Podcasts about Moma

The Curator of Architecture and Design at MoMA enjoys work that surprises, up to a point. "I don't like gigantic provocations, I like small provocations, the ones that sneak up on you." Jolted awake, not pummeled into submission. Presented with the Viñoly Foundation. Music: Ethel—Ralph Farris, Kip Jones, Corin Lee, Dorothy Lawson.

Bill speaks to actor and filmmaker Keith Gordon about his life and career, from making Super 8 shorts and interning at MOMA's film archives after school to acting in Off-Broadway plays and Hollywood movies like JAWS 2, ALL THAT JAZZ, DRESSED TO KILL and CHRISTINE, to directing independent films like THE CHOCOLATE WAR, A MIDNIGHT CLEAR, MOTHER NIGHT and WAKING THE DEAD and television series like BETTER CALL SAUL and FARGO. Topics include: Stanley Kubrick, Billy Crudup, DRESSED TO KILL controversies, Joan Micklin Silver, STATIC, making independent films in the 1980s vs. the 1990s, Keith's filmed appreciations for Indicator/Powerhouse Blu-Rays, working in television, HOME MOVIES, deleted scenes, DVDBeaver, Nicolas Roeg, recording director's commentaries and the nature of memory. Watch Keith Gordon on BLUE COLLAR: https://www.youtube.com/watch?v=fhzVpOct_O8 Buy THE CHOCOLATE WAR on Blu-Ray: https://mvdshop.com/products/the-chocolate-war-blu-ray?_pos=1&_sid=082406b4d&_ss=r Buy Film Focus: Jennifer Connelly (1991 – 2003) on Blu-Ray: https://viavision.com.au/shop/film-focus-jennifer-connelly-1991-2003-imprint-collection-240-242/ Read "The Many Acts of Keith Gordon" by David Obuchowski: https://longreads.com/2018/01/25/the-many-acts-of-keith-gordon/ Watch John Carpenter, Alexandra Paul, John Stockwell and Keith Gordon discuss CHRISTINE at the 2010 Texas Frightmare Weekend: https://www.youtube.com/watch?v=EztyuCwyYag Hear Keith Gordon discuss underrated films of the 1960s on Director's Club: https://directorsclub.substack.com/p/episode-201-keith-gordon-underrated-6bc Hear Keith Gordin on The Projection Booth podcast: https://www.projectionboothpodcast.com/search/label/Keith%20Gordon?m=0 Hear The Kubrick Series Uncut by Movie Geeks United with Keith Gordon: https://www.moviegeeksunited.com/thekubrickseriesuncut3 Hear Keith Gordon on The Movies That Made Me podcast: https://moviesthatmademe.com/podcast/keith-gordon/  

This episode we are thrilled to be joined by the artist Martine Gutierrez. Martine is a transdisciplinary artist whose work uses photography, video, and performance to examine how identity is constructed and portrayed. Her projects range from billboards and music videos to her celebrated magazine Indigenous Woman, where she takes on every role — artist, subject, and producer — to challenge pop-culture tropes around gender, beauty, and representation.Her work has been shown internationally, including at the 58th Venice Biennale and in exhibitions at the Museum of Modern Art, the Whitney Museum of American Art, LACMA, Crystal Bridges, the Pérez Art Museum, and the Smithsonian American Art Museum. Her work is also held in major collections including MoMA, the Whitney, the Guggenheim, SFMOMA, LACMA, Crystal Bridges, the National Gallery of Art, and the Smithsonian American Art Museum. Martine will be in the 2026 Whitney Biennial.Martine received her BFA from the Rhode Island School of Design and lives and works in New York.Martine is represented by Fraenkel Gallery and Ryan Lee Galleryhttps://fraenkelgallery.com/artists/martine-gutierrez https://ryanleegallery.com/artists/martine-gutierrez/Some artists discussed in this episode:Yoko OnoMarina AbramovićFollow along on Instagram at @artfromtheoutsidepodcasthttps://www.instagram.com/artfromtheoutsidepodcast

Send us a textIn this episode we follow back up with former Air Force EOD technician and PhD candidate, Charles O. Warner III who we last spoke to in Ep. 89, and who is now wrapping up his doctoral dissertation! In this episode Charles talks about how veterans shape collective memory, activism, and highlights veterans as important contributors to remembrance, dialogue, and peacebuilding across borders. The Veterans Eclectic:https://theveteranseclectic.wordpress.com/ Contact Charles:https://www.linkedin.com/in/cwarner3/ Wangachimutu, M-U-T-U While there isn't one single "official" website, you can find extensive information, exhibitions, and artwork details for Wangechi Mutu on major gallery sites like Pace Prints, museum pages (MoMA, New Museum, Support the showClick here to support Behind the Warrior Podcast today! https://interland3.donorperfect.net/weblink/weblink.aspx?name=E110509&id=354

AFH: Season 1, Episode 8Featuring Chelsea Leyland (⁠⁠instagram.com/chelsealeyland)Al sits down with Chelsea Leyland. Chelsea is the co-founder of Looni, a company dedicated to hormonal health and wellness. Her journey has taken her across the globe, speaking about her personal experience with epilepsy and medical cannabis and her commitment to patient access. She has spoken at institutions such as the European Parliament and Cambridge University. More recently Chelsea has spoken openly about navigating endometriosis, pregnancy losses and reproductive health. Previously, she spent over 10 years DJing and curating music for fashion and art clients, including Chanel, Fendi, the Guggenheim Museum, the MoMA as well as opening for Duran Duran and Diplo. Chelsea's super passionate about building community. And with the power of vulnerability and community being central to her ethos, Chelsea started numerous advocacy groups, facilitating personal support for individuals going through challenging experiences with epilepsy, endometriosis, and fertility struggles, in a true combination of her passions.Guest Info:Instagram Chelsea LeylandInstagram My LooniFollow Me:Instagram: ⁠⁠@afinehuman⁠⁠ Shop Dame: ⁠⁠dame.com⁠⁠ This podcast was produced by ⁠⁠aurielle sayeh⁠⁠, filmed by ⁠⁠@thetellychannel⁠⁠, and powered by @⁠⁠dameproducts⁠⁠.

Tune in live every weekday Monday through Friday from 9:00 AM Eastern to 10:15 AM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy our NFT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DISCLAIMER: The views shared on this show are the hosts' opinions only and should not be taken as financial advice. This content is for entertainment and informational purposes.

In this episode, Pauline sits down with Paola Antonelli, the visionary Senior Curator of Architecture & Design and founding Director of Research & Development at the Museum of Modern Art, whose career has been dedicated to helping people see the extraordinary in the ordinary.Antonelli challenges the idea that great design is about perfection. Instead, she argues, it's about intention: function with a point of view. From jolie-laide objects we can't stop staring at (yes, the Cybertruck) to the lasting joy of a Vespa, she argues that the opposite of beauty isn't ugliness; it's indifference.Together, Pauline and Paola explore secondhand fashion, the sensory limits of “pixel taste,” and why social media demands a stronger critical spine. A playful “design redemption” lightning round reveals the hidden genius of everyday objects—from shopping carts to traffic dividers—before closing with a provocative look at what meaningful design will become by the year 2050.Curious to understand the difference between art and design - and why it matters? Tune in for this masterclass in Aesthetic Intelligence.

Episode No. 737 features curators Beverly Adams and Jamillah James. With Christophe Cherix, Adams is the co-curator of "Wilfredo Lam: When I Don't Sleep, I Dream" at the Museum of Modern Art, New York. The exhibition includes more than 130 works made between the 1920s and 1970s, making it the most extensive Lam retrospective presented in the United States. "When I Don't Sleep, I Dream" argues that Lam, a Cuban-born artist who spent much of his life in Spain, France, and Italy, was a prototypical transnational artist. It is on view in New York through April 11, 2026. The exhibition catalogue was published by MoMA; Amazon and Bookshop offer it for $60-70. Jamillah James has organized the presentation of "Yoko Ono: Music of the Mind" at the Museum of Contemporary Art Chicago. The exhibition is one of the most comprehensive presentations to date of the pioneering Fluxus artist, musician, and world peace activist. "Music of the Mind" includes over 200 works across a vast array of media, including performance footage, music and sound recording, film, photography, installation, and more. It is on view at the MCA through February 22, 2026. An exhibition catalogue was published in North America by Yale University Press. Amazon and Bookshop offer it for $38-47. Air date: December 18, 2025.

