Podcast appearances and mentions of Lady Day

This one originally dropped in September 2021 in two parts—but if you missed it back then, don't worry. I'm bringing it back as part of the Broadway Drumming 101 Classic Interview Series.Ray Marchica is one of those drummers whose name has been floating around the NYC scene for decades—and for good reason. He's done it all: gold records, TV house band gigs, iconic Broadway runs, off-Broadway, jazz big bands, the works. From James Brown's "Living in America" to The Rosie O'Donnell Show to Mamma Mia!—Ray's been laying it down with feel, power, and style.In this episode, Ray shares stories about:* Growing up in Brooklyn and learning drums from his uncle in the basement* Studying classical percussion at Brooklyn College with the legendary Morris Lang* Landing his first major gig on the A Chorus Line tour in the ‘70s* Navigating the world of jingle sessions, Radio Registry (yes, that was a thing for you young folk), and Broadway subs* Getting the gig with Dan Hartman and playing on hit records* What it was like playing for La Cage aux Folles, Starlight Express, Will Rogers Follies, and other major shows* His time in the pit for Miss Saigon, the long run with Mamma Mia!, and his approach to training subs* Real talk about the rise of drum machines, the shift in Broadway orchestra pits, and how he's stayed versatile through it allWhether you're a drummer, a fan of Broadway, or just someone who loves hearing stories from the road, the pit, and the studio, you'll dig this.Hit play. Subscribe if you haven't. And check out more at BroadwayDrumming101.com.If you loved this episode, check out some of the other powerful resources we've created for musicians looking to bridge the gap between the classroom and the Broadway pit:*

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.

In this exclusive clip from the upcoming Broadway Drumming 101 podcast, percussionist Andrew Atkinson shares how a one-off gig on America's Got Talent led to an unforgettable opportunity on Hamilton. Hear how a backstage connection, a feature in Modern Drummer, and pure preparation paved the way for his Broadway debut — all without asking for a single gig.Andrew recalls the moment he heard "My Name Is Alexander Hamilton" live for the first time, the wild audience reaction, and how he learned the book in just two weeks. Most powerful of all? His mindset: "I don't get nervous. I get prepared."

El 7 de abril de 1915 nacía una de las cantantes más extraordinarias de todos los tiempos. Con la lectura de algunos fragmentos de su autobiografía 'Lady sings the blues' (Tusquets) y de 'Con Billie Holiday. Una biografía coral' de Julia Balckburn (Libros del Kultrum) escuchamos a 'Lady Day' en grabaciones de finales de los años 30 principios de los 40 ('All of me', 'Until the real thing comes along', 'Me, myself an I', 'You go to my head', 'Night and day), de su disco de 1957 'Songs for distingué lovers' ('I didn´t know what time it was', 'Day in, day out') y del disco de 1959 'Lady in satin' ('For heaven´s sake', 'You don´t know what love is', 'You´ve changed', 'I´m a fool to want you'). Para la despedida, 'Fine and mellow', grabación de diciembre del 57, en el programa de televisión de la CBS 'The Sound of Jazz', acompañada por gigantes como los saxofonistas Lester Young, Ben Webster, Coleman Hawkins o Gerry Mulligan.Escuchar audio

This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.

Back in 2021, I sat down with one of the most versatile and in-demand drummers on Broadway: Sean McDaniel.Since that interview, Sean's career has only expanded. He's played Some Like It Hot, Cabaret at the Kit Kat Club and now holds the drum chair for one of the most buzzed-about new musicals on Broadway: Smash.So I figured—why not bring this conversation back to the forefront?In this re-released episode, Sean gives us an inside look at the early development of The Book of Mormon, starting with a modest 20-minute workshop. It's wild to hear how the show started with hand-drawn cartoons projected behind a reading stage—and how Sean's ability to adapt, play by ear, and control dynamics became essential in shaping the drum parts that evolved over the years.Broadway Drumming 101 is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.He talks about the two lives of Broadway drumming: playing with “toothpicks” during readings and unleashing full stadium energy in the pit once the show is fully staged. That flexibility—combined with a deep understanding of styles and musical storytelling—is what sets him apart.Sean also shares how his high school show choir days prepared him for the dynamic, mic-less world of workshops and readings. He developed a skill many overlook: playing softly while still maintaining intensity.If you're a drummer looking to understand what it really takes to build a Broadway career from the ground up—this is an essential listen.The full episode drops this Saturday.

In this episode of Broadway Drumming 101, we sit down with Andrew Beall, an accomplished percussionist, composer, and Broadway musician whose career spans international performances, musical theater orchestration, and a deep love for percussion. From his early days in Ohio to working on some of Broadway's biggest productions, Andrew shares insights into his journey, his influences, and his passion for composition.We dive into the art of orchestration, the challenges of subbing on Broadway, and how he balances multiple musical roles—including running Bachovich Music Publications and managing orchestras. Andrew also talks about adapting to technological advancements in music, the impact of Finale's discontinuation, and how biking in NYC keeps him in rhythm with the city's fast pace.Whether you're an aspiring Broadway musician or just love behind-the-scenes stories from the theater world, this episode is packed with wisdom, humor, and practical advice.Episode Highlights:

John Cale und Lou Reed suchten in den 70er Jahren stets neue Formen für ihre Musik. Cale produzierte neben Nicos Alben auch „Horses“ von Patti Smith und das Debütalbum der Stooges. Sein Album „Paris 1919“ stach heraus und ließ sein musikalisches Wissen und Können aufscheinen. Lou Reed lieferte mit „Berlin“ eine durchgehende Erzählung in Liedern, mit „Metal Machine Music“ ein verstörendes Noise- und Industrial-Werk, das sein Publikum eher verschreckte. Danach wechselte er wieder ins leichtere Fach und hatte mit „Coney Island Baby“ Erfolg. Cale etablierte sich mit raffinierten, leicht zugänglichen Balladen Mitte der 1970er Jahre auch als Solo-Popmusiker, ohne jedoch seine Lust an zeitgenössischer klassischer Musik zu vergessen. Lou Reed kehrte mit den Alben „Blue Mask“ oder „New York“ zu seinen typischen Songreportagen zurück, in denen er erneut distanziert Szenen und Originale der Straße musikalisch einfing. Musikliste: Lou Reed: Lou Reed (1972): I can't stand it, I love you, Wild child, Ride into the sun Transformer (1972): Vicious, Perfect day, Walk on the wild side, Satellite of love, Goodnight Ladies Berlin (1973): Lady Day, Caroline says II, Sad song Rock 'n‘ Roll Animal (live, 1974) Sally Can't Dance (1974): Baby face, Sally can't dance, Billy Coney Island Baby (1975): Crazy feeling, Charley's girl, Kicks, A gift, Coney Island baby Rock and Roll Heart (1976): I believe in love, Rock and roll heart Street Hassle (1978): Street hassle Live: Take No Prisoners (1978) The Bells (1979): I want to boogie with you Growing Up In Public (1980): How do you speak to an angel, The power of positive drinking The Blue Mask (1982) Legendary Hearts (1983): Legendary hearts, Make up mind, The last shot, Rooftop garden New Sensations (1984) Mistral (1986): Tell it to your heart New York (1989) Songs For Drella (Lou Reed & John Cale, 1990): Style it takes, Nobody but you, Hello it's me Magic And Loss (1992) Set The Twilight Reeling (1996): NYC man, Set the twighlight reeling Ecstasy (2000): Paranoia key of E, Tatters, Turning time around The Raven (2003): Call on me, Hop frog, Who am I John Cale: Paris 1919 (1973) Music For A New Society (1982): Taking your life in your hands, Close watch Wrong Way Up (mit Brian Eno, 1990): Spinning away Fragments For A Rainy Season (live, 1992) Mercy (2023): Story of blood Nico: Chelsea Girl (1967), The Marbel Index (1968), Desertshore (1970), The End…(1974) Unser Podcast-Tipp in dieser Folge: Das Wissen / https://1.ard.de/swr2_wissen_cp

Friends of the Rosary,Today, amid the Lent's austerity, we celebrate the Solemnity of the Annunciation of the Lord, the most sublime moment in the history of time, when the Second Person of the Holy Trinity assumed human nature in the womb of the Virgin Mary.At midnight, when the most holy Virgin was alone and absorbed in prayer, the Archangel Gabriel appeared before her and asked her to consent to become the Mother of God in the name of the blessed Trinity.Saint Irenaeus, a holy bishop and martyr of the second century, showed us that Nazareth was the counterpart of Eden.The angel of darkness, the serpent, tricked Eve, who longed for the forbidden fruit and was impatient to enjoy independence. She ate the fruit, and death took possession of her: death of the soul, for sin extinguishes the light of life; and death of the body, which, being separated from the source of immortality, became an object of shame and horror and finally crumbled into dust.Meanwhile, the spirit of light in Nazareth respectfully bowed before her, speaking heavenly language: “Hail, full of grace! The Lord is with thee! Blessed art thou among women!”Mary heard the angel's explanation of the mystery, and the will of heaven was made known to her. She, the humble maid of Nazareth, experienced the ineffable happiness of becoming the Mother of God. Mary told the divine messenger, “Behold the handmaid of the Lord: be it done to me according to thy word.”The obedience of the second Eve repaired the disobedience of the first. The eternal Son of God became present in the chaste womb of Mary, and He began His human life. A Virgin is the Mother of God, and, consenting to the divine will, conceived by the power of the Holy Ghost.The Mother of God, the Immaculate Conception, would become the Queen of all creation.This is Solemnity Day, “Lady Day” or Annunciation, when our Lenten penance obligations are lifted. We should celebrate with some special food or dinner. This feast day forecasts the event of Christmas.The Roman Martyrology commemorates St. Dismas, the Good Thief, and St. Margaret Clitherow (1556-1586), wife and mother, one of the English martyrs.March 21, 2025, marked the fifth year since we started praying the Holy Rosary of Mary daily within this community. We are grateful and rejoice in the Holy Virgin as we have found favor in her Rosary — a special grace given to us!-Ave Maria!Jesus, I Trust In You!Come, Holy Spirit, come!To Jesus through Mary!+ Mikel Amigot | RosaryNetwork.com, New York• March 25, 2025, Today's Rosary on YouTube | Daily broadcast at 7:30 pm ETEnhance your faith with the new Holy Rosary University app:Apple iOS | New! Android Google Play

