Podcasts about Sculpture

Wellington City's Art Gallery, Te Whare Toi, is marking it's re-opening in Civic Square with a competition to create a major outdoor sculpture. 

Episode 499 / Claudia WieserClaudia Wieser is a German artist based in Berlin. Her work has been the subject of solo exhibitions at The Drawing Center, New York; the Contemporary Art Museum, St. Louis, MO; and Smart Museum, Chicago, IL. Her work has been included in recent group exhibitions at the Katonah Museum of Art, Katonah, NY; the Anderson Collection at Stanford University, CA; the Hamburger Bahnhof, Nationalgalerie der Gegenwart, Berlin Germany; Asia Culture Center, Gwangju, South Korea; Contemporary Arts Center New Orleans; Museum für Moderne Kunst, Frankfurt; and Marta Herford Museum for Art, Architecture, Design, Herford, Germany. Wieser's work included in a number or prominent public collections, such as the Contemporary Art Collection of the Federal Republic of Germany; Collection of the Berlin State Museums, Neue Nationalgalerie, Sammlung Goetz, Munich; Deutsche Bundesbank Kunstsammlung, Frankfurt; Mercedes-Benz Art Collection, Germany; K21-International Contemporary Art Collection of the Kunstsammlung North Rhine-Westfalia; the Anderson Collection, Stanford University, CA; the William Louis-Dreyfus Foundation Collection; and the Louiand Zabludowicz Collection, London. She has produced large-scale, site-specific commissions for Dior in Vienna, Paris, and Beverly Hills, the Cleveland Clinic in Ohio, and the City of Munich. In July 2021, Wieser unveiled her first outdoor public installation, commissioned by Public Art Fund, at Brooklyn Bridge Park in New York. In 2023, she presented work in collaboration with historic Yves Saint Laurent couture, designing a set and exhibiting her work at the Museé Yves Saint Laurent, Paris. In 2020 she collaborated with Hérmes to design a catwalk for Paris Fashion Week. She recently completed an outdoor installation at the Stavros Niarchos Foundation Cultural Center in Athens. Claudia earned an MA in Painting and Sculpture from the Academy of Fine Arts, Munich. She lives and works in Berlin. She just opened a solo show at Marianne Boesky gallery. 

This week, Wes and Todd talk with Mixed Media Folk Artist, Cal Duran. Cal discusses his artistic journey, being woven, mentors, how he handles rejection, Meow Wolf, clay, honoring his ancestors, color, altars, Día de los Muertos (Day of the Dead), spirit, Ojo de Dios (Eye of God), installations, Casa Bonita, and the mantra he lives by.Join us for a compelling conversation with Cal Duran! Check out Cal's work at his website – www.artbycal.comFollow Cal on social media:Instagram - www.instagram.com/volarduran/ - @volarduranFacebook - www.facebook.com/cal.duran.5Send us a text Follow us on Instagram: @tenetpodcast - www.instagram.com/tenetpodcast/ @wesbrn - www.instagram.com/wesbrn/ @toddpiersonphotography - www.instagram.com/toddpiersonphotography/ Follow us on Facebook: www.facebook.com/TenetPodcast/ Email us at todd@toddpierson.com If you enjoyed this episode or any of our previous episodes, please consider taking a moment and leaving us a review on your favorite podcast platform. Thanks for listening!

June Crespo's sculptural assemblages, which the artist understands as communicating vessels, resonate within our bodies. At times delicate, at others forceful, they always emanate a vital, living quality. Listen to the artist talk about her inspirations and working process. This episode was recorded on 12 September 2025, the day after the opening of the exhibition: June Crespo Danzante 12.9. – 16.11.2025 Most of the works in the exhibition Danzante take their formal vocabulary from the iris and the strelitzia (bird of paradise). Yet the artist is not concerned with representing these plants. Instead of proposing a classificatory symbolic order, they serve as starting points for a deeper engagement with materiality and the evocative potential of surfaces and textures, which take precedence over the pictorial dimension. Crespo treats her materials as agents, understanding herself an assistant to her work rather than an authority figure. In this way, she offers us a visceral experience – an encounter with objects that touch us in our corporeality and heighten our awareness of our own presence and its fragmented condition. More June Crespo (Pamplona1982) lives and works in Bilbao. Obtained her BFA from the Basque Country university (Bilbao) in 2005 and completed a two years residency at De Ateliers (Amsterdam) in 2017. Her solo shows include: Solar (2025), at Ehrhardt Flórez gallery, Madrid. Their weft, the grass (2024) at 1646.nl, The Hague; Vascular (2024) at Guggenheim Bilbao Museum; they saw their house turn into fields (2023) at CA2M, Madrid; Acts of Pulse (2022) at P420, Bologna; entre alguien y algo (2022) at CarrerasMugica, Bilbao; Am I an Object (2021) PA///KT (Amsterdam); Helmets (2020) Artium, Vitoria-Gasteiz. Recently her work has also been shown in group such as: L´écorce (2023) at CRAC-Alsace; The Milk of Dreams (2022) at Venice Biennale; Fata Morgana (2022) Jeu de Paume (Paris) and The point of Sculpture (2021) at Fundación Miró (Barcelona). Since 2008, Bettina Spörr is a curator at the Secession, where she engages in close collaboration with artists to conceptualise and realise exhibitions that explore the profound impact of contemporary art on society. Throughout her career, she has worked with numerous artists on solo exhibitions and, in 2010, curated the group show where do we go from here? at the Secession. Secession Podcast: Artists features artists exhibiting at the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Executive Producer: Bettina Spörr

Join our next BoldBrush LIVE! Webinar by signing up here:register.boldbrush.com/live-guestOrder your exclusive da Vinci BoldBrush paintbrush set!brushoffer.com/collections/allLearn the magic of marketing  with us here at BoldBrush!boldbrushshow.comGet over 50% off your first year on your artist website with FASO:FASO.com/podcast---On today's episode we sat down with Scott W. Prior, a full-time artist based in Oceanside, California, celebrated for his evocative paintings that capture everyday scenes. Scott discusses his journey as a full-time artist, reflecting on his transition from illustration to fine art and the influences that shaped his work. He emphasizes the importance of capturing everyday moments and the joy he finds in both painting and new creative pursuits like ceramics. Scott recounts the challenges and perseverance required to build his career, highlighting support from his wife and important moments of validation. He discusses the significance of discipline, networking, and joining artist communities for personal and professional growth. Scott encourages artists to pursue their passion for the love of art rather than for financial gain, warning against chasing commercial trends. Finally, Scott tells us about his upcoming events, including a return to the Paint Maui show in February 2026.Scott's FASO site:scottwprior.com/Scott's Social Media:instagram.com/scottwpriorfacebook.com/scottwpriorartist

