Institution that holds artifacts and other items of scientific, artistic, cultural or historical importance
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Museums are purging their collections of looted treasures. Can they also get something in return? And what does it mean to be a museum in the 21st century? (Part 3 of an updated series originally published in 2023.) SOURCES: Patricia Allan, museum consultant, former curator of world cultures for the Glasgow Museums. Andrea Bayer, deputy director for collections and administration at the Metropolitan Museum of Art in New York. Lonnie G. Bunch III, Secretary of the Smithsonian Institution. Victor Ehikhamenor, Nigerian writer and artist. Patty Gerstenblith, professor emeritus of law at DePaul University College of Law. Tom Wilkening, professor of economics at the University of Melbourne. RESOURCES: "After Seizures, the Met Sets a Plan to Scour Collections for Looted Art," by Robin Pogrebin and Graham Bowley (The New York Times, 2023). "Nigeria Benin Bronzes: Buhari Declaration 'Blindsides' Museum Officials," by Barnaby Phillips (B.B.C., 2023). "Shared Stewardship and Ethical Returns Policy," by the Smithsonian Ethical Returns Working Group (2022). "Protecting Antiquities: A Role for Long-Term Leases?" by Michael Kremer and Tom Wilkening (Working Paper, 2015). EXTRAS: “Stealing Art Is Easy. Giving It Back Is Hard,” series by Freakonomics Radio (2023). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
In the 1930s, the artist Abram Champanier painted Alice of Wonderland Visiting New York, a series of murals that displayed Alice in Wonderland characters throughout the city. The piece was commissioned by the Works Progress Administration, and the panels were displayed in the children's ward at the Gouverneur Hospital between 1938 and 1940. Now at the Museum of the City of New York, the mural panels are on view together for the first time in almost 50 years. Lilly Tuttle, senior curator of the Collection at Museum of the City of New York, discusses the legacy of this mural series and the exhibit 'Another Wonderland: Abram Champanier's Alice Mural,' on view through September 27. Image courtesy of MCNY Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Warum bleiben wir vor manchen Ausstellungsstücken wie magisch stehen, während wir an anderen einfach vorbeigehen? Und wie entsteht eigentlich eine Ausstellung, die neugierig macht, überrascht und lange im Gedächtnis bleibt? In dieser Folge spricht Host Lukas Klaschinski mit der Ausstellungskuratorin Linda Gallé und dem Leiter der Ausstellungsentwicklung Uwe Moldrzyk vom Museum für Naturkunde Berlin. Gemeinsam werfen sie einen Blick hinter die Kulissen eines Museums, das sich mitten im laufenden Betrieb neu erfindet. Sie erzählen, wie Millionen Sammlungsobjekte umziehen, warum Besucherinnen und Besucher schon vor der Eröffnung neuer Räume mitentscheiden und wie aus wissenschaftlichen Objekten spannende Geschichten werden. Außerdem geht es darum, wie Museen heute unterschiedliche Perspektiven sichtbar machen und warum auch die koloniale Geschichte von Sammlungen ein wichtiger Teil moderner Ausstellungen ist. Eine Folge über Neugier, gutes Ausstellungsdesign und die Frage, warum manche Räume uns sofort in ihren Bann ziehen. Dieser Podcast entsteht in freundlicher Produktionsunterstützung der Auf die Ohren GmbH und wurde 2021 als Bester Podcast mit dem Deutschen Hörbuchpreis ausgezeichnet. Weitere Informationen zum Podcast und Museum gibt es auf: [www.museumfuernaturkunde.berlin/beatsandbones](https://www.museumfuernaturkunde.berlin/beatsandbones)
Russia's full-scale invasion of Ukraine has placed not only lives and cities under attack, but also the country's language, history and culture. Museums have been looted, cultural sites destroyed and a generation of writers, artists and performers drawn into the war. Yet amid this devastation, art has become a powerful form of documentation, resistance and survival. In this episode, journalist and author Hannah Lucinda Smith speaks with Guardian chief culture writer Charlotte Higgins about her book Ukrainian Lessons: A Journey into the Art and Life of a Country at War and the reporting journeys that transformed her understanding of the relationship between culture and conflict. Charlotte reflects on arriving in Kyiv during a major missile attack, learning Ukrainian and meeting the artists determined to record their experiences in their own words. Why do writers turn to poetry in times of war? What makes people risk their lives to protect paintings, manuscripts and museum objects? And how can art restore meaning when violence has torn it apart? Charlotte also remembers the Ukrainian novelist and war crimes investigator Victoria Amelina, who was killed in a Russian missile strike in 2023, and explores what her life and unfinished work reveal about the human cost of the war. Charlotte Higgins is the chief culture writer at The Guardian and the author of Ukrainian Lessons: A Journey into the Art and Life of a Country at War. Hannah Lucinda Smith is a journalist and author whose reporting has taken her across Europe and the Middle East. Her latest book is Hinterlands: A Journey Through the New Europe. If you'd like to become a Member and get access to all our full conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices
A love of words, stories, and cloth led Karen Elting Brock around the world and back to PieceWork. ”All This by Hand” appeared on the first covers of PieceWork magazine, intended to capture the scope of material between the covers. Stitching, lacemaking, and other needlework, certainly, but other handwork, fashion, and the artisans who created the work all found their way into the pages of the magazine. The scope of the project—worldwide, from historical to contemporary, from anonymous to celebrated—has made it beloved by its readers and also difficult to explain. All this by hand, indeed. Karen Elting Brock first joined the staff of PieceWork in 2010, working with authors who were artisans or had stories to tell. From her desk, she pored through the collections of international museums and chased down photographers for just the image that would tell the story of a textile. After several years on the editorial staff, she moved on to experience global stories for herself, living in (and sending dispatches from) Nepal, Morocco, and other international locations. Even (or especially) in remote villages, textiles and makers continued to find her. In 