Podcasts about Bay

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The Tampa Bay Buccaneers closed the preseason with an ugly 19-0 loss to the Jacksonville Jaguars. Jalon Daniels finally received an extended opportunity to strengthen his case for a roster spot, but a fumbled under-center snap and a lifeless offensive performance brought the hype train to a sudden stop.We break down what one bad night really means for Daniels, whether Jack Pyburn forced his way onto the final 53, Tampa Bay's major special teams concerns and the biggest winners and losers heading into final roster cuts.

Television's golden age is over, replaced by one that's decidedly more, as they say, “mid.” Audie and Ari weigh in on whether TV really got worse, the industry's post-prestige identity crisis, and the ingredients for making some of your favorite shows with TV's best director, Hiro Murai (Widow's Bay, Atlanta, Station Eleven). Learn more about your ad choices. Visit podcastchoices.com/adchoices

They're going to Melbourne. And nobody knows exactly what they are yet. That's what makes this 49ers team the most fascinating story in the NFC heading into 2026. Because on one hand — the hope is real and it is enormous. Brock Purdy is entering his prime and on the verge of owning the highest career passer rating in NFL history. Christian McCaffrey is the best all-purpose weapon in football when his body cooperates. Mike Evans is a future HOF'er. Deebo Samuel is home. De'Zhaun Stribling just had the best preseason of any rookie receiver in the NFC. On the other hand ... Is Bosa 80% of what he used to be? Can Kittle give this season a real burst? Can CMC hold up? Will the defense rush the QB? We simply do not know. The hope. The questions. The ceiling. The floor. And what has to happen for the 2026 San Francisco 49ers to finally be the team that ends the drought and brings a Lombardi Trophy back to the Bay.

Every generation gets its own version of a “20-somethings hang out and make mistakes” sitcom. And Gen Z's got Adults, a silly series about a group of friends cohabitating in Queens, New York – and it makes for fun and all-too-relatable TV fodder. Adults is back for its second season on Hulu, so today we're revisiting our episode about the series. If you want more bingeable comedies, check out these episodes:‘The Fall and Rise of Reggie Dinkins' is (30) Rock-solidMeg Stalter shines in the rom-com 'Too Much'‘Widow's Bay' is an island in the screamConnect with Pop Culture Happy Hour:Letterboxd / FacebookOur weekly newsletterSupport public media with NPR+ and enjoy perks for over 25 podcasts like this one. This show's perks include bonus episodes and sponsor-free listening. Learn more at plus.npr.org.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Today, we're rolling it way back to meet the first professional women's basketball players in the Bay. It's Bay Area women's basketball history with the living legends of the San Francisco Pioneers.

I'm a little obsessed with Widow's Bay. It's a horror-comedy series on Apple TV set on a fictional island off the coast of Massachusetts. The island isn't as famous as Martha's Vineyard or Nantucket -- for good reason. Widow's Bay is cursed by a demonic entity. The show is nominated for 19 Emmy Awards, including Best Comedy, and I talked with their Emmy nominated production designer, Steve Arnold. We discuss the careful worldbuilding needed to blend horror and comedy, real and fake history, and subtle references to Jaws, The Fog, Halloween, The Shining, Carrie, and other works by Stephen King. We also look at why some of the props on the show became viral hits, like a set of creepy fake board games. We also have an update on our 2022 episode "Monsters in the Static: Why Gen Z Is Afraid of Analog Horror." I talk with digital folklore expert Diane A. Rodgers about why the web series Backrooms became a blockbuster film that resonated with younger fans this summer. The full version of my interview with Diane can be heard on our Patreon show, Between Imaginary Worlds. This episode is sponsored by Monarch. Use the code IMAGINARY at Monarch.com to get your first year of Monarch Core half off at just $50.   Learn more about your ad choices. Visit podcastchoices.com/adchoices

On today's 8.26.26 show Jess overslept, we go through out Cool or Not list, Disney's collab with the NFL, one server says there's a big difference between gratuity and tips, Dolly Parton's passing, there was one thing everyone had in common at the Noah Kahan concert, nobody wants to live in D4vd's Hollywood Hills home, Karol G's sweet visit while in the Bay, Meta has agreed to settle their lawsuits and more!See omnystudio.com/listener for privacy information.

In the 1st hour of Stokely and Evans with Mark Schlereth, Scrappy Will Petersen fills in for Mike this morning as the guys tell us about their parking mishaps. They look at Peyton Watson’s goodbye letter to the Nuggets... and the comment section ripping him. Does he deserve the hate? Vance Joseph was not happy with his defense after a poor performance against Green Bay and he took a moment yesterday to call them out. Will and Stoke end the first hour talking about Jaylen Waddle’s Mile High debut.  

This week on the OPPOSITION TERRITORY podcast, Jeff sat down with Evan Winter from the A To Z Sports (AtoZSports.com) for a great and in-depth conversation about the Tampa Bay Buccaneers preseason and what the team has done thus far in camp. What are the expectations for the team this season as new players may emerge after losing some talent in the offseason? How will the offense balance itself out? What's the biggest strength and weakness on this team heading into the regular season? All of this and much more this week on our Opposition Territory show!SUBSCRIBE on YouTube: youtube.com/@thephiladelphiasportstableHead over to our website for all of our podcasts and more: philadelphiasportstable.comFollow us on Threads: @philadelphiasportstableFollow us on Twitter/X: @PhiladelphiaPSTFollow us on Instagram: @philadelphiasportstable.Follow us on Facebook: facebook.com/PhiladelphiaSportsTable

Did you know that Lake Erie has islands you can visit? On our recent day trip from Cleveland, we spent a day in Put-in-Bay, Ohio! Located on South Bass Island, we took the ferry over, rented a golf cart, and had a great day here! In this podcast episode, we discuss the best things to do in Put-in-Bay, Ohio and how this place has something for everyone!   Relevant Links (may contain affiliate links, meaning if you make a purchase through these links, we earn a small commission-at no additional cost to you!): -Put-in-Bay Guide: https://worldwidehoneymoon.com/things-to-do-in-put-in-bay-ohio/ -Miller Ferry: https://millerferry.com/ -Jet Express: https://jet-express.com/ -Perry's Cave Family Fun Center: https://perryscave.com/ -Heineman's Winery: https://heinemanswinery.com/ -The Boardwalk: https://www.the-boardwalk.com/ -Perry's Victory & International Peace Monument: https://www.nps.gov/pevi/index.htm -Put-in-Bay Aquatic Visitor Center: https://ohiodnr.gov/go-and-do/plan-a-visit/find-a-property/putinbay-aquatic-visitor-center   Want to support our work? You can buy us a coffee here: https://buymeacoffee.com/worldwidehoneymoon    Need help planning your trip to France? Check out my trip consulting page: https://francevoyager.com/france-travel-consulting-custom-itineraries/    Traveling to France? Check out our Facebook Group called France Travel Tips to ask/answer questions and learn more! https://www.facebook.com/groups/francevoyager/   Don't forget to follow along! Instagram: https://www.instagram.com/worldwidehoneymoon Facebook: https://www.facebook.com/worldwidehoneymoon TikTok: https://www.tiktok.com/@worldwidehoneymoon World Wide Honeymoon Blog: https://worldwidehoneymoon.com France Voyager Blog: https://francevoyager.com Subscribe to the World Wide Honeymoon blog here for monthly updates and tips + get our FREE trip planning guide: https://www.subscribepage.com/o4e5c2

Ciara and Alex are joined by maya goldberg-safir of WNBA Rough Notes to fricking TALK about the W!! We cover the birth of Rose the Dragon + Dot & Dez, react to the surprise DeWanna buyout news, give our All-Star in the Bay recs, and address the premiere loser of the basketball world (En*s K*nter). Thank you for subscribing. Leave a comment or share this episode.

