Podcasts about British Museum

In this captivating episode of History Rage, host Paul Bavill is joined by historian and content director for the History Extra podcast, Dave Musgrove, to delve into the rich tapestry of history represented by the iconic Bayeux Tapestry. As part of the Gloucester History Festival, Dave shares his passion for this nearly 1,000-year-old artefact, revealing its significance beyond the famous Battle of Hastings.The Bayeux Tapestry Unveiled:Dave passionately argues against the common misconception that the tapestry solely depicts the Battle of Hastings, urging listeners to appreciate its broader narrative that chronicles the life of Earl Harold and the events leading to 1066.Harold's Journey:Exploring the early sections of the tapestry, Dave highlights the portrayal of Harold Godwinson, showcasing his duality as a nobleman and a worthy adversary to William the Conqueror, thus providing a deeper understanding of the political context of the time.Artistry and Interpretation:Listeners will learn about the artistry behind the tapestry, including its unique embroidery techniques and the intriguing details that embellish its borders, from mythical creatures to Aesop's fables, all of which enrich the narrative.Controversies and Misconceptions:Dave tackles the ongoing debates surrounding the tapestry, including the infamous arrow in the eye scene and the implications of its display at the British Museum. He encourages a more nuanced view of the tapestry's historical context and its journey through time.This episode is a passionate call to action for history enthusiasts to look beyond the surface and appreciate the intricate stories woven into this remarkable artefact. Join Paul and Dave as they unravel the layers of history, inviting listeners to engage with the past in a meaningful way.Guest Information:Catch Dave Musgrove on the History Extra podcast available on all major platforms.The Gloucester History Festival Blackfriars Talks run from 13th September through to 21st September and Tickets are available at https://www.gloucesterhistoryfestival.co.uk/Dave will be speaking on Saturday 13th September 2025 at 4:00pm and tickets are available here: https://www.gloucesterhistoryfestival.co.uk/events/the-bayeux-tapestry/Support History Rage on Patreon at patreon.com/historyrage for exclusive content and the iconic History Rage mug. Follow History Rage on Social Media:Twitter: @historyrageFacebook: https://www.facebook.com/HistoryRageInstagram: https://www.instagram.com/historyrageBluesky: https://bsky.app/profile/historyrage.bsky.social Stay informed, stay passionate, and let the rage for historical truth burn on! Hosted on Acast. See acast.com/privacy for more information.

This is a free preview of a paid episode. To hear more, visit www.louiseperry.co.ukMy guest today is the writer and cultural historian Tiffany Jenkins. She has previously written books on museums and the moral questions raised by exhibiting or retaining certain artefacts, in that spirit she is also a trustee of the British Museum, and a radio presenter, including of the BBC Radio 4 series 'The History of Secrecy.' Her latest book is '…

Beloved English classics scholar Dame Mary Beard offers wisdom on how to tackle the vast collection of the British Museum, and ponders the ethics and responsibility of retaining the cultural antiquities of other lands. Then a cartoonist shares his love of museums and how they transform us by illustrating memorable moments at his favorites across North America. And a Korean American travel writer explains why Seoul is an ideal introduction to traveling in Asia, and recommends a relaxing island counterpoint to the bustling, 24-hour capital. For more information on Travel with Rick Steves - including episode descriptions, program archives and related details - visit www.ricksteves.com.

You better bee-lieve it, we're talking about honeybee headaches. Former beekeeper Adam Novicki explains the causes of this year's historic honeybee die-off Sawdust covered floors, free peanuts, and stiff martinis are hallmarks of Chez Jay, which celebrates 66 years along Route 66 Jenny Linford explores cooking, eating, and drinking through objects in the British Museum's collection Chef Katie Reicher of legendary San Francisco restaurant Greens shares vegetarian recipes from her repertoire Baker Nicole Rucker adopts a fruit tree and sets her sights on a glazed peach pie Sign up for Good Food's weekly newsletter!

Every Wednesday and Friday in August we will publish some of our favourite audio long reads of 2025, in case you missed them, with an introduction from the editorial team to explain why we've chosen it. This week, from March: beset by colonial controversy, difficult finances and the discovery of a thief on the inside, Britain's No 1 museum is in deep trouble. Can it restore its reputation? By Charlotte Higgins. Read by Diveen Henry. Help support our independent journalism at theguardian.com/longreadpod

In this episode, host Ellie Woodacre interviews Emma Cahill Marrón about her pop up exhibition at the British Museum 'Faces of Eternity'. We discuss the items features, the iconography of Renaissance royal women, the use of medals and coins as propaganda and Mary I Tudor as both a English and Spanish queen. This mini exhibition will be running until mid-October 2025 in the Money Gallery at the British Museum, room 68, case 10. Here is a link to a short video of Ellie and Emma visiting the exhibition in London.Guest Bio: Dr Emma Cahill Marrón is an art historian who specialises in queenly iconography and patronage, with a particular focus on Katherine of Aragon. She completed her PhD at the University of Murcia (Spain) and is part of the research group there, 'Arte, Poder y Genéro' and the 'Mefer' project led by Noelia Garcia Perez. For more on her upcoming publications and events, see below:o   To learn all about the women mentioned in the interview this summer tune in every Thursday to the series series ‘Parallel Lives' in Dr. Emma & Me in the Tudors Dynasty Podcast.o   This fall Emma will be collaborating with Rebecca Larson from Tudors Dynasty & Beyond to bring you a six-week course titled Katherine of Aragon: Forging a Queen. Send an email to dremmaandme@gmail.com to get all the details about this new course!For more follow Emma on social media (X, Bluesky, Insta)o   Dr. Emma Luisa Cahill MarrónX: @EmmaLCahillInstagram: @emmacahillmarrono   Arte, Poder, GéneroX: @artepodergeneroInstagram: @artepodergenero

In this episode, Claire visits Oxford to cook with Alexandra Green, curator for Southeast Asia at the British Museum. Alexandra shares her passion for Southeast Asian food, shaped by her childhood in Malaysia and her love of rice and vibrant flavours. Together, they prepare Alexandra's favourite quick and easy Thai chickpea curry – a comforting dish that blends classic Thai ingredients with a twist, reflecting Alexandra's own culinary influences.As they cook, Alexandra talks about her fascinating role at the British Museum, looking after a vast collection of over 33,000 objects from across Southeast Asia. She discusses the importance of spices, their journeys across the world, and how food and objects connect cultures through time. Alexandra explains how she became the first dedicated curator for Southeast Asia at the museum, her work on exhibitions, and the ongoing efforts to share and document the region's rich history.The conversation weaves together stories of family, travel, and the everyday joy of cooking. Alexandra reflects on the objects she cares for, from fish traps and mortars to contemporary art and ceremonial daggers, and what they reveal about the lives and histories of Southeast Asian communities. She also touches on the complexities of museum collections, the significance of transparency and access, and the role of curators in shaping the stories we tell about the past.With a warming bowl of Thai chickpea curry and plenty of good conversation, this episode is a celebration of food, heritage, and the connections we make through what we cook and collect. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, Tracy DW reflects on her recent visit to the British Museum, where the Benin Bronzes reignited her passion for the complex issue of artefact repatriation. Through the lens of her year six pupils' studies on the Benin Kingdom, Tracy navigates the debate surrounding the return of historical artefacts to their countries of origin, raising questions about rightful ownership, cultural identity, and the legacies of colonialism. As she examines the broader implications of artefact retention versus repatriation, Tracy invites listeners to consider the impact of colonialism on cultural heritage and the importance of acknowledging historical wrongs. This episode serves as a poignant reminder of the need for reconciliation and the potential for artefacts from the ‘spoils of war' to become true ‘cultural ambassadors' when returned to their rightful homes. If you enjoy these podcasts, visit the website https://storiestobetolled.com for our stories (poetic narratives) as well as more information about what we do. You can also contact Tracy via audio on the speakpipe link or email Tracy info@storiestobetolled.com

