Podcasts about Playwrights Horizons

Hold Me in the Water runs at Playwrights Horizons through May 7. To learn more, visit www.playwrighthorizons.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Chapters00:00Introduction and Connection02:26Real Estate Dreams and Retirement Plans04:48Adoption Story and Family Background07:27Understanding Sexuality and Identity09:54Coming Out and Family Dynamics12:35Spiritual Experiences and Past Lives15:07Reflections on Family Relationships17:59Life Lessons and Personal Growth21:52Adapting to New Environments23:34Pets and Their Needs24:21Relationships and Love25:22Career Transitions and Playwriting28:51The Impact of HIV/AIDS on Relationships31:55The Journey to Becoming a Playwright35:25Navigating the Film Industry38:35Upcoming Projects and Aspirations40:42Life Lessons and Philosophies43:42Reflections on Society and PoliticsSummary:In this episode, Stephen Druckman shares his personal journey from his early life in Boston to his successful career as a playwright. He discusses his family dynamics, coming out as gay, and the challenges he faced in his identity. Stephen reflects on his artistic philosophy, the importance of kindness, and his current projects, including a new play. The conversation touches on themes of love, acceptance, and the complexities of navigating life as an artist in today's world.Takeaways:Stephen's early life was marked by family challenges and adoption.He always knew he was different and gay from a young age.His journey into playwriting began as a way to express his identity.Stephen emphasizes the importance of kindness in life and art.He believes love is the core reason for our existence.His experiences in the theater have shaped his artistic philosophy.Stephen's new play explores themes of love and aging.He reflects on the impact of the AIDS crisis on his generation.The conversation highlights the importance of authenticity in art.Stephen's insights on the current political climate reveal his concerns for the future.Bio:STEVEN DRUKMAN was nominated for the Pulitzer Prize in Drama for his play Another Fine Mess (Portland Center Stage). His plays include Pru Payne (Arizona Theatre Company, SpeakEasy Stage in Boston, MA); Going to See the Kid (Merrimack Rep); Death of the Author (Geffen Playhouse, starring Austin Butler in his first stage role); The Prince of Atlantis (South Coast Rep); The Innocents (Asolo Rep); The Bullet Round (Arena Stage, Portland, OR); In this Corner (The Old Globe, winner of the San Diego Circle Best New Play Award); Going Native (Long Wharf Theatre); Flattery Will Get You (Connecticut Rep); and more. Drukman's work has been developed by the Mark Taper Forum, Manhattan Theatre Club, Intiman Theatre, Sundance Theatre Lab, Williamstown Theatre Festival, Playwrights Horizons, New York Theatre Workshop, and many others.  As a journalist, Drukman wrote for The New York Times for many years, as well as The Nation, The Village Voice, and International Herald Tribune.  He also served as the theatre reviewer for Artforum and WNYC-FM. As an actor, Drukman has been directed by Richard Foreman, Anne Bogart, Maria Irene Fornes and Arnold Wesker, and was a member of the Organic Theater Company in Chicago, where he won a Jeff Award. He received his Ph.D. from NYU, where he is an Associate Professor of playwriting.To contact Steven:To contact Wilkinson:  BecomingWilkinson@gmail.com

Ryan J. Haddad is an actor and playwright whose work across theater and television consistently challenges outdated narratives around disability, queerness and identity. He made a striking Off-Broadway playwriting debut with “Dark Disabled Stories” at The Public Theater, which enjoyed a sold-out, extended run and earned him the Obie Award for Best New American Play. His autobiographical solo show “Hi, Are You Single?” has become a defining part of his artistic voice, touring nationally and earning critical acclaim. Ryan's television credits include memorable appearances on Hulu's “A Murder at the End of the World” and Netflix's “The Politician.”In addition to performing, Haddad is a dedicated writer and access advocate. His essays have appeared in The New York Times and Out Magazine, and he is a contributor to the anthology “Disability Intimacy,” curated by Alice Wong. His creative work and activism have earned him a Drama Desk Award, a Paula Vogel Playwriting Award from Vineyard Theatre and a Disability Futures Fellowship. He is also a proud alum of the Public Theater's Emerging Writers Group.In this interview, conducted just a few days before he premiered his latest solo piece, “Hold Me in the Water,” at Playwrights Horizons in New York City, Ryan reflects on the pivotal experiences that shaped his journey as an artist, from performing fairy tales in his childhood living room to commanding major stages and screens. He speaks candidly about navigating the entertainment industry as a gay man with cerebral palsy, building a career on his own terms and advocating for authentic representation and accessibility in the arts.https://www.ryanjhaddad.com/https://www.playwrightshorizons.org/about/production-history/2020s/2425-season/hold-me-in-the-water

We are excited to bring you this new episode in our podcast series, The Art of Collaboration with Anne Kauffman and dots. This series focuses on directors and choreographers in conversation with some of their collaborators. This series explores the ins and outs of these processes, both finer details as well as overarching ideas about what goes into a productive collaboration on a show. In this episode you will hear an in-depth and transparent conversation with Anne and dots focused on the collaboration between directors and designers as well as navigating the industry as a collective.   Bios: dots (Scenic Designer) is a design collective creating environments for theater, film, commercials, and immersive experiences. Hailing from Colombia, South Africa, and Japan, we are Santiago Orjuela-Laverde, Andrew Moerdyk, and Kimie Nishikawa. As collaborators, we believe that the whole is greater than the sum of its individual parts. Recent highlights include the Broadway productions of Oh, Mary! ; Romeo + Juliet, An Enemy of the People (Tony Award Nomination for Best Scenic Design of a Play); Appropriate (Tony Award, Drama Desk and Outer Critics Circle Award nominations for Outstanding Scenic Design); The Sign in Sidney Brustein's Window; and The Big Gay Jamboree ; Recent awards include a 2024 Obie Award for Sustained Achievement in Design, 2023 and 2024 Henry Hewes Design Award, recipient of 2025 USA Fellowship Award . designbydots.com. Anne Kauffman (Director)'s credits include the New York Philharmonic, BAM, Ars Nova, NYTW, Roundabout Theatre Company, Encores! Off-Center, Women's Project, Playwrights Horizons, MCC, The Public, P73 Productions, New Georges, Vineyard Theatre, LCT3, Yale Rep, Steppenwolf, Goodman Theatre, La Jolla Playhouse, Z Space, American Conservatory Theater, and Berkeley Rep. She is a Resident Director at Roundabout Theatre, Artistic Associate and Founding Member of The Civilians, a Clubbed Thumb Affiliated Artist and co-creator of the CT Directing Fellowship, a New Georges Affiliated Artist, an SDC Executive Board Member, Vice President and Trustee of SDCF 2020-2023, and Artistic Director of City Center's Encores! Off-Center 2017-2020. Her awards include a 2024 Tony nomination for Best Director for Mary Jane, a 2023 Tony nomination for Best Revival for The Sign in Sidney Brustein's Window, three Obies, the Joan and Joseph Cullman Award for Exceptional Creativity from Lincoln Center, the Alan Schneider Director Award, a Lucille Lortel Award, a Drama League Award, and the Joe A. Callaway. She is co-creator of the Cast Album Project with Jeanine Tesori.   dots headshot courtesy of dots Anne Kauffman's headshot by Tess Mayer

ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program produce the SLC Performance Lab. During the year, visiting artists to the MFA Theatre Program's Performance Lab are interviewed after leading a workshop with the students. Performance Lab is one of the program's core components, where graduate students work with guest artists and develop performance experiments. Alex Tartarsky is interviewed by Amelia Munson (SLC'26) and Sheridan Merrick (SLC'26) and produced by Julia Duffy (SLC'25) Alex Tatarsky makes performances somewhere in between comedy, poetry, dance-theater, and rant—sometimes with songs. Tatarsky's pieces play with the tension and overlap between written and improvised sequences, careening between known and unknown, set and scored. Drawing on the lineage of the clown, Tatarsky plays with the expectations and power dynamics of a given context, dissolving the fourth wall to respond to what is actually happening in the room, and probing the construction of genre, self, and narrative in real time. Sad Boys in Harpy Land, which premiered in 2023 at Abrons Arts Center in New York, NY, is an adaptation of a German novel about a little boy who wants to change the world through art but isn't very good at it. This narrative collides with other stories of tormented artists during horrific times, moving through the inaction born of anxiety, shame, and overwhelm towards strange and ecstatic modes of re-writing the world together. The performance takes the form of the bildungsroman or development novel—a classic narrative of an individual's linear progress towards becoming a fully integrated member of society—and lets it decay, reveling in the insights of the fragment, the spiral, the wandering, and the broken bits. Sad Boys in Harpy Land was presented again in 2023 by Playwrights Horizons, New York, NY. Tatarsky's other works include MATERIAL, Whitney Biennial, New York, NY (2024); Gnome Core, Glen Foerd, Philadelphia, PA (2023); Dirt Trip, MoMA PS1, Long Island City, NY (2021); Untitled Freakout (Tell Me What To Do), The Kitchen, New York, NY (2021); and Americana Psychobabble, which premiered at La MaMa E.T.C., New York, NY (2016), with subsequent performances as part of the Exponential Festival, Brooklyn, NY (2019); and America(na) to Me, a program celebrating the 90th anniversary season at Jacob's Pillow, Becket, MA (2022). Photo: Maria Baranova

