Podcast appearances and mentions of darcie fontaine

As she taught university-level courses on modern French history, Darcie Fontaine felt like she could not find a textbook that provided an up-to-date narrative about the ways in which France has been involved in and influenced by the rest of the world—certainly not one that incorporated contributions from scholars of social and cultural history, gender studies, and the history of imperialism. So when the opportunity to develop a textbook for college professors that did just that presented itself, she decided to take the leap. Modern France and the World (Routledge, 2023) is the result of years of research, reading, and collaborative engagement with scholars in a diverse array of fields that provides readers with an engaging narrative of French history from the 18th century to the present that incorporates a consistent awareness of how France's empire and global politics has shaped it as a nation. A useful resource for teachers, students, and scholars of modern France, the book incorporates brief discussions of cultural objects and major themes in French history that can serve as a foundation for a one- or two- semester survey, a specialized course, or even general undergraduate classes. In this conversation, we talk not only about how she decided to take on this gargantuan task, but how she went about writing the book – gathering ideas and advice from scholars with different methodological expertise, reading widely in fields with which she was less familiar, and, eventually, whittling down all of this information into a concise text. Along the way, we discuss how collaboration, teaching, and an awareness of the influence of academic history shaped the decisions she made about what to include and what to leave out of the narrative. Fontaine demonstrates an astute awareness of the political importance and stakes of creating national narratives. As she explains: “everything about [the book] is a historiographic intervention… every choice I make about what to include, what not to include, is embedded in the historiography.” Darcie Fontaine is a scholar of modern French imperialism, particularly in North Africa, though she has studied transnational women's movements and refugee politics in nineteenth and twentieth century French history. Her first book, Decolonizing Christianity: Religion and the End of Empire in France and Algeria was published in 2016—and was featured on an episode of New Books in French Studies! She is currently working as a developmental editor and translator at Les plumes rouges, the new company she has launched with Dr. Sandrine Sanos. Sarah K. Miles is a PhD Candidate in History at the University of North Carolina, Chapel Hill who specializes in global francophone history and the history of the French Left. If you have a recent title to suggest for the podcast, please send her an email (skmiles@live.unc.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

As she taught university-level courses on modern French history, Darcie Fontaine felt like she could not find a textbook that provided an up-to-date narrative about the ways in which France has been involved in and influenced by the rest of the world—certainly not one that incorporated contributions from scholars of social and cultural history, gender studies, and the history of imperialism. So when the opportunity to develop a textbook for college professors that did just that presented itself, she decided to take the leap. Modern France and the World (Routledge, 2023) is the result of years of research, reading, and collaborative engagement with scholars in a diverse array of fields that provides readers with an engaging narrative of French history from the 18th century to the present that incorporates a consistent awareness of how France's empire and global politics has shaped it as a nation. A useful resource for teachers, students, and scholars of modern France, the book incorporates brief discussions of cultural objects and major themes in French history that can serve as a foundation for a one- or two- semester survey, a specialized course, or even general undergraduate classes. In this conversation, we talk not only about how she decided to take on this gargantuan task, but how she went about writing the book – gathering ideas and advice from scholars with different methodological expertise, reading widely in fields with which she was less familiar, and, eventually, whittling down all of this information into a concise text. Along the way, we discuss how collaboration, teaching, and an awareness of the influence of academic history shaped the decisions she made about what to include and what to leave out of the narrative. Fontaine demonstrates an astute awareness of the political importance and stakes of creating national narratives. As she explains: “everything about [the book] is a historiographic intervention… every choice I make about what to include, what not to include, is embedded in the historiography.” Darcie Fontaine is a scholar of modern French imperialism, particularly in North Africa, though she has studied transnational women's movements and refugee politics in nineteenth and twentieth century French history. Her first book, Decolonizing Christianity: Religion and the End of Empire in France and Algeria was published in 2016—and was featured on an episode of New Books in French Studies! She is currently working as a developmental editor and translator at Les plumes rouges, the new company she has launched with Dr. Sandrine Sanos. Sarah K. Miles is a PhD Candidate in History at the University of North Carolina, Chapel Hill who specializes in global francophone history and the history of the French Left. If you have a recent title to suggest for the podcast, please send her an email (skmiles@live.unc.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

