Podcasts about directed

The category for August is "Reoccurring Characters in Cinema" and Michelle picks first! From Russia with Love (1963) Directed by Terence Young

Directed by Destin Daniel Cretton, Spider-Man: Brand New Day picks up the pieces in a world that completely forgot Peter Parker exists. Tom Holland returns as a more mature, isolated wall-crawler dedicating every waking second to street-level protection. But the relentless pressure of fighting crime full-time—while watching his old friends move on—triggers a dangerous and unexpected physical evolution in his powers, setting the stage for a massive clash against high-level threats and a mysterious telepathic force. Fun Flix Fact: Tom Holland collaborated closely with director Destin Daniel Cretton to lean into the psychological toll of anonymity, purposely portraying a grittier, more frayed version of Peter Parker whose intense isolation begins manifesting in startling physical changes. Fun Flix Fact: The production utilised practical, street-level stunt coordination on location in New York and Atlanta to capture a grounded, gritty aesthetic that mirrors classic comic runs, distinguishing it visually from sprawling cosmic team-ups. To celebrate a decade of fractured friendships and high-stakes superhero politics, we are looking back at Anthony and Joe Russo's Captain America: Civil War (2016). We break down how this massive blockbuster successfully juggled a sprawling ensemble cast while redefining the emotional core of the MCU. Fun Flix Fact: The iconic, airport-tarmac battle sequence took over three weeks of night shoots to complete, utilising a massive blue-screen stage combined with practical hangar locations in Germany to ground the physics of the clash.Fun Flix Fact: Tom Holland's debut performance as Spider-Man in this very film was kept under such tight wraps by Marvel that he wasn't even allowed to tell his friends which movie set he was flying off to shoot!And if that's not enough entertainment for you, we've even thrown in new trailers to watch and what you can catch on streaming. Hit that subscribe button right now so you never miss an episode of The Flixters! We're here every week to bring you the best reviews, the wildest facts, and the greatest cinema talk in the business. 00:00 Intro 02:36 Shoutouts04:39 Movie News14:41 New on Streaming18:14 New Trailers31:13 Anniversary Corner33:57 Spider-Man: Brand New Day Review53:16 Outro This episode is proudly sponsored by Zencastr. Create your podcast today! #madeonzencastr

Send us Fan MailJames has his heart set on making an amends to ensure his continued sobriety and he needs Ian there for moral support. Is Ian prepared for what awaits him? Meanwhile, the honeymoon is literally over for Ben. Is he prepared for the reality — in the form of his family? Based on the play Two and Two Together by Peter Cosmas Sofronas. Written and Directed by Peter Cosmas Sofronas. Produced by Peter Cosmas Sofronas with Dan Murray, Starring (in order of appearance) Tom Giordano as Ben Stanton., Nick Gould as Matt Sharpe, Juliette Mount as Sarah Stanton, Will Dalley as Mark Sharpe, Jon Vellante as James Rogers, J.P. Giuliotti as Ian Mahoney, and James LaVeck as Chris Stanton Sound Engineering by Dan Murray. Sound Editing by Peter Cosmas Sofronas. Theme Music by Valerie Forgione.Support the showScripts of Two and Two Together and the first two seasons of Putting 2&2 Together can be purchased at Amazon.com. Merchandise available at TeeSpring. Donations can be made at By Me a Coffee. For further information, please visit puttingtwoandtwotogether.com. 

The latest episode of the Directed By Dean Podcast we hope you enjoy it as much as we did recording it.

Send us Fan MailWith the latest Spider-Man swinging into theaters, there's no better time to revisit the film that started it all. This week, the hosts return to Iron Man, the movie that launched the Marvel Cinematic Universe and introduced the world to Tony Stark. Directed by Jon Favreau and starring Robert Downey Jr., Gwyneth Paltrow, Terrence Howard, and Jeff Bridges, Iron Man delivers explosive action, great performances, and the origin story that changed superhero movies forever. The hosts pair the film with the Iron Man cocktail. So fire up the repulsors, and join the hosts as they revisit the movie that built the foundation of the MCU.Be sure to listen, subscribe, and follow the hosts on Instagram and YouTube @the.gentlemenpodcast

Featuring an interview with Dr Ramez Eskander, including the following topics: Overview of antibody-drug conjugates (ADCs) and their role in the management of gynecologic cancers; considerations in sequencing (0:00) Choosing between FRɑ- and HER2-directed ADCs for dually eligible patients; role of antigenic target in predicting efficacy benefit of ADCs (7:53) Comparative efficacy and safety of ADCs and conventional chemotherapy (12:58) Current and investigational targets of ADCs in gynecologic cancers (17:14) Current research surrounding raludotatug deruxtecan (R-DXd) and its potential role in clinical practice (21:56) Safety and tolerability profiles of ADCs, including R-DXd, and potential mitigation strategies (27:36) Overview of available TROP2-directed ADCs for gynecologic cancers, including key clinical data (33:34) Evolving use of TROP2-directed ADCs for gynecologic cancers in clinical trials (39:05) Oral mucositis/stomatitis associated with TROP2-directed ADCs and potential mitigation strategies (44:38) CME information and select publications

Beach Month ends with the loving parody of the genre, where Frankie and Annette rekindle their marriage, their son falls in with punks, and their daughter falls in love with a genial surf bum. It's packed with cameos from 1960s sitcom stars, musicians, and a whole lot of green-screened surfing. Starring Frankie Avalon, Annette Funicello, Devin Sladin, Lauri Loughlin, Tommy Hinkley, Connie Stevens, Don Adams, Bob Denver, and Pee-Wee Herman. Written by Peter Krikes, Steve Meerson, and Christopher Thompson. Directed by Lyndall Hobbs.

Join the host of Weekend Nightlife Suzanne Hill for The Pop Quiz, Saturday August 1st edition, to find out if you have the answer correct! 

Can a conscientious objector be a hero? Branded is widely regarded as one of the finest episodes of Dad's Army, combining comedy with a thoughtful exploration of courage, duty, and prejudice. When Captain Mainwaring discovers that the gentle Private Godfrey was a conscientious objector during the First World War, the platoon quickly brands him a coward. But the truth is far more complicated. In this episode, Angus, Jessica and Chris discuss how accurately Branded portrays conscientious objection, what it reveals about attitudes to the First World War, and why this remarkable episode remains one of Dad's Army's most powerful, while never losing the humour that makes it such a classic.   References Perry, J. and Croft, D. (1969) Branded. Dad's Army. Series 3, Episode 11. Directed by Harold Snoad. BBC1, 20 November. Curtis, R. and Elton, B. (1983–1989) Blackadder. Television series. BBC. McKibbin, R. (1998) Classes and Cultures: England 1918–1951. Oxford: Oxford University Press. Philpott, W. (2009) Bloody Victory: The Sacrifice on the Somme and the Making of the Twentieth Century. London: Little, Brown. Hammett, J. (2022) Creating the People's War: Civil Defence Communities in Second World War Britain. Manchester: Manchester University Press.