Fuerte explosión en Tultepec deja heridos  ¡Frida y Diego brillarán en Nueva York! México y Brasil buscan evitar conflicto entre Venezuela y EUMás información en nuestro Podcast

Sudan, un rapporto dell'ONU denuncia le atrocità nell'attacco al campo per sfollati di Zamzam. In Somalia escalation di attacchi aerei statunitensi contro al-Shabaab.Almeno 22 civili uccisi in un conflitto tra comunità nella Repubblica Democratica del Congo.Malawi: la crisi alimentare è sempre più grave.Questo e molto altro nel Notiziario Africa, a cura di Elena L. Pasquini 

בין קריקטוריסט לפרסומאי – הדרך שלא תוכננה גדעון עמיחי לא תכנן להיות אחד מאנשי הפרסום הבולטים בישראל. הוא אפילו ניסה להוכיח למורים שלו בבצלאל שהוא לא יהיה איש פרסום. נקודת ההתחלה שלו הייתה בכלל כקריקטוריסט, והדרך משם אל מרכז הבמה של עולם הפרסום לא הייתה מסלול מתוכנן מראש, אלא תנועה מתמשכת של ניסוי, טעייה והקשבה פנימית. לאורך כל הדרך, מה שהוביל אותו שוב ושוב היה הניסיון להיות נאמן לתשוקה שלו — לעשות את מה שעושה לו טוב באמת, וגם, ואולי בעיקר, להבין מה לא. המנוע שלו, כפי שהוא מעיד על עצמו, הוא היכולת להציב מטרות שנראות כמעט בלתי אפשריות - ואז ללכת צעד אחר צעד עד שהן מתגשמות. כשמשוחחים עם גדעון ברור כשמש שמדברים עם יזם - אולי לא של סטארטאפ טכנולוגי, אלא של חייו. רעיונות של מיינדסט צומח, יצירתיות, התמדה והיכולת להמציא את עצמך מחדש שוב ושוב הפכו עבורו לא רק לכלים מקצועיים אלא לדרך חיים; דרך שמובילה אותו לבחור פעם אחר פעם במסלול הלא־מובן־מאליו וליצור את ה‘כן' הבא שלו. הפעם הראשונה שמישהו אמר “כן” האהבה לציור מתחילה אצלו מאוד מוקדם. גדעון גדל בבית קטן בחולון, עם פערי גיל גדולים בין האחים, ואת המקום הפרטי שלו הוא בונה מבפנים - דרך ציור וספורט. במחברות הוא מצייר מכוניות ספורט, מכיר שמות של מותגים בגיל ארבע־חמש, וכילד, אחד הציורים שלו אפילו מתפרסם בטלוויזיה. תיכון, אחרי תקופה שציורים שלו פורסמו במעריב לנוער, הוא מחליט לקפוץ מדרגה: לא עוד “מעריב לנוער” – אלא “מעריב” של הגדולים. הוא מביא קריקטורה למערכת “מעריב ספורט”, והציור מתפרסם. ואז מתחיל המבחן האמיתי. במשך עונה שלמה, 29 שבתות ברצף, הוא מצייר קריקטורה, עולה על קו 92, משאיר במערכת, וביום ראשון בורח מבית הספר כדי לראות אם זה נכנס. שבוע אחרי שבוע שום דבר לא מתפרסם. אף אחד לא אומר לו שהוא במבחן. אף אחד לא מבטיח לו שזה ישתלם. וגם בבית מתחילים לשאול למה הוא ממשיך. והוא פשוט ממשיך. בסוף העונה קוראים לו למערכת ואומרים לו: “רצינו לראות שאתה מסוגל להחזיק את זה לאורך כל העונה. מעכשיו אתה הקריקטוריסט של מעריב”. בדיעבד, קל לראות כאן את מה שמכנים היום GRIT - החיבור בין תשוקה עמוקה לבין היכולת להתמיד לאורך זמן גם בלי לדעת אם ומתי יגיע הכן. לא, לא, לא, לא, לא – ואז כן רק הרבה שנים אחר כך, אחרי לימודי מנהל עסקים וההחלטה לפתוח משרד משלו, הוא מבין שזו לא רק תכונה  אלא שיטה. החיים מלאים ברצפים של “לא”. לא אחד. לא שניים. לפעמים חמישה, שישה, שבעה. אבל כמעט תמיד, בתוך הלא הזה, מתחבא גם “אבל”. והאבל הזה הוא הפתח. הוא לא תופס “לא” כסוף פסוק, אלא כנקודת מעבר. כחומר גלם לחשיבה. כהזמנה לשאול איך כן. וככל שהמשימה נראית פחות סבירה ויותר מורכבת - כך הפוטנציאל של ההצלחה שלה גדול יותר. החלום על ה־New Yorker והעוצמה שב־“לא” אחרי ההצלחות במעריב, גדעון מתקבל לבצלאל נחוש להיות קריקטוריסט - גם כשאומרים לו שיש לו יכולות רחבות הרבה יותר. הוא נוסע לחילופי סטודנטים בניו יורק, פוגש שם את אחד הקריקטוריסטים של ה־New Yorker, ושומע ממנו משפט חד: “אין סיכוי שזה יקרה”. באותו רגע, החלום מתחדד. זה בדיוק הדבר היחיד שהוא רוצה. במשך שנה שלמה הוא שולח עשרות קריקטורות - שוב ושוב - ומקבל שוב ושוב “לא”. בסוף הוא חוזר לישראל, מסיים את בצלאל עם פרויקט גמר של עשרה ציורים מצטיינים, והחלום על הניו יורקר נכנס למגירה. שלוש שנים אחר כך, כשהוא כבר בתוך עולם הפרסום, הוא נשלח שוב לניו יורק מטעם העבודה. רגע לפני הטיסה הוא לוקח איתו במקרה את אותה מעטפה עם ציורי הגמר. הפעם - שני ציורים נקנים על ידי ה־New Yorker. שנה אחר כך הם מתפרסמים. אותם ציורים. אותו יוצר. נסיבות אחרות לגמרי. כאילו משהו שהיה מוכן כבר מזמן פשוט חיכה לרגע הנכון שלו.  שנים אחר כך, הספר שלו החל להימכר בחנות של ה־MoMA בניו יורק. גם זה היה יעד שהוא סימן לעצמו מראש  - כזה שנשמע לרבים סביבו לא ריאלי, כמעט מנותק מהמציאות. ושוב, כמו עם ה־New Yorker, הוא לא התווכח עם מי שאמר שזה לא אפשרי. הוא פשוט המשיך לעבוד. עוד מטרה שנראתה רחוקה, ועוד “כן” שנולד מתוך הרבה מאוד “לא” בדרך. יצירתיות כיתרון לא הוגן גדעון מתאר יצירתיות כ“יתרון לא הוגן”. כחיבור של שני דברים שלא אמורים להתחבר – כדי ליצור דבר שלישי. היצירתיות תמיד הייתה שם, אבל רק אחרי ה־MBA היא מקבלת תפקיד חדש. מהרגע שהוא מתחיל לדבר עם מנכ”לים בשפה של שווי מותג, קטגוריה, מנהיגות שוק וערך - היצירתיות הופכת מכלי של ביטוי לכלי שמזיז מציאות. הוא לומד לתרגם השראה לאסטרטגיה. חלום למדדים. רעיון לאימפקט. ופתאום זה כבר לא רק ציור יפה או רעיון מבריק - אלא משהו שיכול לשנות תפיסה של מוצר, של חברה, של שוק שלם. חופש, אחריות, ומה שביניהם לאורך השיחה חוזר המתח הקבוע שבין חופש לאחריות. הרצון ליצור בלי גבולות מול הצורך להחזיק מסגרת, לקוחות, עובדים, והתחייבויות. זה לא איזון מושלם, והוא גם לא מציג אותו ככזה. זו תנועה מתמדת - לפעמים יותר חופש, לפעמים יותר אחריות, לפעמים דחף קדימה ולפעמים עצירה. ובתוך זה, הוא מדגיש שוב ושוב דבר אחד פשוט: האנשים שמחזיקים לאורך זמן, אלה שמובילים ארגונים גדולים, חברות, מהלכים – הם אלה שבאמת אוהבים את מה שהם עושים. כל עוד יש אהבה אמיתית לעשייה, מוכנים גם לשלם מחירים. אין כאן רומנטיקה מזויפת – יש תשוקה, ויש מאמץ, ויש גם עייפות, ויש גם ויתורים. הכול ביחד. סיום – מסע שאין לו נקודת סיום המסע שהוא מתאר הוא מסע של למידה בלתי פוסקת, של אמונה פנימית, של יצירתיות ושל סתירות. מלא לא, לא, לא, לא, לא – אבל גם אבל. וגם כן. לא תמיד רואים אותו מיד. לפעמים הוא קטן, נסתר, לא גרנדיוזי. אבל הוא שם. הוא מדבר בכנות על המחירים, על ההשקעה, על המאמץ המתמשך. על זה שזה אף פעם לא קל – לא בהתחלה, לא באמצע, ולא כש״כבר מצליחים״. ובאותה נשימה, גם על כמה זה מרגש. כמה זה מעורר תשוקה. הדרך של גדעון מספרת סיפור אחד ברור: ככל שאתה מסור יותר למה שאתה עושה, ככל שאתה מוכן להתמיד גם כשאין מחיאות כפיים, וככל שאתה מסכים להכיל את הסתירות — וכל עוד אתה נהנה מהמסע — כך הסיכוי לפגוש את ה‘כן' שלך גדל. זו הזמנה לראות את היזמות כדרך חיים — כבחירה מתמשכת לנוע, להתעקש וליצור. ואז, כשמסתכלים לאחור, מבינים איך כל הנקודות מתחברות.