As she taught university-level courses on modern French history, Darcie Fontaine felt like she could not find a textbook that provided an up-to-date narrative about the ways in which France has been involved in and influenced by the rest of the world—certainly not one that incorporated contributions from scholars of social and cultural history, gender studies, and the history of imperialism. So when the opportunity to develop a textbook for college professors that did just that presented itself, she decided to take the leap. Modern France and the World (Routledge, 2023) is the result of years of research, reading, and collaborative engagement with scholars in a diverse array of fields that provides readers with an engaging narrative of French history from the 18th century to the present that incorporates a consistent awareness of how France's empire and global politics has shaped it as a nation. A useful resource for teachers, students, and scholars of modern France, the book incorporates brief discussions of cultural objects and major themes in French history that can serve as a foundation for a one- or two- semester survey, a specialized course, or even general undergraduate classes. In this conversation, we talk not only about how she decided to take on this gargantuan task, but how she went about writing the book – gathering ideas and advice from scholars with different methodological expertise, reading widely in fields with which she was less familiar, and, eventually, whittling down all of this information into a concise text. Along the way, we discuss how collaboration, teaching, and an awareness of the influence of academic history shaped the decisions she made about what to include and what to leave out of the narrative. Fontaine demonstrates an astute awareness of the political importance and stakes of creating national narratives. As she explains: “everything about [the book] is a historiographic intervention… every choice I make about what to include, what not to include, is embedded in the historiography.” Darcie Fontaine is a scholar of modern French imperialism, particularly in North Africa, though she has studied transnational women's movements and refugee politics in nineteenth and twentieth century French history. Her first book, Decolonizing Christianity: Religion and the End of Empire in France and Algeria was published in 2016—and was featured on an episode of New Books in French Studies! She is currently working as a developmental editor and translator at Les plumes rouges, the new company she has launched with Dr. Sandrine Sanos. Sarah K. Miles is a PhD Candidate in History at the University of North Carolina, Chapel Hill who specializes in global francophone history and the history of the French Left. If you have a recent title to suggest for the podcast, please send her an email (skmiles@live.unc.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

As she taught university-level courses on modern French history, Darcie Fontaine felt like she could not find a textbook that provided an up-to-date narrative about the ways in which France has been involved in and influenced by the rest of the world—certainly not one that incorporated contributions from scholars of social and cultural history, gender studies, and the history of imperialism. So when the opportunity to develop a textbook for college professors that did just that presented itself, she decided to take the leap. Modern France and the World (Routledge, 2023) is the result of years of research, reading, and collaborative engagement with scholars in a diverse array of fields that provides readers with an engaging narrative of French history from the 18th century to the present that incorporates a consistent awareness of how France's empire and global politics has shaped it as a nation. A useful resource for teachers, students, and scholars of modern France, the book incorporates brief discussions of cultural objects and major themes in French history that can serve as a foundation for a one- or two- semester survey, a specialized course, or even general undergraduate classes. In this conversation, we talk not only about how she decided to take on this gargantuan task, but how she went about writing the book – gathering ideas and advice from scholars with different methodological expertise, reading widely in fields with which she was less familiar, and, eventually, whittling down all of this information into a concise text. Along the way, we discuss how collaboration, teaching, and an awareness of the influence of academic history shaped the decisions she made about what to include and what to leave out of the narrative. Fontaine demonstrates an astute awareness of the political importance and stakes of creating national narratives. As she explains: “everything about [the book] is a historiographic intervention… every choice I make about what to include, what not to include, is embedded in the historiography.” Darcie Fontaine is a scholar of modern French imperialism, particularly in North Africa, though she has studied transnational women's movements and refugee politics in nineteenth and twentieth century French history. Her first book, Decolonizing Christianity: Religion and the End of Empire in France and Algeria was published in 2016—and was featured on an episode of New Books in French Studies! She is currently working as a developmental editor and translator at Les plumes rouges, the new company she has launched with Dr. Sandrine Sanos. Sarah K. Miles is a PhD Candidate in History at the University of North Carolina, Chapel Hill who specializes in global francophone history and the history of the French Left. If you have a recent title to suggest for the podcast, please send her an email (skmiles@live.unc.edu). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