Spider-Man: Brand New Day (2026) Directed by: Destin Daniel Cretton Written by: Chris McKenna & Erik Sommers (based on the Marvel comic by Stan Lee & Steve Ditko) Starring: Tom Holland, Zendaya, Sadie Sink, Jacob Batalon, Jon Bernthal, Michael Mando, Mark Ruffalo, Liza Colón-Zayas, Florence Pugh IMDB: https://www.imdb.com/title/tt22084616/ Episode Summary In this episode of Mindframes, Michael and Dave discuss Spider-Man: Brand New Day (2026), a soft-reboot superhero film that finds Peter Parker fighting crime full-time in a New York that no longer remembers he exists. The discussion explores whether the film's quieter, more introspective first act successfully re-energizes a fatigued genre, the wisdom of internalizing Spider-Man's central struggle as his own spider-DNA begins to take over ("spider puberty"), and a plot the hosts agree is overstuffed with characters and motivations. Along the way: Jon Bernthal's softened Punisher, Sadie Sink's tangential villain, an unnecessary Hulk, and some of the most aggressive BMW product placement either host can remember. Reference points include Sam Raimi, The Empire Strikes Back, and the boring-superhero cautionary tales of Superman Returns and Man of Steel. On-air verdicts: Dave — 4/5. Michael — 3/5. (Dave really enjoyed it; Michael landed mixed — "10% greatness, 90% mid" — praising the third act while faulting the loaded first two.) Thematic Discussion Spider-Man: Brand New Day explores loneliness, and the idea that community is vulnerability. The film suggests that even with superhuman strength, no one gets through isolation alone — that reaching out, being earnest, and letting people back in is the actual work, and the only real cure. Peter erased himself from everyone he loved to keep them safe; the film argues that choice was the wound, not the protection. Both hosts landed on the thematic point being earned: the melancholy is felt, the reconnection with Ned and MJ is left meaningfully ambiguous rather than reset, and Sadie Sink's character works as a dark-mirror counterpoint — the same loss, but a person who pushes everyone away instead. Timestamps Time Segment 00:00 Intro & setup 02:59 The soft reboot: smart move or gimmick? 07:28 Jon Bernthal's Punisher 10:55 The cast: Ned, the villains, a Benedict Wong tangent 14:36 Technical analysis: look, sound, pacing & product placement 24:02 An overstuffed plot and thin villain motivation 25:43 Director context: Raimi, Empire, and Cretton's roots 27:27 Spoiler-free verdicts 35:18 Spoiler section begins 35:29 Thematic deep dive: loneliness & connection as vulnerability 39:16 Is the ending earned? The Ned handshake debate 43:51 Set design, Jean Grey as counterpoint, "I'm both" 48:34 The banya scene: playing with vulnerability 53:41 Closing thoughts & what's next Films & Directors Mentioned Sam Raimi / the Raimi Spider-Man films The Empire Strikes Back Destin Daniel Cretton — Short Term 12, Just Mercy, Shang-Chi Superman Returns, Man of Steel, Godzilla (the "boring superhero" cautionary tales) Bryan Singer — X-Men, X2, Apt Pupil Supergirl, Fantastic Four Iron Man & Watchmen (iconic mask removals) Doctor Strange (Benedict Wong) Baby Driver, The Odyssey, Weapons, Marco Polo, Breaking Bad, Stranger Things Contact Web: https://mindframesfilm.com Facebook: Mindframes Network: Now Playing Network Email: info@mindframesfilm.com

Zendaya and Tom Holland are back in Spider-Man: Brand New Day, and the movie has a more grounded tone than we've seen from the franchise. But does it strike the right balance of fun and darkness? Directed by Daniel Destin Cretton, the film also features Jacob Batalon, Jon Bernthal, Tramell Tillman, and Sadie Sink.Looking for more spectacular Spider-episodes? Check out: 'Spider-Man: No Way Home' mixes fun and fan service'Spider-Man: Across the Spider-Verse' thrills in every dimensionConnect with Pop Culture Happy Hour:Letterboxd / FacebookOur weekly newsletterSupport Pop Culture Happy Hour+See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

We discuss the latest entry into the MCU - 'Spider-Man: Brand New Day' Directed by Destin Daniel Cretton and starring Tom Holland, Zendaya, Mark Ruffalo, Jon Bernthal, Sadie Sink & Jacob Batalon - A forgotten Peter Parker lives alone as a full-time Spider-Man until mounting pressure triggers a dangerous change and a powerful new enemy emerges. What did you think of the movie? Where does it rank against the other Spider-Man films? Are we dumb? Join the conversation... FacebookInstagramTwitterTikTokYouTubeRate/Review/Subscribe:Apple PodcastsSpotifyYouTubeSee omnystudio.com/listener for privacy information.

Back in the spotlight: MY DATE WITH LAINEY LEE. What starts as a run-in with a queer teen star quickly becomes an unforgettable date—and a romance that might not survive going public. A perfect Pride Month listen full of heart, humor, and big-city magic. Meet Cute Presents: My Date With Lainey Lee - Part 6, where the whole world knows Brooke kissed Lainey, but no one knows where Brooke has disappeared to after all the attention. Lainey takes drastic actions in her career. Story by Erica Yulo. Produced and Directed by Mia Walker. Sound Design by Elijah Pouges. Story Editor: Amarlie Foster. Director of Creative Production: Lucie Ledbetter. Starring: Jen Goma, Sawyer Fuller, Alastair Casey, Lorna Duyn, Khaya Fraites, Christian Probst. Follow @MeetCute on Instagram and @MeetCuteRomComs on TikTok. Check out our other rom-coms, including KERRI with Pauline Chalamet, IMPERFECT MATCH with Arden Cho, and DUMP HIM! with Minnie Mills. Check out our other dramas, including FIRE & ICE with Chiara Aurelia and Jack Martin, and POWER TEN.  Check out our other fantasies, including A PROPHECY OF INCENSE AND SNOW and I'VE BECOME A TRUE VILLAINESS.  Have a crush on us? Follow Meet Cute, rate us 5 stars, and leave a review! Learn more about your ad choices. Visit podcastchoices.com/adchoices

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture We recently reviewed Christopher Nolan's "The Dark Knight," a film that many feel should've been part of the Best Picture lineup in 2008. So, it only makes sense that, as Nolan is once again getting his revenge with another new film in theaters, we revisit the film that was widely seen as the one that took his masterpiece out of the lineup, and that's "The Reader," starring Kate Winslet, Ralph Fiennes, David Kross, Lena Olin & Bruno Ganz. Directed by Stephen Daldry and written by David Hare based on the novel "Der Vorleser" by Bernhard Schlink, this Holocaust drama has become the poster child for the term "Oscar bait" in the years since its release (and was widely seen as such then) as it saw Winslet in another awards magnet performance that the Academy finally decided to give her an Oscar for, produced and pushed by Harvey Weinstein at the height of his powers, the film has not aged well to say the least, certainly compared to the other films it beat out that Oscar season for major nominations including Best Picture, Best Director, Best Cinematography and Best Adapted Screenplay. What did we think of it? Please tune in as Nadia Dalimonte, Dan Bayer, Amy Kim, Will Mavity, and I talk about the film's screenplay, Winslet's performance, Daldry's direction, the score, the cinematography, its awards season run, and more in our SPOILER-FILLED review. Please check out our past reviews for "Frost/Nixon," "Doubt," "Changeling," "Revolutionary Road," "WALL-E, "Milk," and "The Dark Knight." We appreciate your support and hope you enjoy our review! https://youtu.be/mZmWKG8JSFg Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt Johnson directed the films BlackBerry and the DIY comedy Nirvanna the Band the Show the Movie—now he's taking on Anthony Bourdain. His new film Tony, out in August from A24, skips the traditional biopic format entirely, compressing three formative Provincetown summers described in Kitchen Confidential into one transformative season for a 19-year-old, pre-fame Bourdain. Johnson joins us to talk about adapting a book everyone already loves, directing Dominic Sessa away from doing an impression, and his love for the Canadian rock band Sloan.  And before that, Matt shares some recent restaurant visits, including stops at Thai Diner, Keens, and Goosefeather.  Check out Matt on the podcast Put It In My Mouth. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a detour from our regularly scheduled program we present a Paying For Madness special feature discussing the 1981 Film Possession starring Sam Neill and Isabelle Adjani. Directed by Andrzej Żuławski.This episode features Jared Witkofsky and Andy Miller.

RMR 0375: Special Guest, Dan LeFebvre, from Based on a True Story Podcast, joins your hosts, Chad Robinson, and Russell Guest for the Retro Movie Roundtable as they revisit Rio Bravo (1959) [PG] Genre: Western   Starring: John Wayne, Dean Martin, Ricky Nelson, Angie Dickinson, Walter Brennan, Ward Bond, John Russell, Pedro Gonzalez Gonzalez, Estelita Rodriguez, Claude Akins Claude Akins, Malcolm Atterbury, Harry Carey Jr.   Directed by: Howard Hawks Recorded on 2026-06-10

In today's episode, Gavin and I discuss the Kung Fu movie CLASSIC, Shaolin vs. Wu Tang! Directed by and starring the legendary Gordon Liu, this fast paced martial arts extravaganza not only has all the makings of a fan favorite, but has an extra special influence that can be felt across a multitude of genres and artistic mediums! Listen in as we breakdown this fan favorite, what we love about it, and its pop culture significance!