Step into the mystical energy of the Vernal / Spring Equinox with this enchanting 432Hz Celtic soundscape, honoring the Ancient Druids and the sacred turning of the Wheel at Alban Eilir—the "Light of the Earth." This powerful moment marks a perfect balance of light and dark, when day and night stand equal before the sun begins its rise toward summer. In Druidic and Celtic traditions, Alban Eilir is a time of renewal, fertility, and rebirth, when the earth awakens and life stirs once more. We also celebrate Lady Day—known to Wiccans as a sacred festival of the Goddess in her Maiden form, symbolizing hope, new beginnings, and the first bloom of spring. Let the gentle flow of 432Hz healing frequencies help clear winter's weight and align your spirit with nature's rising energy. Start your spring with purpose, balance, and magic as you reconnect with the ancient rhythms of the land.

Throwback to one of the wildest and most unforgettable nights of my Broadway career—the opening night of Ain't Too Proud - The Life And Times Of The Temptations on March 21st, 2019, and performing on The Tonight Show Starring Jimmy Fallon. Playing live on national TV was already a huge deal, but throw in a mad dash through Times Square with a police escort to make it back to the Imperial Theatre for opening night? That took it to another level.After performing on The Tonight Show with Jimmy Fallon at 5 PM, we still had to race across town to the Imperial Theatre for our Ain't Too Proud opening night. Traffic leaving Rockefeller Center was brutal, and for a moment, it looked like we might not make it. But somehow, we pulled up just in time.I had a click track in my ears during this Tonight Show performance—same with the music director. The band and lead vocals were 100% live, but the background vocals were pre-recorded and locked to the click.Here's a little secret that not many folks—maybe not even most of my Ain't Too Proud cast and bandmates—know: between “Get Ready” and “Ain't Too Proud to Beg,” I had four clicks to cue me into the next tune. I was supposed to kick things off with that classic Benny Benjamin intro fill… but with the adrenaline rushing, nerves firing, and Questlove and The Roots watching from the wings, I skipped the fill and went straight into the groove.Thankfully—it worked. But man, knowing millions of people were watching, then thinking about how we had to jet across town and race to opening night right after this? My head was spinning.Looking back, I'm grateful for moments like that—creating something meaningful, making people smile, and sharing the stage with some of the best in the business. Ain't Too Proud should still be running, no doubt—but that's a convo for another day. For now, I'm just appreciating the journey. And with what I'm working on over the next few weeks, maybe there's one more Broadway run in my future.But if not? I'm good. I've had my shot—and I truly hope you get yours. There's nothing like the feeling of playing a show. It's one of the most rewarding experiences a musician can have.Have you ever had one of those moments where you knew the show or song like the back of your hand—but then one little thing throws you off? Let me know. I know I'm not the only one. Leave a comment here: Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Broadway Drumming 101 – Classic Interview: Gary SeligsonIn this classic episode of Broadway Drumming 101, I sit down with the incredible Gary Seligson. If you've been around the Broadway scene, you already know his name. Gary's played on some massive shows, including Aida, Tarzan, Wicked, and Billy Elliot. His resume is stacked, but what really makes this interview special is the insight he shares about navigating the business, working in the pit, and adapting to the ever-changing world of theater drumming.We get into everything—how he got started, what it takes to lock in with a Broadway orchestra night after night, and how he keeps his playing fresh even after doing the same show hundreds (or thousands) of times. He also shares his approach to learning a book, staying prepared, and making a lasting career in this business.Gary's been in the game for a long time, and he's got a ton of wisdom to share. Whether you're an aspiring Broadway drummer or just someone who loves hearing behind-the-scenes stories from the pit, this episode is packed with gems.Episode Highlights:* Gary's Beginnings in Drumming: From banging on pots and pans as a child to his first toy snare drum, Gary's love for drumming was evident from an early age. His father nurtured this passion, leading him to study with Glenn Weber, who became a pivotal figure in his musical education.* High School and Early Gigs: Gary discusses his experiences in regional and all-state jazz bands, his first gig at age 13 with a Chicago/Blood, Sweat & Tears-style horn band, and how playing Bar Mitzvahs and country music gigs gave him a solid foundation for professional musicianship.* Music Education at Hartt School of Music: He shares why he chose the Hartt School over Berklee and North Texas, his influential mentor Al Lepak, and how studying in Hartford put him on a path toward a professional career in music.* Breaking into the New York Music Scene: After studying with legendary studio drummer Gary Chester, Gary received his first opportunity to sub on Broadway's The King and I in 1984. His first night in the pit was a nerve-wracking but pivotal moment that shaped his future on Broadway.* National Tours and Nine Years on the Road: Gary recounts his time playing Cats, Les Misérables, and Miss Saigon on tour, how driving between cities gave him a new appreciation for different parts of the U.S., and how this extensive road experience prepared him for his return to Broadway.* Landing Long-Running Broadway Shows: His journey from subbing on Chicago and The Lion King to originating the drum books for Aida, Wicked, and Tarzan. He shares fascinating behind-the-scenes stories, including how Phil Collins personally insisted that Gary be the drummer for Tarzan after hearing him play Wicked live.* Working with Legends: Gary reflects on playing drums alongside Elton John and Phil Collins, what made their playing styles so unique, and how their guidance influenced his own musicianship.* Adapting to Different Roles: From drumming to percussion work on Motown: The Musical, Gary shares how playing alongside master percussionists like Roger Squitero and Javier Diaz elevated his approach to groove and feel.* Navigating Broadway's Ups and Downs: Gary talks about the transitions between gigs, the importance of subbing, and how he balanced a career that included School of Rock and subbing next to me at Ain't Too Proud.This in-depth discussion offers incredible insights into a Broadway musician's life, the industry's realities, and the dedication required to thrive in musical theater drumming. Whether you're an aspiring drummer or a theater enthusiast, this episode is a must-listen.Give it a listen, and let me know what you think!

The Velvet Underground lieferten mit ihrem zweiten Album einen noch düsteren Einblick in den New Yorker Underground und die dazugehörigen Rockwelten. Lou Reed blieb der Kopf der Band, Nico und John Cale gingen eigene Wege. Danach zerfloss die Idee der Band zunehmend, nur noch einzelne Lieder der weiteren Alben hatten weiter die Sprengkraft der ersten, die Band wurde schließlich aufgelöst. Auch eine Reunion in den frühen Neunzigern hinterließ bei den Akteuren und Fans einen Kater. John Cale half Nico, sich als eigenständige Künstlerin zu etablieren, Cale selbst experimentierte mit Stilen und Ideen. Lou Reed dagegen schuf 1972 sein Meisterwerk „Transformer“ und den Welthit „Walk on the wild side“. Musikliste: The Velvet Underground: The Velvet Underground & Nico (1967) White Light/White Heat (1968): Here she comes now, Sister Ray The Velvet Underground (1969): Candy says, Pale blue eyes, Beginning to see the light Loaded (1970): Who loves the sun, Sweet Jane, Rock & Roll, Oh! Sweet nuthin‘ VU (1968/69,1985): Stephanie says, Foggy notion Le Bataclan'72 (Lou Reed/John Cale/Nico 1972, 2004) Lou Reed: Lou Reed (1972): I can't stand it, I love you, Wild child, Ride into the sun Transformer (1972): Vicious, Perfect day, Walk on the wild side, Satellite of love, Goodnight Ladies Berlin (1973): Lady Day, Caroline says II, Sad song Rock 'n‘ Roll Animal (live, 1974) Sally Can't Dance (1974): Baby face, Sally can't dance, Billy Coney Island Baby (1975): Crazy feeling, Charley's girl, Kicks, A gift, Coney Island baby Rock and Roll Heart (1976): I believe in love, Rock and roll heart Street Hassle (1978): Street hassle Live: Take No Prisoners (1978) The Bells (1979): I want to boogie with you Growing Up In Public (1980): How do you speak to an angel, The power of positive drinking The Blue Mask (1982) Legendary Hearts (1983): Legendary hearts, Make up mind, The last shot, Rooftop garden New Sensations (1984) Mistral (1986): Tell it to your heart New York (1989) Songs For Drella (Lou Reed & John Cale, 1990): Style it takes, Nobody but you, Hello it's me Magic And Loss (1992) Set The Twilight Reeling (1996): NYC man, Set the twighlight reeling Ecstasy (2000): Paranoia key of E, Tatters, Turning time around The Raven (2003): Call on me, Hop frog, Who am I John Cale: Paris 1919 (1973) Music For A New Society (1982): Taking your life in your hands, Close watch Wrong Way Up (mit Brian Eno, 1990): Spinning away Fragments For A Rainy Season (live, 1992) Mercy (2023): Story of blood Nico: Chelsea Girl (1967), The Marbel Index (1968), Desertshore (1970), The End…(1974) Unser Podcast-Tipp in dieser Folge: Starthilfe / https://www.ardaudiothek.de/sendung/starthilfe-der-musik-podcast-mit-den-stars-von-morgen/94673504/

