Podcast appearances and mentions of Noah Baumbach

Josh Hamilton has worked as an actor since he was a teenager in NYC. On stage, he's been in the original productions of Kenneth Lonergan's This is Our Youth, The Waverly Gallery and The Medieval Play, on Broadway in Proof, The Real Thing, The Coast of Utopia and Dead Accounts. Off-Broadway includes Annie Baker's The Antipodes, Jonathan Marc Sherman's Things We Want, HurlyBurly(Drama Desk nom), Scene Partners, Lie of the Mind, The Cider House Rules, Reasons to be Happy, Cherry Orchard and Three Sisters(CSC), The Bridge Project(BAM/Old Vic) and Wallace Shawn's Evening at the Talkhouse(National Theater). His film work has included Reality, 8th Grade(Indie Spirit nom), Maestro, Manchester by the Sea, Blaze, Landscape with Invisible Hand, Away We Go, Outsourced, Kicking and Screaming, The House of Yes, Alive. And on TV in The Walking Dead, 13 Reasons Why, The Last Thing He Told Me, Mrs. Fletcher, At Home with Amy Sedaris, Louie, Accused, and Ray Donovan. He can be seen in the upcoming The Long Walk, Noah Baumbach's Jay Kelly, Concessions, Mayday(Apple), Something Very Bad is Going to Happen(Netflix), The Last Thing He Told Me season 2(Apple) and The Five Star Weekend(Peacock). And on stage in Wallace Shawn's new play “What We Did Before Our Moth Days” directed by Andre Gregory at the Greenwich House Theater in early 2026. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Skip Intro comes to New York this week to talk to Louis Partridge of Enola Holmes fame. Partridge takes on the role of Edward Guinness in the new series House of Guinness. He also stars as Wickham in Netflix's upcoming Pride & Prejudice adaptation, as well as the younger Billy Crudup character in Noah Baumbach's Jay Kelly. The 22-year-old actor shares what it was like to meet his first casting director, playing rugby and being mischievous in school, and his girlfriend's funny American accent. Video episodes available on Still Watching Netflix YouTube Channel. Listen to more from Netflix Podcasts.

Noah Baumbach, George Clooney, Laura Dern, Billy Crudup, and Riley Keogh join Film Comment Editor and NYFF Talks programmer Devika Girish to discuss Jay Kelly. Noah Baumbach's stellar character study gives George Clooney his best film role in years, as—fittingly—the last great movie star, who may be harboring more regrets than he cares to admit. The 63rd New York Film Festival is presented in partnership with Rolex.

Estas son las noticias del cine, series y cultura pop que no te puedes perder.

Felkapott a Netflixen: Rákaptak a magyar nézők az új és meghitt romantikus filmre, már a TOP 3-ban! Anna Wintour meglátogatta Meryl Streepet Az ördög Pradát visel 2 forgatásán Szeptember 30-án történt George Clooney-t rég láttuk akkora válságban, mint Noah Baumbach új filmjében Eldőlt, Árpa Attila marad-e Az Árulókban Atom Egoyan: Szembesülnöm kellett a történelem-tagadás jelenségével Őze Áron és Auksz Éva főszereplésével a Csík Zenekar első klipje J. K. Rowling Emma Watsonról: Olyan kevés tapasztalata van a való világról, hogy nem is tudja, mennyire tudatlan Jakupcsek Gabriellát sosem akarta elvenni Máté Gábor Hogyan küzdött Kembe Sorel a “paraszt lengőkkel"? – így élte meg a meccset Csúcsragadozók lepték el a régi szovjet laktanyákat – Önerőből készült Deák Péter zombifilmje, és máris betört a nemzetközi piacra A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Felkapott a Netflixen: Rákaptak a magyar nézők az új és meghitt romantikus filmre, már a TOP 3-ban! Anna Wintour meglátogatta Meryl Streepet Az ördög Pradát visel 2 forgatásán Szeptember 30-án történt George Clooney-t rég láttuk akkora válságban, mint Noah Baumbach új filmjében Eldőlt, Árpa Attila marad-e Az Árulókban Atom Egoyan: Szembesülnöm kellett a történelem-tagadás jelenségével Őze Áron és Auksz Éva főszereplésével a Csík Zenekar első klipje J. K. Rowling Emma Watsonról: Olyan kevés tapasztalata van a való világról, hogy nem is tudja, mennyire tudatlan Jakupcsek Gabriellát sosem akarta elvenni Máté Gábor Hogyan küzdött Kembe Sorel a “paraszt lengőkkel"? – így élte meg a meccset Csúcsragadozók lepték el a régi szovjet laktanyákat – Önerőből készült Deák Péter zombifilmje, és máris betört a nemzetközi piacra A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

When Alice Wu directs a film, she really means it. Both SAVING FACE and THE HALF OF IT, released decades apart, made a big splash on the independent cinema scene. Now SAVING FACE has been added to the Criterion Collection. Alice tells Jordan about creating a patchwork of identity across various movie characters -- specifically the romantic searcher Frances from FRANCES HA and the too-smart-for-her-own-good Jane from BROADCAST NEWS.Then, Jordan has one quick thing about the legacy of Robert Redford. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

We went to Telluride! The 52nd annual Telluride Film Festival was an incredible experience. The festival had everything from Shakespeare to Springsteen. Christian and Scott are joined by new friend of the show Hunter Williams to discuss everything they saw, including new films from Chloe Zhao, Edward Berger, Guillermo del Toro, Yorgos Lanthimos, Kelly Reichardt, Richard Linklater, Noah Baumbach, and more.   Which Telluride movie are you most excited to see? Let us know at cinemaontappodcast@gmail.com

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Vuelve un clásico, vuelve la ilusión, vuelve la carrera al Oscar. No te pierdas el estreno de la decimocuarta temporada de La Sexta Nominada, una introducción a las películas que protagonizarán la próxima carrera por el Oscar en su 98 edición. Dani Mantilla y Juan Sanguino hablan en la primera parte de este espacial de las películas de Yorgos Lanthimos, Joachim Trier, Luca Guadagnino, Paul Thomas Anderson, Noah Baumbach, Hikari, Chloé Zhao, Guillermo del Toro, Kathryn Bigelow, Ryan Coogler, Jon M. Chu, Josh Safdie, Richard Linklater, Scott Cooper, Kleber Mendonça Filho y Jafar Panahi. Escucha este episodio completo y accede a todo el contenido exclusivo de La Sexta Nominada . Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/46194