The Summer of Nolan resumes in one week with our episode about Interstellar (2014). Until then, enjoy a free preview of our latest Patreon offering, a full-length bonus episode about A Nightmare On Elm Street 3: Dream Warriors (1987).  Subscribe on Patreon: https://bit.ly/4caeGr6  Matt is joined by Freddy Krueger superfan Patrick Perot to discuss A Nightmare On Elm Street 3: Dream Warriors (1987), one of the all-time great slasher sequels. Directed by the late Chuck Russell, Dream Warriors manages to dig in on some of the deeper and darker themes established by Wes Craven in the original while expanding the scope of the story outward and bringing some of the decade's best practical horror effects. Source: Nightmare Autopsis: A Return to Elm Street by Lowell Greenblatt (2025) - https://amzn.to/4wxR5sA 

The classic Arthurian story is given a Pagan spin, where the adherents of the Goddess of the Old Religion--lead by Vivian, the Lady of the Lake, and her chosen successor Morgaine--are at odds with the growing Christian religion of Glastonbury and Camelot. Everyone hopes that Arthur will be the one true king to unite the two faiths into one nation, but, well, we all know how that turns out. This tv miniseries adaptation of Marion Zimmer-Bradley's extremely popular novel is lusciously designed for its time, but the story falls apart in the second half, not only skipping large portions of the book, but rewriting it in ways that I found frustrating. Starring Julianna Margulies, Anjelica Huston, Joan Allen, Samantha Mathis, Edward Atterton and Michael Vartan. Written by Gavin Scott from the book by Marion Zimmer Bradley. Directed by Uli Edel. CW: contains a brief discussion of the child sexual abuse allegations against Bradley and her ex-husband. This is a preview of the latest episode of our series Hollywood Avalon. To hear the entire episode, join the Mary Versus the Movies patreon for $3/month to hear this and the entire series Hollywood Avalon: https://www.patreon.com/maryvsmovies. 

Moviewallas: Gail Daughtry and the Celebrity Sex Pass & Tony This week on Moviewallas, Joe, Rashmi, and Yazdi review two very different films. First up is Gail Daughtry and the Celebrity Sex Pass, a wildly absurd comedy packed with rapid-fire jokes, celebrity cameos, fourth-wall breaks, and a surprising amount of sweetness. Then the team turns to Tony, Matt Johnson's moving portrait of the formative summer that set a young Anthony Bourdain on the path toward kitchens, writing, and the life that would eventually make him famous. Before the reviews, the hosts return to “I Can't Find Anything to Watch…” with three streaming recommendations: the heartfelt science-fiction adventure The Adam Project, the brutal medieval thriller Pilgrimage, and Ridley Scott's inventive historical drama The Last Duel. Streaming Picks The Adam Project – Netflix Rashmi recommends this warm and unexpectedly emotional science-fiction adventure starring Ryan Reynolds. Beneath the time-travel premise is a sweet story about family, regret, and second chances. Pilgrimage – Hulu Yazdi revisits this beautifully shot medieval action drama starring Tom Holland and Jon Bernthal. A novice monk and a mysterious former crusader must transport a sacred relic through dangerous territory. The Last Duel – Hulu Joe recommends Ridley Scott's powerful historical drama starring Matt Damon, Adam Driver, Jodie Comer, and Ben Affleck. Its ingenious structure allows the same events to unfold through several competing perspectives. t Gail Daughtry and the Celebrity Sex Pass When her fiancé acts on their celebrity-pass agreement, Midwest bride Gail Daughtry heads to Hollywood in search of a celebrity encounter of her own. Directed by David Wain and starring Zoey Deutch, the film assembles a huge comic cast that includes Jon Hamm, John Slattery, Ken Marino, Sabrina Impacciatore, Miles Gutierrez-Riley, Ben Wang, and many more. The hosts discuss the film's relentless stream of jokes, its Wizard of Oz influences, its affectionate use of Hollywood caricatures, and the willingness of its celebrity cameos to completely make fools of themselves. It is ridiculous, exhausting, incredibly sweet, and, most importantly, genuinely funny. Tony Director Matt Johnson, whose previous film was BlackBerry, turns his attention to the early life of Anthony Bourdain. The film follows 19-year-old Bourdain as he arrives in Provincetown and stumbles into the chaotic world of restaurant kitchens. Rather than attempting to cover his entire life, Tony concentrates on one formative summer and the people who helped point him toward the career that would eventually define him. The team praises Dominic Sessa for capturing Bourdain's charm, arrogance, intelligence, and complexity without turning him into a saint. They also discuss the outstanding performances from Antonio Banderas, Leo Woodall, and Emilia Jones, the convincing recreation of the 1970s restaurant world, and the film's refusal to romanticize the brutal reality of kitchen work. Funny, moving, authentic, and made with enormous affection for Bourdain, this is a biopic that understands the value of focusing on the thing that led to the thing. Like, comment, and subscribe for spoiler-light film reviews, streaming recommendations, strong opinions, and general movie banter. Hosted by Joe, Rashmi & Yazdi www.moviewallas.com Timestamps 00:00 – Start 01:38 – Streaming Picks 01:55 – The Adam Project 02:29 – Pilgrimage 03:37 – The Last Duel 05:24 – Gail Daughtry and the Celebrity Sex Pass 17:05 – Tony 31:42 – Closing Thoughts #Moviewallas #GailDaughtry #CelebritySexPass #TonyMovie #AnthonyBourdain #ZoeyDeutch #AntonioBanderas #DominicSessa #LeoWoodall #MattJohnson #MoviePodcast #FilmReviews #StreamingPicks #TooManyMoviesTooLittleTime

Five deep tonight — Grant, Tim Parker, David Bloom, Mykell Mathieu and E Lamb — and the Clippers news is grim. Baxter Holmes of ESPN reports the Aspiration investigation could bleed into 2027, and Grant has had it: as he puts it, it's the year 2085, Bronny James Jr. the Second is in the league, and the investigation still isn't concluded. He torches the recycled reporting cycle — everyone re-breaking that the Raptors don't want the penalties, which the show covered three weeks ago — while E Lamb plays the adult in the room and lays out the actual endgame nobody else is explaining: findings, the Clippers' right to push back, then arbitration or court. His warning from July 4 stands — the longer this lingers, the worse it gets — and if it isn't concluded by the trade deadline, there is no trade. Mykell just feels bad for Toronto, where Kawhi was supposed to retire, and for Brandon Ingram, stuck on a team that already tried to ship him out. Before the doom: Luka Doncic is flying the ENTIRE Lakers roster to Slovenia on his own dime for a four-day August mini-camp, and the panel splits on what it means — Mykell calls it everything the last era never gave the fans, E Lamb contrasts it with a certain someone working out in another team's facility, Tim (crediting the "vanilla Lakers") says team bonding doesn't move a seed, and the crew fights over what year one of solo Luka has to look like: Western Conference Finals or bust? Plus Deebo Samuel returns to the Niners with Ricky Pearsall likely out long-term, Tim declares the Niners cooked while Grant — the self-described biggest Niners hater alive — explains why the cockroach always survives, and E Lamb announces the TST Fantasy Football League. New episodes drop nightly. Follow the crew on X. Directed & Produced by: Grant Mona Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

 R&J and Joni, co-created by Joey Herbison, Julia Nish-Lapidus, Cara Pantalone, and James Wallis with text and music by William Shakespeare and Joni Mitchell. This world-premiere adaptation of Romeo and Juliet brings Shakespeare's words together with the timeless music of Canadian icon Joni Mitchell in a fully staged musical. Directed by Julia Nish-Lapidus, with Music Direction by Joey Herbison, audiences will experience a new way of seeing and hearing one of the most famous plays in the English language, with a unique musical perspective.