Thanks for reading Broadway Drumming 101! This post is public so feel free to share it.In this episode of Broadway Drumming 101, host Clayton Craddock sits down with the incredibly talented drummer Jaylen Petinaud to discuss his journey from an eager young musician introducing himself at LaGuardia High School to playing with Herbie Hancock and holding the drum chair for Hell's Kitchen on Broadway.Jaylen shares stories about his early aspirations of playing in the NBA, how his love for music eventually won out, and his experiences at SUNY Purchase, where he studied both jazz and economics. He takes us through his path from jam sessions at Smalls and New Blue to working with artists like Kenny Seymour (For Colored Girls, The Harder They Come) and his pivotal mentorship with Zane Mark that introduced him to the world of theater.Jaylen talks about the moment he received a life-changing call from Herbie Hancock, his approach to preparing for the gig, and the whirlwind experience of balancing Broadway, jazz, and international touring. He also discusses what it was like auditioning for Alicia Keys' Hell's Kitchen, getting the approval of Adam Blackstone and Alicia Keys herself, and his first experience playing on electronic drums for the show.From studying Tony Williams and Jeff "Tain" Watts to working with Terrence Blanchard, Jaylen offers insights into developing his unique voice on the drums, handling the pressures of high-level gigs, and the importance of always being ready for the unexpected.This is an inspiring conversation for anyone looking to break into Broadway drumming, navigate the jazz scene, or just hear an incredible success story of a young drummer making waves in the music industry.

Diese Band lieferte das Gegenteil von Flower Power und Hippie-Seligkeit: The Velvet Underground, 1965 in New York gegründet von Lou Reed und John Cale. Düster, laut, gegen die Erwartungen von Wohlklang und Harmonie. The Velvet Underground vertonten den Alltag von Junkies und Prostituierten, von Gosse und Gewalt. Andy Warhol konnte ihren Klang gut gebrauchen für seine Vernissagen und Film-Happenings, das berühmte Album mit der Banane drauf war das Ergebnis. Er hatte ihnen die deutsche Sängerin Nico dazugestellt, das Ergebnis sind bis heute anziehende, gefährliche Lieder. Kommerziell nicht erfolgreich, zog das Album zuerst in Europa weite Kreise. Musikliste: The Velvet Underground: The Velvet Underground & Nico (1967) White Light/White Heat (1968): Here she comes now, Sister Ray The Velvet Underground (1969): Candy says, Pale blue eyes, Beginning to see the light Loaded (1970): Who loves the sun, Sweet Jane, Rock & Roll, Oh! Sweet nuthin‘ VU (1968/69,1985): Stephanie says, Foggy notion Le Bataclan'72 (Lou Reed/John Cale/Nico 1972, 2004) Lou Reed: Lou Reed (1972): I can't stand it, I love you, Wild child, Ride into the sun Transformer (1972): Vicious, Perfect day, Walk on the wild side, Satellite of love, Goodnight Ladies Berlin (1973): Lady Day, Caroline says II, Sad song Rock 'n‘ Roll Animal (live, 1974) Sally Can't Dance (1974): Baby face, Sally can't dance, Billy Coney Island Baby (1975): Crazy feeling, Charley's girl, Kicks, A gift, Coney Island baby Rock and Roll Heart (1976): I believe in love, Rock and roll heart Street Hassle (1978): Street hassle Live: Take No Prisoners (1978) The Bells (1979): I want to boogie with you Growing Up In Public (1980): How do you speak to an angel, The power of positive drinking The Blue Mask (1982) Legendary Hearts (1983): Legendary hearts, Make up mind, The last shot, Rooftop garden New Sensations (1984) Mistral (1986): Tell it to your heart New York (1989) Songs For Drella (Lou Reed & John Cale, 1990): Style it takes, Nobody but you, Hello it's me Magic And Loss (1992) Set The Twilight Reeling (1996): NYC man, Set the twighlight reeling Ecstasy (2000): Paranoia key of E, Tatters, Turning time around The Raven (2003): Call on me, Hop frog, Who am I John Cale: Paris 1919 (1973) Music For A New Society (1982): Taking your life in your hands, Close watch Wrong Way Up (mit Brian Eno, 1990): Spinning away Fragments For A Rainy Season (live, 1992) Mercy (2023): Story of blood Nico: Chelsea Girl (1967), The Marbel Index (1968), Desertshore (1970), The End…(1974) Unser Podcast-Tipp in dieser Folge: Pop & Rewind / https://www.ardaudiothek.de/sendung/popundrewind-der-nachtmix-podcast/10314695/

Candice Handy, associate artistic director of Cincinnati Shakespeare Company, discusses her production of Lanie Robertson's Lady Day at Emerson's Bar and Grill at Merrimack Repertory Theatre, and reveals how she first connected to the material and how the play lands differently now. Candice shares her background as both an actor and musician; Billie Holiday's connection to Lowell; how actors are doctors to the soul; the wonder of discovering things you didn't know you knew; the danger of silencing artists; the value of art in troubled times; and the importance of giving a play the grit it requires to deliver the transcendence it deserves. The post Revisiting ‘Lady Day' appeared first on Reduced Shakespeare Company.

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode of Broadway Drumming 101, I chat with the legendary Jonathan Haas about his incredible journey from studying liberal arts to becoming a virtuoso timpanist and professional musician. We talk about his groundbreaking work in Broadway and orchestral music, his passion for drumming, and his thoughts on navigating the challenges of the entertainment industry.Highlights from the Episode:* Jonathan's Journey: How he transitioned from liberal arts to music and became a timpanist with the St. Louis Symphony before moving to New York to study at Juilliard.* NYU Broadway Percussion Seminar: The creation of a one-of-a-kind program that brought over 400 students from around the world to learn from Broadway professionals, observe live pits, and engage with union leaders.* Broadway Experiences: Jonathan shares stories about his early days as a sub on Broadway, a memorable sword accident during Pirates of Penzance, and the lessons he learned.* Making Connections: Why being a good person and building relationships is essential for success in the music industry.* The Role of Luck and Hard Work: Jonathan reflects on serendipity, the reality of hard work, and balancing dreams with practical goals.Key Takeaways:* Aspiring percussionists need to sound exactly like the person they're subbing for—the best compliment is being mistaken for the regular.* Always respond promptly to emails and calls, and don't take on tasks you're not ready for.* Hard work, connections, and adaptability are crucial in building a sustainable career in entertainment.Subscribe and Don't Miss Out!Make sure to subscribe to Broadway Drumming 101 on your favorite podcast platform and turn on notifications to be the first to hear this inspiring episode with Jonathan Haas!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Get ready for an exciting upcoming episode of Broadway Drumming 101! I'll be talking with the legendary timpanist Jonathan Haas about his groundbreaking work with the NYU Broadway Percussion Seminar. Jonathan shares how the program started, its impact on over 400 students worldwide, and how it gave young musicians a real taste of Broadway—playing with top percussionists, sitting in active pits, learning about unions at Local 802, and getting advice from icons like contractor John Miller.We'll also dive into how a simple lunchroom conversation sparked the creation of the NYU Broadway Orchestra Program. You won't want to miss these incredible behind-the-scenes stories about Broadway music education and what it takes to succeed.Subscribe now to Broadway Drumming 101 on your favorite platform and turn on notifications so you'll be the first to know when this episode drops!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

We all stand on the shoulders of giants, the ghosts of those that came before. But some shoulders carry more weight than others. Billie Holiday is a foundation upon which decades and generations of music has been built.Hilary and Cody discuss Lady Day's penultimate album "Lady in Satin." In many ways, it feels like this record is a metaphorical retelling of her own life. Struggle, hardship, perseverance, and victory, all blended up and poured out through that voice. She sounds different than we're used to, but unmistakably Billie Holiday.On "Lady in Satin," you can feel Lady Day rise to the occasion once more to give us this testament to determination and sheer talent.Thanks for listening! Check out everything we have going on via the info below: Instagram: @earwaxpod TikTok: @earwaxpod Amoeba on Instagram: @amoebahollywood @amoebasf @amoebaberkeley Questions, Suggestions, Corrections (surely we're perfect): earwaxpodcast@amoeba-music.com Credits:Edited by Claudia Rivera-TinsleyAll transition music written and performed by Spencer Belden"EarWax Main Theme" performed by Spencer Belden feat. David Otis

