broadway, and more, can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1905, when Broadway was already the most famous thoroughfare in New York City, a recreational photographer from Newark, New Jersey named Charles Gilbert Hine set out to document the street's entire length. Taking pictures from downtown Bowling Green and its skyscrapers to uptown Inwood with its fields and wildflowers, Hine depicted a Broadway animated by the presence of the past and the relentless pressures of change. Through his lens appear shanties, brownstones and country houses; horse-drawn wagons and trolley cars; downtown sex workers and uptown famers. Hines' photographs lingered in the collection of the New York Historical until they were discovered by Nick Yablon, a professor of history and American Studies at the University of Iowa. Now they appear in Nick's new book, From the Skyscraper to the Wildflower: C.G. Hine's 1905 Photographic Survey of Broadway (Columbia University Press, 2026). Combining Hines' photographs with his own analysis, along with maps and other images, Nick has produced an illuminating book that depicts Broadway, its peoples, its buildings, and the many neighborhoods that Broadway traverses, at a distinct moment in time. A digital companion to From the Skyscraper to the Wildflower, with a selection of Hine's photographs, an interactive map of Broadway, and more, can be found here.

In 1905, when Broadway was already the most famous thoroughfare in New York City, a recreational photographer from Newark, New Jersey named Charles Gilbert Hine set out to document the street's entire length. Taking pictures from downtown Bowling Green and its skyscrapers to uptown Inwood with its fields and wildflowers, Hine depicted a Broadway animated by the presence of the past and the relentless pressures of change. Through his lens appear shanties, brownstones and country houses; horse-drawn wagons and trolley cars; downtown sex workers and uptown famers. Hines' photographs lingered in the collection of the New York Historical until they were discovered by Nick Yablon, a professor of history and American Studies at the University of Iowa. Now they appear in Nick's new book, From the Skyscraper to the Wildflower: C.G. Hine's 1905 Photographic Survey of Broadway (Columbia University Press, 2026). Combining Hines' photographs with his own analysis, along with maps and other images, Nick has produced an illuminating book that depicts Broadway, its peoples, its buildings, and the many neighborhoods that Broadway traverses, at a distinct moment in time. A digital companion to From the Skyscraper to the Wildflower, with a selection of Hine's photographs, an interactive map of Broadway, and more, can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1905, when Broadway was already the most famous thoroughfare in New York City, a recreational photographer from Newark, New Jersey named Charles Gilbert Hine set out to document the street's entire length. Taking pictures from downtown Bowling Green and its skyscrapers to uptown Inwood with its fields and wildflowers, Hine depicted a Broadway animated by the presence of the past and the relentless pressures of change. Through his lens appear shanties, brownstones and country houses; horse-drawn wagons and trolley cars; downtown sex workers and uptown famers. Hines' photographs lingered in the collection of the New York Historical until they were discovered by Nick Yablon, a professor of history and American Studies at the University of Iowa. Now they appear in Nick's new book, From the Skyscraper to the Wildflower: C.G. Hine's 1905 Photographic Survey of Broadway (Columbia University Press, 2026). Combining Hines' photographs with his own analysis, along with maps and other images, Nick has produced an illuminating book that depicts Broadway, its peoples, its buildings, and the many neighborhoods that Broadway traverses, at a distinct moment in time. A digital companion to From the Skyscraper to the Wildflower, with a selection of Hine's photographs, an interactive map of Broadway, and more, can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