What role did Christianity play in Algeria before, during, and after the war of independence? In Decolonizing Christianity: Religion and the End of Empire in France and Algeria (Cambridge University Press, 2016), Darcie Fontaine pursues this crucial question while refusing the notion of a homogeneous Christianity at any stage after the French conquest of Algeria in 1830. Emphasizing the ways religious ideas and practices were subject to change and deep contestation, the book attends to important differences—between Catholics and Protestants; between institutions and individuals; between Christianity as a tool and ideology of the settler state on the one hand, and a site of resistance to its many injustices on the other. A social history of theology that considers the interaction between religion and politics in Algeria and France, Decolonizing Christianity traces the movement of Christians, their beliefs and activisms, across the Mediterranean in both directions. While the book tracks broad shifts at the levels of the colonial state and Church hierarchies, its chapters stay close to the experiences and impact of Christians “on the ground” in Algeria. The compelling stories of committed individuals and groups of faith figure centrally throughout: the life and work of Léon-Etienne Duval, the Archbishop (and later Cardinal) of Algiers; the 1957 trial of a group of “progressivist” Christians accused of supporting Algerian nationalism; the thousands of Christians who remained in Algeria after the large-scale “exodus” of settlers in 1962. Beyond the French imperial and postcolonial Algerian context, the book “provincializes” the history of Christianity by exploring the broader international meanings and effects of the Algerian case in the era of decolonization. Circumstances and events in Algeria shaped the practices and policies of Catholics and Protestants beyond the new state's borders as Christians (and their churches) grappled locally and globally with the challenges of responding to (and surviving) the ends of empires. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.  

What role did Christianity play in Algeria before, during, and after the war of independence? In Decolonizing Christianity: Religion and the End of Empire in France and Algeria (Cambridge University Press, 2016), Darcie Fontaine pursues this crucial question while refusing the notion of a homogeneous Christianity at any stage after the French conquest of Algeria in 1830. Emphasizing the ways religious ideas and practices were subject to change and deep contestation, the book attends to important differences—between Catholics and Protestants; between institutions and individuals; between Christianity as a tool and ideology of the settler state on the one hand, and a site of resistance to its many injustices on the other. A social history of theology that considers the interaction between religion and politics in Algeria and France, Decolonizing Christianity traces the movement of Christians, their beliefs and activisms, across the Mediterranean in both directions. While the book tracks broad shifts at the levels of the colonial state and Church hierarchies, its chapters stay close to the experiences and impact of Christians “on the ground” in Algeria. The compelling stories of committed individuals and groups of faith figure centrally throughout: the life and work of Léon-Etienne Duval, the Archbishop (and later Cardinal) of Algiers; the 1957 trial of a group of “progressivist” Christians accused of supporting Algerian nationalism; the thousands of Christians who remained in Algeria after the large-scale “exodus” of settlers in 1962. Beyond the French imperial and postcolonial Algerian context, the book “provincializes” the history of Christianity by exploring the broader international meanings and effects of the Algerian case in the era of decolonization. Circumstances and events in Algeria shaped the practices and policies of Catholics and Protestants beyond the new state’s borders as Christians (and their churches) grappled locally and globally with the challenges of responding to (and surviving) the ends of empires. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.   Learn more about your ad choices. Visit megaphone.fm/adchoices

