Podcasts about museums

Despite the frenzied debates about what history we should be teaching in the United States, until recently most African American and mainstream history museums have continued to tell an uplifting story of racial progress and achievement.  The United States has lagged behind museums in many other parts of the world which now give greater attention to recognizing past wrongs and injustices.  In the July 7th episode I'll be talking with Sociology Professor Amy Sodaro from the Borough of Manhattan Community College in the City University of New York about three new museums that feature the history of slavery and racial injustice.  This is the subject of her latest book, Lifting the Shadow: Reshaping Memory, Race and Slavery in U.S. Museums. 

Detailed Sermon Summary “Standing Where God Made a Way” Pastor Bryan Hudson, D.Min. Part 5 of the “Rooted & Grounded”  Watch the 14 minute video: "The Road to Juneteenth" Pastor Bryan Hudson's sermon, “Standing Where God Made a Way,” connects the biblical account of Israel crossing the Jordan River in Joshua 4 with the historical meaning of Juneteenth. The central message is that believers, families, communities, and nations must remember the places where God brought deliverance, because remembrance preserves gratitude, identity, wisdom, and responsibility. The sermon begins by framing Juneteenth as more than a national holiday. It is presented as a memorial of deliverance and a reminder that God makes a way where there is no way. Dr. Hudson connects Juneteenth to the broader biblical theme of God delivering people from bondage, especially Israel's deliverance from Egypt and later their crossing into the Promised Land. He also references his video, “The Road to Juneteenth,” which traces the journey from emancipation declared to freedom enforced. Joshua 4: Remembering the Crossing The primary Scripture is Joshua 4:1–11, where God commands Joshua to have twelve men, one from each tribe of Israel, take twelve stones from the Jordan River after the people crossed on dry ground. These stones were to be set up as a memorial so that future generations would ask, “What do these stones mean?” The answer would preserve the story of how God cut off the waters of the Jordan and brought His people through. Dr. Hudson explains that this crossing parallels the Red Sea crossing under Moses forty years earlier. In both cases, God removed a barrier that His people could not remove on their own. The Jordan River was not always deep, but it did flood seasonally. God stopped the waters so Israel could cross, then instructed them to take stones from the riverbed—stones that were normally hidden—and make them visible as a testimony. A key insight is that the stones were not objects of worship. They were reminders of the God who acted. The stones pointed beyond themselves to God's power, faithfulness, and deliverance. Juneteenth as a Stone of Remembrance Dr. Hudson then connects Joshua's stones to Juneteenth. Just as Israel needed memorial stones to remember deliverance, African Americans and the nation need Juneteenth as a memorial of freedom delayed, freedom enforced, and freedom remembered. He explains that the Emancipation Proclamation was issued in 1862 and took effect on January 1, 1863, but freedom was not fully enforced in Texas until June 19, 1865, when Union troops arrived in Galveston and announced General Order No. 3. This shows one of the sermon's major historical lessons: freedom declared is not always freedom practiced. Justice often requires enforcement. Juneteenth, therefore, is not merely a celebration. It is a memorial, an educational moment, and a call to remember both God's deliverance and the human struggle required for justice. Theological Foundation: Human Dignity and the Image of God A major theological point in the sermon is that all people are made in the image and likeness of God. Because of this, no person or group has the right to dominate, dehumanize, enslave, or exploit another. Dr. Hudson emphasizes the importance of saying “enslaved people” rather than simply “slaves.” To call someone a slave can make bondage sound like their identity. But their true identity is that they were human beings made in God's image who were enslaved by others. This point becomes the moral foundation for the sermon's critique of slavery, racism, domination, and exploitation. Slavery was especially evil because it involved humans made in God's image enslaving other humans made in God's image. A Sober View of American History The sermon also calls for honesty about American history. Dr. Hudson says Juneteenth should never have been necessary. If the nation had truly lived up to biblical principles from the beginning, enslaving Africans would never have been tolerated. He notes that the founders debated slavery and compromised in order to form the nation. Some opposed slavery, while others wanted to preserve it because of the economic benefits of free labor. That compromise, he explains, carried a terrible cost and eventually helped lead to the Civil War. Dr. Hudson does not reject love for the nation, but he urges listeners to avoid “rosy narratives” that ignore the blood, suffering, and injustice woven into the nation's history. The proper response is gratitude mixed with sobriety, remembrance, and responsibility. God Still Makes a Way The sermon repeatedly returns to the message that there are always barriers to cross. God parted the Red Sea under Moses. God stopped the Jordan River under Joshua. God made a way for enslaved people through emancipation and enforcement. And God still makes a way for His people today. Dr. Hudson says that today's breakthroughs may not always look as dramatic as the Red Sea or Jordan crossings, but the principle remains the same: when God brings people through obstacles, they should remember, testify, and move forward in faith. Memorials Are Educational Another key theme is that memorials are meant to teach. In Joshua 4, the stones were designed to provoke questions from children. When the children asked what the stones meant, the older generation was responsible to explain God's deliverance. Dr. Hudson applies this to holidays such as Juneteenth, Thanksgiving, Easter, Memorial Day, Veterans Day, and others. These are not merely days off or occasions for celebration. They are opportunities to educate, remember sacrifice, and pass meaning to the next generation. He warns that routines, celebrations, and comfort can obscure legacy. People can enjoy the benefits of history without remembering the sacrifice that made those benefits possible. Therefore, remembrance must be intentional. Standing Where God Made a Way The title phrase, “Standing Where God Made a Way,” captures the sermon's central conviction. Dr. Hudson teaches that many of us are living in places of blessing that exist because God worked through previous generations. We are standing on ground made possible by God's intervention, people's prayers, sacrifices, faith, courage, and perseverance. This applies personally, spiritually, historically, and nationally. We stand where parents, grandparents, ancestors, saints, activists, soldiers, and faithful servants endured hardship so future generations could live differently. Twelve Contemporary Stones of Remembrance Near the end, Dr. Hudson gives twelve “stones” that people and families can set up as memorials today. These are practices and places that help preserve memory, identity, and gratitude: Education — learning the truth and teaching it to others. Vicarious living — learning through the lives and experiences of others rather than repeating their mistakes. Identification — seeing oneself connected to faithful and courageous people from the past. Honoring — highly valuing parents, elders, ancestors, and those who made sacrifices. Testimony — telling what God has done personally and collectively. Studying history — learning the real story, not only simplified or sanitized versions. Serving others — turning remembrance into action. Shared experience — building memories and meaning together as families and communities. Museums — places such as Freetown Village that preserve and teach history. Family gatherings — moments that connect generations. Anniversaries — recurring opportunities to remember God's faithfulness. Juneteenth — a national and spiritual stone of remembrance that points to deliverance, justice, and responsibility. These “stones” help people stay rooted. They prevent forgetfulness. They help connect the present generation to legacy and history. Final Exhortation The sermon closes with a call to preserve memories that are worth preserving. Dr. Hudson urges listeners to be intentional with their children, grandchildren, families, and communities. If people do not connect present blessings with past deliverance, they may lose their way in the future. The final prayer thanks God for His goodness, for ancestors and heroes known and unknown, and for the fact that we are standing where God made a way. The prayer also asks God to help His people remember, honor, educate, and never take His blessings—or the people He used—for granted. Core Message The sermon's core message is: God makes a way through impossible barriers, and His people must remember where He brought them from. Memorials—whether stones, holidays, testimonies, museums, family stories, or historical observances like Juneteenth—help us honor God, educate future generations, and move forward without forgetting the sacrifices that made our present blessings possible.

Museums and galleries are calling for a dedicated central fund for cultural institutions, as many battle to keep the lights on. They're among the country's most visited attractions but are struggling to balance the books and fork out for patching up ageing buildings, seismic upgrades and rising operational costs. Tourism reporter Tess Brunton has more.

Episode 203 explores ten museums worth seeing not for the collections alone, but for the buildings themselves. From quiet rooms shaped by light to dramatic structures carved from old industrial spaces, this episode looks at museums where architecture changes the way we move, look, and remember the visit.

Lieke is a Senior Researcher at the Center for Art and Society at the Hanze University of Applied Sciences in Groningen, the Netherlands, and works as a freelance curator. She is the author of "Resonating Sacralities: Dynamics Between Art and Religion in Postsecular Netherlands" and "Beyond the Return of Religion: Art and the Postsecular." She co-edited with others the volume "Museums as Ritual Sites, Civilizing Rituals Reconsidered" and the (open-access) "Bloomsbury Handbook of Religion and Heritage in Contemporary Europe." She previously curated the exhibitions "Mary Magdalene" in 2021 and "The Genesis of Science" in 2024 at Museum Catharijneconvent, and edited their accompanying publications.In this conversation, Lieke and I explore how contemporary art engages spirituality and can function as a form of material religion. We look at the challenges artists face in expressing the sacred within a largely secular culture, how migration shapes religious imagery, and what it means to curate exhibitions that take spiritual themes seriously. We also reflect on how the sacred continues to surface within modern visual culture.