In this episode of PhotoWork with Sasha Wolf, Sasha is joined by photographer, publisher, editor, and educator Nelson Chan. Together, they trace the winding path that led Nelson to his dream job as a professor at the Rhode Island School of Design. Along the way, Nelson reflects on the “guardian angels” who helped him stay the course, the openness that allowed unexpected opportunities to shape his trajectory, and the community of friends and collaborators who eventually inspired the founding of TIS Books. Sasha and Nelson also talk about the value of building connections, putting yourself out there, and treating your career as a marathon rather than a sprint. https://www.nelsonchanphotography.com/ https://www.tisbooks.pub/ Nelson Chan was born in New Jersey to immigrant parents from Hong Kong and Taiwan and has spent most of his life between the States and Hong Kong. Having grown up between two continents, this immigrant experience influences the majority of his work. Nelson received his BFA and MFA from the Rhode Island School of Design and the Hartford Art School, respectively. He has been exhibited nationally and internationally at institutions such as the Museum of Chinese in America, New York, NY; Boston Center for the Arts, Boston, MA; The Print Center, Philadelphia, PA; Kunstlerhaus Bethanien, Berlin, Germany; and 798 Space, Beijing, China. His books are collected in the institutional libraries of The MET, The Guggenheim, SEMOMA, The Whitney Museum, The Harry Ransom Center, and MoMA, among others. Along with his own photographic work, book publishing and education are extensions of, what Nelson refers to as, an industrious studio practice. He is co-founder of TIS books, an independent art book publisher and was production manager at the Aperture Foundation from 2016-19. In 2025, Nelson was awarded tenure at California College of the Arts but ultimately left the Bay Area to teach at the Rhode Island School of Design as an associate professor of photography.

Explore the Carlo Rambaldi at MoMA retrospective and discover how his groundbreaking creature designs, like ET, brought emotional depth to cinematic effects. The post MoMA and Cinecittà present Carlo Rambaldi, in conversation with Daniela Rambaldi appeared first on Fred Film Radio.

Explore the Carlo Rambaldi at MoMA retrospective and discover how his groundbreaking creature designs, like ET, brought emotional depth to cinematic effects. The post MoMA and Cinecittà present Carlo Rambaldi, in conversation with Daniela Rambaldi appeared first on Fred Film Radio.

Explore the Carlo Rambaldi at MoMA retrospective and discover how his groundbreaking creature designs, like ET, brought emotional depth to cinematic effects. The post MoMA and Cinecittà present Carlo Rambaldi, in conversation with Daniela Rambaldi appeared first on Fred Film Radio.

Explore the Carlo Rambaldi at MoMA retrospective and discover how his groundbreaking creature designs, like ET, brought emotional depth to cinematic effects. The post MoMA and Cinecittà present Carlo Rambaldi, in conversation with Daniela Rambaldi appeared first on Fred Film Radio.

Explore the Carlo Rambaldi at MoMA retrospective and discover how his groundbreaking creature designs, like ET, brought emotional depth to cinematic effects. The post MoMA and Cinecittà present Carlo Rambaldi, in conversation with Daniela Rambaldi appeared first on Fred Film Radio.

Explore the Carlo Rambaldi at MoMA retrospective and discover how his groundbreaking creature designs, like ET, brought emotional depth to cinematic effects. The post MoMA and Cinecittà present Carlo Rambaldi, in conversation with Daniela Rambaldi appeared first on Fred Film Radio.

Í nóvember voru 10 ár síðan fyrsta sérsniðna dagskráin fyrir fólk með alzheimer var búin til fyrir Listasafn Íslands undir merkjum rannsóknarverkefnisins „Listir og menning sem meðferð“. Halldóra Arnardóttir listfræðingur er nýkomin frá heimsókn í MoMA safnið í New York þangað sem hún var boðin í tilefni þess að 20 ár eru liðin frá stofnun dagskrár fyrir fólk með Alzheimer og aðstandendur þeirra. Við ræddum við Halldóru, Jón Snædal öldrunarlækni og Ingibjörgu Jóhannsdóttur forstöðukonu hjá Listasafni Íslands í þættinum í dag. Svo fræddumst við um Öðruvísi jóladagatal sem SOS Barnaþorpin bjóða upp á þar sem íslensk börn eru frædd um jafnaldra þeirra í öðrum löndum og hvernig aðstæður þeirra eru frábrugðnar okkar. Við fengum Hjördísi Rós Jónsdóttur, fræðslufulltrúa SOS Barnaþorpa til að segja okkur betur frá dagatalinu í dag. Og svo var það veðurspjallið með Einari Sveinbjörnssyni en í dag fjallaði hann um þræsing og bakflæði í veðrinu. Svo var það langtímaspáin og jólaveðrið, er of snemmt að segja eitthvað um það? Og að lokum var það spurningin um endanlegan árshita í Stykkishólmi, þar sem er yfir 180 ára mælingasaga, munu hitamet falla? Einar sagði okkur allt um þetta í dag. Tónlist í þættinum í dag: Snjókorn falla / Laddi (Bob Heatlie, texti Jónatan Garðarsson) Meiri snjó / KK & Ellen (Jule Styne, texti Ólafur Gaukur Þórhallsson) Jól / Þú og ég (Gunnar Þórðarson, texti Þorsteinn Eggertsson) Sleðaferð / Skapti Ólafsson (Leroy Anderson, texti Jólakettir) UMSJÓN: GUÐRÚN GUNNARSDÓTTIR OG GUNNAR HANSSON

Get ready for an insightful conversation with Tim Nordwind, the bass player for the endlessly inventive rock band, OK Go! We dive deep into the world of one of music's most unique acts, from their groundbreaking visual art to their incredible new album, And The Adjacent Possible (released April 2025). Tim gives us the inside story on the band's latest achievements and what fans can expect from their upcoming show. In This Episode: Double GRAMMY Nominations: OK Go is up for two 68th GRAMMY Awards for BEST MUSIC VIDEO ('Love') and BEST RECORDING PACKAGE ('And The Adjacent Possible'). We ask Tim about the moment he and the band heard the incredible news. The Making of 'Love': Tim discusses the unique process behind the viral video for "Love" (shot in a Budapest train station) and the band's general approach to conceptualizing their mind-bending, practical-effects music videos. The Gap Between Albums: Why the decade-plus wait for And The Adjacent Possible, and what projects were the band members involved in during that time? A Legacy of Ingenuity: With their work in the permanent collection of MoMA and recognition from the Cannes Lions, CLIOs, VMAs, and The Smithsonian, we find out which of their many non-musical accolades Tim still marvels at. The Audience Connection: We discuss the band's driving goal of connecting with their audience, a philosophy championed by frontman Damian Kulash. Hollywood Industry Talk: Tim shares his insights into the current state of the industry as both an actor and composer. The Tour Experience: What spectacular surprises can fans expect at the Brooklyn Bowl Nashville show on December 8th? Learn more about your ad choices. Visit megaphone.fm/adchoices

