Podcasts about Casting

Put on your pod-day clothes, there's lots of world out there! We're joined by David Ehrlich to discuss WALL-E this week - a film many consider to be Stanton's (and Pixar's) crowning achievement, and a film David Ehrlich's son has watched upwards of a million times. Join us for a long-ranging conversation that includes context around Disney's 2006 acquisition of Pixar, discussion about the film's depiction of humans, and speculation about the mental health of robots. Read: Frankie Muniz Hasn't Spoken to Hilary Duff in 22 Years, Says Her Mom Interfered in ‘Agent Cody Banks' Casting and ‘It Pissed Me Off': ‘I Regret Not Staying Friends With Her' Check out Erlich's Review of Lee Cornin's The Mummy Listen to Griffin on Podcast Like It's Talking About Monsters Inc. Read Ehrlich's Interview with Stanton Read Ehrlich's piece on Alamo Drafthouse Listen to Ben discuss his good friend Johnny5 on The Flop House Cool Dad Raising Daughter On Media That Will Put Her Entirely Out Of Touch With Her Generation Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In a career spanning four decades, Dame Kristin Scott Thomas has become one of Britain's most celebrated actors: Four Weddings and a Funeral, The English Patient, The Horse Whisperer, Tell No One and Slow Horses, alongside acclaimed stage work including her Olivier‑winning performance in The Seagull. Yet her path was far from straightforward: discouraged at drama school, she moved to Paris as an au pair and rebuilt her training from scratch. Her childhood had already been shaped by profound loss after the deaths of her father and stepfather in near‑identical accidents. She has now channelled these experiences into her directorial debut, My Mother's Wedding, which she also co‑wrote and stars in, alongside Scarlett Johansson, Sienna Miller and Emily Beecham. We talk about her early grief, the emotional armour she built as a teenager, the chaotic experience of filming with Prince, making My Mother's Wedding, the power of women writing women, her unforgettable Fleabag monologue and the joy and clarity she has found in her 60s. ✨ IN THIS EPISODE: 00:00 Intro 03:15 Reclaiming a Tragic Narrative 04:59 Joy in her 60s 06:22 Co Writing With Her Husband 07:03 Animation and Childhood Memory 09:07 Casting and Creative Reunions 12:23 Failure One: Prince Film Debut 17:06 Fame Theater and Radical Roles 24:09 Under the Cherry Moon Lessons 25:28 Failure Two: Teenage Grief 26:24 Childhood Losses 27:58 Eldest Sibling Burden 28:37 Acting Through Sadness 29:59 English Patient Reflections 33:19 Four Weddings Role 36:39 Therapy and Healing 43:41 Grief Advice and Faith 45:45 Football and Identity 49:16 Aging and Gratitude

Episode OverviewIn this Casting Angles episode of The Articulate Fly, Master Casting Instructor Mac Brown of Mac Brown Fly Fish joins host Marvin Cash for a focused deep-dive into the reach mend — one of fly fishing's most foundational presentation tools, and one Mac argues has been quietly undervalued since Doug Swisher introduced it to American fly fishing in 1971. The conversation serves as both a how-to for beginners and a useful recalibration for intermediate anglers who have been fishing without it.Mac traces the technique to Swisher's landmark book Selective Trout, which he first read at age eight from his grandfather's copy and considers among the most significant contributions to the sport in the last hundred years. He breaks the reach mend down from first principles, distinguishing it clearly from the more complex reach cast: after the casting stroke is complete and the line is still in the air, the angler simply reaches the rod tip to the side, positioning the fly line upstream or downstream of the fly — a movement accessible to complete beginners that can transform a fleeting drift into a long, uninterrupted float with the fly line entirely out of the fish's window.Mac covers the reach mend across multiple real-world scenarios: cross-current presentations through mixed seams, straight upstream casts where the line would otherwise land across holding fish, and long downstream drifts on technical tailwaters. The episode also covers slipping line during a reach mend to extend presentation distance, and the drag-and-drop technique — casting well upstream and beyond a riser, lifting the rod tip to position the fly laterally, then tracking the rod downstream to drop the fly cleanly into the feeding lane. Marvin adds an important tactical counterpoint: a downstream mend can also be used to intentionally accelerate a streamer across a seam to trigger a reaction strike.Key TakeawaysHow a post-cast reach mend positions your fly line upstream and away from rising trout, turning a brief drift into a long, drag-free float that beginners can execute immediately after learning the conceptWhy the reach mend is fundamentally different from the reach cast — and why mastering the mend first removes the biggest barrier to consistent presentation for anglers at any levelWhen to slip line during a reach mend to extend presentation distance, without sacrificing accuracy or drag controlHow to execute the drag-and-drop technique — casting upstream and beyond a riser, lifting into position, then tracking the rod downstream — to drop a fly into a feeding lane without lining the fish or precision accuracyWhy a downstream mend can intentionally induce drag to accelerate a streamer across a current seam when you want to trigger a reaction strike rather than a drag-free driftTechniques & Gear CoveredThe episode is devoted entirely to the reach mend and its related techniques, with Mac Brown providing a conceptual framework grounded in Swisher's Selective Trout and decades of guide school instruction. The core technique is the post-cast reach mend: after stopping the cast, and while the line is still unrolling, the angler reaches the rod tip to the upstream side to buy a drag-free window of time before the current grabs the fly line. This applies across presentation types — cross-stream casts through mixed currents, straight upstream casts where the line would otherwise fall on the fish, and long downstream presentations where only the fly should appear in the fish's window. Mac also covers the drag-and-drop approach, in which the angler lifts the fly line into position from an upstream-and-beyond cast, then tracks the rod downstream to lower the fly softly into the target lane without a direct presentation over the fish. Slipping line during the mend is discussed as a tool to extend reach. Marvin adds that the downstream mend inverts this logic for streamer fishing, using intentional drag to accelerate the fly across seams and trigger reaction strikes.FAQ / Key Questions AnsweredWhat is a reach mend and how does it differ from a reach cast?A reach mend is a post-cast rod movement: after the casting stroke stops and the line is still unrolling in the air, the angler reaches the rod tip to the side — upstream or downstream — to position the fly line away from the target zone. The result is that only the fly (and not the line) enters the fish's window. In the case of an upstream reach mend, this technique also buys several seconds of drag-free drift before current tension catches up. A reach cast, by contrast, incorporates that lateral rod movement during the casting stroke itself, making it significantly more complex. Mac recommends learning the reach mend first because anyone — including complete beginners — can execute it immediately, and it delivers most of the same drag-control benefits.How do you execute a reach mend when fishing across mixed currents?In a cross-stream scenario with fast water between you and a slower holding lie, reach the rod tip upstream immediately after the cast stops — before the faster current grabs the fly line and creates drag. This buys enough time for the fly to drift naturally through the slow water without the line bellying downstream and pulling the fly across current.What is the drag-and-drop technique and when does it help for rising trout?The drag-and-drop lets you place a fly in a precise feeding lane without casting directly over the fish or precisely on target. You cast upstream and beyond the target, lift the fly line into lateral position, then track the rod downstream to lower the fly smoothly into the lane — all without the line or fly landing on top of the fish. This is especially useful during Sulphur and BWO hatches on tailwaters like the Watauga and South Holston, where fish are locked into tight feeding lanes and a fly dropped directly on the snout or with line overhead typically produces refusals or spooks. Mac notes that even a beginner can execute this with basic skills, and that you don't need the precision of an elite competition caster to make this technique work consistently.How does slipping line change the outcome of a reach mend?When you pinch the line during a reach mend, the fly lands closer than the initial cast would have carried it. When you slip line — releasing extra line during the mend — the fly travels further from you, extending presentation distance. Mac describes slipping line as the right tool when the holding lie or rising fish is farther out, allowing you to cover more water with the same mend without sacrificing drift quality.When should you mend downstream to induce drag rather than upstream to prevent it?A downstream mend is the right choice when you want to accelerate the fly, not slow it. Marvin notes that when fishing streamers across a current seam — particularly when you want the fly to zip past a rock, undercut bank, or holding spot — mending downstream puts intentional drag on the line, pulling the fly faster across the seam and triggering a reaction strike. This is the same basic principle as the upstream mend, just applied in reverse: instead of buying drift time, you're borrowing speed from the current.Related ContentS7, Ep 60 - Mastering the Drift: Technical Trout Tactics for Summer Success with Mac BrownS6, Ep 93 - Terrestrials, Drift and Teaching the Next Generation with Mac BrownS7, Ep 20 - Practice Makes Perfect: Mac Brown on Mastering Casting TechniquesS7, Ep 16 - Simplifying Complexity: Effective Teaching Strategies in Fly Fishing with Mac BrownS8, Ep 21 - Casting into Spring: Mac Brown Discusses Wild Trout Fishing and Upcoming ClassesConnect with Our GuestFollow Mac on Facebook, Instagram and Twitter.Follow the ShowFollow The Articulate Fly on Facebook, Instagram, Threads and YouTube.Follow our

