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Cette semaine, direction les ruelles pavées de Montmartre à la rencontre de deux peintres de la Buttes. Les deux amis sont contrariés : ils refusent d'être associés à ce qu'ils appellent "la foire aux croûtes" de la place du Tertre. On est en 1965 et déjà, ce quartier, où les plus grands peintres ont séjourné, devient un spot touristique qui perd de son authenticité. Aujourd'hui, ce phénomène a pris une telle ampleur que la place du Tertre est strictement réglementée par la mairie : 300 places sont réservées aux artistes peintres qui doivent passer devant une commission pour être autorisés à s'y installer. Est-ce un moyen d'éviter les croûtes ?***Crédits archive Extrait de l'émission radiophonique "Montmartre sur chevalet" - Reportage : Jacques Février - Première diffusion : 14/01/1965 - France Inter.***Crédits podcast Documentaliste : Anne Brulant - Textes : Lætitia Fourmond, Anouk Valverde - Restauration et mixage : Ian Debeerst - Enregistrement : Laurent Thomas - Voix off : Clara De Antoni - Musique(s) avec l'aimable autorisation d'Universal Production Music France - Chargée de production : Céline Amadori - Assistante de production : Ameline Tarnagda - Cheffe de projet : Lætitia Fourmond - Chargée de projet : Anouk Valverde, Edith Monnier - Responsable éditoriale : Zoé Macheret - Un podcast INA.
This is the All Local 4:00 P.M. update for Friday, June 12, 2026.
It's Friday, June 12. Here are today's top stories around Central Indiana. Want to go deeper on the stories you hear on WFYI News Now? Visit wfyi.org and follow us on social media to get local news every day. WFYI News Now is hosted by Barb Anguiano and produced by Zach Bundy. Subscribe wherever you get your podcasts.
Charlie Brennan debates with Wendy Wiese, Bill McClellan, Sarah Fenske, and Alvin Reid. The debate continues on Last Call.
The exhibition Project a Black Planet: The Art and Culture of Panafrica began its life at the Art Institute of Chicago before travelling to Museu d'art contemporani de Barcelona (Macba) in Barcelona and now to the Barbican in London, in each case changing in relation to the particular circumstances of its location. One of the show's curators is Elvira Dyangani Ose, the director of the Barcelona museum, and Ben Luke speaks to her about the show. Among the books shortlisted for the Women's Prize for Non-Fiction in the UK, which was awarded this week, is Daisy Fancourt's Art Cure: The Science of How the Arts Transform Our Health. Ben discusses her research and how it can be implemented. And this episode's Work of the Week is Sculpture with Colour (Oval Form) Pale Blue and Red (1943), by Barbara Hepworth. It features in Hepworth in Colour, a new exhibition at the Courtauld Gallery in London, and The Art Newspaper's digital editor, Alexander Morrison, speaks to the show's curator, Alexandra Gerstein, about the work.Project a Black Planet: The Art and Culture of Panafrica, Barbican Art Gallery, until 6 September. To find out more about the wider events across the Barbican visit the centre's website.Daisy Fancourt: Art Cure: The Science of How the Arts Transform Our Health, US: Celadon Books, $28.99; UK: Cornerstone Press, £22.Hepworth in Colour, Courtauld Gallery, London, 12 June-6 September Hosted on Acast. See acast.com/privacy for more information.
Join this channel to get access to perks: https://www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ/join Or Join the DAS Patreon: www.patreon.com/DarkArtSociety PLEASE LIKE/SHARE/SUBSCRIBE!!! This week I speak to another collector! Chris Koch is a huge supporter of the dark art scene and has a massive collection of smaller paintings. He's a super nice guy and great speaker and I loved this conversation! Chris's collection on Instagram: https://www.instagram.com/from_out_of_the_shadows/ The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: www.patreon.com/DarkArtSociety Chet's Patreon: www.patreon.com/ChetZar Our sponsors: The Skull Shoppe: www.SkullShoppe.com beautifulbizarreartprize.art Entries are now open for the 2026 Beautiful Bizarre Art Prize and there is over $76,000 worth of cash and prizes to win. The Beautiful Bizarre Art Prize now has seven award categories that you can enter. The Sculpture, Photography, Digital Art, Drawing and Painting awards. They also have a separate Emerging Artist award – plus the new Imaginative Realism award as well! You don't need to submit a physical artwork - just enter online via their website. As well as cash and product prizes, winners will also be invited to exhibit in the Beautiful Bizarre Magazine exhibition at Modern Eden Gallery in San Francisco in November 2026. Better yet - the Beautiful Bizarre team guarantee that they look at every single entry! This is a great way to get on their radar for future opportunities too. They are also sharing many entries on their social media and online blogs until entries close on 17th July. For more information and to enter, go to beautifulbizarreartprize.art ----- The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: www.patreon.com/DarkArtSociety Chet's Patreon: www.patreon.com/ChetZar The Dark Art Society Instagram: www.instagram.com/darkartsociety Official Dark Art Society Website: www.darkartsociety.com The Dark Art Society Podcast is now available in a variety of places, including the following platforms: SoundCloud: @darkartsociety iTunes: apple.co/2gMNUfM Stitcher: www.stitcher.com/s?fid=134626&refid=stpr Podbay: podbay.fm/show/1215146981 YouTube: www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ DarkArtSociety.com Copyright Chet Zar LLC 2026
On the day that the new tower of the Sagrada Familia basilica in Barcelona is to be blessed by the pope, a sculptor whose work is to be placed inside the new parts of the famous building has told FRANCE 24 that she's very excited to be a small part of it. French sculptor Béatrice Bizot has lived near Barcelona for over 20 years and has created a statue of the patron saint of pilgrims, Saint Roch, who was born in the French city of Montpellier. She says that seeing human beings capable of such a beautiful thing as the Sagrada Familia is incredible.
Christophe Bricard a longtemps parcouru le monde avant de jeter l'ancre dans le Luberon. Depuis vingt ans, il y vit, y travaille, et poursuit une quête qui ressemble davantage à un destin qu'à une carrière.Architecte d'intérieur, designer de mobilier, scénographe, artisan, inventeur, sculpteur. Les mots s'accumulent mais ne suffisent jamais vraiment à le définir. Christophe appartient à cette famille rare de créateurs qui refusent les frontières entre les disciplines. Autodidacte, il a appris en faisant. Le bois, le métal, la corne, la pierre, la résine, l'inox poli miroir. Il a travaillé la matière sous presque toutes ses formes avant de trouver celle qui allait changer le cours de son histoire : le verre de Murano.Dans cette conversation, nous avons parlé de création, de différence, d'intuition, de solitude, de beauté, d'obsession, de regard. Nous avons parlé de ce qui pousse certains êtres à consacrer leur vie entière à poursuivre une idée que les autres ne voient pas encore. Car derrière l'artiste se cache un bâtisseur, un homme qui agit sur le réel. Un homme qui semble comprendre intuitivement ce que beaucoup d'entre nous oublient. La lumière n'éclaire pas seulement le monde. Elle nous révèle à nous-mêmes.Ses œuvres monumentales nous rappellent que voir est peut-être un acte plus mystérieux qu'il n'y paraît.On pourrait parler de verre, de couleurs, de géométrie, de transparence. Mais ce serait passer à côté de l'essentiel. Christophe Bricard ne semble pas utiliser la lumière pour rendre le monde plus beau. Il l'utilise pour rendre certaines choses impossibles à ignorer. Elle devient une présence, une vigie.Peut-elle attirer suffisamment de regards, de mémoire, d'attention et de conscience pour empêcher qu'un paysage, un patrimoine ou une histoire disparaissent dans l'indifférence ? Cette idée traverse discrètement tout son travail.Nous avons aussi parlé de ce que signifie créer lorsque l'on habite le monde différemment. Diagnostiqué Autiste Asperger à cinquante ans, Christophe Bricard ne raconte pas une singularité à surmonter. Il raconte une autre manière d'observer, de ressentir et de construire. Une autre manière d'être au monde.Comme si, après avoir passé des décennies à observer la lumière sous toutes ses formes, il découvrait soudain celle qui éclairait son propre fonctionnement.Et je vous pose cette question :« À quel moment une œuvre cesse-t-elle d'être une œuvre pour devenir une sentinelle ? »Émission enregistrée à Lourmarin, galerie-atelier Artokio ( promis on n'a pas fait exprès…)Producteur et animateur Boris PierreMixage Studio RevolverHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
