Podcasts about producing

“The endless pursuit of your dreams and happiness at its core” on the Daily Grind ☕️, your weekly goal-driven podcast. This episode features Kelly Johnson @kellyfastruns and special guest Michelle Poole @michelle_poolee.  Poole is the Social Media Manager for the Los Angeles Lakers. She has previously worked with the Golden State Warriors. Her background includes Social Media Marketing, Producing, Game Operations, Digital Marketing, and Community Relations. S5 Episode 4: 05/23/2023 Featuring Kelly Johnson with Special Guest Michelle Poole Audio Credit Intro: Draw The Line Mastered by Connor Christian Follow Our Podcast: Instagram: @dailygrindpod https://www.instagram.com/dailygrindpod/  Twitter: @dailygrindpod https://www.twitter.com/dailygrindpod  Podcast Website: https://direct.me/dailygrindpod  Follow Our Special Guest: Instagram: @michelle_poolee https://www.instagram.com/michelle_poolee/ Twitter: https://www.linkedin.com/in/michelle-poole --- Support this podcast: https://podcasters.spotify.com/pod/show/dailygrindpod/support

The good Doctor and I examine his medical background.  We talk about the formation of Chicago band The Bollweevils The newest best Bollweevils is “Essentials” and it's out now! The Bollweevils formed in Chicago back in 1989 and have released music with labels such as Dr. Strange, Hopeless, Underdog Records, and more. The band consists of Daryl Wilson on vocals, Pete Mittler (The Methadones) on bass, Ken Fitzner on guitar, and Pete Mumford on drums. Over the years they've played shows with Naked Raygun, Rise Against, Rancid, Dead Kennedys, The Lawrence Arms, The Smoking Popes, and many more. UPCOMING SHOWS 5/20 @ Pouzza FEST, Montreal, QC 5/27 Record Release Show @ Chop Shop with The Dopamines, Chicago, IL 10/27-10/29 @ FEST, Gainesville, FL More shows/festivals coming soon: www.redscare.net/site/tours/ Order Essential on Red Scare today: https://redscare.storenvy.com/ ----------- SEE MXPX LIVE 7/1 - Trois Rivières, QC @ Festivoix 9/22 - Birmingham, AL @ Furnace Fest 10/21 - Las Vegas, NV @ When We Were Young 10/22 - Las Vegas, NY @ When We Were Young MxPx All Night IPA will be available for a limited time on tap and in 16oz cans, in WA, OR and ID, in bars, restaurants and retailers where they sell Silver City.  Supplies are limited!  silvercity.beer/mxpx  Leave a message with your question or topic on the Mike Herrera Podcast voicemail. (some will be aired on future episodes of the podcast) 1-360-830-6660 (US number) 3 min limit per message. MxPx Unstoppable out now!! CLICK for Unstoppable LINKS TEXT LIST - Join our Text list by texting MXPX to 31996 MUSIC -LISTENER CHALLENGE- Listen to MXPX Self Titled Deluxe Album at least once a day. Use hashtag #mxpx or #mxpxsuperchallenge The MXPX Super Challenge Playlist MXPX - Self Titled Deluxe Edition  I now have an Artist Series Music Man Stingray from Ernie Ball! You can order straight from the shop on the Music Man website.  A portion of proceeds goes to MusicCares! MIKE HERRERA SIGNATURE SERIES BASS If you like the podcast- Subscribe, rate and review on Apple. Support what I do at MXPX.com  Producing and editing by Bob McKnight. @bobandkatieshow

Matt and Sam answer listener questions.

When punk gets funny chances are it's because Joe Sib is holding court. Get a peak into the real inner workings of the comedy and music worlds, writing jokes for real, how Joe hones his craft and got good at stand up, road stories and more. You can learn and laugh a lot in this episode. Enjoy! More info: Joe Sib, co-founder and co-conspirator of Side One Dummy Records for 25 years, has continued to climb up the ranks of the comedy scene. Joe released his first comedy record, Joe Sib Nowhere Near the Top, in April 2017 which debuted #3 on the Billboard's Comedy Chart. NEW 800 Pound Gorilla Comedy Special - “You Don't Even Know' Watch Now! Follow Joe on Instagram @Joe_Sib ----------- SEE MXPX LIVE 7/1 - Trois Rivières, QC @ Festivoix 9/22 - Birmingham, AL @ Furnace Fest 10/21 - Las Vegas, NV @ When We Were Young 10/22 - Las Vegas, NY @ When We Were Young MxPx All Night IPA will be available for a limited time on tap and in 16oz cans, in WA, OR and ID, in bars, restaurants and retailers where they sell Silver City.  Supplies are limited!  silvercity.beer/mxpx  Leave a message with your question or topic on the Mike Herrera Podcast voicemail. (some will be aired on future episodes of the podcast) 1-360-830-6660 (US number) 3 min limit per message. MxPx Unstoppable out now!! CLICK for Unstoppable LINKS TEXT LIST - Join our Text list by texting MXPX to 31996 MUSIC -LISTENER CHALLENGE- Listen to MXPX Self Titled Deluxe Album at least once a day. Use hashtag #mxpx or #mxpxsuperchallenge The MXPX Super Challenge Playlist MXPX - Self Titled Deluxe Edition  I now have an Artist Series Music Man Stingray from Ernie Ball! You can order straight from the shop on the Music Man website.  A portion of proceeds goes to MusicCares! MIKE HERRERA SIGNATURE SERIES BASS If you like the podcast- Subscribe, rate and review on Apple. Support what I do at MXPX.com  Producing and editing by Bob McKnight. @bobandkatieshow

What an honor and privilege to speak with Eddie Wilson, a passionate people lover who managed over 4,000 employees and a business lover, aka a serial entrepreneur who owned over 115 companies and successfully exited over 80 of them.Today Eddie is the Leader/ CEO of Think Realty and the Leader/ CEO of The American Association of Private Lenders, in addition to ownership of over 15 companies such as Go Media, Because Coffee, Sharper Business Processes and Empire Operating System.Eddie is a Subject Matter Expert in building processes that create sustainable business models, creating solutions for investors and clients that produce fantastic returns and Producing more customers in a limited marketplace with limited expenses.He is a published author who shares eight principles fundamental to leadership success in his book, The Titan Doctrine. Eddie is also co-founder of Aspire, The #1 Event For High Achievers, which I had an opportunity to experience firsthand. His stage presence and delivery are remarkable.In this epic episode of the Legacy Leaders Show, Eddie shares so much value on how his proprietary Empire Operating System, focused on five pillars, generates tremendous results and impact.“I love using my own business philosophy to build businesses.” ~ Eddie WilsonHe also shares his tremendous action, vision and desire to help people in third-world countries by seeing brilliance in people lacking opportunities and much more. What is left on his bucket list it will surprise you.“I want to give people hope, opportunity, and pride in themselves and the opportunity to earn and change families and economies.” ~ Eddie WilsonBuckle Up, Champions! This episode is epic!

Our guest is Becky Harris, Co-Founder and Chief Distiller of Virginia's Catoctin Creek Distilling Co.  We discuss their unique rye whiskey portfolio, including their Roundstone Rye Whiskey lineup.  Stream this episode on your favorite podcast app and be sure to drop us a review while you're there.  We are thankful for everyone who has supported us. A huge shoutout goes to our growing Patreon Community as well! We'd appreciate it if you can take the time to give us feedback on our podcast. If you enjoy our content, consider giving us a 5 star rating on your favorite podcast app, leave us a review, and tell a fellow bourbon lover about our show. Follow us @BourbonLens on Instagram, Facebook, & Twitter.  And please check out our Patreon to learn how you can support our endeavors, earn Bourbon Lens swag, be part of future barrel picks, and more. If you have any comments, questions, or suggestions, please email us at Info@BourbonLens.com. Check out our BourbonLens.com to read our blog posts, whiskey news, podcast archive, and details on our upcoming single barrel picks. Cheers, Scott and Jake Bourbon Lens   About Catoctin Creek®: Catoctin Creek® was founded by Becky and Scott Harris in 2009 as the first legal distillery in Loudoun County since before Prohibition. We are located in Purcellville, Virginia, in the heart of the Loudoun Valley. Virginia is the birthplace of American whiskey, and at Catoctin Creek, we faithfully dedicate ourselves to that tradition, producing Virginia's most awarded whisky: Roundstone Rye! The name "Catoctin" is a regional name. Pronounced Ka-TOCK-tin, the name derives from the Indian tribal name "Kittocton" which, legend has it, meant "place of many deer". Catoctin describes a range of mountains and the eponymous creek which flows picturesquely past the distillery and into the Potomac River and Chesapeake Watershed. At Catoctin Creek, we believe in high quality food and spirits. We source our grain and fruit from local sources, free of pesticides and chemical additives that would come through in the spirits we produce. The results are the finest, cleanest spirits possible, with the greatest attention to detail in every single bottle we produce. Catoctin Creek has received numerous international gold medals and has been featured in many national publications, including the New York Times, Washington Post, Wine Enthusiast, and Whisky Advocate. The Daily Beast, Forbes, and Men's Journal have highlighted the distillery as an example of great American craft distilleries making whisky from scratch. ABOUT BECKY HARRIS, CHIEF DISTILLER Becky graduated with honors from the University of Wisconsin, Madison. As a chemical engineer, she specialized in industrial processes and production systems. Becky brought this knowledge and applied it to something she loved–making the finest distilled spirits in Virginia. All her products begin with the finest local and organic grains and fruit to create the cleanest spirit possible. At the heart of the distillery is a pair of pot stills, where Becky insists on cooking the distillate for a full nine hours, more than twice as long as most other distilleries, to create the unique and award-winning flavors in her distillate. Becky has been featured in Food and Wine as one of “6 Women in Whiskey to Watch,” and serves as President of the American Craft Spirits Association, the trade association for craft distilleries. ABOUT SCOTT HARRIS, GENERAL MANAGER Scott graduated with honors and two degrees from Georgia Tech. He spent the last twenty years building a software career in telecommunication systems and government IT solutions and traded it all in for the chance to own and run his own distillery. As he likes to say, "Twenty years of government contracting taught me a great love of whisky!" In 2011, Scott was named Entrepreneur of the Year by the Loudoun Chamber of Commerce, and in both 2012 and 2020, Catoctin Creek Distillery was awarded Small Business of the Year. Scott currently sits on the Craft Distiller Advisory Board for DISCUS, and is an emeritus member of the board of directors for the Virginia Distillers Association. He was also appointed to the Virginia Spirits Board by the governor of Virginia, overseeing the marketing of Virginia spirits. Scott has been a tireless advocate for craft spirits both in the Commonwealth of Virginia, nationally and internationally. Scott and Becky are happy to be doing something together that they love: Producing the finest spirits in Virginia, completely and truly by hand. At Catoctin Creek, Virginia Rye Whisky is our passion.  

Hello, Hello!    In this edition of Indie Talk, Chris and Nick invite Filmmakers Kyler Wilson and Natalie Ruffino Wilson to the conversation. They talk about:    Shooting and funding their film Best Laid Plans The fairness of IMDb scoring   Their decision to hire a sales agent instead of going straight to a distributor The new era of the self-tape actor How they met each other and the challenge of working together    …and much more!   Follow Kyler and Natalie: Outside Our Means FaceBook Vimeo Instagram Outsideourmeans@gmail.com   Best Laid Plans (film) Camp Radio (web series) Kyler's FaceBook Natalie's Facebook     Shownotes: Someone Like You (film) Tiffany Boyle at Ramo Law PC Glen Reynolds Circus Road Films Triangle of Sadness (film) Princess Bride (film) Coming to America (film) Twister (film) Meet Joe Black (film)   The MAKE IT podcast is brought to you by the Voice of the Filmmaker program, which is sponsored by Women in Film and Television, Nashville (a 501(c)(3) non-profit organization).   If you like what we're doing, please donate here: https://www.bonsai.film/donate.   How you can continue to enjoy MAKE IT content: Subscribe to the MAKE IT YouTube channel. Subscribe to the MAKE IT Podcast wherever you listen to podcasts. Subscribe to our newsletter at https://www.bonsai.film/subscribe.   The MAKE IT podcast amplifies the voice of the filmmaker by exploring the filmmaking journeys of actors, writers, directors, producers, and a host of other creatives from across the film industry. We provide a platform for filmmakers to provide advice, lessons learned, personal reflections, and insights through our Filmmaker Conversations, Mistakes in the Making, Industry Insights, Indie Talks, and Film Investment Series. We are the go-to film podcast for independent creatives!

We sat down with Kevin Mann, the head coach of Loyola High School, days before the end of his season AKA the CIF State Championships. Mann has been coaching at Loyola for 23 years and puts an emphasis on team culture, even with standouts on his team like Rex Maurer. After losing the Southern Section meet to Santa Margherita by 3 points, Mann looks to lead his team to a back-to-back state title this weekend. Mann also discusses the work-life balance between coaching during the CA high school season (February-May) and being a producer in Hollywood, having just wrapped on shooting a film Tuesday that stars Michael Keaton and Mila Kunis.

Building on the last few episodes, and referring to the idea of the system and its parts, Chris explains what OCD looks like when it's no longer clinically significant. The answer might surprise you. Can you imagine intrusive thoughts that don't cause you much anxiety? Feel free to reach out with any questions you might have to chrisleins04@gmail.com. If you've found the podcast helpful, consider giving it a 5-star rating and subscribing to OCD Straight Talk for more structured help with you anxiety symptoms.