I want to reframe something for you. Because if auditioning feels heavy, like a test, like a judgment, like a moment that could determine your entire future, I get it. I have been there. I remember walking into audition rooms feeling like I was literally going to my death, like I should smoke a cigarette first. That is how loaded it felt. But here is the thing. That is not actually how the industry works. Auditions Are an Interview Process The job is being hired to work on the set, the stage, or in the studio. Auditions are how you get there. They are an interview process, not a verdict. And so many things that determine whether you book are completely outside your control. Chemistry with other actors. Network preferences. An age range that shifted overnight without anyone updating the breakdown. I once had a scene with Warren Beatty in a major feature film and the night before I was supposed to shoot, they rewrote me out of the script entirely. That scene was just gone. And that had nothing to do with my audition. Sometimes you give a fantastic audition and you are still not the right piece of the puzzle. That is just the reality of this business. What Working Actors Think Differently Actors who book consistently walk into auditions with a completely different mindset. Instead of pick me, it is more like let me see if we are a match. Let's see if this works. That one little shift removes the desperation. It creates collaboration. Bryan Cranston talks about this so beautifully in his autobiography A Life in Parts, which I will link in the show notes because you have to read it. He talks about dropping off the gift of his talent. Just dropping it off. No attachment to the outcome. One of the most effective tools I have ever used in auditioning is asking myself how can I serve this project? Forget whether I get it or not. How can I serve it in this moment? What ideas can I give them? When you stop seeing auditions as judgment you can relax, and relaxed actors give better performances. Lee Strasberg talked about this all the time. The Real Purpose of an Audition Casting directors are not looking for perfection. We are trying to answer one question. Is this the right person for the role? Or are they in the ballpark? But auditions also serve another purpose. They introduce you to casting directors. They reinforce relationships you already have. The audition is not just about this job. It is about building something longer term. Casting directors bring actors back again and again once they trust their work. Because if you give great auditions, you make us look good to our clients. Energy Matters More Than You Think Humans feel energy immediately. I think casting directors feel it even faster. If you are tense and fearful it comes off like you are just trying to survive the audition, not enjoy it. Actors who come in grounded and curious look like collaborators. Because that is what they are doing. They are coming into the room to collaborate. And that energy, it matters more than most actors realize. The Bottom Line Auditions are not the job. They are opportunities to show your work and build relationships. Treat them like a creative collaboration instead of a life or death moment. When you start doing that something shifts. You start enjoying the process. And when we are in a state of joy, people want to work with us. Joy is a high vibration. It is contagious. The goal is not to book the job. The goal is to become someone that casting wants to bring back over and over again. And also to have fun doing it. It is going to be okay. It really is. Want to Keep the Conversation Going? I have a free acting business audit for you. It is a questionnaire you answer on your own to see where you are at with the business side of your acting career. And as I always say, stay safe and treat yourself real well.

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This week on 360GamerCast, Webby and Peebs dive into a stacked mix of new releases, demos, and big industry stories — from 007's latest outing to GTA 6 price leaks and a tragic loss in the Ubisoft family. Games We Played A busy gaming week with hands‑on impressions of: 007: First Light – Bond's back and we've got plenty to say Final Fantasy VII Remake – revisiting a modern classic Battlefield 6 – New game mode Echoes of Aincrad (Demo) – SAO‑inspired action with promise Hack 95 (Demo) Ball X Pit – chaotic arcade fun Cronos: New Dawn – sci‑fi survival with potential The Casting of Frank Stone – narrative horror from the DBD universe News & Discussion We break down a wild week in gaming news, including: Halo wrongfully stating that Playstation 5 users will require PS+ for split screen users causing Social media chaos. GTA 6 price leaks suggesting Rockstar might be pushing premium pricing harder than ever The tragic passing of Claude Guillemot, Ubisoft co‑founder Steam Controller reservations exploding in demand   https://www.patreon.com/360gamercast https://discord.gg/CqDMSg9  https://www.facebook.com/groups/360gamercast/ https://twitter.com/Webby360G https://twitter.com/360GamerCast https://360gamercast.com/

Link Up w/The Morning Sickness Digitally All Over:Instagram: @hms_98_official, @bosskupd, @bretvesely, @dickToledoX/Twitter: @HMSon98, @DickToledo, @bretveselyFacebook: @HMSKUPDYouTube: @hmspodcast9320, @98kupdRequest/Call in/Wakeup Song line:(IN AZ) 602.585.9800More HMS: holmbergpodcast.com, 98kupd.comEmail: dtoledo@98kupd.com, bvesely@98kupd.com, bbogen@98kupd.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, we perceive a dramatic attempt at persuasion, as portrayed in Sangam Literary work, Aganaanooru 272, penned by Madurai Aruvai Vaanikan Ilavettanaar. The verse is situated amidst the flowing cascades of the ‘Kurinji’ or ‘Mountain Landscape’ and presents a hypothetical situation and its impactful consequences. இரும் புலி தொலைத்த பெருங் கை வேழத்துப்புலவு நாறு புகர் நுதல் கழுவ, கங்குல்அருவி தந்த அணங்குடை நெடுங் கோட்டுஅஞ்சு வரு விடர் முகை ஆர் இருள் அகற்றி,மின் ஒளிர் எஃகம் செல் நெறி விளக்க,தனியன் வந்து, பனி அலை முனியான்,நீர் இழி மருங்கின் ஆர் இடத்து அமன்றகுளவியொடு மிடைந்த கூதளங் கண்ணிஅசையா நாற்றம் அசை வளி பகர,துறு கல் நண்ணிய கறி இவர் படப்பைக்குறி இறைக் குரம்பை நம் மனைவயின் புகுதரும்,மெய்ம் மலி உவகையன்; அந் நிலை கண்டு,”முருகு” என உணர்ந்து, முகமன் கூறி,உருவச் செந் தினை நீரொடு தூஉய்,நெடு வேள் பரவும், அன்னை; அன்னோ!என் ஆவது கொல்தானே பொன் எனமலர்ந்த வேங்கை அலங்கு சினை பொலியமணி நிற மஞ்ஞை அகவும்அணி மலை நாடனொடு அமைந்த நம் தொடர்பே? In this trip to the highlands, it’s scenes in the night that greets us, as we listen to these words said by the confidante to the lady, pretending not to see the man listening nearby, but making sure he’s in earshot: “To wash away its flesh-reeking, spotted face after killing a huge tiger, the long-trunked elephant arrives at night to the cascade in the mountains. Casting away the deep darkness of the clefts and caves in those formidable, fear-evoking spaces, as an iron spear, which flashes like lightning, shows the way, he comes alone, without minding the cold dew descending down. Wearing a garland of nightshade flowers woven together with wild jasmines that had been blooming in those picturesque places near flowing waters, as the moving winds scatter its stationary fragrance, he would enter our hut with hanging eaves, adjacent to a field of pepper vines around a short boulder, with his body brimming over with joy. If Mother were to see that state of his, thinking it's ‘God Murugu', she would raise her hands in prayer, would sprinkle moistened bright red millets, and worship the Tall Speared One! Alas! If that happens, what is to become of your relationship with the lord of the handsome mountain country, where the sapphire-hued peacock calls out aloud and the fully-bloomed Kino flowers glow upon the swaying branches?” Let’s walk along with the man and investigate what’s in the hearts of these mountain maiden! The confidante starts by talking about how fearsome the mountain paths are at night, mentioning how an elephant which has just killed a tiger would come to the cascades to wash its trunk. Unmindful of all this danger to his safety and not caring for the cold dew pouring down to the detriment of his health, with his spear lighting the way, the man would come walking on this very path, the confidante connects. Then she mentions the garlands of nightshades and jasmines he would be wearing and the way the wind would be spreading that scent all around the place. Walking in this manner, the man would reach the destination, which is the lady’s hut in the mountain hamlet, near a field of pepper vines, the confidante continues. Let’s make a note of this specific field and explore it in a moment. Returning, the confidante asks the lady to imagine the moment he would step inside their house. What if Mother happened to catch a glimpse of him? She predicts that Mother would think the man was the ‘Tall-speared God Murugu’ and would start worshipping him with a scattering of red millets. After saying these words, the confidante wonders what would happen to the lady’s relationship with the man if a such a thing were to happen, and concludes by describing the man’s country as a place, filled with singing peacocks and blooming Kino flowers.  An intricate attempt using the powers of visualisation to get the listening man to realise that he needs to change his dark and dangerous path of temporary trysting and take the road to the permanent joy of seeking the lady’s hand. The subtle elements here is the mention of the blooming Kino flowers, indicating it’s the auspicious season of marriage, and that scene of mother mistaking the man for Murugu is to tell the man the lady is in danger of being placed under guard, which would sound the death knell to his secret relationship with her. In short, ‘Marry her, marry her’ with a movie style delivery! Let’s revert and focus on that phrase about a field of pepper vines. This tells us the preciousness of these naturally growing spices was realised by this mention that it was intentionally cultivated in a mountain field. A matter-fact line which actually implies that these pepper corns were much sought after in faraway shores such as Greece and Rome and that those abroad were waiting to shower gold in exchange of these little black beauties! 

