Podcasts about Humanities

What does an apologetics dinner party look like? How do you develop an environment conducive to spiritual conversations? What are some of the most challenging apologetics issues that could come up in conversations? Scott and Sean address these questions and more with our guest Dr. Louis Markos around his new book--My Apologetics Dinner Party: A Real Life Socratic Dialogue.Dr. Louis Markos is Professor English at Houston Christian University and holds the Robert H. Ray Chair in Humanities. He is the author of 26 books.==========Think Biblically: Conversations on Faith and Culture is a podcast from Talbot School of Theology at Biola University, which offers degrees both online and on campus in Southern California.   Find all episodes of Think Biblically at: https://www.biola.edu/think-biblically.   To submit comments, ask questions, or make suggestions on issues you'd like us to cover or guests you'd like us to have on the podcast, email us at thinkbiblically@biola.edu.  

In this episode you will hear: Susan Tree joins Mark to take a very thoughtful question from Katie who wants to know if we think it is just too risky to get a liberal arts or humanities degree when STEM degrees lead to higher pay. Mark interviews Owen Blight, Dean of Admissions and Acting Associate VP of Enrolment at Providence College in Providence, Rhode Island-4 of 4 Mark and Owen continue to discuss how Providence makes admission decisions. We close with Owen going on the hotseat in our lightning round. Recommended Resources JG Talks: Helping prospective and current college students achieve success Colleges that allow self-reporting of test scores Colleges that Allow Self-Reporting of SAT and ACT Scores Great source for questions about finances and college Edvisors: Financial Aid, Student Loans, Scholarships and Money Management FAFSA Walkthroughs Mark recommends Complete FAFSA 2026‑2027 Walkthrough | From Start to Submit CSS PROFILE Walkthroughs CSS Profile Walkthrough MEFA Institute: A Deep Dive into the CSS Profile Speakpipe.com/YCBK is our method if you want to ask a question and we will be prioritizing all questions sent in via Speakpipe. Unfortunately, we will NOT answer questions on the podcast anymore that are emailed in. If you want us to answer a question on the podcast, please use speakpipe.com/YCBK. We feel hearing from our listeners in their own voices adds to the community feel of our podcast. You can also use this for many other purposes: 1) Send us constructive criticism about how we can improve our podcast 2) Share an encouraging word about something you like about an episode or the podcast in general 3) Share a topic or an article you would like us to address 4) Share a speaker you want us to interview 5) Leave positive feedback for one of our interviewees. We will send your verbal feedback directly to them and I can almost assure you, your positive feedback will make their day. To sign up to receive Your College-Bound Kid PLUS, our new monthly admissions newsletter, delivered directly to your email once a month, just go to yourcollegeboundkid.com, and you will see the sign-up popup. We will include many of the hot topics being discussed on college campuses. Check out our new blog. We write timely and insightful articles on college admissions: https://yourcollegeboundkid.com/category/blog/ 1. To access our transcripts, click: https://yourcollegeboundkid.com/category/transcripts/ 2. Find the specific episode transcripts for the one you want to search and click the link 3. Find the magnifying glass icon in blue (search feature) and click it 4. Enter whatever word you want to search. I.e. Loans 5. Every word in that episode when the words loans are used, will be highlighted in yellow with a timestamps 6. Click the word highlighted in yellow and the player will play the episode from that starting point 7. You can also download the entire podcast as a transcript We would be honored if you will pass this podcast episode on to others who you feel will benefit from the content in YCBK. Please follow our podcast. It really helps us move up in Spotify and Apple's search feature so others can find our podcast. If you enjoy our podcast, would you please do us a favor and share our podcast both verbally and on social media? We would be most grateful! If you want to help more people, find Your College-Bound Kid, please make sure you follow our podcast. You will also get instant notifications as soon as each episode goes live. Check out the college admissions books Mark recommends: https://yourcollegeboundkid.com/recommended-books/ Check out the college websites Mark recommends: https://yourcollegeboundkid.com/recommended-websites/ If you want to have some input about what you like and what you recommend, we change about our podcast, please complete our Podcast survey; here is the link: https://docs.google.com/forms/d/e/1FAIpQLScCauBgityVXVHRQUjvlIRfYrMWWdHarB9DMQGYL0472bNxrw/viewform If you want a college consultation with Mark just text Mark at 404-664-4340 or email at mark@schoolmatch4u.com. All we ask is that you review their services and pricing on their website before the complimentary session; here is link to their services with transparent pricing: https://schoolmatch4u.com/services/compare-packages/

Timothy Snyder holds the inaugural Temerty Chair in Modern European History at the Munk School of Global Affairs and Public Policy at the University of Toronto. Snyder's work has appeared in forty languages and has received a number of prizes, including the Emerson Prize in the Humanities. Snyder was a Marshall Scholar at Oxford, has received the Carnegie and Guggenheim fellowships, and holds state orders from Estonia, Lithuania, and Poland. He is researching a family history of nationalism and finishing a philosophical book about freedom. In this episode, Robinson and Timothy discuss the future of the United States. More particularly, they delve into AI, rebellion, conspiracy theory, our relationship with Russia and Ukraine, Donald Trump, and more. Timothy's most recent book is On Freedom (Crown, 2024).Timothy's Website: https://timothysnyder.orgOn Freedom: https://timothysnyder.org/books/OUTLINE00:00 Will the United States Cease to Exist?13:47 Is Trump Breaking the United States Apart?21:09 Will AI Prevent Armed Rebellion Against the Government?30:20 Trump, Conspiracy Theories, and the Politics of Small Numbers39:46 Putin Does Not Think Ukraine Is Real45:57 What Are Trump's Soft Spots?50:26 How Tim Organizes His Thought57:59 Donald Trump and the SuperloserRobinson Erhardt researches symbolic logic and the foundations of mathematics at Stanford University, where he is also a JD candidate in the Law School.

On the Humanities and Why They're Important

Americans have stopped looking to the Bible for answers. We assume we already know the story. Dr. Adam Rasmussen joins The Narrative to reveal the data on biblical worldview and remind us that real understanding only starts when we trust and engage with the source.More About Dr. Adam RasmussenAs a Fellow at the Cultural Research Center and the Dean of the College of Arts & Humanities at Arizona Christian University, Dr. Adam Rasmussen draws upon his 25 years of experience in Christian education to inspire students to thrive under the Lordship of Christ in all aspects of their lives. With a passion for helping students connect their faith with reason and culture, he guides them to make meaningful and relevant connections that go beyond mere academic study. Dr. Rasmussen is a magna cum laude graduate of Northwestern College, where he earned a BA in history. He also holds an MA in Educational Ministries from Wheaton College, as well as a PhD in Educational Studies with a focus on leadership and administration from the Talbot School of Theology at Biola University. His research interests include biblical literacy, educational ministries, and Christian apologetics.Support the show: https://www.ccv.org/donateSee omnystudio.com/listener for privacy information.

What if a well-manicured lawn isn't the end all be all? What if it's actually harming the local habitat? Doug Tallamy is the co-founder of Home Grown National Park. It's a non-profit that urges property owners to reduce their lawns and plant native plants. He shares all the little things we can do to help restore functioning ecosystems and mitigate the biodiversity crisis. And: Quarry Gardens is the first and only native plant botanical garden in Virginia. It started off as a soapstone quarry. Now it's an environmental gem with a beautiful quarter mile loop boasting over 500 species of native plants. Devin Floyd takes us on a tour of the gardens - showing off the quarry pits and the ancient ecosystems he calls lost worlds. Later in the show: The Virginia Wildlife Conflict Helpline is a toll-free number people can call to report things like run-ins with bears or complain about raccoon intruders. Jim Parkhurst studies the data from the hundreds of calls to the helpline. He breaks down the ways we humans can better co-exist with wildlife.

Bob Simmons, Professor of Classics and Chair of the School of Humanities and Civic Engagement at Monmouth College, and Nathalie Roy, an educator at Glasgow Middle School in Baton Rouge, LA, were one of seven applicant chosen to receive a grant from the National Endowment for the Humanities to carry out a Summer Institute in 2026 as part of the NEH's Institutes for K-12 Educators program. They, along with three educators taking part in the program, visited the WRAM Morning Show to talk about their experience.