On this episode, your hosts Daisy and Luc share the evolution of the podcast the past three years, their favorite episodes, and what's next on the show.  Producing a show for three years and releasing a podcast every single week takes a lot of consistency and tenacity. Celebrate this achievement with them by leaving them an honest review on your favorite platform!Welcome to Make It Rain: Multifamily Real Estate Investing for Millennials!  We're Daisy and Luc, two millennials who love multifamily investing.  With every episode, whether we're discussing a special topic or have on an amazing guest, the goal is to provide education and resources for anyone interested in investing in multifamily real estate, especially if you're a millennial.  We're excited to chat with you about the what's, the why's, the how's, the who's.  The best way to show support is to share it with anyone who might benefit from it and leave us an awesome review. Check out our website at makeitraincapital.com for more goodies.  Take action on your financial future TODAY! For more info, check us out at makeitraincapital.com.

We talk about life, new beginnings, the music that is born from hard times and the process of it all. This is a great conversation and I hope you'll get a lot out if it.  Wes Hoffman Links @WesleyHoffman on Instagram Bandcamp ----------- SEE MXPX LIVE 7/1 - Trois Rivières, QC @ Festivoix 9/22 - Birmingham, AL @ Furnace Fest 10/21 - Las Vegas, NV @ When We Were Young 10/22 - Las Vegas, NY @ When We Were Young MxPx All Night IPA will be available for a limited time on tap and in 16oz cans, in WA, OR and ID, in bars, restaurants and retailers where they sell Silver City.  Supplies are limited!  silvercity.beer/mxpx  Leave a message with your question or topic on the Mike Herrera Podcast voicemail. (some will be aired on future episodes of the podcast) 1-360-830-6660 (US number) 3 min limit per message. MxPx Unstoppable out now!! CLICK for Unstoppable LINKS TEXT LIST - Join our Text list by texting MXPX to 31996 MUSIC -LISTENER CHALLENGE- Listen to MXPX Self Titled Deluxe Album at least once a day. Use hashtag #mxpx or #mxpxsuperchallenge The MXPX Super Challenge Playlist MXPX - Self Titled Deluxe Edition  I now have an Artist Series Music Man Stingray from Ernie Ball! You can order straight from the shop on the Music Man website.  A portion of proceeds goes to MusicCares! MIKE HERRERA SIGNATURE SERIES BASS If you like the podcast- Subscribe, rate and review on Apple. Support what I do at MXPX.com  Producing and editing by Bob McKnight. @bobandkatieshow

