Podcasts about Sculpture

Barbara Van Biervliet is an architect and engineer from Knokke, Belgium, and the co-owner of the boutique architecture studio Claerhout–Van Biervliet (CVB) which she runs with her partner in life and work, Xaveer Claerhout. The pair also have three children: Jacob, Adriaan, and Johanna. At CVB, the team creates sculptural, organic architecture and bespoke interiors for high-end residential, hospitality, and office projects. Barbara is also the co-owner of Metamorphic Art Studio, which pushes the boundaries of design, architecture, and art by implementing physical transformation and metamorphosis.We talk about:- The origin story of Periscope House, CVB's recent work which was featured in the Venice Biennale. Barbara reveals how a simple question about preserving a pristine landscape led to the design for a sunken home with kinetic mirrors that reframe light, views, and inhabitants' relationship to the earth.- We explore Barbara's parallel practice designing and building illuminated art that transforms through touch, motion, and light and how these works blur the boundaries between architecture and sculpture.- When describing her design process, Barbara explains why 3D modeling, cinematic renderings, and physical prototypes are her essential tools for developing complex ideas.- To end, Barbara reflects on building a studio with her husband, sharing candid insights on balancing intuition and refinement, motherhood and ambition, and creative guilt while raising independent, art-loving children.>>>Connect with Barbara: CVB Website: https://www.claerhout-vanbiervliet.com/Metamorphic Art Studio: https://metamorphicartstudio.com/Periscope House: https://www.periscope-architecture.com/>>>Thank you to our Sponsor:⁠Arcol ⁠is a collaborative building design tool built for modern teams. Arcol streamlines your design process by keeping your model, data, and presentations in sync- enabling your team to work together seamlessly. Learn more about Arcol on their ⁠Website⁠, ⁠Instagram⁠, ⁠YouTube⁠, ⁠X⁠, and ⁠LinkedIn⁠.>>>Connect with Architectette:- Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.architectette.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Learn more)- Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @architectette⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (See more)- Newsletter:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.architectette.com/newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Behind the Scenes Content)- LinkedIn:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Architectette Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Page and/or⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Caitlin Brady⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠>>> Support Architectette:- Leave us a rating and review!>>>Music by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ AlexGrohl⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pixabay⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Send us a textThis week is a surprise, even for me! I ended last year with what felt like the most important episode of 2025. I hope you felt the same. Ona Christie Martin had such clear and positive insight into this upcoming year. I also love her art, the channeled inspiration behind every piece, and hope you took time to check out her website. She is a true gem.Her boldness to follow spirit, even when it meant leaving behind a life that didn't fit anymore? It is an act of courage and faith.Because it was the final episode of December, the angels spoke up to tell me, Hey! We are owed another week! :)Well, during morning minutes, they gave me a new name (new for me!) Sariel or Suriel (depending on the writer), and told me to research the angels of the Book of Revelation.I can't wait to share the information. Let's get into it!Show Sources - What to Read, Watch, or Listen to NEXTJuicy overview of Book of Revelation, Bible ProjectThe Book of Revelation, Cliff NotesAngels in the Book of Revelation, Grant Edwards, AuthorSariel the Celestial Scribe, Elena Cooper, Medium.comArchangel Sariel, OshaelFA.comAngel Sariel, Sculpture-network.orgI don't accept sponsors and paid advertisers. I choose people, podcasts and authors I believe in to highlight in the ad segment. That's why I've been shining a spotlight on Derek Condit at Mystical Wares. He is both talented and generous with those gifts. Please give his books a look on the Mystical Wares website.Curious Cat Crew on Socials:Curious Cat on Twitter (X)Curious Cat on InstagramCurious Cat on TikTokArt Director, Nora, has a handmade, ethically-sourced jewelry company!

Synopsis:  From his early days as an illustrator for the Black Panther Party to winning the prestigious Mohn Award in 2023, artist Akinsanya Kambon has been using art to amplify marginalized voices and tell stories of resilience.Make a tax deductible YEAR END DONATION and become a member go to LauraFlanders.org/donate. This show is made possible by you! Description: With each glimmering piece he creates, artist Akinsanya Kambon brings suppressed histories of both colonization and liberation to life. His ceramic works depict struggle and survival across the African diaspora, and stepping into his studio is a spiritual experience, as Laura Flanders recently discovered. Kambon was a member of the Sacramento chapter of the Black Panther Party where he worked on the layout and illustration of the party's famous paper and became lieutenant for culture, illustrating among other things the party's ten point plan and works for young people. In 2023, he won the prestigious Mohn Award — the top prize given by the Hammer Museum for his participation in their biennial “Made in LA” show, titled Acts of Living. His one-man show opened in Beverly Hills at Marc Selwyn Fine Art in April 2025. An exhibition of his work will open at the New York Sculpture Center in May 2026. In this unique conversation, Flanders asks Kambon about his own survival stories, including his polio diagnosis, getting drafted into the Vietnam War, and his year on death row. Kambon was arrested in connection with the killing of a police officer and was later acquitted from that high-profile Oak Park Four case. Join Flanders and Kambon as they discuss how art keeps spirits alive, and catch Flanders' commentary on today's fight to control our nation's stories.“Art educates the masses of people. Not Black or white or Asian, this educates the masses of young people to our struggle, to how long they're struggling and how it's connected.” - Akinsanya Kambon“I thought of myself as an artist even when I was a child, because art was therapy for me . . . I used to always seem like I would always take the side of the underdog.” - Akinsanya KambonGuest:  Akinsanya Kambon, Artist, Former Marine, Black Panther & Art Professor Additional Credits:Additional Crew:  Marco Amador, Producciones Cimarrón Clips from the documentary short- "Akinsanya Kambon The Hero Avenges," Produced by The Hammer Museum;  Directed by Gabriel Noguez and Sean Rowry.Special thanks: Cynthia Wornham, Annie Philbin, Marc Selwyn Fine Art  Full Conversation Release: While our weekly shows are edited to time for broadcast on Public TV and community radio, we offer to our members and podcast subscribers the full uncut conversation. These audio exclusives are made possible thanks to our member supporters.Watch the special report on YouTube; PBS World Channel September 5th, and on over 300 public stations across the country (check your listings, or search here via zipcode). Listen: Episode airing on community radio September 10th  (check here to see if your station is airing the show) & available as a podcast.Full Episode Notes are located HERE.-Related Podcast:  Uncut Conversation with Akinsanya Kambon, Artist, Former Marine, Black Panther & Art Professor RESOURCES:Related Laura Flanders Show Episodes:•  Jacqueline Woodson & Catherine Gund: Breathing Through Chaos & the “Meanwhile”, Watch / Listen:  Episode Cut - Full Uncut Conversation•  Genesis Be & Rev. Dr. Jacqui Lewis: Building Collective Freedom with a Poet & Preacher, Watch / Listen:  Episode Cut   •  Ai Weiwei: How Do We Save Our Humanity?  Watch / Listen:  Episode Cut - Full Uncut Conversation  Related Articles and Resources:• Akinsanya Kambon exhibit for ‘Made in L.A. 2023: Acts of Living' the Hammer Museum's biennial exhibition highlighting the practices of artists working throughout the greater Los Angeles area• Akinsanya Kambon Receives $100,000 John Award, Made in L.A. Biennial's Top Prize Honors Artistic Excellence, by Victoria L. Walntine, December 12, 2023, Culture Type•  Akinsanya Kambon's exhibition April 17-May31, 2025 at Marc Selwyn Fine Art•. 10 Shows to see in Los Angeles May 2025, by Matt Stromberg, May 1, 2025 Hyperallergic• Upcoming Akinsanya Kambon Exhibitions: He will be featured in a solo exhibition represented by Ortuza Projects in collaboration with Marc Selwyn Fine Art during Frieze New York in May 2026, and concurrent with a solo exhibition at the New York Sculpture Center.  Art Media Agency Laura Flanders and Friends Crew: Laura Flanders-Executive Producer, Writer; Sabrina Artel-Supervising Producer; Jeremiah Cothren-Senior Producer; Veronica Delgado-Video Editor, Janet Hernandez-Communications Director; Jeannie Hopper-Audio Director, Podcast & Radio Producer, Audio Editor, Sound Design, Narrator; Sarah Miller-Development Director, Nat Needham-Editor, Graphic Design emeritus; David Neuman-Senior Video Editor, and Rory O'Conner-Senior Consulting Producer. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