In this very personal episode of SHE MD, we're thrilled to welcome 2 renowned guests. Betsy Brown Braun is a child development specialist and best-selling author of Just Tell Me What to Say: Sensible Tips and Scripts for Perplexed Parents (HarperCollins). Then, we have Rhea Seehorn, an American actress and director who is widely known as Kim Wexler from the spin-off prequel series of Breaking Bad. Rhea is also the bonus mom of one of our hosts Mary Alice Haney's 2 boys! Listen in as we dive into blended family dynamics, co-parenting strategies, divorced parent dynamics, and communication with children. We also talk about actionable tips for fostering resilience and happiness in children, regardless of family structure so we can protect the children's best interest.Access more information about the podcast and additional expert health tips by visiting SHE MD Podcast and Ovii. Sponsors: YNAB: Listeners of She MD can claim an exclusive three-month free trial, with no credit required at www.YNAB.com/shemdCymbiotika: Go to Cymbiotikia.com/SHEMD for 20% off your order + free shipping today. Zoe: As a ZOE member, you'll get an at home test kit and personalized nutrition program to help make smarter food choices that support your gut. Thats ZOE.com and use code SHEMD10 to get 10% off your membership.Hero Bread: Hero Bread is offering listeners 10% off your order. Go to hero.co and use code SHEMD at checkout.Momentous: Go to livemomentous.com and try it today for 20% off with code SHEMD, and start living on purpose.Deinde: Use Code SHEMD for 15% off at DEINDE.comBetsy Brown Braun's TAKEAWAYS:Prepare the Child, Not the Path: Betsy emphasizes the importance of allowing children to face challenges and learn from them, rather than smoothing every obstacle in their way.Communication is Key: Open, honest dialogue with your children creates a foundation of trust and understanding, essential for their emotional growth.Embrace Unhappiness: Counterintuitive as it may seem, allowing children to experience unhappiness and solve problems independently is crucial for developing resilience and self-reliance.Setting Boundaries: Technology use needs boundaries, and involving teenagers in creating these limits increases the likelihood of adherence.IN THIS EPISODE: (00:00) Introduction(02:32) Blended Family Dynamics and Divorce Statistics(03:28) Co-Parenting Strategies for Divorced Parents(04:41) How to Navigate Different Parenting Styles(09:45) Should You Introduce New Partners To Your Kids(19:05) How To Communicate With Kids about Divorce(22:23) How to Balance Work and Family Dynamics(27:46) House Rules and Parenting Strategies(34:47) How to Model Good Tech Habits at Home(35:32) Raising Resilient Children in Blended FamiliesRESOURCES:Betsy Brown BraunBetsy's Website"Just Tell Me What to Say" by Betsy Brown Braun"You're Not the Boss of Me" by Betsy Brown BraunParenting Pathways®Rhea SeehornRhea's InstagramRhea's IMDb ProfileGUEST BIOGRAPHY:Betsy Brown BraunBetsy Brown Braun is a best-selling author of Just Tell Me What to Say: Sensible Tips and Scripts for Perplexed Parents (HarperCollins) and You're Not The Boss Of Me: Bratproofing Your Four To Twelve Year Old (HarperCollins). Betsy is a child development and behavior specialist, parent educator, multiple birth parenting consultant, and founder of Parenting Pathways®, Inc.With over 40 years of experience in public and private early childhood and elementary education, Betsy has directed and founded school programs, taught in both public and private schools, has been a school director, and was the founding director of Wilshire Boulevard Temple's Early Childhood Center. She holds an MA in Human Development and teaching credentials from Pacific Oaks College. Rhea SeehornRhea Seehorn is an Actress and Director. In May 2014, Seehorn was cast in the Breaking Bad spin-off prequel series Better Call Saul (2015–2022). Seehorn is widely known as Kim Wexler, a lawyer and the eventual love interest of the titular Jimmy McGill (Bob Odenkirk). The series premiered on February 8, 2015. For her role as Kim, Seehorn has received widespread critical acclaim, won two Satellite Awards for Best Supporting Actress – Series, Miniseries or Television Film, one Saturn Award for Best Supporting Actress on Television out of two nominations, and received a nomination for the Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series, two nominations for the Critics' Choice Television Award for Best Supporting Actress in a Drama Series and two for the Television Critics Association Award for Individual Achievement in Drama.Rhea Seehorn grew up in Virginia Beach, and has lived in a variety of places from Arizona to Japan. She has gone by her middle name Rhea since childhood, having felt a "disassociation" with the name Debbie from an early age. Seehorn graduated with a degree in drama and visual arts, which she used to further develop her craft in Washington, D.C., where she starred in numerous productions inclusive of Arena Stage and the Woolly Mammoth Theatre Company, of which she remains a member. Seehorn then transitioned to Manhattan, where she performed with Playwrights Horizons and made her Broadway debut in Neil Simon's 45 Seconds from Broadway. Shortly thereafter, she was cast as a series regular on the comedy series I'm With Her opposite Teri Polo, David Sutcliffe, and Danny Comden.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Peter Filichia, James Marino, and Jan Simpson talk about The Antiquities @ Playwrights Horizons, Still @ The Sheen Center, Pan Asian Repertory Theatre production of My Man Kono @ Art-NY, Maiden Mother Crone @ The Flea, My First Ex Husband @ MMAC Theater, and Henry IV @ Theatre for a read more The post This Week on Broadway for February 16, 2025: The Antiquities @ Playwrights Horizons appeared first on BroadwayRadio.

In this episode, Jeff and Richie take you on a journey through time and technology with their conversation of "The Antiquities," the thought-provoking Off-Broadway production currently playing at Playwrights Horizons in collaboration with Vineyard Theatre and Goodman Theatre. We explore Jordan Harrison's innovative writing that creates an engaging timeline experience, blending past, present, and future into a compelling narrative. Jeff & Richie dive deep into the play's themes of artificial intelligence, human connection, and the consequences of technological advancement. We discuss David Cromer and Caitlin Sullivan's seamless direction, the immersive museum-like set design, and the strong performances from the diverse ensemble cast. Is "The Antiquities" a glimpse into our future or a cautionary tale? Tune in as we debate the show's relevance in today's tech-driven world and its fresh contribution to the Off-Broadway scene. We'll share our hot takes on the pacing, standout moments, and the questions this production raises about our relationship with technology. Whether you're a theater enthusiast or a tech aficionado, this episode offers insights into one of the new off-broadway shows of the season. Follow and connect with all things @HalfHourPodcast on Instagram, and YouTube. Share your thoughts with us on "The Antiquities" on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode we are joined by Tony nominee and Drama Desk and Theatre World Award winning actor Tom Pecinka!  Tom made his Broadway debut in Stereophonic which he also was a part of at Playwrights Horizons.  He has numerous New York and Regional credits including Ghosts at Williamstown with Uma Thurman, which he also starred in the movie The Kill Room with.  We talk with Tom about making his stage debut as a kid in The Wizard of Oz (FUN FACT: turns out that Tom and I did the show together!  He was the Scarecrow and I was Dorothy!), working with Uma Thurman, performing at the Tonys, working on Stereophonic, what he hopes to work on in the future and much more! 

Jared Loftin takes us on a captivating journey from his Alabama roots to his thriving career in theater and television. With notable credits including Teeth at New World Stages, Tick, Tick… Boom! on Netflix, and Little America on Apple TV, Jared reflects on the unique process of developing new works, the highs and lows of regional theater, and his experiences in the evolving post-pandemic performing arts world. This episode shines a spotlight on his ability to bring complex, layered characters to life, sharing insights into the emotional and technical challenges behind his performances. From the thrill of audiences turning against his character in Teeth to navigating the early days of his career without a showcase or agent, Jared's story is one of resilience, creativity, and community. His advice for aspiring performers is as inspiring as it is practical: dive in, embrace the challenges, and stay open to the magic of collaboration. This episode offers a blend of humor, heart, and hard-earned wisdom that will resonate with theater lovers and aspiring artists alike. About Jared Loftin: Jared Loftin is a New York-based actor with a diverse array of credits in theater and television. His stage work includes Teeth at Playwrights Horizons and New World Stages, Gigantic, The Panic of '29, and regional productions of Peter Pan, All Shook Up, and Joseph and the Amazing Technicolor Dreamcoat. On screen, Jared has appeared in Tick, Tick… Boom! on Netflix, Little America on Apple TV, and Red Oaks on Amazon. Originally from Alabama, he studied musical theater at Elon University and has become a sought-after collaborator in new musical theater works. Connect with Jared Loftin: Instagram: @jlofton2 Connect with The Theatre Podcast: YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