“Giacometti surréaliste” Des objets comme des sculpturesà l'Institut Giacometti, Parisdu 5 juin au 1er novembre 2026Entretien avec Laura Braverman, attachée de conservation – Fondation Giacometti,et commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 8 juin 2026, durée 27'33, © FranceFineArt.https://francefineart.com/2026/06/09/3722_giacometti-surrealiste_institut-giacometti/Communiqué de presseCommissaire :Laura Braverman, Attachée de conservation – Fondation Giacometti« Je me suis rendu compte que je travaillais un vase exactement comme les sculptures et qu'il n'y avait aucune différence entre ce que j'appelais une sculpture et ce qui était un objet, un vase ! » Alberto Giacometti. Entretien avec André Parinaud,1962L'exposition « Giacometti surréaliste. Des objets comme des sculptures » propose un regard singulier sur la période surréaliste d'Alberto Giacometti (1929-1935). Si cette production est aujourd'hui connue, on sait moins que l'artiste s'est engagé en parallèle dans la création d'objets d'art décoratif. L'exposition met en lumière la simultanéité de ces deux pratiques et révèle une véritable porosité entre ces deux champs de création chez l'artiste à cette période. D'importantes sculptures surréalistes issues de la collection de la Fondation Giacometti, ainsi que la Table (1933) – prêt exceptionnel du Centre Pompidou – sont présentées aux côtés d'objets décoratifs rarement montrés, conçus par l'artiste au début des années 1930. Un ensemble d'archives et de photographies complète le parcours. L'exposition s'accompagne également d'un catalogue illustré et d'une programmation culturelle et pédagogique.« Objets surréalistes » et « objets décoratifs » des années 1930Les années de 1929 à 1935 constituent une période particulièrement féconde pour le jeune sculpteur. Alberto Giacometti (1901-1966) participe activement au mouvement surréaliste parisien, réalisant une série de sculptures énigmatiques : certaines aux accents agressifs, ou érotiques, d'autres aux formes biomorphiques tendant vers l'abstraction.Parallèlement, il reçoit ses premières commandes d'art décoratif et entame une collaboration étroite avec Jean-Michel Frank, grand décorateur parisien. Pour celui-ci, il conçoit une variété d'objets – appliques murales, bas-reliefs, chenets, lampes, vases et autres pièces – qu'il produit avec l'aide de son frère Diego. Bien qu'inscrites dans le domaine de la décoration d'intérieur, ces créations portent la marque de l'imaginaire surréaliste de Giacometti, perceptible tant dans leurs formes que dans leurs thématiques. Inversement, son travail décoratif nourrit parfois ses sculptures surréalistes, qui reprennent certaines formes issues de ses objets utilitaires.Il s'associe également au groupe surréaliste à un moment où la question de l'objet devient centrale au mouvement. Les surréalistes s'intéressent alors aux objets du quotidien, qu'ils détournent, associent ou transforment, rompant avec leur fonction pratique pour en faire des supports d'exploration de l'imaginaire et du désir. Contrairement aux autres membres du groupe, Giacometti ne recourt pas directement à des objets préexistants, mais compose ses sculptures à partir de formes qui évoquent des objets mais qui restent avant tout modelées.Giacometti participe néanmoins à cette recherche en réalisant des sculptures aux fonctions ambiguës, invitant parfois à la manipulation, évoquant des jeux, ou assemblant des éléments disparates pour engendrer des réalités nouvelles et troublantes. Désormais qualifiées d'« objets surréalistes », ses oeuvres ne visent pas à représenter le monde extérieur, mais deviennent leur propres réalités. Cette manière nouvelle d'exister les rapproche de ses objets décoratifs, eux aussi pensés pour être manipulés, intégrés à la vie quotidienne et inscrits dans le monde réel.[...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
Nick Fusaro (b. 1989) is based in Brooklyn, NY. He received his MFA in Sculpture from Hunter College in 2022 and his BFA in Sculpture from Pratt Institute in 2012. His sculptural practice combines humble materials, collections, and iteration to emphasize the effects of memory on lived experience. Fusaro also studied at the Gerrit Rietveld Academie in 2011 and is the founder of Three Four Three Four, an artist-run gallery in New York. He has shown at Gordon Robichaux (Manhattan, NY ), Parent Company Gallery (Brooklyn, NY), Marwan (Amsterdam, Netherlands), Jupiter Woods (London, UK), Fisher Parrish (Brooklyn, NY), Strobe Gallery (New York, NY) and Long Story Short (New York, NY). Fusaro has made a habit of drafting new artworks behind a character or archetype when ideating. In this instance, as the exhibition’s title suggests, he has poised himself as The Foreman. The Foreman is an overseer. He doesn’t design or create plans, he simply executes them. He is the figure at the helm of process, navigating projects from renderings to realities. Imagined in the shape of a clown, the character of The Foreman is featured prominently in a panel at the gallery’s back wall, overseeing the exhibition like a construction site. His authority is subtly undercut by his choice of dress, and the delicate safety pin that holds him to the wooden panel. His intention, ability, and capacity are in question, but nevertheless, for better or for worse, it’s The Foreman who is in charge. Foreman, 2026, 48″ x 48″ (122cm x 122cm) Aluminum Roofing Paint, Felt, Nickel Tacks, Graphite on paper, safety pin, on panel A Dozen Plus Three, 2026, 23.5″ x 16″ x 4″ ( 60cm x 40cm x 10cm ) Silk-velvet, poplar, aluminum foil The One Through the Clumsy Hole, 2026, 32″ x 22″ x 18.5″ ( 81cm x 56cm x 47cm ) Poplar, Pine, Plywood, Roofing Nails, Aluminum Roofing Paint, Chestnuts, Railroad Ties, Wire, Custom Plywood Pedestal Nodules (N_5), 2026, 19″ x 8″ x 8″ ( 48cm x 20cm x 20cm ) Polyester Resin, Epoxy Resin, Insulation Foam
Renée Jolivet est une ancienne modèle qui posait pour le peintre Auguste Renoir. On est en 1957 et Renée a 72 ans. Elle raconte avec admiration et nostalgie sa rencontre avec l'artiste, et comment elle est devenue sa muse alors qu'elle était encore adolescente. Aujourd'hui, difficile de l'écouter sans questionner cette relation. Leur lien, pourtant jamais décrit comme romantique, interroge sur les dynamiques de pouvoir, de consentement, et sur la place des jeunes femmes dans l'art à la fin du XIXe siècle. Jusqu'en juillet 2026 le musée d'Orsay consacre une double exposition à Renoir, l'occasion de revisiter son œuvre à la lumière de ces questions. ***Crédits archive Extrait de l'émission radiophonique "La chasse aux souvenirs". Réalisation : Jacques Guinchard - Production : André Gillois - Première diffusion : 16/02/1957 - Chaîne Parisienne. ***Crédits podcast Documentaliste : Anne Brulant - Textes : Lætitia Fourmond, Anouk Valverde - Restauration et mixage : Ian Debeerst - Enregistrement : Laurent Thomas - Voix off : Clara De Antoni - Musique(s) avec l'aimable autorisation d'Universal Production Music France - Chargée de production : Céline Amadori - Assistante de production : Ameline Tarnagda - Cheffe de projet : Lætitia Fourmond - Chargée de projet : Anouk Valverde, Edith Monnier - Responsable éditoriale : Zoé Macheret - Un podcast INA.