Can creative writing become a form of biblical interpretation? That is the provocative question at the heart of my conversation with Sarah Rosenson about her new book, Fan Fiction on the Book of Genesis: A Guide to Close Reading of and Creative Writing on the Bible (Cherry Orchard Books, 2026).  The modern phenomenon of fan fiction involves readers writing creative pieces that answer questions left open in favorite works of literature. This also describes the ancient tradition of midrash, where readers write stories filling in gaps in the Bible. In Fan Fiction on the Book of Genesis Sarah Rosenson discusses the questions left open in the first book of the Bible, and every chapter includes questions for the characters in the stories, which can serve as prompts for conversations or creative writing. Rosenson argues that careful reading reveals narrative gaps: characters whose motivations remain unexplained, conversations that never occur, ethical dilemmas left unresolved, and emotions that are only implied. Drawing on the long tradition of Jewish midrash, she proposes that readers can engage these silences through disciplined creative writing, using imagination not as a substitute for close reading but as an extension of it. In our conversation, we discussed some of Genesis's most familiar stories from unexpected angles. What if Eve's pursuit of knowledge is more complex than simple disobedience? Why does Noah never challenge God's decision to destroy the world? What happens when Hagar's perspective becomes central rather than peripheral? Why does Abraham argue for the people of Sodom but remain silent when Isaac is placed on the altar? And how does the Joseph narrative negotiate the relationship between divine providence and human responsibility? We also explore the broader methodological questions raised by the book. Does describing midrash as "fan fiction" make an ancient interpretive tradition more accessible, or does it risk misunderstanding it? How far can readers imaginatively expand biblical narratives while remaining faithful to the text? And what safeguards distinguish responsible interpretation from speculation? Whether you are interested in biblical studies, literary criticism, Jewish interpretation, or creative writing, our conversation offers a thoughtful discussion of how ancient texts continue to invite new readings. More than providing answers, Rosenson's book encourages readers to ask better questions and, in doing so, to discover that Genesis remains as intellectually and ethically challenging today as it has been for centuries. You can find more about Sarah and her work here. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Because of the US's war with Iran, people around the world are experiencing food and price shocks. On today's show, guest host Patty Peltekos is in conversation with environmental historian Kate Brown, author of the new book Tiny Gardens Everywhere: The Past, Present, and Future of the Self-Provisioning City, to talk about how people living in cities can contribute to their own food sovereignty.  Modern zoning laws too often prevent people from creating gardens in cities. Brown talks about how it once was: people farming the commons using what we would now call regenerative agriculture. That was before the invention of private property, consumer culture, and the enclosure movement in Europe that transformed land and labor. But people are pursuing tiny gardens as an antidote to industrial agriculture. From Washington, DC to Berlin, Brown profiles the ingenious ways people are growing tomatoes instead of turf grass, defying unjust laws, and sharing their bounty with neighbors. And states as different as Maine and Florida are creating legislation to make it easier for people to create their own tiny gardens.  If you want to start gardening, Brown says the first thing to do is find a friend to garden with. They also talk about migrant labor in the US, how Brown decolonized her research, and how industrial equipment, fertilizers, and insecticides are waging war on the environment. Kate Brown is the Thomas M. Siebel Distinguished Professor in the History of Science at the Massachusetts Institute of Technology. She is the author of several prize-winning histories, including Plutopia: Nuclear Families in Atomic Cities and the Great Soviet and American Plutonium Disasters (Oxford 2013) and A Biography of No Place: From Ethnic Borderland to Soviet Heartland (Harvard 2004). Manual for Survival: A Chernobyl Guide to the Future (Norton/Penguin Lane, 2019), translated into eight languages, won the Marshall Shulman and Reginald Zelnik Prizes for the best book in East European History, plus the Silver Medal for Laura Shannon Book Prize. It was also a finalist for the 2020 National Book Critics Circle Award, the Pushkin House Award and the Ryszard Kapuściński Award for Literary Reportage. Brown was a Guggenheim Fellow in 2009, a Carnegie Fellow and winner of the American Academy's Berlin Prize in 2016. Her latest book, Tiny Gardens Everywhere: The Past and Present of Urban Self-Provisioning was published by Norton in February 2026. Brown's work on Tiny Gardens has been supported by fellowships from the National Endowment for the Humanities and the Netherlands Institute for Advanced Studies. She has published a short segments from this work in the New Yorker, Mother Jones and Lithub. Featured image of the cover of Tiny Gardens Everywhere: The Past, Present, and Future of the Self-Provisioning City. Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post What If Urban Gardeners Could Feed Us? appeared first on WORT-FM 89.9.

Can creative writing become a form of biblical interpretation? That is the provocative question at the heart of my conversation with Sarah Rosenson about her new book, Fan Fiction on the Book of Genesis: A Guide to Close Reading of and Creative Writing on the Bible (Cherry Orchard Books, 2026).  The modern phenomenon of fan fiction involves readers writing creative pieces that answer questions left open in favorite works of literature. This also describes the ancient tradition of midrash, where readers write stories filling in gaps in the Bible. In Fan Fiction on the Book of Genesis Sarah Rosenson discusses the questions left open in the first book of the Bible, and every chapter includes questions for the characters in the stories, which can serve as prompts for conversations or creative writing. Rosenson argues that careful reading reveals narrative gaps: characters whose motivations remain unexplained, conversations that never occur, ethical dilemmas left unresolved, and emotions that are only implied. Drawing on the long tradition of Jewish midrash, she proposes that readers can engage these silences through disciplined creative writing, using imagination not as a substitute for close reading but as an extension of it. In our conversation, we discussed some of Genesis's most familiar stories from unexpected angles. What if Eve's pursuit of knowledge is more complex than simple disobedience? Why does Noah never challenge God's decision to destroy the world? What happens when Hagar's perspective becomes central rather than peripheral? Why does Abraham argue for the people of Sodom but remain silent when Isaac is placed on the altar? And how does the Joseph narrative negotiate the relationship between divine providence and human responsibility? We also explore the broader methodological questions raised by the book. Does describing midrash as "fan fiction" make an ancient interpretive tradition more accessible, or does it risk misunderstanding it? How far can readers imaginatively expand biblical narratives while remaining faithful to the text? And what safeguards distinguish responsible interpretation from speculation? Whether you are interested in biblical studies, literary criticism, Jewish interpretation, or creative writing, our conversation offers a thoughtful discussion of how ancient texts continue to invite new readings. More than providing answers, Rosenson's book encourages readers to ask better questions and, in doing so, to discover that Genesis remains as intellectually and ethically challenging today as it has been for centuries. You can find more about Sarah and her work here. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Can creative writing become a form of biblical interpretation? That is the provocative question at the heart of my conversation with Sarah Rosenson about her new book, Fan Fiction on the Book of Genesis: A Guide to Close Reading of and Creative Writing on the Bible (Cherry Orchard Books, 2026).  The modern phenomenon of fan fiction involves readers writing creative pieces that answer questions left open in favorite works of literature. This also describes the ancient tradition of midrash, where readers write stories filling in gaps in the Bible. In Fan Fiction on the Book of Genesis Sarah Rosenson discusses the questions left open in the first book of the Bible, and every chapter includes questions for the characters in the stories, which can serve as prompts for conversations or creative writing. Rosenson argues that careful reading reveals narrative gaps: characters whose motivations remain unexplained, conversations that never occur, ethical dilemmas left unresolved, and emotions that are only implied. Drawing on the long tradition of Jewish midrash, she proposes that readers can engage these silences through disciplined creative writing, using imagination not as a substitute for close reading but as an extension of it. In our conversation, we discussed some of Genesis's most familiar stories from unexpected angles. What if Eve's pursuit of knowledge is more complex than simple disobedience? Why does Noah never challenge God's decision to destroy the world? What happens when Hagar's perspective becomes central rather than peripheral? Why does Abraham argue for the people of Sodom but remain silent when Isaac is placed on the altar? And how does the Joseph narrative negotiate the relationship between divine providence and human responsibility? We also explore the broader methodological questions raised by the book. Does describing midrash as "fan fiction" make an ancient interpretive tradition more accessible, or does it risk misunderstanding it? How far can readers imaginatively expand biblical narratives while remaining faithful to the text? And what safeguards distinguish responsible interpretation from speculation? Whether you are interested in biblical studies, literary criticism, Jewish interpretation, or creative writing, our conversation offers a thoughtful discussion of how ancient texts continue to invite new readings. More than providing answers, Rosenson's book encourages readers to ask better questions and, in doing so, to discover that Genesis remains as intellectually and ethically challenging today as it has been for centuries. You can find more about Sarah and her work here. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Can creative writing become a form of biblical interpretation? That is the provocative question at the heart of my conversation with Sarah Rosenson about her new book, Fan Fiction on the Book of Genesis: A Guide to Close Reading of and Creative Writing on the Bible (Cherry Orchard Books, 2026).  The modern phenomenon of fan fiction involves readers writing creative pieces that answer questions left open in favorite works of literature. This also describes the ancient tradition of midrash, where readers write stories filling in gaps in the Bible. In Fan Fiction on the Book of Genesis Sarah Rosenson discusses the questions left open in the first book of the Bible, and every chapter includes questions for the characters in the stories, which can serve as prompts for conversations or creative writing. Rosenson argues that careful reading reveals narrative gaps: characters whose motivations remain unexplained, conversations that never occur, ethical dilemmas left unresolved, and emotions that are only implied. Drawing on the long tradition of Jewish midrash, she proposes that readers can engage these silences through disciplined creative writing, using imagination not as a substitute for close reading but as an extension of it. In our conversation, we discussed some of Genesis's most familiar stories from unexpected angles. What if Eve's pursuit of knowledge is more complex than simple disobedience? Why does Noah never challenge God's decision to destroy the world? What happens when Hagar's perspective becomes central rather than peripheral? Why does Abraham argue for the people of Sodom but remain silent when Isaac is placed on the altar? And how does the Joseph narrative negotiate the relationship between divine providence and human responsibility? We also explore the broader methodological questions raised by the book. Does describing midrash as "fan fiction" make an ancient interpretive tradition more accessible, or does it risk misunderstanding it? How far can readers imaginatively expand biblical narratives while remaining faithful to the text? And what safeguards distinguish responsible interpretation from speculation? Whether you are interested in biblical studies, literary criticism, Jewish interpretation, or creative writing, our conversation offers a thoughtful discussion of how ancient texts continue to invite new readings. More than providing answers, Rosenson's book encourages readers to ask better questions and, in doing so, to discover that Genesis remains as intellectually and ethically challenging today as it has been for centuries. You can find more about Sarah and her work here. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

