Podcasts about Humanities

Brad Gooch has spent much of his career telling the stories of larger-than-life figures. The poet, novelist, and acclaimed biographer is known for celebrated books on Keith Haring, Frank O'Hara, Flannery O'Connor, and the 13th-century mystic Rumi.A Guggenheim Fellow and recipient of a National Endowment for the Humanities fellowship, Gooch has built a reputation for combining literary insight with a keen eye for the personal details that shape a life. In his new memoir, 'Good Morning Moon: A Snapshot of an American Family,' he turns that eye inward.

Are we as a population getting dumber? How would we know if we were? This hour: stupidity. We’ll look at the history and philosophy of stupidity, and explore how it shows up in our daily lives and politics. GUESTS: Lane Brown: Features writer for New York Magazine, who recently wrote "A Theory of Dumb" Stuart Jeffries: Journalist and author. His new book is A Short History of Stupidity Shannon Mancus: Teaching Professor and Associate Department Head in the Humanities, Arts, and Social Sciences Department at the Colorado School of Mines. You can follow Dr. Shan on Instagram and Substack at “Pop Smart Media” MUSIC FEATURED (in order): Able Sisters – Animal Crossing New Leaf OST Manchild – Sabrina Carpenter Dumb All Over – Frank Zappa Get Stupid – Aston Merrygold How Sweet to Be an Idiot – Neil Innes Baka Mitai - Yakuza OST Idiot Wind – Bob Dylan Join the conversation on Facebook and Twitter. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Colin McEnroe, Dylan Reyes, and Isaac Moss contributed to this show, which originally aired on January 15, 2026.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Mark Twain's Jim, introduced in Adventures of Huckleberry Finn (1885), is a shrewd, self‑aware, and enormously admirable enslaved man, one of the first fully drawn Black fathers in American fiction. Haunted by the family he has left behind, Jim acts as father figure to Huck, the white boy who is his companion as they raft the Mississippi toward freedom. Jim is also a highly polarizing figure: he is viewed as an emblem both of Twain's alleged racism and of his opposition to racism; a diminished character inflected by minstrelsy and a powerful challenge to minstrel stereotypes; a reason for banning Huckleberry Finn and a reason for teaching it; an embarrassment and a source of pride for Black readers.In Jim: The Life and Afterlives of Huckleberry Finn's Comrade (Yale UP, 2025) eminent Twain scholar Shelley Fisher Fishkin probes these controversies, exploring who Jim was, how Twain portrayed him, and how the world has responded to him. Fishkin also follows Jim's many afterlives: in film, from Hollywood to the Soviet Union; in translation around the world; and in American high school classrooms today. The result is Jim as we have never seen him before—a fresh and compelling portrait of one of the most memorable Black characters in American fiction. Shelley Fisher Fishkin is the Joseph S. Atha Professor of Humanities, professor of English, and professor (by courtesy) of African and African American Studies at Stanford University. She is the author or editor of many books, including Writing America: Literary Landmarks from Walden Pond to Wounded Knee and Was Huck Black? Mark Twain and African American Voices, and editor of the twenty-nine-volume Oxford Mark Twain. She lives in Stanford, CA. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