June 16th, 2000. The first of only 89 times The Tragically Hip ever played 'Tiger The Lion' live, and the last one is a long way off from there.Eighty-nine, per Hipbase and setlist.fm. That's the whole run, first to last, June 2000 to a night in November 2009. Fifteen of those as an opener, which makes sense to everybody at the table. Fifteen as an encore, which makes sense to nobody. It never went out as a single. The record it sits second on went two times platinum in Canada and took home the Juno, and it's the second of the two Steve Berlin made with the boys. 'Tiger The Lion' landed at number 65 on the TTHTop40 Countdown and not one person in this room is at peace with that.Then there's the poll. Just over half the Facebook group came back with love it, which the panel did not see coming, and close to eight in ten landed at like it or better. For a track this strange, sitting where it sits, that's a number worth chewing on. Somebody in the comments wanted an option between love it and like it. Jeff has a fix for that, and it's better than extra medium.Duxoop from Toledo dropped a question in the chat that stopped the table cold. What is that opening noise? Jeff had already gone looking earlier in the week, so we get the answer live: what the sound actually is, who made it, and the instrument buried underneath it that most of the congregation has never once picked out. Twenty-six years of listening and there it is, right in front of everybody the whole time.We spin the MuchMusic Intimate & Interactive version from that same summer, Chris Brown and Kate Fenner on stage with them, and then Jeff comes back with something none of us caught. Gord is reciting under Rob's outro. Not scatting. Reciting. From a poem, by a Canadian poet Gord loved enough to record in full for a tribute record years later. And the hotel that poem is named for is a ten minute walk from where Jeff grew up.WHAT ELSE IS IN HERE• John fucking Cage. Greg pulls the passage Gord was reading and puts it in a bigger frame, and it turns out to be about a whole lot more than music. Jeff, meanwhile, has listened to some John Cage and has thoughts about it that are not kind, and he says them anyway.• A song with no chorus. Not a bridge in the middle either, just a break. So how does it hook anybody? Dave takes a run at that one, and at what Rob does on the outro instead of what any other guitar player would have done with all that room.• Greg's theory that the catalogue splits into four groups, that this is where the art rock properly starts, and that this cut sits in the top five heaviest songs the band ever recorded. Bombs dropping. His words.• The sequencing. 'My Music At Work' into 'Tiger The Lion' into 'Lake Fever'. Dave would have moved it. Greg would not have moved a thing.• Where the lyrics turn. Dave on the shift that starts around this record and how much harder Gord makes you work from here on in, and Greg on the mouth shapes and the dancing and writing words that sound right before they mean anything.• First listens. A leaked MP3 that took seven hours to download. A boombox on a deck in Tacoma running the record two days straight. A Calgary apartment full of diehards filing this one under wait, what.Next week the wheel lands on 'No Threat', one of the two new tracks tucked onto "Yer Favourites". Brand new panel, brand new song.THE PANEL• Greg from Tacoma. Met the boys back around 'New Orleans Is Sinking', has seven to ten copies of every CD and gave most of them away. He makes music with AI under Hadees Market Music, spelled H-A-D-E-E-S, after his grandparents Hazel and Ira D.• Jeff from Belleville. Third time in the chair. Belleville sits on the Bay of Quinte, which is exactly why the last ten minutes of this one belong to him.• Dave from Halifax. First time at the table, and a musician, which shows the second the outro starts.GEDFEST TORONTO - SATURDAY, OCTOBER 17The Horseshoe Tavern, with Grace, 2. Every dollar goes to Campfire Circle and the Murphy Family Fund in Precision Medicine in Pancreatic Cancer. Tickets through facebook.com/GEDfestYYZ.THE TIP JARGreg asked for this link on mic, so here it is. If the shows are worth something to you, buymeacoffee.com/tthtop40.FIND USHome: home.tthpods.comEmail: jd@tthpods.comFacebook community: community.tthpods.comInstagram: @tthpodsYouTube: youtube.com/@tthpodsYer Letter: subscribe.tthpods.comMORE THE TRAGICALLY HIP ON SHUFFLE LIVE STREAM'Emperor Penguin': https://redcircle.com/shows/a01e8de3-1a04-4a44-ab9c-8fc6e3cb7474/ep/a2f229b2-b5fc-41e4-8d78-632080d31a3b'Pigeon Camera': https://redcircle.com/shows/a01e8de3-1a04-4a44-ab9c-8fc6e3cb7474/ep/49a9167c-6f8d-4641-8306-959189b38ec8'Gus: The Polar Bear From Central Park': https://redcircle.com/shows/a01e8de3-1a04-4a44-ab9c-8fc6e3cb7474/ep/68d2991b-9074-43ef-bd71-aa832c59a787Live performance counts, dates, and chart details come from Hipbase and setlist.fm, as cited on the stream. Album details from the "Music @ Work" credits.#TheTragicallyHip #MusicAtWork #TTHOnShuffle #GordDownie #TheHip #TTHPodsSupport this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

It's back to school season in the Bay Area, and San Francisco's public school system is also hoping for a fresh start on some old issues. Dr. Maria Su has led the San Francisco Unified School District for nearly two years after taking over in the fall of twenty twenty-four. Since then, she steered the district through $114 million in budget cuts, a teacher strike, and a new labor agreement with the teachers union. But the district still faces some big challenges, including declining enrollment, a continuing structural budget deficit, and questions about whether some schools will eventually have to close. So what should students and families expect from SFUSD this year, and what are the district's top priorities as the new school year gets underway? Those are some questions KALW's State of the Bay host Ethan Elkind asked Dr. Maria Su. First he asked her- what grade she would give to SFUSD. 

Episode 86 takes listeners on a wild, funny, and very candid journey through Cap d'Agde, France, a one-of-a-kind naturist village and lifestyle destination. Host Kenzie is joined by special guest Linda for a recap of their trip to Libertine's Cap takeover, where they break down the freedom, chaos, and fun of the experience—from clothing-optional pool parties and luxe shopping to unforgettable club nights and the infamous Bay of Pigs beach scene.  Linda shares how a “year of yes” has expanded her lifestyle adventures with her partner Steve, and the two reflect on the contrast between different resort experiences, the value of traveling with a group, and the surprising mix of comfort, community, and boundary-pushing moments they encountered in Cap. Along the way, they discuss the freedom of being naked without pressure, the importance of dress codes in unexpected places, and how the event created room for both playful exploration and genuine connection.  In the second half of the episode, Linda gets personal during the Going Deep segment with a sexy story from Toronto's X Club, where she describes an unforgettable encounter that led to her initiating for the first time. Her takeaway: stepping forward and owning desire can be empowering, sexy, and worth repeating.  If you're curious about Cap d'Agde, lifestyle travel, or what it's really like to attend a Libertine event, this episode gives you a funny, honest, and highly memorable inside look.Connect with us:Instagram/X: @FWAT_PodcastEmail: friendswithatwist@yahoo.comWebsite: friendswithatwist.comCheck out our Partners:Shivers Gummies: https://shivers.store- Coupon Code FWAT for 10% offShameless Care: STI Testing/ED Meds/Arousal Cream for Women: https://shamelesscare.sjv.io/fwat Coupon Code FWAT for a discountGame of Lifestyle Cards: https://www.gameoflifestyle.com- Coupon Code FWAT10 for 10% off

Cameron Hassid bought a bankrupt, boarded-up Richard Neutra apartment building in Los Angeles and turned its restoration into a second career. Bay area architect Darren Kelly is an expert on Rush Creek Village, Ohio's little-known Usonian-inspired community, and the author of a new book. Author Patrick Cannon retired from public relations and wrote a comprehensive book on Frank Lloyd Wright's work in Oak Park and River Forest. And closing us out, returning musical guest Nicole Lvoff.

In 1987, in an act of love, a man recorded fog horns from Lands End in San Francisco. Now, that recording has captured the hearts and imaginations of thousands of people online. And, we hear the sonic signature of the Bay's Wave Organ.

Pat Boyle and Brad Evans dive into the fallout surrounding the Cleveland Browns' decision to name Deshaun Watson the starting quarterback heading into the season over rookie Shedeur Sanders. The guys break down Watson's controversial postgame remarks regarding Browns fans, his subsequent apology, and the financial reality of his contract tying Cleveland's hands. Plus, callers SJ from the Bay and Kevin from Baltimore weigh in on Watson's leadership, and Brad lays out a game-by-game prediction pinpointing exactly when Shedeur Sanders could take over under center.

The country's top restaurants have been crowned at this year's Cuisine Good Food Awards. Queenstown's Essence has taken restaurant of the year and is one of just six nationwide awarded the esteemed three hat rating. Auckland's Ahi, Cocoro, Tala, and Paris Butter, along with Hawke's Bay's Craggy Range were the other five, and Tala's founder and chef Henry Onesemo was named Chef of the Year. Cuisine Magazine Editor Kelli Brett told Mike Hosking it's an exciting time for hospitality, with the best yet to come. LISTEN ABOVE See omnystudio.com/listener for privacy information.

Is Sean Tucker's spot on the Tampa Bay Buccaneers roster suddenly in danger?Tucker led the Bucs in rushing, recovered a fumble and scored the game-winning touchdown against the Kansas City Chiefs. However, Josh Williams' versatility, special-teams value and significantly cheaper contract have created a legitimate debate in Tampa Bay's backfield.Rhett and @MrBucsNation break down the case for and against Tucker, the roster math working against him and the biggest overlooked winners and losers from the Bucs' 16-15 preseason victory over the Chiefs.

Jalon Daniels has officially made the Tampa Bay Buccaneers' backup quarterback decision uncomfortable. The rookie led all three Bucs scoring drives as Tampa Bay rallied to beat the Kansas City Chiefs 16-15, then connected with Kameron Johnson on the third-down conversion that sealed the win.We're live breaking down the growing QB2 battle between Daniels and Jake Browning, Baker Mayfield's brief night, Rueben Bain Jr.'s debut, Anthony Nelson and the Bucs defense, plus the biggest roster risers and concerns from Preseason Week 2.

Which Ohio State players are going to become much bigger storylines once the season gets rolling?In this episode of The Buckeye Weekly Podcast, Tony Gerdeman and Tom Orr look ahead and identify five Buckeyes they expect fans to be talking about a lot more by October.The discussion starts with freshman running back Legend Bey, who has already flashed enough in camp to make the coaches want to find ways to get him involved. The guys also talk about linebacker Riley Pettijohn, offensive lineman Josh Padilla, freshman receiver Brock Boyd, and cornerback Jermaine Mathews Jr. as players whose roles or reputations could look very different a month or two into the season.There's also discussion about the depth at wide receiver, whether players like Philip Bell, Dez Jones and Kyle Parker could emerge, and why some veterans may be getting overlooked simply because fans already think they know who they are.0:01 — Welcome to the Buckeye Weekly Podcast0:10 — Spy vs. Spy and the season getting very close1:30 — Five Buckeyes we'll be talking about more by October2:21 — No. 1: Legend Bey3:32 — How Ohio State can expand Bay's role as the season goes4:47 — What Bay still needs to prove5:14 — No. 2: Riley Pettijohn6:33 — Why Pettijohn appears to be gaining ground at linebacker7:22 — What Christian Alliegro's comments may reveal about the rotation8:11 — No. 3: Josh Padilla9:25 — Why Padilla could become crucial depth on the offensive line10:03 — Could Ohio State use Padilla as a sixth offensive lineman?10:53 — No. 4: Brock Boyd11:57 — Why the buzz around Boyd cooled despite a strong camp12:46 — Other receivers who could emerge: Philip Bell and Des Jones13:40 — Kyle Parker remains an interesting name to watch14:08 — No. 5: Jermaine Mathews Jr.14:45 — Why Mathews may be underrated entering the season15:31 — The Davison Igbinosun comparison16:39 — Why fans sometimes remember the negatives more than the full season17:38 — Who else could we be talking about more by October?18:08 — Final thoughts and BuckeyeInsiders.comWhich Buckeye do you think will become a much bigger storyline by October? Let us know in the comments.For more Ohio State football coverage, fall camp intel, X's and O's discussion and more, visit BuckeyeInsiders.com and join us on The Insiders Board.If you enjoy the show, make sure to like the video, subscribe to the channel, and leave a comment. A five-star rating and review on the podcast side is always appreciated.