We want to feature the editors of four Canadian films that are not only critically acclaimed in this year's festival circles but also reflect the great community spirit behind their creation. Whether it's the utterly independent visions of MATT AND MARA and UNIVERSAL LANGUAGE or the deeply necessary stories of the Indigenous community in ABERDEEN and THE STAND, this year's Canadian films, in all their shapes and forms, are not short of boldness and style. Sara Bulloch is an editor and filmmaker in Winnipeg, Canada. She's edited films and series like ABERDEEN (premiered at TIFF2024), ALTER BOYS, SEEKING FIRE, ANCIENT BODIES, and many short films including I WOULD LIKE TO THANK MY BODY which won Audience Choice Award at Gimli Film Fest 2023. Short films she's written/directed have screened with Toronto Jewish Film Fest, the8fest, Gimli Film Fest, and more. Her films often explore mental health, identity, and relationships. Her short film, HOT DOG GUY won a People's Choice Award at Vox Popular Media Arts Fest 2022. She's also a motion graphics artist and community organizer. From 2019-2023 she organized OurToba Film Network & Fest, a community group for women, non-binary and gender diverse Manitobans in film. Xi Feng is a film editor based in Montreal. Having lived in China, Canada, and France, she has cultivated a unique blend of cultural and artistic sensitivity. Feng has worked as an editor on award winning films including CETTE MAISON, CAITI BLUES and most recently UNIVERSAL LANGUAGE, which won the inaugural Audience Award at the Directors' Fortnight at Cannes and is Canada's 2025 submission for the Oscars. Her filmography includes films premiered at major festivals such as Berlinale, Cannes, Sundance, TIFF, Vision du Réel, HotDocs, etc. Nathalie Massaroni is a Winnipeg-based editor and post production supervisor of more than 400 hours of television. Since graduating from the University of Winnipeg's film program, she has edited features and series including WINTERTIDE, ALTER BOYS, SEEKING FIRE, and ABERDEEN (which premiered at TIFF 2024). Nathalie has also edited other short form series and films such as D DOT H, TAILOR MADE, and I HURT MYSELF. If she's not working on a computer, you can find Nathalie at the dance studio or sipping coffee with a cat on her lap. Ajla Odobasic is a Bosnian-Canadian film editor based in Toronto. Her credits include MATT AND MARA, THE WHITE FORTRESS, the TFCA Best Canadian Film Award-winning ANNE AT 13000 FT, A.W: A PORTRAIT OF APICHATPONG WEERASETHAKUL, and the CSA-nominated HELLO DESTROYER. Her work has screened at several festivals and platforms including Locarno, TIFF, the Berlinale, MoMA, CBC Gem, and the Criterion Channel. Ajla teaches editing in Humber College's Film and Television program. Sarah Hedar is a Vancouver-based editor and story editor. Her patience and sense of humour keeps the challenges that so often bog down the creative process at bay. Sarah's award-winning work on provocative and original films spans both documentary and narrative projects, from features to shorts. Her keen eye for visual storytelling reflects her belief in the power of community, and the importance of continuously reassessing the status quo while building a world filled with empathy and hope for a brighter future. Her work has screened at festivals across the globe, but most notably, Sundance, TIFF, and VIFF. Kelly Boutsalis is the International Programmer, Canada for the Toronto International Film Festival. She's also a freelance writer, and has written about film and television for the New York Times, NOW Magazine, Elle Canada, Flare, POV Magazine and more. She's also written about lifestyle, design, and culture for publications including Vogue, Toronto Star, Chatelaine, VICE and Toronto Life. Originally from the Six Nations reserve, she lives in Toronto. She is on the board of imagineNATIVE and a member of the Toronto Film Critics Association.

Thanks to Allstate for sponsoring today's episode! Click here [https://bit.ly/463GZoO] to check Allstate first and see how much you could save on car insurance. This week on Past Gas, we're telling the story of Pininfarina — the small Italian coachbuilder that became the world's most iconic design house. Before their name appeared on Ferraris and Peugeots, Battista “Pinin” Farina was just a kid in his brother's shop dreaming bigger than Detroit. From turning down a job offer from Henry Ford to creating the MoMA-worthy Cisitalia 202, Pininfarina quickly rewrote the rules of car design. And after one legendary lunch with Enzo Ferrari, they'd go on to shape nearly every iconic Ferrari for the next six decades. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, Eric sits down with award-winning architect Kevin Kennon to talk about the future of sustainable cities, zero-carbon design, and how architecture can reshape the way we live. Kevin brings more than 40 years of experience and a portfolio that stretches from internationally recognized eco-resorts to work featured in MoMA's permanent collection.We get into why climate-driven design matters, how urban life will change as 68% of the world's population moves into cities by 2050, and the real role architects and designers play in creating healthier, more human spaces. Whether you're an architect, designer, urban planner, or someone who cares about sustainability, this conversation is packed with insight and vision.It's a look at what the next generation of cities could — and should — become.

Learn more at TheCityLife.org

This week we're diving into so many exciting new doll releases! From the newest Ballet Wishes Barbie and Fashionistas (including more Odile sculpts!) to the latest Deluxe Style wave, there is so much happening in the Barbie world right now.I also chat about the stunning new MoMA x Barbie collab inspired by an ICONIC piece of art, this year's BarbieStyle Fan Vote winner, and the adorable Budget Besties showing up in stores.I also get into:• The K-Pop Demon Hunters dolls• A gorgeous Wicked keepsake set• The second Stevie Nicks collector doll• The wild and amazing Monster High x Alien crossover• And a follow-up on the drama and curiosity surrounding the upcoming Hello Kitty Sasha Bratz collabIt's a packed week full of creativity, surprises, and strong opinions — you don't want to miss this one!

A new exhibition at the MoMA celebrates the career of Cuban artist Wifredo Lam, an artist who helped push the boundaries of modernism. Curators Christophe Cherix and Beverly Adams join to discuss "Wifredo Lam: When I Don't Sleep, I Dream," up now through April 11 2026. Image credit: Wifredo Lam. La jungla (The Jungle), 1942-43. Oil and charcoal on paper mounted on canvas, 7'10 ¼” × 7'6 ½” (239.4 × 229.9 cm). The Museum of Modern Art, New York © Succession Wifredo Lam, ADAGP, Paris / ARS, New York 2025

What would the C.I.A. have to do with "modern art", jazz and other art forms? The answer is truly unbelievable. Starting in the 1940's the C.I.A., the Rockefellers and the MOMA (Museum of Modern Art) set in motion a psychological operation that continues to this day. Using art in all its forms as a tool, weapon and guiding hand to persuade the masses, as a smoke screen and more. Let's look into how this happened, how it works and how it's still at play today!Email us at: downtherh@protonmail.com

durée : 00:38:21 - L'Invité(e) des Matins - par : Astrid de Villaines, Yoann Duval - Le 17 novembre, Glenn Lowry prendra la chaire du Louvre. Après trois décennies à la tête du MoMA, ce défenseur acharné du pluralisme culturel face aux attaques trumpistes s'inquiète : "Si nous croyons en un musée qui protège les droits des minorités, nous devrons activement défendre nos valeurs." - réalisation : Félicie Faugère - invités : Glenn D. Lowry Directeur du MoMA (Museum of Modern Art) La chaire du Louvre lui sera confiée le 17 novembre prochain; Anselm Kiefer Peintre et sculpteur allemand; Anne Teresa De Keersmaeker Chorégraphe belge

The Museum of Fine Arts (MFA) in Boston, US, has agreed to return two works from 1857 by the enslaved 19th-century potter David Drake to his present-day descendants. By the terms of the contract, one vessel will remain on loan to the museum for at least two years. The other—known as the “Poem Jar”—has been purchased back by the museum from the heirs for an undisclosed sum and now comes with “a certificate of ethical ownership”. Ben Luke talks to Ethan Lasser, the MFA's chair of the art of Americas, about this landmark agreement. At the Museum of Modern Art in New York, the exhibition Wifredo Lam: When I Don't Sleep, I Dream opens on Monday. Lam, who was of African and Chinese descent, is now widely regarded as a key, and singular, figure in Modernist painting. Connected in his long life to the Surrealists and Pablo Picasso, and to literary greats including Aimé Césaire and Edouard Glissant, his distinctive practice was above all centred on a profound engagement with Black diasporic culture. Ben talks to the two lead curators of the exhibition, Beverly Adams, curator of Latin American Art at MoMA, and the museum's new director, Christophe Cherix. And this episode's Work of the Week is the Adoration of the Magi (1488) by Domenico Ghirlandaio. The painting is in the Ospedale degli Innocenti, the first hospital for unwanted or orphaned infants, or foundlings, in Europe, built by the great Renaissance architect, Filippo Brunelleschi. The Innocenti, as it is called, is the subject of a new book, called The Innocents of Florence: The Renaissance Discovery of Childhood, by Joseph Luzzi, and Ben speaks to him about the painting and its significance in the Innocenti's collection.Wifredo Lam, Museum of Modern Art, New York, 10 November-11 April 2026.The Innocents of Florence: The Renaissance Discovery of Childhood, published in hardback by WW Norton, from 11 November in the US, priced $29.99, and from 28 November in the UK, priced £23.New subscription offer: eight-week free digital trial of The Art Newspaper. The subscription auto-renews at full price for your region. Cancel anytime. www.theartnewspaper.com/subscriptions-8WEEKSOFFER Hosted on Acast. See acast.com/privacy for more information.

Die Journalistin und Moderatorin spricht mit Arnd Zeigler u.a. über ihre Kindheit und Jugend in einer vom Fußball geprägten Familie, ihr eigenes Talent und eine "starke linke Klebe", die generelle Bedeutung von Sport und Musik in ihrem Leben sowie über ihren journalistischen Werdegang. Außerdem geht es um die hohe Affinität zur ostfriesischen Heimat, ihre überstandene Krebserkrankung, den Umgang damit und die Konsequenzen, die sich daraus ergeben haben. Von Arnd Zeigler.