Forrest, Conan Neutron, Kristina Oakes and Marta McFly ( @mcflysmoviehouse / @RewindandRevivebyMartaMcfly ) talk about Noah Baumbach and Greta Gerwig's Frances Ha. Marta McFly's Rewind and Revive can be found here https://www.rewindandrevive.com/Not the first film Greta Gerwig co-wrote or the first film she technically did with Noah Baumbach, but Greta Gerwig and Noah Baumbach's creative partnership began here. Starring Greta Gerwig as Frances Halladay, a 27 year old trying to survive in New York City, in the time between graduating college and "real adulthood." Frances lives with her best friend Sophie, until Sophie's career and relationship cause her to move out and become more distant.. knocking out the lynchpin of Frances's life. Also starring Adam Driver, Mickey Sumner, Michael Zegen, and Charlotte d'Amboise #francesha #gretagerwig #noahbaumbach #adamdriver #france #paris #vassar #nyc #indiefilm #filmpodcast #moviepodcast #barbiemovie #ladybird #2012 #27 #romantic #dancer #dance We are also streaming on @thisspacetv throw them a followJoin our discord: https://discord.gg/ZHU8W55pnh

This week, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our sixth episode from the city of canals, Film Comment Editor Devika Girish invited critics Guy Lodge and and Öykü Sofuoğlu to discuss some recent festival premieres, including Pietro Marcello's Duse (2:45), Ross McElwee's Remake (12:39), Kaouther Ben Hania's The Voice of Hind Rajab (21:42), and Kathryn Bigelow's A House of Dynamite (41:32). Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

This week, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our fifth episode from the city of canals, Film Comment Editor Devika Girish invited critics Savina Petkova and Jordan Mintzer to discuss Benny Safdie's The Smashing Machine (3:00), Lucrecia Martel's Nuestra Tierra (Landmarks) (18:26), and Olivier Assayas's The Wizard of Kremlin (31:49). Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

Michela Gorini ci racconta la prima settimana del Festival di Venezia con alcuni importanti film che è riuscita a vedere:"Ghost Elephants" di Werner Herzog"La grazia" di Paolo Sorrentino "Bugonia" di Yorgos Lanthimos"The Last Vikings" di Anders Thomas Jensen con Mads Mikkelsen"After the Sun" di Luca Guadagnino"Jay Kelly" di Noah Baumbach "Il Maestro" di Andrea Di Stefano con Pierfrancesco Favino"Portobello" mini serie TV di Marco Bellocchio"Queen Kelly" di Erich von Stroheim (1929) - Resturo

This week Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our fourth episode from the city of canals, Film Comment Editor Devika Girish invited critics Bilge Ebiri and Jonathan Romney to talk about some recent premieres, including Jim Jarmusch's Father Mother Brother Sister, Kent Jones's Late Fame, Mark Jenkin's Rose of Nevada, and Gianfranco Rosi's Below the Clouds. Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

Aus dem Concours vun der Mostra stellt de Marc Trappendreher "Jay Kelly" vum Noah Baumbach, "Frankenstein" vum Guillermo Del an "No Other Choice" vum Park Chan-wook vir. Ee roude Fuedem, dee sech duerch ënner anerem déi dräi Filmer zitt, ass d'Theema Identitéit. Beim Noah Baumbach sengem "Jay Kelly" féiert dat ënner anerem zur spéider Erkenntnis, datt den George Clooney ëmmer schonn den George Clooney war, esou eise Kritiker.

This week and next, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our second episode from the city of canals, Film Comment Editor Devika Girish invited critics Joseph Fahim and Öykü Sofuoğlu to talk about some recent premieres, including Guillermo Del Toro's Frankenstein, Jihan K's My Father and Qaddafi, and Shahad Ameen's Hijra; the group also discussed the rise of the Saudi film industry and its role in contemporary Arab cinema. Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

This week and next, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our second episode from the city of canals, Film Comment Editor Devika Girish invited critics Tim Grierson and Katie McCabe to talk about recent festival premieres, including Guadagnino's After the Hunt, Park Chan-wook's No Other Choice, László Nemes's Orphan, and Poitras and  Mark Obenhaus's Cover-Up. Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

On part à Venise, en Italie, où se tient jusqu'à samedi 6 septembre la 82ème Mostra. Le plus ancien festival de cinéma au monde fait la part belle aux productions américaines, notamment en compétition. On se souvient qu'en 2016, La La Land ouvrait le festival vénitien, Emma Stone remportait le prix d'interprétation féminine quelques mois avant la razzia aux Oscars. Les majors et les plateformes de streaming profitent du rendez-vous vénitien pour faire la promotion de leurs productions. De notre envoyée spéciale à Venise,  Moins exposée que le festival de Cannes, idéalement programmée pour lancer la campagne des Oscars, la Mostra est devenue ces dernières années l'écrin rêvé pour les productions hollywoodiennes de prestige. Et notamment les films de plateformes qui peuvent ici concourir en compétition. Parmi les blockbusters d'auteurs en lice pour le Lion d'or : Frankenstein. Netflix a accordé un budget faramineux, 120 millions de dollars à Guillermo del Toro, pour revisiter ce classique de Mary Shelley : la création contre-nature d'un être humain à partir de cadavres. « On vit dans une époque de terreur et d'intimidation. Et pour moi la réponse, c'est l'amour et l'art en fait partie. La question que pose le roman, c'est : qu'est-ce qu'un être humain ? Il n'y a pas de tâche plus urgente que de préserver notre humanité. Mon film montre des personnages imparfaits et le droit d'être imparfaits », explique Guillermo del Toro. Ces films hollywoodiens questionnent tous la perte ou la quête de sens. Dans Jay Kelly, le réalisateur Noah Baumbach met en scène George Clooney en mégastar se rendant compte, à 60 ans passés, qu'il est bien seul dans la vie. « Quand vous faites un film sur un acteur, vous faites en réalité un film sur l'identité et la représentation, finalement la quête de soi, raconte le réalisateur. C'est ce que nous éprouvons tous : nous ne sommes pas les mêmes avec notre famille, nos amis ou nos collègues. Nous sommes différents personnages selon les situations. » Plus radical, mêlant science-fiction et satire de l'époque, Bugonia de Yorgos Lanthimos montre une Amérique en perte de sens. Deux Américains complotistes kidnappent une cheffe d'entreprise, campée par Emma Stone, qu'ils prennent pour une extraterrestre. Pour le réalisateur, déjà primé à Venise il y a deux ans, le propos est plus réaliste que dystopique : « Mon film reflète le monde réel. Tout ce que l'on voit dans le monde, l'intelligence artificielle, les guerres, le dérèglement climatique, c'est ce qui se passe en ce moment. » La Mostra doit encore présenter plusieurs gros calibres américains en compétition, comme le nouveau film de Kathryn Bigelow avec notamment Idris Elba, ou The Smashing Machine avec Dwayne Johnson, alias The Rock, dans un rôle à transformation comme les adore l'Académie des Oscars. À lire aussiCinéma: une 82e Mostra de Venise très politique qui déroule aussi le tapis rouge au septième art américain