Book mentioned: “Digital Minimalism: Choosing a Focused Life in a Noisy World” by Cal Newport - https://calnewport.com/writing/   https://theAPSociety.org/AWW2023/   Remember, we welcome comments, questions, and suggested topics at thewonderpodcastQs@gmail.com. S4E16 TRANSCRIPT: ----more----   Mark: Welcome back to the Wonder Science-Based -Paganism. I'm your host, mark. Yucca: and I'm Yucca. Mark: Today we're going to talk about bringing the natural world that's outside where we live. More into integration with the natural world that's inside where we live. Having more of a sense of connectedness between the two of those and kind of a, an approach to worldview that helps to feed us and help us to be happier. Yucca: Right, so really talking about cultivating our environment. Environments, both on an external level and on that emotional internal level as well. Mark: Right. Yucca: Yeah. So I think this is a really fun one, especially as we're getting more into spring and into this warmer kind of time of the year. But yeah, let's, let's go ahead and get into this idea of kind of, Bringing that in, or as you were saying before, kind of blurring the lines between the outside and inside. Mark: Sure, and I really agree with you. I think that springtime is a great time to talk about this because. There's so much that's really beautiful that's happening in the world right now in the, in the spring season in the Northern Hemisphere, and a lot of how much we're going to get out of that depends on our mindset, Yucca: Mm-hmm. Mark: and it depends on what kind of habits we've developed for ourselves. We were talking before we started recording about how the, the human sensorium is geared to look for problems. Because problems threaten us. Right? And so solving problems becomes a way that you keep yourself from getting eaten, Yucca: Right. The person who didn't worry about that, Those weird noises that they heard around the campfire got eaten and then didn't have babies. So those people aren't our ancestors. The ones who were anxious and worried are our ancestors, right? Mark: Exactly. So we're already swimming against the current a little bit when we decide that we want to cultivate a worldview that actually reaches out for what makes us happy, for what brings us awe and wonder and contentment, and a sense of hope and aspiration, all those kinds of things. So we're gonna be talking about all that stuff today. But to begin with, there's this nature in nature outfit, Yucca: Right. Mark: and if you're anything like me and all the pagans, I know you've got rocks and sticks and plants and dried flowers and just all kinds of stuff, seashells and. Fossils and just all kinds of things from the natural world inside your house because those things bring you joy. Yucca: Mm-hmm. Yes. A lot of those things end up in our pockets and you know, first they end up in the laundry pile and then it all has to come out of the laundry, and then it gets arranged around the house and, and all of that. And I think that's, it's about what are we paying attention to? Right. Because those things are everywhere, the beautiful, I mean, next time you're sitting next to some gravel for a while, right? Gravel seems like it might be boring, but if you are sitting there because you're waiting for a bus to come or whatever it is, just start looking at each of those individual rocks. And just the way that the light is shining off of each of them and thinking about the history of how that rock formed, how many millions of years ago, and how it's been tumbled and all, what has happened to it. And I think that the, the collecting of those things is a reflection of the interest that we have in them and the interest that we have in the world around us. Mark: Right. Right. And that kind of curiosity, which of course is one of the Ethiopia Pagan principles, that kind of interest in the world is part of what engages us with the world, gives us a sense of being connected to the larger whole. Gives us a sense of valuation of. Of all that is right. So, yeah, when you're looking at that gravel, I mean, you'll, you'll see there are stones of different colors and obviously very different derivations all there kind of mixed together in that gravel. And each one of those has a geological story. You know, it's, it's got a chemical story. You know, the reason that they are particular colors is because they're made up of particular chemicals and. Being curious about those things and. To be, to be completely honest, you don't need to have a deep background in geology or in chemistry in order to appreciate this, to understand that, that in the earth, these rocks were formed. And then tumbled in the, the process of erosion, usually by water, but sometimes also by air. In order to form those little beads of gravel that you have before you. And when you have that revelation Sometimes what will happen is the, the, the ground will drop out from underneath you metaphorically, and you'll find yourself falling into this sense of amazement about the whole nature of deep time and the fact that we're here and the fact that we're a part of this wondrous, amazing hole that is planet Earth. Yucca: Hmm. Mark: And you'll probably take the rock with you. Yucca: Yes. Now if you don't, right, if you are practicing some form of very strict minimalism or anything like that, no judgment, Mark: That's fine. Yucca: fine. Mark: It makes you happy Yucca: Yeah. Mark: that, you know, we, we as, as we keep saying in naturalistic paganism, in atheopagan, there is no. Cosmic task master that wants you to do things a particular way, there is no Pope who's going to lay down the rules for you. It's about developing a practice and a perspective and a set of personal habits that feed you on a spiritual and emotional level so that you can be a happier and more contented and more effective person, and you can experience more joy out of your life. Yucca: Right. Mark: That's the deal. Yucca: Hmm. Mark: Yeah. It's amazing. It's, it, it's amazing how rarely you hear anybody say anything like that in our society. You know, do what? Just do what feels good. Yucca: Yep. Mark: anybody, just do what feels good. Do that, do that some more. Cuz it's, cuz it's good for you. Yucca: Right, Mark: But we're here to tell you weekly that, that's, that's. That's what we recommend. Yucca: right. So what are some of the things that you particularly enjoy in terms of do you, you know, is it dried leaves or sticks, or, you know, is there something that you really enjoy bringing into your home? Mark: You know, it depends on the season. I live about 30 miles away from the Pacific Ocean, and I don't get out there nearly as much as I would like to because 30 miles is enough to be a little bit of an impediment. I. But and I have to go through all this magnificent redwood country to get there, which kind of sidetracks me sometimes. But when I do go to the beach, I inevitably come home with a bunch of rocks and maybe a shell or two. And it's because. It's a combination of them being polished very to, to a pretty high gloss for nature. And also that they're often wet and so you can see their colors and their patterns more vividly than when they're dry. And so I'll end up, you know, bringing those home I Anne, a participant in our Saturday mixer on a regular basis. Had a suggestion this morning that she says she puts them in potted plants. You know, the, okay, I got a cool rock. Now it's going into potted plant. If you're getting them from the ocean, rinse the salt off first. Yucca: Mm-hmm. Mark: That's important because you know, most plants are not very salt tolerant. They don't like it. Yucca: Right. We actually do that as well for very practical reason as we have a cat in our house. And sometimes he decides that other things will be his litter box, and so we put pine cones and, and rocks and things like that into the potted plants and that prevents him from doing that. Mark: Oh, wow. I, I have not heard of that problem before, but that Yucca: Oh, really? That's a, that's a cat. Yeah. I mean, he's pretty good about not doing it now. But when we lived in a smaller apartment, yeah, sometimes he would just decide that that was gonna be his litter box instead. So, but the shells and the wet rocks we actually, so. Two weeks. But the reason we missed the podcast a couple weeks back is that my family, we went out to Florida for my brother's wedding. And so I took the kids to the beach for the first time in their life and they were, they were delighted. And of course, we came back with several gallon bags of shells because that was, we, I mean, how, how could you not, right? Shells and rocks and little you know, dead. Dried up coral things and, and all of that. And one of the things that we've done is taken a big vase and put some of the water in it and them in the water, in the, the glass vase. Because there just is something about it being in the water, right.  Mark: They're just much more visible that way. That's wonderful. That's a great idea. Yucca: Yeah. And of course we have ones that aren't, and you know, they're, they're being sorted by color over and again and all of that. But that, that's just been my favorite thing so far. And actually we took a few little pieces of dried up seaweed that was left on the, and that's in there too. That won't last quite as long as the rocks and shells will. Mark: Well, that's really great. I am, I mean, I love the desert and I've spent a lot of time in the American desert, but the op, having the opportunity to see a place that's, that has the ocean and is very wet and all that kind of stuff, you know, for your kids, I'm sure was just really magical. Yucca: I have to share just one thing as we were, we flew there. And so this was also their first airplane trip and we went, we. We stopped in, you know, Dallas on the way to get there and my daughter was looking out the plane and she looked down the, cuz I made sure to get window seats for the kids since, you know, they're gonna be first airplane try ride. And she's looking down and she goes, mom, the ground is green because, you know, we, the farthest we'd ever been is, is into Colorado with her, which is very similar. Southern Colorado and Northern New Mexico are very similar. So she hadn't really seen anything like that before. And just them seeing that kind of grass, we have plenty of grass here, but it's golden. Right? And it will pop green for like a month during the, the monsoons, but the rest of the time it's just this golden brown. And so they were just fascinated at seeing. You know, grass on the ground and seeing all those kinds of trees. So yeah, we spent a lot of time and there were so many things we, you know, they wanted to bring back, but I had to inform them and we, unfortunately we can't take this on the airplane. And, and those big, giant beautiful leaves are not gonna last when we Mark: Oh yeah, yeah, like the giant monster and the banana trees and you know, Yucca: Yeah, Mark: wonderful things. Yucca: and we have a banana tree plant in our house, but of course it gets to like three feet tall. And the ones that we were looking at, I mean, they were just humongous. The leaves were as big as their bodies and going, you know, we're gonna take some photos, but those aren't gonna come, those can't come home with us. You know, we could take the cool rocks and the shells, those will last. So that's something to think about in your own environment. You know, you know, we cut things and bring them in sometimes, but some things are gonna stay very well in the home and some things aren't gonna stay very well, Mark: Right. Yeah. So you were asking about what kinds of things I bring in, and one example was, Rocks from the, from the coast. For whatever reason, we have very few shells on our coast now, and that was not the way that it was when I was a child. There's been a tremendous die off of of Yucca: acidification maybe? Mark: probably from a combination of warming and acidification. Yucca: Mm-hmm. Mark: So I don't see that as much as I did when I was a child. But. But the rocks are there and of course the, the, the California coast is very rugged, that's got these sort of cliffs and bluffs and stuff, and it's really just very beautiful to be there. And even on a weekend, I can usually find a cove on the Sonoma coast where I'm entirely by myself, Yucca: Mm-hmm. Mark: which is amazing. Makes you feel like the last person on earth. Yucca: Yeah. Mark: So yeah, bringing in those things. And you asked about dried leaves as well. I actually go on an excursion to get colored leaves for my focus, my altar. Yucca: Mm-hmm. Mark: In the fall there's a particular breed of a tree called a liquid amber, which I believe on the east coast is called a Sweet Gum. Yucca: Okay. Mark: And they, they hold their leaves for much longer than many other trees. They'll hold them sometimes as long as into December Yucca: Okay. Mark: they. Yucca: Is this a broadleaf tree or is it Mark: It is, it's a broadleaf tree. And they go through these beautiful evolutions of color until they're, they're sort of a maroon red when they're, when they're at the end of the whole cycle. But you can, you can pick them in various stages of development. And then you have these. Leaves that are sort of green at the root and then yellow fading into orange and then red at the tips of the leaves. Just, just very, very beautiful things. And I like to decorate for the fall for, for harvest and for hellos with those kinds of things. There's just an awful lot of wonderful nature out there and, and it's, it's hard not to want to bring it all back. Yucca: So do you have a certain, so you've got your focus, do you have certain places in your house where you gather things or is it just sort of spread out everywhere around the house? Mark: we, we have a joke that our, you know how people talk about architectural themes, Yucca: Mm-hmm. Mark: different kinds of architectural styles? Well, In our house, the theme is Welcome to the Museum of Natural History. We have glass cases with all kinds of various interesting things, historical things and natural things. We have you know, bookshelves and all that kind of stuff. And, and to be fair, every horizontal surface has some cool thing on it. And. If it doesn't look like a cool thing, when you've heard the story about what it really is, you'll know what a cool thing it's, Yucca: Nice. Mark: Like here, here's an example. I, I have a piece of obsidian that's about this big, it's kind of, heart Yucca: about a golf ball to your, your whole, the audience can't see your Mark: Oh, that, of course. Yes. It's, it's flat, but it's about as big a round as a golf ball, and it's sort of heart shaped and it's heavily worn and eroded. And other than that, it just looks like a piece of obsidian that's been eroded and worn and all that kind of stuff. But what that is is a dinosaur gastro lift. Yucca: Oh. Mark: You, you find them in the rib cages of fossil dinosaurs and they're, it's from the gizzard of the dinosaur, right. That collects gravel to help them digest their food. Yucca: Right. Mark: So, I mean, it's an amazing thing. My grandfather found it. And I've had it since I was a kid. So even the Yucca: rock swallowed by a dinosaur to help it digest ground up and digest its food. Mark: That's right. Yucca: Wow. Mark: Yeah. Cool thing to have, eh? So, I mean, it's gotten to the point where I actually wrote an interpretive guide for our house so that people know what all the, the various exhibit things are that sense of wonder. Is something that, and we'll talk about this later on in this episode, that's something that I really cultivate Yucca: Mm-hmm. Mark: that sense of amazement. Like, wow, maybe a hundred million years ago, a dinosaur swallowed this rock. And then it did duty for long enough to get all the edges worn off of it into a nice, smooth pebble until the dinosaur died.  Yucca: Yeah. Mark: know, just extraordinary thing to think about. Yucca: Hmm. Mark: So how about you? How about I. I, I didn't really answer your question. We do have other places where we'll put things like colored leaves in the fall and stuff like that, but it sounds like you do more elaborate kind of household changes over the course of seasons. Yucca: Yeah. Our house is constantly moving. Right. And, and part of that is simply the, the age range of the people who live in the house. You can't really have something on a. Flat surfaces that are low down do not get left alone for longer than 10 minutes. So there are certainly, you know, we have got bookshelves and things a little bit higher up that are slightly more permanent, but most things are, are changing very constantly. And there's just. Mark: kids are getting taller. Yucca: And the kids are getting, they're always getting taller and they're climbing, right? No, they're pretty good now about not climbing onto things that they shouldn't, but they've, they've learned, Mark: Hmm. Yucca: And. That the gravity has helped them learn about that. But, you know, things are, are changing and I purposely change things as well throughout the season. It's just something that, you know, ev I, I just start to kind of get that itch of I wanna change things around. And, you know, things are coming into the house and things are going back out of the house, and it's a just a, it just seems. To flow quite a bit. Things are always flowing and moving out. There are a few things that do end up staying for, that are more kind of treasures that'll stay for longer. Like those seashells, right? Those are, some of them will probably make their way outdoors eventually, but those things will probably stay Mark: Sure. Yucca: right. Mark: Yeah. I, I have seashells. I'm, I'm looking at one right now that I picked up on the Costa del Soul in Spain when I was 11, and it's still here with me. Yucca: Yeah. And so, but then there's certain, like most of the windows are full of the, I really like the glass Vs. With things in them, right? So we've got lots of those things and there's a snake skin in the window that we found a couple weeks ago and a, you know, that kind of stuff. And so it's just a very. I dunno, it just feels to me like the house is cha changes with the season so much. And that's. Some of that is just the style of how we live, and some of it was very purposely cultivated. You know, it's, and some ways it's easier for us because we are on this kind of homestead out, away from people and live kind of half outside anyways. But when we did live in a city that was, that was kind of a way for me to try and feel more connected because I, I definitely would start to feel very overwhelmed with the city of everything. So I would try and change the colors. I would bring things in. I don't do this anymore because where we live is so surrounded by creatures and things, but I used to play bird songs, right? I had recordings of water, of water flowing. I'd have recordings of, and birds, and I would just have that going on in the background as just a way to kind of, One to block out the sound of the city, right? Cause I found that very stressful of there's the car alarm and then the police car going off and the this and the that, and the, you know, all of that. But, but just being able to sort of cultivate that. But now, you know, now the bird is like two feet out my window and, and being plenty loud, so. And then certain places seem to collect certain things. There's around the bathroom sink, there's just rocks of all kinds, and I think that's because they get brought in and washed off and then, then they start to live there. And so now it just feels like, yes, of course bathroom sinks is where rocks go, right? Yes. Mark: Sounds reasonable to me. Yucca: Yeah. Mark: I mean, I can't think of anywhere else in the house that's more reasonable for rocks to go set maybe in a potted plant. Yucca: In a potted plant. Yes. My four year old seems to think the shoes by the door. But you know, it's amazing how often Legos end up in shoes by the door. Mark: You know, as you talk about all this and and I give my own examples and stuff, the word that comes to mind is curation, Yucca: Mm-hmm. Mark: and it seems as though. One of the things about being alive is that there's this fire hose of information that's just kind of blasting us all the time. Right. All the different sensory information and the news and the internet and, you know, the, the community events and scuttlebutt and gossip and what's happening with all the different people. We're connected with all that stuff and it is, so we're kind of being bombarded all the time and. I think a part of the, the life that we, you and I Yucca envision for folks living in naturalistic paganism, and certainly I do for myself, is one where we curate our experience in a way that's empowering and happiness. Producing rather than stress inducing or depression inducing or anxiety producing. Yucca: Yes. Yeah, I love that. I, I think that's a wonderful way of putting it. Because really there's, there is so much around us, right? And, but what do we choose to focus on? What do we choose to bring into focus? That's something that we do have. Power and influence O f R. Right. Mark: Mm-hmm. Yucca: You know, we don't get to, there's a lot of things that we don't get to change in life. There's most things, the vast, vast majority of things we have absolutely no control over, right? But what we're focusing on, what we find important we do have control over that. And that really changes our experience of what it's like to be us. Mark: Right. Yeah. We do have control over those things and. It's, it's one of those situations where you have to make the decision to grab the wheel, right? Because otherwise you're basically at the mercy of two things, which is the randomness of whatever information is flying towards you, and that evolutionary pre predilection for looking for problems and the negative. Yucca: Right. Mark: So if you choose to be in more control around this, if you choose to be a curator of your experience, then you can get in the habit of smelling the roses along the way when you're walking from the parking lot into your workplace. Stopping to look at what the clouds are doing. Stopping to watch tree branches blowing in wind. You know, enjoying those rocks and shells and leaves and seed pods and all the cool things that nature makes. Yucca: Mm-hmm. You know, this reminds me of a book actually that I read a few years back and it was really, really influential and it was, it's called Digital Minimalism. It's by, I believe, Cal Newport. And it isn't what the title sounds like. At first the title sounds like being like anti-tech or like a Luddite or something. But it's actually about really. Being thoughtful about the role that the screen and digital things play in our lives. And he does this a very beautiful job of one he does spell out. Kind of the, the terrible state some of that is in and how the attention that that's all designed to hold our attention as long as possible. And it's not really done in a way that is, that's thoughtful about our wellbeing. It's more about the pockets of the people designing these programs. But it, it does a really lovely job of, of. Walking one through to think about what are the things that they, that you really value, and how do you cultivate that? And how do you create a life in which you can focus on those things? And how do you use tools like the, how do you use digital tools to help you do that? And how do you let go of the ones that aren't helping you to do that? So I just, Mark: great. Yucca: Yeah, so I'd really I, I like quite a bit of Cal Newport stuff, so that's digital minimalism if anyone is interested in Mark: Why don't we put a link to that in the show notes? Yucca: Yeah, let's do that.  Mark: Yeah, because when you think about it, one of the few things that we really have choice about in our lives is our attention. Yucca: mm-hmm. Mark: Right. We, we can make considered thoughtful, informed decisions about where we're going to apply our attention, and that can be on things that. Bring anxiety or bring, or, or help us to, you know, re-experience trauma and we call those triggers. I heard a wonderful term in the mixer this morning from our community member Summer who said that she heard this term glimmers, which are like the opposite of triggers. They're things that fill us with hope and inspiration and a sense of joy in living. Yucca: Hmm. Mark: can, we can look for those things. Right? I had this moment yesterday. I was sitting in a cafe waiting for a friend, and the door to the cafe opens and this little boy trots in. He's on the move. He's, he's, he, he must, he couldn't have been more than four. I don't think he was three Yucca: Okay. So real little, little Mark: Yeah. Beautiful little black kid with this gigantic grin on his face. And his mother comes in behind him and closes the door and he was just, and, and then he stands there with his feet planted and his hands kind of out by his side. He's like, this is a cafe. Wow. And you could just see that he was drinking In this experience of having come into this new space and looking around, you know, what are people doing? What are they doing? This place, what's it all about? And you know, with, with this, this. Just this glow of happiness and I just, I, I couldn't help but smile. I wanted to watch that kid for a while, you know? So that was a glimmer. Yucca: Hmm. That's such a delightful idea about a glimmer. Right. Because, and I, I think that there could be a lot of power in just taking a moment to think about what are the things that, that are your glimmers or could be your glimmers, right? Because we can, we can choose to have those associations as well. That you're taking the time to focus on, okay, what are the things that inspire awe in me and that make me hopeful, or whatever it is? And just taking the, the time to think about those I think is really, is really great. And then finding them throughout the day, right. Mark: right. And, and figuring out maybe some. Rules of thumb for how to keep yourself in that state to as great a degree as possible. Now, I'm not saying never watch the news. You know, I, we ha I feel like as a responsible person, I have to be engaged with what's happening in my society, and I need to make what effort I can to have things go in, in a way that's consistent with my values, but that there's a difference between that and being obsessed. With the news and it's just wave after wave of, oh my God, they can't do that if they're, oh my God, they're doing that. You know, this, this terrible, terrible, you know, wave of feelings. So you can curate that. You can narrow it down. You can tell yourself, okay, I'm gonna log on to my favorite news site once a day and I'm gonna read the headlines and I'll read a couple of stories that seem like they're useful. You know, for me to know, and then I'm gonna move on and I'm gonna do other stuff that feeds me more. Yucca: Right. Yeah. I think that's really important and to create that balance and that by, by choosing to log off after that time, you're not being. A bad citizen, right? You're not being a, like, you don't have to buy into the, the guilt around it because those moments of joy, like you were talking about the little kid coming in that is as valid as. Any of the other stuff, right? That is as much valid part of existence and this life in this world and giving it your attention is something that it's one, it's worth the attention in its own, but also it's good for you. Mark: Mm-hmm. Yucca: are gonna do a better job being a more effective person in the world when you are. More balanced and, and healthy and happy. If you are miserable, you're not going to do it. You're not gonna be able to do a good a job taking care of the things and helping whatever the situation is that you want to help. Right, Mark: because despair is disempowering. Yucca: right. Mark: Fundamentally, when we despair, we throw up our hands and say, well, that's the way the world is. Nothing I can do about it. And it, it just sucks. But that's life, and that's a terrible message to tell to yourself and to anyone around you. I, you know, I, I frequently go back to the deathbed test, right? How am I gonna feel about how I chose to operate in my life when I'm dying? And what I hope is that I'm gonna look back at all this and go, wow, what an adventure. There was just such amazing stuff all along the way with that and just such beautiful times and moments, and what a world this is. Rather than, well, I didn't solve world hunger, so I guess I failed. Right. You know, something like that. Some kind of unreasonable expectation that's informed by a, a situation that's really kind of beyond any one individual's capacity to change. Yucca: Right. Now I think that there's also another part, another kind of side of this is when we're looking for the things that are going to bring us joy and the things that make us hopeful and inspire awe and all of that, that there will be times in our life when we don't feel those things. Right. There will be times when we aren't happy about something. There will be times when you get cut off or in traffic or your spouse says that thing again, or all of those. And that's, those things are part of life and those are things that for the most part, we really don't have control over. Right. And that's okay. But Mark: Yeah. I mean, if you're in Yucca: yeah. Mark: if you're in grief, you should not be expecting yourself to. You know, carefully cherry pick all the, the beautiful things about the world because you are in grief. And the same is the same, I, I have to say, as someone who has lived with major depression since I was a little kid depression does not indicate a failure of what we're talking about in this podcast. Yucca: Hmm. Mark: Depression is a neurochemical condition. It's something you can't help. It's something that's not your fault. It's not a moral failing. And if you find that your world is really dark and gray and and dismal because of it, don't pile on top of it. All the other messages you're getting from your brain that you should be, you know, Looking for butterflies. That's, not fair to you and it's not accurate to the situation That is, that's, that's not a realistic statement. Yucca: Right. It's not a, and it's not a failure on your part. Mark: Mm-hmm. Mm-hmm. Yucca: So there's, there's things in the world that we really, we do not have control over. But. But a lot of the things that we're talking about today are the things that we, that we can influence and focusing on which of those things can we influence And, and those are the, those are the places where I think we have a lot of power is figuring out what, what do we actually have power? Over, which isn't a lot, but actually when you really get down to it, it is right. I don't have pow power over what you're doing, mark, but I do have some influence over how I'm gonna respond to whatever you're doing is. And that's gonna take time, right? It's not like I can just magically say like, oh, I'm not, you know, I'm gonna respond this way. Like, no, it doesn't really work that way. It's something that we practice, and that's where I think a lot of the stuff that we talk about on the podcast, like rituals and different kinds of practices can really help because they're a way for us to practice and learn how to change our responses. Mark: Yes. Yes. That's really well said. I'm, I mean, I know, I know some Pagan people, just a few. A handful who's, Ritual practices have fallen way off after years of, you know, religiously, literally religiously observing all the sabbaths and, you know, having a personal practice and all that kind of stuff. And what's happened is they've gotten to the point where they're able to curate their lives. that there is a sense of celebration and interconnectedness and appreciation going on most of the time. And when it's not, it's for good reasons and they have tools for, for working with that. Yucca: Mm-hmm. Mark: So, you know, when we talk about having a ritual practice, The point of having a ritual practice is not to have a ritual practice. The point of having a ritual practice is to create moments. Moments when we celebrate, moments when we're joyful, moments, when we're connected, when we see ourselves in the true magnificence of what we are. Right. And. So that, that's why we encourage a ritual practice, right? But, but the point, the point was always the outcome. The point was the happiness and the improvement of happiness in the world. That's, that's, that's where we're going with all this. So if you don't have much in the way of a ritual practice, And you still find yourself feeling very contented and appreciative, and humble and connected and all those things. Well, good for you. Yucca: Yeah. Mark: You, you know, if it ain't broke. Yucca: Right. But you know, there's, the great thing is that there's a lot of different ways to, there's a lot of different ways to live, Mark: Mm-hmm. Yucca: right? And each of us is gonna have something a little bit different and our goals are gonna be a little bit different and there's gonna be different ways of, of meeting those goals. And so that some of the things we've been talking about today are, are tricks and. Tools that we can use to cultivate some of that, right? And sometimes that may be really paying attention to that gravel and bringing a little peace home with you. And sometimes it, maybe it's that finding what your glimmers are, and maybe it's having a nightly practice with your focus, right? Or a circle. At the solstice or something like that. So I l I really appreciate mark, that we get to explore some of these ideas on the podcast and that all you folks are here listening and sending your emails in and being part of that discussion. Mark: Oh, me too. So much. And it is so gratifying when I see. On the atheopagan Facebook group or the Discord server, or in one of the Zoom gatherings, when people say, you know, oh, I, I discovered this through the podcast, or you know, that podcast episode two weeks ago really resonated with me and it's changed how I do X and y. I mean, that's what feeds me and keeps me going, right? The idea that you know, it's not like you and I have all the answers. But we can share what perspectives we have Yucca: Mm-hmm. Mark: and collectively we can all get better. Yucca: Yeah. Mark: Which is you, you know, the rising tide, right? Raising all the boats And so, you know, that's, that's really what I find moving and, and motivating about, you know, doing this. And once again, I am so grateful that you you suggested doing a podcast and we were able to collaborate in this way. I think it's worked out so well. Yucca: that's, it's been a joy really. So, Mark: This sounds like we're stopping. We're, we're, we're not we're, we're Yucca: oh yeah. Mark: we're just a mutual admiration society. Yucca: Yeah. But we do have something that we wanna mention another venue format for more of this great stuff, Mark: Right. Yucca: that's coming up. Mark: You, you may, if you're in the atheopagan community in one way or another. You have probably heard by now of the atheopagan Web Weaving Online Conference, which is going to be held by Zoom on June 3rd and fourth. And we just wanna remind you that that's gonna happen. If you, and we'll put a link to the, the. The webpage where you can go to register and download the program and all that kind of stuff. In the show notes, the the keynote speaker is going to be Jared Anderson, who also goes by the crypto naturalist. He's this beautiful poet of nature and appreciation for the cosmos. Just really lovely stuff. And I was interested to learn, he's, he's actually got a book coming out, I think in two years which is about his struggle with depression and how that has led him to the natural world which sounds awfully familiar to me. Yucca: Hmm. Mark: So I'm looking forward to reading it when that comes out. But in the meantime, we get to hear him as our keynote speaker. And so really encourage you to register for that and to come to that event. It's over those two days, June 3rd and fourth. Lots of interesting workshops and activities, opportunities to socialize. So, go ahead and click that link down below and we hope to see you there. Yucca: Yep. Mark: So thank you so much, Yucca. This is, this has just been another lovely conversation. I really appreciate it. Yucca: likewise, and we'll see you all next week.