In 1905, when Broadway was already the most famous thoroughfare in New York City, a recreational photographer from Newark, New Jersey named Charles Gilbert Hine set out to document the street's entire length. Taking pictures from downtown Bowling Green and its skyscrapers to uptown Inwood with its fields and wildflowers, Hine depicted a Broadway animated by the presence of the past and the relentless pressures of change. Through his lens appear shanties, brownstones and country houses; horse-drawn wagons and trolley cars; downtown sex workers and uptown famers. Hines' photographs lingered in the collection of the New York Historical until they were discovered by Nick Yablon, a professor of history and American Studies at the University of Iowa. Now they appear in Nick's new book, From the Skyscraper to the Wildflower: C.G. Hine's 1905 Photographic Survey of Broadway (Columbia University Press, 2026). Combining Hines' photographs with his own analysis, along with maps and other images, Nick has produced an illuminating book that depicts Broadway, its peoples, its buildings, and the many neighborhoods that Broadway traverses, at a distinct moment in time. A digital companion to From the Skyscraper to the Wildflower, with a selection of Hine's photographs, an interactive map of Broadway, and more, can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Analysts warn bilateral relationship remains subject to structural challenges分析师警示：双边关系仍面临结构性难题Renewed momentum in China-United States economic ties has helped boost confidence in the global economy while supporting steadier and more resilient bilateral trade in the months ahead, said market watchers and business leaders.市场观察人士与商界领袖表示，中美经贸关系重拾增长动能，不仅提振全球经济信心，也将推动未来数月双边贸易朝着更平稳、更具韧性的方向发展。The upbeat remarks came after official General Administration of Customs figures showed a sharp turnaround in bilateral trade in goods. After slumping 18.7 percent year-on-year in the first quarter, China-US goods trade rebounded to post a 13.7 percent year-on-year gain in the second quarter.此番乐观判断源于中国海关总署官方数据显示，中美货物贸易额出现大幅反转。一季度中美货物贸易同比下滑18.7%，二季度强势反弹，同比增长13.7%。This trade recovery aligns with fresh bilateral moves to stabilize economic relations. The Ministry of Commerce confirmed that during the latest round of China-US economic and trade consultations held in May, the two sides reached an agreement to negotiate a reciprocal tariff cut framework via a newly established trade council. The deal would cover goods valued at $30 billion or more from each country.此次贸易回暖，与中美双方近期为稳定经贸关系推出的一系列新举措相呼应。商务部证实，5月新一轮中美经贸磋商期间，两国达成共识，将依托新设立的贸易委员会磋商互惠降税框架，双方各有价值300亿美元及以上商品纳入该框架。Although neither side has released a final product list, trade analysts expect the tariff cuts to cover textiles, footwear, consumer goods, electronic components, industrial machinery parts, chemicals, plastics and agricultural products, while excluding sectors such as advanced semiconductors and strategic resources.尽管双方尚未公布最终商品清单，但贸易分析师预测，本次降税范围将涵盖纺织、鞋履、消费品、电子元器件、工业机械零部件、化工品、塑料制品与农产品，先进半导体、战略资源等领域不在降税范围内。Diao Daming, a professor of international relations at the Beijing-based Renmin University of China, said recent progress in the China-US economic and trade talks has helped bolster business confidence across the world and is creating conditions for more predictable trade and investment.中国人民大学国际关系教授刁大明表示，近期中美经贸谈判取得的进展提振了全球企业信心，为贸易和投资营造出更稳定可预期的环境。Yu Xinding, a professor of international trade at the University of International Business and Economics in Beijing, said that once implemented, the new tariff framework will support further growth in China-US trade while setting a positive example for resolving trade disputes through dialogue.对外经济贸易大学国际贸易教授余心玎称，这套全新关税框架落地后，将进一步拉动中美贸易增长，同时为各国通过对话化解贸易争端树立正面范本。"Faced with multifaceted costs triggered by tariffs, this move offers a practical solution to help reverse trade distortions created by previous tariffs," said Yu. "The initiative goes far beyond lowering tariffs on selected goods. Equal consultations will improve market access, ease corporate burdens and restore bilateral trade to market-oriented, mutually beneficial dynamics."余心玎表示：“关税带来多重成本压力，此次举措提供了切实可行的方案，能够扭转过往关税造成的贸易扭曲。该举措的意义远不止下调部分商品关税，平等磋商将拓宽市场准入、减轻企业负担，让双边贸易回归市场化、互利共赢的状态。”Though modest relative to overall China-US trade, the planned tariff relief targets products with clear market demand and practical benefits, delivering early, verifiable results that can strengthen confidence in two-way economic ties, she added.她补充道，尽管本次降税规模相较于中美整体贸易体量不算庞大，但降税商品均为市场需求旺盛、具备实际利好的品类，能够快速落地可见成效，巩固双方对经贸往来的信心。While the recent rebound in bilateral trade points to improving momentum, analysts cautioned that the relationship remains subject to structural challenges and external uncertainties, despite the progress made through dialogue.尽管近期双边贸易回暖释放向好信号，但分析师提醒，即便对话取得一定进展，中美关系仍存在结构性难题与外部不确定性。Ma Xue, a researcher at the Institute of American Studies at the China Institutes of Contemporary International Relations, said that strategic competition between China and the US in high-tech sectors will continue to intensify, while tighter controls on semiconductors, artificial intelligence and critical minerals, alongside geopolitical tensions, could weigh on the bilateral trade climate.中国现代国际关系研究院美国研究所研究员马雪表示，中美在高科技领域的战略竞争或将持续加剧，半导体、人工智能、关键矿产领域管控趋严，叠加地缘政治紧张局势，都可能对双边贸易环境造成负面影响。"Overall, institutionalized consultations and differentiated management of disputes could help offset short-term political disruptions," Ma said. "Although disagreements and periodic bargaining will persist, structured cooperation, accompanied by occasional friction in specific sectors, is likely to become the new normal in bilateral economic ties."马雪称：“总体而言，制度化磋商、差异化处理分歧能够对冲短期政治层面带来的冲击。双方分歧与阶段性博弈仍会存在，但常态化合作、局部领域偶有摩擦或将成为中美经贸关系的新常态。”Data from the General Administration of Customs also showed that China-US goods trade reached 2 trillion yuan ($295 billion) in the first half of the year, accounting for 7.9 percent of China's total foreign trade.海关总署数据显示，今年上半年中美货物贸易总额达2万亿元人民币（折合2950亿美元），占中国外贸总额的7.9%。James Zimmerman, chairman of the American Chamber of Commerce in China, said he hopes this year will be a productive one for China-US relations, noting that current China-US trade policy is increasingly characterized by a "managed trade" approach centered on reciprocity.中国美国商会主席吉莫曼表示，他期待今年成为中美关系富有成效的一年，并指出当下中美贸易政策愈发呈现以互惠为核心的“管控型贸易”特征。Saying that engagement is in the best interest of the US, Zimmerman reiterated that China brings real value to US consumers and benefits Washington's long-term economic interests.吉莫曼表示，对华接触符合美国的核心利益，他重申中国能为美国消费者创造实际价值，契合美国长远经济利益。Similar views were expressed by Jim Sutter, CEO of the US Soybean Export Council. "The recent announcement on tariff reductions is a positive signal. We hope the commitments made during the talks will soon be translated into concrete policy measures," he said.美国大豆出口协会首席执行官吉姆·萨特也持相同观点。他表示：“此次降税相关公告释放积极信号，我们希望磋商达成的共识能够尽快转化为落地政策。”Such optimism also resonates with US industrial companies stepping up long-term investment and innovation in China.不少加大在华长期投资与创新布局的美国工业企业，也同样抱有这份乐观态度。Lin Chunmei, president and general manager of Corning China, said that as AI reshapes the global industrial landscape and drives demand for advanced materials and computing infrastructure, the US industrial materials manufacturer has evolved from technology introduction to collaborative innovation in China.康宁中国区总裁兼总经理林春梅表示，人工智能重塑全球产业格局，高端材料与算力基础设施需求激增，这家美国工业材料企业在华发展模式已从单纯引进技术，转变为协同创新。Corning will deepen local innovation, support next-generation computing infrastructure and contribute to the upgrading of China's industrial ecosystem, she said.她表示，康宁将深化本土创新研发，助力下一代算力基础设施建设，为中国产业体系升级贡献力量。The company's confidence also comes as China continues to strengthen its position in advanced manufacturing and high-tech exports.康宁的信心同样源于中国在高端制造、高新技术出口领域竞争力持续提升。In the first half of 2026, the country's exports of integrated circuits surged 88.7 percent year-on-year, while exports of electronic components rose 62.6 percent, statistics from the Ministry of Industry and Information Technology showed on Monday.工信部周一发布数据显示，2026年上半年，我国集成电路出口同比大增88.7%，电子元器件出口同比上涨62.6%。reciprocal /rɪˈsɪprəkl/互惠的，对等的distortion /dɪˈstɔːʃn/扭曲，畸变structural /ˈstrʌktʃərəl/结构性的bilateral /ˌbaɪˈlætərəl/双边的geopolitical /ˌdʒiːəʊpəˈlɪtɪkl/地缘政治的integrated circuits /ˈɪntɪɡreɪtɪd ˈsɜːkɪts/集成电路

