Podcasts about Vietnamese

In this episode of the Startup CPG Podcast, Caitlin Bricker speaks with Fane He and Kyle Nguyen, co-founders of The Lucky Ox, a Vietnamese-inspired beverage company. They share the story behind their flagship salted lemonade, the cultural roots and personal meaning behind the brand, and how their backgrounds in fashion and design have shaped a product that stands out both on shelves and online.From launching with glass bottles and navigating DTC logistics, to building a wholesale business one account at a time—often hand-delivering orders across New York City—Fane and Kyle discuss the challenges and unexpected wins of growing a beverage brand with limited resources but unlimited creativity.They also explore how The Lucky Ox is resonating across diverse culinary spaces and why authenticity has been their strongest differentiator.So, what are you waiting for–listen now!Listen in as they share about:Authenticity Over Trend-ChasingUnique Brand Identity & DesignBootstrapped Hustle & Grassroots GrowthDistribution & DTC ChallengesRetail and Sales StrategyMentorship and Startup CPG SupportCommunity, Mentorship, and Startup CPGEpisode Links:Website: https://luckyox.co/ LinkedIn: https://www.linkedin.com/in/fane-he/ LinkedIn: Don't forget to leave a five-star review on Apple Podcasts or Spotify if you enjoyed this episode. For potential sponsorship opportunities or to join the Startup CPG community, visit http://www.startupcpg.com.Show Links:Transcripts of each episode are available on the Transistor platform that hosts our podcast here (click on the episode and toggle to “Transcript” at the top)Join the Startup CPG Slack community (20K+ members and growing!)Follow @startupcpgVisit host Caitlin's Linkedin Questions or comments about the episode? Email Daniel at podcast@startupcpg.comEpisode music by Super Fantastics

Adam pays tribute to Sly Stone.   Regina Decicco stops by and tells us about having a sculling voice her whole life. How her Italian family still reacts to her Vietnamese husband being the warm up comic for the View.   ADAM'S TOUR DATES   W. Palm Beach, FL - 7/25  Hampton, NY - 8/6  Parker, CO - 9/13  Mesquite, NV - 9/19  Port Charlotte, FL - 9/25-27  San Bernardino, CA - 9/28  Bentonville, AR - 10/4  Rutherford, NJ - 11/14-15  Uncasville, CT - 11/20-22 Ticket Links https://www.adamferrara.com/tourdates 

Welcome back ragers to the best movie review podcast on the planet. The rage rolls on from the Film Rage Studio. This week the Film Rage Crew went to another live action remake, the latest from Celine Song and a Stephen King adaptation. Bryce and Jim agreed that one was Meh, one was Mondo and one was a Rage. Can you guess which movies got which rating? Then Jim and Bryce had to suffer through the 2007 remake of The Hitcher in the Rage or Dare segment.  Introduction-0:00 The Amazing Murman Predicts-1:26 In Cinema How to Train Your Dragon (2025)-4:11 Materialists (2025)-18:02 The Life of Chuck (2025)-28:55 Murman Minute-41:41 Open Rage Jim's open rage-Not enough Vietnamese films-45:29 Bryce's open rage-Box Office this week-53:35 Rage or Dare The Hitcher (2007)-53:35 Bryce pull from Jim's Bag-1:09:27 Outro-1:10:58 Thanks Ragers for listening to our film review podcast. Rage On! https://www.filmrageyyc.com/ https://filmrage.podbean.com/ https://www.facebook.com/filmrageyyc https://nerdyphotographer.com/social/ https://www.leonardconlinphotos.com/