“Producing Hope: Endure Suffering.” The Bible says we should rejoice in our sufferings because they ultimately produce hope…but how? Producing Hope begins here!

"Made Loud To Be Played Loud!" Bill talked about recording with his son Michael, how to create cinematographic drums, single mic vocal stacking with The Eagles, producing demos on a boat, how to record great rock guitars, and singing at 8000 feet. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Bill Szymczyk (and his son Mike Szymczyk) a Grammy-winning and multi-nominated American music producer and engineer best known for producing Hotel California by The Eagles. He produced many top albums and singles of the 1970s, though–aside from continuing to work with Joe Walsh–he retired from the music business by 1990  re-emerging in the late 2000s for select projects including the 2007 Eagles album Long Road Out of Eden and the 2008 eponymous debut of Brian Vander Ark. Unlike many music producers, Szymczyk has no background as a musician. He was originally a sonar operator for the U.S. Navy and took some audio production classes as part of his Navy training. Besides his work with the Eagles, he has produced hit songs and albums for such diverse artists as B.B. King, Joe Walsh, The James Gang, and Elvin Bishop. Thanks to Rick Carson with Make Believe Studio for making our introduction, and to Jonathan Roye. THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com/Rockstars use code ROCK10 to get 10% off any individual plugin https://jzmic.com Use code ROCKSTAR to get 40% off the Vintage series mics plus get a FREE shock mount ($120 value) https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% off https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/4SxCemCijJvuYA3vJ1cdIo?si=3379a0a6edc0498f If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/400

Welcome to Episode 1373; part of our Italian wine interview series set in Dusseldorf, Germany. Today Joy Livingston interviews Cristina Bargagli from Provveditore Winery Stevie Kim and her team travelled to Dusseldorf, Germany this March to collaborate with ITA, the Italian Trade Agency. ITA was organizing some incredible Masterclasses featuring the best wines Italy has to offer. Each masterclass was led by the Master Sommelier Eros Teboni (awarded Best Sommelier Worldwide in 2018), and they wanted us there to document the amazing 3 days! Tune-in each Thursday as we bring you the great interviews that unfolded over the course of 3 days. More about today's winery: The Provveditore company is located near the town of Scansano, in the south-west of Tuscany immersed in the green hills of the Maremma, extending over 40 hectares of vineyards from where you can enjoy the view of Monte Amiata and the Argentario coast. The company now in its fourth generation represents one of the most significant historical realities for the production of Morellino di Scansano since in the early seventies, Alessandro had the intuition, pioneering for the area, to bottle it himself rather than sell it in bulk. The company Superintendent in continuous expansion over the years has expanded and diversified the productions, today managed by Cristina, Alessandro's daughter, aims a lot at generational synergy guaranteeing that combination of Tradition and Innovation which represents the added value in all phases of production. To learn more visit: https://provveditore.net/ More about the interviewer: Joy Livingston is the Producer of Italian Wine Podcast. Narrator extraordinaire and Scienza whisperer Joy Livingston has been known to edit the occasional book from time to time. When Joy is not busy Producing the podcast she is also working hard on the Mamma Jumbo Shrimp YouTube channel where many of the interviews stream on video! Let's keep in touch! Follow us on our social media channels: Instagram @italianwinepodcast Facebook @ItalianWinePodcast Twitter @itawinepodast Tiktok @MammaJumboShrimp LinkedIn @ItalianWinePodcast If you feel like helping us, donate here www.italianwinepodcast.com/donate-to-show/ Until next time, cin cin!

Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: How MATS addresses “mass movement building” concerns, published by Ryan Kidd on May 4, 2023 on LessWrong. Recently, many AI safety movement-building programs have been criticized for attempting to grow the field too rapidly and thus: Producing more aspiring alignment researchers than there are jobs or training pipelines; Driving the wheel of AI hype and progress by encouraging talent that ends up furthering capabilities; Unnecessarily diluting the field's epistemics by introducing too many naive or overly deferent viewpoints. At MATS, we think that these are real and important concerns and support mitigating efforts. Here's how we address them currently. Claim 1: There are not enough jobs/funding for all alumni to get hired/otherwise contribute to alignment How we address this: Some of our alumni's projects are attracting funding and hiring further researchers. Three of our alumni have started alignment teams/organizations that absorb talent (Vivek's MIRI team, Leap Labs, Apollo Research), and more are planned (e.g., a Paris alignment hub). With the elevated interest in AI and alignment, we expect more organizations and funders to enter the ecosystem. We believe it is important to install competent, aligned safety researchers at new organizations early, and our program is positioned to help capture and upskill interested talent. Sometimes, it is hard to distinguish truly promising researchers in two months, hence our four-month extension program. We likely provide more benefits through accelerating researchers than can be seen in the immediate hiring of alumni. Alumni who return to academia or industry are still a success for the program if they do more alignment-relevant work or acquire skills for later hiring into alignment roles. Claim 2: Our program gets more people working in AI/ML who would not otherwise be doing so, and this is bad as it furthers capabilities research and AI hype How we address this: Considering that the median MATS scholar is a Ph.D./Masters student in ML, CS, maths, or physics and only 10% are undergrads, we believe most of our scholars would have ended up working in AI/ML regardless of their involvement with the program. In general, mentors select highly technically capable scholars who are already involved in AI/ML; others are outliers. Our outreach and selection processes are designed to attract applicants who are motivated by reducing global catastrophic risk from AI. We principally advertise via word-of-mouth, AI safety Slack workspaces, AGI Safety Fundamentals and 80,000 Hours job boards, and LessWrong/EA Forum. As seen in the figure below, our scholars generally come from AI safety and EA communities. MATS Summer 2023 interest form: “How did you hear about us?” (370 responses) We additionally make our program less attractive than comparable AI industry programs by introducing barriers to entry. Our grant amounts are significantly less than our median scholar could get from an industry internship, and the application process requires earnest engagement with complex AI safety questions. We additionally require scholars to have background knowledge at the level of AGI Safety Fundamentals, which is an additional barrier to entry that e.g. MLAB didn't require. We think that ~1 more median MATS scholar focused on AI safety is worth 5-10 more median capabilities researchers (because most do pointless stuff like image generation, and there is more low-hanging fruit in safety). Even if we do output 1-5 median capabilities researchers per cohort (which seems very unlikely), we likely produce far more benefit to alignment with the remaining scholars. Claim 3: Scholars might defer to their mentors and fail to critically analyze important assumptions, decreasing the average epistemic integrity of the field How we address this: Our scholars are enc...

On Season 3, Episode 5 of The Art Career Podcast, Emily McElwreath interviews Jeremy Blocker, director of New York Theatre Workshop. Jeremy Blocker began his tenure at New York Theatre Workshop in 2014 and has overseen more than thirty productions, stewarding the growth of NYTW's annual operating budget and significantly increasing the Workshop's reserve funds to secure the financial future of the organization. He also led the effort to create NYTW's most recent strategic plan which has seen an expansion of the season to five productions, a 200% increase in artist compensation over the five year plan, the launch of a paid, year-long 2050 Administrative Fellowship, and the renovation of NYTW's 4th Street Theatre.  Prior to arriving at NYTW, Jeremy served as the first Managing Director of Ars Nova, New York's premiere hub for new talent, where he produced six world premiere productions including the Obie Award-winning Natasha, Pierre & the Great Comet of 1812 by Dave Malloy, seven festivals, and dozens of concerts, readings and workshops. He has also previously served as Director of Individual Giving at Manhattan Theatre Club, Development Associate for Capital Projects at Atlantic Theater Company, and Producing Director of Babel Theatre Project, which he co-founded. Jeremy is an Assistant Adjunct Professor of Theatre Management and Producing at Columbia University's School of the Arts and holds a BA from Harvard University and an MFA from Columbia. This episode is sponsored by BetterHelp. Visit ⁠⁠⁠BetterHelp.com/TAC ⁠⁠⁠today and get 10% off your first month. ⁠⁠⁠theartcareer.com⁠⁠⁠ Follow us: ⁠⁠⁠@theartcareer⁠⁠⁠ Follow Jeremy : ⁠⁠@jwblocker Follow New York Theatre Workshop: ⁠@nytw79 Podcast host: ⁠⁠⁠@emilymcelwreath_art⁠⁠⁠ Social Media: ⁠⁠⁠@lilap3arl⁠⁠⁠ Music: Chase Johnson Editing: ⁠@benjamin.galloway

a formula for producing pure thoughts / japa and kirtan are real silence / Jada Bharata reveals his true identity / there is no good investment in this material world / material enjoyment will break your heart / the sword of knowledge SB 5.12.14-16

Matt and Sam discuss if one day mastering engineers will be no longer needed.