Plan Dulce Host Bryan Lima (he/him) is joined by Álvaro D. Márquez (they/them/theirs), an artist, researcher, and philanthropy professional in Los Angeles County. They discuss Álvaro's personal life experiences in education, art making, research and inquiry into history and cartography and how it all informs their practice creating visual art through printmaking, fiber-art, installation and sculpture.Bio and Links:Álvaro D. Márquez (they/them/theirs) is an artist, researcher, and philanthropy professional. They grew up in the working-class immigrant community of East Salinas, CA and reside in Los Angeles County. Descendant of three generations of migrant field workers, they hold a BA in U.S. history from Brown University, an MA in American Studies and Ethnicity from the University of Southern California, and an MFA in Printmaking from CSU Long Beach. They are also currently pursuing a PhD in Cultural Studies from Claremont Graduate University. Their work explores displacement as a key modality in the development of Western, settler-colonial expansion, encompassing issues around Indigenous dispossession, homelessness, segregation, and gentrification. At the root of their interdisciplinary practice is an examination of the privatization of land as a commodity, and the long-lasting effects of settler colonialism on the built and natural environment. Their work is situated in the intersection of printmaking, installation, and sculpture. They have exhibited their work across the US, Mexico, and Germany, and their work has been collected by the Los Angeles County Museum of Art, the Lucas Museum of Narrative Art, the Hood Museum of Art at Dartmouth College, and the U.S. Library of congress. They currently work as Senior Officer for Communications and Arts at the California Community Foundation, and have previously taught as Adjunct Faculty at the University of Southern California Roski School of Art and Design, CSU Long Beach School of Art, and CSU Los Angeles Department of Chicana/o and Latina/o Studies.Learn more about:https://www.alvarodmarquez.com/ https://www.instagram.com/alvarodmarquez/  https://www.aminextla.org/  --------------------------------------Plan Dulce is a podcast by members of the ⁠⁠Latinos and Planning Division⁠ of the American Planning Association⁠. The information, opinions, and recommendations presented in this Podcast are for general information only. Want to recommend our next great guests and stay updated on the latest episodes? We want to hear from you! Follow, rate, and subscribe! Your support and feedback helps us continue to amplify insightful and inspiring stories from our wonderfully culturally and professionally diverse community.This episode was conceived, written, edited and produced by Vidal F. Márquez (he/him) and co-produced and hosted by Bryan Lima (he/him).Connect:Instagram:https://www.instagram.com/plandulcepodcast/ Facebook:⁠https://www.facebook.com/LatinosandPlanning/⁠Youtube:Subscribe to Plan Dulce on Youtube LinkedIn:⁠https://www.linkedin.com/groups/4294535/⁠X/ Twitter:⁠https://twitter.com/latinosplanapa?lang=en⁠—----

Following his time at Cern, Haroon Mirza has been creating a major installation based on his research there. The piece, made with his collaborator Jack Jelfs, is a sculptural art work which uses a circle of eight speakers, a large screen and an octagonal chandelier sculpture of LEDs to compose light, sound and video. Combined with a careful manipulation of spatial acoustics, the viewer is cocooned in a truly immersive experience. Oonagh Cousins joins Haroon in his studio as he and Jack work on the installation, to discover the creative processes behind his art. What are the technical challenges in creating this kind of piece, which has to be reassembled in different spaces? And will the final installation and rehearsals go according to plan? This episode of The Documentary, comes to you from In the Studio, exploring the processes of the world's most creative people.

Synopsis:  Step into the studio of ceramicist Akinsanya Kambon, where ancient traditions meet revolutionary fervor: here, stunning works born from earthy materials recount tales of resistance, redemption, and hope across generations and geography.Make a tax deductible YEAR END DONATION and become a member go to LauraFlanders.org/donate. This show is made possible by you! Description [original release date September 2025]: With each glimmering piece he creates, artist Akinsanya Kambon brings suppressed histories of both colonization and liberation to life. His ceramic works depict struggle and survival across the African diaspora, and stepping into his studio is a spiritual experience, as Laura Flanders recently discovered. Kambon was a member of the Sacramento chapter of the Black Panther Party where he worked on the layout and illustration of the party's famous paper and became lieutenant for culture, illustrating among other things the party's ten point plan and works for young people. In 2023, he won the prestigious Mohn Award — the top prize given by the Hammer Museum for his participation in their biennial “Made in LA” show, titled Acts of Living. His one-man show opened in Beverly Hills at Marc Selwyn Fine Art in April 2025. An exhibition of his work will open at the New York Sculpture Center in May 2026. In this unique conversation, Flanders asks Kambon about his own survival stories, including his polio diagnosis, getting drafted into the Vietnam War, and his year on death row. Kambon was arrested in connection with the killing of a police officer and was later acquitted from that high-profile Oak Park Four case. Join Flanders and Kambon as they discuss how art keeps spirits alive, and catch Flanders' commentary on today's fight to control our nation's stories.“Art educates the masses of people. Not Black or white or Asian, this educates the masses of young people to our struggle, to how long they're struggling and how it's connected.” - Akinsanya Kambon“I thought of myself as an artist even when I was a child, because art was therapy for me . . . I used to always seem like I would always take the side of the underdog.” - Akinsanya KambonGuest:  Akinsanya Kambon, Artist, Former Marine, Black Panther & Art ProfessorSpecial thanks: Cynthia Wornham, Annie Philbin, Marc Selwyn Fine Art  Additional Credits:Additional Crew:  Marco Amador, Producciones Cimarrón Clips from the documentary short- "Akinsanya Kambon The Hero Avenges," Produced by The Hammer Museum;  Directed by Gabriel Noguez and Sean Rowry. Full Conversation Release: While our weekly shows are edited to time for broadcast on Public TV and community radio, we offer to our members and podcast subscribers the full uncut conversation. These audio exclusives are made possible thanks to our member supporters.Watch the special report on YouTube; PBS World Channel, and on over 300 public stations across the country (check your listings, or search here via zipcode). Listen: Episode airing on community radio  (check here to see if your station is airing the show) & available as a podcast.Full Episode Notes are located HERE. RESOURCES:Related Laura Flanders Show Episodes:•  Jacqueline Woodson & Catherine Gund: Breathing Through Chaos & the “Meanwhile”, Watch / Listen:  Episode Cut - Full Uncut Conversation•  Genesis Be & Rev. Dr. Jacqui Lewis: Building Collective Freedom with a Poet & Preacher, Watch / Listen:  Episode Cut   •  Ai Weiwei: How Do We Save Our Humanity?  Watch / Listen:  Episode Cut - Full Uncut Conversation  Related Articles and Resources:• Akinsanya Kambon exhibit for ‘Made in L.A. 2023: Acts of Living' the Hammer Museum's biennial exhibition highlighting the practices of artists working throughout the greater Los Angeles area• Akinsanya Kambon Receives $100,000 John Award, Made in L.A. Biennial's Top Prize Honors Artistic Excellence, by Victoria L. Walntine, December 12, 2023, Culture Type•  Akinsanya Kambon's exhibition April 17-May31, 2025 at Marc Selwyn Fine Art•. 10 Shows to see in Los Angeles May 2025, by Matt Stromberg, May 1, 2025 Hyperallergic• Upcoming Akinsanya Kambon Exhibitions: He will be featured in a solo exhibition represented by Ortuza Projects in collaboration with Marc Selwyn Fine Art during Frieze New York in May 2026, and concurrent with a solo exhibition at the New York Sculpture Center.  Art Media Agency Laura Flanders and Friends Crew: Laura Flanders-Executive Producer, Writer; Sabrina Artel-Supervising Producer; Jeremiah Cothren-Senior Producer; Veronica Delgado-Video Editor, Janet Hernandez-Communications Director; Jeannie Hopper-Audio Director, Podcast & Radio Producer, Audio Editor, Sound Design, Narrator; Sarah Miller-Development Director, Nat Needham-Editor, Graphic Design emeritus; David Neuman-Senior Video Editor, and Rory O'Conner-Senior Consulting Producer. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

The Whitney's exhibit, "High Wire: Calder's Circus at 100" celebrates the centennial anniversary of Alexander Calder's iconic work by bringing it together with other examples of his circus-themed wire sculptures and drawings. Whitney curators Jennie Goldstein and Roxanne Smith discuss the exhibit.