I have known Dean Mathias for 30 years, and he is the complete essence of activity on the river and off. His goal is to increase bike users in the QC's, and whether he thinks of himself as a leader or not, he leads by example

durée : 00:02:48 - Jean Marc nous raconte les sculptures de son jardin de Féternes - Jean Marc a acheté une vaste propriété à Féternes à des amateurs d'art, il a donc, avec la maison, acheté de nombreuses sculptures qui ornent le jardin. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Ethan Stern's work is rooted in traditional craftsmanship, contemporary design, and a deep connection to the natural environment. As a glass artist, he draws inspiration from historic craft traditions such as cut crystal and classical ceramic design, while reinterpreting these forms through a modern lens. His practice seeks to explore the interplay between utility, beauty, and narrative, bridging the realms of functional objects and sculptural expression. Stern states: "Central to my approach is the concept of light as a dynamic medium. Glass, with its inherent ability to refract, reflect, and transmit light, becomes a canvas through which I explore optical phenomena and color. I am particularly drawn to the ways in which light interacts with texture, pattern, and form, creating ever-changing visual experiences that invite viewers to engage with my work in a multisensory manner. This exploration pushes the boundaries of materiality, transforming functional objects and sculptural forms into vessels of light."  Pushing form beyond the expected anatomy of the vessel, Stern uses glass to investigate the emotive potential of objects. Each piece begins with the creation of a blown, geometric form composed of multiple layers of color and pattern. After the piece has cooled, he carves into the surface, creating patterns and textures through engraving. This process, while reductive, allows him to shift the glass's inherent reflective qualities, creating a richer, more luminous effect. The engraved marks, like the stroke of a paintbrush on canvas, leave evidence of the artist's hand and create a sense of motion, rhythm, weight, and depth. The act of carving—removing material—demands careful consideration, and each choice shapes the relationship between the surface and form, adding an emotional resonance to the work. Stern began examining the effects he could achieve through engraving in 1999 while at the Pilchuck Glass School. Carving the surface of the glass allowed him to pull together elements of color, form, pattern and texture to express his unique voice through the material. In 2010, he received the Best Emerging Artist award from the Museum of Glass in Tacoma, WA. His work has been featured in solo and group exhibitions across the United States and is featured in the collections of The Eboltoft Glass Museum in Denmark, The Corning Museum, and The Lowe Museum of Art. He has taught at The Studio of the Corning Museum of Glass, Pilchuck Glass School, Pratt Fine Arts Center, Penland School of Craft, The Pittsburgh Glass Center, and The Appalachian Center for Craft. In January 2026, Stern will teach Beyond Battuto – Advanced Coldworking Techniques at the Corning Museum of Glass Studio, Corning, New York.  Says Stern: "In addition to creating art, I am committed to sharing the craft of glassblowing through teaching and community engagement. Ultimately, my work is an ongoing exploration of the intersections between design, craft, and the natural world. It is a dialogue between tradition and innovation, utility and beauty, light and form. By creating pieces that resonate both functionally and emotionally, I hope to inspire reflection, curiosity, and connection to the larger world around us." Born in Ithaca, New York, Stern resides in the Frogtown neighborhood of Los Angeles, California, where he runs a glass studio alongside his wife and creative partner, Amanda McDonald Stern. Their studio specializes in sculpture, design, education and glass fabrication fostering a sense of community around glass. Ethan obtained his Associates degree in Ceramics from TAFE College in Brisbane, Australia, and his BFA in Sculpture and Glass from Alfred University. Of his work, Stern states: "The natural environment offers rich inspiration, from the organic forms and colors of coastlines to the shifting hues of the sky. Through glass, I aim to evoke a sense of interconnectedness, using the material's elemental relationship to earth and fire to bridge the natural and the man-made. While my work draws from history and nature, it is forward-looking, blending traditional techniques with contemporary approaches."     

Welcome to the Dior Talks podcast series dedicated to the 10th edition of Dior Lady Art, hosted by Paris-based journalist Katya Foreman. For this milestone edition, 10 artists from around the world were invited to reinterpret the iconic Lady Dior handbag, transforming it into a one-of-a-kind artwork. In this episode, we speak with British artist Marc Quinn, whose practice spans sculpture, painting, and public installations that explore identity, the body, and the evolving dialogue between nature and technology. A pivotal figure in contemporary art, Quinn was the very first artist to collaborate on Dior Lady Art in 2016. Almost a decade later, he returns with a bold new series that bridges past and present, human and machine, reality and dream. For this 10th edition, Quinn reimagines the Lady Dior as a living sculpture, enriched with three-dimensional elements that bring sound and movement to life. His five new creations revisit themes at the heart of his work: the iris as a symbol of identity and perception, flowers as emblems of beauty and transience, and fingerprints as unique traces of the self. Among the collection, one bag shimmers with metallic forms of varying sizes, enlarged portraits of Christian Dior's own fingerprint. These abstract, oval shapes are partly fixed, while others dangle freely and produce a soft clink as the bag moves. Another bag teems with hundreds of enameled eyes generated by an AI system trained on Quinn's iris paintings —surreal variations he describes as “AI dreaming of what we look like.” One design stands out for its restraint: pure white, decorated only with a sculptural silver orchid on the front and a smaller bloom in the top corner, its pared-back elegance recalling the minimalism of the 1960s. For Quinn, these works are not simply accessories but mobile sculptures—artworks carried into daily life, shaped by chance, encounter, and performance. Bridging the virtual and the physical, the personal and the universal, they embody identities in transformation, becoming relics of the present and messengers of the future. Download the episode to hear Marc Quinn reflect on his creative journey, his return to Dior Lady Art, and the poetic meeting point of art, fashion, and technology.Hosted by Ausha. See ausha.co/privacy-policy for more information.

Српски уметник Ненад Миловановић излаже на сиднејској изложби „Скулптура поред мора“ (Sculpture by the Sea) по други пут, скоро деценију након свог дебија 2016. године. Његова скулптура „Подршка II“ ('Support II') истражује тему међузависности — два супротстављена облика се уједињују у стабилну, узлазну целину, одражавајући путовање ка духовном расту кроз равнотежу, ослањање и повезаност. Миловановић је учествовао на преко 30 групних изложби у Србији и иностранству, укључујући NordArt у Немачкој.