In this episode of Broadway Drumming 101, I sit down with Jonathan Haas, a percussion legend who revolutionized the timpani and built an extraordinary career performing with major orchestras, rock bands, and jazz icons. We talk about what it really takes to make it on Broadway—the hard work, the unexpected breaks, and the reality of starting at the bottom. Jonathan shares real-world advice and stories from his career, giving you a no-nonsense look at the industry. If you're serious about breaking into Broadway or curious about what it takes to succeed as a musician, you have to listen to this episode!Virtuoso timpanist Jonathan Haas has raised the status of the timpani to that of a solo instrument throughout his unique career that has spanned more than twenty years. From classical concertos to jazz and rock & roll, from symphonic masterpieces to the most experimental compositions of living composers, Haas has championed, commissioned, unearthed and celebrated music for his instrument, becoming, as Ovation magazine hailed him, "The Paganini of the timpani."His concerts on the world's most prestigious musical stages and his ground-breaking recordings have delighted critics and listeners on both sides of the ocean. The New York Times wrote, "Wherever one finds a percussion instrument waiting to be rubbed, shook, struck or strummed, [Haas] is probably nearby, ready to fulfill his duties with consummate expertise... he is a masterful young percussionist."Most recently, Haas has garnered widespread praise and attention for his performances of Philip Glass' Concerto Fantasy for Two Timpanists and Orchestra, a piece conceived by Haas and completed because of his quest to spotlight the timpani. The Concerto Fantasy features not only two timpanists, but also 14 timpani, all placed downstage in front of the orchestra. In 2000, Haas performed the world premiere of the piece with the American Symphony, and he has subsequently performed it at Carnegie Hall and in Phoenix, New Jersey, Baltimore, Pasadena, Long Beach (California), St. Louis and Mexico City. Haas also performed the European premiere with the BBC Symphony in London, the world premiere of a chamber orchestra version with the Iris Chamber Orchestra in Memphis, the Czechoslovakian premiere with the Prague Symphony Orchestra at the International Music Prague Spring Festival, the Norwegian premiere with the Bergen Philharmonic, and he will perform the Australian premiere with the Sydney Symphony and the Turkish premiere with the Istanbul Philharmonic.Haas' successful efforts to expand the timpani repertoire have led him to commission and premiere more than 25 works by composers in addition to Philip Glass such as Stephen Albert, Marius Constant, Irwin Bazelon, Eric Ewazen, Thomas Hamilton, Robert Hall Lewis, Jean Piche, Karlheinz Stockhausen, Andrew Thomas, and many others.Haas built the world's largest timpani and debuted it in 2003 at the Aspen Music Festival. This unprecendented, incredible instrument -- nearly 6' wide and nearly 4' tall – beats the world's second-largest timpani — a 48-incher used by Amsterdam's Concertgebouw Orchestra — by almost half.Haas' recordings include the trail-blazing 18th Century Concertos for Timpani and Orchestra and Johnny H. and the Prisoners of Swing, both on Sunset Records. The latter was named for his jazz group and features innovative renderings of jazz compositions featuring "hot timpani" in front of a full jazz ensemble. His rediscovery of Duke Ellington's brilliant composition for jazz timpani, "Tympaturbably Blue," is included on this recording, as are other jazz standards played on a set of ten kettledrums.Demonstrating a remarkable versatility as a musician, Haas has performed and recorded with Emerson, Lake and Palmer, played on the Grammy Award-winning recording Zappa's Universe, recorded with Aerosmith, Michael Bolton, Black Sabbath, and explored heavy metal with his rock group Clozshave.The rarest of modern virtuosi, Haas embarked on his career as a solo timpanist by performing the only solo timpani recital ever presented at Carnegie Recital Hall in 1980. As an orchestral soloist, he made his debut with the New York Chamber Orchestra under Maxim Shostakovich and his European solo debut with the Bournemouth Sinfonietta. He made his French debut performing Andrez Panufnick's Concerto for Percussion, Timpani and Orchestra with the Orchestra de la Garde Republicaine. He was the soloist in the Druschetsky Concerto for Eight Timpani, Oboe and Orchestra with the Aspen Chamber Orchestra. He has also performed as a solo timpanist for the Distinguished Artists Recital Series at New York's 92nd Street ‘Y' and as a guest artist with the Lincoln Center Chamber Society, the Chamber Music at the ‘Y' Series, and the Newport Chamber Music Festival. He has championed new music by presenting adventuresome programming such as The Music of Frank Zappa, showcasing the music of Edgar Varese and Frank Zappa, under the auspices of Lincoln Center's Great Performers Series.Haas is the principal timpanist of the New York Chamber Orchestra, the Aspen Chamber Orchestra and EOS Ensemble, principal percussionist of the American Symphony Orchestra, and a member of the American Composers Orchestra. He performs with the Orpheus Chamber Orchestra, Mostly Mozart Festival Orchestra, New York Pops, and New Jersey Symphony and has performed and recorded with the New York Philharmonic, the Stuttgart Chamber Orchestra and the St. Louis Symphony Orchestra.A graduate of Washington University in St. Louis, Haas received his Master's Degree from the Juilliard School as a student of Saul Goodman. An inspiring teacher, he has been the director of the Peabody Conservatory Percussion Studio for twenty years and a faculty artist of the Aspen Music School, and he conducts the percussion ensembles at both schools. He has presented master classes throughout the United States and internationally at the Toho Gauken, Hanoi Conservatory, Paris Conservatory, and the Graz Percussion School. Sharing his enthusiasm for music with young people, he has presented over two hundred concert-demonstrations with his "Drumfire" program, under the auspices of the Lincoln Center Institute, the New York Chamber Symphony's Sidney Wolff Children's Concert Series, and the Aspen Festival Young Person's Concert Series.As active an entrepreneur as he is an artist, Haas heads Sunset Records, Kettles and Company, and Gemini Music Productions which contracts musicians for Lincoln Center, New York Pops, and many other organizations. He also works closely with percussion industry manufacturers Pearl/Adams, Promark and Zildjian, among others.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Welcome back to another Broadway Drumming 101 Classic episode! This time, I'm revisiting an incredible conversation I had with the talented Shannon Ford back in late 2021. Shannon has an amazing story, and I'm excited to share it with you again today.Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Shannon is a versatile drummer and percussionist who has carved out an inspiring path in the Broadway world. Whether it's his impeccable groove, his dynamic adaptability, or his incredible professionalism, Shannon has earned his place in this tight-knit and supportive community. His journey into Broadway is a testament to hard work, persistence, and the power of connection.In this episode, Shannon dives into how he got his start in the Broadway scene, sharing both the challenges and triumphs of building a career in this unique industry. He talks about the importance of relationships, the mentorship he's received along the way, and how the Broadway drumming community has been welcoming and encouraging to him. If you're an aspiring Broadway musician, Shannon's story is one you'll definitely want to hear—it's filled with insights and advice that can help you on your journey.I loved hearing Shannon talk about his approach to the craft and what it takes to succeed in this competitive but rewarding world. There's so much to take away from his experiences, whether you're a drummer, a musician, or just someone who appreciates the hard work that goes into making Broadway magic happen.So take a listen, and let Shannon Ford's journey inspire you. This is an episode filled with heart, wisdom, and the kind of perspective that makes the Broadway drumming community so special. I hope you enjoy it as much as I did when I first recorded it.Be sure to check it out today, and as always, feel free to share your thoughts after listening—I'd love to hear what resonated with you. What's New at Broadway Drumming 101?We're always working on bringing you more incredible content! Here's what else we've got going on:* Exclusive Articles & Tips: Subscribe to our website to gain access to exclusive behind-the-scenes posts and resources you didn't learn in music school.* Video Content: Check out our YouTube channel for interviews, tutorials, and in-depth discussions with Broadway's top drummers. Don't forget to hit that subscribe button!* Shop Broadway Drumming 101: Grab your favorite merch, including T-shirts, hoodies, and more, at our Shopify store to show your love for the art of Broadway drumming.

On the next episode of Broadway Drumming 101, we sit down with Mike Ramsey, a seasoned professional musician who's been making it happen in New York City for years. Mike shares what it takes to build a career in one of the most competitive music scenes in the world—talking about why being early, prepared, and easy to work with are non-negotiables for success.We dive into the nitty-gritty of subbing on Broadway, where Mike's had to step into some intense percussion setups, like the dynamic dual percussionist roles in The Lion King. He explains why subbing is about emulating the chair holder's style—not showing off your own. “It's not your gig,” Mike reminds us, “your job is to make it seem like the regular musician is in.”Mike also shares some hilarious (and humbling) stories from his career—like a U-Haul mishap on the Belt Parkway that ended with the truck roof peeled back like a can of sardines. Somehow, the instruments survived, and Mike learned a valuable lesson about NYC driving restrictions.If you're an aspiring musician, this episode is loaded with practical advice, from how to get started in Broadway pits to why versatility and freelancing skills are a must in a city where gigs can be unpredictable. We even touch on the importance of building your online presence and why Mike might finally create a website after all these years.Don't miss this one—it's packed with insights, laughs, and gems for anyone looking to make it in NYC's music scene.