Why does your teen tune you out? It might have to do with the role your message unconsciously casts her in. "Alter-casting" refers to the way every message you send implicitly assigns a role or identity to the person you're speaking with. If the role you cast your child in conflicts with how they want to see themselves, your message will be rejected — no matter how accurate, loving, or urgent it is.I walk through a concrete example: a mother warning her teenage daughter about predators online. The mother's intention is protective love. What the daughter hears is: "You think I'm a naive, helpless child." That identity is intolerable to an adolescent fighting for autonomy — and so the message fails entirely. I explain how this same dynamic plays out when parents share detransitioner videos with their kids, and why that approach almost always backfires for this exact reason.The episode also covers practical tools from ROGD Repair, including the alter-casting Venn diagram (mapping the overlap between what you see in your child, and what they see in their idealized self-image, even if aspirational); the strategic use of self-deprecating humor and strategic naivete; and the accusation audit — a technique for front-loading anticipated criticism in a way that actually invites your child into a more generous, gracious response. I close with a broader reflection on what this work really is: seeing beneath the performance to the real person underneath, and helping them become who they're meant to be.This podcast episode doubles as an ROGD Repair bonus lesson. It can be found in the course here, along with homework questions to help you personalize the material. If you're a parent navigating these issues in your family, ROGD Repair can help you work smarter, not harder, to get through to your teen. Get access to over 120 lessons like this and more. Use code SOMETHERAPIST2026 to take half off your first month at ROGDrepair.com.[00:00:00] Start[00:01:00] What Altercasting Is and Why It Matters[00:02:15] The Teen and the Predator Warning: A Case Study[00:05:00] Why Sharing Detransitioner Content Backfires[00:07:00] How to Cast Your Child in a Role They'll Accept[00:07:45] The Altercasting Venn Diagram Exercise[00:11:00] Why Failed Conversations Make the Next One Harder[00:12:00] Strategic Naivete and Self-Deprecating Humor[00:13:00] The Accusation Audit Tool[00:15:30] Reading Your Child's Self-Presentation Without Reacting[00:18:00] Early Intervention and the Cost of Waiting[00:26:30] Accepting Reality as the Path to Self-ActualizationROGD REPAIR Course + Community gives concerned parents instant access to over 120 lessons providing the psychological insights and communication tools you need to get through to your kid. Now featuring 24/7 personalized AI support implementing the tools with RepairBot! Use code SOMETHERAPIST2026 to take 50% off your first month.PODCOURSES: use code SOMETHERAPIST at LisaMustard.com/PodCoursesPRODUCTION: Looking for your own podcast producer? Visit PodsByNick.com and mention my podcast for 20% off your initial services.MUSIC: Thanks to Joey Pecoraro for our song, “Half Awake,” used with gratitude & permission. ALL OTHER LINKS HERE. To support this show, please leave a rating & review on Apple, Spotify, or wherever you get your podcasts. Subscribe, like, comment & share via my YouTube channel. Or recommend this to a friend!Learn more about Do No Harm.Take $200 off your EightSleep Pod Pro Cover with code SOMETHERAPIST at EightSleep.com.Take 20% off all superfood beverages with code SOMETHERAPIST at Organifi.Check out my shop for book recommendations + wellness products.Show notes & transcript provided with the help of SwellAI.Special thanks to Joey Pecoraro for our theme song, “Half Awake,” used with gratitude and permission.Watch NO WAY BACK: The Reality of Gender-Affirming Care (our medical ethics documentary, formerly known as Affirmation Generation). Stream the film or purchase a DVD. Use code SOMETHERAPIST to take 20% off your order. Follow us on X @2022affirmation or Instagram at @affirmationgeneration.Have a question for me? Looking to go deeper and discuss these ideas with other listeners? Join my Locals community! Members get to ask questions I will respond to in exclusive, members-only livestreams, post questions for upcoming guests to answer, plus other perks TBD. ★ Support this podcast on Patreon ★

Ep. 936 - Un mese di casting per non prendere nessuno. Milan, quanto tempo perso...

Le public voit un spectacle fini.Mais avant la première, il y a une idée, un pari, des choix artistiques, un casting décisif… et des années de travail dans l'ombre.Dans cet épisode de La Bascule, Philippe Hersen, metteur en scène de Shrek Le Musical, nous raconte comment naît un spectacle à succès : de l'idée initiale jusqu'au moment où les artistes montent sur scène.Tout commence rarement par une certitude.Souvent, c'est une intuition, une envie, un projet qui semble presque impossible… jusqu'au moment où quelqu'un décide d'y croire.Dans cet épisode, Philippe Hersen nous plonge dans les coulisses de la création d'un spectacle, et notamment de Shrek Le Musical, prochainement présenté aux Folies Bergère.Issu d'un univers sans lien direct avec les arts de la scène, il revient aussi sur son parcours singulier : il a été le premier de sa famille à s'orienter vers le monde du spectacle.Au fil de sa carrière, il a évolué de la production vers la mise en scène, un choix qui marque une véritable bascule dans son parcours.Il explique avoir progressivement ressenti le besoin d'être plus proche du processus de création, et surtout des artistes eux-mêmes, en particulier des acteurs et interprètes avec lesquels il souhaitait développer une relation plus directe et plus vivante.Cette envie de proximité avec le plateau, avec le jeu, avec l'émotion en train de se construire, l'a naturellement conduit à se rapprocher de la mise en scène.Comment une idée devient-elle une grande production ?D'où vient la décision de monter un spectacle aussi ambitieux ?Et surtout, comment se construit le casting qui va donner vie à cette histoire sur scène ?Philippe Hersen nous raconte les étapes invisibles du processus : les discussions en amont, les choix artistiques, les doutes, les ajustements, et ce moment clé où tout commence à prendre forme.Le casting devient alors un point de bascule essentiel.Qui est choisi ? Pourquoi ? Qu'est-ce qui fait qu'un artiste est “le bon” pour un rôle ?Derrière chaque décision, il y a une vision, mais aussi une prise de risque.Au fil de la conversation, il revient également sur les grandes productions qu'il a portées, les rencontres qui ont marqué sa vie, et les nouveaux projets qui continuent de nourrir son envie de créer.Et il partage aussi un conseil précieux pour tous ceux qui rêvent de monter sur scène et de participer à une comédie musicale : ce qu'il faut vraiment comprendre avant de se lancer dans ce monde exigeant et passionnant.Un épisode qui révèle ce que le public ne voit jamais : la naissance d'un spectacle, bien avant les applaudissements.Parce qu'un rêve ne reste qu'un rêve tant qu'on n'ose pas le poursuivre.Bienvenue dans La Bascule, le podcast qui révèle sa véritable nature.

Monika Kaelin, Förderin der Schweizer Unterhaltungsszene, und Extremalpinist Roger Schäli, der zwischen Traum und Grenzerfahrung lebt, treffen sich bei Michèle Schönbächler. Monika Kaelin Monika Kaelin ist eine vielseitige Schweizer Künstlerin: Entertainerin, Moderatorin, Sängerin, Schauspielerin, Komponistin und Texterin. Darüber hinaus prägt sie als Theater- und Musikproduzentin, TV-Produzentin sowie Event-Organisatorin die Kulturlandschaft nachhaltig. Geboren und aufgewachsen in Schwyz, entdeckte sie schon früh ihre Leidenschaft für die Bühne. Bereits als Kind stand sie im Stück «Heidi» auf der Bühne. Nach einem Hauswirtschaftsjahr bei Ordensschwestern in Fribourg liess sie sich als Kindergärtnerin ausbilden. Die junge Frau zog es nach Zürich, wo sie das pulsierende Stadtleben und die Vielfalt der Bühnenwelt für sich entdeckte. Diese Erfahrungen legten den Grundstein für ihre umfassende Karriere im Showbusiness. Ihr Talent zeigte sich schon damals: Obwohl sie beim ersten Casting heiser antrat, überzeugte sie mit ihrer Hartnäckigkeit und erhielt die Rolle dennoch. Privat wuchs Monika Kaelin in einem bodenständigen Umfeld auf – ihr Vater war Polizist. Mit dem ehemaligen Fussballnationalspieler Fritz Künzli verband sie eine grosse, lebensprägende Liebe. Gemeinsam führten sie mehrere Jahre ein Restaurant und waren als bekanntes Schweizer Glamourpaar auf zahlreichen Anlässen präsent – eine Verbundenheit, die für Monika Kaelin bis heute weiterlebt. Bis heute engagiert sie sich mit grosser Leidenschaft für die Schweizer Unterhaltungskultur. Mit viel Herzblut und Beharrlichkeit organisiert sie den renommierten Prix Walo und setzt sich dabei besonders für die Förderung von Nachwuchstalenten ein. Ihr Engagement macht sie zu einer wichtigen Förderin und Botschafterin der Schweizer Künstlerinnen- und Künstlerszene. ________________________________________ Roger Schäli «Träume sind mir lieber als Erinnerung» – dieser Satz steht sinnbildlich für das Leben von Roger Schäli, einem der herausragenden Schweizer Alpinisten seiner Generation. Aufgewachsen in Sörenberg gemeinsam mit zwei Schwestern, fand Schäli früh den Bezug zur Natur und zu den Bergen. Zunächst erlernte er den Beruf des Zimmermanns. Doch ein Schlüsselmoment veränderte seinen Lebensweg grundlegend: Beim Aufbau eines Hauses mit Blick auf die legendäre Eigernordwand fasste er den Entschluss, selbst hinaufzusteigen. Aus dieser Vision wurde eine Leidenschaft – und schliesslich eine aussergewöhnliche Karriere. Heute hat Roger Schäli die Eigernordwand über 50 Mal durchstiegen und dabei nicht nur bestehende Routen wiederholt, sondern auch neue Wege erschlossen. Unter anderem die Route «Merci la vie», die sinnbildlich für seine Haltung zum Leben steht. Ein schwerer Unfall im Alter von 16 Jahren, der ihn mit erheblichen Verletzungen zurückliess, brachte ihn früh dazu, sein Tun zu reflektieren. Dieses Erlebnis prägte seinen Umgang mit Risiko und Verantwortung in den Bergen nachhaltig. Bereits mit 21 Jahren schloss er die Ausbildung zum Bergführer ab und machte seine Leidenschaft zum Beruf. Seine Erfahrungen sind geprägt von Extremsituationen: eisige Kälte, Grenzerfahrungen und der Verlust von Seilpartnern. Diese Erlebnisse haben ihm gezeigt, wie wichtig es ist, innezuhalten. Als Athlet habe er gelernt, dass man allzu oft vergesse, dankbar zu sein für das Wesentliche – für die eigene Gesundheit und für das Leben selbst. _________________ Moderation: Michèle Schönbächler Monika Kaelin und Roger Schäli zu Gast im Persönlich am Sonntag, 21. Juni 2026 im Kleintheater Luzern in Luzern. Türöffnung ist um 9 Uhr. Das Publikum ist gebeten, bis 9.30 Uhr einzutreffen. ____________________ Das ist «Persönlich»: Jede Woche reden Menschen über ihr Leben, sprechen über ihre Wünsche, Interessen, Ansichten und Meinungen. «Persönlich» ist kein heisser Stuhl und auch keine Informationssendung, sondern ein Gespräch zur Person und über ihr Leben. Die Gäste werden eingeladen, da sie aufgrund ihrer Lebenserfahrungen etwas zu sagen haben, das über den Tag hinaus Gültigkeit hat.