2025, Karen was ready to return to Colorado, and PieceWork welcomed her to the editor's seat. As of recording time, Karen has brought some of her ambitions for the publication to fruition—she's especially excited about the Fall 2026 Museum Issue and the new reader-fed international museum directory—but she has a list of other ideas she's eager to explore. In this episode, we explore some of her favorite textile stories and some of her plans for the future. Links PieceWork issues and website PieceWork's Blue & White Issue, released in Summer 2026 International Needlework Museum Directory “Knitting on Peru's Taquile Island” by Linda Ligon “Spinning Giant Nettle in the Himalayas” Karen's posts for pieceworkmagazine.com This episode is brought to you by: Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white. If you love silk, you'll love Treenway Silks, where superior quality and customer service are guaranteed. “Hi, I'm Gabi van Tassell from Bluebonnet Crafters, and I'm the inventor of TURTLE pin looms. Pin looms are small, handheld looms that quickly weave self-contained fabric pieces like squares, hexagons, and more. Weave them with almost any yarn you have on hand, then combine them into projects of any size. They make a wonderful companion for any fiber lover, at home or on the go. I'd love for you to visit us at turtleloom.com to explore the full loom catalog, patterns, and more. Hope to see you there.” The Mountain & Valley Fiber Arts Festival comes to Durango, Colorado, the first full weekend in October. Formerly the Taos Wool Festival, this new chapter brings together natural fiber artists, vendors, instructors, growers, and makers for a weekend of shopping, learning, and community. Plan your fiber arts weekend at Mountain & Valley Fiber Arts Fest at mavwafiberartsfest.org.
The world's great museums are full of art and artifacts that were plundered during an era when plunder was the norm. Now there's a push to return these works to their rightful owners. Sounds simple, right? It's not. (Part 2 of an updated series originally published in 2023.) SOURCES: Matthew Bogdanos, assistant district attorney in the Manhattan District Attorney's Office and chief of the Antiquities Trafficking Unit. Nicholas Cullinan, director of the British Museum. Victor Ehikhamenor, Nigerian writer and artist. David Frum, staff writer at The Atlantic. Dan Hicks, professor of contemporary archaeology at the University of Oxford and curator of world archaeology at the Pitt Rivers Museum. Bénédicte Savoy, professor of art history at the Technical University in Berlin. RESOURCES: "These Looted Treasures Are Home. What Now?," by Alex Marshall (New York Times, 2025). "France's Long-Awaited Restitution Policy Is Finally Here," by Vincent Noce (The Art Newspaper, 2023). Africa's Struggle for Its Art: History of a Postcolonial Defeat, by Bénédicte Savoy (2022). "Who Benefits When Western Museums Return Looted Art?" by David Frum (The Atlantic, 2022). "Museums in England and Wales to Gain Powers to Dispose of Objects on Moral Grounds," by Dalya Alberge (The Guardian, 2022). The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution, by Dan Hicks (2020). "The Restitution of African Cultural Heritage. Toward a New Relational Ethics," by Bénédicte Savoy and Felwine Sarr (2018). EXTRAS: "Can a Museum Be the Conscience of a Nation?," by Freakonomics Radio (2025). "The Hidden Side of the Art Market," by Freakonomics Radio (2021). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Chris of The Morning Mix chats with Cassie Coffey of DuPage Children's Museum about their upcoming Gabby's Dollhouse MEOWseum Discovery Days, August 21st - 23rd. Get ready for a paws-itively magical adventure! Step inside a world of imagination as DuPage Children's Museum transforms into a Gabby's Dollhouse experience bursting with creativity, playful discoveries, and hands-on fun for the whole family. We're thrilled to host Gabby's Dollhouse MEOWseum Discovery Days in collaboration with DreamWorks Animation and the Association of Children's Museums.For more details and to purchase tickets, click HERE.Listen to The Morning Mix weekdays from 5:30am - 10:00am on 101.9fm The Mix in Chicago or with the free Mix App available in the Apple App Store and Google Play.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
By the end of this century, half of the world's 7,000 languages could be gone. On this episode of Unpacked, host Aislyn Greene hands the mic to travel writer Lucy Kehoe for a conversation about saving language with journalist Sophia Smith Galer, author of the new book How to Kill a Language. For Sophia, saving language is personal: her Italian grandmother spoke Emilian, one of Italy's Indigenous tongues, and it's quietly slipping away. To understand what we lose when a language dies, Sophia traveled from the mountains of Oman to the hills of California, seeking out endangered languages and the communities fighting—or grieving—for them. She and Lucy get into why these languages matter to every traveler, how language and landscape are woven together, and what it means to travel thoughtfully to a place whose language is at risk—beyond learning a few phrases. It's a conversation about treating language as part of the culture we come to experience, and about meeting it with curiosity and respect rather than as something quaint. THIS WEEK'S GUESTS Sophia Smith Galer is an award-winning journalist and author whose new book, How to Kill a Language, traces the forces—colonialism, globalization, migration, and war—pushing thousands of the world's languages toward extinction. Multilingual in English, Spanish, Italian, and Arabic, she reported it across California, Oman, Ghana, Ecuador, Italy, and Greece, meeting speakers of critically endangered languages in person to capture not only their words but their connection to a place. Lucy Kehoe is a London-based journalist who covers travel, food, and the environment, with a particular interest in how people relate to landscape and place. IN THIS EPISODE The statistic that stopped us cold: by 2100, up to half of the world's 7,000 languages could vanish, and the rate of loss is expected to triple over the next 40 years Why a language is far more than a way to order coffee—Sophia's case that it holds the past, present, and future of a people connected to a place, from Oman's Jibbali (with distinct words for animal versus human shelter) to a California tribe down to 12 adult speakers What it really asks of travelers: not