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight's show is June 19th. We are all connected. We are talking with Asian and Asian American Children's book authors. PowerLeeGirls host Miko Lee talks with Chi Thai and Livia Blackburne about the power of storytelling, maternal heritage, generational trauma, and much more. Title:  We Are All Connected Show Transcripts Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:01:17] Welcome to Apex Express. Tonight's show is June 19th. We are all connected. We are talking with Asian and Asian American Children's book authors. PowerLeeGirls host Miko Lee talks with Chi Thai and Livia Blackburne about the power of storytelling, maternal heritage, generational trauma, and much more. First, we want to start by wishing everyone a happy Juneteenth, Juneteenth commemorates, an end to slavery and the emancipation of Black Americans after the Civil War. In 1865, 2 years after the Emancipation Proclamation, enslaved people in Galveston, Texas finally learned of their freedom. Juneteenth marks the day the last enslaved people learned of their freedom. Though outright slavery became illegal, the systematic oppression of African Americans continues to this day. We see that show up in almost every aspect of American culture, from the high rate of infant mortality to the over punishing of Black children in schools, to police brutality, to incarceration. We must continue to recognize the importance of championing Black lives and lifting up Black voices. We are all connected. June 19th is also an important day in Asian American history. In 1982 in Detroit, Vincent Chin was at a bar celebrating his bachelor party prior to his wedding the next day. Ronald Ebens, a white auto worker, and his stepson Michael Nitz taunted Vincent with racial epithets. They thought he was Japanese and were angry about the Japanese rise in the auto industry. When Vincent left the bar later, the two men attacked and killed Vincent with a baseball bat. He was 27 years old. Ronald Ebens never did time for this murder. Ronald Ebens is 85 years old now. Ebens not only skirted prosecution, he has used bankruptcy and homesteading laws in Nevada to avoid a wrongful death civil suit settlement. Ordered by the court in 1987 to pay $1.5 million to Chin's family, the Chin estate has received nothing. Lily Chin, Vincent's mom could have stayed silent about the racist attack on her son. Instead she spoke out. She took a courageous stance to highlight this most painful moment in her life. In doing so, she helped ignite a new generation of Asian American activists working for civil rights and social justice. We find ourselves in a new wave of activism as our communities band together to work against the injustices of the current regime. And what does this have to do with children's books? It is all connected. We highlight children's books by Asian and Asian American authors because we want our next generation of children to know and appreciate their own heritage. We want them to proudly represent who they are so that they can work in solidarity with other peoples. Our struggle is interwoven. As Grace Lee Boggs said, “History is a story not only of the past, but of the future.” Thank you for joining us on apex express. Enjoy the show.   Miko Lee: [00:04:24] First off. Let's take a listen to one of Byron Au Young's compositions called “Know Your Rights” This is part of the trilogy of the Activist Songbook. This multi-lingual rap, give steps to know what to do when ICE officers come to your door.    MUSIC   That was “Know Your Rights” performed by Jason Chu with lyrics by Aaron Jeffries and composed by Byron Au Yong Welcome, Chi Thai to Apex Express.    Chi Thai: [00:07:13] Hello. I'm really happy to be joining you, Miko.  Miko Lee: [00:07:16] I'm really happy to meet you and learn about you as an artist, as a filmmaker, as a children's book author. And I wanna first start with a personal question, which is, who are your people and what legacy do you carry with you? Chi Thai: [00:07:30] Ooh, what a great question. You know what? I love being asked stuff that hasn't been asked kind of before. I mean, there's a kinda really kinda natural answer to that, which is, you know, family are my people. Of course. 100%. And certainly, you know, the reason why I'm talking to you today, you know, in regard to the, to the book, you know, it's about my family's journey. But I found, and I don't know if this is. Somewhat to do with, you know, being a child of two cultures and you know, being a child of the diaspora that you really have to kind of find your own family too. 'cause I suppose I grew up feeling, I didn't quite relate to maybe my parents in a way that, you know, you normally would if you weren't part of the diaspora. And I felt estranged from my birth country and I didn't really feel like British either a lot of the time. So in terms of like, who are my people? I've gathered those people as I've kind of grown up and it's, it's a kind of strange feeling too. I feel like it's taken me a really long to grow up and to figure out who I am. And I suppose that's why, you know, the people that I have a really, a lot of people that have come, kinda later in my life, I actually have no friends in my childhood as an example of that. I've had to kind of find these people as I've grown up, but it's taken me a long time to grow up because growing up in the UK there wasn't any literature to read about what it was like to be Asian. And British, to be a refugee and things like that. So it just took me longer and I then, as a result, it just took me longer to find my tribe. but I have it now, but it's still work in progress. That was a very convoluted answer. I'm very sorry Miko.    Miko Lee: [00:09:15] No, it wasn't. No worries. It's fine. And what legacy do you carry with you?   Chi Thai: [00:09:19] Kind of an extension to that answer, I think when you're an artist, practicing your voice, figuring out your voice, can take a while. And I think I've only really started maybe the last like five to 10 years at the most really figured out what I want my legacy to be. The things I wanna talk about are really about s tories from the diaspora, certainly, and about community and healing. These are the things I think that are really important to me, especially when we talk about maybe coming from struggle. I don't feel it's enough to be an artist today and just talk about struggle. I want to talk about justice as well. And justice really is about healing, you know?    Miko Lee: [00:10:00] Oh, that's beautiful. Can you talk a little bit more about that healing and what that means to you and how that shows up in your work?    Chi Thai: [00:10:07] A couple years ago, no, not even that long ago, I produced a, a feature film. This is probably the best example for it, but I produced a feature film called Raging Grace, which we called it Horror with a small H and it. Basically took the story of what it was like to be, undocumented Filipina in the uk who was also a mother. And I think if that film had been made 10 years ago, it would just shown how hard her life was, and unrelentingly. So, and I think the reason why Raising Grace is so special is it goes beyond the trauma, it takes us to a place of justice, of being able to speak out for someone who has felt invisible, to be visible for someone who's not. Had a voice, to have a voice and to begin that kind of healing process of sticking up for herself, making a change transforming herself from maybe the good immigrant to the bad immigrant and things like that. I think that's a really great example and I think I read a really wonderful thing. It might have been in a Guardian article where we, so a lot of my work is around, inclusion representation of like diasporic stories. And I think when you have, when you exist in the poverty of like representation, I. the solution to that is plentitude. I think that Viet Thanh Nguyen probably said that, so I don't wanna take credit for it. He comes up with so many wonderful things, and that's a wonderful thing to be able to move from poverty, like to plentitude and that be the solution, is kinda really wonderful. So I enjoy being really prolific. I enjoy supporting artists to be able to do their work. So as a community, we can also be prolific and I wanna support, narratives that. Take us beyond a place of struggle and trauma to a place of like healing and justice and so forth.    Miko Lee: [00:11:57] Your work crosses so many genres. You were just mentioning how that film was kind of a horror film and, and then you've done these kind of dreamy animation pieces and then now this children's book. Do you select the genre and the format and the medium, or does it select you?   Chi Thai: [00:12:16] Oh, I think the story chooses it. I like 100% believe that. I just actually was thinking about this 'cause I was doing an interview on something else, people, often ask about the creative process and I, can only speak for my own. But usually when I get an idea for a story, the general shape of it comes almost like really well formed. There's a sense of a lready kinda what genre it'll be. There's a sense of the character, there's a sense of the journey and all these things. I felt the same about, writing The Endless Sea I knew it would be from the voice of a child. This probably sounds like my creative process is terrible, but it was just. This is how it was going to be. That kind of part was writing itself, or at least I feel that it'd been writing itself like that in my subconscious for many, many years before it kind of surfacing and writing. Like the writing bit is just the tip of the iceberg at the end of the day. there wasn't like a kind of decision about that. the story in that sense was quite intact. So I often feel like the story is demanding something about kind genre and for, for Raging Grace 'cause I've talked about this a lot, not just in listen to me, but other things. But we always said like if you are an an undocumented person, every breath you take is taken in a hostile environment. It's so natural for it to be a horror. So there's not a sense that you kinda decide that it's like that is the very reality of someone who's going, you know, that's their lived experience. And if you're going to represent that truthfully, it will be through the prism of horror. And I suppose that's how I think about genre. the story is kind of telling you what it needs to tell its emotional truth. and I felt that way, with The Endless Sea same thing with the Raging Grace, with Lullaby. And I think you talked about The Promise, I suppose I, with The Promise, which is an adaptation I had less choice about that because that was a book and it was a adapted into an animation. I've heard Nicola, who's the author of the book, talk about that and she talks about like the story coming to her in a dream and tiptoeing down her arm coming onto the page, she like describes it really beautifully. so maybe our processes are the same. It feels that way. there's not long deliberations. I mean, that's not to say the writing process isn't difficult. It is. But that, I've never found the, [genre] the difficulty or the bit that's required a lot of, I don't know soul searching with it.    Miko Lee: [00:14:28] So with that being said, how did Endless Sea your latest children's book? How did that tiptoe into your imagination?    Chi Thai: [00:14:36] This is a strange one because this is probably the closest thing to like, almost autobiographical work. What I can say is like, it's the true story o f how I and my family, which would've been at the time my mom and dad, my older sister, me, how we fled Vietnam after the fall of an Saigon. we actually left quite late we left in 1979 w hen things were tr were getting truly, truly, truly, quite terrible. And, this was very much a last resort. I think my parents would try to make things work, but realized that they couldn't. This journey that we took on these, boats that were made badly, made poorly, that many of which sank has become almost like the genesis story of our family. It's like it's a big, it has a long shadow, right? Ever since you know I, it is like the first story that I can remember. It's one of the few stories my mom would tell me again and again when we, when they see their old friends, it's something they talk about. So it's something that has happened to it to us, but it's such a big thing that it's just, echoed In my life growing up, as I've you know, got older and older, and the wonderful thing about having a story kinda live with you eventually it's in your blood and in your bones, but also if it's a thing that's kinda shared with you again and again, you actually build up this, there's something about the repetition of it, and then every time you hear it told from an uncle or a family friend or from your mom, a new little detail is embroidered that someone adds. So I've kinda lived with this story for 40 plus years and I've been collecting all these little things about it all this time and all that time it was, I think, kind of just writing itself, you know? You know, it was doing all that work before I actually put like pen to paper. Um, yeah.    Miko Lee: [00:16:31] Was there a catalyst or something that made you actually put the pen to paper?   Chi Thai: [00:16:36] That's really interesting. You know, I probably don't mind it is probably something really banal like. I think I probably wrote it during Covid and I had more time. Um, I think there are probably be some bigger forces in place. And you know what, I can tell you what it is actually if I'm, I'm forcing myself to think and examine a bit closer so when this is totally true. So I remember hearing the news about Viet Thanh Nguyen win winning the Pulitzer for The Sympathizer. And it made such a mark on me and I kind of felt, wow, someone from our community has achieved this incredible thing. And I thought, why? Why now? Like, and I was like, well, you know what? It's probably taken our community certain amount of time to come of age, to develop not just the abilities to write, to create, to make art, but also to have possibly the relationships or networks in place to be able to then make the art and get it out into the world. And I kind of felt when he was able to do that and came of age, I kind of felt there was going to be like other people from the kind of diasporic Vietnamese community that would also start to flourish. And that made me feel really good. About probably being a bit older than the average kind of artist, like making their, kinda like their pieces and everything and saying, you know what? My time can be now. It's okay. And I just find it just really inspiring that, you know our community was kind of growing, growing up, coming of age and being able to do these, these things And I kind of felt like it had given me the permission, I suppose the, the confidence to go, “Oh this story that I've been carrying my whole life, which I don't really see a version of out there I can write that and now I can write it and I'm the right person to write it.” And I had just done The Promise so I had a relationship with Walker. I was like, I have a, you know, a relationship with the publisher. I feel my writing is matured. Like I can do this. And so it was like a culmination and, you know, convergence of those things. And, but I do remember having that thought thinking, “This is a good time to be alive in our community 'cause we're actually able to make our art and get it out there now.” I, I felt it was like a real watershed moment really.   Miko Lee: [00:19:11] What made you decide to do it in this format as a Little Kid's Children's Illustrated book? We were talking earlier about how to, to me, this is the first more realistic version of a boat people experience in a very little kid's voice. What made you decide to do it in this style?    Chi Thai: [00:19:33] So interesting. At the same time, I was writing The Endless Sea. I was writing also the script for a short film, which is called Lullaby, which is takes an incident that happened on my boat but expresses it as a film, as a little kinda horror kinda drama, but a kid cannot watch that. It's like too terrifying. Um, and I wrote, you know, The Endless Sea at the same time. And again, I can't, it's really hard for me to articulate. I just knew it was gonna be a kid's book, like, and I knew it'd be written from the voice of a kid, and I didn't actually, can I say I didn't even ascribe a particular kind of value to that. It wasn't until I had started conversations with the publisher they're like, you know, we see like there's a really high, like this is really great that it's written in the voice of the kid. It somehow gives it something else. Something more is something kind of special. I didn't set out to like, overthink, like what was the most effective way to tell this story? I, I think I just told the story as honestly as I could, you know, with the words that I felt that, you know, I had in me to de, you know, to describe it. In the most authentic way to, to me. And like I say, at the same time, I knew, like I knew that was a kid's book. There was another part of that I wanted to express that was really important to me and that was survivor's guilt. But that I felt was like, that was a horror, so that was really not gonna be suitable for kids. So I was definitely thinking about lots of things to do with the same subject of the same time, but they were definitely being expressed in different ways. And again, Lullaby came to me very kind of quickly, almost fully formed. And I knew, you know, it would be a ghost story. I knew it would be the story of a mother and things like that. And I often maybe, you know, I should, I, I should interrogate more, but I kinda, I take these kinda. These ideas, which are quite well shaped and, and then I just like lean into them more and more and more. But they, the way they arrive it, I've kinda, I, I can see a lot of what is already about to unfold.   Miko Lee: [00:21:43] And do you still dream about that experience of being on the boat as a kid?    Chi Thai: [00:21:52] It's, it's a really difficult thing to explain because you know that that happened now so long ago, and I've probably heard the story thousands of times. I've watched all the terrible Hollywood movies, I've seen all the news clippings, I've watched all the archive. I've listened to, you know, people talk, and I have my own memories and I look at photographs and I have memories of looking at photographs. I feel like, you know, my memory is really unreliable, but what it is instead is it's this, this kind of, kind of tapestry of, you know, of the story of memories, of, you know, images as I grow up of hearing the story, like all coming together. One of the things I did when I wrote, I wrote The Endless Sea, is I then went back to my mom and I did a recorded interview with her 'cause I was really worried about how unreliable my memory might be. And I interviewed her and I asked a lot of questions and I said, and I, it was like, you know, in the way I would've just like listened to the story quite passively before this time I interviewed her and I asked a lot of questions about details and all sorts of things. 'cause I really wanted to be able to represent things, you know, as factually as I could. And that was kinda one of my kinda kind of fact checking kinda exercises I did 'cause I was, I was much quite worried about how unreliable my memory was about it all. And you know, what is, what is a memory of a memory of memory, like, you know, especially when it comes to thinking about that time on the boat and the feelings I had. Yeah. So, you know,    Miko Lee: [00:23:34] and you were so young also to    Chi Thai: [00:23:37] Totally 100%. And sometimes, I don't know, you know, is it a memory of a memory? Is it a dream of a dream?   Miko Lee: [00:23:44] Mm-hmm.    Chi Thai: [00:23:44] Or just some, yeah.   Miko Lee: [00:23:46] Was there anything that your mom said that surprised you?    Chi Thai: [00:23:50] Yeah. Um, she didn't realize how bad it was gonna be and she was like, “God, if it, I'd known how terrifying it was I dunno if I, we could have done it.” I think there's a certain amount of naivety involved and I suppose that surprised me. You know? 'cause we know already now how bad it was. Um, so things like that surprised me.    Miko Lee: [00:24:15] and your mom, the dedication of the book is to your mom. What does she think when she first read it?    Chi Thai: [00:24:22] I've got a funny story. My parents, you know, they, we left, they were in their early twenties and I think it was, you know, the escape was hard for them, but settling in new country was really hard for them. That's. That's been kind of their struggle. They had to work so hard, so many hours to kind of, you know, give us a great life. And, I think a lot of that meant they weren't people that could go out, enjoy, enjoy movies, look at art, read lots of literature and things like that. They're very, very simple, very working class. Simple life or working class kinda life. Very much all about, uh, the work. Um, and I remember when I had a, the publisher had made like a mockup of the book and I gave it to my mum to read 'cause I wanted her to be happy about it too, and she's probably been my toughest critic. I think everything I've done, she hasn't really liked, to be honest. Um, and when I gave her the mockup to read. She went, “Yeah,” but she said it in such a way I knew what she meant was Yeah, that's right. You know, that's the truth. That's the, you know, the book isn't the testimony, but it felt like she was saying yeah. It was like the simple kind of approval. It wasn't like a lot    Miko Lee: [00:25:50] That is the most Asian mom's approval ever.    