Welcome to the CSCEN Conference Rewind podcast, bringing you the most compelling conversations from the Civil Service Climate & Environment Network Conference, March 2025. Each episode dives deeper with the speakers who inspired us at the event.Episode DescriptionIn this episode of Climate Conversations, we continue our exploration of key themes from the CSCEN Conference with Rob St John. We discuss the role of art in environmental practice and expand on their thought-provoking session that captivated conference attendees.Guest BioRob St John is an artist and writer with work shown/heard at the Tate Modern, The Barbican, The British Museum, Tramway Glasgow, The Royal Geographical Society, Edinburgh Festival Fringe, and many others . At the CSCEN Conference, he presented on how art can be embedded into environmental practice. More info can be found on his website: about – rob st johnConnect With Us· Join the conversation: environment.network@energysecurity.gov.uk· CSCEN website: https://www.civilserviceenvironmentnetwork.org/· Follow us on LinkedIn: https://www.linkedin.com/company/civil-service-environment-network/Produced by the Civil Service Climate & Environment Network, March 2025

Send me a messageChris Green is The History Chap; telling stories that brings the past to life.The movie "Zulu"'s Greatest Injustice: The True Story of Henry Hook VC.Become A PatronMake A DonationIf you've watched the classic 1964 film "Zulu," you'll remember Henry Hook as a drunken, cowardly malingerer who miraculously finds his courage during the Battle of Rorke's Drift. But what if I told you the real Henry Hook was the exact OPPOSITE of his film portrayal?In this episode, we uncover the shocking truth about Alfred Henry Hook VC - a teetotal, model soldier who served his country for over 40 years. Far from being the cockney anti-hero played by James Booth, Hook was a dedicated soldier from Gloucestershire, not a London thief. He was a member of the Good Templars temperance society who completely abstained from alcohol. When the Zulus attacked, he wasn't malingering in bed but working as the hospital cook, preparing tea for patients.The real Hook was a skilled marksman who single-handedly held off Zulu warriors for hours, defending the hospital room by room with incredible bravery. He saved patients by carrying them to safety on his back, including the injured Private Connolly whose leg he broke again while dragging him through a hole in the wall to escape the flames and assegais.Discover how Hook's incredible real story of genuine heroism was completely distorted by Hollywood. Explore his post-war life working at the British Museum as a book duster, his struggles with literacy despite letters of support from Lord Chelmsford and the Prince of Wales, and how he became a minor celebrity wearing his Victoria Cross while visitors heard his battle stories.Learn about his continued military service with volunteer battalions for 20 years, rising to Instruction Sergeant, his troubled first marriage and happier second marriage to Ada Taylor, and his tragic early death from tuberculosis at just 54. I also examine his family's genuine distress at the film's inaccurate portrayal and debunk the myth about them storming out of the premiere.Support the show

In this episode, Jonny speaks with Dr Sushma Jansari, lead curator of Ancient India: living traditions at the British Museum, about the featured ancient Indian devotional imagery across Hinduism, Buddhism, and Jainism. Exploring the exhibition in depth, they discuss how sacred figures evolved from symbolic footprints to human forms, and how the exhibition connects these shared origins to contemporary practices, particularly in the South Asian diaspora. It is the British Museum's first major multi-faith exhibition on ancient South Asian devotional art, spotlighting its global relevance and deep ties to living communities. Ancient India: living traditions runs at the British Museum from 22 May to 19 October 2025, featuring over 180 objects: sculptures, paintings, manuscripts and more. You can claim your 2 for 1 tickets by using code INDIA2FOR1**Offer valid on pre-booked tickets from the British Museum website for visits until 12 October 2025 (subject to availability). Please enter code online before selecting your ticket date, then select 2 Adult tickets. Hosted on Acast. See acast.com/privacy for more information.

Today, Ceri sits down with the brilliant Shezad Dawood, whose expansive practice spans painting, textile, sculpture, film and digital media. He weaves stories, realities and symbolism to create richly layered worlds, and exhibits at leading institutions worldwide, from MoMA and the ICA to the Venice Biennale, Guangzhou Triennial and Manifesta. His works are held in major collections including the Guggenheim, Tate, LACMA, the National Gallery of Canada, and the British Museum. Shezad unpacks the inspiration behind his work. He shares why he always proposes the most ambitious, even bonkers ideas, how he maximises every project and why he stays clear of social media. Whether you're early in your career or looking to push your work further, this conversation is packed with insight from playing the long game as an artist. KEY TAKEAWAYS Your artistic voice emerges from a willingness to play, to fail, and to continuously reimagine your practice. It's less about perfection, and more about persistent, passionate inquiry. The intersection of artistic vision and community engagement is where the real magic happens. Shezad's approach to public art is revolutionary: it's not about imposing a vision, but creating a generous, collaborative dialogue. Your intuition is what will lead you to the right place. BEST MOMENTS "He was a really tough critic and teacher who would question every brush mark. It just gave me this real sort of critical kind of eye and voice on my own work.” “Stay with your practice. Keep developing, keep working at it. Don't be easily dissuaded, deterred, distracted or pushed into an avenue you don't want to go down." “Engage with people. You might have a coffee with somebody, they say something, and you think “Oh, that´s the missing thing that I was sort of looking for.” EPISODE RESOURCES https://shezaddawood.com PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** The Artist Mastermind Circle: Ready to stop second-guessing and start building momentum in your art career? Applications are now open for the next Artist Mastermind Circle—a six-month coaching programme for mid-career artists who are serious about growing their confidence, income, and opportunities. Apply by September 15th 2025 at https://cerihand.com/artist-mastermind-circle/ and take the next bold step. Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Cathédrale de Cantorbéry, en Angleterre, 29 décembre 1170. L'archevêque Thomas Becket, plus haut prélat du royaume, est frappé à mort par quatre hommes d'armes qui l'ont poursuivi. Pour le second volet de la série d'été « Un meurtre, une société », Fanny Madeline, maîtresse de conférences en histoire médiévale à l'université Panthéon-Sorbonne, décrypte les enjeux de cette mort violente à relier aux affrontements entre Église et pouvoirs séculiers initiés par la « réforme grégorienne ». Pour aller plus loin : Lloyd de Beer, Naomi Speakman, Thomas Becket: murder and the making of a saint, British Museum, 2021 Une série de Paroles d'histoire, podcast créé et produit par André Loez, distribué par Binge audio. Contact pub : project@binge.audioMusique de générique : Neil Young, Cortez the Killer.Titre de la série en référence au livre de Bernard Guénée sur 1407.Un podcast créé, animé et produit par André Loez et distribué par Binge Audio. Contact pub : project@binge.audioDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:38:54 - France Culture va plus loin (l'Invité(e) des Matins d'été) - par : Astrid de Villaines, Stéphanie Villeneuve, Sarah Masson - La tapisserie de Bayeux sera expédiée en Angleterre en 2026 pour être exposée dans le prestigieux British Museum. L'institution présente toutes les garanties de sérieux, mais l'opération soulève toutefois bien des questions et des inquiétudes des experts au regard de la grande fragilité de l'œuvre. - réalisation : Félicie Faugère - invités : Thalia Bajon-Bouzid Restauratrice textile; Hugo Fresnel Docteur en histoire médiévale, ATER à l'Université de Caen Normandie; Pauline Schnapper Professeure de civilisation britannique à l'université Sorbonne Nouvelle; Vincent Négri Juriste, chercheur au CNRS, au sein de l'Institut des sciences sociales du politique (Ecole normale supérieure de Paris-Saclay)

Archaeologist Dr Helen Geake and co-host Martyn Williams are back for another edition of the podcast. This episode is also available to watch on YouTube. Time Team's Giselle Király is in the Italian Dolomites discovering human remains left frozen in the ice for 5,000 years. She comes face to face with Ötzi the Iceman, whose body is on display at South Tyrol Archaeology Museum. The Festival of Archaeology is in full swing at venues across the UK. Derek Pitman and Lawrence Shaw have been at the festival's launch. You'll meet Louise Bedford, the archaeology student who's created her own video game which gives you the opportunity to explore a real dig. Helen answers more questions from Patreon supporters and Dani Wootton has this month's edition of Time Team News. Here's the link to the Wilton Cross, the British Museum artefact Helen describes: https://www.britishmuseum.org/collection/object/H_1859-0512-1