In this Film Ireland podcast, recorded live on location in Washington, D.C. at the Capital Irish Film Festival, Gemma Creagh chats with actor Eleanor O'Brien about her role as the lead in Irish language feature Báite. Winner of Best Irish Language Feature Film at the 2025 Galway Film Fleadh and nominated in four categories at the 2026 Irish Film & Television Academy Awards.In this conversation, Eleanor discusses her experience of bringing Peggy Casey to life, reflects on planning her next steps following the film's success, and reveals the types of roles that excite her.Listen now on SoundCloud, Apple, Spotify, Acast and Amazon, or subscribe to Film Ireland wherever you get your podcasts or watch the original recording here.https://www.filmireland.net/podcast-actor-eleanor-obrien-baite-lynleyEleanor O'Brien Eleanor O'Brien is a theatre and film actress from Limerick, who trained at Bow Street Academy in Dublin. She was nominated for the Bingham Ray New Talent Award at the 2025 Galway Film Fleadh for her performance in Báite, which won Best Irish Language Feature Film. Her screen credits include the lead role of Emily Blast in RTÉ's Blasts from the Past, The Last Right alongside Colm Meaney, Michiel Huisman and Brian Cox, and the BBC One drama Lynley, directed by Ed Bazalgette.BáiteWinner of Best Irish Language Feature Film at the 2025 Galway Film Fleadh and nominated in four categories at the 2026 Irish Film & Television Academy Awards, Báite arrives in cinemas nationwide on 6th March 2026 to coincide with Seachtain na Gaeilge (1–17 March). Directed by Ruán Magan (The Hunger, Our Blue World – A Water Odyssey), the film is a haunting Irish-language mystery set in rural Ireland in September 1975.When a body is discovered in the receding waters of a lake, the find sends shockwaves through a small community. For 23-year-old Peggy Casey, who runs the local pub, the revelation threatens to upend not just her life, but an entire town built on secrets long submerged.About Capital Irish Film FestivalSolas Nua's annual Capital Irish Film Festival in Washington, D.C., presents one of the largest programmes of Irish cinema in North America, showcasing the latest Irish dramatic and documentary features, shorts, art films and animation releases by Irish and Ireland-based filmmakers. The 20th edition of the four-day festival takes place 26 February – 1 March 2026 in partnership with the prestigious American Film Institute's Silver Theatre & Cultural Center.The festival provides a US platform that amplifies the work of independent filmmakers working in Ireland and beyond, and celebrates the strength of Ireland's contemporary cinematic culture. The programme highlights the country's rich cultural heritage while fostering an inclusive and diverse community of Irish filmmakers. Capital Irish Film Festival champions emerging voices on Irish screens, showcases the exceptional talent and craft within Irish filmmaking, and reflects the robust and vibrant screen industry that has grown in Ireland in recent years.The festival also presents the annual Norman Houston Short Film Award, dedicated to the memory of Norman Houston, the former Director of the Northern Ireland Bureau (NIB) in the United States. The award honours the best new short film created by a filmmaker based in or from Northern Ireland, made within the previous two years. The 2026 Norman Houston Short Film Award goes to writer-director Oliver McGoldrick for his film Three Keenings.Read more on SolasNua.org, follow Capital Irish Film Festival on FilmFreeway here.Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

In this episode, Shoshana invites Dr. Vivek Murthy, the 19th and 21st Surgeon General of the United States, to discuss the ongoing loneliness epidemic.After the interview, Shoshana shares a TED-Ed talk from Terry Kupers, "What happens to your brain without social contact?" Everyone needs time to themselves, and peaceful solitude has stress-relieving benefits. But when being alone is forced upon you, the effects can be surprisingly extensive. And though different people experience distinct effects, symptoms tend to become more severe and persistent the longer they're isolated. So, how exactly does isolation affect your body and brain? Terry Kupers investigates. [Directed by Camille Bovey, narrated by Addison Anderson, music by Stephen LaRosa].tid156465tid Hosted on Acast. See acast.com/privacy for more information.

It was time for the Lodgecast to finally face the Michael Jackson biopic. We gathered up our collective Michael Jackson knowledge to discuss him and speculate on what this biopic was going to be. Then we entered the Dolby Cinema to witness his life and music from the 1960s to the late 1980s. Michael Jackson's nephew Jaafar Jackson plays Michael, with Juliano Valdi playing him as a child. The supporting cast includes Nia Long, KeiLyn Durrel Jones, Laura Harrier, Jessica Sula, Mike Myers, Miles Teller, and Colman Domingo as the villainous Joseph Jackson. Directed by Antoine Fuqua, this movie has grossed over $1 billion dollars! Join us as we review Michael (2026)!

Before he was terminating cyborgs or governing California, Arnold Schwarzenegger was just a well-oiled Austrian oak with a plan and a truly alarming amount of confidence. This week we strap into George Butler and Robert Fiore's landmark bodybuilding documentary, where men in tiny shorts pursue "aesthetics" with the single-minded devotion usually reserved for religious orders. We'll be riffing on the sun-baked psychodrama of the 1975 Mr. Olympia competition, Arnold's genuinely unhinged mind games against poor Lou Ferrigno, and a supporting cast of quads that deserve their own screen credit. Expect commentary on 70s masculinity, the pageantry of competitive posing, and the sneaking suspicion that this whole film is just performance art that forgot to tell anyone. Pump up, tune in, and don't skip leg day — or this episode. Want to pick a movie we do an episode on and record a special commentary just for you? Purchase something from our wish list! We are riffers on Cineprov! Check us out!! How will Pumping Iron hold up? Directed by George Butler and Robert Fiore, Starring Arnold Schwarzenegger, Lou Ferrigno, Franco Columbu, Mike Katz, Ken Waller, and Serge Nubret

