Podcasts about off broadway

Excited to bring you this week's podcast which you can access here.After many successful rehearsals in New York and a marathon journey, we're finally in DC for tonight's performance of OCTOBER 7, our verbatim play, at the Trump Kennedy Center.Please go to October7thePlay.com and buy your tickets before it's too late. Right after the October 7 massacres we went to Israel and interviewed the survivors, the bereaved, the heroes who fought back, and turned their pure testimony into the verbatim play that you need to go and see.We toured it Off-Broadway and at various college campuses across America where anti-Israel protests and anti-semitism became the norm.The New York Post said that the play was “spellbinding…powerful and a sanctuary for truth.”The mainstream media have threatened us with bad press if we didn't follow the flock of wannabe rebels who canceled their performances at the Trump Kennedy Center due to the name change. We have let them know that we're not going anywhere! Please come to the Kennedy Center tonight. We look forward to seeing you! If you can't come tonight please donate here to help us keep doing what we are doing.This week we talked to a few of our very talented actors who'll be playing tonight. Watch the Scoop to hear their message for you!And another bittersweet victory in Israel as the last body held in Gaza has been returned. Watch the scoop to see the hope arising from such tragedy.And watch this week's scoop as Phelim debunks the Alex Pretti narrative that an innocent bystander was shot by law enforcement and you will also see one of Phelim's brushes with danger and a gun threatening leftist. And Nurse Ratchet got a job in the maternity ward somehow. Watch this week's scoop where one labor and delivery nurse lost her job for barbarically wishing Trump's press secretary with severe childbirth injury. You can also find out what she said through the link below. We ask how many atrocities happened to conservatives under her “care”?Watch the scoop where Ann and Phelim examine the peace and respect that people on the right tend to bring to others that they disagree with, and the vile behavior that radical leftists extend to whom they deem deplorable.If you're in the DC area you still have time to attend tonight's performance! Please go to October7thePlay.com (linked below) and see if you can snag the few remaining tickets to this historic event.If you're not already in DC you've missed out on seeing tonight's performance at the Trump Kennedy Center but, you could help us continue our tour and increase your chances of seeing the show. Please go to the link below and donate so that we can keep taking OCTOBER 7 to venues near you, as well as our other projects, and projects yet to come!Please subscribe to our channel and leave a comment wherever you get our content. You may end up getting a mention on the show.And if you have finished watching the latest Scoop, bought your theater tickets to come watch OCTOBER 7 in DC, and you're waiting in your seat for the curtain to go up, please subscribe to our Stories.io substack through the link below where we post news and views beyond the weekly show. Then put your phone away because that's rude in the theater.To hear one of the latest vile threats against the Trump administration click here:https://x.com/libsoftiktok/status/2014393006703718841?s=46&t=hNriRYT4wGKNCud-eNZ0YQ Please go to this link to buy tickets to the play: https://october7theplay.com To donate and take part in our matching challenge please click here: https://secure.anedot.com/unreported-story-society/eoy_2025 To subscribe to our Stories.io substack please click here: https://phelimmcaleer.substack.com

A dash of mystery, a sparkle of magic, and all things cozy! Elle interviews fellow cozy authors in this bookish podcast from Authors on the Air. Today on the podcast, meet Seth Panitch, author of Antique! Elle and Seth talk about everyday magic, what authors owe to their readers, Antiques Roadshow, and more. Happy listening! Seth's Bio: ANTIQUE is Seth's first novel. His films Service to Man and The Coming are both distributed by are both available for streaming on most digital platforms. His plays Dammit, Shakespeare!, Hell: Paradise Found (Broadway Play Publishing, Inc.), Alcestis Ascending, and Separate and Equal have all been produced Off Broadway. He is a Professor of Theatre and directs the MFA Acting Program at the University of Alabama. Far more importantly, he is married to Laura Earnest Panitch, who does not seem to mind when he creeps upstairs to write, or when he lets their dog Moses use him as a jungle gym. Seth is a proud member of the Author's Guild, the Dramatists Guild of America, the Society of Directors and Choreographers, and the Illuminati – although he has steadfastly refused to have their name tattooed onto his chest. Find Seth and His Work Online: https://sethpanitch.com/ ~~~ Elle Hartford's Bio: Elle Hartford writes cozy mystery with a fairy tale twist. The award-winning first book in her Alchemical Tales series, Beauty and the Alchemist, finds amateur sleuth Red mixed up with murderous beasts and moody beauties, and a set of missing books besides! Elle has also written two spin-off series, the cozy fantasy-goes-to-the-beach Marine Magic series as well as Pomegranate Cafe Romance. For other writers and authors looking into “wide” indie publishing, Elle offers coaching as well as the Beyond Writing blog (ellehartford.substack.com) with how-tos and resources. Find Elle Online: https://ellehartford.com

Guest: Elena Bonomo, drummer for SIX. Originally released January 14, 2022.This is one of those conversations that still holds up years later.In this episode, Elena Bonomo talks through what it actually looks like to build a career in theater music from the ground up. Elena shares how early musical experiences with her family shaped her connection to music, why drums always felt like fun instead of work, and how getting her first drum set set everything in motion.We also talk about her early pit experiences, reading music at a young age, and how playing school musicals laid the foundation for what she does now. She breaks down her time at Berklee, why versatility mattered to her more than locking into one lane, and how musical theater work at school mirrored the real expectations of Broadway life.Elena also gets honest about touring right after school, making very little money, and learning the realities of life on the road. From there, she talks about cruise ship work, adaptability, and how every gig, even the unglamorous ones, added tools to her toolbox.If you're trying to understand how Broadway careers are actually built over time, this episode is full of perspective that's still relevant today.https://www.elenabonomo.comThis Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.If you want to go deeper into this world, Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, is available now on Amazon.com.If you'd like a signed copy by Clayton, along with Broadway Drumming 101 merchandise, head to signaturebrandworks.com.The book lays out the mindset, preparation, relationships, money realities, and long-term thinking behind real theater careers.Clayton Craddock is the drummer for the upcoming Broadway musical Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

I speak with actress and cabaret performer Klea Blackhurst, who will be starring in the new Off-Broadway musical, Just Desserts: A Musical Bake-Off. The show opens at the AMT Theater (354 West 45th Street) beginning January 30 and running through February 22. Her podcast episode will available by Friday, January 23.

Katie checks in with actor (American Desi, Green Card Fever, Cosmopolitan, Sully, The Assistant on screen; ER, The West Wing, Gossip Girl, The Good Wife, Nurse Jackie, and Billions on television; Dance Nation, An Ordinary Muslim, The Lucky Ones, Coach Coach, and Wives Off-Broadway, and so much more), Purva Bedi.