Tonight on GeekNights, we consider museums we've been to. In the news, XBOX is in trouble, and the GOP's incompetence killed FISA. Also the MoMA Design Store (not an ad).Related LinksForum ThreadMuseumsDiscord ChatMuseumsBluesky PostMuseumsThings of the DayRym - Uncursing MoneyScott - programming a gba game on an iphone

It started with an email and one really good lecture — and turned into the biggest day in Shenandoah County history in a generation. On this bonus Shenandoah County Tourism episode, host Janet Michael and Kary Haun head to the historic courthouse in Woodstock to talk with Suzanne McIlwee and Kim Yeck, co-chairs of Shenandoah County Celebrates 1776 — a free, full-day VA 250 commemoration happening Saturday, June 20, 2026, hosted by the Shenandoah County Historical Society. Suzanne and Kim walk through how a chapter-meeting idea grew into a downtown-wide event featuring the fifth great-grandson of Patrick Henry delivering "Give Me Liberty or Give Me Death" in character, the 1st and 8th Virginia Regiments encamped on East Court Street, a mounted dragoon cavalry unit doing demonstrations, lectures running simultaneously in three churches, a Williamsburg-trained cordwainer, a master gunsmith, a tape loomist, an 18th-century surveyor, period authors and book signings, kids' activities and a scavenger hunt, historical dancing on the courthouse lawn at 4 PM, museums open all day, and a special 250 Celebration Ale being unveiled. Plus shuttle and parking info, the opening ceremony schedule, and one truly pressing question: do they still need a fifer? (Yes. Yes they do.) EVENT DETAILS — SHENANDOAH COUNTY CELEBRATES 1776 Saturday, June 20, 2026 Downtown Woodstock, Virginia • Centered on the historic courthouse, East Court Street, West Court Street, and Lawyer's Row Free admission • Rain or shine • Family-friendly • Colonial dress encouraged Opening ceremony: 10:00 AM at the historic courthouse (Theatre Shenandoah preview at 9:45) Event runs through the afternoon, with the historical dance on the courthouse lawn at 4:00 PM Street closures: East Court Street and a portion of West Court Street barricaded all day; Main Street briefly closed for the opening ceremony Parking: county administration building (600 N. Main Street) with shuttle service to East Court Street, running 9:00 AM to 5:30 PM; additional parking at the old Woodstock High School lot on West Court Street and at lots throughout town Museums open all day: historic courthouse, Marshall House, Wickham House, Ott-Magruder-Grable Museum KICKOFF EVENT — SAVE THE DATE Free screening of the 1776 movie — Sunday, June 14, 2026 • 4:30 PM Co-presented by the Shenandoah County Historical Society and Woodstock Community Theatre LINKS & RESOURCES • Event website: shenandoah250.org • Event Facebook page: https://www.facebook.com/ShenCo1776/ • Shenandoah County Historical Society — host organization, with archives and ancestry research support • Visit Shenandoah County: VisitShenandoahCounty.com • Play the fife? The organizers want to hear from you — contact via shenandoah250.org THE VALLEY TODAY with Janet Michael — A decade of conversations. New podcast episodes drop weekdays at 11 AM. Catch the show on The River 95.3 and Fox Sports 1450 AM weekdays just after noon. Subscribe and listen at thevalleytodaypodcast.com — available on Apple Podcasts, Spotify, and wherever you get your podcasts. If you enjoy the show, please take a moment to leave a rating or review — it helps more listeners find us. Connect with us: Facebook — facebook.com/ValleyTodayFanPage Instagram — instagram.com/thevalleytoday

Guest BioDimitry Elias Léger is an award-nominated novelist whose work blends global storytelling with deeply human themes of identity, resilience, and belonging. A finalist for the PEN Open Book Award, his writing has appeared in leading publications including The New York Times, Time, Fortune, Granta, The Miami Herald, Literary Hub, and The Millions.Before focusing on fiction, Léger built a career in international affairs, studying geopolitics at Harvard's Kennedy School of Government and spending a decade advising the United Nations. His work took him across regions facing political instability, humanitarian crises, and cultural transformation—experiences that now inform the emotional depth and global perspective of his novels.Drawing inspiration from his Haitian roots and a life lived across continents, Léger splits his time between Brooklyn, Geneva, and Martinique. His books, including God Loves Haiti and Death of the Soccer God, explore the intersection of personal stories and historical forces, often set against vivid international backdrops.Show SummaryIn this episode of the Big World Made Small Adventure Travel Podcast, host Jason Elkins speaks with Dimitry about his journey from global humanitarian work to becoming an internationally recognized novelist. Dimitry shares how his early experiences—growing up between cultures and later working with the United Nations—shaped his worldview and ultimately influenced the stories he felt compelled to tell.The conversation dives into the origins of his first novel, inspired by his time in Haiti following the devastating 2010 earthquake. Rather than focusing solely on tragedy, Dimitry chose to explore the unexpected presence of love, humor, and human connection in the aftermath of disaster. That same lens carries into his latest work, Death of the Soccer God, a story rooted in migration, identity, and the global journey of a Haitian athlete navigating life between countries and cultures.Along the way, Dimitry reflects on the creative process, the realities of life as a writer, and the personal sacrifices that often come with pursuing meaningful work. The episode also explores how travel, displacement, and distance from home can sharpen one's sense of identity—and why some of the most powerful stories emerge when we are far outside our comfort zones. Big World Made Small guest features are invitation-only and selected based on story, experience, and fit with the show. Some guests support the show through paid production features, cross-promotion, referrals, or other partnerships. This helps keep the show free of third-party ads and interruptions while keeping the focus on real, story-driven conversations.Learn more about the Big World Made Small Podcast and join our private community to get episode updates, special access to our guests, and exclusive adventure travel offers on our website.

Iran's latest strategy, Qatar's spending in the U.S., miscarriage treatment in pro-life states, and a fleet of traveling museums. Plus, Cal Thomas on public confidence in the news media, a Bangladeshi buffalo, and the Tuesday morning newsSupport The World and Everything in It today at wng.org/donateAdditional support comes from Ascend by Unbound. A real-world, faith-centered college alternative for gap-year, trades, and degree-seeking students. More at beunbound.us/worldfrom WatersEdge. Where faithful investments strengthen ministry. 4.6% APY on a 15-month term. WatersEdge.com/invest WatersEdge securities are subject to certain risk factors as described in our Offering Circular and are not FDIC or SIPC insured. This is not an offer to sell or solicit securities. WatersEdge offers and sells securities only where authorized; this offering is made solely by our Offering Circular.And from St. Dunstan's, inviting young men into the building arts and the adventure of holiness on a Blue Ridge Mountains farm... stdunstansacademy.org

As the United States approaches the 250th anniversary of the Declaration of Independence, Americans are once again turning their attention to the people, events, and ideas that shaped the nation. Historic sites are preparing special programs. Museums are opening new exhibits. Families are tracing Revolutionary-era ancestors. Across the country, interest in early American history is growing once again. At the same time, one of the most influential portrayals of the Revolutionary period in recent years did not come from a textbook or documentary series. It came from Broadway. The musical Hamilton became far more than a stage production. It introduced millions of people to the lives and struggles of the founding era through music, storytelling, and performance. For many viewers, it was the first time names like Alexander Hamilton, Aaron Burr, Marquis de Lafayette, and John Laurens felt like real people instead of distant figures from a classroom lesson. The production became a cultural phenomenon almost immediately. Songs from the soundtrack spread through streaming services, classrooms, social media, and family living rooms. Teachers used clips from the musical to introduce historical topics. Students memorized lyrics about cabinet debates and the early financial system of the United States. Suddenly, conversations about the founding period were happening far outside traditional history circles. As America prepares for its 250th anniversary, an important question naturally follows: How historically accurate is Hamilton? The answer is both yes and no... Podcast Notes: https://ancestralfindings.com/hamilton-and-the-founding-fathers-where-broadway-meets-american-history/ Ancestral Findings Podcast: https://ancestralfindings.com/podcast This Week's Free Genealogy Lookups: https://ancestralfindings.com/lookups Genealogy Giveaway: https://ancestralfindings.com/giveaway Genealogy eBooks: https://ancestralfindings.com/ebooks Follow Along: https://www.facebook.com/AncestralFindings https://www.instagram.com/ancestralfindings https://www.youtube.com/ancestralfindings Support Ancestral Findings: https://ancestralfindings.com/support https://ancestralfindings.com/paypal  #Genealogy #AncestralFindings #GenealogyClips

Unsere Reihe „Im Gespräch“ widmet sich heute dem Widerstandskämpfer Adam von Trott zu Solz, seiner Biografie und seinem demokratischen Engagement. Über sein Leben und Wirken, das in einer Studienausstellung des Städtischen Museums erkundet werden kann, berichtet seine Tochter Verena Onken von Trott bei einem Ausstellungsbesuch in Göttingen; zusammen mit Johannes Hocks, dem Studienleiter der Adam-von-Trott Stiftung.

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This is Museum Week, and while a lot of us love visiting these institutions, some people dropped by some of the best museums in the whole world and they weren't feeling it. For reasons. Plus: starting Friday in Collinsville, Illinois, the International Horseradish Festival. 15 Hilariously Terrible Reviews of Wonderful Museums (Mental Floss)  International Horseradish Festival We give our Patreon backers 10 out of 5 stars

“Commissioned by Governor Lachlan Macquarie and built with convict labour, Hyde Park Barracks was the first convict barracks in the colony. Previously, convicts had been allowed to find their own accommodation, but by housing them in a barracks Macquarie hoped to increase their productivity and improve their moral character. The three-storey building with massive shingled roof and a simple yet striking façade was designed by convict architect Francis Greenway. So impressed was Macquarie with this design that he granted Greenway a full pardon”. – Museums of History NSW Follow me on Instagram at @douglaswelch, @dewdesignphoto, and @agardenersnotebook and Pixelfed.

The Tragically Hip On Shuffle - Live Stream: Wheat KingsA campfire singalong that's secretly about a wrongful conviction, a cassette thrown out a car window, and a tiny Eiffel Tower in Saskatchewan.EPISODE SUMMARY This week on The Tragically Hip On Shuffle - Live Stream, the wheel landed on 'Wheat Kings', and I had a couple of Andrews riding shotgun to break it down. This is the song the whole country sings around a campfire without ever clocking that it's about David Milgaard, wrongfully convicted of the murder of Gail Miller and imprisoned for a crime he didn't commit.Andrew from Winnipeg brought the timeline receipts (Kim Campbell, the CBC, the wild detail that Milgaard walked free in April 1992, months before "Fully Completely" even dropped) plus a story about his mom chucking the cassette out the car window somewhere in the Alberta mountains. Andrew from Tampa brought the live recording from The Fillmore, October 24, 2000, and the case for 'Wheat Kings' as a pure summertime staple. We get into the loon that cost the band a donation to Ducks Unlimited, the Zippo lighter, Paris of the Prairies (and the 28-foot Eiffel Tower in Montmartre, Saskatchewan). If you love The Tragically Hip, Gord Downie, and a Canadian rock podcast that treats a deep cut like it earns the attention, this one runs deep.GUESTSAndrew from Tampa joined by audio through a Florida thunderstorm and came armed with the Fillmore recording that scored tonight's listen. A devoted Hip fan stateside, he makes the case for the band as a summertime constant and named 'Emperor Penguin' as his favourite album-closer, a song he rations for the days he really needs it.Andrew from Winnipeg is a setlist.fm obsessive, a Crooked Ice bandmate (their album release show is June 4), and host of the weekly Radiohead deep-dive podcast Head Full of Radio. He also runs a weekly show on UMFM. His favourite Hip closer is 'Put It Off', and 'Wheat Kings' carries a complicated, personal weight he opened up about on air.Andrew from Tampa: "Is it about what it's talking about, or is it the way it's made millions of people feel?"RESOURCES, LINKS & REFERENCESThe Hip Handbook, used live to pull the tracking numbers (around 1,350 shows logged, 332 'Wheat Kings'performances). thehiphandbook.tthpods.comSetlist history via Hipbase (primary) and setlist.fm (secondary): first played in Saskatoon, July 27, 1991. The Fillmore, October 24, 2000 performance, shared by Andrew from Tampa from a YouTube upload. Hat tip to the tapers and seeders who preserve this stuff, and to The Tragically Hip Archive for the broader live-recording work.David Milgaard case timeline referenced on air via CBC and Wikipedia.The 'Heksenketel' tour video, which shipped with one of the box sets.The loon and the Ducks Unlimited donation: traced on air to the documentary and a Robby Baker radio interview (see verification note below).YOUTUBE CHAPTERS 00:00 - Welcome, and tonight's imaginary sponsors 02:15 - Weird Winnipeg bylaws 03:13 - The tale of the tape: 'Wheat Kings' by the numbers 05:26 - This week's poll: the 5% who tolerate it 07:31 - The Fillmore, October 24, 2000 09:01 - 'Wheat Kings' 12:56 - Your favourite last-song-on-an-album 17:56 - Hearing it the first time, and the cassette out the car window 19:45 - The ultimate campfire song 22:42 - The loon, and a cheque to Ducks Unlimited 24:06 - Museums, prime ministers, and vivid visuals 25:30 - The Pretty Things and a Copperpenny cover 26:51 - David Milgaard, Gail Miller, and the timeline 32:48 - First played in Saskatoon, 1991 37:11 - Paris of the Prairies (and a tiny Eiffel Tower) 40:55 - Don't forget Gail Miller 43:19 - The killer's face in the Zippo 45:23 - The 'Heksenketel' video and the box sets 46:37 - A complicated, personal love for the song 50:28 - Thanking the Andrews, and next week's shuffle: 'Country Day' 54:05 - Plugs: Crooked Ice and Head Full of Radio 56:37 - Outro and creditsHey There!Want a seat at the table on a Wednesday night? Sign up to be a panelist. Explore 1,358 mapped shows and search every lyric in the Hip Handbook.CLOSING Huge thanks to Andrew from Tampa for digging up that Fillmore recording, and to Andrew from Winnipeg for the timeline work and for trusting us with something personal. Next Wednesday the wheel spins again and lands on 'Country Day', the closer from "We Are the Same", keeping our accidental run of great last-songs alive. The takeaway from this one: a song can outgrow the tragedy that made it, but it should never outrun the people inside it.PROMOS & CROSSLINKSTTHTop40 Countdown #17 - 'Wheat Kings' (with Jillian), the countdown episode that ranked this one. Fully & Completely: Redux - "Fully Completely", the track-by-track on the whole record. Get Yer Letter in your inbox.  → subscribe.tthpods.comSOCIAL & COMMUNITY Facebook group: community.tthpods.com | Instagram: @tthpods | YouTube: youtube.com/@tthpods | Email: jd@tthpods.com #TheTragicallyHip #TheHip #FullyCompletely #GordDownie #TTHOnShuffle #InGordWeTrustAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week on ‘The Write Question,' host Lauren Korn speaks with Miriam Toews, author of the memoir ‘A Truce That Is Not Peace' (Bloomsbury Publishing). Note: This conversation contains explicit references to suicide. If you or someone you love is struggling with a mental health crisis or in immediate danger, please call or text 988 to reach the Suicide & Crisis Lifeline.

This week on ‘The Write Question,' host Lauren Korn speaks with Miriam Toews, author of the memoir ‘A Truce That Is Not Peace' (Bloomsbury Publishing). Note: This conversation contains explicit references to suicide. If you or someone you love is struggling with a mental health crisis or in immediate danger, please call or text 988 to reach the Suicide & Crisis Lifeline.

X: @americasrt1776 @ileaderssummit @NatashaSrdoc @JoelAnandUSA @supertalk @JTitMVirginia Join America's Roundtable radio co-hosts Natasha Srdoc and Joel Anand Samy with Julie Carmean, a Senior Programs Officer for America's 250th Anniversary initiatives at the National Endowment for the Humanities. Julie developed the American Heroes Student Art Contest to invite youth to engage with American history while expressing their creativity during this national celebration. *American Heroes Student Art Contest * https://freedom250.org/celebration/american-heroes-student-art-contest Submission Deadline: Monday, June 1, 2026, 11:59pm EST Eligibility: Any student in grades 3–12 who is a legal resident of any of the 50 states or 6 U.S. territories is eligible to enter. Submission Requirements: Participating students should create and submit an original, handmade two-dimensional artwork and a 200-word artist statement (100 words for elementary students). Use the steps outlined in the section below. Submission Categories: Upper Elementary School Students (Grades 3-5); Middle School Students (Grades 6-8); High School Students (Grades 9-12). At the Humanities Endowment, Julie works with various grant programs in the Chairman's Office and the Division of Lifelong Learning. She also serves as the Agency's Lead for the White House Task Force 250 and as an Ex Officio member of the America250 Congressional Commission. Julie is currently on a “detail” to NEH from the National Gallery of Art, where she has served as a Senior Educator and Manager of National Teacher Programs. At the National Gallery of Art, she led Across the Nation partnership-building with regional museums and developed and implemented professional learning programs and curricula for educators, nationally and internationally, onsite, and online. She and her team produced two Massive Open Online Courses, Teaching Complex Thinking through Art with the National Gallery of Art, launched in 2024 on the edX platform, and Teaching Critical Thinking through Art, launched in 2019, serving approximately 40,000 people from 150 countries. She regularly speaks on topics of integrating art into pedagogy and the role of art in supporting deep thinking and social-emotional wellness. Julie earned her bachelor's degree from Oral Roberts University in Tulsa, Oklahoma, and her master's from the Harvard Graduate School of Education in Cambridge, Massachusetts. americasrt.com https://ileaderssummit.org/ | https://jerusalemleaderssummit.com/ America's Roundtable on Apple Podcasts: https://podcasts.apple.com/us/podcast/americas-roundtable/id1518878472 X: @ileaderssummit @americasrt1776 @NatashaSrdoc @JoelAnandUSA @supertalk @JTitMVirginia America's Roundtable is co-hosted by Natasha Srdoc and Joel Anand Samy, co-founders of International Leaders Summit and the Jerusalem Leaders Summit. America's Roundtable radio program focuses on America's economy, healthcare reform, rule of law, security and trade, and its strategic partnership with rule of law nations around the world. The radio program features high-ranking US administration officials, cabinet members, members of Congress, state government officials, distinguished diplomats, business and media leaders and influential thinkers from around the world. Tune into America's Roundtable Radio program from Washington, DC via live streaming on Saturday mornings via 68 radio stations at 7:30 A.M. (ET) on Lanser Broadcasting Corporation covering the Michigan and the Midwest market, and at 7:30 A.M. (CT) on SuperTalk Mississippi — SuperTalk.FM reaching listeners in every county within the State of Mississippi, and neighboring states in the South including Alabama, Arkansas, Louisiana and Tennessee. Tune into WTON in Central Virginia on Sunday mornings at 9:30 A.M. (ET). Listen to America's Roundtable on digital platforms including Apple Podcasts, Spotify, Amazon, Google and other key online platforms. Listen live, Saturdays at 7:30 A.M. (CT) on SuperTalk | https://www.supertalk.fm

There are so many things to do on a sunny day in the Netherlands. Let's look at some museums in the open air! Read transcripts

In this episode of Skip the Queue, Andy Povey is joined by Bala McAlinn, Managing Director Complete Works to discuss how visitor attractions can balance technology with authentic human interaction. Bala shares how storytelling, performance techniques and well-trained frontline teams can transform guest experiences, increase revenue and encourage repeat visits, while exploring why technology should support human connection rather than replace it.   Topics Discussed Balancing technology and human interaction in attractions Why storytelling improves guest experiences Using theatrical techniques in visitor attractions Training frontline teams to create memorable interactions How live experiences increase revenue and repeat visits The importance of authentic human connection Christmas and Halloween event production for attractions Creating immersive shows and seasonal experiences Why attractions should invest in people as well as technology The role of confidence and communication in guest engagement How attractions can improve experiences without major budgets Using staff feedback to improve visitor experiences The growing importance of experiential entertainment Networking and collaboration within the attractions industry Why events and live experiences encourage repeat visitation   Show references:    Bala McAlinn - Managing Director Complete Works www.complete-works.co.uk https://www.linkedin.com/company/completeworks/ https://www.linkedin.com/in/bala-mcalinn-05406683/   Skip the Queue is brought to you by Merac. We provide attractions with the tools and expertise to create world-class digital interactions. Very simply, we're here to rehumanise commerce. Your guest host is Andy Povey. If you like what you hear, you can subscribe on Apple Podcasts, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm. If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on LinkedIn. Credits: Written by Emily Burrows (Plaster) Edited by Steve Folland Produced by Emily Burrows and Sami Entwistle (Plaster) Download The Visitor Attractions Website Survey Report - https://www.merac.co.uk/download-the-visitor-attractions-survey We have launched our brand-new playbook: ‘The Retail Ready Guide to Going Beyond the Gift Shop' — your go-to resource for building a successful e-commerce strategy that connects with your audience and drives sustainable growth. Download your FREE copy here

Tuhura Otago Museum has been named a top five finalist at the prestigious Museums and Heritage Awards in London, often referred to as the 'Oscars of the global museum sector'. It's the only museum in the Southern Hemisphere to make the list. To find out what makes them stand out from the rest, Jesse is joined by Design and Exhibitions Manager, Shanaya Cunningham.

Today's book lover is seeking a literary doorway into the creative world of art and museums. Kristine Parsons doesn't have an art background. She works as a county road commission manager in Michigan, yet she is fascinated by art and museums, and finds herself drawn to immersive and engaging stories that incorporate one or both elements into the story. Kristine loves to travel and visit museums in person, but her day-to-day life between work and two active pre-teens means that in this season, these visits are more likely to occur on the page. Today, Kristine and Anne explore stories featuring art and the creative process. If Anne has recommendations that are actually set in museums, well, so much the better. We'd love to hear your ideas for Kristine, too: please tell us by leaving a comment on our show notes page, where you'll also find the list of titles mentioned today. That's at whatshouldireadnextpodcast.com/527. We're so happy to announce that our long-awaited MMD sorority style sweatshirt is available for pre-order. A mid-weight Comfort Colors crew, choose from two shades: a soft blue called blue jean and a soft red called crimson. Both feature an MMD applique in deep navy. These are cute and comfortable, and our team is excited to wear them on cool summer nights and into the colder months of the year. We also have a new hat style and other restocked favorites: find everything at modernmrsdarcy.com/shop. Chapters: 03:43 Meet Kristine 09:06 What brings Kristine to What Should I Read Next? 14:31 The Great Believers by Rebecca Makkai 17:55 The Unseen World by Liz Moore 21:47 Heart the Lover by Lily King 24:47 A Marriage at Sea by Sophie Elmhirst 31:14 The Fine Art of Lying by Alexandra Andrews 36:52 Lightbreakers by Aja Gabel 43:07 Dear Monica Lewinsky by Julia Langbein 48:08 What will Kristine read next? Learn more about your ad choices. Visit megaphone.fm/adchoices

Great museums can drive tourism, and the Bay Area has no shortage of world class institutions. But museums everywhere are facing rising costs, declining fundraising support, and lower attendance. Last month, the Cal Academy of Sciences laid off more than fifty employees. Yet, public support for museums remains high, museums' clientele has steadily diversified and many museums are managing to do well. With summer around the corner, we'll check in on the state of Bay Area museums. Guests: Lori Fogarty, executive director, Oakland Museum of California Dr. Soyoung Lee, The Barbara Bass Bakar Director and CEO, Asian Art Museum Sarah Hotchkiss, senior editor, KQED Arts & Culture Laura Zander, chief growth and operating officer, Exploratorium Teddy Vollman, chapter president, CalAcademy Workers United Learn more about your ad choices. Visit megaphone.fm/adchoices

We're continuing my conversation with Nabila Abdel Nabi, Senior Curator of International Art at Tate Modern and Lead of the Hyundai Tate Research Centre: Transnational. On this episode, we talk about what those specialisations really mean, the paradigm shifts happening in the art world, and how a curator like Nabila collects feedback from the Museum's audience.This episode is brought to you by:EFG Hermes One: your one app for investing in more than 35 stock markets. Start investing today!Azza Fahmy JewelleryOn this episode, Nabila is wearing Azza Fahmy's:Lotus Bouquet EarringsBlossom Lotus RingWinged Scarab CuffMalak is wearing Azza Fahmy's:T-Lock Love NecklaceGold Floral Tribal EarringsGold Roman Chain BangleMusic ID: 5ROQ12DERYHSUUVQ

This week on Radio Night Live, Kevin McCullough and his co-host Cristyne Nicholas are gearing up for the ultimate celebration of America's birthday. With Memorial Day just around the corner, they're diving into the rich history of the American Revolution and the pivotal role New York City played in it. Joining them are two fascinating guests, Dr. Sarah Henry, the curator of the Museum of the City of New York's exhibit "Occupied City," and Dave Winters, the executive vice president of the Intrepid Sea, Air, and Space Museum. Dr. Sarah Henry, Museum of the City of New York Dr. Sarah M. Henry has been a part of the Museum of the City of New York since 2001. Previously, Sarah served as the Robert A. and Elizabeth Rohn Jeffe Chief Curator and Deputy Director at the Museum of the City of New York, overseeing Museum exhibitions (over 200 to date) as well as publications and collections. She is responsible for the exhibition department's program strategy, long-range planning, and content, and she has led the curatorial work on such acclaimed exhibitions as This Is New York: 100 Years of the City in Art and Pop Culture (2023) and New York at Its Core (2016) and now, The Occupied City: New York and the American Revolution (2026). Sarah received a Ph.D. in U.S. History from Columbia University and a B.A. from Yale in History and Mathematics/Philosophy. She received the Manhattan Borough President's “History Visionary Award,” is a member of the New York Academy of History and serves on the board of the International Council of Museums' Committee on the Collections and Activities of Museums of Cities. David Winters, Intrepid Sea, Air & Space Museum David A. Winters serves as President of the Intrepid Fallen Heroes Fund, a leading national organization supporting the military community. Since 2000 the Fund has raised over $200 million for families of military personnel lost in Iraq and Afghanistan, and for several special projects serving wounded military personnel. Winters oversees the Fund's strategic planning, fundraising and program execution. Winters has been with the Fund since its establishment in 2000 and became President in 2011. In 2011 the Intrepid Fallen Heroes Fund launched its current program: building a series of ten advanced treatment centers for military personnel suffering the effects of traumatic brain injury. To date $100 million has been raised for this effort, and eight of the ten centers have already been built and are open and operating, with another currently under construction. Winters also serves as Executive Vice President of the Intrepid Sea, Air & Space Museum in New York City. Winters' responsibilities aboard Intrepid include management of events, special projects, government and military relations, and administration of the annual festival programs including Fleet Week, Kids Week and Free Fridays. Mr. Winters also serves as corporate secretary of the Museum. He joined the Intrepid Museum as a volunteer in 1992 and as an employee in 1993. Winters also serves as the Executive Vice President and Secretary of the Intrepid Relief Fund, which provides support to military personnel and families. Winters' responsibilities include administration of the Fund and directing fundraising efforts. Winters has worked with this effort since 1994. Winters served on the 1812 Advisory Group from 2010 through 2012, assisting with the Department of the Navy's planning for the War of 1812 Bicentennial celebrations. Winters' involvement in supporting America's military community began in March 1991, when he helped establish a volunteer charitable effort called Operation Support, which in just three months raised over a quarter million dollars to benefit the families of American military personnel lost in Operations Desert Shield and Desert Storm. Winters holds a BA degree from Fordham University.

Fluent Fiction - French: Secrets of the Paris Bunker: A Historian's Battle and Triumph Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2026-05-22-07-38-20-fr Story Transcript:Fr: Dans le sous-sol secret de Paris, caché sous les rues illuminées, un bunker attendait.En: In the secret basement of Paris, hidden beneath the illuminated streets, a bunker lay waiting.Fr: L'air était imprégné de vieilles histoires, de papier jauni et de poussière.En: The air was filled with old stories, yellowed paper, and dust.Fr: Émilie, une historienne dévouée, passait ses journées ici, parmi les vestiges de la Seconde Guerre mondiale.En: Émilie, a dedicated historian, spent her days here, among the remnants of the Second World War.Fr: Elle restaurait un artefact rare, un vestige fragile du passé.En: She was restoring a rare artifact, a fragile relic of the past.Fr: Le printemps était arrivé, mais elle le remarquait à peine, enfermée dans l'obscurité rassurante du bunker.En: Spring had arrived, but she barely noticed, enclosed in the reassuring darkness of the bunker.Fr: Émilie était passionnée.En: Émilie was passionate.Fr: Elle aimait chaque détail, chaque parcelle de l'histoire qu'elle pouvait sauver.En: She loved every detail, every piece of history she could save.Fr: Mais elle était aussi sous pression.En: But she was also under pressure.Fr: Les délais approchaient.En: Deadlines were approaching.Fr: Les coupures de budget menaçaient.En: Budget cuts threatened.Fr: Elle savait que cet artefact devait être prêt pour l'exposition à venir, sinon, leur projet pourrait ne pas recevoir le financement nécessaire.En: She knew that this artifact had to be ready for the upcoming exhibition, or else their project might not receive the necessary funding.Fr: Jacques, son superviseur, était sceptique.En: Jacques, her supervisor, was skeptical.Fr: Assis derrière son bureau encombré, il fronçait les sourcils en examinant les documents.En: Sitting behind his cluttered desk, he furrowed his brows while examining the documents.Fr: "Émilie," disait-il souvent, "je ne suis pas sûr que cet artefact soit aussi important que tu le penses.En: "Émilie," he often said, "I'm not sure this artifact is as important as you think.Fr: Peut-être devrions-nous allouer nos ressources ailleurs?"En: Perhaps we should allocate our resources elsewhere?"Fr: Sophie, la nouvelle collègue, semblait aussi courir après les mêmes ressources précieuses.En: Sophie, the new colleague, also seemed to be chasing the same precious resources.Fr: Elle était compétente et ambitieuse.En: She was competent and ambitious.Fr: L'ambiance devenait tendue lorsque Jacques et Sophie discutaient.En: The atmosphere became tense when Jacques and Sophie discussed.Fr: Émilie avait deux choix.En: Émilie had two choices.Fr: Confronter Jacques, lui montrer l'importance de son travail, ou chercher une entente avec Sophie pour trouver une solution créative ensemble.En: Confront Jacques, show him the importance of her work, or seek an agreement with Sophie to find a creative solution together.Fr: Elle choisit finalement de parler à Jacques.En: She finally chose to speak to Jacques.Fr: Elle savait que sa détermination était cruciale.En: She knew that her determination was crucial.Fr: Un jour, alors qu'elle nettoyait délicatement l'artefact, Émilie fit une découverte étonnante : une inscription cachée, presque effacée par le temps.En: One day, as she carefully cleaned the artifact, Émilie made an astonishing discovery: a hidden inscription, almost erased by time.Fr: Elle savait que c'était sa chance.En: She knew this was her chance.Fr: Elle appela Jacques avec excitation.En: She called Jacques with excitement.Fr: "Regarde ça, Jacques.En: "Look at this, Jacques.Fr: C'est la preuve que cet artefact est précieux," dit-elle, le montrant soigneusement du bout des doigts.En: This is proof that this artifact is valuable," she said, showing it carefully with the tip of her fingers.Fr: Jacques approcha, les yeux plissés d'intérêt.En: Jacques approached, eyes narrowed with interest.Fr: Il lut l'inscription, réalisant soudainement la portée historique.En: He read the inscription, suddenly realizing the historical significance.Fr: "Eh bien, Émilie, tu m'as convaincu," admit-il avec un respect renouvelé.En: "Well, Émilie, you've convinced me," he admitted with renewed respect.Fr: Avec son soutien rétabli, le projet put avancer.En: With his support restored, the project could move forward.Fr: Émilie et Sophie décidèrent alors de collaborer.En: Émilie and Sophie then decided to collaborate.Fr: Ensemble, elles partagèrent des ressources, des idées, et des efforts.En: Together, they shared resources, ideas, and efforts.Fr: Finalement, le jour de l'exposition arriva.En: Finally, the day of the exhibition arrived.Fr: L'artefact, restauré avec soin, trônait fièrement au centre de la salle.En: The artifact, carefully restored, stood proudly in the center of the room.Fr: Les visiteurs étaient fascinés.En: The visitors were fascinated.Fr: Les investisseurs furent impressionnés, et l'avenir du projet fut assuré.En: The investors were impressed, and the project's future was secured.Fr: Émilie était satisfaite.En: Émilie was satisfied.Fr: Elle avait appris l'importance de se battre pour des convictions mais aussi la puissance de la collaboration.En: She had learned the importance of fighting for convictions but also the power of collaboration.Fr: Après tout, l'histoire, c'est avant tout un travail d'équipe.En: After all, history is, above all, a team effort.Fr: Dans le monde souterrain des archives, elle avait trouvé sa voix et sa force.En: In the underground world of archives, she had found her voice and her strength. Vocabulary Words:basement: le sous-solbunker: le bunkerhistorian: l'historienneartifact: l'artefactrelic: le vestigedarkness: l'obscuritépressure: la pressiondeadline: le délaibudget cuts: les coupures de budgetexhibition: l'expositionfunding: le financementsupervisor: le superviseurdesk: le bureaubrows: les sourcilsdocument: le documentresource: la ressourceinscription: l'inscriptioninvestor: l'investisseurambiance: l'ambiancecollaborate: collaborersolution: la solutiondetermination: la déterminationdiscovery: la découvertesupport: le soutienvisitor: le visiteurteam effort: le travail d'équipearchive: l'archiveastonishing: étonnantcompetent: compétentambitious: ambitieux

In this episode, we talk about some of the most interesting museums in Mexico City and why they are such an important part of the city's culture.You'll hear:Real Spanish conversations about museums and historyVocabulary related to art, culture, and tourismCultural insights about life in CDMXPersonal experiences and recommendations

This talk examines how artworks operate across different contexts, from museums and galleries to public space and digital circulation. Drawing on over fifteen years of practice, artist Bahia Shehab reflects on how audience engagement shifts when art is encountered within institutional settings versus when it is publicly displayed and exposed to everyday life. Through examples from projects realized in cities such as New York, Istanbul, Marrakesh, and Hawaii, the talk considers how artworks travel, remain relevant across geographies, and are shaped by social media—particularly in regions where cultural infrastructure is limited. Speaker Bahia Shehab, Professor of Practice, Arts, Founding Director, TypeLab@AUC, AUC

#161 Our Best Amsterdam Itinerary: Pancakes, Tulips, Windmills & Canal Cruises In this episode of The Everyday Bucket List Podcast, we recap our entire 5-day Amsterdam trip (plus two days for flying)—from airport chaos and canal-side hotels to tulip fields, windmills, museums, ferries, pancakes, and nonstop walking through one of Europe's most charming cities. Karen, Rich, and Cedric walk through the full Amsterdam itinerary day by day, sharing practical travel tips, favorite moments, funny surprises, and honest reactions from their experience exploring the Netherlands. From navigating TSA PreCheck issues and red-eye flights to wandering peaceful canals and discovering incredible Dutch food, this episode ties together all the highlights from the Amsterdam series. We talk about visiting the Anne Frank House and Van Gogh Museum, exploring the De Pijp neighborhood and Albert Cuyp Market, taking a sunset canal cruise, eating traditional Dutch pancakes multiple times, and why Amsterdam Noord became one of our favorite areas of the city. We also share what it was like visiting the famous windmills, sampling unique Dutch cheeses, taking ferries around Amsterdam, and seeing the tulip fields in full bloom during spring. In this episode, we cover: Amsterdam itinerary + travel tips Museums, neighborhoods + food Windmills, tulips + day trips We also share practical details about accessibility, early arrival strategies, ferry transportation, and a few random stories and travel mishaps along the way. Whether you're planning your first trip to Amsterdam or looking for inspiration for a slower-paced European vacation, this episode will help you build a realistic itinerary filled with memorable experiences, good food, and beautiful scenery. CLICK THE LINKS BELOW OR CUT AND PASTE THEM INTO YOUR BROWSER: Binge-listen to my Amsterdam playlist https://open.spotify.com/playlist/07q6GH9BLjr3PWgCxOjreB?si=w9BDltD9RsmOHkao9lyPoA&pi=kg_a0reoT6i9C Binge-listen to my playlist about traveling to Europe https://bit.ly/4g4Bb07 Listen to these episodes next: Spring Bucket List: See the Most Beautiful Tulip Garden in the World Spotify or Apple (Ep157)   RESOURCES: Grab a copy of The Everyday Bucket List Book https://amzn.to/3vwxz2K Support my work: https://buymeacoffee.com/edbl   Connect with me: Website: KarenCordaway.com Twitter (X): @KarenCordaway https://x.com/karencordaway Pinterest: @Everyday_Bucket_List https://www.pinterest.com/EverydayBucketList/ TikTok: @Everyday_Bucket_List https://www.tiktok.com/@everyday_bucket_list Need a coach? Hire me to help with bucket list goals: https://karencordaway.com/contact/ If you're enjoying this podcast, please rate and review it to let me know what content you want more of! Disclaimer: Some outbound links financially benefit the podcast. Using them is a small way to support the show at zero cost to you. I only endorse products I personally use or would recommend to close friends and family. https://karencordaway.com/disclaimer/

Rehumanizing People of the Past: Bioarchaeology, Medical Museums and Archives, and the Human Remains Trade (SUNY Press, 2026) argues that much of the technical communication used to reference human remains--including reports in bioarchaeology, labels and descriptions in medical museums and archives, and web content in the human remains trade--does not adequately recognize the humanity of the individuals represented by those remains. The book presents "rehumanizing language" as a solution to this dehumanization problem, framing it as advocacy and social justice work in technical communication. Building from concepts and ethical standards in bioarchaeology, medical museums and archives, and the human remains trade along with technical communication and rhetoric of health and medicine (RHM), each chapter presents a framework for developing rehumanizing language in various contexts to better honor, dignify, and respect the people represented by human remains. These frameworks are also applied to several original studies, which explore existing technical communication and the ways it uses rehumanizing language or could be adapted to be more rehumanizing. Overall, this book is a tool for both technical communicators and practitioners in numerous fields, offering practical guidance for emphasizing the humanity of the dead. Kristin LaFollette is Associate Professor of English at the University of Southern Indiana. She is the author of Hematology, a full-length collection of poetry, and coeditor of Queer Approaches: Emotion, Expression, and Communication in the Classroom. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Rehumanizing People of the Past: Bioarchaeology, Medical Museums and Archives, and the Human Remains Trade (SUNY Press, 2026) argues that much of the technical communication used to reference human remains--including reports in bioarchaeology, labels and descriptions in medical museums and archives, and web content in the human remains trade--does not adequately recognize the humanity of the individuals represented by those remains. The book presents "rehumanizing language" as a solution to this dehumanization problem, framing it as advocacy and social justice work in technical communication. Building from concepts and ethical standards in bioarchaeology, medical museums and archives, and the human remains trade along with technical communication and rhetoric of health and medicine (RHM), each chapter presents a framework for developing rehumanizing language in various contexts to better honor, dignify, and respect the people represented by human remains. These frameworks are also applied to several original studies, which explore existing technical communication and the ways it uses rehumanizing language or could be adapted to be more rehumanizing. Overall, this book is a tool for both technical communicators and practitioners in numerous fields, offering practical guidance for emphasizing the humanity of the dead. Kristin LaFollette is Associate Professor of English at the University of Southern Indiana. She is the author of Hematology, a full-length collection of poetry, and coeditor of Queer Approaches: Emotion, Expression, and Communication in the Classroom. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Rehumanizing People of the Past: Bioarchaeology, Medical Museums and Archives, and the Human Remains Trade (SUNY Press, 2026) argues that much of the technical communication used to reference human remains--including reports in bioarchaeology, labels and descriptions in medical museums and archives, and web content in the human remains trade--does not adequately recognize the humanity of the individuals represented by those remains. The book presents "rehumanizing language" as a solution to this dehumanization problem, framing it as advocacy and social justice work in technical communication. Building from concepts and ethical standards in bioarchaeology, medical museums and archives, and the human remains trade along with technical communication and rhetoric of health and medicine (RHM), each chapter presents a framework for developing rehumanizing language in various contexts to better honor, dignify, and respect the people represented by human remains. These frameworks are also applied to several original studies, which explore existing technical communication and the ways it uses rehumanizing language or could be adapted to be more rehumanizing. Overall, this book is a tool for both technical communicators and practitioners in numerous fields, offering practical guidance for emphasizing the humanity of the dead. Kristin LaFollette is Associate Professor of English at the University of Southern Indiana. She is the author of Hematology, a full-length collection of poetry, and coeditor of Queer Approaches: Emotion, Expression, and Communication in the Classroom. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

Rehumanizing People of the Past: Bioarchaeology, Medical Museums and Archives, and the Human Remains Trade (SUNY Press, 2026) argues that much of the technical communication used to reference human remains--including reports in bioarchaeology, labels and descriptions in medical museums and archives, and web content in the human remains trade--does not adequately recognize the humanity of the individuals represented by those remains. The book presents "rehumanizing language" as a solution to this dehumanization problem, framing it as advocacy and social justice work in technical communication. Building from concepts and ethical standards in bioarchaeology, medical museums and archives, and the human remains trade along with technical communication and rhetoric of health and medicine (RHM), each chapter presents a framework for developing rehumanizing language in various contexts to better honor, dignify, and respect the people represented by human remains. These frameworks are also applied to several original studies, which explore existing technical communication and the ways it uses rehumanizing language or could be adapted to be more rehumanizing. Overall, this book is a tool for both technical communicators and practitioners in numerous fields, offering practical guidance for emphasizing the humanity of the dead. Kristin LaFollette is Associate Professor of English at the University of Southern Indiana. She is the author of Hematology, a full-length collection of poetry, and coeditor of Queer Approaches: Emotion, Expression, and Communication in the Classroom. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

“France had long been at the center of her philosophy. She had made France a touchstone in her writing, in which she alchemised life, love, and food in a literary genre of her own invention” - Luke Barr on MFK Fisher, Provence 1970Welcome to Episode #144:Today I share why going to Europe for art, writing, philosophy and liberation has been a necessary evolution for many artists and writers. I contemplate my own journey and the many that have gone before seeking stimulation and artistic freedom amongst the avant-garde and the lively cafes of Paris and other wonderful European cities. Artists and writers have gravitated to these places and cultural epicentres for artistic communities, intellectual stimulation, mentors and teachers, and to attract opportunities for their art and writing careers. Enjoy this share,Michelle xShownotes A Writer in Italy InstagramSubstack - At My TableMichelle's BooksMusical Scores by Richard JohnstonA Writer in Italy is about travel, art and life. A place to share the beautiful travel journeys and the discoveries along the way. Support the show

(00:00:37) Eine Einordnung zu Vincent Bolloré und der Macht von Canal+. (00:05:32) Wiener Festwochen: Vor-Eröffnung mit einer Inszenierung von Intendant Milo Rau. (00:09:58) «Sirenen» am Theater Basel: Eine moderne Odysseus-Geschichte und die Frage, welche Wirkung es hat, die Natur auszubeuten. (00:14:29) Ausstellung «Bauen für die Macht» des Museums für Gestaltung Zürich zeigt: Le Corbusier hat die Nähe zu Mächtigen gesucht. (00:18:57) 2. Weltkrieg und KI sind präsente Themen am Internationalen Filmfestival Cannes.

In dieser neuen Episode von Im Museum öffnen wir wieder eine Tür, die den meisten verborgen bleibt: Wir begeben uns in die herpetologische Sammlung des Naturhistorischen Museums in Wien. Gemeinsam mit unserem Gast Silke Schweiger, der Leiterin der zoologischen Abteilung, werfen wir einen Blick auf gigantische Archive, in denen unglaubliche 140.000 Präparate von Amphibien und Reptilien in rund 40 Tonnen Alkohol für die Forschung konserviert werden – das älteste davon stammt sogar aus dem Jahr 1804. Wer am Ende selbst aktive Herpetolog:in werden will, erfährt alles über das große Citizen-Science-Projekt "Herpetorace", bei dem ihr selbst zu Forscherinnen und Forschern werden könnt. Viel Spaß beim Zuhören! - ÖGH (Österreichische Gesellschaft für Herpetologie): "Herpetorace" (der Citizen-Science-Challenge vom 30. bis 31. Mai) https://www.herpetozoa.at/aktivitaeten/herpetorace -GBIF-Datenbank: 1,2 Millionen herpetologischen Beobachtungsdaten des Museums https://www.gbif.org - Ausstellung "Gute Sammlung, böse Sammlung": Ausstellung des NHM zum 150-jährigen Sammlungsbestehen: https://www.nhm.at/gutes_sammeln_boeses_sammeln - Sparkling Science Projekt "Vom Entdecken und Aufdecken": https://www.nhm.at/forschung/mitmachen/sparklingscience/wildlifecrime Bild: CHLOE POTTER/NHM

Sabina Brennan, neuroscientist and psychologist

AI and Digital Leadership: Transforming Libraries, Archives, and Museums for the Future (Bloomsbury, 2026) explores how galleries, libraries, archives, and museums (GLAMs) are navigating new leadership styles and organizational frameworks to help meet the challenges posed by a digital society. During this time of digital transformation, galleries, libraries, archives, and museums (GLAMs) are facing a generational challenge that calls on them to rethink their roles and responsibilities, re-evaluate policies and practices, and re-envision creative management and use of their collections. While AI is not new for GLAMs, the rapid development of generative AI has accelerated the pace of change along with a host of risks and benefits. For cultural heritage institutions, the stakes for implementing emerging AI technologies are high as GLAMs navigate questions relating to cultural relevance, limited resources and expanding backlogs of digital collections. GLAMs must also contend with the major intellectual and social implications for supporting entirely new approaches to learning, scholarship and public engagement. As GLAMs strive to keep pace, this book turns to explore how cultural heritage institutions can draw on a model of digital leadership to help them meet the challenges posed by the ethical implementation and use of generative AI in the stewardship of distinctive collections. Although digital leadership has been widely written about in the fields of business management, communication and marketing and information technology, it has not yet been addressed in a book format for the GLAM sector. In addition to discussing the basic definition and concepts of digital leadership, this book explores digital leadership as a critical framework for GLAMs to advance digital stewardship programs, professional development and staff training initiatives, and institutional advocacy in the age of AI. Guest: Angela I. Fritz is Assistant Professor at the School of Library and Information Science at the University of Iowa. Previously, she has held leadership positions at the Wisconsin Historical Society, the University of Notre Dame, and the Office of Presidential Libraries and Museums at the National Archives and Records Administration (NARA). Dr. Fritz has a PhD in American history and public history from Loyola University-Chicago, a master's degree in history from the University of Wisconsin-Milwaukee, and a master's degree in library science with a concentration in archival administration from the University of Wisconsin-Madison. Mentioned during the episode, is an upcoming special issue of Collections: A Journal for Museum and Archives Practitioners guest edited by Dr. Fritz. You can learn more about this special issue on the journal's homepage. Host: Dr. Michael LaMagna is the Information Literacy Program & Library Services Coordinator and Professor of Library Services at Delaware County Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On Friday, 15 May, London is hosting the launch of an anthology of short stories by Slovak authors in English translation. Introducing the concept as well as the authors are Isabella Barber of the publisher and Julia Sherwood, a promoter of Slovak literature in English translation, respectively. On 21 May, Wiener Musikverein, a legendary music hall, will host a concert by Janoshka ensemble. This acclaimed Slovak born quartet will present their take on iconic piece of classical music, Vivaldi's “The Four Seasons”. František Janoshka, a member of this music family, brings introduction to their unique style for English speakers. Culture tips invite to the international conference Open Culture! as well as to the Night of Museums and Galleries, among other events.

The Nias Islands in western Sumatra have different cultures and origins due to their separate location from Sumatra Island which makes Nias an important part of Indonesian and world history. - Kepulauan Nias di barat Sumatra memiliki budaya dan asal-usul yang berbeda karena letaknya yang terpisah dari Pulau Sumatra yang membuat Nias menjadi bagian penting dalam sejarah Indonesia dan dunia.

AI and Digital Leadership: Transforming Libraries, Archives, and Museums for the Future (Bloomsbury, 2026) explores how galleries, libraries, archives, and museums (GLAMs) are navigating new leadership styles and organizational frameworks to help meet the challenges posed by a digital society. During this time of digital transformation, galleries, libraries, archives, and museums (GLAMs) are facing a generational challenge that calls on them to rethink their roles and responsibilities, re-evaluate policies and practices, and re-envision creative management and use of their collections. While AI is not new for GLAMs, the rapid development of generative AI has accelerated the pace of change along with a host of risks and benefits. For cultural heritage institutions, the stakes for implementing emerging AI technologies are high as GLAMs navigate questions relating to cultural relevance, limited resources and expanding backlogs of digital collections. GLAMs must also contend with the major intellectual and social implications for supporting entirely new approaches to learning, scholarship and public engagement. As GLAMs strive to keep pace, this book turns to explore how cultural heritage institutions can draw on a model of digital leadership to help them meet the challenges posed by the ethical implementation and use of generative AI in the stewardship of distinctive collections. Although digital leadership has been widely written about in the fields of business management, communication and marketing and information technology, it has not yet been addressed in a book format for the GLAM sector. In addition to discussing the basic definition and concepts of digital leadership, this book explores digital leadership as a critical framework for GLAMs to advance digital stewardship programs, professional development and staff training initiatives, and institutional advocacy in the age of AI. Guest: Angela I. Fritz is Assistant Professor at the School of Library and Information Science at the University of Iowa. Previously, she has held leadership positions at the Wisconsin Historical Society, the University of Notre Dame, and the Office of Presidential Libraries and Museums at the National Archives and Records Administration (NARA). Dr. Fritz has a PhD in American history and public history from Loyola University-Chicago, a master's degree in history from the University of Wisconsin-Milwaukee, and a master's degree in library science with a concentration in archival administration from the University of Wisconsin-Madison. Mentioned during the episode, is an upcoming special issue of Collections: A Journal for Museum and Archives Practitioners guest edited by Dr. Fritz. You can learn more about this special issue on the journal's homepage. Host: Dr. Michael LaMagna is the Information Literacy Program & Library Services Coordinator and Professor of Library Services at Delaware County Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Send us a text message and tell us your thoughts.Museums don't just preserve history. They decide which stories become a nation's memory and which stories get buried under polite silence. I'm joined by Kevin Farmer, Deputy Director of the Barbados Museum and Historical Society, to talk about Caribbean museums as real tools of nation building, cultural heritage, and post-independence identity. We start by tracing the roots of colonial museums and collections built to explain the Caribbean to Europe, often without listening to Indigenous knowledge or acknowledging the realities of slavery, resistance, and survival. From there, we move into the radical energy of the post-1960s period, when new scholars, artists, national galleries, and cultural movements helped reshape what counted as “our” history and “our” creativity across the region. Then we get practical about what museums still need to fix: whose voices were pushed aside, how co-curation and community collaboration can change exhibitions, and why documenting migration and labor history is urgent before firsthand accounts disappear. We also dig into decolonizing museums through provenance work and repatriation, and how technology can help connect Caribbean stories across borders and the diaspora. Kevin Farmer is currently Deputy Director of the Barbados Museum and Historical Society (BMHS). As Deputy Director of the Barbados Museum, he has the responsibility for museum exhibition programming and capital campaign fundraising. He holds a Master's degree in History (Heritage Studies) from the University of the West Indies, Cave Hill, Barbados, and has lectured in Archaeology at the Department of History at the University of the West Indies, St. Augustine, Trinidad and taught at the UWI Cave Hill in their MA Heritage Studies program.  His research interests include the creation of cultural identity in post-colonial states, the role of museums in national development, the management and curation of archaeological resources, and the role of heritage in national development. Support the showConnect with Strictly Facts -  Instagram | Facebook | Twitter | LinkedIn | YouTube | Website Looking to read more about the topics covered in this episode? Subscribe to the newsletter at www.strictlyfactspod.com to get the Strictly Facts Syllabus to your email!Want to Support Strictly Facts?Rate & Leave a Review on your favorite platformShare this episode with someone or online and tag usSend us a DM or voice note to have your thoughts featured on an upcoming episode Donate to help us continue empowering listeners with Caribbean history and educationProduced by Breadfruit Media

In this episode of Skip the Queue, Andy Povey is joined by Dominique Bouchard, Heritage and Engagement Director at Leeds Castle and incoming Creative Director at the Shakespeare Birthplace Trust, to explore how artificial intelligence is transforming heritage storytelling. They discuss the creation of the world's first interactive historical AI avatar, how Leeds Castle brought Queen Eleanor of Castile to life, and what this innovation means for the future of visitor engagement across heritage attractions. Topics Discussed: How artificial intelligence is reshaping heritage storytelling The creation of Leeds Castle's interactive Queen Eleanor of Castile AI avatar Balancing historical accuracy with AI driven visitor interaction The design and development process behind the world first historical avatar Using AI to create personalised visitor experiences Audience reactions to experimental heritage technology Ethical considerations of AI in museums and heritage sites How AI can support interpretation and visitor engagement The challenges of introducing emerging technology in heritage settings Blending creative storytelling with digital innovation Practical advice for attractions exploring AI adoption The future of AI within museums and heritage organisations Dominique Bouchard's upcoming move to the Shakespeare Birthplace Trust The potential for future AI driven heritage experience   Show references:    Dr Dominique Bouchard, Heritage and Engagement Director at Leeds Castle. Soon-to-be Creative Director at the Shakespeare Birthplace Trust. https://www.shakespeare.org.uk/about-us/news-media/press-releases/leading-uk-museum-appoints-its-first-creative-director/ Pilgrimage of Love: Eleanor of Castile https://www.leeds-castle.com/ https://www.leeds-castle.com/events/pilgrimage-of-love-eleanor-of-castile/ https://youtu.be/U29H_PHrh14?si=NDbHAwR0CTTIuApY Museum and Heritage show at Olympia London, Theatre 3 at 2:15 on Wednesday 13th May, 2026 https://show.museumsandheritage.com/     Skip the Queue is brought to you by Merac. We provide attractions with the tools and expertise to create world-class digital interactions. Very simply, we're here to rehumanise commerce. Your guest host is Andy Povey. If you like what you hear, you can subscribe on Apple Podcasts, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm. If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on LinkedIn. Credits: Written by Emily Burrows (Plaster) Edited by Steve Folland Produced by Emily Burrows and Sami Entwistle (Plaster) Download The Visitor Attractions Website Survey Report - https://www.merac.co.uk/download-the-visitor-attractions-survey We have launched our brand-new playbook: ‘The Retail Ready Guide to Going Beyond the Gift Shop' — your go-to resource for building a successful e-commerce strategy that connects with your audience and drives sustainable growth. Download your FREE copy here

A museum can add square footage without changing how people feel inside it. Crystal Bridges is doing the opposite. We talk with Moira Anderson, Director of Public Programs for Crystal Bridges Museum of American Art and the Momentary, about the June 6-7 opening that doubles gallery space and introduces a major new Learning and Engagement Hub built for rest, play, and hands-on creativity. If you have ever thought, “Museums aren't for me,” this conversation is for you!We get into what's actually new: studio spaces including ceramics, a community lounge that welcomes you before you ever pick up a brochure, and performance and gathering rooms that make the museum feel like a place to stay, not just pass through. Moira explains why access means more than free admission, and how drop-in art making is designed for the person who has never touched a paintbrush, the family member who gets tired halfway through, and the first-time visitor who needs a clear signal that they belong. Then we preview the celebration weekend: creating alongside artists, a bike-powered pottery wheel, screen printing, and musicians from Jazz at Lincoln Center performing among the artworks and in the new Commons. We also talk about Bentonville, Arkansas as a fast-growing destination, the way Crystal Bridges blends art, architecture, and the Ozark landscape, and how programming connects across Crystal Bridges and the Momentary, including what's coming next at the Momentary. If you're planning a trip or looking for the best things to do in Bentonville, this will help you map a day that feels inspiring instead of exhausting. Subscribe, share this with a friend who “isn't an art person,” and leave a review with the part of the museum experience you wish every city had.A New American Town is here to help you plan your trip to Bentonville, Arkansas. From guides, events, and restaurant highlights. Find all this and more at visitbentonville.com and subscribe to our newsletter. Follow us on Facebook, Instagram, TikTok, X, and LinkedIn.  You can listen to this podcast on Apple Podcasts, Overcast, Spotify, CastBox, Podcast Casts, Google Podcasts, iHeartRadio, and Podcast Addict.  

For centuries, museums in Europe and the U.S. built their collections during eras of empire and unequal power. Now, institutions face growing calls to return artifacts taken through colonial rule or war, from the Benin Bronzes to Indigenous objects. Supporters say repatriation corrects historical injustice and restores sacred objects to their communities. Critics argue that museums serve a global public and that these works represent shared human heritage. Now we debate: Should Museums Repatriate Cultural Artifacts? Arguing Yes:   Chika Okeke-Agulu, Artist, Curator, and Professor of Art and Archaeology and African American Studies at Princeton University  Leila Amineddoleh, Art and Cultural Heritage Lawyer; Chair of the Firm's Art Law Group at Tarter Krinsky & Drogin  Arguing No:   Dominic Selwood, Historian, Author, Journalist, and Barrister  Mario Trabucco della Torretta, Classical Archaeologist  Emmy award-winning journalist John Donvan moderates  Join the conversation on Substack - share your perspective on this episode and subscribe to our weekly newsletter for curated insights from our debaters, moderators, and staff.  Follow us on YouTube, Instagram, LinkedIn, X, Facebook, and TikTok to stay connected with our mission and ongoing debates.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

These jobs may seem fun, but they're actually kind of a nightmare...

The first American retrospective of the work of pioneering artist Marcel Duchamp in 50 years has landed at the MoMA. Curators Ann Temkin and Michelle Kuo discuss the show, running now through August 22. Image by Alfred Stieglitz; 'Fountain' (photograph of readymade by Marcel Duchamp). New York, 1917. Gelatin silver print. Box in a Valise Archive, private collection, USA. © Association Marcel Duchamp / ADAGP, Paris / Artists Rights Society (ARS), New York 2026

Professor Eric Cline explores the massive fragmentation of the Amarna archive across global museums and highlights Hugo Winckler's pivotal role in categorizing the diplomatic letters exchanged between great Bronze Age kings and petty tyrants. (11)1947 LONG BEACH

Topics Archaic Words, The Disappearing Fruit of the Spirit, Emotional Support Squirrel Drama, Skydiving at 102, God's Patience, Sarcasm in the Bible, Lottery Logic, Excuse-Making Mode, Crocodiles in the Himalayas, Generosity Fixes Bad Days, Breaking Animal News, Hoarding vs. Museums, Brant as James Bond BONUS CONTENT: Promotions Without Raises, Listener Jingle Quotes: "God's patience is breathtaking." "If I hit the wrong button and blow up a plane, how fast do I come up with an excuse?" "The simplest antidote to a tough day is generosity." "There's a fine line between hoarding… and being a museum curator." "I don't want to think about a 102 year old woman crashing through the clouds towards me." For this episode of the Oddcast Rewind, we pulled together a mix of classic moments—some thoughtful, some goofy, all unmistakably us. Hopefully it gave you a few laughs, a little perspective, and maybe even a new appreciation for parrots with access to shopping apps.  . . . Holy Ghost Mama Pre-Order! Want more of the Oddcast? Check out our website! Watch our YouTube videos here. Connect with us on Facebook!

For a limited time, our listeners get 50% off FOR LIFE, Free Shipping, AND 3 Free Gifts at Mars Men at Mengotomars.com #sponsored -- Live Better Longer with BUBS Naturals. For A limited time get 20% Off your entire order with code wartimestories at Bubsnaturals.com #sponsored -- War museums are built to preserve history — collections of weapons, uniforms, and artifacts that once saw real combat. But in some cases, those who work among these exhibits report experiences that feel tied to the past in ways they can't explain. From display halls to storage rooms and restored vehicles, staff and visitors alike have described strange sounds, unexplained movement, and encounters that raise questions about what may still linger within these collections. Learn more about your ad choices. Visit megaphone.fm/adchoices