Grant, John Browner and Tim Parker finally get to the biggest story of the offseason — and they could not disagree more. Tim has never been happier to be wrong: he had LeBron going to Cleveland, then Golden State or Miami, and instead he got the biggest thing in Philadelphia sports history. Xfinity Mobile Arena is MSG now, Broad Street is Broadway, and anybody who lived through the process — Ish Smith, Evan Turner, Thad Young, Henry Sims — has earned this. John pours cold water: he's 42, the best player on the roster is Jaylen Brown, and nobody on that team knows this offense yet. Then John opens the curtain on something fans never see — what an NBA practice actually looks like after training camp ends, why teams won't let you watch it, and why LeBron will not take a full practice rep all season. From there it's a full autopsy of the fit: does Tyrese Maxey get unleashed or buried at number three on the call sheet, is this 1988 Magic or 1991 Magic, and the one argument that finally scares Tim — every champion is a top-12 defense, and this team can't guard anybody. Plus Tim's line in the sand ("no Eastern Conference Finals and LeBron feels a wrath he hasn't felt since The Decision"), the East hierarchy sorted into regular-season good versus playoff good, Charlotte as the dark horse, and the Anthony Simons war that will not die. Before the break, a Kawhi update: a third company has entered the Aspiration investigation, ESPN reports it could bleed into 2027, and John explains why — the league isn't investigating anymore, it's negotiating the punishment behind closed doors. John opens the show with a tribute to his friend and former 1090 colleague Billy Ray Smith Jr., who died Wednesday at 64. The post-show takes on WNBA All-Star weekend, where the off-court coverage swallowed the basketball, and closes with news: the TST Podcast Network is officially happening. New episodes drop nightly. Follow the crew and catch the post-show on X. Directed & Produced by: Grant Mona Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Movie of the Year: 2006The Prestige (feat. Kenny McMillan from the Frame and Reference pod!)The Prestige Podcast: Nolan's Obsession with Magic, Ambition, and DeceptionThe Prestige podcast brings one of Christopher Nolan's most intricate achievements to the center of discussion. Released in 2006, The Prestige stands as a masterclass in misdirection—both thematically and narratively. On this episode of the The Prestige podcast, Ryan, Mike, and Greg explore how the film's structure itself becomes a magic trick, with Kenny McMillan from Frame and Reference offering cinematographic insight into Nolan's visual storytelling. This episode of The Prestige podcast examines why The Prestige has aged into a richer, more rewarding experience than initial audiences may have recognized.About The PrestigeThe Prestige follows two rival magicians, Alfred Borden (Christian Bale) and Robert Angier (Hugh Jackman), whose competitive obsession spirals into tragedy and revenge. Set in Victorian London, the film weaves illusion, science, and sacrifice into a narrative that demands multiple viewings. Directed by Christopher Nolan from a screenplay by Jonathan Nolan and David S. Goyer, the film is based on Christopher Priest's 1995 novel. The cast includes Scarlett Johansson as the central illusion Olivia, Michael Caine as the mentor Cutter, and David Bowie in a pivotal role as inventor Nikola Tesla. The film explores the cost of ambition and the blurred line between performance and reality.Nolan and Structure: How The Prestige Podcast Uncovers the Architecture of MisdirectionChristopher Nolan's approach to The Prestige mirrors the film's central conceit: the three-act structure of a magic trick. The exposition sets up the trick, the turning point misdirects the audience, and the prestige reveals the truth. Nolan employs this framework to build narrative tension that rewards attentive viewers. Moreover, the film's editing and pacing function as visual sleight of hand, concealing crucial details in plain sight. The director's command of chronology and revelation transforms structural mechanics into thematic content. Additionally, the cinematography by Hoyte van Hoytema reinforces this architecture through framing choices that obscure as much as they reveal. Consequently, viewers who dismiss the film on first viewing often discover entirely new dimensions upon rewatching—a quality that separates The Prestige from conventional period dramas.Magic and Ambition: The Prestige Podcast Explores the Psychology of ObsessionAt its core, The Prestige interrogates the price of ambition through the lens of performance and sacrifice. The Prestige podcast digs into how both Borden and Angier pursue mastery of the transported man illusion, but their methods diverge fundamentally. Borden's sacrifice is existential; Angier's is technological. The film suggests that true magic—or true achievement of any kind—requires a willingness to lose something irreplaceable. Furthermore, the duality that defines both characters extends beyond performance into identity itself. The film examines what performers owe to their craft and what craft demands of performers. In particular, the female perspective through Olivia complicates the male rivalry at the narrative's center. Meanwhile, the film positions Nikola Tesla as the ultimate embodiment of ambition unmoored from morality, a cautionary figure whose genius destabilizes the rules governing the Victorian world.Twins: Doubling, Duality, and DeceptionThe Prestige operates through systematic doubling. Twin magicians, a transported man illusion that exploits identical performers, and the fundamental duality of Christian Bale's Alfred Borden structure the film's central mystery. The screenplay leverages the audience's familiarity with magic mechanics—particularly the "double" as a common trick device—to guide viewers toward false conclusions. Meanwhile, the film treats twinning not merely as plot mechanism but as philosophical premise. Both main characters pursue versions of themselves that are more successful, more admired, or more powerful than their authentic selves. Additionally, the Tesla machine introduces a horrifying literalization of doubling: what happens when your double is not your collaborator but your replacement? The film's treatment of identity as something that can be split, cloned, or discarded raises questions about the self that persist long after the final reveal.Mount Rushmore: Scandals of '96The Taste Buds rank the most shameful, embarrassing, or otherwise scandalous cinematic moments of 1996. Though The Prestige arrived a decade later, the conversation extends naturally to the ethical compromises and moral failings embedded in the film itself. Both Borden and Angier engage in forms of deception that approach criminality. The death of a stage assistant, the exploitation of Olivia, and the casual cruelty with which both men pursue victory constitute a catalog of wrongs that the film neither excuses nor entirely condemns. This section invites listeners to debate the film's moral landscape and the extent to which audience sympathy with these characters implicates us in their misconduct.Shopping Spree: The Best of 2006 CinemaThe Shopping Spree segment celebrates the feast of cinema that 2006 offered. The Prestige competes in a year alongside Little Miss Sunshine, The Devil Wears Prada, Brick, and Tristram Shandy: A Cock and Bull Story. The conversation weighs Nolan's technical and narrative ambition against the year's other standouts, examining what makes 2006 a genuinely competitive year for the tournament. Furthermore, the panelists consider which films have endured most meaningfully and which have faded in critical esteem over two decades. Notably, The Prestige has sustained and even deepened its reputation as audiences have grown more sophisticated about Nolan's structural innovations.Why The Prestige Podcast Resonates: What Makes This Film EndureTwenty years after its release, The Prestige remains relevant because it articulates anxieties about technology, identity, and performance that have only intensified. The film's treatment of the Tesla machine as a science-fiction intrusion into a historical setting prefigures contemporary concerns about artificial consciousness and the ethics of duplication. Beyond its formal brilliance, the film speaks to the human capacity for self-deception and the stories we tell ourselves to justify our ambitions. Additionally, Nolan's commitment to practical effects and in-camera illusions—a philosophy that runs through his career—makes The Prestige feel increasingly precious in an age of digital manipulation. The film argues, implicitly, that authentic magic resides not in technological wizardry but in the human desire to believe. Ultimately, The Prestige endures because it demands intellectual engagement while delivering emotional and sensory satisfaction—a balance that few contemporary films achieve. This is precisely why the Prestige podcast episode deepens with each listen, revealing new dimensions in both the film and its broader cultural significance.Related Episodes from Movie of the Year: 20062006 Intro Part 1: Bracket RevealTristram Shandy: A Cock and Bull StoryBrick2006 Mixtape Part IThe Puffy ChairThe Devil Wears PradaLittle Miss SunshineAll Movie of the Year EpisodesGuest Panelist: Kenny McMillanKenny McMillan is the host and producer of Frame and Reference, a cinematography podcast featuring long-form, unstructured conversations with working cinematographers about their craft, influences, and current projects. Through Frame and Reference, McMillan has interviewed leading cinematographers working across film and television, exploring how visual storytelling shapes narrative impact. His deep engagement with cinematographic practice brings technical expertise and artistic sensibility to film discussion. McMillan's work on the podcast has established him as a thoughtful voice in cinematography education and criticism, emphasizing the collaborative relationship between director and cinematographer. His perspective on Nolan's visual strategy in The Prestige—particularly Hoyte van Hoytema's contributions to the film's...

Bradley Gibson is starring as Hercules in Disney's Hercules at the Theatre Royal Drury Lane.Inspired by the 1997 Disney film, Hercules features music by Alan Menken, lyrics by David Zippel and a book by Robert Horn and Kwame Kwei-Armah. Directed and choreographed by Casey Nicholaw, with co-choreography by Tanisha Scott, the musical opened in the West End in 2025. Bradley previously played the role in the show's run at at Paper Mill Playhouse in New Jersey and is now reprising his performance for his West End debut.Bradley's starred as Simba in Disney's The Lion King on Broadway. His other theatre credits include: Fremont Ave. (Arena Stage and South Coast Repertory Theatre), A Bronx Tale (Broadway), Rocky (Broadway), Love's Labour's Lost (The Public Theater) and The School for Scandal (Red Bull Theater). His screen credits include Mid-Century Modern (Hulu), Disney's The Lion King at the Hollywood Bowl (Disney+), Partner Track (Netflix), Power Book II: Ghost (Starz), Kung Fu (The CW), Mozart in the Jungle (Prime Video) and Fire Island (Hulu). Bradley's music is available on streaming platforms. Recorded backstage at Theatre Royal Drury Lane, in this episode Bradley discusses his journey with Hercules and why this West End chapter is extra special. He also talks about being unapologetic about who he is, adapting to London life and lots more. Hercules runs at Theatre Royal Drury Lane until 5th September 2026. Visit www.herculesthemusical.co.uk for info and tickets.This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

In this week's episode of the world's-fastest-movie-review podcast, Jackson and Mike review TWO new films!!! First, "THE DINK" Former tennis standout Dusty Boyd turns to the booming world of pickleball in an effort to save his family's struggling country club. Along the way, he rediscovers his competitive spirit while navigating family relationships, old rivalries, and an unlikely second chance. Starring Jake Johnson, Ed Harris, Mary Steenburgen, Ben Stiller, Chloe Fineman, Patton Oswalt, Andy Roddick, John McEnroe, and Aaron Chen. Directed by Josh Greenbaum. Then, a quick review of "LARS SHRIKE WALKS THE NIGHT" A mysterious man named Lars Shrike awakens in a desolate landscape knowing only his name and that he has escaped. As memories, hallucinations, and reality blur together, his search for identity becomes an increasingly surreal journey through a world where every answer deepens the mystery. Starring Kelsey Grammer, David Clennon, Christine Lin, Kati Schwartz, Will Amato, Bobby Furst, Laurie Drayton, Emmy Collins, and Elizabeth Gorcey. Written and directed by Gary Walkow.