Lisa Congdon is an internationally known, award-winning artist and illustrator. She is best known for her colorful, graphic style and her exploration of themes of joy, liberation, and inclusion. She makes art for clients around the globe, including The Library of Congress, Target, The U.S. Postal Service, Wired Magazine, Amazon, Google, Warby Parker, Method, Comme des Garçons, Brooks Running, Peets Coffee, REI, and MoMA, among many others. Lisa exhibits internationally, including solo shows at Saint Mary's College Museum of Art (California), Chefas Projects (Oregon), and Paradigm Gallery (Philadelphia), along with group shows at Hashimoto Contemporary in Los Angeles, Museum of Design Atlanta, and The Contemporary Jewish Museum in San Francisco.   Lisa is self-taught and didn't achieve momentum in her career until she was nearly 40 years old. Despite her untraditional path, Lisa has achieved recognition, not just as an artist but as a leader in the industry for her work in social justice, mentoring, and teaching. In March of 2021, she was named “One of the 50 Most Inspiring People and Companies According to Industry Creatives,” published by AdWeek. When she's not making art, you can find her racing her bike around the gravel roads of the United States. In today's episode, Nada talks with Lisa about finding success later in life as an artist, author, and shop owner. Lisa reflects on the relationship that first inspired her creativity, the time she spent in art classes, and the daily practice that honed her unique aesthetic. Lisa brings an honest and optimistic outlook for what lies in the middle third, as the two reflect on the advantages of grit and determination that accumulate throughout life, helping us embrace the messiness of new endeavors. Be sure to check out Lisa's book, A Glorious Freedom, and her website for information on books, classes, and her shops. Follow on Instagram: @lisacongdon. Please follow us at @thisislibertyroad on Instagram; we want to share and connect with you and hear your thoughts and comments. Please rate and review this podcast. It helps to know if these conversations inspire and equip you to consider your possibilities and lean into your future with intention.

In part two of this special fiction-meets-art-history podcast, you'll step into the MoMA after hours, where a professional development retreat turns into something much more sinister. What begins as an inspiring evening quickly spirals into chaos when Dal�'s The Persistence of Memory disappears. The Dalí is gone. The suspects are gathered. And the detectives are running out of time. In the shocking conclusion to An Art History Mystery, our five art teachers—Delilah, Solomon, Madison, Amber, and Robert—return to the Museum of Modern Art for questioning. As the night deepens, stories twist, motives unravel, and the truth finally surfaces. Who had the means? Who had the motive? And who had the opportunity to steal one of the most iconic paintings in modern art? Listen as Detectives Kelly and Forrest piece together the clues in a finale filled with confessions, contradictions, and the ultimate reveal of the thief behind The Persistence of Memory. Was it an act of obsession, ambition, or art itself? Find out in this second and final episode of An Art History Mystery. Resources and Links Join the Art of Ed Community Check out the Community's Halloween Costume Contest How Mysteries Can Make Learning Exciting 6 Creepy Artworks for Halloween Art Teacher Horror Stories

In this conversation, Trent and Kevin explore the multifaceted relationship between design, architecture, and human experience. They discuss how design serves as a storytelling medium, the emotional impact of spaces, and the cultural reflections inherent in architecture. The dialogue also touches on societal issues, the role of architects in fostering community, and the importance of understanding cultural differences. Kevin emphasizes the need for optimism and collaboration in addressing contemporary challenges, while also reflecting on the interconnectedness of society and the potential for future growth through shared experiences.Kevin Kennon is an internationally renowned architect with over 40 years of experience, specializing in environmentally sustainable and innovative design. As the founder and CEO of Beyond Zero DDC Inc., Kevin leads the development of zero-carbon emission luxury eco-resorts in remote wilderness locations worldwide, merging design excellence with ecological responsibility. His extensive portfolio includes projects like the 1.5 million square foot Barclays North American Headquarters, the Rodin Museum in Seoul, and multiple award-winning Bloomingdale's stores. Additionally, he led United Architects, a finalist in the prestigious World Trade Center design competition, further solidifying his impact on architectural innovation. Kevin's expertise spans adaptive reuse, urban planning, and large-scale developments, with projects featured in the permanent collection of MoMA, New York. He has earned over 40 international design awards and is a sought-after thought leader, contributing to discussions on urban development, climate change, and sustainable architecture. His work extends beyond architecture; as an expert witness and lecturer at leading institutions like Yale and Columbia, he brings a multidisciplinary approach to his craft.More from Kevin Kennon: Website: https://www.kdcaia.com/ Instagram: https://www.instagram.com/pkk2418/ LinkedIn: https://www.linkedin.com/in/kevinkennonarchitect/  More from us: Website: www.adppodcast.com Instagram: http://instagram.com/adppod_

Na du Schlingel? Warst du's? Hast du Louvre gemacht? Uns kannst du es doch sagen, denn hier, bei Baywatch Berlin, werden weitaus schlimmere Vergehen gebeichtet. Zum Beispiel das krumme Ding von Schmitt, der durch eine unglückliche Verkettung von Boshaftigkeit, Naivität und Zufall einen ahnungslosen Mitarbeiter von FloridaTV in das berühmt-berüchtigte Horror-Hamam locken konnte. Von „Mach das auf jeden Fall!“ bis „Ja, Badehösle kannste anlassen“ wurde eine monströse Verschwörung aufgebaut, die selbst Donald Trump die Schamesröte ins Gesicht treiben würde und die in dieser Folge dringend gebeichtet werden muss. Während Sie, werte Hörerinnen und Hörer, also diese Folge hören, liegt irgendwo ein armer Willi auf der gefließten Folterbank und wird erbarmungslos eingeseift, durchgeruppelt und abgeschrubbt. Er ist nackt, er ist alleine und keiner hört ihn schreien. Dann lieber Baywatch Berlin hören, sagen sie leise zu sich, ehe ihnen Klaas, Lundt und Schmitt ihre Themen wie ein Eimer Eiswasser in den Gehörgang klatschen! Haben Sie noch Gaumensex oder hat es sich ausgemohnt? Lohnt sich ein Einbruch ins ZDF MOrgenMAgazin? Wie war es bei der letzten „Duell um die Welt“-Aufzeichnung aller Zeiten? Ist ein Airfryer im Büro übergriffig und was hat Tupperware mit Klaas Faszination für Sextoyparties zu tun? Meine Güte, wenn man diesem Sammelsurium an Schwachsinn und Nichtigkeiten lauscht, möchte man sich einen Kran mieten, in ein Museum einbrechen und irgendwas aus Wut und Verzweiflung zu Klump hauen. „Ich habe Baywatch gemacht“, sagen sie dann dem Richter, dessen Gnade ihnen gewiss sein wird. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/BaywatchBerlin

 I'm so excited to say that my guest on the Great Women Artist Podcast is one of the world's most renowned photographers working today, Sally Mann. Hailed for her images of nature in the remote American south –  full of deeply layered memories and rivers that become characters of their own – and intimate portrayals of her children Jesse, Emmett and Virginia, Sally Mann creates photographs full of beauty. Beauty being something that is tied up with ephemerality, that is alive, that is in motion, something that we have to catch. As she aptly wrote in her 2015 memoir, Hold Still, “there cannot be any real beauty without the indolic whiff of decay.” Mann's photographs are therefore both painterly and fleeting. They capture people on the cusp of something else, whether that be illness or an increasingly decaying body, but she also captures the land, connecting us to the ancient and the natural worlds. Using an eight by 10 bellows camera and 19th century photographic techniques, her black and white aesthetic - that can be both dreamlike and hazy - chimes with her interest in memory and decay. Born in 1951 in Lexington, Virginia, Mann began her artistic career as a poet, but a deep dive in photography in the late 1960s whilst attending the Ansel Adams Gallery Yosemite Workshops was one of the catalysts for her photographic career. Words have always also taken center stage - she studied literature at Hollins College in Virginia in 1974 and completed an MA in creative writing the following year. She is the author of Hold Still: A Memoir with Photographs and was the subject of two documentaries, Blood Ties in 1994, and What Remains in 2006. However, this year she also released the New York Times bestselling book, Art Work: The Creative Life, a part memoir, part insight into her creative life, which is a strange and lonely one; one that is so personal and insular, and one that we can often take for granted and get angry at. Yet it was reading this that really reminded me about why so many of us do what we do… Books mentioned: Sally Mann - Hold Still: A Memoir with Photographs: https://www.waterstones.com/book/hold-still/sally-mann/9780241699287 Sally Mann - Art Work: The Creative Life: https://www.waterstones.com/book/art-work/sally-mann/9780241774540 Artists mentioned: Ansel Adams (1902–1984) Edward Weston (1886–1958) Cy Twombly (1928–2011) Bill Brandt (1904–1983) Robert Capa (1913–1954) Julia Margaret Cameron (1815–1879) Mary Ellen Mark (1940–2015) Joseph Szabo (b.1944) Lady Clementina Hawarden (1822–1865) Imogen Cunningham (1883–1976) Artworks mentioned: Sally Mann, The Perfect Tomato (1990): https://www.guggenheim.org/artwork/10396 Sally Mann, Immediate Family series (1984–1992) Sally Mann, Dead Duck (1988): https://observer.co.uk/culture/photography/article/sally-mann-my-quest-to-take-the-perfect-photograph-memoir Sally Mann, Marital Trust series (1990s to the early 2000s, to be exhibited at Gagosian in 2027) The Family of Man, a 1955 exhibition at MoMA, organised by Edward Steichen: https://www.moma.org/calendar/exhibitions/2429 -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