The character actor Dale Dickey has a career that spans nearly four decades and more than 150 roles. When she's on screen you know you're in for a treat. Dale's now in her mid-60's, and she's just been nominated for her first Emmy for her performance in Apple TV's Widow's Bay. She joins us on Bullseye to talk about the Emmy-nominated show. Plus, we get into the time she played Shrek... at various kids parties in the greater Los Angeles area. See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Have you wondered what it is like to be a military kid or spouse having to move all the time? Ever wondered how someone finds a sense of normalcy in the constant upheaval? Our guest this week has been through that all her life and has some great perspectives on the matter.Follow Jen on Instagram - @mamagreenfieldHere's the link to the acoustic Take On Me by A-Ha Support the showIf you'd like to support this podcast, you can buy me a coffee HERE. Check out the "Keep the Darkness at Bay" Journal & T's Here I'd also appreciate it if you left a 5 star rating and review for the podcast on whichever platform you listen on. Thank You!Special Thanks To:@jasonthe29th - Logo Design@jacobjohnsontunes - Theme MusicPod Decks - Fast 5 QuestionsDISCLAIMER: Some of the links here are affiliate links, which means I will make a small commission if you click them and make a qualifying purchase, at no extra cost to you :)*I hereby solemnly swear to only promote products and services I actually love and use in my podcast and everyday life!

Vita Vea is staying in Tampa Bay after landing a new extension with the Buccaneers. We break down what the deal means for Vita, Jason Licht and a Bucs organization that continues to reward its homegrown stars with second contracts and beyond.Then we turn to the roster bubble. Is Chris Braswell running out of time to prove he belongs? Could Jack Pyburn's NCAA eligibility drama change his future in Tampa Bay? Plus, Todd Bowles says the backup quarterback job is “up for grabs,” setting up another important battle before final cuts.

Support the show on Patreon! - https://patreon.com/gogOther ways to support the show! - https://gog.show/donateJoin our Discord! - https://discord.gg/r4ZmSHBBuy some merch! - https://shop.gog.show/Meta is facing a $1.4 trillion legal ass-whupping over allegations that Facebook and Instagram were deliberately engineered to be addictive and harmful to kids, while OpenAI appears to be doing the exact opposite of what you might expect from a company selling "safe" AI: reportedly sidelining its catastrophic-risk preparedness team just as its models are learning to go rogue. Then, in a move straight out of the "let's have the robots write the laws" file, members of Congress are apparently using ChatGPT and Claude to draft legislation so badly that House lawyers have to clean up the mess, and some staffers aren't even learning the issues their bills are supposed to address. Meanwhile, Amazon may be dismantling physical books and scanning them into AI training datasets, because apparently the future of literature is being fed into a wood chipper.And then there's the surveillance and privacy edition of Tech Hell™. Comcast can now turn compatible Wi-Fi routers into motion sensors that detect movement in your home through radio signals, Kalshi is getting smacked down by a Washington judge who says its sports contracts are just gambling wearing a tiny financial-services mustache, and Tesla is finally recalling 20,000 cars over headlights that have been too damn bright since 2024. Plus, the AI industry continues discovering that “autonomous” means “capable of doing something catastrophically stupid without asking permission.”Elsewhere, we investigate why young people apparently trust AI CEOs about as much as Gen X trusted record-company executives, Peter Thiel gets a Gandalf-themed welcome in Argentina, and we dig into the increasingly uncomfortable intersection of AI, surveillance, pornography, politics, and billionaire bullshit. We also get into the mobile podcasting rig, Sonos finally remembers the iPhone has a Lock Screen, internet-connected pet feeders remind us why cats should never depend on the cloud. Media Candy brings Widow's Bay, Silo, Ted Lasso, It: Welcome to Derry, Kitchen Undercover and enough Spider-Man to make us all desperately crave something that doesn't involve a fucking multiverse.Sponsors:Shopify - Sign up for your one-dollar-per-month trial today at Shopify.com/grumpyDeleteMe - Get 20% off your DeleteMe plan when you go to JoinDeleteMe.com/GOG and use promo code GOG at checkout.Private Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.SetApp - With a single monthly subscription you get 240+ apps for your Mac. Go to SetApp and get started today!!!1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordShow notes at https://gog.show/759Watch on YouTube at https://youtu.be/RMhCndozH-0SHOW NOTESMeta faces a $1.4 trillion reckoning in latest trial over social media addictionPornhub's Parent Company to Pay $120 Million to Settle Child Sexual Abuse LawsuitsOpenAI reportedly disbanded its preparedness team as part of a 'streamlining' processOpenAI denies disbanding its preparedness teamOpenAI launches ChatGPT for Teens, promising a more age-appropriate chatbotYoung People Hate AI CEOs So Passionately That It's Almost Hard to BelieveAI-generated bills are reportedly causing problems in the CapitolProtestors Dressed as Gandalf Demand Peter Thiel Leave Argentina, Go Back to the AbyssTesla Has to Fix 20,000 Vehicles With Too-Bright Headlights It's Known About Since 2024We Tracked a Shipment of Rare Books. It Ended at an Amazon AI Training FacilityState Judge to Kalshi: Your Sports Betting Is Obviously IllegalDario Amodei's Wife Is Closely Linked to Jeffrey EpsteinComcast just turned millions of Xfinity routers into motion sensorsBONTEC Mobile Standing Desk, Pneumatic Lift, Rolling Laptop CartMOALLIA N86 360 Rotating Laptop Stand for Desk with Locking Knobs, BlackNEEWER Basics 7"" Desk Ring Light for Video Recording, 10W Dimmable, R06TROND Desk Clamp Power Bar Surge Protector with PD 20W USB, 6 Outlets, 10ftSonos just launched Live Activities on iPhoneInternet-Connected Pet Feeders Go Down, Leaving Kitties HungryWidow's BaySlow Horses — Season 6 Official Trailer | Apple TVKitchen UndercoverHBO Has Finally Made ‘It: Welcome to Derry' Season 2 OfficialCertainty: A Novel by John Twelve HawksLockstep by Karl SchroederA Gift of Time by Jerry MerrittSilicon Valley Dreams of AuthoritarianismThe Nerd Reich: Silicon Valley Fascism and the War on Democracy by Gil DuránDave BittnerThe CyberWireHacking HumansCaveatControl LoopOnly Malware in the BuildingNorthern ExposureSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Beth Wilson is an intuitive guide, energy healer, best-selling author and Biomagnetism practitioner. Her work is spirit-driven and deeply personal, offering support, guidance and healing for those navigating transformational shifts, emotional blocks, or a desire to align more fully with soul expression. She began her career in the U.S. Congress, eventually moving into publishing. Her first book, Meditations for New Mothers, was a runaway international best-seller. Beth published four additional parenting books to great success. During media tours, radio, television and speaking, she enjoyed connecting with others, giving voice to the anxieties, joys and challenges of parenthood. Determined to present cutting-edge ideas to a broad audience, she launched Quantum Leaps. The podcast went to #1 in six weeks. Beth then hosted a Bay Area television show, In the Sisterhood, offering a new voice for women. She also appeared as a regular guest on ABC's View from the Bay, writing segments to provide guidance and advice based on her books. To build on her success, Beth wrote and produced a wryly absurd comedy news show for women, The Feminine Front. Her media talents caught the attention of Hollywood. She was offered a national TV show featuring her warm guidance and humor alongside her psychic medium talents. Diagnosed with Lyme, she was forced to turn it down. Determined not to allow the disease to derail her, Beth found Biomagnetism. This wellness modality returned her to health. Beth trained extensively with Dr. Goiz to become a skilled Biomagnetism practitioner. Currently, she has a thriving international practice that incorporates a variety of energy medicine systems alongside her intuitive talents.   https://www.bethwilsonlifecoach.com/

On today's 8.19.26 show we talked about National Potato Day, Graham wants to start collecting this one thing, Selena got punked in the school pick up line, the WNBA all-star game is coming to the Bay, a conspiracy is stirring about Jackie the eagle, the worst commute is right here in the Bay Area, Bingebuster, Olivia Rodrigo did something really incredible for one fan and more!See omnystudio.com/listener for privacy information.

This week, we discuss what makes Widow’s Bay such a potent show, whether calling a game “good” or “bad” is even the right conversation in the first place, and the cynicism behind the power fantasy of stable, fulfilling employment found in games like Restory: Chill Electronics Repairs. If you're not backing us yet, head on over to our Patreon. A contribution of at least $5 a month will get you let you listen to the show a day early, give you access to the exclusive Continue Podcast Discord channel, along with exclusive podcast content. Hosts: Susan Arendt (@susanarendt.bsky.social) Anthony John Agnello (@ajohnagnello.bsky.social) David Roberts (@davidrobots.bsky.social) Produced by Bill Segroves (@tarrydiggs.bsky.social) Intro music by Andy P. Scott: https://soundcloud.com/epic1beatz

Nneka Ogwumike will take her final bow this season, the Dream gets a win in Las Vegas, the Lynx travel to the Bay, and more with Marisa Ingemi and Tyler DeLuca. HerHoopStats.com: Unlocking better insight about the women's game.The Her Hoop Stats Newsletter: https://herhoopstats.substack.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hour 1: Taylor Swift got her haircut, and Bob is demanding we talk about it. Meanwhile, Vinnie is so over Taylor Swift. Can the two co-exist? Polyester is GenZ's new slang word for “fake.” Is it too late to start gymnastics? This woman doesn't think so! If your lottery ticket is too valuable, good luck cashing in! Hour 2: Scott Capurro's husband is a Disney adult, but he's still blind. Sounds like their fights are totally normal. Let's put Scott and Vinnie to the test and play: Are You Smarter Than A Gay Man? Then, states are seeking billions in damages from Meta. Vinnie tells Bob a hilarious story from the archives. How much sleep are people REALLY getting? Hour 3: Authorities have confirmed that Hayden Panettiere's tragic passing was an overdose. She was with her on-again-off-again boyfriend, Brian Hickerson, with whom she had previous domestic violence disputes. Human bones were found near Nancy Guthrie's home. Matthew McConaughey says Janet Jackson is the reason he doesn't smoke weed anymore. Bob's wedding is officially right around the corner. You know those little libraries around the neighborhood? Now there are some for DVDs! Vinnie is sharing the 4 horsemen of ruining your relationship. These are the top states for swinging. Lettuce might be the new impossible meat. Hour 4: Ella Langley is still working to make Hot 100 history. Rob Thomas accidentally slammed his guitarist on stage during a Matchbox 20 show. Pat McAfee from ESPN is releasing country music. Matt Bellamy from Muse files for divorce. If you haven't watched Widow's Bay yet it's not too late! Experts are telling influencers to stop taking pictures with sharks. Plus, When Did That Happen?