Mark Twain's Jim, introduced in Adventures of Huckleberry Finn (1885), is a shrewd, self‑aware, and enormously admirable enslaved man, one of the first fully drawn Black fathers in American fiction. Haunted by the family he has left behind, Jim acts as father figure to Huck, the white boy who is his companion as they raft the Mississippi toward freedom. Jim is also a highly polarizing figure: he is viewed as an emblem both of Twain's alleged racism and of his opposition to racism; a diminished character inflected by minstrelsy and a powerful challenge to minstrel stereotypes; a reason for banning Huckleberry Finn and a reason for teaching it; an embarrassment and a source of pride for Black readers.In Jim: The Life and Afterlives of Huckleberry Finn's Comrade (Yale UP, 2025) eminent Twain scholar Shelley Fisher Fishkin probes these controversies, exploring who Jim was, how Twain portrayed him, and how the world has responded to him. Fishkin also follows Jim's many afterlives: in film, from Hollywood to the Soviet Union; in translation around the world; and in American high school classrooms today. The result is Jim as we have never seen him before—a fresh and compelling portrait of one of the most memorable Black characters in American fiction. Shelley Fisher Fishkin is the Joseph S. Atha Professor of Humanities, professor of English, and professor (by courtesy) of African and African American Studies at Stanford University. She is the author or editor of many books, including Writing America: Literary Landmarks from Walden Pond to Wounded Knee and Was Huck Black? Mark Twain and African American Voices, and editor of the twenty-nine-volume Oxford Mark Twain. She lives in Stanford, CA. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Mark Twain's Jim, introduced in Adventures of Huckleberry Finn (1885), is a shrewd, self‑aware, and enormously admirable enslaved man, one of the first fully drawn Black fathers in American fiction. Haunted by the family he has left behind, Jim acts as father figure to Huck, the white boy who is his companion as they raft the Mississippi toward freedom. Jim is also a highly polarizing figure: he is viewed as an emblem both of Twain's alleged racism and of his opposition to racism; a diminished character inflected by minstrelsy and a powerful challenge to minstrel stereotypes; a reason for banning Huckleberry Finn and a reason for teaching it; an embarrassment and a source of pride for Black readers.In Jim: The Life and Afterlives of Huckleberry Finn's Comrade (Yale UP, 2025) eminent Twain scholar Shelley Fisher Fishkin probes these controversies, exploring who Jim was, how Twain portrayed him, and how the world has responded to him. Fishkin also follows Jim's many afterlives: in film, from Hollywood to the Soviet Union; in translation around the world; and in American high school classrooms today. The result is Jim as we have never seen him before—a fresh and compelling portrait of one of the most memorable Black characters in American fiction. Shelley Fisher Fishkin is the Joseph S. Atha Professor of Humanities, professor of English, and professor (by courtesy) of African and African American Studies at Stanford University. She is the author or editor of many books, including Writing America: Literary Landmarks from Walden Pond to Wounded Knee and Was Huck Black? Mark Twain and African American Voices, and editor of the twenty-nine-volume Oxford Mark Twain. She lives in Stanford, CA. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio & Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the second panel, Chenjerai Kumanyika led a discussion about the aesthetics of podcasting. Professor Kumanyika is an assistant professor at NYU's Arthur L. Carter Journalism Institute, who specializes in using narrative non-fiction audio journalism to critique the ideology of American historical myths about issues such as race, the Civil War, and policing. His podcast Empire City, was chosen by the New York Times as one of the best podcasts of 2024. He was the co-creator, co-executive producer and co-host of Uncivil, a podcast on the Civil War, and he is the collaborator for Scene on Radio's Season 2 “Seeing White,” and Season 4 on the history of American democracy. His current podcast is Unruly Subjects. The panel included Vinson Cunningham, a staff writer at The New Yorker, where he has written about theatre and television. He is a Spring 2026 McGraw Professor of Writing in the Program in Journalism at Princeton University. He is the author of the novel, Great Expectations; Julia Barton is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She's the editor of Malcolm Gladwell's The Bomber Mafia, Michael Specter's Fauci, and Michael Lewis's unabridged Liar's Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She writes the audio history newsletter, Continuous Wave. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Mark Twain's Jim, introduced in Adventures of Huckleberry Finn (1885), is a shrewd, self‑aware, and enormously admirable enslaved man, one of the first fully drawn Black fathers in American fiction. Haunted by the family he has left behind, Jim acts as father figure to Huck, the white boy who is his companion as they raft the Mississippi toward freedom. Jim is also a highly polarizing figure: he is viewed as an emblem both of Twain's alleged racism and of his opposition to racism; a diminished character inflected by minstrelsy and a powerful challenge to minstrel stereotypes; a reason for banning Huckleberry Finn and a reason for teaching it; an embarrassment and a source of pride for Black readers.In Jim: The Life and Afterlives of Huckleberry Finn's Comrade (Yale UP, 2025) eminent Twain scholar Shelley Fisher Fishkin probes these controversies, exploring who Jim was, how Twain portrayed him, and how the world has responded to him. Fishkin also follows Jim's many afterlives: in film, from Hollywood to the Soviet Union; in translation around the world; and in American high school classrooms today. The result is Jim as we have never seen him before—a fresh and compelling portrait of one of the most memorable Black characters in American fiction. Shelley Fisher Fishkin is the Joseph S. Atha Professor of Humanities, professor of English, and professor (by courtesy) of African and African American Studies at Stanford University. She is the author or editor of many books, including Writing America: Literary Landmarks from Walden Pond to Wounded Knee and Was Huck Black? Mark Twain and African American Voices, and editor of the twenty-nine-volume Oxford Mark Twain. She lives in Stanford, CA. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio & Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the second panel, Chenjerai Kumanyika led a discussion about the aesthetics of podcasting. Professor Kumanyika is an assistant professor at NYU's Arthur L. Carter Journalism Institute, who specializes in using narrative non-fiction audio journalism to critique the ideology of American historical myths about issues such as race, the Civil War, and policing. His podcast Empire City, was chosen by the New York Times as one of the best podcasts of 2024. He was the co-creator, co-executive producer and co-host of Uncivil, a podcast on the Civil War, and he is the collaborator for Scene on Radio's Season 2 “Seeing White,” and Season 4 on the history of American democracy. His current podcast is Unruly Subjects. The panel included Vinson Cunningham, a staff writer at The New Yorker, where he has written about theatre and television. He is a Spring 2026 McGraw Professor of Writing in the Program in Journalism at Princeton University. He is the author of the novel, Great Expectations; Julia Barton is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She's the editor of Malcolm Gladwell's The Bomber Mafia, Michael Specter's Fauci, and Michael Lewis's unabridged Liar's Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She writes the audio history newsletter, Continuous Wave. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio & Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the second panel, Chenjerai Kumanyika led a discussion about the aesthetics of podcasting. Professor Kumanyika is an assistant professor at NYU's Arthur L. Carter Journalism Institute, who specializes in using narrative non-fiction audio journalism to critique the ideology of American historical myths about issues such as race, the Civil War, and policing. His podcast Empire City, was chosen by the New York Times as one of the best podcasts of 2024. He was the co-creator, co-executive producer and co-host of Uncivil, a podcast on the Civil War, and he is the collaborator for Scene on Radio's Season 2 “Seeing White,” and Season 4 on the history of American democracy. His current podcast is Unruly Subjects. The panel included Vinson Cunningham, a staff writer at The New Yorker, where he has written about theatre and television. He is a Spring 2026 McGraw Professor of Writing in the Program in Journalism at Princeton University. He is the author of the novel, Great Expectations; Julia Barton is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She's the editor of Malcolm Gladwell's The Bomber Mafia, Michael Specter's Fauci, and Michael Lewis's unabridged Liar's Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She writes the audio history newsletter, Continuous Wave. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio & Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the second panel, Chenjerai Kumanyika led a discussion about the aesthetics of podcasting. Professor Kumanyika is an assistant professor at NYU's Arthur L. Carter Journalism Institute, who specializes in using narrative non-fiction audio journalism to critique the ideology of American historical myths about issues such as race, the Civil War, and policing. His podcast Empire City, was chosen by the New York Times as one of the best podcasts of 2024. He was the co-creator, co-executive producer and co-host of Uncivil, a podcast on the Civil War, and he is the collaborator for Scene on Radio's Season 2 “Seeing White,” and Season 4 on the history of American democracy. His current podcast is Unruly Subjects. The panel included Vinson Cunningham, a staff writer at The New Yorker, where he has written about theatre and television. He is a Spring 2026 McGraw Professor of Writing in the Program in Journalism at Princeton University. He is the author of the novel, Great Expectations; Julia Barton is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She's the editor of Malcolm Gladwell's The Bomber Mafia, Michael Specter's Fauci, and Michael Lewis's unabridged Liar's Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She writes the audio history newsletter, Continuous Wave. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio & Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the second panel, Chenjerai Kumanyika led a discussion about the aesthetics of podcasting. Professor Kumanyika is an assistant professor at NYU's Arthur L. Carter Journalism Institute, who specializes in using narrative non-fiction audio journalism to critique the ideology of American historical myths about issues such as race, the Civil War, and policing. His podcast Empire City, was chosen by the New York Times as one of the best podcasts of 2024. He was the co-creator, co-executive producer and co-host of Uncivil, a podcast on the Civil War, and he is the collaborator for Scene on Radio's Season 2 “Seeing White,” and Season 4 on the history of American democracy. His current podcast is Unruly Subjects. The panel included Vinson Cunningham, a staff writer at The New Yorker, where he has written about theatre and television. He is a Spring 2026 McGraw Professor of Writing in the Program in Journalism at Princeton University. He is the author of the novel, Great Expectations; Julia Barton is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She's the editor of Malcolm Gladwell's The Bomber Mafia, Michael Specter's Fauci, and Michael Lewis's unabridged Liar's Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She writes the audio history newsletter, Continuous Wave. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio & Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the second panel, Chenjerai Kumanyika led a discussion about the aesthetics of podcasting. Professor Kumanyika is an assistant professor at NYU's Arthur L. Carter Journalism Institute, who specializes in using narrative non-fiction audio journalism to critique the ideology of American historical myths about issues such as race, the Civil War, and policing. His podcast Empire City, was chosen by the New York Times as one of the best podcasts of 2024. He was the co-creator, co-executive producer and co-host of Uncivil, a podcast on the Civil War, and he is the collaborator for Scene on Radio's Season 2 “Seeing White,” and Season 4 on the history of American democracy. His current podcast is Unruly Subjects. The panel included Vinson Cunningham, a staff writer at The New Yorker, where he has written about theatre and television. He is a Spring 2026 McGraw Professor of Writing in the Program in Journalism at Princeton University. He is the author of the novel, Great Expectations; Julia Barton is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She's the editor of Malcolm Gladwell's The Bomber Mafia, Michael Specter's Fauci, and Michael Lewis's unabridged Liar's Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She writes the audio history newsletter, Continuous Wave. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio & Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the second panel, Chenjerai Kumanyika led a discussion about the aesthetics of podcasting. Professor Kumanyika is an assistant professor at NYU's Arthur L. Carter Journalism Institute, who specializes in using narrative non-fiction audio journalism to critique the ideology of American historical myths about issues such as race, the Civil War, and policing. His podcast Empire City, was chosen by the New York Times as one of the best podcasts of 2024. He was the co-creator, co-executive producer and co-host of Uncivil, a podcast on the Civil War, and he is the collaborator for Scene on Radio's Season 2 “Seeing White,” and Season 4 on the history of American democracy. His current podcast is Unruly Subjects. The panel included Vinson Cunningham, a staff writer at The New Yorker, where he has written about theatre and television. He is a Spring 2026 McGraw Professor of Writing in the Program in Journalism at Princeton University. He is the author of the novel, Great Expectations; Julia Barton is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She's the editor of Malcolm Gladwell's The Bomber Mafia, Michael Specter's Fauci, and Michael Lewis's unabridged Liar's Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She writes the audio history newsletter, Continuous Wave. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark Twain's Jim, introduced in Adventures of Huckleberry Finn (1885), is a shrewd, self‑aware, and enormously admirable enslaved man, one of the first fully drawn Black fathers in American fiction. Haunted by the family he has left behind, Jim acts as father figure to Huck, the white boy who is his companion as they raft the Mississippi toward freedom. Jim is also a highly polarizing figure: he is viewed as an emblem both of Twain's alleged racism and of his opposition to racism; a diminished character inflected by minstrelsy and a powerful challenge to minstrel stereotypes; a reason for banning Huckleberry Finn and a reason for teaching it; an embarrassment and a source of pride for Black readers.In Jim: The Life and Afterlives of Huckleberry Finn's Comrade (Yale UP, 2025) eminent Twain scholar Shelley Fisher Fishkin probes these controversies, exploring who Jim was, how Twain portrayed him, and how the world has responded to him. Fishkin also follows Jim's many afterlives: in film, from Hollywood to the Soviet Union; in translation around the world; and in American high school classrooms today. The result is Jim as we have never seen him before—a fresh and compelling portrait of one of the most memorable Black characters in American fiction. Shelley Fisher Fishkin is the Joseph S. Atha Professor of Humanities, professor of English, and professor (by courtesy) of African and African American Studies at Stanford University. She is the author or editor of many books, including Writing America: Literary Landmarks from Walden Pond to Wounded Knee and Was Huck Black? Mark Twain and African American Voices, and editor of the twenty-nine-volume Oxford Mark Twain. She lives in Stanford, CA. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Mark Twain's Jim, introduced in Adventures of Huckleberry Finn (1885), is a shrewd, self‑aware, and enormously admirable enslaved man, one of the first fully drawn Black fathers in American fiction. Haunted by the family he has left behind, Jim acts as father figure to Huck, the white boy who is his companion as they raft the Mississippi toward freedom. Jim is also a highly polarizing figure: he is viewed as an emblem both of Twain's alleged racism and of his opposition to racism; a diminished character inflected by minstrelsy and a powerful challenge to minstrel stereotypes; a reason for banning Huckleberry Finn and a reason for teaching it; an embarrassment and a source of pride for Black readers.In Jim: The Life and Afterlives of Huckleberry Finn's Comrade (Yale UP, 2025) eminent Twain scholar Shelley Fisher Fishkin probes these controversies, exploring who Jim was, how Twain portrayed him, and how the world has responded to him. Fishkin also follows Jim's many afterlives: in film, from Hollywood to the Soviet Union; in translation around the world; and in American high school classrooms today. The result is Jim as we have never seen him before—a fresh and compelling portrait of one of the most memorable Black characters in American fiction. Shelley Fisher Fishkin is the Joseph S. Atha Professor of Humanities, professor of English, and professor (by courtesy) of African and African American Studies at Stanford University. She is the author or editor of many books, including Writing America: Literary Landmarks from Walden Pond to Wounded Knee and Was Huck Black? Mark Twain and African American Voices, and editor of the twenty-nine-volume Oxford Mark Twain. She lives in Stanford, CA. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