Join the DAS Patreon: www.patreon.com/DarkArtSociety PLEASE LIKE/SHARE/SUBSCRIBE!!! This week I meet for the first time and speak to a major collector of the dark art scene, Kurt Bretthauer. We discuss his background in data analysis, his incredible collection, how he got started, why he loves dark art and tons more. Super great conversation! Kurt's links: / c4rpe.noctem The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: www.patreon.com/DarkArtSociety Chet's Patreon: www.patreon.com/ChetZar Our sponsors: The Skull Shoppe: www.SkullShoppe.com beautifulbizarreartprize.art Entries are now open for the 2026 Beautiful Bizarre Art Prize and there is over $76,000 worth of cash and prizes to win. The Beautiful Bizarre Art Prize now has seven award categories that you can enter. The Sculpture, Photography, Digital Art, Drawing and Painting awards. They also have a separate Emerging Artist award – plus the new Imaginative Realism award as well! You don't need to submit a physical artwork - just enter online via their website. As well as cash and product prizes, winners will also be invited to exhibit in the Beautiful Bizarre Magazine exhibition at Modern Eden Gallery in San Francisco in November 2026. Better yet - the Beautiful Bizarre team guarantee that they look at every single entry! This is a great way to get on their radar for future opportunities too. They are also sharing many entries on their social media and online blogs until entries close on 17th July. For more information and to enter, go to beautifulbizarreartprize.art ----- The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: www.patreon.com/DarkArtSociety Chet's Patreon: www.patreon.com/ChetZar The Dark Art Society Instagram: www.instagram.com/darkartsociety Official Dark Art Society Website: www.darkartsociety.com The Dark Art Society Podcast is now available in a variety of places, including the following platforms: SoundCloud: @darkartsociety iTunes: apple.co/2gMNUfM Stitcher: www.stitcher.com/s?fid=134626&refid=stpr Podbay: podbay.fm/show/1215146981 YouTube: / @darkartsocietypodcast DarkArtSociety.com Copyright Chet Zar LLC 2026
L'exposition « Corps Vivants » proposée par le Louvre réunit plus de 200 œuvres de marbre, de bronze, et de plâtre sculptés par Michel-Ange et Auguste Rodin. Des sculptures si fidèles à leurs modèles qu'on attend qu'elles s'animent sous nos yeux. Les productions sont issues des collections du Louvre, du musée Rodin et d'importants prêts de grands musées internationaux. Chloé Ariot, conservatrice du patrimoine au Musée Rodin et Marc Bormand, conservateur général du patrimoine au département des Sculptures du musée du Louvre, étaient les invités de Nathalie Amar sur RFI. L'exposition « Corps vivants » est à retrouver au Louvre. ► Chronique : Les pionnières de la culture Marjorie Bertin nous parle d'Anita Conti, pionnière de l'océanographie française. ► Reportage : Solène Gardré s'est rendue aux Rencontres chorégraphiques internationales de Seine-saint-Denis, festival de danse contemporaine. Elle a notamment rencontré les danseuses et chorégraphes Tatiana Gueria Nade et Dafne Bianchi. ► Playlist du jour : - Ezra Collective feat Pa Salieu - Only Love - Himra - Bara Bara.
L'exposition « Corps Vivants » proposée par le Louvre réunit plus de 200 œuvres de marbre, de bronze, et de plâtre sculptés par Michel-Ange et Auguste Rodin. Des sculptures si fidèles à leurs modèles qu'on attend qu'elles s'animent sous nos yeux. Les productions sont issues des collections du Louvre, du musée Rodin et d'importants prêts de grands musées internationaux. Chloé Ariot, conservatrice du patrimoine au Musée Rodin et Marc Bormand, conservateur général du patrimoine au département des Sculptures du musée du Louvre, étaient les invités de Nathalie Amar sur RFI. L'exposition « Corps vivants » est à retrouver au Louvre. ► Chronique : Les pionnières de la culture Marjorie Bertin nous parle d'Anita Conti, pionnière de l'océanographie française. ► Reportage : Solène Gardré s'est rendue aux Rencontres chorégraphiques internationales de Seine-saint-Denis, festival de danse contemporaine. Elle a notamment rencontré les danseuses et chorégraphes Tatiana Gueria Nade et Dafne Bianchi. ► Playlist du jour : - Ezra Collective feat Pa Salieu - Only Love - Himra - Bara Bara.
WYCE's Community Connection (*conversations concerning issues of importance in West Michigan)
In this episode of Community Closeup, our weekly public affairs program produced in partnership with the Grand Rapids Community Media Center, host Phil Tower sits down with Charles Burke, President & CEO of Frederik Meijer Gardens & Sculpture Park. Recently celebrating his third anniversary with the organization, Charles discusses how Meijer Gardens has solidified its reputation as an internationally acclaimed cultural landmark, including being recognized as the Best Sculpture Park in the United States by USA Today's 10Best Readers' Choice Awards for three consecutive years.Drawing from his March 2026 column, "What the World Needs Now: How Art, Culture, and Nature Can Help Heal Communities in Difficult Times," Charles shares his insights on why a deeper human connection is essential in divided times.Tune in as we also discuss:Healing Through Art & Nature: How spaces like Meijer Gardens foster the conditions for empathy, resilience, and restoration.Summer Highlights: A look ahead at the highly anticipated Summer Concert series (including Wilco) and the major Chihuly at Meijer Gardens exhibition.Links:Learn more about upcoming events and exhibits: meijergardens.orgRead Charles Burke's full column: ExpertFile Spotlight
Greg and Phil talk with Rosie Wixom of Food Frenzy and Dr. Michael Tarantino of BCDI of Peoria about a sculpture originally purchased from Midstate College. They discuss the history behind the piece, why it was originally acquired, and the decision to now sell it, explaining how the proceeds will be used to further support community initiatives and programs tied to BCDI’s mission.See omnystudio.com/listener for privacy information.
This week we bring you a special episode from Savannah Patterson-Case, one of our 2026 Podcast Fellows. Patterson introduces the show's focus on how art and democracy intersect, arguing that art fosters empathy, dialogue, and challenges power, which can make it a target through cuts and political attacks. She launches the season's focus on theater, defining democracy as participation rooted in values like fairness, tolerance, compromise, trust, and inclusion, and tracing theater and democracy to ancient Athens, where performance offered catharsis and an outlet for the politically excluded. She highlights political works such as The Laramie Project, citing dialogue, audience impact, and reported legislative influence, and examines attacks on theater through the New Deal Federal Theatre Project's rise and dismantling amid Red Scare pressures, alongside concerns about access, commercialization, rhetoric, and entertainment-driven politics. 00:00 Special Episode Intro 00:23 Democracy Meets Art 02:28 Why Theater Matters 04:25 Defining Democracy 06:28 Theater Roots in Athens 08:20 The Laramie Project 10:36 When Theater Gets Targeted 13:06 Access and Defunding 14:43 Is Democracy Theater 16:16 Pitfalls of Performance Politics Know a student interested in democracy and podcasts? Send them over to our fellowship to apply: https://www.democracygroup.org/fellowship Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Harlem-based artist Kim Dacres makes her sculptures with metal and rubber from recycled tires, often sourcing from bike shops around her neighborhood. A new exhibit at Charles Moffett presents her latest works, inspired by her experiences living in the United States over the last 18 months, as well as her favorite classic love songs, including Stevie Wonder's "As." Kim Dacres discusses what's on view in the solo show, ‘Lost on a Two Way Street,' on view at 394 Broadway through June 20. Image: Kim Dacres' Baby Liberty Bun, 2026 Found auto and bicycle rubber, wood, screws, metal turn table, and spray paint. 19 in x 10 in x 10.25 in Photo by Max Yawney. Courtesy of the artist and Charles Moffett Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
durée : 00:58:49 - Le Cours de l'histoire - par : Xavier Mauduit - Sculptures, collages, installations vidéo : quand des artistes contemporains font de l'histoire la matière première de leur inspiration, la création permet de formuler de nouveaux discours sur le passé et d'interroger la mémoire collective. - réalisation : Maïwenn Guiziou, Camille Mati, Jeanne Delecroix, Jeanne Coppey, Raphaël Laloum, Chloé Rouillon, Sidonie Lebot, Luce Mourand - invités : Raphaël Barontini Artiste plasticien français, Marion Verboom Artiste plasticienne-sculptrice, Anaïs Marion Artiste Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
durée : 00:58:49 - Le Cours de l'histoire - par : Xavier Mauduit - Sculptures, collages, installations vidéo : quand des artistes contemporains font de l'histoire la matière première de leur inspiration, la création permet de formuler de nouveaux discours sur le passé et d'interroger la mémoire collective. - réalisation : Maïwenn Guiziou, Camille Mati, Jeanne Delecroix, Jeanne Coppey, Raphaël Laloum, Chloé Rouillon, Sidonie Lebot, Luce Mourand - invités : Raphaël Barontini Artiste plasticien français, Marion Verboom Artiste plasticienne-sculptrice, Anaïs Marion Artiste Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
Episode: 1573 Donatello: Of his age or for all time? Today, we ask: Of an age, or of all time?