Rüdiger Suchsland berichtet von ersten Filme am Lido – starbesetzt von Noah Baumbach, themenschwer von László Nemes; außerdem Filme aus Osteuropa, sowie Antworten auf die ewige Frage, wie eighentlich das Filmfestival von Venedig funktioniert

On part à Venise, en Italie, où se tient jusqu'à samedi 6 septembre la 82ème Mostra. Le plus ancien festival de cinéma au monde fait la part belle aux productions américaines, notamment en compétition. On se souvient qu'en 2016, La La Land ouvrait le festival vénitien, Emma Stone remportait le prix d'interprétation féminine quelques mois avant la razzia aux Oscars. Les majors et les plateformes de streaming profitent du rendez-vous vénitien pour faire la promotion de leurs productions. De notre envoyée spéciale à Venise,  Moins exposée que le festival de Cannes, idéalement programmée pour lancer la campagne des Oscars, la Mostra est devenue ces dernières années l'écrin rêvé pour les productions hollywoodiennes de prestige. Et notamment les films de plateformes qui peuvent ici concourir en compétition. Parmi les blockbusters d'auteurs en lice pour le Lion d'or : Frankenstein. Netflix a accordé un budget faramineux, 120 millions de dollars à Guillermo del Toro, pour revisiter ce classique de Mary Shelley : la création contre-nature d'un être humain à partir de cadavres. « On vit dans une époque de terreur et d'intimidation. Et pour moi la réponse, c'est l'amour et l'art en fait partie. La question que pose le roman, c'est : qu'est-ce qu'un être humain ? Il n'y a pas de tâche plus urgente que de préserver notre humanité. Mon film montre des personnages imparfaits et le droit d'être imparfaits », explique Guillermo del Toro. Ces films hollywoodiens questionnent tous la perte ou la quête de sens. Dans Jay Kelly, le réalisateur Noah Baumbach met en scène George Clooney en mégastar se rendant compte, à 60 ans passés, qu'il est bien seul dans la vie. « Quand vous faites un film sur un acteur, vous faites en réalité un film sur l'identité et la représentation, finalement la quête de soi, raconte le réalisateur. C'est ce que nous éprouvons tous : nous ne sommes pas les mêmes avec notre famille, nos amis ou nos collègues. Nous sommes différents personnages selon les situations. » Plus radical, mêlant science-fiction et satire de l'époque, Bugonia de Yorgos Lanthimos montre une Amérique en perte de sens. Deux Américains complotistes kidnappent une cheffe d'entreprise, campée par Emma Stone, qu'ils prennent pour une extraterrestre. Pour le réalisateur, déjà primé à Venise il y a deux ans, le propos est plus réaliste que dystopique : « Mon film reflète le monde réel. Tout ce que l'on voit dans le monde, l'intelligence artificielle, les guerres, le dérèglement climatique, c'est ce qui se passe en ce moment. » La Mostra doit encore présenter plusieurs gros calibres américains en compétition, comme le nouveau film de Kathryn Bigelow avec notamment Idris Elba, ou The Smashing Machine avec Dwayne Johnson, alias The Rock, dans un rôle à transformation comme les adore l'Académie des Oscars. À lire aussiCinéma: une 82e Mostra de Venise très politique qui déroule aussi le tapis rouge au septième art américain

This week and next, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year, and this year's edition features new films by many major auteurs, including Noah Baumbach, Luca Guadagnino, Yorgos Lanthimos, Laura Poitras, and more. For our first episode from the city of canals, Film Comment Editor Devika Girish invited FC contributors and Venice veterans Jonathan Romney and Jordan Cronk to talk about what sets this festival apart from other major international film showcases. Next, the group turned to some of the most highly anticipated premieres of the first few days, including Paolo Sorrentino's La grazia (8:28), Noah Baumbach's Jay Kelly (16:21), Yorgos Lanthimos's Bugonia (26:50), Claire Simon's Writing Life: Annie Ernaux Through The Eyes Of High School Students (36:40), and Mike Figgis's Megadoc (47:03). Stay tuned for more Venice coverage, providing everything you need to know about the 2025 edition.

Ya tenemos aquí la segunda crónica desde venecia de nuestro enviado especial, el inefable crítico Carlos Rollero. Hoy nos habla de Jay Kelly, película de Noah Baumbach que protagonizan George Clooney, Adam Sandler, Laura Dern y Billy Crudup. También de Bugonia, la nueva de Yorgos Lánthimos con Emma Stone y Jesse Plemons.

Interview with Noah Baumbach, director of "Jay Kelly", and actors Laura Dern and Adam Sandler. They talk about the similarities between their lifes and the film The post “Jay Kelly”, interview with director Noah Baumbach and actors Laura Dern and Adam Sandler appeared first on Fred Film Radio.

Abbiamo visto il nuovo film di Noah Baumbach con protagonisti un George Clooney e un Adam Sandler in stato di grazia. Forse il film più da grande pubblico mai fatto dal regista americano, che però ci è sembrato meno puntuale del solito.

Interview with Noah Baumbach, director of "Jay Kelly", and actors Laura Dern and Adam Sandler. They talk about the similarities between their lifes and the film The post “Jay Kelly”, interview with director Noah Baumbach and actors Laura Dern and Adam Sandler appeared first on Fred Film Radio.

Interview with Noah Baumbach, director of "Jay Kelly", and actors Laura Dern and Adam Sandler. They talk about the similarities between their lifes and the film The post “Jay Kelly”, interview with director Noah Baumbach and actors Laura Dern and Adam Sandler appeared first on Fred Film Radio.

Interview with Noah Baumbach, director of "Jay Kelly", and actors Laura Dern and Adam Sandler. They talk about the similarities between their lifes and the film The post “Jay Kelly”, interview with director Noah Baumbach and actors Laura Dern and Adam Sandler appeared first on Fred Film Radio.

Interview with Noah Baumbach, director of "Jay Kelly", and actors Laura Dern and Adam Sandler. They talk about the similarities between their lifes and the film The post “Jay Kelly”, interview with director Noah Baumbach and actors Laura Dern and Adam Sandler appeared first on Fred Film Radio.

Interview with Noah Baumbach, director of "Jay Kelly", and actors Laura Dern and Adam Sandler. They talk about the similarities between their lifes and the film The post “Jay Kelly”, interview with director Noah Baumbach and actors Laura Dern and Adam Sandler appeared first on Fred Film Radio.