The Heritage Foundation is creating a new online guide to historic sites across all 50 states, giving families a resource for planning educational trips and exploring America's story. Morning Wire speaks with Brenda Hafera, Assistant Director and Research Fellow for the Simon Center for American Studies at the Heritage Foundation, about the project's goals, how sites are evaluated for historical accuracy, and why preserving access to America's heritage matters for the next generation. Explore the guide here: https://historicsites.heritage.org/ - - -Ep. 2899- - -Wake up with new Morning Wire merch: https://bit.ly/4lIubt3- - -Today's Sponsors: ADF - Go to https://JoinADF.com/WIRE, or text WIRE to 83848, to give today. With Alliance Defending Freedom, your gift defends religious freedom for all. Quince - Elevate your summer wardrobe. Go to Quince.com/wire for free shipping on your order and 365-day returns. Now available in Canada too.- - -Privacy Policy: https://www.dailywire.com/privacymorning wire,morning wire podcast,the morning wire podcast,Georgia Howe,John Bickley,daily wire podcast,podcast,news podcast Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's our annual rite of summer: a conversation with NABPAC's intern from The Fund for American Studies. This year that's Brandon New, a rising junior studying finance at the University of Florida who came to Washington by way of the Florida House of Representatives — and who very nearly missed the whole thing when his reply to Micaela's interview offer landed in a spam folder.Micaela Isler, David Schild, and Adam Belmar talk with Brandon about what a summer inside the PAC community actually teaches you. He spent it in FEC data, in meetings with PAC directors and government relations professionals, and in a TFAS debate where he found himself correcting his classmates on contribution limits and disclosure. He also talks about coming back to a city he first saw at eleven years old on a Capitol tour — this time with a badge — and what that means to a family built by a Vietnamese immigrant mother, a veteran father, and a grandfather who served in World War II.His advice to the next student thinking about it: take the leap. Every opportunity, every coffee chat, every application you don't think you'll get.This is NABPAC's fifth TFAS intern, and every one of them has been on this show. For PAC directors listening: it's a reminder of what an intern brings to your organization — and what you give back to the next generation.

Edward Curtis IV on Muslim-American studies, and Bernie Miklasz recaps the first half of the season!- h2 full 2107 Mon, 13 Jul 2026 20:15:14 +0000 xz8eNYuKlt1q80eLsuPFsV5UeH9dDg4c comedy,religion & spirituality,society & culture,news,government The Dave Glover Show comedy,religion & spirituality,society & culture,news,government Edward Curtis IV on Muslim-American studies, and Bernie Miklasz recaps the first half of the season!- h2 The Dave Glover Show has been driving St. Louis home for over 20 years. Unafraid to discuss virtually any topic, you'll hear Dave and crew's unique perspective on current events, news and politics, and anything and everything in between. © 2025 Audacy, Inc. Comedy Religion & Spirituality Society & Culture News Government

On today's show, host Douglas Haynes highlights a unique Wisconsin education program called the Driftless Field School at Thoreau College. He speaks with two educators, Benjamin Bernard-Herman and Margot Higgins about how their program engages the most pressing questions of our time, like climate change and inequality, and teaches students to revitalize their relationships to land and communities. The Driftless Field School is a five-and-a-half week long summer immersion program that offers place-based environmental education. They focus on the “bioregion” of the Driftless, the unique area of the Midwest that was never glaciated. Rather than imagining places as defined by state boundaries or urban centers, bioregions emphasize biological, geological, and cultural similarities. In the Driftless, this means engaging students on issues of energy and ethanol, issues that are deeply rooted in the region but are equally global environmental issues. They also talk about how their courses engage students in developing ecological literacy, the ability to notice the world around them. Students learn to sleep outside, take care of sheep, grow their own food, and more, all with an eye toward reciprocity. They also learn how to conduct oral histories, sing, and be a citizen in a place no matter where they go. Benjamin Bernard-Herman is a PhD candidate in the department of anthropology at the University of Illinois, Chicago. His research is based in Wisconsin’s Driftless Region, and focuses on the values that sustain small-scale farmers in conditions of economic and environmental precarity. He earned an MA in the social sciences, with a concentration in anthropology, from the University of Chicago, and a BA in sociology and anthropology from Swarthmore College. He was the 2023-24 scholar-in-residence at Thoreau College, and has returned to Thoreau College to teach every year since; this is his third year teaching for the college’s Driftless Field School program. Dr. Margot Higgins is a professor in the Sustainability and Environmental Studies Program at the University of Wisconsin-LaCrosse, where she instructs courses on topics including Environmental Justice, Food Politics, Political Ecology, and Environmental History. She earned an MA in Human Development and a PhD in Environmental Science, Policy, and Management from the University of California-Berkeley, as well as an MS in Environmental Studies from the University of Montana, and a BA in American Studies and Art from Colby College in Maine. In addition to her focus on the Driftless Region, Margot's research and teaching have taken her from Norway and California to Montana and Alaska, where she first started teaching college students in a backcountry field program in 2005. This is her second summer teaching the summer field course at Thoreau. Featured image of students at the Driftless Field School. Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post Teaching Eco-Literacy in the Driftless Bioregion appeared first on WORT-FM 89.9.