Liberty Sculpture Park - Welcome back to the Outdoor Adventure Series! In this episode, Howard Fox travels to Newberry Springs, California, to celebrate the Route 66 centennial and brings listeners an inspiring conversation right from the heart of the Mojave Desert. Join Howard Fox as he sits down with renowned sculptor Weiming Chen at the remarkable Liberty Sculpture Park in Yermo. Together, they explore the origins of this unique outdoor gallery, its powerful sculptures celebrating liberty and freedom, and the stories of sacrifice and hope behind each piece. Whether you're a road tripper or an art enthusiast, this episode reveals how one artist's passion for freedom and democracy has created a destination that resonates with visitors from around the world. Stay tuned for insights into the creative process, the challenges of building art in the desert, and how you can experience and support Liberty Sculpture Park for yourself.DISCUSSIONIntroduction of Weiming Chen and His WorkThe Mission and Significance of Liberty Sculpture ParkSignificant Sculptures and Their MeaningsArtistic Inspiration and ChoicesRepresentation of Global Struggles and SacrificeUpcoming and Recent WorksArtistic Materials and TechniquesCommunity and Support StructureEmotional and Social Impact of the ParkLocal Environment, Challenges, and AdaptationAccessibility and Visitor ExperienceWays to Connect, Donate, and Further InformationLEARN MORELiberty Sculpture Park: https://www.libertysculpturepark.com/YouTube: https://www.youtube.com/@libertysculptureparkTwitter: https://x.com/CHENWEIMING2017?NEXT STEPSVisit us at https://outdooradventureseries.com to like, comment, and share our episodes.KEYWORDSLiberty Sculpture Park, Weiming Chen, Newberry Springs Chamber of Commerce, Route 66 Centennial, Outdoor Adventure Series, Podcast Interview#LibertySculpturePark #WeimingChen #NewberrySpringsChamberofCommerce #Route66Centennial #OutdoorAdventureSeries #PodcastInterview My Favorite Podcast Tools: Production by DescriptHosting BuzzsproutShow Notes by CastmagicWebsite powered by PodpageBe a Podcast Guest by PodMatchBanner Customization by Nano Banana & Canva
Join the DAS Patreon: https://www.patreon.com/DarkArtSociety PLEASE LIKE/SHARE/SUBSCRIBE!!! This week artist and occultist seaN comes back on the show to further speak about his journey into the occult and all things magick. His depth of knowledge and sense of humor always makes for great conversation. seaN's links: Patreon: https://Patreon.com/crpfctry YouTube: https://www.youtube.com/@crpfctry7838 Web Shop: https://crpfctry.bigcartel.com Instagram: @crpfctry The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar Our sponsors: The Skull Shoppe: https://www.SkullShoppe.com beautifulbizarreartprize.art Entries are now open for the 2026 Beautiful Bizarre Art Prize and there is over $76,000 worth of cash and prizes to win. The Beautiful Bizarre Art Prize now has seven award categories that you can enter. The Sculpture, Photography, Digital Art, Drawing and Painting awards. They also have a separate Emerging Artist award – plus the new Imaginative Realism award as well! You don't need to submit a physical artwork - just enter online via their website. As well as cash and product prizes, winners will also be invited to exhibit in the Beautiful Bizarre Magazine exhibition at Modern Eden Gallery in San Francisco in November 2026. Better yet - the Beautiful Bizarre team guarantee that they look at every single entry! This is a great way to get on their radar for future opportunities too. They are also sharing many entries on their social media and online blogs until entries close on 17th July. For more information and to enter, go to beautifulbizarreartprize.art ----- The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar The Dark Art Society Instagram: https://www.instagram.com/darkartsociety Official Dark Art Society Website: https://www.darkartsociety.com The Dark Art Society Podcast is now available in a variety of places, including the following platforms: SoundCloud: @darkartsociety iTunes: https://apple.co/2gMNUfM Stitcher: https://www.stitcher.com/s?fid=134626&refid=stpr Podbay: https://podbay.fm/show/1215146981 YouTube: https://www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ https://DarkArtSociety.com Copyright Chet Zar LLC 2026
This episode of Moonbeaming is proudly sponsored by Clear Channels, the Moon Studio's upcoming newsletter and channeling course. Use code POD10 for 10% off through May 10th at midnight. What happens to your creativity when life gets full? In this deeply honest and expansive conversation, Sarah is joined by writer, artist, and creativity coach Catherine LaSota to explore what it actually means to live a creative life… especially when time, energy, and capacity are limited. Together, they dive into creativity as a practice of trust, presence, and self-definition, and unpack the tension between who we think we “should” be as artists and who we actually are in our real lives. On this episode of Moon Beaming, you'll hear: Why creativity is not just output How to stay connected to your creative identity during intense life seasons The role of time, capacity, and emotional energy in creative practice Why “not creating” is sometimes part of the creative cycle How caregiving, parenting, and real life can expand your creativity The connection between creativity, trust, and surrender Why defining yourself as an artist is an internal practice This episode is an invitation to redefine what it means to be creative, to honor the season you're in, and to trust that your creativity is still alive… even when it looks different than you expected. ----- Meet Catharine: Catherine LaSota is a creative advisor & inspirer who is here to help you build and sustain a creative practice that works for you, taking into account your resources, capacity, deep desires, and unique vision. She parents two young children in Queens, NYC, and in addition to her MFAs in Sculpture and Creative Nonfiction, she has professional training and experience as a coach, singer, French horn player, and advanced SCUBA diver. A former bartender and retail manager, Catherine is also the founder of the LIC Reading Series, the former Executive Director of the Center for the Study of Social Difference at Columbia, and the current Associate Director of Social Practice CUNY. Her writing can be found in Literary Hub, Vice, The Rumpus, Electric Literature, Catapult, and elsewhere. She offers 1-on-1 coaching for writers and anyone ready to prioritize their creativity; online workshops; in-person writing parties; and occasional retreats. Catherine loves being in conversation and listening deeply, and you can hear more from her on Feed the Art, her podcast about nourishing your creative practice. website: catherinelasota.com Instagram: @catherinelasota Feed the Art podcast on Apple free resource: Creative Containers interview series --- Join The Moonbeaming Community: Join the Moon Studio Patreon: https://www.patreon.com/themoonstudio Buy the 2026 Many Moons Lunar Planner: https://moon-studio.co/products/many-moons-2026?srsltid=AfmBOopThx1yrmKl0tMjecc_EFeeN5DAiIafqPqvQ4Uke1WEi5droeam Subscribe to our newsletter: https://moon-studio.co/pages/newsletter Find Sarah on Instagram: https://www.instagram.com/gottesss/
Join this channel to get access to perks: https://www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ/join Or join the DAS Patreon: https://www.patreon.com/DarkArtSociety PLEASE LIKE/SHARE/SUBSCRIBE!!! This week Detroit native and OG underground lowbrow/pop surrealist artist Glenn Barr joins us for his first podcast interview! I've been a huge fan of his work since I started painting so I was stoked he agreed to come on! Christian's links: https://www.christianrexvanminnen.com/ https://www.instagram.com/van_minnen/ https://www.patreon.com/cw/vanMinnen The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar Our sponsors: beautifulbizarreartprize.art Entries are now open for the 2026 Beautiful Bizarre Art Prize and there is over $76,000 worth of cash and prizes to win. The Beautiful Bizarre Art Prize now has seven award categories that you can enter. The Sculpture, Photography, Digital Art, Drawing and Painting awards. They also have a separate Emerging Artist award – plus the new Imaginative Realism award as well! You don't need to submit a physical artwork - just enter online via their website. As well as cash and product prizes, winners will also be invited to exhibit in the Beautiful Bizarre Magazine exhibition at Modern Eden Gallery in San Francisco in November 2026. Better yet - the Beautiful Bizarre team guarantee that they look at every single entry! This is a great way to get on their radar for future opportunities too. They are also sharing many entries on their social media and online blogs until entries close on 17th July. For more information and to enter, go to beautifulbizarreartprize.art The Skull Shoppe: https://www.SkullShoppe.com ----- The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar The Dark Art Society Instagram: https://www.instagram.com/darkartsociety Official Dark Art Society Website: https://www.darkartsociety.com The Dark Art Society Podcast is now available in a variety of places, including the following platforms: SoundCloud: @darkartsociety iTunes: https://apple.co/2gMNUfM Stitcher: https://www.stitcher.com/s?fid=134626&refid=stpr Podbay: https://podbay.fm/show/1215146981 YouTube: https://www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ https://DarkArtSociety.com Copyright Chet Zar LLC 2026
The hollow heart-shaped design for this year's Parade of Hearts was the perfect template for an art piece doubling as a community space. Artist Abby Gust Hutter created the sculpture “Read it Forward,” which she turned into a little free library outside of Rainy Day Books in Fairway.