There have been a number of big summer movies like "F1: The Movie," "Superman" and "Jurrassic World: Rebirth." But these popcorn movies are not likely destined for big awards. Studios like to hold back the Oscar contenders for the fall, so in this week's episode we dive into which movies to watch for this fall and into the winter. You can also review a full list of notable films below. August releases “Honey Don’t!” – Ethan Coen continues his Margaret Qualley-a-thon with this comedy about a private investigator who looks into a series of deaths tied to a church. Aubrey Plaza, Chris Evans co-star. “Splitsville” – Divorce makes strange bedfellows, particularly when the ex discovers his best friends have an open marriage. Dakota Johnson, Kyle Marvin star. “Eden” – Looking for a better life, a group of people head to the Galapagos and realize what they’re up against. Jude Law and Ana de Armas star in this based-in-fact drama directed by Ron Howard. “Relay” – Payoffs between corporations brings a broker into the line of fire. Riz Ahmed, Lily James and Sam Worthington star. “Hollywood Grit” – A private investigator has to find out what happened to his daughter. Tyrese, Max Martini star. “Lurker” – How strange is the world of stardom? A worker finds out as he gets closer to a music star. Alex Russell wrote and directed this drama starring Theodore Pellerin and Archie Madekwe. “The Thursday Murder Club” – Friends in a retirement home solve mysteries. Pierce Brosnan, Helen Mirren, Ben Kingsley are in the home. “The Roses” – An updated look at “War of the Roses” lets Benedict Cumberbatch and Olivia Colman square off. Jay Roach directs. “Caught Stealing” – Austin Butler gets the Darren Aronofsky treatment as a baseball player caught in the underbelly of New York City. Bad Bunny is along for the ride. “The Toxic Avenger”—When a janitor is the victim of a toxic accident, a new crimefighter emerges. Peter Dinklage, Jacob Tremblay and Taylour Paige star. “Jaws” – The first summer blockbuster returns to the big screen after months on television. Now, you can see what audiences were scared of in 1975. “Love, Brooklyn” – Friends navigate the pitfalls of life in Brooklyn. September releases “Megadoc” – Mike Figgis looks at the making of Francis Ford Coppola’s “Megalopolis.” “The Conjuring: Last Rites” – Those creepy paranormal investigators say they’re taking on one last case (sure) to settle their own lives. Patric Wilson and Vera Farmiga return. “The Threesome” – A threesome leads to problems, particularly since life’s not always fantasies. Zoey Deutch and Jonah Hauer-King star. “Twinless” – Two men bond in a support group. Dylan O’Brien, Lauren Graham and Arkira Chantaratananond star. “Hamilton” – Celebrating its “ten-cennial,” the Broadway hit brings its performance capture version (which ran on Disney+) to the big screen. Updates about the performers make this more than a night out. “The Baltimorons” – Sobriety leads to a dental emergency which leads to a romance with the dentist. Jay Duplass directs; Michael Strassner co-writes and stars. “The Long Walk” —You thought the Hunger Games were bad, how about this: Teenage boys compete in a walking contest. If they don’t keep up, they’re shot. Based on a Stephen King story, it’s one of the year’s most harrowing. “Spinal Tap II: The End Continues” – Those Smell the Glove guys reunite after a 15-year hiatus for one last concert. Rob Reiner directs; the original actors return. “Downton Abbey: The Grand Finale” – The Crawleys face scandal, financial ruin and social disgrace. To get out of it, they look to a younger generation. Expect all but Maggie Smith to be back. “The History of Sound” – Paul Mescal and Josh O’Connor embark on a World War I project that brings them close to their country and each other. “Code 3” – One last shift for a paramedic who has to train his replacement. What could go wrong? Rainn Wilson, Lil Rel Howery star. “Him” – What a guy won’t do to be a football star. Here, one goes to a compound where anything can happen. Tyriq Withers, Marlon Wayans and Julia Fox star. “American Sweatshop – Yup, it’s the world of social media. An insider discovers just how dark the world is (like we didn’t know). “A Big Bold Beautiful Journey” – Colin Farrell and Margot Robbie bond in a unique journey (which, of course, says nothing but suggests there’s more to this than two big stars). “The Summer Book” – A girl and her grandmother become closer in Finland. Emily Matthews and Glenn Close star. (Could this be the one that finally wins Close an Oscar?) “Xeno” – Ready for another E.T.? This one finds a teenager relating to the alien. Josh Cooke, Lulu Wilson star. “Waltzing with Brando” – When Marlon Brando wants an ecologically perfect retreat in Tahiti, he calls on a Los Angeles architect. Tia Carrere, Richard Dreyfuss and Jon Heder star. “Eleanor the Great” – Scarlett Johansson directs June Squibb in this drama about a 94-year-old who has plenty of stories to tell. “One Battle After Another” – Leonardo DiCaprio stars in this dark comedy about a group of revolutionaries reuniting to save one of their group’s daughter. Paul Thomas Anderson directs; Benicio Del Toro (who starred in a Wes Anderson film earlier this year) and Sean Penn co-star. October releases “The Smashing Machine” – Dwayne Johnson tries his hand at mixed-martial arts as UFC champion Mark Kerr. The makeup may be a stretch, but Benny Safdie directs, Emily Blunt disappears in an unlikely role. “Tron: Ares” – Jared Leto gets to run the race. Jeff Bridges is here, too, but this is about a new program (Ares) that’s about to embark on a dangerous mission. “Roofman” – A robber evades authorities by hanging out in a toy store. Channing Tatum plays the thief, Peter Dinklage and Kirsten Dunst swirl around him. “Anemone” – Daniel Day-Lewis comes out of retirement for this film directed by his son, Ronan. The plot? Good question, but it will have that DD-L prestige. “Kiss of the Spider Woman” – Jennifer Lopez stars in the Tony winner fans have been asking for. The big question: Were they looking for Lopez to star in it? Bill Conden directs. “If I Had Legs, I’d Kick You” – Rose Byrne gets the Oscar buzz as a woman trying to juggle multiple traumas, including a sick child and an absent husband. “Soul on Fire” – This is the story of a St. Louis native who survived burns which covered his body. Joel Courtney plays John O’Leary. William H. Macy and John Corbett co-star. “Good Fortune” – An angel meddles in the lives of a venture capitalist and a gig worker. Seth Rogen, Azizi Ansari and Keke Palmer star in this comedy written and directed by Ansari. Black Phone 2 – More trouble ensues when the phone rings. Sequel to a better-than-average horror film. “After the Hunt” – Julia Roberts plays a college professor who wonders what could happen when a student levels an accusation against a colleague. Ayo Edebiri co-stars. The Mastermind – A family man leads a double life in the 1970s. Josh O’Connor and Alana Haim star. “Pets on a Train” – Animated animals get caught up in a train heist. Hedda” – “Hedda Gabler” gets the big-screen treatment with Tessa Thompson in the title role. Blue Moon – The life of Lorenz Hart is told by Richard Linklater with Ethan Hawke as Hart. Andrew Scott plays Richard Rodgers. “Springsteen: Deliver Me From Nowhere” -- Bruce Springsteen gets the Bob Dylan treatment with Jeremy Allen White in the title role. This, however, only covers the creation of the “Nebraska” album. “Regretting You” – Family issues emerge after the death of a husband and father. Based on Colleen Hoover’s best-seller, it stars Allison Williams and Mckenna Grace. “The Watchers” – M. Night Shayamalan’s daughter Ishana makes her directorial debut with this thriller about an artist who gets trapped in an Irish forest. “Anniversary” – A good cast (Diane Lane, Kyle Chandler, Zoey Deutch) in a thriller directed by Polish filmmaker Jan Komasa. “Bugonia” – Emma Stone continues her run with Yorgos Lanthimos. The film is a remake of a South Korean effort about two men kidnapping an executive, convinced she’s an alien bent on destroying Earth. “Nouvelle Vague” – Richard Linklater has another entry this year. This one’s a look at Jean-Luc Godard and actress Jean Seberg. Guillaume Marbeck and Zoey Deutch start. November releases When We Pray – Jamie Foxx directs the story of brothers who become pastors at divergent churches. Predator: Badlands – While “Alien: Earth” takes over TV screens, the “other” scary creature takes on a remote planet. The Running Man” – Glen Powell steps into Arnold Schwarzenegger’s shoes as a contestant in a game show which features killers all around the world. Nuremberg – Set during the Nuremberg trials, a psychiatrist interviews Nazi prisoners to determine if they are fit to stand trial. Rami Malek and Russell Crowe square off. Peter Hujar’s Day – What was New York’s art world like in 1974? Rebecca Hall and Ben Whishaw play two who know. Ira Sachs directs. “Now You See Me: Now You Don’t” – The Four Horsemen get help from newbies hoping to use illusions to get away with big cash. Jay Kelly – It’s an ensemble film but it stars George Clooney as a George Clooney-level star who reflects on life with his manager (played by Adam Sandler). Noah Baumbach directs. Indecipherable – A boy, home alone, gets shaken by the things that go bump in the night. Wicked: For Good – At long last, we find out what happened to Glinda and Elphaba. Expect at least one new song and bigger roles for the men in their lives. No place like home? That’s included, too. Cynthia Orivo and Ariana Grande could double up on the Oscar nominations. Rental Family – Oscar winner Brendan Fraser plays an American actor who plays roles in other people’s lives. STZ – Zombies result when a trio of scientists launch a bio-attack on a bus filled with women. (No kidding.) Zootopia 2 – Residents of Zootopia return for more adventure and product placement. Judy and Nick are on the trail of a new resident, a snake. About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