In this episode, we dive into the radical theories of parapsychologist D. Scott Rogo, who suggested that many hauntings, abductions, and even poltergeist phenomena might not come from outside forces, but from within ourselves. Could we be unknowingly manifesting our own paranormal experiences? And what if some forms of mental illness or multiple personality disorder are actually cases of spirit obsession or full-blown possession? We also journey through the hidden chambers and forbidden tunnels of a world-famous institution, where ancient relics and human remains seem to stir with unrest. Staff and psychics alike report ghostly voices, locked doors opening on their own, and encounters with entities that cling to artifacts like shadows. Are these echoes of colonial violence, or the spirits of the dead refusing to be forgotten? The Haunted Universe Minds and Motion: The Riddle of Psychokinesis Phone Calls from the Dead The Infinite Boundary: Spirit Possession, Madness and Multiple Personality Exploring Psychic Phenomena Our Haunted Planet Life After Death: Problems of the Future Life and Its Nature James H. Hyslop Ghosts of the British Museum: A True Story of Colonial Loot and Restless Objects The British Museum The 20th anniversary of the Great Court Kunstkammer Wien: der Schiffsautomat The Royal Burial Ground at Sutton Hoo The Anglo-Saxon ship burial at Sutton Hoo British Museum Kozo, the double-headed dog British Museum finds 268 more missing artefacts The Queen of the Night LinksPlus+ Extension The extension of the show is EXCLUSIVE to Plus+ Members. To join, click HERE. Learn more about your ad choices. Visit megaphone.fm/adchoices

Emmanuel Macron made his state visit to the UK this week – the first EU leader to do so since Brexit. It heralded a reset between France and Britain, dubbed the ‘entente amicale' by King Charles. Macron and Starmer announced a joint crackdown on migration with a ‘one-in one-out policy' for asylum seekers and closer cooperation on defence. But it wasn't all hard talk, with much of the limelight focused on a soft-power push: the announcement that the Bayeux Tapestry will be returning to the UK for the first time in more than 900 years. Host George Parker is joined by Stephen Bush, Anna Gross and the FT's Europe editor Ben Hall to discuss what this ‘entente amicable' might mean for the UK.Follow George on Bluesky or X: @georgewparker.bsky.social, @GeorgeWParker; Stephen @stephenkb.bsky.social‬, @stephenkb; Anna @annasophiegross.bsky.social What did you think of this episode? Let us know at politicalfix@ft.com Want more? Free links: Britain, France and the necessary relationship Keir Starmer and Emmanuel Macron announce migrant returns dealHow the British Museum secured chance to host Bayeux Tapestry after 900 years Small boat crossings to UK soar in first half of year Inside Politics: Jake Berry's defection signals Tory party is in deep trouble Sign up here for 30 days free of Stephen Bush's Inside Politics newsletter. Presented by George Parker, and produced by Lulu Smyth. The executive producer is Flo Phillips. Original music and mix by Breen Turner. The FT's acting co-head of audio is Manuela Saragosa.Read a transcript of this podcast on FT.com Hosted on Acast. See acast.com/privacy for more information.

Historians have floated a half-dozen theories for why Viking Greenland settlements suddenly vanished in the 1300s and 1400s, after nearly 500 years of occupation. Was it climate change, the Black Death, even bad farming habits learned in Scandinavia?But what if…it all came down to walrus ivory? It turns out that walrus tusks during the Viking and Middle Ages fuelled a long-distance trade network that stretched from Inuit hunters far above the Arctic Circle to churches and royalty in cities as far flung as Novgorod, Kyiv and Cologne. Now, using ancient DNA and isotope analysis, archaeologists have shown that virtually all these tusks came from Greenland!And then suddenly, the market collapsed. What happened?Today's show looks at how everything from cutting edge technology to dogged footwork has allowed researchers to piece together the details of the global walrus trade a thousand years back in time. They're also using this window into the past to better understand walruses themselves, to make predictions about the future of walruses in a warming world.My guests on today's show are James Barrett, professor of medieval and environmental archaeology at the NTNU University Museum, and Katrien Dierickx and Erin Kunisch, postdocs with James and the 4-Oceans project.Here's a link to the NTNU University Museum's new exhibit on the walrus tusk trade, Sea Ivories. The exhibition includes the Wingfield-Digby Crozier, from the Victoria & Albert Museum, plus several Lewis Chessmen, from the British Museum.Here's a link to photos and a description of a Romanesque walrus ivory carving, the Cloisters Cross. Here's a link to a Gothic-style carving of elephant ivory.Here are some relevant academic articles:Barrett, James; Boessenkool, Sanne; Kneale, Catherine; O'Connell, Tamsin C; Star, Bastiaan. (2020) Ecological globalisation, serial depletion and the medieval trade of walrus rostra. Quaternary Science ReviewsBarrett, James; Khamaiko, Natalia; Ferrari, Giada; Cuevas, Angelica; Kneale, Catherine; Hufthammer, Anne Karin. (2022) Walruses on the Dnieper: new evidence for the intercontinental trade of Greenlandic ivory in the Middle Ages. Proceedings of the Royal Society of London. Biological SciencesKeighley, X et al.Disappearance of Icelandic Walruses Coincided with Norse Settlement, Molecular Biology and Evolution, 36:12, Dec.2019, p2656–2667, https://doi.org/10.1093/molbev/msz196Transcript Hosted on Acast. See acast.com/privacy for more information.

La tapisserie de Bayeux va être prêtée au British Museum de septembre 2026 à juin 2027, a annoncé Emmanuel Macron lors de sa visite d'État au Royaume-Uni, mardi 8 juillet.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Bestselling novelist Kate Mosse - much of whose historical fiction is set in medieval France - reacts to the news that the Bayeux Tapestry is to go on display at the British Museum in London next year. Comedian and actor Kat Sadler on her BAFTA-winning sitcom Such Brave Girls, which is set in a dysfunctional single parent family.Sitar virtuoso Nishat Khan tells us about his debut opera Taj Mahal which is being performed at Grange Park Opera this week. And artist Lindsey Mendick whose work often focuses on powerful historic women, tells us about Wicked Game, her installation at Kenilworth Castle in Warwickshire, which commemorates a historic visit by Elizabeth I 450 years ago and which takes the form of a fragmented chess board. Presenter: Nihal Arthanayake Producer: Mark Crossan

