Podcasts about common ground the making

Recent years have seen an upsurge in studies asking questions about, and in, borderlands. The topic is certainly not new to scholars of mainland Southeast Asia, but as Bradley Camp Davis shows in Imperial Bandits: Outlaws and Rebels in the China-Vietnam Borderlands (University of Washington Press, 2017), plenty of work remains to be done on the parallel processes of border and state formation in the region. Drawing on Chinese, Vietnamese and French written sources as well as hundreds of interviews with villagers in the uplands of Yunnan and northern Vietnam, Davis tells the story of a half-century of violence, trade and taxation at the hands of competing armed groups; of their alliances and wars with lowland states, and of the bandit as symbol in nationalist and local histories and memorials today. Bradley Camp Davis joins New Books in Southeast Asian Studies to discuss the malleability of bandits and banditry, Black Flags and Yellow Flags, the merits of oral traditions in study of history, and the place of the imperial bandit in movie and museum. You may also be interested in: Pamela McElwee, Forests are Gold: Trees, People and Environmental Rule in Vietnam Geraldo L. Cadava, Standing on Common Ground: The Making of a Sunbelt Borderland Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University and in 2016-17 a member of the Institute for Advanced Study, Princeton. He can be reached at nick.cheesman@anu.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

Recent years have seen an upsurge in studies asking questions about, and in, borderlands. The topic is certainly not new to scholars of mainland Southeast Asia, but as Bradley Camp Davis shows in Imperial Bandits: Outlaws and Rebels in the China-Vietnam Borderlands (University of Washington Press, 2017), plenty of work remains to be done on the parallel processes of border and state formation in the region. Drawing on Chinese, Vietnamese and French written sources as well as hundreds of interviews with villagers in the uplands of Yunnan and northern Vietnam, Davis tells the story of a half-century of violence, trade and taxation at the hands of competing armed groups; of their alliances and wars with lowland states, and of the bandit as symbol in nationalist and local histories and memorials today. Bradley Camp Davis joins New Books in Southeast Asian Studies to discuss the malleability of bandits and banditry, Black Flags and Yellow Flags, the merits of oral traditions in study of history, and the place of the imperial bandit in movie and museum. You may also be interested in: Pamela McElwee, Forests are Gold: Trees, People and Environmental Rule in Vietnam Geraldo L. Cadava, Standing on Common Ground: The Making of a Sunbelt Borderland Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University and in 2016-17 a member of the Institute for Advanced Study, Princeton. He can be reached at nick.cheesman@anu.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

Recent years have seen an upsurge in studies asking questions about, and in, borderlands. The topic is certainly not new to scholars of mainland Southeast Asia, but as Bradley Camp Davis shows in Imperial Bandits: Outlaws and Rebels in the China-Vietnam Borderlands (University of Washington Press, 2017), plenty of work remains to be done on the parallel processes of border and state formation in the region. Drawing on Chinese, Vietnamese and French written sources as well as hundreds of interviews with villagers in the uplands of Yunnan and northern Vietnam, Davis tells the story of a half-century of violence, trade and taxation at the hands of competing armed groups; of their alliances and wars with lowland states, and of the bandit as symbol in nationalist and local histories and memorials today. Bradley Camp Davis joins New Books in Southeast Asian Studies to discuss the malleability of bandits and banditry, Black Flags and Yellow Flags, the merits of oral traditions in study of history, and the place of the imperial bandit in movie and museum. You may also be interested in: Pamela McElwee, Forests are Gold: Trees, People and Environmental Rule in Vietnam Geraldo L. Cadava, Standing on Common Ground: The Making of a Sunbelt Borderland Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University and in 2016-17 a member of the Institute for Advanced Study, Princeton. He can be reached at nick.cheesman@anu.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