For more than two centuries, a hidden society existed in one of the most unforgiving landscapes in the American South. In this episode of Southern Mysteries, explore the remarkable history of the Great Dismal Swamp maroons, one of the longest-lasting acts of resistance to slavery in American history. Through historical records, firsthand accounts and modern archaeology, this forgotten chapter of Southern history reveals how an entire community survived in plain sight and why so few people have heard their story. Join the Community on Patreon: Want more Southern Mysteries? You can hear the Southern Mysteries show archive of 60+ episodes along with Patron exclusive podcast, Audacious: Tales of American Crime and more when you become a patron of the show. You can immediately access exclusive content now at patreon.com/southernmysteries

I participated in another Socratic Debate about the Future of "AI" and XR at Augmented World Expo 2026 with Leslie Shannon, Alvin Graylin, and Louis Rosenberg (you can listen to last year's debate in episode #1611). Shannon and Graylin argued for "AI," whilst Rosenberg and I argued against "AI." In my write-up, I wanted to leave some breadcrumbs to more in-depth, skeptical arguments against "AI" that we didn't have space or time to dig into during the debate, but "some breadcrumbs" ended up being over 30k words, and more like an outline for an entire book. Writing a book isn't on my to-do list at the moment, but disseminating the work researchers, journalists, linguists, and critics of "AI" have done is urgent and necessary, so I'm sharing the results of this deep dive here, in bullet list format. My fellow panelists, Alvin Graylin and Louis Rosenberg, indulged me in extending our debate offline after AWE, pushing me to test my ideas further and demonstrating how and why this is an extremely active field of study with polarizing points of view that often come down to philosophical differences. Clearly, it's just getting started. My objections to "AI" is loosely organized by various themes, but some framing may be helpful in approaching it. My objections to "AI" center around the limitations of LLMs, the consolidation of wealth and power from Hyperscaler companies, and threats from automated decision making systems and surveillance capitalism melded with democratically-backsliding authoritarian governments. I'm including a broad range of critiques spanning the domains of philosophy, technology, sociology, politics, economics, culture, and ethics. I'm coming from the orientation of Process Philosophy & Peircean Semiotics that emphasizes the relational and contextual dimensions that the "AI" field tends to de-emphasize or completely collapse. I see process-relational philosophy as a necessary paradigm shift away from the underpinning philosophies of the "AI" community, which tend to be Functionalism, Naturalism, Computational Theory of Mind, Physicalism, & the TESCREAL bundle. Below you'll find my own process philosophical emergency response to "AI embedded within my curation of excerpts and commentary of primary sources that I'm leaning upon. The AI Con: How to Fight Big Tech's Hype and Create the Future We Want (2025) by Emily M. Bender and Alex Hanna (also see episode #1563). Bender & Hanna say, "To put it bluntly, 'AI' is a marketing term. It doesn't refer to a coherent set of technologies. Instead, the phrase "artificial intelligence" is deployed when the people building or selling a particular set of technologies will profit from getting others to believe that their technology is similar to humans, able to do things that, in fact, intrinsically require human judgment, perception, or creativity." Emily M. Bender wrote the "Artificial Intelligence" [preprint] (2026, June 25) entry for the Oxford Research Encyclopedia of Science, Technology, and Society. Bender's concluding paragraph gives a great overview of the seven different ways that the idea of "artificial intelligence" operates in the world. She says, "The notion of artificial intelligence is frequently sold as present or near-future and inevitable technology. In fact there is no coherent set of technologies that can serve as the denotation of the phrase, nor do any of the technologies so marketed rise to the fantastical but ill-defined claims of 'AI' is or soon will be. Nonetheless, the idea of artificial intelligence has been extremely impactful in the world. In order to better understand and deal with those impacts, it is helpful to look at artificial intelligence through the varied lenses of how the idea operates in the world: as the name of a research field, as one approach to cognitive science, as a parlor trick, as a an ideology, as a way to hide and devalue human labor, as a way to shift and/or obfuscate accountability, and as a means to centralize power." Inventing Intelligence: On the History of Complex Information Processing and Artificial Intelligence in the United States in the Mid-Twentieth Century [dissertation] (2020, December 14) by Jonnie Penn. Penn says, "The phrase ‘artificial intelligence' was coined by John McCarthy, an American mathematician, in 1955. It has travelled with a noticeably amorphous definition since." "AI" has always had a spotty history of technologists using a "brain is a computer" metaphor while also using "poor citation practices." From page 14, Penn says, "The vocabulary Simon, Rosenblatt, McCarthy and Minsky chose to describe new techniques in major newspapers and scholarly journals informed Americans' still plastic understandings of what was possible, and indeed desirable, in the emerging information age… During the mid to late 1950s, these men turned to clannishness, self-aggrandizement, speculative rhetoric, fluid definitions of key terms and poor citation practices to shore up legitimacy for their controversial new techniques — actions that drew attention toward questions of how to accomplish such aims and away from whether they were well founded." Part II: Remembering the Human Microcosm in the Age of Mechanized Intelligence: Philosophy as Emergency Response (2026, June 9) by Matt Segall. In a multi-part Substack series, process philosopher Matt Segall calls for a philosophical emergency response to "AI." He says, "In each case a new media technology intended to expand the power of thought ended up transforming the very nature of the thinker who invented it. Each new medium furnishes the very terms in which we come to understand ourselves. This is why the philosophical response is always an emergency response: by the time anyone has noticed what is happening, what may be lost and what gained, the mutation has already done half of its work." Segall warns about the computational metaphor of the mind by saying, "The large language model now tempts us to adopt an even stranger self-image: that human minds are no different than machines, our thoughts just the statistical echoes of our training data. The creators of this latest technological upgrade are encouraging us to downgrade our estimate of human consciousness, thus narrowing the distance between ourselves and the machines built to imitate us." "Resisting Dehumanization in the Age of 'AI': The View from the Humanities" [lecture] (2026, February 10) by Emily M. Bender. Here are the lecture slides with a bibliography at the end. Bender does an amazing overview of how the marketing of "AI" uses pernicious dehumanization tactics built on an underlying "brain is a computer metaphor." From page 15 of her talk: "Scientific metaphor used and debated in neuroscience: "THE BRAIN IS A COMPUTER. "PR metaphor used by technologists: "THE COMPUTER IS A BRAIN" Bender cites Baria & Cross' paper titled "The brain is a computer is a brain: neuroscience's internal debate and the social significance of the Computational Metaphor (2021), which says “the Computational Metaphor rests on other well-ingrained ideologies in which a hierarchy of human value is tied to a particular notion of intelligence such that the quality of being emotional is considered inferior to being rational." Bender also cites Dijkstra's 1985 lecture "On anthropomorphism in science": "A more serious byproduct of the tendency to talk about machines in anthropomorphic terms is the companion phenomenon of talking about people in mechanistic terminology." Here are a couple of examples of how "AI" Hyperscaler companies like OpenAI use dehumanizing tactics to sell us on "AI" Hype. Sam Altman will say things like, "A kid born today will never be smarter than AI. Ever." Or another example is when Altman says, "For me, AGI is basically the equivalent of a median human that you could hire as a co-worker... And then Superintelligence is when it's smarter than all of humanity put together." These statements collapse the human experience into one dimension of "intelligence," which amplifies the dual harm of treating machines more like humans and treating humans more like machines. It is also questionable the degree to which this statement is even true given the potential non-computational aspects of "relevance realization." More on this down below. Part IV: Remembering the Human Microcosm in the Age of Mechanized Intelligence: Hegel's Loom and the Difference Reason Makes (2026, June 10) by Matt Segall. Segall brilliantly breaks down the "Brain is a Computer Metaphor" by saying, "Metaphor is not just a shiny paint job on the vehicle of cognition. It is the engine of thought. Its coupling of concepts drives the limits of conceivability, shaping what is thought together and what is not thought at all. The metaphorical imagination is our main means of tuning in to the otherwise invisible effects of new media technologies. Part of the discipline philosophy brings is allowing us to notice an analogy as an analogy before advertising crystalizes it into the unnoticed transparency of common sense. A fact is a fact, but it might also be a fossilized metaphor. The governing analogy of our age is that cognition is computation: the brain an information-processing device, perception its input and behavior its output, memory a form of physical storage, learning the adjustment of weights, and intelligence an algorithm for minimizing error or surprisal. On this view, given enough training data and computational power, consciousness itself will eventually be engineered… The metaphor “the mind is a computer,” for example, tacitly proposes that mind is to brain as software is to hardware… Reiterated in textbooks and earnings calls, in grant applications and policy briefs, the partial comparison congeals into an ontology, until we find ourselves insisting not that the mind is like a computer in some respects but that it simply is one — and,...