Chi Thai: [00:25:54] It's so funny, like people say to me, oh Chi, it's such a beautiful book. Oh, the writing so lit, like lyrical. It's stripped back, it's elegant. Like, you know, Viet Thanh Nguyen , like God bless his like consults, gave me a comment to put in the book, said these wonderful things, and my mom goes, “yeah.”. You know, it made me laugh at the time, but I knew what it meant. And I also was old enough, I was mature enough, you know, God, if she'd given me that, if I'd been 20 written that I might have cried and my heart might have broken. Right. But I, I knew I had, I've so much compassion, you know, for my parents. Mm-hmm. And people like my parents, what they've been through and, you know, but    Miko Lee: [00:26:38] That was incredibly high praise for her.    Chi Thai: [00:26:40] It was, I couldn't have asked more.   Miko Lee: [00:26:47] Oh, I totally get that. I think that's such an Asian thing. That is so funny.    Chi Thai: [00:26:53] It is, it is. I didn't feel bad. I, I remember showing her Lullaby, um, and she didn't like it at all.    Miko Lee: [00:27:02] What did she say? What is her not like voice? What did she say to that?    Chi Thai: [00:27:05] Oh, she. Well, firstly, she, well, the, the film is almost silent because basically it tells a story. It's inspired by a mother that was on our boat who lost her baby on the border crossing, and I was very much ever, for as long as I knew about this woman's story, I was like, I was very much haunted by it, and I was haunted by, you know, the fact that that's how she felt and her guilt. Over losing her baby on this journey. And I knew, I knew I wanted to tell her story. 'cause one of the things I feel very strongly about is when you are on the losing side. So I'm from South Vietnam, like that's not the, you know, that's not the story that's told, the story is told of who triumphs at the end of the day. And I was just like all those people that we lost at sea, this mother, her baby. The stories kind of aren't told. So I kind of felt really strongly that this was somehow a very creative way to put down like a, an historical record like this happened. And actually I found out after making the film that five babies were lost in our boat, not just one.   Miko Lee: [00:28:24] Wow. So what did she say, your mom say?   Chi Thai: [00:28:28] Yes. So I made this film, which was for the most part, a silent film. This is a woman that's shut down. She barely speaks anymore. She is living with the guilt ever. You know, when she was on the boat before her baby died, she sang a lullaby, and ever since then, she hasn't been able to speak again. And then we find out that she has been haunted by the ghost of her child that she lost. And then a bit too, you know, to kind of free herself from that. She, she actually sings, you know, the, the film culminates in her singing the Luby one last time. S saying Goodbye finally being able to move beyond her Gild and I Griffin, saying goodbye and hoping she's able to, you know, progress. So I made a film about that was largely silence except for this lullaby, and my mum watched it. She went, next time you make a film, you know you need more words. I was just like, oh, I think my heart probably did crumple off a bit a bit at that point.    Miko Lee: [00:29:30] Aw.    Chi Thai: [00:29:31] You know? Um, but yeah. But yeah, it's okay. It's okay because you know what? My mom doesn't get to see stuff like that very often. So sometimes she doesn't have the wider, and this is why, I mean, like, the life that she's had, you know, hasn't been one where she's been able to surround herself with, oh, I'm so lucky. You know, my life has been so different, but it's been different. Different because of, you know what she's, what she's done for us, so it's okay. I can take it on the chin when she says my film doesn't have enough dialogue in it.    Miko Lee: [00:30:04] I love that. For you, have you had conversations with your mom about your life as an artist, and what are her thoughts on that?   Chi Thai: [00:30:16] Well say. So I, so my mom, I don't really like, you know, she's probably not that into it. I'll be honest about being an artist. I can understand why she wants you to have a good life. And I would say for the most part, being an artist is, is a, is a tough life because it's hard to make, you know, the, the pennies work, right?   Miko Lee: [00:30:44] She wants stability for you, right?    Chi Thai: [00:30:45] Yeah, exactly. But she's made a peace with it. And basically what happened, I think all the best story is gonna be about my mom, right? Is that she basically, I, I, um, I have a partner, we've been together for 15 years. Um, he's a really nice guy and he has a reliable job and we have two kids together and i,    Miko Lee: [00:31:08] So that makes it okay.   Chi Thai: [00:31:10] So yeah, this is what I was saying. So she said to me like. It doesn't really matter what you do now. 'cause she, you are already peaked. You're somebody's wife. We're not married. But she told everyone in Vietnam we were married 'cause she couldn't cope with this not being like having kids out of wedlock. In her head. She's rewritten that we are married. Right. She's like, you are married, you're somebody's wife and you mother, it doesn't get better than that. So if you are an artist or if you're a filmmaker, whatever, it doesn't matter. 'cause nothing can be better than that. Right. So she's accepted on the basis that I've already fulfilled, kind of my promise.   Miko Lee: [00:31:46] Wow. Interesting.    Chi Thai: [00:31:50] And she means that in the nicest possible way.    Miko Lee: [00:31:52] Yeah.    Chi Thai: [00:31:52] That she feels like you have a home, you have stability, you have someone who loves you, you know, you have a, a purpose in life, but really her value, you know, the way, I think, the way she measures my value is like, that's how she looks at it. The, the art is something else.    Miko Lee: [00:32:10] Well, I really appreciate you sharing your art with us in the world and your various, um, genres and styles. And I'm wondering how our audience can find out more about your work. Clearly we'll put links to where people can buy the book and let's see, but how do they find out more about your films?   Chi Thai: [00:32:28] Um, so that like, because it is the 50th anniversary of the end of the Vietnam War in 2025. Actually the very anniversary of that is the tomorrow, the 30th, April, right? Um, you can watch Lullaby on Altar, which is a YouTube channel. Um, and I can give you the link for it. Rating Grace is on Paramount Plus if you want to, if you've got Paramount Plus, but you can also buy it from all the usual kind of places too. Um, and you know, and we'll see us from all great book stockists, I imagine in, in the us.   Miko Lee: [00:33:07] Thank you so much. Um, I'd love to get, I'd love for you to send me the link so I could put 'em in the show notes. I really appreciate chatting with you today. Um, is there anything else you'd like to share?    Chi Thai: [00:33:19] Um, no, I think, I think that's good. Your, your questions are so good. Mika, I'm already like, kinda like processing them all. Uh, yes.    Miko Lee: [00:33:30] Well, it was a delight to chat with you and to learn more about your artistic vision, and my wishes are that you continue to grow and feel blessed no matter what your mama says, because deep down, she's still proud of you. Even if she doesn't say it out loud.    Chi Thai: [00:33:47] I believe it. I totally believe it.    Miko Lee: [00:33:50] Yay. Thank you so much for spending time with us on Apex Express.Next up, listen to stay, go from dark heart, a concert narrative by singer and songwriter Golda Sargento.   MUSIC   That was the voice of Golda Sargento from the new Filipino futurism punk rock sci-fi dark heart. Welcome, Livia Blackburne Children's book, author of Nainai's Mountain. Welcome to Apex Express.    Livia Blackburne: [00:38:56] Thank you so much for having me.    Miko Lee: [00:38:58] I wanna start with a personal question, which is, who are your people and what legacy do you carry with you?    Livia Blackburne: [00:39:05] I am Chinese American, and so I carry the stories of my grandparents who fled China to Taiwan, fled that war. And I also carry the stories of my parents and myself who immigrated. To America, and I am, I grew up in New Mexico, so I have fond memories of green chili and new Mexican food. I went to college, Harvard and MIT on the east coast. So I've got a bit of that kind of ivory tower. And now I'm in LA and, you know, my people are, my family and my community, the writing community here. So I, I'm a big mix. Yes.    Miko Lee: [00:39:44] What legacy do you carry with you?    Livia Blackburne: [00:39:47] I mentioned a bit of my grandparents and my parents. What they went through in the war in China, and then my parents and me coming here. the experience of being here in two worlds, coming from Taiwan having that cultural background and also, growing up in the United States. The culture I've been surrounded with here as well.    Miko Lee: [00:40:06] Thank you so much for sharing. Can you tell us about your new illustrated children's book? Nainai's Mountain. What inspired this work?    Livia Blackburne: [00:40:14] The story of this book actually started with another book that is coming out in a couple years that actually I can't share too much about. My grandparents fled the war in China and then my. Parents grew up in Taiwan and I wanted to preserve that family story. My parents are getting older. So I started doing oral interviews with my parents about their childhood, what it was like, growing up. I wouldn't say they weren't refugees in Taiwan. It's a very complicated political situation, but they were transplants to Taiwan, and what it was like growing up there, their daily life. What kind of things they did when they were a child, their pastimes, I wanted to preserve their stories and I got a lot of great material., A lot of that is going into a novel that I'm currently working on. But also as I worked on it, there were so many great details that I thought would be really good in a picture book as well. Also, I'm a mother now. I have an 8-year-old daughter, and she is half Caucasian, half Asian. She has never gone to Taiwan before and I. As I'm writing this, I'm thinking, it would be really great to, I do want to share Taiwan and, my own childhood, home with her at some point. And so I start imagining what would it be like to bring her back to Taiwan and show her everything. And that became the seed for Nainai's Mountain, which is a. Story of a girl visiting Taiwan for the first time with her grandmother. And her grandmother shows her around and tells her stories about her childhood, and the girl through her grandmother's eyes, sees Taiwan, you know, for the beautiful place that it is.    Miko Lee: [00:41:56] You also wrote the book I Dream of Popo. How are these companions to each other and also for audiences that might not speak Chinese. One is a grandmother on the mother's side, and the other is the grandmother on the father's side. Can you talk about how I dream of Popo is linked to Nainai's Mountain?   Livia Blackburne: [00:42:15] Thank you for pointing that out. Yes. So Popo is maternal grandmother, and Nainai is a paternal grandmother. And that is a fantastic question. So I dream of popo is kind of my story. So it's about a little girl who moves from Taiwan , to the United States and it's about her relationship with her grandmother who stays in Taiwan. And it talks about, how a close relationship, navigating long geographical distances about the language barrier that comes up. And that was very much me, Nainai's Mountain. It's kind of like Popo in reverse, you know, it's now it's someone going back to Taiwan and kind of getting in touch with those roots. That, as I mentioned, that's inspired by my daughter. And you'll see in Nainai's Mountain, I specified that the child should be, half Asian, half Caucasian. Because, I wanted more of that representation in the children's literature.    Miko Lee: [00:43:07] Thank you. I, I wonder if you could talk a little bit about the artistic style. So you are the author, but you had different illustrators for both of the books and the style is really different. The in, when I look at Nainai's Mountain, which I'm holding here, it's sort of collage and really vibrant colors. Where I Dream of Popo has a different, more. I'm almost realistic, kind of look to it. And I'm wondering what your process was like in collaborating with illustrators.    Livia Blackburne: [00:43:37] That's one of the best things about being a picture book author, is that you get to collaborate with so many illustrators and they all have such different styles, such different visions. Most of the time it's the publisher who chooses the illustrator, although they. Consult me usually. My editor for I Dream of Popo picked Julia Kuo. And she sent me samples and I loved it. And, it was great. I'm friends with Julia now and that book did really well. It was very well known, especially in kind of Taiwanese American, Asian American circles. And so when I did, Nainai's mountain, that was with a different publishing house and my editor. He very consciously said, you know, because it's also a book about Taiwan and a grandmother. We don't want to get it confused with I dream of Popo. So, we made a conscious decision to pick an artist with a very different style and Joey Chou is fantastic. He's very well known for his Disney art. You can see his art in a lot of the hotels and cruise ships. And, he, very bright, vibrant, and I, he's also from Taiwan. I think he did a fantastic job.   Miko Lee: [00:44:41] And have the artistic work ever surprised you as being really different from your imagination while you were writing?    Livia Blackburne: [00:44:48] That's a great question. I don't think they've ever surprised me. By being different. They surprised me in the specifics that they've chosen. For example, I dream of Popo. Julia, spent a lot of time in Taiwan and she put in these great, Taiwan details that, you know, if you're from Taiwan, you would know for sure. There's like a specific brand of rice cooker called the rice cooker, and she has one there and like the giant bag of rice in the corner, and the calendar on the wall.   Miko Lee: [00:45:16] Even the specificities of the food and the trays and everything is quite lovely.    Livia Blackburne: [00:45:20] Yeah, yeah. You know, every time I read that, I look at that spread, I get hungry. So surprise there. And, with Joey, I, I love how he does the different, there's kind of flashback pictures and there's, pictures now and. The thing about him, his color, I just love the color that he put in from the greens, of Taiwan to kind of the bright fluorescent lights, neon lights of Taipei, and then there's kind of the slight sepia tones of the past and he just, you know, brings it so to life so well.   Miko Lee: [00:45:49] I didn't know he was a Disney animator, but it totally makes sense because it feels very layered. It does feel animated in a way and kind of alive. So I appreciate that.   Livia Blackburne: [00:45:59] I'm not sure. If he's an animator. He does a lot of art for the theme parks and like products and the cruise ships and stuff. I'm not sure.    Miko Lee: [00:46:07] Oh, interesting.   Livia Blackburne: [00:46:07] He does like movies and  stuff.    Miko Lee: [00:46:08] Interesting. It looks like animation though. Your book.    Livia Blackburne: [00:46:13] It does look very, yeah. Lively. Mm-hmm.    Miko Lee: [00:46:16] That I'm looking forward to that series. That would be so cute. The grandmother series as a whole little mini series traveling to different places. can you tell us about your new book, Dreams to Ashes? Has that been released yet?   Livia Blackburne: [00:46:29] Dreams to Ashes? That has been released that, released about a month before Nainai's Mountain. Yeah, that one's quite a bit different. So that one is a nonfiction book and it's a picture book, and it's about the Los Angeles massacre of 1871. Whenever people, I tell people about that, they're like, wait, you wrote a picture book about a massacre? Which is slightly counterintuitive. So I never knew about the Los Angeles massacre growing up. And, and, given that I am a Chinese person in Los Angeles, that is kind of weird. Basically, it was a race massacre that occurred. One of the biggest mass lynchings in history, uh, where there was a between two rival Chinese organizations and a white bystander was killed. And because of that, , a mob formed and they rounded the Chinese population up basically. And. Blame them for that death. In the end, 18 Chinese men were killed and only one of them were involved in the original gunfight. It was a horrible tragedy. And unfortunately, as often happened with these kind of historical tragedies in our country, nobody was really punished for it. A few men were indicted and convicted, but their convictions were overturned and it just kind of disappeared into history. And it really struck me that, you know, nobody knew about this. I wanted to kind of bring this to light and unfortunately when I was writing it, it was also, during the Covid pandemic and, I was seeing a lot of anti-Asian rhetoric, anti-Asian hate crimes were going up. And I saw so many parallels between what happened. Back then, because, you know, Chinese people specifically were being vilified , they were being called immoral, stealing people's jobs. And you can see in the years before the massacre the newspapers were saying horrible things and, you know, the hate was just becoming very strong and all that exploded one night into an unspeakable tragedy. Unfortunately as an author, you want your work to be relevant, but sometimes you don't want your work to be relevant in this way. Right. Nowadays I'm seeing so much rhetoric again against immigrants and not of many ethnicities. And in some ways I'm sad. That, this is happening now. And I also hope that this book will contribute to the conversation and show how the danger of racism and xenophobia and hate and what, what can happen because of that.   Miko Lee: [00:48:55] So this occurred in the late 1800s, right? Was it before the Chinese Exclusion Act?    Livia Blackburne: [00:49:03] Yes, it was before the Chinese Exclusion Act. So you'd hope that people kinda learn from these things. And it was just kind of one of the, one of the horrible things that happened on the way to the Chinese Exclusion Act and Chinese immigrants being excluded basically Chinese laborers at least.   Miko Lee: [00:49:23] Oh wow. Okay. I'm looking this up now. And 1882 we know was the Chinese Exclusion Act and this incident actually happened in 1871. Yes. A decade beforehand, Helen Zia always talks about these moments that are missing. MIH missing in history and this is clearly another one of, another time of just wiping out a population.I'm wondering if you could speak a little bit more about how Children's Books can make a difference in the world that we're currently living in, where our government is banning books and you know that there's a narratives that they want to align with a certain kind of conservative ideology. Can you talk about the power of being a Children's Book author in this time that we're living in right now? . I'm really thinking about dreams to Ashes and even I dream of Popo and even Nainai's Mountain, which you would think, oh, they're, you, they're visiting their grandparent, their grandmothers, that would not be controversial. But now when even words like inclusion and diversity are threatened and books are being banned, I'm just wondering if you could. Share a little bit more about your superpower as a children's book author?    Livia Blackburne: [00:50:31] Yeah, that's a fantastic question. We live in a time right now, there's, a lot of hate, a lot of intolerance, a lot of fear of different people groups. And a lot of that I think is because people are unfamiliar with people unlike themselves. They see. People who are different, look differently, act differently, speak differently, and it scares them. And I think the best way to get around that is to actually get to know people of other backgrounds, to see them as human. And I think that's where children's books come in. ‘Cause we don't, children are not born. With this hate of the other. They learn it. But, if they grow up being familiar with people of different backgrounds seeing their stories seeing them as, normal human beings, which, should be obvious, but sometimes it's hard, for adults to realize. Then, I'm hoping, as a children's book author that it will lead to a more empathetic world. And perhaps that's why the government sometimes in certain groups are wanting to, censor this and control the flow of children's books because, children are the most their minds are still open. They're still able to learn.    Miko Lee: [00:51:48] And Livia, tell us what you're working on next.   Livia Blackburne: [00:51:53] So right now I am. Working on a historical middle grade. We haven't quite announced it yet, so I can't say the title or too many details, but it is based on my family history of my parents and grandparents who moved from China to Taiwan after the civil War.   Miko Lee: [00:52:12] Please check out our website, kpfa.org. To find out more about our show tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is created by Miko Lee, Jalena Keane-Lee, Preti Mangala-Shekar, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tanglao, Cheryl Truong and Ayame Keane-Lee.   The post APEX Express – 6.19.25 We Are All Connected appeared first on KPFA.