On the next episode of Broadway Drumming 101, we chat with Mike Ramsey, who's been making it happen as a professional musician in New York City for many years. We get into what it really takes to build a career in New York—from being on time (actually, being early) to knowing how to gel with people and stay prepared. Mike also drops some major gems about subbing for other musicians—like why it's never the time to “do your own thing” when you're filling in. If you're serious about playing in this city, this episode is packed with practical advice and real talk about what works—and what doesn't—when it comes to making it in the NYC music scene.Check out all of our podcasts HERE!Our last was with Nate Patten. A must-listen: Mike Ramsey: Musician, Educator, and Broadway PercussionistMike Ramsey is a versatile percussionist and educator based in Brooklyn, New York, with over a decade of experience in the music industry. Originally from Maryland, Mike's musical journey began with an unexpected pivot from saxophone to drums, sparking a lifelong passion for percussion. His early involvement in school jazz bands and marching bands laid the foundation for his exploration of diverse musical styles.Mike pursued his studies at West Virginia University, where he immersed himself in a range of percussion instruments and global music traditions. This rich background prepared him for a multifaceted career that has included performing on Broadway and teaching as an accompanist in the dance department at NYU. Since 2007, Mike has brought his talents to Brooklyn, contributing to New York City's vibrant music scene by playing for dance classes, teaching lessons, and collaborating with ensembles.As a Broadway percussionist, Mike has built a reputation for his meticulous preparation and ability to interpret music with nuance and authenticity. He has subbed for iconic productions like The Lion King, where he mastered the percussion books on both sides of the pit, Ain't Too Proud - The Life And Time Of The Temptations, and Once on This Island. His work showcases his adaptability and dedication to capturing the unique styles of the original musicians.Beyond Broadway, Mike has performed with the Exit 9 Percussion Group, participated in international tours, and lent his expertise to orchestral and ensemble performances. He is passionate about sharing his knowledge with the next generation of musicians, emphasizing the importance of being a well-rounded player and a dependable professional.When he's not performing, Mike is committed to education and mentorship, inspiring aspiring musicians to achieve their goals through hard work and preparation. His blend of musicality, professionalism, and teaching expertise has made him a respected figure in the world of percussion and beyond.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In the next episode of the Broadway Drumming 101 Podcast, I chat with Mike Ramsey, a talented drummer/percussionist and an accompanist in the Dance department at NYU, to discuss his musical journey and offer invaluable advice for aspiring Broadway musicians.When asked about how to break into the Broadway scene, Mike shared a memorable lesson from his mentor, Javier Diaz, during a clinic at Rutgers University. The advice? "Focus on becoming a good musician." It's a simple reminder that technical skill and musicality are the foundation for success.Mike Ramsey: Musician, Educator, and Broadway PercussionistMike Ramsey is a versatile percussionist and educator based in Brooklyn, New York, with over a decade of experience in the music industry. Originally from Maryland, Mike's musical journey began with an unexpected pivot from saxophone to drums, sparking a lifelong passion for percussion. His early involvement in school jazz bands and marching bands laid the foundation for his exploration of diverse musical styles.Mike pursued his studies at West Virginia University, where he immersed himself in a range of percussion instruments and global music traditions. This rich background prepared him for a multifaceted career that has included performing on Broadway and teaching as an adjunct faculty member at NYU. Since 2007, Mike has brought his talents to Brooklyn, contributing to New York City's vibrant music scene by playing for dance classes, teaching lessons, and collaborating with ensembles.As a Broadway percussionist, Mike has built a reputation for his meticulous preparation and ability to interpret music with nuance and authenticity. He has subbed for iconic productions like The Lion King, where he mastered the percussion books on both sides of the pit, Ain't Too Proud - The Life And Time Of The Temptations, and Once on This Island. His work showcases his adaptability and dedication to capturing the unique styles of the original musicians.Beyond Broadway, Mike has performed with the Exit 9 Percussion Group, participated in international tours, and lent his expertise to orchestral and ensemble performances. He is passionate about sharing his knowledge with the next generation of musicians, emphasizing the importance of being a well-rounded player and a dependable professional.When he's not performing, Mike is committed to education and mentorship, inspiring aspiring musicians to achieve their goals through hard work and preparation. His blend of musicality, professionalism, and teaching expertise has made him a respected figure in the world of percussion and beyond.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this special episode of Broadway Drumming 101, we step out of the drum chair and into the conductor's podium with Nate Patten, a celebrated music director, writer, and comedian based in New York City. With a resume spanning eight Broadway shows—including Company, The Prom, Charlie and the Chocolate Factory, and Catch Me If You Can—Nate brings a wealth of knowledge and humor to our discussion.Currently conducting Elf, the holiday musical lighting up Broadway through January 7, 2024, Nate shares the secrets of his success, from networking and building genuine relationships to fostering curiosity and taking unconventional opportunities. Whether you're a drummer, a percussionist, or any musician looking to understand the dynamics of working with a music director, this episode offers invaluable insights.What You'll Learn:* How Nate got his start in musical theater and built his career.* Why the chemistry between musicians in a pit is just as important as their talent.* The critical role drummers play in maintaining the pulse of a Broadway production.* Nate's unique approach to giving feedback and fostering artistry in the pit.* Tales from the rehearsal room with Broadway legends like Marc Shaiman, Scott Wittman, and Kristin Chenoweth.

Landing a gig in a Broadway pit is about more than just being talented or prepared—although that's important, too. Music directors are looking for musicians who bring something unique to the table and can fit into the group's chemistry. It's not just about being the best at your instrument; it's about being the right fit for the team and the project.In this video, we break down what music directors are looking for and how you can stand out—not just as a player but as a collaborator. If you're serious about working on Broadway, this is the kind of insight you need.Also, don't miss the latest podcast episode featuring Nate Patten, the conductor of the new holiday musical Elf, now playing at the Marquis Theatre in Midtown! Make sure to subscribe for more tips, behind-the-scenes knowledge, and interviews with the best on Broadway.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, Aquarian Drumheads, and Empire Ears in ear monitors.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.In this episode, we're honored to feature Ed Shea, a distinguished musician whose career spans from the Philadelphia soul scene to the stages of Broadway.Highlights from the Episode:* Early Musical Influences: Ed shares his initial fascination with music, sparked by the lively bands performing at his grandfather's bar in Wildwood, New Jersey.* Educational Journey: Attending North Catholic High School in Philadelphia, Ed was mentored by esteemed band director Tony Marchione, leading to his first theatrical experience with Do Re Mi.* Mentorship and Development: The impact of Nick D'Amico, a leading Philadelphia show drummer, in honing Ed's drumming skills and professional approach.* Philadelphia Sound Era: Insights into recording at Sigma Sound Studios with legends like Gamble and Huff, contributing to the iconic “Philadelphia Sound” alongside artists such as the O'Jays and Teddy Pendergrass.* Atlantic City Performances: Experiences from the peak of Atlantic City's entertainment scene, including performances with luminaries like Sammy Davis Jr. and Tony Bennett.* Broadway Transition: Ed's move to New York City in the early '90s, marking his Broadway debut and solidifying his reputation through tours like The Music of Andrew Lloyd Webber.* Sustaining Performance Excellence: Strategies for maintaining enthusiasm and precision in performances, and the camaraderie among Broadway musicians.* Guidance for Aspiring Musicians: Practical advice on preparation, subbing, networking, and succeeding in the competitive Broadway environment.* Adapting to Technological Advances: Navigating the integration of drum machines and evolving demands of contemporary drum compositions.Memorable Anecdotes:* Performing for Frank Sinatra at the Latin Casino at 25 and managing on-stage challenges.* Bringing personal timpani to a Sigma Sound session, receiving support from producer Thom Bell.* Mentoring emerging Broadway drummers, including Joe Nero, Taylor Simpson and Dan Berkery.Ed reflects on his dynamic career, the music industry's evolution, and the privilege of being part of Broadway's vibrant community. He encourages perseverance, adaptability, and embracing the challenges of a musical career in New York City.About Ed SheaEd Shea is a seasoned percussionist and drummer whose career began in the rich musical landscape of Philadelphia. A member of the American Federation of Musicians across multiple cities, including New York and Philadelphia, Ed has showcased his versatility across various platforms.Broadway Contributions:* Dream (1996)* Peter Pan (1999–2000)* Martin Short: Fame Becomes Me (2006)* Newsies The Musical (2012–2014)* Holiday Inn, The New Irving Berlin Musical (2016–2017)He has also substituted in productions such as Cats, Phantom of the Opera, Grease, and Les Misérables.Touring Experience:* A Chorus Line (National Company, 1977; Japan Tour, 1986)* Paul Anka East Coast Tour (1982)* Debbie Reynolds Tour (1990)* The Music of Andrew Lloyd Webber (1991–1992)* Jesus Christ Superstar (1994)* South Pacific West Coast Tour (2002)* Urinetown (2003–2004)* Chicago (2006–2007)Television Appearances:* Miss America Pageant (1988–1991)* Dick Clark's Freedom Festival (1989)* Merv Griffin's New Year's Eve (1990–1992)* A&E's Live by Request with Johnny Mathis (1997)* PBS's Wonderful, Wonderful with Johnny Mathis (2006)Recording Collaborations:Ed has recorded with labels such as Philadelphia International, Columbia, and Motown, working with artists including:* Four Tops* Spinners* Temptations* Patti LaBelle* O'Jays* Teddy Pendergrass* Lou Rawls* Stylistics* James Ingram* Deniece WilliamsFilm Contributions:* The Fish That Saved Pittsburgh (1979)* Staying Alive (1982)* City Slickers (1991)* Flirting with Disaster (1996)Educational Background:Ed studied at the Philadelphia Music Academy, graduating in 1972. He is also a professor of percussion at Seton Hall University, aiming to develop well-rounded percussionists and music educators.