The Kumeyaay creation story is the subject of a new piece of sculpture art on San Diego State University's Imperial Valley campus.The piece is part of the university's "Living Land Acknowledgement" series, which brings the words of the Kumeyaay land acknowledgement to life through art.Thursday on Midday Edition, we hear from the artist behind the piece.Then, roll out the red carpet! Filmmakers and studios are campaigning for the chance to be recognized at awards ceremonies this year. Our Midday Movies critics share their favorites for your consideration.And finally, the holiday season is chockful of things to do and events to check out, especially in the arts. We share our top picks then celebrate the best of 2025, according to KPBS staff.Guests:Johnny Bear Contreras, public artist, founder of Eyaay Ahuun FoundationBeth Accomando, arts reporter, KPBSYazdi Pithavala, critic, Moviewalla podcastJulia Dixon Evans, arts reporter, host of "The Finest," KPBSResources:What made our year: KPBS 2025 staff picks

Lara Kluczynski is a self-taught multimedia artist who hand sculpts whimsical, wearable hats and headpieces that blend fashion and sculpture. She combines decorative frieze-style elements with fantastical animals, balancing tradition and kitsch in her creations.Lara explores innovative materials and techniques in her pieces, probing the boundaries between different art forms. Her style is theatrical, surreal and playful, with hints of antiquity and comedy sprinkled throughout. Lara's work is currently featured in an online group exhibition at the Poetic Tiger Gallery entitled “Fables of Time” and in March 2026 she will have a solo show at that same gallery.On this episode, host Angela de Burger chats with Lara about how she brings her creative visions to life, how her style has developed over time, and where she finds inspiration for her designs. Say hi to Lara:  Website - craftglamour.com  Instagram - @craft.glamour  TikTok - @craftglamour  Poetic Tiger Gallery - Fables of Time group exhibition ----Creative Pulse Podcast socials:  Instagram: creativepulsepodcastMusic credit: https://www.purple-planet.com

Allison Ford is a studio artist and educator whose work lives in the in-between — between jewelry and sculpture, storytelling and adornment, play and meaning. Based in Indianapolis, she has been part of the Harrison Center community since 2009, building a creative life shaped by curiosity, community, and a deep commitment to handmade work.In this episode, Allison shares her winding path back to making and how her practice has evolved alongside raising her family and later earning her MFA. We talk about the importance of creative community, the role teaching now plays in her life, and why staying playful and curious continues to guide her work.Our conversation also explores the stories behind some of her most recognizable bodies of work, including her Indiana bug series and the folklore-inspired figure Baba Pascha and her bronze spider companion, and how art can serve as a vehicle for empathy and connection.This episode is a thoughtful reflection on building a handmade life over time — one rooted in intention, experimentation, and the freedom to create beyond defined lines.Follow Along:Allison on Instagram: ⁠@studioamfAllison's Website: studioamfdesign.comLove the Podcast?Consider supporting an episode! Learn more at here.Without your support I couldn't continue the Slowmade Podcast. Thank you so much!Follow Christine and Slowmade...Instagram: ⁠@christinemighion⁠Jewelry Website: ⁠christinemighion.com⁠Slowmade: ⁠slowmadepodcast.com

On this week's Garden Stories with Diarmuid Gavin, we about how County Offaly's Lough Boora Sculpture Park was transformed from a working bog to a place of art and reflection.

Sigrid Sandström  earned a BFA at Academie Minerva, Groningen, The Netherlands (1997); attended Skowhegan School of Painting and Sculpture, Skowhegan, ME (2000); and received an MFA in Painting from Yale University, New Haven, CT (2001). Sandström has exhibited her work internationally in solo exhibitions at museums including Vandalorum Museum, Värnamo, Sweden; Västerås konstmuseum, Västerås, Sweden; Frye Museum, Seattle, WA; and at galleries including Anat Ebgi, Los Angeles / New York; Perrotin Shanghai and Tokyo; Inman Gallery, Houston, TX; and Cecilia Hillström Gallery, Stockholm, Sweden. Sandström's work is in the public collections of the Museum of Fine Arts Houston, Houston, TX; Moderna Museet, Stockholm, Sweden; Borås Konstmuseum, Borås, Sweden; Malmö konstmuseum, Malmö, Sweden; The Public art Agency, Sweden; Ulrich Museum of Art, Wichita, KS; Västerås konstmuseum, Västerås, Sweden, and Yale University Art Gallery, New Haven, CT. Sandström is currently a professor at the Academy of Fine Arts, University of the Arts, Helsinki, and has previously held positions as a professor at the Royal Institute of Art in Stockholm (2010-2020) and an Assistant Professor at Bard College, New York (2005-2010). Sandström lives and works in Stockholm, Sweden. Sigrid Sandström, Ravel V, 2025 Acrylic on canvas Frame 40″ x 59 ⁵⁄₈” x 1 ⁵⁄₈”  Sigrid Sandström, Ravel X, 2025 Acrylic on canvas Frame 40″ x 59 ⁵⁄₈” x 1 ⁵⁄₈”  Sigrid Sandström, Approaching Times Three, 2025 Acrylic on canvas Frame 40″ x 40″ x 1 ⁵⁄₈” 

Chaque matin sur Chérie FM, 5 infos improbables du Réveil Chérie à retenir en 30 secondes !

I Was Serving Food When I Saw My Daughter's Sculpture Selling For $185K—Then This HappenedBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-cheating-wives-and-girlfriends-stories-2025-true-cheating-stories-podcast--5689182/support.

Découvrez le deuxième podcast live de L'Amour de L'art enregistré en public le 6 novembre 2025 avec Jean-Michel Othoniel à Avignon, en partenariat avec la Collection Lambert dans le cadre des Jeudis de la Collection Lambert. À l'occasion de ses expositions Othoniel Cosmos ou les Fantômes de l'Amour à Avignon, Un chant d'amour à la Collection Lambert et New Works à la galerie Perrotin à Paris, Jean-Michel Othoniel s'est entretenu avec le Directeur Artistique et Commissaire d'exposition Stéphane Ibars.Les Jeudis de la Collection Lambert mettent à l'honneur des artistes dans le cadre de discussions ouvertes à tous et à toutes. Intitulées The artist is present elles sont autant d'occasions de rencontre avec les artistes de notre temps. Le podcast L'Amour de l'Art invite des artistes à parler d'autres artistes. Musique, littérature, cinéma, arts visuels, théâtre... Ils et elles nous partagent, de manière très personnelle, leur regard sur ces œuvres qui les fascinent. Le titre L'Amour de l'Art rend hommage à Pierre Bourdieu qui écrivait dans l'ouvrage éponyme « la culture n'est pas un privilège de nature : il suffirait que tous possèdent les moyens d'en prendre possession pour qu'elle appartienne à tous. » Né dans les années 60 à Saint-Étienne, Jean-Michel Othoniel grandit face aux réalités de son environnement industriel. Il a aussi accès à la magnifique collection du Musée d'art moderne de Saint-Étienne. À l'âge de dix ans, il croise le travail du minimaliste américain Robert Morris, une expérience qui le marquera durablement. Dans cet épisode enregistré en public le 6 novembre 2025 à Avignon, Jean-Michel Othoniel s'entretient avec Stéphane Ibars au sujet de l'art minimal qui continue de le fasciner. L'Amour de l'Art est un podcast de la galerie Perrotin Introduction et post production : Vanessa Clairet Stern Interview conduite par : Stéphane Ibars Prise de son, réalisation et sound design : Seb Lascoux Langue : Française Identité graphique : Perrotin Musique : CDM MusicHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

I Was Serving Food When I Saw My Daughter's Sculpture Selling For $185K—Then This HappenedBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-cheating-wives-and-girlfriends-stories-2025-true-cheating-stories-podcast--5689182/support.