In this week's First $1,000 segment, we hear from an engineer who takes out his daytime frustrations on a series of side hustle balloon sculptures.Side Hustle School features a new episode EVERY DAY, featuring detailed case studies of people who earn extra money without quitting their job. This year, the show includes free guided lessons and listener Q&A several days each week.Show notes: SideHustleSchool.comEmail: team@sidehustleschool.comBe on the show: SideHustleSchool.com/questionsConnect on Instagram: @193countriesVisit Chris's main site: ChrisGuillebeau.comRead A Year of Mental Health: yearofmentalhealth.comIf you're enjoying the show, please pass it along! It's free and has been published every single day since January 1, 2017. We're also very grateful for your five-star ratings—it shows that people are listening and looking forward to new episodes.
This episode is a reminder I needed for myself. After listening to a conversation featuring Ivanka Trump on The Diary of a CEO, something really stayed with me—the idea that if you don't know who you are, the world will tell you… and over time, you might start to believe it. And it made me pause. Because even with space, time, and all the tools I know support me—like journaling, slowing down, and getting quiet—I've noticed how easy it is to avoid truly sitting with myself. To stay busy. To stay distracted. To stay just a little disconnected. In this episode, I reflect on how, without realizing it, we can start to become shaped by everything outside of us—other people's opinions, expectations, and ideas of who we should be. Like a sculpture formed by many hands. But at some point, we have to pause and ask… Do I even recognize this version of me? This is a gentle, honest invitation to come back to yourself. To reconnect, to listen, and to remember that you are the one who gets to create who you are. Because the truth is— the sculpture is yours to create.
Learn more at TheCityLife.org
durée : 00:18:12 - Les interviews d'Inter - par : Ali Baddou, Marion L'Hour - L'invité du Grand Entretien est Marc Bormand, conservateur général du patrimoine au département des Sculptures du musée du Louvre et co-commissaire de l'exposition "Michel-Ange Rodin-Corps vivants", au Louvre du 15 avril au 20 juillet 2026. - invités : Marc Bormand Conservateur en chef au département des Sculptures du musée du Louvre . Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
Fluent Fiction - Italian: Mystery in Tuscany: The Tale of the Missing Sculpture Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-04-23-07-38-19-it Story Transcript:It: Il sole splendeva sopra la villa in Toscana.En: The sun shone above the villa in Toscana.It: Era primavera, e il giardino della villa era un tripudio di colori.En: It was spring, and the villa's garden was a riot of colors.It: Gigli bianchi, rose rosse, e gialle margherite decoravano i viali.En: White lilies, red roses, and yellow daisies decorated the paths.It: L'aria era piena del profumo dolce dei fiori, mentre il vento leggero muoveva le foglie degli alberi secolari.En: The air was filled with the sweet fragrance of flowers, while a light breeze moved the leaves of the ancient trees.It: Luca, art historian curioso e appassionato di misteri, camminava lentamente tra le statue antiche.En: Luca, a curious art historian passionate about mysteries, walked slowly among the ancient statues.It: Oggi era il giorno della festa di San Giorgio e la villa era in fermento.En: Today was the day of the feast of San Giorgio and the villa was bustling.It: Tuttavia, un'ombra oscurava il suo umore: una scultura preziosa era scomparsa.En: However, a shadow darkened his mood: a precious sculpture had disappeared.It: Luca sentiva il bisogno di dimostrare a se stesso di essere più di un semplice studioso; voleva risolvere l'enigma.En: Luca felt the need to prove to himself that he was more than just a scholar; he wanted to solve the enigma.It: Alessia, la custode della villa, era preoccupata.En: Alessia, the custodian of the villa, was worried.It: Era fedele alla famiglia e proteggere l'eredità della villa era la sua missione.En: She was loyal to the family and protecting the villa's heritage was her mission.It: Sospettava di chiunque mostrasse interesse eccessivo per la collezione.En: She was suspicious of anyone showing excessive interest in the collection.It: E Giovanni, uno studioso in visita con un passato misterioso, era finito nel suo radar di sospetti.En: And Giovanni, a visiting scholar with a mysterious past, was on her radar of suspects.It: Nel pomeriggio, Luca osservò Giovanni da lontano.En: In the afternoon, Luca observed Giovanni from a distance.It: "Perché era così interessato alla scultura?"En: "Why was he so interested in the sculpture?"It: si chiese.En: he wondered.It: Decise di affrontarlo.En: He decided to confront him.It: "Giovanni," iniziò Luca con tono calmo, "ho notato che sei molto interessato alla scultura scomparsa.En: "Giovanni," Luca began calmly, "I've noticed you're very interested in the missing sculpture.It: Qual è il tuo interesse?"En: What is your interest?"It: Giovanni esitò un attimo, i suoi occhi tradivano un misto di sorpresa e imbarazzo.En: Giovanni hesitated for a moment, his eyes betraying a mix of surprise and embarrassment.It: "È solo una curiosità accademica," rispose, cercando di non mostrare emozioni.En: "It's just academic curiosity," he replied, trying not to show emotions.It: Luca non era convinto.En: Luca was not convinced.It: Aspettò il momento giusto per indagare più a fondo.En: He waited for the right moment to investigate further.It: Poco dopo, decise di perlustrare il giardino, sperando di trovare indizi sul destino della scultura.En: Shortly after, he decided to search the garden, hoping to find clues about the sculpture's fate.It: Accadde che Luca e Alessia, ormai alleati, scoprirono Giovanni nel recondito angolo del giardino.En: It happened that Luca and Alessia, now allies, discovered Giovanni in a secluded corner of the garden.It: Tentava di nascondere la scultura dietro un cespuglio fiorito.En: He was trying to hide the sculpture behind a blooming bush.It: "Giovanni!"En: "Giovanni!"It: esclamò Alessia, interdetta.En: exclaimed Alessia, taken aback.It: Giovanni alzò le mani in segno di pace.En: Giovanni raised his hands in a sign of peace.It: "Non volevo rubarla," spiegò in fretta.En: "I didn't want to steal it," he quickly explained.It: "Volevo assicurarmi che venisse preservata.En: "I wanted to ensure it was preserved.It: Volevo studiarla nella quiete, lontano da occhi indiscreti."En: I wanted to study it in peace, away from prying eyes."It: Luca e Alessia ascoltarono, sorpresi.En: Luca and Alessia listened, surprised.It: La verità veniva alla luce: le intenzioni di Giovanni non erano maliziose.En: The truth was revealed: Giovanni's intentions were not malicious.It: Insieme riportarono la scultura al suo posto nel giardino.En: Together they returned the sculpture to its place in the garden.It: Il proprietario della villa, informato dell'accaduto, accettò le scuse di Giovanni.En: The owner of the villa, informed of what had happened, accepted Giovanni's apologies.It: Capì che Giovanni cercava solo di proteggere e studiare l'arte.En: He understood that Giovanni only sought to protect and study the art.It: Per Luca, questo era un trionfo.En: For Luca, this was a triumph.It: Aveva risolto il mistero e guadagnato la fiducia di Alessia.En: He had solved the mystery and gained Alessia's trust.It: Si sentiva finalmente capace, non solo come storico dell'arte, ma come investigatore.En: He finally felt capable, not only as an art historian, but as an investigator.It: E una nuova amicizia era nata in quella villa toscana, dove la primavera portava non solo fiori, ma anche nuove speranze.En: And a new friendship was born in that Tuscan villa, where spring brought not only flowers, but also new hopes. Vocabulary Words:sun: il solespring: la primaveravilla: la villagarden: il giardinolilies: i gigliroses: le rosedaisies: le margheritepaths: i vialifragrance: il profumobreeze: il vento leggeroleaves: le foglietrees: gli alberishadow: l'ombrasculpture: la sculturaenigma: l'enigmacustodian: la custodeheritage: l'ereditàvisitor: lo studioso in visitasuspect: i sospettidistance: la distanzacuriosity: la curiositàemotions: le emozioniclues: gli indizicorner: l'angolobush: il cespugliopeace: la quietetruth: la veritàintentions: le intenzioniowner: il proprietarioapologies: le scuse