Facu Test nos cuenta sobre una bailarina de 27 años en Nueva York, amistades que cambian, sueños artísticos que parecen inalcanzables y una vida hecha de mudanzas y esperanzas. En blanco y negro, Greta Gerwig y Noah Baumbach retratan con humor y ternura la crisis de los veintipocos: esa mezcla de fragilidad, torpeza y belleza que nos atraviesa a todos. Frances Ha es una coreografía urbana, un retrato generacional y una invitación a bailar en medio del caos.

In today's bonus episode, Gastor and Shalewa talk about more states banning the purchase of soda with SNAP, a woman running a laptop farm for North Korea, and the use of Noah Baumbach's Marriage Story to scare off wolves. PATREON LAUNCH!For all those that have asked how they can help support the pod - it's finally here! Thanks again to all the Troops and Correspondents who rock with us. Check it out - we'll have some exclusive content and fun perks, plus it really does help! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/WarReportPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Many Thanks to our Patreon Troops & Correspondents for helping us bring this show to life. Shouts to the Correspondents!Tanya WeimanFontayne WoodsMark OrellanaCrystall SchmidtB. EmmerichCharlene BankAskewCharlatan the FraudCynthia PongKen MogulSayDatAgain SayDatAgainLaKai Dill Stephanie GayleUncleJoe HoneybeeFollow The Team:Instagram@SilkyJumbo@GastorAlmonteTwitter:@SilkyJumbo@GastorAlmonteTheme music "Guns Go Cold" provided by Kno of Knomercyproductions Twitter: @Kno Instagram: @KnoMercyProductions

This is Aug-Heist: The Getaway! This week, we're running away with Fantastic Mr. Fox, a 2009 animated film directed by Wes Anderson. The quote-unquote “Fantastic Mr. Fox” - voiced by George Clooney - and his colorful cast of animal accomplices - including the voices of Meryl Streep, Jason Schwartzman, and Bill Murray - must escape from one perilous predicament after another when faced with the wrath of three local farmers. Anderson and co-writer Noah Baumbach adapted the beloved children's book by Roald Dahl, expanded on its plot, and created a vibrant world in stop-motion. The result was a hit, with the flick feasting on its fill at the box office and awards shows. But will it get off scot free with our fantastic foursome of fearsome hosts? Or will this fox tale wind up decorating our mantle?   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Aug-Heist: The Getaway Theme features beats by Anabolic Beatz https://www.anabolicbeats.com | Remixed with lyrics and vocals by Jonolobster   Normal Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

Our season on the films of director Wes Anderson continues with his first collaboration with Noah Baumbach about the eccentric oceanographer Steve Zissou in THE LIFE AQUATIC WITH STEVE ZISSOU.  Please send any and all feedback to anotherlookpod@gmail.com.  Please follow us on Instagram @anotherlookpod, and rate/review/subscribe where ever you get your podcasts.

On episode 299 of the AwardsWatch Podcast, it's an all editors show as Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello look at the wealth of fall festival lineup announcements that came in this week from Venice and Toronto. In the pod, the trio start with Venice, which will be the kickoff of no less than three Netflix titles: Guillermo del Toro's Frankenstein, Noah Baumbach's Jay Kelly and the return of Kathryn Bigelow with A House of Dynamite. With a few other Netflix titles rolling around, we talk about the impact of these three titles starting off here and where else we'll see them this season. Yorgos Lanthimos' newest collab with Emma Stone, Bugonia, will also bow at Venice, leaving Focus Features' other top title Hamnet, rip for Telluride. Mona Fastvold, fresh off The Brutalist last year (with her partner Brady Corbet), has The Testament of Ann Lee with Amanda Seyfried, something has all of us buzzing. Then there's The Smashing Machine from Benny Safdie and starring Dwayne Johnson and Emily Blunt. We also dig into the Out of Competition titles, specifically Luca Guadagnino's After the Hunt, which has some internet folks thinking it means something more than it does. Onto TIFF, always the most helpful as specific designations are listed for each film, we talk about Rental Family starring Brendan Fraser, Sydney Sweeney in Christy and where the big Cannes winners from NEON and MUBI, like Sentimental Value, It Was Just an Accident, The Secret Agent, Sirāt and Sound of Falling landed. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 1h14m. We'll be back next week with an Oscar retrospective of the 63rd Academy Awards, covering the films of 1990. Till then, let's get into it.