This was a live one, recorded on the eve of the 250th at Wake Forest Divinity School with the Double Deans in the room. Corey Walker's Theology Summit lecture — which spent six hours at the top of Substack the week we recorded — uses two moments in American history to name where we are: James Duane's October 1775 letter hoping this winter would bring revolution, and Gil Scott-Heron's 1973 album Winter in America, a lament for the arrested development of democracy after Nixon. Corey's argument is that 2026 is another winter. Bill Leonard, the founding dean who trained a generation to think about dissent, added the second layer: a perfect imperfect storm in which Christian nationalism has fused with authoritarian government and the church is the least helpful it has been in his lifetime. Three questions run through the conversation — Is God dead? (Sojourner Truth to Frederick Douglass in 1850), Is America possible? (Vincent Harding), and What does our religion say to those with their backs against the wall? (Howard Thurman) — and none of them get answered. What they get instead is Corey's proposal that the 250th is calling us to a counter memory — not the memory of those who prevailed, but of Miss Audrey, Mister Pugh, and Mister Linwood, the neighbors whose first names were their titles. Plus the Snake Handler Fund is officially open. Join our Online Summit - ⁠⁠⁠Unsettled Ground: Faith & the American Story at 250⁠⁠⁠ This summer, Diana Butler Bass and I are launching Faith at 250 — ⁠⁠⁠an online summit⁠⁠⁠ featuring scholars like Randall Balmer, Juan Floyd-Thomas, Elesha Coffman, and more, each offering their own take on religion and America at 250 years. We built it so faith communities have something honest and substantive to turn to when the nationalist narratives start flying. Sign up at ⁠⁠⁠www.TheologySummit.com⁠⁠⁠ to get access to every lecture, livestream, and discussion guide. The summit is donation-based, including 0. Dr. Corey D. B. Walker is Dean of Wake Forest University School of Divinity, Wake Forest Professor of the Humanities, and inaugural Director of the Program in African American Studies. A native of Norfolk, Virginia and an ordained American Baptist clergyperson, he previously served as Vice President and Dean at Virginia Union University's Samuel DeWitt Proctor School of Theology, founding dean of the College of Arts, Sciences, Business and Education at Winston-Salem State University, and chair of Africana Studies at Brown University. He is a former student of Cornel West at Harvard, and sits on the board of Lincoln University (the country's first HBCU). Books: A Noble Fight: African American Freemasonry and the Struggle for Democracy in America (University of Illinois Press); Community Wealth Building and the Reconstruction of American Democracy (co-edited with Melody Barnes and Thad Williamson, Edward Elgar, 2020); and Beyond a Politics of Nostalgia: Religious Freedom and the Ends of Democracy (co-edited with Sabrina E. Dent). Forthcoming: Disciple of Nonviolence: Wyatt Tee Walker and the Struggle for the Soul of Democracy(University of Virginia Press). His Theology Summit lecture — Winter in America — is at theologysummit.com. Dr. Bill J. Leonard is the founding Dean of Wake Forest University School of Divinity and Professor of Divinity Emeritus. He writes a regular column for Baptist News Global. His most recent book is Appalachian Mountain Christianity: The Spirituality of Otherness (University of Georgia Press, 2024). Earlier books include A Sense of the Heart: Christian Religious Experience in the United States (Abingdon), Baptist Ways: A History (Judson), and The Challenge of Being Baptist (Baylor). He is, to the best of anyone's knowledge, the only person in Wake Forest history to have brought a serpent-handling preacher to campus with actual serpents (Reverend Carl Porter, 1997, five snakes minimum). The Snake Handler Fund at Wake Div is now, officially, open. This podcast is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Homebrewed Christianity ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠production. Follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠the Homebrewed Christianity⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theology Nerd Throwdown⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Rise of Bonhoeffer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ podcasts for more theological goodness for your earbuds. 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What does Blackness look like? In Forms of Blackness: Race and Visibility in the French-Speaking World (Duke University Press, 2026), Cécile Bishop argues that this seemingly simple question has no straightforward answer. Instead of treating race as something immediately visible, she explores how Blackness emerges through the interplay of perception, language, and history. A central theme of the book is that visibility is never neutral. Through examples ranging from photographs of the Liberation of Paris to works of art such as Portrait of a Black Woman, Bishop shows that Blackness cannot be reduced to what is seen. Instead, she introduces the idea of Blackness as form, emphasizing the importance of representation, opacity, and aesthetic experience. Engaging with thinkers such as Édouard Glissant and Frantz Fanon, Bishop invites readers to rethink the assumption that seeing is the same as knowing. Forms of Blackness offers a thoughtful and original account of how race is shaped not simply by appearance, but by the ways we learn to see. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

What does Blackness look like? In Forms of Blackness: Race and Visibility in the French-Speaking World (Duke University Press, 2026), Cécile Bishop argues that this seemingly simple question has no straightforward answer. Instead of treating race as something immediately visible, she explores how Blackness emerges through the interplay of perception, language, and history. A central theme of the book is that visibility is never neutral. Through examples ranging from photographs of the Liberation of Paris to works of art such as Portrait of a Black Woman, Bishop shows that Blackness cannot be reduced to what is seen. Instead, she introduces the idea of Blackness as form, emphasizing the importance of representation, opacity, and aesthetic experience. Engaging with thinkers such as Édouard Glissant and Frantz Fanon, Bishop invites readers to rethink the assumption that seeing is the same as knowing. Forms of Blackness offers a thoughtful and original account of how race is shaped not simply by appearance, but by the ways we learn to see. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What does Blackness look like? In Forms of Blackness: Race and Visibility in the French-Speaking World (Duke University Press, 2026), Cécile Bishop argues that this seemingly simple question has no straightforward answer. Instead of treating race as something immediately visible, she explores how Blackness emerges through the interplay of perception, language, and history. A central theme of the book is that visibility is never neutral. Through examples ranging from photographs of the Liberation of Paris to works of art such as Portrait of a Black Woman, Bishop shows that Blackness cannot be reduced to what is seen. Instead, she introduces the idea of Blackness as form, emphasizing the importance of representation, opacity, and aesthetic experience. Engaging with thinkers such as Édouard Glissant and Frantz Fanon, Bishop invites readers to rethink the assumption that seeing is the same as knowing. Forms of Blackness offers a thoughtful and original account of how race is shaped not simply by appearance, but by the ways we learn to see. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

What does Blackness look like? In Forms of Blackness: Race and Visibility in the French-Speaking World (Duke University Press, 2026), Cécile Bishop argues that this seemingly simple question has no straightforward answer. Instead of treating race as something immediately visible, she explores how Blackness emerges through the interplay of perception, language, and history. A central theme of the book is that visibility is never neutral. Through examples ranging from photographs of the Liberation of Paris to works of art such as Portrait of a Black Woman, Bishop shows that Blackness cannot be reduced to what is seen. Instead, she introduces the idea of Blackness as form, emphasizing the importance of representation, opacity, and aesthetic experience. Engaging with thinkers such as Édouard Glissant and Frantz Fanon, Bishop invites readers to rethink the assumption that seeing is the same as knowing. Forms of Blackness offers a thoughtful and original account of how race is shaped not simply by appearance, but by the ways we learn to see. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

What does Blackness look like? In Forms of Blackness: Race and Visibility in the French-Speaking World (Duke University Press, 2026), Cécile Bishop argues that this seemingly simple question has no straightforward answer. Instead of treating race as something immediately visible, she explores how Blackness emerges through the interplay of perception, language, and history. A central theme of the book is that visibility is never neutral. Through examples ranging from photographs of the Liberation of Paris to works of art such as Portrait of a Black Woman, Bishop shows that Blackness cannot be reduced to what is seen. Instead, she introduces the idea of Blackness as form, emphasizing the importance of representation, opacity, and aesthetic experience. Engaging with thinkers such as Édouard Glissant and Frantz Fanon, Bishop invites readers to rethink the assumption that seeing is the same as knowing. Forms of Blackness offers a thoughtful and original account of how race is shaped not simply by appearance, but by the ways we learn to see. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

What does Blackness look like? In Forms of Blackness: Race and Visibility in the French-Speaking World (Duke University Press, 2026), Cécile Bishop argues that this seemingly simple question has no straightforward answer. Instead of treating race as something immediately visible, she explores how Blackness emerges through the interplay of perception, language, and history. A central theme of the book is that visibility is never neutral. Through examples ranging from photographs of the Liberation of Paris to works of art such as Portrait of a Black Woman, Bishop shows that Blackness cannot be reduced to what is seen. Instead, she introduces the idea of Blackness as form, emphasizing the importance of representation, opacity, and aesthetic experience. Engaging with thinkers such as Édouard Glissant and Frantz Fanon, Bishop invites readers to rethink the assumption that seeing is the same as knowing. Forms of Blackness offers a thoughtful and original account of how race is shaped not simply by appearance, but by the ways we learn to see. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