Find more of my photos on PixelFed Read more on this topic: Coleus, Sherman Library and Gardens, Corona del Mar, California [Prints and More Available] Thunbergia, Sherman Library and Gardens, Corona del Mar, California [Prints Available] Garden Scene 1, Sherman Library and Gardens, Corona del Mar, California [Photography] Fuchsia Flowers, Sherman Library and Gardens, Corona del Mar, California [Photography] Brunfelsia lactea (Lady of the night), Sherman Library and Gardens, Corona del Mar, California [Photography]

October 31, 2025. Dr. Victoria Claire has commissioned more than 200 sculptures, received an honorary doctorate, and is pursuing a PhD. She talks with host Ben Shaberman about her journey with retinitis pigmentosa, and how blindness has provided her with new and profound insights into herself and perceiving the world. Visitors to her current exhibition, "The Sense of Sculpture" (Oct. 18 - Nov. 1) at The Art House in Wakefield, England, are interacting with her sculptures tactilely in complete darkness.

A single question can power a lifetime of work: Why do I make art? Ty and Nathan sit with Ursula Von Rydingsvard's stark and generous answers—woven from anxiety, labor, faith in process, and the stubborn hope that making can heal—and use it as a mirror for our own practices. From the first splinter to the last pass of the saw, we look at how big work invites big stakes, why the best days feel like discovery, and how the studio becomes a container strong enough to hold whatever we bring into it.We dig into the creative toggle between object and process: when materials feel right but the method frays, and when the method sings but the object won't land. That friction is feedback, not failure. Ursula's line about having confidence in the possibility of seeing the work through reframes ambition without guarantees—an artist's version of resilience. We also talk about self-doubt as a companion rather than an enemy, and how studying our heroes deeply—films, books, museum visits—feeds our own artistic DNA without imitation.There's a human infrastructure behind monumental art. Ursula's assistants form another kind of family, proof that leadership in the studio is its own craft. We reflect on daily rhythm, showing up without perfect conditions, and making pieces that may outlive us—which is how work reaches into the future. The conversation edges into generational pain and the unanswerable questions art dares to hold. Answers are rare; presence is everything. If you've ever needed permission to trust the process and keep going, consider this your sign.If this resonated, follow the show, share it with a friend who needs a creative nudge, and leave a quick review—tell us your “why” so we can feature it in a future Q&A.Make sure to check out "Art from the Outside" and the amazing interview they had with Ursula: Spotify    AppleSend us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg Watch the Video Episode on Youtube or Spotify, https://www.youtube.com/@JustMakeArtPodcast

See omnystudio.com/listener for privacy information.

For the Paris-born, New York–based artist Camille Henrot, time practically never stands still. Across her work in film, drawing, painting, sculpture, installation—and soon, live performance—Henrot has developed ways of stretching and distorting time, seamlessly shifting from moments of potent, rapid-fire intensity to quiet reflection. While her work carries a theory-driven ferocity and intelligence, it's also incredibly playful. Hers is serious art that manages—often with a knowing, subtle wink—to not take itself too seriously.On this episode of Time Sensitive, Henrot considers the subjectivity of speed and slowness; previews her upcoming first-ever performance-art piece, slated to premiere in 2026 and a collaboration with the nonprofit Performa; and reflects on why, for her, a work is technically never finished. She also shares her fraught fascination with animals, childhood, and the climate crisis—the intersection of which she examines in-depth in her soon-to-debut film “In the Veins.”Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.Show notes:Camille Henrot[4:30] RoseLee Goldberg[4:30] Performa Biennial[6:37] Buster Keaton[6:37] Tex Avery[7:03] Estelle Hoy[7:19] Adam Charlap Hyman of Charlap Hyman & Herrero[16:10] “In the Veins” (2026)[17:45] "Grosse Fatigue"[17:45] Massimiliano Gioni[38:51] Roland Barthes[45:36] Pierre Huyghe[47:51] Ikebana Sogetsu[51:46] Okwui Enwezor[55:03] Hypernormalisation by Adam Curtis (2016)[59:51] Jacob Bromberg[59:51] Akwetey Orraca-Tetteh[1:08:50] Adrienne Rich[1:08:50] Ursula K. Le Guin[1:08:50] Annie Ernaux[1:08:50] Mother Reader by Moyra Davey (2001)[1:08:50] Jenny Schlenzka[1:10:14] Maggie Nelson[1:11:02] Mothers: An Essay on Love and Cruelty by Jacqueline Rose (2019)[1:11:02] Representation of Motherhood by Donna Bassin (1994)[1:13:00] Louise Bourgeois

durée : 00:02:21 - Best of : Mont de Marsan Sculpture Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Ready to go on a sleepy journey? Join Geoffrey by the fire tonight as we head back to the tropical paradise of Nevis, where Catherine is about to discover Sam's latest works, and devise a plan to share them with the world. Love Night Falls?

Izumi Montgomery is a Japanese artist and sustainable craft facilitator based in Sydney Australia. Izumi holds a Masters in Sculpture from Tokyo University of the Arts and she has also studies fashion at TAFE New South Wales. This is where she developed a strong interest in ethical and uncycled design. She combines traditional Japanese techniques such a Tsunami Zaiku (folded fabric flowers) with reclaimed materials to create thoughtful workshops. Alongside teaching, Izumi regularly facilitates sessions at Reverse Garbage and other community spaces where participants are invited to slow down and reconnect through handcraft. Her final class at Reverse Garbage for 2025 is on Saturday 29th November. More workshops available in 2026 and beyond. You'll find Izumi's workshops on the Reverse Garbage website under Public Workshops. Sew Organised Style features people who freely support the sewing community. You're welcome to be a podcast guest by contacting us via DM on Instagram. If you are able, consider supporting this podcast through our patreon account. There are 3 new tiers to choose from to support SewOver50's only podcast. Every podcast is free and the archive is gradually being uploaded on to the podcast YouTube channel. Sound with permission by Kaneef on YouTube.  