memorizing phrases, but bringing respect and dignity to an endangered language, and asking who profits from "language tourism" and whether speaker communities are truly part of it Where to find language on the road—Planet Word in Washington, D.C., the Armenian alphabet monument outside Yerevan, a Ukrainian language tour in Kyiv, and Oman's frankincense heritage experience The range of feelings Sophia found among speakers themselves—pride, determination, and quiet resignation—and why she believes the fate of each endangered language belongs to its own community to decide 00:00:00 A Grandmother's Vanishing Tongue 00:04:00 Why Endangered Languages Matters 00:06:00 Words Shaped by Place 00:10:00 Tourism Done Respectfully 00:16:00 California's Last Speakers 00:24:00 Ladino, Museums, and Hope LINKS & RESOURCES How to Kill a Language by Sophia Smith Galer — buy on Bookshop Sophia Smith Galer's website Lucy Kehoe's website Planet Word, the language museum in Washington, D.C. Armenian Alphabet Monument, outside Yerevan Museum of the Frankincense Land, Oman Stay connected Be sure to subscribe to the show and sign up for our podcast newsletter, Behind the Mic, where we share upcoming news and behind-the-scenes details of each episode. And explore our second podcast, Travel Tales, which celebrates first-person narratives about the way travel changes us, and View From Afar, where we spotlight the people and ideas shaping the future of travel. Unpacked by Afar is part of Airwave Media's podcast network. Please contact advertising@airwavemedia.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
Connor and Mike ranked the museums that they either have or have not been to.
Air Date: 8/16/2026 Today we look at what Toni Morrison called "sanctioned ignorance," the deliberate manufacture of a version of the past that keeps citizens from connecting the dots between what their government did then and what it's doing now. They're doing it by attacking museums, libraries, and everyone dedicated to ensuring that people have access to accurate information because that's what it takes to implement authoritarian control over a society. It's also the reason that countries under authoritarian rule suffer from the lack of benefits that comes with the free exchange of ideas. Full Show Notes Transcript Be part of the show! Leave a voice message, message us on Signal at the handle bestoftheleft.01, or email Jay@BestOfTheLeft.com BestOfTheLeft.com/Support (Members Get Bonus Shows + No Ads!) Use our links to shop Bookshop.org and Libro.fm for a non-evil book and audiobook purchasing experience! Join our Discord community! TOP TAKES KP 1: David Blight Makes Opening Statement in Hearing on How Smithsonian Presents History - PBS Newshour - Air Date 7-21-26 KP 2: Trying to Rewrite History - Letters From an American - Air Date 7-28-26 KP 3: Trump Orders Signs at Smithsonian Museum Warning of 'Inaccurate' History - Thom Hartmann Program - Air Date 7-30-26 KP 4: Rebecca Nagle on the Boomerang of Empire Part 1 - The Intercept Briefing - Air Date 7-11-26 KP 5: Right-Wing Attacks on Small-Town Libraries; Plus The Snow Leopard Part 1 - Start Making Sense - Air Date 8-17-23 KP 6: Free Speech for Me, but Not for Thee. Plus, Librarians Under Siege. - On the Media - Air Date 9-19-25 KP 7: Why Libraries Matter in a Fascist Moment Part 1 - Movement Memos - Air Date 3-19-26 (00:57:23) NOTE FROM THE EDITOR Why Authoritarians Always Create a Brain Drain That Leaves Their Country Intellectually Impoverished My commentaries on YouTube - Share them! DEEPER DIVES (01:08:29) SECTION A: THE CRACKDOWN A1: What Is the Smithsonian - Civics 101 - Air Date 6-25-24 A2: 'If You Can Keep It' The Smithsonian Part 1 - 1A - Air Date 8-18-25 A3: Trumps Assault on Museums and Libraries, the Art Markets 12% Fall, Evie Hone and Mainie Jellett Part 1 - The Week in Art - Air Date 4-10-25 A4: 'If You Can Keep It' The Smithsonian Part 2 - 1A - Air Date 8-18-25 A5: Trumps Assault on Museums and Libraries, the Art Markets 12% Fall, Evie Hone and Mainie Jellett Part 2 - The Week in Art - Air Date 4-10-25 (01:47:35) SECTION B: HISTORIANS PUSH BACK B1: Historian Douglas Brinkley on MAGA-fying the Smithsonian Part 1 - Brian Lehrer A Daily Podcast - Air Date 8-21-25 B2: Trumps Renewed War, More ICE Killings, and Teaching American History - Start Making Sense - Air Date 7-15-26 B3: Historian Douglas Brinkley on MAGA-fying the Smithsonian Part 2 - Brian Lehrer A Daily Podcast - Air Date 8-21-25 (02:13:02) SECTION C: LIBRARIES UNDER SIEGE C1: From Budget Cuts to Book Bans — The Decades-Long Assault on Public Libraries Part 1 - Citations Needed - Air Date 3-29-23 C2: Why Libraries Matter in a Fascist Moment Part 2 - Movement Memos - Air Date 3-19-26 C3: From Budget Cuts to Book Bans — The Decades-Long Assault on Public Libraries Part 2 - Citations Needed - Air Date 3-29-23 C4: Right-Wing Attacks on Small-Town Libraries; Plus The Snow Leopard Part 2 - Start Making Sense - Air Date 8-17-23 (02:44:58) SECTION D: THE LONGER ARC - EMPIRE, IDEOLOGY, AND THE WORLD'S VIEW D1: The US Struggles with History, Stephen Friedman Gallery Closes, Tudor Heart Pendant Acquired by the British Museum - The Week in Art - Air Date 2-12-26 D2: Museum Responses to Fascism (or Not) Part 1 - The Modern Art Notes Podcast - Air Date 8-6-26 D3: Museum Responses to Fascism (or Not) Part 2 - The Modern Art Notes Podcast - Air Date 8-6-26 D4: Rebecca Nagle on the Boomerang of Empire Part 2 - The Intercept Briefing - Air Date 7-11-26 Produced by Jay! Tomlinson Visit us at BestOfTheLeft.com Listen Anywhere! BestOfTheLeft.com/Listen Follow BotL: Bluesky | Mastodon | Threads | X Like at Facebook.com/BestOfTheLeft Contact me directly at Jay@BestOfTheLeft.com
00:00 Intro01:10 Trump Orders Boost to U.S. Defense Industrial Base01:53 President Trump Boosts Naval Shipbuilding Capacity02:32 President Trump Announces Up to 100 Percent Drone Tariffs03:10 CCP Intel Official Buys Building Near White House06:23 CCP Influencing U.S. Museums, Education Institutions08:11 New Report Details CCP Influence at Harvard University11:14 Chinese Tech Raises Risks to U.S. Infrastructure11:34 Cameras on UK Naval Drones Sending Data Back to China12:53 Report: Waymo Imports 3,200 Chinese Robotaxis to U.S.13:39 Senate Report: China Could Disrupt U.S. Power Grid14:58 U.S.-Japan Push Deep-Sea Mining to Counter China17:10 U.S. Enlists Private Firms to Hack Foreign Cybercriminals18:08 Philippines Bars U.S. Attacks From Its Soil Over Taiwan19:51 Australia's Albanese Says He Had Productive Call w/Trump20:46 Albanese Says AUKUS Full Steam Ahead After Trump Call21:02 Trump, Albanese Talk China, Critical Minerals21:27 China Uses Stars to Guide Hypersonic Weapons: Report