Recent years have seen an upsurge in studies asking questions about, and in, borderlands. The topic is certainly not new to scholars of mainland Southeast Asia, but as Bradley Camp Davis shows in Imperial Bandits: Outlaws and Rebels in the China-Vietnam Borderlands (University of Washington Press, 2017), plenty of work remains to be done on the parallel processes of border and state formation in the region. Drawing on Chinese, Vietnamese and French written sources as well as hundreds of interviews with villagers in the uplands of Yunnan and northern Vietnam, Davis tells the story of a half-century of violence, trade and taxation at the hands of competing armed groups; of their alliances and wars with lowland states, and of the bandit as symbol in nationalist and local histories and memorials today. Bradley Camp Davis joins New Books in Southeast Asian Studies to discuss the malleability of bandits and banditry, Black Flags and Yellow Flags, the merits of oral traditions in study of history, and the place of the imperial bandit in movie and museum. You may also be interested in: Pamela McElwee, Forests are Gold: Trees, People and Environmental Rule in Vietnam Geraldo L. Cadava, Standing on Common Ground: The Making of a Sunbelt Borderland Nick Cheesman is a fellow at the College of Asia and the Pacific, Australian National University and in 2016-17 a member of the Institute for Advanced Study, Princeton. He can be reached at nick.cheesman@anu.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices

Due in large part to sensationalist representations in contemporary media and politics, the U.S.-Mexico border is popularly understood as a space of illegal activity defined by threats of foreign intrusion including: undocumented migration, drug trafficking, and national security risks. Viewed through the late-20th and early-21st century prisms of drug wars, immigration restriction, terrorism, surveillance, and resurgent American nationalism, the border itself appears to be a definitive boundary between dichotomous societies, nations, and people. Assistant Professor of History at Northwestern University Geraldo L. Cadava challenges this view in his book Standing on Common Ground: The Making of a Sunbelt Borderland (Harvard University Press, 2013). Focusing on the Arizona-Sonora segment of the U.S.-Mexico border during the mid-to-late 20th century, Cadava narrates the interlocked histories of Mexicans, Mexican Americans, Native Americans, and whites as regional boosters (i.e., politicians and businessmen on both sides of the border) envisioned the formation of a Sunbelt Borderland extending from the urbanizing centers of Phoenix and Tucson, Arizona to the industrializing locales of Nogales, Hermosillo, and Guaymas, Mexico. Engaging the findings of scholars that have focused on the hardening of the U.S.-Mexico border through restrictionist federal immigration policies and the increased policing of the boundary itself during the first half of the 20th century, Cadava argues that recent borderlands history is “defined less by the international line itself and more by the range of economic, political, social, and cultural relationships that transcended the line.” What emerges is a rich history of transnational communication and movement throughout the region by a host of complex figures including businessmen, politicians, consumers, students, artists, and undocumented laborers; resulting in the development of a “regional culture forged through the institutions and traditions of the U.S.-Mexico borderlands.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Due in large part to sensationalist representations in contemporary media and politics, the U.S.-Mexico border is popularly understood as a space of illegal activity defined by threats of foreign intrusion including: undocumented migration, drug trafficking, and national security risks. Viewed through the late-20th and early-21st century prisms of drug wars, immigration restriction, terrorism, surveillance, and resurgent American nationalism, the border itself appears to be a definitive boundary between dichotomous societies, nations, and people. Assistant Professor of History at Northwestern University Geraldo L. Cadava challenges this view in his book Standing on Common Ground: The Making of a Sunbelt Borderland (Harvard University Press, 2013). Focusing on the Arizona-Sonora segment of the U.S.-Mexico border during the mid-to-late 20th century, Cadava narrates the interlocked histories of Mexicans, Mexican Americans, Native Americans, and whites as regional boosters (i.e., politicians and businessmen on both sides of the border) envisioned the formation of a Sunbelt Borderland extending from the urbanizing centers of Phoenix and Tucson, Arizona to the industrializing locales of Nogales, Hermosillo, and Guaymas, Mexico. Engaging the findings of scholars that have focused on the hardening of the U.S.-Mexico border through restrictionist federal immigration policies and the increased policing of the boundary itself during the first half of the 20th century, Cadava argues that recent borderlands history is “defined less by the international line itself and more by the range of economic, political, social, and cultural relationships that transcended the line.” What emerges is a rich history of transnational communication and movement throughout the region by a host of complex figures including businessmen, politicians, consumers, students, artists, and undocumented laborers; resulting in the development of a “regional culture forged through the institutions and traditions of the U.S.-Mexico borderlands.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Due in large part to sensationalist representations in contemporary media and politics, the U.S.