Podcast appearances and mentions of Glenn D Lowry

Wir springen in dieser Folge ins 16. Jahrhundert. Schauplatz ist Nordindien, wo eine neue Dynastie aus dem heutigen Usbekistan ihre Herrschaft begründet. Wir sprechen in dieser Folge über die Moguln, vor allem aber über ihren dritten König der Könige, Akbar. Dabei beleuchten wir auch jene Stadt, die er neu begründete, um seine Herrschaft in die richtigen Bahnen zu lenken, nur um sie nach vierzehn Jahren wieder zu verlassen. // Erwähnte Folgen - GAG333: Alexandria – https://gadg.fm/333 - GAG349: Konstantin Phaulkon im Königreich Ayutthaya – https://gadg.fm/349 - GAG439: Kyros II. und die Entstehung eines Mythos – https://gadg.fm/439 // Literatur - Asher, Catherine B., and Cynthia Talbot. India before Europe. Cambridge: Cambridge University Press, 2006. Brand, Michael, and Glenn D. Lowry, eds. Fatehpur-Sikri: A Sourcebook. Cambridge, Mass.: Aga Khan Program for Islamic Architecture, 1985. - Darwin, John. After Tamerlane: The Global History of Empire Since 1405. London: Penguin Books, 2007. - Mukhia, Harbans. The Mughals of India. Malden, MA: Blackwell Publishing, 2008. - Richards, John F. The Mughal Empire. The New Cambridge History of India, vol. I.5. Cambridge: Cambridge University Press, 1993. - Truschke, Audrey. Culture of Encounters: Sanskrit at the Mughal Court. New York: Columbia University Press, 2016. Das Episodenbild zeigt Akbar auf einem Gemälde des Mogulkünstlers Manohar. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Geschichten aus der Geschichte jetzt auch als Brettspiel! Werkelt mit uns am Flickerlteppich! Gibt es dort, wo es auch Becher, T-Shirts oder Hoodies zu kaufen gibt: https://geschichte.shop // Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

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In 1932, the Museum of Modern Art (MoMA) established the world’s first curatorial department devoted to architecture and design. Director Glenn D. Lowry pioneered and presided over the museum’s 2004 renovation, designed by the Japanese architect Yoshio Taniguchi, and is currently overseeing the ambitious expansion and redevelopment that is set for completion in 2018. Lowry spoke at MPavilion in October 2014 about design’s role in the museum, and was joined in conversation by Edmund Capon, chair of the Australian Institute of Architects Foundation and former director of the Art Gallery of New South Wales. http://www.mpavilion.org/program/moma-director-glenn-d-lowry-in-conversation-with-edmund-capon

Glenn D. Lowry and Matthew Teitelbaum discuss art, ideas and the future of museums.

Glenn D. Lowry and Matthew Teitelbaum discuss art, ideas and the future of museums.

A symposium with Glenn D. Lowry, Thomas Struth (Artist), Neil MacGregor (Director, The British Museum) and Penelope Curtis (Director, Tate Britain) held at the Said Business School on 5th May 2011.

A symposium with Glenn D. Lowry, Thomas Struth (Artist), Neil MacGregor (Director, The British Museum) and Penelope Curtis (Director, Tate Britain) held at the Said Business School on 5th May 2011.

Glenn D. Lowry, Director of the Museum of Modern Art, New York, gives a talk on Museums for the Humanitas - Visiting Professorships at the Universities of Oxford and Cambridge series.

Glenn D. Lowry, Director of the Museum of Modern Art, New York, gives a talk on Museums for the Humanitas - Visiting Professorships at the Universities of Oxford and Cambridge series.

I love this book called "What is art and 100 other very important questions." by Ernst Billgren. One of the questions his book is, "Who decides whether art is good or not?" and then he has a nice format for the answer. "Short Answer: Glenn D. Lowry. " And then a long answer. "Quality is a moniker for what the people you respect, appreciate. Even if you do not agree with them, there are those who you perceive as authorities in the field on account of their expertise, their position, or the respect they enjoy among their peers. Subsequently, what is considered geniality changes as those people are substituted? The Pre-Rafaelites were considered the best things that had happened in the art world, but well into the twentieth century nobody defended them any longer and their work was automatically devalued as passé. The paintings themselves did not change over time. Quality is a relative term in a similar way as Time (which feels absolute in the present moment)." Why am I talking about who decides whether art is good or not? - Today I have Ram Rahman with us on Audiogyan who needs no introduction. But just for formality, Ram is a photographer, curator, designer, activist, and a noted contemporary artist based in Delhi. With such a large body of work, it is impossible to document even a fraction of his thoughts, ideologies, and philosophies. However, I have decided to have a conversation around what is curation. Welcome Ram to Audiogyan it's a real honor to have you on the show. What is curation? with Ram Rahman. How old is a concept of curation? What made us do that? Why do we have galleries? What qualifies to be in a gallery? What qualifies to be worth the collection? On what metrics does a curator work? History is told by the rulers. How do you differentiate truth versus mythic truth? Especially in India where there are so many Ramayanas? Also, it is so difficult to exclude any part of history, especially with India’s pluralistic and diverse culture. What are your thoughts on this? What is your definition of unique or being iconic to a particular time? How has that definition of, one-of-a-kind changed in the last 30-40 years? How stable is this concept of uniqueness in this changing world? Recently, there has been a growing interest in the time period when your father’s practice was at its peak. You have spoken, written, and exhibited extensively on the works of architects, designers, and cultural producers of this time. Why this time important to understand? Do you think we as humans are worried we will forget? What is the long term future of museums, galleries, or for that matter, the paintings you've done and photos you have taken? Overall art in India? Before we sign off, I want to thank Ruturaj Parikh from Matter. This Audiogyan episode is in association with Matter. Matter is an independent publishing house, a group of practicing architects who also deeply care about archiving content in the architecture space. Matter in based on Goa. Link and more details are in the show notes. https://en.wikipedia.org/wiki/Ram_Rahman https://www.saffronart.com/artists/ram-rahman https://www.sac.ac.in/faculty/ram-rahman/ https://post.at.moma.org/content_items/1083-post-presents-the-artist-as-activist?_ga=2.259783114.1551250128.1594120121-133378558.1594120121