What does Blackness look like? In Forms of Blackness: Race and Visibility in the French-Speaking World (Duke University Press, 2026), Cécile Bishop argues that this seemingly simple question has no straightforward answer. Instead of treating race as something immediately visible, she explores how Blackness emerges through the interplay of perception, language, and history. A central theme of the book is that visibility is never neutral. Through examples ranging from photographs of the Liberation of Paris to works of art such as Portrait of a Black Woman, Bishop shows that Blackness cannot be reduced to what is seen. Instead, she introduces the idea of Blackness as form, emphasizing the importance of representation, opacity, and aesthetic experience. Engaging with thinkers such as Édouard Glissant and Frantz Fanon, Bishop invites readers to rethink the assumption that seeing is the same as knowing. Forms of Blackness offers a thoughtful and original account of how race is shaped not simply by appearance, but by the ways we learn to see. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

What does Blackness look like? In Forms of Blackness: Race and Visibility in the French-Speaking World (Duke University Press, 2026), Cécile Bishop argues that this seemingly simple question has no straightforward answer. Instead of treating race as something immediately visible, she explores how Blackness emerges through the interplay of perception, language, and history. A central theme of the book is that visibility is never neutral. Through examples ranging from photographs of the Liberation of Paris to works of art such as Portrait of a Black Woman, Bishop shows that Blackness cannot be reduced to what is seen. Instead, she introduces the idea of Blackness as form, emphasizing the importance of representation, opacity, and aesthetic experience. Engaging with thinkers such as Édouard Glissant and Frantz Fanon, Bishop invites readers to rethink the assumption that seeing is the same as knowing. Forms of Blackness offers a thoughtful and original account of how race is shaped not simply by appearance, but by the ways we learn to see. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Continuing his series on Tale of Two Humanities, Philip Snell finally finishes up Romans 5 by explaining the comparison between Adam's damage and Yeshua's grace. He uses a teeter totter as an exmaple to show that Yeshua's grace and mercy, in the form of his death on the cross, is a gift that infinitely outweighs the damage that Adam has inflicted.

In a perfect world, getting the health care you need wouldn't require fighting for it. But in this week's episode, both of our storytellers discover just how hard they have to push to get the treatment — and validation — they need and deserve.Part 1: Cooper Joslin is determined to get a hysterectomy to finally stop the debilitating symptoms of endometriosis but all the doctors won't seem to let them make decisions about their own body. Part 2: As a PTSD survivor, Adrianne Frost assumes her dissociative episodes are simply part of living with trauma. Cooper Joslin is a web developer, artist, and activist. They made their DC theater debut at Capital Fringe 2022 with their solo performance, Atemporal, earning a "Best of Fringe" designation from DC Theater Arts. Cooper has also performed at the Kennedy Center with Story District and off-broadway at Joe's Pub in New York City with Generation Women. Their visual art has been featured in collections at the DC Commission of Arts & Humanities' I Street Gallery, the Rhizome, DuPont Underground, the DC LGBTQ Center, and As You Are. With a background in journalism, Cooper now uses their expertise to document the modern history of the transgender community through their growing oral history archive, The Trans Guide. Originally from Central Florida, Cooper now resides in Baltimore, with their wife, two cats, puppy, and a cherished queer chosen family. Adrianne Frost is an awarding winning storyteller and performer. Most recently, she performed with Generation Women at Joe's Pub, and has performed in Awkward Teenage Stories, Rejected, Two Truths And A Lie, Just One More Thing, and is a Moth Slam Champion. She began her own storytelling show in 2022 that runs every month at QED in Astoria called “New Tricks Stories”, in which all of the storytellers are over forty. @newtricksstories Originally from Louisiana, Adrianne Frost has been acting and performing for over 30 years. She has been seen everywhere from The Daily Show and Late Night With Conan O'Brien to the Law and Order franchise and the occasional independent film. Her true love is live performing and she has performed solo improv and her award-winning monologues all over New York City and at the Boston, Chicago and Orlando Improv and Comedy Festivals. Adrianne has written one book, I Hate Other People's Kids (Simon & Schuster) and is featured in two anthologies, including the 2004 Signet Book of American Humor. She has written for several humor websites, including Mc Sweeney's.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A new one-woman show tells the story of Virginia's history through the eyes of ten audacious women. From the Civil War to the Harlem Renaissance to the Civil Rights movement, Morgan Avery McCoy Harris is using her Rosel Schewel Fellowship to embody the voices and memories of trailblazers. Later in the show: Jennifer Putzi is working with diaries that give us insight into the daily lives–and major upheavals–of Black women throughout history. Plus: Elizabeth Lewis tells the story of a group of women in 18th century Spain who used charity work to effect economic change.

Critic and columnist Dr Kate Maltby and author Michael Donkor join Tom Sutcliffe to review Robota, the inaugural large-scale production at the Schwarzman Centre for the Humanities in Oxford. The production explores what happens to humanity when the line between human and machine blurs. They also discuss Country People by Pulitzer Prize nominated author Daniel Mason. The novel explores a year in the life of a family as they strike out into the unknown. And talk about Foreign Tongues the 25th studio album by the Rolling Stones. Plus, as the 2016 global hit Moana is turned into a live action film, critic Larushka Ivan- Zadeh assesses why Disney remakes films and whether they are any good.Presenter: Tom Sutcliffe Producer: Claire Bartleet

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio and Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research.   In the fourth panel, Jody Avirgan led a discussion about what it takes for someone to make an academic podcast. Jody Avirgan is a podcast host, producer, and editor. His production company is Roulette Productions; Sara McCrea is a writer, audio producer, and researcher, who leads podcast strategy and production at Random House Publishing Group. She has produced podcasts for Slate, Pushkin Industries, TED Audio Collective, Audible, and the Center for Humane Technology. She created and produced the "Attention Lab" series for the Strother School of Radical Attention, and wrote and produced the award-winning "McCartney: A Life in Lyrics", a 24-episode narrative journey through Paul McCartney's songwriting, hosted by poet Paul Muldoon; Caleb Zakarin is the CEO and Publisher of the New Books Network.; Julia Barton  is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She's the editor of Malcolm Gladwell's The Bomber Mafia, Michael Specter's Fauci, and Michael Lewis's unabridged Liar's Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She writes the audio history newsletter, Continuous Wave. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Interview with Diane Kendig. Diane Kendig is a writer and teacher born and raised in Canton, Ohio, where she currently resides again after decades living and working elsewhere. Kendig's four poetry chapbooks include the most recent Prison Terms (Main Street Rag, 2018), as well as The Places We Find Ourselves (Finishing Line 2009), Diane Kendig's Greatest Hits (Pudding House, 2001), and A Tunnel of Flute Song (Cleveland State University 1980). She also co-edited the tribute anthology In the Company of Russell Atkins (Red Giant 2016) and published with photographer Steve Cagan a collection of her translations from Nicaraguan poets, And a Pencil to Write Your Name (Bottom Dog 1986). Her poems and essays have appeared in many anthologies, such as Letters to the World (Red Hen), Colors of a Different Horse (NCTE), Ariadne's Thread: Contemporary Women's Journals (Harper and Row), and in over 100 journals, including J Journal, The Minnesota Review, Under the Sun, Ekphrasis, and English Journal. The recipient of two Ohio Arts Council Individual Excellence Awards in Poetry, Kendig has also received awards from the Fulbright Foundation and the National Endowment for the Humanities, and she has held artist residencies at Yaddo and at the Cuyahoga Valley National Park. Her book Prison Terms was a finalist for the Cathy Smith Bowers Contest. She won a Sears Foundation Award for teaching and the Outstanding Educator award at The University of Findlay, where she was a professor for two decades. In addition to her writing and literature classes on campus, she regularly taught in the university's prison program in medium security. She also has taught at Cleveland State University, Kent State Stark, Cuyahoga Community College (all in Ohio), and Bentley University (in MA), and in the Ohio Arts Council “Artist in Residency” program, in addition to teaching high school Spanish and English in her first years as an educator. Currently Kendig is working on two poetry collections: a bilingual collection of poems, Woman with a Fan, about the Spanish artist Maria Blanchard, and a book of poems, Stays. She curates creative writing sites for libraries, including Read + Write: 30 Days of Poetry for National Poetry Month, and she continues to give readings and to lead creative writing workshops. Diane's info: https://dianekendig.com/  