Nomoli figurines are among the earliest works of art from Sierra Leone. The figurines and similar stone sculptures are the only known remains of an empire that existed hundreds of years ago in what is now Sierra Leone and Liberia. Portuguese explorers first recorded the existence of the figurines in the fifteenth century. Nomoli figurines are often associated with the Mende people as they are often buried on Mende land. The Mende and Kissi people of Sierra Leone place these small statues near their homes and in fields of crops as a form of protection, in the belief that the Nomoli figurines will give them good health and good harvests. They also consult the statues as oracles. During the 20th century, Sierra Leonean immigrants brought their ancestors' Nomoli figurines with them to the United States as a way to preserve the spiritual powers of the past.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-x-zone-radio-tv-show--1078348/support.Please note that all XZBN radio and/or television shows are Copyright © REL-MAR McConnell Meda Company, Niagara, Ontario, Canada – www.rel-mar.com. For more Episodes of this show and all shows produced, broadcasted and syndicated from REL-MAR McConell Media Company and The 'X' Zone Broadcast Network and the 'X' Zone TV Channell, visit www.xzbn.net. For programming, distribution, and syndication inquiries, email programming@xzbn.net.We are proud to announce the we have launched TWATNews.com, launched in August 2025.TWATNews.com is an independent online news platform dedicated to uncovering the truth about Donald Trump and his ongoing influence in politics, business, and society. Unlike mainstream outlets that often sanitize, soften, or ignore stories that challenge Trump and his allies, TWATNews digs deeper to deliver hard-hitting articles, investigative features, and sharp commentary that mainstream media won't touch.These are stories and articles that you will not read anywhere else.Our mission is simple: to expose corruption, lies, and authoritarian tendencies while giving voice to the perspectives and evidence that are often marginalized or buried by corporate-controlled media

The British Museum has once again stirred controversy with its latest “Pink Ball” dinner gala taking place in the hall housing the Parthenon Sculptures, a move that has elicited strong reactions from both Greece, cultural heritage experts, and leading advocates for the return of the Parthenon Sculptures to Greece. Professor Paul Cartledge, the Vice chairman of the British Committee for the Reunification of the Parthenon Marbles and a renowned scholar of ancient Greek history, joins Thanos Davelis as we break down why the British Museum's glitzy gala only adds to the reunification cause.You can read the articles we discuss on our podcast here:Greece criticizes British Museum dinner among Parthenon SculpturesBritish Museum glitzy gala ball, Janet Suzman agrees with Greece and suggests that the publicity adds to the reunification causeGreek leader pushes EU on joint defense debtGreece acts on housing crunch as shortages pile pressure on government

In this show dedicated to the 10th edition of Also Known As Africa (AKAA), Dheepthika Laurent talks to Zimbabwean mixed-media artist Victor Nyakauru, known for being a “found-object” sculptor. He tells us why he is passionate about breathing new life into old objects and what messages he hopes to convey about environmental sustainability. Also on set: South African photographer and visual artist Gavin Goodman. He talks about his “Vela series” at AKAA, in which he blends African heritage with a minimalist perspective. Finally, we look ahead to Asia Now — the Parisian contemporary-art fair celebrating Asian art and artists at La Monnaie de Paris.

Happy 80th birthday to Maggi Hambling, our guest this week! We meet Maggi in her studio to discuss her 6 decades of making painting and sculpture.Maggi Hambling CBE was born in Suffolk in 1945. She studied at the East Anglian School of Painting and Drawing from 1960 under Cedric Morris and Lett Haines, then at Ipswich School of Art, Camberwell, and finally the Slade School of Art, graduating in 1969.In 1980 she was the First Artist in Residence at the National Gallery, London, and in 1995 she won the Jerwood Painting Prize (with Patrick Caulfield). Public sculpture includes A conversation with Oscar Wilde (1998) at Adelaide Street, London, facing Charing Cross Station and Scallop (2003), a sculpture to celebrate Benjamin Britten, at Aldeburgh beach, Suffolk and for which the artist was awarded the Marsh Award for Excellence in Public Sculpture. A Sculpture for Mary Wollstonecraft was unveiled in Newington Green, London in 2020.Hambling's work is held in public collections including at Tate, British Museum, CAFA, Beijing and the Metropolitan Museum of Art, New York.Visit: http://maggihambling.com/ Hosted on Acast. See acast.com/privacy for more information.

What role does public art play in how we engage with our cities? This week we meet acclaimed artist Olafur Eliasson and explore the Sculpture in the City programme in the City of London.See omnystudio.com/listener for privacy information.

A new exhibition of Cambodian bronze sculptures from the Khmer Empire and other significant pieces opens at the Minneapolis Institute of Art on Saturday. It's the first time some of these pieces have been on display in the U.S. and Mia is the only U.S. museum that will host this exhibition. The exhibition is part of a collaboration between Mia, the National Museum of Cambodia and the Guimet, the National Museum of Asian Arts, in France. Virajita Singh, Mia's chief diversity officer, and Chhay Visoth, the director of the National Museum of Cambodia, joined MPR News host Nina Moini to share more about the exhibition's significance. Royal Bronzes: Cambodian Art of the Divine is at Mia from Oct. 25 to Jan. 18, 2026.

See omnystudio.com/listener for privacy information.

New report reveals that poverty affects up to one fifth of Czechs, Medieval-style wooden chapel near Brno wins National Architecture Award, ‘Praying Wood', Krištof Kintera's new sculpture, unveiled on Štvanice Island, Concrete, rubble, and renewal: The curious story of Rohan Island 

MBN was on the road north, Wednesday, October 1st, as University of Michigan Health-Sparrow - Clinton dedicated an angel sculpture. A bronze sculpture of an angel – symbolizing hope, healing and compassion – was unveiled in the healing garden of University of Michigan Health-Sparrow Clinton. The statue, a gift from donor Larry Kremer, reflects UM Health-Sparrow Clinton's mission to serve as a comforting presence for patients and families. The handcrafted bronze statue was created over a nine-month period and installed on its permanent pedestal in the healing garden. Angels are universal symbols representing guardianship and compassion, mirroring UM Health-Sparrow Clinton's commitment to advancing health care for all patients. The event included brief remarks by hospital, foundation, and family members along with the opportunity to view the sculpture following its unveiling. This took place at UM Health-Sparrow Clinton, 805 S. Oakland St., St. Johns Wednesday, Oct. 1, 2025, at 11 a.m.. » Visit MBN website: www.michiganbusinessnetwork.com/ » Subscribe to MBN's YouTube: www.youtube.com/@MichiganbusinessnetworkMBN » Like MBN: www.facebook.com/mibiznetwork » Follow MBN: twitter.com/MIBizNetwork/ » MBN Instagram: www.instagram.com/mibiznetwork/

Nigerian-Belgian artist Otobong Nkanga chose a particularly poetic title for her latest exhibition at the Museum of Modern Art in Paris: “I Dreamt of You in Colours.” This marks her largest show to date in France. Otobong joins us to talk about how living entities are in constant dialogue with the environment in her multi-media installations, and why “bling” means so much more than the glint of cheap jewelry in her artwork. The award-winning sculptor also discusses how stone, textiles and even her own voice can be shaped to tell a story, and we discuss the seminal artworks that prompted her to embrace art as a career. 