When the artist Jennie C. Jones listens closely to a piece of music, she's particularly attuned to its pauses, in-between moments, and breaks. Widely celebrated for her abstract works in painting, sculpture, and sound art that, in many instances, incorporate architecture or space—through which she often elevates undersung or little-known Black artists and musicians—her practice is largely informed by minimalism and color field painting, as well as by jazz and avant-garde music. Jones currently has two exhibitions on view at the Pulitzer Arts Foundation in St. Louis (through Feb. 1, 2026): “A Line When Broken Begins Again,” which features a selection of new and existing paintings, sculptures, works on paper, and sound pieces, and “Other Octaves,” a group show she curated of works by artists who have been formative to her practice. She was also commissioned to create the 2025 rooftop installation at New York's Metropolitan Museum of Art.On this episode of Time Sensitive, she discusses what listening as a conceptual practice looks like in action, the art of putting together a playlist, and her deep love of things tactile and analog.Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.Show notes: [04:35] “Jennie C. Jones: A Line When Broken Begins Again” (2025)[04:35] “Other Octaves” (2025)[04:57] Carmen Herrera[04:57] Agnes Martin[04:57] Martin Puryear[04:57] Alma Thomas[04:57] Mildred Thompson[05:21] A Free and Shifting Tonal Center (2024)[7:26] Ellsworth Kelly[11:44] Fred Moten[11:44] “Dynamics” (2022)[13:02] Trisha Brown's “Leaning Duets” (1970)[14:40] Tadao Ando[14:55] “These (Mournful) Shores” (2020)[17:21] Moses Williams[17:21] Louis Dotson[18:20] Richard Tuttle[30:25] Olly Wilson[31:28] Maryanne Amacher[31:28] Arthur Russell[37:10] Jennie C. Jones: Compilation (2015)[38:30] “The Theater of Refusal: Black Art and Mainstream Criticism” (1993)[42:25] “Slow Birds” (2004) [42:25] "Slowly in a Silent Way, Caged” (2010)[42:25] Charlie Parker[1:09:47] “Jennie C. Jones: RPM (revolutions per minute)” (2018)[1:12:06] “Ensemble” (2025)

HPR gets a tour of an agroforestry farm on Kauaʻi; A retired city lifeguard gives marine trash new life

Sculpture becomes painting becomes music. All is intwined.That's the philosophy of Realf Heygate, musically known as Flaer. The multi-disciplinary artist explores family, grief, and nature in a vast swath of mediums, but they are all woven together, part of a mix media tapestry. On his newest album Translations, Heygate crafts ambient-folk, reminiscent of American folklorists Oregon, as he traces the history of his family and his mother's work as a linguist. Through an unfolding beauty, laced with cello, guitar, piano, and chipping birds, Flaer sculpts something magnificent. We talked with him below.

See pictures and read more on materiallyspeaking.comQuesto episodio continua anche il nostro desiderio di produrre un episodio per stagione in italiano.In keeping with our desire to produce one episode per season in Italian.Inoltre, ora avete la possibilità di guardare questo episodio come video o semplicemente ascoltare l'audio.In addition, you now have the option to watch this episode as a video below or on YouTube, with English subtitles, or simply listen to the audio, in Italian only.Nato a Roma, ma ora residente in Versilia, Giannelli è probabilmente famoso soprattutto per la sua gigantesca scultura Mr Arbitrium, alta oltre cinque metri, che sembra spingere via o sostenere gli edifici contro cui è appoggiata, a seconda del punto di vista dello spettatore.  Born in Rome, but now living in Versilia, Giannelli is probably best known for his giant sculpture, Mr Arbitrium, over five metres tall, which appears to be either pushing away or supporting the buildings it stands against - depending on the viewers' point of view.  Questa ambiguità trasforma noi spettatori in protagonisti, mettendo in discussione le nostre convinzioni sul significato di queste strutture e sul nostro legame con esse. Diverse versioni di Mr Arbitrium sono state installate su edifici e chiese a Milano, Firenze, Lucca, Servezza, Carrara, Pietrasanta e persino in Ucraina.This ambiguity turns us as viewers into the protagonists, challenging our beliefs about the meaning of these structures and our connection to them. Versions of Mister Arbitrium have been installed against buildings and churches in Milan, Florence, Lucca, Servezza, Carrara, Pietrasanta and even Ukraine.Giannelli accoglie Mike sul prato della tenuta di famiglia, dove la sua serie di sculture in bronzo I Sospesi è appesa agli alberi e un simpatico labrador nero giace sull'erba.  Giannelli welcomes Mike on the lawn of the family estate, where his series of bronze sculptures I Sospesi hang from the trees, and a friendly black labrador lies on the grass. Emanuele è arrivato a Carrara a diciannove anni per studiare scultura all'Accademia di Belle Arti di Carrara, stabilendosi qui in Versilia, dove la sua famiglia aveva vissuto nelle generazioni precedenti. All'Accademia ha scelto di lavorare l'argilla piuttosto che il marmo, per la flessibilità che offre e per la natura più concettuale del suo lavoro. Emanuele came to Carrara at nineteen to study sculpture at the Carrara Academy of Fine Arts, settling here in Versilia, where his family had lived in previous generations. At the Academy he chose to work in clay rather than marble, due to the flexibility it offers and the nature of his work being more conceptual.Giannelli racconta a Mike di come, in gioventù, abbia trascorso del tempo a New York, Londra e Berlino, subendo l'influenza della fantascienza, del cinema, dei graffiti, della musica elettronica e del punk rock. Alla fine è tornato a Pietrasanta, luogo più adatto per crescere una famiglia.Giannelli tells Mike how in his youth he spent time in New York, London and Berlin and was influenced by science fiction, cinema, graffiti, electronic music, and punk rock. Eventually he returned to Pietrasanta which was more conducive to raising a family.Ricorda la gioia di incontrare artigiani e visitare i laboratori che allora si trovavano nel centro di Pietrasanta. E gli piacevano anche le feste e la vita sociale con tanti giovani, soprattutto stranieri, tedeschi, francesi e americani.He recalls the joy of meeting artisans and visiting the workshops which were then in the centre of Pietrasanta. And he also enjoyed the parties and social life with lots of young people, especially foreigners, Germans, French, and Americans.The Watcher è una scultura che osserva il cielo con binocoli, cosa che gli esseri umani hanno sempre fatto. Tuttavia, ora, grazie alla tecnologia, sta cercando di guardare oltre. Emanuele afferma che “oltre” gli fa pensare anche alla spiritualità. The Watcher is a sculpture who looks up with binoculars at the sky, which is something humans have always done. However now, through technology, he is trying to look beyond. Emanuele says that ‘beyond' also makes him think of spirituality.Un'altra opera che cita con un tema visionario è Korf, un uomo che sta in piedi davanti al suo monitor, con le braccia incrociate, lo sguardo rivolto verso l'alto, alla ricerca della sua visione e del suo futuro.Another work he mentions with a visionary theme is Korf, a man who stands watching on his monitor, arms crossed, gaze turned upwards, searching for his vision and his future.Emanuele afferma che, pur non credendo in un codice chiamato religione, crede molto negli esseri umani. Dice che, sebbene siamo animali e abbiamo un senso di autodistruzione, siamo animali straordinari. Le sue opere si collocano tra il figurativo e il concettuale, riflettendo sul periodo contemporaneo caratterizzato da cambiamenti incredibilmente rapidi. Emanuele says although he doesn't believe in a code called religion, he believes very much in human beings. He says that although we are animals, and have a sense of self-destruction, we are extraordinary animals. His works are pitched between figurative and conceptual, reflecting on the contemporary period of incredibly fast-moving change.emanuelegiannelli.itinstagram.com/emanuele.giannelli