Excited to bring you this week's podcast which you can access here.We are now travelling to New York for the rehearsals for OCTOBER 7, our verbatim play, which will be performed at the Trump Kennedy Center on January 28. It's an amazing show. Please go to October7thePlay.com and buy your tickets (also linked below). Right after the October 7 massacres we went to Israel and interviewed the survivors, the bereaved, the heroes who fought back, and turned their pure testimony into the verbatim play that you need to go and see.We toured it Off-Broadway and at various college campuses across America where anti-Israel protests and anti-semitism became the norm.The New York Post said that the play was “spellbinding…powerful and a sanctuary for truth.”The mainstream media have threatened us with bad press if we didn't follow the flock of wannabe rebels who canceled their performances at the Trump Kennedy Center due to the name change. We have let them, and now you know, that we're not going anywhere! Please come to the Kennedy Center next week, we look forward to seeing you!The performance will be a staged reading, but with a twist. This week we talked to Jeff Gurner, the director of the Kennedy Center performance and as an actor did an amazing job playing the role of Zaki during its Off-Broadway run.Watch the scoop here to find out what's so special about this performance.And speaking of anti-semitism… Josh Shapiro, democrat Governor of the swing state, Pennsylvania, was considered but stupidly overlooked for the role of Vice President by the Kamala Harris campaign. He would've been the democrat party's best chance to look normal/not deranged and he was a popular governor in a crucial swing state. But he was rejected for TIM WALTZ!!! And now he is revealing it is because he was Jewish. You won't believe the questions he faced.And does the Abortion Pill harm women? The Senate finally begins to ask this question. Last week their hearing, “Protecting Women: Exposing the Dangers of Chemical Abortion Drugs,” probed the issue and the lies around it. Our second guest this week helped shift the narrative on the danger of the abortion pill when his findings revealed data that could not be ignored.Watch this week's scoop to find out the future of abortion (we hope lack thereof) in America. And please consider making a donation to the Unreported Story Society so that we can keep bringing OCTOBER 7 the play to audiences around the country, and hopefully around the world. We currently have a matching challenge going on so any donation that you make right now will have double the impact. Please use the link below. We are a 501(c)(3) non-profit so your donation will be tax deductible. Please subscribe to our channel and leave a comment wherever you get our content. You may end up getting a mention on the show.And if you have finished watching the latest Scoop, bought your theater and maybe airplane tickets to come watch OCTOBER 7 in DC, and just don't know what to do with yourself in the meantime, subscribe to our Stories.io substack where we post news and views beyond the weekly show. Click the link below. Please go to this link to buy tickets to the play: https://october7theplay.com To donate and take part in our matching challenge please click here: https://secure.anedot.com/unreported-story-society/eoy_2025 To subscribe to our Stories.io substack please click here: https://phelimmcaleer.substack.comProjects You Need to Check Out: https://unreportedstorysociety.com/our-projects/To read Substack:https://tinyurl.com/5669t96hGuest: Jeff GurnerSocial Tags: Insta: @jeffgurnerX: @jeffgurner Ann & Phelim SocialsPhelim's X: (https://x.com/PhelimMcAleer)Ann's X: (https://x.com/annmcelhinney)USS SocialsInsta: (https://www.instagram.com/unreportedstorysociety/)

Offscript is American Theatre's flagship podcast, available wherever you get your podcasts (including Spotify and Apple Podcasts). Our first episode of 2026 features an interview with Dallas Theater Center’s recently named new artistic director, Jaime Castañeda, who tells about his background not only in Texas but all across the country (and in London) and about what he in store for Dallas theatregoers. We also chat with Kara Cutruzzula and Colin McDonald, founding co-editors of a new online publication about Off-Broadway theatre, readthehat.com, about how they choose their stories and what…

Katie checks in with sound designer (Well I'll Let You Go, Nina, On Set with Theda Bara, The Lucky Ones, N/A at Barrington Stage), Brandon Bulls.

Drawn to a career in the arts, multi-hyphenate (actor, director, playwright, comedian) Chris Ferretti acted in several theatrical productions that no one ever saw.Ferretti studied theatre and marketing at the University of Rhode Island, which is as good of a recipe as any to become a bartender in Connecticut.Working several jobs and bartending nights, Ferretti continued to perform in several productions, which ultimately led him to studying acting, directing and playwriting at the Actors Studio, where he received his MFA and once shook hands with Bradley Cooper.An avid writer, he has written and produced several works including his one-act comedy, The Session, which had its Off-Broadway debut at the Theatre at St. Clement's. Chris' other works include Clipped Wings, Between A Rock and The Port Authority, Don't Forget to Tip Your Server, Trumped, and Fish & Visitors: A Covid Comedy. He has also penned a solo show, Voicemails From Purgatory, which details the insanity of growing up in an Irish/Italian dysfunctional family.Chris, and his wife Julie, also penned, Go Shit in a Hat: Wise Words, Vulgar Expressions, and a Little Bit of Advice from the One and Only Auntie Ro, with 100% of the proceeds going to St. Jude's Children's Hospital.Check this out!!!This episode, like all episodes of If This Is True, brings forth what drives creatives to do what they do. For more of this content and interaction, you can also go to my substack, coolmite25.substack.com. Hosted on Acast. See acast.com/privacy for more information.

FULL SHOW: Thursday, January 8th, 2026 Curious if we look as bad as we sound? Follow us @BrookeandJeffrey: Youtube Instagram TikTok BrookeandJeffrey.comSee omnystudio.com/listener for privacy information.

Joe Bergamini on Subbing, Broadway Reality, and Building a Real Music CareerIn this episode of the Broadway Drumming 101 Podcast, I sit down with Joe Bergamini—drummer, educator, author, and one of the most thoughtful voices in the drum world.Joe has subbed on more than 15 Broadway shows, toured nationally, taught for decades, and written some of the most respected drum books out there. But what really stands out is how clearly he talks about what it actually takes to build a sustainable life as a working musician.We dig into what subbing on Broadway is really like, how learning music note-for-note early on prepared him for theater work, and how teaching, touring, rock bands, and saying yes to the right gigs quietly shaped his career. Joe also shares stories from his early club days and why preparation, curiosity, and relationships matter more than hype or shortcuts.This is an honest, practical conversation for drummers who care about longevity.Here are just a few books he has written:Speaking at NAMM – January 24I'll be expanding on many of these ideas in person at NAMM:Building a Career in Theater MusicSaturday, January 2411:30 AM – 12:00 PMHilton California AIf you're attending NAMM and curious about Broadway, touring, subbing, networking, contracts, and the real financial side of being a working musician, I hope you'll stop by.Broadway Bound and BeyondMy upcoming book, Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, goes deeper into many of the topics we talk about here—how musicians actually get hired, how careers are sustained, and what no one explains when you're starting out.Get on the list at:www.broadwayboundbook.comSubscribe and Stay ConnectedIf you're getting value from these conversations, make sure you're subscribed to Broadway Drumming 101 so you don't miss future episodes and articles.If you know a musician trying to figure out their next move, share this episode with them. Subscriptions and reviews help more working players find the show.Thanks for listening and for supporting the Broadway Drumming 101 community.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Clayton Craddock is the drummer for the upcoming Broadway musical Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this episode of “Half Hour”, we look back at the 2025 Broadway and Off-Broadway year, from new works like John Proctor Is the Villain and Buena Vista Social Club to other standout plays and musicals that stayed with us. We revisit memorable actor performances, reflect on the most talked-about Tony Awards moments, and share how listener support helped the show double its audience from 2024 to 2025. The conversation then turns to 2026, with a look at upcoming productions like Schmigadoon! at the Nederlander Theatre and Cats: The Jellicle Ball at the Broadhurst, as well as new titles and revivals that could shape the next season. We offer predictions, hopes, and a few wishes for where Broadway and Off-Broadway might be headed next, inviting listeners to weigh in on what they are most excited to see. Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show conversations, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