Disha Karnad Jani interviews Kevin Pham, Assistant Professor of Political Science at the University of Amsterdam, about his recent book, The Architects of Dignity: Vietnamese Visions of Decolonization (Oxford University Press, 2024).  In his book, Pham traces the evolution of Vietnamese political thought through six figures, Phan Bội Châu, Phan Chu Trinh, Nguyễn An Ninh, Phạm Quỳnh, Hồ Chí Minh, and Nguyễn Mạnh Tường. He explores how across the 19th and 20th centuries, as generations of Vietnamese thinkers responded to and organized against French and US colonialism, they debated distinct and powerful ways to conceptualize politics, mobilize their people, organize their society, and build a nation through decolonization.

“I got kicked out of college. That was the moment I had to grow up—not just as a player, but as a man.” – Davon DillardWhen I first saw Davon Dillard playing for the Saigon Heat, I knew I had to talk to him. He stood out immediately—not just because of his athleticism on the court, but because there was something about his presence. He looked focused. Grounded. Professional.And as it turns out—his story is even more powerful off the court than on it.Davon opens up about hitting rock bottom after getting dismissed from Oklahoma State, and how that moment became the spark for personal growth, discipline, and a complete lifestyle change. Now, not only is he playing pro basketball in Vietnam, but he's also a published author, a proud vegetarian for over a decade, and someone who's using his story to lift others up.This one's about more than basketball. It's about identity, transformation, and how we can all use our lowest points to rise higher than ever before.Key Talking Points- What it's like playing for the Saigon Heat and the basketball culture in Vietnam- First impressions of Vietnam, and how Davon's family reacted to the move- What it's like being a tall, tattooed, Black athlete in Asia- How a lifelong aversion to meat turned into 11+ years of vegetarian living- Thoughts on Vietnamese food (and navigating “healthy” options)- The power of resilience, community, and building a legacy through writingChapters and Timestamps06:20 – Basketball in Vietnam: Clappers, crowds, and why it's catching on10:15 – Standing out in Asia: On being tall, tattooed, and Black in public15:40 – The turning point: Getting kicked out of college and hitting rock bottom26:30 – Writing three cookbooks and building purpose beyond basketball34:00 – Going vegetarian: childhood food aversions, fasting, and discipline40:00 – Protein & performance: how he fuels his body with mushrooms, eggs & juice"Send me a message!"This Season is sponsored by Premier Dental.Discover the potential of a confident and healthy smile with the excellent dental clinic in Ho Chi Minh The full list of winners is here. Support the show

Christopher Sean (Star Wars Resistance, Gotham Knights) stars in this Vietnamese tale about two friends, one dream, and the infinite value of a true heart.