Hosts Alexander Scott and Tomás Crowder-Taraborrelli speak with Vanessa Díaz and Petra R. Rivera-Rideau about their new book P FKN R: How Bad Bunny Became the Global Voice of Puerto Rican Resistance (Duke University Press, 2026). Díaz and Rivera-Rideau — creators of the "Bad Bunny Syllabus" — situate Benito Antonio Martínez Ocasio within more than a century of Puerto Rican history and a much longer tradition of music as resistance. The conversation traces the political and economic conditions that shaped Bad Bunny's formative years: the end of Section 936, the debt crisis and the imposition of the fiscal oversight board Puerto Ricans call La Junta, the gentrification and displacement accelerated by Acts 20/22, and the devastation and abandonment of Hurricane María. Vanessa shares her family's own experience of the storm and its aftermath, and both authors discuss the summer 2019 uprising that forced Governor Ricardo Rosselló's resignation — with particular attention to the Black feminist organizing of Colectiva Feminista en Construcción and the deep genealogy connecting bomba and plena to reggaetón and perreo as forms of communal protest. They close with Bad Bunny's Super Bowl halftime performance, the politics of a Spanish-language anti-colonial statement on one of the most-watched stages in the world, and why, in Puerto Rico, the party is the protest. Vanessa Díaz is associate professor of Chicana/o and Latina/o Studies at Loyola Marymount University and author of Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood (Duke University Press, 2020). Petra R. Rivera-Rideau is associate professor of American Studies at Wellesley College and author of Remixing Reggaetón: The Cultural Politics of Race in Puerto Rico (Duke University Press, 2015) and Fitness Fiesta!: Selling Latinx Culture through Zumba (Duke University Press, 2024). Get the book: P FKN R: How Bad Bunny Became the Global Voice of Puerto Rican Resistance is available now from Duke University Press: https://www.dukeupress.edu/p-fkn-r (also available in Spanish) Explore the Bad Bunny Syllabus: https://www.badbunnysyllabus.com/ Support Latin American Perspectives: Follow us on Facebook, Instagram, Twitter/X, TikTok, and Bluesky to stay up to date on new issues, articles, and episodes. Subscribe and rate the podcast on Spotify, Apple Podcasts, YouTube, or your preferred listening app. Annual print subscriptions to the journal start at $74, with discounted rates for students and LASA members. Your subscription helps sustain a critical space for internationalist, anti-capitalist, and decolonial scholarship.

On this edition of The Federalist Radio Hour, Dr. Bradley Birzer, Hillsdale College professor of history and Russell Amos Kirk chair in American Studies, joins Federalist Senior Elections Correspondent Matt Kittle to discuss the Declaration of Independence, the "radicalism" of the founders versus modern leftist radicalism, and what the founders would think of America today. You can find Dr. Birzer's new book, The Declaration of Independence: A Radical Experiment in Liberty, here.The Federalist Foundation is a nonprofit, and we depend entirely on our listeners and readers — not corporations. If you value fearless, independent journalism, please consider a tax-deductible gift today at TheFederalist.com/donate. Your support keeps us going.