Send us Fan MailWelcome back to DMR! In this episode, we dive into Apex (2026) — Netflix's intense Australian survival thriller starring Charlize Theron as a grieving woman forced into a deadly fight for survival deep in the wilderness. Joining her is Taron Egerton, delivering a standout performance as Ben, a mysterious and resourceful stranger whose presence becomes central to the film's escalating tension. Their dynamic drives the emotional core of the story, blending vulnerability, suspicion, and raw endurance as the two navigate both the brutal terrain and a relentless human predator.Directed by Baltasar Kormákur, Apex is crafted with a visceral, moment‑to‑moment realism that critics praise for its immersive pacing and breathtaking use of the Australian landscape. We break down Theron's powerhouse physical performance, Egerton's layered portrayal of Ben, Jeremy Robbins' tight survival‑drama script, and the film's impressive production team — including producers Peter Chernin, Jenno Topping, David Ready, Ian Bryce, Charlize Theron, Beth Kono, A.J. Dix, and Kormákur himself.Be sure to grab your 30 Day Free Audible Trial link in the show!Support the showThe audio/video clips used in this podcast, including excerpts from movie/series/documentary trailers, are used under the principles of fair use and fair dealing for the purpose of criticism, commentary, and review. All rights to the original trailer content & music belong to the respective copyright holders. DMR (Dewey's Movie Reviews) is an independent production and is not affiliated with or endorsed by any film studios or distributors.

Evil will battle Evil It's both Ben and Lance's birthday month, so we picked a very special theme for July: Freddy and Jason July! Two Freddy movies. Two jason movies. Then, finally, the crossover showdown. That's right! This week we cover FREDDY VS JASON (2003). Freddy Krueger attempts to use Jason Voorhees as an instrument of terror on Elm Street. When Jason proves too hard to control, what begins as a calculated scheme soon erupts into a brutal showdown. Also this week: Obession, all the bad script ideas for this movie, and a new version of a modern classic song. All this--and a whole lot more--on this week's episode of NEON BRAINIACS!! "Why won't you DIE?" ----- Check out our Patreon for tons of bonus content, exclusive goodies, and access to our Discord server! ----- Freddy vs Jason (2003) Directed by Ronny Yu Written by Damian Shannon & Mark Swift Starring Monica Keena, Jason Ritter, Kelly Rowland, Christopher Rodriguez Marquette, Brendan Fletcher, Ken Kirzinger, and Robert Englund ----- 00:00 - Intro & Opening Banter 23:08 - "The Shpiel" 01:12:05 - Film Breakdown 02:32:48 - Brain Bucket & Outro

Today on the Invest In Her Podcast, host Catherine Gray talks with 6-time Emmy award-wining Actress Tyne Daly of Cagney and Lacey fame and award-winning director Eric Dyson, to talk about their upcoming fundraiser for his important and moving Alta Dena fires film.  On Sept 17, 2026 there will be an Extraordinary Evening of Legacy, Storytelling, and Purpose. Join us at an intimate private theater in West Hollywood for an exclusive Cagney & Lacey Reunion featuring Emmy Award-winning actresses Tyne Daly and Sharon Gless, hosted by Golden Globe-nominated actress Susan Anton.   Limited to just 50 guests, this unforgettable evening includes a premiere short film, a live reunion conversation, audience Q&A, and an auction of rare Cagney & Lacey memorabilia—all in support of an important cause. The event benefits Parable of the Ashes, a feature documentary inspired by the prophetic work of acclaimed author Octavia Butler and the devastating aftermath of the Eaton Fire. This event is sponsored by the Sunset Marquis.   The film explores the profound disparity that left Altadena disproportionately impacted while many surrounding communities were spared—echoing the social inequities and climate realities Butler envisioned decades ago. More importantly, it will help preserve Altadena's history, document its recovery, educate future generations, and serve as a fundraising tool to support the community's rebuilding efforts. Directed by award-winning filmmaker Eric Dyson, whose acclaimed documentary short on the Eaton Fire won Best Documentary Short at the Pasadena International Film Festival and the Burbank Film Festival, will direct a feature will expand this powerful story through the voices of residents, historians, and community leaders.   Your tax-deductible contribution through 501(c)3 From The Heart Productions directly supports the production and distribution of this documentary, ensuring it reaches audiences, schools, and communities while generating awareness and resources for Altadena's continued recovery.   Together, we can preserve an important story, honor an extraordinary community, and transform film into a lasting instrument for education, remembrance, and renewal. A portion of the proceeds will also go to Civic Soul, a non profit stated by Actor John Stamos and his wife Caitlin- that is helping the fire survivors.   We hope you'll join us and become part of this important journey with your donation or investment. For tickets and/or producing opportunities, contact www.EricDyson.net Or reach out to Catherine Gray or Eric Dyson on LinkedIn! Websites Mentioned: Show Her The Money – https://showherthemoneymovie.com She Angel Investors – https://www.sheangelinvestors.com   Follow Us On Social Facebook @sheangelinvestors Twitter (X) @sheangelsinvest Instagram @sheangelinvestors & @catherinegray_investinher LinkedIn @catherinelgray & @sheangels  

In today's episode, we spoke with Marlana M. Orloff, MD. Dr Orloff is the Alexander & Johnston Family Endowed Clinical Director in Uveal Melanoma, and associate professor at Thomas Jefferson University Hospital in Philadelphia, Pennsylvania. In our exclusive interview, Dr Orloff discussed the distinct biology of uveal melanoma and why it has historically resisted systemic treatment. Unlike cutaneous melanoma, which carries a high tumor mutational burden and responds robustly to immune checkpoint inhibitors, uveal melanoma sits at the opposite end of the spectrum with low mutational burden, a predominantly liver-metastatic pattern, and an immune-tolerant microenvironment that renders traditional immunotherapy largely ineffective.She provided context on the treatment landscape for patients with HLA-A*02:01–negative metastatic uveal melanoma prior to the phase 2/3 OptimUM-02 trial (NCT05987332), noting that this population had limited options: liver-directed therapies such as percutaneous hepatic perfusion, off-label immune checkpoint inhibitor combinations, or clinical trial enrollment.Dr Orloff then walked through the design and efficacy findings of the trial, which evaluated the combination of darovasertib, an oral PKC inhibitor, plus crizotinib (Xalkori), a MET inhibitor, vs investigator's choice in treatment-naive, HLA-A*02:01–negative patients. The combination demonstrated a median progression-free survival of 6.9 months vs 3.1 months with investigator's choice, with an objective response rate of 37.1% compared with under 5.8% in the control arm. She highlighted the clinical significance of the complete responses observed while noting that overall survival data from the phase 3 portion of the trial remain pending.The discussion also addressed the growing complexity of treatment sequencing as more options emerge, including tebentafusp-tebn (Kimmtrak) for HLA-A*02:01–positive patients, liver-directed and combination approaches, and the investigational TCR-engineered T-cell therapy anzutresgene autoleucel targeting PRAME. Dr Orloff emphasized that in the absence of head-to-head comparisons, sequencing decisions will increasingly be shaped by patient logistics, toxicity profiles, and access to specialized treatment centers.