198. Objetos Malditos: Cuando el Deseo Tiene Precio. La Pata de Mono. (W. W. Jacobs) (LLDLL) VIII ¿Qué precio estás dispuesto a pagar por un deseo? ¿Qué estarías dispuesto a sacrificar por tener lo que más anhelas? Esta noche desvelamos uno de los secretos más inquietantes de la historia del misterio y lo oculto: los objetos malditos. En este episodio especial, exploramos reliquias reales marcadas por la tragedia, la muerte y el miedo. Objetos que no solo han sido acusados de arrastrar desgracia, sino que han dejado tras de sí una estela de muertes, ruinas y fenómenos inexplicables. Desde vitrinas selladas hasta museos silenciosos, estas piezas parecen contener un eco de dolor… o algo peor. Los objetos malditos que conocerás esta noche incluyen: El retrato “The Anguished Man”, pintado con sangre humana, cuyos lamentos aún se escuchan por las noches. El Jarrón de Bassano, que ha cobrado la vida de quienes osaron poseerlo. El Espejo de Myrtle’s Plantation, donde se reflejan almas atrapadas tras una muerte trágica. Mandy, la muñeca del museo de Quesnel, famosa por provocar llantos y caos inexplicables. La Caja Dybbuk, una reliquia judía que desató maldiciones, derrames cerebrales y visiones oscuras. Annabelle, la muñeca poseída más temida del Museo de lo Oculto. El Sillón del Diablo, en Valladolid, que prometía sabiduría a cambio de vidas humanas. La tapa de sarcófago egipcio del British Museum, ligada al hundimiento del Titanic. La pintura “The Hands Resist Him”, la obra maldita de internet, que supuestamente cobra vida. El vestido de novia de Anna Baker, que aún se agita con pena por un amor imposible. Los cuadros de “The Crying Boy”, asociados a incendios que consumieron hogares… menos al niño lloroso. La momia del Museo Británico, relacionada con una cadena de muertes y tragedias. Robert the Doll, el muñeco que aún hoy recibe cartas de disculpas por sus efectos sobrenaturales. El Diamante Hope, una joya azul robada de un templo hindú, que arrastró desgracias a todos sus dueños. La silla de Thomas Busby, maldita por un asesino que juró que traería la muerte a quien se sentara en ella. Las reliquias robadas de Pompeya, cuyos ladrones envían de vuelta con cartas desesperadas los objetos que desataron infortunios. Las Bolas Malditas del Golán, proyectiles romanos que, al ser sustraídos, generaron ruina y muerte. Todos ellos tienen algo en común: el ser espejos de nuestros más oscuros deseos y advertencias para quienes cruzan límites que jamás debieron tocar. Y al final de nuestro recorrido, te invito a cerrar los ojos y escuchar La Pata de Mono, el clásico inmortal de W. W. Jacobs, un cuento que parece simple, pero que esconde una de las moralejas más potentes del género fantástico: cuidado con lo que deseas. Porque los deseos se cumplen… pero a un precio terrible. Una familia común recibe de un veterano del ejército británico una reliquia misteriosa: la momificada pata de un mono, encantada por un faquir. Esta concede tres deseos. Lo que sigue es una lenta y agónica caída en el horror cotidiano. Lo que pidieron... lo obtuvieron. Pero nunca como lo esperaban. Una historia que inspiró a Stephen King para escribir Cementerio de animales, y que ha sido contada una y otra vez en voz baja, como advertencia. ¿Son estos objetos simples supersticiones o puertas a algo más profundo y peligroso? ¿Y si el verdadero terror no reside en ellos… sino en lo que nosotros proyectamos sobre ellos? Esta noche, escucha con atención. Porque en La Llamada de la Luna, l los objetos tienen memoria. HAZTE MECENAS, no dejes que La Biblioteca, cierre Nunca sus Puertas… Sigamos sumando en LLDLL, SUSCRIBETE en IVOOX y comparte. GRATITUD ESPECIAL: Siempre a los MECENAS. Sin ustedes… esto no sería posible. SUSCRIBETE AL CANAL DE TELEGRAM: https://t.me/LaLamadaDeLaLuna PUEDES VER ALGUNOS VIDEOS DE LLDLL: https://www.youtube.com/channel/UCEOtdbbriLqUfBtjs_wtEHw Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Morse code transcription: vvv vvv Sheikh Hasina authorised deadly Bangladesh crackdown, leaked audio suggests Bayeux Tapestry to return to British Museum on loan after 900 years Rishi Sunak takes job at Goldman Sachs Jury free trials recommended to save courts from collapse Diogo Jotas car likely speeding before accident Spanish police Russian ministers death serves as warning to political elite Wildfire threatens Marseille as a thousand firefighters defend city Gregg Wallace MasterChef host sacked as 50 more people make claims King Charles and Macron toast ever closer UK France ties at state banquet Why small time criminals burned a London warehouse for Russias mercenary group Wagner

Morse code transcription: vvv vvv Sheikh Hasina authorised deadly Bangladesh crackdown, leaked audio suggests Why small time criminals burned a London warehouse for Russias mercenary group Wagner Russian ministers death serves as warning to political elite Diogo Jotas car likely speeding before accident Spanish police Wildfire threatens Marseille as a thousand firefighters defend city Gregg Wallace MasterChef host sacked as 50 more people make claims Jury free trials recommended to save courts from collapse King Charles and Macron toast ever closer UK France ties at state banquet Rishi Sunak takes job at Goldman Sachs Bayeux Tapestry to return to British Museum on loan after 900 years

Morse code transcription: vvv vvv Sheikh Hasina authorised deadly Bangladesh crackdown, leaked audio suggests Bayeux Tapestry to return to British Museum on loan after 900 years Gregg Wallace MasterChef host sacked as 50 more people make claims King Charles and Macron toast ever closer UK France ties at state banquet Russian ministers death serves as warning to political elite Jury free trials recommended to save courts from collapse Why small time criminals burned a London warehouse for Russias mercenary group Wagner Rishi Sunak takes job at Goldman Sachs Diogo Jotas car likely speeding before accident Spanish police Wildfire threatens Marseille as a thousand firefighters defend city

Morse code transcription: vvv vvv Diogo Jotas car likely speeding before accident Spanish police Gregg Wallace MasterChef host sacked as 50 more people make claims Why small time criminals burned a London warehouse for Russias mercenary group Wagner King Charles and Macron toast ever closer UK France ties at state banquet Wildfire threatens Marseille as a thousand firefighters defend city Russian ministers death serves as warning to political elite Bayeux Tapestry to return to British Museum on loan after 900 years Rishi Sunak takes job at Goldman Sachs Jury free trials recommended to save courts from collapse Sheikh Hasina authorised deadly Bangladesh crackdown, leaked audio suggests

Our host, Hilary Knight speaks with Freya Salway, Head of the Lab at Google Arts and Culture Lab which engages artists, institutions and audiences through experimentation with new digital technology. They discuss the lab's mission, collaborations, and approach to R&D and partnerships.External referencesGoogle Arts and CultureThe LabExperiments with GoogleGoogle Arts & Culture and British choreographer, Wayne McGregor developed an AI capable of predicting dance moves in his particular styleJonathan Yeo's large-scale bronze sculptural self-portrait entitled Homage to Paolozzi (Self Portrait)Future Relics, A collaboration between Google Arts & Culture, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya in Mumbai and the British Museum in LondonDr. Elizabeth Harmon on mining the Smithsonian Institution collections for stories of women in scienceOne Minute Guides, with Cleveland Museum of ArtTalking toursNotebookLMEs Devlin's Please Feed The Lions interactive sculpture in Trafalgar SquareGuest bioFreya Salway is head of the lab at Google Arts & Culture, collaborating with artists, technologists, curators, scientists and cultural institutions globally to explore the application of advanced technologies for arts and culture. Since 2018, she has supported artistic experimentation with A.I. through residency programs and bespoke collaborations, partnering with renowned artists, innovators and cultural organizations. She has also worked as an independent consultant, enabling artists, brands and broadcasters to deliver creative projects, and previously led arts partnerships for Sky Arts, the U.K.'s only TV channel dedicated to the arts.

Episode: We're back now with Tablet VIII of the Epic of Gilgamesh, and our grief knows no bounds. Tune in and hear Amy and Chris discuss the depths of Gilgamesh's pain, grief, and loss. They also discuss how Gilgamesh memorializes his friend, and what might have happened in the missing part of the tablet. Click to listen back to PART 1,  PART 2, PART 3, PART 4, PART 5, PART 6, PART 7, and PART 8. Hosts: Chris McKinny and Amy Balogh Image Attribution: Cylinder Seal from the British Museum. See https://www.britishmuseum.org/collection/object/W_1899-0418-9

In this episode, we're taking your questions on the subject of sound. We talk about tinnitus, “the mind's ear,” and the celebrity voices we have strong feelings about, from Bob Ross, to The New York Times' Michael Barbaro, to President Barack Obama.So strap your earbuds in, we're going for a ride!What are tintinnabula, and the first wind chimes in the world?What exactly is ASMR, and what makes it feel good?Why does my cat make twitter sounds when she sees birds?Why do frogs sing together around the same tiny pond?If a tree falls in the woods, and no one is around to hear it, does it make a sound?Does the environment influence the evolution of a language?If we have a “mind's eye” do we have a “mind's ear?”What's tinnitus?Featuring Ilija Dankovic, Craig Richard, Alejandro Vélez, Seán Roberts, Sarah Theodoroff, and Tara Zaugg.For full credits and transcript, visit outsideinradio.org.SUPPORTOutside/In is made possible with listener support. Click here to become a sustaining member of Outside/In.Follow Outside/In on Instagram or join our private discussion group on Facebook.LINKSCheck out these 3D models of a tintinnabulum held by the British Museum.The ASMR clips used in this episode are from @CelainesASMR, Coromo Sara. ASMR, @ASMRCrinkle, and @marlenaasmr481. If you want to listen to Craig Richard's ASMR podcasts, they are Sleep Whispers, and Calm History.Learn more about the effect drier climates might have on language, especially tonal ones, and about the overlap between biodiversity and language diversity.For more information about tinnitus from the VA, check out the National Center for Rehabilitative Auditory Research.