What role did Christianity play in Algeria before, during, and after the war of independence? In Decolonizing Christianity: Religion and the End of Empire in France and Algeria (Cambridge University Press, 2016), Darcie Fontaine pursues this crucial question while refusing the notion of a homogeneous Christianity at any stage after the French conquest of Algeria in 1830. Emphasizing the ways religious ideas and practices were subject to change and deep contestation, the book attends to important differences—between Catholics and Protestants; between institutions and individuals; between Christianity as a tool and ideology of the settler state on the one hand, and a site of resistance to its many injustices on the other. A social history of theology that considers the interaction between religion and politics in Algeria and France, Decolonizing Christianity traces the movement of Christians, their beliefs and activisms, across the Mediterranean in both directions. While the book tracks broad shifts at the levels of the colonial state and Church hierarchies, its chapters stay close to the experiences and impact of Christians “on the ground” in Algeria. The compelling stories of committed individuals and groups of faith figure centrally throughout: the life and work of Léon-Etienne Duval, the Archbishop (and later Cardinal) of Algiers; the 1957 trial of a group of “progressivist” Christians accused of supporting Algerian nationalism; the thousands of Christians who remained in Algeria after the large-scale “exodus” of settlers in 1962. Beyond the French imperial and postcolonial Algerian context, the book “provincializes” the history of Christianity by exploring the broader international meanings and effects of the Algerian case in the era of decolonization. Circumstances and events in Algeria shaped the practices and policies of Catholics and Protestants beyond the new state’s borders as Christians (and their churches) grappled locally and globally with the challenges of responding to (and surviving) the ends of empires. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.   Learn more about your ad choices. Visit megaphone.fm/adchoices

What role did Christianity play in Algeria before, during, and after the war of independence? In Decolonizing Christianity: Religion and the End of Empire in France and Algeria (Cambridge University Press, 2016), Darcie Fontaine pursues this crucial question while refusing the notion of a homogeneous Christianity at any stage after the French conquest of Algeria in 1830. Emphasizing the ways religious ideas and practices were subject to change and deep contestation, the book attends to important differences—between Catholics and Protestants; between institutions and individuals; between Christianity as a tool and ideology of the settler state on the one hand, and a site of resistance to its many injustices on the other. A social history of theology that considers the interaction between religion and politics in Algeria and France, Decolonizing Christianity traces the movement of Christians, their beliefs and activisms, across the Mediterranean in both directions. While the book tracks broad shifts at the levels of the colonial state and Church hierarchies, its chapters stay close to the experiences and impact of Christians “on the ground” in Algeria. The compelling stories of committed individuals and groups of faith figure centrally throughout: the life and work of Léon-Etienne Duval, the Archbishop (and later Cardinal) of Algiers; the 1957 trial of a group of “progressivist” Christians accused of supporting Algerian nationalism; the thousands of Christians who remained in Algeria after the large-scale “exodus” of settlers in 1962. Beyond the French imperial and postcolonial Algerian context, the book “provincializes” the history of Christianity by exploring the broader international meanings and effects of the Algerian case in the era of decolonization. Circumstances and events in Algeria shaped the practices and policies of Catholics and Protestants beyond the new state’s borders as Christians (and their churches) grappled locally and globally with the challenges of responding to (and surviving) the ends of empires. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.   Learn more about your ad choices. Visit megaphone.fm/adchoices

What role did Christianity play in Algeria before, during, and after the war of independence? In Decolonizing Christianity: Religion and the End of Empire in France and Algeria (Cambridge University Press, 2016), Darcie Fontaine pursues this crucial question while refusing the notion of a homogeneous Christianity at any stage after the French conquest of Algeria in 1830. Emphasizing the ways religious ideas and practices were subject to change and deep contestation, the book attends to important differences—between Catholics and Protestants; between institutions and individuals; between Christianity as a tool and ideology of the settler state on the one hand, and a site of resistance to its many injustices on the other. A social history of theology that considers the interaction between religion and politics in Algeria and France, Decolonizing Christianity traces the movement of Christians, their beliefs and activisms, across the Mediterranean in both directions. While the book tracks broad shifts at the levels of the colonial state and Church hierarchies, its chapters stay close to the experiences and impact of Christians “on the ground” in Algeria. The compelling stories of committed individuals and groups of faith figure centrally throughout: the life and work of Léon-Etienne Duval, the Archbishop (and later Cardinal) of Algiers; the 1957 trial of a group of “progressivist” Christians accused of supporting Algerian nationalism; the thousands of Christians who remained in Algeria after the large-scale “exodus” of settlers in 1962. Beyond the French imperial and postcolonial Algerian context, the book “provincializes” the history of Christianity by exploring the broader international meanings and effects of the Algerian case in the era of decolonization. Circumstances and events in Algeria shaped the practices and policies of Catholics and Protestants beyond the new state’s borders as Christians (and their churches) grappled locally and globally with the challenges of responding to (and surviving) the ends of empires. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.   Learn more about your ad choices. Visit megaphone.fm/adchoices

