Podcast appearances and mentions of douglas aibel

Noah Baumbach's latest Netflix venture - Jay Kelly - hits limited release in cinemas in just a few weeks. I had the pleasure of seeing it at the BFI London Film Festival a few weeks back and have been eagerly awaiting the opportunity to talk about it in a full-length review. The reactions to this movie have been pretty mixed since its premiere at the Venice Film Festival. Why anyone at Netflix thought a European premiere made sense for a movie about an aging Hollywood movie star is beyond me… but here we are. Since that premiere, the reviews for this movie have grown to be much more kind. I've been really long forward to Jay Kelly because Noah Baumbach's films tend to work for me and the premise, as well as as the opportunity for Adam Sandler to be on a serious movie again, had me very excited. So, am I one of the people really high on Jay Kelly, or was the initial mixed reception warranted? Find out in this review! Jay Kelly hits Netflix on December 5th.Jay Kelly:Directed by: Noah BaumbachWritten by: Noah Baumbach, Emily MortimerProduced by: Noah Baumbach, David Heyman, Amy PascalExecutive Producer: Donald SabourinMusic by: Nicholas BritellDirector of Photography: Linus SandgrenEdited by: Valerio Bonelli, Rachel DuranceCasting by: Douglas Aibel, Nina GoldProduction Design by: Mark TildesleyCast: George Clooney, Adam Sandler, Laura Dern, Billy Crudup, Riley Keough, Grace Edwards, Stacy KeachSynopsis: Famous movie actor Jay Kelly embarks on a journey of self discovery confronting both his past and present, accompanied by his devoted manager Ron.

In Episode 3, The Vineyard's most-produced playwright, Nicky Silver, and The Vineyard's Artistic Director Douglas Aibel join us for a conversation on their history working together over the last few decades. Eric Pargac hosts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joining Theater Talk to help celebrate the 30th anniversary of the Vineyard Theatre are actors Linda Lavin and Colman Domingo, as well as Douglas Aibel, the venerated New York City not-for-profit's Artistic Director

Douglas Aibel, artistic director of New York's Vineyard Theatre, reflects upon the six year run and impending closing of the Broadway musical "Avenue Q", which made its Off-Broadway debut at the Vineyard and has been the company's longest-running commercial transfer -- out of a field that also includes "[title of show]", "How I Learned to Drive", "Three Tall Women", "Fully Committed", "Lady Day at Emerson's Bar and Grill" and "Goblin Market", among many others. He also talks about his vision for the Vineyard and how it grew out of a 65-seat, multi-disciplinary performance space into a full-fledged theatre company; how his father's love of Broadway musicals, and incessant playing of cast albums, put him on the path towards a career in theatre; his early years doing five and six internships or part-time jobs at theatres around the city in order to break into the business and make connections; how a job in fundraising at Manhattan Theatre Club led him to work in film; how his dual career as theatrical artistic director and noted film casting director inform each other; and why he believe that people in theatrical chat rooms should be required to use their real names. Original air date - August 24, 2009.

Douglas Aibel, artistic director of New York's Vineyard Theatre, reflects upon the six year run and impending closing of the Broadway musical "Avenue Q", which made its Off-Broadway debut at the Vineyard and has been the company's longest-running commercial transfer -- out of a field that also includes "[title of show]", "How I Learned to Drive", "Three Tall Women", "Fully Committed", "Lady Day at Emerson's Bar and Grill" and "Goblin Market", among many others. He also talks about his vision for the Vineyard and how it grew out of a 65-seat, multi-disciplinary performance space into a full-fledged theatre company; how his father's love of Broadway musicals, and incessant playing of cast albums, put him on the path towards a career in theatre; his early years doing five and six internships or part-time jobs at theatres around the city in order to break into the business and make connections; how a job in fundraising at Manhattan Theatre Club led him to work in film; how his dual career as theatrical artistic director and noted film casting director inform each other; and why he believe that people in theatrical chat rooms should be required to use their real names. Original air date - August 24, 2009.

The Artistic Directors of four off-Broadway not-for-profit theatre companies -- Douglas Aibel of Vineyard Theatre, Charlotte Moore of Irish Repertory Theatre, Tim Sanford of Playwrights Horizons and Jim Simpson of The Flea Theater -- share their thoughts about attracting audiences to their shows, the cost of keeping their theaters going, the challenges they face competing with commercial productions, how they choose the works performed on their stages and what they hope to accomplish for their companies in the next several years.