Clare Grill (born 1979, lives and works in Queens, NY) received her MFA from the Pratt Institute in 2005 and attended the Skowhegan School of Painting and Sculpture in 2011. Recent solo exhibitions include Parlance, Derek Eller Gallery, New York, NY; Cutwork, Galería Marta Cervera, Madrid, Spain; and Wich Language and Oyster, M+B, Los Angeles, CA. Group exhibitions include Things I Had No Words For at the Center for the Arts, Virginia Polytechnic Institute and State University; Interisland (New Paintings from New York and Hawai’i), University of Hawaiʻi at Mānoa; Of Flesh and Air, Marta Cervera Gallery, Madrid, Spain; The Feminine in Abstract Painting, Milton Resnick and Pat Passlof Foundation, New York, NY; Deep! Down! Inside!, Hales Gallery, NY; and New Skin, curated by Jason Stopa, Monica King Gallery, New York, NY. Her work has been reviewed in Artforum, ArtNews, Hyperallergic, the Brooklyn Rail, The New York Times, The Los Angeles Times, and The Boston Globe. Clare Grill, Drape, 2025, oil on linen, 80 x 112 inches (diptych) Clare Grill, Dune, 2025, oil on linen, 94 x 73 inches Clare Grill, Flit, 2025, oil on linen, 46 x 42 inches

A Christmas Carol by Charles Dickens has been transformed into a piece of hip hop dance at London's Sadler's Wells East, and a Bollywood infused song and dance extravaganza for the big screen. We hear from the creatives behind the new versions, Bend it Like Beckham director Gurinder Chadha and choreographer Dannielle Rhimes Lecointe. Beyond the Visual is the first of its kind in the UK - an exhibition co-curated by visually impaired artists. Held at the Henry Moore Institute in Leeds, the exhibition encourages visitors to touch the displays, listen to audio descriptions, and does much to make sure it truly is art for all, and all the senses. Joining Nick in the studio are artist and co-curator of the exhibition, Dr. Aaron McPeake and Dr. Clare O'Dowd the research curator at the Henry Moore Institute.A Little Trickerie by Rosanna Pike has been announced as the winner of the Bollinger Everyman Wodehouse Prize for Comic Fiction. The 2005 winner of the prize, A Short History of Tractors in Ukraniain, by the late author Marina Lewycka was declared the "winner of winners" over the last twenty five years of the prize. To investigate what makes a funny novel, Nick is joined by critic and Wodehouse fan Tristram Fane Saunders and three-time Wodehouse Prize nominee Lissa Evans.Presenter: Nick Ahad Producer: Ekene Akalawu

Learn more at TheCityLife.org

In 2026 The Ohio Statehouse will see the unveiling of a brand new monument dedicated to the fight for Women's rights throughout the state's history. The artist creating this timeless piece is sculptor Brenda Councill.Join host Mary Anne Christie as she sits with Brenda in her studio space while the discuss the process, and mindset in bringing this important piece of art into reality and what it means for all Ohioans past and present.Download the episode for free.

Fluent Fiction - Catalan: Unveiled at La Mercè: A Sculpture's Journey to Community Fame Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ca/episode/2025-12-01-08-38-20-ca Story Transcript:Ca: Barcelona estava immersa en l'alegria de la Mercè.En: Barcelona was immersed in the joy of la Mercè.Ca: Llums brillants il·luminaven la ciutat, els carrers eren plens de desfilades i artistes de carrer captivaven l'atenció de tothom.En: Bright lights illuminated the city, the streets were filled with parades, and street performers captivated everyone's attention.Ca: L'aire de l'hivern afegia un toc fresc i màgic a l'ambient.En: The winter air added a fresh and magical touch to the atmosphere.Ca: Entre tota aquesta festa, la Joana estava preocupada.En: Amidst all this festivity, Joana was worried.Ca: La Joana era una artista local, coneguda pel seu estil únic.En: Joana was a local artist, known for her unique style.Ca: Havia creat una escultura especial, dedicada a la ciutat, però en el moment més esperat de la Mercè, l'escultura havia desaparegut.En: She had created a special sculpture, dedicated to the city, but at the most anticipated moment of la Mercè, the sculpture had disappeared.Ca: Pere, l'oficial de la ciutat, estava igual de preocupat.En: Pere, the city official, was equally concerned.Ca: Per a ell, la desaparició de l'escultura podria tacar la reputació del festival.En: For him, the sculpture's disappearance could tarnish the festival's reputation.Ca: Necessitava trobar-la ràpidament.En: He needed to find it quickly.Ca: Mentre la Joana recorria els carrers cercant pistes, es va trobar amb la seva millor amiga, la Marta.En: As Joana wandered the streets looking for clues, she ran into her best friend, Marta.Ca: La Marta somreia, però els seus ulls amagaven quelcom.En: Marta was smiling, but her eyes were hiding something.Ca: La Joana va sentir un petit pessigolleig de dubte.En: Joana felt a small twinge of doubt.Ca: Podria la seva amiga saber alguna cosa?En: Could her friend know something?Ca: No volia trencar la seva amistat amb acusacions, així que va decidir parlar.En: She didn't want to ruin their friendship with accusations, so she decided to talk.Ca: —Marta, necessito la teva ajuda —va dir la Joana amb calma.En: "Marta, I need your help," Joana said calmly.Ca: —La meva escultura ha desaparegut i estic desesperada per trobar-la.En: "My sculpture has disappeared and I'm desperate to find it."Ca: La Marta va titubejar un moment i després va parlar amb veu suau.En: Marta hesitated for a moment and then spoke softly.Ca: —Joana, crec que hi ha una sorpresa per a tu.En: "Joana, I think there's a surprise for you.Ca: Vine amb mi.En: Come with me."Ca: Les dues amigues van caminar fins a una gran plaça on hi havia una gran instal·lació artística col·laborativa, un projecte al qual molta gent havia contribuït.En: The two friends walked to a large square where there was a big collaborative art installation, a project to which many people had contributed.Ca: Allà, enmig d'altres peces d'art, l'escultura de la Joana brillava amb llum pròpia.En: There, among other art pieces, Joana's sculpture shone with its own light.Ca: Marta li va explicar:—Volia que la teva escultura formés part d'aquest projecte.En: Marta explained to her: "I wanted your sculpture to be part of this project.Ca: Una manera de mostrar com l'art pot ser vist de diferents maneres.En: A way to show how art can be seen in different ways.Ca: Volia que tots la veiéssim amb nous ulls.En: I wanted all of us to see it with new eyes."Ca: La Joana va respirar profundament, sorpresa però alhora emocionada.En: Joana took a deep breath, surprised but at the same time excited.Ca: La seva obra no havia desaparegut, sinó que brillava d'una nova manera, envoltada de l'energia del festival.En: Her work hadn't disappeared; instead, it was shining in a new way, surrounded by the festival's energy.Ca: El Pere, que havia observat l'escena, va reconèixer l'originalitat de la proposta de la Marta i va decidir celebrar-ho.En: Pere, who had observed the scene, recognized the originality of Marta's proposal and decided to celebrate it.Ca: L'escultura es va convertir en el centre d'atenció de la Mercè i va rebre molts elogis.En: The sculpture became the focal point of la Mercè and received many praises.Ca: Tant la Joana com la Marta van aprendre una lliçó important: a vegades, la col·laboració i la confiança poden portar a l'èxit inesperat.En: Both Joana and Marta learned an important lesson: sometimes, collaboration and trust can lead to unexpected success.Ca: La Joana va aprendre a veure la seva art no només com a propietat individual, sinó com una peça que pot enriquir-se en comunitat.En: Joana learned to see her art not just as individual property, but as a piece that can be enriched in the community.Ca: La Mercè va continuar amb el mateix esperit vibrant, i entre rialles i llums de Nadal, una nova amistat, ara més forta, es va forjar entre la Joana i la Marta.En: La Mercè continued with the same vibrant spirit, and among laughter and Christmas lights, a new friendship, now stronger, was forged between Joana and Marta.Ca: La ciutat va seguir ballant, celebrant l'art i la comunitat, ara amb un significat més profund per a les dues amigues.En: The city kept dancing, celebrating art and community, now with a deeper meaning for the two friends. Vocabulary Words:captivated: captivavenfocal point: centre d'atenciócollaboration: col·laboraciótrust: confiançaimmersed: immersajoy: alegriafresh: frescsculpture: esculturato wander: recórrerfriendship: amistataccusations: acusacionscollaborative: col·laborativafocused: focalitzatsurrounded: envoltadainstallation: instal·lacióproject: projectepieces: pecesconcern: preocupacióunique: únicto tarnish: tacarreputation: reputaciócontributed: contribuïtenergy: energiapraises: elogisunexpected: inesperatto enrich: enriquirproperty: propietatmeaning: significatlesson: lliçóto doubt: dubtar