Writing and selling a screenplay about a lawyer while working at a law firm is how Ellen became a writer best known for ‘Desperados', ‘Clifford the Big Red Dog', and her hit series 'Minx'. In this episode, Ellen and Pete discuss her transition into storytelling, how she discovered and developed the story of “Minx”, the process of pitching a story to a studio and network, her experience directing for the first time, running the show, and more…(00:00:00 - 00:07:25) -- Podcast Intro (00:07:25 - 00:13:30) -- Attending Law School(00:13:30 - 00:17:20) -- Becoming A Storyteller(00:17:20 - 00:21:00) -- Selling A Script And Moving To LA(00:21:00 - 00:22:50) -- Transitioning Into Television Writing(00:22:50 - 00:26:40) -- A Day In The Life Of A Writer(00:26:40 - 00:28:20) -- Discovering The Story Of ‘Minx'(00:28:20 - 00:33:00) -- Developing The Characters And Tone(00:33:00 - 00:40:35) -- The Pitching Process(00:40:35 - 00:41:33) -- “Transitions: A Director's Journey and Motivational Handbook” Promo(00:41:33 - 00:46:00) -- “Minx” Season One Production And Show-running(00:46:00 - 00:51:10) -- Hiring Directors(00:51:10 - 00:57:00) -- Directing The Finale(00:57:00 - 00:58:55) -- “Minx” Season Two Production(00:58:55 - 01:01:00) —“Minx” Season Two Directors(01:01:00 - 01:07:15) -- Lightning Round Questions(01:07:15 - 01:09:03) -- Podcast Outro

Tune in with host @fabulousprissy and this week's guest  @montgomerymauro as he gives his insight on how to handle multiple industry roles.  From Acting, Directing, Writing and Producing, and starting his own production company "No 2Mauro". Montgomery shares how self criticism and feedback is how you grow to be better. Get tips one how to direct and act in the same film and how to crowdfund for your film! We also learn the in's and out's of shooting "Exposure 36", Lock down living and Be Good! When acting: "You can't judge your character" #rratedpodcast #season3  #actor  #director #writer #productioncompany #producer #film #movies  #entertainment #newyork #theatre #creativeartist #industryinsight #entertainment #spotifypodcast  #youtubepodcast  #behindthescenes  #filmpodcasts #applepodcast #theatre #filmindustrybts #podcastersoninstagram #podcastlife #podcastproducer #podcastoftheday #podcastspotify #podcastapplepodcasts #reels #tiktok  --- Send in a voice message: https://podcasters.spotify.com/pod/show/priscilla-emprechtinger/message Support this podcast: https://podcasters.spotify.com/pod/show/priscilla-emprechtinger/support

a formula for producing pure thoughts / japa and kirtan are real silence / Jada Bharata reveals his true identity / there is no good investment in this material world / material enjoyment will break your heart / the sword of knowledge SB 5.12.14-16

Cullen and Mason chat with renowned music producer, Nate Washburn. They chat about how Nate produces music, what he learned from Matt Goldman, and how he once played with Weezer.Check out Nate's work here.Follow us on Instagram: instagram.com/theblacksheeppodcastSubscribe to our YouTube channel: youtube.com/@theblacksheeppodcastHM

Hello, Hello!    In this episode, we have a conversation with Vanzil Burke, CEO and Founder of Burke Management.  We talk about:   His movies and shows: Karen, Cocaine Sisters, and Heaux Phase Why he quit his Tech job to pursue a career in film When to look for a talent manager and why a hands-on manager is best His number one rule about investors in his films    And much more… Enjoy!     The MAKE IT podcast is brought to you by the Voice of the Filmmaker program, which is sponsored by Women in Film and Television, Nashville (a 501(c)(3) non-profit organization).   If you like what we're doing, please donate here: https://www.bonsai.film/donate.   How you can continue to enjoy MAKE IT content:   Subscribe to the MAKE IT YouTube channel. Subscribe to the MAKE IT Podcast wherever you listen to podcasts. Subscribe to our newsletter at https://www.bonsai.film/subscribe.   The MAKE IT podcast amplifies the voice of the filmmaker by exploring the filmmaking journeys of actors, writers, directors, producers, and a host of other creatives from across the film industry. We provide a platform for filmmakers to provide advice, lessons learned, personal reflections, and insights through our Filmmaker Conversations, Mistakes in the Making, Industry Insights, Indie Talks, and Film Investment Series. We are the go-to film podcast for independent creatives!

In episode 299, the girl are joined by one of their new producers Bei Wang! They get into Bei's upbringing in Southern California, immigrating to the US, their time moving to the east coast, working and living in NY, growing up with immigrant parents, and so much more! Follow Bei on twitter at @ayyybeibei. GET INTO IT! See omnystudio.com/listener for privacy information.

We start with Music Monday and get into studio stories, recording sessions, imports and rare tracks and other explanations and explorations. Leave me a message- 1-360-830-6660 Music Monday starts at the Mike Herrera Podcast Facebook Private Group Page - 1 - Punx in the Park - NOT A BAND but part of our punk community 2 - The Jack Knives 3 - Saturday Matinee 4 - Northbound Breakdown ----------- SEE MXPX LIVE 7/1 - Trois Rivières, QC @ Festivoix 9/22 - Birmingham, AL @ Furnace Fest 10/21 - Las Vegas, NV @ When We Were Young 10/22 - Las Vegas, NY @ When We Were Young MxPx All Night IPA will be available for a limited time on tap and in 16oz cans, in WA, OR and ID, in bars, restaurants and retailers where they sell Silver City.  Supplies are limited!  silvercity.beer/mxpx  Leave a message with your question or topic on the Mike Herrera Podcast voicemail. (some will be aired on future episodes of the podcast) 1-360-830-6660 (US number) 3 min limit per message. MxPx Unstoppable out now!! CLICK for Unstoppable LINKS TEXT LIST - Join our Text list by texting MXPX to 31996 MUSIC -LISTENER CHALLENGE- Listen to MXPX Self Titled Deluxe Album at least once a day. Use hashtag #mxpx or #mxpxsuperchallenge The MXPX Super Challenge Playlist MXPX - Self Titled Deluxe Edition  I now have an Artist Series Music Man Stingray from Ernie Ball! You can order straight from the shop on the Music Man website.  A portion of proceeds goes to MusicCares! MIKE HERRERA SIGNATURE SERIES BASS If you like the podcast- Subscribe, rate and review on Apple. Support what I do at MXPX.com  Producing and editing by Bob McKnight. @bobandkatieshow

Thank you for listening! Here are some ways to learn more and stay connected! New to faith? ⁠Click here!⁠ ⁠⁠⁠⁠Learn more about Pastor Derek Neider⁠⁠⁠⁠ ⁠⁠⁠⁠Follow Derek on Instagram⁠⁠⁠⁠ ⁠⁠⁠⁠or Facebook⁠⁠⁠⁠ ⁠⁠⁠⁠Subscribe to email ⁠⁠⁠⁠ ⁠⁠⁠⁠Subscribe to the daily devotional⁠⁠⁠⁠ ⁠⁠⁠⁠Explore recent messages!⁠⁠⁠⁠ This podcast was created by Pastor Derek Neider as a ministry of Awaken Las Vegas (formerly Calvary Chapel Las Vegas) find ⁠⁠⁠⁠our website. ⁠⁠⁠⁠ We are located at 7175 W. Oquendo Road, Las Vegas, NV 89113.  Our gathering times are 9am & 11am Sundays and 6:30pm Thursdays.

The St. Louis Cardinals got swept in LA by the Dodgers to finish a disgusting 2 - 8 road trip. Good - Jordan Montgomery Bad/Ugly - The offenses Lack of production from the outfield - O'Neill - Nootbaar - Burleson - Carlson Two former Cardinals are thriving - Adolis Garcia - Randy Arozarena Mock Trade featuring Tyler O'Neill Follow & Subscribe on all Podcast platforms…

Producers serious about their craft, if you're looking for FIRE, LIMITED copy samples, look no further: https://zenith.gallery/ In today's episode, Soldado and Pinnacle discuss his music production and his collaborations with artists such as Baby Keem, Lil Uzi, ASAP Ferg, and Migos, noting his preference for using one shots and emphasizing the importance of unique sound design and FX. Pinnacle and him provide advice for new producers, including the value of consistency and the importance of having fun and being creative. Additionally, they stress the importance of networking and building relationships with collaborators and professionals in the music industry. Guest: https://www.instagram.com/soldadoaudio Pinnacle: https://www.instagram.com/pinnacleatthetop/ Spotify Podcast: https://open.spotify.com/show/1Iuuuie1skJOOAtLxg3Ie5?si=27de84daf09d4e37 Apple Podcast: https://apple.co/3GIP58l Timestamps: 00:00 - Soldado Intro 02:00 - Sharing Personal Life Online 05:10 - Sending Out Smaller Packs Because They're Received Better 07:30 - Arranging Samples for Listening or Creativity 08:45 - Making Beats for The First Time 09:45 - Trying and Failing Multiple Times 12:00 - From a Creative Outlet to a Career Pursuit / First Placement with ILoveMakonnen 14:30 - Ryan Bevolo, Making Beats on the Bus 16:00 - Future Astronaut Status / Jordan Diddy 18:00 - Sound Selection 19:35 - One Shots Over VSTs 22:00 - Best Plugins 24:00 - Using Hidden Gems instead of Popular VSTs and Banks 27:00 - Producing Back Hurt for A$AP Ferg and Migos 28:00 - Larry June 31:00 - Regular Work Day / Schedule / Daily Goals 33:00 - Using Starters (Cubeatz) 35:00 - Reverse Engineer Songs 36:00 - NOW is the Best Time to Get Started 37:00 - Using Inspiration Liberally 40:00 - Show Your Personality / Be a Human 41:00 - Burning Bridges After One Placement 43:30 - Balancing University and Music (Really Good Advice Here) 47:00 - A.I. and How to Approach the Industry with This New Technology 50:44 - Linking With Jackson Romain 53:00 - Sending Things Back on Time 54:00 - Kearney and Main.Key 57:30 - Manager and A&R Role

Welcome to Episode 1364; part of our Italian wine interview series set in Dusseldorf, Germany. Today Joy Livingston interviews Elise Rialland of Casale del Giglio. Stevie Kim and her team travelled to Dusseldorf, Germany this March to collaborate with ITA, the Italian Trade Agency. ITA was organizing some incredible Masterclasses featuring the best wines Italy has to offer. Each masterclass was led by the Master Sommelier Eros Teboni (awarded Best Sommelier Worldwide in 2018), and they wanted us there to document the amazing 3 days! Tune-in each Thursday as we bring you the great interviews that unfolded over the course of 3 days. More about today's winery: Casale del Giglio has always been motivated by the desire to produce top quality, fairly-priced wines in a swathe of land, the Agro Pontino, little known until recently for its viticutural potential. The aim of the experimentation programme, conducted in 1985 on 180 acres of vineyard, has been, and still is, twofold: first to favour those cultivars which, by their nature and through targeted management, have proved to interact most successfully with the soil and climate of the territory; second to rediscover and restore the status of native vines once thought to be obsolete, such as Biancolella di Ponza, Bellone di Anzio, Cesanese di Olevano Romano and Pecorino di Accumoli. To learn more visit: Website: www.casaledelgiglio.it Instagram: https://www.instagram.com/casaledelgiglio/ Facebook: https://www.facebook.com/CasaledelGiglioVini/ Twitter: https://twitter.com/CasaleGiglio More about the interviewer: Joy Livingston is the Producer of Italian Wine Podcast. Narrator extraordinaire and Scienza whisperer Joy Livingston has been known to edit the occasional book from time to time. When Joy is not busy Producing the podcast she is also working hard on the Mamma Jumbo Shrimp YouTube channel where many of the interviews stream on video! Let's keep in touch! Follow us on our social media channels: Instagram @italianwinepodcast Facebook @ItalianWinePodcast Twitter @itawinepodast Tiktok @MammaJumboShrimp LinkedIn @ItalianWinePodcast If you feel like helping us, donate here www.italianwinepodcast.com/donate-to-show/ Until next time, cin cin!

Clay Clark Testimonials | "Clay Clark Has Helped Us to Grow from 2 Locations to Now 6 Locations. Clay Has Done a Great Job Helping Us to Navigate Anything That Has to Do with Running the Business, Building the System, the Workflows, to Buy Property." - Charles Colaw (Learn More Charles Colaw and Colaw Fitness Today HERE: www.ColawFitness.com) See the Thousands of Success Stories and Millionaires That Clay Clark Has Coached to Success HERE: https://www.thrivetimeshow.com/testimonials/ Learn More About Attending the Highest Rated and Most Reviewed Business Workshops On the Planet Hosted by Clay Clark In Tulsa, Oklahoma HERE: https://www.thrivetimeshow.com/business-conferences/ Download A Millionaire's Guide to Become Sustainably Rich: A Step-by-Step Guide to Become a Successful Money-Generating and Time-Freedom Creating Business HERE: www.ThrivetimeShow.com/Millionaire See Thousands of Actual Client Success Stories from Real Clay Clark Clients Today HERE: https://www.thrivetimeshow.com/testimonials/

On this Thursday throwback episode we are going to play our interview with Rick Bosner from WAAAAAY back on April 10th 2017 on episode 97. Rick was the first producer we had on the show and he talked about how he chooses his projects, told us stories about working on Fruitvale Station and talked about how he made a sustainable life for himself as a film producer. After that we play another round of THE GAME, enjoy! If you like these throwback episodes give us a shout at podcast@makingmoviesishard.com and thanks for listening! Check out our patreon at www.patreon.com/mmihpodcast Order The Alternate on Itunes Out Now: https://itunes.apple.com/us/movie/the-alternate/id1640576609?ls=1

Do you want to know a proven strategy to achieve consistency with your podcast? Today JEanette shares with you the exact workflow she follows to organize all her podcast episodes and produce three episodes per week. Tune in to learn the importance of having an organizational system for your podcast.Producing three episodes a week seems like a massive task, and it is, but with strategic planning it is not only achievable but enjoyable. A few months ago Jeanette committed to publishing podcast episodes every Monday. Wednesday and Friday and the results have been amazing. If it's God's will, any undertaking is possible, so if you want to stay consistent with your podcasting strategy, first ask God for guidance, and tune in to this episode to learn a proven way get there. In this episode:Click-up for podcastersGoogle Drive organization for podcastersA proven workflow that helps you publish podcast episodes consistently.In this Episode:Check out ClickUp Here: https://clickup.com