To bring Vietnamese games to the global stage, studios need more than just creativity. It requires a combination of relentless experimentation, the ability to leverage technologies such as artificial intelligence, and a willingness to learn from the successes of global hits. By deeply understanding their players, embracing change, and continuously improving their products, Vietnamese game developers can gradually push the boundaries of what's possible.In Episode 54 of the Vietnam Innovators podcast (English edition), this global journey of Vietnamese games continues through the insights of Anel Ceman, Former VP of Monetization at Tripledot Studios. A leading expert in mobile game monetization, Anel has held key leadership roles at renowned studios such as Outfit7, Wildlife, and Tripledot. He is widely recognized for his ability to merge strategic thinking with operational excellence in the global mobile gaming industry.Drawing from his solid background in both hands-on operations and high-level strategy, Anel shares sharp perspectives on how to build competitive, scalable, and sustainable games for international markets.---Listen to this episode on ⁠Youtube⁠And explore many amazing articles about the pioneers at: ⁠https://vietcetera.com/vn/bo-suu-tap/vietnam-innovator⁠Feel free to leave any questions or invitations for business cooperation at ⁠hello@vietnaminnovators.com

TakeawaysRae Tran aims to uplift the quality of Vietnamese coffee.Karmic Circle Coffee Trading focuses on quality rather than quantity.Innovative processing methods are being introduced in Vietnam.The US market is diverse and seeks unique coffee offerings.Rae credits Miguel from Paradise for his mentorship.Vietnam is experiencing a mini Renaissance in specialty coffee.The company imports between three and five tons of coffee annually.Pre-orders help minimize risks for small operations.Instagram is the best way for roasters to connect with Karmic Circle.The current political climate poses challenges for coffee importers.   Visit and Explore Covoya! TAKE OUR LISTENER SURVEY

[39:59] In this insightful and timely episode, host Greg Gazin delves into the realities of the refugee experience with accomplished entrepreneur, advocate and author, Dalton T. Sirmans. They unpack the common myths and misconceptions surrounding refugees, moving beyond the headlines to reveal stories of incredible resilience, ingenuity, and significant economic contribution. Dalton introduces the core message of his book, "The Refugee Advantage," highlighting the remarkable strengths and hidden potential of those forced to flee their homes. Dalton shares his personal journey from the fintech industry to becoming a passionate advocate for refugee empowerment, a path that led him to at 60, pursue a Master's in International Relations at Harvard University to better understand the global challenges of displacement. He discusses the work of his firm, Amplio Ventures, which invests in refugee-led businesses and aims to create remote work opportunities for those in camps. Throughout the conversation, Dalton provides powerful examples and statistics that counter the narrative of refugees as a burden. He shares inspiring stories taken from his book of refugee entrepreneurs who have achieved remarkable success, including: Andrew Ly, a Vietnamese refugee who, along with his brothers, reimagined a corner coffee shop the Sugar Bowl Bakery, now one of the largest Asian-owned bakeries in the United States. The Haddad Family, Syrian refugees in Canada who started the internationally recognized chocolate company, "Peace by Chocolate," becoming a major employer in their new community of Antigonish, Nova Scotia. "JB," a former gymnast from Central Asia who, after becoming a Christian, facing persecution and imprisonment, built a successful set of gyms in Texas. TesfaMichael Yohannes's twin daughters, who fled Eritrea and later founded the successful 2•4•1 Cosmetics company, featured on Oprah's Favourite Things. Dalton explains that refugees often possess unique entrepreneurial qualities honed by their experiences, such as profound resilience, resourcefulness, and a refusal to accept failure. Statistics from a 2005-2019 U.S. study are shared, indicating that refugees contribute billions to the economy and become net-positive taxpayers faster than any other immigrant group. The conversation also touches on the quiet, yet significant, social and cultural impacts refugees have on the communities where they resettle, like in Clarkston, Georgia, known as the most diverse square mile in America. Dalton T. Sirmans is an accomplished entrepreneur, author, and advocate for refugee empowerment. He co-founded Amplio Ventures, an investment firm supporting refugee-led businesses, and previously served as the CEO of Main Street Technologies. He holds a Master of Liberal Arts in International Relations from Harvard University and is the author of The Refugee Advantage, a book that blends research and storytelling to highlight the resilience and contributions of refugees. To learn more about these inspiring stories and the research behind them, visit TheRefugeeAdvantage.com where you can pre-order Dalton's book, The Refugee Advantage. Dalton lives in Palm Coast, Florida, where he lives with his wife Margie. He can be reached at Dalton@AmplioVentures.com.  

Lisa Dent welcomes Chef Thai Dang, owner of HaiSous Vietnamese, for this edition of Foodie Friday. Listen in while Chef Dang talks about what makes his restaurant a ‘must go' place in Chicago and talks about his 2025 James Beard Award nomination for Best Chef: Great Lakes.

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We have an interview episode! Gallerist Sarah Le Quang Sang showcases and promotes female and queer artists, fighting, one step at a time, to reduce the price gap between genders, the lack of LGBTQIA+ representation in archives, collections, art fairs and private collections, but also the linear conception of artistic careers.You wouldn't leave the shop without paying for your latte, right?Buy us a ⁠latte⁠ ;-)How empowering can the #artmarket be? How can a commercial gallery push boundaries? Be more inclusive? And what are the intersections between collections, trans rights, motherhood, family and queer communities? Sarah Le Quang Sang may not have all the answers, but she has all the good questions. She asks: why are birthdates important? Why is there an artistic career template? Who has access to museum collections? Art fairs? If you enjoyed this episode, and if you enjoy reading, Joana's ⁠Substack⁠ might be for you.A new star in the constellation of London galleries, Sarah Le Quang Sang, established a commercial gallery in Shoreditch in 2024–SLQS–to champion female and queer artists. We mention her current exhibition of three Vietnamese artists, Vicky Do, Hua Dung-Clerget and Duong Thuy Nguyen, as well as the previous exhibition by trans non-binary artist Bex Wade which prompted an acquisition of their work by the V&A, now shown at Young V&A Bethnal Green. We had to mention the Supreme Court Ruling in past April reducing gender to biological sex, and thus legally erasing trans women particularly, and the trans community in general. Bex Wade was invited to write about the photos of the exhibition (Queer nightlife in the US in 2010s, a time of lightness and joy) in the context of anti-trans movements rising and becoming more vocal. I read an excerpt of the text at the end of the episode.⁠SIGN UP⁠⁠ for the NEWSLETTER! Be the first to know our upcoming episode, get our UNTIMELY BOOK RECOMMENDATIONS, and juicy facts + useful links.For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcastBluesky: @exhibitionistas.bsky.socialexhibitionistaspod@gmail.comAbout us: If you enjoy the podcast A Brush With and You Are Good, you will enjoy Exhibitionistas, where artists are unveiled through current and pertinent angles, and through thoughts and feelings. These podcasts were a great inspiration for our format because they're nerdy and engaging, researched and approachable. The co-host and the guest co-host or interviewed guest engage in a conversation informed by an accessible and lively presentation of the subject, through which you can reflect on a show or a topic or discover it, learn or re-evaluate artistic topics crossing over into our everyday lives.#contemporaryart #lgbtqia+ #sarahlequangsang #exhibitionistas #exhibitionistaspodcast #joanaprneves #bexwade #vickydo #ingridberthonmoines #dyanagravina

In today's Diversity Dialogue, we'll meet a man well-known to many of us in the court system -- Martin Huynh. But who knew he was a Vietnamese refugee brought out of the country at the age of four by a single parent mom, or that their journey halfway around the world began on a boat and included a period of waiting in the Philippine Islands where they slept on hammocks? Transcript: https://ww2.nycourts.gov/sites/default/files/document/files/2025-05/Martin.pdf

Texas legislation on assisting ICE, priests concerned about mandatory reporting guidelines, and affordable homes one tiny house at a time. Plus, salad celebrities, Cal Thomas remembers the rescue of Vietnamese orphans, and the Thursday morning newsSupport The World and Everything in It today at wng.org/donateAdditional support comes from Ambassadors Impact Network. Unlocking the power of faith-based financing for your startup. More at ambassadorsimpact.comFrom Dordt University, equipping future teachers to create classrooms where all students can thrive. More at Dordt.eduAnd from WatersEdge Kingdom Investments — personal investments that build churches. 5.05% APY on a three-month term. WatersEdge.com/investWatersEdge Kingdom Investments - WatersEdge securities are subject to certain risk factors as described in our Offering Circular and are not FDIC or SIPC insured. This is not an offer to sell or solicit securities. WatersEdge offers and sells securities only where authorized; this offering is made solely by our Offering Circular.