This week, I am joined once more with professional casting instructor and guide Chris Hague. We chatted about how his season has been, including the mayfly on the River Derwent at the Chatsworth Estate. He tells us of his recent addition to his casting qualifications and of his involvement and developments with Mackenzie Flyfishing, including a new salmon flyline. He also talks of his upcoming hosted trips to the East Ranga in Iceland.Chris has given a Mackenzie FX Integra Trout Floating line as a competition prize for Patreon members this month; more details to follow.

Er Supermassive Games tilbage? Directive 8020 er et interaktivt survival horror-spil udviklet og udgivet af Supermassive Games.Supermassive Games kom på landkortet med Until Dawn fra 2015. Et spil, der udkom eksklusivt til PlayStation 4, og som var inspireret af klassiske slasherfilm.Men på trods af succesen med Until Dawn fortsatte de ikke samarbejdet med Sony. De tog, hvad de havde lært, slog sig sammen med Bandai Namco og lavede, hvad de kaldte The Dark Pictures Anthology. En serie af korte spil, som foregik i forskellige gyser-subgenrer. Her har de lavet Man of Medan fra 2019, Little Hope fra 2020, House of Ashes fra 2021 og The Devil in Me fra 2022.Directive 8020 er det femte spil i denne serie. Men spillet er lavet uden udgiveren Bandai Namco. For i 2022 købte danske Nordisk Film Supermassive Games. Directive 8020 er det første reelle spil, der er udviklet under Nordisk Films paraply, og nu skal vi se, om den danske virksomhed får noget for pengene med Directive 8020.For god ordens skyld skal det siges, at Supermassive Games også udviklede Little Nightmares II med Bandai Namco som udgiver i 2021, The Quarry fra 2022 med 2K som udgiver og The Casting of Frank Stone fra 2024 med Dead by Daylight-udgiveren Behaviour Interactive.Som man kan høre, har Supermassive Games været meget produktive. For produktive måske? For ifølge mange fans og anmeldere har det været kvantitet frem for kvalitet, og spørgsmålet er, om de kan lave et comeback med Directive 8020. Et spil, som har fået længere udviklingstid end noget andet spil, de har lavet i mange år.Er Directive 8020 din tid værd? Alt det og meget mere skal vi tale om nu.I denne episode deltager Melina "MinnaMumi" Jellesmark, Lasse Rasmussen og Morten Urup.Tusind tak fordi du lytter med.

Fluent Fiction - Dutch: Casting Votes and Building Futures: A Tale of Civic Engagement Find the full episode transcript, vocabulary words, and more:fluentfiction.com/nl/episode/2026-06-20-07-38-20-nl Story Transcript:Nl: Onder een felle zomerzon, in een drukke gemeenschapshal in Amsterdam, stonden Sander en Anouk in de rij om hun stem uit te brengen.En: Under a bright summer sun, in a busy community hall in Amsterdam, Sander and Anouk stood in line to cast their votes.Nl: De hal was gevuld met een vrolijke mix van stemmen.En: The hall was filled with a cheerful mix of voices.Nl: Mensen begroetten elkaar met een glimlach terwijl ze de stembiljetten vastpakten.En: People greeted each other with smiles as they picked up the ballots.Nl: Sander keek om zich heen met een vastberaden blik.En: Sander looked around with a determined expression.Nl: "Anouk," zei Sander met overtuiging, "het is echt belangrijk dat we op de milieuvriendelijke kandidaat stemmen.En: "Anouk," Sander said with conviction, "it's really important that we vote for the environmentally friendly candidate.Nl: Er zijn zoveel veranderingen nodig om onze stadsomgeving beter te maken."En: There are so many changes needed to make our urban environment better."Nl: Anouk zuchtte zachtjes, terwijl ze naar de kleurrijke informatiefolders keek die op tafel lagen.En: Anouk sighed softly as she glanced at the colorful informational brochures lying on the table.Nl: "Ik weet het, Sander.En: "I know, Sander.Nl: Maar het gaat niet alleen om het milieu.En: But it's not just about the environment.Nl: We hebben ook goede scholen, veilige straten en cultuur nodig."En: We also need good schools, safe streets, and culture."Nl: Sander knikte.En: Sander nodded.Nl: "Ja, dat is ook belangrijk.En: "Yes, that's important too.Nl: Maar zonder een gezond milieu, wat heeft dat allemaal voor zin?"En: But without a healthy environment, what does it all mean?"Nl: Anouk glimlachte flauw.En: Anouk smiled faintly.Nl: "Je hebt een goed punt, maar ik wil zeker weten dat ik mijn keuze baseer op een breder beeld."En: "You make a good point, but I want to make sure I base my decision on a broader perspective."Nl: Ondertussen kregen anderen hun stembiljetten en vulden ze met zorg in.En: Meanwhile, others received their ballots and filled them out carefully.Nl: De lucht had een levendige energie, en vrienden babbelden zachtjes met elkaar.En: The air had a lively energy, and friends chatted quietly with each other.Nl: Anouk haalde diep adem en besloot de folders te bekijken.En: Anouk took a deep breath and decided to look at the brochures.Nl: Ze luisterde naar de gesprekken om haar heen, terwijl ze de informatie over elke kandidaat las.En: She listened to the conversations around her while reading the information about each candidate.Nl: Ze kon zich voorstellen hoe haar leerlingen moesten bewegen door deze complexe wereld, en dat inspireerde haar om zorgvuldig na te denken over wie hun toekomst het beste zou beschermen.En: She could imagine how her students had to navigate through this complex world, and that inspired her to think carefully about who would best protect their future.Nl: Sander wachtte geduldig en kneep Anouk bemoedigend in haar schouder.En: Sander waited patiently and gave Anouk an encouraging squeeze on her shoulder.Nl: "Je doet goed werk.En: "You're doing great.Nl: Als je vragen hebt, laat het me weten."En: If you have any questions, let me know."Nl: Toen het eindelijk haar beurt was om te stemmen, stopte Anouk even in het stemhokje.En: When it was finally her turn to vote, Anouk paused slightly in the voting booth.Nl: Ze dacht aan de woorden van Sander, maar ook aan de inzichten van anderen die ze die ochtend had gehoord.En: She thought about Sander's words, but also the insights of others she had heard that morning.Nl: Met een vastberaden hand zette ze haar kruisje bij de kandidaat die volgens haar het beste was voor de gemeenschap.En: With a determined hand, she marked her choice for the candidate she believed was best for the community.Nl: Na het stemmen liepen Sander en Anouk samen naar buiten.En: After voting, Sander and Anouk walked outside together.Nl: Hun voetstappen echoden zachtjes op het trottoir.En: Their footsteps echoed softly on the sidewalk.Nl: "Zullen we koffie drinken?"En: "Shall we grab a coffee?"Nl: stelde Sander voor.En: Sander suggested.Nl: Anouk knikte enthousiast.En: Anouk nodded enthusiastically.Nl: "Laten we dat doen.En: "Let's do that.Nl: Ik wil meer weten over hoe we verder kunnen helpen, buiten alleen stemmen."En: I want to know more about how we can help further, beyond just voting."Nl: Terwijl ze verder liepen, besefte Anouk dat ze sterker was dan ze dacht.En: As they walked on, Anouk realized she was stronger than she thought.Nl: Sander glimlachte, dankbaar voor de nieuwe blik die hun discussie had gebracht.En: Sander smiled, grateful for the new perspective their discussion had brought.Nl: Ze begrepen allebei dat verandering begint met een simpel gesprek en de kleine keuzes die elke burger maakt.En: They both understood that change begins with a simple conversation and the small choices every citizen makes.Nl: En zo begonnen ze aan een nieuwe dialoog, hun ogen op de toekomst gericht, geworteld in een gedeelde wens om de plek die ze hun thuis noemden, te verbeteren.En: And so they began a new dialogue, eyes set on the future, rooted in a shared desire to improve the place they called home. Vocabulary Words:bright: fellecommunity: gemeenschapballots: stembiljettendetermined: vastberadencandidate: kandidaaturban: stadsenvironment: milieusafe: veiligeculture: cultuurconviction: overtuigingperspective: beeldencouraging: bemoedigendsqueeze: kneepinsights: inzichtenmark: kruisjesidewalk: trottoirgrab: drinkenenthusiastically: enthousiastcitizen: burgerdialogue: dialoogdesire: wensimprove: verbeterencheerful: vrolijkebrochures: informatiefoldersbroader: bredercarefully: zorgvuldigchatted: babbelennavigate: bewegenpatiently: geduldigechoed: echoden