After we filmed the podcast - the media started reporting on all the cancellations at the Kennedy Center. We then got “friendly inquiries” from CNN and The Washington Post asking if we were cancelling. This is designed to intimidate us and our cast and crew. It's like the mafia expressing concern for that nice restaurant - it would be a shame if something happened to it. They want us to buckle under the pressure. We will NOT.Below is our statement on the cancellation attempt. The OCTOBER 7 play will absolutely be on stage on January 28th.Good riddance to these taxpayer-funded cosplaying rebels. They seem to think producing art is about them feeling comfortable and cozy. Artists should always go where they feel uncomfortable, even unwanted—if they want to change the world, that's where they should be, instead of speaking into their taxpayer-funded echo chamber.These performative walkouts are for their friends and funders—they don't care about the wider audience or creating new audiences. And they wonder why so many theaters are struggling?Even their friends are bored with the woke, clichéd, and hectoring art they are producing. "Doug Varone and Dancers," the New York dance company, said their walkout was "morally exhilarating."That's very telling.They create to make themselves feel better, not the audience.We create to bring the truth to the audience. Good to see these woke “artists” leave the stage. It leaves more stage time for the rest of us who want to produce genuine art.We are already thinking about future events at the Kennedy Center.Phelim McAleer & Ann McElhinneyJust to remind everyone about what we are planning for the Kennedy Center.We are taking OCTOBER 7, our verbatim play, to the venue on January 28. The play will be in the beautiful Terrace Theater. We went to Israel after the October 7 massacres and interviewed survivors, the bereaved and heroes who fought back. We turned their testimony into the play that has been performed across the country from Off-Broadway in New York to the UCLA campus in Los Angeles. It has also been performed on several other college campuses - places that really need to hear the truth. The performance at the Kennedy Center will be intimate, raw, and unforgettable. Please watch the podcast to hear the full story - you can also get tickets at the link below. I really want to see you there. The New York Post said OCTOBER 7 was "Spellbinding..powerful and a sanctuary for truth. It breathes life into characters that will hopefully inspire people…When you can put yourself in the shoes of what these people went through, that's what creates empathy. That's very important ... right now in this country, regardless of your politics." So please come see the play. If you can't come to DC you can donate to fight the bullies and censors at the link below. And while the mainstream media is obsessing over the fake genocide in Gaza, 7,000 Christians were slaughtered by Islamist radicals in Nigeria in the first eight months of this year. However the mainstream media is pretending that they are being killed in a land war caused by climate change. This week we interviewed Brian Orme, the CEO of Global Christian Relief. He has been to Nigeria and has a team working to aid displaced, persecuted Christians, terrorized by radical muslims.Watch the scoop to hear what's really going on!And the Los Angeles Times shocked us, as they actually did their jobs and reported actual news on the true cause of the deadly Palisades fire and how the city administration tried to cover it up. Watch the scoop to see our coverage of the Palisades wreckage.    

This is a Broadway Drumming 101 Classic.Originally released in December 2021, this episode features Rich Rosenzweig, recorded on the very day Companyofficially opened on Broadway. The timing alone makes it special. Rich was stepping into an opening night shaped by grief, history, and pressure, following the passing of Stephen Sondheim, while carrying the responsibility of yet another major Broadway chair.But what makes this episode endure is not the moment. It is the honesty.Rich and Clayton dig into the parts of Broadway drumming that rarely get talked about clearly. Reviews. Word of mouth. Why some shows with mediocre press run for years while others with praise disappear. Rich explains how the power of critics has shifted, and why storytelling, audience response, and momentum now matter more than ever.From there, the conversation goes deep into subbing. This is one of the most detailed discussions anywhere about what chair holders actually look for in a sub drummer. Not flash. Not ego. Preparation, consistency, psychological trust, and the ability to make a conductor feel safe. Rich explains why subbing can be more stressful than holding a Broadway chair full time, and why even great drummers struggle if they miss these non-negotiables.They also talk candidly about career reality. Getting fired. Losing gigs. Being passed over. How to assess whether feedback is something to grow from or simply a mismatch. Rich shares stories from Beauty and the Beast, Cats, Rent, Memphis, and more, showing how longevity in this business often comes down to adaptability and self-awareness, not perfection.This episode is essential listening if you are serious about musical theater, Broadway, or touring at a high level.Not motivational quotes. Not shortcuts. Just real talk from someone who has lived it.If you are trying to understand how Broadway actually works, this one belongs in your library.Support Broadway Drumming 101 and unlock exclusive content at BroadwayDrumming101.com.Clayton Craddock is the drummer for the upcoming Broadway musical Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Today on the Invest In Her podcast, host Catherine Gray sits down with award-winning musical writer Nico Juber and Tony-nominated director Kristin Hanggi for a dynamic conversation about what it really takes to develop, produce, and invest in Broadway musicals. Nico—named a "Woman to Watch on Broadway" by the Broadway Women's Fund—is the creator of Millennials Are Killing Musicals and co-writer of Winner, with work supported by New York Theatre Barn, IAMA Theatre Company, and multiple national arts organizations. Kristin is best known for directing the smash-hit Rock of Ages, earning a Tony nomination for Best Direction of a Musical, along with acclaimed projects including bare, Clueless, Romy and Michele, Accidentally Brave, and Netflix's Julie & the Phantoms. Together, they bring unparalleled insight into the creative and business side of musical theatre. In this episode, Catherine explores how Nico and Kristin develop new musicals, navigate the Off-Broadway and Broadway pipeline, and collaborate with investors and producers to bring original work to life. They discuss the economic engine behind musicals, how investors participate in both purpose and profit, and what makes an impact-driven Broadway project successful. Nico also shares stories from her creative lineage—her grandfather, Sherwood Schwartz, created The Brady Bunch and Gilligan's Island, and her father, Laurence Juber, played lead guitar for Paul McCartney and Wings—and how that legacy fuels her storytelling. This insightful conversation gives listeners a behind-the-scenes look at artistic development, producing partnerships, and why Broadway can be a powerful and meaningful investment opportunity. https://www.showherthemoneymovie.com www.sheangelinvestors.com    Follow Us On Social Facebook @sheangelinvestors Twitter (X) @sheangelsinvest Instagram @sheangelinvestors & @catherinegray_investinher LinkedIn @catherinelgray & @sheangels   #InvestInHer #FinancialWellness #WomenInFinance #FinancialEmpowerment #MoneyMindset #InclusiveFinance #FintechForGood #BehavioralEconomics #WealthBuilding #FinancialHealth #EmpowerWomen #MoneyMatters #SheAngelInvestors #InvestInYourself #FinancialFreedom  