This we sit down with Andrew Juskatis from Giant Bicycles to discuss the Giant Revolt X gravel bike.  With 50 years in the bicycle business, Giant brings massive engineering and manufacturing resources to the sport.  The Revolt X model features front suspension matched with a compliant rear end and dropper post.  Sounds like my kind of ride! Support the Podcast Join The Ridership  Automated Transcription, please excuse the typos: [00:00:00] Craig Dalton: Hello, and welcome to the gravel ride podcast, where we go deep on the sport of gravel cycling through in-depth interviews with product designers, event organizers and athletes. Who are pioneering the sport I'm your host, Craig Dalton, a lifelong cyclist who discovered gravel cycling back in 2016 and made all the mistakes you don't need to make. I approach each episode as a beginner down, unlock all the knowledge you need to become a great gravel cyclist. This week on the podcast. We welcome Andrew. from giant bicycles to the show. Andrew is a global product marketing manager. And had a hand in the launch of the new revolt acts, gravel bike. I have to say after I saw former Gaston friend, URI has walled. Old riding this new giant bicycle where the RockShox suspension fork on it. I couldn't resist reaching out to the team at giant to learn a little bit more. I'd been curious as to when we'd start to see larger manufacturers bring suspension forks into the gravel bike world. I know it is a topic. That many of you feel very passionately one way or the other about, but I thought it would be interesting to talk to Andrew about that decision and how they see the market evolving. Giant is a close to 50, maybe 50 plus year old company. That's been producing bikes for many, many other brands, as well as developing their own brand. Back in the eighties, they've got a huge amount of research and development and organizational strength in the engineering department. So it was exciting to talk to them about what they were seeing with this bicycle. Obviously they have models available. With, and without that rock shock, we talk about the revolt X model as well as one of the other models that shares a similar chassis, but not an identical chassis. And we'll get into why giant was uniquely capable of producing something specific. For running a suspension fork versus just slapping something on the same bike or the same frame that they had produced for the non suspension. Model. Anyway, I look forward to you listening to this conversation, Andrew and I are contemporary. So we share some stories about our early experience in the mountain bike market and the evolution of that market. And some of the parallels were. We're seeing in the gravel world. With that said, let's jump right into my conversation with Andrew. Andrew, welcome to the show. [00:02:29] Andrew Juskatis: Hey, thanks for having me, Craig. [00:02:31] Craig Dalton: It's good to, good to have you. I'm, I feel like I've been wanting to have someone on from Giant for a few years now, and I couldn't resist reaching out through my friend Yuri Oswald, who just started riding for Giant u s A. Uh, when I saw the new Revolt acts, it seemed like too, too much of a bike that was right up my alley not to get someone on the show to talk about. [00:02:53] Andrew Juskatis: Yeah, absolutely. You know, it's, it's a new launch for us. It just came out this February. Um, so it's still new, it's still hot, and it's an interesting product from Giant. [00:03:02] Craig Dalton: Yeah. Yeah. Before we dig into that, let's just get a little bit about your history. Where, where did you grow up and how did you discover the bike, and ultimately, how did you end up working in the bike industry? [00:03:13] Andrew Juskatis: cow. That's a long story, but I will try and make it short for you so, I'm coming up on 50 years old. I've been riding and racing bikes, specifically mountain bikes since I was 14 years old. I grew up in Southern California. I started ri erasing and then riding, you know, around 87, 88. So I've, I've been through the f almost the full trajectory of mountain biking as, as a result of that, my love and for cycling has grown. So Southern California. Um, you know, went to college at University of Utah and just absolutely fell in love with the sport of mountain biking. But out of that, I took my first job, um, working for cycling publications. So over a period of nine years, I worked for five different magazines starting in 1996, working for Mountain Biking, mountain Biker Bike Magazine, bicycling, and then eventually finished off my tenure at Venu and throughout the entire. I was the tech editor for all those publications. I did a lot of product testing, um, and, and had a pretty good gig doing all that, but it was 2004 when I was an editor. I flew from Colorado out to Southern California to be a guest at Giant Bicycles when they were introducing their maestro suspension technology. And I remember specifically as an. Riding that product, meeting the people behind the product and saying, Hey, giant has something going on for it. Like this is legit. Not only is this technology legit, but the people behind it are serious about what they're doing, and it really put, honestly put Giant on my radar for what is going to be my next job. Lo and behold, position opened up in their marketing department in 2005. I took the job at Giant, and here I am, what, some 18 years later. On the other end of the stick here, talking to editors around the world. [00:04:58] Craig Dalton: Amazing. I love that we're in the same age range and went through sort of our coming up and mountain biking around the same time. I know we could probably share a lot of stories that might not be interesting to our gravel riding audience, but thanks for sharing that. And just for a little bit of context, can you just talk about the origins of the giant, uh, giant company and the giant. [00:05:19] Andrew Juskatis: Yeah, for sure. And for, for those listeners who aren't aware, you know, we're ob. OB obviously a legacy brand. We just celebrated our 50th anniversary. And again, another really long story short, the reason why giant exists is way back in the seventies when Schwinn was having its bicycle boom, Schwinn was manufacturing the great majority of their product. You know, here in the United States. They realized that they needed to expand, they needed to bring prices down to some more affordability. So they sent off kind of their Lewis and Clark guys over to Asia to source out, uh, bicycle manufacturing over in Asia. And one of those guys ventured over to Taiwan, which at the time wasn't. Producing anything to do with bicycles and fortuitously stumbled across a fledgling little company, manufacturing company called Giant at the time. Um, at the time they were not making bicycles, but had the capability to do so well. Long story short. Giant became the main manufacturer of Schwinn bicycles kind of in the, in the late seventies there. And so they were pumping out the great majority of Schwinn bikes that maybe our parents grew up with, or we grew up as, grew up with as kids. That grew and grew and grew. The manufacturing business continued to improve. The factory got bigger and bigger. We got better at it. And then in the, um, early eighties, we started our own brand, and that's the brand that I worked for, which is Giant, that's the brand that most of your listeners are familiar with. So, early eighties on that, we started making our own product, unique product, own designed, um, manufactured and engineered by us. And that's the brand that we're talking about today. [00:06:55] Craig Dalton: I remember in the very late eighties selling a giant iguana or two on the mountain bike side. If I can name, drop that little bit of history to [00:07:04] Andrew Juskatis: Yeah, that's still a running joke I get all the time. What do you feed the Johnny Iguana? I, I love oldie, but goodie. [00:07:11] Craig Dalton: And I also remember obviously like, you know, in addition to that Schwinn product line that they were producing for many years, they then expanded to a lot of product for a lot of different manufacturers. And I remember sort of learning that as I was working in a bike shop on the East coast and realizing that, you know, of the seven brands that we were selling, it was three or four of them were actually produced in the same factory, um, via Giant, which was kind of interesting at the. [00:07:38] Andrew Juskatis: Yeah, for sure. So our manufacturing side of the business. Does produce bicycles for some other brands out there, but the great majority of of product that comes out of our factory is giant. And just to clarify, you know, anything that comes out of our factory is engineered and, and designed by that brand. So everything is unique. Like the giant brand is completely different than anything else that might come out of that factory. Um, but I'm here today to talk about, you know, giant product and the giant brand. So excited to get. [00:08:09] Craig Dalton: Yeah. And you know, as we trace back kind of the brand history as you've been there the last 18 years or so, obviously Giant is a full service brand, meaning they're doing everything from kids' bikes, Tor de France and you know, U C I downhill bikes across the product line. When you think about how the brand kind of approaches. Entire suite of product. Is it, does it, does it sort of come from the top down and you're trying to make the best product possible? Or is each, each kind of division kind of focused on like, oh, I'm trying to make an affordable bike, or commuter bike, or what have you, and really just trying to be best of class in the area that it's competing in. [00:08:49] Andrew Juskatis: Yeah, first things first is we make sure that we have the right people leading the right categories. From that, every one of those category managers, their goal is to build the absolute best in class for that. Whether it be, uh, a youth bike, whether it be a road gravel or mountain bike, we always wanna shoot for the top. Only after we have all those, these pieces in place, do we start thinking about price points. How do we want to, you know, what price points do we want to hit? We look at, maybe sometimes we'll look at our competitors and see what they're doing and see how we can, you know, beat them. But for the great majority of time, because our factory, we are the factory. We have the greatest buying power in the entire cycling industry. If you think about it. I mean, we buy more D R X T rear derailers than any other brand on Earth. So normally we're, we're always gonna get the best pricing out of that. We don't normally focus on pricing. You know, your, your, your listeners can certainly do their own shopping and, and look at different brands and different prices, but that's certainly something where we differentiate our categories. Um, how do we break it down? And that's something we can talk about when we talk about Revolt X. What are, what are the prices here in the United. [00:09:54] Craig Dalton: Yeah. I'm curious and excited given your tenure at Giant, just when you started to see like a gravel bike first emerge in the lineup, and obviously the date you dropped to me earlier I think was 2013. The category barely existed at that point. So I'm curious if you recall, like why was that bike created originally? [00:10:14] Andrew Juskatis: Yeah, that's a really good question. And I, I, I don't wanna say it was created by accident, but at the time, w. You know, the category managers, the marketing staff, we're in touch with the market. We ride a lot. It's our passion. So we're out there and seeing what, what people are doing. Gravel at the time from a mass production level really didn't exist. This is over a decade ago, like you just indicated. The consumers were, you know, maybe the, the elite that bleeding edge was kind of experimenting with, you know, taking a road bike and putting on the biggest tires possible and riding it in more aggressive terrain. I would say we caught onto that, that, that, that trend and it was, it was just a developing trend way back then. And we said, Hey, you know what, let's experiment. It seems like it makes sense. This might actually go somewhere. This, this might not be a fad. Like single speeding, right? Like that came and went for the most part. This actually has legs given the trends at the time of. Generally speaking, you know, road bike sales were just beginning to slump off. People might, might have started getting turned off a little bit about road riding just because of safety issues or just because of wanting to explore their terrain a little bit more than a traditional road bike could take them. Um, so it was kind of a culmination of a lot of a different events. Let us dip our toe in the water with the first Revolt series, and that was like over a decade ago. And looking back at the bike, looking at the geometry, looking at the max tire size, you know, I'm not gonna say it was wrong in every way, but it was an experiment, right? It was our first mass production toe dipped in the water, and we learned a tremendous amount from that first generation. So here we are today talking about our latest generation, which is the Revolt X, which as your listeners know, is a front suspension, gravel bike, and definitely happy to talk about that. [00:12:06] Craig Dalton: Yeah, it's so interesting. I feel like back in that 20 13, 20 14, 20 15, like there was this pocket of riders that weren't necessarily, you know, riding gravel. They were just happened to be riding on dirt roads or wanted a more durable drop bar bike for commuting. And so there was like enough of a pocket in there despite like. People wanting to use the bike for many different things. That type of bike made a lot of sense. And then, you know, as we moved forward into 20 15, 20 16, you started to sort of see this very much more specialized gravel event happen and people like really leaning into a gravel bike as a replacement for a road bike potentially in certain scenarios. So talk a little bit, if you can, at, at sort of a broad level. How you saw the revolt model evolve over those early years into, you know, 20 16 20 17? [00:13:00] Andrew Juskatis: Right. And so just like you indicated, Craig, you know, the, the racing scene at that time was. Just starting to bubble up more local events, little kind of underground events, but we, when we a, anytime we create a new product, we do ask ourselves. Okay. Is this product going to be raced or is this product going to be ridden? Is this for the adventure rider or is this for the guy, you know, shaves his legs and has the liker, uh, one piece kit on and is going, going for the number plate thing? So at that time we said no on racing, cuz racing really didn't seem like it was that big a deal. So the original revolt was geared more towards a. Was more towards exploration, was riding those b and C level roads, or even some, you know, all all, maybe at the time very light single track kind of stuff. But it was not [00:13:47] Craig Dalton: it originally a, was it a carbon bike originally? [00:13:50] Andrew Juskatis: no, no, no. Again, I, I would use the term experimental at the time, and so first generation, I think we talked about this a little bit offline, but committing to composite cutting molds. Is an entirely different thing than building an aluminum bike. Aluminum bikes obviously take a lot of engineering. There is a lot of technology in it, but the commitment level to building an aluminum bike from a, from a mass production standpoint is. Significantly less than committing to composites. So, like I said, bit of an experiment. The first revolt, um, we want to dip our toe in the water. It was aluminum and so really easy if we needed to second generation, if we needed to change geometry. It's very, very easy to do that once you cut molds, and, and I know you and I know a lot of your listeners know this, but once you cut those molds for composite, there's no going. And you know, I think we talked about this offline, the commitment level to cutting molds for a composite bike can can be darn near a hundred thousand dollars per size. So you need to think about your return on investment when you're committing to composite. [00:14:56] Craig Dalton: Yeah, for sure, for sure. Amazing. Like I love taking this journey with you. And then, you know, as I mentioned to you offline, like I became super attracted, I think, to the revolt aesthetic and performance attributes in that like 2018 timeframe, maybe, maybe 2019. But found that it was sort of oriented towards a, a narrower tire size at that time. Does that kind of track with the, the sort of design and performance objectives at that time for that model? [00:15:26] Andrew Juskatis: for sure. At that time when we, you know, we're trying to look into our, our crystal ball of the future, just, you know, point of reference when we build, uh, or create a new range or series of bicycles, you know, we're looking at a three year lifespan. No more, absolutely no more than a five year lifespan before we're gonna come out with the next generation. So three years generally. But we need to look at our crystal ball because we need to see what trends are happening, what trends are, are, are growing. What trends are faltering At the time, we, um, wanted to kind of maximize tire size without going bonkers. And I know a lot of folks, including yourself, kept screaming for larger and larger tire size at that, like that second generation revolt. Um, we didn't feel it was necessary, but when we move into this next generation here, like especially with Revolt X, we can talk about larger tire. [00:16:14] Craig Dalton: Yeah. Yeah, yeah. Well, let's get into it. Let's get into the revolt. Um, and, and maybe you can sort of break down. You've got one series that has the Rock Shock Suspension Fork and a Dropper Post, which I love the idea of. And then you've got the other, the other sort of, uh, standard rigid bike. [00:16:33] Andrew Juskatis: Yeah, that, I mean, that's a, a great takeoff point. And, and kind of just for the record, let me, let me state our, our view of what you, just, what you just talked about. So, currently in our line, um, we launched this, uh, a little over a year ago was our Revolt Advanced Pro, and that's her composite, um, revolt bike. That's the bike you're gonna see our, um, professional racers on. Um, you're gonna. With most folks should probably pick that bike if they're gonna put a number plate on for most type of terrain. Um, and we certainly in our marketing materials and our communications, we talk about racing openly, freely, and, and proudly with that bike. No, it is not just a race bike. It's a very lightweight, it can be used for exploration or simply, you know, riding on ruffle roads. That's fine. But you will hear us talk about racing quite a bit with that, with that current model of revolt advance. The bike that we're focusing on today is the re, is the Revolt X Advance Pro. And so that has a suspension fork, just like you said. Just like you love, and it has the suspension seat post on it. It does have a little bit of suspension on it if you notice that in the spec, but the dropper as well, so. Not to say that's not a race bike, but we're not gonna be positioning it. Our professional racers probably won't be seen racing on that bike. It's a bit more for exploration really. Those all day adventure rides down rougher, rougher terrain, which there is certainly a trend for, but just to put it in perspective, um, in terms of sales numbers, You're gonna still see most people choosing the Revolt Advances Pro, that that composite line, um, for their everyday writing, this Revolt X is for a unique person like yourself or maybe some of your listeners who want and are asking for more. [00:18:15] Craig Dalton: Yeah, it's interesting, you know, as when rock shock and sh tram launched that fork, gosh, maybe a year ago, [00:18:21] Andrew Juskatis: Right? Mm-hmm. [00:18:23] Craig Dalton: like I realized that, you know, the early adopters of that fork were likely gonna have to either retrofit it and deal with the geometric changes that it's gonna apply to their bike or get a custom frame built because, The larger manufacturers just weren't ready to kind of jump on that trend. I think it made sense to like allow rock shock to put it out there in the world alongside, um, what Fox had been doing for some time earlier than that and just see where it was gonna