2024 has been the year of the iconic lovers Romeo and Juliet, and director Sam Gold has brought a bold new production of the timeless tragedy to Broadway. With a fresh, contemporary approach, Gold transforms Shakespeare's classic love story into an immersive experience that features a dynamic young cast led by Rachel Zegler (West Side Story) and Kit Connor (Heartstopper) and an innovative score by Grammy-winning musician Jack Antonoff, blending live music seamlessly into the action. Gold discusses how he re-envisioned the play for today's world, capturing the urgency and intensity of youth while staying true to the emotional heart of the original. He reflects on the challenges and joys of reinterpreting a well-known story and shares the creative process behind staging a Romeo and Juliet that feels relevant to a whole new generation of theatergoers, many of whom may be seeing their first Broadway. Sam Gold is a Tony Award-winning director with an extensive Broadway and theater resume. His Broadway credits include An Enemy of the People (this season) with Jeremy Strong and Michael Imperioli, Macbeth with Daniel Craig and Ruth Negga, King Lear with Glenda Jackson, A Doll's House, Part 2 (Tony Award Nomination), The Glass Menagerie, Fun Home (Tony Award), The Real Thing, The Realistic Joneses, and Seminar. Recent credits include Hamlet at The Public Theater, Othello at New York Theatre Workshop, The Flick (Lucille Lortel Award nomination) at Playwrights Horizons, Barrow Street Theatre, and the National Theatre, The Glass Menagerie (Toneelgroep, Amsterdam), John (Signature Theatre; Obie Award, Lortel and Drama Desk Award nominations), The Village Bike (MCC Theatre), and Uncle Vanya (Soho Repertory Theatre; Drama Desk nomination), among many others. From the Shakespeare Unlimited podcast. Published December 16, 2024. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

Greg Germann is an actor known for his work in film, television and on Broadway where he starred with Mark Rylance in BOEING BOEING. He was a member of Circle Repertory Company and Ensemble Studio Theatre and has performed at Playwrights Horizons, The Public Theatre, La Mama, Second Stage among others. Created roles in Stephen Sondheim's Assassins, Steve Martin's Meteor Shower, Only You, Found A Peanut and many more. He has also appeared in numerous films including TALEDEGA NIGHTS, FRIENDS WITH MONEY, CLEAR AND PRESENT DANGER, SWEET NOVEMBER, QUARANTINED, ONCE AROUND, among others. Greg is best known for the many characters he has created on the small screen, including Tom Koracick on GREY'S ANATOMY and Richard Fish on ALLY McBEAL, as well as House of Lies, Once Upon a Time and many more.  During the war in Afghanistan Greg traveled there twice as a goodwill ambassador, visiting thousands of troops from Kandahar to Kabul along with dozens of Forward Operating Bases (F.O.B's) across the country. For over 15 years he's been involved with Anthony Shriver's organization BEST BUDDIES, which is dedicated to creating employment and inclusive living opportunities for individuals with intellectual and developmental disabilities (IDD).  At one time servingon the California Advisory Board.  For almost 20 years Greg has had the privilege of serving on the Board of Directors for THE PEOPLE CONCERN Los Angeles, whichis dedicated not just to manage the unacceptable crisis of people experiencing homelessness, but ending it!  Greg recently served as the Board Chair. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, I'm thrilled to announce my interview with Tony nominated actress Kathleen Chalfant. Tune in to hear some of the stories of her legendary career, including how Tony Kushner invited her to be part of ANGELS IN AMERICA, a letter from Larry Kramer during JUST SAY NO, how a fight broke out during her Broadway debut in DANCE WITH ME, the enormous difficulties of working with John Dexter on M. BUTTERFLY, taking on the role of Ronald Reagan in Sarah Ruhl's PASSION PLAY, how she ended up on staff at Playwrights Horizons, the production of MILLENNIUM APPROACHES that was dubbed MR. TOAD'S WILD RIDE, performing in workshops of FINDING NEVERLAND and FIRST DAUGHTER SUITE, and her most memorable reviews from John Simon, Michael Feingold, and more. You won't want to miss this conversation with a true theater veteran. 

Rising star Helen J. Shen, who is making her Broadway debut in Maybe Happy Ending opposite Darren Criss, dives into her journey from a classical piano prodigy to a Broadway performer, reflecting on the intense years of piano competitions and how those skills have shaped her approach to musical theater. She shares stories from her time at the University of Michigan, where her passion for theater solidified, and talks about the thrill of playing a robot in her Broadway debut. Helen also opens up about the creative process behind Maybe Happy Ending and how she's putting her personal spin on a role previously staged in Korea and Asia. She reflects on what it's like working alongside Darren Criss and the supportive environment of her team. They discuss the unique challenge of playing robots and how the production explores themes of mortality, connection, and what it means to be human. Helen J. Shen is an actor, musician, and writer. Before her Broadway debut in Maybe Happy Ending, she starred in The Lonely Few at MCC Theater and captivated audiences in Teeth at Playwrights Horizons. Her regional credits include Man of God at Williamstown Theater Festival and Sunset Boulevard at ACT of Connecticut. Connect with Helen: Instagram:insta TikTok: @miss.shelen Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Olivia Daniels is a Canadian performer, director and producer. She holds a BFA in Drama from New York University's Tisch School of the Arts, where they studied at Playwrights Horizons Theatre School and The New Studio on Broadway. Olivia also holds a minor in Philosophy. At the beginning of the COVID-19 pandemic, they co-founded Artists in Residence, a theatrical platform supporting artists' mental health by providing opportunities for connection and social engagement.  Driven by a love of collaboration and community building, they worked to create spaces where artists feel supported, seen, and respected for their individuality. With every new project, striving to embody a spirit of openness, discovery, and joy!  Ilana Khanin is a director of experimental new plays and musicals. Her work has been developed and presented at Ars Nova ANT Fest, Prelude, HERE Arts Center, New Ohio, Judson, Governors Island, The Tank, The Brick, Primary Stages, Theaterlab, Dixon Place, Samuel French Festival, and the Center at West Park. Artist-in-residence at Montclair State University New Works Initiative (2019-2020), and the Baryshnikov Arts Center (2023). She has worked as an associate director for Lila Neugebauer, Annie-B Parson, and Lee Sunday Evans at venues including Playwrights Horizons, Playmakers Rep, Abrons Arts Centre, and Carolina Performing Arts. Associate Artist with Big Dance Theater (BAM, London's Old Vic, Berlin's Deutsches Theater, among other venues). Her work has been supported by the Canada Council for the Arts, the Toronto Arts Council, and the Puffin Foundation. BFA and MA: NYU. PhD candidate: University of Toronto. I Was Unbecoming Then In a high school music room in North Vancouver, twelve teenage girls assemble to practice and perfect their parts, desperate to please Bruce, the choir director.As with any group of girls -As with any choir -They are constantly listening to each otherTuning and re-tuningAdjusting to each other's movements, sounds, and rhythmsFinding dissonance and harmony.I Was Unbecoming Then is an intimate new musical mixing hormones and harmonies.

Evan Handler is beloved by millions for portraying Harry Goldenblatt, divorce-lawyer-turned-husband to Kristin Davis's Charlotte York, on HBO's groundbreaking series, and films, “Sex and the City,” it's current MAX follow-up, “And Just Like That,” as well as Charlie Runkle on Showtime's seven season “Californication.” In addition to authoring two highly acclaimed books, Time on Fire: My Comedy of Terrors, and It's Only Temporary: The Good News and the Bad News of Being Alive, Evan has played leading roles in ABC's “It's Like, You Know…,” and NBC's “Studio 60 on the Sunset Strip,” STARZ' “Power,” and made numerous memorable guest appearances on “Lost,” “The West Wing,” “Six Feet Under,” “Necessary Roughness,” and “Friends.” In 2000, Evan played Larry Fine in ABC's TV movie “The Three Stooges,” followed by additional “real life” portrayals of Lloyd Blankfein in HBO's “Too Big to Fail,” Alan Dershowitz in FX's “People vs. OJ Simpson,” and Hal Prince in FX's “Fosse/Verdon,” each of which garnered numerous wide-ranging awards. On the big screen, Evan played a leading role in Ron Howard's “Ransom,” starring Mel Gibson, and featured and leading roles Oliver Stone's “Natural Born Killers,” “Taps,” “The Chosen,” and “Sweet Lorraine.” He's currently visible in David Duchovny's directorial effort, “Reverse the Curse.” Prior to his work in film and television, Evan earned acclaim in seven Broadway productions, all performed between his twenty-first and thirtieth birthdays, and all in spite of losing nearly five years of that span to his fight against a supposedly “incurable” leukemia. During this time Evan starred in Broadway productions of “Six Degrees of Separation,” “I Hate Hamlet,” “Brighton Beach Memoirs,” “Broadway Bound” and “Master Harold...and the boys.” Evan also worked extensively in off-Broadway and regional theater at NY's Public Theater, Manhattan Theater Club, Playwrights Horizons, Seattle Rep, and Steppenwolf, performing early plays by Donald Margulies, Robert Schenkkan, Jez Butterworth, and numerous others. Evan's first book, Time On Fire, details his unlikely recovery from the leukemia diagnosed in the mid-1980s. His second book, It's Only Temporary: The Good News and the Bad News of Being Alive, describes the twenty-year period post-illness, and Handler's surprisingly circuitous journey toward gratitude, using tales of serial dating, absurd relationships, unexpected depressions, and, ultimately, lasting love and a miracle conception. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This episode we are joined by actress Kerstin Anderson!  Kerstin Anderson made her Broadway debut in My Fair Lady as the understudy then alternate of Eliza Dolittle.  She also played the role of Maria in the Sound of Music national tour directed by Jack O'Brien.  She was last seen in Lincoln Center's concert of A Little Night Music and her other credits include Cult of Love at Berkeley Rep, Unknown Solider at Playwrights Horizons and Arena Stage and Doubt at Westport Playhouse. Kerstin also is a teaching artist and if you are interested in working with her, contact her via her website or DM her on Instagram!We chat with Kerstin about her experience leading a national tour, working as an understudy then alternate in My Fair Lady, what excites her about teaching and much more!