The most anticipated episode of the year is here - ranking our favorite Broadway and Off-Broadway shows of 2025! Lindsey and Bryn sit down to review the WILD year Broadway has had, from the biggest news stories (Tony Awards drama with Audra vs. Nicole) to the top-grossing shows! Comment below your top shows for the year and what major Broadway news stories had you SHOOK!JOIN THE PATREON: https://patreon.com/FromTheMezzanine?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLinkTIKTOK: https://www.tiktok.com/@fromthemezzaninebroadway?is_from_webapp=1&sender_device=pcINSTA: https://www.instagram.com/fromthemezzaninebroadway/?hl=en

Bill speaks to actor and filmmaker Keith Gordon about his life and career, from making Super 8 shorts and interning at MOMA's film archives after school to acting in Off-Broadway plays and Hollywood movies like JAWS 2, ALL THAT JAZZ, DRESSED TO KILL and CHRISTINE, to directing independent films like THE CHOCOLATE WAR, A MIDNIGHT CLEAR, MOTHER NIGHT and WAKING THE DEAD and television series like BETTER CALL SAUL and FARGO. Topics include: Stanley Kubrick, Billy Crudup, DRESSED TO KILL controversies, Joan Micklin Silver, STATIC, making independent films in the 1980s vs. the 1990s, Keith's filmed appreciations for Indicator/Powerhouse Blu-Rays, working in television, HOME MOVIES, deleted scenes, DVDBeaver, Nicolas Roeg, recording director's commentaries and the nature of memory. Watch Keith Gordon on BLUE COLLAR: https://www.youtube.com/watch?v=fhzVpOct_O8 Buy THE CHOCOLATE WAR on Blu-Ray: https://mvdshop.com/products/the-chocolate-war-blu-ray?_pos=1&_sid=082406b4d&_ss=r Buy Film Focus: Jennifer Connelly (1991 – 2003) on Blu-Ray: https://viavision.com.au/shop/film-focus-jennifer-connelly-1991-2003-imprint-collection-240-242/ Read "The Many Acts of Keith Gordon" by David Obuchowski: https://longreads.com/2018/01/25/the-many-acts-of-keith-gordon/ Watch John Carpenter, Alexandra Paul, John Stockwell and Keith Gordon discuss CHRISTINE at the 2010 Texas Frightmare Weekend: https://www.youtube.com/watch?v=EztyuCwyYag Hear Keith Gordon discuss underrated films of the 1960s on Director's Club: https://directorsclub.substack.com/p/episode-201-keith-gordon-underrated-6bc Hear Keith Gordin on The Projection Booth podcast: https://www.projectionboothpodcast.com/search/label/Keith%20Gordon?m=0 Hear The Kubrick Series Uncut by Movie Geeks United with Keith Gordon: https://www.moviegeeksunited.com/thekubrickseriesuncut3 Hear Keith Gordon on The Movies That Made Me podcast: https://moviesthatmademe.com/podcast/keith-gordon/  

A new revival of the cult hit musical The 25th Annual Putnam County Spelling Bee recently arrived off Broadway, at New World Stages.The new production of the zany comedy stars Kevin McHale (Barfée), Philippe Arroyo (Chip), Jasmine Amy Rogers (Olive), Justin Cooley (Leaf), Autumn Best (Logainne), Leana Rae Concepcion (Marcy), Matt Manuel (Mitch), Lilli Cooper (Rona), and Jason Kravits (Panch).Check out what Mickey-Jo thought of the show when he saw it last month for the very first time...•00:00 | introduction02:30 | synopsis06:26 | material10:55 | performances15:12 | performances pt 219:09 | performances pt 322:33 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Guest: John Cameron MitchellWriter of Hedwig and the Angry InchDirector of Hedwig and the Angry Inch, Shortbus, Rabbit Hole, How to Talk to Girls at PartiesAppeared as an Actor in Hedwig and the Angry Inch, Shortbus, The Twilight Zone, Head of the Class, Law & Order, Girls, The Good Fight, Yellowjackets, Shrill, and many others.John Cameron Mitchell Bio: John Cameron Mitchell's Hedwig and the Angry Inch, written with Stephen Trask, made its debut on the stage of Squeezebox, a New York City rock ‘n' roll drag bar. The show then premiered Off-Broadway, receiving rave reviews. He was awarded an Obie Award, a “New York Magazine” Award, a Drama League Award and the Outer Critics Circle Award for Outstanding Off-Broadway Musical. John's film adaptation of Hedwig and the Angry Inch received directing and acting awards at festivals such as Sundance (Audience Award, Best Director), Berlin, Deauville, Seattle International, San Francisco International, and San Francisco's Lesbian & Gay. The film was also honored by the National Board of Review, The L.A. Film Critics Association, “Premiere Magazine” and the Golden Globes (Nomination: Best Performance by an Actor in a Motion Picture – Musical or Comedy). He has received a Drama Desk Award Nomination for his role of Dickon in the Broadway production of The Secret Garden. Off-Broadway, Mitchell received an Obie Award and a Drama Desk Award Nomination for his role of Larry Kramer in The Destiny of Me. In Lincoln Center's Hello Again, Mitchell received a Drama Desk Nomination. He also appeared in the original Broadway production of Six Degrees of Separation and as Huck Finn in the Broadway production of Big River. Mitchell adapted and directed Tennessee Williams' Kingdom of Earth for New York's Drama Dept. Theatre Company, of which he is a founding member.The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - EditorAdditional music and sound effects licensed through Envato ElementsLinksBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene NewsletterSpecial ThanksJennifer IsaacsonLauren KardosJeffery KeilholtzShow ContributorsLeah BarkerJustin BorakJim ColleranZach DulliKJ LamparJohn Cameron Mitchell The Scene TeamJustin Borak - Host Zach Dulli - Executive Producer KJ Lampar - Producer Leah Barker - Producer & Talent CoordinatorJim Colleran - Editor Additional music and sound effects licensed through Envato Elements LINKSBe sure to follow The Scene Podcast on Instagram and YouTubeSubscribe to The Scene Newsletter

In the final episode of Casual Chats for 2025, Patricia and special guest Jesse McAnally from Musicals with Cheese discuss about 10 musicals based on the 1843 novella A Christmas Carol written by Charles Dickens. They go over the pros, cons, and best songs that encompasses each key moment from this classic Christmas story. The musicals we covered for this podcast are as follow: The 1954 adaptation of A Christmas Carol from the anthology series Shower of Stars.The Stingiest Man in Town from the anthology series The Alcoa Hour that aired in 1956. The 1962 animated television special Mr. Magoo's Christmas Carol.The 1970 musical film Scrooge.The 1978 animated adaptation of The Stingiest Man in Town produced by Rankin/Bass.The 1992 film The Muppet Christmas Carol.The 1994 Off-Broadway show A Christmas Carol: The MusicalThe 2010 stage show A Christmas Carol: A New MusicalThe 2022 animated adaptation of Scrooge: A New Musical that was released on Netflix.The 2022 Apple TV+ film Spirited.