In this clip, legendary percussionist Ed Shea takes us back to his days at Sigma Sound Studios. Ed paints a vivid picture of the studio's bustling energy, where top-tier musicians like Bobby Eli and Tom Bell seamlessly crafted iconic records.Ed shares insider details about what it was like working with legends like Kenny Gamble and Leon Huff, recording albums for Lou Rawls, and navigating the laid-back yet precise atmosphere of Sigma. He talks about how the sessions were structured—three sessions a day, double scale pay, and often a relaxed schedule where creativity could flow uninterrupted.He also offers a practical tip for musicians: always be prepared. He recounts how he kept a manuscript book handy to quickly jot down parts when Leon Huff or other producers needed overdubs on the fly. Ed's approach to adapting to each session's unique demands highlights the professionalism and versatility that have defined his remarkable career.Ed also compares the relaxed recording environment to the high-pressure world of subbing on Broadway, giving you a glimpse into the different dynamics of studio and theater drumming.Subscribe today for more and to be notified when new content is released:Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, Aquarian Drumheads, and Empire Ears in ear monitors.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Mike Dobson is a drummer, percussionist, and Foley artist who has spent over 20 years bringing stories to life with his unique combination of live music and sound effects.With degrees from The Hartt School (B.M.) and The New School (M.M.), Mike has the training and the creativity to tackle any project. He co-wrote the offbeat production Room 17B and has worked with top directors like Tina Landau.Mike's journey started behind the drum kit, but his passion for sound grew during his early days performing in circus and clown shows. That's where he learned how sound effects can create humor and enhance storytelling, lessons he's carried throughout his career. One of his standout roles was as the live Foley artist for The SpongeBob Musical. I first met him there and was able to work with him when subbing for Damien Bassman. He continued that role in The SpongeBob Musical Live On Stage, proving that sound can bring just as much personality to a show as the actors on stage.He's the drummer and percussionist for the Broadway show Water for Elephants, based on the bestselling novel. In this production, Mike doesn't just play drums—he helps create the world of a traveling circus during the Great Depression and uses traditional percussion, found objects, and custom instruments. Water for Elephants runs through December 8, 2024, so go see it before it ends!For more: https://www.mikedobsonmusic.com/homeClayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, Aquarian Drumheads, and Empire Ears in ear monitors.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this clip, Mike Dobson breaks down what it's like to be part of the small, elite group of drummers and percussionists on Broadway—and how his work is even more specialized. He combines live music and Foley artistry, creating sound effects in real-time for the stage, something very few people know how to do.Mike shares his experience working in this super-niche field, reflecting on his nearly 20 years in New York, and talks about how Foley is typically taught in film and audio programs but rarely for live theater.

In 2021, I started this podcast with a clear goal: to give you a behind-the-scenes look at the lives and careers of Broadway drummers. Since then, we've hosted some truly remarkable guests who've shared their unique stories, experiences, and insights.As our audience has grown, we've realized that many of you might have missed out on some of our most inspiring interviews. So, over the next year, we're bringing back some of those classic, condensed episodes. Whether it's your first time hearing them or you're revisiting them, I hope they spark the same sense of inspiration.But don't worry, that's not all—we've got some fresh, exciting episodes in the works and a few surprises along the way. Stay tuned because there's plenty more coming your way!Thanks for reading Broadway Drumming 101! This post is public so feel free to share it.In this podcast, we hear about the career of legendary drummer Matt Vander Ende, who shares his fascinating journey from the West Coast music scene to the bright lights of Broadway. Known for his dynamic playing style, Matt takes us through his transition from rock and metal drumming into musical theater, where he ultimately landed one of Broadway's most demanding drumming roles in Wicked.Throughout the interview, Matt reveals:* His musical upbringing was in Oakland, California, and he had early classical training at the San Francisco Conservatory. he has a diverse performance background spanning from school jazz bands to heavy metal tours with his band, Defiance.* How he developed his versatile style, drawing influence from drumming legends like Steve Gadd, Vinnie Colaiuta, and Metallica's Lars Ulrich, blending classical chops with rock intensity.* His unexpected path into musical theater, starting with a recommendation to try drumming in local theater productions—a choice that paved the way to his long-running career on Broadway.Matt's detailed look at his role as the drummer for Wicked is a highlight of the conversation. He describes the intense demands of this iconic show, which requires the drummer to seamlessly switch between musical genres, from reggae and punk-inspired beats to classical and traditional Broadway rhythms—all while leading a large 23-piece orchestra.Matt shares:* What makes Wicked such a challenging and unique show to play, including the precise, genre-hopping drumming style it requires to drive the music and choreography.* His experience mastering complex segments like the intense “No Good Deed,” which he describes as “Bartok meets Metallica”—an exhilarating, intricate piece that demands both technical precision and a heavy rock feel.* The importance of consistency in Wicked, with Matt highlighting his methods for keeping each performance fresh, despite the rigorous routine, and the ways he managed physical strain and injury during his tenure.Matt also gives valuable advice to aspiring Broadway drummers on the importance of discipline, professionalism, and learning a wide variety of musical styles. He emphasizes the necessity of playing each performance exactly as the regular drummer does, especially for subs, and offers insights on building relationships and working as part of a close-knit Broadway team.For Broadway fans, drummers, and musicians alike, this episode is packed with stories, lessons, and insights from Matt's extraordinary journey. Don't miss his reflections on the highs and challenges of playing one of Broadway's most iconic shows!Tune in for an unforgettable conversation with Matt Vander Ende on Broadway Drumming 101.Clayton Craddock founded Broadway Drumming 101, an in-depth online platform offering specialized mentorship and a carefully curated collection of resources tailored for aspiring and professional musicians.Clayton's Broadway and Off-Broadway credits include tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day at Emerson's Bar and Grill, Ain't Too Proud – The Life and Times of The Temptations, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical. As a skilled sub, he's contributed his talents to Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, SpongeBob SquarePants: The Musical, Hadestown (tour), and many more. He has also appeared on major shows, including The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Borle, Norm Lewis, Deniece Williams, Chuck Berry, and Ben E. King.Clayton proudly endorses Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.Learn more about Clayton Craddock here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

O espaço intitulado “Atacama Blues” vai, como o nome sugere, ocupar o território musical dos blues e os seus afluentes. Todas as semanas uma nova sugestão. Com André Gonçalves

Angela Wildflower grew up in Kansas City, Kansas, and has since gone on to perform in Broadway productions and popular television series. She plays the iconic jazz singer in "Lady Day at Emerson's Bar and Grill," which runs through Oct. 27 at the Kansas City Repertory Theatre.

Ab17 - der tägliche Podcast mit Kathrin und Tommy Wosch. Montag bis Freitag. Morgens und Abends.In der heutigen Episode feiern Kathrin und Tommy Wosch nicht nur den 1. Juli, sondern auch den Geburtstag von Pamela Anderson und Lady Day. Dabei diskutieren sie über Pamelas Karriere und ihren Einfluss als Veganerin und PETA-Botschafterin. Zudem wird über ihre zahlreichen Auftritte im Playboy und ihre vielfältigen Ehen gesprochen. Tommy berichtet live vom Münchner Filmfest und der Fußball-Europameisterschaft, wobei er auch einen humorvollen Blick auf die bayrische Kultur wirft. Ein weiterer Höhepunkt ist die Enthüllung des Sarkophags von Ramses dem Zweiten in Köln. Die beiden reflektieren über alte ägyptische Bestattungsrituale und Ramses' beeindruckende Lebensgeschichte. Schließlich verspricht Tommy, am Abend mehr spannende Geschichten vom Filmfest zu teilen.Inhalt00:00:00 Begrüßung und Tagesstart00:00:36 Pamela Andersons Geburtstag00:01:10 Tommy berichtet vom Filmfest00:02:15 Pamela Anderson im Playboy00:03:01 Pamelas Instagram und Aktivismus00:04:13 Baywatch-Ausstellung in Bad Rappenau00:05:12 Fußball-Europameisterschaft00:07:16 Ramses Ausstellung in Köln00:09:05 Ramses' Leben und Mumifizierung00:12:01 Abschließende Gedanken und Ausblick Hosted on Acast. See acast.com/privacy for more information.

"Lady Day at Emerson's Bar and Grill" is coming to the Sunset Center's Studio 105, with the help of some local performers.