Weekly shoutout: Greater Ghost, a new poetry collection by Christian J. Collier, now available from Four Way Books (AC22) -- Hi there, Today I am so excited to be arts calling playwright Sarah Congress! (sarahcongress.com) About our Guest: Sarah Congress is an award-winning playwright and screenwriter. Her play "Melting" was just selected to be produced this October at Siena College for their Climate Justice plays series. She co-wrote the screenplay "I Can't Hear You," which won BEST COMEDY in the 2024 Jersey Shore Film Festival and 2nd place in the APin3 Film Challenge in Asbury Park. Her comedy Overdose won 2nd place for Best Short in the 2023 Downtown Urban Arts Festival at Playwrights Horizons. She teaches playwriting and screenwriting and works part-time for the Dean's Office at Columbia University, School of the Arts. Learn more about Sarah here: https://sarahcongress.com/ Check out Sarah's upcoming playwriting classes! -Saturday, September 21st: "Let's Write a Ten-Minute Play" with the wonderful Hudson Valley Writers Center (virtual): https://writerscenter.org/calendar/play/ -Wednesday, September 25th: "Intuitive Writing Workshop" at Freedom Rocks down the J. Shore (in person): https://freedomrocks.as.me/Intuative-Writing -Tuesday Evenings October 8th-22nd: "Humor Writing" with the fabulous Project Write Now (virtual): https://projectwritenow.org/writers-institute/product/humor-writing/ Thanks for this wonderful conversation, Sarah! All the best! -- Arts Calling is produced by Jaime Alejandro (cruzfolio.com). HOW TO SUPPORT ARTS CALLING: PLEASE CONSIDER LEAVING A REVIEW, OR SHARING THIS EPISODE WITH A FRIEND! YOUR SUPPORT TRULY MAKES A DIFFERENCE, AND I CAN'T THANK YOU ENOUGH FOR TAKING THE TIME TO LISTEN. Much love, j

Send your questions or provocations to Adam or Budi here!In this episode, Adam and Budi discuss the challenges and changes faced by theatre companies, specifically Soho Rep and Playwrights Horizons. Support the Show.If you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

Today, I am thrilled to announce my interview with 2024 Tony award winning playwright David Adjmi, whose play Stereophonic has quickly become Broadway's newest sensation. Tune in today for a deep dive into the making of that play, including its Reagan-focused political undercurrent, the plane trip that gave him inspiration, why he views his plays like jigsaw puzzles, the reason why some audiences don't respond to the play, the site-specific production he originally imagined, how the pandemic foiled the initial plans for a Broadway production, how band practice created chemistry among the cast, the process of securing Playwrights Horizons, how he ensured his vision for the timing of the play was maintained, and so much more. You can also hear other stories from his great career, including why Marian Seldes made a great collaborator, how an unpleasant experience at Juilliard influenced his subsequent work, his interactions with Stephen Sondheim, why he looks up to Edward Albee, what he looks for in a director, why he wants to tackle musical theater next, and so much more. You won't want to miss this interview with a true genius in the American theater.

Dana Ivey shares her experience working in musical theater for a change--and explains why it was so enjoyable for her. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods Learn more about your ad choices. Visit megaphone.fm/adchoices

Ryan J. Haddad is an actor, playwright, and autobiographical performer known for his on stage and off. His acclaimed solo play, HI, ARE YOU SINGLE?, premiered at The Public Theater's Under the Radar Festival, and he continued his career with The Public, making his off-Broadway debut as a playwright and performer with his autobiographical DARK DISABLED STORIES, which was named a New York Times Critic's Pick. His latest work, HOLD ME IN THE WATER, was recently announced for the Spring 2025 season at Playwrights Horizons.   In this episode, Ryan shares how he transforms his personal essays into plays, the importance of taking up space, and getting creative about accessibility in live theater.   Ryan Haddad   Playwrights Horizons   Dictionary of Obscure Sorrows

Mary D'Arcy recalls Paul Gemignani teaching her the score to Act One of Into the Woods and speculates on why she wasn't cast when the production moved forward. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods Learn more about your ad choices. Visit megaphone.fm/adchoices

Elysia Jordan (U/S Jenny, U/S Sarah, U/S Susan, U/S Joanne) National Tour: School of Rock. Regional / Concerts: Billy Elliot (Ogunquit Playhouse), Lincoln Center, Playwrights Horizons. BFA: Ithaca College. Elysia is a passionate teaching artist and works with students around the world through MTCA. Grateful for Merri, Avalon, and the incredible family and friends who keep me company, especially Steve. https://www.elysiajordan.com/   Want to try a free 2 week program with BFTS?  Go to:  www.builtforthestage.com Learn more about your ad choices. Visit megaphone.fm/adchoices

TUNE IN! It's "T"! This week, Justin and Erika chat about two wonderful contemporary playwrights that are blowing up in the theatre industry! Justin talks about a recent pulitizer winner, Erika breaks down a wonderful playwright who just had some work go up at Playwrights Horizons, and the two of them give you guys some closure on their thesis journey! Enjoy!SOME BUSINESS: Thank you to the two playwrights we featured in this episode! You can find some of their plays in the links below. Erika's play, Kill The Bird, can be found on her New Play Exchange and you can purchase and produce Justin's plays, Community Garden and Cabin Chronicles, through his publisher, Playscripts. You can also check out Justin's new podcast, The Scene: Podcast, which features Erika on the pilot! Finally, you can check out Justin's YouTube channel for more longform theatre content! For any more information, check out Justin's website and Erika's website for more cool stuff!Links to out playwrights:Tori Sampson's WebsiteTori Sampson's ConcordSanaz Toossi's ConcordIf you like the show, feel free to subscribe and give us a five star review! Also, follow us on instagram @justinborak and @actualerikakuhn and Justin on TikTok for any news and notes on upcoming episodes and more theatre reccomendations!

Stephen Flaherty is a composer who writes for theatre, film and the concert hall. With longtime collaborator Lynn Ahrens, he won Tony, Drama Desk and Outer Critics Circle Awards for the Broadway musical Ragtime and was nominated for two Academy awards and two Golden Globes for the animated feature film Anastasia, which they also adapted for Broadway. Additional Broadway credits include Once on This Island (Tony Award, Best Revival), Seussical, Rocky, My Favourite Year, Chita Rivera: The Dancer's Life (original songs), and Neil Simon's Proposals (incidental music).  Off-Broadway and Regional credits include The Glorious Ones, Dessa Rose, A Man of No Importance (all three at Lincoln Centre Theatre), Loving Repeating: A Musical of Gertrude Stein (About Face), Little Dancer (Kennedy Centre and Seattle 5th Avenue), In Your Arms (Old Globe) and Lucky Stiff (Playwrights Horizons). Future productions include Little Dancer and Knoxville. Stephen Flaherty's work in film includes the animated feature Anastasia, the original score for the documentary After the Storm, Lucky Stiff and Nasrin. His concert commissions include American River Suite and With Voices Raised. Additional awards include London's Olivier (Best Musical), Chicago's Joseph Jefferson (Best Musical) and four Grammy nominations. He serves on Council for the Dramatists Guild of America and co-founded the DGF Fellows Program for Emerging Writers with Lynn Ahrens. In 2014 Ahrens and Flaherty received the Oscar Hammerstein Award for Lifetime Achievement and in 2015 they were inducted into the Theatre Hall of Fame. For more information please visit AhrensAndFlaherty.com. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

In this episode, Hayley and Amy talk with composer, lyricist, book writer, and educator Anna K. Jacobs about her musical Teeth (currently at Playwrights Horizons!), cycles of creativity, increasing accessibility through education, prioritizing health for artists, and more. Click here for a transcript of the episode! Episode Notes Hosts: Hayley Goldenberg and Amy AndrewsGuest: Anna K. JacobsMusic: Chloe Geller Episode Resources: Teeth at Playwrights Horizons Musical Creators Institute New York Youth Symphony Musical Theater Songwriting Program A Slight Change of Plans with Dr. Maya Shankar Guest Bio: Anna K. Jacobs (she/her) is a Jonathan Larson and Billie Burke Ziegfeld Award-winning composer, lyricist, book writer, and educator. Her stage musicals include TEETH (Playwrights Horizons; co-book/ lyrics by Michael R. Jackson), POP! (Yale Rep, Pittsburgh City Theatre, Studio Theatre; book/lyrics by Maggie-Kate Coleman), ANYTOWN (George Street Playhouse; book by Jim Jack), HARMONY, KANSAS (Diversionary Theatre; book/lyrics by Bill Nelson), ECHO (Musical Theatre Factory), and STELLA AND THE MOON MAN (Sydney Theatre Company/Theatre of Image; with Richard Tulloch & Adrian Kelly). She also contributed music and lyrics to the multi-composer works WITNESSES (California Center for the Arts) and LETTERS TO THE PRESIDENT (Goodspeed Musicals), and penned the screenplay for THE REAL GEMMA JORDAN (University of Nebraska-Lincoln), which she is now adapting into a stage musical with composer-lyricist Rob Rokicki. Current projects also include the new musical A HOUSE WITHOUT WINDOWS (Grove Entertainment), with a book by Anna Ziegler, and a new stage musical adaptation of MOANA for Disney Cruise Line, featuring a score by Lin-Manuel Miranda and Opetaia Foa'i. Find Anna Online: Website: www.annakjacobs.com Instagram Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!