Last month, during Mickey-Jo's most recent trip to New York City, he finally experienced Masquerade, the Off-Broadway promenade production inspired by Andrew Lloyd Webber's The Phantom of the Opera.The show, which welcomes masked audience members in groups to a series of strikingly styled rooms, tells the story of The Phantom and Christine in an intimate, mysterious setting.Check out what Mickey-Jo thought of the show, including breathtaking highlights and some frustrating shortcomings as well as a spoiler free audience guide to help attendees manage expectations before they visit...•00:00 | introduction03:45 | description / overview08:55 | audience advice16:06 | review (light spoilers)24:40 | highlights (spoilers)34:09 | shortcomings (spoilers)43:26 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Listeners offer their picks of what they loved and hated this year in the world of film, literature, podcasting, performance, and more. 

Kate Baldwin has a way of looking at the industry that is both deeply grounded and incredibly refreshing. She opens up about her approach to playing Roxie Hart in Chicago, describing her version of the character as a "Bad Nellie Forbush" who is just trying to survive. She also shares the fantastic story of how wearing the "wrong" dress to her Hello, Dolly! audition ended up being the perfect choice for Jerry Zaks and helped her find the spine of Irene Molloy. We also dig into the shifts in her personal life and career philosophy since 2020. Kate speaks candidly about letting go of the pressure to be a crossover star in TV and film and instead embracing her true love for musical theater, which she affectionately calls the "Island of Misfit Toys." From the lessons she learned growing up in Wisconsin to the joy of throwing big parties just because she can, this conversation is a celebration of finding out what actually matters to you. Kate Baldwin is a two-time Tony Award nominee for her performances in Finian's Rainbow and Hello, Dolly!, roles that also earned her Drama Desk and Outer Critics Circle Award nominations. Her extensive Broadway career includes starring roles in Big Fish, The Full Monty, Wonderful Town, and Thoroughly Modern Millie. Off-Broadway, she received Drama Desk nominations for her work in Giant at The Public Theater and John & Jen with the Keen Company, as well as a Lucille Lortel nomination for Superhero at Second Stage. She most recently starred as Roxie Hart in Chicago. Connect with Kate: Instagram: @realkatebaldwin Web: kate-baldwin.com Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of “Half Hour”, we take a deeper dive into the 2025 Off-Broadway revival of The 25th Annual Putnam County Spelling Bee at New World Stages, directed by Danny Mefford. We unpack the show's evolution from its original improv-driven concept into a more traditional musical, and how that history informs the current production. We break down the staging and scenic design, the interactive spelling bee format, and the ensemble work from a cast that includes Kevin McHale, Lilli Cooper, Jasmine Amy Rogers, Jason Kravits, Philippe Arroyo, Autumn Best, Leana Rae Concepcion, Justin Cooley, and Matt Manuel. We highlight standout moments, favorite songs, and how this revival balances updated humor with the heart and kindness that have made the musical a longtime favorite. Richie also reflects on his own past experience performing in an alumni production of Spelling Bee and compares what he saw in 2005 to what is onstage now, noting what has changed and what remains essential to the piece.  Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show conversations, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Abigail Pogrebin speaks with Tony Award–winning actor Ari'el Stachel about his Off-Broadway solo show Other, in which he explores identity, anxiety, and the complexities of being an Arab Jew.

In this episode of Daily Influence, host Gregg-Brooke Koleno sits down with Carolann Valentino, 15-time award-winning entertainer, positive psychology practitioner, and creator of the Heart Coherence Method, to explore what happens when purpose, humor, and heart all align. From running a $40M steakhouse in the heart of New York City to performing her sold-out Off-Broadway show Burnt at the Stake, Carolann has spent her life at the intersection of entertainment, emotional truth, and leadership. Today, she helps leaders, teams, and audiences reconnect with their why, regulate their emotions, and show up more authentically on stage, at work, and at home. In this conversation, Carolann shares: • How blending entertainment and psychology helps people shift from the inside out • The story of a keynote that became a turning point for audience members on the edge of big life decisions • What the Heart Coherence Method is and how it helps leaders move from chaos to clarity • Why presence beats perfection, and how authenticity becomes a tool for real influence • Practical ways to recalibrate purpose, build resilience, and lead with more humanity (not just hustle) • How humor opens the heart and makes real transformation possible Carolann reminds us that influence doesn't have to be complicated or “perfect” it has to be aligned. When we lead from the heart, stay present, and allow ourselves to laugh, we create the kind of connection that changes rooms, organizations, and lives.  Tune in and discover how heart coherence, purpose, and humor can transform the way you live and lead. Connect with Carolann: www.carolannvalentino.com

"Tartuffe" is the classic Molière comedy and satire first performed in the 1660s. Matthew Broderick is currently starring in the lead role of a new off-Broadway production of the play at New York Theatre Workshop. Broderick discusses his process for taking on the role, along with Lisa Kron, who plays Dorine, and director Sarah Benson. "Tartuffe" is running through January 24.

Transitioning from competitive swimming to the stage requires a specific kind of discipline, but Sadie Dickerson has mastered the pivot. She opens up about the intense audition process for Just in Time, which spanned months and a cross country move to Los Angeles, only to receive the life changing offer while house sitting with some very old dogs. She also shares stories about her time working at a Comic Con t-shirt stand and coaching swim lessons before finally getting her big break. Stepping onto a Broadway stage for the first time is daunting enough, but doing it after sitting backstage for an entire act adds a unique layer of anticipation. Sadie discusses the nerves of that first performance, the supportive environment backstage, and how she balances the technical precision of camera acting with the energy required for live theater. We also get into her love for Newsies and the drive that keeps her pushing for perfection. Sadie Dickerson is an Austin, Texas native and a graduate of Missouri State University where she earned a BFA in Musical Theatre. She was previously seen Off-Broadway in Vladimir at Manhattan Theatre Club and is currently making her Broadway debut as Sandra in Just in Time. Connect with Sadie: Instagram: @Sadie.Dickerson TikTok: @Sadie.Dickerson Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey Broadway Besties! Lindsey brings you an A+ review for Spelling Bee and also has to tell the Broadway Besties about going backstage at The Great Gatsby!! In Broadway News:

Calling into the Taj Mahal like digs of the WKXL NH Unscripted studio from a tour bus Colleen McCarthy, a cast member, and gives us the details about “A Celtic Christmas”.  From the promo material: "Direct from its Off-Broadway season, A Taste of Ireland – The Irish Music & Dance Sensation, presents its holiday spectacular, “A Celtic Christmas”. “A Celtic Christmas” brings holiday cheer to Massachusetts this December, featuring a line-up of world Irish dance champions to share the spirit of “Nollaig Shona” (Happy Christmas). Combining jaw-dropping dance moves with high-energy Irish tunes, heartfelt ballads, and favorite carols, this high-octane show features stars from Lord of the Dance and Riverdance as well as other World Champions, plus live musicians, to transport audiences to Christmas in Ireland. A Celtic Christmas by A Taste of Ireland will make a tour stop in Boston from December 2-14."