ผู้กำกับและมือเขียนบท Noah Baumbach น่าจะเป็นหนึ่งในนักทำหนังที่มีภาษาน่าสนใจเป็นของตัวเอง หนังของเขาเข้าไปนั่งในใจของใครหลายคน ด้วยประเด็นที่มักจะวนอยู่รอบความสัมพันธ์ระหว่างคนในครอบครัว ซึ่งมักสร้างปมปัญหาให้ตัวละครอยู่เสมอ อีพีนี้ นายจัสเลยพาแขกรับเชิญหน้าคุ้นอีกแล้ว อย่างชมพู Salmon Podcast และ วอร์ม โฮสต์รายการ 20 ยังจอย จากทีม The MATTER มาพูดคุยกันถึงหนัง 5 เรื่องของ Noah Baumbach และตะกอนความรู้สึกที่ได้รับจากหนังแต่ละเรื่อง ว่ามันเข้าไปซึมอยู่ในกายใจของเราอย่างไร #SalmonPodcast #Cinefile #CinefilePodcast #พอดแคสต์หนัง #รีวิวหนัง #ทุกประเด็นภาพยนตร์กับคนรักหนัง —-- ติดต่อโฆษณาได้ที่ podcast.salmon@gmail.com Follow Cinefile on Instagram Salmon Podcast https://www.instagram.com/salmon_podcast/ จัส https://www.instagram.com/teeraphanny/ มาร่วมรีวิว บอกรักหนังที่ชอบไปด้วยกันกับชาว Cinefile ได้ที่กรุ๊ป Cinefile Archive https://www.facebook.com/groups/340582525457844 Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back everybody to another instillment of Woody Adjacent!   this time we are switching things up a little and taking a Reddit Recommendation - particularly from the Woody Allen Subreddit, an awesome community if we do say so ourselves :)   As such, we're diving into 2005's The Squid and the Whale – a semi-autobiographical indie from writer-director Noah Baumbach - this movie explores the painful unraveling of a marriage and the lasting emotional effects on the two teenage sons caught up in the fallout.   With some really great performances across the board, this episode clearly contains two previous Woody Alumni in a film that blends dark humour with brutal honesty that definitely echoes some Woody Allen DNA - Let's get into it!   _____________________________________________   Director Interview Mentioned / Played in Podcast:   https://www.youtube.com/watch?v=ubckvIqxBW0   _______________________________________________   For full cast details, user reviews, and more background on the film, check out:  

On the forty- fourth episode of All the Film Things, I had the pleasure of interviewing award- winning screenwriter/ novelist/ film director Steven Bernstein! Steven Bernstein has been working in the industry for nearly 40 years behind the camera, often as a cinematographer, under the direction of acclaimed filmmakers from Noah Baumbach to Patty Jenkins before directing his own feature films. He earned a Golden Lion at the Cannes Film Festival early in his career for working as a cinematographer on commercials in the UK. Steven has been the director of photography on nearly 50 films, some of which include critically acclaimed films Like Water for Chocolate (1993) and Monster (2003), and beloved comedies such as The Waterboy (1998) and White Chicks (2004). Alongside Emmanual Lubezki, Steven earned the Best Artistic Contribution Award at the Tokyo International Film Festival for his work on the 1993 film Like Water for Chocolate. Steven's directorial feature film debut, Decoding Annie Parker (2013), earned him The Alfred P. Sloan Feature Film Prize at the 2013 Hamptons International Film Festival and his sophomore directorial feature, Last Call (2017) was hailed as “Oscar- worthy” and earned lead actor Rhys Ifans the Best Actor award at the Tallinn Black Nights Film Festival. Steven also co-hosts, alongside Vince Grimes, the terrific and insightful weekly podcast “Filmmaker and Fan's” which you should all check out on the same platform you listen to ATFT on but here's the link to listen on Spotify: https://open.spotify.com/show/0cepNNzk8evxnNEAPUPXPX?si=33b9632bbe4a49e9 Steven's debut novel, a thriller titled GRQ: Get Rich Quick, was published on June 3 and has been continuously earning rave reviews so definitely buy yourself a copy now wherever books are sold, including Barnes & Noble through this link: https://www.barnesandnoble.com/w/grq-steven-bernstein/1147259290! This novella, which is set over the course of one day in a seemingly doomed Los Angeles that regularly faces natural disasters, follows Marlon who, unbeknownst to his wife, quickly tries to come up with the money needed to save the house from being repossessed leading him to make a dicey investment in cryptocurrency. GRQ, which is the first of a series in the works, ends with a surprising twist that provokes a lot of questions by considering what is important in life. GRQ: The Movie, which Steven directed based on his book, will be having a worldwide theatrical release later this year so I'll keep you all updated here on the ATFT Instagram on its release! This is Steven's first time on ATFT! We got connected on Instagram over a year ago through the comments under a post he made about the film 20th Century Women! This episode was recorded on May 29, 2025. In this episode, Steven talks about the films and filmmaker who made him fall in love with cinema, the film industry currently being in crises, and the technical, underlying ways to bring out a great performance as both a cinematographer and filmmaker. Steven also discusses the unique, visceral experience of cinema, working closely with Charlize Theron on the film that earned her an Oscar, what he hopes people take away from his films, and much more on the latest episode of All the Film Things!Background music created and used with permission by the Copyright Free Music - Background Music for Videos channel on YouTube.

ERK is back for a special chat with actor and singer, TOM FRANCIS. As Tom wraps production for his Tony nominated role in SUNSET BOULEVARD, the two chat about performing with NICOLE SCHERZINGER, a potential RENT revival, his first tv gig alongside PENN BADGLEY (YOU), his work in NOAH BAUMBACH's latest film (JAY KELLY), and more. Host: Evan Ross KatzEditor: Sophia AsmuthShow links: Evan Ross Katz on Instagram https://www.instagram.com/evanrosskatz/See acast.com/privacy for privacy and opt-out information. Hosted on Acast. See acast.com/privacy for more information.