Join this channel to get access to perks: https://www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ/join Or join the DAS Patreon: https://www.patreon.com/DarkArtSociety PLEASE LIKE/SHARE/SUBSCRIBE!!! This week I talk to dark art collector Marc Altieri. Not only does he have a huge art collection, he also owns a marketing company! Lots of valuable info and advice for artists on connecting to collectors as well as marketing, which is something we all need help with! Marc was a great guest! Marc's links: Website: https://www.thebrandamp.com Instagram: https://www.instagram.com/maltieri21/ The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar Our sponsors: beautifulbizarreartprize.art Entries are now open for the 2026 Beautiful Bizarre Art Prize and there is over $76,000 worth of cash and prizes to win. The Beautiful Bizarre Art Prize now has seven award categories that you can enter. The Sculpture, Photography, Digital Art, Drawing and Painting awards. They also have a separate Emerging Artist award – plus the new Imaginative Realism award as well! You don't need to submit a physical artwork - just enter online via their website. As well as cash and product prizes, winners will also be invited to exhibit in the Beautiful Bizarre Magazine exhibition at Modern Eden Gallery in San Francisco in November 2026. Better yet - the Beautiful Bizarre team guarantee that they look at every single entry! This is a great way to get on their radar for future opportunities too. They are also sharing many entries on their social media and online blogs until entries close on 17th July. For more information and to enter, go to beautifulbizarreartprize.art The Skull Shoppe: https://www.SkullShoppe.com ----- The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar The Dark Art Society Instagram: https://www.instagram.com/darkartsociety Official Dark Art Society Website: https://www.darkartsociety.com The Dark Art Society Podcast is now available in a variety of places, including the following platforms: SoundCloud: @darkartsociety iTunes: https://apple.co/2gMNUfM Stitcher: https://www.stitcher.com/s?fid=134626&refid=stpr Podbay: https://podbay.fm/show/1215146981 YouTube: https://www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ https://DarkArtSociety.com Copyright Chet Zar LLC 2026
There's an animate quality to the biomorphic sculptures of the self-taught, Utah-born artist Alma Allen. His works, carved from wood, marble, and bronze—and informed by his deep appreciation for the natural world—appear as if they're living, breathing things, at once prehistoric and futuristic. Far from fixed objects, they eschew any overt symbolism or predetermined narratives. For this “site-specific” episode of Time Sensitive, our milestone 150th, we traveled to Mexico City to sit down with Allen inside his family's home there to discuss his highest-visibility exhibition yet: “Call Me the Breeze,” a solo presentation at the U.S. Pavilion for the 61st edition of the Venice Biennale, opening May 9 and on view through Nov. 22. In addition to his plans for Venice and how he's been navigating the noise and public debate around his selection for this year's U.S. Pavilion, he also delves into the hard-to-pin-down nature of his material-forward sculptures and his peripatetic path to art-world ascendancy. Special thanks to our Season 13 presenting partner, Van Cleef & Arpels. Show notes: Alma Allen [20:04] Issey Miyake [20:04] Todd Oldham [20:04] Julio Espada [26:06] "Call Me the Breeze" (2026) [29:00] Mauricio Rocha [29:00] Isamu Noguchi [32:02] The Sound and the Fury [32:02] Thomas Pynchon [32:02] Samuel Beckett [41:03] Clyfford Still [39:10] Pierre Soulages [50:13] Glenn Adamson [53:00] J.J. Cale [55:41] JB Blunk [57:42] Constantin Brâncuși [57:42] Lynda Benglis [57:42] Louise Bourgeois [57:42] Thaddeus Mosley [59:24] Museo Anahuacalli [1:04:38] Alma Allen on Park Avenue (2025)
durée : 00:58:49 - Le Cours de l'histoire - par : Xavier Mauduit, Maïwenn Guiziou - Sculptures, collages, installations vidéo : quand des artistes contemporains font de l'histoire la matière première de leur inspiration, la création permet de formuler de nouveaux discours sur le passé et d'interroger la mémoire collective. - réalisation : Camille Mati - invités : Raphaël Barontini Artiste plasticien français; Marion Verboom Artiste plasticienne-sculptrice; Anaïs Marion Artiste
Nous sommes en avril 1917, à New York au Grand Central Palace, sur Lexington Avenue. C'est là, à partir du 9, que se tient la première exposition de la « Society of Independent Artists ». Marcel Duchamp, le plasticien français pas encore naturalisé américain, en est membre directeur. Pour son premier salon, la Société américaine autorise librement tout membre à exposer l'objet de son choix moyennant un droit s'élevant à six dollars. Le principe défendu est qu'aucun artiste ne peut être refusé pour « raisons esthétiques ». Duchamp décide d'envoyer, sous le pseudonyme de Richard Mutt, un urinoir en porcelaine destine à être présenté comme une sculpture. Mais les choses vont prendre une tournure inattendue. En effet, l'objet n'est pas exposé au prétexte que « sa place n'est pas dans une exposition d'art et que ce n'est pas une œuvre d'art, selon quelque définition que ce soit ». La décision est prise par William Glackens, le président de la Société des Artistes Indépendants, au terme d'un vote à la majorité qui a réuni les membres du comité directeur, la veille du vernissage, contrairement donc au principe suivant lequel il n'y a pas de jury. Les motifs du refus vont du « immoral et vulgaire » au « pièce commerciale ressortissant de l'art du plombier ». Au moment où Duchamp apprend que son objet est refusé, il démissionne du comité directeur de la société, sans dévoiler toutefois son lien avec Richard Mutt. L'exposition se déroulera normalement, avec succès, et personne, jusqu'à la clôture, ne verra l'urinoir resté caché derrière une cloison du Grand Central Palace. Mais la polémique va s'enclencher à la suite de la publication d'un article anonyme paru dans « The Blind Man », une revue satirique fondée par Duchamp et quelques autres. On peut y lire « Les seules œuvres d'art que l'Amérique ait données sont ses tuyauteries et ses ponts ». L'argument consiste à démontrer que l'important n'est pas que Mutt ait fabriqué cette sculpture avec ses mains ou non, mais qu'il ait choisi un objet de la vie quotidienne en lui retirant sa valeur d'usage avec un nouveau titre et un nouveau point de vue ; conséquemment, la création consiste en une nouvelle pensée de l'objet. » L'urinoir de Duchamp passera à la postérité sous le titre de « Fountain ». A l'époque, le terme « installation » n'est pas encore employé pour parler de ce type d'œuvre qui « installe » un rapport particulier avec l'espace, le temps et les spectateurs. Revenons aujourd'hui aux origines et à la signification d'un art qui interroge, déconcerte et parfois dérange : l'installation. Sujets traités : installation, art, William Glackens, Marcel Duchamp, plasticien,Richard Mutt, urinoir, sculpture Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Tu veux que je te raconte l'histoire des sculptures sur glace? Alors attrape ta brosse à dents, ton dentifrice, et c'est parti!
Jackson Williams is building large-scale steel sculptures with handmade bending tools, a MIG welder, and a small corner of a shared shop.If you're a welder thinking about getting into metal art, starting small, or building something original without buying a shop full of equipment, this episode will show you what actually matters.• Learn how Jackson builds full-size animal sculptures from half-inch round bar using mostly hand bending and simple jigs • See how he scales reference images on the floor to lay out a framework before skinning a sculpture with rod • Understand why shared shop space can be a smarter move than trying to outfit your own shop from scratch • Hear how posting his work online and saying yes to Fabtech helped create momentum and new opportunities • Take away Jackson's best advice for beginners: start small, play around, and fix anything that is not rightJackson Williams is a steel sculptor based in Asheville, building wildlife and figure sculptures from round bar with a style that emphasizes motion, anatomy, and flow. He developed his craft working alongside his father, sculptor Chris Williams, before carving out his own direction in steel rod sculpture. What makes his work stand out to WELD listeners is how much he's able to create with basic tools, strong fundamentals, and a clear artistic eye.Connect with Jackson Williams:Instagram: @williamssculpture https://www.instagram.com/williamssculpture/ Facebook: https://www.facebook.com/williamssculpture/ TikTok: https://www.tiktok.com/@williamssculpture Website: https://www.williamssculpture.com/ Connect with Beau Wigington:Instagram: @beaudiditweldingDownload the WELD App:iOS: WELD App on the App Store https://foxly.link/m6jqqa Android: WELD App on Google Play https://foxly.link/cYEXjL If this show has helped your career, leaving a 5-star review on Apple Podcasts takes 30 seconds and helps other welders find it.