What role did Christianity play in Algeria before, during, and after the war of independence? In Decolonizing Christianity: Religion and the End of Empire in France and Algeria (Cambridge University Press, 2016), Darcie Fontaine pursues this crucial question while refusing the notion of a homogeneous Christianity at any stage after the French conquest of Algeria in 1830. Emphasizing the ways religious ideas and practices were subject to change and deep contestation, the book attends to important differences—between Catholics and Protestants; between institutions and individuals; between Christianity as a tool and ideology of the settler state on the one hand, and a site of resistance to its many injustices on the other. A social history of theology that considers the interaction between religion and politics in Algeria and France, Decolonizing Christianity traces the movement of Christians, their beliefs and activisms, across the Mediterranean in both directions. While the book tracks broad shifts at the levels of the colonial state and Church hierarchies, its chapters stay close to the experiences and impact of Christians “on the ground” in Algeria. The compelling stories of committed individuals and groups of faith figure centrally throughout: the life and work of Léon-Etienne Duval, the Archbishop (and later Cardinal) of Algiers; the 1957 trial of a group of “progressivist” Christians accused of supporting Algerian nationalism; the thousands of Christians who remained in Algeria after the large-scale “exodus” of settlers in 1962. Beyond the French imperial and postcolonial Algerian context, the book “provincializes” the history of Christianity by exploring the broader international meanings and effects of the Algerian case in the era of decolonization. Circumstances and events in Algeria shaped the practices and policies of Catholics and Protestants beyond the new state’s borders as Christians (and their churches) grappled locally and globally with the challenges of responding to (and surviving) the ends of empires. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.   Learn more about your ad choices. Visit megaphone.fm/adchoices

What role did Christianity play in Algeria before, during, and after the war of independence? In Decolonizing Christianity: Religion and the End of Empire in France and Algeria (Cambridge University Press, 2016), Darcie Fontaine pursues this crucial question while refusing the notion of a homogeneous Christianity at any stage after the French conquest of Algeria in 1830. Emphasizing the ways religious ideas and practices were subject to change and deep contestation, the book attends to important differences—between Catholics and Protestants; between institutions and individuals; between Christianity as a tool and ideology of the settler state on the one hand, and a site of resistance to its many injustices on the other. A social history of theology that considers the interaction between religion and politics in Algeria and France, Decolonizing Christianity traces the movement of Christians, their beliefs and activisms, across the Mediterranean in both directions. While the book tracks broad shifts at the levels of the colonial state and Church hierarchies, its chapters stay close to the experiences and impact of Christians “on the ground” in Algeria. The compelling stories of committed individuals and groups of faith figure centrally throughout: the life and work of Léon-Etienne Duval, the Archbishop (and later Cardinal) of Algiers; the 1957 trial of a group of “progressivist” Christians accused of supporting Algerian nationalism; the thousands of Christians who remained in Algeria after the large-scale “exodus” of settlers in 1962. Beyond the French imperial and postcolonial Algerian context, the book “provincializes” the history of Christianity by exploring the broader international meanings and effects of the Algerian case in the era of decolonization. Circumstances and events in Algeria shaped the practices and policies of Catholics and Protestants beyond the new state’s borders as Christians (and their churches) grappled locally and globally with the challenges of responding to (and surviving) the ends of empires. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of “Creatures,” a song written and performed by Vancouver artist/musician Casey Wei (“hazy”). To hear more, please visit https://agonyklub.com/.   Learn more about your ad choices. Visit megaphone.fm/adchoices