Amy Winstanley, Photo by Alan Dimmick. Amy Winstanley (b. 1983, Dumfries, UK) is based in Scotland. She received a BA (Hons) in Sculpture from the Edinburgh College of Art (2005) and an MA from the Sandberg Instituut, Amsterdam (2019). Recent solo exhibitions include: Life Hum, Margot Samel, NY (2025); Focus, Workplace Gallery, London, UK (2025); Homing, Ginsberg Galeria, Lima, Peru (2024); Soft Spot, A_Place gallery, Glasgow (2024); Lost Hap, Margot Samel, New York, NY (2023); Slim Glimpses, Cample Line, Thornhill, UK (2023); Moral Limb, Stallan-Brand, Glasgow, UK (2021); Grief Bruise, Lunchtime Gallery, Glasgow, UK (2021); Inscapes, AndCollective Gallery, Bridge of Allen, UK (2016); Interconnections, Gracefield Arts Centre, Dumfries, UK (2015); Detritus and Other Stories, iota Gallery, Glasgow, UK (2014); and Wanderings, John Muir Birthplace Trust, Dunbar, UK (2011). Recent group exhibitions include: Tiefkeller -6, Tiefkeller, Bonn, Germany (2025); Open Return, A_Place, Glasgow, UK (2025); Myriad, Ocean's Apart, Manchester, UK (2025); Out of Earth, The Approach, London (2024), Opening, A_Place, Glasgow (2023); Strangers, Rongwrong, Amsterdam, Netherlands (2022); tangible/intangible, The Haberdashery, Glasgow, UK (2022). Winstanley was nominated for the Sluijter prize for painting 2019 (Netherlands), and has been the recipient of the Hope Scott Trust award (2014) and the Creative Scotland Visual Arts Award (2010 and 2014). Along with the artist collective ALKMY she has published short stories and images in What Ties Ties, Ties (2020) and What Thoughts Think Thoughts (2021) both through Print Art Research Centre, Seoul, Korea. Amy Winstanley, Beautiful and Delicious, 2025, Oil on canvas, 26 x 24 in | 66 x 61 cm Amy Winstanley, Gifts, Omens, 2025, Oil on canvas, 70 7/8 x 59 in | 180 x 150 cm Amy Winstanley, They Are Just in the Other Room, 2025, Oil on canvas, 59 x 70 7/8 in | 150 x 180 cm

Fluent Fiction - Norwegian: Love Blossoms in the Sculptures of Vigelandsparken Find the full episode transcript, vocabulary words, and more:fluentfiction.com/no/episode/2025-10-18-22-34-02-no Story Transcript:No: I Vigelandsparken tidlig en oktober morgen slo høstsolen gjennom fargerike løvtrær.En: In Vigelandsparken, early on an October morning, the autumn sun broke through the colorful trees.No: Parken var fylt med skulpturer i alle former og størrelser, hver med sin egen historie.En: The park was filled with sculptures of all shapes and sizes, each with its own story.No: Sigrid gikk sakte mellom dem.En: Sigrid walked slowly among them.No: Hun lette etter en idé til sitt kunstprosjekt, men tankene vendte seg ofte mot Lars.En: She was searching for an idea for her art project, but her thoughts often turned to Lars.No: Lars jobbet som guide i parken og kjente hver statue godt.En: Lars worked as a guide in the park and knew each statue well.No: Han var alltid glad for å treffe Sigrid.En: He was always happy to meet Sigrid.No: Hun var hans gamle venn og mer enn det, hun var også kvinnen han hadde sterke følelser for.En: She was his old friend and more than that, she was also the woman he had strong feelings for.No: Han visste ikke hvordan han skulle fortelle henne.En: He didn't know how to tell her.No: Ingrid, kollegaen hans, la ofte merke til hvor nervøs Lars ble rundt Sigrid.En: Ingrid, his colleague, often noticed how nervous Lars became around Sigrid.No: Hun så på vennene sine med et stille smil, vel vitende om at noe måtte skje mellom dem snart.En: She watched her friends with a quiet smile, well aware that something would have to happen between them soon.No: Sigrid stoppet foran Monolitten, parkens mest kjente skulptur.En: Sigrid stopped in front of Monolitten, the park's most famous sculpture.No: Hun spekulerte på hvordan hun kunne fange essensen av kunsten i sitt prosjekt.En: She speculated on how she could capture the essence of the art in her project.No: Men så, uten å tenke, begynte hun å klatre opp på sokkelen.En: But then, without thinking, she began to climb up the pedestal.No: Hun ville få en bedre utsikt over parken og ble så oppslukt at hun glemte alt annet.En: She wanted a better view over the park and became so engrossed that she forgot everything else.No: Lars, som ga en gruppe turister en omvisning, så Sigrid.En: Lars, who was giving a tour to a group of tourists, saw Sigrid.No: Han forlot gruppen og løp mot skulpturen.En: He left the group and ran towards the sculpture.No: "Sigrid!En: "Sigrid!No: Hva gjør du?En: What are you doing?"No: " Ropte han med en blanding av bekymring og forundring.En: he shouted with a mix of worry and wonder.No: Sigrid snudde seg, hennes hjerte slo fort.En: Sigrid turned, her heart racing.No: "Lars!En: "Lars!No: Jeg vet ikke.En: I don't know...No: Jeg følte bare.En: I just felt...No: Jeg trengte en annen vinkel.En: I needed a different angle."No: ""Du kan ikke bare klatre opp der.En: "You can't just climb up there.No: Hva om du faller?En: What if you fall?"No: " sa Lars og rakte ut en hånd for å hjelpe henne ned.En: Lars said, reaching out a hand to help her down.No: Med et nervøst smil tok Sigrid hånden hans.En: With a nervous smile, Sigrid took his hand.No: Da hun var trygt nede, ble de stående stille.En: Once she was safely down, they stood still.No: Det var en spent stillhet.En: There was a tense silence.No: Lars trakk pusten dypt.En: Lars took a deep breath.No: "Sigrid, jeg trenger å si noe viktig.En: "Sigrid, I need to say something important."No: " Han stirret inn i øynene hennes.En: He looked into her eyes.No: Med hjertet i halsen ventet Sigrid.En: With her heart in her throat, Sigrid waited.No: "Jeg har hatt følelser for deg i lang tid," sa Lars endelig.En: "I've had feelings for you for a long time," Lars finally said.No: "Det er vanskelig å si, men jeg vil at du skal vite det.En: "It's hard to say, but I want you to know."No: "Sigrids tanker flommet over.En: Sigrid's thoughts overflowed.No: Uventede følelser blomstret opp, og det tok henne et øyeblikk å svare.En: Unexpected feelings blossomed, and it took her a moment to respond.No: "Lars, jeg føler det samme," innrømmet hun med et forsiktig smil.En: "Lars, I feel the same," she admitted with a cautious smile.No: "Jeg har bare aldri visst hva jeg skulle gjøre med det.En: "I just never knew what to do about it."No: "Ingrid betraktet dem fra avstand, lettet over at de to endelig snakket ut.En: Ingrid watched them from a distance, relieved that the two finally talked it out.No: Med en ny følelse av klarhet vendte Sigrid tilbake til kunsten.En: With a new sense of clarity, Sigrid returned to the art.No: Deres ærlige utveksling hadde åpnet nye veier i tankene hennes.En: Their honest exchange had opened new paths in her mind.No: Hun fant inspirasjon til både sitt prosjekt og sin fremtid med Lars.En: She found inspiration for both her project and her future with Lars.No: Sammen gikk de videre gjennom parken, med en ny forståelse og vilje til å utforske både kunsten og følelsene sammen.En: Together, they continued through the park, with a new understanding and willingness to explore both the art and their feelings together.No: Det var en frisk start i høstluften, der kjærlighet og kreativitet kunne vokse hånd i hånd.En: It was a fresh start in the autumn air, where love and creativity could grow hand in hand. Vocabulary Words:dawned: sloautumn: høstpedestal: sokkelsculptures: skulpturerspeculated: spekulerteengrossed: oppslukttourists: turistermixed: blandingworry: bekymringwonder: forundringintentions: hensikterblossomed: blomstretessence: essensstatue: statueawareness: bevissthetoverwhelmed: flommet overrelieved: lettetmonument: monumentintentions: hensikterunderstanding: forståelsewillingness: viljecreativity: kreativitetdifficult: vanskeligaforementioned: nevntepaths: veierexchange: utvekslingclarity: klarhetcapture: fangerealized: innsåguidance: veiledning