Episode: 1478 A sneak preview of the Statue of Liberty.  Today, a sneak preview of the Statue of Liberty.

The curator Thelma Golden is a major presence in New York City's cultural life, having mounted era-defining exhibitions such as “Black Male” and “Freestyle” early on in her career. Golden is the Ford Foundation director and chief curator of the Studio Museum in Harlem, an institution, founded in 1968, that is dedicated to contemporary artists of the African diaspora. But, for a significant portion of her tenure, this singular institution has been closed to the public. Golden led the initiative to create a new, purpose-built home—requiring the demolition of an old building and reconstruction on the same site. To mark its reopening, David Remnick tours the new space with Golden, discussing some key works and the museum's mission. He notes that this triumphant moment for the Studio Museum comes during a time of broad attacks on cultural institutions, particularly on expressions of identity politics. “I take a lot of inspiration from our founders, who opened up in a complicated moment,” Golden reflects. “My own career began in the midst of the culture wars of [the nineteen-nineties]. Understanding museums as a place that should be, can be, must be where we engage deeply in ideas. In this moment, that has to offer some hope as we consider a future.”New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Andrew Louth, Reporter, on the launch of a seven-metre diameter sculpture of the moon at Merrion Square in Dublin.

Listener @somestarrynight messaged us from Paris about the @maisonfranciskurkdjian installation at @palaisdetokyo (on until 23 November - so hurry if you want to see it!)As it happens, Laurent from @ostens_official shared smelling strips from the expo at a recent dinner, a reminder of scent's communal, artful side. So although we can't get to see it, we *have* smelled the scents created for it)Perfume: Sculpture of the Invisible (celebrating 20 years of MFK & @franciskurkdjian_official's olfactive artistry - scenting galleries, theatrical performances, music, & places) “has opened up perfume to new forms and destinations, taking it out of the bottle.” - Jérôme Neutres, Exhibition Curator#perfumeprescriptions17-year old listener Sadbh asks for starting points in perfume shopping, balancing jasmine, fresh ginger, roses, amber, and not-too-sweet vanillaOur guidance:@marksandspencerstyle Spiced Amber EDT: powdery depths, amber heart, cedar and geranium@marksandspencerstyle Apothecary Warmth EDP: cardamom, cinnamon, cedarwood, sandalwood for warming comfortNicola notes that niche shop @bloomperfumery's site suggests related scents when you search a name, and well-trained staff at perfume departments can be invaluable - don't be afraid to ask them for help.@tocca Wonders Collection (stocked @theperfumeshop) – £55 for 6 x 5ml EDP:Florence Eau de Parfum: green garden bouquet of gardenia, tuberose, iris; Parisian romance.Cleopatra EDP: grapefruit, jasmine, patchouli—seductive and regal.Stella EDP: citrus and florals with Italian sunshine; breezy, radiant.Lucia EDP: sunlit lemon, vetiver, fig; slow living, luminous.Laila EDP: luxurious indulgence, confident sensuality.Colette EDP: citrus, floral, woods; Parisian literary spirit with daring edge.New fragrances @oliverbonasFig & Tonka, Pomelo & Basil EDPs (£12.50 each)Mandarin & Jasmine, Warm Oud & Saffron EDTs (£20 full size, £9.50 rollers)Also at Oliver Bonas:@floralstreet_: Wild Vanilla Orchid (£28/10ml); vanilla, jasmine, cassis with bamboo and sandalwood.@ghostfragrances Orb of Night (£24/30ml EDP): Dark fruit, jasmine, roasted tonka—sundown to sunrise.We're plotting a full episode on this topic of helping those who feel overwhelmed by choice / want affordable starting points, & will also crowd-source tips from friends of the pod!Nicola talks about the new scent from @granadobrazil AmazonicaThe wonderful Claire @paperbackperfumes asks for a green / woodland-like, non-powdery violet scent…Our picks:@murphyanddaughters Violet Perfume Oil (Melbourne): violet leaf heart, violet flower high note; green and sparkling@orizalegrand Violettes du Czar: violet-forward with green citrus undertones, smoky woods, iris in the background@molinardparfums Violette: violet with black currant, bergamot, lemon; layered floral notes@olfactivestudio Violet Shot: green grass, violet leaf, leather, patchouli; violet with edge

Artist Tom Sachs explores various creative disciplines, from sculpture and filmmaking to design and painting. On this season finale, Dan speaks with Tom about his accidental journey from architecture to fine art, how a controversial installation in a Barneys window kickstarted his career, his new retrospective tome from Phaidon “Tom Sachs Guide,” his NASA-themed projects, his many collaborations with Nike, and much more. Hosted on Acast. See acast.com/privacy for more information.

AP's Lisa Dwyer reports that the solution for the CIA's 'Kryptos' sculpture is now available, but only for the highest bidder.

It's fair to say that Gareth Morgan has led a varied life. Now the economist, businessman and philanthropist - turned politician has taken on perhaps his most curious project to date. The 72-year-old has turned his hand to creating a sculpture trail in the hills north of Wellington, with purpose-built works by local and international artists, some of which are bigger than houses. Nick James was given the opportunity to take a tour of the rich lister's unusual property.

Wellington City's Art Gallery, Te Whare Toi, is marking it's re-opening in Civic Square with a competition to create a major outdoor sculpture. 