Robert Sean Leonard remembers working on the early incarnation of Into the Woods and how James Lapine told him he wouldn't be going forward with the show. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods. Learn more about your ad choices. Visit megaphone.fm/adchoices

Annie Parisse can be seen in the recently released feature GIVING BIRTH TO A BUTTERFLY as well as a leading role in the forthcoming feature THREE BIRTHDAYS along with ERIC LARUE, marking the directorial debut for Academy Award Nominee Michael Shannon.  Parisse was seen on FX's MRS AMERICA for FX and was a Series Lead on Netflix's FRIENDS FROM COLLEGE created by Nick Stoller and Francesca Delbanco. Additional credits include the Hulu series, THE LOOMING TOWER opposite Jeff Daniels, THE FIRST opposite Sean Penn, as well as HBO's original film PATERNO opposite Al Pacino. Annie also starred on the hit HBO Series, VINYL produced by Martin Scorsese and Mick Jagger. Her work includes, series regular roles on THE FOLLOWING for FOX opposite Kevin Bacon, LAW & ORDER, RUBICON for AMC and her incredible arc in the HBO mini series, THE PACIFIC for Steven Spielberg. Other notable television work includes HOUSE OF CARDS, THE BIG C, PERSON OF INTEREST and UNFORGETTABLE.  Annie made her Broadway debut in the revival of Craig Lucas's PRELUDE TO A KISS directed by Daniel Sullivan and she starred in CLYBOURNE PARK, which won the Pulitzer Prize for Drama and Tony Award for Best Play. Off Broadway she starred as the title role in the Pulitzer Prize nominated BECKY SHAW garnering a Lortel Nomination for her performance. Additional credits include: LONG LOST at MTC, THE LAYOVER at 2nd Stage, Playwrights Horizons's ANTLIA PNEUMATICA, Shakespeare in the Park's ALL'S WELL THAT ENDS WELL and MEASURE FOR MEASURE, THE INTERNATIONALIST (Drama Desk Nomination), MONSTER, and THE CREDEAUX CANVAS at Playwrights Horizons.  Annie's feature work includes the independent feature WILD CANARIES (SXSW Grand Jury Nomination), AND SO IT GOES directed by Rob Reiner, PRICE CHECK, ONE FOR THE MONEY, MY OWN LOVE SONG with Rene Zellweger and Forest Whitaker, HOW TO LOSE A GUY IN 10 DAYS opposite Kate Hudson and MONSTER-IN-LAW with Jane Fonda and Jennifer Lopez.  Parisse hails from Anchorage, Alaska and resides in New York. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Season 8 Premiere of Meet the Creatives with Michael Beirut, Partner at Pentagram. Michael Bierut studied graphic design at the University of Cincinnati's College of Design, Architecture, Art and Planning, graduating summa cum laude in 1980. He worked for ten years at Vignelli Associates before joining Pentagram as a partner in 1990. His clients at Pentagram have included The New York Times, Saks Fifth Avenue, The Robin Hood Foundation, MIT Media Lab, Mastercard, Bobby Flay Bold Foods, Princeton University, the New York Jets, the Brooklyn Academy of Music, and Playwrights Horizons. As a volunteer to Hillary Clinton's communications team, he designed the H logo that was ubiquitous throughout her 2016 presidential campaign. Bierut served as president of the New York Chapter of the American Institute of Graphic Arts (AIGA) from 1988 to 1990 and is president emeritus of AIGA National. He also serves on the boards of the Architectural League of New York and the Library of America. Bierut was elected to the Alliance Graphique Internationale in 1989, to the Art Directors Club Hall of Fame in 2003, and was awarded the profession's highest honor, the AIGA Medal, in 2006. He was winner in the Design Mind category at the 2008 Cooper-Hewitt National Design Awards. In 2016, he was the Henry Wolf Resident in Graphic Design at the American Academy in Rome. Bierut is a senior critic in graphic design at the Yale School of Art and a lecturer in the practice of design and management at the Yale School of Management. He is a cofounder of the website Design Observer and is the co-editor of the five-volume series Looking Closer: Critical Writings on Graphic Design published by Allworth Press. Michael's book 79 Short Essays on Design was published in 2007 by Princeton Architectural Press. A monograph on his work, How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry and (every once in a while) change the world was published in 2015 by Harper Collins. His collection of new essays, Now You See It, was published in fall 2017.

This week, we're biting into the 2007 horror/dark comedy classic TEETH! My guests include the film's writer/director, Mitchell Lichtenstein, as well as the writers/composers of the new Off-Broadway musical adaption, Pulitzer & Tony winner Michael R. Jackson ("A Strange Loop") & award winner Anna K. Jacobs ("POP!"). Finally, activist/artist/burlesque badass Evelyn DeVere joins me to discuss the plot of this iconique and impactful film. LET'S GO RICK OR TREATING! [Special thanks to Playwrights Horizons for collaborating on this very special episode!]PODCAST:www.RickOrTreat.comINSTA: @RickOrTreatPodTIKTOK: @RickOrTreatPodYOUTUBE: /RickOrTreatVENMO: @RickOrTreatX: @RickOrTreatPodTEETH THE MUSICAL:TICKETS: www.playwrightshorizons.orgTEETH THE MUSICALINSTA: @teeth_nycTIKTOK @teeth_nycPLAYWRIGHTS HORIZONSINSTA: @phnycTIKTOK: @playwrightshorizonsMICHAEL R. JACKSON (Guest Host)INSTA: @TheLivingMichaelJacksonX: @TheLivingMJANNA K. JACOBS (Guest Host) INSTA: @theannakjacobsTEETH SCREENING  (Moderated by Yours, Ghouly!)(Nighthawk Cinemas, Williamsburg, Brooklyn)https://nitehawkcinema.com/williamsburg/showtimes/teeth-3-18-24-700-pm/EVELYN DEVERE (Guest Host/Website Design)www.evelyndevere.comINSTA: @evelyndevereRICKY J. DUARTE (Host):www.RickOrTreat.comINSTA: @rickrtreatMY WRITING:www.Rue-Morgue.comwww.SpoilerFreeReviews.comVENMO: @rickortreatPAYPAL: @rickrtreatSTANLEY MARTIN (Social Media Manager)INSTA: @stanleymartinthethirdLESTAT VON MONDLICHT (Music by):YOUTUBE:https://www.youtube.com/@lestatvonmondlichtCRIMSON SOUL:Insta: @crimsonsoulofficialhttps://www.facebook.com/crimsonsoulofficialAFTER DARK (Band):https://www.facebook.com/afterdarkofficialuyhttps://www.instagram.com/afterdarkuyhttps://www.youtube.com/@afterdarkuyDROP BEAT EMPIRE (Electrogoth project):https://linktr.ee/dropbeatempireuyEVELYN DEVERE (Website Design)www.evelyndevere.com/PHILIP ROMANO (Logo Design)www.philip-romano.com

David Warren was in the room where it happened and remembers everything from the moment he first heard No One Is Alone to leaving Sondheim lost in the middle of San Diego. Join host Ben Rimalower for this candid conversation exploring how Sondheim and Lapine went Into the Woods. Learn more about your ad choices. Visit megaphone.fm/adchoices

ONCE ON THIS ISLAND  Book & Lyrics by Lynn Ahrens, Music by Stephen Flaherty Works Consulted & Reference :Once On This Island (Libretto) by Lynn Ahrens and Stephen FlahertyMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Waiting for Life" from Once On This Island (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by LaChanze and 'Once On This Island' Company"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