What if the legendary queens of Vietnamese history were reborn as modern-day teens in California? In this episode, we chat with author and educator Aimee Phan about her brand new YA fantasy novel, The Lost Queen. Aimee shares how her experience growing up as the daughter of Vietnamese refugees—and the absence of Vietnamese stories in the books she read—inspired her to create stories that center Vietnamese culture, history, and identity. From dragons and time travel to reimagined mythology, Aimee takes us behind the scenes of a novel that's as empowering as it is imaginative.We also dive into how The Lost Queen can open up powerful classroom conversations. Aimee reflects on why her students connect so deeply with YA and how fantasy can be a tool for exploring identity, agency, and belonging. If you're looking to bring more diverse and empowering stories into your teaching, this episode (and this book!) is a must.Resources:Camp BNTThe Lost Queen, by Aimee PhanAimee's WebsiteFollow Aimee on Instagram @aimeephanwritesSHOW NOTES: https://www.bravenewteaching.com/home/episode262"Send us a message - please include your contact information so we can chat soon!"Get your FREE Cloudy with a Chance of Meatballs gateway lesson: shop.bravenewteaching.com/cloudyCheck out Curriculum Rehab here!Support the show

The Food Professor Podcast closes out its fifth season (sort of) with a sizzling, two-guest double feature and a feast of food industry insights.Co-hosts Michael LeBlanc and Dr. Sylvain Charlebois kick things off with a robust news round-up, starting with the Competition Bureau's lawsuit against DoorDash. The case alleges deceptive pricing practices that could set a major precedent in Canada's rapidly evolving food delivery sector. Next up is a conversation about GLP-1 drugs like Ozempic, and their surprising ripple effects across the food and restaurant industries. With major players like McDonald's flagging GLP-1's impact on consumer demand, the hosts unpack how appetite suppression could force chains to rethink menus and marketing.Turning to politics, the duo dives into the return of Bill C-202, which aims to legislate permanent protection for supply-managed sectors like dairy. Sylvain, fresh from testifying before Senate, challenges the notion that legislation ensures economic security, arguing that this approach stifles innovation and shrinks global opportunities for Canada's dairy sector. The conversation highlights deeper questions about food affordability, trade readiness, and long-term resilience in Canadian agriculture.The episode then shifts to the guest segment, welcoming Daniel Vaughn, Texas Monthly's Barbecue Editor and the man behind the publication's iconic “Top 50 Barbecue Joints in Texas” list. Daniel shares his personal journey from Ohio to Texas BBQ fanatic, reveals the meticulous tasting process behind the prestigious list, and highlights innovations shaping the future of craft barbecue—from smoked lamb to Vietnamese fusion. He also reflects on the human side of the industry, including stories of pitmasters overcoming illness, personal loss, and economic challenges, all while pursuing culinary greatness.Wrapping the episode, Ransom Hawley, CEO of Caddle and presenting sponsor of the podcast, joins to share exclusive insights from a new back-to-school consumer study. He reveals that two-thirds of Canadian parents begin planning in late spring, and that private-label grocery products are increasingly popular—especially among families with younger children. He discusses emotional purchase behavior, the importance of online research, and how grocers and retailers can tailor promotions for maximum impact.With bold opinions, brisket, and back-to-school tips, this finale serves up equal parts smoke and strategy. The Food Professor #podcast is presented by Caddle. About UsDr. Sylvain Charlebois is a Professor in food distribution and policy in the Faculties of Management and Agriculture at Dalhousie University in Halifax. He is also the Senior Director of the Agri-food Analytics Lab, also located at Dalhousie University. Before joining Dalhousie, he was affiliated with the University of Guelph's Arrell Food Institute, which he co-founded. Known as “The Food Professor”, his current research interest lies in the broad area of food distribution, security and safety. Google Scholar ranks him as one of the world's most cited scholars in food supply chain management, food value chains and traceability.He has authored five books on global food systems, his most recent one published in 2017 by Wiley-Blackwell entitled “Food Safety, Risk Intelligence and Benchmarking”. He has also published over 500 peer-reviewed journal articles in several academic publications. Furthermore, his research has been featured in several newspapers and media groups, including The Lancet, The Economist, the New York Times, the Boston Globe, the Wall Street Journal, Washington Post, BBC, NBC, ABC, Fox News, Foreign Affairs, the Globe & Mail, the National Post and the Toronto Star.Dr. Charlebois sits on a few company boards, and supports many organizations as a special advisor, including some publicly traded companies. Charlebois is also a member of the Scientific Council of the Business Scientific Institute, based in Luxemburg. Dr. Charlebois is a member of the Global Food Traceability Centre's Advisory Board based in Washington DC, and a member of the National Scientific Committee of the Canadian Food Inspection Agency (CFIA) in Ottawa. Michael LeBlanc is the president and founder of M.E. LeBlanc & Company Inc, a senior retail advisor, keynote speaker and now, media entrepreneur. He has been on the front lines of retail industry change for his entire career. Michael has delivered keynotes, hosted fire-side discussions and participated worldwide in thought leadership panels, most recently on the main stage in Toronto at Retail Council of Canada's Retail Marketing conference with leaders from Walmart & Google. He brings 25+ years of brand/retail/marketing & eCommerce leadership experience with Levi's, Black & Decker, Hudson's Bay, CanWest Media, Pandora Jewellery, The Shopping Channel and Retail Council of Canada to his advisory, speaking and media practice.Michael produces and hosts a network of leading retail trade podcasts, including the award-winning No.1 independent retail industry podcast in America, Remarkable Retail with his partner, Dallas-based best-selling author Steve Dennis; Canada's top retail industry podcast The Voice of Retail and Canada's top food industry and one of the top Canadian-produced management independent podcasts in the country, The Food Professor with Dr. Sylvain Charlebois from Dalhousie University in Halifax.Rethink Retail has recognized Michael as one of the top global retail experts for the fourth year in a row, Thinkers 360 has named him on of the Top 50 global thought leaders in retail, RTIH has named him a top 100 global though leader in retail technology and Coresight Research has named Michael a Retail AI Influencer. If you are a BBQ fan, you can tune into Michael's cooking show, Last Request BBQ, on YouTube, Instagram, X and yes, TikTok.Michael is available for keynote presentations helping retailers, brands and retail industry insiders explaining the current state and future of the retail industry in North America and around the world.

"I didn't know I was Vietnamese or Asian until I looked in the mirror — because I only saw my friends, and I saw my reflection in them." — Phuong AnhI had a chance to talk to Phương Anh, someone I met at an Overseas Vietnamese networking event here in Saigon. What struck me about Anh right away was the richness of her perspective — having grown up in Berlin after moving there from Saigon at the age of 8, then spending time in the US, and now returning to Vietnam.This episode is all about identity, belonging, and the culture shocks that come with living between worlds. Anh shares her incredibly candid experiences growing up in Germany, how she reconnected with her Vietnamese heritage, and what it's like navigating Vietnamese society now with a “German attitude.”I found this conversation eye-opening, heartfelt, and at times hilarious — especially when we got into German bread vs Vietnamese rice, or Vietnamese CCTV.5 Key Talking PointsGrowing up Vietnamese in BerlinAnh moved to Germany at age 8 and didn't realize she was “different” until much later. The power of cultural contrastWe compared German directness, Vietnamese community warmth, and American friendliness.Returning to Vietnam and facing reverse culture shockNow back in Saigon, Anh shares how her Western mindset sometimes clashes with local norms — especially when working with contractors or navigating gender roles.Navigating multiple languages and identitiesHow Anh speaks German, English, and Vietnamese — and thinks in all three.Marriage to an American and global perspectiveChapters & Timestamps09:00 – Life in East Germany post-Berlin Wall16:00 – Growing up without a Vietnamese community22:30 – Returning to Vietnam & being ‘too German'26:00 – Language barriers between German & Vietnamese33:00 – Why she moved back to Vietnam43:00 – Being married to an American"Send me a message!"This Season is sponsored by Premier Dental.Discover the potential of a confident and healthy smile with the excellent dental clinic in Ho Chi Minh The full list of winners is here. Support the show

This year, SBS is celebrating 50 years of service, playing a crucial role in connecting communities throughout Australia and now broadcasting in more than 60 languages.The Vietnamese community is one of Australia's largest migrant groups - significantly growing after the Vietnam War ended in 1975.This story produced in collaboration with SBS Vietnamese.

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A Long Weekend in Kelowna, British Columbia - Kelowna to Osoyoos: Wine Country, Lakeside Strolls & the Nk'Mip Desert Cultural CentreThis week on the Winging It Travel Podcast, I'm sharing a relaxing but adventure-packed Easter weekend getaway in Kelowna and Osoyoos, located in the heart of British Columbia's stunning Okanagan Valley. If you're dreaming about a scenic road trip filled with vineyard views, coffee shop gems, and meaningful cultural experiences, this episode is for you.We based ourselves in downtown Kelowna, staying at the centrally located Royal Anne Hotel, and explored everything from lakeside trails to vibrant cafes and local eateries. Then we hit the road to visit Vernon, the desert-like town of Osoyoos, and the powerful and educational Nk'Mip Desert Cultural Centre, where I share my honest reflections about Canada's colonial history and the importance of Indigenous learning spaces.From sipping wine at Frind Winery next to the beach, to an epic brunch at Eatology, to sipping third-wave espresso at Slow Side Coffee, this weekend was the perfect mix of downtime and discovery. I also dive into travel costs, local transport tips, and why Kelowna might just be your next affordable getaway from Vancouver.Here's what you'll discover in this episode:

"Beef stew for breakfast, in this heat? Only in Vietnam - and somehow, it works."I've lived in Saigon for nine years, and yet, this city's food scene never stops surprising me. Let me bring you through Michelin Guide's 2025 picks - but not the fancy, white-tablecloth stuff. We're talking about the real heroes: local eateries that made it to the Bib Gourmand and Michelin Selected lists for their exceptional quality and value.This episode was a blast to record. From simmering bò kho in a clay pot to coconut ice cream in a coconut shell, to nearly getting hit by an ambulance while searching for bún chả - this was part food tour, part love letter to Saigon, and part chaos. And that's exactly what I love about it.Whether you're living here, planning a trip, or just a food nerd like me, I hope this episode gives you a taste of what makes Vietnamese cuisine - and its people - so special.Key Talking PointsThe Michelin Guide in Vietnam – What it means, how it's grown, and why it matters for local businesses and the country's global image.What is Bib Gourmand? – A Michelin recognition for restaurants that offer great food at great value—not just fine dining.Three Must-Try Local Spots – Bò kho at Bà Gà, bún chả at Bun Cha Van, and cơm tấm at a street spot near the airport.Why Vietnamese People Don't Care (And That's Fine) – Most locals don't know or care about Michelin, they just know where the food is good.The Chaos and Charm of Eating in Saigon – From blowing on cold ice cream to dodging motorbikes, eating here is always an experience.Chapters and Timestamps01:10 – Starting our food journey at Bà Gà with bò kho in a clay pot07:30 – Coconut & longan ice cream and Vietnamese hospitality18:30 – Bún chả at Bun Cha Van: sesame, spring rolls, and giant fish sauce29:00 – Heading to our third spot: cơm tấm heaven near the airport34:30 – Huge pork chops, sweet-savory flavors, and food nostalgia42:00 – Why Saigon's food scene is infinite and magical"Send me a message!"This Season is sponsored by Premier Dental.Discover the potential of a confident and healthy smile with the excellent dental clinic in Ho Chi Minh The full list of winners is here. Support the show

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A woman is struck and killed in Short Pump; Henrico's newest park earns a national award; Henrico officials break ground on a new detox center; Staples Mill Plaza shopping center has a new owner; Henrico Schools officials plan summer tour of 12 communities; your chance to 'Drive the Bus;' two Vietnamese authors will visit Tuckahoe Library on Saturday; our Weekend Top 5 and Restaurant Watch.Support the show

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An 11-week Israeli blockade brought Gaza to the brink of famine. Now the military – and a shadowy nonprofit – are overseeing a chaotic aid rollout.  The Department of Defense plans to strip civil rights leader Harvey Milk’s name from a Navy ship. KCRW hears from San Francisco’s former supervisor, who was a second-generation Navy veteran discharged for being gay. Nadya Tolokonnikova talks about her new art show “Police State,” losing herself in a Russian penal colony, plus the need for activists to speak up despite risks.  Going to an outdoor event at the Hollywood Bowl or Gloria Molina Grand Park? Consider packing steak salad, Vietnamese banh mi, pastries with savory fillings, and more.