#939 Show Notes: https://wetflyswing.com/939 Presented By: Stonefly Nets, Jackson Hole Fly Company, Yellowstone Teton Territory - Visit Idaho, Fly Fish with me Utah Sponsors: https://wetflyswing.com/sponsors Paul Arden, founder of Sexyloops and one of the most respected fly casting instructors in the world, returns to the podcast to share lessons from more than three decades of teaching anglers how to cast more efficiently. From beginners learning loop control to experienced anglers searching for more distance and accuracy, Paul breaks down the fundamentals that separate average casters from great ones. The conversation covers fly casting plateaus, loop control, back-cast awareness, the 170 cast, double-haul mechanics, fly line selection, and common misconceptions that hold anglers back. Paul also shares practical drills, coaching insights, and why understanding what happens behind you may be the fastest path to improving what happens in front of you. #939 Show Notes: https://wetflyswing.com/939

On Juneteenth, Brian From walks through the history behind the holiday — the more than two-year gap between the Emancipation Proclamation and the day Union troops finally reached Galveston, Texas to declare freedom for 250,000 enslaved Texans — and what it means for the church to commemorate and remember well. A Johnson & Johnson executive says a cure for certain cancers could realistically be within reach in the next decade, and Brian roots that hope in something deeper: our ultimate hope isn't the eradication of disease, but the eradication of sin and death through Christ. Ahead of Father's Day, a moving reflection on the "fathers in the faith" who shape us beyond our biological dads, paired with the extraordinary final words ever preached by Charles Spurgeon before his death. Three San Francisco Giants pitchers wrote a Bible verse about God's covenant on their caps during Pride Night, sparking backlash — Brian walks through what happened and why he thinks they handled a genuinely difficult moment with restraint. A look back at Matt Chandler's 2021 warning against churches becoming ideologically uniform rather than spiritually unified. The story of Jonah, reframed as a story about judgmentalism and the failure to recognize our own desperate need for grace. And a closing word from 1 Peter 5 on casting anxiety on a Father who genuinely cares for you.See omnystudio.com/listener for privacy information.

The Buddies close the book on Joe Abercrombie's First Law trilogy with "The Last Argument of Kings," the grim dark finale that answers the age-old question: what if the Manhattan Project was run by a thousand-year-old wizard who doesn't care if you live or die? The Buddies debate whether Jezal is just Vichy France with better PR, how to weaponize ‘biological control theory' against your enemies, and if king sized beds are a misnomer. So sharpen your swords and Logan-isms, get ready to stand your ground one last time as the Buddies finish up the trilogy and say goodbye to the Bloody-Nine, Glokta, Ferro, Jezal, West, and Bayaz.Intro (0:00-1:11)Stock Up/Down (1:12-36:40)Favorite Scene/Character (36:41-46:11)Love/Hate (46:12-58:07)Casting the Movie (58:08-1:02:16)Conclusion (1:02:16-1:04:58) NEXT BOOK: London Falling by Patrick Radden Keefe

AI has ushered in a golden age for scams. There are the deepfake kidnapping calls, the vibecoded ecommerce websites and one of the latest, according to a recent article in the Hollywood Reporter, is a casting scam targeting aspiring actors. Marketplace's Meghan McCarty Carino spoke with labor and media reporter Katie Kilkenny who wrote about how this scheme typically unfolds.

AI has ushered in a golden age for scams. There are the deepfake kidnapping calls, the vibecoded ecommerce websites and one of the latest, according to a recent article in the Hollywood Reporter, is a casting scam targeting aspiring actors. Marketplace's Meghan McCarty Carino spoke with labor and media reporter Katie Kilkenny who wrote about how this scheme typically unfolds.

Kristina and Staci Millard are joining forces for another collab episode between Small Business School and the Community podcast to talk all about building business relationships that last and lead to referrals.These are two seven figure founders who have built referral-based business through leading with service and prioritizing people over profit.Tune in to hear them talk about:Why relationships are the key to all long term business success.How introverts can thrive in business networking, and feel comfortable doing it!Why approaching networking with a heart of service, rather than a desperate ask, leads to stronger, more meaningful connections.Where to find the right communities to join.What to do if you know no one at an event.Casting a deep vs a wide net when building relationships.If you're looking to expand your network in an authentic, service-oriented way that feels good for your soul and your business margins, then this episode is exactly what you need!Connect with Staci:InstagramLinkedInThrive AccountingAnna Lozano on Small Business SchoolMentioned in Episode:Big Idea To BestsellerLinkedIn Starter PackWork with The Social SnippetJoin The High Vibe Women Online CommunityKristina on Earn Your Happy with Lori HarderAnna Lozano on CommunitySend me a text!Support the showFor Your Information:• Host your podcast on Buzzsprout!•Join The High Vibe Women Online Community!• Join our favourite scheduling platform Later• FLODESK Affiliate Code | 25% off your first year!• Connect with Kristina  Don't forget to come say hi to us on Instagram @thesocialsnippet, join the Weekly Snippet or follow us on any social media platform! Website . Instagram . Facebook . Linkedin

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Hollywood acting icon, Eric Roberts is a Georgia, US native, whose first professional acting job in front of a camera ANOTHER WORLD at age 19 in New York. He entered into features in KING OF THE GYPSIES at 21 and earned multiple Golden Globe nominations and an Oscar nomination. One of his favorite jobs was the portrayal of “Junior” in Danny McBride's.RIGHTEOUS GEMSTONES. Another was a wildly different character he played on the wonderful series SUITS. “Charles Forstman” was foe to “Harvey Specter” (Who wasn't), but Charles was stiletto smart and had endless presence. He starred in THE POPE of GREENWICH VILLAGE, STAR 80, THE DARK KNIGHT, and ws nominated for an Academy Award for his work in RUNAWAY TRAIN, also the name of his groundbreaking autobiography, RUNAWAY TRAIN – Or, The Story of My Life So Far. Eric's professional accomplishments can be found easily axross the Internet and the IMDB website. He made proud appearances in music videos from Akon, Bad Bunny, Eminem, Enrique Iglesias, Googoosh, Ja Rule, Keaton Simons, Mariah Carey, Rihanna, The Killers, and numerous artists from around the world Eric is married to ANIMAL HOUSE's “Brunella” AKA Eliza Roberts. Eliza is from what's termed as “a showbiz family”, east coast style. She was born in Manhattan to an actress/director/producer/writer mom, Lila Garrett, a screen-writer biological dad, David Rayfiel and a press agent adoptive dad, Don Garrett. Eliza and family moved to Los Angeles, by way of a peace march in San Francisco, when Lila and her then-husband got jobs writing BEWITCHED. Eliza's early adolescence was spent in LA, and at the of sixteen she moved, on her own, to England to study acting, and to continue a career that had already begun. Cut to the greatest event in her life…The birth of her two children, Keaton Simons (recording artist) and Morgan Simons (chef). Their dad is Jimmy Simons, producer (MALCOLM IN THE MIDDLE) The Simonses and Robertses have been a blended family since Eliza met Eric (Roberts) on an MGM Grand flight and they subsequently married in 1992. Even before appearing in ANIMAL HOUSE, while pregnant with Keaton, Eliza has been doing a little (or a lot) of everything. Acting, Casting, Coaching, Managing, Producing & Directing. And a highlight ~ Grandmothering! The family is deeply involved in www.naturalchild.org and in all causes involving creating safe lives for people and animals.

Teddy Cosco is joining me for this week's episode and we had a great chat. We discuss his start to fishing and working his way to steelhead, academia life, shooting clays at Cambridge, the experience of learning, camp cooking and the secret ingredient to good food, questionable sleep to fishing ratios, and so much more.

We build our own cast for a live action remake of Big Hero 6! From Aunt Kass to Alaster Krei to Wasabi we cast actors for all the main characters, including three MCU actors! Leave your thoughts in a review on Apple Podcasts or comment on our YouTube or Instagram and we'll give you a shoutout in our next episode!For more Mouse Ears Movie Thoughts content, check out our Instagram, website, and YouTube:Instagram: https://www.instagram.com/mouseearsmoviethoughts?igsh=MTZjYW5ranE0MG0wdQ%3D%3D&utm_source=qrYouTube: https://www.youtube.com/@mouseearsmoviethoughts9688Website: https://memtpodcast.com/Magic Candle Company: https://magiccandlecompany.comIf you have any comments, questions, or episode ideas you would like to share with us, email us at memtpodcast@gmail.com. Hosted on Acast. See acast.com/privacy for more information.