sit. But I was sort of eagerly waiting for a larger brand like Giant to put one on a bike just to expose the world to the attributes of something that was purpose built and designed. Around that fork because to your point, not everybody's racing and it seems like there is a world and there are locations in the world where this type of suspended gravel bike, while it's still oriented around. Gravel riding, right? You're still gonna ride it on the road and mix train or whatever. But giving the rider an advantage, whether it's more comfort or stability, or safety or performance, with that suspension fork was gonna be something that is gonna appeal to yet these ever more refined niches of gravel that are emerging. [00:19:38] Andrew Juskatis: Yeah, it, it, it's interesting, Craig, you know, you and I were talking offline before and I, I learned a, a bit about your history, um, certainly with mountain biking and, and we all remember way back in the day when, you know, the rock chalks RS one first came out, it seemed like a gimmick, maybe a novelty, and manufacturers, pretty much all of them simply took that suspension fork and threw it on an existing frame and frames back then were all steel, but, You know, that was one way to kind of dip their toe in the water to try out suspension and see if it's gonna stick and, and all of that. But they were taking a new product. That seriously altered the geometry and putting it on an existing frame, and that would've been the easy way for us to approach this. It certainly would've been the more economical way. Again, you know, we think about commitment to cutting molds is so expensive in order to open a new mold for composite frame. But we said, and we believe, you me, we argued about this a lot, um, within the company is do we fully commit if we're gonna put a suspension. On a revolt, do we fully commit to creating an entirely new series of molds? And the answer was, we either do it or we don't. And so we did it and we committed to a full size. Um, of new frames that are suspension, augmented, or suspension adjusted to accept a 40 millimeter fork. Um, it's a gamble. Uh, we will see about how sales are, um, universally again, um, it's, it's, it's definitely a risky move cuz we invested a lot into this frame to make sure that it, it handles correctly. We didn't want it to be, you know, a tugboat and really sluggish. If you put. A longer fork on an existing frame, it would slack out the front end so much so that it would, it would kill the characteristics of the bike. We didn't want to do that. [00:21:23] Craig Dalton: Yeah, I think that's a critical balance. And for the, for the listener who can kind of, can't visualize, like with the suspension fork, your head tube has to, there has to be a little bit more space, right? Cuz those forks are longer in order to add that 40 millimeters or whatnot of suspension in there. So there has to be an adjustment and if you just slap it on your average, It's gonna make it a little bit more relaxed, and maybe that is actually appropriate for how you're gonna ride, said bike, but is not the intended geometry that the designer put underneath you to begin with. So it is important to have someone thinking about those adjustments and designing them into the frame. Geometrically speaking, but also you mentioned to me that you, you also added a little bit more beef to the head tube in an understanding that the bike is gonna face different challenges and obstacles out there. [00:22:12] Andrew Juskatis: Yeah, th That's exactly right, Craig. So if you think about this, so our existing revolt, advanced Pro, all size medium, has a head two length of about 150 millimeters in order to properly compensate for the kind of that axle to crown length of a suspension fork. The Revolt X Advanced Pro that we're talking about today is 115 millimeter head tube, so that head tube is significantly shorter in order to accommodate that longer lever arm of a suspension fork. And just like you indicated, um, in order to make sure that the bike would be safe, strong enough to handle that longer lever, lever arm, the engineering of the frame is a bit different In order to handle that, that suspension fork. [00:22:54] Craig Dalton: Now, I know you've got a ton of experience personally and passionately about mountain bikes in the mountain bike world. When it came to putting a dropper post on that bike, what were you thinking and how do you feel that, you know, the dropper post adds value in that particular bike? [00:23:09] Andrew Juskatis: For me it was easy because I am a mountain biker and it, within the company I was early adopter of, of a drop seat post and. I can't imagine riding a bike today without a drop seat post. It just has become part of the ride experience. And maybe I'm even more radical in thinking that pretty much every bicycle should have a drop seat post on it. And, and I know I'm joking about the roadside of things, but maybe I'm not joking about the roadside of things when it came to this product, especially considering its intent of being rid ridden over more rough terrain, vari. Yeah. I mean, that was a no-brainer. And so there is a, a dropper seat post on all of the models of the Revolt X. [00:23:52] Craig Dalton: Okay. Yeah. Well, you'll get no objection from me here. As everybody well knows, big fan, I considered an upgrade to any bicycle I have underneath me, but I will get off my soapbox or maybe not even mount it today because I've been on it many times before on the pod. [00:24:07] Andrew Juskatis: Yeah. [00:24:10] Craig Dalton: We've talked a little bit about the, the fork and the, the dropper post, but let's talk about the frame and some of the other attributes. I know that there's some shared attributes. The revolt, advance, and the Xs. In terms of like that flip chip, let's drill into what that means and let's talk about the tire size and capability of the bike. [00:24:26] Andrew Juskatis: Yeah, for sure. So some of the similarities between the two, uh, ranges. So that's the, the Revolt Advanced Pro and this new Revolt X Advanced Pro is, and that's one of the features you just mentioned, is the flip chip dropout. Flip Chip dropout is simply a flippable chip that is located in the rear dropout of the frame. That dropout, whether it can be shifted from its low. Or to its high position, that's 10 millimeters of difference, what that 10 millimeters does for yourself and for your listeners, you do understand that that will elongate the wheel base, making it more stable ride. Um, I think more significantly than that even is that it allows for different tire size. So in its short position, when the flip chip is, is shifted forward, that allows for a 42 millimeter maximum tire size. If you really. [00:25:14] Craig Dalton: On the 700 Seari. [00:25:16] Andrew Juskatis: 700 C. Yeah. If you wanna flip to the, um, long position that allows for a 53 millimeter tire, um, in that long position, that's, [00:25:25] Craig Dalton: Yeah. [00:25:25] Andrew Juskatis: that's pretty meaty [00:25:27] Craig Dalton: What are the, what are the different lenses of the stays, if you recall? [00:25:31] Andrew Juskatis: off top of my head. I, I don't know, but it is a 10 millimeter difference from the short position to the long position for sure. All geometries are available on our website, so you can see. And that, that is size specific as well, that change. [00:25:44] Craig Dalton: Got it. And then on the, on the rigid fork, on the advance, is there a flip ship up front [00:25:49] Andrew Juskatis: No, no, we didn't see the need for a flip chip up front. Um, you can run, you know, a 53 millimeter tire. It doesn't matter. Um, there is no flip chip up front. That's, you know, we, we, we ask ourselves these questions when we're creating the product. That starts to get down the wormhole of how much is too much. You start adding, A lot of features to a product like this. Obviously that adds complication. That can add complexity and maintenance, and it can also add weight. So what is really gonna make a difference for the rider is something we always ask ourselves. [00:26:21] Craig Dalton: And when you design these bikes, are you designing strictly around a 700 sea wheel set, or are you also, you know, accommodating a six 50? [00:26:28] Andrew Juskatis: No, we, we think about 700 c I mean, the majority of of consumers who are gonna purchase this product are interested in purchasing this product. Certainly will ride a 700 C wheel. I know others, including yourself, might wanna run a different size wheel. Um, you're obviously free to do that as well, but are geometries listed. Don't get in, go down that, that rabbit hole of what if you use this size. [00:26:50] Craig Dalton: Yeah. It's interesting, you know, several years ago, I think just sort of the, the design constraints or the vision at that moment was. You needed to do six 50 B wheels in order to get that bigger tire size. And now that you and you, like many others, are able to run 700 by 50 tires without changing geometry. To me, who was a big proponent of six 50 b a number of years ago, I'm, I'm sort of more open to the idea that, you know, at 700 c you. you could need. If you can go up to 700 by, you know, in your case 53, like I don't see a need for, for much more than someone on the bike packing margins to ever want. More than that. And then to your point, like the bike, both aesthetically and performance-wise, you go down to a 700 by 40, which maybe is a sort of standardish race size. You can take that tighter, uh, rear end with that flip chip. And you've gotta have the supercharged race bike underneath. [00:27:50] Andrew Juskatis: Yeah, for sure. Yeah, so it does have that, that variability in it, and we're just seeing, I don't, we are seeing less six 50 B out there in the market because again, um, we've been able to compensate very well for 700 C so we're, we're pretty satisfied with that decision. [00:28:06] Craig Dalton: Yeah. Yeah, that makes sense. Any other attributes of the bike that you would typically point out? [00:28:12] Andrew Juskatis: Well, the, the neat thing about it is, you know, if you're a reader or if your, uh, listeners are familiar with the Revolt Advanced Pro, one of the, the core features on that is what we call our, our diffuse handlebar and diffuse seat post. Um, in general, you know, kind of taking a big step back with Giant, one thing we've always been really proud of is not promoting, not creating gim. Um, integrated suspension systems, you know, really, really complex things, unique to frames like that. We try and avoid doing that kind of stuff because we see a lot of our competitors making those decisions to add whatever their own integrated suspension system and, That's not our angle. That's not what we're pro we're proud of. So when we introduce the technology, we want it to be effective, but we want it to be simple as well. Diffuse is our kind of flexible handlebar and flexible seat post. It's a D shaped seat post. It's a D shaped handlebar. It offers a little bit of compliance. It's a little bit of compliance. No weight penalty, simplicity, you know, it's not gonna break. It doesn't require maintenance, and it's something that riders can feel. Now obviously the Revolt X that we're talking about today, um, doesn't have that diffuse seat post. It has a, a dropper seat post, which does have a little bit of suspension in it, about 20 mils of suspension. Um, But the point I'm trying to make here is that there are options for seatpost. If you don't wanna run a dropper, you can run a traditional round, uh, seatpost if you want, or you can run our defuse seatpost, which offers, I'll call it a 10 millimeters of four AF travel on it as well. So options for the, uh, for the rider, for the owner. [00:29:54] Craig Dalton: And for clarity, so that the diffuse C Post it, it's the, the frame accommodates a round C post, but the diffuse has a D shape somewhere in the. In the post. [00:30:06] Andrew Juskatis: No. Well, so the entire seatpost itself is D shaped. It's using a series of shims you can put in, um, that D shaped into our round seat tube, or you can use a different shim to put in a, you know, a round seat post. [00:30:19] Craig Dalton: Okay, [00:30:20] Andrew Juskatis: So options, the bottom line is options. [00:30:23] Craig Dalton: one of the hallmarks I always think visually of the giant design has been that sort of dropped seat stay. And I know it's not just an aesthetic decision. What's the kind of design philosophy behind that? [00:30:37] Andrew Juskatis: Rudimentary suspension. If you think about it, it kind of creates a pivot point for the seat tube. If you think about it, your listeners can visualize this. The actual flexing of the seat tube is kind of pivoted off that drop. Um, That drops stay. If you put the stay up in a old school traditional format, it would kind of negate that. So, long story short, it offers a tiny bit of overall seat tube suspension as the seat post, as your seat, as your weight. Kind of pivots off that pivot point. [00:31:09] Craig Dalton: that makes sense. And am, am I correct, does that technology also translator or maybe it originated on the road side of Giant's business? Are the road bikes kind of leaning into that compliance as [00:31:20] Andrew Juskatis: Started way back when everything we just talked about started from the Cyclecross side of things. Um, started with our Tcx Tcx featured a lot of what we're talking about today. That was our test bed for Diffuse. Um, that was our test bed for kind of the, the, the drop stays because it, and, and you know, we all know how the sport of cycle cross has gone. It, it's, it's kind of been superseded by, uh, by gravel. But everything we just talked about today was tried on our cyclecross bike first We proved it and it moved on to revolt. And then a little bit, we'll move on to, you know, endurance road bikes as well, and then to some degree onto high performance road racing as well. [00:32:06] Craig Dalton: Yeah, interesting. I just had this other giant model name pop into my head and I, I think it might have been officially my first proper road bike I bought as an adult was a giant kdx. [00:32:17] Andrew Juskatis: Yeah, that's a really, uh, that's, that's a poignant topic you're bringing up. So KX was our first line of carbon fiber bicycles, you know, way back when, first one of the first mass produced, um, not the first, but one of the first mass produced carbon fiber bikes that consumers could buy, both road and mountain. That was innovative at the time, really complex to make, reasonably successful for us, but that went away. Um, today, the KX net name lives on in our extremely high performance range of componentry that is separate from giant. Um, those components can be found on many other brands as well, but that KX name lives on, um, moving into the. [00:33:03] Craig Dalton: I reme, I recall it being reintroduced, uh, as a brand for those components. And I, sorry, I can't help but jump on the way back train when I'm talking to you. [00:33:14] Andrew Juskatis: it, it's totally, it's totally appropriate. I, I, I love jumping on the way back machine and, and looking back because you know, the, the topic of. The conversation of the comments that certainly come up with Revolt X are, my gosh, you know, it looks like an old school mountain bike. And, and I, I'll be honest with you, Craig, I just hopped in the garage. I have a revolted Revolt X advanced Pro zero sitting in my garage. It's size extra large, and I just wanted to weigh it. Just, you know, this is actual production. This is the same bike you can buy again, size, extra large. I'm a pretty tall rider, but it was 20 pounds, 15 ounces, uh, without pedals. So, you know. That, that, that's fairly heavy. And you know, I think you could get a hard tail mountain bike somewhere down within that realm of range. But these are two totally different products that are geared towards two different riding experiences. So you can draw your similarities, but it's different. [00:34:08] Craig Dalton: yeah. You know, I get, I get drawn into those debates as well, and I, I, you know, living in the Bay Area and formally living in San Francisco itself, I had a hard tail mountain bike. And I can tell you that while I touch the same terrain that I, I did back in my hard tail mountain biking days, I definitely ride it differently and create different loops because of the drop bars and the gravel bike. It gets definitely like it. It exists and it's hard to describe potentially. It definitely exists in a different space in my mind and in my garage in terms of like where I'm gonna go when I get on a gravel bike versus a mountain. [00:34:43] Andrew Juskatis: Yeah, for sure. I mean, uh, we're speaking of generalities here, but I'm sure as heck not going to ride my mountain bike 15, 20 miles on the road to get to some. Mixed conditions. You know, I'm not, I'm not gonna do that on my mountain bike. You can, but I, it's just not traditionally done. I would gladly do it on Revolt X, right? You pump up the tires and, and go for a 15, 20 mile, 30 mile road ride to get to those interesting BC roads or light, single track, different experience altogether. [00:35:14] Craig Dalton: Yeah, that's so true. Like you would consider that a failure of a mountain bike ride. If you had to ride for an hour, rode 30 minutes of dirt, and then rode an hour home on the road, that would not be a mountain bike ride. Whereas it's a perfectly fine gravel ride. [00:35:27] Andrew Juskatis: it's exactly what we intended when we created Revolt X. [00:35:31] Craig Dalton: Yeah. Yeah. Amazing. I will, uh, Andrew, I'll put uh, links in the show notes so everybody can find images of these bikes and find where to buy them from their local, giant dealer. And I very much appreciated you coming on the show and talking a little bit about your history and the history of Giant, because it's such a, A storied brand that many of us have been familiar with for obviously, you know, our entire cycling careers, that it's great to see it come full circle and for you guys to have such a, what I think is sort of a spot on spec for a modern gravel bike. [00:36:03] Andrew Juskatis: Well, great. Thanks for having me, Craig. I mean, I, I think it's a really interesting story, not only with this particular product, but kind of where it came from, what we were thinking and, and how Giant was able to make it unique in the marketplace. [00:36:14] Craig Dalton: Yeah, and I think it's also like, you know, the economics of the bike industry are important to consider and the, the sort of, uh, engineering and manufacturing might that a giant can put forth just kind of provides a lot of confidence, I think, for owners that, you know, the bike has been well engineered, well tested, and didn't come out before it was ready. [00:36:33] Andrew Juskatis: Yeah. Yeah. Thanks for noticing that and that that really was, you know, a massive argument within the company. If we're gonna do it, let's do it right, and let's commit to a frame that is suspension adjusted. So thanks for noticing that. [00:36:46] Craig Dalton: Yeah, of course. It was a pleasure talking to Andrew. [00:36:48] Andrew Juskatis: Yeah, thanks Craig. [00:36:51] Craig Dalton: That's going to do it for this week's edition of the gravel ride podcast. Big, thanks to Andrew for joining the show and talking a little bit about Giant's history and a lot about that. Interesting revolt acts, gravel bike. That is now available. In the United States. I look forward to seeing more front suspension, running gravel riders out there in the world to join me. I certainly enjoy it in my local terrain. If you're interested in connecting with me, please visit www.theridership.com. The ridership is a free global cycling community, where you can connect with athletes around the world to talk all things, gravel and gravel riding. There are two ways in which you can support the show. If you're able to ratings and reviews or sharing this podcast with another gravel rider are hugely appreciated. Ratings and reviews are aware. Podcasters get noticed. So reviews of the five-star variety, if that's your opinion are hugely helpful to what we do at the gravel ride podcast. Additionally, if you're able to financially support the show, you can visit buy me a coffee.com/the gravel ride and contribute to our ongoing efforts to bring you coverage of the world of gravel cycling. Until next time. Here's to finding some dirt onto your wheels.  