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio and Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research.   In the fourth panel, Jody Avirgan led a discussion about what it takes for someone to make an academic podcast. Jody Avirgan is a podcast host, producer, and editor. His production company is Roulette Productions; Sara McCrea is a writer, audio producer, and researcher, who leads podcast strategy and production at Random House Publishing Group. She has produced podcasts for Slate, Pushkin Industries, TED Audio Collective, Audible, and the Center for Humane Technology. She created and produced the "Attention Lab" series for the Strother School of Radical Attention, and wrote and produced the award-winning "McCartney: A Life in Lyrics", a 24-episode narrative journey through Paul McCartney's songwriting, hosted by poet Paul Muldoon; Caleb Zakarin is the CEO and Publisher of the New Books Network.; Julia Barton  is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She's the editor of Malcolm Gladwell's The Bomber Mafia, Michael Specter's Fauci, and Michael Lewis's unabridged Liar's Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She writes the audio history newsletter, Continuous Wave. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio and Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research.   In the fourth panel, Jody Avirgan led a discussion about what it takes for someone to make an academic podcast. Jody Avirgan is a podcast host, producer, and editor. His production company is Roulette Productions; Sara McCrea is a writer, audio producer, and researcher, who leads podcast strategy and production at Random House Publishing Group. She has produced podcasts for Slate, Pushkin Industries, TED Audio Collective, Audible, and the Center for Humane Technology. She created and produced the "Attention Lab" series for the Strother School of Radical Attention, and wrote and produced the award-winning "McCartney: A Life in Lyrics", a 24-episode narrative journey through Paul McCartney's songwriting, hosted by poet Paul Muldoon; Caleb Zakarin is the CEO and Publisher of the New Books Network.; Julia Barton  is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She's the editor of Malcolm Gladwell's The Bomber Mafia, Michael Specter's Fauci, and Michael Lewis's unabridged Liar's Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She writes the audio history newsletter, Continuous Wave. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio and Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research.   In the fourth panel, Jody Avirgan led a discussion about what it takes for someone to make an academic podcast. Jody Avirgan is a podcast host, producer, and editor. His production company is Roulette Productions; Sara McCrea is a writer, audio producer, and researcher, who leads podcast strategy and production at Random House Publishing Group. She has produced podcasts for Slate, Pushkin Industries, TED Audio Collective, Audible, and the Center for Humane Technology. She created and produced the "Attention Lab" series for the Strother School of Radical Attention, and wrote and produced the award-winning "McCartney: A Life in Lyrics", a 24-episode narrative journey through Paul McCartney's songwriting, hosted by poet Paul Muldoon; Caleb Zakarin is the CEO and Publisher of the New Books Network.; Julia Barton  is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She's the editor of Malcolm Gladwell's The Bomber Mafia, Michael Specter's Fauci, and Michael Lewis's unabridged Liar's Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She writes the audio history newsletter, Continuous Wave. Learn more about your ad choices. Visit megaphone.fm/adchoices

What happens when a feeling we assume is a universal human experience is actually shaped, defined, and even created by our specific cultural language and material conditions? Macquarie University's Future Fellow at the School of Humanities, Dr. Katie Barclay, joins host PJ Wehry to discuss the overlooked complexities of a deeply human emotion. Dr. Barclay explores the history and cultural variety of this feeling in her book, Loneliness in World History. They examine how loneliness is frequently not just an internal psychological state, but rather a reflection of our relationships with our environment, our community, and the specific language we use to make sense of our world. In this conversation they explore: How the "language trap" challenges our ability to compare emotions across cultures, and why translating words for love and loneliness requires understanding their thick cultural context. The surprising nighttime weeping rituals of the Kaluli people in Papua New Guinea, where singing about loneliness serves as a cathartic communal release of pain. Why the historical narrative of human "modernization"—moving from supposedly primitive communal selves to modern individualized subjects—carries deeply colonial and problematic assumptions. The physiological elements of isolation, including "touch hunger" and how the modern internet trend of Mukbang satiates the deep-seated desire to eat alongside a community. How physical places and material architecture—from fairy-tale forests to utopian high-rise flats and car-centric suburbs—actively teach us to feel isolated and shape our emotional experiences. The paradox of the "lonely genius," revealing how the supposedly solitary pursuit of art and creativity is fundamentally dependent on an unseen network of community support and labor. This is a conversation for anyone interested in world history, anthropology, and the humanities who wants to understand the cultural weight behind our everyday emotions and how we can navigate our increasingly isolated, digital modern age. Make sure to check out Dr. Barclay's book: Loneliness in World History

The LSE Middle East Centre hosted the launch of Shabnam Holliday's new book, Sovereignty in Iran: Challenges to Eurocentrism from Ancient Iran to the Islamic Republic. This multidisciplinary and interdisciplinary collaborative project examines sovereignty as a plural concept through the case of Iran, challenging Eurocentric assumptions in the Humanities and Social Sciences. The discussion explored the book's examination of sovereignty from ancient Iran to the Islamic Republic, including the Woman, Life, Freedom protests.

Ego, pride, wrath, fear, gods, superheroes, mortals, and lots of killing. Welcome to Homer's Iliad, which reads at times like a script for a Tarantino film or the latest installment of the Avengers franchise. In the first episode of the EconTalk Book Club on the Iliad, Ido Hevroni of Shalem College speaks with EconTalk's Russ Roberts about the surprising relevance of a 2800-year-old epic poem. Hevroni also provides useful background for first-time readers and what it's like to read the Iliad with combat veterans.

On this episode of Rattling the Bars, to commemorate the 60th anniversary of the founding of the Black Panther Party in 1966, host and former political prisoner Mansa Musa speaks with Dr. Joy James and Dr. K. Kim Holder about the history of the Panthers and their unique approach to, and practice of, communal socialism.This is Part 2 of a two-part conversation. Watch Part 1 here.Guests:Dr. Joy James is Ebenezer Fitch Professor of Humanities at Williams College. She is the author of numerous books, including: In Pursuit of Revolutionary Love; Resisting State Violence; and Shadowboxing: Representations of Black Feminist Politics. Creator of the digital Harriet Tubman Literary Circle at UT Austin, James is also editor of The New Abolitionists: (Neo)Slave Narratives and Contemporary Prison Writings; Imprisoned Intellectuals; Warfare in the American Homeland; The Angela Y. Davis Reader; and co-editor of the Black Feminist Reader.Dr. K. Kim Holder is an assistant professor of educational foundations and Africana studies at Rowan University. Dr. Holder earned his doctorate from the University of Massachusetts Amherst in Multicultural Education and African American Studies, his masters in Early Childhood Education from Bank Street College of Education, and B.A. in History from Hampshire College.Credits:Producer / Videographer / Editor: Cameron GranadinoBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-real-news-podcast--2952221/support.Help us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Follow us on:Bluesky: @therealnews.comFacebook: The Real News NetworkTwitter: @TheRealNewsYouTube: @therealnewsInstagram: @therealnewsnetworkBecome a member and join the Supporters Club for The Real News Podcast today!

House, funk, soul, disco, reggae, hip hop, afrobeats, UKG, drum & bass and all manner of beats for open-minded listeners. Fresh releases and classic gems, presented by DJ D'Francisco direct from London. New episode every Sunday night. Catch the pod live every Friday afternoon on www.musicboxradio.co.uk 3-5 UK time, as a podcast or at www.mixcloud.com/francisco Contact: fdisco@hotmail.com / @frankiedisco54 Tracklist Julia Gjertsen & Gustav Davidsson - Afterglow Jean Adebambo - Paradub (Santic All Stars) Patchworks Inc - Whatever Makes You Happy Kutiman & Dekel - Take It Easy Deeyah Khan - Art Cleo Sol - Sunshine Sokabe Keiichi  Inokasira Rangers - Born Slippy Bonfire of the Humanities featuring Angie T Giles - Dubmerge El Michels Affair meets Liam Bailey - Conquer & Divide Fatnotronic & Felipe Sa - Onde Anda FKJ - Learn to Fly ft. Jordan Rakei Marshall McCluhan - The World is a Village Taggy Matcher - Rappers Delight (Taggy Matcher Dub) Will Powers - Adventures in Dubcess Psychemagik - Everybody's Gotta Learn Northern Form - Sanguine Kofi Nti - Odo Nwom BB Seaton - Dancing in the Moonlight DJ Alfredo - Interview Scott Grooves - E2-E4 Reframed Lady Blackbird - Beware the Stranger (Ashley Beedle Stripped Back Mix) Jim Morrison - Interview Herbert & Momoko - Babystar (Herberts Anything Dub) Kato Change & Winyo - Abiro (FKA Glitch Dub) Snips - The Product Terri Walker - Feels Good Jungle - Good Times (MJ Cole Remix) JIM - Phoenix Reload - Le Soleil et le Mer

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio and Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the third panel, Allison Carruth and Ellen Horne discussed the relationship between podcasting and science. Carruth is a professor at Princeton's Effron Center for the Study of America and the High Meadows Environmental Institute. At Princeton, she directs the Program in Environmental Studies and leads Blue Lab, an environmental media and storytelling studio. Her research and teaching areas include climate storytelling, environmental art and narrative, contemporary food movements and the evolving relationships between technology and environmentalism in American culture. She is the author of Global Appetites: American Power and the Literature of Food. Horne directs the Podcasting and Audio Reportage concentration at NYU's Arthur L. Carter Journalism Institute. Her research is focused on performance, documentation, the perception of authority in voice, labor and production in audio and podcasting. Horne was producer for Admissible: Shreds of Evidence, a 13-episode investigative podcast that told the story of shocking misconduct at a Virginia state crime lab. Admissible won the Gold Award for Best Documentary at the Signal Awards; an Edward R. Murrow Award from the Radio Television Digital News Association, and the Public Media Award NETA for Best Podcast. Horne was an executive producer at Audible and an executive producer for WNYC's Radiolab. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio and Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the third panel, Allison Carruth and Ellen Horne discussed the relationship between podcasting and science. Carruth is a professor at Princeton's Effron Center for the Study of America and the High Meadows Environmental Institute. At Princeton, she directs the Program in Environmental Studies and leads Blue Lab, an environmental media and storytelling studio. Her research and teaching areas include climate storytelling, environmental art and narrative, contemporary food movements and the evolving relationships between technology and environmentalism in American culture. She is the author of Global Appetites: American Power and the Literature of Food. Horne directs the Podcasting and Audio Reportage concentration at NYU's Arthur L. Carter Journalism Institute. Her research is focused on performance, documentation, the perception of authority in voice, labor and production in audio and podcasting. Horne was producer for Admissible: Shreds of Evidence, a 13-episode investigative podcast that told the story of shocking misconduct at a Virginia state crime lab. Admissible won the Gold Award for Best Documentary at the Signal Awards; an Edward R. Murrow Award from the Radio Television Digital News Association, and the Public Media Award NETA for Best Podcast. Horne was an executive producer at Audible and an executive producer for WNYC's Radiolab. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