The extraordinary Craig Carnelia has had four shows produced on Broadway. Working with composer Marvin Hamlisch, he wrote the lyrics for “Sweet Smell of Success,” with book by John Guare, and “Imaginary Friends” with Nora Ephron.   As both composer and lyricist, Craig wrote the score for “Is There Life After High School” and contributed songs to “Working.”  Off-Broadway, he wrote the score for “Three Postcards at Playwrights Horizons,” with book by Craig Lucas, and contributed to the review “Diamonds,” directed by Hal Prince. Regionally, he wrote the score for “Poster Boy” at Williamstown Theatre Festival.  Awards include two Tony Award nominations, two Drama Desk nominations, two "Best Plays" citations, the Kleban Award, and the Johnny Mercer Award.   As a teacher of "acting through song," Craig taught renowned ongoing classes in New York for the Broadway community for close to three decades.  His book, The Reason to Sing: A Guide to Acting While Singing, is used at numerous universities and conservatories nationwide, including Stephens College in Columbia, Missouri. ON THE KNOWS with Randall Kenneth Jones is a podcast featuring host Randall Kenneth Jones (bestselling author, speaker & creative communications consultant) and Susan C. Bennett (the original voice of Siri). ON THE KNOWS is produced and edited by Kevin Randall Jones. ON THE KNOWS Online:    Join us in the Podcast Lounge on Facebook. X (Randy): https://twitter.com/randallkjones  Instagram (Randy): https://www.instagram.com/randallkennethjones/ Facebook (Randy): https://www.facebook.com/mindzoo/ Web:  RandallKennethJones.com X (Susan): https://twitter.com/SiriouslySusan Instagram (Susan): https://www.instagram.com/siriouslysusan/ Facebook (Susan): https://www.facebook.com/siriouslysusan/ Web: SusanCBennett.com LinkedIn (Kevin): https://www.linkedin.com/in/kevin-randall-jones/  Web: KevinRandallJones.com   www.OnTheKnows.com

We are excited to bring you this new podcast series, The Art of Collaboration. This series will focus on directors and choreographers in conversation with some of their collaborators on a specific production. This series will explore the ins and outs of these processes, both the finer details as well as overarching ideas about what goes into a productive collaboration on a show. In this inaugural episode, Director Alex Timbers, Costume Designer Catherine Zuber, and Lighting Designer Justin Townsend are interviewed by Foundation Director Dani Barlow to discuss their experience working together on Moulin Rouge! The Musical. Learn more about this episode's guests below. Bios: Alex Timbers (Director) is the recipient of Tony, Drama Desk, Outer Critics Circle, and London Evening Standard Awards, as well as two Obie and Lortel Awards. Broadway credits include Gutenberg the Musical; Here Lies Love; Moulin Rouge!; Just For Us; Beetlejuice; David Byrne's American Utopia; Oh Hello with Nick Kroll and John Mulaney; The Pee-wee Herman Show; Peter and the Starcatcher; and Bloody Bloody Andrew Jackson (also bookwriter). For television, he co-created Amazon's “Mozart in the Jungle” (Golden Globe Award) and has helmed the Netflix specials “John Mulaney: Kid Gorgeous,” “Ben Platt: Live at Radio City,” and most recently “John Mulaney: Baby J” (2023 Emmy Award nomination). His debut picture book, Broadway Bird, set in an all-animal version of Broadway, is published by Macmillan. @alextimbers   Justin Townsend (Lighting Designer): His professional lighting design work includes such productions as: Moulin Rouge! The Musical (Tony Award, Drama Desk Award, Outer Critics Circle Award); Jagged Little Pill (Tony Nomination); American Psycho (Tony nomination, Drama Desk Award, Outer Critics Circle Award, Henry Hewes Award); The Humans (Tony nomination, Drama Desk Award); Here Lies Love, (Drama Desk Award, Public Theater); Vietgone, (MTC); Pretty Filthy, (Civilians); Mr. Burns, a Post Electric Play, Milk Like Sugar, (Playwrights Horizons); Odyssey, A Winter's Tale, (Public Works at the Delacorte Theater); Venus, (Signature Theater); Unnatural Acts, Mother Courage, and Galileo (Classic Stage Company) Catherine Zuber (Costume Designer) Broadway: Moulin Rouge, (Tony Award, Olivier Award, Drama Desk Award, Outer Critics Circle Award), Mrs. Doubtfire, My Fair Lady, (Tony Award, Drama Desk Award, Outer Critics Circle Award), Oslo, War Paint (Drama Desk Award, Outer Critics Circle Award), King & I, (Olivier Award, Tony Award), Fiddler on the Roof, Golden Boy. South Pacific (Tony Award); The Coast of Utopia (Tony Award); The Light in the Piazza (Tony Award); Awake and Sing! (Tony Award); The Royal Family (Tony Award);  Gigi (Drama Desk Award). Metropolitan Opera: Rigoletto, Porgy & Bess, Il Barbieri di Siviglia, Les Contes d'Hoffman, Comte Ory, L'elisir d'Amore, Otello, Dr. Atomic, Roméo et Juliette. 2016 Induction: Theater Hall of Fame.  Stage Directors and Choreographers Foundation: Founded in 1965, Stage Directors and Choreographers Foundation (SDCF) exists to foster, promote, and develop the creativity and craft of stage directors and choreographers. SDCF's mission is to create access to the field, to connect artists to each other and to the public, and to honor these artists' theatrical legacies. The centrality of directors and choreographers in theatre and the impact they have on other artists' careers—from playwrights to designers to actors—makes SDCF's services essential to the wider theatre industry's continued health and vitality. Through its dynamic educational programming, including Observerships, Fellowships, public panels, and day-long symposia, SDCF serves the needs of directors and choreographers at every stage of career. www.sdcfoundation.org

BRUCE SUSSMAN received the 2022 Drama Desk Award for Outstanding Book of a Musical for the Broadway show Harmony. With Jack Feldman, he co-authored the scores for Ted Tally's Coming Attractions (Outer Critics Circle Award) and Wendy Wasserstein's first musical, Miami, both produced by André Bishop at Playwrights Horizons. He also co-authored the score and book for Copacabana: The Musical, (Olivier Award nominee). His half century-long collaboration with Barry Manilow has produced over 200 songs that have been featured in numerous films & have been recorded by an array of artists, earning Grammy Awards & multiple Gold & Platinum records. We discuss:  What is it like collaborating with Barry Manilow and how did that all unfold? When did you first get the desire to write, score & produce music?  Who & what were your inspirations? Does writing the book for a show & scoring the music come naturally to you?  What are the easy parts, what are the hard parts and what does it take to get it all done to your exacting standards? Is there a secret to your success?   What advice would you offer someone else who needs a better roadmap to reach the same pinnacle of success that you have? The show's slogan is that HARMONY tells the extraordinary true story of the greatest entertainers the world would ever forget.  There were 6 Comedian Harmonists.   What made them so beloved at the time and why were they forgotten? What does the Broadway musical Harmony mean to you and can you tell our listeners exactly your role in the show is as the maestro behind the book and lyrics and also Barry Manilow's role with his original score in the show? What would you like audiences to take away from the intended meaning & message of the show  & how you would like to see them feeling during & after the show? How long did it take for Harmony to get to Broadway & why the long and winding road that finally landed the show there.  What are you most proud of?  Anything you would change?        

Welcome to Season Five of Countermelody! While I indulge in a much-needed break for the month of January (my first in four years!), I have asked a number of Countermelody fans and listeners to provide spoken introductions to some of their favorite episodes from the first three seasons of the podcast. Today conductor Brian Castles-Onion introduces an episode from June 2020, as we neared the height of the pandemic and the panic surrounding it. It is an interview with Ira Siff, artistic director of La Gran Scena Opera Company di New York, alter ego of the beloved “traumatic soprano” Vera Galupe-Borszkh, lecturer for the Metropolitan Opera Guild and Weekly Commentator on the Metropolitan Opera broadcasts. So much has changed for everyone since the interview was recorded in January 2020, most poignantly (as relates to this episode) the death of our beloved Chic Walker (who portrayed Dame Emily Post-Morddum and Alfredo Sorta-Pudgi in La Gran Scena) on 11 April 2022; and the passing of Renata Scotto on 16 August 2023. My association with Ira Siff and La Gran Scena Opera Company di New York goes back more than thirty years, when Ira provided me with my first employment as a professional singer when my alter ego Daniela della Scarpone sang for two years with the renowned travesty opera company. I sat down with Ira in his East Village apartment in January 2020 for a wide-ranging interview in which we discuss his early days as a standee at the old Met (where some of his opera-going experiences included Maria Callas's final Tosca performances, Renata Scotto's 1965 debut as Madama Butterfly, and Leonie Rysanek's wild traversals of Verdi and Wagner). He discusses his first performing experiences in the early 1970s in association with Al Carmines and others, the genesis of La Gran Scena and their development into a worldwide phenomenon, and his subsequent “legitimate” career as lecturer, stage director, vocal coach and voice teacher and commentator all stemmed from in his words, “getting in a dress and singing soprano,” which he dubs “the strangest part.” This is a free-wheeling and extremely Opera Queeny interview, peppered with Ira's unique anecdotes and snippets from Gran Scena (and other!) performances. Today's guest host Brian Castles-Onion is one of Australia's most exciting and well-known opera conductors. Completing his tertiary studies at the Newcastle Conservatorium of Music, his outstanding achievements speak for themselves. He has worked at New York's Metropolitan Opera, the Julliard School of Music and the Rossini Festival in Italy, and has held the position of Artistic Director of Canterbury Opera in New Zealand. He currently continues his long run association with Opera Australia. His conducting experience includes well over five hundred opera performances throughout Australia, Asia and New Zealand alone. He was on the podium for Opera Australia's 40th Anniversary Gala and 60th Anniversary Gala, The Robert Allman Farewell Gala and conducted the Dame Joan Sutherland State Memorial Service – which was broadcast internationally on television and radio. His book Losing the Plot in Opera has been a Best Seller in Australia and the UK. Brian became a Member of the Order of Australia (AM) in the 2017 Australia Day Honours List. Today's interviewee and subject, Ira Siff, is a native New Yorker, who grew up on the standing room line of the old Metropolitan Opera, worshiping the famous singers of the 60's. A graduate of the Cooper Union, with a degree in Fine Arts, Mr. Siff began to study voice, and made his debut as a tenor in 1970. For the next decade, he performed roles in opera, operetta and musicals in New York, at The New York Shakespeare Festival, Circle in the Square, Playwrights Horizons, and many other venues. Turning to cabaret, Ira created an act using vocal parody of opera, jazz, and other styles of music, gaining critical acclaim, and a loyal following. In 1981, he founded La Gran Scena Opera Company di New Yor...