Background: As health education evolves, a pipeline of individuals who possess the competencies necessary to develop new curricular content and deliver it via novel pedagogies is needed. Clinician educators (CEs)* are increasingly an important part of the medical education workforce.  The purpose of the review is to identify knowledge gaps, scope a body of literature, clarify concepts  Voting on Methods at 19:14, and Educational Impact 20:37 Authors:  Friedman et. al.,  Publication details: Clinician-Educator Tracks for Trainees in Graduate Medical Education: A Scoping Review Acad Med. 2019 Jun 4  View the abstract here Follow our co-hosts on Twitter! Jason R. Frank: @drjfrank  Jonathan Sherbino: @sherbino  Linda Snell: @LindaSMedEd   Lara Varpio: @LaraVarpio Lara Varpio's Disclaimer: The views expressed in this manuscript are solely those of the authors and do not necessarily reflect those of the Uniformed Services University of the Unites States Department of Defense.  Want to learn more about KeyLIME? Click here!

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My next guest is a musician based out of Houston, TX who's gearing up to release his muchanticipated single, “Amigo” on Friday April 28th. His Texas Country twang and soulful stage presence have helped him to amass a following of over 13,000 on his TikTok channel. He's energetic, up-and-coming, and always ready to put on a show. Please welcome my next guest, Charlie McCabe. If you want to keep up with Charlie, you can follow him on TikTok @charliemccabe_ or on Instagram @charliemccabe_1. You can find his music on all major streaming platforms such as Apple Music and Spotify or go directly to the source on his website charliemccabemusic.com.

This week on Checkpoint Chat, Los Angeles is entirely underwater as Aloy continues her bid to save the world in Horizon Forbidden West: The Burning Shores, Samus Aran is puzzling around pirates in Metroid Prime Remaster, and the blocks required a little more thought this time in this RTS spin-off Minecraft Legends. Follow Checkpoint Chat on... Twitter: https://twitter.com/CheckpointChat​​ Facebook: https://www.facebook.com/CheckpointChat Instagram: https://www.instagram.com/checkpointchat -- SHOW NOTES -- 00:00:00​ - Producing is hard 00:09:16 - The Metroid Prime Remaster is real good 00:20:15 - We forgot how to play Horizon Forbidden West (but Burning Shores looks fantastic) 00:29:48 - Minecraft Legends is a strange (yet fun) RTS 00:42:35 - Games out this week 00:51:35 - The latest gaming news 01:16:33 - Listener questions! #gamingpodcast #gaming #gamingreview #gamingnews #gamingpodcast

Horror punk, AI vibes and then we go deep into the caves of MxPx recording sessions, and don't miss my impression of Glenn Danzig singing Misfits songs. How sweet it is! Call the show - 1-360-830-6660 ----------- SEE MXPX LIVE 7/1 - Trois Rivières, QC @ Festivoix 9/22 - Birmingham, AL @ Furnace Fest 10/21 - Las Vegas, NV @ When We Were Young 10/22 - Las Vegas, NY @ When We Were Young MxPx All Night IPA will be available for a limited time on tap and in 16oz cans, in WA, OR and ID, in bars, restaurants and retailers where they sell Silver City.  Supplies are limited!  silvercity.beer/mxpx  Leave a message with your question or topic on the Mike Herrera Podcast voicemail. (some will be aired on future episodes of the podcast) 1-360-830-6660 (US number) 3 min limit per message. MxPx Unstoppable out now!! CLICK for Unstoppable LINKS TEXT LIST - Join our Text list by texting MXPX to 31996 MUSIC -LISTENER CHALLENGE- Listen to MXPX Self Titled Deluxe Album at least once a day. Use hashtag #mxpx or #mxpxsuperchallenge The MXPX Super Challenge Playlist MXPX - Self Titled Deluxe Edition  I now have an Artist Series Music Man Stingray from Ernie Ball! You can order straight from the shop on the Music Man website.  A portion of proceeds goes to MusicCares! MIKE HERRERA SIGNATURE SERIES BASS If you like the podcast- Subscribe, rate and review on Apple. Support what I do at MXPX.com  Producing and editing by Bob McKnight. @bobandkatieshow

Join us in this episode as we chat with Laura Hunter Drago, an award-winning film producer, screenwriter, and actress.  In this episode, Laura shares her inspiring journey from acting to producing and screenwriting. She talks about how her acting experience has helped her in producing and screenwriting, and she shares valuable tips on how to direct actors for the best performance. Laura also shares her creative process of writing for films and narrative podcasts. She talks about how her marketing and design jobs are influenced by her screenwriting, acting, and producing career. She emphasizes the importance of scheduling your creativity and shares practical tips on how to make the most of your time. If you're a budding filmmaker, screenwriter, or just a fan of the film industry, this episode is definitely for you. Tune in and get ready to be inspired by Laura Hunter Drago's journey! Learn more at TheCreativeHaven.com  

This is a re-upload of my conversation with the late great Mark Stewart Rest In Power!         For those who don't know  Mark Stewart is an artist, vocalist, producer and songwriter from Bristol. As a founding member of The Pop Group and as a soloist, Stewart has remained an anarchic and pioneering figure since the punk era, a constant source of discordance amongst the frontiers of post-punk, dub, industrial and electronic music. In a body of work driven by an explosive form of lyricism and inspired by radical politics, protest movements, theory, philosophy, technology, art and poetry, Stewart has fearlessly cultivated a revelatory collision of ideas, ideals and influences throughout an indisputably ground-breaking and seditious career. Empowered by the DIY incentives of punk Stewart initiated The Pop Group in 1977, subsequently producing some of the most original and combative music of both the post-punk and contemporary era. From 1977 until 1980 Stewart led the charge in a group that completely eschewed punk's formalism for something far greater. Producing epiphanic, irrepressible anthems, including She's Beyond Good & Evil and We Are All Prostitutes, both in 1979, as well as masterful, seminal albums including Y in 1979 and For How Much Longer Do We Tolerate Mass Murder? in 1980, The Pop Group ignited the revolutionary aesthetic potential of post-punk. The impact of this first incarnation left an immensely significant legacy ultimately leading to the group's reformation in 2010. With 2015's refined return Citizen Zombie and 2016's audacious left-turn Honeymoon On Mars, the group emphatically renewed their relevance, proving as incendiary as ever. Stewart continues to operate as a crucial impetus in the bands ongoing mission. In 1980 Stewart embarked on his solo career inspired by the sounds he had heard during a visit to New York the same year. The virtuosic scratching and early hip hop propagated by Kiss FM's Kool DJ Red Alert, coupled with the impact of a pile driver at a construction site Stewart happened to encounter there, was enough to encourage his visionary next step. In 1982 Stewart consolidated these encounters into coherent possibilities, forming a group called The Maffia and linking up with producer Adrian Sherwood and his cutting edge label On-U Sound. Alongside a rotating cast of session players, initially comprised of members of African Head Charge, Creation Rebel & Dub Syndicate, and later made up of Doug Wimbish, Keith LeBlanc and Skip McDonald (the erstwhile rhythm section of The Sugarhill Gang) Stewart & The Maffia fashioned an abrasive confection of dub reggae, early hip hop and industrial noise that was shattering, seismic and completely ahead of its time. Headed by an iconic version of William Blake's eponymous ancient poem, Stewart & The Maffia unveiled the Jerusalem EP in 1982, swiftly followed by their cult 1983 LP Learning To Cope With Cowardice. Stewart later moved to Mute Records in 1985 for the ferocious proto-industrial militancy of As The Veneer of Democracy Starts to Fade and successive appearances on the label continued to break untold new ground, from 1987's Mark Stewart to 1990's Metatron and 1995's Control Data. Stewart has continued to plot an utterly uncompromising and individual course into the 2000s, with a streak of solo material that has included Edit, The Politics of Envy, The Exorcism of Envy and Experiments. Preserving his vociferous energy and defiant stance whilst advancing, as always, into unfamiliar territories, this work bears all the traces of Stewart's enduring severity and modernism, an exploratory power reinforced by a host of legendary collaborators and artistic descendants including the likes of Primal Scream, Keith Levene (Public Image Ltd / The Clash), Richard Hell, Kenneth Anger, Daddy G (Massive Attack), Lee ‘Scratch' Perry, The Bug, Kahn (Kahn & Neek, Young Echo) and Factory Floor. Stewart continues to exert an inestimable impact on a disparate range of ensuing artists and scenes. His work has been acknowledged and celebrated as a vital inspiration by the likes of Nick Cave, Trent Reznor (Nine Inch Nails), James Murphy (LCD Soundsystem), Tricky, Massive Attack, St Vincent and countless others, while his eye for unorthodox extremity has instigated myriad new evolutions, blueprinting industrial, trip-hop, noise-hop, dance-punk and many other subsequent conceptions. Through a staunch, unrelenting desire to confront, deconstruct and make anew, Stewart has become of the most influential and forward-looking luminaries of post-punk, or indeed, any other form of music. An artist often imitated but never bettered. Mark's Info https://www.markstewartmusic.com/ https://www.facebook.com/markstewartm...