Episode 499 / Claudia WieserClaudia Wieser is a German artist based in Berlin. Her work has been the subject of solo exhibitions at The Drawing Center, New York; the Contemporary Art Museum, St. Louis, MO; and Smart Museum, Chicago, IL. Her work has been included in recent group exhibitions at the Katonah Museum of Art, Katonah, NY; the Anderson Collection at Stanford University, CA; the Hamburger Bahnhof, Nationalgalerie der Gegenwart, Berlin Germany; Asia Culture Center, Gwangju, South Korea; Contemporary Arts Center New Orleans; Museum für Moderne Kunst, Frankfurt; and Marta Herford Museum for Art, Architecture, Design, Herford, Germany. Wieser's work included in a number or prominent public collections, such as the Contemporary Art Collection of the Federal Republic of Germany; Collection of the Berlin State Museums, Neue Nationalgalerie, Sammlung Goetz, Munich; Deutsche Bundesbank Kunstsammlung, Frankfurt; Mercedes-Benz Art Collection, Germany; K21-International Contemporary Art Collection of the Kunstsammlung North Rhine-Westfalia; the Anderson Collection, Stanford University, CA; the William Louis-Dreyfus Foundation Collection; and the Louiand Zabludowicz Collection, London. She has produced large-scale, site-specific commissions for Dior in Vienna, Paris, and Beverly Hills, the Cleveland Clinic in Ohio, and the City of Munich. In July 2021, Wieser unveiled her first outdoor public installation, commissioned by Public Art Fund, at Brooklyn Bridge Park in New York. In 2023, she presented work in collaboration with historic Yves Saint Laurent couture, designing a set and exhibiting her work at the Museé Yves Saint Laurent, Paris. In 2020 she collaborated with Hérmes to design a catwalk for Paris Fashion Week. She recently completed an outdoor installation at the Stavros Niarchos Foundation Cultural Center in Athens. Claudia earned an MA in Painting and Sculpture from the Academy of Fine Arts, Munich. She lives and works in Berlin. She just opened a solo show at Marianne Boesky gallery. 

This week, Wes and Todd talk with Mixed Media Folk Artist, Cal Duran. Cal discusses his artistic journey, being woven, mentors, how he handles rejection, Meow Wolf, clay, honoring his ancestors, color, altars, Día de los Muertos (Day of the Dead), spirit, Ojo de Dios (Eye of God), installations, Casa Bonita, and the mantra he lives by.Join us for a compelling conversation with Cal Duran! Check out Cal's work at his website – www.artbycal.comFollow Cal on social media:Instagram - www.instagram.com/volarduran/ - @volarduranFacebook - www.facebook.com/cal.duran.5Send us a text Follow us on Instagram: @tenetpodcast - www.instagram.com/tenetpodcast/ @wesbrn - www.instagram.com/wesbrn/ @toddpiersonphotography - www.instagram.com/toddpiersonphotography/ Follow us on Facebook: www.facebook.com/TenetPodcast/ Email us at todd@toddpierson.com If you enjoyed this episode or any of our previous episodes, please consider taking a moment and leaving us a review on your favorite podcast platform. Thanks for listening!

Join our next BoldBrush LIVE! Webinar by signing up here:register.boldbrush.com/live-guestOrder your exclusive da Vinci BoldBrush paintbrush set!brushoffer.com/collections/allLearn the magic of marketing  with us here at BoldBrush!boldbrushshow.comGet over 50% off your first year on your artist website with FASO:FASO.com/podcast---On today's episode we sat down with Scott W. Prior, a full-time artist based in Oceanside, California, celebrated for his evocative paintings that capture everyday scenes. Scott discusses his journey as a full-time artist, reflecting on his transition from illustration to fine art and the influences that shaped his work. He emphasizes the importance of capturing everyday moments and the joy he finds in both painting and new creative pursuits like ceramics. Scott recounts the challenges and perseverance required to build his career, highlighting support from his wife and important moments of validation. He discusses the significance of discipline, networking, and joining artist communities for personal and professional growth. Scott encourages artists to pursue their passion for the love of art rather than for financial gain, warning against chasing commercial trends. Finally, Scott tells us about his upcoming events, including a return to the Paint Maui show in February 2026.Scott's FASO site:scottwprior.com/Scott's Social Media:instagram.com/scottwpriorfacebook.com/scottwpriorartist

Ethan Stern's work is rooted in traditional craftsmanship, contemporary design, and a deep connection to the natural environment. As a glass artist, he draws inspiration from historic craft traditions such as cut crystal and classical ceramic design, while reinterpreting these forms through a modern lens. His practice seeks to explore the interplay between utility, beauty, and narrative, bridging the realms of functional objects and sculptural expression. Stern states: "Central to my approach is the concept of light as a dynamic medium. Glass, with its inherent ability to refract, reflect, and transmit light, becomes a canvas through which I explore optical phenomena and color. I am particularly drawn to the ways in which light interacts with texture, pattern, and form, creating ever-changing visual experiences that invite viewers to engage with my work in a multisensory manner. This exploration pushes the boundaries of materiality, transforming functional objects and sculptural forms into vessels of light."  Pushing form beyond the expected anatomy of the vessel, Stern uses glass to investigate the emotive potential of objects. Each piece begins with the creation of a blown, geometric form composed of multiple layers of color and pattern. After the piece has cooled, he carves into the surface, creating patterns and textures through engraving. This process, while reductive, allows him to shift the glass's inherent reflective qualities, creating a richer, more luminous effect. The engraved marks, like the stroke of a paintbrush on canvas, leave evidence of the artist's hand and create a sense of motion, rhythm, weight, and depth. The act of carving—removing material—demands careful consideration, and each choice shapes the relationship between the surface and form, adding an emotional resonance to the work. Stern began examining the effects he could achieve through engraving in 1999 while at the Pilchuck Glass School. Carving the surface of the glass allowed him to pull together elements of color, form, pattern and texture to express his unique voice through the material. In 2010, he received the Best Emerging Artist award from the Museum of Glass in Tacoma, WA. His work has been featured in solo and group exhibitions across the United States and is featured in the collections of The Eboltoft Glass Museum in Denmark, The Corning Museum, and The Lowe Museum of Art. He has taught at The Studio of the Corning Museum of Glass, Pilchuck Glass School, Pratt Fine Arts Center, Penland School of Craft, The Pittsburgh Glass Center, and The Appalachian Center for Craft. In January 2026, Stern will teach Beyond Battuto – Advanced Coldworking Techniques at the Corning Museum of Glass Studio, Corning, New York.  Says Stern: "In addition to creating art, I am committed to sharing the craft of glassblowing through teaching and community engagement. Ultimately, my work is an ongoing exploration of the intersections between design, craft, and the natural world. It is a dialogue between tradition and innovation, utility and beauty, light and form. By creating pieces that resonate both functionally and emotionally, I hope to inspire reflection, curiosity, and connection to the larger world around us." Born in Ithaca, New York, Stern resides in the Frogtown neighborhood of Los Angeles, California, where he runs a glass studio alongside his wife and creative partner, Amanda McDonald Stern. Their studio specializes in sculpture, design, education and glass fabrication fostering a sense of community around glass. Ethan obtained his Associates degree in Ceramics from TAFE College in Brisbane, Australia, and his BFA in Sculpture and Glass from Alfred University. Of his work, Stern states: "The natural environment offers rich inspiration, from the organic forms and colors of coastlines to the shifting hues of the sky. Through glass, I aim to evoke a sense of interconnectedness, using the material's elemental relationship to earth and fire to bridge the natural and the man-made. While my work draws from history and nature, it is forward-looking, blending traditional techniques with contemporary approaches."     

October 31, 2025. Dr. Victoria Claire has commissioned more than 200 sculptures, received an honorary doctorate, and is pursuing a PhD. She talks with host Ben Shaberman about her journey with retinitis pigmentosa, and how blindness has provided her with new and profound insights into herself and perceiving the world. Visitors to her current exhibition, "The Sense of Sculpture" (Oct. 18 - Nov. 1) at The Art House in Wakefield, England, are interacting with her sculptures tactilely in complete darkness.