This week on Breaking Battlegrounds, hosts Chuck Warren and Sam Stone bring listeners a special Fourth of July episode focused on America's founding principles, political hypocrisy, civic education, and a chilling unsolved Independence Day murder case. First, Sam Stone is joined by Jay Lapeyre, CEO of Laitram LLC, Board Chair of the Cato Institute and The Atlas Society, and a founding leader of the Free Society Coalition. Jay discusses the Declaration of Independence, the moral foundations of liberty, and why America's founding truths still matter today. He explains how the Declaration project grew out of a desire to move beyond partisan division by focusing on shared principles, civil discourse, human dignity, moral agency, and the pursuit of happiness. Sam and Jay also explore the Free Society Coalition's Declaration challenge, which encourages Americans to read, reflect on, and discuss the Declaration of Independence with family, friends, and neighbors. Next, Chuck Warren talks with Andrew Kerr, investigative reporter at The Washington Free Beacon, about his reporting on congressional financial disclosures and the wealth of politicians who campaign as working-class champions. Andrew explains how lawmakers can delay disclosures, why some still file in analog format, and what he found in Rep. Ro Khanna's financial records, including family interests tied to private golf clubs and wealth management. They also discuss Arizona Democrat Joanna Mendoza and questions raised after changes to her reported net worth. Follow Andrew Kerr  X: @AndrewKerrNC Then, Brenda Hafera, Assistant Director and Research Fellow in The Heritage Foundation's B. Kenneth Simon Center for American Studies, joins the show to discuss the Heritage Guide to Historic Sites. Brenda explains how the interactive guide evaluates historic sites across the country for accuracy, bias, and educational value ahead of America's 250th anniversary. She also breaks down the American Revolution, the Stamp Act, religious institutions, civic virtue, literacy, self-government, and why everyday Americans should return to primary source documents to better understand the country's founding. Explore the Heritage Guide to Historic Sites at the website below: historicsites.heritage.org Finally, B's Crime Corner closes the episode with a Fourth of July true crime story: the unsolved murders of Shane Stewart and Sally McNelly. B walks through the timeline of the 1988 case, the suspects who emerged over the years, the Satanic Panic surrounding the investigation, and the lingering questions that remain decades later. Listen now to Breaking Battlegrounds, the radio show covering Arizona politics, campus unrest, election integrity, national campaigns, and the true crime cases everyone is talking about. Catch Breaking Battlegrounds live on 960 AM in Phoenix every Saturday at 9:00 AM, with full episodes and exclusive podcast-only segments dropping every Friday wherever you get your podcasts or watch on Youtube. Stay connected with Breaking Battlegrounds: • Substack: https://substack.com/@breakingbattlegrounds • Website: https://breakingbattlegrounds.vote • News: https://breakingbattlegrounds.news • X: https://x.com/breaking_battle • Instagram: @breakingbattlegrounds • Facebook: Breaking Battlegrounds If you enjoy the show, please leave us a 5-star review and share it with a friend. Your support helps keep the podcast growing. Breaking Battlegrounds is one of the top 2.5% most popular shows out of 3,779,399 podcasts globally. We interview policymakers, elected officials, and nationally and world-recognized reporters about the opportunities and hurdles the United States faces.

Search and rescue operations are underway in Kyiv, after the Ukrainian capital was blitzed by Moscow overnight. Today, inspecting some of the devastation in Kyiv, President Volodymyr Zelensky said the US and Ukraine have resumed talks to end the war, but he called on President Trump's envoys to finally come and see for themselves. Joining Christiane to discuss this is former NATO Deputy Secretary-General.  Also on today's show: Ami Ayalon, Former Director, Shin Bet / Former Commander-in-Chief, Israel Navy; Israeli political analyst Dahlia Scheindlin; Jason Stanley, Chair of American Studies, University of Toronto    Learn more about your ad choices. Visit podcastchoices.com/adchoices

As we were preparing for this show, we started to realize that there maybe just isn’t that much good pop culture stuff about the American Revolution. There’s Hamilton, of course. The John Adams HBO miniseries. Maybe the musical and movie 1776? And that’s maybe it? There’s fun junk like The Patriot or National Treasure. But what else? Think about all the great movies and TV series and plays and whatever else there are about World War II. Or Vietnam. Or the American Civil War. I mean, there’s a newish movie (based on a play) about THE WEATHER leading up to D-Day … and it’s pretty good! So what is it about the story of the American Revolution that makes it especially hard to tell well on the stage or screen? The Nose has thoughts. GUESTS: RS Benedict: A writer and bureaucrat whose fiction and non-fiction has been published in the New Haven Review, Fangoria, Current Affairs, and a bunch of other places Jim Chapdelaine: An Emmy-winning musician and a patient advocate for people with rare cancers Joanne Freeman: The Alan J. Boles Jr. Professor of History and American Studies at Yale and the host of two podcasts, History Matters (…& so does coffee) and A Few Thoughts for Those Who Can’t Sleep Rich Hollant: Founder and principal of CO:LAB, a hall of fame designer, and a co-partner at CENTER Carolyn Paine: An actress and comedian, she’s the founder and director of CONNetic Dance and the creative producer and choreographer for The Bushnell’s Digital Institute Gene Seymour: A “writer, professional spectator, pop-culture maven, and jazz geek,” and he writes the That Gene Seymour Substack Lindsay Lee Wallace: A writer and journalist covering culture, health, technology, bats, and anything else people will answer her questions about Bill Yousman: Professor of media studies at Sacred Heart University The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Eugene Amatruda contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Family, friends, and listeners:We gather virtually at a momentous historical threshold. The United States is engulfed in the pageantry, corporate sponsorships, and national choreography of its Semiquincentennial—the 250th anniversary of the signing of the Declarationof Independence. Across the landscape, museum exhibitions are being mounted, monument plaques polished, and civic speeches drafted.We are being summoned, collectively, to step into a grand civic liturgy: tolook back upon 1776 with an unclouded eye of pride, to venerate the so-called “Founding Fathers,” and to reaffirm a singular narrative of unfolding democratic progress. But as citizens of a deeply fractured landscape, we must ask the question that always haunts the perimeter of the American bonfire: Who is this celebration for?Sources Primary Sources:William Apess, Eulogy on King Philip, ed. Paul Royster, American Studies 39 (Published by the author, 1837; 2nd ed., Zea E-Books, 2022), https://digitalcommons.unl.edu/zeaamericanstudies/39Frederick Douglass, “What to the Slave Is the Fourth of July?,” Oration Delivered in Corinthian Hall, Rochester (Rochester: Lee, Man, and Co, 1852), 14-37, https://loveman.sdsu.edu/docs/1852FrederickDouglass.pdfSecondary Sources:Patricia Bizzell, “The 4th of July and the 22nd of December: The Function of Cultural Archives in Persuasion, as Shown by Frederick Douglass and William Apess,” College Composition & Communication 48, no. 1 (1997): 44–60, https://doi.org/10.58680/ccc19973130Drew Lopenzina, Through an Indian's Looking-Glass: A Cultural Biography of William Apess, Pequot (University of Massachusetts Press, 2017), https://doi.org/10.2307/j.ctv346tn6Drew Lopenzina, “What to the American Indian Is the Fourth of July? Moving beyond Abolitionist Rhetoric in William Apess's Eulogy on King Philip,” American Literature 82, no. 4 (2010): 673–99, https://doi.org/10.1215/00029831-2010-041.Mimi Yang, “What Does the 250th Anniversary of the Independence Mean to a ‘Browner' America?,” On_Culture: The Open Journal for the Study of Culture(Germany) 15 (October 2023), https://doi.org/10.22029/oc.2023.1349listener comments? Feedback? Shoot us a text!Use the promo code “KURLY” in the "How did you hear about this adventure?" field when you sign up for a $200 discount.Visit skeptoid.com/adventures to learn more and reserve your spot. I hope you'll join me this December as we explore the mysteries of the Maya together. This December, I'll be joining Skeptoid Adventures as your guide for The Mysteries of the Maya, where we'll travel through the Yucatán exploring remarkable archaeological sites, uncovering the real history behind the Maya civilization, and separating fact from fiction along the way. To reserve your spot, all you need is a fully refundable $500 deposit. Your deposit is refundable through August 1, so you can reserve your place with confidence. After Au Lignum is a haven for culture, rest, and resistance. We believe in celebrating community and honoring the land that holds us. At our urban “milpa,” we practice indigenous science that respects the natural cycles of the region, and most of our workshops are hosted by indigenous and local experts. Every project we do is grounded in collective memory, creativity, and respect for the land and its people.  Order "NEVER WILL IT BE LOST" and get $5 off!Support Lignum: A Cultural Haven in MéridaYour Hosts:Kurly Tlapoyawa is an archaeologist, ethnohistorian, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented lectures at the University of New Mexico, Harvard University, Yale University, San Diego State University, and numerous others. He most recently released his documentary short film "Guardians of the Purple Kingdom," and is a cultural consultant for Nickelodeon Animation Studios.@kurlytlapoyawaRuben Arellano Tlakatekatl is a scholar, activist, and professor of history. His research explores Chicana/Chicano indigeneity, Mexican indigenist nationalism, and Coahuiltecan identity resurgence. Other areas of research include Aztlan (US Southwest), Anawak (Mesoamerica), and Native North America. He has presented and published widely on these topics and has taught courses at various institutions. He currently teaches history at Dallas College – Mountain View Campus. Find us: Bluesky...