In this episode of “Half Hour”, we take a deeper dive into the 2025 Off-Broadway production of A Christmas Carol at Perelman Performing Arts Center, adapted by Jack Thorne and staged by Matthew Warchus and Thomas Caruso. Drawing on our experience with the 2019 Broadway run, we break down how the story, structure, and use of traditional Christmas carols land in this new in-the-round configuration. We examine the production's immersive environment, Rob Howell's scenic design, and the way the playing space reshapes audience engagement with Ebenezer Scrooge's journey. Performances by Michael Cerveris, Julia Knitel, Crystal Lucas-Perry, and Nancy Opel are closely reviewed, along with standout scene work that underscores the company's ensemble approach. We also consider where this version of A Christmas Carol might go after its Off-Broadway run at PAC NYC, and how it fits into the growing landscape of immersive and family-focused holiday revivals.  Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show conversations, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bangarang!  Emilio, Madeline, and Julian fly, fight, and crow their way through this next "Unorthodox Holiday Movie" suggestion, and this is a special one, a movie suggested to them by multiple guests - "Hook", Steven Spielberg's take on the story of Peter Pan, released in 1991 starring Robin Williams, Dustin Hoffman, Julia Roberts and more.  The group welcomes back Tony-nominated performer, teacher, father, and "Hook" enthusiast and suggester Rob McClure to discuss this film from all angles.  How do you square your experiences with the film as a kid versus revisiting it as an adult?  Does Spielberg have good reason to dislike it?  How much Peter Pan background is needed to fully enjoy 'Hook', or does it stand alone?  The group discusses Spielberg's knack for getting great performances from children, Robin Williams' incredible range, Rufio's undeniable appeal, the elaborate sets, John Williams' underrated score, and its messages related to parenthood.  Rob even brings a robust background in the J.M. Barrie's original text (and a collectible trading card) to the conversation, and even pulls out his highlighted copy to try to get to bottom of a pressing question.  It's a great discussion about one of the 1990s most rewatched VHS tapes, and more beloved childhood favorites.        Rob McClure has earned Tony nominations for his roles in the Broadway productions of Mrs. Doubtfire and Chaplin, and has also appeared in Something Rotten!, Mary Poppins, Hello Dolly, Beetlejuice, and many more productions On- and Off-Broadway. You can follow him on Instagram @mcclurerobIf you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats

In this episode of Half Hour, we take a closer look at Messy White Gays, the new Off-Broadway play by Drew Droege, directed by Mike Donahue, and set in a Hell's Kitchen apartment on a disastrous Sunday morning. We unpack the plot and concept, from the premise of Brecken and Caden hiding their throuple mate's body in a credenza to the show's use of satire, farce, and niche queer comedy. We also discuss direction, design, costumes, and the performances, considering how Messy White Gays fits into the current Off-Broadway landscape and where it might go next.  Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show conversations, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Christian Borle American actor and singer. He is a two-time Tony Award winner for his roles as Black Stache in Peter and the Starcatcher and as William Shakespeare in Something Rotten!.[2] Borle also originated the roles of Prince Herbert, et al. in Spamalot, Emmett in Legally Blonde, and Joe in Some Like It Hot on Broadway, earning Tony nominations for the latter two. He starred as Marvin in the 2016 Broadway revival of Falsettos, which also earned him a Tony nomination. His first leading role on Broadway was Jimmy Smith in Thoroughly Modern Millie. He would later also star as Bert in Mary Poppins and Willy Wonka in Charlie and the Chocolate Factory. He also portrayed Orin Scrivello in the Off-Broadway revival of Little Shop of Horrors. Borle starred as Tom Levitt on the NBC musical-drama television series Smash and Vox in the adult animated black comedy musical series Hazbin Hotel.He has been nominated for five Tony awards and won twice, and he also won a Grammy for Best Musical Theater Album for the original cast recording of Some Like It Hot in 2024.Holiday Movies to Watch (Theatrical + Streaming)In Theaters:• Five Nights at Freddy's 2  • Moana 2  • Wicked: Part 1  • Sonic the Hedgehog 3  • Kraven the Hunter  • Gladiator II  Streaming:• Disney+ – Wish, Percy Jackson, The Santa Clauses  • Netflix – Family Switch, Leo, Rebel Moon  • Prime Video – Candy Cane Lane  • Peacock – Trolls Band Together, FNAF  • Apple TV+ – Spirited, Napoleon (coming)3. Holiday Gift GuideFor Kids/Tweens:• Pokémon sets  • LEGO sets  • Nintendo Switch games  • Mini arcade cabinets  For Partners:• Smart mug  • Vinyl turntable  • Streaming bundles  • Custom comic portraits  For Yourself:• LED lightsabers  • Gaming headset  • Nerd subscription boxes  • Collectibles  4. Hottest Games Right Now• Spider-Man 2.5 DLC  • Fortnite Chapter 6  • Super Mario RPG Remake  • Call of Duty: New Black Ops  • Zelda: Echoes of Hyrule  • Minecraft Legends  Top Consoles:• Nintendo Switch OLED  • PlayStation 5 Slim  • Xbox Series S/X  • Meta Quest 3  • Steam Deck OLED  5. Current Movie Box-Office Records• FNAF 2 breaking post-Thanksgiving records  • Moana 2 dominating animated box office  • Gladiator II strong adult turnout  • Godzilla x Kong breaking IMAX monster records  6. AI & Hollywood (CBS Sunday Morning Highlights)• AI used in pre-visualization  • Actor likeness rights concerns  • New WGA/SAG rules: consent + compensation  • AI won't replace actors but will replace technical labor  7. Netflix x Warner Bros. / DC DealFan reactions:• Excitement for exposure  • Concerns about WB's financial strategy  • Hopes for revived animationExec statements:• Not a merger  • DCU storyline still controlled by DC Studios  • Goal: global audience expansion  8. Top Video Games to Buy Now• Super Mario Bros. Wonder  • EA FC 25  • Spider-Man 2  • Roblox  • FNAF: Help Wanted 2  • Lego Fortnite  9. Top Consoles for Holiday 2025• Switch OLED  • PS5 Slim  • Xbox Series X  • Meta Quest 3  • Steam Deck OLED  10. Recommended Old Christmas Movie“The Muppet Christmas Carol” (1992)11. Recommended Comic Book“Superman: Last Days of Krypton” (2025)

Patrick Page to lead ‘Titus Andronicus’ Off-Broadway; Jones, Chanler-Berat, and Boyer to do Lee’s ‘Mother Russia’; watch ‘Ragtime’ opening number from Lincoln Center Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is read more