A locked museum. Five eccentric art teachers. One missing Salvador Dalí masterpiece. In this special fiction-meets-art-history podcast, you'll step into the MoMA after hours, where a professional development retreat turns into something much more sinister. What begins as an inspiring evening quickly spirals into chaos when Dalí's The Persistence of Memory disappears. Each teacher has their quirks, secrets, and possible motives: Delilah Rose – the bubbly Ms. Frizzle of the art room, all glitter glue and good intentions… but is she too innocent? Solomon Ochre – the arrogant competitor, desperate to showcase his talent and prove his importance. Amber Russell – indifferent, sarcastic, observant, and maybe secretly brilliant. Madison Periwinkle – the "artfluencer", livestreaming for clout and sharing her entire teaching experience. Robert Celadon – the old school purist, obsessed with tradition, forgery, and art history. When the painting vanishes, suspicion falls on them all. With quirky detectives, unreliable security, and tangled motives, this is more than a PD event—it's a full-blown art heist mystery. Listen now to experience a story blending art history, teaching art, and true-crime-style suspense. Can you solve the mystery before the detectives do? Resources and Links Join the Art of Ed Community Check out the Community's Halloween Costume Contest How Mysteries Can Make Learning Exciting 6 Creepy Artworks for Halloween Art Teacher Horror Stories

Leon Black, a billionaire financier and Dartmouth alumnus, has faced growing scrutiny over his long and lucrative association with Jeffrey Epstein — scrutiny that has extended to his alma mater. Black and his wife donated $48 million to Dartmouth College, funding the Black Family Visual Arts Center, which bears their name. However, revelations that Black paid Epstein $158 million for “tax and estate planning services” between 2012 and 2017 — years after Epstein's conviction for sex crimes — sparked outrage within the Dartmouth community. Critics argued that maintaining Black's name on campus was incompatible with the college's stated values. Epstein had also been listed as a trustee on Black's family foundation, further entangling the financier's legacy with that of the disgraced predator.The Guerrilla Girls, an anonymous feminist art collective known for holding cultural institutions accountable for gender and racial justice, publicly challenged Black over his ties to Epstein. They canceled a book deal with Phaidon Press (which is owned by Black) upon learning of his “extensive and shady dealings” with Epstein.    They also led campaigns urging MoMA to remove Black from its board, installing public posters outside the museum and rallying other artists and activists to pressure the institution to sever ties with donors linked to sexual misconduct.to contact me:bobbycapucci@protonmail.com

Il déclare n'avoir jamais voulu être designer.Il déclare aussi que ce métier peut vouloir dire tout et son contraire.Pourtant il a été élu designer de l'année 2024 et fait partie des rares créateurs français exposés au MoMA, au Centre Pompidou ou encore au Musée des Arts Décoratifs.Mais c'est surtout avec un objet, la Vasque Olympique de Paris 2024, que Mathieu Lehanneur a touché des millions de personnes à travers le monde.Il raconte dans cet épisode l'envers d'un projet classé secret, guidé uniquement par l'intuition, et ce moment suspendu où sa vasque s'est envolée pour la première fois, offrant une émotion à des millions de personnes.Mathieu revient sur :L'importance de comprendre les objets qui nous entourent et l'impact qu'ils peuvent avoir sur le mondePourquoi le plan B n'est pas une optionL'avant - après Paris 2024Plongez dans l'univers d'un créatif sans limites pour comprendre le monde et les objets qui nous entourent.TIMELINE:00:00:00 : Prendre goût au travail00:12:52 : Comprendre les objets, c'est comprendre le monde00:21:57 : Le design est d'abord une question de sensations00:30:23 : Comment Ikea a changé notre rapport aux objets00:40:33 : Apprendre à vendre avant de savoir créer00:47:19 : L'art de convaincre00:54:55 : L'ambition vaut plus qu'un budget01:09:31 : Peut-on refuser les Jeux Olympiques ?01:15:33 : L'importance de se construire un double imaginaire01:24:35 : Le pire ennemi de la créativité01:36:56 : Créer pour toucher et transmettre des émotions01:44:35 : Le public choisit ce qui restera des JO de Paris 202401:57:44 : La vraie fonction d'un objet inutile02:07:12 : La réalité sur l'avant - après Paris 202402:18:13 : L'objet parfait existe-t-il ?02:31:26 : Comment aiguiser son œil artistique et sa créativitéLes anciens épisodes de GDIY mentionnés : #312 - Thierry Reboul - Directeur exécutif de Paris 2024 - Orchestrer l'événement du siècle : récit d'un créatif rebelleNous avons parlé de :Hôtel du Palais de BiarritzQu'est-ce que le surréalisme ?Greg LeMond au Tour de France 1989THX 1138 - Le premier filmLe cœur de l'église de Saint-Hilaire par Matthieu LehanneurLe design de la flèche de Notre-Dame de ParisLa Chambre claire, de Roland BarthesLes recommandations de lecture :Manifestes du surréalisme, de André BretonLa Chambre claire, de Roland BarthesVous pouvez contacter Mathieu sur Instagram.Un grand MERCI à nos sponsors : - SquareSpace : squarespace.com/doit- Qonto: https://qonto.com/r/2i7tk9 - Brevo: brevo.com/doit - eToro: https://bit.ly/3GTSh0k - Payfit: payfit.com - Club Med : clubmed.frVous souhaitez sponsoriser Génération Do It Yourself ou nous proposer un partenariat ?Contactez mon label Orso Media via ce formulaire.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Leon Black, a billionaire financier and Dartmouth alumnus, has faced growing scrutiny over his long and lucrative association with Jeffrey Epstein — scrutiny that has extended to his alma mater. Black and his wife donated $48 million to Dartmouth College, funding the Black Family Visual Arts Center, which bears their name. However, revelations that Black paid Epstein $158 million for “tax and estate planning services” between 2012 and 2017 — years after Epstein's conviction for sex crimes — sparked outrage within the Dartmouth community. Critics argued that maintaining Black's name on campus was incompatible with the college's stated values. Epstein had also been listed as a trustee on Black's family foundation, further entangling the financier's legacy with that of the disgraced predator.The Guerrilla Girls, an anonymous feminist art collective known for holding cultural institutions accountable for gender and racial justice, publicly challenged Black over his ties to Epstein. They canceled a book deal with Phaidon Press (which is owned by Black) upon learning of his “extensive and shady dealings” with Epstein.    They also led campaigns urging MoMA to remove Black from its board, installing public posters outside the museum and rallying other artists and activists to pressure the institution to sever ties with donors linked to sexual misconduct.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode, Emily Wilson interviews artist Julio Cesar Morales. Julio discusses his journey from Tijuana to San Francisco, his influences from social movements, music, and literature, and his interdisciplinary approach to art. The conversation explores his exhibitions "My America" at Gallery Wendy Norris and "Ojo" at the Jan Shrem and Maria Manetti Shrem Museum of Art at UC Davis, both focusing on themes of migration, borders, and immigrant experiences.Julio shares stories behind his watercolor series inspired by real-life attempts to cross the US-Mexico border, and reflects on the symbolism of twins and portals in his work. He also talks about his collaborations in sound art, the importance of music in his creative process, and the impact of community and social justice on his art. Tune in for an inspiring conversation about art, migration, and the power of storytelling.About Artist Julio Cesar Morales:Julio César Morales employs a range of media and visual strategies to explore issues of migration, underground economies, and labor, on personal and global scales. He works by whatever means necessary: in a series of watercolor illustrations, Morales diagramed means of human trafficking in passenger vehicles, while in other projects he employed the DJ turntable, neon signs, the historical reenactment of a famous meal, or the conventions of an artist-run gallery to explore social interaction and political perspectives.Julio's artwork has been shown at venues internationally, including; the Lyon Biennale, France; Istanbul Biennale, Turkey; Los Angeles County Art Museum, Los Angeles; Singapore Biennale, Singapore; Frankfurter Kunstverein, Frankfurt, Germany; Prospect 3, New Orleans; SFMOMA, San Francisco; Perez Art Museum, Miami; Museo Tamayo, Mexico City; Museo del Barrio, New York City; The UCLA Hammer Museum, Los Angeles; Manetti Shrem Museum of Art, Davis; and Gallery Wendi Norris, San Francisco, amongst others. His work is in private and public collections including MoMA, New York; The Los Angeles County Art Museum, Los Angeles; The Kadist Foundation, San Francisco and Paris; The San Diego Museum of Contemporary Art, San Diego; Museum of Fine Arts, Houston; Deutsche Bank, Germany; and The Office of Art in Embassies. Morales has been written about in The New York Times, The Los Angeles Times, Artforum, Frieze, Flash Art, Art Nexus, and Art in America.Julio's Artist Profile, CLICK HERE. Follow Julio on Instagram:  @JCM_3000OJO Exhibit at the Shrem Museum of Art at UCDavis, CLICK HERE. MY AMERICA Exhibit at Gallery Wendi Norris--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us a textDeborah Howes is the President of Howes Studio and a pioneer in digital museum education. With over three decades leading EdTech programs at top cultural institutions including the Metropolitan Museum of Art, MoMA, the Art Institute of Chicago, and MOCA Los Angeles. She now helps museums and nonprofits transform analog learning into dynamic digital experiences.