Ella Langley is still working to make Hot 100 history. Rob Thomas accidentally slammed his guitarist on stage during a Matchbox 20 show. Pat McAfee from ESPN is releasing country music. Matt Bellamy from Muse files for divorce. If you haven't watched Widow's Bay yet it's not too late! Experts are telling influencers to stop taking pictures with sharks. Plus, When Did That Happen?

On today's 8.18.26 show we talked about the news anchor that lost it on air, a foul scene on 'Let's Marry Harry' that had people gagging, more on Hayden Panetierre's passing, climate scientists are concerned about Lake Powell, Ariana Grande got matching tattoos with her bf, a teacher has gone viral for sharing the phrases banned in her elementary school classroom, collect-a-con is coming to the Bay and more!See omnystudio.com/listener for privacy information.

The Titans are 1-0 in the preseason — and there's a lot to talk about. Taylor Zarzour, Rhett Bryan, Ramon Foster and Brad Hopkins break down the win over the 49ers — the 95-yard opening drive, the run game piling up 166 yards, the offensive line setting the tone, what the passing game still needs, Joey Slye's perfect night in the Bay, the four winners of the week, the joint practice blueprint, and the debut of the new Titans uniforms. Subscribe and tune in every week for a new episode of the OTP.See omnystudio.com/listener for privacy information.