Fred S. Naiden, professor emeritus of history of at the University of North Carolina at Chapel Hill, is an authority on the ancient world. In the 1980s in New York City, however, he was New York City Transit Authority Employee number 4046. He cleaned subway platforms and restrooms, drove subways and locomotives, and belonged to Local 100 of the Transport Workers Union. All of these experiences inform his book, Railroaded: A Motorman's Story of the New York City Subway (Rutgers UP, 2026), published by Rutgers University Press. The book covers his work, his life in New York before gentrification, and how the subway system is embedded in the city's history. Robert W. Snyder, interviewing for the New Books Network and the Gotham Center for New York City History, is professor emeritus of Journalism and American Studies at Rutgers University. His books include Transit Talk: New York's Bus and Subway Workers Tell their Stories (New York Transit Museum/Rutgers University, 1997). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Fred S. Naiden, professor emeritus of history of at the University of North Carolina at Chapel Hill, is an authority on the ancient world. In the 1980s in New York City, however, he was New York City Transit Authority Employee number 4046. He cleaned subway platforms and restrooms, drove subways and locomotives, and belonged to Local 100 of the Transport Workers Union. All of these experiences inform his book, Railroaded: A Motorman's Story of the New York City Subway (Rutgers UP, 2026), published by Rutgers University Press. The book covers his work, his life in New York before gentrification, and how the subway system is embedded in the city's history. Robert W. Snyder, interviewing for the New Books Network and the Gotham Center for New York City History, is professor emeritus of Journalism and American Studies at Rutgers University. His books include Transit Talk: New York's Bus and Subway Workers Tell their Stories (New York Transit Museum/Rutgers University, 1997). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Fred S. Naiden, professor emeritus of history of at the University of North Carolina at Chapel Hill, is an authority on the ancient world. In the 1980s in New York City, however, he was New York City Transit Authority Employee number 4046. He cleaned subway platforms and restrooms, drove subways and locomotives, and belonged to Local 100 of the Transport Workers Union. All of these experiences inform his book, Railroaded: A Motorman's Story of the New York City Subway (Rutgers UP, 2026), published by Rutgers University Press. The book covers his work, his life in New York before gentrification, and how the subway system is embedded in the city's history. Robert W. Snyder, interviewing for the New Books Network and the Gotham Center for New York City History, is professor emeritus of Journalism and American Studies at Rutgers University. His books include Transit Talk: New York's Bus and Subway Workers Tell their Stories (New York Transit Museum/Rutgers University, 1997). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Guests: Brad Birzer Host Scot Bertram talks with Brad Birzer, professor of history and Russell Amos Kirk Chair in American Studies at Hillsdale College, about the years leading up to 1776, the importance of the common law tradition to the American Founders, and his new book, The Declaration of Independence: A Radical Experiment in Liberty.

Guests: Brad Birzer Host Scot Bertram talks with Brad Birzer, professor of history and Russell Amos Kirk Chair in American Studies at Hillsdale College, about the years leading up to 1776, the importance of the common law tradition to the American Founders, and his new book, The Declaration of Independence: A Radical Experiment in Liberty.See omnystudio.com/listener for privacy information.