In this conversation, John Anderson sits down with Prof. Simon Haines and Dr. Fiona Mueller to examine how Australia's schools and universities stopped teaching children how to think, and what a genuine restoration of education would look like. The results are measurable in falling literacy, rising school refusal, and a curriculum that has prioritised ideological formation at the expense of knowledge.From the classical roots of Western education and the Trivium to the ideological capture of teacher training and university management, Haines and Mueller expose the ideas driving the decline and the institutions already proving a better model is possible. What is at stake is not just educational outcomes, but the capacity of the next generation to reason clearly, to govern themselves wisely, and to pass on what they have inherited.Prof. Simon Haines is the Distinguished Professor of Liberal Arts at Campion College Australia, Adjunct Professor at the Australian Catholic University, and a founding Fellow of the Hong Kong Academy of the Humanities. He previously served as the inaugural CEO of the Ramsay Centre for Western Civilisation and is a Director of Humanities for Life.Dr. Fiona Mueller served as Head of ANU College at the Australian National University and as Director of Curriculum at the Australian Curriculum Assessment and Reporting Authority (ACARA), and was named among the five most influential people in Australian education by the Australian Financial Review in 2019. She is an Adjunct Fellow with the Centre for Independent Studies, a Senior Fellow with Advance HE (formerly the Higher Education Academy), and currently serves as Director of Research at the Page Research Centre.

For nearly a century the National Park Service would tell you all about the civil war battles and tactics, but meticulously avoided the most explosive word in the American lexicon: Slavery. Former National Park Service Chief Historian Dwight Picaithley says that all changed in 1998, triggering thousands of protest letters and political threats. Later in the show: At the start of the Civil War, Frederick Douglass wrote and spoke harshly about Abraham Lincoln for not moving more quickly on emancipation. But in his new book Jonathan White reveals how Douglass came to become one of Lincoln's greatest admirers. Plus: In A Wonderful Career in Crime, Frank Garmon tells the story of the only criminal to have been pardoned by two of the most prominent political foes of the day, President Abraham Lincoln and Jefferson Davis, president of the Confederate states.

When Baton Rouge voters head to the polls later this month, they'll have the opportunity to decide on the fate of the East Baton Rouge Parish Library's funding. The library is asking voters to approve its dedicated property tax. Report for America corps member Alex Cox joins us for more on this story, and why the fate of the library is continually on the Baton Rouge ballot.Louisiana is among at least eight states that give federal funds to anti-abortion crisis pregnancy centers.The Department of Children and Family Services spent over $2 million in federal Temporary Assistance for Needy Families (TANF) funding or on centers that discourage its patients from seeking abortions.Stateline reporter Kelcie Moseley-Morris joins us with the details. The Louisiana Endowment for the Humanities recently released a landmark study demonstrating the measurable impact its Prime Time Preschool Literacy program has on learning and school-readiness.LEH spearheaded the program a little over three decades ago, and since then, the program has been used as a model that has been repeated in states nationwide.Sarah Withers, vice president of education programs for the LEH, joins us for more. Today's episode of Louisiana Considered was hosted by Adam Vos. Our managing producer is Alana Schreiber. We get production support from Garrett Pittman and our assistant producer, Aubry Procell.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App and wherever you get your podcasts. Louisiana Considered wants to hear from you!Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

How Swami Graced & Guided the B.Ed Students - Part 1 | Prof. Madhu Kapani | SatsangProf Madhu Kapani is the former Director of the Anantapur Campus of the Sri Sathya Sai Institute of Higher Learning and former Dean of its Faculty of Economics and Humanities.A distinguished educationist, she was awarded a Gold Medal for her Ph.D by Bhagawan in November 1990. Over the decades, she has served on several prestigious academic and advisory bodies at both the Institute and national levels. She was nominated by the Ministry of Human Resource Development, New Delhi, as a member of the Teacher Education Resource Group to evaluate centrally sponsored schemes for teacher education institutions across India. Prof Kapani is the author of ‘Education in Human Values: Concept and Practical Implications', a work that reflects her lifelong commitment to value-based education.In the first part of this Satsang, she shares how Swami mysteriously drew her to His feet and later blessed her with the words, “I need you,” entrusting her with the responsibility of nurturing the B.Ed. programme of His university. Through these experiences, she offers a deeply personal glimpse into the divine guidance that shaped both her life and her educational service.