A poem about a map opens North and South, the first collection of the great twentieth century poet Elizabeth Bishop, and since, maps have been associated with her poetic vision—at once telescoping and binocular—and with the polarities and preoccupations of her work. The map's privileged, sweeping, bird's eye view of the earth is also hand-held, man-made, intimate. Depending on its level of minuteness or obsession, it can contain the tiniest details as well as, let's say, the whole enchilada. And though it purports to be scientific and objective, it is representational and therefore subjective, particular, imaginative, and personal. For several episodes, Wes & Erin will be reading a selection of some of Bishop's most anthologized poems, starting with “The Moose” as expressions of, among other things, her map-like imagination. Upcoming Episodes: Nolan’s adaptation of “The Odyssey”; more Elizabeth Bishop poetry: “First Death in Nova Scotia,” “One Art.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website Transcript 0:11 Erin: A poem about a map opens north and south, the first collection of the great 20th century poet Elizabeth Bishop. And since maps have been associated with her poetic vision, at once telescoping and binocular, and with the polarities and preoccupations of her work. The map's privileged, sweeping, bird's eye view of the earth is also handheld, man made intimate. Depending on its level of minuteness or obsession, it can contain the tiniest details as well as, let's say, the whole enchilada. And though it purports to be scientific and objective, it is representational and therefore subjective, particular, imaginative and personal. Over the next few episodes, we'll be reading a selection of some of Bishop's most anthologized poems, starting with the moose as expressions of, among other things, her map, like imagination. This is Erin O'Luanaigh. And this is Wes Alwan, and you're listening to Subtext. Wes, have you ever seen a moose in the wild? 1:12 Wes: I have not, but I have seen Instagram videos of them and people getting too close, and I've heard that they actually are quite dangerous. 1:23 Erin: Oh, perfectly harmless. 1:24 Wes: As cute as they look. So not safe as houses. Which is a very surprising line, unless you think that houses maybe aren't as safe as they seem or ought to be. But that's something we'll talk about later. How about you? 1:38 Erin: I have not. And I actually, it's become a running joke among certain friends of mine that I haven't seen a moose because I long to see a moose in the wild. This is my dearest wish. 1:52 Wes: Is that the first time anyone said that in history? I long to see. 1:56 Erin: I don't know. 1:57 Wes: It's a good first line for a poem, actually. Why do you long. Long to see a moose in the wild? 2:03 Erin: Really? Maybe because of the poem. I don't know. I just really want to, but I. Maybe this will become significant without getting too personal or maybe with getting too personal. With apologies to the listeners. Ten years ago now, when my grandfather passed that summer, my grandmother wanted to go up to Maine and revisit certain places that she had been with him. And we ended up going to Acadia. And I was so excited to see. Am just. I got it into my head that I had to go to Acadia and see a moose. And I even bought a sweatshirt. I'm not wearing it right now. I looked down to see if I was wearing it. It's the same size and shape as this one. This is a Yankees, 1996 World Series sweatshirt. 2:42 Wes: It's not a Rocky and Bullwinkle sweatshirt, is it? 2:45 Erin: No, no, no. It's an acadia and it has a. It has a mousse on it. And so I bought it the first day that I was there and I was like, this is my sweatshirt and it has a moose on it. And I'm gonna. I'm gonna see a moose. And I did not see a moose. And then I. I bought a moose sweatshirt in, I think Grand Teton, and I was like, I'm gonna see a moose. And I did not see a moose. And then I lived obviously many years in Utah, and things would happen. Everybody knew I wanted to see a moose. And I would go to these trails where you could see moose. And I would like be going up a trail and someone would be coming down saying, there are moose up there. We just saw a moose. You just saw baby moose. I'd get all upsided and I would. I would run up and it was gone and people would taunt me. 3:32 Wes: So you don't want to see like a magic white heart or something like that? 3:38 Erin: No, no, I just want to see him. Even the garden variety moose? No, no. Just a humble moose will hide itself from me when. When it knows that I am after it. 3:49 Wes: Because they are a goofy, right? Are they majestic? Are they goofy looking? Are they both? 3:55 Erin: I think they're both. And I think that kind of qual quality is really well captured in the poem. No, I mean that quality of if not being then looking safe as houses or being a gargantuan size, and yet having. I know this is a female moose, which I believe is called a cow, as opposed to a bull. Right. But the bulls, even their horns have that hand like quality to them. You know, it looks kind of like an outstretched hand. 4:22 Wes: Interesting. 4:24 Erin: Yeah. They're not majestic. 4:25 Wes: Yeah, I think that's important to the poem. It's not some obviously majestic creature, although it is large and there is majesty in it in the poem, but it's not the typical majesty that you can just get from, oh, look at this beautiful animal. 4:41 Erin: Yeah. And this is kind of why I brought up my grandfather. There was some connection for me as I think there is something quite personal going on with the moose at the end, other than the shared experience of everybody in the bus, all of that. Like there's something bigger than us, more than us, and yet familiar in a way. And it's magical in a sense, because to see it is kind of a rare thing. Yet it also comes out of the landscape that she's that she's grown up in and that she's part of. I think there's a. Yeah. A lot of interesting dualities going on. 5:17 Wes: Okay. So maybe you can read the whole thing and then you could give a little bit. Or we could give a little bit of the biographical background because this is a bus trip she actually took. Right. 5:26 Erin: Yeah. 5:27 Wes: The significance of Nova Scotia, which is where she's departing from in the poem and all of that stuff. But. Yeah. Do you want to start by reading? 5:35 Erin: Sure. The moose from narrow provinces of fish and bread and tea, home of the long tides, where the bay leaves the sea twice a day and takes the herrings long rides where if the river enters or retreats in a wall of brown foam depends on if it meets the bay. Coming in the bay, not at home, where silted red sometimes the sun sets facing a red sea and others veins the flats. Lavender rich mud and burning rivulets. On red gravelly roads, down rows of sugar maples, past clapboard farmhouses and neat clapboard churches, bleached ridged as clam shells, past twin silver birches through late afternoon a bus journeys west, the windshield flashing pink, pink glancing off of metal, brushing the dented flank of blue beat up enamel, down hollows, uprises and waits patient, while a lone traveler gives kisses and embraces to seven relatives and the collie supervises goodbye to the elms, to the farm, to the dog. The bus starts. The light grows richer. The fog shifting, salty, thin, comes closing in. Its cold round crystals form and slide and settle in the white hen's feathers in gray glazed cabbages on the cabbage roses and lupins like apostles. The sweet peas cling to their wet white string on the whitewashed fences. Bumblebees creep inside the foxgloves and evening commences. One stop at Bass river, then the economies, lower middle, upper five islands. Five houses where a woman shakes a tablecloth out after supper. A pale flickering gone the Tantramar marshes and the smell of salt hay. An iron bridge trembles and a loose plank rattles but doesn't give way. On the left a red light swims through the dark. A ship's port lantern. Two rubber boots show illuminated, solemn. A dog gives one bark. A woman climbs in with two market bags. Brisk, freckled, elderly. A grand night. Yes, sir. All the way to Boston. She regards us amicably. Moonlight as we enter the New Brunswick woods. Hairy, scratchy, splintery moonlight and mist caught in them like lamb's wool. On bushes in a pasture the passengers lie back, snores some long sighs. A dreamy divagation begins in the night, a gentle auditory slow hallucination in the creakings and noises, an old conversation not concerning us but recognizable somewhere back in the bus, grandparents, voices uninterruptedly talking in eternity, names being mentioned. Things cleared up finally. What he said, what she said, who got pensioned. Deaths, deaths and sicknesses. The year he remarried, the year something happened, she died in childbirth. That was the son lost when the schooner foundered. He took to drink. Yes, she went to the bad when Amos began to pray, even in the store and finally the family had to put him away. Yes, that peculiar affirmative. Yes, a sharp indrawn breath, half grown, half acceptance. That means life's like that, we know it. Also death talking the way they talked in the old featherbed, peacefully on and on, dim lamplight in the hall, down in the kitchen, the dog tucked in her shawl. Now it's all right now, even to fall asleep, just as on all those nights. Suddenly the bus driver stops with a jolt, turns off his lights. A moose has come out of the impenetrable wood and stands there, looms rather in the middle of the road. It approaches, it sniffs at the bus's hot hood, towering antlerless, high as a church, homely as a house or safe as houses, a man's voice assures us, perfectly harmless. Some of the passengers exclaim in whispers, childishly, softly, sure are big creatures. It's awful plain. Look, it's a she. Taking her time. She looks the bus over, grand, otherworldly. Why. Why do we feel. We all feel the sweet sensation of joy? Curious creatures, says our quiet driver, rolling his Rs. Look at that, would you? Then he shifts gears for a moment longer by craning backward. The moose can be seen on the moonlit McAdam. Then there's a dim smell of moose, an acrid smell of gasoline. 11:05 Wes: Thank you. Very nice. It's really great to hear it spoken out loud. Spoken is the wrong word. It's the word read, performed. Do you want to say anything about the form of the poem before I ask you about some of the autobiographical background? 11:22 Erin: Yeah. Short lines, six line stanzas, 20, I believe. 28 stanzas in all. Irregularly rhymed, should we say? Kind of like a lot of bishop, you know, we get A, B, C. Then sometimes not rhymed where you might expect. So the rhymes peek their heads out and then. And then recede. Chatty a little bit in places, lots of repetitions of words. But that. That's something we could talk about More. But, yeah, kind of. Kind of mysterious form. One of the best things I've ever heard or read, I guess, about Bishop was by Michael Hoffman, who wrote quite a bit about her. And he said that it seems as though every time Bishop is writing, whether in form or in a kind of nonce form that she's creating, that she seems to be just inventing every form, like from scratch. You know, there's no blueprint. She doesn't have a familiar style in which she writes or particular kind of verse form that she seems to gravitate to. And when she writes, you know, a sistina or a villanelle or a sonnet or something like that, it seems like she's almost inventing the form as she goes along. And in this instance, there's a real. I keep wanting to say homemade after Crusoe in England. But, yeah, I think that's maybe what he was trying to get at, that homemade quality, that sort of bespoke kind of quality. And in the places where the rhyme goes in and out, I think that's really exemplified. 12:53 Wes: Well, it better be bespoke. She took forever to write it. 12:55 Erin: Yeah, that's right. She started this in, I think, 1946. 13:01 Wes: And then she finished it when this 13:04 Erin: was published in Geography 3. So she finished it in the 70s. 13:07 Wes: Okay. 13:08 Erin: Geography 3 came out in 1977. And this must have been published before then, individually, perhaps in the New Yorker, I think. Oh, geography three is 76. I would say maybe 72 is the date that comes to mind. Don't quote me on that. 13:24 Wes: Do we know why it took her so long? Obviously, she put it down for a couple days here and there. 13:29 Erin: It was the July 15th issue, 1972. So close to the day that we're recording. Why did it take her so long? She just worked on things forever and ever and ever. You see it, if you read. I highly recommend to listeners that they Get Words in Air. A very, very thick book of all the letters between Bishop and her friend Robert Lowell. You see her bringing up things or even mentioning in a description that she's writing to Lowell in a letter, a line that will later show up in a poem. Yeah. Low rate of productivity is great to. 14:08 Wes: You know, I can relate to that. 14:11 Erin: I take it as my model, honestly. Like, you know, live. Live Large and die with a slim Collected is kind of a. 14:19 Wes: Kind of a great Monroe Doctrine. But call it. What's another name? Bishpro. 14:28 Erin: That's right. 14:29 Wes: Is it right that she was forced to complete it because she agreed to read it this is something for deadlines. Right. At Harvard's Phi Beta Kappa ceremony. 14:38 Erin: I didn't know that. I know she read it at that ceremony, but I didn't know that that's what. The impetus for completing it. But that doesn't surprise me. 14:45 Wes: Yeah. So deadlines help every once in a while. 14:47 Erin: Absolutely, absolutely. 14:49 Wes: And then biographically. Right. This is based on a trip that she actually took, and she. She'd been to visit relatives in Nova Scotia and then came back on this bus trip. And the. There really was a moose. There really was a collie. Seven relatives for the rest of it. Yeah, yeah. Seven else. 15:11 Erin: Yeah, yeah. The specificity and all of it's. You know, there is a kind of like a photo realism, not just in the style, but in the. You know, we could sort of be certain that these things happened the way that she is recording them somehow, and yet she's spinning it into something more than just reportage. 15:30 Wes: So she was raised partly by her grandparents in Great Village, Nova Scotia. Right. Her. Her father had died in infancy and her mother was institutionalized. 15:41 Erin: That's right, yeah. 15:41 Wes: She aged at. When she was 5. 15:43 Erin: That's right. 15:44 Wes: So it's important just because. Yeah. The bus is leaving Nova Scotia, but go. Go ahead. 15:48 Erin: Yeah, it is important. She was born in 1911 in Worcester, Massachusetts, and she's buried there. I've seen her grave up there. It has a line or two lines from the bite on her tombstone. All the untidy activity continues. Awful but cheerful. Yeah. So she was born in 1911. Her father died, I think, of Bright's disease when she was 8 months old. And then her mother was institutionalized when she was 5, and she never saw her again. She didn't die until the 30s, I think, while Bishop was at Vassar. 16:23 Wes: Do we know what she was institutionalized for? Mental illness in general? 16:28 Erin: Yes. I don't know exactly what. In a short story of Bishop's, she describes as her. A scream coming from her mother. And whatever was wrong was exacerbated by her husband's death. And so then Elizabeth was left to be raised by her grandparents in Nova Scotia who were quite poor. And I guess she was kind of running around barefoot on the farm and stuff like that. And her father's family were very wealthy, and so when they came up to visit Elizabeth, they were, I guess, horrified by the fact that she was just like, you know, running around, hanging out with farm animals. And they took her to. Back with him to Worcester, and she was very unhappy there. Very ill child. She had asthma and eczema. And really, like, I think almost died of both at one time or other, very unhappy. And then eventually she moved to an aunt's house in, I want to say, in Revere, Massachusetts, and she was a little happier there. And then she went to Vassar, and I've been to the Vassar campus to see various buildings associated with Bishop and also to see. They did a really fabulous exhibition of her postcards at the Vassar Library a couple of years ago, which I really loved, seeing her hand and her little. In jokes and asides and really amazing to see. Anyway, at Vassar, the librarian there set up a meeting between Bishop and Marianne Moore, who became a mentor to her. They were very close. And then also over the course of her life, she was very close with and had an important friendship with Lowell. Hence the enormous book of letters. I have it here. It's so heavy I could barely pick it up. But this is a great book. It's kind of like an epistolary novel. Yeah. And she was. I think it's important to say, too, that she was a lesbian who had a very long relationship with a Brazilian architect named Lota de Mecedo Soares, who was her partner in Brazil for 15 years. She lived down there, known for travel. A lot of her collections, whether it's Geography three, which is the most obvious one, or north and south, have. There are a lot of Brazilian pumps. There are a lot of geographical poems. The first poem in her first collection, north and south, was the Map, which is often read as a kind of ars poetica. She's known for these types of, you know, sweeping landscapes that the moose begins with, and an interest in landscape and in this kind of bird's eye view. But then also you get these telescoping details, like a cinematic close up interspersed. Much is made of that in Bishop, of that kind of vision of hers, and specifically of, I don't know, the idea that she creates these. These beautiful miniatures, which is true, but maybe sometimes can be a little. I mean, she's revered, as she should be, and she's one of the most popular poets and she also has a great ear and she has so many other great things going on. So I don't want to exclusively focus on that kind of visual element, though it's there and it's very rich. 19:43 Wes: So from narrow provinces of fish and bread and tea. That's a very good opener. Why are they narrow provinces? And what is the. What are the fish and bread and tea doing? Fish and bread sounds vaguely like it could be a biblical reference, but maybe it's not. But you add tea. Right. There's something mundane here and perhaps restricted, provincial. And that's what she's going to be departing from. I mean, well, begins with the tides, but. 20:12 Erin: Yeah, right. Yeah, that's right. Narrow in a few kinds of ways. Because there's a strange. Because of the Bay of Fundy, there's almost that like U shaped corridor of land around it. So Nova Scotia is kind of narrow. And then up into. Then there's the narrow isthmus. I don't know, I don't know if I'm using that word correctly. Up into New Brunswick. Yeah, so there's something maybe a little, I don't want to say spiritually narrow, maybe somewhat limited or like practical. Practical and, you know, just the necessities and a place we learn that that is. That maybe has to be stalwart in response to the vagaries of the water around it. The Bay of Fundy, I was reading online, the tide, over the course of just one tide, can rise and fall 50ft because the bay is like a giant funnel. When it goes out, it just leaves this vast, open, muddy plain basically behind it. 21:16 Wes: She portrays this very beautifully. We get the image of the tide retreating and then the flats that are being illuminated by the setting sun as burning rivulets. And then there's almost a transition into the bus ride when she says on red gravelly roads, eventually the subject of that is going to be the bus. Although in the beginning, before we get to the bus, it looks like the rivulets have almost become roads. So you almost get the sense like the tides come in and it's going to go further inward, it's going to go all the way to Boston, but it's going to become the inhabitants of the bus who are much like the herrings. Right. In the first stanza. The herrings on the tides take herrings on long rides. So it's almost as if as the tide comes in, she is caught in the tide and brought along with it towards her destination. 22:08 Erin: That's right, yeah. And the bay itself, the water itself is also like a traveler, you know, you might go to visit it and find it's not at home, it's gone out for on a trip or something. So there's also that connection as well. Whereas the roads are part of this more solid and dependable and the water being fickle and not always depended on to be there. 22:31 Wes: Well, I was going to say there's something very poignant about the way she describes the tides and whether they're in or out. And I can't put my finger on it exactly. It's almost. It's this idea of. Right. Where if the river enters or retreats in a wall of brown foam depends on if it meets the bay. Coming in the bay, not at home. If the tide is in or coming in the river clashes with it in a wall of brown foam. Is that the idea now? And what's the image there? Is it always a wall of brown foam? Well, either way, I just. Something about this idea of. It depends on whether the bay is at home or something like that. It's a poignant image. 23:12 Erin: It is. It's that sense of just. Of disappointment or just missing someone, like a missed opportunity. Seems kind of surprisingly emotionally resonant, considering that she's talking about a tide. 23:25 Wes: And we. You know, it introduces the idea of home and. Which I think will be significant. And later on we'll talk about whether the moose is safe as houses and the reflections of the elderly and all that stuff. But. 23:40 Erin: And boundaries, too, right. You have very slippery boundary between the bay and the. And the sea, between the rivers and the bay that feeds them. And I think that boundary very much plays into the idea of home. And you could say that the bus seems to be a part of that too. Right. Like the bus becomes the home. So there's a little bit of the slippery idea of this transposition of home life into the bus, or the people on the bus all becoming the. We like a family within it. The way that it can literally cross national boundaries. It's going to Boston across the border. 24:18 Wes: Yeah. And then they'll be observing provincial life, I guess, from within the bus. And. And, you know, a woman shaking out an apron, for instance, or home life. But, yeah, I had the same thought to you. The bus. The interior of the bus becomes its own kind of mobile home, I guess. I guess the wall brown foam part. There's that push and pull, or it's a matter of who's doing the pushing. Right. In one case, the brown foam. The wall of brown foam is caused as. As the river pushes on the retreating tide. And the other case, it's the tide pushing back against the river as it comes in. But in either case, there's a clash there. 24:58 Erin: Then there are places, though, where there's blurring of boundaries. Like one of my favorite lines in the whole poem, the idea of the churches as ridged as clamshells. She always takes that. This is much remarked upon among scholars of Bishop. Where you get the thing that's. That's really big, suddenly reduced in size to the handheld, but coming out of the same idiom. You know, both the clamshell and this clapboard church are in a way equally native to Nova Scotia. The brilliance of connecting those two things and fishing being an industry in the area, you know, sort of springing out of the fishing industry. 25:42 Wes: Yeah. And shells are what's left as the tide retreats. Right. As it's as if the houses are just the natural residue of a retreating tide. 25:52 Erin: That's great. 25:52 Wes: From the beginning of the poem, there's a sense of momentum, and almost like you, at least in my case, I felt like I'm on a camera moving over the landscape, and it starts with the tide, and then it moves to the burning rivulets. Right. So now we're hovering over. I don't know what you would call it, a. A tidal plane. Anyway, she calls it the flats. Right. So all the silt, and we're moving along there, and then suddenly we're on a gravelly road. So the sun takes over from the sea. The redness of the sun. And then the bus takes over from the sun. But that's the momentum of the poem is from sea to sun to bus. 26:37 Erin: Yeah. The bus flashes pink. We get lots of pairs of the same word, creating a kind of chime with each other. So we get the windshield flashing pink. Pink glancing off of metal. And we wonder, I suppose, because part of the reason why the roads are red is because of the clay content. Right. Of the road itself. So we get that combination of, like, something red in the road or in the composition of the soil and rock of the area. 27:07 Wes: Laterite, I think, which I only know because of Graham Green, who I've been reading. Oh, and what heart of the matter. He's talking about laterite houses, like. So from the red clay, you can make, you know, homes from as well, and common in Sierra Leone. So he used the word like a hundred times before he finally looked it up. All right. There must be something that's going to not know what he's talking about. I'm like, oh, okay, now I get it. Yeah. 27:41 Erin: So that's the mineral, the. 27:44 Wes: It's reddish. Yeah. Reddish clay type of soil, topsoil or something like that. I should know more about this because I used to write about this, too, when I was writing about transportation and engineering. 27:56 Erin: Right. 27:57 Wes: It's important what kind of soil you're building on. But anyway, I remember nothing about that. But, yeah. So it could be the right word. Who knows? But. But, yeah. So you're getting at the. Yeah. The way the redness of the sun is interacting with the. 28:12 Erin: Yes, it's coming. 28:13 Wes: The redness of the soil. 28:14 Erin: Yeah. And that kind of redness coming from below and above to glint off of the bus. The windshield is flashing pink from the sun and the metal is flashing pink from the road. They're both brushing the dented flank of the blue beat up enamel from one direction or the other, it seems. Yeah. Sort of tunnel of red in which the. In which the bus is traveling. 28:41 Wes: Such a vivid image that she gives us. It made me think, you know, sometimes it's almost better than film. It's more vibrant or more. Don't know how to say it, but I was thinking about this because in some of the philosophy podcasts we do, there are philosophers who deny that we have imagery in our head. Exactly. Or we can never. Which seems true. Right. We can't imagine anything with the vividness that we would have if we actually saw it. But it makes me think when I read a poem like this, but also. And also reading some of the novels I've been reading. Well, there's a special kind of vividness to figurative language that perception can't capture. In some ways it's more. More vivid, definitely. 29:26 Erin: I think the sonic quality of the word, the repeated. Right. It's on the one hand a repeated image, but then it also creates that kind of just the soundscape, makes them feel somehow more synesthetic to say, but somehow more picturable or more tangible or more. I don't know, the pink glancing off metal, the dented flank beat up enamel. You know, there's just. It's like. I think that's contributing to it, to the vividness of the image. And yeah, you talked about momentum, too. I mean, this entire. This whole first sentence is six stanzas long. It ends with. And Akali supervises. So there's also that kind of. Yeah. Locomotive propulsion of the camera work, so to speak, Zooming in and then following the road into the bus. And then the bus arrives to sort of catch again, quite cinematically the scene that's actually happening or the place where the eye, if there is an eye in the poem, actually is the lone traveler embracing these relatives with the collie watching on. So there's a sense in which the I eye of the poem doesn't actually catch up with the speaker until stanza six and the end of this first sentence until we get goodbye to the elms, to the farm, to the dogs. So there's kind of lamination at that moment of the I eye and the capital I. 30:49 Wes: We seem to be gradually getting more of a point of view. Right. It's very omniscient in the beginning, hovering over the landscape. And I think gradually we're going to be getting a her point of view in the bus and then a we. But also just to note, this is one. I think this is the first of three pauses. Right. There's gonna. It's gonna pause here, the bus. The momentum is gonna stop as the bus lets on the lone traveler, which I presume is her. Right. Her saying goodbye. And then there'll be a pause when the amicable freckled woman gets on. She's there because we need everything to be in threes. And then we. Then we're gonna pause for the moose in the very end. I didn't miss anything. Right. There's not other places where we stop? 31:32 Erin: No. I mean, there are, of course, stanzas that end some more definitively than others and stopped with a period. There's a stop at Bass River. Right. So there is a little bit of that kind of start. Stop syntactically. But I think you're right that those are the stops where there's content. 31:49 Wes: Content goes. 31:50 Erin: Yes. And where there's a very particular. Yeah, the content of the bus, except for the moose obviously doesn't get on the bus. But there's a stop that's motivated, let's say, rather than just being described as various stops along the way where we don't know who got on and who got off or whatever. Certainly there's also a movement toward that more personal experience of the speaker. But then there are also things that the speaker couldn't possibly know or you know, because once she's said goodbye to everyone and gets on the bus, then we also get the sort of nature show close ups. The crystals of fog, the lupins like apostles, the sweet peasants clinging. One of my favorite parts, clinging to their wet white string on the whitewashed fences. Again, we get two uses of white right next to each other. Bumblebees creeping in the foxgloves. All things you really can't see from certainly from a moving bus. 32:43 Wes: Yeah, the point of view gets focused very, very gradually, maybe through the whole palm. Maybe it's not fully focused until the very end, but. Yeah. So you're pointing out something important which is at the sort of omniscient point of view is still here in these very. What do you call it when you take a close up with your phone? Macro, ironically. Yeah. These very close up pictures of flora and fauna and very Beautiful. 33:12 Erin: Yeah. They compound and then they get more and more loaded and mysterious. And just when we're about to maybe go over the edge, we get recalled back a little bit. That's at least how I'm reading, for instance, stanza 12, about the ship's port lantern and the boot and the bark of the dog. And then suddenly a woman climbs on the bus. And so we're sort of stopped from going off into some sort of train of thought that you could follow there down a rabbit hole. But I love that stanza on red light swimming through the dark. It reminds me of the last stanza of disillusionment, of 10 o'. Clock. Do you know the old sailor, drunk and asleep in his boots, catches tigers in red weather? I think that's how it goes, the Stevens bomb, because we get the boots and the red light in the ship, so they're probably. No. No real connection there. 34:07 Wes: So all of these little intricate descriptions that she's giving, right. It begins with the light growing richer, which I take it mean, means we're approaching dusk and evening, or we're in dusk and it's evening is approaching and a kind of mini winter, Right. Something. It's a diurnal cycle, but there's a bit of a parallel to something seasonal. Right. So we get crystals forming and the images like sweet peas clinging and the bumblebees inside foxgloves. As evening commences, it's almost like. I don't know if this is true, but it's almost as if we're getting the response of the animals and flora and fauna to the commencement of evening. That's our first indication of it. So I was surprised to see, okay, it's still light out enough for us to see a woman shaking a tablecloth out after supper. And that is beautifully described as a pale flickering. Right. Almost as if that's something like the light reflecting off the enamel bus, or not pink anymore, but just a flickering of pale light and then gone, I suppose. Does that mean that we're now without light? Is that sort of the way nighttime is ushered in by the end of the next stanza? And it's in the next stanza that we see a red light in the dark. Now we have a ship in the dark. So it's almost as if. Yeah, the shaking of the tablecloth is like a magician. Abracadabra. Now it's nighttime, Right? 35:39 Erin: Yeah. I love that. Yeah. You're making me realize how many connections there are to Keats in this poem. Right. There's something Keatsian about it, very. To Autumn, you get the sweet peas clinging on the fence. You get that image of fecundity things on top of other things. You know, the mossed cottage trees and the late flowers for the bees. And then the shaking out of the tablecloth is like the hair lifted by the winnowing wind. Right. Because there's. There's wind, there are flowers and bees. And then there's also, of course, redness and that image of, you know, like the evening. Autumn. Evening redness. And maybe this is. Yeah. Rows of sugar maples. Those could be red as well. If we're in an autumnal landscape, can't be too late because everything is, you know, it's got to be like August, maybe because we have this. Or. No, I guess maybe not. Gray glazed cabbages. I don't know enough about cabbages to know at what point in their development. 36:40 Wes: Yeah. Whatever season it is. I just think that the evening is almost like a mini winter. It gets colder and we see the. 36:46 Erin: Definitely. 36:47 Wes: We see the effects of it. But, yeah, maybe autumn is probably the logical season for. 36:53 Erin: Right. Yeah. And that point. Or that point in the transition from summer to autumn where, I mean, even on a summer night in Nova Scotia, the evening temperature is quite autumnal regardless. And so when the woman climbs on with the market bags, we get. 37:09 Wes: Shall we take a. Shall we? 37:12 Erin: Oh, yes. 37:13 Wes: Let's let the freckled amicable woman on in part two. 37:17 Erin: She'll have to wait. 37:18 Wes: Let's not let her on the bus yet. 37:20 Erin: You have to wait for everyone else to get off before you can get on. It's one of the cardinal rules of public transportation. Okay, we will continue in part two. Thank you. 37:29 Wes: Thank you.