Geoff Cook's career took off the night he met MoMA's CMO—and helped create the iconic MoMA QNS brand. Since then, he's shaped brands from MILK and NeueHouse to Times Talks, JFK Terminal 4, and the Prince Estate. Partner at Base, mentor at TechStars, and global culture expert, Geoff shares how bold branding can leave a lasting cultural impact. What You'll Learn in This Episode - How a single encounter can launch a career and define a creative trajectory - Why human connection is at the heart of every successful brand experience - The concept of “world-building” in branding and how it fosters community - How to balance AI as a tool without losing creative originality - Key considerations for branding early-stage companies and preserving cash Episode Chapters (00:00) Intro (00:33) Jeff Cook's career breakthrough at MoMA (02:10) Early lessons from DKNY and international branding (04:07) Culture-driven branding from Milk to global institutions (07:40) Translating cultural expertise to JFK Terminal 4 (10:09) World-building brands to foster human connection (12:19) AI in creative work: opportunities and guardrails (20:12) Mentoring early-stage companies and branding pitfalls (26:27) Brands that make Jeff smile About Geoff Cook Geoff Cook's career catapulted on the night he met MoMA's CMO at a Base party in Manhattan, where he discussed developing the institution's new branding for its temporary museum in Queens. The project, MoMA QNS, was the first in a string of iconic brands he has helped to create, including MILK, NeueHouse, JFK Terminal 4, Iconiq, The New York Times' Times Talks & Food Festival, the Prince Estate, and countless others. Geoff approaches branding with a sharp understanding of business strategy and a finger on the pulse of global culture (he speaks four languages and savors local flavor everywhere he travels). As a partner at Base, Geoff asks companies big questions and helps answer them with unexpected, visionary solutions. The result is very often a profound cultural impact. Geoff also puts his branding acumen to use as a mentor at renowned tech accelerator, TechStars, and serves as a board member at Sentral. What Brand Has Made Geoff Smile Recently? Geoff is impressed by On, a Swiss-based athletic brand. He admires how On builds a cohesive, coherent world through product design, store experiences, and creative campaigns that surprise and delight. The combination of Swiss precision and playful, culturally relevant marketing makes On a standout in his eyes. Resources & Links Connect with Geoff on LinkedIn. Check out the Base Design website and Instagram. Here's the Design Week article on AI we discussed. Listen & Support the Show Watch or listen on Apple Podcasts, Spotify, YouTube, Amazon/Audible, TuneIn, and iHeart. Rate and review on Apple Podcasts and Spotify to help others find the show. Share this episode — email a friend or colleague this episode. Sign up for my free Story Strategies newsletter for branding and storytelling tips. On Brand is a part of the Marketing Podcast Network. Until next week, I'll see you on the Internet! Learn more about your ad choices. Visit megaphone.fm/adchoices

Leon Black's relationship with Jeffrey Epstein spanned decades and has been a source of sustained scandal. Black, cofounder of Apollo Global Management, paid Epstein at least $158 million (and recent investigations suggest as much as $170 million) between 2012 and 2017 for tax, estate planning, and art-collection services. Black has acknowledged that working with Epstein was a “horrible mistake” and said he deeply regrets their association. Nonetheless, his payments and closeness to Epstein have invited intense scrutiny about what Black knew — or should have known — about Epstein's criminal network. Meanwhile, congressional and regulatory probes have sought to uncover the full extent of their financial entanglements and whether Black's use of Epstein's services was beyond mere professional consults.In addition to the financial scandal, Black's ties to Epstein have been tangled with serious allegations of sexual misconduct. Multiple lawsuits accuse Black of rape, including claims that in 2002, when introduced by Epstein, he assaulted a 16-year-old autistic girl in Epstein's Manhattan townhouse. One prominent lawsuit filed by Cheri Pierson accused Black of attacking her in Epstein's home; that lawsuit was later dismissed. Black has denied all criminal wrongdoing, asserting consensual relationships and rejecting claims against him as false. These overlapping allegations and financial links with Epstein have undermined Black's reputation, led to his resignation as MoMA board chair and Apollo executive, and triggered ongoing legal and reputational battles.to contact me:bobbycapucci@protonmaill.com

Leon Black's fall from grace at the Museum of Modern Art came in early 2021, after intense public backlash over his deep financial relationship with Jeffrey Epstein. Reports revealed that Black had paid Epstein approximately $158 million for tax and estate advisory services, long after Epstein's 2008 conviction for soliciting sex from a minor. The revelations sparked outrage across New York's art world, with artists, staff, and activists demanding his removal from MoMA's board. Protesters accused the museum of moral hypocrisy for maintaining ties with a man linked to Epstein's network, arguing that his presence tainted the institution's credibility and mission. As pressure mounted from both within and outside MoMA, calls for his resignation grew louder, and donors began quietly voicing discomfort about his continued leadership.In March 2021, facing unrelenting scrutiny, Black announced that he would step down as chairman of MoMA's board and not seek re-election when his term ended. While he technically remained on the board as a trustee, his exit from the chairmanship was viewed as a forced retreat under immense public pressure. His resignation from the top spot came shortly after he also resigned as CEO of Apollo Global Management amid the same Epstein scandal. MoMA attempted to minimize the fallout by framing his departure as voluntary, but the timing — coming amid protests and reputational damage — made clear that Black's position had become untenable. His exit marked one of the most high-profile instances of cultural institutions severing ties with financiers connected to Epstein.to contact me:bobbycapucci@protonmail.com

Leon Black's relationship with Jeffrey Epstein spanned decades and has been a source of sustained scandal. Black, cofounder of Apollo Global Management, paid Epstein at least $158 million (and recent investigations suggest as much as $170 million) between 2012 and 2017 for tax, estate planning, and art-collection services. Black has acknowledged that working with Epstein was a “horrible mistake” and said he deeply regrets their association. Nonetheless, his payments and closeness to Epstein have invited intense scrutiny about what Black knew — or should have known — about Epstein's criminal network. Meanwhile, congressional and regulatory probes have sought to uncover the full extent of their financial entanglements and whether Black's use of Epstein's services was beyond mere professional consults.In addition to the financial scandal, Black's ties to Epstein have been tangled with serious allegations of sexual misconduct. Multiple lawsuits accuse Black of rape, including claims that in 2002, when introduced by Epstein, he assaulted a 16-year-old autistic girl in Epstein's Manhattan townhouse. One prominent lawsuit filed by Cheri Pierson accused Black of attacking her in Epstein's home; that lawsuit was later dismissed. Black has denied all criminal wrongdoing, asserting consensual relationships and rejecting claims against him as false. These overlapping allegations and financial links with Epstein have undermined Black's reputation, led to his resignation as MoMA board chair and Apollo executive, and triggered ongoing legal and reputational battles.to contact me:bobbycapucci@protonmaill.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Leon Black's fall from grace at the Museum of Modern Art came in early 2021, after intense public backlash over his deep financial relationship with Jeffrey Epstein. Reports revealed that Black had paid Epstein approximately $158 million for tax and estate advisory services, long after Epstein's 2008 conviction for soliciting sex from a minor. The revelations sparked outrage across New York's art world, with artists, staff, and activists demanding his removal from MoMA's board. Protesters accused the museum of moral hypocrisy for maintaining ties with a man linked to Epstein's network, arguing that his presence tainted the institution's credibility and mission. As pressure mounted from both within and outside MoMA, calls for his resignation grew louder, and donors began quietly voicing discomfort about his continued leadership.In March 2021, facing unrelenting scrutiny, Black announced that he would step down as chairman of MoMA's board and not seek re-election when his term ended. While he technically remained on the board as a trustee, his exit from the chairmanship was viewed as a forced retreat under immense public pressure. His resignation from the top spot came shortly after he also resigned as CEO of Apollo Global Management amid the same Epstein scandal. MoMA attempted to minimize the fallout by framing his departure as voluntary, but the timing — coming amid protests and reputational damage — made clear that Black's position had become untenable. His exit marked one of the most high-profile instances of cultural institutions severing ties with financiers connected to Epstein.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Do you like sleaze? Do you yearn for the filth of New York City in the early 80s? Do you like low budgets and gorilla film making? Do you like rubber monster puppets and buckets of blood? If, enthusiastically, you said yes to these questions, then boy HOWDY do we have a movie for you. It's the start of the spooky season and somehow Pete got the first pick. Also, somehow, he picked a movie that truly embraces the "Give Me Back" vibe. Basket Case is a masterclass in low budget filmmaking so much so the The Museum of Modern Art (MoMA) has curated and preserved it in their archives. What the WHAT? Do you mean THE MoMA? The Museum of Modern Art in New York City? I sure do. Basket Case is free on our lord and savior Tubi, so make sure to watch the 91 minute classic before you tune in.