A single question can power a lifetime of work: Why do I make art? Ty and Nathan sit with Ursula Von Rydingsvard's stark and generous answers—woven from anxiety, labor, faith in process, and the stubborn hope that making can heal—and use it as a mirror for our own practices. From the first splinter to the last pass of the saw, we look at how big work invites big stakes, why the best days feel like discovery, and how the studio becomes a container strong enough to hold whatever we bring into it.We dig into the creative toggle between object and process: when materials feel right but the method frays, and when the method sings but the object won't land. That friction is feedback, not failure. Ursula's line about having confidence in the possibility of seeing the work through reframes ambition without guarantees—an artist's version of resilience. We also talk about self-doubt as a companion rather than an enemy, and how studying our heroes deeply—films, books, museum visits—feeds our own artistic DNA without imitation.There's a human infrastructure behind monumental art. Ursula's assistants form another kind of family, proof that leadership in the studio is its own craft. We reflect on daily rhythm, showing up without perfect conditions, and making pieces that may outlive us—which is how work reaches into the future. The conversation edges into generational pain and the unanswerable questions art dares to hold. Answers are rare; presence is everything. If you've ever needed permission to trust the process and keep going, consider this your sign.If this resonated, follow the show, share it with a friend who needs a creative nudge, and leave a quick review—tell us your “why” so we can feature it in a future Q&A.Make sure to check out "Art from the Outside" and the amazing interview they had with Ursula: Spotify    AppleSend us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg Watch the Video Episode on Youtube or Spotify, https://www.youtube.com/@JustMakeArtPodcast

For the Paris-born, New York–based artist Camille Henrot, time practically never stands still. Across her work in film, drawing, painting, sculpture, installation—and soon, live performance—Henrot has developed ways of stretching and distorting time, seamlessly shifting from moments of potent, rapid-fire intensity to quiet reflection. While her work carries a theory-driven ferocity and intelligence, it's also incredibly playful. Hers is serious art that manages—often with a knowing, subtle wink—to not take itself too seriously.On this episode of Time Sensitive, Henrot considers the subjectivity of speed and slowness; previews her upcoming first-ever performance-art piece, slated to premiere in 2026 and a collaboration with the nonprofit Performa; and reflects on why, for her, a work is technically never finished. She also shares her fraught fascination with animals, childhood, and the climate crisis—the intersection of which she examines in-depth in her soon-to-debut film “In the Veins.”Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.Show notes:Camille Henrot[4:30] RoseLee Goldberg[4:30] Performa Biennial[6:37] Buster Keaton[6:37] Tex Avery[7:03] Estelle Hoy[7:19] Adam Charlap Hyman of Charlap Hyman & Herrero[16:10] “In the Veins” (2026)[17:45] "Grosse Fatigue"[17:45] Massimiliano Gioni[38:51] Roland Barthes[45:36] Pierre Huyghe[47:51] Ikebana Sogetsu[51:46] Okwui Enwezor[55:03] Hypernormalisation by Adam Curtis (2016)[59:51] Jacob Bromberg[59:51] Akwetey Orraca-Tetteh[1:08:50] Adrienne Rich[1:08:50] Ursula K. Le Guin[1:08:50] Annie Ernaux[1:08:50] Mother Reader by Moyra Davey (2001)[1:08:50] Jenny Schlenzka[1:10:14] Maggie Nelson[1:11:02] Mothers: An Essay on Love and Cruelty by Jacqueline Rose (2019)[1:11:02] Representation of Motherhood by Donna Bassin (1994)[1:13:00] Louise Bourgeois

Ready to go on a sleepy journey? Join Geoffrey by the fire tonight as we head back to the tropical paradise of Nevis, where Catherine is about to discover Sam's latest works, and devise a plan to share them with the world. Love Night Falls?

Izumi Montgomery is a Japanese artist and sustainable craft facilitator based in Sydney Australia. Izumi holds a Masters in Sculpture from Tokyo University of the Arts and she has also studies fashion at TAFE New South Wales. This is where she developed a strong interest in ethical and uncycled design. She combines traditional Japanese techniques such a Tsunami Zaiku (folded fabric flowers) with reclaimed materials to create thoughtful workshops. Alongside teaching, Izumi regularly facilitates sessions at Reverse Garbage and other community spaces where participants are invited to slow down and reconnect through handcraft. Her final class at Reverse Garbage for 2025 is on Saturday 29th November. More workshops available in 2026 and beyond. You'll find Izumi's workshops on the Reverse Garbage website under Public Workshops. Sew Organised Style features people who freely support the sewing community. You're welcome to be a podcast guest by contacting us via DM on Instagram. If you are able, consider supporting this podcast through our patreon account. There are 3 new tiers to choose from to support SewOver50's only podcast. Every podcast is free and the archive is gradually being uploaded on to the podcast YouTube channel. Sound with permission by Kaneef on YouTube.  

The British Museum has once again stirred controversy with its latest “Pink Ball” dinner gala taking place in the hall housing the Parthenon Sculptures, a move that has elicited strong reactions from both Greece, cultural heritage experts, and leading advocates for the return of the Parthenon Sculptures to Greece. Professor Paul Cartledge, the Vice chairman of the British Committee for the Reunification of the Parthenon Marbles and a renowned scholar of ancient Greek history, joins Thanos Davelis as we break down why the British Museum's glitzy gala only adds to the reunification cause.You can read the articles we discuss on our podcast here:Greece criticizes British Museum dinner among Parthenon SculpturesBritish Museum glitzy gala ball, Janet Suzman agrees with Greece and suggests that the publicity adds to the reunification causeGreek leader pushes EU on joint defense debtGreece acts on housing crunch as shortages pile pressure on government

Happy 80th birthday to Maggi Hambling, our guest this week! We meet Maggi in her studio to discuss her 6 decades of making painting and sculpture.Maggi Hambling CBE was born in Suffolk in 1945. She studied at the East Anglian School of Painting and Drawing from 1960 under Cedric Morris and Lett Haines, then at Ipswich School of Art, Camberwell, and finally the Slade School of Art, graduating in 1969.In 1980 she was the First Artist in Residence at the National Gallery, London, and in 1995 she won the Jerwood Painting Prize (with Patrick Caulfield). Public sculpture includes A conversation with Oscar Wilde (1998) at Adelaide Street, London, facing Charing Cross Station and Scallop (2003), a sculpture to celebrate Benjamin Britten, at Aldeburgh beach, Suffolk and for which the artist was awarded the Marsh Award for Excellence in Public Sculpture. A Sculpture for Mary Wollstonecraft was unveiled in Newington Green, London in 2020.Hambling's work is held in public collections including at Tate, British Museum, CAFA, Beijing and the Metropolitan Museum of Art, New York.Visit: http://maggihambling.com/ Hosted on Acast. See acast.com/privacy for more information.

What role does public art play in how we engage with our cities? This week we meet acclaimed artist Olafur Eliasson and explore the Sculpture in the City programme in the City of London.See omnystudio.com/listener for privacy information.

A new exhibition of Cambodian bronze sculptures from the Khmer Empire and other significant pieces opens at the Minneapolis Institute of Art on Saturday. It's the first time some of these pieces have been on display in the U.S. and Mia is the only U.S. museum that will host this exhibition. The exhibition is part of a collaboration between Mia, the National Museum of Cambodia and the Guimet, the National Museum of Asian Arts, in France. Virajita Singh, Mia's chief diversity officer, and Chhay Visoth, the director of the National Museum of Cambodia, joined MPR News host Nina Moini to share more about the exhibition's significance. Royal Bronzes: Cambodian Art of the Divine is at Mia from Oct. 25 to Jan. 18, 2026.

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Civic duty fulfilled! This week, Johnny and Tyler are covering the crimes of Lawrence Singleton (aka the murder of Roxanne Hayes and the survival story of Mary Vincent). Plus: Dragula's Monsters of Rock is back from the grave, realistic Halloween decor leaves one community feeling a little heated, and there's no other way to say this, but Skims seems to have made a merkin.Join the Secret Society That Doesn't Suck for exclusive weekly mini episodes, livestreams, and a whole lot more! patreon.com/thatsspookyCheck out our new and improved apparel store with tons of new designs! thatsspooky.com/storeCheck out our website for show notes, photos, and more at thatsspooky.comFollow us on Instagram for photos from today's episode and all the memes @thatsspookypodWe're on Twitter! Follow us at @thatsspookypodDon't forget to send your spooky stories to thatsspookypod@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.