Diana Vega was the first mate aboard Team UNICEF in the 2025-2026 Clipper Round The Wolrd Yacht Race, a circumnavigation on one-design 70' ocean racing yachts with professional skippers and amateur crew. Diana grew up sailing in Cowes, started sailing professionally during the pandemic, and went on to crew in the Solent and Caribbean. She co-skippered the Clipper Race with skipper Guy Waites. The race started in Portsmouth, UK, then stopped in Spain, Uruguay, South Africa, West Australia, East Australia, The Phillipines, China, South Korea, Seattle, Panama, Washington DC, Scotland, and back to Portsmouth.  We talk about completing the race and what it was like to finish, the accomplishment of circumnavigating and taking 50 amateur crew safely around the world, an injury and medical evacuation during heavy weather off Japan, a rogue wave, tethers, their sail wardrobe, safety, when to clip in with a tether, things she learned from her skipper Guy Waites, the crew, the stars, how sailing humbles us, the mysterious green flash, UFO's, hand-steering, not helming to the instruments, the North Pacific, books, heavy weather, the Bay of Biscay, future sailing plans, cruising vs racing, navigating the high-traffic of the South China Sea, dealing with fleets of fishing boats, transfering to another boat, managing a crew, and more. Support the show through Patreon Links and Photos are at https://www.paultrammell.com/offshoresailingandcruising Shop dinghy lights at https://showmeyourdinghy.com/ Sail with Sailing Resolution Shop or list sailboats at SailboatsforSale.com