Festival Fever comes to an end this week with a look at the last major film festival of the year, the New York Film Festival. In 2022, Noah Baumbach follow-up up his biggest Oscar success, Marriage Story, by tackling Don DeLillo's unadaptable novel White Noise. The satire stars Adam Driver as the leading professor in … Continue reading "343 – White Noise (Festival Fever!)"

Do you ever connect with an old friend and find that, despite however many years it's been, you pick up right where you left off, as if no time has passed at all? That's sort of what happened between today's guest, Dean Wareham and producer Kramer in the making of Dean's new album, That's the Price of Loving Me. You know Dean from his work with Luna and Dean and Britta, his duo with his wife Britta Phillips, but when Kramer and Dean last teamed up, it was for the recording of Dean's old band Galaxie 500's final album, 1990's This Is Our Music.  Intro-ing his own interview with Dean for Aquarium Drunkard, writer Tyler Wilcox says, “All these decades later, Kramer's skill for elegant arrangements (not to mention his keyboard skills) bring something special to the proceedings, giving Dean's musings on politics, friendship, mortality, Gibson guitars and airborne toxic events a sparkling backdrop.” This week on Transmissions, Dean joins us for a spirited discussion about the new album, movie matinees, guitars, his work with director Noah Baumbach, the influence of Lou Reed—and Dean's experiences meeting him—and what happens when you, what happens when you embrace the magic of the un-intended.  You can read a ⁠⁠full transcript⁠⁠ of this conversation at Aquarium Drunkard, where you'll find 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. With your support, here's to another decade. ⁠⁠Subscribe at Aquarium Drunkard. ⁠⁠ Stream a ⁠⁠playlist of bumper music featured on Transmissions⁠⁠, as well as selections from our guests. Transmissions is a part of the ⁠⁠Talkhouse Podcast Network⁠⁠. Visit the Talkhouse for more interviews, fascinating reads, and podcasts.

Welcome to Dev Game Club, where this week we continue our series on Fez. We talk about its platforming and how it fits to taste, game style, and rule escalation. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: More cubes! Issues covered: platforming feelings and taste, inspirations and how they play out here, additional move set, floaty physics, a mental game with mostly generous platforming, a game that takes place in your head rather than in your fingers, seeking high highs, sloppiness and guiding the player, no longer seeing the whole world but only the tells, the pleasure of figuring things out, checking out the achievements, how many people get everything, the craft of the game, wanting to feel capable, finding a solution that was not the intended solution, dominated by the puzzle side, those moments where you give a big "no way," extending a simple idea and iterating on it for a fleshed-out game, iterating ideas, a chain of implication, not making the leaps of logic too large, ladders that line up and teach you how to think about the world, not knowing whether you can do a thing yet, not wanting to diminish the revelations, puzzles games Brett hasn't finished and why, editorial from the publisher and Key Performance Indicators, finding a tribe for your indie game, side games, smaller and more cohesive teams, a choose-your-own-email, having an experience, leaving endings open. Games, people, and influences mentioned or discussed: Hollow Knight, Indie Game: The Movie, Phil Fish, Nintendo, Mario (series), Little Big Planet, Guacamelee, Super Mario Galaxy, Demons's Souls, Dark Souls, Kena: Bridge of Spirits, Tomb Raider (2013), The Matrix, Deep Thoughts/Jack Handey, MYST, Pierre de Fermat, Megaman, Resident Evil, The Witness, Braid, The Talos Principle, Obduction, Cyan Worlds, Super Meat Boy, Fallout, X-COM, mysterydip, Mass Effect, Wolfenstein: The New Order, Twin Peaks, Half-Life, While We're Young, Noah Baumbach, Kirk Hamilton, Aaron Evers, Mark Garcia.  Next time: More Fez! Note: Amusingly, though I did not call out the actresses, Naomi Watts and Amanda Seyfried appear in While We're Young, and both also appeared in Twin Peaks: The Return Twitch: timlongojr Discord DevGameClub@gmail.com

In this episode, Sam and Ian will look ahead to the exciting films projects slated for release in 2025. We've got new films from Bong Joon Ho, Steven Soderbergh, Danny Boyle, Paul Thomas Anderson, Benny Safdie and Josh Safdie, Noah Baumbach, Maggie Gyllenhaal, Yorgos Lanthimos, James Cameron, and Guillermo del Toro on the horizon.

Hola Gerardo aquí en otro episodio de Simplemente Yo; La selección de esta semana es Fantastic Mr. Fox, es una película de aventuras animada de 2009, dirigida por Wes Anderson (en su debut en animación) a partir de un guion de Anderson y Noah Baumbach y basada en la novela del mismo nombre de Roald Dahl. Plot: Un zorro urbano no puede resistirse a regresar a sus costumbres de robar granjas y debe ayudar a su comunidad a sobrevivir a las represalias de los granjeros. Espero que lo disfruten ;) Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Letterboxd: https://boxd.it/446nl

Join the Hogg Hive or be a Carol Aird on Patreon to listen ad–free! Or become a Party Girl supporterKate's joined by forever It Girl Ione Skye to talk about her new must–read memoir Say Everything, her creative life & loves, perceptions of relationships then & now, her real life 90s L Word era and the film she made with Sofia Coppola that's impossible to see.Ione's Also Alsos:A History of Rock Music in 500 songs podcast by Andrew HickeyThe Andy Warhol Diaries Soundtrack by Brad OberhoferThe Brian De Palma documentary 'De Palma' directed by Noah Baumbach & Jake Paltrow Hosted on Acast. See acast.com/privacy for more information.

Sam Levy's body of work has helped define contemporary American independent cinema. In this episode, Levy pulls back the curtain on his methodical, deeply personal approach to cinematography, revealing how scripts, performances, and even sleep all shape his lens. Levy revisits career-defining moments with Greta Gerwig, Noah Baumbach, and Kelly Reichardt, and speaks on how technical mastery is often best used in service of disappearing. If you are enjoying the podcast, please consider supporting our efforts on Patreon.Sam Levy's Instagram | WebsitePeter Pascucci's Instagram | WebsiteAva Benjamin Shorr's Instagram | WebsiteThis episode is sponsored by Fujifilm, Sandisk and TCP Insurance.

Emilio, Madeline, and Julian are joined again by freshly-minted New Yorker Maggie Hill, who helps them kick off a new episode cycle focusing on New York City movies. They begin with a "View-nanimous" entry on “Frances Ha”, Noah Baumbach's 2012 film co-written by him and the film's star, Greta Gerwig. The four New York residents praise the many accuracies of the film and share their own NYC-specific stories about living as artists, navigating complex social situations, and searching for an ATM with no fee. They also discuss the other “coming-of-age in NYC” media from the zeitgeist of the 2010s, and consider what has changed in the 13 years since this film was released.If you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow Maggie Hill on IG, TikTok, YouTube, and more @themaggiehillFollow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats.