This is THE episode the whole series has been building toward girl. We've done the position work. We've done stability. And now, we finally get to talk about force production and mechanical tension— the third layer of the Training Hierarchy and the actual thing that drives muscle growth, strength, and body recomposition. She's the queen!In this EP, I go alllll the way into the science. I break down what mechanical tension is at a cellular level. I go deep on motor units, the Henneman's Size Principle, internal load versus external load and proximity to failure.This is THE episode that makes it all click girl. The one that explains why you've been working hard and not seeing the results you want. Key TakeawaysMechanical tension is force applied to muscle fibres under load while they are actively contracting. It is the primary signal for muscle growth, strength adaptation, and body recomposition.The length-tension relationship explains why position and stability come first. Every muscle has an optimal length at which it can produce maximum force. Motor units are recruited from smallest to largest — Henneman's Size Principle. The high-threshold motor units, the ones most responsible for muscle growth and strength, are only recruited when load is genuinely challenging and effort approaches failure.The effective reps — the ones that actually drive adaptation — are the reps that hurt your feelings. The ones that slow right down. Most women are training at a five, six, or seven out of ten. They feel like they're working hard — and they are. But they're not close enough to failure to recruit the high-threshold motor units.Proximity to failure requires position and stability to be intact. Grinding reps with broken form is not proximity to failure. It's compensation. The signal goes to the wrong tissue.Your body does not respond to external load. It responds to internal load — the actual mechanical stress on the target tissue.A highly skilled lifter creates more internal load with less external load. Because she knows how to direct force into the target tissue. This is why the hierarchy matters — build position, build stability, build the skill.Beautiful movement builds beautiful bodies. Not as an aesthetic statement — as a physics statement. Beautiful movement means force is going exactly where you want it to go. Directed. Intentional. Landing in the muscle you came to train. That is when the body changes.Powerful Quotes from This Episode"Your body does not respond to the weight on the bar. She responds to internal load — the force being applied to the specific muscle fibre you're trying to train. The number on the bar is not the point. Where the force actually lands is the point.""Those last few reps — the ones that hurt your feelings, the ones that slow way down, the ones you have to grind through — those are the reps where the high-threshold motor units are firing. Those are the reps that change your body. Everything before them is just getting there."The Big Girl Lifts — Free Video SeriesYou've been told to lift heavy. But no one's taught you how.The Big Girl Lifts is a free video series where I teach you the six lifts that actually change your body — not just what they look like, but how to own them. How to get your body in the right position, create real stability, and produce the kind of mechanical tension that builds lean muscle, gets you stronger, and changes your body composition for good.Each lift is taught through the lens of the Training Hierarchy — position, stability, and force. So you stop accumulating fatigue and start creating the signal your body actually responds to.And because seeing is everything — film your lifts and send them to me. I'll personally review your technique and tell you exactly what I see.This is how we train properly, girl. Grab it here: https://warriorschool.co/the-big-girl-lifts/

This week we watched the 2008 jukebox musical romantic comedy Mamma Mia! Directed by Phyllida Lloyd the film follows a young bride-to-be who invites three men to her upcoming wedding, with the possibility that any of them could be her real father. The film features an ensemble cast, including Meryl Streep, Pierce Brosnan, Colin Firth, Stellan Skarsgård, Julie Walters, Dominic Cooper, Amanda Seyfried, and Christine Baranski. Come join us!! Website : https://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod

Directed by action maestro Kenji Tanigaki, The Furious delivers a non-stop, blood-soaked martial arts spectacle. The film follows Wang Wei (Xie Miao), a desperate father who goes on an absolute rampage to rescue his kidnapped daughter after local police turn a blind eye. His only ally is Navin (Joe Taslim)—a relentless journalist hunting for his own missing wife—leading an unlikely duo into an explosive showdown against a ruthless criminal syndicate featuring heavy-hitters like Yayan Ruhian and Jeeja Yanin.Fun Flix Fact: Director Kenji Tanigaki assembled an absolute dream-team "supergroup" of contemporary pan-Asian action talent, uniting stars from China, Indonesia, and Thailand to capture the high-kicking golden energy of classic Hong Kong cinema.Fun Flix Fact: Joe Taslim leaned heavily into his real-life competitive martial arts background—specifically utilizing his elite judo skills—to give his character's combat style a distinct, ground-based brutality that contrasts sharply with the film's flashier aerial acrobatics.To celebrate a major milestone in brutal, hallway-clearing action, we're looking back at Gareth Evans' The Raid: Redemption (2011). We break down how this Indonesian masterpiece completely redefined the modern action genre, turning a single apartment block into an unrelenting survival gauntlet.Fun Flix Fact: The film's legendary fight choreography was developed over months of intensive training by lead star Iko Uwais and co-star Yayan Ruhian (who also brings the pain in The Furious!), utilizing the traditional Indonesian martial art of Pencak Silat to create lightning-fast, hyper-realistic combat.Fun Flix Fact: Despite looking like a massive-budget Hollywood production, the film was shot on a relatively modest indie budget in a single, purpose-built multi-story set in Jakarta, where the sweltering indoor heat and physical intensity forced the cast and crew to undergo daily medical checkups.And if that's not enough entertainment for you, we've even thrown in new trailers to watch and what you can catch on streaming. Hit that subscribe button right now so you never miss an episode of The Flixters! We're here every week to bring you the best reviews, the wildest facts, and the greatest cinema talk in the business. 00:00 Intro 02:22 Shoutouts04:13 Movie News21:06 New on Streaming23:33 New Trailers35:00 Anniversary Corner38:06 The Furious Review53:16 OutroThis episode is proudly sponsored by Zencastr. Create your podcast today! #madeonzencastr

Back in the spotlight: MY DATE WITH LAINEY LEE. What starts as a run-in with a queer teen star quickly becomes an unforgettable date—and a romance that might not survive going public. A perfect Pride Month listen full of heart, humor, and big-city magic. Meet Cute Presents: My Date With Lainey Lee - Part 5, where Brooke and Lainey finally arrive at the college party, but just as things start to heat up, Evan chooses to capitalize on his brush with Lainey's fame, and reveals her location to the world. Story by Erica Yulo. Produced and Directed by Mia Walker. Sound Design by Elijah Pouges. Original Song “I'd Rather Not” Written and Performed by Rachel Brown. Story Editor: Amarlie Foster. Director of Creative Production: Lucie Ledbetter. Starring: Jen Goma, Sawyer Fuller, Alastair Casey, Lorna Duyn, Danny Tamberelli, Khaya Fraites, Christian Probst, Shawn Jain. Follow @MeetCute on Instagram and @MeetCuteRomComs on TikTok. Check out our other rom-coms, including KERRI with Pauline Chalamet, IMPERFECT MATCH with Arden Cho, and DUMP HIM! with Minnie Mills. Check out our other dramas, including FIRE & ICE with Chiara Aurelia and Jack Martin, and POWER TEN.  Check out our other fantasies, including A PROPHECY OF INCENSE AND SNOW and I'VE BECOME A TRUE VILLAINESS.  Have a crush on us? Follow Meet Cute, rate us 5 stars, and leave a review! Learn more about your ad choices. Visit podcastchoices.com/adchoices

How do you feel about the Minions? What's better DVD or minidisc? And what does the top of Matt Damon's hat look like? It's a film special! Directed by Christopher Nolan. Pappy's - https://www.instagram.com/pappyscomedy/ https://www.tiktok.com/@pappysflatshare Support us on Patreon - www.patreon.com/pappysflatshare Find tickets to all our live shows here - https://pappyscomedy.com/live Produced by Connor Hayles Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mark and Professor Mike Dillon discuss the 1995 action film Crying Freeman. Directed by Christophe Gans and starring Mark Dacascos, Julie Condra, Tchéky Karyo, and a bunch of pottery, the movie focuses on an assassin who cries after each kill. In this episode, they also talk about circular sunglasses, unique action scenes, and the excellence of Byron Mann.