Massachusetts has always been the home of very talented comics. There's something in the water of the Bay state that creates witty, brash & hilarious takes from our people and that couldn't be any more true for Jay Larson! Born and raised in Stoneham, Jay started his comedic journey nearly 30 years ago and has went on to tour, write, direct, act, all while amassing a loyal following with his creative storytelling and leaving us with side-splitting laughter! This week, join Charlie MaSheen, Bellez & Paris Frantz in a HILARIOUS podcast featuring Jay Larson as we go through parts of his career, being a father, why he likes stealing (only from friends though lol), working with #DaveChappelle & SO MUCH MORE‼️ What was more special about our #RedCupsAndRatings segments this week is that Jay actually listened to both albums by #DaveEast (Price of Pain) & #4FIVE6NICE (Anything's Possible) and gave us his takes on each respectfully! This was a very fun conversation with a very entertaining back and forth between Jay & Paris, Charlie expressing how we hit our “White quota” for the year, and Jay tells us what the Master Race is

In this episode of The White Witch Podcast we step into the woods of August to explore two powerful allies of witchcraft, mythology and folklore - Bay and the Wild Boar. We begin with Bay a plant long associated with prophecy, protection, purification and victory. We explore the many ways Bay can be incorporated into your craft, from cleansing and divination to protection and banishing before following its mythological threads through Circe, Apollo and Daphne and into the sacred world of the Priestesses of Delphi. We also work with Bay practically finishing this section with a simple banishing spell using its leaves - ritual can be found here - https://witchesofthecraft.com/tag/bay-leaf/ Then we travel deeper into the ancient forest to meet the Wild Boar, a creature whose image appears again and again across European mythology as a symbol of ferocity, courage, sovereignty, abundance, protection and the mysteries of the Otherworld. We follow the boar through the story of Odysseus before travelling north into Norse cosmology and its connections with Freyr and Freyja including the golden boar Gullinbursti and Freyja's companion Hildisvíni. We visit the great hall of Valhalla where the fallen warriors feast upon the endlessly renewed cosmic boar and explore the animal's possible connections with the earth and mother goddess Nerthus. From there we wander through continental and British folklore, meeting the boar god Moccus, seasonal customs such as the Jouluporsas and the animal's importance within Celtic and Druidic traditions. We explore its links with warriors, death, the afterlife and the Otherworld alongside stories involving Merlin, the Devil, Cerridwen, Manannán mac Lir and the great boar hunt found within the Welsh tale of Culhwch and Olwen. We also venture into Greek mythology with Heracles and the Erymanthian Boar before looking at what the Wild Boar may represent spiritually when it appears within our own lives, dreams or practice. Our book review this month is Circe by Madeline Miller. We finish the episode with a collection of journal prompts inspired by The Odyssey inviting you to consider your own journeys, trials, transformations and homecomings. The journal prompts came from the Instagram page - @the_edit_experience_ What song do your sirens sing? What bow can only you string? What is your Troy? What is your Calypso? What is your Ithaca? Why can't you go back there? Can you forgive yourself for the last seven years? Can you accept yourself? So light a candle, gather your Bay leaves, and come with me into the old woods — where gods, witches, warriors and wild creatures are never quite as far away as they seem. Join Me for Our Mabon Coven Gathering If you've ever wanted to experience witchcraft in person, I'd love to invite you to our very first Coven Gathering in Lincoln. Together we will celebrate Mabon, the Autumn Equinox through seasonal folklore, magical teachings, practical witchcraft and a guided journey inspired by Baba Yaga's ancient forest. You will create your own Mabon Harvest Charm to take home, receive beautifully illustrated grimoire pages and spend the afternoon connecting with a wonderful community of like-minded witches over homemade herbal teas. Whether you are completely new to witchcraft or have been walking the path for many years, this gathering has been created as a welcoming space to learn, practise and celebrate the turning of the Wheel of the Year together. You can find the booking link below if you would like to join us. I would absolutely love to see you there. https://www.eventbrite.co.uk/e/1995695286324?aff=oddtdtcreator Join us in The Hedge & Hollow for a Circe Summer with our August theme - This month we journey to the mythical island of Aeaea to meet one of the most fascinating witches in mythology – Circe. Often remembered as the enchantress who transformed men into pigs however there is far more to her story. Circe is a woman of solitude, exile, herbal wisdom, magick, transformation and self sovereignty. Her island becomes a place of initiation where those who arrive are forever changed. Throughout the month we will explore Circe through mythology, folklore and practical witchcraft discovering what her story can teach us about reclaiming our own power and embracing the transformations life asks of us. Across this month we will look at - A deeper exploration of Circe's mythology - looking beyond the familiar tales to uncover the symbolism and wisdom hidden within her story. A guided meditation transporting you to Circe's island where you will meet Circe herself and discover the messages she has waiting for you. Two Hedge Witch studies exploring the magical folklore, history and correspondences of Hellebore and Cypress. Two plants deeply connected with liminality, death, rebirth and the ancient witch's path. Practical witchcraft including a beautiful Transformation Oil inspired by Circe's magick alongside banishing practices, reflection and spellcraft to support your own personal transformation. This month will lean into embracing our own transformations and moving towards them with courage, wisdom and compassion. I'll see you on Circe's island. Find my Patreon The Hedge & Hollow here - https://patreon.com/TheHedgeandHollow?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink Find my Etsy store here for zines, witch boxes, spell candles and altar posters here - https://www.etsy.com/shop/TheWhiteWitchCompany?ref=seller-platform-mcnav Instagram - https://www.instagram.com/thewhitewitchpodcast/?hl=en For PR enquiries etc please email carly@thewhitewitchcompany.co.uk   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The “Widow's Bay” star on his two Emmy nominations, his penchant for going dark and his wobbly self-esteem. Thoughts? Email us at theinterview@nytimes.com Watch our show on YouTube: youtube.com/@TheInterviewPodcast For transcripts and more, visit: nytimes.com/theinterview Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Nerdpocalypse breaks down the 78th Primetime Emmy nominations! HBO Max's Hacks set a new record with 24 nominations for a comedy series in its final season, edging out last year's record held by The Bear and The Studio. Apple TV had a massive showing with Widow's Bay (19 noms), Pluribus (18 noms), and Margo's Got Money Troubles, while The Pitt led all nominees overall with 25. We break down the biggest snubs, surprises, and who's actually favored to win when the ceremony airs September 14th on NBC.Then: is the next James Bond already cast? Producer and author Richard Osman dropped a bombshell on his podcast claiming Slow Horses star Jack Lowden is "strongly considered" for 007 — and the connections check out, including a shared casting director and his wife Saoirse Ronan publicly campaigning for the role. We break down Lowden's case, and why this rumor feels more credible than most.Plus our reviews of everything we checked out this week: The Guest, Cape Fear series on Apple, Life, Larry and the Pursuit of Unhappiness, The Mandalorian and Grogu, X-Men '97 Season 2, and Batman: Caped Crusader Season 2!The Nerdpocalypse is a weekly podcast covering the latest movie news, TV show news, trailer reactions, and pop culture commentary. We break down Marvel MCU updates, DC Universe news, Star Wars, superhero movies, sci-fi, horror, streaming wars, box office results, casting announcements, and everything happening in Hollywood and the entertainment industry. Hosted by Jay, Micah, and Terrence. A TNP Studios production since 2011. New episodes weekly on Spotify, Apple Podcasts, YouTube, and all major platforms. Premium content at TheNerdpocalypse.com/premium. For more TNP Studios content, check out Black on Black Cinema (Black film reviews), Dense Pixels (video game news), and Look Forward (progressive politics).