'AnotherLook' goes to the big apple with Corey's pick for the week - Frances Ha. This millennial escapade into mid-20s ennui and fractured friendships is also a glimpse inside the minds of creators Noah Baumbach and Greta Gerwig. Corey and Will talk about their distinct filmographies, Frances Ha's cinematic influences, all while riffing on this particular era of NYC independent film.

Roll film! In Episode 23, DDSWTNP continue our White Noise residency by heading to the movies (or the TV screen) and examining Noah Baumbach's 2022 film adaptation of the novel. We discuss the drive over the years to adapt the supposedly “unadaptable” DeLillo for the screen, the 2020s context of this film, and our varied reactions to successive viewings of it over the two-plus years since its release. Other topics include the central performances (especially Adam Driver as an unexpectedly good Jack Gladney and Don Cheadle as a refashioned Murray Siskind); Baumbach's successes and failures at re-ordering DeLillo's dialogue and visually distilling certain themes; and his shaping of the narrative as a “meta-cinematic” journey through his personal film history and a mixture of genres. Reviews by Tom LeClair, Marco Roth, and Jesse Kavadlo figure in our analysis, and we close by considering whether we do in fact “need a new body” in the film's concluding supermarket song and dance number, which in our view captures some of the novel's themes and distorts others. We'd love to hear on Instagram or email what you think of the film and our reactions, too! We also take a little time to correct a historical error in our Episode 19 on Rachel Kushner's Creation Lake. Texts and sources for this episode: White Noise (dir. Noah Baumbach, 2022) (Netflix). Film adaptation pages at “Don DeLillo's America”:http://www.perival.com/delillo/whitenoise_film_2022.htmlhttp://perival.com/delillo/ddoddsends.html Patrick Brzeski, Alex Ritman, “Noah Baumbach on Getting LCD Soundsystem to Create New Track for ‘White Noise,'” The Hollywood Reporter, August 31, 2022.https://www.hollywoodreporter.com/movies/movie-news/venice-noah-baumbach-white-noise-lcd-soundsystem-1235209318/ Jesse Kavadlo, “Don DeLillo's ‘White Noise' Remains Unfilmable,” Pop Matters, January 11, 2023.https://www.popmatters.com/white-noise-noah-baumbach-unfilmable Tom LeClair, “The Maladaptation of White Noise,” Full Stop, December 29, 2022.https://www.full-stop.net/2022/12/29/features/tomleclair/the-maladaptation-of-white-noise/ Jon Mooallem, “How Noah Baumbach Made ‘White Noise' a Disaster Movie for Our Moment,” New York Times Magazine, November 23, 2022.https://www.nytimes.com/2022/11/23/magazine/white-noise-noah-baumbach.html Marco Roth, “Don DeLillo on Xanax,” Tablet, November 3, 2022.https://www.tabletmag.com/sections/arts-letters/articles/don-delillo-xanax-white-noise-noah-baumbach

Welcome to Multiverse News, Your source for Information about all your favorite fictional universes Just like that, the much discussed, but never official, Nova Disney Plus series, has gone from rumored to confirmed with Deadline reporting the onboarding of a showrunner: Criminal Minds' Ed Bernero. Bernero, who also co-created the Criminal Minds spinoff, Suspect Behavior, will serve as writer and showrunner for the Richard Ryder-focused series. Additionally, off the heels of last week's reports about Chris Evans' return to the MCU in Avengers: Doomsday, last Friday, Variety broke the news that Evans' frequent scene partner, Hayley Atwell is also expected to reprise her role as Agent Peggy Carter. While the DCU officially launched earlier this month with the premiere of Creature Commandos on Max, James Gunn's first live action offering, next summer's Superman, unveiled its official poster via social media Monday morning. The image, a motion graphic, is an obvious allusion to Christopher Reeves' take on the character, and showcases David Corenswett's Superman ascending in flight, accompanied by a remix of John Williams' classic score and a tagline that reads, ‘Look up.' Exciting details; all of which preempts the gut punch that the official teaser trailer will not release until Thursday… (Thanks, James…) Elsewhere, horror filmmaker Mike Flanagan has been given the go ahead to write his standalone Clayface film. Without a director attached yet, it's unclear whether this film will be a part of the Matt Reeves The Batman/Penguin crime Elseworld, though Gunn referred to it as a DCU film. Currently slated for a September 2026 release, Flanagan previously described it as a horror/thriller/tragedy while expressing interest back as early as 2021. Kraven the Hunter, the latest and perhaps final entry of Sony's Spider-Man-less universe, opened this weekend to a disappointing $11 million total, a franchise low. In the wake of this fumble, just the most recent in a long string, many a Sony insider have come out of the woodwork to spill the tea, resulting in the internet being ablaze with claims that the studio is finally pulling the plug. But, not so fast! While it does sound like Sony will stop making spin-offs without Spider-Man, the studio remains quote, ‘deeply invested' in projects that include the marquee character and his many variations, including the Spider-Man Noir series that is in production in partnership with Amazon. Michael Gracey is in talks to direct Disney's live-action Tangled with a screenplay by Jennifer Kaytin Robinson  from the I Know What You Did Last Summer reboot. Variety has learned that Austin Butler is set to star in Luca Guadagnino‘s new interpretation of the book “American Psycho” by Bret Easton Ellis for Lionsgate. Per Deadline, Joseph Quinn is reportedly set to play George Harrison in Sam Mendes' upcoming Beatles biopic series. Barry Keoghan will portray Ringo Starr, Paul Mescal is expected to play Paul McCartney, and Harris Dickinson is the frontrunner for John Lennon. Marvel Comics announced Godzilla vs. Marvel, a six-issue one-shot series marking their first Godzilla crossover in nearly 50 years. The series spans different time periods, starting with a Fantastic Four story. Malcolm in the Middle is returning for a four-episode revival on Disney+ to celebrate its 25th anniversary. Original stars Frankie Muniz, Bryan Cranston, and Jane Kaczmarek will reprise their roles as Malcolm and his parents, Hal and Lois. The Hollywood Reporter claims Greta Gerwig and Noah Baumbach pitched a Barbie sequel to Warner Bros., but both their rep and the studio deny it. “There is no legitimacy to this,” says the filmmakers' rep, while Warner Bros. calls the report “inaccurate.” The previously announced DCU film Dynamic Duo has received a release date of June 30th, 2028.