"For years, I felt that there was no connection with my hands and the sound. My perception of conducting at the time was that everything needs to be free and relaxed, no tension - and no tension when you sing. There has to be tension when you sing and conduct, because if there's no tension in the body, you're basically bones and skin on the ground. It's a matter of where the tension is. Is it good tension? Is it bad tension? There's an idea of feeling a sense of weight in the gesture, in the breath."Dr. Gary Seighman is a Professor, Director of Choral Activities, and Chair of the Music Department at Trinity University. Under his leadership, Trinity's choirs have earned numerous accolades, including invited performances at state and national conferences, tours across the United States and abroad, unique artistic collaborations, and commercial recordings. A charismatic and passionate artist, Seighman is highly sought after as a clinician, guest conductor, and speaker. He received the 2023 Innovative Concert Programming Award from the Texas Choral Directors Association and, more recently, the Guy H. Ranson Memorial Award for excellence in teaching, research, and service from the Carlos Alvarez School of Arts and Humanities. He is honored to conduct the 2025–2026 Texas Private School All-State Choir.Since 2015, he has conducted in East Asia six times, including leading the Peking University Summer Opera Program, offering graduate masterclasses in Taiwan, and participating in engagements in Japan. In 2019, he was artist-in-residence at University College Dublin, with additional work in London, Cambridge, and Liverpool. He served as chorusmaster at the Classical Music Festival in Vienna (2018) and led the TU Chamber Singers on a 2024 tour of the U.K. and France, featuring a live-broadcast evensong from Winchester Cathedral. His Carnegie Hall conducting debut came in 2022, followed by returns in 2023 and 2025 to conduct the National Honor Choir.In 2021–2022, Seighman served as a TU Public Humanities Faculty Fellow. He has authored over a dozen publications in book chapters and peer-reviewed journals, released a published conducting  masterclass video with Forward Motion, and presented more than thirty sessions at conferences nationwide. Always eager to explore new artistic and creative outlets, Seighman has been signed as a model and actor with Avant Agency since 2018, appearing in print, online, on billboards, and in radio and television. His new book The Choir Playbook: Tools for the Imaginative Conductor is available from GIA Publications. In his spare time, he coaches soccer, softball, and baseball for his children, Gabrielle and Justin.To get in touch with Gary, you can find him on Instagram (@gary_seighman) or Facebook (@gary.seighman) or email him at gseighma@trinity.edu.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio and Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the third panel, Allison Carruth and Ellen Horne discussed the relationship between podcasting and science. Carruth is a professor at Princeton's Effron Center for the Study of America and the High Meadows Environmental Institute. At Princeton, she directs the Program in Environmental Studies and leads Blue Lab, an environmental media and storytelling studio. Her research and teaching areas include climate storytelling, environmental art and narrative, contemporary food movements and the evolving relationships between technology and environmentalism in American culture. She is the author of Global Appetites: American Power and the Literature of Food. Horne directs the Podcasting and Audio Reportage concentration at NYU's Arthur L. Carter Journalism Institute. Her research is focused on performance, documentation, the perception of authority in voice, labor and production in audio and podcasting. Horne was producer for Admissible: Shreds of Evidence, a 13-episode investigative podcast that told the story of shocking misconduct at a Virginia state crime lab. Admissible won the Gold Award for Best Documentary at the Signal Awards; an Edward R. Murrow Award from the Radio Television Digital News Association, and the Public Media Award NETA for Best Podcast. Horne was an executive producer at Audible and an executive producer for WNYC's Radiolab. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio and Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the third panel, Allison Carruth and Ellen Horne discussed the relationship between podcasting and science. Carruth is a professor at Princeton's Effron Center for the Study of America and the High Meadows Environmental Institute. At Princeton, she directs the Program in Environmental Studies and leads Blue Lab, an environmental media and storytelling studio. Her research and teaching areas include climate storytelling, environmental art and narrative, contemporary food movements and the evolving relationships between technology and environmentalism in American culture. She is the author of Global Appetites: American Power and the Literature of Food. Horne directs the Podcasting and Audio Reportage concentration at NYU's Arthur L. Carter Journalism Institute. Her research is focused on performance, documentation, the perception of authority in voice, labor and production in audio and podcasting. Horne was producer for Admissible: Shreds of Evidence, a 13-episode investigative podcast that told the story of shocking misconduct at a Virginia state crime lab. Admissible won the Gold Award for Best Documentary at the Signal Awards; an Edward R. Murrow Award from the Radio Television Digital News Association, and the Public Media Award NETA for Best Podcast. Horne was an executive producer at Audible and an executive producer for WNYC's Radiolab. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

From Marian Anderson's 1939 concert at the Lincoln Memorial to Marvin Gaye singing the National Anthem at the NBA Finals, the theme of patriotism can be heard throughout African American music. Benjamin Ross offers selections from this rich musical heritage. Also: Ann Petry's The Street, published in 1946, was the first million-selling novel by an African American author. Keith Clark says Petry deserves to be in the pantheon of other great American writers like James Baldwin or Toni Morrison. Later in the show: Poet Walt Whitman in 1862 went searching for his brother George, who had been wounded in a Civil War battle. Mara Scanlon and Brady Earnhart say Whitman was so moved by the carnage he found that he worked as a nurse for the rest of the war. Also: While Edgar Allan Poe is the master of the macabre, Jerome McGann says Poe was more charming and humorous than his famous dark fiction suggests.

Wars get the headlines. A civil war can wreck a country's economy and dominate its news for a decade. But if you assume war is the most costly form of violence a society faces, you would be wrong.In this week's VoxDev Talk, James Fearon (Stanford) joins Tim Phillips to argue that the violence happening quietly inside homes and on ordinary streets does far more damage than war and terrorism combined.Drawing on his new book Worse Than War (PUP), written with Anke Hoeffler, Fearon estimates that interpersonal violence, meaning homicide, intimate partner violence and severe physical abuse of children, kills and injures more people than war, and costs society more too. Large-scale collective violence hits very few countries in any year. Almost every country carries rates of homicide and assault that exceed the global average for war.Fearon's argument is not that war does not matter. It is that the interpersonal violence is less dramatic and often hidden from view. There is evidence on what works to reduce it, but we aren't giving the problem the attention it needs.The book behind this episode:Hoeffler, Anke, and James D. Fearon. 2026. Worse than War: The Global Costs of Violence. Princeton: Princeton University Press.To cite this episode:Phillips, Tim, and James Fearon. 2026. "Interpersonal violence costs the world more than" VoxDev Talk (podcast). About James FearonJames Fearon is the Theodore and Frances Geballe Professor in the School of Humanities and Sciences and professor of political science at Stanford University, and a senior fellow at the Freeman Spogli Institute for International Studies. His research spans civil and interstate war, ethnic conflict, the international spread of democracy, the evaluation of foreign aid and institution building, and the costs of collective and interpersonal violence. He was elected to the National Academy of Sciences in 2012 and the American Academy of Arts and Sciences in 2002.The book is co-authored with Anke Hoeffler, professor of development research at the University of Konstanz and co-author of Breaking the Conflict Trap, whose work on the economics of civil war includes the influential conflict-trap research with Paul Collier.Research and concepts discussed in this episodeInterpersonal versus collective violence. The book distinguishes collective violence, perpetrated by organised groups such as states, rebel organisations, terrorists, or criminal gangs, from interpersonal violence, committed by individuals. Interpersonal violence is broken down into homicide, intimate partner violence, and severe physical abuse of children. The central finding is that the average annual cost of interpersonal violence is far larger than that of interstate and civil war, somewhere between five and 20 times larger, with a best estimate of about eight times.Prevalence, not intensity. The reason interpersonal violence costs more in aggregate is that it is far more widespread. Very few countries experience large-scale collective violence in any given year, but almost all countries carry annual death and injury rates from homicide, intimate partner violence, and child abuse that exceed global average war death and injury rates. For 2000 to 2019, the authors estimate a global annual average of not quite 1.5 deaths per 100,000 people from war and terrorism, against about 7 per 100,000 for homicide.Intimate partner violence. The authors estimate global annual averages of about 3,300 and 1,600 per 100,000 people for intimate partner physical and sexual assault respectively, which is roughly twice those rates for women specifically.Severe physical abuse of children. Measured conservatively, capturing beatings far more serious than a mild spanking, the estimates imply that 15% of children aged 14 or younger are subjected to monthly beatings that would be classed as assaults if the victims were adults.Economic costs versus well-being costs. Civil war can cause severe economic devastation in the worst-affected countries, mainly through reduced growth, and at the global level the strictly economic costs of collective violence may exceed those of interpersonal violence. But economic loss is only one cost. Drawing on methods that use what people pay to avoid risks of death or injury, the authors estimate well-being losses that are far greater for interpersonal violence, because it kills and injures so many more people each year. The authors note that the difficulty of estimating the economic cost of interpersonal violence means their figures probably understate it relative to collective violence.Why interpersonal violence stays invisible. National media and political debate focus far more on collective violence, partly because it is dramatic and episodic while interpersonal violence is persistent and, happening inside households, often practically invisible. Sustained public and policy attention on the scale of interpersonal violence is itself a step towards reducing its costs.It is not just "culture". Against the view that little can be done because interpersonal violence is cultural, the authors point to a broad range of programmes and policies with evidence behind them. For homicide and intimate partner violence, measures that reduce alcohol access and consumption. For intimate partner violence and child abuse, adolescent dating programmes and parenting programmes. Across all forms, police reform to improve accountability and training, and more police in countries with low ratios of police to homicides.Reducing collective violence. There is reasonable evidence that UN peacekeeping operations are a relatively inexpensive way to lower violence in civil war countries and to reduce the chance of war resuming after a peace agreement. The authors note that rising conflict among the permanent five members of the UN Security Council, and sharpening regional rivalries among larger states in conflict-affected areas, have sharply reduced the prospects for new peacekeeping operations for now.