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Little Saigon San Diego will hold a tribute concert that retraces the path of the Vietnamese diaspora over the 50 years. Also, what makes silent films unique? And finally, we dive into the North Park Music Fest and more in your weekend arts preview.

Wat krijg je als je een Franse baguette kruist met Vietnamese smaken, inventiviteit en streetfoodcultuur? Dan krijg je de bánh mì, een belegd broodje dat zoveel meer is dan dat. In deze aflevering duiken Jeroen en Annie in de geschiedenis, opbouw en smaakbalans van deze iconische Vietnamese sandwich. Ze bespreken de Franse invloeden, Vietnamese vindingrijkheid en hoe dit broodje uitgroeide tot wereldwijd streetfoodfenomeen.Van zelfgebakken baguettes en huisgemaakte paté tot ingelegde groenten, gegrilde kip en – jawel – een paar druppels Maggi: dit is een weekendproject voor iedereen die wil begrijpen waarom de bánh mì zó goed werkt. In het supplement duiken we bovendien in de wondere wereld van Maggi: wat is het precies, waar komt het vandaan, en waarom zit het op dit broodje?ShownotesBij elke aflevering maken we uitgebreide shownotes, met informatie uit de podcast en links naar recepten. De shownotes staan op: watschaftdepodcast.com.Word lid van de BrigadeAls lid van De Brigade krijg je een advertentievrije podcast met exclusieve content, toegang tot onze online kookclub, kortingen, winacties en steun je de podcast. Word lid via: petjeaf.com/watschaftdepodcast.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

In this episode, Sean McIver returns to join James and to help kick off a new series on the Vietnam War. Sean and James give an overview of Vietnamese history from its beginning down through the period of French domination, the Japanese conquest during WW2, and the fight for control of Vietnam after WW2.See omnystudio.com/listener for privacy information.

Last month Pierce County resident Tuan Thanh Phan was deported. That wasn’t unexpected for Tuan or his family - he was planning on starting a new life in Vietnam after he was deported. His permanent residency was revoked in 2009, nearly ten years after he was convicted of first degree murder and second degree assault. The surprise was where he went. He wasn’t going to Vietnam, his birth country. Instead, Tuan ended up on a flight to South Sudan. That was redirected to Djibouti. The flight was part of a push by the Trump administration to remove convicted visa holders from the U.S. – back to countries that aren’t their own. Now Phan's wife is sounding the alarm - she hasn't heard from her husband since he was sent to Djbouti. Guest: KUOW Race, Identity, and Immigration Reporter Gustavo Sagrero Álvarez Related Stories: A Pierce County man expected to be deported to Vietnam. Instead, ICE routed him to South Sudan - KUOW Thank you to the supporters of KUOW, you help make this show possible! If you want to help out, go to kuow.org/donate/soundsidenotes Soundside is a production of KUOW in Seattle, a proud member of the NPR Network.See omnystudio.com/listener for privacy information.

I absolutely loved recording this episode with Hoa. We first met through my Tuesday night quiz at Rabbit Hole, and her warmth, wit, and honesty always stood out. This chat went from laugh-out-loud moments to some truly eye-opening reflections about culture shock, navigating visa bureaucracy, and the sometimes ridiculous expectations placed on Vietnamese women, especially when they marry foreigners.I had a lot to talk about, from Grab drivers not understanding northern accents to what it's like going through a U.S. visa interview during a pandemic, and why Vietnamese weddings feel more like family transactions than personal celebrations. Hoa brought raw honesty, insight, and that cheeky energy that makes her so much fun to talk to.Key Talking PointsWhat it's like to experience culture shock as a Vietnamese person moving from Hanoi to SaigonThe bureaucratic nightmare of getting a U.S. tourist visa—and how Hoa finally got approvedHoa's candid take on being judged for marrying a foreigner (and how she clapped back)The emotional toll of career burnout and planning a 500-person weddingThe hilarious and bittersweet origin story of her nickname “Chang”Observations on American vs. Vietnamese culture, kindness, and food portionsChapters and Timestamps01:00 – Hoa's journey: from Hanoi to Saigon and why she “ran away”08:00 – Hanoi vs. Saigon: culture clash & accent issues14:30 – The U.S. visa nightmare and awkward interview questions23:00 – First time in the U.S.: kindness, sticker shock, and scooters31:00 – Career burnout, moving cities & dealing with depression38:00 – Vietnamese weddings: stress, scale, and social expectations41:30 – Stereotypes of Vietnamese women & being married to an American"Send me a message!"This Season is sponsored by Premier Dental.Discover the potential of a confident and healthy smile with the excellent dental clinic in Ho Chi Minh The full list of winners is here. Support the show

What do Billie Eilish, Doja Cat and Jennie from Blackpink have in common? They have all been spotted wearing Vietnamese fashion brands. You might have noticed that your clothes and shoes have labels saying "Made in Vietnam". The garment and textile industry in Vietnam is massive - it's the second biggest exporter in the world, after China. And it employs three million people, most of them women. Global brands like Nike and Uniqlo make their clothes there. But recently, Vietnamese brands are being celebrated in their own right and finding new fans. Thuong Le from the BBC Vietnamese Service talks to us about the Vietnamese fashion industry and why their brands are becoming so popular outside the country. What's their appeal? Fashion influencer Joyce Ng from Singapore explains. Vietnamese fashion business consultant Quynh Nguyen, who works for the brand LSOUL, describes the impact foreign buyers have had on the industry. And Professor Kim Myung-hee from South Korea, a former stylist of Rain and Jun Ji-hyun, tells us why Vietnamese fashion isn't just a short term trend. Instagram: @bbcwhatintheworld Email: whatintheworld@bbc.co.uk WhatsApp: +44 330 12 33 22 6 Presenter: William Lee Adams Producers: Thuong Le, Julia Ross-Roy and Benita Barden Editor: Verity Wilde

The MAC effect is welcoming Tommy Huynh @tommyhuynh He is a husband, a father, a business owner, off road mountain bike rider, and more. Please welcome Tommy with lots of love and bravery to share his story. Tommy lost his father at the age of 12. Grew up knowing about God but hated Him for a very long time due to his fathers passing. He shares how he felt unloved by his mother and family, never really seemed loved in other places, but did seek adrenaline by fighting, breaking the law and following the wrong type of crowd. Which lead him to do some prison time. Crazy right!!  To be honest, when be first explained this to me… I said… “Tommy, no way! Not you… you are a peaceful man, a relaxing man, a business owner, and I can see you have it all together'. And Tommy just lough. Not because I said something funny… but because Tommy was realizing how good and far God has brought him. Tommy has his own YouTube channel @tommyhuynh t_wrex_mtb where she shows off his skills and passion. He also owns along with his wife a Vietnamese restaurant called Monarch9 in Yorba Linda, check them out amazing food and atmosphere. I want to thank Tommy for sharing his story but more importantly being brave enough to heal from his past to create the beautiful future he currently has. If you have any questions for Tommy or myself please ask… out information is here and would love to help. Please connect with us, via comments, your stories, what relates and / or what helps you… as we understand we are not alone or the only ones. Help is here for you too. Family and friends I ask for a favor, please feel free to comment, share, like, subscribe and turn on notifications! My email is Themaceffect19@gmail.com for all questions and inquiries. I promise you this will bless you. How do I know, because my God word is never void. My (our) prayer for this season 5, Dear God, gives us the wisdom to hear and listen with attention, patience and the will to accept what is for me (us). I ask that you develop and grow me (us) as individuals, so that I (we) can be of a blessings to those around us, family, friends and all relationships in between. I have faith and strongly believe this season 5 will be of impact and create memorable moments. Bring… change, challenge, and healing. The MAC Effect is in your hands, grow it, use it, this is yours. I pray for the mission statement to be: “Helping / Leading hurt people, to hope. In heart, mind, body and spirit” but open to change if you please to do so. I pray all this in Jesus Christ name, Amen' I want to thank all my guest in advance for the love and time gifted to this podcast, as all is a direct blessing and healing to my inner child, and others. Amen' #Themaceffect #maceffect #mac #mikecampos6 #god #love #hope #faith #joy #question #hurtpeople #hurt #healing #healpeople #healingmind #healingbody #heartofgold #healingspirit #morals #chorebelieves #growingpain #thewilltofight #keepgoing #youhavepurpose #awakening #understanding #building #fundamentals #ihaveaquestion #iwanttolearn #growing #growingpains #letsgetitright #nottoday #nottodaysatan #jesuschrist #inJesusname #lovealwayswins #peace #letsgetit #testing #learning #process #developing #maturing #fatherhood #motherhood #husband #wife #partnership #equals #tildeath #god #processing #process #guest #podcast #shorts #growth #development #growth #purpose #will #plans #goals #challange #opportunity #welcoming #bringit #letgoletgo #lakersin5

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In today's show, Mark talks with Ryan Sauer of Iowa Corn to talk about yesterday's visit from the Vietnamese trade delegation and also provides some more background on the event, and Riley has the latest export sales with Greg McBride of Allendale.