Displays of Belonging: Polish Jewish Collecting and Museums, 1891–1941 (Cornell UP, 2025.) illuminates the lives and work of Polish Jewish collectors and museologists, who sought to preserve the treasures of the Jewish past while demonstrating Jewish belonging on Polish soil. As Jews comfortable in the Polish language and within Polish artistic and academic society, they saw themselves as intermediaries between less-integrated Jews and the Polish cultural elite. At the turn of the century, Jewish ethnographers and museum creators staked their claim to belonging to the civic nation though the display of Jewish folk art, fine art, and Judaica. After the First World War, the nearly three million Jews in the Second Polish Republic were suddenly challenged with finding a place for themselves in a state that increasingly defined itself as a creation of the ethnic Polish nation, to which Jews, by many accounts, did not belong. By tracing emergent documentation and display practices in partitioned Poland and in the interwar Second Polish Republic, Sarah Ellen Zarrow offers a better understanding of how integrated Jews identified with Polish culture and history and with non-Jewish Poles, and how they conceived of, negotiated, and argued their collective place within Poland. This is not a case of assimilation, nor of acculturation, but rather of displaying a parallel culture that was at once similar and yet distinctive. Displays of Belonging offers a nuanced understanding of the multiplicity of ways in which Jews in Poland saw their present and dreamed of their future. It places Jewish ethnographic practice and art collection within a Polish context, and sheds light on ways in which ideas about belonging and national identity were negotiated in the space of museums. Paul Lerner is Chair of the History Department at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. Book here Faculty page here Email & Social Media: plerner@usc.edu @plerner.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Displays of Belonging: Polish Jewish Collecting and Museums, 1891–1941 (Cornell UP, 2025.) illuminates the lives and work of Polish Jewish collectors and museologists, who sought to preserve the treasures of the Jewish past while demonstrating Jewish belonging on Polish soil. As Jews comfortable in the Polish language and within Polish artistic and academic society, they saw themselves as intermediaries between less-integrated Jews and the Polish cultural elite. At the turn of the century, Jewish ethnographers and museum creators staked their claim to belonging to the civic nation though the display of Jewish folk art, fine art, and Judaica. After the First World War, the nearly three million Jews in the Second Polish Republic were suddenly challenged with finding a place for themselves in a state that increasingly defined itself as a creation of the ethnic Polish nation, to which Jews, by many accounts, did not belong. By tracing emergent documentation and display practices in partitioned Poland and in the interwar Second Polish Republic, Sarah Ellen Zarrow offers a better understanding of how integrated Jews identified with Polish culture and history and with non-Jewish Poles, and how they conceived of, negotiated, and argued their collective place within Poland. This is not a case of assimilation, nor of acculturation, but rather of displaying a parallel culture that was at once similar and yet distinctive. Displays of Belonging offers a nuanced understanding of the multiplicity of ways in which Jews in Poland saw their present and dreamed of their future. It places Jewish ethnographic practice and art collection within a Polish context, and sheds light on ways in which ideas about belonging and national identity were negotiated in the space of museums. Paul Lerner is Chair of the History Department at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. Book here Faculty page here Email & Social Media: plerner@usc.edu @plerner.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Displays of Belonging: Polish Jewish Collecting and Museums, 1891–1941 (Cornell UP, 2025.) illuminates the lives and work of Polish Jewish collectors and museologists, who sought to preserve the treasures of the Jewish past while demonstrating Jewish belonging on Polish soil. As Jews comfortable in the Polish language and within Polish artistic and academic society, they saw themselves as intermediaries between less-integrated Jews and the Polish cultural elite. At the turn of the century, Jewish ethnographers and museum creators staked their claim to belonging to the civic nation though the display of Jewish folk art, fine art, and Judaica. After the First World War, the nearly three million Jews in the Second Polish Republic were suddenly challenged with finding a place for themselves in a state that increasingly defined itself as a creation of the ethnic Polish nation, to which Jews, by many accounts, did not belong. By tracing emergent documentation and display practices in partitioned Poland and in the interwar Second Polish Republic, Sarah Ellen Zarrow offers a better understanding of how integrated Jews identified with Polish culture and history and with non-Jewish Poles, and how they conceived of, negotiated, and argued their collective place within Poland. This is not a case of assimilation, nor of acculturation, but rather of displaying a parallel culture that was at once similar and yet distinctive. Displays of Belonging offers a nuanced understanding of the multiplicity of ways in which Jews in Poland saw their present and dreamed of their future. It places Jewish ethnographic practice and art collection within a Polish context, and sheds light on ways in which ideas about belonging and national identity were negotiated in the space of museums. Paul Lerner is Chair of the History Department at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. Book here Faculty page here Email & Social Media: plerner@usc.edu @plerner.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies
Displays of Belonging: Polish Jewish Collecting and Museums, 1891–1941 (Cornell UP, 2025.) illuminates the lives and work of Polish Jewish collectors and museologists, who sought to preserve the treasures of the Jewish past while demonstrating Jewish belonging on Polish soil. As Jews comfortable in the Polish language and within Polish artistic and academic society, they saw themselves as intermediaries between less-integrated Jews and the Polish cultural elite. At the turn of the century, Jewish ethnographers and museum creators staked their claim to belonging to the civic nation though the display of Jewish folk art, fine art, and Judaica. After the First World War, the nearly three million Jews in the Second Polish Republic were suddenly challenged with finding a place for themselves in a state that increasingly defined itself as a creation of the ethnic Polish nation, to which Jews, by many accounts, did not belong. By tracing emergent documentation and display practices in partitioned Poland and in the interwar Second Polish Republic, Sarah Ellen Zarrow offers a better understanding of how integrated Jews identified with Polish culture and history and with non-Jewish Poles, and how they conceived of, negotiated, and argued their collective place within Poland. This is not a case of assimilation, nor of acculturation, but rather of displaying a parallel culture that was at once similar and yet distinctive. Displays of Belonging offers a nuanced understanding of the multiplicity of ways in which Jews in Poland saw their present and dreamed of their future. It places Jewish ethnographic practice and art collection within a Polish context, and sheds light on ways in which ideas about belonging and national identity were negotiated in the space of museums. Paul Lerner is Chair of the History Department at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. Book here Faculty page here Email & Social Media: plerner@usc.edu @plerner.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
[REBROADCAST FROM April 29, 2026] The first American retrospective of the work of pioneering artist Marcel Duchamp in 50 years has landed at the MoMA. Curators Ann Temkin and Michelle Kuo discuss the show, running now through August 22. Photo by Dan Kitwood/Getty Images: A piece of work by Marcel Duchamp entitled 'Bicycle Wheel' during a press preview of 'The Bride and the Bachelors' exhibition at the Barbican Art Gallery on February 13, 2013 in London, England. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
MoMA welcomes three million people to its Midtown campus in a good year. But the beloved cultural institution now has the power to reach multiples of that through a hoodie, a Lego set, and a chicken-shaped cutting board. General Manager of Retail, Jesse Goldstine, joins the show to explain how MoMA inverted the museum retail model, how every product in the store thoughtfully ties back to MoMA's art, and where the design institution draws the line between rolling out AI partnerships while protecting human craft. Until the AI Overlords Say Otherwise Key takeaways: Museums historically have defaulted to funneling visitors through the gift shop last. MoMA inverted the formula, shifting the museum's point-of-entry to retail channels. Cutting SKUs in SoHo raised productivity per SKU and clarified brand identity. Licensing starts and ends with one question: why MoMA? Discovery and gifting resist automation in ways basic replenishment does not. [00:24:04] Jesse: "The DNA of our business is rooted in decisions made by humans in our curatorial department…I will continue to defer to them and put my faith in them until our AI overlords tell me that I need to behave differently." [00:26:43] Jesse: "There's something really special about our brand that... will sort of inoculate it against some sort of automated sock repurchase every six months." In-Show Mentions: Join us at VISIONS: NYC at MoMa on November 3! MoMA Design Stores MoMA licensing partners: LEGO, Mattel Creations, Uniqlo, Champion Associated Links: More on the intersection of art, culture, and commerce: Insiders #186 Check out Future Commerce on YouTube Check out Future Commerce Plus for exclusive content and save on merch and print Subscribe to Insiders and The Senses to read more about what we are witnessing in the commerce world Listen to our other episodes of Future Commerce Have any questions or comments about the show? Let us know on futurecommerce.com, or reach out to us on Twitter, Facebook, Instagram, or LinkedIn. We love hearing from our listeners! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Andy Povey is joined by Stephen Reid, Director of Attraction Brand Consultants, to discuss whether suppliers are the backbone of the attractions industry. They explore operator-supplier relationships, innovation, AI, visitor expectations, human connection, and the future challenges facing museums, theme parks, zoos, and family attractions. Topics Discussed Are suppliers the backbone of the attractions industry? Operator vs supplier perspectives Building trust and long-term relationships Innovation through collaboration Trade associations and industry culture Why networking matters Learning across different attraction sectors Transferable ideas between museums, zoos, and theme parks The role of suppliers in problem solving Rising operating costs for attractions Competition for guests' time and money Managing visitor expectations Queueing and guest flow challenges AI and platform integration The future of ticketing and operations Technology vs storytelling Why immersive is often overused Human interaction in visitor experiences Theatre and live performance in attractions Lessons from farm attractions and seasonal events The importance of owner-operated attractions Guest reviews and personal service Innovation at the granular level The Sphere in Las Vegas Freedom to fail and experiment Practical advice for attraction operators Show references: Stephen Reid - Director of Attraction Brand Consultants https://www.kayelliott.co.uk/ https://www.linkedin.com/in/stephen-reid-37723010/ Skip the Queue is brought to you by Merac. We provide attractions with the tools and expertise to create world-class digital interactions. Very simply, we're here to rehumanise commerce. Your guest host is Andy Povey. If you like what you hear, you can subscribe on Apple Podcasts, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm. If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on LinkedIn. Credits: Written by Emily Burrows (Plaster) Edited by Steve Folland Produced by Emily Burrows and Sami Entwistle (Plaster) Download The Visitor Attractions Website Survey Report - https://www.merac.co.uk/download-the-visitor-attractions-survey We have launched our brand-new playbook: ‘The Retail Ready Guide to Going Beyond the Gift Shop' — your go-to resource for building a successful e-commerce strategy that connects with your audience and drives sustainable growth. Download your FREE copy here