Queens, a production of Manhattan Theatre Club, runs at New York City Center Stage I through December 7th. For more information, visit www.manhattantheatreclub.com. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Initiative runs at the Public Theater through December 7th. For more information, visit www.publictheater.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

The Burning Cauldron of Fiery Fire runs at the Vineyard Theatre through December 7th. For more information, visit www.vineyardtheatre.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

This Classic episode goes back to 2021 with drummer Rich Rosenzweig. At the time, he was playing the drum chair for Company. Today, he is the drummer for Ragtime at Lincoln Center. Part One focuses on his early years, his training, and his path into the Broadway world.What we cover in this episode* How Rich transitioned from piano lessons to drums.* Growing up in a home filled with music and support for the arts.* Group snare drum lessons in grammar school and early practice habits.* Playing in the basement, practicing with records, and discovering big band.* Hearing Buddy Rich, Basie's band, and how those experiences shaped his sound.* Getting into jazz as a teenager and forming his first jazz groups.* Studying at UNC Chapel Hill and balancing music with a liberal arts education.* His obsession with film, film scores, and composers like Bernard Herrmann and Ennio Morricone.* Moving to New York with pianist Frank Kimbrough and building a freelance life.* Playing weddings, club dates, and the slow grind toward professional theater work.* Watching Ray Marchica play The Will Rogers Follies and learning what Broadway drumming really requires.* Subbing under conductor Eric Stern and facing a click track for the first time.* Landing his first Broadway chair on State Fair and what he learned from that experience.* Why Broadway drumming demands consistency, reading skills, groove, and a full understanding of the storytelling behind the music.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Why this episode matters* It gives a clear picture of how a Broadway drummer builds a career from scratch.* It highlights the mix of training, influences, timing, and relationships that shape a long career on Broadway.* It shows how jazz, film music, and classical Broadway scoring all feed into a drummer's approach and musical identity.* It offers practical insight for anyone who wants to pursue theater drumming at a high level.Part Two will be released next week.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Today on the Invest In Her podcast, host Catherine Gray sits down with award-winning musical writer Nico Juber and Tony-nominated director Kristin Hanggi for a dynamic conversation about what it really takes to develop, produce, and invest in Broadway musicals. Nico—named a "Woman to Watch on Broadway" by the Broadway Women's Fund—is the creator of Millennials Are Killing Musicals and co-writer of Winner, with work supported by New York Theatre Barn, IAMA Theatre Company, and multiple national arts organizations. Kristin is best known for directing the smash-hit Rock of Ages, earning a Tony nomination for Best Direction of a Musical, along with acclaimed projects including bare, Clueless, Romy and Michele, Accidentally Brave, and Netflix's Julie & the Phantoms. Together, they bring unparalleled insight into the creative and business side of musical theatre. In this episode, Catherine explores how Nico and Kristin develop new musicals, navigate the Off-Broadway and Broadway pipeline, and collaborate with investors and producers to bring original work to life. They discuss the economic engine behind musicals, how investors participate in both purpose and profit, and what makes an impact-driven Broadway project successful. Nico also shares stories from her creative lineage—her grandfather, Sherwood Schwartz, created The Brady Bunch and Gilligan's Island, and her father, Laurence Juber, played lead guitar for Paul McCartney and Wings—and how that legacy fuels her storytelling. This insightful conversation gives listeners a behind-the-scenes look at artistic development, producing partnerships, and why Broadway can be a powerful and meaningful investment opportunity. https://www.showherthemoneymovie.com www.sheangelinvestors.com    Follow Us On Social Facebook @sheangelinvestors Twitter (X) @sheangelsinvest Instagram @sheangelinvestors & @catherinegray_investinher LinkedIn @catherinelgray & @sheangels   #InvestInHer #FinancialWellness #WomenInFinance #FinancialEmpowerment #MoneyMindset #InclusiveFinance #FintechForGood #BehavioralEconomics #WealthBuilding #FinancialHealth #EmpowerWomen #MoneyMatters #SheAngelInvestors #InvestInYourself #FinancialFreedom  

Dr. Albert Bramante is a seasoned talent agent with more than 2 decades in the entertainment industry. He is also an author, has a Ph.D. in psychology, is a certified hypnotherapist and NLP practitioner who brings a unique blend of psychological insight and practical expertise to his work. Albert's work is not limited to achieving remarkable success as a talent agent by securing roles for actors in a wide array of productions including television, films, commercials, Broadway and Off-Broadway performances, but also include helping people of all walks of life adopt empowering mindsets, productive habits, and silence self-limiting beliefs. He is the author of the book titled "Rise Above the Script: Confronting Self-Doubt and Mastering Self-Sabotage."       He shares valuable insights and information regarding the root cause of imposter syndrome, fear of failure, fears and misconceptions, the power of language and so much more in this powerful and fascinating episode. Download it today and discover how we can all overcome self-sabotage, self-doubt, and live a life of strength and confidence. It's a powerful message that everyone needs to hear!   Connect with Albert: https://albertbramante.com/ https://www.facebook.com/albert.bramante/ https://www.instagram.com/dralbramante Want to be a guest on TheFemiNinjaProject? Send Cheryl Ilov a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/1620842117560x116520069523704300

Send us a textBob Nelson joins Joey O'Farrell, special guest host of the Vulgar Display of Podcast, for a nostalgic chat about Bi-Level's origins, evolution, and lasting impact on both the St. Louis and Farmington music scenes. Bob reflects on forming the band with Adam back in 1996, the early Vent era, and how the Songbird lineup (Bob, Adam, Tim) created the distinctive “Bi-Level sound” that fans still remember. All of this builds toward the upcoming Surfside presents Bob-A-Rino's Class of 2003 Reunion Show on Saturday, November 29th at Off Broadway in St. Louis, featuring Bi-Level, Last Flight Home, Moon Valjean, Greek Fire, Enemy Airship, and A Symphony of Punches. Don't miss this episode—and don't miss the reunion show bringing the early 2000s roaring back to life.www.BetterHelp.com/TheBarnhttp://www.betterhelp.com/TheBarn http://www.betterhelp.com/TheBarnThis episode is sponsored by www.betterhelp.com/TheBarn and brought to you as always by The Barn Media Group. YOUTUBE https://www.youtube.com/@TheBarnPodcastNetwork SPOTIFY https://open.spotify.com/show/09neXeCS8I0U8OZJroUGd4?si=2f9b8dfa5d2c4504 APPLE https://podcasts.apple.com/podcast/id1625411141 I HEART RADIO https://www.iheart.com/podcast/97160034/ AMAZON https://music.amazon.com/podcasts/7aff7d00-c41b-4154-94cf-221a808e3595/the-barn

Send us a textJeff Meyer of A Symphony of Punches and Not Waving but Drowning joins the Vulgar Display of Podcast as we gear up for one of the most anticipated shows this year. Jeff dives into the legacy of NWBD, the evolution of A Symphony of Punches, and what fans can expect when he hits the stage this Saturday at Off Broadway.Surfside Presents: BOB-A-RINO'S Class of 2003 Reunion Show