This year marks the 60th anniversary of the Black Panther Party, founded in Oakland, California, in 1966. On this episode of Rattling the Bars, host Mansa Musa speaks with Dr. Joy James and Dr. K. Kim Holder about the legacy of the Panthers today, and about the important differences and intersections between democratic socialism and the Black Panther model of communalism.This is Part 1 of a two-part conversation. Subscribe to TRNN and stay tuned for Part 2 next week…Guests:Dr. Joy James is Ebenezer Fitch Professor of Humanities at Williams College. She is the author of numerous books, including: In Pursuit of Revolutionary Love; Resisting State Violence; and Shadowboxing: Representations of Black Feminist Politics. Creator of the digital Harriet Tubman Literary Circle at UT Austin, James is also editor of The New Abolitionists: (Neo)Slave Narratives and Contemporary Prison Writings; Imprisoned Intellectuals; Warfare in the American Homeland; The Angela Y. Davis Reader; and co-editor of the Black Feminist Reader.Dr. K. Kim Holder is an assistant professor of educational foundations and Africana studies at Rowan University. Dr. Holder earned his doctorate from the University of Massachusetts Amherst in Multicultural Education and African American Studies, his masters in Early Childhood Education from Bank Street College of Education, and B.A. in History from Hampshire College.Credits:Producer / Videographer / Editor: Cameron GranadinoBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-real-news-podcast--2952221/support.Help us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Follow us on:Bluesky: @therealnews.comFacebook: The Real News NetworkTwitter: @TheRealNewsYouTube: @therealnewsInstagram: @therealnewsnetworkBecome a member and join the Supporters Club for The Real News Podcast today!

A new café in Vancouver, British Columbia faced mounting criticism from the Indigenous community for its questionable use of Indigenous branding. The incident ignited conversations about the potential harms of cultural appropriation. Santa Ana Pueblo just entered into a partnership with New Mexico's largest winery. The vineyard on the tribe's reservation is just one of a handful that are owned and operated by a tribe. As the nation celebrates the 250th anniversary of the signing of the Declaration of Independence, we’ll discuss how Indigenous foods are integral to America's historical origins and culinary identity and how the last 250 years has impacted Indigenous food. GUESTS Gov. Myron Armijo (Santa Ana Pueblo) Inez Cook (Nuxalk Nation), owner of Salmon n’ Bannock Bistro Devon Mihesuah (Choctaw), author and Cora Lee Beers Price professor at the Hall Center for the Humanities at the University of Kansas Break 1 Music: Susqwimtmacwaw (song) Nuxalk Radio (artist) Nusximta (album) Break 2 Music: Tsudadatla Tsisqwa (song) Kalyn Fay (artist) Garden (album)

In 2006, Ignacio M. Sánchez Prado moved to St. Louis to teach Mexican literature as part of Washington University's Latin American Studies program. Twenty years later, that program has expanded immensely. As Ignacio prepares to leave St. Louis for a new role at Cornell University, we talk with him about his work building WashU's Latin American Studies Program, AI in the classroom, and the importance of — and challenges facing — humanities programs across the country.

The LSE Middle East Centre hosted the launch of 'Turkey and the Liberal International Order', a new book examining Turkey's complex and evolving relationship with the liberal international order from the end of the First World War to the present day. The book explores how Turkey, as a middle power, responded to major global transformations following the First World War, the Second World War and the Cold War by appealing to the dominant principles of liberal internationalism. At the same time, it shows how Turkish political movements and foreign policy actors reinterpreted and challenged these principles, shaping how the liberal international order was understood and implemented in the Turkish context. Drawing on parliamentary records and the writings of key political figures, the book offers a rich historical account of how successive generations of policymakers understood Turkey's national interest, its place in the international order and its role on the global stage. Meet our speakers Marc Sinan Winrow is a Teaching Fellow at SOAS, teaching the International Relations of the Middle East and Risk and Policy Analysis, and he is also a Research Assistant at LSE. He completed his PhD in the Department of International Relations of the LSE. The topic of this talk is based on his first published book, Turkey and the Liberal International Order, published by Agenda in 2025. His research continues to be concentrated on different (post-) liberal conceptions of international order, geopolitics and the history and theory of sovereignty in International Relations, with a focus on Turkey and the southeast European, Eastern Mediterranean and the MENA region. Ayla Göl is Course Lead in Politics and International Relations, and a Senior Lecturer in International Relations at the School of Humanities, York St John University, UK. She holds a PhD from the London School of Economics and Political Science (LSE), where she had an early career position at the Department of International Relations. She is the author of Turkey Facing East: Islam, Modernity and Foreign Policy (Manchester University Press) and numerous articles in journals such as Nations and Nationalism, Third World Quarterly, Information and Education Technologies, the Global Discourse and International Affairs, as well as book chapters on Turkey, the Middle East and international relations. Senem Aydın-Düzgit is a Professor of International Relations at the Faculty of Arts and Social Sciences at Sabancı University and the Director of the Istanbul Policy Center. She is also a non-resident fellow at the Institute for European Policymaking at Bocconi University. In 2024-2025, she was based at the Harvard Kennedy School as the Pierre Keller Visiting Professor of Public Policy, and in 2023-2024, she was a Richard von Weizsacker Fellow at the Robert Bosch Academy in Berlin. Her main research interests include identity, history, and discourse in the study of international politics, with an empirical focus on European and Turkish foreign policies; and more recently, the nexus between domestic and foreign policies of middle powers in the changing international order. Meet our Chair Katerina Dalacoura is Associate Professor in International Relations at the London School of Economics and Political Science, and Director of the LSE Middle East Centre. She held a Major Research Fellowship by the Leverhulme Trust between 2021 and 2024. The project findings will shortly be published as a book monograph by Cambridge University Press, under the title Islamic International Thought in Turkey: History, Civilisation and Nation.

On episode 261, we welcome Ilan Stavans to discuss the historical incarnations of god, god as a symbol of both oppression and liberty, Moses's rebellion against god and how it symbolizes modern faith, god as an ineffable experience, why we continue to create god, militant atheism as a response to deep-seated hope for the existence of god, Jesus dying for the sins of Yahweh, morality without religion, and god in the age of AI. Ilan Stavans is the publisher of Restless Books and the Lewis-Sebring Professor of Humanities and Latin American and Latino Culture at Amherst College. His books include On Borrowed Words, Spanglish, Dictionary Days, The Disappearance, and A Critic's Journey. He is the recipient of numerous awards and honors, including a Guggenheim Fellowship, Chile's Presidential Medal, the International Latino Book Award, and the Jewish Book Award. Stavans's work, translated into twenty languages, has been adapted to the stage and screen. Ilan is also the host of the NPR-affiliated podcast "In Contrast." His new book, available on June 30, 2026, is called A Nation Wrestles With God: American Prophets, Philosophers, and Firebrands. | Ilan Stavans | ► Website | https://restlessbooks.org/our-team ► Podcast | https://www.nepm.org/in-contrast-a-podcast-on-culture-in-the-making ► A Nation Wrestles With God Book | https://bit.ly/ANationWrestlesWithGod Where you can find us: | Seize The Moment Podcast | ► Facebook | https://www.facebook.com/SeizeTheMomentPodcast ► Twitter | https://twitter.com/seize_podcast ► Instagram | https://www.instagram.com/seizethemomentpodcast ► TikTok | https://www.tiktok.com/@seizethemomentpodcast  

Brad Gooch has spent much of his career telling the stories of larger-than-life figures. The poet, novelist, and acclaimed biographer is known for celebrated books on Keith Haring, Frank O'Hara, Flannery O'Connor, and the 13th-century mystic Rumi.A Guggenheim Fellow and recipient of a National Endowment for the Humanities fellowship, Gooch has built a reputation for combining literary insight with a keen eye for the personal details that shape a life. In his new memoir, 'Good Morning Moon: A Snapshot of an American Family,' he turns that eye inward.