Driving instructor Rose Dooley lives alone in rural Ireland, but in fact she's hardly ever alone.  The local residents call Rose any time they have a, shall we say, ghost problem. Which happens more often than you'd think. You see, Rose's father, the late ghost hunter Vincent Dooley, has imbued Rose with certain ‘talents' to divine and chat up ghosts that are giving people a hard time. That's when she's approached by one Martin Martin, a woodworker whose late wife has been making his life hell for the past several years, constantly berating him and his choices from beyond the grave. Martin's daughter Sarah is growing up and has ideas of her own.  At the same time, determined to sell his soul for a revived career, washed up American pop star Christian and his wife Claudia have been picking out virgins to sacrifice, and soon set their sights on Sarah Martin. It's up to Rose and Martin to foil the Winters' nefarious schemes, and to make sure it's "curtains for Christian." Intro, Math Club, Debate Society, Hot for Teacher (spoiler-free): 00:00-25:32Honor Roll and Detention (spoiler-heavy): 25:33-56:00Superlatives (spoiler-heavier): 56:01-1:14:13 Directors Mike Ahearn & Enda LoughmanScreenplay Mike Ahearn & Enda Loughman and Maeve Higgins & Demian Fox Featuring Jamie Beamish, Terri Chandler, Emma Coleman, Risteard Cooper, Will Forte, Maeve Higgins, Claudia O'Doherty, Barry Ward Wendy MacLeod's play The House of Yes became an award-winning Miramax film starring Parker Posey, and was produced by many theaters including The Magic Theater, Soho Rep, The Washington Shakespeare Company, The Maxim Gorki Theater in Berlin, and The Gate Theater in London. Her other works for the stage include Sin and Schoolgirl Figure, both of which premiered at The Goodman, Juvenilia and The Water Children, both of which premiered at Playwrights Horizons, and Things Being What They Are, which premiered at Seattle Repertory Theatre, had an extended run at Steppenwolf in Chicago, and was produced by The Road Theatre in LA. She was the first writer selected for The Writer's Room residency at the Arden Theater in Philadelphia, where she wrote Women in Jeopardy! which was selected for The Kilroys' List and premiered at GEVA. The Ballad of Bonnie Prince Chucky was commissioned by and produced at ACT's Young Conservatory in San Francisco. Her prose has appeared in The New York Times, McSweeney's, Salon, POETRY magazine, and on NPR's All Things Considered. A graduate of the Yale School of Drama, she is the James E. Michael Playwright-in-Residence at Kenyon College. Her plays are available through Dramatists Play Service and at Playscripts.com. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar.  Music from Extra Ordinary: “A Woman's Heart” by Eleanor McAvoy, performed by McAvoy and Mary Black. For more information on this film (including why the Professor chose it, on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Our Blog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠scareupod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Please subscribe to this podcast via Apple or Google Podcasts, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ group. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Katie checks in with set designer (Broadway: Cost of Living, Pass Over, Next Fall; Lincoln Center Theater, Second Stage, Playwrights Horizons, the Public, Roundabout, and more; Lortel and Drama Desk nominations), Wilson Chin.

Playwrights Horizons' Literary Director Lizzie Stern sat down with Oscar-nominated and Grammy-winning musician Will Butler, formerly of Arcade Fire, to talk about the songs of Stereophonic. Their conversation spans childhood theater, the magic of songwriting, and includes a special snippet of Will singing one of his songs from the show. David Adjmi's Stereophonic, with songs by Will Butler and directed by Daniel Aukin, was recently named the "Best Play of 2023" by the Washington Post. Learn more at phnyc.org.

"School Pictures," a new one-person show at Playwrights Horizons, takes aim at the education system in New York, especially the High School admissions process. The show is written and performed by Milo Cramer, a former tutor, and they join to discuss their production, which Vulture calls "completely wonderful." "School Pictures" runs through December 3.  

Today on What's My Frame I'm joined by award-winning composer and sound designer Lindsay Jones. Lindsay's resume is extensive spanning mediums, genres and decades. He not only is a Tony nominee, a respected professor but an extremely passionate advocate for the arts and safe working conditions. Lindsay's Broadway credits include Slave Play, The Nap, Bronx Bombers and A Time To Kill; and a nomination for a Tony for Best Score and Best Sound Design of a Play. His off-Broadway work has been heard at Playwrights Horizons, The Public Theater, MCC, Primary Stages, and many others. International credits include works at Royal Shakespeare Festival (UK), Stratford Festival (Canada), and many others. Lindsay has created music and sound for over 500 productions in regional theatres across the US. Awards include seven Joseph Jefferson Awards and twenty-four nominations, 2 ASCAP Plus Awards, two Ovation Awards and three nominations, a Los Angeles Drama Critics Circle Award, a San Diego Theatre Critics Circle Award and two nominations, as well as multiple nominations for Drama Desk Awards, Helen Hayes Awards, Barrymore Awards, and many others. In film/television, he has created original score for over 35 projects, including HBO Films' A Note Of Triumph: The Golden Age of Norman Corwin, which won the 2006 Academy Award for Best Documentary, Short Subject. His work encompasses features like The View From Tall, Ash, and The Brass Teapot; TV shows such as Sony Pictures' series Family Practice for Lifetime Television, shorts such as The Follower, House Of Stairs, and Grace; and full-length documentaries such as Hearing Voices and Cleveland. In podcasts, Lindsay is the in-house composer/sound designer for the weekly podcast The Imagine Neighborhood, produced by the Committee For Children, and for the ongoing Play On series for Next Chapter Podcasts. Other podcast and audio drama work includes A Streetcar Named Desire (starring Audra McDonald) for Audible, Team Up (starring Susan Sarandon and Timothy Busfield) for Marvel, Wormwood (featuring Kevin Kline) for Real Jetpacks Productions, Hamlet for KPBS/The Old Globe, Soundstage for Playwrights Horizons, Twelfth Night and Measure For Measure for Chicago Shakespeare, and The Intersect for Micromass. In education and advocacy Lindsay is an adjunct professor of sound design at University of North Carolina School Of The Arts. Other universities where he's taught include Yale, Juilliard, Northwestern, Purdue, Depaul, NYU, UCLA, UCSD, UC Irvine, Rutgers, University of Illinois, and Chapman. He is a founding member and the co-chair of the executive board of Theatrical Sound Designers and Composers Association (TSDCA), and co-founded The Collaborator Party with John Gromada. He is also a founding member of NO MORE 10 Out Of 12's, an advocacy group dedicated to safe working environments in theatre. Now let's get to the conversation!! To learn more about Lindsay's work visit his site, here To get plugged in with TSDCA --- Hosted by Laura Linda Bradley Join the WMF creative community now! Instagram: ⁠⁠⁠@whatsmyframe⁠⁠⁠ TikTok: ⁠⁠⁠@whatsmyframe⁠⁠⁠ ⁠⁠⁠IMDb⁠⁠⁠ ⁠⁠⁠What's My Frame? official site ⁠⁠⁠ ⁠⁠⁠Join our monthly newsletter!⁠⁠⁠ What's My Frame? merch⁠⁠⁠⁠ Proceeds will be donated to the SAG-AFTRA Foundation to support actors affected by the strikes. --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

Liz Carlson (elizabethjcarlson.com) is an NYC-based creative producer and director committed to the development of new stories. Prior to stepping in as Interim Artistic Director, Liz produced and directed with NYSAF in various capacities over the past 15 years, notably as the full-time Artistic Producer for the past seven, supporting artists such as César Alvarez, Jaki Bradley, Lyndsey Bourne, Lily Houghton, Keelay Gipson, Jessica Huang, Melissa Li & Kit Yan, Don Nguyen, Brian Quijada & Nygel D. Robinson, Kirya Traber, Lauren Yee, and hundreds more. Liz also served as the Artistic Director for the new works incubator Naked Angels from 2013-2016. As a director, Liz has developed plays and musicals with Ars Nova, The Dramatists' Guild, Ensemble Studio Theatre, The Flea, Keen Company, Manhattan School of Music, Manhattan Theatre Club, The New Group, Playwrights Horizons, The Playwrights Realm, Signature Theatre Company, Williamstown Theatre Festival, and more. Upcoming directing projects include a new-play workshop with Minita Gandhi at Berkeley Rep's The Ground Floor, and the final installment of a musical podcast with the Drama Desk-nominated folk band The Lobbyists. MFA The New School for the Performing Arts, Drama. Recipient of The Drama League Fellowship. 