  This week, we print big or go home. Bad at Sports cast their eyes to New York from the safe confines of the Chicago Architectural Biennial booth at EXPO 2025 to talk with the legendary Two Palms studio in the guise of Alex Slattery. If you've ever stood slack-jawed in front of a monoprint the size of a small car or a woodblock cut so large it needed its own logistics plan, chances are Two Palms was behind it. Since the 1990s, David Lasry and company have been redefining what printmaking can be—working with artists like Carroll Dunham, Elizabeth Peyton, Mel Bochner, Cecily Brown, Terry Winters, Chris Ofili, Dana Schutz, Richard Prince, Chuck Close, Jeff Koons, and yes, even channeling the ghost of Andy Warhol. From delicate gestures to total madness with ink and paper, the studio's collaborations are as unpredictable as they are radical. We talk risk, scale, failure, and discovery—the alchemy of artist–printer collaborations that make Two Palms a force in contemporary art. Along the way we wander through stories of impossible woodblocks, ink disasters turned into triumphs, and why printmaking might just be the most punk medium of them all. So pour a glass, sharpen your barens, and get ready to nerd out about the future of prints.   Two Palms https://www.twopalms.us/ @twopalmsnyc   Name-Drop  Carroll Dunham — https://www.presenhuber.com/artists/carroll-dunham#tab:slideshow Elizabeth Peyton — https://www.davidzwirner.com/artists/elizabeth-peyton Mel Bochner — http://www.melbochner.net/ Cecily Brown — https://gagosian.com/artists/cecily-brown/ Terry Winters —https://www.terrywinters.org/ Chris Ofili — https://www.davidzwirner.com/artists/chris-ofili/survey Dana Schutz — https://www.davidzwirner.com/artists/dana-schutz Richard Prince — http://www.richardprince.com/ Chuck Close — https://www.pacegallery.com/artists/chuck-close/ Jeff Koons — https://www.jeffkoons.com/ Two Palms — https://www.twopalms.us/ Marilyn Minter — https://www.twopalms.us/featured-works/marilyn-minter Stanley Whitney — https://www.twopalms.us/featured-works/stanley-whitney Ana Benaroya — https://www.twopalms.us/featured-works/ana-benaroya David Paul Lasry — https://www.nga.gov/artists/21067-david-paul-lasry Alex Slattery — https://www.instagram.com/alexslattery/ EXPO CHICAGO - https://www.expochicago.com/ Chicago Architectural Biennial 6 - https://chicagoarchitecturebiennial.org/ Institutions that love these prints: Whitney Museum of American Art — https://whitney.org/ MoMA — https://www.moma.org/ The Met — https://www.metmuseum.org/  

Welcome back to the Create Podcast. Just in time for the fall season, I am joined by Pam Grossman, a writer, curator, teacher, and practicing witch whose work beautifully bridges creativity, culture, and magic. Pam is the host of The Witch Wave podcast (called “the Terry Gross of witches” by Vulture), the author of Waking the Witch: Reflections on Women, Magic, and Power, and co-editor of Taschen's Witchcraft volume in the Library of Esoterica series. Her essays have appeared in The New York Times, The Atlantic, TIME, and more. She has also organized exhibitions such as Language of the Birds: Occult and Art at NYU and spoken at institutions including MoMA and Columbia University. Her brand-new book, Magic Maker: The Enchanted Path to Creativity (Penguin Life & Hay House UK, October 14, 2025), is a guide to connecting with the creative force through ritual, history, and practice. It explores how artists and visionaries such as Hilma af Klint, David Bowie, Octavia E. Butler, and Leonora Carrington have used magic as part of their creative process, and how you can do the same in your own life. In This Episode, We Discuss Pam's creative roots and how she began merging her artistic and magical practices Misconceptions about witchcraft and how the archetype of the witch has evolved How Magic Maker links art and magic, showing that creativity itself can be a spiritual practice Practical rituals to protect your studio time and invite inspiration, from lighting candles to leaving offerings or simply asking for guidance The idea of “low frequency” and “high frequency” desires in art and business, and how to balance material needs with higher intentions Pam's experiences speaking at institutions like MoMA and casting a love spell on stage at Carnegie Hall with Jinkx Monsoon The role of research, fascination, and intuition when writing a book Artists who inspire her including Leonora Carrington, Remedios Varo, Hilma af Klint, Max Ernst, and Kurt Seligmann Resources and Mentions Books by Pam Grossman Magic Maker: The Enchanted Path to Creativity (Penguin Life & Hay House UK, 2025) → Pre-order here Waking the Witch: Reflections on Women, Magic, and Power (Simon & Schuster, 2019) What Is a Witch (Tin Can Forest Press, 2016) Witchcraft (Taschen's Library of Esoterica series, co-edited with Jessica Hundley, 2020) Podcast The Witch Wave – Pam's long-running podcast on art, culture, and magic Exhibitions and Projects Language of the Birds: Occult and Art (NYU, 2016) → languageofthebirds.org Art of the Occult by S. Elizabeth (recommended resource) The Spiritual in Art: Abstract Painting 1890–1985 (Los Angeles County Museum of Art, 1986) Artists Mentioned Hilma af Klint David Bowie Octavia E. Butler Leonora Carrington Remedios Varo Max Ernst Kurt Seligmann Create! Magazine Open Call We are now accepting submissions for our fall curated exhibition and catalog: The Spirit World. This virtual show explores the mystical, eerie, and uncanny, making it the perfect theme for the season. Deadline: October 31, 2025 What selected artists receive: inclusion in the curated online exhibition, a feature in the professionally designed print and digital catalog, a blog post on Create! Magazine, and a spotlight across our international platforms.

Visit our Substack for bonus content and more: https://designbetterpodcast.com/p/rewind-paola-antonelli Design Better has been on the road recently, recording a live episode in Manhattan for design search firm Wert & Co's 30th anniversary. Guests for the episode included Paola Antonelli (senior curator in the Department of Architecture and Design at MoMA) Mike Davidson (VP of Design and User Research at Microsoft AI), Kate Aronowitz (Design Partner at Google Ventures), Meaghan Choi (Product Designer at Anthropic), & Mark Wilson (Global Design Editor at Fast Company). While Aarron and I are catching up from travel, and as a lead-in to the live episode airing next week, we're rewinding to our interview with Paola Antonelli. We hope you enjoy the episode. And if you haven't checked it out yet, did you know you can save over $1600 on popular productivity tools and design and AI courses with the Design Better Toolkit? Just head over to dbtr.co/toolkit to learn more. *** The Museum of Modern Art brings to mind images of Van Gough's Starry Night, Salvador Dali's Persistence of Memory, and Andy Warhol's Campbell Soup Cans. But thanks to Paola Antonelli, senior curator in the Department of Architecture and Design, MoMA exhibitions also encompass the role design has played in shaping culture and the human experience. We talk with Paola about how we can look at digital design through a historic lens, some of the most important design movements in the past 100 years, and how the creative process has evolved through these different movements. We also talk about the history of the @ symbol, why craftsmanship is necessary to experimentation, and some of the current challenges in design education. We hope you enjoy this episode which is a part of our series on design history, with upcoming episodes on typography with Jonathan Hoefler, and the history and philosophy of design with Professor Barry Katz. Paola Antonelli joined The Museum of Modern Art in 1994 and is the Museum's Senior Curator in the Department of Architecture and Design, as well as MoMA's founding Director of Research and Development. Her work investigates design in all its forms, from architecture to video games, often expanding its reach to include overlooked objects and practices. An architect trained at the Polytechnic of Milan and a pasionaria of design, Antonelli has been named one of the 25 most incisive design visionaries in the world by TIME magazine, has earned the Design Mind Smithsonian Institution's National Design Award, has been inducted in the US Art Directors Club Hall of Fame, and has received the AIGA (American Institute of Graphic Artists,) the London Design Medal, and the German Design Award, among other accolades.