ABOUT JACKÉE HARRY Vivacious, witty, and completely unforgettable, Jackée Harry was born to entertain.Born Jacqueline Yvonne Harry on August 14, 1956 in Winston-Salem, North Carolina, and reared from the age of nine in Harlem, New York, by her mother, Flossie, Jackée landed the lead role of the King in her school's production of The King and I at the tender age of fourteen. Upon graduation from New York City's High School of Music and Art with a distinction in Opera, Jackée attended the University of Long Island, where she earned her B.A. in education. Jackée began her career as a history teacher at Brooklyn Technical High School but left after two years to pursue acting. She studied at the Henry Street Settlement on the Lower East Side and made her professional acting debut in 1973 in Richard Wesley's Goin' Through Changes; not long afterward, she made her Broadway debut in A Broadway Musical as Melinda Bernard. Other Broadway performances include The Wiz, Eubie!, and One Mo' Time. In 1983, Jackée made her first television appearance opposite Morgan Freeman in the daytime soap operaAnother World. A year later, she landed her iconic role of Sandra Clark on the NBC sitcom 227. As the breakout star of the series, Jackée became the first African American to win an Emmy Award for Outstanding Supporting Actress in a Comedy Series and was also nominated for a Golden Globe. Her performance on227 inspired NBC producers to create a television pilot for her entitled Jackée. After departing from 227 in 1989, she starred opposite Oprah Winfrey in the critically acclaimed adaptation of Gloria Naylor's novelThe Women of Brewster Place. In 1991, Jackée joined an all-star cast led by Della Reese when she played the role of Ruth 'CoCo' Royal in The Royal Family. From 1994-1999, she starred as the adoptive mother of Tia and Tamara Mowry's characters on the ABC/WB sitcom Sister, Sister, winning the NAACP Image Award for Outstanding Supporting Actress in a Comedy Series for two consecutive years in 1999 and 2000. Jackée also made guest appearances onAmen, Designing Women, Dave's World, Hollywood Squares, 7th Heaven, and That's So Raven, before joining the cast of Everybody Hates Chris in 2006. Hollywood success did not lead Jackée to turn her back on theater; in 1994 she returned to the stage as Billie Holiday in Lady Day at Emerson's Bar and Grill followed by stints in For Colored Girls Who Have Considered Suicide and The Vagina Monologues. In 2003 she played the role of the Madam in The Boys From Syracuse on Broadway. Jackée also performed before sold-out audiences across the nation in the stage play The Cleanup Woman, which is called "one of the highest grossing gospel stage plays of all time" and fronted an Off-Broadway limited-run of NEWSical: The Musical.Beyond acting, Jackée is a vocal champion of healthy living, education, and philanthropy. She is proud to be a spokesperson for the Thurgood Marshall Scholarship Fund, and a Global Ambassador to the Women's International Center. The National Congress of Black Women presented her with the "Woman of Substance" Award in 2010.In addition to recurring roles on Let's Stay Together, Baby Daddy, Girl Meets World, and The Cool Kids, Jackée starred on the CW's The First Family and OWN'sThe Paynes. She was nominated for a Nollywood and African Film Critics Award for her role in the motion picture The Man in 3B. In 2019, Jackée participated in a groundbreaking reimagining of Norman Lear's The Jeffersons, which garnered more than 22 million viewers. In 2021, she rejoined the world of daytime television as real estate mogul Paulina Price on Days of our Lives. Larger than life and twice as funny, Jackée continues to entertain and inspire in a way that permanently cements her place in the American cultural landscape. ABOUT DAYS OF OUR LIVES ON PEACOCK For the past 58 years, Days of our Lives has remained a staple daytime drama. It has weathered political and societal shifts since the mid-1960s and proudly introduced its first Black family, the Grants, in the mid-1970s. Its female heroine, Valerie Grant, shared daytime's first interracial kiss in 1977. Today, Black stories continue to be front and center, addressing societal issues including healthcare, family and career. Today's cast includes James Reynolds, with Jackée Harry, Raven Bowens, Elia Cantu, and features Lamon Archey and Sal Stowers as "Eli" and "Lani" respectively, who were the couple in the show's first Black wedding.https://jackee-online.com/ https://www.facebook.com/JackeeHarry https://www.twitter.com/JackeeHarry https://www.instagram.com/JackeeHarry https://www.youtube.com/c/JackeeHarryOfficialBecome a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.

This podcast is about Billie Holiday, one of the most popular singers of the jazz age. Lady Day was born born Eleanora Fagan in 1915. While surviving a difficult childhood she developed a unique vocal style, improvisational skills, and pioneered a new way of manipulating phrasing and tempo. Holiday won a recording contract in 1935 and immediately produced her first big hit. "What a Little Moonlight Can Do", became an instant jazz standard. Billie Holiday remained a very popular recording artist and concert performer through the 1940s and '50s. She died of cirrhosis in 1959, at the young age of 44. Holiday won four Grammy Awards, and was inducted into the Grammy Hall of Fame, the National Rhythm & Blues Hall of Fame, and the Rock & Roll Hall of Fame. You're going to hear Lady Day help teach a course in music history on New World A Coming in 1944. She performs on the popular Arthur Godfrey Show on CBS Radio in 1947 which also features the Mariners, one of the first popular integrated singing quartets. You'll also hear Billie Holiday interviewed on CBC Radio in 1951, and she performs live at Storyville in Boston on WMEX Radio in 1953. http://krobcollection.com

Hailing from Perth Amboy, NJ, Juan "Carlito" Mendoza is a seasoned musician with over 25 years of experience. A classically trained percussionist, he excels in playing the marimba, timpani, orchestral snare drum, vibraphone, drum set, and hand percussion. Juan obtained his BA in Music Education from New Jersey City University in 2004 and earned his MA, summa cum laude, in Music Education in 2013. His musical journey has been enriched by studying under renowned instructors like Nicholas Cerrato (Timpanist for the Tony Award-winning Broadway show "Cats"), marimba expert Greg Giannascoli of the Philadelphia Pops Orchestra, and Brazilian percussion maestro Guillerme Franco.Juan's musical prowess was evident from an early age. At 13, he won Best Soloist at the national Maid of the Mist competition in Niagara Falls, Canada. His competitive spirit continued through various drum corps engagements. He performed with the esteemed Hawthorne Caballeros Drum and Bugle Corps from Hawthorne, NJ, in 1997 and 1999-2001. In 2002, he joined the Syracuse Brigadiers, contributing to their victory at the Drum Corps Association World Championship and securing the best percussion title. That same year, Juan outperformed 35 other contestants to become the Drum Corps Association Snare Drum Champion.Juan's talents have also led him to feature in Pat Petrillo's educational DVD "Learning to Read Rhythms" by Alfred Music, where he recorded all the musical examples and appeared as a featured soloist. His crowning achievement came in 2012 when he outshone over 5,000 competitors to win the Guitar Center Drum Off Grand Champion title. Juan has recently contributed to Drumeo, offering valuable content for their platform and the broader drumming community.Currently, Juan serves as an adjunct professor at New Jersey City University, operates a drum educational website offering pre-recorded video lessons covering various techniques and musical styles, and holds a position as a middle school band director.Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Afraid of commitment? Click here to support Broadway Drumming 101: https://www.buymeacoffee.com/bd101For more: https://www.carlitomendoza.comClayton Craddock hosts the Broadway Drumming 101 Podcast and has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud. He has been a sub drummer on Motown, The Color Purple, Rent, Little Shop of Horrors, Spongebob Squarepants-The Musical, Evita, Cats, Avenue Q, and The Big Apple Circus. The next project he's working on is The Hippest Trip – The Soul Train Musical.Clayton has performed on various TV shows, including Good Morning America, The Colbert Report, The View, The Jimmy Fallon Show, The CBS Early Show, the Today Show, and the 2010 and 2019 TONY Awards at Radio City. He's shared the stage with legends such as The Stylistics, Denise Williams, Chuck Berry, and Ben E. King and was in the Netflix DWYCK episode of Luke Cage with the Delfonics and the HBO version of Lady Day at Emerson's Bar and Grill.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

As we bring our special three-part series to a close, we want to express gratitude for your interest in the podcast. We started a few weeks ago by introducing you to Michael Aarons, an industry veteran, whose invaluable insights have broadened our understanding of the many facets of musical production—from Broadway stages to recording studios, live events, and beyond.With a career that's been both broad and deep, Michael has shown us what it takes to assemble world-class pit orchestras, navigate complex labor agreements, and manage the intricacies that come with large-scale productions. His wealth of knowledge has proved invaluable for drummers and anyone aspiring to make their mark on Broadway.As Broadway Drumming 101 continues to grow and evolve, we are more committed than ever to bring you diverse voices and perspectives from industry titans like Michael. We believe that this series has been a treasure trove of information and strategies designed to elevate your musical career to new heights.To contact Michael: https://www.m2music.nycIf you've missed any part of this trilogy, don't worry! All three episodes are available for you to check out by subscribing at Broadway Drumming 101. Whether you're a seasoned pro or just taking your first steps in the drumming world, this series stands as an invaluable resource you won't want to overlook.For future updates and more invaluable content, subscribe here:Clayton Craddock hosts the Broadway Drumming 101 Podcast and has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud. He has been a sub drummer on Motown, The Color Purple, Rent, Little Shop of Horrors, Spongebob Squarepants-The Musical, Evita, Cats, Avenue Q, and The Big Apple Circus. The next project he's working on is The Hippest Trip – The Soul Train Musical.Clayton has performed on various TV shows, including Good Morning America, The Colbert Report, The View, The Jimmy Fallon Show, The CBS Early Show, the Today Show, and the 2010 and 2019 TONY Awards at Radio City. He's shared the stage with legends such as The Stylistics, Denise Williams, Chuck Berry, and Ben E. King and was in the Netflix DWYCK episode of Luke Cage with the Delfonics and the HBO version of Lady Day at Emerson's Bar and Grill.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In the second installment of our special three-part series, we're showcasing Michael Aarons, a veteran with an extensive background encompassing Broadway, live events, recording studios, television, film, and national tours. He's been instrumental in assembling top-notch pit orchestras for numerous Broadway shows and over 15 national tours. Outside the theater, his multifaceted talents shine through in his roles as a music coordinator and guitarist on Grammy-winning albums and in various capacities within television and film, including as a composer.What sets Michael distinctly apart is his comprehensive grasp of the business aspects of music. He excels in logistical oversight, adept negotiation of union labor contracts, and the skillful navigation of complex challenges commonly associated with large-scale productions. His expertise serves as a goldmine of information for drummers and anyone aiming to carve out a niche on Broadway.Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.As we continue to expand the scope of Broadway Drumming 101, we're excited to include invaluable insights from industry veterans like Michael—professionals who offer unique viewpoints and indispensable advice.This installment is part of a trilogy aimed at providing a deep well of knowledge and actionable tips to enhance your journey in the world of music. Keep an eye out for the next episodes, scheduled to be released on November 11th and 18th. Whether you're an experienced drummer or a beginner, this series is a crucial resource you won't want to miss.For additional information, head over to M2 Music.Clayton Craddock hosts the Broadway Drumming 101 Podcast and has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud. He has been a sub drummer on Motown, The Color Purple, Rent, Little Shop of Horrors, Spongebob Squarepants-The Musical, Evita, Cats, Avenue Q, and The Big Apple Circus. The next project he's working on is The Hippest Trip – The Soul Train Musical.Clayton has performed on various TV shows, including Good Morning America, The Colbert Report, The View, The Jimmy Fallon Show, The CBS Early Show, the Today Show, and the 2010 and 2019 TONY Awards at Radio City. He's shared the stage with legends such as The Stylistics, Denise Williams, Chuck Berry, and Ben E. King and was in the Netflix DWYCK episode of Luke Cage with the Delfonics and the HBO version of Lady Day at Emerson's Bar and Grill.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