The first panel of SoundDay LA was a wonderful talk with some of AppleTV's Emmy nominated sound teams. Including Larry Benjamin, Tim Hoogenakker, Matt Yocum and Sang Kim from Window's Bay. Anna Wilborn and Alex Jongbloed from Shrinking. As well as Phillip Palmer from Pluribus (Larry and Tim mixed Pluribus too). As a group they discuss finding the voice of a show, capturing the dialog on set in difficult situations, how foley can be an emotional catalyst and lots more. Big Thanks to SoundDay LA's sponsors: Remoto Playback (https://remotopro.io/), ASG (https://www.asgllc.com/) & Sound Ideas (https://sound-ideas.com/) ____ For full details on how you can take part in this year's Tonebenders Listener Field Recording Stories, go to ____ For full details on how you can take part in this year's Tonebenders Listener Field Recording Stories, go to https://tonebenderspodcast.com/field-recording-story-submissions/ ______ SPONSORS: If summer has your next project heating up, Sound Ideas is making it easier to build up the library you'll need. During the Sound Ideas Mid Year Sale, you can save 50% on all proprietary items. From impacts and ambiences to vehicles, animals, machinery, production elements, and specialty effects, you can stock up on professional sounds before the next deadline hits. Get ahead of the edit with sounds ready for the scenes, transitions, textures, and surprises still to come. Shop the 50% off, Mid Year Sale now at https://sound-ideas.com/ ______ Make sure you are up to date with everything Tonebenders is doing, from upcoming events to the latest episodes by signing up for the once-a-month Tonebenders email newsletter: https://tonebenderspodcast.com/join-our-email-list/ Episode Notes: https://tonebenderspodcast.com/373-live-from-soundday-la-widows-bay-pluribus-shrinking/ Podcast Homepage: https://tonebenderspodcast.com/

The “Widow's Bay” star on his two Emmy nominations, his penchant for going dark and his wobbly self-esteem. Thoughts? Email us at theinterview@nytimes.com Watch our show on YouTube: youtube.com/@TheInterviewPodcast For transcripts and more, visit: nytimes.com/theinterview Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Comedian and actor Tim Baltz (The Righteous Gemstones, Widow's Bay) joins the Andy Richter Call-In Show to discuss your WILD-CARD stories! Next week, we want to hear your COP STORIES with comedian Gil Ozeri! Want to call in for a future episode? Fill out our Google Form at BIT.LY/CALLANDYRICHTER or dial 855-266-2604 with whatever you want to discuss! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this special edition of the Fine Homebuilding Podcast, the crew discusses effective roof, wall and deck flashing techniques to celebrate Flashing Awareness Day. Special guest Aron Jones of Big Dog Construction joins the Podcast to talk about good and bad flashing techniques and why it's so important to keep bulk water out of buildings. Aron builds houses on Grand Manan Island in Canada's Bay of Fundy.    Tune in to Episode 750 of the Fine Homebuilding Podcast to learn more about:  The reasons behind celebrating Flashing Awareness Day  A checklist for exterior details that require flashing   What happens when you forget or ignore basic water management Have a question or topic you want us to talk about on the show? Email us at fhbpodcast@taunton.com. ➡️ Check Out the Full Show Notes: FHB Podcast 750 ➡️ Buy tickets for the 2026 Fine Homebuilding Summit — use code "Podcast15" for 15% off ➡️ Follow Fine Homebuilding on Social Media:   Instagram • Facebook • TikTok • Pinterest • YouTube  ⭐⭐⭐⭐⭐  If you enjoy the show, please subscribe and rate us on iTunes, Spotify, YouTube Music, or wherever you prefer to listen.

Adam and Jessica talk about Widow's Bay, The Odyssey, the new Jackass movie, a whole bunch of Shudder horror movies, and so much more!Jackass: Best and Lasthttps://youtu.be/sNwzFhGwA94?si=8c4jKdWQRs2t0gpk Ready Or Not 2: Here I Comehttps://www.youtube.com/watch?v=7K3sNRm8J0wTowhttps://www.youtube.com/watch?v=qdkpcsuPAhAShipwrecked: Nightmare At Seahttps://youtu.be/eWPdwVtVx9Y?si=YSGR01RQKip677lPNight Patrolhttps://youtu.be/8J_pMGZScB8?si=vHAMH6EqP8QeNWPh $Positionshttps://www.youtube.com/watch?v=N0095l-Vue0 Lurkerhttps://youtu.be/876d5ZnyzzQ?si=qI5yDUBvI81vdNW- The Last Sacrifice https://youtu.be/rcfAuUjibAk?si=RQ01Ns-UNS1Pu3VU Little Brotherhttps://youtu.be/bWtrFcerKE0?si=dFqFOSFGmjKWV7rl Widow's Bayhttps://youtu.be/GLMoZUWh_dI?si=HExqj42NHV-QStr_Leviticus LEVITICUS - Official Trailer - Only In Theaters June 19SupergirlSupergirl | Official TrailerStop! That! Train!Stop! That! Train! | Official Trailer | Bleecker StreetThe InviteThe Invite | Official Trailer HD | A24Bang My Box: the Robin Byrd Storyhttps://youtu.be/QWl_IE5eN4I?is=7VI7CTWRHqVK0iooMaddie's SecretMaddie's Secret - Official Trailer | John Early, Kate Berlant | In theaters June 19Below Deck MedSNEAK PEEK: Your First Look at Below Deck Mediterranean Season 11 | BravoThe Furioushttps://youtu.be/Avky8dVaqAI?is=qSF4lOOlxAOZbeQABecome a supporter of this podcast: https://www.spreaker.com/podcast/hey-unpopular--7047651/support.

The Next Best Series Podcast is back as Amy Kim, Giovanni Lago, and Megan Lachinski join me to discuss the latest series we've been watching on television, but more importantly, for this free episode we're advocating for who we believe should win an Emmy at the 78th annual Primetime Emmy Awards (including some from the Creative Arts Emmy Awards). Final-round voting begins on August 17th and runs until August 26th, so now is the time to get loud about your favorites you want to see the Television Academy voters reward. Are we pushing for "Hacks," or "Widow's Bay," "The Pitt," or "Pluribus," or maybe something else entirely? Will it matter how well "DTF St. Louis" does if no one can see it on the main broadcast? Please tune in to find out. We'll return with a final winner predictions episode once voting closes! Until then, thank you, as always, for listening. We hope you enjoy this free full-length episode! https://youtu.be/P5LGYr_8iiM Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

The mailbag is open! This week, Rebecca and John answer your questions about this year's Best Actress race, how to make the most of Telluride, and so much more. Then, John talks to Widow's Bay creator and showrunner Katie Dippold about the inspiration behind the Emmy-nominated horror-comedy series. Stick around till the end for a special round of FMK: Horror Movie edition. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dylan Meyer grew up in a film school. Well, kind of; her dad was a screenwriter. And Dylan chats with Matt and Oren about the benefits of growing up in an environment where the idea of working as a film director is not some flimsy dreamy.Matt and Oren ask Dylan about the importance of being cost-effective. Does it make your script easier to produce? And Dylan shares the importance of “cost-effective-ness”, not only to producers, but to you as a filmmaker. How so? Bigger budgets often invite more adults into the room, more scrutiny, more confrontation, and more negotiation for what you want your film to be. And in this episode Dylan teaches you the right budget range for your movie, if you want to have the greatest amount of creative free range.In shooting her new film, "The Wrong Girls", there were a lot of scenes where people are high. And Dylan talks about the cinematography, lenses, production design, and other creative and visual considerations that went into making it a believable, altered reality.Dylan notes that directing forces you to confront your own strengths and weaknesses. And Dylan shares some tips for navigating your own next angst-filled, directing adventure! You won't want to miss this episode if you're about to shoot the script you just wrote.Help Matt's film: https://wefunder.com/badfeelingJoin the Just Shoot it Patreon! https://www.patreon.com/JustShootItPodMatt's Endorsement: "Four Seasons", the showOren's Endorsement: "Widow's Bay" and "House of the Dragon" shows. And take hot dogs camping to keep the kids' happy.Dylan's Endorsement: "Such Brave Girls", the show from the UK Hosted on Acast. See acast.com/privacy for more information.

We spend the majority of our adult lives at work. We also see so many depictions of working life on TV. So where's the fictional place we'd like to work? We'll talk about Ted Lasso, Game of Thrones, The Muppet Show and The West Wing.If you want more workplace shenanigans, check out these episodes: ‘Widow's Bay' is an island in the screamThe final course at ‘The Bear' was both sweet and savory‘The Paper' is an ‘Office' spinoff where journalism takes the lede  Connect with Pop Culture Happy Hour:Letterboxd / FacebookOur weekly newsletterSupport public media with NPR+ and enjoy perks for over 25 podcasts like this one. This show's perks include bonus episodes and sponsor-free listening. Learn more at plus.npr.org.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

William Taubman, author of McNamara at War: A New History, Part One: Taubman discusses Robert McNamara's early career and rise to power, beginning with his role as a World War II statistician on Guam. McNamara advised General Curtis LeMay on low-altitude bombing tactics that led to the devastating Tokyo firebombing, a success he later considered a moral "stain." Taubman explores his psychological need to serve "strong men," a trait tracing back to his childhood with a cold father and a mother who relentlessly pushed him to excel. After becoming one of the "Whiz Kids" who modernized Ford Motor Company, McNamara was recruited by John F. Kennedy as Secretary of Defense. He quickly became the "star" of the cabinet, guiding the administration through the Bay of Pigs and the Cuban Missile Crisis. Following JFK's assassination, McNamara immediately committed his loyalty to Lyndon Johnson, despite the friction between the Kennedy inner circle and the new president. (1)