A fight on a train, a giant sandworm, and an ancient puzzle—in this episode, we look at the penultimate installment of Season 1 of The Mummy: The Animated Series, titled The Puzzle.Patreon: https://patreon.com/MummyMoviePodcast?BibliographyBritish Museum. (2019). British Museum collection database. Retrieved from https://www.britishmuseum.org/research/collection_online/search.aspxBourriau, J. The Second Intermediate Period. In Shaw, I (Eds). The oxford history of ancient Egypt (pp. 172 – 206). Oxford University PressFranke, D. 2003. “Middle Kingdom Hymns and Other Sundry Religious Texts — an Inventory.” In Egypt — Temple of the Whole World: Studies in Honour of Jan Assmann, edited by S. Meyer, 95–135. Studies in the History of Religions 97. Leiden.Ilin-Tomich, A. (2016). Second Intermediate Period. UCLA Encyclopedia of Egyptology, 1(1). Hosted on Acast. See acast.com/privacy for more information.

While we did want to discuss some Blizzard news this week -- including the frankly hilarious Dastardly Duos shirt bug -- the biggest news of the week was the reams of announcements and trailers that came out of Summer Game Fest. From The Outer Worlds 2 to Failbetter's next offering, the farm sim Mandrake, to Relooted, a hate letter to the British Museum, there were games on display for tons of different playstyles and genres and vibes. We ran through some of our favorite games and showcases, because man were there a lot of them to get through.Plus, paradoxically, Diablo 4 is adding the cutest baby goats we've ever seen in our lives to the game. Just roll with it and hope nothing bad happens to them. Also, there won't be an LFR in Mists of Pandaria Classic. If you have a few minutes, please fill out our survey to tell us what you think about the podcast. This data is collected by our podcast host, Acast, and will be used to help us improve the show as well as attract potential sponsors. Your answers are completely anonymous. We appreciate your help!If you enjoy the show, please support us on Patreon, where you can get these episodes early and ad-free! Hosted on Acast. See acast.com/privacy for more information.

Nomadic Matt is a pioneering travel blogger. One day, we'll call him the grandfather of travel blogging during the Golden Era of travel blogs. He's not known for his travel feats but rather for the extensive tips he's provided on his popular website, which focuses on budget travel. Watch the Video The book's budget used to be $50/day, but inflation and a post-COVID world forced Matt to update his book. In 2025, he refreshed his bestselling book, which is now called How to Travel the World on $75 a Day.  As part of his book tour, he's appearing on the WanderLearn Show twice! Nomadic Matt discusses 00:00 When to book a hotel 02:40 Why is Africa left out of his book? 05:10 Bilt Rewards Credit Card 08:10 Airline booking tips 09:20 Travel insurance 12:00 Tourist Cards 15:00 Why Matt travels less than before 18:30 Blogging is dead?   Questions What's the most embarrassing or ridiculous thing you've done to save money while traveling? What's the difference between EatWith, WithLocals, and Traveling Spoon? When do you usually book your hotels? Why is Africa left out? Are tourism cards still worth it? When do you use travel insurance? Why not use Kiwi? What are Bilt Rewards? His book is packed with tips. Here are my favorite ones.  The best websites to keep track of the latest credit card deals BoardingArea FlyerTalk The Points Guy View from the Wing Pay your rent and get frequent flyer points with Bilt Rewards Matt's top three airline booking sites  My favorite airline website is Kiwi, and use this link to get $10 off. He doesn't mention Kiwi in his book. Instead, his favorite flight booking sites are: Skyscanner Momondo Google Flights For insurance Safety Wing World Nomads MedjetAssist IMG InsureMyTrip for comparison shopping Sell your old clothes to raise money for your trip Vinted ThredUp Poshmark Online Garage sale to raise funds and downsize VarageSale OfferUp Swappa for electronics Gazelle Decluttr Anytime Mailbox starts at $6 and has several locations. Lodging Sites LateRooms Last Minute Hotel Tonight Priceline Hotwire Roomer allows you to buy someone else's hotel reservation at a steep discount Agoda excels in East Asia Food Matt is a foodie. I am not. Here are some of his favorite sites: EatWith has 5000+ hosts in over 130 countries WithLocals Traveling Spoon Ride-sharing or hitchhiking for the 21st century Search for "ride-sharing" and the name of the region/country where you are traveling. You'll usually find options. I've used BlaBlaCar in Europe, for example. Tourism Cards Nomadic Matt sold me on the tourism cards that give you access to popular sites and public transportation. Although that can save you nearly half the price, it's only suitable for those doing a whirlwind, fast, and comprehensive tour. If you want to see the British Museum, don't get the London Pass. But it makes sense if you're going to see most of the significant sites. Why is Africa left out? The first half of the book offers general, practical advice. The second provides specific guidance to various regions. For example, he has a section about Australia. You'd think a book that helps travelers live on $75 a day would encourage tourists to visit Africa. Like Southeast Asia, parts of Africa have a low cost of living. For example, in 2013, in Benin, I rented a two-room place with a shower (but a shared outhouse for a toilet) for $10 per month! Ten years later, maybe the price has doubled to $20 a month!   Still, Nomadic Matt confesses, "I had to make trade-offs and omit the lesser-visited countries and regions..." (Kindle Location 1434). I won't quibble with his decision or logic. Conclusion When I got an advanced copy of Nomadic Matt's book, I expected to be bored out of my mind. I figured it was a book for beginners or intermediate travelers, not hyper-experienced travel studs like me.  As usual, I was wrong. Nomadic Matt pumped me with many ideas I was oblivious to. Although I shared my favorite ones on this page, buy How to Travel the World on $75 a Day to get all his excellent advice. Feedback Leave anonymous audio feedback at SpeakPipe More info You can post comments, ask questions, and sign up for my newsletter at http://wanderlearn.com. If you like this podcast, subscribe and share!  On social media, my username is always FTapon. Connect with me on: Facebook Twitter YouTube Instagram TikTok LinkedIn Pinterest Tumblr My Patrons sponsored this show! Claim your monthly reward by becoming a patron at http://Patreon.com/FTapon Rewards start at just $2/month! Affiliate links Get 25% off when you sign up to Trusted Housesitters, a site that helps you find sitters or homes to sit in. Start your podcast with my company, Podbean, and get one month free! In the USA, I recommend trading crypto with Kraken.  Outside the USA, trade crypto with Binance and get 5% off your trading fees! For backpacking gear, buy from Gossamer Gear.

Mary is based in London and graduated from the Royal Drawing School in 2018 and Goldsmiths College London's BA in Fine Art and contemporary critical studies in 2010.Her works have been the subject of solo exhibitions at Moskowitz Bayse (Los Angeles) and Lychee One (London), and have recently been included in group exhibitions at The British Museum, White Cube, Union Pacific, and Huxley-Parlour (London), Hweg (Penzance), F2T Gallery (Milan), Harkawik (New York), and Clint Roenisch (Toronto), among others. I visited Mary a few days after her most recent show ‘Careful not to fill an Emptiness' opened at Moskowitz Bayse in London, which is where our conversation takes place. So as our conversation predominantly references the work within it, a fitting introduction to the work in the show, and to lead into our conversation as a whole would be to read an excerpt from her press release.The experience of the body can't be measured in feet or by the length of its limbs. But as a changing and curious instrument, the body knows space as something foreclosing – an abrupt cul-de-sac in a dream – and sometimes so blown open it can feel like sensory deprivation, extending past any textured surface or distance in time.The artworks in Careful not to fill an Emptiness move into spaces which have held – and been held by – the body. Here, these spaces are loosely described by paint or in dry materials on paper. They are shared and solitary at once: a group of figures stand together with their heads bowed, someone holds out a flower to another who is angled away and appears not to see them but is still supported by bodies on either side. When an object or body is depicted, a surrounding space forms by default. Around the bodies of natural elements, Mary Herbert paints a kind of default landscape that doesn't need to be clearly defined to be occupied. It is a not-quite place that exists despite the body's vulnerability, despite the human dualisms of language. 