Short and Sweet Sunday: John Wick Spinoff Caine Casting, Shania Twain BioPic, Suspect Adaptation, Hugh Laurie Joins Legacy of Spies. Hosted on Acast. See acast.com/privacy for more information.

This solo episode, we bring forth a “This or That,” this time breaking into the category of Rap/Hip-Hop songs as we pit them against one another. Later on, we review the films “Be Cool” and “The Last Samurai” before exchanging new films for our Movie Swap segment. We also discuss the concept of job interviews, Febreze, YouTubers producing theatrical films, & SO MUCH MORE!

FANCY YOURSELF A CELEB EXPERT? Take The Spill's Pop Culture Quiz here.Get ready because this Brutally Honest Review is indeed Brutal. We watched Office Romance so you don't have to (or so you can debate us after you do).The premise: J Lo is a big shot at work, there are workplace rules, and absolutely nobody follows them. And let's just say we have some absolutely brutal thoughts on her leading man Brett Goldstein's presence, whether the chemistry actually lands, and why this feels less like a rom-com and more like a very expensive fan letter nobody asked for.We also get into what that shocking baby scene means for Australian birth rates, and the bigger question: does this actually move the needle for the rom-com crisis, or is it just another in-between filler?Remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news… OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media. Your subscription helps us continue to tell the stories that matter to women. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

How do casting directors bring real-life figures to the screen? In this episode of Filmmaker Mixer, Tiffany Little Canfield and Josh Einsohn discuss the casting process behind Monster: The Ed Gein Story and the challenges of building a cast for a true-crime drama.They share insights into auditions, actor selection, collaboration with filmmakers, and what today's actors need to know to stand out. A must-watch conversation for filmmakers, actors, and anyone interested in the craft of casting.

Episode OverviewIn this episode of The Articulate Fly's Casting Angles series, host Marvin Cash and Mac Brown — owner of Mac Brown Fly Fish and Fly Fishing Guide School in western North Carolina — deliver a timely early summer conditions update for the Tuckaseegee and Nantahala drainages. With the 2026 season running approximately 60 days ahead of schedule, Mac and Marvin unpack what that means for trout anglers trying to calibrate their approach as delayed harvest season closes and technical summer fishing begins.Mac reports that terrestrial activity — inchworms, beetles and ants — is already in full force weeks ahead of its typical July–August window, a direct result of an unseasonable hatch progression that accelerated through spring. The duo walk through the mechanics behind this shift: as aquatic insect biomass declines after the spring hatch season, fish increasingly depend on land-based food sources. Mac's practical adjustment is to fish as though you're two months further into the year than the calendar says, a principle Marvin distills to "add 60 days to whatever date you get on the water."Observation emerges as a unifying theme, with Mac sharing a long-held pre-fishing ritual of reading spider webs and noting dace and creek chub activity as real-time indicators of what's in the system. Their earlier-than-normal presence in early June signals an accelerated biomass cycle and points anglers toward the low-food-chain mindset typical of later in the season.Key TakeawaysHow to recognize when the terrestrial game has turned on using field indicators like inchworm drops, beetles, ants and spider web checks before rigging up.Why applying a "60-days-ahead" mental calendar helps you select flies and tactics that match actual on-the-water conditions rather than the date.How dace and creek chub activity in western NC streams functions as a real-time biomass indicator, signaling the shift toward terrestrial and baitfish tactics.Why reduced aquatic insect biomass in summer demands the same patient, deliberate approach used in fall and winter when the drift is sparse.When to transition from hatch-matching to pure terrestrial presentation after the spring hatch cycle runs its course on freestone streams.Techniques & Gear CoveredThe core tactic is terrestrial fishing with patterns that match what's currently in the streamside canopy and terrestrial zone — inchworms, beetles and ants presented as dry fly or near-surface offerings. Mac and Marvin frame this as a biomass-aware strategy: when aquatic food sources thin out after the spring hatch cycle, fish shift to land-based prey, and tactical fly selection should follow. The episode also references the low-biomass presentation philosophy drawn from fall and winter nymphing — slow-water, deliberate drifts that work when food density is low. Underpinning all of it is Mac's emphasis on observation as a systematic pre-fishing discipline: reading spider webs near the water to identify trapped insects, and tracking baitfish species composition (dace, creek chub) as a proxy for how far the biomass clock has advanced. The approach Mac describes is less about pattern-matching a specific hatch and more about reading the full ecosystem before you ever make a cast.Locations & SpeciesThe episode is anchored in the freestone trout streams of western North Carolina, with specific reference to the Tuckaseegee River drainage and the Nantahala River — two of the region's primary trout fisheries. Mac also references the Great Smoky Mountains Park watershed and the Wesser Creek and Silver Mine Creek confluence on the Nantahala, where his early observation habits were formed during years at the Nantahala Outdoor Center. The primary target species is trout, but the conversation gives notable attention to dace and creek chub as ecological indicators — their appearance in fishable numbers during early June 2026 confirms a biomass cycle running roughly 60 days ahead of a normal season. Seasonal context is central: delayed harvest on the Nantahala and Tuckaseegee has just closed, and the transition to technical dry fly and terrestrial fishing is being compressed by an anomalous spring across the Eastern Seaboard.FAQ / Key Questions AnsweredHow do I know which terrestrial flies to use when traditional hatch charts don't apply?Mac advises going directly to streamside observation before rigging up. Look for inchworms dropping on silk threads from overhanging trees, beetles and ants in spider webs near the water, and match what you actually see rather than what the calendar says should be active. In 2026, that means fishing inchworm patterns and terrestrial beetles as early as June — flies that in a normal year wouldn't become primary until mid-July through September.Why does summer trout fishing require thinking about fall and winter tactics?As the spring hatch progression winds down, total aquatic insect biomass in the river drops sharply. Mac and Marvin explain that this low-biomass condition parallels what anglers encounter in fall and winter — fish aren't keying on active hatches so much as opportunistically taking what's available. Anglers who bring the patient, deliberate presentations of fall nymphing into their summer terrestrial game tend to see more consistent results than those who keep chasing hatch windows that have already passed.What does it mean that the 2026 season is running 60 days early, and how should anglers adjust?Mac and Marvin observe that hatches, terrestrial activity and baitfish biomass signals are appearing roughly two calendar months ahead of normal schedule. The practical advice: mentally add 60 days to whatever date you're fishing when selecting flies and tactics. If it's early June, fish as if it were early August — heavy terrestrial focus, lower-profile presentations and an expectation that dace and creek chub are already mixing into the catch alongside trout.How do dace and creek chub help you read western NC stream conditions?Mac explains that the presence of dace and creek chub in significant numbers is a reliable indicator of where the baitfish biomass cycle stands. In a normal year, you don't see these species actively competing in the catch until mid-July; their appearance in early June 2026 confirms the accelerated season. When they're catching alongside your trout in numbers, the system's food chain has progressed to a summer biomass profile — time to shift strategy accordingly.Related ContentS7, Ep 28 - Warming Waters and Active Fish: A Spring Fishing Update with Mac BrownS7, Ep 41 - Navigating High Water: Strategies for Success with Mac BrownS6, Ep 145 - Navigating Winter Waters: Unconventional Strategies with Mac BrownS6, Ep 130 - Casting in Color: Mac Brown's Fall Fly Fishing StrategiesConnect with Our GuestFollow Mac on Facebook, Instagram and Twitter.Follow the ShowFollow The Articulate Fly on Facebook, Instagram, Threads and YouTube.Follow our Substack newsletter for episode updates, tips and resources.Support the ShowShop through our Amazon link to support the podcast.Join our Patreon community to support the show.If you are in the industry and need help getting unstuck, learn more about our consulting options.Subscribe & AdvertiseSubscribe to the podcast in your favorite podcast app.Think our community is a good fit for your brand?