-Mexico border is popularly understood as a space of illegal activity defined by threats of foreign intrusion including: undocumented migration, drug trafficking, and national security risks. Viewed through the late-20th and early-21st century prisms of drug wars, immigration restriction, terrorism, surveillance, and resurgent American nationalism, the border itself appears to be a definitive boundary between dichotomous societies, nations, and people. Assistant Professor of History at Northwestern University Geraldo L. Cadava challenges this view in his book Standing on Common Ground: The Making of a Sunbelt Borderland (Harvard University Press, 2013). Focusing on the Arizona-Sonora segment of the U.S.-Mexico border during the mid-to-late 20th century, Cadava narrates the interlocked histories of Mexicans, Mexican Americans, Native Americans, and whites as regional boosters (i.e., politicians and businessmen on both sides of the border) envisioned the formation of a Sunbelt Borderland extending from the urbanizing centers of Phoenix and Tucson, Arizona to the industrializing locales of Nogales, Hermosillo, and Guaymas, Mexico. Engaging the findings of scholars that have focused on the hardening of the U.S.-Mexico border through restrictionist federal immigration policies and the increased policing of the boundary itself during the first half of the 20th century, Cadava argues that recent borderlands history is “defined less by the international line itself and more by the range of economic, political, social, and cultural relationships that transcended the line.” What emerges is a rich history of transnational communication and movement throughout the region by a host of complex figures including businessmen, politicians, consumers, students, artists, and undocumented laborers; resulting in the development of a “regional culture forged through the institutions and traditions of the U.S.-Mexico borderlands.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Due in large part to sensationalist representations in contemporary media and politics, the U.S.-Mexico border is popularly understood as a space of illegal activity defined by threats of foreign intrusion including: undocumented migration, drug trafficking, and national security risks. Viewed through the late-20th and early-21st century prisms of drug wars, immigration restriction, terrorism, surveillance, and resurgent American nationalism, the border itself appears to be a definitive boundary between dichotomous societies, nations, and people. Assistant Professor of History at Northwestern University Geraldo L. Cadava challenges this view in his book Standing on Common Ground: The Making of a Sunbelt Borderland (Harvard University Press, 2013). Focusing on the Arizona-Sonora segment of the U.S.-Mexico border during the mid-to-late 20th century, Cadava narrates the interlocked histories of Mexicans, Mexican Americans, Native Americans, and whites as regional boosters (i.e., politicians and businessmen on both sides of the border) envisioned the formation of a Sunbelt Borderland extending from the urbanizing centers of Phoenix and Tucson, Arizona to the industrializing locales of Nogales, Hermosillo, and Guaymas, Mexico. Engaging the findings of scholars that have focused on the hardening of the U.S.-Mexico border through restrictionist federal immigration policies and the increased policing of the boundary itself during the first half of the 20th century, Cadava argues that recent borderlands history is “defined less by the international line itself and more by the range of economic, political, social, and cultural relationships that transcended the line.” What emerges is a rich history of transnational communication and movement throughout the region by a host of complex figures including businessmen, politicians, consumers, students, artists, and undocumented laborers; resulting in the development of a “regional culture forged through the institutions and traditions of the U.S.-Mexico borderlands.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Due in large part to sensationalist representations in contemporary media and politics, the U.S.-Mexico border is popularly understood as a space of illegal activity defined by threats of foreign intrusion including: undocumented migration, drug trafficking, and national security risks. Viewed through the late-20th and early-21st century prisms of drug wars, immigration restriction, terrorism, surveillance, and resurgent American nationalism, the border itself appears to be a definitive boundary between dichotomous societies, nations, and people. Assistant Professor of History at Northwestern University Geraldo L. Cadava challenges this view in his book Standing on Common Ground: The Making of a Sunbelt Borderland (Harvard University Press, 2013). Focusing on the Arizona-Sonora segment of the U.S.-Mexico border during the mid-to-late 20th century, Cadava narrates the interlocked histories of Mexicans, Mexican Americans, Native Americans, and whites as regional boosters (i.e., politicians and businessmen on both sides of the border) envisioned the formation of a Sunbelt Borderland extending from the urbanizing centers of Phoenix and Tucson, Arizona to the industrializing locales of Nogales, Hermosillo, and Guaymas, Mexico. Engaging the findings of scholars that have focused on the hardening of the U.S.