Two hundred and fifty years ago, Philadelphia was not just the center of political revolution, but a hub of scientific discovery. For America's founders, science was more than a pastime — it was a way of understanding the world and the natural laws that shaped it. On this episode, we explore how science and innovation helped give birth to a new nation.We visit the American Philosophical Society in Philadelphia to explore how tracking the transit of Venus in 1769 became a major success for astronomers in the colonies, one that put American science on the map. We'll also hear about efforts to find the exact location of the observatory that once stood near Independence Hall — the place some people say was the location where the Declaration of Independence was read out loud for the first time.The first sentence of the Declaration of Independence cites, “Laws of Nature and of Nature's God,” but what exactly does that mean? Caroline Winterer, Professor of History and American Studies at Stanford University joins us to discuss the ideas that allowed the Founders to bridge the gap between physical science and political governance, effectively inventing our modern concepts of society and inalienable rights.We dive into the story of the "Turtle," the first submarine used in combat which was invented during the Revolutionary War. Reporter Alan Yu explains the many innovations contained in this small vessel, and its daring first mission. Then Host Maiken Scott travels to The International Spy Museum in Washington, D.C., to see a replica of the craft.We head into the kitchen with three prominent Black Philadelphia chefs, Omar Tate, Angie Brown, and Shola Olunloyo, to reconstruct an iconic dish that fueled the revolution: Philadelphia pepper pot soup. Reporter Justin Kramon tells the story of this dish, and how people are keeping its memory alive.

In July of 1777, gunshots rang out over Philadelphia. At first glance, this may not be surprising, as America was still in the throes of the Revolutionary War. But it was not the redcoats who were firing that night. It was Americans, celebrating the very first anniversary of their independence. The edition fo the Philadelphia Evening Post, published on July 15 1777 described the celebration thus:  Yesterday the 4th of July, being the anniversary of the Independence of the United States of America, was celebrated in this city with demonstrations of joy and festivity. About noon all the armed ships and gallies in the river were drawn up before the city, dressed in the gayest manner, with the colors of the United States and streamers displayed. At one o'clock, the yards being properly manned, they began the celebration of the day by a discharge of thirteen cannon from each of the ships, and one from each of the thirteen gallies, in honor of the Thirteen United States … The evening was closed with the ringing of bells, and at night there was a grand exhibition of fireworks (which began and concluded with thirteen rockets) on the Commons, and the city was beautifully illuminated. Next month, our nation will celebrate the 250th anniversary of Independence. While our struggles have changed, our civic and spiritual heritage has not. I invited Brenda Hafera, the Assistant Director for the Simon Center for American Studies, to share some thoughts about Independence Day and what we are doing this Fourth of July to keep the American dream alive.    Email us with thoughts, questions, or suggestions: HeritageExplains@heritage.org   Heritage Guide to Historic Sites: https://historicsites.heritage.org/ American Founders: https://www.heritage.org/american-founders More by Brenda Hafera: https://www.heritage.org/staff/brenda-hafera  

In this episode of Liberty + Leadership, Roger Ream sits down with Bradley Birzer, the Russell Amos Kirk Chair in American Studies at Hillsdale College and author of “The Declaration of Independence: A Radical Experiment in Liberty.”Together, they explore the ideas and events that shaped the Declaration, the tension between conservatism and radicalism in the American founding and why the founders believed liberty required both enduring principles and courageous citizens. They discuss the intellectual and religious influences on the Declaration, the difficult legacy of slavery and how the promise that "all men are created equal" has shaped the American story for nearly 250 years.The conversation also turns to civic education and the future of the American experiment. As the nation prepares to commemorate the Semiquincentennial, Birzer argues that the Declaration remains more than a historical document. It is a timeless statement of human equality and liberty that each generation must rediscover and make its own.The Liberty + Leadership Podcast is hosted by TFAS president Roger Ream and produced by Podville Media. If you have a comment or question for the show, please email us at podcast@TFAS.org. To support TFAS and its mission, please visit TFAS.org/support.Support the show

Richard Weaver was a twentieth century American scholar and rhetorician whose writings were praised by the likes of Russell Kirk, William F. Buckley, Willmoore Kendall, and Frank Meyer.  But nowadays Weaver is either derided as a racially charged Southern sympathizer or accused of preparing the way for the MAGA movement and authoritarianism.  If he's discussed at all. Joining Saving Elephants host Josh Lewis is Michael Lucchese, whose latest essay in Law and Liberty defends Weaver's contributions to the intellectual Right and argues his writings are still instructive for the conservative today.  This episode explores Weaver's actual views on the South and racism, his battles with the neo-gnostics of his day, his peculiar admiration for libertarians and Abraham Lincoln, and his greatest foe, William of Occam. Check out Michael's essay on Weaver, Turning the Clock Back Also, check out the book he edited compiling a collection of Russell Kirk's observations on America's founding, On America: How to Understand the Legacy of 1776   About Michael Lucchese From Pipe Creek Consulting Michael Lucchese is the founder and CEO of Pipe Creek Consulting, a communications firm based in Washington, D.C. He is also an associate editor of Law & Liberty and a contributing editor to Providence. He has been elected to membership in the Academy of Philosophy and Letters, the Ciceronian Society, and the Philadelphia Society, and serves on the board of the Institute for Christianity and Common Life, which publishes Mere Orthodoxy. Previously, he was a Krauthammer Fellow with the Tikvah Fund, a visiting scholar at Liberty Fund, and an aide to U.S. Senator Ben Sasse. His writing on national security, the conservative movement, and the American Founding has been published widely at outlets such as the Wall Street Journal, the Washington Post, National Review, and the Washington Examiner. He graduated from Hillsdale College with a B.A. in American Studies, and is an alumnus of the Hudson Institute Political Studies Program.