While we frequently spotlight drummers who have made enduring contributions to Broadway and touring stages, it's just as essential to get the inside scoop from the influential figures orchestrating things behind the curtain. That's why today marks the launch of a special three-part series. We're ecstatic to start by introducing you to Michael Aarons, a seasoned Music Coordinator whose portfolio spans Broadway, recording studios, live events, television, film, and national tours.With a career spanning over 20 years in various corners of the music industry—from Broadway theaters to concert arenas and from TV studios to film sets—Michael is a revered music coordinator and guitarist. He's the linchpin behind forming first-rate pit orchestras for countless Broadway productions and more than 15 national tours. Beyond the stage, Michael's talents extend to his roles as a music coordinator, guitarist for Grammy-winning albums, and in various capacities in TV and film, including work as a composer.What truly sets Michael apart is his deep-rooted understanding of the commercial aspects of music. He is adept at overseeing logistics, negotiating union labor agreements, and skillfully steering through the complicated challenges often tied to large-scale productions. His insights are a treasure trove for drummers and anyone aspiring to make their mark in the music industry.As Broadway Drumming 101 continues to evolve, we're delighted to broaden our horizons to include voices like Michael's—industry stalwarts who provide unique perspectives and priceless counsel.This episode is the first in a three-part series designed to dive deep into a wealth of knowledge and tips to elevate your musical career. Stay tuned for the next installments, set to drop on November 11th and 18th. Whether you're a seasoned drummer or just getting started, this series is an invaluable resource you will want to take advantage of.For more details, visit M2 Music.Clayton Craddock hosts the Broadway Drumming 101 Podcast and has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud. He has been a sub drummer on Motown, The Color Purple, Rent, Little Shop of Horrors, Spongebob Squarepants-The Musical, Evita, Cats, Avenue Q, and The Big Apple Circus. The next project he's working on is The Hippest Trip – The Soul Train Musical.Clayton has performed on various TV shows, including Good Morning America, The Colbert Report, The View, The Jimmy Fallon Show, The CBS Early Show, the Today Show, and the 2010 and 2019 TONY Awards at Radio City. He's shared the stage with legends such as The Stylistics, Denise Williams, Chuck Berry, and Ben E. King and was in the Netflix DWYCK episode of Luke Cage with the Delfonics and the HBO version of Lady Day at Emerson's Bar and Grill.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

It's time for another visit with Midday theater critic J. Wynn Rousuck, who joins us each week with her reviews of the Maryland, DC and Virginia regional stage. We review “Lady Day at Emerson's Bar and Grill,” which continues at Baltimore Center Stage through October 15.Email us at midday@wypr.org, tweet us: @MiddayWYPR, or call us at 410-662-8780.

https://cartermclean.com Carter was born in San Francisco and shortly thereafter moved to Connecticut. This is where McLean listened to and fell in love with music and especially the drums. At age 10, he started his journey as a musician. Broadway wasn't even on his radar when he started working at Manny's Music in Manhattan just prior to 9/11. The self-taught musician had just wrapped up his studies at University of Colorado, Boulder and was hoping to land a gig with someone like Sting, Peter Gabriel or Paul Simon. But then, while working his shift and playing at the store, he got noticed by a vet of Stevie Wonder's band Dennis Davis and got invited to play with legendary musician Roy Ayers in Harlem. While touring with Melvin Sparks in 2002 McLean was approached to be a sub at The Lion King in NYC. This eventually lead to McLean taking over the chair at the hit show in 2011. From Charlie Hunter to the Lion King on Broadway, McLean has been busy touring and doing studio work as well as having a busy teaching schedule. In addition McLean has shared the stage or recorded with Jamie McLean, Greg Holden, Charlie Hunter, Victor Wooten, Anthony Hamilton, Bernie Worrell (Parlament Funkadelic), Fred Wesley (James Brown), Shelby Johnson (Prince), Melanie Gabriel (Peter Gabriel) Leni Stern, Matt Duke and many others.For more, subscribe to Broadway Drumming 101 here: When you subscribe for only $10 a month, you will receive behind-the-scenes access to the life of a musician who makes a living on Broadway through YouTube videos, bi-weekly podcasts, and articles on what you need to know. We also have merchandise! https://merchandise.broadwaydrumming101.comClayton Craddock hosts the Broadway Drumming 101 Podcast and has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud. He has been a sub drummer on Motown, The Color Purple, Rent, Little Shop of Horrors, Spongebob Squarepants-The Musical, Evita, Cats, Avenue Q, and The Big Apple Circus. The next project he's working on is The Hippest Trip – The Soul Train Musical.Clayton has performed on various TV shows, including Good Morning America, The Colbert Report, The View, The Jimmy Fallon Show, The CBS Early Show, the Today Show, and the 2010 and 2019 TONY Awards at Radio City. He's shared the stage with legends such as The Stylistics, Denise Williams, Chuck Berry, and Ben E. King and was in the Netflix DWYCK episode of Luke Cage with the Delfonics and the HBO version of Lady Day at Emerson's Bar and Grill.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Started this week's podcast with Denmark trying to ban the burning of the Koran, and then talked about the India moon landing (and Russia's failed moon landing.) Plus Wagner group chief killed, Trump mugshot, Republican debate, Zambia fake gold mystery, and an Indiana man arrested after spraying Walmart shopper with a syringe filled with his semen. Music: Gil Scott-Heron/"Lady Day and John Coltrane"

Lady Day's Wild Ride. A state of gratitude. The white walls. Talking to God. Burning Resolutions. Cum ouroboros. Sponsored by Acme. West Nebraskoda. Blake Reagan's art: https://www.instagram.com/blakereaganart/?hl=en https://blakereagan.weebly.com/ MUSIC: Handsome Shane, "The Stars are Moving, too" 

Legendary jazz vocalist, Billie Holiday, known for her soulful voice, captivating stage presence, and raw emotional performances. She remains an icon in the world of music. We trace the journey of Billie Holiday from her humble beginnings in Baltimore to her rise as one of the most influential jazz singers of all time.  We explore Billie's groundbreaking recordings, including her signature song "Strange Fruit," which tackled the issue of racial injustice head-on and left an indelible impact on the civil rights movement. However, it wasn't just fame and success that defined Billie Holiday's life. We delve into the personal demons she faced, including her struggles with drug addiction, abusive relationships, and encounters with the criminal justice system. Despite these challenges, her spirit and resilience continued to shine through her music. Get your Homance apparel: etsy.com/shop/nicolebonneville Follow us on IG: @homance_chronicles Connect with us: linktr.ee/homance Send us a Hoe of History request: homancepodcast@gmail.com

Musician, songwriter, actor and playwright Queen Esther joins Rhett from her home in Harlem to talk about her extraordinary multi-hyphenate career, which currently includes two new albums (to be released this year), and a play, which will culminate in an off-Broadway run. There's no shortage of wisdom and inspiration in this conversation, as Queen Esther discusses the importance of following the creative spirit, what it means to plug into one's own uniqueness, and why imposter syndrome is off the table.Queen Esther's most recent work includes a performance with her western swing collective The Black Rose of Texas at Lincoln Center's 2022 Summer for the City. Her critically acclaimed 2021 Black Americana album Gild The Black Lily is the fourth release on her imprint EL Recordings – and her 2018 TED Talk about the true origins of country and bluegrass continues to reverberate throughout the Americana community. Coming in 2023: Rona, an EP of rangy alt-Americana songs written in Harlem during the early months of the pandemic lockdown and Things Are Looking Up, a jazz album of original songs and Lady Day's lost classics.Queen Esther websiteQueen Esther on IG @thisisqueenesther Rhett on IG @rhettmillerRhett Miller website Wheels Off is brought to you by Osiris Media. Hosted and produced by Rhett Miller. Co-produced by Kirsten Cluthe in partnership with Nick Ruffini (Revoice Media). Editing by Matt Dwyer. Music by OLD 97's. Episode artwork by Katherine Boils and Mark Dowd. Show logo by Tim Skirven. This podcast is available on Apple Podcasts, Stitcher, Spotify, or wherever you get your podcasts. You can also ask Alexa to play it. Please leave us a rating or review on iTunes. Revisit previous episodes of Wheels Off with Rosanne Cash, Rob Thomas, Will Forte, Lydia Loveless, Allison Moorer, Ted Leo, Paul F. Tompkins, Jen Kirkman, and more. Find Rhett's podcast #WheelsOff and other music-powered shows on @Osirispod Hosted on Acast. See acast.com/privacy for more information.