Nicholas Cullinan, the new director of the British Museum, seems to think so. “I'm not afraid of the past,” he says — which means talking about looted objects, the basement storerooms, and the leaking roof. We take the guided tour. SOURCES:Nicholas Cullinan, director of the British Museum. RESOURCES:"Inside the British Museum: stolen treasures and a £1bn revamp," by Alice Thomson (The Times, 2025)."British Museum gems for sale on eBay - how a theft was exposed," by Katie Razzall, Larissa Kennelly, and Darin Graham (BBC, 2024)."British Museum chief Nicholas Cullinan: ‘I start with the idea that everything is possible,'" by Jan Dalley (Financial Times, 2024)."Who Benefits When Western Museums Return Looted Art?" by David Frum (The Atlantic, 2022).The Will of Sir Hans Sloane, by Sir Hans Sloane (1753).The Portland Vase (The British Museum). EXTRAS:"Stealing Art Is Easy. Giving It Back Is Hard." by Freakonomics Radio (2023).

Nomadic Matt is a pioneering travel blogger. One day, we'll call him the grandfather of travel blogging during the Golden Era of travel blogs. He's not known for his travel feats but rather for the extensive tips he's provided on his popular website, which focuses on budget travel. Watch the video interview The book's budget used to be $50/day, but inflation and a post-COVID world forced Matt to update his book. In 2025, he refreshed his bestselling book, which is now called How to Travel the World on $75 a Day.  As part of his book tour, he's appearing on the WanderLearn Show twice! #1 How Nomadic Matt Travels on $75 a Day! Nomadic Matt discusses: 00:00 Splitting between Austin and NYC 02:40 Couchsurfing 05:15 Stupidly cheap 07:00 EatWith and Traveling Spoon    Questions What's the most embarrassing or ridiculous thing you've done to save money while traveling? What's the difference between EatWith, WithLocals, and Traveling Spoon? When do you usually book your hotels? Why is Africa left out? Are tourism cards still worth it? When do you use travel insurance? Why not use Kiwi? What are Bilt Rewards? His book is packed with tips. Here are my favorite ones.  The best websites to keep track of the latest credit card deals BoardingArea FlyerTalk The Points Guy View from the Wing Pay your rent and get frequent flyer points with Bilt Rewards Matt's top three airline booking sites  My favorite airline website is Kiwi, and use this link to get $10 off. He doesn't mention Kiwi in his book. Instead, his favorite flight booking sites are: Skyscanner Momondo Google Flights For insurance Safety Wing World Nomads MedjetAssist IMG InsureMyTrip for comparison shopping Sell your old clothes to raise money for your trip Vinted ThredUp Poshmark Online Garage sale to raise funds and downsize VarageSale OfferUp Swappa for electronics Gazelle Decluttr Anytime Mailbox starts at $6 and has several locations. Lodging Sites LateRooms Last Minute Hotel Tonight Priceline Hotwire Roomer allows you to buy someone else's hotel reservation at a steep discount Agoda excels in East Asia Food Matt is a foodie. I am not. Here are some of his favorite sites: EatWith has 5000+ hosts in over 130 countries WithLocals Traveling Spoon Ride-sharing or hitchhiking for the 21st century Search for "ride-sharing" and the name of the region/country where you are traveling. You'll usually find options. I've used BlaBlaCar in Europe, for example. Tourism Cards Nomadic Matt sold me on the tourism cards that give you access to popular sites and public transportation. Although that can save you nearly half the price, it's only suitable for those doing a whirlwind, fast, and comprehensive tour. If you want to see the British Museum, don't get the London Pass. But it makes sense if you're going to see most of the significant sites. Why is Africa left out? The first half of the book offers general, practical advice. The second provides specific guidance to various regions. For example, he has a section about Australia. You'd think a book that helps travelers live on $75 a day would encourage tourists to visit Africa. Like Southeast Asia, parts of Africa have a low cost of living. For example, in 2013, in Benin, I rented a two-room place with a shower (but a shared outhouse for a toilet) for $10 per month! Ten years later, maybe the price has doubled to $20 a month!   Still, Nomadic Matt confesses, "I had to make trade-offs and omit the lesser-visited countries and regions..." (Kindle Location 1434). I won't quibble with his decision or logic. Conclusion When I got an advanced copy of Nomadic Matt's book, I expected to be bored out of my mind. I figured it was a book for beginners or intermediate travelers, not hyper-experienced travel studs like me.  As usual, I was wrong. Nomadic Matt pumped me with many ideas I was oblivious to. Although I shared my favorite ones on this page, buy How to Travel the World on $75 a Day to get all his excellent advice. Feedback Leave anonymous audio feedback at SpeakPipe More info You can post comments, ask questions, and sign up for my newsletter at http://wanderlearn.com. If you like this podcast, subscribe and share!  On social media, my username is always FTapon. Connect with me on: Facebook Twitter YouTube Instagram TikTok LinkedIn Pinterest Tumblr My Patrons sponsored this show! Claim your monthly reward by becoming a patron at http://Patreon.com/FTapon Rewards start at just $2/month! Affiliate links Get 25% off when you sign up to Trusted Housesitters, a site that helps you find sitters or homes to sit in. Start your podcast with my company, Podbean, and get one month free! In the USA, I recommend trading crypto with Kraken.  Outside the USA, trade crypto with Binance and get 5% off your trading fees! For backpacking gear, buy from Gossamer Gear.

Rubrique:nouvelles Auteur: jose-moselli Lecture: Daniel LuttringerDurée: 51min Fichier: 36 Mo Résumé du livre audio: Deux joueurs, criblés de dette sont contraints à un cambriolage au British Museum. L'affaire échoue, misérablement... Ils ne rapportent qu'un cartouche sans valeur du roi Thoutmosis. Un égyptologue leur en indique le contenu : le tombeau de Thoutmosis est protégé par une statue de Khenti Amentiou, «le premier des habitants du royaume de l'Ouest». Une statue en or ? Mais n'est-il est pas dangereux de se frotter à ce roi qui n'est autre que celui du royaume des morts ? Cet enregistrement est mis à disposition sous un contrat Creative Commons.

Within her work, Catalina Chervin (b. 1953, Argentina) depicts what the human mind intuits rather than what the eyes see—replacing empirical knowledge with subconscious feeling. Chervin studied at the Escuela Nacional Superior Ernesto de la Cárcova in Buenos Aires and worked with the Robert Blackburn Printmaking Workshop in New York City. Her work is held in prominent institutions worldwide, including The Metropolitan Museum of Art, New York; The Brooklyn Museum, New York; the New York Public Library; El Museo del Barrio, New York; the Art Museum of the Americas, Washington, DC; the Blanton Museum of Art (University of Texas), Austin; the Victoria & Albert Museum, London; The British Museum, London; and the Albertina Museum, Vienna. Catalina Chervin Untitled, 2004 Hard and soft ground etching with spite bite aquatint, printed on Somerset White paper Master Printer: Lothar Osterburg, New York, 2004 Image size: 15 x 11 in (38.1 x 27.9 cm) Sheet size: 21 x 16 in (53.3 x 40.6 cm) Artist proof edition of 5 Catalina Chervin Song 3, 2010 Hard ground and soft ground etching with dry point, printed on Rives De Lin with Kozo chine collé Master printer: Lothar Osterburg, New York, 2010 Image size: 15 x 11 in (38.1 x 27.9 cm) Sheet size: 21 x 16 in (53.3 x 40.6 cm) Edition of 20 Catalina Chervin, IT 1, 2015, Hard and soft ground etching, printed on Somerset Textured White paper, Master Printer: Lothar Osterburg, New York, 2015, Image size: 15 x 11 in (38.1 x 27.9 cm), Sheet size: 21 x 16 in (53.3 x 40.6 cm), Edition of 20