Shipping Sculptures from Early Modern Italy: The Mechanics, Costs, Risks, and Rewards (Brepols, 2025) by Dr. Kelley Helmstutler Di Dio focuses on enormous amounts of sculptures moved from Italy to Spain from ca. 1500-1750. An analysis of an important body of unpublished archival documentation regarding the practical issues involved in making and transporting sculpture, provide the basis for this study of the development of technologies, infrastructure, and labor organization necessary to make such challenging transports of moving sculptures by land and sea possible. Artists, patrons, and agents had the eventual movement to a destination at the center of decision making when new sculptures were commissioned to send. Sending antiquities or second-hand works required even more planning and care. Divided into a series of case studies of major sculptures, Shipping Sculptures offers a new approach to the study of cross-cultural artistic exchange, state gifts, collecting and patronage, by examining the practical details of object movement over challenging geographies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Shipping Sculptures from Early Modern Italy: The Mechanics, Costs, Risks, and Rewards (Brepols, 2025) by Dr. Kelley Helmstutler Di Dio focuses on enormous amounts of sculptures moved from Italy to Spain from ca. 1500-1750. An analysis of an important body of unpublished archival documentation regarding the practical issues involved in making and transporting sculpture, provide the basis for this study of the development of technologies, infrastructure, and labor organization necessary to make such challenging transports of moving sculptures by land and sea possible. Artists, patrons, and agents had the eventual movement to a destination at the center of decision making when new sculptures were commissioned to send. Sending antiquities or second-hand works required even more planning and care. Divided into a series of case studies of major sculptures, Shipping Sculptures offers a new approach to the study of cross-cultural artistic exchange, state gifts, collecting and patronage, by examining the practical details of object movement over challenging geographies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Shipping Sculptures from Early Modern Italy: The Mechanics, Costs, Risks, and Rewards (Brepols, 2025) by Dr. Kelley Helmstutler Di Dio focuses on enormous amounts of sculptures moved from Italy to Spain from ca. 1500-1750. An analysis of an important body of unpublished archival documentation regarding the practical issues involved in making and transporting sculpture, provide the basis for this study of the development of technologies, infrastructure, and labor organization necessary to make such challenging transports of moving sculptures by land and sea possible. Artists, patrons, and agents had the eventual movement to a destination at the center of decision making when new sculptures were commissioned to send. Sending antiquities or second-hand works required even more planning and care. Divided into a series of case studies of major sculptures, Shipping Sculptures offers a new approach to the study of cross-cultural artistic exchange, state gifts, collecting and patronage, by examining the practical details of object movement over challenging geographies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

For this month's Wandering Wisconsin we're heading to Stevens Point. There's a sculpture park nestled in the woods there.

Interview with KEVIN VANHENTENRYCK from the 1982 cult horror film BASKET CASE! If you've seen BASKET CASE you'll never forget you saw it! "What's in the Basket?" Rob saw the movie back in the 80s and it never left his memory. ***** Jeremy and Rob talk to Kevin about: Kevin's Music Career Basket Case 1 & 2 Frankenhooker Chiller Theatre Autograph Show Fred Williamson Stone & Wood Carving (Kevin's passion) (Hunter Stone Carving Seminar) and we find out what the last concert Kevin went to and his favorite musical artist and more! ******** VISIT Kevin's Facebook page at: /HunterStoneCarvingSeminar Kevin's official website is: https://www.kevinvanh.com/ Where you can see some of his great stone carvings and wood carved signs.. there's also a page dedicated to BASKET CASE ********* KNOW GOOD MUSIC can be found on Podbean (host site), Spotify, Apple Podcasts, Iheart Radio, Pandora, YouTube  and almost anywhere you listen to podcasts. Links to more sources at Link Tree - www.linktr.ee/knowgoodmusic Help support our Podcast by purchasing some cool merch: https://www.teepublic.com/user/knowgoodmusi Visit our YouTube Channel where you can see video segments from all of our interviews.  Just search "know good music" Please follow / subscribe & review Follow our Instagram & Facebook pages for info on upcoming podcasts and sometimes extra content

Shipping Sculptures from Early Modern Italy: The Mechanics, Costs, Risks, and Rewards (Brepols, 2025) by Dr. Kelley Helmstutler Di Dio focuses on enormous amounts of sculptures moved from Italy to Spain from ca. 1500-1750. An analysis of an important body of unpublished archival documentation regarding the practical issues involved in making and transporting sculpture, provide the basis for this study of the development of technologies, infrastructure, and labor organization necessary to make such challenging transports of moving sculptures by land and sea possible. Artists, patrons, and agents had the eventual movement to a destination at the center of decision making when new sculptures were commissioned to send. Sending antiquities or second-hand works required even more planning and care. Divided into a series of case studies of major sculptures, Shipping Sculptures offers a new approach to the study of cross-cultural artistic exchange, state gifts, collecting and patronage, by examining the practical details of object movement over challenging geographies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