Chad MacDonald reveals the hidden war most Christians are losing without knowing it. Territorial demons, principalities over cities, the Genesis 6 origin of witchcraft, and how to walk in the believers authority over darkness. A masterclass on real spiritual warfare from a combat veteran turned frontline evangelist.Connect with Chad: Youtube:https://www.youtube.com/voiceofrevivalhttps://www.youtube.com/@chadmacdonaldofficialBook Link: https://www.amazon.com/dp/1636415539?lv=shuf&channelId=500&plpRedirect=mhFallbackWebsite: www.revivalfirewm.comInstagram: https://www.instagram.com/revivalfirewm/Facebook: https://www.facebook.com/revivalfirewm

Today's Devotional "Faith Directed By God"lmjministries.org7/28/26Join us for coffee, conversation and community.

Evil Dead Burn is the sixth entry in the Evil Dead franchise and sequel to 2023's Evil Dead Rise. Directed and co-written by Sébastien Vaniček and produced by Sam Raimi and Rob Tapert, the film stars Souheila Yacoub as a grieving widow who seeks refuge with her late husband's family. At a secluded house their reunion becomes a nightmare as one relative after another is transformed into a Deadite. Tandi Wright, Hunter Doohan, Luciane Buchanan, Erroll Shand, and Maude Davey round out the cast.The project was announced in February 2024, with Vaniček co-writing the screenplay alongside Florent Bernard. After the title was revealed in December 2024, casting began in May 2025, followed by production in New Zealand from July through October. Evil Dead Burn opened in France on July 8, 2026, and in the United States on July 10. Released by Warner Bros. domestically and Screen Gems internationally, the film earned positive reviews and grossed $63 million worldwide against a $20 million budget.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

The wait is over: LeBron James is a Philadelphia 76er — reportedly for peanuts — and the crew (Grant, John Browner, Beav and E Lamb) spends the night sorting through the wreckage. The biggest casualty? Golden State. Grant cooks on the Warriors wasting Steph Curry's last prime years: the roster of exploded knees and 39-year-olds, the front-office exit that says everything, and the report that they're already "building for the next era." So the GM war room opens: do you do the unthinkable and trade Steph? John's play — you don't take calls, you MAKE them: San Antonio, four firsts, and take the De'Aaron Fox contract off their neck. Beav pitches Orlando and a Houston KD reunion; Charlotte with Kon Knueppel gets a "little Klay" nod. Before all that, E Lamb files a live report from Rams camp at LMU: Matthew Stafford looks like a back-to-back MVP candidate, Puka Nacua made a one-handed catch right in front of him, rookie CJ Daniels turned every head at practice, and Konata Mumpfield is "baby DeVonta." Plus the full training-camp tour: the Jalen Hurts identity-crisis debate returns, E Lamb sends Jacksonville to the AFC Championship, the crew rules on Travis Hunter's future (full-time corner, Canton-level ceiling), John is officially over Lamar Jackson, Josh Allen gets the Jim Kelly treatment, and the Mahomes-isn't-bouncing-back theory built entirely on Travis Kelce's decline. New episodes drop nightly. Follow the crew and catch the post-show on X. Directed & Produced by: Grant Mona Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Episode Description: In this episode, Christopher Schnese and Stephen David Miller bring you a review of The Dink. Directed by Josh Greenbaum. With Jake Johnson, Mary Steenburgen, and Aaron Chen. A washed-up tennis pro tries to save a club by reluctantly playing pickleball to earn his father's respect. Show Notes Hosts: • Christopher Schnese and Stephen David Miller Featured Review: • The Dink The Verdict: • Stephen: Recommend with Caveat • Christopher: Recommend with Caveat Music for this Episode: • 1V1 by FLAMEBOY Contact the show: • email: fans@thespoilerwarning.com Listener Survey: • Please help us by taking our survey

On Episode 33 of our show "Grindhouse Pizzeria" which is dedicated to all things encompassing various Grindhouse, Drive-In, and Exploitation genres; we will be reviewing and dissecting a true classick of the 70's exploitation drive-in era with 1975's "SWITCHBLADE SISTERS". Directed by Jack Hill (Coffy, Foxy Brown, Spider Baby) and starring Robbie Lee, Joanne Nail, Monica Gayle, Don Stark, Asher Brauner, and many more. This is a legendary cult flick about the leader of an inner city girl gang that is challenged on all sides when a new girl moves into her turf. It has knife fights, roller-boogie shootouts, betrayals, more fights, more shootouts and even  a Mad Max themed car to boot! Sound wacky? It has to be seen to be believed!  Our discussion is headed off by our regular hosts Tom Komisar and Cameron Scott! Join the two of them as they take a deep dive dissection of this slice of fried gold exploitation goodness as only Jack Hill could deliver.  Come on in at the Grindhouse Pizzeria, pull up a chair, and grab yourself a slice!   "We're Jezebels, cop - remember that name. We'll be back!"

Today's Mystery: Simon Templar investigates rumors that a minor league baseball team is about to throw an important game. His inquiry leads him to a beautiful woman, a dangerous fixer, and a young pitching phenom whose promising career may be destroyed before he ever reaches the major leagues.Original Radio Broadcast: September 17, 1950Originating from HollywoodStarring Vincent Price as Simon Templar, The SaintAlso featuring Gloria Blondell, Jack Moyles, Hal March, Ed Max, Bob Clark, and Larry DobkinBased on characters created by Leslie Charteris Written by Dick PowellMusic composed and conducted by Van Dexter, Directed by Helen Mack Produced by James L. SaphierSupport the podcast monthly at patreon.greatdetectives.netPatreon Supporter of the Day: Jay, Patreon supporter since April 2024Support the podcast on a one-time basis at support.greatdetectives.netMail donation to:Adam GrahamPO Box 15913 Boise, ID 83715Take our listener survey at survey.greatdetectives.netGive us a call: 208-991-4783Follow us on Instagram at instagram.com/greatdetectivesFollow us on Twitter/X at twitter.com/greatdetectivesJoin us again next time for another adventure with The Saint. 

It's finally here! It's SHARK WEEK 2026! And who doesn't love SHARK WEEK? I know I do! To celebrate this time-honored tradition, this week we're talking sharks and shark movies with director JESSE V. JOHNSON and his new film ABOVE & BELOW. A basic premise, but one that has tension reigning supreme above the water and danger lurking below, in ABOVE & BELOW, during a Mexican shark dive, five friends are ambushed after discovering cartel cocaine. Trapped in a shark cage, Tatiana and Kaley are forced by the cartel to retrieve a bag of drugs on the seafloor. Battling legendary Great White sharks, dwindling air, and armed killers, the survivors mount a brutal fight to outsmart their captors and escape. Directed by Jesse Johnson with script by Anthony Giordano, ABOVE & BELOW stars Antonio Banderas, Laura Marano, Louis Mandylor, Jess Liaudin, Timothy V. Murphy, Christina Ochoa, Donncha Tynan, Ryan Bertroche, and Diego Llinas, while the team behind the lens includes one of my fave cinematographers Maxime Alexandre, editor Matthew Lorentz, and composer Maria Vertiz. http://eliasentertainmentnetwork.com

Today's Mystery: An international smuggling ring is threatened when a federal grand jury closes in on one of its American front companies. To cover their tracks, the organization's ruthless mastermind summons a professional arsonist to destroy the evidence before Counterspy agents can stop them.Original Radio Broadcast: March 14, 1950Originating in New YorkStarring Don MacLaughlin as David Harding and Mandel Kramer as Harry Peters. Also featuring Jesse Crawford (music). Written by Edward J. Adamson. Directed by Leonard L. Bass. Produced by Phillips H. Lord.Support the show monthly at patreon.greatdetectives.netSupport the show on a one-time basis at support.greatdetectives.netMail a donation to:Adam GrahamPO Box 15913Boise, ID 83715Take the listener survey at survey.greatdetectives.netGive us a call: 208-991-4783Become one of our friends on Facebook at facebook.com/radiodetectivesFollow us on Instagram at instagram.com/greatdetectivesFollow us on Twitter/X at twitter.com/radiodetectivesJoin us again next time for another exciting case from Counterspy.