Dave Hanratty, Irish Independent and No Encore podcast

Welcome back to WE LOVE TO HATE EVERYTHING — your weekly escape into reality TV chaos, questionable decisions, and the ever-evolving universe of Sister Wives: Brown Town.THIS WEEK'S LINEUP:-THINK TANK: CASTING THE CATFISH MOVIE!!!-Christine & David ARE COUPLE GOALS OKAY?-Tony & Mykelti continue to do everything BUT parent their children-Janelle looks out the window-Maddie is in her FILLINGS and we are here for it!--Meri and Jenn continue to implode before our very eyes

  #934 Show Notes: https://wetflyswing.com/934 Presented By: Intrepid Camp Gear, Togiak River Lodge, Gallatin River Lodge Sponsors: https://wetflyswing.com/sponsors What does it really take to film fly fishing at the highest level? In this episode, Todd Moen of Catch Magazine joins us to share the story behind some of the most iconic fly fishing films ever created—from steelhead rivers in the Pacific Northwest to remote destinations across the globe. We dig into Todd's early production days filming for Fly Fishing the World, surviving a plane crash in the Bahamas, and how he eventually built Catch Magazine into one of the most respected visual storytelling brands in fly fishing. Todd also explains why steelhead may be the hardest species to film, how music shapes his editing process, and what most people never realize about the amount of work required to capture a single unforgettable fish on camera. #934 Show Notes: https://wetflyswing.com/934

Eng v NZ Daily 2026, 1st Test, Lord's Review: It's the day after one of the shortest 40-wicket Tests on record and Adam has Daniel Norcross with him to ponder what it all means. The Lord's pitch is where attention continues to sit, albeit with MCC presenting a path to a better future for the contentious 22 yards. Casting to The Oval, where the next Test begins next Wednesday, is it simply the case that Jofra Archer vaults straight into the squad and, indeed, the XI? How might Shoaib Bashir's use, or otherwise, inform this? As for the Black Caps, they simply cannot lose their bundle with their WTC implications. Support the show with a Nerd Pledge at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/thefinalword⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and win a signed copy of Wisden, or a case of Stomping Ground: browse their range at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠stompingground.beer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Experience England's cricket tour of South Africa 2026/27 LIVE with Gullivers Sports Travel. Find out more and book at ⁠⁠⁠⁠⁠⁠⁠⁠gulliverstravel.co.uk⁠⁠⁠⁠⁠⁠⁠  Check out the Lord's Performance Centre for School Holiday activities and courses: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠lords.org/lords/performancecentre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Stop snoring with 10% off a Zeus device: use code TFW2026 at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠zeussleeps.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get your This is W̶o̶m̶e̶n̶'̶s̶ Cricket t-shirt here, and learn about Lacuna Sports bespoke cricket wear, created by women for women:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠lacunasports.co.uk/en/shop/limited-edition/world-cup-t-shirt/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get your big NordVPN discount: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠nordvpn.com/tfw⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or 10% off ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Duncan Fearnley ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bats and kit with code TFW10 or 10% off Glenn Maxwell's sunnies: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠t20vision.com/FINALWORD⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or 15% off Step One clothes at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠uk.stepone.life/discount/TFW148⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or 10% off BIG Boots UK boots and socks at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bigboots.co.uk/?ref=thefinalword⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Find previous episodes at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠finalwordcricket.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Title track by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Urthboy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Casting is finally underway for a new James Bond. But why has it taken five years to even begin the search? Since Daniel Craig retired as Bond in 2021, there have been reports of a behind-the-scenes David and Goliath battle between the family business which has held creative control of the franchise since the 1960s and its new owners, Amazon. It is now up to Jeff Bezos's tech giant to decide who will play 007 – and how to run the series.In an era when Hollywood studios are desperate to eke out every last dollar from movie franchises, can James Bond retain its mystique and appeal to a new generation of cinema goers? We speak to Wall Street Journal enterprise reporter Erich Schwartzel.The Global Story brings clarity to politics, business and foreign policy in a time of connection and disruption. For more episodes, just search 'The Global Story' wherever you get your BBC Podcasts.

Casting off works of darkness is the first half. It is a conscious choice we make to be holy and reflect God in spiritual warfare in the spiritual realm as well as for others to see in our daily lives.

Grab your bad eggs and your parachuting turtles, because this week on the 80s Flick Flashback Podcast, we are heading straight to Kamp Kikakee to revisit the 1987 comedy classic, Ernest Goes to Camp!Jim Varney took a wildly popular regional commercial character and turned him into a bona-side box office sensation. We dive deep into the history of how Disney took a gamble on a camp movie full of classic tropes, the brilliant physical comedy that defined our childhoods, and the legendary casting choices—including some surprising voice actors you might have missed.But it's not all laughs; we also look back at the unexpected emotional weight of the film (yes, we are talking about that scene) and break down why Ernest's golden heart still resonates today.Plus, stick around for a brand new round of our high-stakes segment, Risky Quizness, and see if you can outsmart the hosts!In this episode, we unpack:The Rise of an Icon: How Jim Varney's Ernest P. Worrell transitioned from TV ads to the big screen.Master of Slapstick: Breaking down the chef scene, the golf cart madness, and the ultimate camp war.The Emotional Core: Why Ernest's vulnerability gave this film a legacy that other comedies lacked.Behind-the-Scenes Secrets: Box office numbers, the wild world of movie turtle wranglers, and our own hilarious DVD confusion before pressing play.The Nostalgia Meter: We give the film our official Rewatchability Score.Chapters00:00 – The Legend of Ernest P. Worrell07:25 – TRIVIA: A High-Stakes Round of Risky Quizness13:13 – Casting, Characters, & Uncovering Hidden Voice Actors20:26 – Meeting the Counselors and Kamp Kikakee Misfits28:25 – Classic Physical Comedy: Eggs, Chefs, and Parachutes33:56 – The Great DVD Confusion & The Movie's Opening Legacy43:21 – The Rewatchability & Nostalgia Meter: Does Ernest Still Hold Up?Resources & LinksOfficial Website: 80s Flick FlashbackConnect with the Show: Follow us on Facebook and Instagram to share your favorite Ernest face or quote!Support the Podcast: If Ernest makes you smile, leave us a 5-star review on Apple Podcasts or Spotify. It helps the algorithm share the show with more 80s film buffs, knowhutImean?

Dive into this insightful episode where we discuss the powerful production The Great Privation by Nia Akilah Robinson. Director Ontaria Kim Wilson shares her journey of bringing this historically rich and emotionally charged play to life in Philadelphia, highlighting themes of love, resilience, and social justice.Key topics:The historical context and significance of The Great Privation and its ties to Philadelphia's Black historyHow the play explores the treatment of Black bodies during pandemics and in medical researchThe creative process behind casting, character development, and physical storytellingThe importance of honoring cultural traditions, spirituality, and history in theaterThe rapid rehearsal timeline and the emotional/mental care of actors navigating multiple rolesThe role of the janitor as the story's griot, guide, and spiritual conduitThe significance of Philadelphia's Mother Bethel AME Church in African American history and activismThe journey of the play from Soho Rep to Woolly Mammoth and now in South PhiladelphiaTimestamps: 00:00 - Welcome and overview of The Great Privation00:35 - Introducing Ontaria Wilson and her connection to Theater Exile01:17 - The significance of The Great Privation and its themes of love and perseverance02:57 - The play's focus on Black bodies, pandemics, and societal neglect05:44 - Personal reflections on initial impressions and character insights09:30 - The creative development process and character relationships14:02 - Casting and actor contributions in physical storytelling18:19 - The importance of cultural and spiritual traditions in performance19:00 - The intense rehearsal schedule and actor wellness strategies24:10 - Philadelphia's history and the play's connection to local sites like Mother Bethel30:28 - The play's journey from New York to Philadelphia and its significance35:18 - The artistic team behind the production and their creative vision41:45 - Audience takeaway and the play's message of collective responsibility and reimagining communityResources & Links:The Great Privation by Nia Akilah RobinsonMother Bethel AME ChurchTheatre ExileMother Zion United Methodist ChurchFollow us and our links here: https://bio.site/em3ry

For the first time in so many moons, our good friend and longtime guest Brendon Sebaugh returns to the cast to lay down a stellar performance as we catch up on air and hold nothing back. We dabble into talk of the 4th dimension, women's professional sports, True Detective, substitute teaching, war movies, international travel, & SO MUCH MORE!