Shipping Sculptures from Early Modern Italy: The Mechanics, Costs, Risks, and Rewards (Brepols, 2025) by Dr. Kelley Helmstutler Di Dio focuses on enormous amounts of sculptures moved from Italy to Spain from ca. 1500-1750. An analysis of an important body of unpublished archival documentation regarding the practical issues involved in making and transporting sculpture, provide the basis for this study of the development of technologies, infrastructure, and labor organization necessary to make such challenging transports of moving sculptures by land and sea possible. Artists, patrons, and agents had the eventual movement to a destination at the center of decision making when new sculptures were commissioned to send. Sending antiquities or second-hand works required even more planning and care. Divided into a series of case studies of major sculptures, Shipping Sculptures offers a new approach to the study of cross-cultural artistic exchange, state gifts, collecting and patronage, by examining the practical details of object movement over challenging geographies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Shipping Sculptures from Early Modern Italy: The Mechanics, Costs, Risks, and Rewards (Brepols, 2025) by Dr. Kelley Helmstutler Di Dio focuses on enormous amounts of sculptures moved from Italy to Spain from ca. 1500-1750. An analysis of an important body of unpublished archival documentation regarding the practical issues involved in making and transporting sculpture, provide the basis for this study of the development of technologies, infrastructure, and labor organization necessary to make such challenging transports of moving sculptures by land and sea possible. Artists, patrons, and agents had the eventual movement to a destination at the center of decision making when new sculptures were commissioned to send. Sending antiquities or second-hand works required even more planning and care. Divided into a series of case studies of major sculptures, Shipping Sculptures offers a new approach to the study of cross-cultural artistic exchange, state gifts, collecting and patronage, by examining the practical details of object movement over challenging geographies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Shipping Sculptures from Early Modern Italy: The Mechanics, Costs, Risks, and Rewards (Brepols, 2025) by Dr. Kelley Helmstutler Di Dio focuses on enormous amounts of sculptures moved from Italy to Spain from ca. 1500-1750. An analysis of an important body of unpublished archival documentation regarding the practical issues involved in making and transporting sculpture, provide the basis for this study of the development of technologies, infrastructure, and labor organization necessary to make such challenging transports of moving sculptures by land and sea possible. Artists, patrons, and agents had the eventual movement to a destination at the center of decision making when new sculptures were commissioned to send. Sending antiquities or second-hand works required even more planning and care. Divided into a series of case studies of major sculptures, Shipping Sculptures offers a new approach to the study of cross-cultural artistic exchange, state gifts, collecting and patronage, by examining the practical details of object movement over challenging geographies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

 Alex has a lively interview with none other than Donald Osborne (@zagato67 on BaT): ASA accredited senior appraiser, TV personality, principal of Automotive Valuation Services, and consulting director for the Audrain Automobile Museum. They talk about BaT's start as an amalgamation of interesting POSes;  maximum impact for minimal outlay; the similarities between a car for sale and the ideal political candidacy; sage advice for sellers on BaT and elsewhere; the art of self-editing;  the right price for the wrong car; multitasking, the car guy way; ignoring one's own hard-earned advice; cars as an investment in happiness; driving Derek Drinkwater's Le Monstre replica at Goodwood; and adventures in Sicily on the old Targa Florio route. We'll have Donald back for more!Links for things mentioned in this episode:2:11   1960 Fiat 500 D Tetto Apribile BaT listing21:45  What's My Car Worth? IMDB23:06 Alfa Romeo 106-Series 2600 BaT model page30:17  1950 Crosley Gardner Special conceptcarz.com31:07  1951 Crosley Le Mans Special BaT listing33:29  Lamborghini Islero BaT model page52:06 Path Imperfect: Porsche and the Targa Florio PCA YouTube channel56:40 Audrain Newport Concours & Motor Week57:24  Ex–Jeff Gordon 1997 Chevrolet Monte Carlo NASCAR Winston Cup Race Car BaT listing57:48  Veteran Car Tour58:36  Sculpture in Motion Got suggestions for our next guest from the BaT community or One Year Garage episode? Let us know at podcast@bringatrailer.com!

In this episode, we explore the role of theatre and empathy in transforming worldviews. Dr. Dylan McGarry is one of the founders of Empatheatre, a South African theatre-making company and methodology that turns research and storytelling into living social sculpture. Their plays create what they call amphitheatres for empathy - spaces where art, ritual, and dialogue help people listen across difference, from mining conflicts to ocean governance to human-wildlife coexistence.Empatheatre's productions have brought together communities, policymakers, and activists that rarely meet, showing how imagination can transform civic life. The process of creating the plays generates profound potentials for restorative justice. As Dylan says, empathy is not about agreement, but about creating a vessel strong enough to hold our differences while keeping us in relation.We will cover:Empathy as a creative actTheatre and storytelling as Trojan horses that open conversations that traditional politics often can'tHow to design spaces that allow lifeworlds to touch and the practices that help us shift into another's perspectiveHow empathy, when practiced collectively, becomes a form of governance: a new infrastructure for democracy and careEpisode websiteLinks:Share your input for the whale productionEmpatheatreDylan's PHD5min Empatheatre docIndlela Yokuphila: The Soul's Journey (ZULU) film & the radio play used in the court caseLalela Ulwandle TrailerUmkhosi Wenala doc about Zulu musical on indigenous traditions & animist relationshipsSteiner's 12 sensesMOTHProject CETIKaren BakkerUndrowned: Black Feminist Lessons from Marine MammalsOne Ocean Hubdylanmcgarry.orgInstagram: @dylan_mcgarryPhoto Credit: Casey Pratt. It captures a significant moment in a collaborative theatre-making & storytelling project titled "Umkhosi Wenala" Hosted on Acast. See acast.com/privacy for more information.

Civic duty fulfilled! This week, Johnny and Tyler are covering the crimes of Lawrence Singleton (aka the murder of Roxanne Hayes and the survival story of Mary Vincent). Plus: Dragula's Monsters of Rock is back from the grave, realistic Halloween decor leaves one community feeling a little heated, and there's no other way to say this, but Skims seems to have made a merkin.Join the Secret Society That Doesn't Suck for exclusive weekly mini episodes, livestreams, and a whole lot more! patreon.com/thatsspookyCheck out our new and improved apparel store with tons of new designs! thatsspooky.com/storeCheck out our website for show notes, photos, and more at thatsspooky.comFollow us on Instagram for photos from today's episode and all the memes @thatsspookypodWe're on Twitter! Follow us at @thatsspookypodDon't forget to send your spooky stories to thatsspookypod@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

My favorite podcasts are the ones where I get to go to the person's studio and/or house, sit in their environment, and talk to them. It gives me such a deeper understanding of that person and where their creative juices come from.I got to do that with renown sculptor Star York. We've been working on a 50 year retrospective, and this was part of that project. We recorded this interview in August in preparation for her Retrospective show here in Tucson on October 24th. It's a two part podcast. The first part is us sitting and talking on her front porch and part two is the two of us going into her studio and doing a deep dive on what she does, how she does it, and why she does it. Part one and part two are very different types of podcasts. One is more from the personal background standpoint. The other one, really more of what's happening today. Anyhow, this is Star York part two on the Art Dealer Diaries Podcast. I hope you enjoy.