Download the FREE WORD SEARCH and CROSSWORD For This Episode: https://weirddarkness.com/GrandmasGotABodyCountThey look like grandmothers, wives, and neighbors — but behind the smiles and teacups, some of history's deadliest serial killers wore skirts instead of masks.Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.IN THIS EPISODE: Female serial killers… they are a lot more common than you think. 
(We're Surrounded by Female Serial Killers) *** The founder of the website Chicago Hauntings, Ursula Bielski, shares how the paranormal first invaded her life. (My Paranormal Life) *** The death of Thomas Becket shook the middle-ages. It's believed his assassination in Canterbury Cathedral on December 29th, 1170 changed the course of history. (The Assassination of Thomas Becket) *** We'll take a humorous look at the insane life of Boston Corbett – the man who was a hero because he killed John Wilkes Booth, but was also an idiot, cutting off his own manhood. (Abraham Lincoln's Insane Avenger)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Lead-In00:01:53.536 = Show Open00:03:24.735 = We're Surrounded By Female Serial Killers00:14:34.403 = The Assassination of Thomas Becket00:24:28.443 = My Paranormal Life00:53:11.889 = Abraham Lincoln's Insane Avenger01:01:38.599 = Show CloseSOURCES AND RESOURCES FROM THE EPISODE…“We're Surrounded by Female Serial Killers” from the book, “Lady Killers” by Tori Telfer: https://tinyurl.com/vpvqwvu“The Assassination of Thomas Becket” from British Museum: https://tinyurl.com/rhap89e“My Paranormal Life” by Ursula Bielski: https://tinyurl.com/uqx8gl9“Abraham Lincoln's Insane Avenger” by Mark Hill for Cracked: https://tinyurl.com/ql8ubex=====(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: September, 2021EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/GrandmasGotABodyCount

There's a distinct European flavour to this week's episode and we kick off with our reaction to the UK/EU deal struck on Monday.Has the Scottish fishing industry, once again, been a bargaining chip worth sacrificing to benefit other parts of the UK economy? Given that fishing and farming are devolved matters why wasn't the Scottish government either involved or at the very least consulted on the agreements reached in these areas? Despite the trumpeting of the deal will it always be a sticking plaster over the economic wounds of Brexit?Saturday saw the latest edition of the Eurovision Song Contest. Lesley has always been a massive fan of the event, Pat not so much,  what are her reactions to the inclusion of Israel, the behaviour of the EBU and host broadcaster in apparently censoring the live audience during the Israeli performance, and the claims of massive state intervention in order for Israel to stage a propaganda coup?The British Museum hosted a secret celebration of Israel "Independence" Day. Much of the focus has been on the appearance at it by comedian Jimmy Carr but should more have been made of the speech given by UK Minister for Defence Procurement and Industry, Maria Eagle , on the day that the Labour government was in court defending itself against claims that it had continued to supply Israel with F35 aircraft parts in breach of its own sanctions?ScotLand( sic) Futures led by the Scottish Land Commission has called for individuals, community groups, land managers, businesses and organisations to "help shape a shared vision for how Scotland's land is owned, used and managed". Lesley asks if we need less "consultation" and more genuine action?As we recorded last week's episode the result of the vote at Stage One of The Assisted Dying Bill vote at Holyrood was unknown. The vote was in favour. What happens next?Andrew Tickell article - https://www.thenational.scot/politics/25171496.assisted-dying-debate-deserves-better-bad-faith-politics/We also look at the election of the new Pope and Pat revels in the prospect of a European tour with his beloved Dundee United. Or does he?Keli play - https://www.nationaltheatrescotland.com/events/keli ★ Support this podcast ★

In his new book, Blueprints, Marcus du Sautoy traces the connections between mathematics and art and the ways in which creatives use numbers to underpin their work – unconsciously or otherwise. From the earliest stone circles to the unique architecture of Zaha Hadid, du Sautoy shows us that there are blueprints everywhere and how logic and aesthetics are intrinsically intermingled. Sophie Pavelle is also interested in connections and her forthcoming book, To Have or To Hold, explores symbiotic relationships in nature. Focusing on eight key examples, Sophie Pavelle explains how these mutually beneficial connections are crucial for the survival of our natural world and how they play an integral role in regulating ecosystems and strengthening resilience. She asks if we are capable of restoring and nurturing our environment or will we continue to exploit the Earth's resources, till death do us part? The British Museum's new exhibition illuminates the captivating work of the nineteenth-century Japanese artist, Utagawa Hiroshige (from 1st May to 7th September 2025). He was fascinated by the natural world and many of his pictures take flora and fauna as their subject matter. Hiroshige was one of Japan's most talented, prolific and popular artists and his influence was not only felt in his home country, but spread globally – influencing artists such as Vincent Van Gogh and contemporary artists such as Julian Opie. The curator of the exhibition, Alfred Haft, shines a light on the oeuvre of Hiroshige, his techniques and enduring legacy.Producer: Natalia Fernandez

25 years after Joanne Harris introduced readers to the soothing delights of Chocolat, she's released her new book Vianne. It's the prequel that explains how her heroine found her way into the world of high end French confectionery. A new exhibition at the British Museum sheds light on the provenance of popular images of the Hindu god Ganesha, the Buddha and Jain enlightened teachers. We talk to curator Sushma Jansari about Ancient India: living traditions, alongside expert in Indian ritual art, Professor Partha Mitter.The 2025 Cannes Film Festival is well underway. We get the latest from Daily Telegraph Critic, Robbie Collin.Rumours abound about the planned axing of the Government Department for Digital, Culture, Media & Sport. Alison Cole, head of the Cultural Policy Unit think tank, tells us what this could mean for the arts.Presenter Samira Ahmed. Producer Harry Graham

Dr. Colin Patterson of the British Museum of Natural History challenged evolutionary claims when biochemical comparisons among species didn't match expected evolutionary relationships. Though not a creationist, Patterson's findings highlighted major flaws in evolutionary theory. To support this ministry financially, visit: https://www.oneplace.com/donate/1232/29

What inspired the creation of Indian sacred images? They played no part in early Vedic rituals, in which priests made offerings into a fire, asking gods for reciprocal blessings. Others did something similar with embodiments of nature, whose spirits – called yakṣas and yakṣīs – were sculpted in earthenware and stone.A new exhibition at the British Museum charts links between these figures and depictions of deities and enlightened teachers revered by Hindus, Buddhists and Jains. It also highlights overlaps between the three traditions, and how their art sometimes changed as they spread beyond India.Sushma Jansari is the museum's Tabor Foundation Curator of South Asia. She is also the author – with Sureshkumar Muthukumaran – of an accompanying book about the exhibition's contents. Our conversation discusses its highlights, noting the relevance of ancient Indian art to contemporary practice, plus the impact of colonialism on theories of where objects come from and why they were collected.The exhibition runs in London from May 22 to October 19. An introductory blog by Sushma is available here, and she is due to give an online presentation on June 5.

Alexandra Vasti is the author of Earl Crush, Ne'er Duke Well, and the Halifax sisters series, and she joins me to talk about activism in history and about haunted houses, historical lesbians, and historical erotica.A Housekeeping Note: I recorded this several months ago, and due to a bunch of file corruption and restoring backups, this episode fell out of my workflow. My apologies to Alexandra, and to you, for that mishap.You can find Alexandra Vashti at her website, AlexandraVashti.com, and on TikTok and Instagram as @AlexandraVashti – where she posts erotic history reels!We also mentioned:Fonthill AbbeyRictor NortonAnn ListerThe Ladies of Llangollen The British Museum image for “larking,” which is NSFW  Join our Patreon for complete mayhem, shenanigans, and more! Hosted on Acast. See acast.com/privacy for more information.

Alexandra Vasti is the author of Earl Crush, Ne'er Duke Well, and the Halifax sisters series, and she joins me to talk about activism in history and about haunted houses, historical lesbians, and historical erotica.A Housekeeping Note: I recorded this several months ago, and due to a bunch of file corruption and restoring backups, this episode fell out of my workflow. My apologies to Alexandra, and to you, for that mishap.You can find Alexandra Vashti at her website, AlexandraVashti.com, and on TikTok and Instagram as @AlexandraVashti – where she posts erotic history reels!We also mentioned:Fonthill AbbeyRictor NortonAnn ListerThe Ladies of Llangollen The British Museum image for “larking,” which is NSFW  Join our Patreon for complete mayhem, shenanigans, and more! Hosted on Acast. See acast.com/privacy for more information.

Hello!New episode for you my lovelies!My interview with the lovely Jenny Linford, all about her new book, which is out on the 24th of April, Repast The Story of Food by the British Museum and Thames & Hudson.Get the book here:https://www.waterstones.com/book/repast-british-museum/jenny-linford/9780500481158xMuch love,Thom & The Delicious LegacySupport this show http://supporter.acast.com/the-delicious-legacy. If you love to time-travel through food and history why not join us at https://plus.acast.com/s/the-delicious-legacy. Hosted on Acast. See acast.com/privacy for more information.