durée : 00:59:57 - Allons-y voir ! - par : Patrick Boucheron - Entre 1501 et 1504, Michel-Ange sculpte son David aux dimensions d'un Goliath. Corps puissant et pensant, la sculpture est désormais une immense icone du tourisme mondial. Comment revoir le David à nu, dans sa beauté, dans son audace artistique et sa puissance politique, dans sa force continue ? - réalisation : Laurence Millet - invités : Erri De Luca Romancier, poète, dramaturge et traducteur italien.; Marc Bormand Conservateur en chef au département des Sculptures du musée du Louvre .; Elvan Zabunyan Historienne de l'art contemporain, professeure à l'université Paris 1 Panthéon-Sorbonne
Artists Tommy Riefe and Lexa Walsh join me to discuss the New Museum expansion and show, New Humans: Memories of the Future curated by Massimiliano Gioni and Gary Carrion-Murayari. We discuss the success of the building itself and then move onto the show's major themes—the history of the human body as mediated by technology. Additional Resources: Tommy Riefe Lexa Walsh The New Museum, New Humans: Memories of the Future Jeffrey Deitch, Post Human, 1992 Boris Groys, Art Power, 2008 Jason Farago, The New Museum Reopens Asking: “What is Human?”, 2026, The New York Times Artist guests: Tommy Riefe Riefe earned his BFA in Art History and Sculpture from the University of Northern Iowa in 2014, and later received his MFA from the Sam Fox School of Design and Visual Arts at Washington University in St. Louis in 2017. He has been in numerous group exhibitions and has public sculptures in the collections of Howard Hughes Medical Institute in Ashburn, VA (2022) Fort Dodge, IA (2021) Lakewood, MN (2019), Iowa State University (2018), Minnesota State University (2018), Laneken, Belgium (2018), Cedar Falls, IA (2017) Rock Island, IL (2016), and Sioux City, IA (2016). Lexa Walsh Lexa Walsh is an artist, cultural worker and experience maker. With a background in both sculpture and social practice, Walsh makes site specific projects, exhibitions, publications and objects, using an array of materials including ceramics and textiles, employing social engagement, institutional critique, and radical hospitality to question hierarchies, power and value. Walsh founded the experimental music and performance venue the Heinz Afterworld Lounge, and co-founded and conceived of the all women, all toy instrument ensemble Toychestra. Walsh worked for many years as a curator and administrator at CESTA, an international art center in Czech republic, whose team created radical curatorial projects to foster cross-cultural understanding. She founded Oakland Stock & Soup for Social & Racial Justice, and the Bay Area Contemporary Art Archive. She is a graduate of Portland State Universitys Art & Social Practice MFA program and was Social Practice Artist in Residence in Portland Art Museums Education department. She was a recipient of Southern Exposures Alternative Exposure Award, the CEC Artslink Award, the Gunk Grant and was a de Young Artist Fellow. Walsh has participated in projects, exhibitions and performances at Apexart, di Rosa Center for Contemporary Art, FOR-SITE, Grand Central Art Center, Kala Art Institute, Marin Museum of Contemporary Art, NIAD, Oakland Museum of California, SFMOMA, Smack Mellon, Walker Art Center, Williams College Museum of Art, Yerba Buena Center for the Arts, and has done several international artist residencies, tours and projects in Europe and Asia.
This week, Wes and Todd sit down with Canadian Contemporary Fine Artist and Illustrator, Gary Taxali. Gary discusses how his style doesn't differ between his personal and commercial work, business sense, work/life balance, his early career and moving to New York City, being exposed to the fine art world in New York, La Luz de Jesus Gallery, transition from illustration to the fine art world, his early engagement in art, drawing at an early age in school, the support of his family, the importance of doodling and mark making, teaching at OCAD and how it informs his work, creativity and problem solving, voice and personal style, philosophy of his creativity, trusting yourself and the process, confidence, play being the essence of creativity, having the support of music, Mississippi Delta Blues, feeding his soul, the Russian Avant Garde, connecting to people through art, his style and how it has evolved, the Fleischer Brother, Mad magazine, how he found inspiration from Depression era America, his political art, the Library of Congress acquiring some of his work, not self-editing, tattoos, charity, using old textbook pages to create on, process over work, being a working Artist, classical Indian music, spontaneity, rolling the dice of your creativity, embracing the flaws, working with musicians creating album covers and concert posters, Aimee Mann, his name Taxali, being commissioned by the Royal Canadian Mint to design six quarters, his children's book “This is Silly”, upcoming exhibitions, pricing art, and his parting thoughts on creativity and it's importance.Join us for a riveting and thoughtful conversation with Gary Taxali!Check out Gary's website – www.garytaxali.comFollow Gary Taxali on social media:Instagram - www.instagram.com/taxali/ - @taxaliFacebook – www.facebook.com/GaryTaxaliArtSend us Fan MailFollow us on Instagram:@tenetpodcast - www.instagram.com/tenetpodcast/@wesbrn - www.instagram.com/wesbrn/@toddpiersonphotography - www.instagram.com/toddpiersonphotography/ Follow us on Facebook:www.facebook.com/TenetPodcast/Email us at todd@toddpierson.com If you enjoyed this episode or any of our previous episodes, please consider taking a moment and leaving us a review on your favorite podcast platform.Thanks for listening!
In this episode, Jimmy reminds decision-makers that the more staff and students who have their “fingerprints on the sculpture” to determine the vision, design, and implementation for the culturized classroom and school, the more likely we are to get the positive results we desire. A positive school culture is the collective responsibility of everyone within the school community.
Join this channel to get access to perks: https://www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ/join Or join the DAS Patreon: https://www.patreon.com/DarkArtSociety PLEASE LIKE/SHARE/SUBSCRIBE!!! This week my good friend, the incredible artist Travis Louie comes back on for a chat. It's been 3 years since he's been on so there was plenty to talk about. These are the kinds of conversations professional artists have when they are just sitting around and hanging out. Travis's links: Travis Louie's links: Website: https://www.travislouieart.com/ Instagram https://www.instagram.com/travislouie/ Twitter https://twitter.com/travislouie Facebook https://www.facebook.com/travis.louie Tumblr https://www.tumblr.com/blog/travislouie The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar Our sponsors: beautifulbizarreartprize.art Entries are now open for the 2026 Beautiful Bizarre Art Prize and there is over $76,000 worth of cash and prizes to win. The Beautiful Bizarre Art Prize now has seven award categories that you can enter. The Sculpture, Photography, Digital Art, Drawing and Painting awards. They also have a separate Emerging Artist award – plus the new Imaginative Realism award as well! You don't need to submit a physical artwork - just enter online via their website. As well as cash and product prizes, winners will also be invited to exhibit in the Beautiful Bizarre Magazine exhibition at Modern Eden Gallery in San Francisco in November 2026. Better yet - the Beautiful Bizarre team guarantee that they look at every single entry! This is a great way to get on their radar for future opportunities too. They are also sharing many entries on their social media and online blogs until entries close on 17th July. For more information and to enter, go to beautifulbizarreartprize.art The Skull Shoppe: https://www.SkullShoppe.com ----- The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar The Dark Art Society Instagram: https://www.instagram.com/darkartsociety Official Dark Art Society Website: https://www.darkartsociety.com The Dark Art Society Podcast is now available in a variety of places, including the following platforms: SoundCloud: @darkartsociety iTunes: https://apple.co/2gMNUfM Stitcher: https://www.stitcher.com/s?fid=134626&refid=stpr Podbay: https://podbay.fm/show/1215146981 YouTube: https://www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ https://DarkArtSociety.com Copyright Chet Zar LLC 2026