Willie Stewart (b. 1982, Gallatin, TN) lives and works in New Haven, Connecticut. He received his MFA in Sculpture from Yale University in 2018, and a BFA from The Cooper Union in 2016. His work has been the subject of solo and two-person exhibitions at Morgan Presents, New York (2022); Morán Morán, Los Angeles, CA (2023, 2019); Nicelle Beauchene Gallery, New York (2023, 2021); and Pioneer Works, Brooklyn, NY, with Brent Stewart (2017). Stewart completed residencies at Pioneer Works (2016), and Skowhegan School of Painting and Sculpture (2014) Willie Stewart Beasts, 2025 Colored pencil, ink and gouache on cotton board, graphite, acrylic, oil and gouache on canvas over panel 80 x 64 inches 203 x 162.5 cm Willie Stewart The Last Supper, 2025 Ink on cotton board, acrylic over custom armature with hardware, acrylic, gouache, graphite and ink on canvas 67 3/4 x 80 x 12 inches 172 x 203 x 30.5 cm Willie Stewart Singers, 2025 Colored pencil, ink and gouache on cotton board, graphite, acrylic and gouache on canvas over panel 30 x 22 inches 76.2 x 55.9 cm

My favorite podcasts are the ones where I get to go to the person's studio and/or house, sit in their environment, and talk to them. It gives me such a deeper understanding of that person and where their creative juices come from.I got to do that with renown sculptor Star York. We've been working on a 50 year retrospective, and this was part of that project. We recorded this interview in August in preparation for her Retrospective show here in Tucson on October 24th. It's a two part podcast. The first part is us sitting and talking on her front porch and part two is the two of us going into her studio and doing a deep dive on what she does, how she does it, and why she does it. Part one and part two are very different types of podcasts. One is more from the personal background standpoint. The other one, really more of what's happening today. This is Star York part one on the Art Dealer Diaries Podcast. I hope you enjoy.

Welcome to a very special episode and wisdom mini-series. This four-part series originates from an archive of rare 2004 recordings of wisdom conversations with my mentor, John Wells Jr.  In the truest sense this batch of wisdom has been two decades in the making. Sadly, John passed away in early February 2005, after battling cancer. Those conversations and recordings served as a pre-cursor, perhaps even a prequel to this podcast which launched 15 years later in 2019. The Art of Visualization In Part Two of our our mini-series, John tells one of his favorite stories. It's the story of the world's most famous sculptor, Michelangelo, working to craft the statue of David. This story is a wisdom lesson illustrating the incredible power of belief guided by the art of visualization. When John shared this story with me, it inspired me to take my marketing consulting firm, once a dream, to a greater level of reality. He challenged me to envision the greatest form my business and my life could attain. What might John's rousing story inspire in you today? More About Our Wise Guest - John Wells, Jr. John was one of the most effective and influential mentors in my lifetime. He taught, led and influenced me, opening my eyes and expanding my thinking on those things that truly matter. I was deeply blessed to know him. John was a dedicated retail veteran and community leader who co-founded Wells Home Furnishings after many years working at R.H. Kyle Furniture Co. Known for his entrepreneurial spirit, he led his business to award-winning success and earned induction into the National Wholesale Furniture Association Hall of Fame. Beyond his career, Wells was deeply involved in civic and youth service organizations in Charleston, including the Boys Scouts, YMCA and United Way, among others, reflecting his commitment to community betterment. His leadership extended to serving as past president of the National Wholesale Furniture Association, where he influenced industry standards and fostered professional growth. Locally, John was known as an effective, tireless leader and chairperson of several charity fundraising drives. In 2000, John was honored with the prestigious Ernst Young Entrepreneur of the Year Award. Though he never sought the spotlight, one day the President of the United States, George W. Bush, stood in Charleston and honored John Wells for his service. His legacy is marked by his dedication to his family, his profession and his community, leaving a lasting impact on everyone who knew him. Resources YMCA Spirit of the Valley Tribute Video to John Wells, Jr. (2005) Wells Home Furnishings website Credits Special thanks to Motion Masters, Inc. - Diana Sole Walko, CEO/President - for generously supporting and capturing video and audio from these 2004 sessions. Editor + Technical Advisor Bob Hotchkiss Brand + Strategy Advisor Andy Malinoski PR + Partnerships Advisor Rachel Bell Marketing, Social Media and Graphic Design Chloe Lineberg   Stay Connected with Us on Social YouTube @themainthingpod Twitter @themainthingpod Instagram @themainthingpod Facebook  @TheMainThingPod LinkedIn TikTok @TheMainThingPod Help Support and Sustain This Podcast Become a subscriber. Share the podcast with one or two friends. Follow us on social media @TheMainThingPod Buy some Main Thing Merch from our Merchandise Store. Buy a book from our curated wisdom collection on bookshop.org. Become a patron and support us on Patreon with funding. Episode Keywords Wisdom, Art, Sculpture, Podcast, Michelangelo, John Wells Jr., Mentor, Visualization, Potential, Resilience, Vision, Leadership, Service, Courage, Insights, Family, Cancer

See omnystudio.com/listener for privacy information.

Emily Coan / Episode 493Emily Coan (b. 1991 St. Petersburg, Florida) is an artist based in the Hudson Valley, NY. In 2013, she received her BFA in Sculpture from the University of Florida, and moved to New York City as a painter in 2015. Her multilayered, glazed oil paintings deal with themes of femininity & women's labor set in fairytale-esque environments. Her work has been featured in Interview Magazine, T Magazine, Artnet, Whitewall, Juxtapose, and even Playboy. Emily has recently exhibited in group shows with Victoria Miro (London), The Pond Society (Shanghai), and Sargent's Daughters (Los Angeles). She was recently an artist in residence at Palazzo Monti (Brescia). Her Spider Silk series began with a solo show at DIMIN (New York) in 2024, with additional works from the series exhibited at NADA New York and Miami (both 2024). The latest installment of the series was presented in solo show Nightshades at Long Story Short, Paris this May. She had a solo booth at Armory this September and is represented by DIMIN gallery.

FFoDpod.com   Patreon   Merchandise   CC-BY-SA  "SCP-626" by OgremanSam, from the SCP Wiki. Source: https://scpwiki.com/scp-626. Licensed under CC-BY-SA.