There's a line a local musicologist once gave Maria Petrenko about Oia that has stayed with her ever since. You don't go to a woman when everyone in the room is queuing up to light her cigarette. You go when she's alone.That's Santorini in December. Same caldera, same whitewashed alleyways, same view that launched a million photographs, but with nobody in it except you. Maria is a local guide and the founder of Santorini by Maria, running private walking tours built around slow travel, and she lives on the island year-round. In this episode she takes Imogen Strickland through the version of Santorini that most visitors never see, and makes a quietly persuasive case for going once everyone has gone home.She talks about the empty alleyways after the first rains, when the herbs come back and the mushrooms appear on the mountain if you're brave enough to pick them. She explains why hiking the volcano is better in the cold, when you can feel the heat coming up through the rock instead of being confused by the sun beating down on you. She describes February fog creeping into the villages and admits it's ideal weather for anyone with a Gothic novel in them. There's the arnaki, the slow-roasted lamb that tastes better the following day, and the chilly evenings that push you indoors to your own oven with a glass of wine and no reason to hurry.Maria is honest about the trade-offs too. Most locals leave for the winter, and the ones who stay do so for a reason. The wind is the real cold, not the temperature. Some villages will leave you with nowhere to eat, so she recommends basing yourself in Oia or Fira, the two places that become unbearable in July and are perfectly pleasant in December. Public transport thins out. Museums keep short hours.What you get in return is the thing everyone comes to Santorini looking for and almost never finds. Space. Maria calls it island-wide me time. There's also a creative community quietly reassembling itself on the island, painters in residence, writers taking rooms for a month, galleries opening in the inland villages, drawing on an artistic history that goes back to the frescoes at Akrotiri and got lost somewhere in the rush of mass tourism.If you've been putting Santorini off because of what you've seen in other people's photographs, this is the conversation that might change your mind about when to go.Find Maria's private walking tours at Santorini by Maria.More low season inspiration, destination guides and our full Low Season Traveller Calendar: lowseasontraveller.comFollow us on Instagram, Facebook and LinkedIn for the latest low season stories, articles and guides.
Near and Desired Things: Shamanism in Late Imperial Local Siberian Museums (Cornell University Press, 2026) reveals nineteenth-century Siberian museums, built on Indigenous land and increasingly populated by political exiles, as active sites of ethnographic knowledge-making and centers of scientific research, regional identity, and colonial authority. Rather than collecting from distant colonies, these institutions concentrated on surrounding communities, their tools, beliefs, and everyday lives, to configure ideas about what counted as legitimate knowledge. Dr. Marisa Karyl Franz traces how Siberian museums helped construct shamanism as an ethnographic category. Shamans, while familiar and embedded in local space, were recast as icons of cultural otherness or representatives of an imagined primitive past. Through the evolving languages of science, anthropology, and empire, the local was abstracted and exported, feeding global museum networks and shaping modern anthropology. Yet, the museums held onto the intimacy of place, preserving tensions between familiarity and spectacle, documentation and desire. By placing Siberia at the center of a broader intellectual and political history, Near and Desired Things challenges assumptions about where modern knowledge is made and redefines provincial spaces as sites of innovation and as forces that reshape the terms of empire. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Near and Desired Things: Shamanism in Late Imperial Local Siberian Museums (Cornell University Press, 2026) reveals nineteenth-century Siberian museums, built on Indigenous land and increasingly populated by political exiles, as active sites of ethnographic knowledge-making and centers of scientific research, regional identity, and colonial authority. Rather than collecting from distant colonies, these institutions concentrated on surrounding communities, their tools, beliefs, and everyday lives, to configure ideas about what counted as legitimate knowledge. Dr. Marisa Karyl Franz traces how Siberian museums helped construct shamanism as an ethnographic category. Shamans, while familiar and embedded in local space, were recast as icons of cultural otherness or representatives of an imagined primitive past. Through the evolving languages of science, anthropology, and empire, the local was abstracted and exported, feeding global museum networks and shaping modern anthropology. Yet, the museums held onto the intimacy of place, preserving tensions between familiarity and spectacle, documentation and desire. By placing Siberia at the center of a broader intellectual and political history, Near and Desired Things challenges assumptions about where modern knowledge is made and redefines provincial spaces as sites of innovation and as forces that reshape the terms of empire. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies
Near and Desired Things: Shamanism in Late Imperial Local Siberian Museums (Cornell University Press, 2026) reveals nineteenth-century Siberian museums, built on Indigenous land and increasingly populated by political exiles, as active sites of ethnographic knowledge-making and centers of scientific research, regional identity, and colonial authority. Rather than collecting from distant colonies, these institutions concentrated on surrounding communities, their tools, beliefs, and everyday lives, to configure ideas about what counted as legitimate knowledge. Dr. Marisa Karyl Franz traces how Siberian museums helped construct shamanism as an ethnographic category. Shamans, while familiar and embedded in local space, were recast as icons of cultural otherness or representatives of an imagined primitive past. Through the evolving languages of science, anthropology, and empire, the local was abstracted and exported, feeding global museum networks and shaping modern anthropology. Yet, the museums held onto the intimacy of place, preserving tensions between familiarity and spectacle, documentation and desire. By placing Siberia at the center of a broader intellectual and political history, Near and Desired Things challenges assumptions about where modern knowledge is made and redefines provincial spaces as sites of innovation and as forces that reshape the terms of empire. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies
Near and Desired Things: Shamanism in Late Imperial Local Siberian Museums (Cornell University Press, 2026) reveals nineteenth-century Siberian museums, built on Indigenous land and increasingly populated by political exiles, as active sites of ethnographic knowledge-making and centers of scientific research, regional identity, and colonial authority. Rather than collecting from distant colonies, these institutions concentrated on surrounding communities, their tools, beliefs, and everyday lives, to configure ideas about what counted as legitimate knowledge. Dr. Marisa Karyl Franz traces how Siberian museums helped construct shamanism as an ethnographic category. Shamans, while familiar and embedded in local space, were recast as icons of cultural otherness or representatives of an imagined primitive past. Through the evolving languages of science, anthropology, and empire, the local was abstracted and exported, feeding global museum networks and shaping modern anthropology. Yet, the museums held onto the intimacy of place, preserving tensions between familiarity and spectacle, documentation and desire. By placing Siberia at the center of a broader intellectual and political history, Near and Desired Things challenges assumptions about where modern knowledge is made and redefines provincial spaces as sites of innovation and as forces that reshape the terms of empire. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology
Near and Desired Things: Shamanism in Late Imperial Local Siberian Museums (Cornell University Press, 2026) reveals nineteenth-century Siberian museums, built on Indigenous land and increasingly populated by political exiles, as active sites of ethnographic knowledge-making and centers of scientific research, regional identity, and colonial authority. Rather than collecting from distant colonies, these institutions concentrated on surrounding communities, their tools, beliefs, and everyday lives, to configure ideas about what counted as legitimate knowledge. Dr. Marisa Karyl Franz traces how Siberian museums helped construct shamanism as an ethnographic category. Shamans, while familiar and embedded in local space, were recast as icons of cultural otherness or representatives of an imagined primitive past. Through the evolving languages of science, anthropology, and empire, the local was abstracted and exported, feeding global museum networks and shaping modern anthropology. Yet, the museums held onto the intimacy of place, preserving tensions between familiarity and spectacle, documentation and desire. By placing Siberia at the center of a broader intellectual and political history, Near and Desired Things challenges assumptions about where modern knowledge is made and redefines provincial spaces as sites of innovation and as forces that reshape the terms of empire. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Warum fällt es uns so schwer, die Natur zu schützen, obwohl wir längst wissen, was auf dem Spiel steht? Warum bewegt uns die Klima- und Biodiversitätskrise manchmal tief und manchmal scheinbar gar nicht? Und wie wird aus Wissen endlich Handeln? In dieser Folge spricht Host Lukas Klaschinski mit der Sozial- und Umweltpsychologin Prof. Dr. Elisabeth Kals und dem Generaldirektor des Museums für Naturkunde Berlin, Prof. Dr. Johannes Vogel. Gemeinsam gehen sie der Frage nach, warum unsere Verbindung zur Natur brüchig geworden ist und was sie wieder stärken kann. Sie sprechen über Klimaangst, Verdrängung, Hoffnung und Ohnmacht, über die Kraft von Naturerfahrungen und darüber, warum Emotionen oft mehr bewegen als reine Fakten. Außerdem geht es um die Rolle von Museen, Wissenschaft und Citizen Science und darum, weshalb schon frühe Naturerlebnisse unser Umweltbewusstsein ein Leben lang prägen können. Dieser Podcast entsteht in freundlicher Produktionsunterstützung der Auf die Ohren GmbH und wurde 2021 als Bester Podcast mit dem Deutschen Hörbuchpreis ausgezeichnet. Weitere Informationen zum Podcast und Museum gibt es auf: [www.museumfuernaturkunde.berlin/beatsandbones](https://www.museumfuernaturkunde.berlin/beatsandbones)
Episode No. 770 features former museum director, former Association of Art Museum Directors president, and Souls Grown Deep president Maxwell L. Anderson, and Oakland Museum of California director Lori Fogarty. With the Trump administration and its Congressional allies having threatened, diminished, or attacked national cultural institutions such as the National Gallery of Art, the Kennedy Center, and increasingly the Smithsonian Institution, Anderson discusses whether the sector's response to government hostility has been appropriate. The first, and perhaps only museum to speak out after the most recent Trump administration attacks on Smithsonian museums and the directors was the Japanese American National Museum, Los Angeles. (JANM will be hosting National Museum of American History director Anthea Hartig, the director the administration has most recently attacked, for a live program on August 22.) The Association of Art Museum Directors has not spoken about administration attacks on federal museum institutions since this December 2025 statement. The American Alliance of Museums "condemned" the Trump administrations attacks nearly two weeks after JANM issued its statement. Read and/or subscribe to Anderson's Art Scoping Substack. Museums also do internal work to meet our moment. Fogarty joins the program to discuss how museums and their staffs best work within their community and in ways that advance their communities values, especially in ways that go beyond narrow, essentializing approaches to administration, exhibitions, and more. Read Fogarty's recent The Art Newspaper op-ed, "Museums are civic institutions. It's time we acted like it." Air date: August 6, 2026.