In this episode of The Leadership Educator Podcast, Lauren and Dan talk with Dr. Kat Callahan and Dr. Sean Connable about New Directions for Student Leadership Issue 185, Pop Culture's Contributions to Leadership Development. The conversation explores how leadership educators can use pop culture as more than an attention-getter and instead treat it as a serious tool for examining storytelling, cultural values, identity, and leadership development. Listeners will hear examples from podcasts, sports, comic books, television, and other cultural spaces, along with practical ideas for helping students critically examine the stories that shape how society defines leadership. Resources and works mentioned in this episode include: ----more---- Devies, B., Bullock, L., Jenkins, D. M., Allen, S. J., & Stanberry, J. (2025). Sound Leadership: Harnessing the Power of Podcasts in Leadership Development. New Directions for Student Leadership, 185. Leaders Assemble! Leadership and Mentorship in the Marvel Comic Universe with Drs. Gordon Schmidt and Sy Islam — prior TLE episode referenced in conversation The Power of Storytelling in Leadership Education with Dr. Shannon Cleverley-Thompson — prior TLE episode referenced in conversation Department of Leadership and American Studies, Christopher Newport University StarPower® Simulation — Simulation Training Systems; discussed in the context of ethics, power, and experiential learning Scholar Tea Podcast — hosted by Shawna Patterson-Stephens and Cameron Beatty; referenced by Kat as a source that led to a research article in the issue Kegan, R., & Lahey, L. L. (2009). Immunity to Change: How to Overcome It and Unlock the Potential in Yourself and Your Organization. Harvard Business Review Press. — referenced in the context of emotive and transformative learning experiences Walter Fisher's Narrative Paradigm — discussed by Sean in connection with his article on comic books and the cultural power of storytelling Paulo Freire's Pedagogy of the Oppressed — referenced in the context of liberatory pedagogy and the creative acts of marginalized communities

This week we bring you a conversation between Eric Cohen, president and CEO of Tikvah, and the former vice-president of the United States, Mike Pence. The conversation was recorded before a live audience at the Fund for American Studies, and we are grateful to our friends at TFAS for the invitation and for the work they do: forming young leaders in the principles of individual liberty, free markets, and honorable leadership, and sending them out to advance the cause of a free society in their communities and around the world. The conversation opens where so much American reflection on these questions begins, with George Washington's letters to the Jews of Newport and Savannah—the promise of religious liberty on the one hand, and the vision of America as a providential, almost-chosen nation on the other. Those two ideas do not sit together easily, and Cohen and the vice-president think together about what they mean and how they relate: the biblical sources of the founding, the place of Scripture in American education, the case for school choice and the renewal of the universities, and the meaning of federalism in the conservative project. At the heart of this conversation is a fascinating discussion about American expressions of Christianity. Cohen, speaking as a religious Jew, believes that the strengthening of American Christianity is the surest hope for American renewal, and he also warns that a strain of anti-Semitism now gathering strength on the political right would turn that Christianity to perverse ends. To these comments Vice-President Pence adds his reflections about religious culture, and together, Cohen and Pence arrive at a description of a Hebraic Christianity and a Hebraic America—a country that understands the Hebrew Bible not as an atavistic relic, but as the foundation it has in fact always been. This episode of The Tikvah Podcast is generously sponsored by Jessica and PJ Heyer. If you are interested in sponsoring an episode of The Tikvah Podcast, we invite you to join the Tikvah Ideas Circle. Visit tikvah.org/circle to learn more and join.

At his first inauguration, George Washington made a very carefully calibrated political statement: he wore a brown suit. It was tailored from a weave of superfine wool made in Hartford, Connecticut, and was so far from being the crude homespun which was for some an emblem of a proud American—or, for British cartoonists, of crude Brother Jonathan—that some newspapers criticized Washington for wearing a suit of imported fabric. The cloth seemed too good to have been made in America.Washington wore two suits that day. In the evening, at the inaugural ball, he wore a suit of imported purple silk. The choice of these two suits, argues my guest Chloe Chapin in her new book Suitable: The Sartorial Revolution and the Fashioning of Modern Men, shows a dividing line between two eras: an eighteenth century of Washington's youth and early middle age in which men wore a wide variety of textiles in a cornucopia of colors and textures; and a democratic age in which drab and severe signaled liberty and equality among men. Chloe Chapin holds a PhD in American Studies and has worked for more than two decades as a costume designer for Broadway productions, opera companies, and Shakespeare festivals. Suitable: The Sartorial Revolution and the Fashioning of Modern Men is her first book.

Revolutionary New York: 250 Years of Social Change (SUNY Press, 2026), edited by Bruce Dearstyne and published by SUNY Press, examines what the volume calls the “unfinished revolutions” of the Empire State. In sixteen essays by a varied cast of authors, the book explores efforts to achieve what the editor describes as the full promise of the revolution. Central to the book are ordinary New Yorkers who faced great challenges, such as the Oneida who tried to maintain sovereignty in the era of the American Revolution, women winning the vote, and African American soldiers who served in the United States Army in World War I. Together, Dearstyne writes, they tell a story of “the two-and-a-half century struggle to realize the Revolution's ideals and bring increased freedom and opportunities to marginalized populations.” Dearstyne is the editor of this volume and the author of several books, including The Spirit of New York: Defining Events in the Empire State's History and The Crucible of Public Policy: New York Courts in the Progressive Era. Robert Snyder, interviewing for the New Books Network and the Gotham Center for New York Cit History, is professor emeritus of Journalism and American Studies at Rutgers University. He is the author of When the City Stopped: Stories from New York's Essential Workers (Cornell, 2025), winner of the Fiorello LaGuardia Book Prize. rwsnyder@rutgers.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies