Podcasts about art gallery

We are living in tremendously uncertain times and this month's guest, artist Yvette Molina, reminds us through her expansive work of the relationship between justice and care. Yvette is Mexican-American of Chippewa of Turtle Mountain descent who is currently artist-in-residence at the Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga Springs, NY. Her collaborative exhibition, A PROMISE TO THE LEAVES, centers the four elements: earth, air, water, fire, and a fifth presence, the cosmos. By focusing on these ancient, essential forces, Molina invites us to remember that humans, plants, and all earthly beings are composed of star matter and sustained by the elements. Her work encourages us to understand care as inherently relational. Care for one another, human and non-human alike, is care for ourselves and all of creation.Yvette's artistic practice is rooted in community engagement and activism - through processional banners, ritual, storytelling, costumes, collage, painting, and sculpture. Her work has been exhibited nationally and internationally, including at the Stockholm Fringe Festival, the Brattleboro Museum and Art Center, the Visual Arts Center of New Jersey, Arsenal Contemporary Art, SPRING/BREAK Art Show, NADA FAIR, and the Legion of Honor and de Young Museums in California. She currently lives and creates in Oakland, California.Nyá:wen to Indigenous Screen Office for supporting these important stories! Hosted on Acast. See acast.com/privacy for more information.

What makes a gallery want to go all in when it comes to representing your art? Listen to this episode to learn the not-so-secrets every emerging artist needs to know. We'll talk about how to stop positioning yourself as a hobbyist and start showing up professionally, how to improve visibility, and how to maintain your unique, artistic voice in the process! Make sure to subscribe to this podcast so you don't miss a thing! And don't forget to come hang with me on Instagram @jodie_king_. Interested in being a guest on a future episode of Honest Art? Email me at amy@jodieking.com! Resources mentioned: Get started with Artwork Archive and use my link to get 20% off your first year: https://www.artworkarchive.com/jk    Episode 91: Gallery Standards for Wiring & Hanging Your Art: https://jodieking.com/episode-91-gallery-standards-for-wiring-hanging-your-art/  Check out my free guide on how to hang and wire a painting: https://www.jodiekingart.com/how-to-hang-a-painting  Grab the Art Biz Mini Course: An Artist's Guide to Instagram: https://www.jodiekingart.com/offers/9xFEJ2E3/checkout  Check out Jodie's paintings at Anne Neilson Fine Art Gallery: https://anneneilsonfineart.com/artist/jodie-king  Episode 29: Art Critiques: It's More Than Just Being Told You Suck: https://jodieking.com/episode-29-art-critiques-its-more-than-just-being-told-you-suck/  Episode 14: How to Price Your Art (So It Sells): https://jodieking.com/episode-14-how-to-price-your-art-so-it-sells/  Episode 108: An Inside Look at Art Consulting with Amy Sawtelle: https://jodieking.com/episode-108-an-inside-look-at-art-consulting-with-amy-sawtelle/  Learn more about the Honest Art Society: https://www.jodiekingart.com/has  Join my email list here:https://www.jodiekingart.com/jointhelist  Interested in my mentorship program, Studio Elite? Apply here!: https://www.jodiekingart.com/studioelite  Have a question for Jodie? Ask it here: https://forms.gle/hxrVu4oL4PVCKwZm6  How are you liking the Honest Art Podcast? Leave us a review on your favorite podcast platform and let us know!     Watch this full episode on my YouTube channel: https://www.youtube.com/channel/UC64Vn6NF5BfiwLNTSb_VnDA  For a full list of show notes and links, check out my blog: www.jodieking.com/podcast  

Somewhere along the line in planning my Pride 2025 episodes, I hit upon the idea of paying tribute to Gay Eccentrics. (Maybe because I am one of them myself?) There are many mad queer geniuses in the history of music, and I have chosen today to focus on three twentieth-century case studies. First, the husband and husband team of Norman Notley (1890 – 1980) and David Brynley (1902 – 1981), musical and artistic polymaths who settled in the small Dorset village of Corfe Castle. They were both members of the innocuously-named New English Singers, which was actually an early version of the high-caliber vocal chamber ensembles in such profusion today. In recent times their archives have been digitized and exhibited at the Dorset Museum and Art Gallery, which has led to their story going viral. In 1957 while living in the US, the pair made a recording of Elizabethan Songs that is a model of its kind and is featured on the episode. Next up us Gerald Hugh Tyrwhitt-Wilson (1883 – 1950), much better known as Lord Berners, the quintessential upper-class British eccentric who also happened to be the leading British avant-garde composer of his day (as well as a “notorious” homosexual!) I feature an excerpt from his single opera as well as a passel of songs from his small output. Finally, we cross the Atlantic to encounter the prescience, acerbic wit and borderline insanity of Ben Bagley (1933 – 1998), the producer of off-Broadway theatrical revues and a series of recordings featuring unknown material by the top Broadway composers of the day, including fellow gay eccentrics Cole Porter and Lorenz Hart. I may be a day late with this week's episode, but I'm definitely not a dollar short! This episode has something for everyone! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

Leonardo Drew invites us into the physical, philosophical, and sometimes painful world of material transformation. Unlike artists who work with found objects carrying built-in histories, Drew deliberately purchases new materials that he must personally weather and transform. "I need to become the weather," he explains, describing a process where he subjects materials to rigorous physical manipulation that often results in literal bloodshed.This physical commitment reflects Drew's deeper philosophy about creation. He describes himself as "the crack addict of art," chasing the highs of creative breakthrough through persistent experimentation and a willingness to fail. His practice demands patience—it took seven years from his initial decision to create what would become his signature style before producing what he considered his first successful piece (which he numbered "8," acknowledging the previous attempts).Drew conceptualizes artists as antennas receiving creative energy from the universe. He purposefully travels to "cradles of civilization" like China and Machu Picchu, absorbing experiences that later emerge organically in his work. "You don't have to say I'm making work about this specifically," he notes, "because that would cage and imprison the whole idea." This philosophy requires "getting out of the way" of one's own creative process—removing ego and preconceptions to allow authentic creation to happen.By refusing to title his monumental works beyond simple numbering, Drew extends his transformation-based practice to the viewing experience itself. Each piece continues to transform through viewers' unique interpretations, creating an endless cycle of meaning-making that transcends the artist's original intent. As Drew profoundly states, "As I'm moving closer and closer to answering questions, at the same time I'm moving further away from the answers."Want to experience this transformative approach in your own creative practice? Keep your channels open by constantly introducing new ideas and techniques. When feeling stuck, switch things up dramatically—if you're a painter, try sculpture; if you work abstractly, attempt representation. The discomfort of new approaches often leads to the most significant breakthroughs.Leonardo Drew in "Investigation" - Season 7 - "Art in the Twenty-First Century" | Art21https://www.youtube.com/watch?v=ymMGgOCoK8k&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=5An Interview with Leonardo Drew | Wadsworth Antheneumhttps://www.youtube.com/watch?v=-75fm_UzhYg&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=4Woodcuts: Leonardo Drew | useum of Arts and Design (MAD)https://www.youtube.com/watch?v=4N3S2nvDcvU&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqR&index=3Artist Talk: Leonardo Drew | Amon Carter Museum of American Art Fort Worthhttps://www.youtube.com/watch?v=LtsqaHfEYxc&list=PLfV5vsCYQApkupBnzNY3YxKpFJeNb7HqRCarrie Scott, SEEN Podcast | Leonardo DrewSend us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

This portrait exhibition has a history of over 100 years in Australia. The popularity of the exhibition is partly due to the fact that you can appreciate both art and the modern Australia. We asked Midori Furze, one of the volunteer Japanese-speaking guides at the Art Gallery of New South Wales (AGNSW) , about the highlights of the exhibition. - オーストラリアで100年以上の歴史を持つ肖像画の公募展。人気の背景には、芸術と世相の両方を味わえることがあります。ニューサウスウェールズ州立美術館の日本語ボランティアガイドの１人、ファーズみどりさんに展示の見どころを聞きました。

Conceptual photographer Hrair Sarkissian moves between Syria, Armenia, and Turkey, capturing present absences in personal and political histories in the 20th and 21st centuries.Hrair Sarkissian uses photography, installation, moving image, and sound to reflect on social issues, often silenced or obscured from view. Born and raised in Syria, the grandson of refugees of the Armenian Genocide in 1915, much of his work explores the lived experiences of intergenerational trauma, with respect to individuals and diverse diasporic communities.Sweet & Sour (2021-2022), a three-channel video installation currently on view at Wolverhampton Art Gallery, reflects on memory and storytelling. Hrair discusses the significance of the Maruta Mountain in Armenian culture, and shares images of his ancestral home of Khantsorig, a village in the Sassoun region of present-day Turkey. We also explore the role of emotion and subjectivity in his practice, contrasting his approach to series like Last Seen (2018-2021) with the more detached, extractive approaches typical of photojournalism.Hrair explains his early training at his father's photographic studio in Damascus, and the role of Armenians in the development of studio photography in Syria, Lebanon, and Palestine following the collapse of the Ottoman Empire. With Sea of Trees (2025), we move between Hrair's exhibition environments to the volcanic Aokigahara forest on Mount Fuji, discussing how different cultural narratives and contexts have inspired his artistic practice. We look towards new works in production for an international art festival in Japan, and suggest of the long-term creative relationships within his own career that also connect times, places, and migrations - returning to Wolverhampton with Deathscape (2021), an audio installation for British Art Show 9 in 2021.Hrair Sarkissian: Other Pains is at Wolverhampton Art Gallery until 22 June 2025. You can hear the artist in conversation at the gallery on Saturday 14 June.Finding My Blue Sky, curated by Dr. Omar Kholeif, is at Lisson Gallery in London until 26 July 2025.The Aichi Triennale 2025: A Time Between Ashes and Roses, curated by Hoor Al-Qasimi, opens in Japan on 13 September 2025.For more about Mahmoud Darwish, read about Miloš Trakilović's installation 564 Tracks (Not a Love Song Is Usually a Love Song) (2024) at KW Institute in Berlin, in the New Internationalist: newint.org/art/2025/spotlight-milos-trakilovicFor more about diasporic communities in Lebanon and Syria, listen to Sara Shamma's live episode on World Civil War Portraits (2015) with Dulwich Picture Gallery in London, and the National Museum of Damascus, part of ⁠PEACE FREQUENCIES 2023⁠: pod.link/1533637675/episode/6c9af892a1a8e1450c2cc4b73f226835For more about studio photography in Palestine through the Ottoman Empire and British Mandate, hear curator Rachel Dedman's EMPIRE LINES episode about an UNRWA Dress from Ramallah, Palestine (1930s)⁠: pod.link/1533637675/episode/92c34d07be80fe43a8e328705a7d80cbAnd read into the exhibition, Material Power: Palestinian Embroidery, at Kettle's Yard in Cambridge and the Whitworth in Manchester, in gowithYamo: gowithyamo.com/blog/textiles-in-cambridge-palestinian-embroidery-at-kettles-yardPRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Instagram: ⁠⁠⁠instagram.com/empirelinespodcast⁠⁠⁠Support EMPIRE LINES on Patreon: ⁠⁠⁠patreon.com/empirelines

Thank you for listening to this track produced by the Art Gallery of South Australia. Join curators Tracey Lock and Elle Freak for a tour of Dangerously Modern, the first major exhibition to focus on the vital role of Australian women in the development of international modernism. Featuring more than 200 works of art, Dangerously Modern invites visitors to embark on a journey of the senses. Artistic explorations of colour, light, form and movement offer moments of contemplation, love, loss and transcendence. Ranging from large public statements to private portrait miniatures, the featured works challenge preexisting notions of ambition and success. They also expand understandings of modern art movements such as realism, impressionism, post-impressionism, cubism and the emergence of abstraction. For more information visit agsa.sa.gov.au Image: Hilda Rix Nicholas, born Ballarat, Victoria 1884, died Delegate, New South Wales 1961, The pink scarf, 1913, Paris, oil on canvas, 80.5 x 65.0 cm; Gift of Mrs Roy Edwards through the Art Gallery of South Australia Foundation 1993, Art Gallery of South Australia, Adelaide.

Thank you for listening to this talk produced by the Art Gallery of South Australia. Join Dr Georgina Downey, Author, Art Historian and Educator for a floor talk focusing on the works of art by Stella Bowen in Dangerously Modern. Read Georgina's contributing essay in the Dangerously Modern catalogue – available online and from the Gallery Store. For more information visit agsa.sa.gov.au Image: Installation view: Dangerously Modern: Australian Women Artists in Europe 1890-1940, Art Gallery of South Australia, Adelaide; photo: Saul Steed.

Forgiveness is both extremely practical and mystical. Though there is no formula to spiritual practice a little down to earth assistance never hurts! In this episode I share simple prayers, practices and reflections to help liberate your heart and mind.Welcome to Podcast Ep. 90 with spiritual realism artist, Jacqueline Claire, where we emphasize the realism in our explorations of spirituality, in our lives and in the world, and get real about our spiritual growth.

As a teenager, Dr Michael Brand experienced moving from Canberra to Washington as both traumatic and exciting. It was on a journey back to Australia via family in Nepal with his brother, they were aged 15 and 18 respectively, that he first experienced Islamic art. He can trace a direct line from that experience to his field of study and life’s work. Brand has recently retired as Director of the Art Gallery of NSW, after guiding it through the most significant transformation in its history. He’s led galleries all over the world, from the Aga Khan Museum in Toronto, to the J Paul Getty Museum in LA and the Virginia Museum of Fine Arts. He started his career as curator of Asian art at the National Gallery of Australia under the iconic James Mollison. Brand is a scholar of Indian and Islamic art, architecture and landscape design and has led these world-class art museums at some of the most challenging in their history. Listen in as Vince and Michael discuss trying to be ethical in the art world, falling in love with Asian art in Nepal aged 15 and being sent to NYC by Frank Robertson to buy art. See omnystudio.com/listener for privacy information.

In this episode of Michigan Hidden History, we step into the quiet charm of the H.C. Lewis Art Gallery, where small-town soul meets fine art flair. Nestled in the heart of Coldwater, this gallery honors the legacy of local artist H.C. Lewis, a man who believed every brushstroke told a story—and sometimes, that story involved a cow or two. From stunning landscapes to quirky community portraits, we explore how this hidden gem became a cultural beacon for Branch County. So grab your beret (or your best flannel), and join us for a colorful dive into Coldwater's creative side.

Episode 237 This episode has stories about lost items, telepathy, Korea, beverage carts, Sri Lanka and a backpack nazi. Contact... flywithbetty@gmail.com The Telepathy Tapes Ravens Cup Coffee and Art Gallery, La Conner, WA Let's Talk Off Camera My website Patreon Instagram:Bettyinthesky Twitter: Skybetty My Amazon page

My husband and I sat down together in the Locals Miami studio to livestream about spiritual aspects of marriage and courtship. The first few minutes are cut off but I think you will jump right in to the discussion. We started off with exploring ways we have tried to honor God as the center of our relationship even from the very beginning of meeting. Enjoy!Welcome to Podcast Ep. 90 with spiritual realism artist, Jacqueline Claire, where we emphasize the realism in our explorations of spirituality, in our lives and in the world, and get real about our spiritual growth.

A conversation about art, honesty and spiritual reality.Welcome to Spiritual Conversation with spiritual realism artist, Jacqueline Claire, where we emphasize the realism in our explorations of spirituality, in our lives and in the world, and get real about our spiritual growth.

Petersfield Museum and Art Gallery has more than 1,000 items in its fabric collection and they have pulled out 10 waistcoats from the last 200 years or so and put them on display with a commentary. They are very flamboyant for fashionable men of the time to stand out in and reflect all kinds of trends - length, pockets, fabrics, colours and fit (clipped at the waist or loose there ....) They could also reflect your own hobbies and interests. Louse Weller, the Head of Collections and Exhibitions at the Museum spoke to Mike Waddington about what men in the nineteenth century (and earlier) were investing in. More at Home | Petersfield Museum :See omnystudio.com/listener for privacy information.

(It may be a trick question.)Welcome to Spiritual Conversation with spiritual realism artist, Jacqueline Claire, where we emphasize the realism in our explorations of spirituality, in our lives and in the world, and get real about our spiritual growth.

Are we sure we're up for the effects social media use may have on the lives of our children?Welcome to Spiritual Conversation with spiritual realism artist, Jacqueline Claire, where we emphasize the realism in our explorations of spirituality, in our lives and in the world, and get real about our spiritual growth.

This is my review and highlight video for a Baha'i-inspired series by Mehrtash Olson, “Skepticism, Sources of Information and the Pursuit of Truth” You can read or listen to the full series I am reviewing on substack: https://open.substack.com/pub/mco71/p/chapter-1-introduction?r=m5zcd&utm_campaign=post&utm_medium=web&showWelcomeOnShare=trueOr listen on YouTube: https://youtube.com/playlist?list=PLBi-v4krsai144Gv46bXaBVVRZUtidf5P&si=1bKoSMJvxEINQV52❤️

Music created by Margie Lewis on behalf of the Art Gallery of South Australia

Were we wrong to promote gender neutrality? Is there a hidden gift in our sex identity? Could there be things family-oriented, hetero folk can learn from “pride” ideology?Welcome to Spiritual Conversation with spiritual realism artist, Jacqueline Claire, where we emphasize the realism in our explorations of spirituality, in our lives and in the world, and get real about our spiritual growth.

Ryan Kohler is a Portland Art Gallery artist known for his vibrant mixed-media paintings that blend acrylic and collage into energetic “parties on canvas.” Based in Skowhegan, Ryan's journey to full-time art began with a brief stint in architecture, followed by years immersed in music—writing, performing, and producing—before a major life shift brought him fully into the studio. His process is intuitive and tactile, often sparked by color, texture, and rhythm, with unexpected elements like fragments of album covers adding layers of meaning. A self-taught builder, Ryan even renovated his own studio above a garage, embracing the physicality of creativity in all forms. Inspired early by Picasso and Dalí, he sees each canvas as a self-portrait in energy, offering viewers a dynamic and personal visual experience rooted in Maine's landscape and artistic community. Join our conversation with Ryan Kohler today on Radio Maine. Don't forget to subscribe to the channel for more inspiring artist stories.

In this episode of The Living Artist podcast, Preston tries something new. You know those crappy old DVD extras that feature the Special Commentary option? Well, this episode is kind of like that, only sprinkled with some value and updates on Online Art Galleries. Listen in for some nostalgia, wacky movie references, and of course some nuggets of wisdom here and there. Enjoy!For more information on Preston M. Smith and his artwork, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pmsartwork.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or follow him on Instagram at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/pmsartwork⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (social media everywhere @pmsartwork). You can also now subscribe to his YouTube channel at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/pmsartwork⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.If you would like to donate to the podcast to keep it going strong, you can do so here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pmsartwork.com/podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Living Artist makes the top of the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Audible Blog's List⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ of the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Best Art Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to listen to For Artists! Check it!Thrilled to announce that ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Artwork Archive⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ just included The Living Artist on their list of the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Best Art Podcasts of 2021⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Check it out.Excited that ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Agora Group International Fine Art⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ included The Living Artist on its list of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Best Art Podcasts To Listen To⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (coming in at #5).Huge thank you to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Feedspot⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for choosing The Living Artist for their list of the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Top 70 Art Podcasts You Must Follow⁠⁠. It is a huge honor to have made this amazing list (coming in at #18) with so many other wonderful podcasts. Big thank you to Feedspot! You can check out this list and more of Feedspot at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://blog.feedspot.com/art_podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.The Living Artist makes the top of the ⁠Best 100 Art Of Living Podcasts⁠ on ⁠Million Podcasts⁠.Podcast theme music: "Music by Jason Shaw on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Audionautix.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"

We speak with Angel Ambrose, our June 2025 Foster Gallery artist. She has an inspirational story and a compelling connection with the arts and her faith. She is the owner of Angel Ambrose Fine Art Studio and Creative Space in Bloomington, IL. 

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your hosts are Paul Marden and Andy Povey.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. Show references:  Anna Preedy, Director M+H Showhttps://show.museumsandheritage.com/https://www.linkedin.com/in/annapreedy/Jon Horsfield, CRO at Centegra, a Cinchio Solutions Partnerhttps://cinchio.com/uk/https://www.linkedin.com/in/jon-horsfield-957b3a4/Dom Jones, CEO, Mary Rose Trust https://maryrose.org/https://www.linkedin.com/in/dominicejones/https://www.skipthequeue.fm/episodes/dominic-jonesPaul Woolf, Trustee at Mary Rose Trusthttps://maryrose.org/https://www.linkedin.com/in/paul-woolf/Stephen Spencer, Ambience Director, Stephen Spencer + Associateshttps://www.stephenspencerassociates.com/https://www.linkedin.com/in/customerexperiencespecialist/https://www.skipthequeue.fm/episodes/stephen-spencerSarah Bagg, Founder, ReWork Consultinghttps://reworkconsulting.co.uk/https://www.linkedin.com/in/sarahbagg/https://www.skipthequeue.fm/episodes/sarah-baggJeremy Mitchell, Chair of Petersfield Museum and Art Galleryhttps://www.petersfieldmuseum.co.uk/https://www.linkedin.com/in/jeremy-mitchell-frsa-4529b95/Rachel Kuhn, Associate Director, BOP Consultinghttps://www.bop.co.uk/https://www.linkedin.com/in/kuhnrachel/  Transcriptions:Paul Marden: Welcome to Skip the Queue, the podcast for people working in and working with visitor attractions. You join me today, out and about yet again. This time I am in London at Olympia for the Museums and Heritage Show. Hotly anticipated event in everybody's diary. We all look forward to it. Two days of talks and exhibitions and workshops. Just a whole lot of networking and fun. And of course, we've got the M and H awards as well. So in this episode, I am going to be joined by a number of different people from across the sector, museum and cultural institution professionals, we've got some consultants, we've got some suppliers to the industry, all pretty much giving us their take on what they've seen, what they're doing and what their thoughts are for the year ahead. So, without further ado, let's meet our first guest. Andy Povey: Hi, Anna. Welcome to Skip the Queue. Thank you for giving us some of your time on what must be a massively busy day for you. I wonder if you could just tell the audience who you are, what you do, a little bit about what museums and heritage is, because not everyone listening to the podcast comes from the museum sector. Anna Preedy: Andy, thanks. This is a great opportunity and always really lovely to see your happy smiley face at the Museums and Heritage Show. So M and H, as we're often referred to as, stands for Museums and Heritage and we're a small business that organises the principal trade exhibition for the Museums and Heritage sector that could be broadened, I suppose, into the cultural sector. We also have the awards ceremony for the sector and an online magazine. So we are Museums and Heritage, but we're often referred to as M and H and we've been around for a very long time, 30 plus years. Andy Povey: Oh, my word. Anna Preedy: I know. Andy Povey: And what's your role within the organisation? Your badge says Event Director today. That's one of many hats. Anna Preedy: I'm sure it is one of many hats because we're a very small team. So I own and manage the events, if you like. M and H is my baby. I've been doing it for a very long time. I feel like I'm truly immersed in the world of museums and heritage and would like to think that as a result of that, I kind of understand and appreciate some of the issues and then bring everyone together to actually get in the same room and to talk them through at the show. So, yeah, that's what we're about, really. Andy Povey: In a shorthand and obviously the show. We're in the middle of West London. It's a beautifully sunny day here at Olympia. The show is the culmination, I suppose of 12 months of work. So what actually goes in? What does a normal day look like for you on any month other than May? Anna Preedy: Yeah, it was funny actually. Sometimes people, I think, well, what do you do for the rest of the year? You just turn up to London for a couple of days, just turn up delivering an event like this. And also our award scheme is literally three, six, five days of the year job. So the moment we leave Olympia in London, we're already planning the next event. So it really is all encompassing. So I get involved in a lot. As I say, we're a small team, so I'm the person that tends to do most of the programming for the show. So we have 70 free talks. Everything at the show is free to attend, is free to visit. So we have an extensive programme of talks. We have about 170 exhibitors. Anna Preedy: So I'm, although I have a sales team for that, I'm managing them and looking after that and working with some of those exhibitors and then I'm very much involved in our awards. So the Museums and Heritage Awards look to celebrate and reward the very best in our sector and shine the spotlight on that not just in the UK but around the world. So we have a judging panel and I coordinate that. So pretty much every decision, I mean you look at the colour of the carpet, that which incidentally is bright pink, you look at the colour of the carpet here, who made the decision what colour it would be in the aisles this year it was me. So I, you know, I do get heavily involved in all the nitty gritty as well as the biggest strategic decisions. Andy Povey: Fantastic. Here on the show floor today it is really busy, there are an awful lot of people there. So this is all testament to everything that you've done to make this the success that it is. I'm sure that every exhibitor is going to walk away with maybe not a full order book, but definitely a fistful of business cards. Anna Preedy: I think that's it, what we really want. And we sort of build this event as the big catch up and we do that for a reason. And that is really to kind of give two days of the year people put those in their diary. It's a space where people can come together. So you know, there'll be people here standing on stands who obviously and understandably want to promote their product or service and are looking to generate new business. And then our visitors are looking for those services and enjoying the talks and everyone comes together and it's an opportunity to learn and network and connect and to do business in the broadest possible sense. Really. Andy Povey: No, I think that the line, the big catch up really sums the show up for me. I've been. I think I worked out on the way in this morning. It's the 15th time I've been to the show. It's one of my favourite in the year because it is a fantastic mix of the curatorial, the commercial, everything that goes into running a successful museum or heritage venue. Anna Preedy: I mean, it's funny when people ask me to summarise. I mean, for a start, it's quite difficult. You know, really, it should be museums, galleries, heritage, visitor, attractions, culture. You know, it is a very diverse sector and if you think about everything that goes into making a museum or a gallery or a historic house function, operate, engage, it's as diverse as the organisational types are themselves and we try and bring all of that together. So, you know, whether you are the person that's responsible for generating income in your organisation, and perhaps that might be retail or it might be catering, it could be any. Any stream of income generation, there's going to be content for you here just as much as there's going to be content for you here. Anna Preedy: If you are head of exhibitions or if you are perhaps wearing the marketing hat and actually your job is, you know, communications or audience development, we try and represent the sector in its broadest scope. So there is something for everyone, quite. Andy Povey: Literally, and that's apparent just from looking on the show floor. So with all of your experience in the museum sector, and I suppose you get to see. See quite an awful lot of new stuff, new products. So what are you anticipating happening in the next sort of 6 to 12 months in our sector? Anna Preedy: I mean, that's a big question because, you know, going back to what were just saying, and the kind of different verticals, if you like, that sit within the sector, but I think the obvious one probably has to be AI, and the influence of that. I'm not saying that's going to change everything overnight. It won't, but it's. You can see the ripples already and you can see that reflected out here on the exhibition floor with exhibitors, and you can also see it in our programme. So this sort of AI is only, you know, one aspect of, you know, the bigger, wider digital story. But I just think it's probably more about the sector evolving than it is about, you know, grand sweeping changes in any one direction. Anna Preedy: But the other thing to say, of course, is that as funding gets more the sort of the economic landscape, you know, is tough. Undeniably so. So generating revenue and finding new ways to do that and prioritising it within your organisation, but not at the expense of everything else that's done. And it should never be at the expense of everything else that's done. And it's perfectly possible to do both. Nobody's suggesting that it's easy, nothing's easy but, you know, it's possible. Anna Preedy: And I think the show here, and also what we do online in terms of, you know, news and features, all of that, and what other organisations are doing in this sector, of course, and the partners we work with, but I think just helping kind of bridge that gap really, and to provide solutions and to provide inspiration and actually, you know, there's no need to reinvent the wheel constantly. Actually, I think it was somebody that worked in the sector. I'm reluctant to names, but there was somebody I remember once saying, well, know, stealing with glee is kind of, you know, and I think actually, you know, if you see somebody else is doing something great and actually we see that in our wards, you know, that's the whole point. Let's shine a spotlight on good work. Well, that might inspire someone else. Anna Preedy: It's not about ripping something off and it's not absolute replication. But actually, you know, scalable changes in your organisation that may have been inspired by somebody else's is only a good thing as well. Andy Povey: It's all that evolutionary process, isn't it? So, great experience. Thank you on behalf of everybody that's come to the show today. Anna Preedy: Well, thank you very much. I love doing it, I really genuinely do and there is nothing like the buzz of a busy event. Jon Horsfield: Yeah, My name is Jon Horsfield, I'm the Chief Revenue Officer of Cincio Solutions. Andy Povey: And what does Cincio do? Jon Horsfield: We provide F and B technology, so kiosks, point of sale payments, kitchen systems, inventory, self checkout to the museums, heritage zoos, aquariums and hospitality industries. Andy Povey: Oh, fantastic. So I understand this is your first time here at the Museums and Heritage Show. Jon Horsfield: It is our first time. It's been an interesting learning curve. Andy Povey: Tell me more. Jon Horsfield: Well, our background is very much within the hospitality. We've been operating for about 20 to 23 years within the sort of high street hospitality side of things. Some of our London based listeners may have heard of Leon Restaurants or Coco Di Mama, we've been working with them for over 20 years. But we're looking at ways of bringing that high street technology into other industries and other Verticals and the museums and heritage is a vertical that we've identified as somewhere that could probably do with coming into the 21st century with some of the technology solutions available. Andy Povey: I hear what you're saying. So what do you think of the show? What are your first impressions? Give me your top three tips. Learning points. Jon Horsfield: Firstly, this industry takes a long time to get to know people. It seems to be long lead times. That's the first learning that we've had. Our traditional industry in hospitality, people will buy in this industry. It's going to take some time and we're happy about that. We understand that. So for us, this is about learning about know about how the industry works. Everybody's really friendly. Andy Povey: We try. Yeah. Jon Horsfield: That's one of the first things that we found out with this. This industry is everybody is really friendly and that's quite nice. Even some of our competitors, we're having nice conversations with people. Everybody is really lovely. The third point is the fact that I didn't know that there were so many niche markets and I found out where my mother buys her scarves and Christmas presents from. So it's been really interesting seeing the different types of things that people are looking for. We've sort of noticed that it's really about preservation. That's one of the main areas. There's a lot of things about preservation. Another one is about the display, how things are being displayed, and lots of innovative ways of doing that. But also the bit that we're really interested in is the commercialization. Jon Horsfield: There's a real push within the industry to start to commercialise things and bring in more revenue from the same people. Andy Povey: Yeah, yeah. I mean, that's all about securing the destiny so that you're not reliant on funding from external parties or government and you taking that control. So what do you do at Centrio that helps? Jon Horsfield: Well, first of all. First of all, I would say the efficiencies that we can bring with back office systems integrations. We're very well aware of what we do, we're also aware of what we don't do. So, for example, we're not a ticketing provider, we're a specialist retail and F and B supplier. So it's about building those relationships and actually integrating. We've got a lot of integrations available and we're very open to that. So that's the first thing. But one of the key things that we're trying to bring to this industry is the way that you can use technology to increase revenue. So the kiosks that we've got here, it's proven that you'll get a minimum average transaction value increase of 10 to 15%. Andy Povey: And what do you put that down to? Jon Horsfield: The ability to upsell. Okay, with kiosks, as long as, if you put, for example, with a burger, if you just have a nice little button, say would you like the bacon fries with that? It's an extra few pounds. Well, actually if you've got an extra few pounds on every single transaction, that makes an incredible difference to the bottom line. From the same number of customers. Some of our clients over in the USA have seen an ATV increase above to 60% with the use of kiosks. Andy Povey: And that's just through selling additional fries. Jon Horsfield: Exactly. People will. I went to a talk many years ago when people started to adopt kiosks and the traditional thing is the fact that people will order two Big Macs and a fries to a kiosk, but when you go face to face, they will not order two Big Macs and a fries. Andy Povey: So you're saying I'm a shy fatty who's basically. Jon Horsfield: Absolutely not. Absolutely not, Andy. Absolutely not. So that's really what it's about. It's about using the sort of the high street technology and applying that to a different industry and trying to bring everybody along with us. Dominic Jones: And you need to listen to the Skip the Queue. It's the best podcast series ever. It'll give you this industry. Paul Marden: Perfect. That was a lovely little sound bite. Dom, welcome. Dominic Jones: It's the truth. It's the truth. I love Skip the Queue. Paul Marden: Welcome back to Skip the Queue. Paul, welcome. For your first time, let's just start with a quick introduction. Dom, tell everybody about yourself. Dominic Jones: So I'm Dominic Jones, I'm the chief executive of the Mary Rose Trust and I'm probably one of Skip the Queue's biggest fans. Paul Marden: I love it. And biggest stars. Dominic Jones: Well, I don't know. At one point I was number one. Paul Marden: And Paul, what about yourself? What's your world? Paul Woolf: Well, I'm Paul Woolf, I've just joined the Mary Rose as a trustee. Dom's been kind of hunting me down politely for a little bit of time. When he found out that I left the King's Theatre, he was very kind and said, right, you know, now you've got time on your hands, you know, would you come over and help? So yeah, so my role is to support Dom and to just help zhuzh things up a bit, which is kind of what I do and just bring some new insights into the business and to develop It a bit. And look at the brand, which is where my skills. Dominic Jones: Paul is underselling himself. He is incredible. And the Mary Rose Trust is amazing. You haven't visited. You should visit. We're in Portsmouth Historic Dock blog. But what's great about it is it's about attracting great people. I'm a trustee, so I'm a trustee for good whites. I'm a trustee for pomp in the community. I know you're a trustee for kids in museums. I love your posts and the fact that you come visit us, but it's about getting the right team and the right people and Paul has single handedly made such a difference to performance art in the country, but also in Portsmouth and before that had a massive career in the entertainment. So we're getting a talent. It's like getting a Premiership player. And we got Paul Woolf so I am delighted. Dominic Jones: And we brought him here to the Museum Heritage show to say this is our industry because we want him to get sucked into it because he is going to be incredible. You honestly, you'll have a whole episode on him one day. Paul Marden: And this is the place to come, isn't it? Such a buzz about the place. Paul Woolf: I've gone red. I've gone red. Embarrassed. Paul Marden: So have you seen some talks already? What's been impressive for you so far, Paul? Paul Woolf: Well, we did actually with the first talk we were listening to was all about touring and reducing your environmental impact on touring, which is quite interesting. And what I said there was that, you know, as time gone by and we had this a little bit at theatre actually. But if you want to go for grant funding today, the first question on the grant funding form, almost the first question after the company name and how much money you want is environmental impact. Paul Marden: Yeah, yeah. Paul Woolf: And so if you're going tour and we're looking now, you know, one of the things that Dom and I have been talking about is, you know, Mary Rose is brilliant. It's fantastic. You know, it's great. It's in the dockyard in Portsmouth and you know, so. And, and the Andes, New York, you know, everywhere. Dominic Jones: Take her on tour. Paul Woolf: Why isn't it on tour? Yeah. Now I know there are issues around on tour. You know, we've got the collections team going. Yeah, don't touch. But nonetheless it was interesting listening to that because obviously you've got to. Now you can't do that. You can't just put in a lorry, send it off and. And so I thought that was quite interesting. Dominic Jones: Two, it's all the industry coming together. It's not about status. You can come here as a student or as a CEO and you're all welcome. In fact, I introduced Kelly from Rubber Cheese, your company, into Andy Povey and now you guys have a business together. And I introduced them here in this spot outside the men's toilets at Museum and Heritage. Paul Woolf: Which is where we're standing, by the way. Everybody, we're outside the toilet. Dominic Jones: It's the networking, it's the talks. And we're about to see Bernard from ALVA in a minute, who'll be brilliant. Paul Marden: Yes. Dominic Jones: But all of these talks inspire you and then the conversations and just seeing you Andy today, I'm so delighted. And Skip the Queue. He's going from strength to strength. I love the new format. I love how you're taking it on tour. You need to bring it to the May Rose next. Right. Paul Marden: I think we might be coming sometimes soon for a conference near you. Dominic Jones: What? The Association of Independent Museums? Paul Marden: You might be doing an AIM conference with you. Dominic Jones: Excellent. Paul Marden: Look, guys, it's been lovely to talk to you. Enjoy the rest of your day here at M and H. Paul Marden: Stephen, welcome back to Skip the Queue. Stephen Spencer: Thank you very much. Paul Marden: For listeners, remind them what you do. Stephen Spencer: So I'm Stephen Spencer. My company, Stephen Spencer Associates, we call ourselves the Ambience Architects because we try to help every organisation gain deeper insight into the visitor experience as it's actually experienced by the visitor. I know it sounds a crazy idea, really, to achieve better impact and engagement from visitors and then ultimately better sustainability in all senses for the organisation. Paul Marden: For listeners, the Ambience Lounge here at M and H is absolutely rammed at the moment. Stephen Spencer: I'm trying to get in myself. Paul Marden: I know, it's amazing. So what are you hoping for this networking lounge? Stephen Spencer: Well, what we're aiming to do is create a space for quality conversations, for people to meet friends and contacts old and new, to discover new technologies, new ideas or just really to come and have a sounding board. So we're offering free one to one advice clinic. Paul Marden: Oh, really? Stephen Spencer: Across a whole range of aspects of the visitor journey, from core mission to revenue generation and storytelling. Because I think, you know, one of the things we see most powerfully being exploited by the successful organisations is that kind of narrative thread that runs through the whole thing. What am I about? Why is that important? Why should you support me? How do I deliver that and more of it in every interaction? Paul Marden: So you're Having those sorts of conversations here with people on a one to one basis. Stephen Spencer: Then we also are hosting the structured networking event. So all of the sector support organisations that are here, they have scheduled networking events when really people can just come and meet their peers and swap experiences and again find new people to lean on and be part of an enriched network. Paul Marden: Absolutely. So we are only half a day in, not even quite half a day into a two day programme. So it's very early to say, but exciting conversations, things are going in the direction that you hoped for. Stephen Spencer: Yes, I think, I mean, we know that the sector is really challenged at the moment, really, the fact that we're in now such a crazy world of total constant disruption and uncertainty. But equally we offer something that is reassuring, that is enriching, it's life enhancing. We just need to find better ways to, to do that and reach audiences and reach new audiences and just keep them coming back. And the conversations that I've heard so far have been very much around that. So it's very exciting. Paul Marden: Excellent. One of themes of this episode that we'll be talking to lots of people about is a little bit of crystal ball gazing. You're right, the world is a hugely, massively disrupted place at the moment. But what do you see the next six or 12 months looking like and then what does it look like for the sector in maybe a five year time horizon? Stephen Spencer: Okay, well, you don't ask easy questions. So I think there will be a bit of a kind of shaking down in what we understand to be the right uses of digital technology, AI. I think we see all the mistakes that were made with social media and what it's literally done to the world. And whilst there are always examples of, let's say, museums using social media very cleverly and intelligently, we know that's against the backdrop of a lot of negativity and harm. So why would we want to repeat that, for example, with generative AI? Paul Marden: Indeed. Stephen Spencer: So I heard a talk about two years ago at the VAT conference about using AI to help the visitor to do the stuff that is difficult for them to do. In other words, to help them build an itinerary that is right for them. And I think until everyone is doing that, then they should be very wary of stepping off the carpet to try and do other things with it. Meanwhile, whilst it's an immersive experience, it is not just sitting in, you know, with all respect to those that do this, A, you know, surround sound visual box, it is actually what it's always been, which is meeting real people in authentic spaces and places, you know, using all the senses to tell stories. So I think we will need to see. Stephen Spencer: I've just been given a great coffee because that's the other thing we're offering in the coffee. It's good coffee. Not saying you can't get anywhere else in the show, just saying it's good here. Yeah. I think just some realism and common sense creeping into what we really should be using these technologies for and not leaving our visitors behind. I mean, for example, you know, a huge amount of the natural audience for the cultural sector. You know, people might not want to hear it, but we all know it's true. It's older people. And they aren't necessarily wanting to have to become digital natives to consume culture. So we shouldn't just say, you know, basically, unless you'll download our app, unless you'll do everything online, you're just going to be left behind. That's crazy. It doesn't make good business sense and it's not right. Stephen Spencer: So I just think some common sense and some. Maybe some regulation that will happen around uses of AI that might help and also, you know, around digital harms and just getting back to some basics. I was talking to a very old colleague earlier today who had just come back from a family holiday to Disney World, and he said, you know, you can't beat it, you cannot beat it. For that is immersive. Paul Marden: Yeah, absolutely. But it's not sealed in a box. Stephen Spencer: No, no. And it really. It's a bit like Selfridges. I always took out. My favourite store is Selfridges. It still does what Harry Gordon Selfridge set out to do. He said, "Excite the mind and the hand will reach for the pocket." I always say. He didn't say excite the eye, he said, excite the mind. Paul Marden: Yeah. Stephen Spencer: The way you do that is through all the senses. Paul Marden: Amazing. Stephen Spencer: And so, you know, digital. I'm sure he'd be embracing that. He would be saying, what about the rest of it? Paul Marden: How do you add the human touch to that? Yeah. I was at Big Pit last week. Stephen Spencer: As they reopened, to see this. Yeah. Paul Marden: And it was such an amazing experience walking through that gift shop. They have so subtly brought the museum into the gift shop and blended the two really well. Stephen Spencer: Yes. And I think that raises the bar. And again, if you want to make more money as a museum, you need to be embracing that kind of approach, because if you just carry on doing what you've always done, your revenue will go down. Paul Marden: Yes. Stephen Spencer: And we all know your revenue needs to go up because other. Other sources of income will be going down. Paul Marden: Sarah, welcome back to Skip the Queue last time you were here, there was a much better looking presenter than, you were in the Kelly era. Sarah Bagg: Yes, we were. Paul Marden: It's almost as if there was a demarcation line before Kelly and after Kelly. Why don't you just introduce yourself for me? Tell the listeners what it is that you do. Sarah Bagg: So I'm Sarah Bagg. I'm the founder of Rework Consulting. The last time I spoke, it wasn't that long after our launch. I think like two and a half years ago. We've just had our third birthday. Paul Marden: Wow. Sarah Bagg: Which is completely incredible. When we first launched rework, were specifically for the visitor attractions industry and focused on ticketing. Paul Marden: Yep. Sarah Bagg: So obviously we are a tech ticketing consultancy business. In the last three and a half years we've grown and now have five verticals. So attractions are one of them. Paul Marden: And who else do you work with then? Sarah Bagg: So the art, the leisure industry. So whether it be activity centres, cinemas, bowling centres and then live entertainment. So it could be anything from sports, festivals etc and the arts, like theatres or. Paul Marden: So closely aligned to your attractions. Then things that people go and do but different kinds of things loosely. Sarah Bagg: Say they're like live entertainment. Paul Marden: I like that. That's a nice description. So this must be Mecca for you to have all of these people brought together telling amazing stories. Sarah Bagg: I think how I would sum up museum and heritage today is that I think we're kind of going through a period of like being transformed, almost like back. People are reconstructing, connecting with real experiences and with people. Paul Marden: Yeah. Sarah Bagg: And I would like to think that tech is invisible and they're just to support the experience. I think there's a lot of things that are going on at the moment around, you know, bit nostalgia and people dragging themselves back to the 90s. And there's a lot of conversations about people and customer service and experience. And although technology plays a huge part in that, I would still like to think that people come first and foremost, always slightly weird from a technology consultant. Paul Marden: Well, nobody goes to a visitor attraction to be there on their own and interact with technology. That's not the point of being there. Yeah. Interesting talks that you've been today. Sarah Bagg: I think one of my favourite was actually one of the first of the day, which was about. Of how do you enhance the visitor experience through either like music and your emotions and really tapping into how you feel through, like all your different senses. Which was one of Stephen's talks which I really enjoyed. Paul Marden: That's really interesting. Sarah Bagg: I think if people like look at the visitor industry and across the board, that's why I'm so keen to stay, like across four different sectors, we can learn so much pulling ideas from like hospitality and restaurants and bars.Paul Marden: Completely. Sarah Bagg: Even if you think about like your best, there's a new bar there, so you can not very far from my home in Brighton and the service is an amazing. And the design of the space really caters for whether you're in there with 10 people or whether you're sat at the bar on your own. It doesn't exclude people, depending on what age you are or why you gone into the bar. And I think we can learn a lot in the visitor attractions industry because there's been a lot of talk about families today. I don't have children and I think that there, you need. Sarah Bagg: We need to think more about actually that lots of other people go to visitor attractions Paul Marden: Completely. Sarah Bagg: And they don't necessarily take children and they might want to go on their own. Yes, but what are we doing to cater for all of those people? There's nothing. Paul Marden: How do you make them feel welcome? How do you make them feel like they're a first class guest? The same as everybody else. Yeah. So where do you see the sector going over the next few years based on what you've seen today? Sarah Bagg: I think there'll be a lot more diversification between sectors. There's definitely a trend where people have got their assets. You know, like if you're looking at things like safari parks and zoos, places that have already got accommodation, but maybe like stately houses where there used to be workers that were living in those cottages or whatever, that they're sweating their assets. I think it would be interesting to see where tech takes us with that because there has been a tradition in the past that if you've got like, if your number one priority to sell is being like your hotel, then you would have like a PMS solution. But if it's the other way around, your number one priority is the attraction or the venue and you happen to have some accommodation, then how is that connecting to your online journey? Sarah Bagg: Because the last thing you want is like somebody having to do two separate transactions. Paul Marden: Oh, completely drives me crazy. Sarah Bagg: One thing I would also love to see is attractions thinking beyond their 10 till 6 opening hours completely. Because some days, like restaurants, I've seen it, you know, maybe they now close on Mondays and Tuesdays so they can give their staff a day off and they have different opening hours. Why are attractions still fixated in like keeping these standard opening hours? Because actually you might attract a completely different audience. There used to be a bit of a trend for like doing museum late. So I was speaking to a museum not very long ago about, you know, do they do like morning tours, like behind the scenes, kind of before it even opens. And I think the museum particularly said to me, like, "Oh, we're fine as we are.". Paul Marden: I've never met a museum that feels fine where it is at the moment. Sarah Bagg: But I guess the one thing I would love to see if I could sprinkle my fairy dus. Paul Marden: Come the revolution and you're in charge. Sarah Bagg: And it's not like, it's not even like rocket science, it's more investment into training and staff because the people that work in our industry are like the gold, you know, it's not tech, it's not pretty set works, it's not like fancy display cases. Yes, the artefacts and stuff are amazing. Paul Marden: But the stories, the people stuff. Yeah. Sarah Bagg: Give them empowerment and training and make the customer feel special. Paul Marden: Yes. Sarah Bagg: When you leave, like you've had that experience, you're only ever going to get that from through the people that you interact with completely. Paul Marden: Jeremy, hello. Welcome to Skip the Queue. We are, we are being slightly distracted by a dinosaur walking behind us. Such is life at M and H show. Jeremy Mitchell: Yeah. Paul Marden: So. Jeremy Mitchell: Well, anything to do with museums and dinosaurs, always great crowd pleasers. Paul Marden: Exactly, exactly. So is this your first time at M and H or have you been before? Jeremy Mitchell: Been before, but probably not for 10 years or more. It was, yes. I remember last time I came the theatres were enclosed so they were partitioned all the way around. Paul Marden: Right. Jeremy Mitchell: But because it's so popular now that would not just not would not work. It's a long time ago. It shows how long I've been volunteering. Paul Marden: In museums, doesn't it? So for our listeners, Jeremy, just introduce yourself and tell everyone about the role that you've got at the Petersfield Museum. Jeremy Mitchell: Okay, so I'm Jeremy Mitchell. I'm a trustee at Petersfield Museum now Petersfield Museum and Art Gallery. I'm actually now chair of trustees. Paul Marden: Paint a little picture for us of Petersfield Museum then. What could someone expect if they came to you? Apart from, as I understand, a very good cup of coffee. Jeremy Mitchell: A very good cup of coffee. Best in Petersfield. And that's not bad when there are 32 competitors. You'll get a little bit of everything you'll get a bit of. You'll get the story of Petersfield, but you'll get so much more. We've got collections of costume going back to the mid 18th century. We've got work of a local artist, Flora Torte, one of those forgotten female artists from between the wars. She's a story that we will be exploring. We've got, in partnership with the Edward Thomas Fellowship, a big archive of books and other artefacts by and about Edward Thomas, who was a poet, writer, literary critic. He's one of the poets killed in the First World War. But he's not well known as a war poet because he was writing about the impact of war on life at home. Jeremy Mitchell: So he's now more well known as a nature poet. Paul Marden: So you're telling the story not just of the place, you're telling the story of the people that have produced great art or had an impact on Petersfield. Jeremy Mitchell: Yes. And their networks and how they might relate to Petersfield in turn. And we've got the costume collection I mentioned going back to the mid 18th century, which came from Bedale School. They've all got stories to them. Paul Marden: Interesting. Jeremy Mitchell: This came from Bedale School, which is a private school on the edge of Petersfield. It was actually collected by their drama teacher between the 1950s and the 1970s. Paul Marden: Wow. Jeremy Mitchell: Because she believed in authenticity. So if she was putting on a 19th century production, she would want genuine 19th century clothes. Paul Marden: Let me tell you, my drama productions in a 1980s comprehensive did not include authentic 19th century costumes. Jeremy Mitchell: If were doing something like that at school, their parents would have been, all right, go down to the jumble sale, buy some material, make something that looks something like it. Paul Marden: Yeah. Jeremy Mitchell: But no, she was, well, if you haven't got anything in your attic that's suitable, please send me some money because there's a sale at Sotheby's in three months. Time off costume from the period. Paul Marden: Excellent. Jeremy Mitchell: And we've got some lovely pieces in there. When we put on the Peggy Guggenheim exhibition, which is what were talking about earlier today here, were able to bring in costume from the 1930s, Chanel dress, other high quality, not. Not necessarily worn by Peggy Guggenheim, but her. Paul Marden: Authentic of the period. Jeremy Mitchell: Authentic of the period. But her son was at Bedale, so she could have been asked to donate. Paul Marden: So. Okay. Jeremy Mitchell: Highly unlikely, but it was similar to items that she had been photographed in or would have been. Would have been wearing. Paul Marden: So tell me about the. The presentation. How was that? Jeremy Mitchell: It went so quickly. Paul Marden: Oh, yes. You get in the zone don't you? Jeremy Mitchell: You get in the zone. But it flowed and Louise was great. Louise had done the bulk of the. The work. She prepared the presentation that visually told the story of the exhibition and its outcomes and impacts. And I filled in the boring book, I call it the BBC, the boring but crucial. How we funded it, how we organised the project, management around it, the planning and getting buy in from the rest of the trustees at the beginning, because it was potentially a big financial commitment if we hadn't been able to fund it. Paul Marden: Isn't it interesting? So coming to an event like this is always. There's always so much to learn, it's always an enriching experience to come. But it's a great opportunity, isn't it, for a small museum and art gallery such as Petersfield? It feels a little bit like you're punching above your weight, doesn't it, to be invited onto this stage to talk about it. But really you're telling this amazing story and it's of interest to everybody that's here. Jeremy Mitchell: We want to share it. If we've been able to do it, then why can't they? Why can't you? Why can't we all do it? And yes, you need the story, but if you dig deep enough, those stories are there. Paul Marden: Absolutely, Absolutely. One of the things that is a real common conversation here, M and H, is looking forward, crystal ball gazing, talking. There's challenges in the sector, isn't there? There's lots of challenges around funding and I guess as a small museum, you must feel those choppy waters quite acutely. Jeremy Mitchell: Definitely. I mean, we're an independent museum, so we're not affected by spending cuts because we don't get any funding from that area. But the biggest challenge is from the funding perspective. Yes, we have a big income gap every year that we need to bridge. And now that so much more of the sector is losing what was its original core funding, they're all fishing in the same pond as us and they've got. Invariably they've got a fundraising team probably bigger than our entire museum team, let alone the volunteer fundraiser that we've got. So, yes, it is a challenge and you are having to run faster just to stand still. The ability to put on an exhibition like Peggy Guggenheim shows that we are worth it. Paul Marden: Yes, absolutely. Jeremy Mitchell: And the Guggenheim was funded by Art Fund Western loan programme and an Arts Council project grant. And it was a large Arts Council project grant. Paul Marden: So although everyone's fishing in the same pond as you're managing to yeah. To stretch my analogy just a little bit too far, you are managing to. To get some grant funding and. Jeremy Mitchell: Yes. Paul Marden: And lift some tiddlers out the pond. Jeremy Mitchell: Yes. But it was quite clear that with Peggy it was a story that had to be told. Paul Marden: So we talked a little bit about challenging times. But one of the big opportunities at M and H is to be inspired to think about where the opportunities are going forwards. You've had a day here today. What are you thinking as inspiration as next big things for Petersfield Museum. Jeremy Mitchell: I'm finding that really difficult because we're small, we're a small site, Arkansas, I think has got to be a way forward. I miss the talk. But they're all being recorded. Paul Marden: Yes. Jeremy Mitchell: So I shall be picking that one up with interest. But AR is something. We've got police cells. Well, we've got a police cell. Paul Marden: Okay. Jeremy Mitchell: Now, wouldn't it be great to tell an augmented reality story of Victorian justice to kids? Paul Marden: Yes. Jeremy Mitchell: While they're sat in a victory in a Victorian police cell on a hard wooden bench. That is the original bench that this prisoners would have slept on. Paul Marden: I've done enough school visits to know there's enough kids that I could put in a jail just to keep them happy or to at least keep them quiet whilst the rest of us enjoy our visit. Yes. I feel like I need to come to Petersfield and talk more about Peggy because I think there might be an entire episode of Skip the Queue to talk just about putting on a big exhibition like that. Jeremy Mitchell: Yeah, no, definitely. If you drop me an email you can skip the queue and I'll take you around. Paul Marden: Oh lovely, Rachel, welcome to Skip the Queue. You join me here at M and H show. And we've taken over someone's stand, haven't we? I know, it feels a bit weird, doesn't it? Rachel Kuhn: I feel like we're squatting but I. Paul Marden: Feel a little bit like the Two Ronnies, cuz we're sat behind the desk. It's very strange. Which one are you? Anyway, just for listeners. Introduce yourself for me. Tell listeners what it is that you do at BOP Consulting. Rachel Kuhn: Yeah, so I'm Rachel Kuhn, I'm an associate director at BOP and we specialise in culture and the creative economy and kind of working across everything that is to do with culture and creative economy globally. But I lead most of our strategy and planning projects, particularly in the UK and Ireland, generally working with arts, heritage, cultural organisations, from the very earliest big picture strategy through to real nitty gritty sort of operational plans and outside of bop. I'm a trustee for Kids in Museums, where we love to hang, and also a new trustee with the Postal Museum. Paul Marden: Given what you do at bop, this must be like the highlight of the year for you to just soak up what everybody is doing. Rachel Kuhn: I love it. I mean, it's so lovely just going around, chatting to everybody, listening in on the talks and I think that spirit of generosity, you know, like, it just comes across, doesn't it? And it just reminds me why I love this sector, why I'm here. You know, everyone wants to, you know, contribute and it's that whole sort of spirit of what do they say? We know when the tide rises, so do all the boats or all the ships. And I feel like that's the spirit here and it's lovely. Paul Marden: It is such a happy place and it's such a busy, vibrant space, isn't it? What have been the standout things for you that you've seen today? Rachel Kuhn: I think probably on that spirit of generosity. Rosie Baker at the founding museum talking about the incredible work they've done with their events, hires, programmes. Obviously got to give a shout out to the Association of Cultural Enterprise. I've been doing a lot of hanging out there at their stage day. So Gurdon gave us the rundown of the benchmarking this morning. Some really good takeaways from that and Rachel Mackay, I mean, like, obviously. Paul Marden: Want to go into. Rachel Kuhn: You always want to see her. Really good fun, but lovely to hear. She's talking about her strategy, the Visitor Experience strategy. And you know what, I spend so much time going into places looking at these sub strategies, like visual experience strategies that just haven't been written in alignment with the overall strategy. So it's lovely to see that linking through, you know, and obviously I'm from a Visitor Experience background, so hugely passionate about the way that Visitor Experience teams can make visitors feel the organization's values. And that alignment was really impressive. So, yeah, really lovely and loads of great takeaways from all those talks. Paul Marden: I will just say for listeners, all of these talks have been recorded, so everyone's going to be able to download the materials. It take a couple of weeks before they were actually published. But one of the questions that I've asked everybody in these vox pops has been, let's do some crystal ball gazing. It's. It stinks at the moment, doesn't it? The, the, the economy is fluctuating, there is so much going on. What do you see 6 to 12 month view look like? And then let's really push the boat out. Can we crystal ball gaze maybe in five years? Rachel Kuhn: Yeah.  I mean, look, I think the whole problem at the moment and what's causing that sort of nervousness is there's just a complete lack of surety about loads of things. You know, in some ways, you know, many organisations have welcomed the extension for the MPO round, the current round, but for many, you know, that's just pushed back the opportunity to get in on that round that little bit further away. It's caused that sort of nervousness with organisations are having to ride on with the same funding that they asked for some years ago that just doesn't, you know, match, you know, and it's actually a real time cut for them. Paul Marden: Absolutely. Rachel Kuhn: So I think, very hard to say, I don't know that there's much I can say. I feel like as at sea as everyone else, I think about what the landscape looks like in the next six months, but I think that never has there been, you know, a better time than something like this like the M and H show. You know, this is about coming together and being generous and sharing that information and I think reaching out to each other and making sure that we're sort of cross pollinating there. There's so much good stuff going on and we've always been really good at that and I think sometimes when we're feeling a bit down, it feels like, oh, I just don't want to go to something like this and meet others and, you know, get into a bit of a misery cycle. Rachel Kuhn: But actually it's so uplifting to be at something like this. And I think, you know, what we've seen here is at the show today, I think, is organisations being really generous with their experience and their expertise. Suppliers and consultants and supporters of the sector being really generous with their time and their expertise and actually just shows just spending a bit of time with each other, asking things of each other. We've just got loads of stuff to share and we're all really up for it. And I think that generosity is so critical and I mean, obviously I'm going to plug, I've got to plug it. Rachel Kuhn: So, you know, if you are a supplier, if you are a commercial business working in this sector, it might be tough times for you, but it's certainly nowhere near as hard as it is for the arts and cultural heritage organisations in the sector. You know, reach out to them and see how you can support them and help them. I mean, you and I have both been on a bit of a drive recently to try and drum up some sponsorship and corporate support for kids in museums who, you know, an Arts council MPO who we're incredible, incredibly proud to represent and, you know, do reach out to us. If you've been thinking, oh, I just want to sponsor something and I'd love to sponsor us. Paul Marden: Exactly. I mean, there's loads of opportunities when you take kids in museums as an example, loads of opportunities for. And this is what Arts Council wants us to do. They want us to be more independent, to generate more of our own funding and we've got a great brand, we do some amazing work and there's lots of opportunities for those commercial organisations who align with our values to help to support us. Rachel Kuhn: So I think you asked me there about what's in the next year. So next year, six months, I don't know is the answer. I think it's just a difficult time. So my advice is simply get out there, connect, learn from each other, energise each other, bring each other up. Let's not get into that sort of doom cycle. That's very easy next five years. You know what, I've had some really interesting meetings and conversations over the last. Well, one particularly interesting one today, some other ones about some funds that might be opening up, which I think is really exciting. You know, we've seen this really big challenge with funding, you know, slowing funding going in much larger amounts to a smaller number of large organisations and that causes real problems. But I think there might be a small turnaround on that. Rachel Kuhn: I'm not crumbs in the earth. I think it's still tough times. But that was really exciting to hear about. I'm also seeing here at the show today. I've been speaking to a lot of suppliers whose their models seem to be shifting a lot. So a lot more opportunities here where it requires no investment from the attraction and a lot more sort of interesting and different types of profit share models, which I think is really interesting. So I think the other thing I'd say is if you're an attraction, don't discount partnering some of these organisations because actually, you know, go and talk to them. Rachel Kuhn: Don't just, don't just count them out because you think you haven't got anything to invest because many of them are visiting new models and the couple that I've spoken to who aren't, learn from your competitors and start doing some different models. And I think that's been really interesting to hear some very different models here for some of the products, which is really exciting. Paul Marden: It is really hard sitting on the other side of the fence, as a supplier, we need cash flow as well. We've got to pay bills and all of those sorts of things. But you're right, there are interesting ways in which we all want to have a conversation. As you say, don't sit back afraid to engage in the conversation because you've got nothing to invest, you've got an important brand, you've got an audience. Those are valuable assets that a supplier like us would want to partner with you to help you to bring a project to life. And that might be on a rev share model, it might be on a service model. There's lots of different ways you can slice it and dice it. Rachel Kuhn: And going back, on a closing note, I suppose, going back to that generosity thing, don't think because you haven't got any money to commission, you know, a supplier to the sector or a commercial company, that you can't reach out to them. Like, you know, we are in this because we really want to support these organisations. This is our passion. You know, many of us are from the sector. You know, I will always connect somebody or introduce somebody or find a way to get a little bit of pro bono happening, or, you know, many of my colleagues are on advisory committees, we're board members. And I think that's the same for so many of the companies that are, like, working with the sector. You know, reach out and ask for freebie, you know, don't ask, don't get. Paul Marden: Yeah, exactly. Rachel, it is delightful to talk to you as always. Thank you for joining us on Skip the Queue and I am sure, I'm sure we'll make this into a full episode one day soon. I do say that to everybody. Rachel Kuhn: Thanks so much. Lovely to speak to you. Paul Marden: Andy. Andy Povey: Paul.Paul Marden: We've just walked out of the M and H show for another year. What are your thoughts? Andy Povey: First, I'm exhausted, absolutely exhausted. I'm not sure that I can talk anymore because I've spent 48 hours having some of the most interesting conversations I've had all year. Paul Marden: No offence, Tonkin. Andy Povey: You were part of some of those conversations, obviously, Paul. Paul Marden: I was bowled over again by just the sheer number of people that were there and all those lovely conversations and everybody was just buzzing for the whole two days. Andy Povey: The energy was phenomenal. I worked out that something like the 15th show, M & H show that I've been to, and I don't know whether it's just recency because it's sitting in the far front of my mind at the moment, but it seems like this was the busiest one there's ever been. Paul Marden: Yeah, I can believe it. The one thing that didn't change, they're still working on Olympia. Andy Povey: I think that just goes on forever. It's like the fourth Bridge. Paul Marden: Talks that stood out to you. Andy Povey: I really enjoyed interpretation One led by the guy from the sign language education company whose name I can't remember right now. Paul Marden: Yeah, Nate. That was an amazing talk, listeners. We will be getting him on for a full interview. I'm going to solve the problem of how do I make a inherently audio podcast into something that's accessible for deaf people? By translating the podcast medium into some sort of BSL approach. So that was the conversation that we had yesterday after the talk. Andy Povey: I know. I really look forward to that. Then, of course, there was the George and Elise from Complete Works. Paul Marden: I know. They were amazing, weren't they? You couldn't tell at all that they were actors. Do you know, it was really strange when George. So there was a point in that talk that George gave where we all had a collective breathing exercise and it was just. It was. It was so brilliantly done and were all just captivated. There must have been. I rechon there was 100 people at theatre at that point. Absolutely. Because it was standing room only at the back. And were all just captivated by George. Just doing his click. Very, very clever. Andy Povey: But massively useful. I've seen the same thing from George before and I still use it to this day before going on to make a presentation myself. Paul Marden: Yeah, yeah. Andy Povey: Just grounding yourself, centering yourself. Well, it's fantastic. Paul Marden: Yeah. But the whole thing that they were talking about of how do we create opportunities to have meaningful conversations with guests when they arrive or throughout their entire experience at an attraction so that we don't just talk about the weather like we're typical English people. Andy Povey: That's great, isn't it? Go and tell a Brit not to talk. Talk about the weather. Paul Marden: But training your staff makes absolute sense. Training your staff to have the skills and the confidence to not talk about the weather. I thought that was really interesting. Andy Povey: It's an eye opener, isn't it? Something really simple, but could be groundbreaking. Paul Marden: Yeah. Andy Povey: Then what was your view on all of the exhibitors? What did you take away from all the stands and everybody? Paul Marden: Well, I loved having my conversation yesterday with Alan Turing. There was an AI model of Alan Turing that you could interact with and ask questions. And it was really interesting. There was a slight latency, so it didn't feel quite yet like a natural conversation because I would say something. And then there was a pause as Alan was thinking about it. But the things that he answered were absolutely spot on, the questions that I asked. So I thought that was quite interesting. Other exhibitors. Oh, there was a lovely point yesterday where I was admiring, there was a stand doing custom designed socks and I was admiring a design of a Jane Austen sock and there was just somebody stood next to me and I just said, "Oh, Jane Austen socks." Paul Marden: Very on Trend for the 250th anniversary of Jane Austen, that all of the museums in Hampshire will be buying those up. And should funnily you should say that I'm the chief executive of Chawton Park House, which is one of the museums in the last place that Jane Austen lived. So very interesting, very small world moment at that point. Andy Povey: I do, it's almost an oxymoron to talk about Jane Austen socks. I don't imagine her having worn anything with nylon or Lycra in it. Paul Marden: Very true. I hadn't tweaked that. Andy Povey: There was a lot of AI there wasn't there AI this, AI that. Paul Marden: And there were some really good examples of where that is being used in real life. Yeah, yeah. So there were some examples where there's AI being used to help with visitor counts around your attraction, to help you to optimise where you need to put people. I thought that Neil at Symantec just talking about what he called answer engine optimisation. That was interesting. There were some brilliant questions. There was one question from an audience member asking, are there any tools available for you to figure out whether how well your organisation is doing at being the source of truth for AI tools? Andy Povey: Yeah, yeah. So almost like your Google search engine ranking. Paul Marden: But exactly for ChatGPT. Andy Povey: And have you found one yet? Paul Marden: No, not yet. There's also quite a lot of people talking about ideas that have yet to find a home. Andy Povey: Yes. What a very beautiful way of putting it. Paul Marden: The people that have. That are presenting a topic that has yet to get a real life case study associated with it. So the rubber hasn't yet hit the road. I don't think on that. Andy Povey: No. I think that's true for an awful lot of AI, isn't it? Not just in our sector. Paul Marden: No. Andy Povey: It's very interesting to see where that's all going to go. And what are we going to think when we look back on this in two or three years time? Was it just another chocolate teapot or a problem looking for a solution? Or was it the revolution that we all anticipate. Paul Marden: And I think it will make fundamentals change. I think it's changing rapidly. But we need more real case studies of how you can do something interesting that is beyond just using ChatGPT to write your marketing copy for you. Andy Povey: Yeah, I mean it's all about putting the guest at the front of it, isn't it? Let's not obsess about the technology, let's look at what the technology is going to enable us to do. And back to the first part of this conversation, looking at accessibility, then are there tools within AI that are going to help with that? Paul Marden: Yeah, absolutely. So there was definitely. There was an interesting talk by Vox. The people that provide, they provide all of the radio boxes for everybody to wear at M and H that provides you with the voiceover of all of the speakers. But they use this technology across all manner of different attractions and they were talking about using AI to do real time translation of tours. So you could. Andy Povey: Very interesting. Paul Marden: Yeah. So you could have an English speaker wandering around doing your tour and it could real time translate up to. I think it was up to four languages. Andy Povey: BSL not being one of those languages. Paul Marden: Well, no, they were talking about real time in app being able to see subtitles. Now, I don't know whether they went on to say you could do BSL. And we know from the other presentation that not everybody that is deaf is able to read subtitles as fast as they can consume sign language. So it's important to have BSL. But there were some parts of that Vox product that did it address deaf people. It wasn't just multilingual content. Andy Povey: So AI people, if you're listening, you can take the idea of translating into BSL in real time and call it your own. Paul Marden: Yeah, we very much enjoyed hosting our theatre, didn't we? That was a lot. And Anna, if you are listening, and I hope you are, because lots of people have said very nice things in this episode about M and H. Andy and I would love to come back next year. Andy Povey: Absolutely. Paul Marden: And host a theatre for you. Any other thoughts? Andy Povey: Just really looking forward to the rest of the week off. Yeah, it's a sign of a good show when you walk away with all that positive feeling and that positive exhaustion and you probably need a week to reflect on all of the conversations that we've had. Paul Marden: Yeah, absolutely. Next up we is AIM Conference at Mary Rose in June. I can't wait very much. Looking forward to that. Thank you ever so much for listening. We will join you again in a few weeks. See you soon. Bye Bye. Andy Povey: Draw.Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others to find us. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them to increase their visitor numbers. You can find show notes and transcripts from this episode and more over on our website, skipthequeue fm.  The 2024 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsDownload the 2024 Rubber Cheese Visitor Attraction Website Survey Report

Shortwave KitschSeason 8, Episode 3Call the Lady Physician - The Fascist Man in the World!Written by Brandon L. JoynerIn this thrilling episode of Shortwave Kitsch, Cliff Ryder and Elise Banks find themselves unexpectedly crash-landed in 1940s Italy amidst a political storm. They quickly discover that the town is under the oppressive grip of a fascist regime. When they attemtp to reunite with Elise's old friend, Francesca, she reveals that her sister Lina has been arrested for speaking out against the government, raising the stakes even more.With time running out and danger lurking at every corner, Cliff and Elise must rally their new friends. Will they be able to save Lina before it's too late, or will their mission end in disaster? Tune in to find out!“Call the Lady Physician” Cast:Tiffany Parker Copeland - Elise BanksBrandon L. Joyner - Cliff RyderChad Estel - Giuseppe RossiLuciana Marcial-Vincion - Maria RossiMakenna Bryant - Lina BianchiMichael Catangay - Enzo MorettiLuciana Marcial-Vincion - Sofia BelliniMaddie Casto - Francesca BianchiMike Hornacek - Costanza MorettiMike Hornacek - Delivery Boy“Dr. Clutterbuck's Elysian Essence Commercial”Makenna Bryant - MinnieMaddie Casto - JillBrandon L. Joyner - JackChad Estel - RogerSong - “Look Who's Cookin”Sung by Brandon L. JoynerMusic Accompaniment by Joanna NorwoodLyrics & Music by Brandon L. JoynerSong - ”Until Next Time”Sung by David Joyner, Jeannie Joyner, John Joyner, Kristen N. Granet and the Cast of SWK Music by Pedro M. ToroLyrics by Brandon L. Joyner Narrated by David Joyner “Call the Lady Physician Theme” by Pedro M. Toro Music Direction and Accompaniment by Joanna Norwood Sound Effects performed LIVE by Brooke RashProduction Team:Producers: Maddie Casto-Koebler, Kristen N. Granet, Brandon L. Joyner, Brooke RashSound Engineer: Matt CiclonSound Mixing: Matt Ciclon Recorded by: Matt CiclonBusiness Manager: Kristen N. Granet Original episode art by Maddie Casto-KoeblerLogo: LinkonThis Episode is Proudly Brought to You by the Generous Support of:Karen's Korner Frame & Art Gallery (https://karenskornerframeandart.com/) Justin Wham Weddings and Events(https://jwweddingsandevents.com/) Saltwater Cowboys (https://www.saltwater-cowboys.com/) The Charleston Caroling Company ( https://www.charlestoncarolingcompany.com/ )Rusty Bull Brewing Co. ( https://rustybullbrewing.com/ )The Greenery Florist ( https://greeneryfloristcharleston.com/ )Such and Such Designs (www.suchandsuchdesigns.com) Toro Music Studio (www.toromusicstudio.com)Special Thanks to:Jeff & Teri Ziccardi, The Joyner Family, Cheryl Granet, Seth Milling-Furchgott, Jef Bailey, Alison Le, Brad Walbeck along with other marvelous yet anonymous donors!Connect with Us: Facebook, Instagram @swkradioshowRead episode transcripts! (Coming Soon!) For more information on who we are and what we're about, visit: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.shortwavekitsch.com/⁠⁠⁠⁠⁠⁠⁠Our show thrives with the support of our Patreon community! If you're able, we invite you to be part of the journey and help sustain the laughter for episodes to come.Support Our SWK Pod: patreon.com/SWKRadioShow

Getting gallery representation isn't just about having great work—it's about preparation, professionalism, and relationships. At Gabba Gallery in Los Angeles, those values are at the heart of how things run. For more than a decade, owner and director Jason Ostro has led the gallery's mission to elevate emerging and mid-career artists, while curator and manager Elena Jacobson makes sure every show runs smoothly. Together, they bring a practical and deeply human perspective to the artist-gallery partnership. In this conversation, host Alyson Stanfield talks with Jason and Elena about: How they collaborate and divide responsibilities at Gabba Gallery. The qualities they look for in artists and what makes someone a strong fit. Common mistakes artists make when submitting or working with galleries. Why proper preparation makes a big difference in working with an artist (or not). How Gabba's 50/50 commission model works and what artists should know about gallery finances. Why relationships, networking, and trust are just as important as talent. Whether you're actively seeking gallery representation or want to better understand the dynamics behind the scenes, this episode offers honest insight into what it takes to succeed. Takeaway: Showing your work in a gallery isn't a handoff—it's a partnership. The more you understand the gallery's role, the stronger your relationship (and opportunities) will be.

Season 5, Episode 5 In numerology the number 5 represents freedom, change, and adventure. So it is entirely apt that this week we are chatting all things ART & CREATIVITY! Now, we don't mean to bang on about it but...have you joined the LTO COMMUNITY yet? It's our newsletter. And it's marvellous. And it needs YOU! Here's the big link to click: SIGN UP HERE! So, back to art... Our guest is NADIA ATTURA, an award-winning artist known for her evocative, layered landscapes and unmistakable visual style. From a young age, Nadia knew she wanted to be an artist — a deep inner calling that never left her. But it was the birth of her daughter that became the true turning point, inspiring her to fully commit to her artistic path and make creativity her reality. That powerful sense of purpose has shaped everything since. Working with analogue and digital processes, Nadia creates richly textured scenes that transport the viewer into a world of colour, emotion, and memory. Her unique work has attracted a loyal following — including celebrity clients — and has been exhibited internationally and featured in major collections and exhibitions. We talk to Nadia about what drives her creativity, how becoming a mother fuelled her artistic ambition, her process from inspiration to finished piece, and the deep ‘why' behind everything she makes. We found our conversation with Nadia truly inspiring. And we're certain you will too!  With two art-based sketches, a surprise guest voice, and a chat that produced two very different portraits (see Instagram or watch on You Tube for the results!), it's an episode packed with creativity and the celebration of all things ART. Limited Time Only – a pick-me-up in podcast form. If you enjoy the show, please follow or subscribe wherever you get your podcasts, leave us a quick review, and share this episode with someone who could use a pick-me-up.  USEFUL LINKS : Jo de Pear Dawn Beckles Lexi Laine The Royal Academy   Instagram @limitedtimeonlypodcast Facebook Limited Time Only Podcast Email: limitedtimepodcast@gmail.com   LTO is created & written by, produced, edited & hosted by: SUSIE RIDDELL & ESTHER STANFORD It is a Limited Time Only Production   LOGO designed by: IAN STANFORD THEME TUNE composed by: JOEL WHITE ADDITIONAL SOUND: https://freesound.org        

Ep.245 Natia Lemay (b. 1985 in Toronto, Ontario) was raised in Winnipeg, Manitoba, Canada, and is based in Toronto, Ontario, Canada. Her Interdisciplinary autoethnographic practice reflects her lived experience. Through personal stories, she interrogates the intersections between the mind, the body, and space to understand how these experiences relate to a broader cultural context. Natia Lemay has exhibited widely throughout North America. The artist was selected for the 2024 Fountainhead residency in Miami and the 2022 Royal Drawing School Residency in Dumfries, Scotland. She was awarded the National Trust Prize at Expo Chicago 2024, with her work acquired by High Museum in Atlanta in addition to being collected by the Art Gallery of Ontario, The Minneapolis Institute of Art, The Minnesota Museum of American Art, The North Dakota Museum of Art and The Montclair Museum of Art. She received her BFA from Ontario College of Art and Design in 2021 with a minor in Social Sciences and her MFA from Yale School of Art in 2023. Photo Credit is Gesi Schilling: Fountainhead Artist Residency Artist https://www.natialemay.com/ Whitehot Magazine https://whitehotmagazine.com/articles/her-first-nyc-solo-show/5792 Fountainhead Arts https://www.fountainheadarts.org/fhtv/artists/natia-lemay Juxatpoz https://www.juxtapoz.com/news/magazine/features/natia-lemay-the-act-of-being-seen/ Perrotin https://www.perrotin.com/artists/natia_lemay/1335#biography Galerie Nicolas Robert https://www.gallerynicolasrobert.com/natia-lemay Hyperallergic https://hyperallergic.com/851029/miami-fountainhead-residency-2024-selected-artists/ Ocula https://ocula.com/art-galleries/wilding-cran-gallery/artworks/natia-lemay/these-strange-girls-will-radiate-in-our-darkness/ Culture Type https://www.culturetype.com/tag/natia-lemay/ New American Paintings https://www.newamericanpaintings.com/artists/natia-lemay

Send us a textThis week I'm talking with Austin Texas based street artist sistashhhh. We're discussing what got him into street art, his year of traveling doing street art and what led him to open Gallery Delytes ,a street art based gallery in Austin.

Coco Design & Build Co. stands as a distinguished name in the realm of high-end residential transformations, specializing in the meticulous design and flawless execution of kitchen and bathroom renovations. As the owner and driving force behind this esteemed company, Coco has cultivated a reputation for an unwavering commitment to quality, an astute understanding of sophisticated aesthetics, and a personalized approach that consistently exceeds client expectations. Her discerning eye for detail, coupled with a deep-seated passion for innovative design solutions, has positioned Coco Design & Build Co. as a sought-after partner for homeowners seeking to elevate their living spaces to new levels of luxury and functionality. Beyond her entrepreneurial success in the construction and design industry, Coco is also the visionary and creative heart behind Thee Old Fishbowl Gallery. This unique artistic endeavor reflects her profound appreciation for art in its myriad forms and her desire to cultivate a space where creativity can flourish and connect with the wider community. Thee Old Fishbowl Gallery serves as a testament to Coco's multifaceted nature, showcasing her ability to seamlessly blend the practical demands of construction and business ownership with the inspiring and expressive world of art. It is a platform where emerging and established artists can share their perspectives, and where visitors can engage with thought-provoking and visually captivating works. This dual role as a successful business owner and a dedicated patron of the arts underscores Coco's dynamic spirit and her significant contributions to both the design landscape and the local cultural scene. About: Coco Design & Build Co. began with a simple goal in mind – to craft beautiful new spaces based on a client's personality. Since our beginning, we have focused on how to best deliver on this promise. For over 25 years, we have worked in the industry and witnessed what does and does not work. This insight has informed our design, remodel, and renovation process by improving the necessary steps to run a successful project. We have the knowledge and experience you can rely upon that makes renovation as easy as possible. It is essential for our team to simplify the entire process because there are so many moving parts involved. Trying to pull together expert artisans for tile work, make sure deliveries of new materials are on time, and even sync your smart devices with new appliances can get overwhelming quickly. That is why our team is here to help. We have completed 100s of successful projects and know how to smooth out the typical road bumps homeowners do not have the time to manage. The vision behind Thee Old Fishbowl Gallery, at its heart, is to cultivate a vibrant and inclusive space where art transcends traditional boundaries and fosters genuine connection. It's more than just a place to view artwork; it's intended to be a dynamic hub for creativity, dialogue, and community engagement. Thee Old Fishbowl Gallery is to be a welcoming, dynamic, and thought-provoking space where art flourishes, connections are made, and the joy of creative expression is celebrated by all. It's about creating a cultural hub that enriches the community and fosters a deeper appreciation for the transformative power of art. Web: https://cocodesignbuild.com/ Events: https://evanstonmade.org Get to Know Ash: Imagine someone who just radiates good vibes and genuinely wants to see you shine – that's Ash Brown! This incredibly talented American wears many hats: she's a fantastic producer, a super engaging blogger, a captivating speaker, a natural media personality, and a fantastic host for events. Her energy is totally infectious, and you can tell she's truly passionate about helping everyone reach their full potential. What's Ash Up To? AshSaidit.com: Think of this as your VIP pass into Ash's world! Her blog is buzzing with exclusive invites to events, honest reviews of cool products, and all sorts of fun and informative stuff. It's the perfect place to stay in the loop and get a dose of Ash's personality. The Ash Said It Show: Get ready to feel inspired! Ash's podcast is a powerhouse of motivation, with over 2,000 episodes already out there and a whopping half a million listens worldwide! She has amazing conversations with inspiring people and dives into topics that really matter. Why We Love Ash: Ash isn't just talking the talk; she's walking the walk! What makes her truly special is how real she is. She connects with her audience on a genuine level, offering advice and encouragement that feels like a chat with a good friend. She doesn't shy away from the tough stuff but instead gives you the tools to tackle it head-on. Here's what makes Ash stand out: Sunshine Personified: Ash is a total optimist! Her positive energy is contagious, and you can't help but feel more empowered and ready for anything after connecting with her. Keeping It Real: Ash doesn't try to sugarcoat life. She gets that things can be tough and offers relatable advice that speaks to people from all walks of life. Turning Inspiration into Action: This isn't just about feeling good for a moment. Ash gives you practical tips and strategies to actually make things happen and turn your dreams into reality. So, if you're looking for a daily dose of inspiration, real-world advice, and someone who keeps it totally honest, Ash Brown is your go-to person! With her amazing positivity and genuine dedication to helping others, she's sure to become your favorite source for making the most out of life. ✨ ► Goli Gummy Discounts Link: https://go.goli.com/1loveash5 ► Luxury Women Handbag Discounts: https://www.theofficialathena.... ► Review Us: https://itunes.apple.com/us/po... ► Subscribe: http://www.youtube.com/c/AshSa... ► Instagram: https://www.instagram.com/1lov... ► Facebook: https://www.facebook.com/ashsa... ► Blog: http://www.ashsaidit.com/blog #atlanta #ashsaidit #theashsaiditshow #ashblogsit #ashsaidit®Become a supporter of this podcast: https://www.spreaker.com/podcast/the-ash-said-it-show--1213325/support.

Did you know that art galleries can be good for you?A recent study revealed that just by looking at art can relieve you from anxiety and support your well-being.Seán is joined by Dr Claire Howlin, Researcher and Assistant Professor of Psychology at Trinity College Dublin, to discuss.

Our guests today come to us from the world of fabric design as we welcome Pat & Walter Bravo from Art Gallery Fabrics- Textile Manufacturer in Miami, Florida. Both born in Buenos Aires Argentina, Pat got the sewing bug beside her mother as she sewed…as she dreamed of painting her world with fabrics.As Pat created a gallery in their home with quilts, their son named it an Art Gallery and an idea was born. So, Pat and her husband Walter turned this passion into a company and Art Gallery Fabrics was born. Pat's life always revolved around art, history, sewing and later quilting – while Walter's was all about Entrepreneurship and Commerce regarding awards and accomplishments Pat and Walter have one son, two new puppies Sol & Luna –and many stories to share!(1:42) Pat's mother taught her to sew starting at age 9. Hear the stories of her early journey and why she liked it so much from the start. (3:10) Pat always dreamt of “painting the world with fabric”. Hear what this truly means to her. She takes us through the wonderful progression of events that eventually led to the founding on Art Gallery Fabrics. (7:40)The Art Gallery Fabrics website features a video tour of the Art Gallery Fabrics office. Pat walks you through the features of this video and their office.(10:21) Walter tells how he and Pat met (they've been together now for 40 years!) and why they came to the US.(11:31) Walter initially worked in the carpet industry in Argentina, moving to the garment industry when he moved to the US. He shares the story of his work and the move to Miami.(13:10) Walter explains his extensive role at art Gallery Fabrics. When it comes to the operations…he does it all!(14:15) And…how does each of them feel about working with their spouse!? Mutual trust is the secret.(16:22) Pat and Walter speak fondly of their team and why they have become family.(19:28) Next, they talk about their different designers and how they choose the patterns that become their fabrics.(21:28) What is the look or stye that they work exemplifies? Pat explains how to tell if something is part of Art Gallery Fabrics.(25:14) Both Pat and Walter walk us through the process of dreaming up a design to taking the fabric to the public. Listen for the word “evocative” !(31:48) Do Pat and Walter get to see the creations made from their fabrics? Absolutely! Hear how much that means to them! And quality…? This is the most important aspect of their products…hear why!(33:12) Many of their designs are inspired by experiences and cultures. Pat talks about her favorite…the Indie Collection. (36:04) You've heard their dogs Sol and Luna in the background throughout our conversation. Let's hear their story!(39:11) So, what's next for them…and what's their dream?(41:28) Is there any question that I didn't ask? Well Pat says…I love my husband so very much” and Walter says he feels the same! Partners is every aspect of life.(42:30) What's the best way to contact Pat and Walter? info@artgalleriesfabric.com , Instagram and Facebook too! Be sure to subscribe to, review and rate this podcast on your favorite platform…and visit our website sewandsopodcast.com for more information about today's and all of our Guests.

Episode 236 This episode has stories about the mile high club, Spain, easter tuesday, lipstick, merchant marines and capirotes. Contact... flywithbetty@gmail.com The music for the show I recorded on the streets of Spain. Ravens Cup Coffee and Art Gallery, La Conner, WA My website Patreon Instagram:Bettyinthesky Twitter: Skybetty My Amazon page

Shortwave KitschSeason 8, Episode 2To Whom It May Concern… - “Death by Chocolate!”Written by Brandon L. Joyner Synopsis:Join us for a delectable journey into the world of chocolate and intrigue with our latest episode, "To Whom It May Concern." When the renowned chocolatier Eliza Crossley finds herself entangled in a scandal involving poisoned sweets at The London Confectionery Fair, it's up to Adriana Agony, your favorite agony aunt, to step in and unravel the mystery. With rivalries brewing, secrets lurking, and a dash of humor, Adriana must navigate a labyrinth of suspects and motives to uncover the truth. Will she be able to clear Eliza's name before the competition turns deadly? Tune in to find out—who really holds the key to this confectionary calamity?Cast:Maddie Casto - Adriana AgonyJay Shadix - Inspector Frederick CunninghamBrandon L. Joyner - ReginaldKerri Roberts - Eliza CrossleyMike Hornacek - Edward BrimsleyBrandon L. Joyner - The JudgeLizzie Mears - Marjorie PrattKerri Roberts - Vivienne LaRue“Dr. Clutterbuck's Cork Cushion Classic” CastMike Hornacek - Coach FinneganJay Shadix - Jimmy FinlayBrandon L. Joyner - Ernie Jenkins“My Blushing Bride” Music Accompaniment by Joanna NorwoodMusic by Angel GonzalesLyrics by Brandon L. Joyner Song - “Until Next Time”Sung by David Joyner, Jeannie Joyner, John Joyner, Kristen N. Granet and the Cast of SWK Music Accompaniment by Joanna NorwoodMusic by Pedro M. ToroLyrics by Brandon L. Joyner Narrated by David Joyner “To Whom It May Concern…” by Pedro M. Toro Music Direction and Accompaniment by Joanna NorwoodSound Effects performed LIVE by Brooke RashProduction Team:Producers: Maddie Casto-Koebler, Kristen N. Granet, Brandon L. Joyner, Brooke RashSound Engineering & Mixing: Matt CiclonRecorded by: Matt CiclonBusiness Manager: Kristen N. Granet Original episode art by Maddie Casto-KoeblerLogo: LinkonThis Episode is Proudly Brought to You by the Generous Support of:Karen's Korner Frame & Art Gallery (https://karenskornerframeandart.com/) Justin Wham Weddings and Events(https://jwweddingsandevents.com/) Saltwater Cowboys (https://www.saltwater-cowboys.com/) The Charleston Caroling Company ( https://www.charlestoncarolingcompany.com/ )Rusty Bull Brewing Co. ( https://rustybullbrewing.com/ )The Greenery Florist ( https://greeneryfloristcharleston.com/ )Such and Such Designs (www.suchandsuchdesigns.com) Toro Music Studio (www.toromusicstudio.com)Special Thanks to:Jeff & Teri Ziccardi, The Joyner Family, Cheryl Granet, Seth Milling-Furchgott, Jef Bailey, Alison Le, Brad Walbeck along with other marvelous yet anonymous donors!Connect with Us: Facebook, Instagram @swkradioshowRead episode transcripts! (Coming Soon!) For more information on who we are and what we're about, visit: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.shortwavekitsch.com/⁠⁠⁠⁠⁠⁠⁠Our show thrives with the support of our Patreon community! If you're able, we invite you to be part of the journey and help sustain the laughter for episodes to come.Support Our SWK Pod: patreon.com/SWKRadioShow

ow to Support the Rob Skinner Podcast.  If you would like to help support my mission to multiply disciples, leaders and churches, click here:  https://www.buymeacoffee.com/robskinner   Felix and Rita Raju live in Chennai, India.  They have two adult children.  Converted in 1990 into a church of 40 disciples, they grew in faith and passion.  They were married in 1994 and went on the mission team to Kolkata, India.  They spent 9 years in Kolkata doing charity work for HOPE worldwide, building the church and serving in the administration of the church.  They returned to Chennai in 2003 and Felix started working for his cousin's Art Gallery.  They currently lead a group of around forty disciples in the Chennai church.

Episode No. 704 features artist Wafaa Bilal. The MCA Chicago is presenting "Wafaa Bilal: Indulge Me," the first major survey of Bilal's work. Across his genres-busting career, the Iraqi-American Bilal has made performances, sculptures and related digital presentations that have interrogated the United States' relationship with and conduct within Iraq, the Middle East, and broader geopolitics. Bilal's work also investigates the notion of cultural cannibalism, the ways in which the culture of one people may be used, disassembled, and consumed by another. "Indulge Me" was curated by Bana Kattan, and is on view in Chicago through October 19. An invaluable catalogue was published by the MCA. Amazon and Bookshop offer it for $20-32. Bilal's work is in the collections of museums as unalike as the Los Angeles County Museum of Art and Mathaf: Arab Museum of Modern Art Qatar. His work has been included in exhibitions at the Sharjah Art Foundation, Sharjah UAE; the Art Gallery at NYU Abu Dhabi; and the 32015 Venice Biennale. Instagram: Wafaa Bilal, Tyler Green.

Marley shares her inspiring journey of curating and developing a children's art gallery in partnership with the Southwest Art Gallery and Science Center. At just 16 years old, Marley embarked on this project to provide art-related opportunities for kids in her community in North Dakota, where such resources were scarce. She discusses her passion for art as a self-taught artist, the need she identified in her community, and how her collaboration with the Southwest Art Gallery, which shares her mission, facilitated the creation of this new space. Marley reflects on her experience as a volunteer and the process of curating the first exhibit, highlighting the importance of fostering creativity among youth. Tune in to learn how one young artist is making a difference in her community through art! About Our Guest: My name is Marly Barnett, I am a 17-year-old Girl Scout from Troop 85112 and I live in the SW region of North Dakota. My Gold Award project, titled “SW Art Gallery and Science Center's Children's Gallery”, was to develop a children's art gallery for grades K-12 within the physical building of the SW Art Gallery and Science Center. I started this project at age 16 in April 2024, and as a result, I have advanced from a volunteer position to a paid role as Student Director of the SW Art Gallery and Science Center's Children's Gallery in October. Most recently I added Social Media Coordinator to my responsibilities. The reason I chose this as my Gold Award project was for two reasons, one to play a more active role in my community and two, as a self-taught artist, to make the arts more accessible for young artists in Region 8 of North Dakota.  

Thomas J. Dorsey liberated himself from enslavement and became one of the most sought-after caterers in Philadelphia. His son William Henry Dorsey was born a free Black man before the Civil War, and became an artist, collector and scrapbooker. Research: "Thomas J. Dorsey." Contemporary Black Biography, vol. 90, Gale, 2011. Gale In Context: U.S. History, link.gale.com/apps/doc/K1606005269/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=0c6af117. Accessed 2 Apr. 2025. 1838 Black Metropolis. “What Resistance looked like in 1838.” https://www.1838blackmetropolis.com/post/what-resistance-looked-like-in-1838 Aston Gonzalez (2019) William Dorsey and the construction of an African American history archive, Social Dynamics, 45:1, 138-155, DOI: 10.1080/02533952.2019.1589323 Berlin, Ira. "UNIVERSITY PRESSES; Scrapbooks of a Black Heritage." The New York Times Book Review, 22 Sept. 1991. Gale General OneFile, link.gale.com/apps/doc/A175323797/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=cdf57532. Accessed 2 Apr. 2025. Cashin, Sheryll. “The Agitator's Daughter: A Memoir of Four Generations of One Extraordinary African-American Family.” Public Affairs. 2008. Conrad, Sharron Wilkins. “Nineteenth-Century Philadelphia Caterer Thomas J. Dorsey.” American Visions. August/September 2000. Cromwell, J.W.C. “An Art Gallery and Museum, Not In the Guide Book.” New National Era, Washington D.C. 10/1/1874. https://www.loc.gov/resource/sn84026753/1874-10-01/ed-1/?sp=2&st=text&r=0.437,-0.008,0.25,0.231,0 Du Bois, W. E. B. “The Philadelphia Negro; A Social Study.” Philadelphia, Published for the University. 1899. https://archive.org/details/philadelphianegr00dubo/ Franqui, Leah. “Cultural Histories: Philadelphia’s Black Culinary Trailblazers and the Birth of Catering.” Solo Real Estate. https://www.solorealty.com/blog/cultural-histories-philadelphias-black-culinary-trailblazers-and-the-birth-of-catering/ Greenlee, Cynthia. “A Priceless Archive of Ordinary Life.” The Atlantic. 2/9/2021. https://www.theatlantic.com/culture/archive/2021/02/race-save-black-history-archives/617932/ Howard, Sherry. “Connecting with a 19th-century Black history & art collector.” Auction Finds. https://myauctionfinds.com/2021/04/01/connecting-with-a-19th-century-black-history-art-collector/ Lane, Roger. “Willam Dorsey’s Philadelphia and Ours.” Oxford University Press. 1991. “Seen and Heard in Many Places.” The Philadelphia Times. 10/19/1896. “Seen And Heard in Many Places.” The Philadelphia Times. 10/17/1896. Morehouse College. “Honoring a Forgotten Past: An Author’s Journey.” 2/15/2021. https://news.morehouse.edu/morehouse-faculty/honoring-a-forgotten-past-an-authors-journey Solomon, Tessa. “How Two African American Collectors Celebrated Black Artistry Amid the Civil War.” ArtNews. 4/7/2021. https://www.artnews.com/feature/who-are-william-henry-dorsey-edward-thomas-19th-century-collectors-1234587386/ Still, William. “The underground rail road. A record of facts, authentic narratives, letters, &c., narrating the hardships, hair-breadth escapes, and death struggles of the slaves in their efforts for freedom, as related by themselves and others, or witnessed by the author; together with sketches of some of the largest stockholders, and most liberal aiders and advisers, of the road.” Philadelphia, Porter & Coates. 1872. https://archive.org/details/undergroundrailr00stil Strimer, Steve. "Dorsey, Basil." Oxford African American Studies Center. May 31, 2013. Oxford University Press. Date of access 2 Apr. 2025, https://oxfordaasc-com.proxy.bostonathenaeum.org/view/10.1093/acref/9780195301731.001.0001/acref-9780195301731-e-38488 TerBush, James and Barbara Dreyfuss. “A Cape May Connection.” Cape May Magazine. Mid-summer 2021. https://www.capemaymag.com/feature/a-cape-may-connection/ The Evening Telegraph. “Caterers and Restaurateurs.” 3/30/1867. https://www.newspapers.com/image/78649823/ The Manuscript Society. “William Henry Dorsey: Preserving Black History.” 2/16/2021. https://manuscript.org/2021/02/william-henry-dorsey-preserviing-19th-century-life/ The Philadelphia Inquirer. 2/23/1875. Page 5. https://www.newspapers.com/image/168293006/ The Philadelphia Times. “William H. Dorsey’s African Museum.” 10/25/1896. https://www.newspapers.com/image/52857231/ See omnystudio.com/listener for privacy information.

This week Shelley and I compete to have the best art collections in Art Gallery by Francesco Frittelli from Piatnik (10+/2-6 players/45 minutes) and then we explore new lands and gather resources in Explorers of Navoria by Meng Chunulin from Dranda Games (12+/2-4 players/20 min. per player) You can support the podcast by going to www.patreon.com/garrettsgame OR check out the extensive list of games that no longer fit on our shelves, but belong on your table: https://docs.google.com/spreadsheets/d/16ovRDNBqur0RiAzgFAfI0tYYnjlJ68hoHyHffU7ZDWk/edit?usp=sharing  

Looking back at the first round of the Culture Wars, with Jesse Helms discussing a crucifix submerged in urine on the floor of the senate, one figure remains misunderstood: Thomas Kinkade. The "Painter of Light." The guy your alcoholic grandmother who would never admit she terrorized you really loved. Kinkade's career combines the worst of American culture -- multi-level marketing schemes, Jesus Christ kitsch, and televangelism -- into one product. Jessa and Nico discuss Art for Everybody, the new documentary seeking to rehabilitate Kinkade's image, and whether if Kinkade were alive today he would be appointed the new head of the NEA or Kennedy Center (yes).  Shownotes and references: http://theculturewedeserve.substack.com

SEASON 8 EPISODE 1Shortwave KitschA Hog Killin' Time - “Farmed and Dangerous”Written by Brandon L. Joyner Synopsis: In this episode of "A Hog Killin' Time," join Prudence Beaumont and her spirited companions as they face a pressing dilemma in Giddy-Up Gulch. When Clara McCall arrives in distress, revealing the tragic loss of her father and the impending threat of losing her family's farm due to unpaid debts, Pru and her friends rally together to find a way to save Clara's home. With the clock ticking, they brainstorm creative solutions, from bake sales to barn dances, while contending with the unscrupulous Jake Hawthorn, who has his own agenda. Can this ragtag group unite to protect what truly matters before it's too late? Tune in to find out how far they'll go in this heartfelt adventure of friendship and resilience!Cast:Jennifer Holstein - Pru BeaumontMichael Catangay - Lucky AllmanMaddie Casto - Marion BlackwoodBrandon L. Joyner - ClevelandVeronica Wilt - Clara McCall Stephan Hughes - Duke AllmanLarry Perewiznyk - Jake HawthorneBrandon L. Joyner - Judge Harris"Dr. Clutterbuck's Collectibles Commercial”Veronica Wilt - Zelda Owens Maddie Casto - Faye DanielsJennifer Holstein - Blythe WilsonSong - "I Swore Off Whiskey"Sung by Brandon L. Joyner Music Accompaniment by Joanna NorwoodMusic by Angel GonzalesLyrics by Brandon L. Joyner Song - “Until Next Time”Sung by David Joyner, Jeannie Joyner, John Joyner, Kristen N. Granet and the Cast of SWK Music Accompaniment by Joanna NorwoodMusic by Pedro M. ToroLyrics by Brandon L. Joyner Narrated by David Joyner “A Hog Killin' Time Theme” by Pedro M. Toro Music Direction and Accompaniment by Joanna NorwoodSound Effects performed LIVE by Brooke RashProduction Team:Producers: Maddie Casto-Koebler, Kristen N. Granet, Brandon L. Joyner, Brooke RashSound Engineering & Mixing: Matt CiclonRecorded by: Matt CiclonBusiness Manager: Kristen N. Granet Original episode art by Maddie Casto-KoeblerLogo: LinkonThis Episode is Proudly Brought to You by the Generous Support of:Karen's Korner Frame & Art Gallery (https://karenskornerframeandart.com ) Justin Wham Weddings and Events (https://jwweddingsandevents.com ) Saltwater Cowboys (https://www.saltwater-cowboys.com ) The Charleston Caroling Company (https://www.charlestoncarolingcompany.com )Rusty Bull Brewing Co. ( https://rustybullbrewing.com )The Greenery Florist (https://greeneryfloristcharleston.com )Such and Such Designs (www.suchandsuchdesigns.com ) Toro Music Studio (www.toromusicstudio.com )Special Thanks to:Jeff & Teri Ziccardi, The Joyner Family, Cheryl Granet, Seth Milling-Furchgott, Jef Bailey, Alison Le, Brad Walbeck along with other marvelous yet anonymous donors!Connect with Us: Facebook, Instagram @swkradioshowRead episode transcripts! (Coming Soon!) Our show thrives with the support of our Patreon community! If you're able, we invite you to be part of the journey and help sustain the laughter for episodes to come.Support Our SWK Pod: patreon.com/SWKRadioShow

Have you ever had the chance to look at the beautifully ornate masterpiece of a Meissen Porcelain Vase? 

True friendship is answering a call no matter the time of day or night, right? Except for the time Lise pushed it too far. Sarah used to be a 'cool mom', but now she's embarrassing her teenager. Thankfully, her daughter penned a helpful checklist of all the things she is - and isn't - allowed to do anymore. And if you've ever walked around an Art Gallery and wondered dicks in old painting are so small, there's a research study for that. And it's spawned a wonderful European holiday idea for the girls; the stoner boner tour. Book your next holiday with WOTIF here and use code LiseandSarah5 for 5% off select accommodation (conditions apply). Want eps on Fridays too? Yeah you do. Subscribe to Lise and Sarah GOLD here Got something to tell us? Record a voice memo on your phone and send it to: 0489 21 GOLD That's 0489 214 653 Follow us on Instagram for more shenannigans @liseandsarah And a big thanks to the hilarious Mel Buttle for voicing the showSee omnystudio.com/listener for privacy information.

host: Alyson Stanfield It's easy to think that being a full-time artist means struggling financially. But painter Mary Erickson is proof that with discipline, long-term thinking, and a deep love of both art and business, it's possible to build a creative life that's both fulfilling and financially secure. In this conversation, recorded several years ago and lightly edited for re-release, Mary shares how she transitioned from painting before and after work at a frame shop to selling 500 watercolors, managing 8 gallery relationships, and investing in real estate—all while keeping her commitment to living simply and giving back. In this episode, Mary and I discuss: Why she says she paints to buy real estate so she can collect art How she used her job at a frame shop as a launchpad for her career What it took to sell her first 500 watercolors Her entry into the print market (and her rules for doing it smartly) Why she sees her galleries as partners, not just sales channels How she built a bird sanctuary and artist retreat through her art income The financial discipline and mindset that has served her all along the way This episode is a must-listen if you're an artist who wants to make smart business moves without sacrificing your creative soul.

We're putting the pedal to the metal with a cruise through motorcycle history as we are talking with Andy Koczwara, the owner of the new St. Charles Motorcycle Museum & Art Gallery. Learn more about the history of the 200+ motorcycles in Andy's collection, why you need to try some of their signature wines and some of Andy's world-wide adventures!

Etiquette, manners, and beyond! This week, Nick and Leah are enjoying a well-deserved break, but they'll be back soon with an all-new episode. In the meantime, here's one of their favorite episodes from the archives in which they tackle sending signals in restaurants with cutlery, going to art gallery openings, flushing dog poop down toilets, and much more. Please follow us! (We'd send you a hand-written thank you note if we could.) Have a question for us? Call or text (267) CALL-RBW or visit ask.wyrbw.com EPISODE CONTENTS AMUSE-BOUCHE: Signals you can send with your cutlery A QUESTION OF ETIQUETTE: Art galleries QUESTIONS FROM THE WILDERNESS: How do I break the news to my sister and best friend that I can't attend their weddings? What do I do about a group gift that's going over budget? How do I stop my friend who is flushing dog poop down my toilet? VENT OR REPENT: Unexpected houseguests, Asking for receipts CORDIALS OF KINDNESS: Happy anniversary, A nice review THINGS MENTIONED DURING THE SHOW Incorrect Table Etiquette Infographic Breakfast TV (Toronto): "Can you read this cutlery etiquette language?" Naoshima, Japan Mona (Museum of Old and New Art) in Hobart Venice Biennale NY Times: "How Not To Look Like A Dope In an Art Gallery" (1997) EPA "Pick Up After Your Pet" Brochure (PDF) NYC Department of Sanitation Dog Laws YOU ARE CORDIALLY INVITED TO... Support our show through Patreon Subscribe and rate us 5 stars on Apple Podcasts Call, text, or email us your questions Follow us on Instagram, Facebook, and Twitter Visit our official website Sign up for our newsletter Buy some fabulous official merchandise CREDITS Hosts: Nick Leighton & Leah Bonnema Producer & Editor: Nick Leighton Theme Music: Rob Paravonian TRANSCRIPT Episode 108 THIS WEEK'S SPONSOR: INCOGNI Use promo code WYRBW at the link below to get an exclusive 60% off an annual plan: https://incogni.com/wyrbw Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 235 This episode features stories about Curacao, salmon, pilots, ghosts, crap, purell, mimosas, crap and the Falkland Islands. Contact... flywithbetty@gmail.com The music for the show I recorded live on the island of Curacao. Ravens Cup Coffee and Art Gallery, La Conner, WA My website Patreon Instagram:Bettyinthesky Twitter: Skybetty My Amazon page