Podcasts about bay area now

On this episode, Jay and Elena visit Bay Area Now 8, the YBCA triennial exhibition, and talk about faves and feelings. From work that complicates the relationship between past and present to work that’s just plain complicated. The hosts look at the fine line between art crushes and art conundrums. Let’s just say there are a lot of feelings in this episode, a lot to unpack, and a lot of talk about...crime? -- Subscribe to Art Practical on iTunes to catch what are you looking at? as soon as it publishes! Check us out on instagram at @wayla_pod. #APaudio

This week: The first in our series of interviews from the Open Engagement conference that took place in Portland this past May. We start off with an excellent discussion that Randall Szott, Duncan, Brian and the occasional Incubate person had with artist, writer, lemon tormentor Ted Purves. Topics include; Ted's work, the past present and future of Social Practice and what it means to be an artist today.This series of interviews (thusfar, I've only gone through the first two) are some of my favorite discussions that (the royal) we have had in the 5 years of the show. Great stuff!Ted Purves is a writer and artist based in Oakland. His public projects and curatorial works are centered on investigating the practice of art in the world, particularly as it addresses issues of localism, democratic participation, and innovative shifts in the position of the audience. His two-year project, Temescal Amity Works, created in collaboration with Susanne Cockrell and based in the Temescal neighborhood of Oakland, facilitated and documented the exchange of backyard produce and finished its public phase in winter 2007. His collaborative project Momentary Academy, a free school taught by artists over a period of 10 weeks, was featured in Bay Area Now 4 in 2005 at Yerba Buena Center for the Arts in San Francisco. Ted recently received a visual arts grant from the Creative Capital Foundation and a Creative Work Fund grant from the Elise and Walter Haas Foundation. His book, What We Want Is Free: Generosity and Exchange in Recent Art, was published by State University of New York Press in 2005.The Open Engagement conference is an initiative of Portland State University’s Art and Social Practice MFA concentration and co-sponsored by Portland Community College and the MFA in Visual Studies program at Pacific Northwest College of Art and supported by the Cyan PDX Cultural Residency Program. Directed by Jen Delos Reyes and planned in conjunction with Harrell Fletcher and the Portland State University MFA Monday Night Lecture Series, this conference features three nationally and internationally renowned artists: Mark Dion, Amy Franceschini, and Nils Norman. The conference will showcase work by Temporary Services, InCUBATE, and a new project by Mark Dion created in collaboration with students from the PSU Art and Social Practice concentration. The artists involved in Open Engagement: Making Things, Making Things Better, Making Things Worse, challenge our traditional ideas of what art is and does. These artist’s projects mediate the contemporary frameworks of art as service, as social space, as activism, as interactions, and as relationships, and tackle subject matter ranging from urban planning, alternative pedagogy, play, fiction, sustainability, political conflict and the social role of the artist. Can socially engaged art do more harm than good? Are there ethical responsibilities for social art? Does socially engaged art have a responsibility to create public good? Can there be transdisciplinary approaches to contemporary art making that would contribute to issues such as urban planning and sustainability? Open Engagement is a free conference May 14-17, 2010, in Portland, Oregon. This annual conference will be a focal point of a new low residency Art and Social Practice MFA that PSU hopes to launch in Fall of 2010. This years conference will host over 100 artists, activists, curators, scholars, writers, farmers, community organizers, film makers and collectives including: Nato Thompson, The Watts House Project, Linda Weintraub, Ted Purves, Henry Jenkins, Wealth Underground Farms, Brian Collier, Anne E. Moore, David Horvitz, Chen Tamir, and Parfyme.

This week Brian and Patricia head over to Yerba Buena Center for the Arts to check out Bay Area Now 5, a triennial of local contemporary art. Joining the round table discussion are curators Berin Golonu, Valerie Imus, and Taraneh Hemami, as well as participating artists Ian McDonalnd, Edmundo de Marcheno, and Jonn Herschend. YBCA's fifth triennial exhibition of Bay Area art explores questions around how to re-imagine a regional survey in the midst of globalization. What continues to draw artists here and makes the Bay Area a unique place to live and work when more and more of us are traversing the globe and becoming international citizens? How does the physical geography of the Bay, both natural and constructed, influence the Bay Area as a site of artistic production? How does the history of this region, including its legacy of social activism, shape Bay Area residents' understanding of themselves and the rest of the world's notion of this place? What are the contrasts between the myths, ideals and realities of the Bay Area and the aspirations of its residents? The Bay Area Now 5 survey exhibition asks these questions to explore the many ways artists are influenced by their experiences both inside and outside of the Bay Area.

This week a fabulous crossover episode! Amanda pops up in San Francisco to join Brian and Patrica in an interview of the rising star Leslie Shows. They discuss Leslie's work in Bay Area Now 5, plate tectonics, landscapes in New York, film narrative, and Deluzian geography. The conversation climaxes with a spirited debate between geologic time vs. swirly time. This one's not to be missed.