-Mexico border through restrictionist federal immigration policies and the increased policing of the boundary itself during the first half of the 20th century, Cadava argues that recent borderlands history is “defined less by the international line itself and more by the range of economic, political, social, and cultural relationships that transcended the line.” What emerges is a rich history of transnational communication and movement throughout the region by a host of complex figures including businessmen, politicians, consumers, students, artists, and undocumented laborers; resulting in the development of a “regional culture forged through the institutions and traditions of the U.S.-Mexico borderlands.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Due in large part to sensationalist representations in contemporary media and politics, the U.S.-Mexico border is popularly understood as a space of illegal activity defined by threats of foreign intrusion including: undocumented migration, drug trafficking, and national security risks. Viewed through the late-20th and early-21st century prisms of drug wars, immigration restriction, terrorism, surveillance, and resurgent American nationalism, the border itself appears to be a definitive boundary between dichotomous societies, nations, and people. Assistant Professor of History at Northwestern University Geraldo L. Cadava challenges this view in his book Standing on Common Ground: The Making of a Sunbelt Borderland (Harvard University Press, 2013). Focusing on the Arizona-Sonora segment of the U.S.-Mexico border during the mid-to-late 20th century, Cadava narrates the interlocked histories of Mexicans, Mexican Americans, Native Americans, and whites as regional boosters (i.e., politicians and businessmen on both sides of the border) envisioned the formation of a Sunbelt Borderland extending from the urbanizing centers of Phoenix and Tucson, Arizona to the industrializing locales of Nogales, Hermosillo, and Guaymas, Mexico. Engaging the findings of scholars that have focused on the hardening of the U.S.-Mexico border through restrictionist federal immigration policies and the increased policing of the boundary itself during the first half of the 20th century, Cadava argues that recent borderlands history is “defined less by the international line itself and more by the range of economic, political, social, and cultural relationships that transcended the line.” What emerges is a rich history of transnational communication and movement throughout the region by a host of complex figures including businessmen, politicians, consumers, students, artists, and undocumented laborers; resulting in the development of a “regional culture forged through the institutions and traditions of the U.S.-Mexico borderlands.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Due in large part to sensationalist representations in contemporary media and politics, the U.S.-Mexico border is popularly understood as a space of illegal activity defined by threats of foreign intrusion including: undocumented migration, drug trafficking, and national security risks. Viewed through the late-20th and early-21st century prisms of drug wars, immigration restriction, terrorism, surveillance, and resurgent American nationalism, the border itself appears to be a definitive boundary between dichotomous societies, nations, and people. Assistant Professor of History at Northwestern University Geraldo L. Cadava challenges this view in his book Standing on Common Ground: The Making of a Sunbelt Borderland (Harvard University Press, 2013). Focusing on the Arizona-Sonora segment of the U.S.-Mexico border during the mid-to-late 20th century, Cadava narrates the interlocked histories of Mexicans, Mexican Americans, Native Americans, and whites as regional boosters (i.e., politicians and businessmen on both sides of the border) envisioned the formation of a Sunbelt Borderland extending from the urbanizing centers of Phoenix and Tucson, Arizona to the industrializing locales of Nogales, Hermosillo, and Guaymas, Mexico. Engaging the findings of scholars that have focused on the hardening of the U.S.-Mexico border through restrictionist federal immigration policies and the increased policing of the boundary itself during the first half of the 20th century, Cadava argues that recent borderlands history is “defined less by the international line itself and more by the range of economic, political, social, and cultural relationships that transcended the line.” What emerges is a rich history of transnational communication and movement throughout the region by a host of complex figures including businessmen, politicians, consumers, students, artists, and undocumented laborers; resulting in the development of a “regional culture forged through the institutions and traditions of the U.S.-Mexico borderlands.” Learn more about your ad choices. Visit megaphone.fm/adchoices