I want to tell you about a little experiment I ran. I was helping a director find and cast actors for some ADR for a film. I reached out to my network and posted in a very popular voiceover group. It was not a complicated audition. Narration piece, sides were provided, instructions were very clear. Basic. I got 208 submissions. And when I sat down to go through them, I am not exaggerating, over half had at least one avoidable error. Not the wrong voice for the role. Not didn't nail the read. Errors that had nothing to do with talent. Errors that happened before the person even opened their mouth. Today I'm going to tell you exactly what those errors were, why they matter more than you think, and what you can do right now to make sure you're not in the half that gets filtered out before anyone hits play. The Breakdown I actually tracked this because data, to me, is everything. 25% of submissions didn't follow directions. Mislabeled files, wrong file formats, ignored tone and approach guidance. Just wrong. 16% asked for information that was already in the email. I sent detailed sides, character notes, tech specs, and one in six people replied to ask me things that were answered in the first two paragraphs of the casting notice. 6% didn't read the provided script. I sent the sides and these people recorded something entirely different. Their own interpretation of what the spot might be, or a section of audio that felt close enough. Not what I asked for. 3% sent demos instead of the requested lines. I said please record these specific lines and they sent me a 90-second reel of things I didn't ask for. Add all of that up and you get 50%. Half of submissions had at least one error that was completely preventable. Why This Matters More Than Talent Here's what I want you to understand about sitting on the other side of that inbox. Most casting directors get hundreds if not thousands of submissions. And when you're casting you're not primarily in the business of finding talent. You're in the business of finding someone you can work with. Talent is table stakes. If you're in the pool you can probably do the job. What differentiates people at that stage is reliability and trustworthiness. Can this person follow instructions? Are they going to make this job harder or easier? Are they going to be a professional when we get into session? A mislabeled file tells me this person doesn't sweat the details. Asking a question that's answered in the brief tells me this person didn't read carefully or doesn't think my time is worth protecting. Sending a demo when I asked for specific lines tells me this person thinks their preferences override mine. And on a session, that is a problem. None of this is about the quality of your voice. It's about the signal you're sending before anyone hears you. Casting directors are reading those signals because it's the fastest way to narrow a pool of 200 down to 20. Fix One: Read the Brief Like It's a Script This is so simple but it requires a genuine habit shift. When you get a script you don't skim it. You read every word. You notice the tone marks, the character notes, the tech specs. You treat it like it matters because it does. The brief is telling you exactly what the casting director needs, in what format, by when. Your job is to do exactly that. Not approximately that. Not mostly that. Exactly that. Read the brief once for the big picture. Read it again before you record. Pay attention to any tone or character direction they've given. Then before you submit read it one more time and compare it to what you're about to send. That's maybe 35 extra seconds. And that's the difference between being in the top half and being in the bottom half of any audition pool. Fix Two: Never Ask a Question That's in the Brief If the answer is in the brief, do not ask the question. I know sometimes it feels safer to double-check, to make sure you're on the right track. But here's what happens in a casting director's inbox when they get a reply to the audition email with a question that was answered in paragraph three. They sigh, they answer it, and they note that you didn't read carefully. If something genuinely isn't clear after two full reads, then ask. Ask a specific, concise question and lead with I want to make sure I have this right, and reference where in the brief the ambiguity is. That shows you read it and found a real gap, not that you skipped it. Fix Three: Do What You're Asked This is the one that requires the most ego management. When they ask for specific lines, record the specific lines. I understand the instinct to send your full demo. Your demo is great. Your demo represents your best work and is designed to show range. But they didn't ask for your demo. They asked for something specific. And the moment you substitute your judgment for theirs you have told them something about how you collaborate. Save the range showcase for when they ask for it. Do the thing they asked you to do, do it well, and let that be your audition. Want to add a small note at the end of the submission? Great. Something like happy to send a demo if useful. That's one sentence. It respects their time and keeps the door open without overriding their instructions. The Bottom Line The voice actors who book consistently, not occasionally but consistently, are not necessarily the most talented people in every room. They're the most professional people in every room. They read the brief, they show up on time, they do what's asked, and they make the casting director's job easy. Talent is abundant. Professionalism is not. In a pool of 200, the person who follows every instruction perfectly has already separated themselves from half the competition before a single note of audio has been heard. You worked so hard to build your voice. You invested in a studio, paid for coaching and demos and all of it. Don't let a mislabeled file be the reason someone never found out how good you are. The brief is the first audition. Pass it. Want to Keep the Conversation Going? Let me know if this resonated. Let me know if you have questions. I would love to chat about your process. Keep me posted on how I can help at mandy@actingbusinessbootcamp.com. 

Jessica and Jenn are diving into a full industry check-in before opening up the floor to listener questions.We kick things off with the latest SAG-AFTRA and AMPTP deal, breaking down some of the key gains for performers.Then we head to Cannes to talk about what the festival revealed about the current state of the film business, from the global marketplace to the types of projects making noise this year. The 2026 Cannes Film Festival ran May 12–23. We also get into the overnight success of Off Campus, Prime Video's buzzy new series based on Elle Kennedy's beloved book series, which reportedly pulled in 36 million viewers in its first 12 days and has already been renewed for Season 2. Plus, we announce our LA Summer Meet-Up!And then we jump headfirst into this month's Instagram-submitted Q&A, answering your questions about the casting process, actor materials, industry etiquette, and the stuff everyone wants to ask but doesn't always know how to say out loud. In this episode, we talk about:The latest SAG-AFTRA / AMPTP deal and what actors should knowKey union gains around AI, residuals, pensions, and castingCannes Film Festival takeawaysWhy Off Campus became such a fast breakoutOur upcoming LA Summer Meet-UpYour Instagram-submitted casting questionsActor strategy, etiquette, materials, and industry expectationsResources: THR The Indies Are Dying. Long Live the IndiesThe Hollywood-ification of BroadwayHollywood Shunned Cannes in 2026: What Will It Take for Studio Blockbusters and Netflix to Return?SAG-AFTRA Deal Stirs Concerns on Artificial Intelligence and PensionsNew AI Protections and a Merged Pension Plan: Inside SAG-AFTRA's Four-Year Deal With StudiosTribeca Festival Sets First Premiere of Fully AI-Generated Film, ‘Dreams of Violets'────────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting

Before we dive headfirst into the new season of Love Island USA, we knew we needed to catch up on some reality news and gossip. First, we go through all of the updates on the “Perfect Match” season 4 couples, and consider who might be doing couple-baiting purely for PR purposes. Then we get into some “Love Island USA” casting news – including one Islander who has already been kicked out of the villa – and dive into some updates about West and Amanda from “Summer House” and Yvonne Najor from “In The City.”

In this episode of Best in Fest, host Leslie LaPage sits down with Elissa Shay. actress, writer, and producer, to break down her journey from struggling to find the right roles in Hollywood to producing and starring in her own feature film, Fractured.After facing challenges as a mixed-ethnicity actress in an industry that often struggles with representation, Elissa took control of her career—writing, producing, and financing projects that aligned with her purpose and creative voice.

What really happens behind the scenes of reality TV and the nightlife scene? We are pulling back the curtain on the truth about Baddies casting, the intense clashes on The Pain Games, and the real-world business of the exotic dance industry.From the high-pressure environment of reality TV auditions to the daily grind of working as a professional dancer in the modern nightlife entertainment sector, this episode is a raw, eye-opening look at the industry. We dissect the viral drama, the business behind the brand, and the survival guide for navigating these intense spaces. Whether you're a fan of the show or curious about the business of nightlife entertainment, this conversation lays it all out.In this episode, we break down:Baddies Audition Secrets: The unfiltered reality of the casting process and what producers are actually looking for.The Pain Games Clash: A play-by-play breakdown of the viral fight and the real tension behind the cameras.The Nightlife Dance Industry: An educational look at the finances, safety boundaries, and misconceptions of being a professional exotic dancer.Survival & Strategy: Essential advice for young women navigating the reality TV and entertainment industries safely.Available on all podcast streaming services:spotify: https://open.spotify.com/show/71jAuFEpE62eXOJQsQmx74apple podcast: https://podcasts.apple.com/us/podcast/the-highest-point-podcast/id1573678608pandora: https://pandora.com/podcast/the-highest-point-podcast/PC:1000637890iHeart: https://www.iheart.com/podcast/269-the-highest-point-podcast-83744185/Support the show: https://www.cash.app/$highestpointenthttps://www.paypal.com/paypalme/highestpointpodcast#Baddies #ThePain Games #ZeusNetwork #BehindTheScenes #RealityTV #NightlifeIndustry #DanceBusiness #TrueStory #Exposed #PodcastInterview #EntertainmentNews #womeninbusiness #thehighestpointpodcast

I'm talking with Jonny King this week. We dig into his start to fishing and how much Lunkers love nightcrawlers, fishing in the northeast, catadromous eels, his music journey, meeting and fishing with his wife, striper fishing, the evolution of fly tying, the joys of exploration, and so much more.

TISS is a weekly podcast where Varun, Kautuk & Aadar discuss crazy "facts" they find on the internet. Come learn with them... or something like that.This week, the boys are talking about 'Bollywood's Don 3 Gossip'To support TISS, check out our Instamojo: www.instamojo.com/@TISSOPFollow #TISS Shorts where we put out videos: https://bit.ly/3tUdLTCYou can also check out the podcast on Apple podcast, Spotify and Google podcast!https://shorturl.at/hfQZXhttp://apple.co/3neTO62http://spoti.fi/3blYG79http://bit.ly/3oh0BxkCheck out the TISS Sub-Reddit: https://bit.ly/2IEi0QsCheck out the TISS Discord: / discord  Buy Varun Thakur's 420 Merch - http://bit.ly/2oDkhRVSubscribe To Our YT Channels:Varun - https://bit.ly/2HgGwqcAadar - https://bit.ly/37m49J2Kautuk - https://bit.ly/3jcpKGaNeville - https://bit.ly/2HfYlWyFollow Us on Instagram:Varun -   / varunthakur  Aadar -   / theaadarguy  Kautak -  / cowtuk  Neville -  / nevilleshahChapters:00:00 End of Maa Kasam Season 100:45 Bollywood Postmortem Bachesh02:06 Intro02:27 Episode Begins04:09 Gadar 3 Plot05:06 Horn OK Please06:45 The Don 3 Drama14:11 Salman Bhai Solves Don 316:32 Don 3 BTS Documentary17:54 John Abraham for Don 3?19:32 Casting the Perfect Don29:21 Pakistan's Mera Lyari34:13 Dhurandhar Baby Talk39:56 Dhokha Around the D Corner 01:16:22: OutroEdit & Thumbnail - MetaFX Studio

durée : 00:04:31 - Le masque et la plume - par : Rebecca Manzoni - Sylvie (Isabelle Huppert) espionne ses voisins pour écrire son roman, mêlant souvenirs et fiction. Malgré un très grand casting, Le Masque déplore quasi unanimement un scénario verbeux, artificiel qui se perd dans un puzzle intellectuel qui finit par lasser par son opacité. - réalisation : Stéphane Le Guennec, Ilinca Negulesco Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France