Max Chernin Broadway: Parade, Bright Star, Sunday In The Park with George. NYC: Brooklynite (Vineyard), Golden Apple (Encores!) Regional: Passing Through (Goodspeed), Daddy Long Legs (Theatre Raleigh), Elf (Pioneer). Television: “Dickinson,” “Blacklist.” CCM Alum. @maxcherns. Alfred Uhry (Book) is distinguished as the only American playwrights to have won a Pulitzer Prize, an Academy Award, and two Tony Awards. A 1958 graduate of Brown University, he began his professional career as a lyric writer under contract to the late Frank Loesser. He made his Broadway debut in 1968 with Here's Where I Belong, which ran for one night. He had better luck with The Robber Bridegroom in 1976, which won him his first Tony nomination. He followed that with five recreated musicals at the Goodspeed Opera House in East Haddam, Connecticut. His first play was Driving Miss Daisy, which began life at the 74-seat upstairs theatre at Playwrights Horizons in 1987 and went on to run for three years and won the Pulitzer Prize in 1988. The film version, starring Morgan Freeman and Jessica Tandy, won the Academy Award for Best Picture of 1989 and gained Uhry his own Oscar for Best Screenplay. His next two Broadway outings won him Tony Awards: The Last Night of Ballyhoo (Best Play of 1997) and Parade (Best Book of a Musical 1999). In 2014, he was inducted into both the Theatre Hall of Fame and the Georgia Writers Hall of Fame. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mahira Kakkar: Off-Broadway: 7 Minutes, Waterwell; Here We Are, Theater for One; Addressless, Rattlestick; Opus, Primary Stages; Harper Regan, Atlantic; Romeo and Juliet, Public Theater; The Winter's Tale, TFANA; When January Feels Like Summer, EST; Henry VI, NAATCO; Arturo Ui, Classic Stage Company; Ms. Witherspoon, Playwrights Horizons; Clive, The New Group. Regional: Life of Pi, A.R.T.; Skylight, McCarter Theatre; Rafta Rafta, Old Globe; Our Town, OSF; Monsoon Wedding, Berkeley Rep; Bedroom Farce, Huntington Theater Company; Inana, Denver Center; The Crucible, Cleveland Playhouse; Five Mile Lake, McCarter Theatre; Comedy of Errors, Hartford Stage, Jesus in India, Magic Theater. Film/TV: “A Suitable Boy” (series lead), “Manifest” (recurring), “New Amsterdam,” “Blue Bloods,” “The Blacklist,” “Louie,” “Odd Mom Out,” “Sweet Refuge,” “Bite Me,” Hank and Asha (Napa Valley Film Festival Best Actress, Wild Rose Festival Best Actress, Slamdance Audience winner, Bronze Lens winner), “Law & Order,” “Orange Is the New Black.” Training: Juilliard, SITI, Harold Guskin; B.A. Jadavpur University. mahirakakkar.com Salma Qarnain is a versatile Pakistani American actor, thrilled to be making her Broadway debut in the adaptation of one of her favorite books. She is a two-time Helen Hayes Award recipient, an AUDELCO nominee, and an award-winning theater and film producer. She has performed across major networks (ABC, NBC, CBS, HBO, HBO Max, Hulu, Showtime), regionally, Off-Broadway, and Off-West End. Most recently, she produced the 2023 Oscar-qualified short film, Silent Partner (19 festivals / 4 Oscar qualifiers; 8 awards / nominations) and Speak Up Brotha!, which is premiering at the Oscar-qualifying Cleveland International Film Festival. Selected credits: Bars and Measures (Off-Broadway); Acquittal (Off-Broadway); Rain + Zoe Save the World (Off-West End); “That Damn Michael Che” (RECUR, HBO Max); “FBI” (CBS); “The Blacklist” (NBC); “Law & Order: SVU” (NBC); “For Life” (ABC). Graduate of Stanford, MIT, Harvard Business School. Proud member of SAG•AFTRA, AEA, Equity. Thank you to Roderick, Gary, Lolita, Max, Finn, Duncan, Benton, Patrick, A.R.T, and Annette for getting me here. Love you, X! For my sisters Ayesha, Sonia, and Zehra and my parents Qarnain and Rashida in the stars. IG: @salma.qarnain; salmaqarnain.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

ANDREW BURNAP - won the 2021 Tony Award for Best Lead Actor in a Play for his performance in Matthew Lopez's The Inheritance, directed by Stephen Daldry, after a successful run at the Young Vic in London and a transfer to the West End. Additional theater credits include the titular role in the West Coast premiere of Matthew Lopez's The Legend of Georgia McBride (Geffen Playhouse, director Mike Donahue), Nicky Silver's This Day Forward (Vineyard Theatre, director Mark Brokaw) and Troilus in Troilus and Cressida (The Public, director Daniel Sullivan). TV and Film credits include the upcoming The Front Room (A24) and Disney's live-action Snow White; as well as “Under the Banner of Heaven” (Hulu); “WeCrashed” (AppleTV+); The Chaperone (director Michael Engler); and Spare Room. Andrew graduated from the Yale School of Drama. DAKIN MATTHEWS - LCT: Henry IV (Drama Desk Award). Broadway: To Kill a Mockingbird, The Iceman Cometh, Waitress, The Audience, Rocky, The Best Man, A Man for All Seasons. New York: Shakespeare in the Park, The Bridge Project at BAM, Playwrights Horizons, City Center Encores!, The Acting Company. Over 200 regional productions. Recent film credits include True Grit, Lincoln, Bridge of Spies and Zero Charisma. Over 250 television credits including “The King of Queens,” “Desperate Housewives” and “Gilmore Girls.” Former Artistic Director of three professional companies, an award-winning playwright and translator, an Emeritus Professor of English and a Shakespeare scholar. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Listen: Lauren Class Schneider talks to playwright John J. Caswell, Jr. of “Wet Brain”. It's presented by MCC and Playwrights Horizons, playing at Playwrights. Julio Monge, Photo by Joan Marcus “Class Notes” actively covers New York's current theater season on, off, and off-off Broadway. Ceci Fernández, Florencia Lozano, Frankie J. read more The post Class Notes: John J. Caswell, Jr. from “Wet Brain” appeared first on BroadwayRadio.

A panel of Black thinkers (a Broadway playwright, a spoken word poet, a Columbia professor, and an activist) try to define Freedom in the year ???? in this dark comedy about ancestors and artists. Written by Dave Harris Directed by Taylor Reynolds Sound Design by Ben Scheff Sound Editing by Dylan Carrow Production Stage Manager -- Hanako Rodriguez CAST: Walter Mixon Riley -- JEROME PRESTON BATES LaToya Beasley -- BRITTANY BRADFORD Jake Dillers / Sponsors / Announcer -- YONATAN GEBEYEHU Jones Joseph -- DAVE HARRIS Jerome Barker Thomas -- BEETHOVEN ODEN Season 2 of Soundstage was made possible with the generous support of the Scherman Foundation's Katharine S. and Axel G. Rosin Fund and the National Endowment for the Arts.   Playwrights Horizons is supported in part by public funds from the National Endowment for the Arts, the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, and the New York City Department of Cultural Affairs in partnership with the City Council. In addition, Playwrights Horizons receives major support from the Howard Gilman Foundation, the J. L. Greene Arts Access Fund in The New York Community Trust, and The Shubert Foundation.

DAVID MARSHALL GRANT Broadway credits include “Bent,” so-starring with Richard Gere, and “Angels in America,” for which he was nominated for a Tony Award and a Drama Desk Award. He has appeared in over twenty-five movies, including “American Flyer,” “The Chamber,” “Air America,” “Stepford Wives,” and “The Devil Wears Prada.”  Television work include Bobby Kennedy in “Citizen Cohn,” “And the Band Played On,” “Thirty-Something,” “Party Down,” and “Career Opportunities in Murder and Mayhem,” which will air this summer on Hulu.  David's first play, “Snakebit” was produced off Broadway and was nominated for a Drama Desk award, an Outer Critics Circle Award and was named one of Time Magazine's best plays of the year. Other plays include “Current Events” at The Manhattan Theater Club, and “Pen” at Playwrights Horizons. He has been a writer/executive producer on “Brothers and Sisters,” “Nashville,” “Smash,” “Code Black,” and “A Million Little Things.”  He recently co-wrote the film, “Spoiler Alert" with Dan Savage Learn more about your ad choices. Visit podcastchoices.com/adchoices