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Send us a textIn this episode, Host Tom Betti shares insights on his recent trip to Japan where he met Charlie, a purser with United Airlines, on his inbound flight to Tokyo and on his outbound flight from Osaka met United flight attendants Leslie and Lynn who both worked for Pan Am from 1977 to 1986 until the Pacific Division was sold to United.Tom also shares some personal travel stories and gives many updates about this program and the Pan Am Museum! The Pan Am Podcast was recently awarded the 2025 Platinum Muse Creative Award and the 2025 Platinum Vega Digital Award. To learn more, read Tom's interview with Muse staff about this incredible achievement: Tom Betti on Telling the Untold Stories of Pan AmOn April 24, 2025, the Pan Am Museum, in partnership with the Gerald R. Ford Presidential Foundation, and the Gerald R. Ford Presidential Library & Museum, hosted an event in Garden City, NY celebrating the 50th Anniversary of Operation Babylift, the frantic evacuation, ordered by President Ford, of Vietnamese war orphans in the final days of Saigon in 1975. In addition, on May 9, 2025 the Gerald R. Ford Presidential Museum hosted an event in Grand Rapids, MI to celebrate the anniversary. To mark the occasion, the three organizations produced a short documentary film by Dirk Braun that premiered at both events. You can view this film on our YouTube Channel: https://www.youtube.com/watch?v=f9pNjUZwXb4There's also an officially branded Pan Am coffee available from Expedition Roasters Coffee Company that was recently released. There are two kinds available: Organic Guatemalan Single Origin which is more of a medium roast and Sumatra Single-Origin from Indonesia which is more of a dark roast. Here is the link to purchase Pan Am coffee:https://expeditionroasters.com/collections/pan-amSupport the show Visit Us for more Pan Am History! Support the Podcast! Donate to the Museum! Visit The Hangar online store for Pan Am gear! Become a Member! Follow us on Facebook, Instagram, and Twitter!A very special thanks to Mr. Adam Aron, Chairman and CEO of AMC and president of the Pan Am Historical Foundation and Pan Am Brands for their continued and unwavering support!

Vicky Nguyen's life arc that goes from a harrowing escape out of Vietnam to the Today show makes her book Boat Baby a real page-turner. I had a really fun chat with Vicky the day after Mother's Day, which I thought was appropriate, since her parents, husband Brian, and 3 daughters play a big part in this journey of a lifetime. As a bonus, we get Vicky's go-to Vietnamese comfort foods and a behind-the-scenes look at creating the most epic Christmas cards. Listen to this episode on Spotify, Apple Podcasts, or wherever you get podcasts Go get a copy of Boat Baby wherever you get books; it's a great read! Follow Vicky on Instagram @vickynguyentv or over at https://www.vickynguyen.com/ Write to us at: ⁠infatuasianpodcast@gmail.com⁠, and please follow us on Instagram and Facebook @infatuasianpodcast  Our Theme: “Super Happy J-Pop Fun-Time” by Prismic Studios was arranged and performed by All Arms Around  Cover Art and Logo designed by Justin Chuan @w.a.h.w (We Are Half the World) #asianauthor #asianpodcast #asian #asianamerican #infatuasian #infatuasianpodcast #aapi #veryasian  #asianamericanpodcaster #representationmatters  

Merriam-Webster's Word of the Day for May 26, 2025 is: commemorate • kuh-MEM-uh-rayt • verb Something, such as a plaque, statue, or parade, is said to commemorate an event, person, etc. when it serves as a memorial; it exists or is done in order to recall the event or person. A person or group commemorates an event, person, etc. by doing something special in order to remember and honor that event or person. // The plaque commemorates the battle that took place here 200 years ago. // Each year on this date we commemorate our ancestors with a special ceremony. See the entry > Examples: “Over the past year, members of the Vietnamese community have hosted a series of 50 events to commemorate the 50 years since they arrived in New Orleans. They have ranged from cooking classes and festivals to art shows and panel discussions. Last week, more than 500 Vietnamese Americans from across the United States gathered for the 50th reunion of former residents of the fishing region, Phuoc Tinh, located in Vietnam.” — Sophia Germer, The New Orleans Advocate, 11 Apr. 2025 Did you know? When you remember something, you are mindful of it. And you are especially mindful when you commemorate something, formalizing your remembrance by doing something special, such as attending a parade or taking part in a ceremony. It's appropriate, therefore, that commemorate and other related memory-associated words (including memorable, memorial, remember, and memory itself) come from the Latin root memor, meaning “mindful.” English speakers have been marking the memory of important events with commemorate since the late 16th century.

For Memorial Day, we have stories of conflict and devotion, and how they are told through memorials.A well-known memorial in Washington, DC, pays tribute to the US service members who lost their lives in the Vietnam War, but few memorials honor the Vietnamese who fought alongside them, or the hundreds of thousands who came to the US in subsequent years. A new memorial project in the "Little Saigon" neighborhood of Dorchester in Boston aims to do just that. Also, Chile's biggest carnival is kicking off at full speed. As many as 150,000 people have traveled to the northern Chilean town of Arica to participate. But this is not your typical carnival. Most of the dances and music come from Bolivia for a celebration of Indigenous Aymara, Quechua, and Afro-Chilean identities. And, Yaroslav Simkiv has played the trumpet for over 50 years and is a recognizable figure in the western Ukrainian city of Lviv. Several times a day, he plays his instrument from the towering mayoral building in Lviv's main square to announce the time of day. But these days, Simkiv has taken on a more serious role — bidding a musical farewell to Ukraine's fallen soldiers.Listen to today's Music Heard on Air. Learn about your ad choices: dovetail.prx.org/ad-choices

Commissioned a Marine second lieutenant on November 8, 1967, G.M. Davis arrived in Vietnam less than a year later to lead a rifle platoon against the North Vietnamese Army in the northernmost province of what was then the Republic of Vietnam. In his deeply personal book, My War in the Jungle: The Long-Delayed Memoire of A Marine Lieutenant in Vietnam, 1968-69, Davis brings to life the relentless heat, the worry, the responsibility he carried and the daily grind of firefights, battles, victory, and death. Contact with the enemy was frequent, and the chaos of even a small fight was daunting. Davis also examines the political reality of the time, arguing that the war was lost before it began, but that the nation kept fighting and losing soldiers so politicians could look strong and keep their jobs.With his tour of duty completed following two serious injuries, Davis went on to earn a law degree at the University of Florida and was appointed to the federal bench as a US Magistrate Judge.Heroes Behind HeadlinesExecutive Producer Ralph PezzulloProduced & Engineered by Mike DawsonMusic provided by ExtremeMusic.com

In 1975, the Vietnam War ended with the fall of Saigon. Afterward, a large wave of Vietnamese refugees fled the country and arrived in neighboring countries like Cambodia and the Philippines – and the United States as well. Many found community on the coasts like in California or New York, but others created enclaves in the Midwest cities like Chicago. To mark 50 years since the end of the Vietnam War and in honor of Asian American, Native American and Pacific Islander Month, Reset learns more about the history of the Vietnamese community in Chicago. Panel: Vân Huynh, executive director of the Vietnamese Association of Illinois Tam Nguyen, employment counselor at Chinese Mutual Aid Association Ngoan Le, the first executive director, Vietnamese Association of Illinois; former chief of the Illinois Bureau of Refugee and Immigrant Services. For a full archive of Reset interviews, head over to wbez.org/reset.

Breaking news, a judge reportedly tells the Trump administration to find the plane they placed deported migrants on and see if it can be turned around. Attorneys for Vietnamese and Burmese migrants alleged in a new emergency motion Tuesday that the Trump administration deported their clients to South Sudan in violation of a previous court order. Plus, former FBI Director James Comey speaks to AC360, just days after the Secret Service called him in for questioning about what some administration officials say was a call for President Trump's assassination. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Get tickets for Tom's Come Together Tour at https://tomsegura.com/tour SPONSORS: Try Tastemade+ free for 7 days right now at https://tastemade.com/YMH Make life easier by getting harder and discover your options at https://BlueChew.com! Try your first month of BlueChew FREE when you use promo code YMH -- just pay $5 shipping. Get $80 off your first month with promo code SPACE80 at https://Talkspace.com Hey Jeans! This week on Your Mom's House, Tom and Christina kick things off with some good old fashioned white woman cringe. From Fergie massacring the national anthem to Kim Cattrall scatting, we've got a gauntlet of embarrassing singing in public for you to enjoy. Tom then opens the show with a clip of a wild mattress flip, before the Main Mommies get an update from Tony Johns, whose recent stint behind bars has put his Vegas plans on hold. They then speculate on what King Ass Ripper, the cool guy who got away, has been up to. The two also talk about learning to speak mother tongues, black dudes not being amused by gay stuff, a vision update, buckets of brown, Enny thoughts, plus some horrible or hilarious clips, and a Vietnamese hair salon with a questionable name. Don't forget to check your b holes for sores! Your Mom's House Ep. 809 https://tomsegura.com/tourhttps://christinap.com/https://store.ymhstudios.comhttps://www.reddit.com/r/yourmomshousepodcast Chapters 00:00:00 - Intro 00:02:00 - Fergie's Greatest Hits 00:05:56 - Clip: Kim Cattrall Scatting 00:08:17 - Clip: Big Jessica Simpson Energy 00:09:32 - Opening Clip: Bed Flip 00:14:45 - Tony Johns Is Locked Up 00:22:46 - Mother Tongue 00:31:18 - The Cool Guy Who Got Away 00:42:38 - Black Dudes Don't Like The Gay Stuff 00:45:37 - Vision Update + Tom's Poo Buckets 00:54:05 - Clip: Sores In Ma B Hole 00:54:50 - A New Challenge 00:59:07 - Enny Thoughts 01:03:46 - Horrible Or Hilarious 01:06:54 - Vietnamese Hair Salon 01:11:08 - Dates 01:12:51 - Closing Song - "Fart Mic Assassins" by Brothers & Hendawg Learn more about your ad choices. Visit megaphone.fm/adchoices