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio & Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the first panel, podcaster Benjamen Walker discusses Tuning Time, a podcast about the politics of time stretching technology, with NYU media and disability studies professor Mara Mills. Professor Mills teaches in the Department of Media, Culture, and Communication and is Director of the NYU Center for Disability Studies. Her work on “disability and media” spans disability arts and technoscience, with a focus on the history, politics, and cultures of electronics and digital media. Benjamen Walker is one of the co-founders of the podcast network Radiotopa from PRX, and for a decade hosted and produced his award winning program Benjamen Walker's Theory of Everything. The panel continues with a presentation by NYU musicologist Fanny Gribenski in which she discusses her current project, The Elephant in the Piano: Music, Ecology, Empire. The book, and podcast, is an investigation of the 19th century piano through a material history of its primary components: ivory, wood, felt, and metal. Professor Gribenski is a historical musicologist who specializes in the history of musical and sonic practices. Her first book, L'Église comme lieu de concert. Pratiques musicales et usages de l'espace (Paris, 1830–1905) analyzes the role of music in the production of sacred spaces. Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859-1955 (University of Chicago, 2023) traces the rocky path towards international pitch standardization. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio & Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the first panel, podcaster Benjamen Walker discusses Tuning Time, a podcast about the politics of time stretching technology, with NYU media and disability studies professor Mara Mills. Professor Mills teaches in the Department of Media, Culture, and Communication and is Director of the NYU Center for Disability Studies. Her work on “disability and media” spans disability arts and technoscience, with a focus on the history, politics, and cultures of electronics and digital media. Benjamen Walker is one of the co-founders of the podcast network Radiotopa from PRX, and for a decade hosted and produced his award winning program Benjamen Walker's Theory of Everything. The panel continues with a presentation by NYU musicologist Fanny Gribenski in which she discusses her current project, The Elephant in the Piano: Music, Ecology, Empire. The book, and podcast, is an investigation of the 19th century piano through a material history of its primary components: ivory, wood, felt, and metal. Professor Gribenski is a historical musicologist who specializes in the history of musical and sonic practices. Her first book, L'Église comme lieu de concert. Pratiques musicales et usages de l'espace (Paris, 1830–1905) analyzes the role of music in the production of sacred spaces. Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859-1955 (University of Chicago, 2023) traces the rocky path towards international pitch standardization. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio & Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the first panel, podcaster Benjamen Walker discusses Tuning Time, a podcast about the politics of time stretching technology, with NYU media and disability studies professor Mara Mills. Professor Mills teaches in the Department of Media, Culture, and Communication and is Director of the NYU Center for Disability Studies. Her work on “disability and media” spans disability arts and technoscience, with a focus on the history, politics, and cultures of electronics and digital media. Benjamen Walker is one of the co-founders of the podcast network Radiotopa from PRX, and for a decade hosted and produced his award winning program Benjamen Walker's Theory of Everything. The panel continues with a presentation by NYU musicologist Fanny Gribenski in which she discusses her current project, The Elephant in the Piano: Music, Ecology, Empire. The book, and podcast, is an investigation of the 19th century piano through a material history of its primary components: ivory, wood, felt, and metal. Professor Gribenski is a historical musicologist who specializes in the history of musical and sonic practices. Her first book, L'Église comme lieu de concert. Pratiques musicales et usages de l'espace (Paris, 1830–1905) analyzes the role of music in the production of sacred spaces. Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859-1955 (University of Chicago, 2023) traces the rocky path towards international pitch standardization. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio & Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the first panel, podcaster Benjamen Walker discusses Tuning Time, a podcast about the politics of time stretching technology, with NYU media and disability studies professor Mara Mills. Professor Mills teaches in the Department of Media, Culture, and Communication and is Director of the NYU Center for Disability Studies. Her work on “disability and media” spans disability arts and technoscience, with a focus on the history, politics, and cultures of electronics and digital media. Benjamen Walker is one of the co-founders of the podcast network Radiotopa from PRX, and for a decade hosted and produced his award winning program Benjamen Walker's Theory of Everything. The panel continues with a presentation by NYU musicologist Fanny Gribenski in which she discusses her current project, The Elephant in the Piano: Music, Ecology, Empire. The book, and podcast, is an investigation of the 19th century piano through a material history of its primary components: ivory, wood, felt, and metal. Professor Gribenski is a historical musicologist who specializes in the history of musical and sonic practices. Her first book, L'Église comme lieu de concert. Pratiques musicales et usages de l'espace (Paris, 1830–1905) analyzes the role of music in the production of sacred spaces. Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859-1955 (University of Chicago, 2023) traces the rocky path towards international pitch standardization. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

This is a special edition of the New York Institute for the Humanities' Vault podcast. On May 13, 2026, Princeton's Center for Human Values hosted a day-long conference titled Audio & Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton's Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the first panel, podcaster Benjamen Walker discusses Tuning Time, a podcast about the politics of time stretching technology, with NYU media and disability studies professor Mara Mills. Professor Mills teaches in the Department of Media, Culture, and Communication and is Director of the NYU Center for Disability Studies. Her work on “disability and media” spans disability arts and technoscience, with a focus on the history, politics, and cultures of electronics and digital media. Benjamen Walker is one of the co-founders of the podcast network Radiotopa from PRX, and for a decade hosted and produced his award winning program Benjamen Walker's Theory of Everything. The panel continues with a presentation by NYU musicologist Fanny Gribenski in which she discusses her current project, The Elephant in the Piano: Music, Ecology, Empire. The book, and podcast, is an investigation of the 19th century piano through a material history of its primary components: ivory, wood, felt, and metal. Professor Gribenski is a historical musicologist who specializes in the history of musical and sonic practices. Her first book, L'Église comme lieu de concert. Pratiques musicales et usages de l'espace (Paris, 1830–1905) analyzes the role of music in the production of sacred spaces. Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859-1955 (University of Chicago, 2023) traces the rocky path towards international pitch standardization. Learn more about your ad choices. Visit megaphone.fm/adchoices

rWotD Episode 3331: Andrea Olmstead Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Wednesday, 17 June 2026, is Andrea Olmstead.Andrea Olmstead (born September 5, 1948) is an American musicologist and historian.Reared in Grand Forks, North Dakota, Olmstead studied violin with Burton Kaplan in New York and with Lea Foli at the Aspen Music Festival; she was a member of the New York Youth Symphony and the National Orchestral Association. She then embarked upon the study of musicology; her instructors included Gustave Reese, George Perle, H. Wiley Hitchcock, Barry S. Brook, James Haar, Brian Fennelly, and Jan LaRue. Her teaching career took her to The Juilliard School, from 1972 until 1980; the Aspen Music School, from 1973 to 1976; the Boston Conservatory, from 1981 to 2004; the New England Conservatory, from 2006 to 2018; and the University of Massachusetts, Amherst, from 2009 until 2010. The author of numerous books, she has also produced articles in Journal of Musicology, Perspectives of New Music, The Journal of the Arnold Schoenberg Institute, Tempo, Musical America, and The Musical Quarterly, reviews, program notes, and liner notes; she has also given pre-concert lectures and produced CDs. From 2005 until 2007 she was the Christopher Hogwood Research Fellow of the Handel and Haydn Society Orchestra and Chorus. Olmstead is especially well-regarded for her work on the music of Roger Sessions and for her history of The Juilliard School. Vincent Persichetti; Grazioso, Grit, and Gold, was awarded the 2019 ASCAP-Deems Taylor Award for Outstanding Musical Biography. Other honors have included three awards from the National Endowment for the Humanities, and she has spent time as a visiting scholar at the American Academy in Rome and as a fellow of the Virginia Center for the Creative Arts. Olmstead is married to composer Larry Thomas Bell, for whom she adapted the play Holy Ghosts by Romulus Linney into an opera libretto; in 2009 she produced its premiere in Boston.Olmstead's papers are held by the New York Public Library, to which she donated them in 2013.This recording reflects the Wikipedia text as of 00:40 UTC on Wednesday, 17 June 2026.For the full current version of the article, see Andrea Olmstead on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Kajal.

What does doctoral supervision actually look like in contemporary academia? In this NBN episode, Fredrik Saxegaard discusses the open-access book Doctoral Supervision Across Boundaries: Interdisciplinarity as Process and Practice (Scandinavian UP, 2026), co-edited with Mia Lövheim, and Geir Afdal. The conversation challenges the traditional image of supervision as a private relationship between a supervisor and a PhD candidate. Instead, the book argues that supervision today is distributed across networks, institutions, peers, reviewers, research schools, and academic cultures. We discuss: Why interdisciplinarity complicates doctoral identity formation, How Accountability Pressures Reshape Supervision, The hidden curricula of doctoral education, Writing and evaluation across disciplinary boundaries Drawing on experiences from the Scandinavian RVS research school, the book offers a critical rethinking of supervision as a relational, collective, and institutionally embedded practice. This episode will be particularly relevant to supervisors, doctoral candidates, academic developers, and anyone interested in the future of higher education. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Author, scholar, leading public intellectual, and special contributor Dr. Cornel West offers his analysis about politics, the humanities, and how we can institute a love ethic in everything we do.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

Professor Zahia Smail Salhi is Chair of Modern Arabic Studies at the University of Manchester since 2013 and Dean of the College of Arts, Humanities and Social Science at Sharjah University for the last three years. She specialises in Arabic literature, culture as well as women and gender in the Middle East and North Africa. Her Keynote talk “Algeria and the Anxiety of Decolonisation: Case Studies in Language and Gender” takes us from the traumas of colonialism and the War of Independence to the challenges of decolonisation of both colonised and colonizer. She focuses in on questions of language and culture in newly independent Algeria, before moving on to her recent research into the role of women. Drawing on their historical legacy as resistance fighters, and Fanon's work on the malleability of the veil, Zahia explores contemporary roles where women contest and affirm their place in the constantly shifting social environment of Algeria, via processes of ‘a quiet' and ‘soft altering' of social reality that subverts patriarchal power.

What does doctoral supervision actually look like in contemporary academia? In this NBN episode, Fredrik Saxegaard discusses the open-access book Doctoral Supervision Across Boundaries: Interdisciplinarity as Process and Practice (Scandinavian UP, 2026), co-edited with Mia Lövheim, and Geir Afdal. The conversation challenges the traditional image of supervision as a private relationship between a supervisor and a PhD candidate. Instead, the book argues that supervision today is distributed across networks, institutions, peers, reviewers, research schools, and academic cultures. We discuss: Why interdisciplinarity complicates doctoral identity formation, How Accountability Pressures Reshape Supervision, The hidden curricula of doctoral education, Writing and evaluation across disciplinary boundaries Drawing on experiences from the Scandinavian RVS research school, the book offers a critical rethinking of supervision as a relational, collective, and institutionally embedded practice. This episode will be particularly relevant to supervisors, doctoral candidates, academic developers, and anyone interested in the future of higher education. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ruth Ozeki is a novelist, filmmaker, and Zen Buddhist priest. Her new short story collection is called The Typing Lady and Other Fictions. Her novels — My Year of Meats , All Over Creation, A Tale for the Time Being, and The Book of Form and Emptiness — have been translated and published in over thirty countries. Her third novel, A Tale for the Time Being, won the LA Times Book Prize, and was shortlisted for the Booker Prize and the National Book Critics Circle Award. The Book of Form and Emptiness was the winner of the 2022 Women's Prize for Fiction as well as the 22nd Annual Massachusetts Book Award, the BC Yukon Book Prize, and the Julia Ward Howe Prize for Fiction. She is Professor Emerita of English Language & Literature at Smith College, where she was the Grace Jarcho Ross 1933 Professor of Humanities. Support First Draft and listen ad-free and pitch-free with monthly extras at www.patreon.com/firstdraftwriters. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the New Books Network, we explore Ethnographic Reflections on Marriage in Dhofar, Oman (Anthem Press, 2026), with anthropologist Dr Marielle Risse. Drawing on nearly two decades of ethnographic fieldwork, Dr Risse offers a nuanced examination of marriage practices among Sunni Muslim communities in southern Oman, challenging many of the assumptions that often underpin Western discussions of gender, family, and personal autonomy. Rather than portraying marriage as either oppressive or emancipatory, Dr Risse presents it as a complex social institution shaped by kinship networks, religious values, and community expectations. Risse's work encourages readers to reconsider familiar ideas about family, marriage, household, intimacy, autonomy, and social life. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of the New Books Network, we explore Ethnographic Reflections on Marriage in Dhofar, Oman (Anthem Press, 2026), with anthropologist Dr Marielle Risse. Drawing on nearly two decades of ethnographic fieldwork, Dr Risse offers a nuanced examination of marriage practices among Sunni Muslim communities in southern Oman, challenging many of the assumptions that often underpin Western discussions of gender, family, and personal autonomy. Rather than portraying marriage as either oppressive or emancipatory, Dr Risse presents it as a complex social institution shaped by kinship networks, religious values, and community expectations. Risse's work encourages readers to reconsider familiar ideas about family, marriage, household, intimacy, autonomy, and social life. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In this episode of the New Books Network, we explore Ethnographic Reflections on Marriage in Dhofar, Oman (Anthem Press, 2026), with anthropologist Dr Marielle Risse. Drawing on nearly two decades of ethnographic fieldwork, Dr Risse offers a nuanced examination of marriage practices among Sunni Muslim communities in southern Oman, challenging many of the assumptions that often underpin Western discussions of gender, family, and personal autonomy. Rather than portraying marriage as either oppressive or emancipatory, Dr Risse presents it as a complex social institution shaped by kinship networks, religious values, and community expectations. Risse's work encourages readers to reconsider familiar ideas about family, marriage, household, intimacy, autonomy, and social life. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

In this episode of the New Books Network, we explore Ethnographic Reflections on Marriage in Dhofar, Oman (Anthem Press, 2026), with anthropologist Dr Marielle Risse. Drawing on nearly two decades of ethnographic fieldwork, Dr Risse offers a nuanced examination of marriage practices among Sunni Muslim communities in southern Oman, challenging many of the assumptions that often underpin Western discussions of gender, family, and personal autonomy. Rather than portraying marriage as either oppressive or emancipatory, Dr Risse presents it as a complex social institution shaped by kinship networks, religious values, and community expectations. Risse's work encourages readers to reconsider familiar ideas about family, marriage, household, intimacy, autonomy, and social life. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

In this episode of the New Books Network, we explore Ethnographic Reflections on Marriage in Dhofar, Oman (Anthem Press, 2026), with anthropologist Dr Marielle Risse. Drawing on nearly two decades of ethnographic fieldwork, Dr Risse offers a nuanced examination of marriage practices among Sunni Muslim communities in southern Oman, challenging many of the assumptions that often underpin Western discussions of gender, family, and personal autonomy. Rather than portraying marriage as either oppressive or emancipatory, Dr Risse presents it as a complex social institution shaped by kinship networks, religious values, and community expectations. Risse's work encourages readers to reconsider familiar ideas about family, marriage, household, intimacy, autonomy, and social life. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

One of the things that stood out in my conversation with John Longhurst about his book Can Robots Love God and Be Saved? A Journalist Reports on Faith (CMU Press, 2024) was his seriousness about journalism itself. Longhurst understands the journalist's vocation not as providing definitive answers but as asking good questions, paying close attention, and engaging thoughtfully with the people and events that shape our world. Our discussion focused on a theme that runs throughout the book: if religion's enduring strength lies not in providing final answers but in sustaining meaningful questions, then what sustains belief amid suffering, doubt, and uncertainty? Longhurst's work suggests that faith often emerges not from certainty but from ongoing engagement with life's deepest mysteries. Rather than offering simple conclusions, Can Robots Love God and Be Saved? invites readers into conversations about faith, technology, culture, politics, and everyday life. It reminds us that religious questions remain central to how many people understand themselves and the world around them. In an age increasingly shaped by AI and our histories, these questions may become even more important, not less so. My thanks to John Longhurst for joining me on the New Books Network and for sharing insights drawn from a lifetime of careful observation, thoughtful reporting, and persistent questioning.  Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her research examines the intersections of religion, sexuality, gender, and migration, particularly within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

One of the things that stood out in my conversation with John Longhurst about his book Can Robots Love God and Be Saved? A Journalist Reports on Faith (CMU Press, 2024) was his seriousness about journalism itself. Longhurst understands the journalist's vocation not as providing definitive answers but as asking good questions, paying close attention, and engaging thoughtfully with the people and events that shape our world. Our discussion focused on a theme that runs throughout the book: if religion's enduring strength lies not in providing final answers but in sustaining meaningful questions, then what sustains belief amid suffering, doubt, and uncertainty? Longhurst's work suggests that faith often emerges not from certainty but from ongoing engagement with life's deepest mysteries. Rather than offering simple conclusions, Can Robots Love God and Be Saved? invites readers into conversations about faith, technology, culture, politics, and everyday life. It reminds us that religious questions remain central to how many people understand themselves and the world around them. In an age increasingly shaped by AI and our histories, these questions may become even more important, not less so. My thanks to John Longhurst for joining me on the New Books Network and for sharing insights drawn from a lifetime of careful observation, thoughtful reporting, and persistent questioning.  Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her research examines the intersections of religion, sexuality, gender, and migration, particularly within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

One of the things that stood out in my conversation with John Longhurst about his book Can Robots Love God and Be Saved? A Journalist Reports on Faith (CMU Press, 2024) was his seriousness about journalism itself. Longhurst understands the journalist's vocation not as providing definitive answers but as asking good questions, paying close attention, and engaging thoughtfully with the people and events that shape our world. Our discussion focused on a theme that runs throughout the book: if religion's enduring strength lies not in providing final answers but in sustaining meaningful questions, then what sustains belief amid suffering, doubt, and uncertainty? Longhurst's work suggests that faith often emerges not from certainty but from ongoing engagement with life's deepest mysteries. Rather than offering simple conclusions, Can Robots Love God and Be Saved? invites readers into conversations about faith, technology, culture, politics, and everyday life. It reminds us that religious questions remain central to how many people understand themselves and the world around them. In an age increasingly shaped by AI and our histories, these questions may become even more important, not less so. My thanks to John Longhurst for joining me on the New Books Network and for sharing insights drawn from a lifetime of careful observation, thoughtful reporting, and persistent questioning.  Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her research examines the intersections of religion, sexuality, gender, and migration, particularly within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

What if the book of Genesis is not only the story of humanity's first family, but also the story of God learning how to parent? In this episode, Rabbi Marc Katz sits down with Stephen Spector to discuss his book God and the First Families: Parenting, Trauma, and Healing in the Book of Genesis (Jewish Publication Society, 2026), a provocative reexamination of the Bible's foundational stories through the lens of parenting. Drawing on both biblical interpretation and contemporary psychology, Spector explores how God's relationship with the patriarchs and matriarchs evolves throughout Genesis. God begins as a demanding authority figure, shifts toward a more nurturing presence, returns briefly to authoritarianism in the binding of Isaac, and ultimately develops a style focused on fostering moral and emotional growth. Remarkably, Spector argues, Genesis anticipates parenting insights that psychologists would not articulate for thousands of years. Along the way, familiar stories take on new meaning. Cain and Abel, Isaac and Ishmael, Jacob and Esau, Joseph and his brothers—each narrative becomes a window into questions of favoritism, resilience, forgiveness, family conflict, and healing after trauma. By reading Genesis as a story about parenting and human development, Spector uncovers enduring wisdom about how families flourish, fracture, and find their way back to one another. Together, Spector and Katz explore what the Bible can teach about raising children, repairing relationships, and understanding the complex bond between love, authority, and growth. Stephen Spector is a professor of English emeritus at Stony Brook University. He is the author of Operation Solomon: The Daring Rescue of the Ethiopian Jews and Evangelicals and Israel: The Story of American Christian Zionism, among other volumes. Spector has taught the Bible to undergraduate and graduate students for fifty years. He has been a visiting scholar at Hebrew University and a senior research fellow at the National Humanities Center and the Wesleyan Center for Humanities.  Rabbi Marc Katz is the senior rabbi at Temple Ner Tamid in Bloomfield, New Jersey. He is the author of The Heart of Loneliness: How Jewish Wisdom Can Help You Cope and Find Comfort, a National Jewish Book Award finalist and Yochanan's Gamble: Judaism's Pragmatic Approach to Life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A cold, dark summer in 1816 brought an extraordinary group of young writers together on the shores of Lake Geneva—including an eighteen-year-old Mary Shelley. Andrew Stauffer tells the story of that summer and the conversations, dreams, and climate catastrophe that created Frankenstein's magic. Later in the show: Goliath might be the most famous giant from the Bible, but he's not the only one. Paul Thomas takes us on a deep dive into the monsters of biblical stories. And: Greek and Roman mythology is filled with sea monsters. Georgia Irby explains how ancient relationships with the ocean brought these monsters to life.

What if the book of Genesis is not only the story of humanity's first family, but also the story of God learning how to parent? In this episode, Rabbi Marc Katz sits down with Stephen Spector to discuss his book God and the First Families: Parenting, Trauma, and Healing in the Book of Genesis (Jewish Publication Society, 2026), a provocative reexamination of the Bible's foundational stories through the lens of parenting. Drawing on both biblical interpretation and contemporary psychology, Spector explores how God's relationship with the patriarchs and matriarchs evolves throughout Genesis. God begins as a demanding authority figure, shifts toward a more nurturing presence, returns briefly to authoritarianism in the binding of Isaac, and ultimately develops a style focused on fostering moral and emotional growth. Remarkably, Spector argues, Genesis anticipates parenting insights that psychologists would not articulate for thousands of years. Along the way, familiar stories take on new meaning. Cain and Abel, Isaac and Ishmael, Jacob and Esau, Joseph and his brothers—each narrative becomes a window into questions of favoritism, resilience, forgiveness, family conflict, and healing after trauma. By reading Genesis as a story about parenting and human development, Spector uncovers enduring wisdom about how families flourish, fracture, and find their way back to one another. Together, Spector and Katz explore what the Bible can teach about raising children, repairing relationships, and understanding the complex bond between love, authority, and growth. Stephen Spector is a professor of English emeritus at Stony Brook University. He is the author of Operation Solomon: The Daring Rescue of the Ethiopian Jews and Evangelicals and Israel: The Story of American Christian Zionism, among other volumes. Spector has taught the Bible to undergraduate and graduate students for fifty years. He has been a visiting scholar at Hebrew University and a senior research fellow at the National Humanities Center and the Wesleyan Center for Humanities.  Rabbi Marc Katz is the senior rabbi at Temple Ner Tamid in Bloomfield, New Jersey. He is the author of The Heart of Loneliness: How Jewish Wisdom Can Help You Cope and Find Comfort, a National Jewish Book Award finalist and Yochanan's Gamble: Judaism's Pragmatic Approach to Life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

What if the book of Genesis is not only the story of humanity's first family, but also the story of God learning how to parent? In this episode, Rabbi Marc Katz sits down with Stephen Spector to discuss his book God and the First Families: Parenting, Trauma, and Healing in the Book of Genesis (Jewish Publication Society, 2026), a provocative reexamination of the Bible's foundational stories through the lens of parenting. Drawing on both biblical interpretation and contemporary psychology, Spector explores how God's relationship with the patriarchs and matriarchs evolves throughout Genesis. God begins as a demanding authority figure, shifts toward a more nurturing presence, returns briefly to authoritarianism in the binding of Isaac, and ultimately develops a style focused on fostering moral and emotional growth. Remarkably, Spector argues, Genesis anticipates parenting insights that psychologists would not articulate for thousands of years. Along the way, familiar stories take on new meaning. Cain and Abel, Isaac and Ishmael, Jacob and Esau, Joseph and his brothers—each narrative becomes a window into questions of favoritism, resilience, forgiveness, family conflict, and healing after trauma. By reading Genesis as a story about parenting and human development, Spector uncovers enduring wisdom about how families flourish, fracture, and find their way back to one another. Together, Spector and Katz explore what the Bible can teach about raising children, repairing relationships, and understanding the complex bond between love, authority, and growth. Stephen Spector is a professor of English emeritus at Stony Brook University. He is the author of Operation Solomon: The Daring Rescue of the Ethiopian Jews and Evangelicals and Israel: The Story of American Christian Zionism, among other volumes. Spector has taught the Bible to undergraduate and graduate students for fifty years. He has been a visiting scholar at Hebrew University and a senior research fellow at the National Humanities Center and the Wesleyan Center for Humanities.  Rabbi Marc Katz is the senior rabbi at Temple Ner Tamid in Bloomfield, New Jersey. He is the author of The Heart of Loneliness: How Jewish Wisdom Can Help You Cope and Find Comfort, a National Jewish Book Award finalist and Yochanan's Gamble: Judaism's Pragmatic Approach to Life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biblical-studies

Bhagawan Added True Value to My Life as an EducatorProf Madhu Kapani is the former Director of the Anantapur Campus of the Sri Sathya Sai Institute of Higher Learning and former Dean of its Faculty of Economics and Humanities.A distinguished educationist, she was awarded a Gold Medal for her PhD by Bhagawan in November 1990. Over the decades, she has served on several prestigious academic and advisory bodies at both the Institute and national levels. She was nominated by the Ministry of Human Resource Development, New Delhi, as a member of the Teacher Education Resource Group to evaluate centrally sponsored schemes for teacher education institutions across India. Prof Kapani is the author of ‘Education in Human Values: Concept and Practical Implications', a work that reflects her lifelong commitment to value-based education.In the first part of this Satsang, she shares how Swami mysteriously drew her to His feet and later blessed her with the words, “I need you,” entrusting her with the responsibility of nurturing the B.Ed. programme of His university. Through these experiences, she offers a deeply personal glimpse into the divine guidance that shaped both her life and her educational service.

Modern environmentalism often frames conservation as moral, humans damage nature, and conservation protects it. But Mardi Reardon-Smith's Making Do: Conservation Ethics and Ecological Care in Australia, published by Stanford University Press in 2025, dismantles that comforting narrative and replaces it with something far more complex and candid. Set on the Cape York Peninsula, the book explores how Aboriginal traditional owners, pastoralists, conservation workers, and government institutions navigate landscapes shaped by colonialism, climate instability, species diversity, cattle grazing, fire, and ecological loss. What emerges is not a story of heroes versus villains but a portrait of people trying to “make do” within damaged systems. One of the book's most provocative arguments is that care itself can be violent. Conservation often entails killing feral animals, managing landscapes by burning and fencing ecosystems, and deciding which species merit protection and which do not. Mardi challenges the romantic assumption that ecological care is inherently gentle or morally pure. Instead, care becomes a form of intervention, practical, political, and deeply contested. Perhaps most importantly, Making Do rejects the illusion that environmental crises can be neatly solved. Climate change, biodiversity collapse, and ecological instability have already irreversibly transformed the world. The challenge now is not to return to an imagined past but to learn how to build livable futures amid uncertainty. In a time when environmental discourse often swings between apocalyptic despair and technological optimism, Mardi offers a more grounded perspective. Ecological responsibility is imperfect, exhausting, and full of contradictions, yet it remains necessary. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her research examines the intersections of religion, sexuality, gender, and migration, particularly within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In this episode of See See by Ceci, N. Katherine Hayles, Distinguished Research Professor at UCLA, James B. Duke Professor Emerita at Duke, Guggenheim Fellow and member of the American Academy of Arts and Sciences, joins us from the rare crossroads at which she has worked for forty years: literature, science, technology and, now, artificial intelligence. Trained as a chemist at Rochester and Caltech before crossing into literary scholarship, she is a foremost authority on the relations between literature and computational media, and the author of How We Became Posthuman (1999) and, most recently, Bacteria to AI: Human Futures with our Nonhuman Symbionts (University of Chicago Press, 2025). In this rich and demanding conversation, Hayles redefines cognition as the interpretation of information in contexts that connect with meaning, a capacity she ascribes to bacteria, plants, fungi, animals and, increasingly, AI. She walks us through her integrated cognitive framework and the SIRAL criteria (sensing, interpreting, responding adaptively, anticipating, learning); through von Uexküll's umwelt, the world each species spins for itself; through cognitive assemblages in which humans, microbes and machines decide together; and through her sharp distinction between actors and agents. As a literary critic, she also turns her gaze on AI-produced literature, on hallucinations as imagination, and on Walter Benjamin's aura in the age of the deep fake. With reflections from neuroscientist John Cryan on the gut microbiome, historian Richard Bourke on the Kantian self, classicist Richard P. Martin on AI and imagination, and choreographer Alexander Whitley on embodiment. This is an episode about the uncoupling of cognition from consciousness, Hayles' most crucial move. About a posthuman in which the human itself is being rewritten. And about the very determined optimism of a thinker who insists that hope is not the reward at the end of the work, but the precondition for it. N. Katherine Hayles is the author of twelve influential books, including the landmark How We Became Posthuman, widely regarded as a seminal foundation for posthumanism, My Mother Was a Computer: Digital Subjects and Literary Texts (2005), Unthought: The Power of the Cognitive Nonconscious (2017), and her latest, Bacteria to AI: Human Futures with our Nonhuman Symbionts (University of Chicago Press, 2025). A member of the American Academy of Arts and Sciences and recipient of fellowships from the Guggenheim Foundation, the National Endowment for the Humanities, and the Rockefeller Foundation, Hayles has transformed our understanding of the digital age.

Recorded on June 6, 2026, at Boundless Mind Temple in Brooklyn, NY This dharma talk was given by guest teachers, Chodo Robert Campbell and Koshin Paley Ellison, of New York Zen Center. They spoke about how essential the practices of making atonement and taking responsibility are within Soto Zen practice. They addressed the challenge of working skillfully with these practices when questions arise within a community about a disconnection between responsibility and ethics. Zen teacher, bereavement specialist, and grief counselor, Chodo Robert Campbell is a recognized leader for those suffering with the complexities of death, dying, aging, and sobriety. With his husband, Koshin Paley Ellison, he co-founded the New York Zen Center for Contemplative Care, integrating contemplative approaches with contemporary medicine. Under his leadership, NYZC developed the Foundations in Contemplative Care and Contemplative Medicine Fellowship, reaching tens of thousands internationally. Chodo is a recognized Soto Zen Teacher and serves on faculty at University of the West, University of Arizona Medical School's Center for Integrative Medicine, and the Academy of Integrative Health & Medicine. Author, Zen teacher, and Jungian psychotherapist, Koshin Paley Ellison is a leader in the contemplative medicine movement. With his husband, Chodo Campbell, he co-founded the New York Zen Center for Contemplative Care, developing the Foundations in Contemplative Care and Contemplative Medicine Fellowship. Author of Untangled and Wholehearted, Koshin is a recognized Soto Zen Teacher who serves on faculty at University of Arizona Medical School's Center for Integrative Medicine, the Academy of Integrative Health and Medicine, and University of the West, and is visiting professor at the McGovern Center for Humanities and Ethics at University of Texas Health Science Center. New York Zen Center: https://www.zencare.org/ The BZC Podcast is offered free of charge and made possible by the donations we receive. If these teachings have benefited your life, please consider supporting the program with a donation (suggested $2-7/episode, or whatever feels right for you!). You can donate to Brooklyn Zen Center at brooklynzen.org under ‘Giving.' Thank you for your generosity!

In this episode of the New Books Network, I spoke with Dr Olga Burlyuk and Dr Ladan Rahbari about their new edited volume, From the Margins: Migrant Academics' Narratives of Precarity (Open Book Publishers, 2026). The book is open access. As universities promote internationalisation while maintaining labour systems that leave many migrant scholars vulnerable, this volume builds on the editors' 2023 collection (also featured on New Books Network) by incorporating global perspectives. Through personal and autoethnographic narratives, contributors examine visa insecurity, institutional exclusion, racialisation, loneliness, and overwork, while also highlighting joy, solidarity, and “resilience”. By treating lived experience as critical knowledge, From the Margins offers a strong critique of contemporary academia and invites readers to consider whom universities serve, whose labour sustains them, and what a more equitable academic future could look like. Amisah Bakuri (PhD) is an Assistant Professor in the School of Religion and Theology within the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her research examines the intersections of religion, sexuality, gender, and migration, particularly within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Viola Roseboro’ isn’t well-known today, but she played a big behind-the-scenes role in the careers of a lot of American writers in the late 19th and early 20th centuries, shaping what’s thought of as the American literary canon. Research: “4 New Features.” Washington D.C. Evening Star. 4/29/2013. https://www.loc.gov/resource/sn83045462/1913-04-29/ed-1/?sp=10&r=-0.115,-0.055,1.648,0.596,0 Dykeman, Wilma. “Tennessee Women: An Infinite Variety.” Newport. Wakestone Books. 1993. Gorton, Stephanie. “The Strange, Forgotten Life of Viola Roseboro’.” The Paris Review. 2/24/2020. https://www.theparisreview.org/blog/2020/02/24/the-strange-forgotten-life-of-viola-roseboro/ Gregorie, Anne King. “Reviewed Work(s): Viola, The Duchess of New Dorp: A Biography of Viola Roseboro by Jane Kirkland Graham.” The South Carolina Historical Magazine, Vol. 57, No. 2 (Apr., 1956). Via JSTOR. https://www.jstor.org/stable/27566059 Howell, Isabel. “Reviewed Work(s): Viola, the Duchess of New Dorp, a Biography of Viola Roseboro' by Jane Kirkland Graham.” Tennessee Historical Quarterly, December, 1956. Via JSTOR. https://www.jstor.org/stable/42621315 McClure, S. S. “My Autobiography.” London: J. Murray. 1914. https://archive.org/details/myautobiography00mcclrich/ New York Times. “VIOLA ROSEBORO', FICTION EDITOR, 87; Former McClure's, Collier's Executive Dies--Helped O. Henry Get Start Bought Tarkington Stories Praised by Will Irwin.” 1/30/1945. https://www.nytimes.com/1945/01/30/archives/viola-roseboro-fiction-editor-87-former-mcclures-colliers-executive.html Osborn, Scott C. “Reviewed Work(s): Viola, The Duchess of New Dorp: A Biography of Viola Roseboro by Jane Kirkland Graham.” The Journal of Southern History, Vol. 22, No. 2 (May, 1956). Via JSTOR. https://www.jstor.org/stable/2954261 “Person Annotations.” From “#0088: Transcription of Letter from Willa Cather to Viola Roseboro', June 14 [1903].” The Complete Letters of Willa Cather. Center for Digital Research in the Humanities at the University of Nebraska–Lincoln. https://cather.unl.edu/writings/letters/let0088#ref001 Robinson, Phyllis C. “Willa: The Life of Willa Cather.” New York. Doubleday. 1983. Roseboro, Viola. “Begging as an Avocation.” New York World. 12/11/1887. Via New York University “Undercover Reporting.” https://undercover.hosting.nyu.edu/s/undercover-reporting/item/13733 A. W.. “Reviewed Work(s): Viola, the Duchess of New Dorp. A Biography of Viola Roseboro' by Jane Kirkland Graham.” Journal of the Illinois State Historical Society (1908-1984), Vol. 49, No. 1 (Spring,1956). Via JSTOR. https://www.jstor.org/stable/40189490 Schmalhofer, Stephen. “The Making of My Ántonia.” First Things. 12/17/2018. https://firstthings.com/the-making-of-my-ntonia/ Schmalhofer, Stephen. “Viola Roseboro’s literary garden.” The New Criterion. 12/12/2018. https://newcriterion.com/dispatch/viola-roseboros-literary-garden-10164/ Skaggs, Merrill M. “Viola Roseboro': A Prototype for Cather's ‘My Mortal Enemy’.” The Mississippi Quarterly , Winter 2000-01, Vol. 54, No. 1 (Winter 2000-01). Via JSTOR. https://www.jstor.org/stable/26476820 Skaggs, Merrill Maguire. “Willa Cather's New York: New Essays on Cather in the City.” Fairleigh Dickinson University Press. 2000. Tarbell, Ida M. “All In The Day S Work An Autobiography.” The Macmillan Company. 1939. https://archive.org/details/allinthedayswork010810mbp/ The Georgia Historical Quarterly. “Reviewed Work(s): Viola, The Duchess of Nenx Dorp. A Biography of Viola Roseboro'. Two volumes in one by Jane Kirkland Graham.” Vol. 40, No. 2 (June, 1956). Via JSTOR. https://www.jstor.org/stable/40577676 Adkins, Gilbert R. “Two Daughters of Tennessee.” Franklin County Historical Review. 1986: XVII:1, 30-42. Johanningsmeier, Charles. “Unmasking Willa Cather's ‘Mortal Enemy.’” Cather Studies. Vol. 5. https://cather.unl.edu/scholarship/catherstudies/5/cs005.johanningsmeier Williams, Jay. “Author Under Sail: The Imagination of Jack London, 1893-1902.” University of Nebraska Press, 2014. Project MUSE. https://muse.jhu.edu/book/35026. See omnystudio.com/listener for privacy information.