Through her “archaeology of the future” design approach, the Lebanese-born, Paris-based architect Lina Ghotmeh has firmly established herself as a humanist who brings a profound awareness of past, present, and presence to all that she does. In the two decades since winning her breakthrough commission—the Estonian National Museum in Tartu—her practice has taken off, with Ghotmeh swiftly becoming one today's fastest-rising architectural stars. Just a week after we recorded this episode of Time Sensitive, she was named the winner of a competition to design the British Museum's Western Range and, shortly after that, she was announced as the architect of the new Qatar Pavilion in the historic Giardini of Venice; she is also the designer of the Bahrain Pavilion at the just-opened 2025 Osaka Expo. Across her high-touch, high-craft projects, whether a brick-clad Hermès leather-goods workshop in Normandy, France, completed in 2023; the timber-framed 2023 Serpentine Pavilion in London; or the concrete-walled Stone Garden apartment tower (2020) in Beirut, Ghotmeh celebrates the hand.On the episode, Ghotmeh reflects on the long-view, across-time qualities of her work and outlines what she believes is architecture's role in shaping a better world ahead.Special thanks to our Season 11 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Lina Ghotmeh[5:01] “The Shape of Time: Remarks on the History of Things”[5:01] George Kubler[5:01] Trevor Paglen[8:41] “The Long View: Why We Need to Transform How the World Sees Time”[8:41] Tim Ingold[11:15] “Windows of Light”[11:15] “Lecture: Lina Ghotmeh”[12:06] Beatriz Colomina[12:06] “Are We Human?”[19:58] Gaston Bachelard[24:04] Olga de Amaral[24:04] Cartier Foundation[24:04] Juhani Pallasmaa[24:04] “The Eyes of the Skin”[26:39] Luis Barragán[31:09] Stone Garden (2020)[31:09] Hermès Workshops (2023)[36:36] Peter Zumthor[36:36] “Atmospheres”[41:53] Khalil Khouri[44:51] Jean Nouvel[44:51] Norman Foster[44:51] Estonian National Museum (2016)[46:41] Renzo Piano[46:41] Richard Rogers[46:41] Maya Lin[46:41] Dan Dorell[46:41] Tsuyoshi Tane[50:45] “The Poetic, Humanistic Architecture of Lina Ghotmeh”[51:40] Rimbaud Museum[54:48] “Light in Water” (2015)[54:48] The Okura Tokyo[59:22] Les Grands Verres, Palais de Tokyo (2017)[59:44] Zero-Carbon Hotel Concept (2019)[59:42] Serpentine Pavilion (2023)[1:04:11] Osaka Expo Bahrain Pavilion (2025) 

Melvyn Bragg and guests explore the history and reputation of the Persian ruler Cyrus the Great. Cyrus the Second of Persia as he was known then was born in the sixth century BCE in Persis which is now in Iran. He was the founder of the first Persian Empire, the largest empire at that point in history, spanning more than two million square miles. His story was told by the Greek historians Herodotus and Xenophon, and in the Hebrew bible he is praised for freeing the Jewish captives in Babylon. But the historical facts are intertwined with fiction.Cyrus proclaimed himself ‘king of the four corners of the world' in the famous Cyrus Cylinder, one of the most admired objects in the British Museum. It's been called by some the first bill of human rights, but that's a label which has been disputed by most scholars today.WithMateen Arghandehpour, a researcher for the Invisible East Project at Oxford University,Lindsay Allen, Senior Lecturer in Ancient Greek and Near Eastern History at King's College London,AndLynette Mitchell, Professor Emerita in Classics and Ancient History at Exeter University.Producer: Eliane GlaserReading list:Pierre Briant (trans. Peter T. Daniels), From Cyrus to Alexander: A History of the Persian Empire (Eisenbrauns, 2002)John Curtis and Nigel Tallis (eds.), Forgotten Empire: The World of Ancient Persia (The British Museum Press, 2005)Irving Finkel (ed.), The Cyrus Cylinder: The King of Persia's Proclamation from Ancient Babylon (I.B.Tauris, 2013)Lisbeth Fried, ‘Cyrus the Messiah? The Historical Background to Isaiah 45:1' (Harvard Theological Review 95, 2002) M. Kozuh, W.F. Henkelman, C.E. Jones and C. Woods (eds.), Extraction and Control: Studies in Honour of Matthew W. Stolper (Oriental Institute of the University of Chicago, 2014), especially the chapter ‘Cyrus the Great, exiles and foreign gods: A comparison of Assyrian and Persian policies in subject nations' by R. J. van der SpekLynette Mitchell, Cyrus the Great: A Biography of Kingship (Routledge, 2023)Michael Roaf, Cultural Atlas of Mesopotamia and the Ancient Near East (Facts On File, 1990)Vesta Sarkosh Curtis and Sarah Stewart (eds.), Birth of the Persian Empire (I.B.Tauris, 2005), especially the chapter ‘Cyrus the Great and the kingdom of Anshan' by D.T. PottsMatt Waters, King of the World: The Life of Cyrus the Great (Oxford University Press, 2022)In Our Time is a BBC Studios Audio production

Melvyn Bragg and guests explore the history and reputation of the Persian ruler Cyrus the Great. Cyrus the Second of Persia as he was known then was born in the sixth century BCE in Persis which is now in Iran. He was the founder of the first Persian Empire, the largest empire at that point in history, spanning more than two million square miles. His story was told by the Greek historians Herodotus and Xenophon, and in the Hebrew bible he is praised for freeing the Jewish captives in Babylon. But the historical facts are intertwined with fiction.Cyrus proclaimed himself ‘king of the four corners of the world' in the famous Cyrus Cylinder, one of the most admired objects in the British Museum. It's been called by some the first bill of human rights, but that's a label which has been disputed by most scholars today.WithMateen Arghandehpour, a researcher for the Invisible East Project at Oxford University,Lindsay Allen, Senior Lecturer in Ancient Greek and Near Eastern History at King's College London,AndLynette Mitchell, Professor Emerita in Classics and Ancient History at Exeter University.Producer: Eliane GlaserReading list:Pierre Briant (trans. Peter T. Daniels), From Cyrus to Alexander: A History of the Persian Empire (Eisenbrauns, 2002)John Curtis and Nigel Tallis (eds.), Forgotten Empire: The World of Ancient Persia (The British Museum Press, 2005)Irving Finkel (ed.), The Cyrus Cylinder: The King of Persia's Proclamation from Ancient Babylon (I.B.Tauris, 2013)Lisbeth Fried, ‘Cyrus the Messiah? The Historical Background to Isaiah 45:1' (Harvard Theological Review 95, 2002) M. Kozuh, W.F. Henkelman, C.E. Jones and C. Woods (eds.), Extraction and Control: Studies in Honour of Matthew W. Stolper (Oriental Institute of the University of Chicago, 2014), especially the chapter ‘Cyrus the Great, exiles and foreign gods: A comparison of Assyrian and Persian policies in subject nations' by R. J. van der SpekLynette Mitchell, Cyrus the Great: A Biography of Kingship (Routledge, 2023)Michael Roaf, Cultural Atlas of Mesopotamia and the Ancient Near East (Facts On File, 1990)Vesta Sarkosh Curtis and Sarah Stewart (eds.), Birth of the Persian Empire (I.B.Tauris, 2005), especially the chapter ‘Cyrus the Great and the kingdom of Anshan' by D.T. PottsMatt Waters, King of the World: The Life of Cyrus the Great (Oxford University Press, 2022)In Our Time is a BBC Studios Audio production

Why were Assyrian armies so powerful? Did the Assyrians produce the ancient world's greatest cultural treasure? And what should we make of claims that they forged the world's first empire? In conversation with Spencer Mizen, Paul Collins, curator at the British Museum, answers listener questions on this ancient civilisation. (Ad) Paul Collins is the author of The Assyrians: Lost Civilizations (Reaktion, 2024). Buy it now from Amazon: https://www.amazon.co.uk/Assyrians-Lost-Civilizations-Paul-Collins/dp/1789149231/?tag=bbchistory045-21&ascsubtag=historyextra-social-histboty. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices