Podcasts about museums

This week, the boys pull up their dacks, lace up their blunnies, pull over their cardies, eat a bikkie, grab a tinny, and lob in for the Ridgy Didge himself, Baz Luhrmann's first feature film, “Strictly Ballroom”. This isn't any ear bashing- we loved it! It made us three happy little Vegemites. After Jeff gives a quick mini-review of “Mission: Impossible— The Final Reckoning”, our native Aussie and gutless wonder, Dave, knackered from a good hissy at his lappy, guides us through this absolute hooley dooley. Don't be a drongo- grab a coldie and listen- you'll be doing the bogo pogo in a jiff!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 6:27 Jeff's mini-review of Mission: Impossible — The Final Reckoning; 11:29 Gripes; 15:01 1992 Year in Review; 39:02 Films of 1992: Strictly Ballroom; 1:21:26 What You Been Watching?; 1:28:53 Next Episode Teaser Additional Cast/Crew: Paul Mercurio, Tara Morice, Craig Pearce, Bill Hunter, Pat Thompson, Gia Carides, Peter Whitford, Barry Otto, Sonia Kruger, Tom Cruise, Hayley Atwell, Simon Pegg, Ving Rhames, Pom Klementieff, Esai Morales, Holt McCalleny, Janet McTeer, Nick Offerman, Shea Whigham, Tramell Tillman, Angela Bassett, Mark Gatiss, Rolf Saxon, Greg Tarzan Davis. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, The Monuments Men, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Fuhrermuseum, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics)    

As the lasting impact of colonialism and slavery is felt throughout Native American tribes and Black communities today, museums across the nation are grappling with issues of patrimony and provenance regarding art, artifacts, relics, and remains. These items were often taken without consent, long before ethical protocols for procurement were established.rnrnNow, museums are working to find solutions in collaboration with community and comply with federal laws, such as the Native American Graves and Repatriation Act (NAGPRA). Enacted in the 1990s, the Biden Administration recently issued updated policies that ultimately led to some museums covering up or removing some displays until the appropriate determinations could be made. This act reignited a conversation on museums' role in reconciliation, addressing historical injustices, and cross-cultural understanding.rnrnThe City Club is once again proud to partner with The Cleveland Orchestra as part of the third annual Jack, Joseph and Morton Mandel Opera and Humanities Festival. Join us as we hear from museum leadership from Washington, D.C., New York City, and here in Ohio on how American cultural institutions are charting a new path forward on reconciliation and repatriation.

As the United States nears its 250th anniversary, I'm joined by Jeffrey Anderson—President and Founder of American Main Street Initiative—who has a powerful message on the importance of celebrating our nation's history and its heroes. - - -  Today's Sponsor: Beam - Visit https://shopbeam.com/KLAVAN and use code KLAVAN to get our exclusive discount of up to 40% off.

The boys head to Japan this week to discuss Akira Kurosawa's “Yojimbo”. Starring Toshiro Mifune, the film is considered one of the most influential movies of all time. It's so influential that an entire series of westerns ripped it off so good they couldn't be released in the US for years due to threats of lawsuits. Anyway, this film is awesome, but did the boys think it stands up to the other Kurosawa greats? Grab a beer and tune in!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 8:56 “Sinners” follow-up; 14:30 Gripes; 21:31 1961 Year in Review; 45:26 Films of 1961: “Yojimbo”; 1:30:53 What You Been Watching?; 1:38:58 Next Week's Movie Announcement Additional Cast/Crew: Toshiro Mifune, Tatsuya Nakadai, Fukuzo Koizumi, Takao Saito, Daisuke Katō, Masaru Sato, Kazuo Miyagawa, Akira Kurosawa.  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: France, The War of 1812, Napoleon, Russia, Russian History, Aristocracy, Dueling, Swans, Ducks, Chickens, Generals, Mean Streets, Taxi Driver, Black Mirror, Slow Horses, The First Look, Ben Mendelsohn, French Accents, The Monuments Men, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Fuhrermuseum, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.  

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your hosts are Paul Marden and Andy Povey.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. Show references:  Anna Preedy, Director M+H Showhttps://show.museumsandheritage.com/https://www.linkedin.com/in/annapreedy/Jon Horsfield, CRO at Centegra, a Cinchio Solutions Partnerhttps://cinchio.com/uk/https://www.linkedin.com/in/jon-horsfield-957b3a4/Dom Jones, CEO, Mary Rose Trust https://maryrose.org/https://www.linkedin.com/in/dominicejones/https://www.skipthequeue.fm/episodes/dominic-jonesPaul Woolf, Trustee at Mary Rose Trusthttps://maryrose.org/https://www.linkedin.com/in/paul-woolf/Stephen Spencer, Ambience Director, Stephen Spencer + Associateshttps://www.stephenspencerassociates.com/https://www.linkedin.com/in/customerexperiencespecialist/https://www.skipthequeue.fm/episodes/stephen-spencerSarah Bagg, Founder, ReWork Consultinghttps://reworkconsulting.co.uk/https://www.linkedin.com/in/sarahbagg/https://www.skipthequeue.fm/episodes/sarah-baggJeremy Mitchell, Chair of Petersfield Museum and Art Galleryhttps://www.petersfieldmuseum.co.uk/https://www.linkedin.com/in/jeremy-mitchell-frsa-4529b95/Rachel Kuhn, Associate Director, BOP Consultinghttps://www.bop.co.uk/https://www.linkedin.com/in/kuhnrachel/  Transcriptions:Paul Marden: Welcome to Skip the Queue, the podcast for people working in and working with visitor attractions. You join me today, out and about yet again. This time I am in London at Olympia for the Museums and Heritage Show. Hotly anticipated event in everybody's diary. We all look forward to it. Two days of talks and exhibitions and workshops. Just a whole lot of networking and fun. And of course, we've got the M and H awards as well. So in this episode, I am going to be joined by a number of different people from across the sector, museum and cultural institution professionals, we've got some consultants, we've got some suppliers to the industry, all pretty much giving us their take on what they've seen, what they're doing and what their thoughts are for the year ahead. So, without further ado, let's meet our first guest. Andy Povey: Hi, Anna. Welcome to Skip the Queue. Thank you for giving us some of your time on what must be a massively busy day for you. I wonder if you could just tell the audience who you are, what you do, a little bit about what museums and heritage is, because not everyone listening to the podcast comes from the museum sector. Anna Preedy: Andy, thanks. This is a great opportunity and always really lovely to see your happy smiley face at the Museums and Heritage Show. So M and H, as we're often referred to as, stands for Museums and Heritage and we're a small business that organises the principal trade exhibition for the Museums and Heritage sector that could be broadened, I suppose, into the cultural sector. We also have the awards ceremony for the sector and an online magazine. So we are Museums and Heritage, but we're often referred to as M and H and we've been around for a very long time, 30 plus years. Andy Povey: Oh, my word. Anna Preedy: I know. Andy Povey: And what's your role within the organisation? Your badge says Event Director today. That's one of many hats. Anna Preedy: I'm sure it is one of many hats because we're a very small team. So I own and manage the events, if you like. M and H is my baby. I've been doing it for a very long time. I feel like I'm truly immersed in the world of museums and heritage and would like to think that as a result of that, I kind of understand and appreciate some of the issues and then bring everyone together to actually get in the same room and to talk them through at the show. So, yeah, that's what we're about, really. Andy Povey: In a shorthand and obviously the show. We're in the middle of West London. It's a beautifully sunny day here at Olympia. The show is the culmination, I suppose of 12 months of work. So what actually goes in? What does a normal day look like for you on any month other than May? Anna Preedy: Yeah, it was funny actually. Sometimes people, I think, well, what do you do for the rest of the year? You just turn up to London for a couple of days, just turn up delivering an event like this. And also our award scheme is literally three, six, five days of the year job. So the moment we leave Olympia in London, we're already planning the next event. So it really is all encompassing. So I get involved in a lot. As I say, we're a small team, so I'm the person that tends to do most of the programming for the show. So we have 70 free talks. Everything at the show is free to attend, is free to visit. So we have an extensive programme of talks. We have about 170 exhibitors. Anna Preedy: So I'm, although I have a sales team for that, I'm managing them and looking after that and working with some of those exhibitors and then I'm very much involved in our awards. So the Museums and Heritage Awards look to celebrate and reward the very best in our sector and shine the spotlight on that not just in the UK but around the world. So we have a judging panel and I coordinate that. So pretty much every decision, I mean you look at the colour of the carpet, that which incidentally is bright pink, you look at the colour of the carpet here, who made the decision what colour it would be in the aisles this year it was me. So I, you know, I do get heavily involved in all the nitty gritty as well as the biggest strategic decisions. Andy Povey: Fantastic. Here on the show floor today it is really busy, there are an awful lot of people there. So this is all testament to everything that you've done to make this the success that it is. I'm sure that every exhibitor is going to walk away with maybe not a full order book, but definitely a fistful of business cards. Anna Preedy: I think that's it, what we really want. And we sort of build this event as the big catch up and we do that for a reason. And that is really to kind of give two days of the year people put those in their diary. It's a space where people can come together. So you know, there'll be people here standing on stands who obviously and understandably want to promote their product or service and are looking to generate new business. And then our visitors are looking for those services and enjoying the talks and everyone comes together and it's an opportunity to learn and network and connect and to do business in the broadest possible sense. Really. Andy Povey: No, I think that the line, the big catch up really sums the show up for me. I've been. I think I worked out on the way in this morning. It's the 15th time I've been to the show. It's one of my favourite in the year because it is a fantastic mix of the curatorial, the commercial, everything that goes into running a successful museum or heritage venue. Anna Preedy: I mean, it's funny when people ask me to summarise. I mean, for a start, it's quite difficult. You know, really, it should be museums, galleries, heritage, visitor, attractions, culture. You know, it is a very diverse sector and if you think about everything that goes into making a museum or a gallery or a historic house function, operate, engage, it's as diverse as the organisational types are themselves and we try and bring all of that together. So, you know, whether you are the person that's responsible for generating income in your organisation, and perhaps that might be retail or it might be catering, it could be any. Any stream of income generation, there's going to be content for you here just as much as there's going to be content for you here. Anna Preedy: If you are head of exhibitions or if you are perhaps wearing the marketing hat and actually your job is, you know, communications or audience development, we try and represent the sector in its broadest scope. So there is something for everyone, quite. Andy Povey: Literally, and that's apparent just from looking on the show floor. So with all of your experience in the museum sector, and I suppose you get to see. See quite an awful lot of new stuff, new products. So what are you anticipating happening in the next sort of 6 to 12 months in our sector? Anna Preedy: I mean, that's a big question because, you know, going back to what were just saying, and the kind of different verticals, if you like, that sit within the sector, but I think the obvious one probably has to be AI, and the influence of that. I'm not saying that's going to change everything overnight. It won't, but it's. You can see the ripples already and you can see that reflected out here on the exhibition floor with exhibitors, and you can also see it in our programme. So this sort of AI is only, you know, one aspect of, you know, the bigger, wider digital story. But I just think it's probably more about the sector evolving than it is about, you know, grand sweeping changes in any one direction. Anna Preedy: But the other thing to say, of course, is that as funding gets more the sort of the economic landscape, you know, is tough. Undeniably so. So generating revenue and finding new ways to do that and prioritising it within your organisation, but not at the expense of everything else that's done. And it should never be at the expense of everything else that's done. And it's perfectly possible to do both. Nobody's suggesting that it's easy, nothing's easy but, you know, it's possible. Anna Preedy: And I think the show here, and also what we do online in terms of, you know, news and features, all of that, and what other organisations are doing in this sector, of course, and the partners we work with, but I think just helping kind of bridge that gap really, and to provide solutions and to provide inspiration and actually, you know, there's no need to reinvent the wheel constantly. Actually, I think it was somebody that worked in the sector. I'm reluctant to names, but there was somebody I remember once saying, well, know, stealing with glee is kind of, you know, and I think actually, you know, if you see somebody else is doing something great and actually we see that in our wards, you know, that's the whole point. Let's shine a spotlight on good work. Well, that might inspire someone else. Anna Preedy: It's not about ripping something off and it's not absolute replication. But actually, you know, scalable changes in your organisation that may have been inspired by somebody else's is only a good thing as well. Andy Povey: It's all that evolutionary process, isn't it? So, great experience. Thank you on behalf of everybody that's come to the show today. Anna Preedy: Well, thank you very much. I love doing it, I really genuinely do and there is nothing like the buzz of a busy event. Jon Horsfield: Yeah, My name is Jon Horsfield, I'm the Chief Revenue Officer of Cincio Solutions. Andy Povey: And what does Cincio do? Jon Horsfield: We provide F and B technology, so kiosks, point of sale payments, kitchen systems, inventory, self checkout to the museums, heritage zoos, aquariums and hospitality industries. Andy Povey: Oh, fantastic. So I understand this is your first time here at the Museums and Heritage Show. Jon Horsfield: It is our first time. It's been an interesting learning curve. Andy Povey: Tell me more. Jon Horsfield: Well, our background is very much within the hospitality. We've been operating for about 20 to 23 years within the sort of high street hospitality side of things. Some of our London based listeners may have heard of Leon Restaurants or Coco Di Mama, we've been working with them for over 20 years. But we're looking at ways of bringing that high street technology into other industries and other Verticals and the museums and heritage is a vertical that we've identified as somewhere that could probably do with coming into the 21st century with some of the technology solutions available. Andy Povey: I hear what you're saying. So what do you think of the show? What are your first impressions? Give me your top three tips. Learning points. Jon Horsfield: Firstly, this industry takes a long time to get to know people. It seems to be long lead times. That's the first learning that we've had. Our traditional industry in hospitality, people will buy in this industry. It's going to take some time and we're happy about that. We understand that. So for us, this is about learning about know about how the industry works. Everybody's really friendly. Andy Povey: We try. Yeah. Jon Horsfield: That's one of the first things that we found out with this. This industry is everybody is really friendly and that's quite nice. Even some of our competitors, we're having nice conversations with people. Everybody is really lovely. The third point is the fact that I didn't know that there were so many niche markets and I found out where my mother buys her scarves and Christmas presents from. So it's been really interesting seeing the different types of things that people are looking for. We've sort of noticed that it's really about preservation. That's one of the main areas. There's a lot of things about preservation. Another one is about the display, how things are being displayed, and lots of innovative ways of doing that. But also the bit that we're really interested in is the commercialization. Jon Horsfield: There's a real push within the industry to start to commercialise things and bring in more revenue from the same people. Andy Povey: Yeah, yeah. I mean, that's all about securing the destiny so that you're not reliant on funding from external parties or government and you taking that control. So what do you do at Centrio that helps? Jon Horsfield: Well, first of all. First of all, I would say the efficiencies that we can bring with back office systems integrations. We're very well aware of what we do, we're also aware of what we don't do. So, for example, we're not a ticketing provider, we're a specialist retail and F and B supplier. So it's about building those relationships and actually integrating. We've got a lot of integrations available and we're very open to that. So that's the first thing. But one of the key things that we're trying to bring to this industry is the way that you can use technology to increase revenue. So the kiosks that we've got here, it's proven that you'll get a minimum average transaction value increase of 10 to 15%. Andy Povey: And what do you put that down to? Jon Horsfield: The ability to upsell. Okay, with kiosks, as long as, if you put, for example, with a burger, if you just have a nice little button, say would you like the bacon fries with that? It's an extra few pounds. Well, actually if you've got an extra few pounds on every single transaction, that makes an incredible difference to the bottom line. From the same number of customers. Some of our clients over in the USA have seen an ATV increase above to 60% with the use of kiosks. Andy Povey: And that's just through selling additional fries. Jon Horsfield: Exactly. People will. I went to a talk many years ago when people started to adopt kiosks and the traditional thing is the fact that people will order two Big Macs and a fries to a kiosk, but when you go face to face, they will not order two Big Macs and a fries. Andy Povey: So you're saying I'm a shy fatty who's basically. Jon Horsfield: Absolutely not. Absolutely not, Andy. Absolutely not. So that's really what it's about. It's about using the sort of the high street technology and applying that to a different industry and trying to bring everybody along with us. Dominic Jones: And you need to listen to the Skip the Queue. It's the best podcast series ever. It'll give you this industry. Paul Marden: Perfect. That was a lovely little sound bite. Dom, welcome. Dominic Jones: It's the truth. It's the truth. I love Skip the Queue. Paul Marden: Welcome back to Skip the Queue. Paul, welcome. For your first time, let's just start with a quick introduction. Dom, tell everybody about yourself. Dominic Jones: So I'm Dominic Jones, I'm the chief executive of the Mary Rose Trust and I'm probably one of Skip the Queue's biggest fans. Paul Marden: I love it. And biggest stars. Dominic Jones: Well, I don't know. At one point I was number one. Paul Marden: And Paul, what about yourself? What's your world? Paul Woolf: Well, I'm Paul Woolf, I've just joined the Mary Rose as a trustee. Dom's been kind of hunting me down politely for a little bit of time. When he found out that I left the King's Theatre, he was very kind and said, right, you know, now you've got time on your hands, you know, would you come over and help? So yeah, so my role is to support Dom and to just help zhuzh things up a bit, which is kind of what I do and just bring some new insights into the business and to develop It a bit. And look at the brand, which is where my skills. Dominic Jones: Paul is underselling himself. He is incredible. And the Mary Rose Trust is amazing. You haven't visited. You should visit. We're in Portsmouth Historic Dock blog. But what's great about it is it's about attracting great people. I'm a trustee, so I'm a trustee for good whites. I'm a trustee for pomp in the community. I know you're a trustee for kids in museums. I love your posts and the fact that you come visit us, but it's about getting the right team and the right people and Paul has single handedly made such a difference to performance art in the country, but also in Portsmouth and before that had a massive career in the entertainment. So we're getting a talent. It's like getting a Premiership player. And we got Paul Woolf so I am delighted. Dominic Jones: And we brought him here to the Museum Heritage show to say this is our industry because we want him to get sucked into it because he is going to be incredible. You honestly, you'll have a whole episode on him one day. Paul Marden: And this is the place to come, isn't it? Such a buzz about the place. Paul Woolf: I've gone red. I've gone red. Embarrassed. Paul Marden: So have you seen some talks already? What's been impressive for you so far, Paul? Paul Woolf: Well, we did actually with the first talk we were listening to was all about touring and reducing your environmental impact on touring, which is quite interesting. And what I said there was that, you know, as time gone by and we had this a little bit at theatre actually. But if you want to go for grant funding today, the first question on the grant funding form, almost the first question after the company name and how much money you want is environmental impact. Paul Marden: Yeah, yeah. Paul Woolf: And so if you're going tour and we're looking now, you know, one of the things that Dom and I have been talking about is, you know, Mary Rose is brilliant. It's fantastic. You know, it's great. It's in the dockyard in Portsmouth and you know, so. And, and the Andes, New York, you know, everywhere. Dominic Jones: Take her on tour. Paul Woolf: Why isn't it on tour? Yeah. Now I know there are issues around on tour. You know, we've got the collections team going. Yeah, don't touch. But nonetheless it was interesting listening to that because obviously you've got to. Now you can't do that. You can't just put in a lorry, send it off and. And so I thought that was quite interesting. Dominic Jones: Two, it's all the industry coming together. It's not about status. You can come here as a student or as a CEO and you're all welcome. In fact, I introduced Kelly from Rubber Cheese, your company, into Andy Povey and now you guys have a business together. And I introduced them here in this spot outside the men's toilets at Museum and Heritage. Paul Woolf: Which is where we're standing, by the way. Everybody, we're outside the toilet. Dominic Jones: It's the networking, it's the talks. And we're about to see Bernard from ALVA in a minute, who'll be brilliant. Paul Marden: Yes. Dominic Jones: But all of these talks inspire you and then the conversations and just seeing you Andy today, I'm so delighted. And Skip the Queue. He's going from strength to strength. I love the new format. I love how you're taking it on tour. You need to bring it to the May Rose next. Right. Paul Marden: I think we might be coming sometimes soon for a conference near you. Dominic Jones: What? The Association of Independent Museums? Paul Marden: You might be doing an AIM conference with you. Dominic Jones: Excellent. Paul Marden: Look, guys, it's been lovely to talk to you. Enjoy the rest of your day here at M and H. Paul Marden: Stephen, welcome back to Skip the Queue. Stephen Spencer: Thank you very much. Paul Marden: For listeners, remind them what you do. Stephen Spencer: So I'm Stephen Spencer. My company, Stephen Spencer Associates, we call ourselves the Ambience Architects because we try to help every organisation gain deeper insight into the visitor experience as it's actually experienced by the visitor. I know it sounds a crazy idea, really, to achieve better impact and engagement from visitors and then ultimately better sustainability in all senses for the organisation. Paul Marden: For listeners, the Ambience Lounge here at M and H is absolutely rammed at the moment. Stephen Spencer: I'm trying to get in myself. Paul Marden: I know, it's amazing. So what are you hoping for this networking lounge? Stephen Spencer: Well, what we're aiming to do is create a space for quality conversations, for people to meet friends and contacts old and new, to discover new technologies, new ideas or just really to come and have a sounding board. So we're offering free one to one advice clinic. Paul Marden: Oh, really? Stephen Spencer: Across a whole range of aspects of the visitor journey, from core mission to revenue generation and storytelling. Because I think, you know, one of the things we see most powerfully being exploited by the successful organisations is that kind of narrative thread that runs through the whole thing. What am I about? Why is that important? Why should you support me? How do I deliver that and more of it in every interaction? Paul Marden: So you're Having those sorts of conversations here with people on a one to one basis. Stephen Spencer: Then we also are hosting the structured networking event. So all of the sector support organisations that are here, they have scheduled networking events when really people can just come and meet their peers and swap experiences and again find new people to lean on and be part of an enriched network. Paul Marden: Absolutely. So we are only half a day in, not even quite half a day into a two day programme. So it's very early to say, but exciting conversations, things are going in the direction that you hoped for. Stephen Spencer: Yes, I think, I mean, we know that the sector is really challenged at the moment, really, the fact that we're in now such a crazy world of total constant disruption and uncertainty. But equally we offer something that is reassuring, that is enriching, it's life enhancing. We just need to find better ways to, to do that and reach audiences and reach new audiences and just keep them coming back. And the conversations that I've heard so far have been very much around that. So it's very exciting. Paul Marden: Excellent. One of themes of this episode that we'll be talking to lots of people about is a little bit of crystal ball gazing. You're right, the world is a hugely, massively disrupted place at the moment. But what do you see the next six or 12 months looking like and then what does it look like for the sector in maybe a five year time horizon? Stephen Spencer: Okay, well, you don't ask easy questions. So I think there will be a bit of a kind of shaking down in what we understand to be the right uses of digital technology, AI. I think we see all the mistakes that were made with social media and what it's literally done to the world. And whilst there are always examples of, let's say, museums using social media very cleverly and intelligently, we know that's against the backdrop of a lot of negativity and harm. So why would we want to repeat that, for example, with generative AI? Paul Marden: Indeed. Stephen Spencer: So I heard a talk about two years ago at the VAT conference about using AI to help the visitor to do the stuff that is difficult for them to do. In other words, to help them build an itinerary that is right for them. And I think until everyone is doing that, then they should be very wary of stepping off the carpet to try and do other things with it. Meanwhile, whilst it's an immersive experience, it is not just sitting in, you know, with all respect to those that do this, A, you know, surround sound visual box, it is actually what it's always been, which is meeting real people in authentic spaces and places, you know, using all the senses to tell stories. So I think we will need to see. Stephen Spencer: I've just been given a great coffee because that's the other thing we're offering in the coffee. It's good coffee. Not saying you can't get anywhere else in the show, just saying it's good here. Yeah. I think just some realism and common sense creeping into what we really should be using these technologies for and not leaving our visitors behind. I mean, for example, you know, a huge amount of the natural audience for the cultural sector. You know, people might not want to hear it, but we all know it's true. It's older people. And they aren't necessarily wanting to have to become digital natives to consume culture. So we shouldn't just say, you know, basically, unless you'll download our app, unless you'll do everything online, you're just going to be left behind. That's crazy. It doesn't make good business sense and it's not right. Stephen Spencer: So I just think some common sense and some. Maybe some regulation that will happen around uses of AI that might help and also, you know, around digital harms and just getting back to some basics. I was talking to a very old colleague earlier today who had just come back from a family holiday to Disney World, and he said, you know, you can't beat it, you cannot beat it. For that is immersive. Paul Marden: Yeah, absolutely. But it's not sealed in a box. Stephen Spencer: No, no. And it really. It's a bit like Selfridges. I always took out. My favourite store is Selfridges. It still does what Harry Gordon Selfridge set out to do. He said, "Excite the mind and the hand will reach for the pocket." I always say. He didn't say excite the eye, he said, excite the mind. Paul Marden: Yeah. Stephen Spencer: The way you do that is through all the senses. Paul Marden: Amazing. Stephen Spencer: And so, you know, digital. I'm sure he'd be embracing that. He would be saying, what about the rest of it? Paul Marden: How do you add the human touch to that? Yeah. I was at Big Pit last week. Stephen Spencer: As they reopened, to see this. Yeah. Paul Marden: And it was such an amazing experience walking through that gift shop. They have so subtly brought the museum into the gift shop and blended the two really well. Stephen Spencer: Yes. And I think that raises the bar. And again, if you want to make more money as a museum, you need to be embracing that kind of approach, because if you just carry on doing what you've always done, your revenue will go down. Paul Marden: Yes. Stephen Spencer: And we all know your revenue needs to go up because other. Other sources of income will be going down. Paul Marden: Sarah, welcome back to Skip the Queue last time you were here, there was a much better looking presenter than, you were in the Kelly era. Sarah Bagg: Yes, we were. Paul Marden: It's almost as if there was a demarcation line before Kelly and after Kelly. Why don't you just introduce yourself for me? Tell the listeners what it is that you do. Sarah Bagg: So I'm Sarah Bagg. I'm the founder of Rework Consulting. The last time I spoke, it wasn't that long after our launch. I think like two and a half years ago. We've just had our third birthday. Paul Marden: Wow. Sarah Bagg: Which is completely incredible. When we first launched rework, were specifically for the visitor attractions industry and focused on ticketing. Paul Marden: Yep. Sarah Bagg: So obviously we are a tech ticketing consultancy business. In the last three and a half years we've grown and now have five verticals. So attractions are one of them. Paul Marden: And who else do you work with then? Sarah Bagg: So the art, the leisure industry. So whether it be activity centres, cinemas, bowling centres and then live entertainment. So it could be anything from sports, festivals etc and the arts, like theatres or. Paul Marden: So closely aligned to your attractions. Then things that people go and do but different kinds of things loosely. Sarah Bagg: Say they're like live entertainment. Paul Marden: I like that. That's a nice description. So this must be Mecca for you to have all of these people brought together telling amazing stories. Sarah Bagg: I think how I would sum up museum and heritage today is that I think we're kind of going through a period of like being transformed, almost like back. People are reconstructing, connecting with real experiences and with people. Paul Marden: Yeah. Sarah Bagg: And I would like to think that tech is invisible and they're just to support the experience. I think there's a lot of things that are going on at the moment around, you know, bit nostalgia and people dragging themselves back to the 90s. And there's a lot of conversations about people and customer service and experience. And although technology plays a huge part in that, I would still like to think that people come first and foremost, always slightly weird from a technology consultant. Paul Marden: Well, nobody goes to a visitor attraction to be there on their own and interact with technology. That's not the point of being there. Yeah. Interesting talks that you've been today. Sarah Bagg: I think one of my favourite was actually one of the first of the day, which was about. Of how do you enhance the visitor experience through either like music and your emotions and really tapping into how you feel through, like all your different senses. Which was one of Stephen's talks which I really enjoyed. Paul Marden: That's really interesting. Sarah Bagg: I think if people like look at the visitor industry and across the board, that's why I'm so keen to stay, like across four different sectors, we can learn so much pulling ideas from like hospitality and restaurants and bars.Paul Marden: Completely. Sarah Bagg: Even if you think about like your best, there's a new bar there, so you can not very far from my home in Brighton and the service is an amazing. And the design of the space really caters for whether you're in there with 10 people or whether you're sat at the bar on your own. It doesn't exclude people, depending on what age you are or why you gone into the bar. And I think we can learn a lot in the visitor attractions industry because there's been a lot of talk about families today. I don't have children and I think that there, you need. Sarah Bagg: We need to think more about actually that lots of other people go to visitor attractions Paul Marden: Completely. Sarah Bagg: And they don't necessarily take children and they might want to go on their own. Yes, but what are we doing to cater for all of those people? There's nothing. Paul Marden: How do you make them feel welcome? How do you make them feel like they're a first class guest? The same as everybody else. Yeah. So where do you see the sector going over the next few years based on what you've seen today? Sarah Bagg: I think there'll be a lot more diversification between sectors. There's definitely a trend where people have got their assets. You know, like if you're looking at things like safari parks and zoos, places that have already got accommodation, but maybe like stately houses where there used to be workers that were living in those cottages or whatever, that they're sweating their assets. I think it would be interesting to see where tech takes us with that because there has been a tradition in the past that if you've got like, if your number one priority to sell is being like your hotel, then you would have like a PMS solution. But if it's the other way around, your number one priority is the attraction or the venue and you happen to have some accommodation, then how is that connecting to your online journey? Sarah Bagg: Because the last thing you want is like somebody having to do two separate transactions. Paul Marden: Oh, completely drives me crazy. Sarah Bagg: One thing I would also love to see is attractions thinking beyond their 10 till 6 opening hours completely. Because some days, like restaurants, I've seen it, you know, maybe they now close on Mondays and Tuesdays so they can give their staff a day off and they have different opening hours. Why are attractions still fixated in like keeping these standard opening hours? Because actually you might attract a completely different audience. There used to be a bit of a trend for like doing museum late. So I was speaking to a museum not very long ago about, you know, do they do like morning tours, like behind the scenes, kind of before it even opens. And I think the museum particularly said to me, like, "Oh, we're fine as we are.". Paul Marden: I've never met a museum that feels fine where it is at the moment. Sarah Bagg: But I guess the one thing I would love to see if I could sprinkle my fairy dus. Paul Marden: Come the revolution and you're in charge. Sarah Bagg: And it's not like, it's not even like rocket science, it's more investment into training and staff because the people that work in our industry are like the gold, you know, it's not tech, it's not pretty set works, it's not like fancy display cases. Yes, the artefacts and stuff are amazing. Paul Marden: But the stories, the people stuff. Yeah. Sarah Bagg: Give them empowerment and training and make the customer feel special. Paul Marden: Yes. Sarah Bagg: When you leave, like you've had that experience, you're only ever going to get that from through the people that you interact with completely. Paul Marden: Jeremy, hello. Welcome to Skip the Queue. We are, we are being slightly distracted by a dinosaur walking behind us. Such is life at M and H show. Jeremy Mitchell: Yeah. Paul Marden: So. Jeremy Mitchell: Well, anything to do with museums and dinosaurs, always great crowd pleasers. Paul Marden: Exactly, exactly. So is this your first time at M and H or have you been before? Jeremy Mitchell: Been before, but probably not for 10 years or more. It was, yes. I remember last time I came the theatres were enclosed so they were partitioned all the way around. Paul Marden: Right. Jeremy Mitchell: But because it's so popular now that would not just not would not work. It's a long time ago. It shows how long I've been volunteering. Paul Marden: In museums, doesn't it? So for our listeners, Jeremy, just introduce yourself and tell everyone about the role that you've got at the Petersfield Museum. Jeremy Mitchell: Okay, so I'm Jeremy Mitchell. I'm a trustee at Petersfield Museum now Petersfield Museum and Art Gallery. I'm actually now chair of trustees. Paul Marden: Paint a little picture for us of Petersfield Museum then. What could someone expect if they came to you? Apart from, as I understand, a very good cup of coffee. Jeremy Mitchell: A very good cup of coffee. Best in Petersfield. And that's not bad when there are 32 competitors. You'll get a little bit of everything you'll get a bit of. You'll get the story of Petersfield, but you'll get so much more. We've got collections of costume going back to the mid 18th century. We've got work of a local artist, Flora Torte, one of those forgotten female artists from between the wars. She's a story that we will be exploring. We've got, in partnership with the Edward Thomas Fellowship, a big archive of books and other artefacts by and about Edward Thomas, who was a poet, writer, literary critic. He's one of the poets killed in the First World War. But he's not well known as a war poet because he was writing about the impact of war on life at home. Jeremy Mitchell: So he's now more well known as a nature poet. Paul Marden: So you're telling the story not just of the place, you're telling the story of the people that have produced great art or had an impact on Petersfield. Jeremy Mitchell: Yes. And their networks and how they might relate to Petersfield in turn. And we've got the costume collection I mentioned going back to the mid 18th century, which came from Bedale School. They've all got stories to them. Paul Marden: Interesting. Jeremy Mitchell: This came from Bedale School, which is a private school on the edge of Petersfield. It was actually collected by their drama teacher between the 1950s and the 1970s. Paul Marden: Wow. Jeremy Mitchell: Because she believed in authenticity. So if she was putting on a 19th century production, she would want genuine 19th century clothes. Paul Marden: Let me tell you, my drama productions in a 1980s comprehensive did not include authentic 19th century costumes. Jeremy Mitchell: If were doing something like that at school, their parents would have been, all right, go down to the jumble sale, buy some material, make something that looks something like it. Paul Marden: Yeah. Jeremy Mitchell: But no, she was, well, if you haven't got anything in your attic that's suitable, please send me some money because there's a sale at Sotheby's in three months. Time off costume from the period. Paul Marden: Excellent. Jeremy Mitchell: And we've got some lovely pieces in there. When we put on the Peggy Guggenheim exhibition, which is what were talking about earlier today here, were able to bring in costume from the 1930s, Chanel dress, other high quality, not. Not necessarily worn by Peggy Guggenheim, but her. Paul Marden: Authentic of the period. Jeremy Mitchell: Authentic of the period. But her son was at Bedale, so she could have been asked to donate. Paul Marden: So. Okay. Jeremy Mitchell: Highly unlikely, but it was similar to items that she had been photographed in or would have been. Would have been wearing. Paul Marden: So tell me about the. The presentation. How was that? Jeremy Mitchell: It went so quickly. Paul Marden: Oh, yes. You get in the zone don't you? Jeremy Mitchell: You get in the zone. But it flowed and Louise was great. Louise had done the bulk of the. The work. She prepared the presentation that visually told the story of the exhibition and its outcomes and impacts. And I filled in the boring book, I call it the BBC, the boring but crucial. How we funded it, how we organised the project, management around it, the planning and getting buy in from the rest of the trustees at the beginning, because it was potentially a big financial commitment if we hadn't been able to fund it. Paul Marden: Isn't it interesting? So coming to an event like this is always. There's always so much to learn, it's always an enriching experience to come. But it's a great opportunity, isn't it, for a small museum and art gallery such as Petersfield? It feels a little bit like you're punching above your weight, doesn't it, to be invited onto this stage to talk about it. But really you're telling this amazing story and it's of interest to everybody that's here. Jeremy Mitchell: We want to share it. If we've been able to do it, then why can't they? Why can't you? Why can't we all do it? And yes, you need the story, but if you dig deep enough, those stories are there. Paul Marden: Absolutely, Absolutely. One of the things that is a real common conversation here, M and H, is looking forward, crystal ball gazing, talking. There's challenges in the sector, isn't there? There's lots of challenges around funding and I guess as a small museum, you must feel those choppy waters quite acutely. Jeremy Mitchell: Definitely. I mean, we're an independent museum, so we're not affected by spending cuts because we don't get any funding from that area. But the biggest challenge is from the funding perspective. Yes, we have a big income gap every year that we need to bridge. And now that so much more of the sector is losing what was its original core funding, they're all fishing in the same pond as us and they've got. Invariably they've got a fundraising team probably bigger than our entire museum team, let alone the volunteer fundraiser that we've got. So, yes, it is a challenge and you are having to run faster just to stand still. The ability to put on an exhibition like Peggy Guggenheim shows that we are worth it. Paul Marden: Yes, absolutely. Jeremy Mitchell: And the Guggenheim was funded by Art Fund Western loan programme and an Arts Council project grant. And it was a large Arts Council project grant. Paul Marden: So although everyone's fishing in the same pond as you're managing to yeah. To stretch my analogy just a little bit too far, you are managing to. To get some grant funding and. Jeremy Mitchell: Yes. Paul Marden: And lift some tiddlers out the pond. Jeremy Mitchell: Yes. But it was quite clear that with Peggy it was a story that had to be told. Paul Marden: So we talked a little bit about challenging times. But one of the big opportunities at M and H is to be inspired to think about where the opportunities are going forwards. You've had a day here today. What are you thinking as inspiration as next big things for Petersfield Museum. Jeremy Mitchell: I'm finding that really difficult because we're small, we're a small site, Arkansas, I think has got to be a way forward. I miss the talk. But they're all being recorded. Paul Marden: Yes. Jeremy Mitchell: So I shall be picking that one up with interest. But AR is something. We've got police cells. Well, we've got a police cell. Paul Marden: Okay. Jeremy Mitchell: Now, wouldn't it be great to tell an augmented reality story of Victorian justice to kids? Paul Marden: Yes. Jeremy Mitchell: While they're sat in a victory in a Victorian police cell on a hard wooden bench. That is the original bench that this prisoners would have slept on. Paul Marden: I've done enough school visits to know there's enough kids that I could put in a jail just to keep them happy or to at least keep them quiet whilst the rest of us enjoy our visit. Yes. I feel like I need to come to Petersfield and talk more about Peggy because I think there might be an entire episode of Skip the Queue to talk just about putting on a big exhibition like that. Jeremy Mitchell: Yeah, no, definitely. If you drop me an email you can skip the queue and I'll take you around. Paul Marden: Oh lovely, Rachel, welcome to Skip the Queue. You join me here at M and H show. And we've taken over someone's stand, haven't we? I know, it feels a bit weird, doesn't it? Rachel Kuhn: I feel like we're squatting but I. Paul Marden: Feel a little bit like the Two Ronnies, cuz we're sat behind the desk. It's very strange. Which one are you? Anyway, just for listeners. Introduce yourself for me. Tell listeners what it is that you do at BOP Consulting. Rachel Kuhn: Yeah, so I'm Rachel Kuhn, I'm an associate director at BOP and we specialise in culture and the creative economy and kind of working across everything that is to do with culture and creative economy globally. But I lead most of our strategy and planning projects, particularly in the UK and Ireland, generally working with arts, heritage, cultural organisations, from the very earliest big picture strategy through to real nitty gritty sort of operational plans and outside of bop. I'm a trustee for Kids in Museums, where we love to hang, and also a new trustee with the Postal Museum. Paul Marden: Given what you do at bop, this must be like the highlight of the year for you to just soak up what everybody is doing. Rachel Kuhn: I love it. I mean, it's so lovely just going around, chatting to everybody, listening in on the talks and I think that spirit of generosity, you know, like, it just comes across, doesn't it? And it just reminds me why I love this sector, why I'm here. You know, everyone wants to, you know, contribute and it's that whole sort of spirit of what do they say? We know when the tide rises, so do all the boats or all the ships. And I feel like that's the spirit here and it's lovely. Paul Marden: It is such a happy place and it's such a busy, vibrant space, isn't it? What have been the standout things for you that you've seen today? Rachel Kuhn: I think probably on that spirit of generosity. Rosie Baker at the founding museum talking about the incredible work they've done with their events, hires, programmes. Obviously got to give a shout out to the Association of Cultural Enterprise. I've been doing a lot of hanging out there at their stage day. So Gurdon gave us the rundown of the benchmarking this morning. Some really good takeaways from that and Rachel Mackay, I mean, like, obviously. Paul Marden: Want to go into. Rachel Kuhn: You always want to see her. Really good fun, but lovely to hear. She's talking about her strategy, the Visitor Experience strategy. And you know what, I spend so much time going into places looking at these sub strategies, like visual experience strategies that just haven't been written in alignment with the overall strategy. So it's lovely to see that linking through, you know, and obviously I'm from a Visitor Experience background, so hugely passionate about the way that Visitor Experience teams can make visitors feel the organization's values. And that alignment was really impressive. So, yeah, really lovely and loads of great takeaways from all those talks. Paul Marden: I will just say for listeners, all of these talks have been recorded, so everyone's going to be able to download the materials. It take a couple of weeks before they were actually published. But one of the questions that I've asked everybody in these vox pops has been, let's do some crystal ball gazing. It's. It stinks at the moment, doesn't it? The, the, the economy is fluctuating, there is so much going on. What do you see 6 to 12 month view look like? And then let's really push the boat out. Can we crystal ball gaze maybe in five years? Rachel Kuhn: Yeah.  I mean, look, I think the whole problem at the moment and what's causing that sort of nervousness is there's just a complete lack of surety about loads of things. You know, in some ways, you know, many organisations have welcomed the extension for the MPO round, the current round, but for many, you know, that's just pushed back the opportunity to get in on that round that little bit further away. It's caused that sort of nervousness with organisations are having to ride on with the same funding that they asked for some years ago that just doesn't, you know, match, you know, and it's actually a real time cut for them. Paul Marden: Absolutely. Rachel Kuhn: So I think, very hard to say, I don't know that there's much I can say. I feel like as at sea as everyone else, I think about what the landscape looks like in the next six months, but I think that never has there been, you know, a better time than something like this like the M and H show. You know, this is about coming together and being generous and sharing that information and I think reaching out to each other and making sure that we're sort of cross pollinating there. There's so much good stuff going on and we've always been really good at that and I think sometimes when we're feeling a bit down, it feels like, oh, I just don't want to go to something like this and meet others and, you know, get into a bit of a misery cycle. Rachel Kuhn: But actually it's so uplifting to be at something like this. And I think, you know, what we've seen here is at the show today, I think, is organisations being really generous with their experience and their expertise. Suppliers and consultants and supporters of the sector being really generous with their time and their expertise and actually just shows just spending a bit of time with each other, asking things of each other. We've just got loads of stuff to share and we're all really up for it. And I think that generosity is so critical and I mean, obviously I'm going to plug, I've got to plug it. Rachel Kuhn: So, you know, if you are a supplier, if you are a commercial business working in this sector, it might be tough times for you, but it's certainly nowhere near as hard as it is for the arts and cultural heritage organisations in the sector. You know, reach out to them and see how you can support them and help them. I mean, you and I have both been on a bit of a drive recently to try and drum up some sponsorship and corporate support for kids in museums who, you know, an Arts council MPO who we're incredible, incredibly proud to represent and, you know, do reach out to us. If you've been thinking, oh, I just want to sponsor something and I'd love to sponsor us. Paul Marden: Exactly. I mean, there's loads of opportunities when you take kids in museums as an example, loads of opportunities for. And this is what Arts Council wants us to do. They want us to be more independent, to generate more of our own funding and we've got a great brand, we do some amazing work and there's lots of opportunities for those commercial organisations who align with our values to help to support us. Rachel Kuhn: So I think you asked me there about what's in the next year. So next year, six months, I don't know is the answer. I think it's just a difficult time. So my advice is simply get out there, connect, learn from each other, energise each other, bring each other up. Let's not get into that sort of doom cycle. That's very easy next five years. You know what, I've had some really interesting meetings and conversations over the last. Well, one particularly interesting one today, some other ones about some funds that might be opening up, which I think is really exciting. You know, we've seen this really big challenge with funding, you know, slowing funding going in much larger amounts to a smaller number of large organisations and that causes real problems. But I think there might be a small turnaround on that. Rachel Kuhn: I'm not crumbs in the earth. I think it's still tough times. But that was really exciting to hear about. I'm also seeing here at the show today. I've been speaking to a lot of suppliers whose their models seem to be shifting a lot. So a lot more opportunities here where it requires no investment from the attraction and a lot more sort of interesting and different types of profit share models, which I think is really interesting. So I think the other thing I'd say is if you're an attraction, don't discount partnering some of these organisations because actually, you know, go and talk to them. Rachel Kuhn: Don't just, don't just count them out because you think you haven't got anything to invest because many of them are visiting new models and the couple that I've spoken to who aren't, learn from your competitors and start doing some different models. And I think that's been really interesting to hear some very different models here for some of the products, which is really exciting. Paul Marden: It is really hard sitting on the other side of the fence, as a supplier, we need cash flow as well. We've got to pay bills and all of those sorts of things. But you're right, there are interesting ways in which we all want to have a conversation. As you say, don't sit back afraid to engage in the conversation because you've got nothing to invest, you've got an important brand, you've got an audience. Those are valuable assets that a supplier like us would want to partner with you to help you to bring a project to life. And that might be on a rev share model, it might be on a service model. There's lots of different ways you can slice it and dice it. Rachel Kuhn: And going back, on a closing note, I suppose, going back to that generosity thing, don't think because you haven't got any money to commission, you know, a supplier to the sector or a commercial company, that you can't reach out to them. Like, you know, we are in this because we really want to support these organisations. This is our passion. You know, many of us are from the sector. You know, I will always connect somebody or introduce somebody or find a way to get a little bit of pro bono happening, or, you know, many of my colleagues are on advisory committees, we're board members. And I think that's the same for so many of the companies that are, like, working with the sector. You know, reach out and ask for freebie, you know, don't ask, don't get. Paul Marden: Yeah, exactly. Rachel, it is delightful to talk to you as always. Thank you for joining us on Skip the Queue and I am sure, I'm sure we'll make this into a full episode one day soon. I do say that to everybody. Rachel Kuhn: Thanks so much. Lovely to speak to you. Paul Marden: Andy. Andy Povey: Paul.Paul Marden: We've just walked out of the M and H show for another year. What are your thoughts? Andy Povey: First, I'm exhausted, absolutely exhausted. I'm not sure that I can talk anymore because I've spent 48 hours having some of the most interesting conversations I've had all year. Paul Marden: No offence, Tonkin. Andy Povey: You were part of some of those conversations, obviously, Paul. Paul Marden: I was bowled over again by just the sheer number of people that were there and all those lovely conversations and everybody was just buzzing for the whole two days. Andy Povey: The energy was phenomenal. I worked out that something like the 15th show, M & H show that I've been to, and I don't know whether it's just recency because it's sitting in the far front of my mind at the moment, but it seems like this was the busiest one there's ever been. Paul Marden: Yeah, I can believe it. The one thing that didn't change, they're still working on Olympia. Andy Povey: I think that just goes on forever. It's like the fourth Bridge. Paul Marden: Talks that stood out to you. Andy Povey: I really enjoyed interpretation One led by the guy from the sign language education company whose name I can't remember right now. Paul Marden: Yeah, Nate. That was an amazing talk, listeners. We will be getting him on for a full interview. I'm going to solve the problem of how do I make a inherently audio podcast into something that's accessible for deaf people? By translating the podcast medium into some sort of BSL approach. So that was the conversation that we had yesterday after the talk. Andy Povey: I know. I really look forward to that. Then, of course, there was the George and Elise from Complete Works. Paul Marden: I know. They were amazing, weren't they? You couldn't tell at all that they were actors. Do you know, it was really strange when George. So there was a point in that talk that George gave where we all had a collective breathing exercise and it was just. It was. It was so brilliantly done and were all just captivated. There must have been. I rechon there was 100 people at theatre at that point. Absolutely. Because it was standing room only at the back. And were all just captivated by George. Just doing his click. Very, very clever. Andy Povey: But massively useful. I've seen the same thing from George before and I still use it to this day before going on to make a presentation myself. Paul Marden: Yeah, yeah. Andy Povey: Just grounding yourself, centering yourself. Well, it's fantastic. Paul Marden: Yeah. But the whole thing that they were talking about of how do we create opportunities to have meaningful conversations with guests when they arrive or throughout their entire experience at an attraction so that we don't just talk about the weather like we're typical English people. Andy Povey: That's great, isn't it? Go and tell a Brit not to talk. Talk about the weather. Paul Marden: But training your staff makes absolute sense. Training your staff to have the skills and the confidence to not talk about the weather. I thought that was really interesting. Andy Povey: It's an eye opener, isn't it? Something really simple, but could be groundbreaking. Paul Marden: Yeah. Andy Povey: Then what was your view on all of the exhibitors? What did you take away from all the stands and everybody? Paul Marden: Well, I loved having my conversation yesterday with Alan Turing. There was an AI model of Alan Turing that you could interact with and ask questions. And it was really interesting. There was a slight latency, so it didn't feel quite yet like a natural conversation because I would say something. And then there was a pause as Alan was thinking about it. But the things that he answered were absolutely spot on, the questions that I asked. So I thought that was quite interesting. Other exhibitors. Oh, there was a lovely point yesterday where I was admiring, there was a stand doing custom designed socks and I was admiring a design of a Jane Austen sock and there was just somebody stood next to me and I just said, "Oh, Jane Austen socks." Paul Marden: Very on Trend for the 250th anniversary of Jane Austen, that all of the museums in Hampshire will be buying those up. And should funnily you should say that I'm the chief executive of Chawton Park House, which is one of the museums in the last place that Jane Austen lived. So very interesting, very small world moment at that point. Andy Povey: I do, it's almost an oxymoron to talk about Jane Austen socks. I don't imagine her having worn anything with nylon or Lycra in it. Paul Marden: Very true. I hadn't tweaked that. Andy Povey: There was a lot of AI there wasn't there AI this, AI that. Paul Marden: And there were some really good examples of where that is being used in real life. Yeah, yeah. So there were some examples where there's AI being used to help with visitor counts around your attraction, to help you to optimise where you need to put people. I thought that Neil at Symantec just talking about what he called answer engine optimisation. That was interesting. There were some brilliant questions. There was one question from an audience member asking, are there any tools available for you to figure out whether how well your organisation is doing at being the source of truth for AI tools? Andy Povey: Yeah, yeah. So almost like your Google search engine ranking. Paul Marden: But exactly for ChatGPT. Andy Povey: And have you found one yet? Paul Marden: No, not yet. There's also quite a lot of people talking about ideas that have yet to find a home. Andy Povey: Yes. What a very beautiful way of putting it. Paul Marden: The people that have. That are presenting a topic that has yet to get a real life case study associated with it. So the rubber hasn't yet hit the road. I don't think on that. Andy Povey: No. I think that's true for an awful lot of AI, isn't it? Not just in our sector. Paul Marden: No. Andy Povey: It's very interesting to see where that's all going to go. And what are we going to think when we look back on this in two or three years time? Was it just another chocolate teapot or a problem looking for a solution? Or was it the revolution that we all anticipate. Paul Marden: And I think it will make fundamentals change. I think it's changing rapidly. But we need more real case studies of how you can do something interesting that is beyond just using ChatGPT to write your marketing copy for you. Andy Povey: Yeah, I mean it's all about putting the guest at the front of it, isn't it? Let's not obsess about the technology, let's look at what the technology is going to enable us to do. And back to the first part of this conversation, looking at accessibility, then are there tools within AI that are going to help with that? Paul Marden: Yeah, absolutely. So there was definitely. There was an interesting talk by Vox. The people that provide, they provide all of the radio boxes for everybody to wear at M and H that provides you with the voiceover of all of the speakers. But they use this technology across all manner of different attractions and they were talking about using AI to do real time translation of tours. So you could. Andy Povey: Very interesting. Paul Marden: Yeah. So you could have an English speaker wandering around doing your tour and it could real time translate up to. I think it was up to four languages. Andy Povey: BSL not being one of those languages. Paul Marden: Well, no, they were talking about real time in app being able to see subtitles. Now, I don't know whether they went on to say you could do BSL. And we know from the other presentation that not everybody that is deaf is able to read subtitles as fast as they can consume sign language. So it's important to have BSL. But there were some parts of that Vox product that did it address deaf people. It wasn't just multilingual content. Andy Povey: So AI people, if you're listening, you can take the idea of translating into BSL in real time and call it your own. Paul Marden: Yeah, we very much enjoyed hosting our theatre, didn't we? That was a lot. And Anna, if you are listening, and I hope you are, because lots of people have said very nice things in this episode about M and H. Andy and I would love to come back next year. Andy Povey: Absolutely. Paul Marden: And host a theatre for you. Any other thoughts? Andy Povey: Just really looking forward to the rest of the week off. Yeah, it's a sign of a good show when you walk away with all that positive feeling and that positive exhaustion and you probably need a week to reflect on all of the conversations that we've had. Paul Marden: Yeah, absolutely. Next up we is AIM Conference at Mary Rose in June. I can't wait very much. Looking forward to that. Thank you ever so much for listening. We will join you again in a few weeks. See you soon. Bye Bye. Andy Povey: Draw.Paul Marden: Thanks for listening to Skip the Queue. If you've enjoyed this podcast, please leave us a five star review. It really helps others to find us. Skip The Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them to increase their visitor numbers. You can find show notes and transcripts from this episode and more over on our website, skipthequeue fm.  The 2024 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsDownload the 2024 Rubber Cheese Visitor Attraction Website Survey Report

President Trump recently attempted to eliminate the Institute of Museum and Library Services, the agency that distributes federal funds to libraries and museums across the country. Connecticut was one of just three states to lose its federal grant for public libraries, totaling over $2 million. A judge blocked the move last week, but big questions remain. This hour, we ask: What does this mean for our local libraries and museums? Is future funding safe? And what role do these institutions play in our communities today? GUESTS: Lisa Hagen: Federal Policy Reporter, Connecticut Public and Connecticut Mirror Deborah Schander: State Librarian, Connecticut State Library Scott Jarzombek: President of the Connecticut Library Association Joshua Carter: Executive Director, Mashantucket Pequot Museum & Research Center Support the show: http://wnpr.org/donateSee omnystudio.com/listener for privacy information.

According to the National Cultural Heritage Administration, China now has more than seven thousand museums nationwide. Together, they welcomed nearly 1.5 billion visitors in 2024.

Catch up with the summer cultural calendar with this pledge-drive miniseries. Today, Ryan Kailath, WNYC/Gothamist arts and culture reporter, talks about some of the art on view this summer in local museums, galleries and public spaces.

In an age of information overload where everything is a click away, museums are redefining themselves—not as static halls of artifacts but as living, breathing spaces where history meets innovation. This year's International Museum Day theme challenges us to ask: In a rapidly changing society, how can museums remain relevant—and even take the lead? On the show: Niu Honglin, Laiming, and Yushan.

Wolfgang Heckl kennt das Deutsche Museum wie kaum ein anderer. Zum 100-jährigen Jubiläum des Hauses spricht der Generaldirektor über die Zukunft des Museums und seine eigenen Pläne für den Ruhestand.

Welcome to Season 4 of Travel Stories with Moush everyone!  In this inspiring episode, we're joined by travel visionary Haitham Mattar - a pioneer in tourism leadership and the CEO of IHG Hotels (Middle East, Africa and West Asia). From shaping Ras Al Khaimah into an adventure hub to transforming Saudi Arabia's tourism story, Haitham shares powerful insights, incredible travel stories, and a peek into his new book "Pots, Pans, and Five-Year Plans."Destination Highlights:Saudi Arabia, Red Sea Cruise Experience – Haitham joined the first-ever cruise ship to sail in the Red Sea post-pandemic. He visited untouched islands like Sindalah, witnessed crystal-clear waters and vibrant corals and cruised past the Wadi ad-Disah, believed to be where Moses split the sea.           He also believes that Saudi Arabia is a tourism powerhouse in the making.AlUla, Saudi Arabia - A “living museum” with tombs carved into mountains, echoing the Nabataean civilization. According to Haitham, it's a stargazing paradise and one of the most peaceful, spiritual places on earth.Petra, Jordan – A must-visit destination.Lebanon –  He celebrates the ancient city of Byblos, which is one of the oldest continuously inhabited cities in the world and loves the buzz of Beirut, with its diversity, gastronomy and the unique way expats adopt Lebanese culture. The rich history, stunning Mediterranean coastline and enduring charm of Lebanese villages is what makes the country even more special.Oman – An underrated gem according to Haitham. He believes that Oman has major untapped potential in sustainable and adventure tourism.Island of Palau – A sustainability model and a standout example of tourist accountability and community-first tourism.Six Senses Zighy Bay, Oman - A hidden gem offering tranquility, indulgent spa experiences, and adrenaline sports like paragliding.         https://www.sixsenses.com/en/hotels-resorts/middle-east-africa/oman/zighy-bay/Agra, India – Haitham is deeply moved by the Taj Mahal and the profound story of love behind it. He also highlights the Agra Fort as an underrated gem, rich in Mughal architecture and history.Six Senses Barawara, Rajasthan, India – A place where he would like to keep going back to and one that holds a very special place in his heart.                                                                                                                                                                                                                             https://www.sixsenses.com/en/hotels-resorts/asia-the-pacific/india/fort-barwara/Connect with Haitham at:haitham.mattar@ihg.comThank you everyone for tuning in today. I hope our conversations have fueled your wanderlust and inspired you to explore the world in new and exciting ways. Please don't forget to hit that subscribe button on your favorite podcasting channel to keep up with our latest episodes. I would love to know what you think…what kind of travel stories and guests you would like me to cover. So, please do leave a comment, a rating or a review. Do follow me on Instagram and find out who's joining me next week. I'm at @moushtravels. You can also find all the episodes and destinations mentioned by all the guests on my website www.moushtravels.com as well as on the episode show notes. Thanks for listening and until next time safe travels and keep adventuring.  "Want a spotlight on our show? Visit https://admanager.fm/client/podcasts/moushtravels and align your brand with our audience."Connect with me on the following:Instagram @moushtravelsFacebook @travelstorieswithmoushLinkedIn @Moushumi BhuyanYou Tube @travelstorieswithmoush

Mónica Ramírez-Montagut, the executive director of the Parrish Art Museum in Water Mill and, until recently, a member of the Institute of Museum and Library Services board, joins the editors to discuss the federal cuts that downsized IMLS. Due to the gutting of the IMLS budget, the Parrish has lost over $140,000 in federal funding that supported its education and Access Parrish programs, an initiative that creates artistic learning experiences for individuals with special needs, including those with Parkinson's disease.

In this episode host Claire Bown talks with Geraldine Collinge, Chief Executive at Compton Verney, about their bold approach to creating genuinely engaging cultural spaces through play, accessibility and joy.Geraldine shares how this unique 'art space in a park' in Warwickshire brings together a historic Robert Adam mansion, 120 acres of Capability Brown landscape, and six distinctive collections ranging from Chinese bronzes to British folk art. She explains how Compton Verney's core values - particularly their inclusion of 'fun' - guide everything from exhibition design to community engagement initiatives.Listen to discover their multisensory approach to gallery spaces that incorporates touch, smell and sound, doubling visitor numbers to their Naples collection. Learn about their 'play first' philosophy that encourages visitors of all ages to engage meaningfully with art through creative exploration, and hear about their 97% discounted community passes that are breaking down barriers to access. Geraldine also shares insights into how they're connecting art and nature through immersive experiences like 'Breathing with the Forest,' creating what she describes as a restorative experience that ultimately delivers on their promise: giving visitors 'a day full of joy.'The Art Engager is written and presented by Claire Bown. Editing is by Matt Jacobs and Claire Bown. Music by Richard Bown. Support the show on Patreon and find more resources at thinkingmuseum.comSHOWNOTES https://www.comptonverney.org.uk/Breathing with the Forest (now closed) - https://www.comptonverney.org.uk/whats-on/breathing-with-the-forest/What we do - https://www.comptonverney.org.uk/our-story/what-we-do/Geraldine Collinge on LinkedIn: https://www.linkedin.com/in/geraldinecollinge/ ‘The Art Engager: Reimagining Guided Experiences in Museums‘ is now available worldwide through your favourite online platforms and retailers. Buy it here on Amazon.com: https://tinyurl.com/buytheartengagerThe Art Engager book website: https://www.theartengager.com/Support the show with a simple monthly subscription on Patreon: https://www.patreon.com/c/TheArtEngager

Sunday is International Museum Day. Museums show us many things. In Croatia, one museum is about laughter! 星期天是國際博物館日!博物館帶給我們很多新知識，克羅埃西亞有個歡笑博物館!Click HERE for the full transcript!

Our found family includes Voldemort, Snow White, and Rudyard Kipling. See us on tour!! Or are those just wax versions of us? https://www.beachtoosandy.com/tour Join our Patreon for Noddy content! https://www.patreon.com/beachtoosandy We have merch! https://www.beachtoosandy.store Xandy's stream: twitch.tv/xandyschiefer Watch clips of your favorite moments! https://www.youtube.com/beachtoosandywatertoowet Watch videos from our episodes on TikTok! https://tiktok.com/@beachtoosandy Xtine's Etsy: https://www.etsy.com/shop/thextinefiles Learn more about your ad choices. Visit megaphone.fm/adchoices

Penny & Midge explore the history of wax effigies, wax museums, and the tale of the famed wax sculptor Madame Marie Tussaud. Join the conversation on the Ghouls Night In discord! Follow the ghouls on Instagram at @ghoulsnightinpod Shop for Ghouls Night In merch Cover art by Alex Zimdars

After Dave treats us to a “Thunderbolts*” mini-review and John discusses “The Accountant 2”, the boys dive into the year 1934 to discuss “The Thin Man”, a film so successful and unique it spawned FIVE sequels and made a dog one of the most famous dogs in cinema history. Written by a husband-and-wife team, “The Thin Man” is a detective “pseudo-comedy” whodunit with tension, laughs, fun, mystery, and intrigue, all done by some stellar characters. Grab a beer and join us for a ride! Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 6:50 Tariffs & Incenstives; 19:38 Dave's “Thunderbolts*” mini-review; 22:28 John's “The Accountant 2” mini-review; 27:27 Gripes; 32:12 1934 Year in Review; 54:33 Films of 1934: “The Thin Man”; 1:27:19 What You Been Watching?; 1:32:58 Next Week's Movie Announcement Additional Cast/Crew: William Powell, Myrna, Maureen O'Sullivan, Nat Pendleton, W.S. Van Dyke, Albert Hackett, Frances Goodrich, Dashiell Hammett, James Wong Howe, Florence Pugh, Sebastian Stan, Julia Louis-Dreyfus, Lewis Pullman, David Harbour, Wyatt Russell, Hannah John-Kamen, Jake Schreier, Stan Lee, Ben Affleck, Jon Bernthal, J.K. Simmons, Cynthia Addai-Robinson, Daniella Pineda, Gavin O'Connor, Bill Dubuque. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: The New Avengers, Iron Man, Marvel, MCU, The Suicide Squad, New Mutants, France, The War of 1812, Napoleon, Russia, Russian History, Aristocracy, Dueling, Swans, Ducks, Chickens, Generals, Mean Streets, Taxi Driver, Black Mirror, Slow Horses, The First Look, Ben Mendelsohn, French Accents, The Monuments Men, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Fuhrermuseum, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir.   

This week, Justin catches up with Steve Royle and Evan at Old Trafford, and Britain's Oldest Football Hooligan, Graham in the car. Izzy reflects on her 20th birthday celebrations, Alfie Joey tells us how it's all about Museums, and we hear from the front row-ers in Barnsley and Buxton.   Get in touch here: X – @3045podcast Facebook - @3045podcast Instagram - @3045podcast Email – podcast@justinmoorhouse.com   EPISODE LINKS:   London Canal Museum: https://www.canalmuseum.org.uk/   David Squires: https://davidsquirescartoons.com/en-gb   OTHER STUFF:   Watch my YouTube Special: https://www.youtube.com/@justinmoorhousecomedian   The Greatest Performance of My Life: https://www.justinmoorhouse.com/   Join the Mailing List: https://justinmoorhouse.us2.list-manage.com/subscribe?u=4c600f8287b9c2e121f43c3a1&id=bbd0010665   Music by Liam Frost. Produced by Rachel Fitzgerald and Justin Moorhouse

MeidasTouch host Ben Meiselas reports on Donald Trump attacking Museums across America and Meiselas interviews California Attorney General Rob Bonta on how he's protecting museums and how he's fighting backing against the Trump regime. Visit https://meidasplus.com for more! Remember to subscribe to ALL the MeidasTouch Network Podcasts: MeidasTouch: https://www.meidastouch.com/tag/meidastouch-podcast Legal AF: https://www.meidastouch.com/tag/legal-af MissTrial: https://meidasnews.com/tag/miss-trial The PoliticsGirl Podcast: https://www.meidastouch.com/tag/the-politicsgirl-podcast The Influence Continuum: https://www.meidastouch.com/tag/the-influence-continuum-with-dr-steven-hassan Mea Culpa with Michael Cohen: https://www.meidastouch.com/tag/mea-culpa-with-michael-cohen The Weekend Show: https://www.meidastouch.com/tag/the-weekend-show Burn the Boats: https://www.meidastouch.com/tag/burn-the-boats Majority 54: https://www.meidastouch.com/tag/majority-54 Political Beatdown: https://www.meidastouch.com/tag/political-beatdown On Democracy with FP Wellman: https://www.meidastouch.com/tag/on-democracy-with-fpwellman Uncovered: https://www.meidastouch.com/tag/maga-uncovered Coalition of the Sane: https://meidasnews.com/tag/coalition-of-the-sane Learn more about your ad choices. Visit megaphone.fm/adchoices

What's it like to explore France on your own? In A Solo Traveler's Experience in Southwest France, host Annie Sargent chats with Dawn Fairchild, a seasoned traveler from Los Angeles who set out on a two-week solo adventure through the stunning regions of the Lot, Dordogne, and Toulouse. Get the podcast ad-free Dawn shares her honest impressions, travel tips, and favorite moments—from learning French in a relaxed immersion program near Cahors to wandering the medieval streets of Sarlat. She talks about her visit to the painted cave at Pech Merle, wine tasting in Cahors, the markets of Toulouse, and unexpected joys like stumbling into a vide-grenier in Montignac. Annie and Dawn discuss beautiful châteaux like Beynac and Milandes, Josephine Baker's legacy, and how Southwest France is a treasure trove of history, food, and natural beauty. Whether you're dreaming about Saint-Cirq-Lapopie, want to explore Toulouse's vibrant markets, or plan to visit the Cité du Vin in Bordeaux, this episode is packed with useful details and inspiration. Annie and Dawn also reflect on the joys and challenges of solo travel, including navigating language and culture with confidence. Subscribe to Join Us in France for more conversations like this—real stories from travelers who dive deep into French life, culture, and history. New episodes drop every week. Let's look around France together! Table of Contents for this Episode Introduction and Trip Overview Today on the podcast — Podcast supporters — The Magazine segment — Annie and Dawn Fairchild about the Southwest — When did this trip take place? First Impressions of Southwest France — Immersion Program Experience — Exploring the Lot Department and Painted Caves — Wine tasting in Cahors — Discovering Sarlat and Surroundings — Losse Chateau and Garden — Montignac — Highlights of the Dordogne — Chateau des Milandes and Josephine Baker's Legacy — Chateau de Beynac — Boat and Hot Air Ballon Tours in Beygnac — Exploring the Dordogne: Chateaus, Rivers, and Prehistoric Caves — Falling in Love with Toulouse: A City of Charm and Joy — The Allure of the Toulouse Accent and Local Life — A Delightful Stay in Les Carmes: Le Clos des Salins — Toulouse Markets and Culinary Adventures: Take Elyse's VoiceMap tour of Toulouse! — Museums and Historical Sites in Toulouse — Bordeaux: Historic Center and Cité du Vin Museum — Political Conversations and Market Experiences — New Things Learned in the Trip — Travel Challenges and Personal Growth — Reflections on the Trip and Future Plans — Thank you Patrons! — Podcast Listeners Discount — Itinerary Consultations with Annie — Hidden messages in the obelisk at Place de la Concorde. — Next week on the podcast — Copyright — More episodes about the southwest of France

All links: ⁠⁠https://www.youtoocanlearnthai.com⁠⁠***Unlock exclusive & ad-free episodes:Anchor/Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://anchor.fm/learnthai/subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (available in 30+ countries)Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/youtoocanlearnthai⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (recommended for listeners in Thailand)Detailed tutorial: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://docs.google.com/document/d/1n-tZKW76sT7ULyvOVdH7_3NcPpbWmXRAzIZp7T0_rUM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠***Transcripts and FAQs: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://docs.google.com/document/d/1qG1rvNaTFbjtVlYt7x5RxtUT3fFpuHfN_KAmpVuONsw⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠***Books: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://viewauthor.at/khrunan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Thai alphabet and activity books)Free audio flashcards for basic Thai vocabulary: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://quizlet.com/youtoocanlearnthai⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠***Merch (t-shirts and phone grips):USA: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.amazon.com/hz/wishlist/ls/1EZF44ILW1L5N⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠UK: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.amazon.co.uk/hz/wishlist/ls/14ESIQA0SZ5LL⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Germany: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.amazon.de/hz/wishlist/ls/219DDRPHY347Y⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠***Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/youtoocanlearnthai⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/c/YoutoocanlearnThai⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠***ถึงแม้ประเทศไทยจะไม่ได้มีชื่อเสียงมากในด้านพิพิธภัณฑ์แต่ก็มีพิพิธภัณฑ์ที่น่าสนใจอยู่ไม่น้อยนะคะอย่างเช่น พิพิธภัณฑ์แมลง ที่มีแมลงแปดพันกว่าชนิดมีการให้ความรู้เกี่ยวกับแมลงกับคนทั่วไปและยังให้ความรู้กับเกษตรกรที่มีปัญหาแมลงด้วยค่ะ***นอกจากพิพิธภัณฑ์แมลง ที่กรุงเทพยังมีพิพิธภัณฑ์มดด้วยค่ะเขาบอกว่าเป็นพิพิธภัณฑ์เกี่ยวกับมดแห่งเดียวในโลกเป็นพิพิธภัณฑ์ที่ไม่ใหญ่ แต่มีเนื้อหาเยอะเช่น สอนเกี่ยวกับความแตกต่างของมดกับแมลงอื่น ๆ อาหารของมด และความสำคัญของมดต่อสิ่งแวดล้อมค่ะ***เวลาไปต่างจังหวัด แนนจะชอบไปพิพิธภัณฑ์เกี่ยวกับวัฒนธรรมท้องถิ่นค่ะเพราะมันทำให้เห็นว่า ถึงแม้จะอยู่ในประเทศไทยเหมือนกันแต่แต่ละที่ก็มีวัฒนธรรมของตัวเองนอกจากนี้ พิพิธภัณฑ์หลายแห่งจะใช้ตึกที่เป็นบ้านโบราณเราก็จะได้ไปดูบ้านโบราณในแต่ละที่ด้วยค่ะ***แนนยังไม่เคยไปพิพิธภัณฑ์รถไฟไทย แต่ก็อยากไปค่ะพิพิธภัณฑ์นี้อยู่หน้าสถานีรถไฟกรุงเทพ เพิ่งเปิดไม่ถึงสิบปี และเข้าชมได้ฟรีในนั้นมีของใช้เกี่ยวกับรถไฟเมื่อหนึ่งร้อยกว่าปีที่แล้วและยังมีมุมที่เหมือนอยู่บนรถไฟให้ผู้เข้าชมถ่ายรูปได้ค่ะ***แนนเคยเห็นของที่ระลึกสวย ๆ หลายอย่างจากพิพิธภัณฑ์อย่างเช่น พิพิธภัณฑ์ที่อยู่ในตึกโบราณ ก็จะชอบขายโมเดลของตึกนั้นบางแห่งขายสมุดโน้ตเล็ก ๆ น่ารัก ๆ บางแห่งขายสติกเกอร์รูปสิ่งของในพิพิธภัณฑ์หรือสกรีนรูปบนเสื้อยืดก็มีค่ะ

In this episode of the Anglotopia podcast, Jonathan Thomas discusses the new goal for the Friends of Anglotopia membership club and shares insights on how to explore London on a budget of $100 a day. He covers various aspects of budget travel, including accommodation, free attractions, transportation, and dining options, providing practical tips for travelers looking to experience London without breaking the bank. Links Join the Friends of Anglotopia Club to Remove Ads from Londontopia Budget London New York Times Article How To Do London on a Budget of $100 a Day 101 Free Things to do in London Free London Museums London's Cabmen's Shelters History South Shore Public Relations Takeaways The Friends of Anglotopia membership club aims to reach 300 members to remove ads from Londontopia.net. Budget travel to London can be achieved with careful planning and smart choices. Staying in budget hotels like Easy Hotel can save money on accommodation. Many of London's top museums and attractions are free to visit. Using public transportation like the Tube and buses is cost-effective for getting around London. Eating at fast food chains or local takeaways can help maintain a budget for meals. Look for set menu options at restaurants for affordable dining experiences. Discount tickets for West End shows can be found at the TKTS desk in Leicester Square. Exploring local grocery stores for breakfast and snacks can save money. Independent used bookstores offer affordable options for book lovers in London. Sound Bites "The next goal is 300 members. And if we reach the target of 300 members, we will remove the Google ads from Londontopia.net our sister website dedicated to all things London, which has been around almost as long as Anglotopia has." "You can do so for the cost of two cups of tea. It's six dollars a month and you get billed every month on the first or you can save 10% by subscribing for the year. It's $64 for the year." "$200 a day is a lot and I think that's not that's more of mid-range than budget. So I set out in my mind to to lay out a trip to see if you could do it on $100 a day." "Just because you want to do it on a budget or do it on the cheap doesn't mean you're going to have a bad time. Does it mean that you can't enjoy London, London at its best? London is such a great city that there's so much to see and do that's completely free." "My recommendation is to stay in one of the cheapest possible chain hotels that is on the market. And it's called the Easy Hotel." "You know, even as a 41 year old man who is used to staying in nicer hotels at this age, I'd still consider the easy hotel, especially if I was on a tight budget." "This is actually a really easy way to save money because a lot of London's big museums are actually completely free." "There is plenty to see and do without doing the special exhibitions. There's, you know, at least I want to say I haven't done an exact count recently, but there's at least 100 museums in London that are completely free." "It doesn't cost anything to sit in Trafalgar Square and people watch and watch the fountains and the let the world go by or to stand in Parliament Square and wait for Big Ben to chime, or to walk along the Thames South Bank and watch London go by." "As long as you have an Oyster card or you do contact lists, you're never going to pay more than the max daily tube fare, which is eight pounds 90, which is about ten dollars." "In addition to the tube, a much cheaper option is the London's bus network. That's what people use every day to commute because the max pay as you go fare for the buses is only £1.75, which is about $2." "Since there's no tipping in Britain, the price you pay for the set course dinner is the price you pay for the meal." "My travel hack is to go to the TKTS desk in Leicester Square and that's for same day ticket discounts. Most of the London theaters kind of participate in this." Chapters 00:00 Introduction to Anglotopia Podcast and Membership Goals 06:22 Budget Travel: Exploring London on $100 a Day 07:47 Finding Affordable Lodging in London 14:24 Free Attractions and Museums in London 22:16 Navigating London: Transportation on a Budget 29:03 Dining on a Budget: Eating Cheap in London 32:54 Conclusion and Call to Action 34:11 anglotopia-podcast-outro.mp4 Video Version

Send us a textJoin the Boozy Bitches as they look into the claims of a haunted house in Bothell, WA. When Keith Linder moved into the fairly new home in the suburb outside of Seattle, he had no idea of the nightmarish poltergeist activity waiting inside. But despite his experiences and documentation, there are some that claim it's all a hoax. Listen in and let us know what you think. Also in this episode, if you've never heard of the world's only museum dedicated to ventriloquism, or the world's only penis museum, we have all the details!VIsit Vent Haven>>> https://www.venthaven.orgVisit the Phallological Museum>>> https://www.phallus.isConnect with us on Instagram>>>  https://www.instagram.com/boozybanterwithfriends/For more info, visit our website>>>  https://boozybanterwithfriends.com/

In the dark, away from attention, the metaverse grows, thrives even, with the introduction and assistance of AI. AI agents peopling metaverse worlds. AI-generated avatars. But one of the most interesting possibilities of an AI-integrated metaverse is AI architecture, not just for the speed with which virtual 3D structures can be created but the newfound intricacy. It's an entirely new avenue for artistry, both in 3D worlds, and also full-stop, a new frontier. Today, Colborn and Max talk with MOCA's resident Metaverse architect, Untitled,XYZ about UnMuseums,  a collection of AI-generated architectures and his final flourish for MOCA ROOMs. The nitty-gritty of process, conception, outcome, and consequence, expect all of that and more on today's episode of MOCA LIVE.

Julia Macher www.deutschlandfunkkultur.de, Fazit

Imagine you're diving into a cell. You're paddling around in the cytoplasm, you're climbing up a mitochondria. If you're having a hard time picturing this, that's okay! There are professionals who do this for a living.We wanted to learn more from expert science interpreters, who take the results section of a research paper and translate it into something tangible, like a 40-foot dinosaur skeleton or a 3D animation of cellular machinery too small to see.At a live event in Salt Lake City in March, Host Flora Lichtman spoke with Dr. Janet Iwasa, head of the University of Utah's Animation Lab and director of the Genetic Science Learning Center; and Tim Lee, director of exhibits at the Natural History Museum of Utah, about how they bring these out-of-reach worlds to life.Universe of Art is hosted and produced by Dee Peterschmidt, who also wrote the music. Our show art is illustrated by Abelle Hayford. And support for Science Friday's science and arts coverage comes from the Alfred P. Sloan Foundation.Do you have science-inspired art you'd like to share with us for a future episode? Send us an email or a voice memo to universe@sciencefriday.com.

遍地開花 biàn dì kāi huā - to bloom everywhere; something that is widespread故宮博物院 gù gōng bó wù yuàn - the National Palace Museum最具代表性 zuì jù dài biǎo xìng - the most representative宋朝 sòng cháo - Song Dynasty (960–1279)元朝 yuán cháo - Yuan Dynasty (1271–1368)明朝 míng cháo - Ming Dynasty (1368–1644)清朝 qīng cháo - Qing Dynasty (1644–1912)宮廷文物 gōng tíng wén wù - imperial court artifacts翠玉白菜 cuì yù bái cài - Jadeite Cabbage肉形石 ròu xíng shí - Meat-shaped Stone 毛公鼎 máo gōng dǐng - Ding cauldron of Duke Mao國立台灣博物館 guó lì tái wān bó wù yuàn - National Taiwan Museum珍貴物種 zhēn guì wù zhǒng - precious species縮影 suō yǐng - miniature; epitome標本 biāo běn - specimen泰雅族 t ài yǎ zú - Atayal Tribe (an indigenous group in Taiwan)長衣 cháng yī - traditional long clothing史前標本 shǐ qián biāo běn - prehistoric specimen莫那魯道 mò nà lǔ dào - Mona Rudao (a famous indigenous hero in Taiwan)珍貴 zhēn guì - valuable; precious文化資產 wén huà zī chǎn - cultural heritage順益台灣原住民博物館 shùn yì tái wān yuán zhù mín bó wù yuàn -Shung Ye Museum of Formosan Aborigines不僅 bù jǐn - not only保存 bǎo cún - to preserve; to conservePlanning to travel or move to Taiwan? If you'd like to improve your Chinese before you go, feel free to book a one-on-one lesson with me.I'll help you improve your Chinese so you can settle in more comfortably when you arrive.Book a one-on-one trial lesson with me !

We often assume that art and genius are the playground of the youth. Well, while giving himself an education in art during a vacation in Spain, Amit realised that all the great Spanish masters did their most powerful work in old age, when thehraav met mastery. The light in winter is different.Welcome to Episode 97 of Everything is Everything, a weekly podcast hosted by Amit Varma and Ajay Shah.In this episode, Amit expands on his observation about the artistic possibilities of old age, while introducing the lives and work of Diego Velázquez, Francisco Goya, Pablo Picasso and Joan Miro. Also featured: Salvador Dali, U2, Bob Dylan, Penelope Fitzgerald and Wim Wenders.TABLE OF CONTENTS: 00:00 Packaging00:13 Intro: A Vacation & an Education04:34 Chapter 0: Museums and Narratives07:26 Chapter 1: Diego Velázquez and Lal Meninas19:32 Chapter 2: Francisco Goya and the Black Paintings31:42 Chapter 3: Pablo Picasso Likes to Play47:56 Chapter 4: Joan Miró Strips It Down54:47 Chapter 5: More Late Mastery1:04:51 Chapter 6: RecommendationsFor the full awesome show notes, click here!

Für die Kunsthalle Baden-Baden beginnt eine neue Ära: der Vertrag der bisherigen Direktorin Çağla Ilk ist ausgelaufen und zumindest für die nächsten fünf Jahre wird der Posten nicht neu besetzt. Stattdessen übernimmt der Direktor des Badischen Landesmuseums in Karlsruhe, Eckart Köhne, zusätzlich auch die Verantwortung für die Kunsthalle Baden-Baden. Doch nicht nur das: das Ausstellungshaus für zeitgenössische Kunst in Baden-Baden wird außerdem Interimsspielstätte für die kulturhistorische Sammlung des Badischen Landesmuseums. Da der bisherige Sitz des Museums, das Schloss in Karlsruhe, für mehrere Jahre wegen Renovierung geschlossen werden muss. Wie sich die beiden Museen, die völlig unterschiedliche Profile haben, künftig ein Haus teilen sollen und welches Programm gezeigt werden wird, soll im Herbst 2025 bekannt gegeben. Die ungewöhnliche Entscheidung des Kunstministeriums Baden-Württemberg ist in der Kunstszene bundesweit auf Unverständnis und Kritik gestoßen.

The Trump administration has put its mark on the nation’s cultural sector. One focus is on how American history is told and presented in museums and monuments. That has roiled many in the academic and art worlds. Jeffrey Brown explores the effort to reshape institutions for our series, Art in Action, exploring the intersection of art and democracy and our arts and culture coverage, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders

During his lifetime, the late artist Frank Auerbach never had an exhibition in Berlin, the city of his birth, which he left for the UK in 1939 to escape the Nazis. This weekend, the first show of his work in the German capital opens at the Galerie Michael Werner. Our digital editor, Alexander Morrison, went to Berlin to talk to the artist's son, the filmmaker Jake Auerbach, about the exhibition. A new book by Dan Hicks, a curator at the Pitts River Museum in Oxford, UK, titled Every Monument Must Fall explores the origins of the fierce contemporary debates around colonialism, art, and heritage. It investigates in particular the acquisition of human remains and their ongoing place in museums and other historical institutions. Ben Luke spoke to him about the publication. And this week's Work of the Week is Republic (1995) by Ian Hamilton Finlay, whose centenary is being celebrated this year with a new publication and a series of exhibitions in London, Edinburgh, Palma de Mallorca, Brescia, New York, Hamburg, Basel and Vienna. Luke spoke to Stephen Ban, a long-term specialist in Finley's work, about this sculptural installation.Frank Auerbach, Galerie Michael Werner, Berlin, 3 May-28 JuneDan Hicks, Every Monument Must Fall, is published by Hutchinson Heinemann. It is out now in the UK and priced £25. It will be published in the US in August and priced $47.99Fragments, an exhibition of Ian Hamilton Finlay's work, is showing at Victoria Miro, London, until 24 May. Further exhibitions are at the Ingleby Gallery in Edinburgh, Kvenig Gallery in Palma de Mallorca, Galleria Massimo Minini in Brescia, David Nolan Gallery in New York, the Svea Semmler Gallery in Hamburg, the Stamper Gallery in Basel and the Galleria Hubert Winter in ViennaThe book Fragments is published by ACC Art Books and edited by Pia Maria Simig. It is published on 8 May and priced £50 Hosted on Acast. See acast.com/privacy for more information.

Sonia Winner is the CEO of the Cleveland Museum of Natural History. In July 2018, she became the 10th director of the Museum in its more than 100-year history, dating back to 1920. Since then, she has spearheaded a $150 million reinvention of the institution—reimagining its campus and exhibits to highlight the interconnectedness of life on Earth.Under her leadership, the Museum continues its century-long legacy as one of the nation's top natural history institutions, stewarding over 12,000 acres of protected ecosystems and housing more than 5 million artifacts and specimens. It is supported by a nearly 60-member Board of Directors, 140 staff members, and approximately $282 million in assets.Before joining CMNH, Sonia built an impressive career in higher education and philanthropy. At Columbia University, she led record-breaking fundraising efforts, helping to secure $6.1 billion for the university. Prior to that, she held leadership roles at Case Western Reserve University, serving as associate dean of both the Weatherhead School of Management and the School of Law. A lawyer by training, she also served as Director of the Cleveland-Marshall College of Law at Cleveland State University.This was an amazing conversation! Sonia's passion for this work shines through as we explore the transformative power of museums, cultivating childhood curiosity, the Museum's rich history and legacy, her personal journey to leading a major cultural institution, the ambitious centennial project aimed at revitalizing the museum experience, the overall business of museums, and so much more.00:00:00 – The Magic of Museums and Childhood Curiosity  00:06:59 – Personal Reflections on Museums and Nature  00:09:07 – Sonia's Journey to the Museum Leadership  00:16:42 – Understanding the Cleveland Museum of Natural History  00:17:02 – The Museum's Legacy and Community Impact  00:19:56 – Honoring History While Embracing Change  00:25:50 – The Centennial Project and Its Vision  00:31:52 – The Business of Museums: Challenges and Opportunities  00:35:15 – Balancing Accessibility and Sustainability in Museums  00:36:28 – Creating Memorable Visitor Experiences  00:37:38 – Dinosaurs: The Gateway to Natural History  00:40:45 – The Role of Museums in Scientific Literacy  00:45:22 – Trust in Museums: A Reflection of Society  00:47:41 – Understanding the Value of Local Museums  00:50:04 – Personal Stories and the Impact of Museums  00:52:03 – The Future of Museums: Programming and Community Engagement  00:53:13 – Leadership Lessons in the Museum Sector  00:56:43 – Women in Leadership: Challenges and Opportunities  00:57:27 – Hidden Gem -----LINKS:https://www.cmnh.org/https://www.linkedin.com/in/sonia-winner-2699123/-----SPONSOR:Roundstone InsuranceRoundstone Insurance is proud to sponsor Lay of The Land. Founder and CEO, Michael Schroeder, has committed full-year support for the podcast, recognizing its alignment with the company's passion for entrepreneurship, innovation, and community leadership.Headquartered in Rocky River, Ohio, Roundstone was founded in 2005 with a vision to deliver better healthcare outcomes at a more affordable cost. To bring that vision to life, the company pioneered the group medical captive model — a self-funded health insurance solution that provides small and mid-sized businesses with greater control and significant savings.Over the past two decades, Roundstone has grown rapidly, creating nearly 200 jobs in Northeast Ohio. The company works closely with employers and benefits advisors to navigate the complexities of commercial health insurance and build custom plans that prioritize employee well-being over shareholder returns. By focusing on aligned incentives and better health outcomes, Roundstone is helping businesses save thousands in Per Employee Per Year healthcare costs.Roundstone Insurance — Built for entrepreneurs. Backed by innovation. Committed to Cleveland.-----Stay up to date by signing up for Lay of The Land's weekly newsletter — sign up here.Past guests include Justin Bibb (Mayor of Cleveland), Pat Conway (Great Lakes Brewing), Steve Potash (OverDrive), Umberto P. Fedeli (The Fedeli Group), Lila Mills (Signal Cleveland), Stewart Kohl (The Riverside Company), Mitch Kroll (Findaway — Acquired by Spotify), and over 200 other Cleveland Entrepreneurs.Connect with Jeffrey Stern on LinkedIn — https://www.linkedin.com/in/jeffreypstern/Follow Lay of The Land on X @podlayofthelandhttps://www.jeffreys.page/

A Chicago painter with an endless amount of surprises that unfold inside her landscapes of the Rococo and fantastical. Her work represents a continuation of the Chicago Imagists of the 60's with an interest in combining eccentric figuration with abstraction. “Bramson incorporates the passionate complexity of eastern mythology, the sexual innuendos of soap operas, and sometimes the happy endings of cartoons” said critic Miranda McClintic She has shown her work prolifically in prestigious galleries and Museums internationally and her work is included in over 100 major collections including the Museum of Contemporary Art in Chicago ,The national museum of American Art in Washington DC and many more. She also was a professor of art at the University of Illinois at Chicago and then a visiting artist at the School of the Art Institute of Chicago …. totaling over 40 years of being a teaching Artist.

In this 4th birthday episode of The Art Engager, host Claire Bown explores what active engagement really means and why it matters so much for creating meaningful guided experiences. She addresses what many educators struggle with – we know visitors learn better when actively participating, but how do we consistently make this happen in our daily practice?How can we move beyond knowing that active participation matters to actually implementing it day after day? What practical techniques make the difference between visitors following along and truly engaging?In this episode, Claire explores:Why traditional approaches often lead to disengagement (despite focusing on collection highlights)The spectrum from passive to active The fundamental mindset change required to create active experiencesHow to make your introductions more activeHow to transform questioning from testing knowledge to sparking genuine connection, and meaning-makingWays to use movement and positioning as powerful tools for engagement rather than defaulting to "follow the leader"Simple strategies to move beyond the 'hub and spoke' model and foster direct participant-to-participant interactionHow to share information in a responsive and adaptable way that offers multiple pathways into the core ideas.How to create active closings to help visitors reflect, connect, and carry something forward.The Art Engager is written and presented by Claire Bown. Editing is by Matt Jacobs and Claire Bown. Music by Richard Bown. Support the show on Patreon.Show notes‘The Art Engager: Reimagining Guided Experiences in Museums‘ is now available worldwide through your favourite online platforms and retailers. Buy it here on Amazon.com: https://tinyurl.com/buytheartengagerThe Art Engager book website: https://www.theartengager.com/Support the show with a simple monthly subscription on Patreon: https://www.patreon.com/c/TheArtEngager

There's one museum in Rome that has it all—and it's not the Vatican.   The Capitoline Museums are comprised of a collection of nearly everything you could hope for in a museum—sumptuous frescoed rooms, Caravaggio paintings, Bernini sculptures, ancient bronze and marble statuary, panoramic views of the Roman Forum, fascinating artifacts, and the ruins of Rome's oldest and most important temple.   And believe it or not, it's never crowded. Not even in high season. On this mini-episode, Tiffany talks about why she adores this museum, and believes it's Rome's best-kept secret that blows the Vatican Museums out of the water. And don't miss your chance to visit Rome with us, on our intimate Rome listener trip, coming up in October 2025. Find out all about it here, or email us for more information! ***Katy's sister Dana has recently been diagnosed with stage 4 agressive brain cancer. To help with the staggering medical costs—her specialist is outside her insurance network—as well of the costs of temporarily relocating to San Francsico for her treatments, please consider donating to her GoFundMe. Anything you can contribute will be extremely helpful. Thank you.*** ------------------------------------- COME TO ROME WITH US: For the third year in a row, we are hosting an intimate group of listeners for a magical and unforgettable week in Rome, this October 2025! Discover the city with us as your guides, seeing a side to Rome tourists almost never see. Find out more here. ADVERTISE WITH US: Reach expats, future expats, and travelers all over the world. Send us an email to get the conversation started. BECOME A PATRON: Pledge your monthly support of The Bittersweet Life and receive awesome prizes in return for your generosity! Visit our Patreon site to find out more. TIP YOUR PODCASTER: Say thanks with a one-time donation to the podcast hosts you know and love. Click here to send financial support via PayPal. (You can also find a Donate button on the desktop version of our website.) The show needs your support to continue. START PODCASTING: If you are planning to start your own podcast, consider Libsyn for your hosting service! Use this affliliate link to get two months free, or use our promo code SWEET when you sign up. SUBSCRIBE: Subscribe to the podcast to make sure you never miss an episode. Click here to find us on a variety of podcast apps. WRITE A REVIEW: Leave us a rating and a written review on iTunes so more listeners can find us. JOIN THE CONVERSATION: If you have a question or a topic you want us to address, send us an email here. You can also connect to us through Twitter, Facebook, and Instagram. Tag #thebittersweetlife with your expat story for a chance to be featured! NEW TO THE SHOW? Don't be afraid to start with Episode 1: OUTSET BOOK: Want to read Tiffany's book, Midnight in the Piazza? Learn more here or order on Amazon. TOUR ROME: If you're traveling to Rome, don't miss the chance to tour the city with Tiffany as your guide!  

My trooper of a wife wife plays hurt but fights through illness and we share our Denver concert trip experiences, a cool stand up special for Boomers, ticketing frustrations, and more. Enjoy!

Melissa Ziobro began her career as a civilian historian, archivist, and curator for the US Army in 2004 prior to returning to her alma mater, Monmouth University, to teach full-time. She has taught over a dozen different courses, including Intro to Public History; Oral History; Museums and Archives Management Basics; NJ History; and the Vietnam War. In August of 2023, she became curator of the University's Bruce Springsteen Archives & Center for American Music, after having worked with the Center for many years in her faculty role (to include curating the Center’s first traveling exhibit, Springsteen: His Hometown, with the Monmouth County Historical Association in 2019). Her most recent publications include Fort Monmouth: The US Army’s House of Magic (2024) and The Battlin' Bastards of Bravo: Bravo Company, 1/506th, 101st Airborne, in Vietnam and Beyond (2025).See omnystudio.com/listener for privacy information.

What does it mean to have a private life? Our guest today is Tiffany Jenkins, a writer, cultural historian and broadcaster. She is the author of the acclaimed Keeping Their Marbles: How Treasures of the Past Ended Up in Museums and Why They Should Stay There, and a former honorary fellow in the History of Art at the University of Edinburgh. She wrote and presented the BBC Radio 4 series ‘A History of Secrecy' and ‘Contracts of Silence', about the rise of non-disclosure agreements. Today we'll be discussing her latest book, Strangers & Intimates: The Rise and Fall of Private Life, which traces the meaning of privacy from ancient times to our digital present, exploring how privacy shaped the modern world and why it remains crucial for our personal and collective freedom. Joining her to discuss the book is Carl Miller, the journalist, co-founder of the Centre for the Analysis of Social Media at Demos, and host of crime podcast Kill List. ---------- If you'd like to become a Member and get access to all our full conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on Uncolonized, Daniel and Gavin tear into the Royal Ontario Museum, where one of the board's chairpersons is connected to a company making money off deportations from the U.S. Spoiler: colonial institutions don't really change — they just rebrand. We also get into Martin Heidegger's idea of enframing, and how museums, despite all their shiny updates, are still running on the same colonial operating system.On our Patreon bonus episode patreon.com/theuncolonzed, we break down how the Peterborough mayor thought it was a good idea to use the N-word at a college event — and how boomers are still fumbling around the internet like it's a damn Rubik's Cube.If you want critical, unapologetic takes on colonialism, racism, and the slow-moving trainwreck of old power structures trying to survive the internet age — hit play.Want the real unfiltered shit? Subscribe to our Patreon for bonus episodes that pull no punches: patreon.com/theuncolonzed" Hosted on Acast. See acast.com/privacy for more information.

Step into the world of obscure, wacky, and downright terrible museums! In this episode of The Allegendly Podcast, our hosts take you on a bizarre tour of questionable exhibits and laughably bad attractions. But here's the twist—not all the jaw-dropping facts are true! Can you separate the real oddities from the fabricated fakes?From a museum dedicated to belly button lint to an attraction that claims to house the world's most haunted potato, nothing is off-limits in this chaotic guessing game of truth and deception.Think you've got what it takes to spot the lies? Play along and see if you can outsmart the hosts!

This week, John was the only one of us who saw “Sinners” on Easter, so he offers a spoiler-free mini-review before the boys get to their featured conversation, “Black Swan”: Films of 2010. The random year generator spun 2010, a repeat for us (The Social Network, Incendies), so we break down the film year, the news year, and dive into a conversation about this psychological thriller that hit three artists- two of whom once took dance classes…- close to home! Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 3:03 “Sinners” mini-review; 12:09 Gripes; 14:51 2010 Year in Review; 34:20 Films of 2010: “Black Swan”; 1:18:08 What You Been Watching?; 1:21:48 Next Week's Movie Announcement Additional Cast/Crew: Natalie Portman, Mila Kunis, Vincent Cassel, Winona Ryder, Barbara Hersey, Benjamin Millepied, Sebastian Stan, Janet Montgomery, Toby Hemingway, Mark Margolis, Charlotte Aronofsky, Kurt Froman, Sarah Lane, Darren Aronofsky, Mark Heyman, Andres Heinz, John J. McLaughlin, Ckint Mansell, Matthew Libatique, Michael B Jordan, Ryan Coogler, Saul Williams, Jack O'Connell, Ludwig Göransson. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Variety, Israel, Sinners, Vampires, The Town Podcast, That 70s Show, crocs, Australian Accents, Ballet, Commercial Ballet, Contemporary Ballet, Dance, France, The War of 1812, Napoleon, Russia, Russian History, Aristocracy, Dueling, Swans, Ducks, Chickens, Generals, Mean Streets, Taxi Driver, Black Mirror, Slow Horses, The First Look, Ben Mendelsohn, French Accents, The Monuments Men, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Fuhrermuseum, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir. 

Museums, their artifacts, and how the two of those entities interact... these are huge factors in how the world sees an object, and the importance it is given. The Mona Lisa is a piece of art with a fascinating journey, so stick around while Kat breaks down its rise in popularity! Let's Chat! Bluesky: TINAHLPodcastEmail: thisisnotahistorylecture@gmail.com

In this episode, we'll explore unique NYC museums including George Washington's favorite tavern, massive Unicorn tapestries dating back to the 1400s, and even what it was like to live in the cramped tenement buildings as an immigrant in New York in the 1860s.Museum of the DogFraunces Tavern MuseumMuseum at Eldridge Street Museum of Jewish Heritage New York Transit Museum The Met CloistersTenement Museum1- Museum of the DogFounded in 1982, originally part of the AKC headquarters (American Kennel Club)The museum offers rotating exhibits featuring objects from its 1,700-piece collection and 4,000-volume libraryLimited-time exhibits have included:Price: Around $15. Get tickets here. Closed Mondays and Tuesdays.2- Fraunces TavernOldest bar and restaurant in NYC - 1762On December 4, 1783, nine days after the last British soldiers left American soil, George Washington invited the officers of the Continental Army to join him in the Long Room of Fraunces Tavern to bid them farewell.In early 1785, Fraunces agreed to lease the Tavern to the Confederation Congress for use as office space for the Department of Foreign Affairs and Department of WarCurrently has multiple restaurants and bars within itPrice: Around $10, with some free admission options on weekends. Tickets are only available at the museum, but information is available here.3- Museum at Eldridge StreetThe Museum at Eldridge Street is housed in the historic Eldridge Street Synagogue. Built in 1887, it is an architectural marvel, and a symbol of immigrant aspirations realized. The Eldridge Street Synagogue was the first synagogue in America purpose-built by immigrants from Eastern Europe and was designated a National Historic Landmark in 1996Unbelievably beautiful architecture, including ornate stained glassExtremely knowledgeable guides, usually small-ish groupsPrice: Around $15 and we recommend the docent-led discovery tour vs self-guided (same price). Get tickets here.4- Museum of Jewish HeritageAs a place of memory, the Museum enables Holocaust survivors to speak through recorded testimony and draws on rich collections to illuminate Jewish history and experience. As a public history institution, it offers intellectually rigorous and engaging exhibitions, programs, and educational resources.If you go on a weekday, expect students on field tripsThe Rescue in Denmark exhibit is one of our favoritesPrice: Around $18. Get tickets here. Closed on Mondays, Tuesdays, and Saturdays.5- New York Transit MuseumHoused underground in an authentic 1936 subway station in Downtown Brooklyn, is home to a rotating selection of twenty vintage subway and elevated cars dating back to 1907.Visitors can board the vintage cars, sit at the wheel of a city bus, step through a time tunnel of turnstiles, and explore changing exhibits that highlight the cultural, social and technological history – and future – of mass transit.Price: Around $10. Get tickets here. Closed on Mondays and Tuesdays.NYT Episode about the subway. 6- The Met CloistersThe Cloisters, a branch of The Metropolitan Museum of Art, is America's only museum dedicated exclusively to the art of the Middle Ages.Features multiple ornate gardens with a wide variety of plants, herbs, and treesSee The Unicorn Tapestries, made in the late 1400'sPrice: Around $30. Get tickets here. Closed on Wednesdays.7- Tenement MuseumExplore stories of tenement dwellers through guided tours of two historic buildings, 97 and 103 Orchard Street, and their Lower East Side neighborhood.Also, offer walking tours of the surrounding areaPrice: Around $30. Get tickets here.You'll Have to Check It Out Segment - Blue Haven SouthLively sports bar with great drinks, tasty food, and friendly staff. Check it out.

Today L.A. Mayor Karen Bass announced a proposal to lay off 5% of city workers due to a budget shortfall. L.A. Catholics react to the death of Pope Francis. Federal cuts are hitting Southern California museums and historic societies hard. Plus, more.Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.comVisit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!Support the show: https://laist.com

The boys discuss America's Satanic Panic, bad coffee and excelling in excel

Imagine you're diving into a cell. You're paddling around in the cytoplasm, you're climbing up a mitochondria. If you're having a hard time picturing this, that's okay! There are professionals who do this for a living.We wanted to learn more from expert science interpreters, who take the results section of a research paper and translate it into something tangible, like a 40-foot dinosaur skeleton or a 3D animation of cellular machinery too small to see.At a live event in Salt Lake City in March, Host Flora Lichtman spoke with Dr. Janet Iwasa, head of the University of Utah's Animation Lab and director of the Genetic Science Learning Center; and Tim Lee, director of exhibits at the Natural History Museum of Utah, about how they bring these out-of-reach worlds to life.Transcripts for each segment will be available after the show airs on sciencefriday.com. Subscribe to this podcast. Plus, to stay updated on all things science, sign up for Science Friday's newsletters.

Museum, battlefield, and historic home attendance are down. Why? Blame woke interpretation.https://mcclanahanacademy.comhttps://patreon.com/thebrionmcclanahanshowhttps://brionmcclanahan.com/supporthttp://learntruehistory.com

Join us as we all share the love for the smaller museums out there by visiting somewhere local (to each of us) or ditty (if we were on holiday). Come along to five wonderful little museums! 01:03 Solange visits Derwent Pencil Museum 09:52 Phedra goes to the Museum of Greek Refugees 24:33 Liz visits the Our Lord in the Attic Museum 34:17 Kloe goes to Shibden Hall 44:00 Jenny visits the Dylan Thomas Boathouse Show Notes: - Derwent Pencil Museum: https://www.derwentart.com/en-gb/c/about/company/derwent-pencil-museum - The Museum of Greek Refugees: https://www.visitkavala.gr/en/sightseeing/museum-greek-refugees/ - Our Lord in the Attic Museum: https://opsolder.nl/en/museum-our-lord-in-the-attic/ - Shibden Hall: https://museums.calderdale.gov.uk/visit/shibden-hall - Dylan Thomas Boathouse: https://cofgar.wales/venues/dylan-thomas-boathouse/ Support us on Patreon! http://www.patreon.com/thecword Hosted by Jenny Mathiasson. Intro and outro music by DDmyzik, used under a Creative Commons Attribution license. Made available under a Creative Commons Attribution-NonCommercial 4.0 International license. A Wooden Dice production, 2025.

This week, the boys stay positive as they take a look at Ridley Scott's first proper film, “The Duelists,” from 1977! Starring Keith Carradine, Harvey Keitel, and Albert Finney, this self-funded film is stunning to watch, but is it interesting to endure? We drink and discuss! John and Dave also caught “The Amateur” (2025) in the cinema and offer a mini-review before John discusses some upsetting WGA hiring statistics. Grab a drink and give us a listen! Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 10:39 “The Amateur” mini-review; 16:13 Gripes; 18:52 1977 Year in Review; 37:57 Films of 1977: “The Duelists”; 1:14:34 What You Been Watching?; 1:22:23 Next Week's Movie Announcement Additional Cast/Crew: Joseph Conrad, Gerald Vaughan-Hughes, Edward Fox, Cristina Raines, Robert Stephens, Diana Quick, Frank Tidy, Tom Rand, James Hawes, Robert Littell, Gary Spinelli, Ken Nolan, Rami Malek, Rachel Brosnahan, Jon Bernthal, Nick Mills, Tiffany Gray, Hold McCallany, David Mills, Laurence Fishburne. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: France, The War of 1812, Napoleon, Russia, Russian History, Aristocracy, Dueling, Swans, Ducks, Chickens, Generals, Mean Streets, Taxi Driver, Black Mirror, Slow Horses, The First Look, Ben Mendelsohn, French Accents, The Monuments Men, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Fuhrermuseum, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir. 

At least one tribal library in New Mexico will have to close after the Trump Administration abruptly canceled federal grants administered through the Institute for Museum and Library Services. Many more libraries and museums in the state and around the country are forced to cut hours, eliminate staff, cancel traditional programs, and curb purchases for new books and other materials. They are among the latest in the on-going efforts by the Trump Administration to drastically change federal services. Those cuts also include supplements to low-income Navajo Nation citizens and hundreds more Native Americans nationwide who rely on the funds to help them heat their homes in the winter. We'll get the latest rundown of staff and funding reductions by the federal government. GUESTS Dr. April Counceller (Alutiiq tribal member of the Sun'aq Tribe of Kodiak), executive director of the Alutiiq Museum & Archaeological Repository Cassandra Osterloh (Cherokee Nation), New Mexico State Library tribal libraries program coordinator Alicia Allard, tribal Head Start consultant and specialist for Little Hawk Consulting Jill Falcon Ramaker (Turtle Mountain Anishinaabe), assistant professor in Indigenous food systems and land practices and director of Buffalo Nations Food Sovereignty at Montana State University Andrea Pesina (Isleta Pueblo), executive director of Isleta Head Start & Child Care and president of the National Indian Head Start Directors Association