I went back to one of my classic Broadway Drumming 101 conversations this week, and it reminded me why I started this series in the first place. Years ago I sat down with Rich Rosenzweig when he was holding the drum chair for the revival of ‘Company.' Now he's driving the bus for Ragtime at Lincoln Center, and revisiting this talk brought everything back. We got into the real work of subbing on Broadway, the pressure of matching the regular drummer's feel, and the quiet connection with the conductor that determines whether you get asked back.In the clip, Rich breaks down the truth every serious drummer needs to hear. Subbing isn't about chops or showing what you can do. It's about matching the show so well that the conductor can close their eyes and feel the same pulse, the same sound, the same flow they get from the regular drummer. They're not looking for surprises. They want stability. If you're not giving accuracy, presence, and attention to detail, they feel it immediately.Rich also talks about how conductors watch the monitor even when they say they don't. They're looking for someone who is locked in and communicating clearly. Plenty of great drummers have fallen short because they didn't prepare the book with real precision or didn't read the conductor the way the regular drummer does. Most people never hear that part of the job. Subbing is consistency, connection, and trust.Thanks for reading! This post is public so feel free to share it.This conversation is one of my favorites, and I'm bringing it back. Subscribe to Broadway Drumming 101 so you're notified when the re-release goes live. If you're trying to get into Broadway or looking to sharpen your subbing skills, this episode will show you what the job really demands.This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.Rich Rosenzweig has played more than a dozen Broadway shows and appeared on multiple cast recordings. He's been the drummer for the Kennedy Center Honors orchestra for more than a decade, toured nationally and internationally, and has been the regular drummer for City Center's Encores! series. He performs in progressive jazz ensembles, including his own East Down Septet, teaches privately, and has written several feature screenplays.More episodes like this are coming. Stay tuned.Clayton Craddock is the drummer for the upcoming Broadway revival of Cats: The Jellicle Ball, opening at the Broadhurst Theatre on April 7th. He is also the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows such as Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton is currently on tour with The Rock Orchestra and has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

It's the 90s but we're in the 50s! Or is it the 80s? It's Brazil! Or is it Argentina? It's the Kiss of the Spider Woman, an early 90s queer revolutionary musical based off a movie based off a novel and that currently has a movie adaptation that for some reason is being released the same month as Wicked For Good. Molina is a queer person imprisoned for being queer. Valentin has just been thrown into the same cell. The two of them must learn to survive each other and the tortures in store for them. CW: This episode does deal with gender, sexuality, the expression thereof and how that's been expressed and recognized over the years as well as violence caused by that.Remember to leave a five star review and note that we have an email!!! Send us your questions and loving feedback!https://www.facebook.com/TY5Podcastthanku5pod@gmail.com

Andrew Fox, the creator, composer, and lyricist of Slam Frank joins to talk about his provacitive and successful Off-Broadway show, what makes a good comedy song, and why "The End Of An Act" from Team America: World Police is the greatest one he's heard in his entire life! Plus, Scott and Katherine chat about new singles by Hilary Duff and Robyn, the new Rosalía album LUX, and more. Follow Slam Frank on instagram @slamfrankmusical and buy tickets to see the show for yourself at Asylum NYC, now through December 28th @gr8songpod on instagram @ScottInterrante on instagram @Katherinethegr8 on instagram Theme music: "Kratos In Love" by Skylar Spence

‘Romy & Michele’ announces closing, Ne-Yo to join ‘Hell’s Kitchen,’ Sean Hayes in ‘Off-Broadway one-man show Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt Tamanini: matt@broadwayradio.com | @BroadwayRadio Patreon: BroadwayRadiohttps://www.patreon.com/broadwayradio read more

Heather and Alan sit down with writer, lyricist, editor, and creative force Kara Cutruzzula—whose winding, multidimensional career is a masterclass in following curiosity, embracing uncertainty, and letting creative energy lead the way. Kara shares how a series of “sliding doors” moments shaped her path from journalism to essays, from writing short plays to crafting musicals, and how she learned to stop treating choices as “right or wrong” and instead as opportunities to experiment, evolve, and discover what's possible. She opens up about the power of self-belief, the importance of external accountability for big creative projects, her life as a manifesting generator (which Alan and Heather have thoughts about), and her brilliant system for managing ambition without burning out. We also dive into her upcoming Off-Broadway–focused publication The Hat, her musical Marathon, the joy of collaboration, the magic of mixing mediums, the necessity of tender self-compassion, and yes… the many unexpected life lessons learned from Wendy's, Cracker Barrel, and saucy nugs. Connect with Kara: Brass Ring Daily newsletter: https://brassringdaily.substack.co Marathon the Musical: https://instagram.com/marathonmusica Open Skies creative brainstorm sessions: Link available via her Substack or Instagram bio Connect With Us:

ARI'EL STACHEL is a Tony Award® and GRAMMY® Award–winning actor, singer, and writer. His new solo play OTHER was presented Off-Broadway after acclaimed runs at Berkeley Rep and Berkshire Theatre Group. Stachel received the 2018 Tony Award® for Best Featured Actor in a Musical for originating the role of Haled in The Band's Visit on Broadway, a performance that also earned Lucille Lortel and Drama Desk nominations. On screen, he stars in the upcoming feature Death Do Us Part and has appeared in Olivia Wilde's Don't Worry Darling (Warner Bros.) and A24's Zola. His television credits include Law & Order: SVU, Billions, Jessica Jones, Blue Bloods, and The Night Agent. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Stefan Diethelm is a Swiss and German artist, originally from Uzwil, Switzerland. He fell in love with performing at a young age, was trained in classical voice throughout his teens, and studied musical theatre in Hamburg, Germany. He moved to New York City to further his craft, and studied at the HB Studio under instructors like Lonny Price, Peter Francis James and Theresa McElwee. HB Studio is also where he met Eduardo Machado and started writing plays while in his class. Since graduating from the studio, he has been a working playwright, actor, producer, and director here in the city.He has acted on various stages, from Off- and Off-Off-Broadway to Switzerland and Germany, and his plays have been performed in a variety of theaters and festivals in New York and beyond, garnering positive national and international reviews.His biggest influences as a playwright include Sarah Kane, Samuel Beckett, Adrienne Kennedy and the European classics. He aims to create original, human art for our commercialized times.Bradly Valenzuela is a New York City based director, playwright and producer. He is originally from Rocklin, California and attended university in Southern California at California State University, Fullerton. He graduated with a BA in Theatre with an Emphasis in Directing. Bradly is a recipient of the Honorable Mention Directing Award for Region 8 of the Kennedy Center American College Theater Festival. For the past 5 years, he has worked within many theater companies such as Bated Breath Theatre Company, Mabou Mines and Theatre for the New City. He also has worked in multiple festivals, including the Rogue Theater Festival and the New York Theater Festival.Along with collaborating in these given spaces, Bradly shows continued commitment to workshopping and developing new works, both as a director, playwright and as a producer, being responsible for 6 debuts in the last 2 years.This is Something Rather Than Nothing