APR Health Solutions Peptides: www.aprhealthsolutions.comOptimize HRT Clinic: https://members.optimize-hp.com - code 'NYLE'Merch: https://www.aykons.com/nylePlease share this episode if you liked it. To support the podcast, the best cost-free way is to subscribe and please rate the podcast 5* wherever you find your podcasts. Thanks for watching.To be part of any Q&A, follow trensparentpodcast or nylenayga on instagram and watch for Q&A prompts on the story https://www.instagram.com/trensparentpodcast/Huge Supplements (Protein, Pre, Defend Cycle Support, Utilize GDA, Vital, Astragalus, Citrus Bergamot): https://www.hugesupplements.com/discount/NYLESupport code 'NYLE' 10% off - proceeds go towards upgrading content productionYoungLA Clothes: https://www.youngla.com/discount/nyleCode ‘NYLE' to support the podcastLet's chat about the Podcast:Instagram: https://www.instagram.com/trensparentpodcast/TikTok: https://www.tiktok.com/@transparentpodcastPersonalized Bodybuilding Program: https://www.nylenaygafitness.comRP Hypertrophy Training App: rpstrength.com/nyleTimestamps:00:00:00 Intro00:02:10 Building a Killer Team 00:04:29 Official Start: Reaching the New Gen 00:06:42 The Mindset of the Stage 00:08:15 Peptides & the Red Pill 00:10:52 Icons: The New Standard 00:11:50 10 Years of Transparency 00:13:58 The Stagnated Stalemate 00:16:28 Remapping after Heartbreak 00:20:42 The Opioid War at Home 00:24:44 The Yellow Sundress Vision 00:29:15 Meeting Hannah 00:33:06 Safety in the Corners 00:34:45 No Problems, Just Work 00:37:34 The Dark Place Strategy 00:41:20 Duty & Procreation 00:45:06 The Optimization Protocol 00:47:09 Move vs. Heal 00:52:06 Controlling House Energy 00:56:45 Meathead Roots: Joe Trapani 01:00:47 Art of the Sculpture 01:04:09 The Degenerate Side 01:06:17 Sweet Spots & Receptors 01:13:19 Superman Cycle Risks 01:18:08 Kai Greene: 7 Grams? 01:21:51 The Gut Health Aesthetic 01:24:06 Genetics vs. The Bottle 01:26:24 2009 Nationals: The Peak 01:33:14 RP: Tracking the Steel 01:38:04 Rivalries & Regrets 01:39:09 Consultant Career Paths 01:40:09 Why Larges Sell Out 01:42:09 Scaling Axe & Sledge 01:45:32 Purpose Over Profit 01:47:29 Levrone's Leg Day 01:49:08 Best Protein Flavors 01:51:11 The Olympia Guarantee? 01:52:15 The Training Playlist 01:54:05 Balancing Life & Family 01:55:46 The Superman Stack 01:59:07 Big Delts & Bone-in Ribeyes 02:02:25 Advice for Young Fathers 02:03:42 One Punch Man in Detroit 02:06:35 Low Risk Longevity 02:07:29 Underrated vs. Overrated 02:09:33 Educating the Kids 02:11:38 Overhead Press Worth 02:14:29 Accents & Wellness Girls 02:16:52 Volume vs. Muscle Cuts 02:18:17 New Podcast Facility 02:18:41 The Productivity Myth 02:19:45 Visualization & Truth 02:26:41 The HWMF Conclusion
Artist Wendy Red Star discusses 'One Blue Bead,' her latest exhibition at Sargent's Daughters, exploring trade beads as currency and the idea of contested value. 'One Blue Bead' is on view through May 10. Installation photo courtesy of Sargent's Daughters
Join this channel to get access to perks: https://www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ/join Or join the DAS Patreon: https://www.patreon.com/DarkArtSociety PLEASE LIKE/SHARE/SUBSCRIBE!!! This week I speak once again to the amazing XO Rad Magical- aka Christopher Grant- about his incredible journey as an artist living with schizophrenia. We spoke so much about schizophrenia last time that I wanted to chat about his artwork and process more, which we covered...and much more! Always great to catch up with XO RAD MAGICAL! Christopher's links: Patreon: https://www.patreon.com/c/xoradmagical/posts TikTok: https://www.tiktok.com/@xoradmagical?lang=en Instagram: https://www.instagram.com/xoradmagical/ Linktree: https://linktr.ee/xoradmagical?utm_source=linktree_profile_share<sid=312b06fa-18c9-4e3f-bbf2-8bdd46571262 The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar Our sponsors: Beautiful Bizarre Art Prize Entries are now open for the 2026 Beautiful Bizarre Art Prize and there is over $76,000 worth of cash and prizes to win. The Beautiful Bizarre Art Prize now has seven award categories that you can enter. The Sculpture, Photography, Digital Art, Drawing and Painting awards. They also have a separate Emerging Artist award – plus the new Imaginative Realism award as well! You don't need to submit a physical artwork - just enter online via their website. As well as cash and product prizes, winners will also be invited to exhibit in the Beautiful Bizarre Magazine exhibition at Modern Eden Gallery in San Francisco in November 2026. Better yet - the Beautiful Bizarre team guarantee that they look at every single entry! This is a great way to get on their radar for future opportunities too. They are also sharing many entries on their social media and online blogs until entries close on 17th July. For more information and to enter, go to beautifulbizarreartprize.art The Skull Shoppe: https://www.SkullShoppe.com ----- The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: https://www.patreon.com/DarkArtSociety Chet's Patreon: https://www.patreon.com/ChetZar The Dark Art Society Instagram: https://www.instagram.com/darkartsociety Official Dark Art Society Website: https://www.darkartsociety.com The Dark Art Society Podcast is now available in a variety of places, including the following platforms: SoundCloud: @darkartsociety iTunes: https://apple.co/2gMNUfM Stitcher: https://www.stitcher.com/s?fid=134626&refid=stpr Podbay: https://podbay.fm/show/1215146981 YouTube: https://www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ https://DarkArtSociety.com Copyright Chet Zar LLC 2026
What makes one plastic surgeon better than another?In this episode of Big Butts No Lies, Mavi sits down with Dr. Emmanuel De La Cruz to break down what truly separates good results from exceptional ones, and it goes far beyond just technique.Dr. De La Cruz shares his journey traveling the world to learn from the best surgeons, from training in Colombia, to studying techniques in Turkey, Italy, and across the U.S. His commitment to constantly improving his craft is what shaped his approach to body contouring today. But this episode isn't just about aesthetics.He also opens up about his humanitarian work on medical missions, where he's helped perform life-changing surgeries for children with cleft lip and palate, procedures that don't just change appearance, but allow patients to hear, eat, and live normal lives. Inside this conversation:• The real difference between liposuction and high-definition liposuction • Why technique and training matter more than the machine • How global training shaped his results • The risks of untrained surgeons performing advanced procedures • What patients should look for before choosing a surgeon • Why surgery is about responsibility — not just resultsThis episode gives you a behind-the-scenes look at what it actually takes to become a top plastic surgeon — and what you should know before trusting someone with your body.⏱️ CHAPTERS 00:00 — Welcome to the show & intro to the episode 01:00 — Meet Dr. Emmanuel De La Cruz: one of Houston's top plastic surgeons 01:48 — How Dr. De La Cruz trained with the best: Colombia, Turkey & beyond 04:22 — Sculpture, artistry & the technique behind his high-definition results 06:33 — Why Dr. De La Cruz chose plastic surgery 07:50 — Humanitarian missions in the Philippines & life-changing surgeries 11:02 — More mission stories & how listeners can help 14:28 — What makes high-definition liposuction different? 17:08 — Why training matters & the risks of poorly done high-def lipo 19:43 — Training in advanced facial surgery & the ponytail lift technique 24:18 — How a “big smile” can affect facelift outcomes 25:21 — Removing silicone & facial fillers safely 28:36 — Are you team drains or no drains? 30:30 — Post-op essentials: lymphatic massage, foam & garments 34:24 — Garment use, compression & how long to wear them 35:37 — BBL aftercare: how long to stay off your butt 38:01 — What advice would you give someone considering plastic surgery? 41:50 — How to contact Dr. De La Cruz 42:12 — Closing thoughts & outro
Episode 521 / Nat MeadeNat Meade received his BFA from the University of Oregon and his MFA from Pratt Institute. His work has shown in numerous group and solo exhibitions nationally and internationally, and has been reviewed in publications such as Artforum, Juxtapoz, The Boston Globe, and Hyperallergic. He attended the Skowhegan School for Painting and Sculpture 2009, the Sharpe-Walentas Studio Program in 2016, the Siena Art Institute in 2018, and the James Castle House Summer Residency in Boise, Idaho in Summer 2021. He lives and works in Brooklyn, NY.Nat returns to the pod as he just hung a show called Franklin at Hesse Flatow for a talk about his new work, funny sad songs, cinema, teaching, making work for fellow painters, titles with multiple meanings and much more.
When the Temple Square renovation is complete, four new sculptures by artist Ben Hammond will welcome visitors to the grounds. Hammond began his career apprenticing under a sculptor known for crafting busts for the NFL Hall of Fame. Since then, his meticulous talent has led to creating Hall of Fame busts himself and sculpting a statue of Martha Hughes Cannon for the U.S. Capitol. On this week's episode, Ben shares how his life and career have been shaped—piece by piece—by the Master Sculptor. 2:03- Anatomy 7:43- The Creator 12:32- NFL Hall of Fame Busts 17:37- Uninterrupted Time With a Prophet 24:27- Temple Square Sculptures 34:29- Five Wise Virgins 38:55- Martha Hughes Cannon 45:36- What Does It Mean To Be All In the Gospel of Jesus Christ? "I don't want to live my life in fear. I don't want to be obsessed with politics and everything that's bad in the world. I want to focus on things of an eternal nature. There's some sadness that happens when you're separated in this life but to know that I've been redeemed by Jesus Christ—nothing can happen in this life that can take that away from me unless I choose for it to happen."
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