Josh T. Franco is an artist and art historian from West Texas who believes that art history is made by hand. Cultured Magazine included this creative powerhouse in their 2026 list of 12 Art-World Tastemakers We're Most Excited About. Franco actually wears four creative hats: artist, art historian, curator and new Exec Dir of US Latinx Art Forum. He grew up immersed in the ever-evolving wonderland his grandfather created in his backyard in Marfa, TX, full of eclectic found objects, sculptures and whimsical installations. Franco's current exhibition, Where I Learned to Look: Art from the Yard, celebrates the foundational role of yards in shaping contemporary art in America. His forthcoming book, Marfa, Marfa: Rasquachismo and Minimalism in Far West Texas, examines minimalism and the aesthetics that artist Donald Judd brought to Marfa … and how these intersect with "rasquachismo," the sensibility of the oppressed in working class Chicano communities. “I am an artist with an art history PhD. My practice investigates the mechanisms by which knowledge moves intergenerationally,” says. Franco. He's been an art historian with the Smithsonian for over ten years, interacting with some of the most treasured documents ever produced by artists across time. “I believe that every work of art is also a work of art history, because every work of art carries the past.” As the new Executive Director of US Latinx Art Forum, Franco is committed to celebrating and promoting art by US inhabitants of Latinx descent and their communities to foster equity and growth, and support its practitioners. Have a Swan Dive to share? Text us!We are always looking for Swan Dive Stories to share so hit us up, send an e mail to Ron: Ron@artbikesjax.com or Stu: Stuart@stuartsheldon.com
Fangirls Going Rogue: Star Wars Conversation from a Female POV
With Sarah Woloski in the trenches at this year's San Diego Comic-Con and Tricia Barr watching the news diligently over the weekend, your Fangirls Going Rogue hosts are ready to share their favorite news. From Star Trek to Star Wars and Marvel to Museums, we cover a lot of ground, including our favorite Star Wars Books news and speculation about those Latverian witch costume changes. The Mandalorian and Grogu is now available on Disney+. Check out our discussion here. Related The Star Wars Experience at Franklin Institute via StarWars.com Star Wars Books and Comics news via StarWars.com Star Wars: Twin Crossroads interview with Beth Revis at StarWars.com Marvel news from SDCC via Marvel.com Star Wars: Legacy Review via Skywalking Through Neverland Skywalking Through Neverland Episode 568: Spaceballs panel and Trivia Hyperspace Theories Podcast: The Mandalorian and Grogu Social Media Fangirls Going Rogue Threads | Instagram Tricia Barr Threads | Instagram Sarah Woloski Threads | Instagram Facebook Public | Private You must answer the 3 questions to join the Private Facebook group!
DryCleanerCast a podcast about Espionage, Terrorism & GeoPolitics
Amanda Mason is a senior curator of contemporary conflict at the Imperial War Museums, where she previously worked on the museum's acclaimed Secret War gallery. Chris speaks with her about Spies, Lies and Deception, the IWM's major exhibition on espionage and military deception now showing at IWM North in Manchester until August 31. Drawing on more than sixty original objects, documents, and artifacts — from Operation Mincemeat's pocket litter and Noor Inayat Khan's letters from occupied France to the Portland Spy Ring's suburban cover and the Trent Park eavesdropping operation — the exhibition traces deception from the trenches of the First World War through Cold War suburbia to Bellingcat's open-source unmasking of the Salisbury poisoners and today's deepfake threats, asking not just how deception works but what it costs the people who practice it. Subscribe and share to stay ahead in the world of intelligence, global issues, and current affairs. Explore the IWM's Spies, Lies and Deception exhibition: https://www.iwm.org.uk/events/spies-lies-and-deception-iwm-north Watch this episode on YouTube to see exclusive footage from the Exhibition: https://youtu.be/WTLxI5s4qgA Take our audience survey: https://forms.gle/eFx59XntNtiKzNQa8 Support Secrets and Spies Become a “Friend of the Podcast” on Patreon for £3/$4: https://www.patreon.com/SecretsAndSpies Buy merchandise from our shop: https://www.redbubble.com/shop/ap/60934996 Buy us a coffee: https://buymeacoffee.com/secretsandspies Subscribe to our YouTube page: https://www.youtube.com/channel/UCDVB23lrHr3KFeXq4VU36dg For more information about the podcast, check out our website: https://secretsandspiespodcast.com Connect with us on social media Bluesky: https://bsky.app/profile/secretsandspies.bsky.social X/Twitter: https://x.com/SecretsAndSpies Instagram: https://instagram.com/secretsandspies Facebook: https://facebook.com/secretsandspies Spoutible: https://spoutible.com/SecretsAndSpies Follow Chris and Matt on Bluesky: https://bsky.app/profile/chriscarrfilm.bsky.social https://bsky.app/profile/mattfulton.net Secrets and Spies is produced by Films & Podcasts LTD: https://filmsandpodcasts.co.uk/ Music by Andrew R. Bird Illustration by Katherine Tromans Secrets and Spies sits at the intersection of intelligence, covert action, real-world espionage, and broader geopolitics in a way that is digestible but serious. Hosted by filmmaker Chris Carr and writer Matt Fulton, each episode examines the very topics that real intelligence officers and analysts consider on a daily basis through the lens of global events and geopolitics, featuring expert insights from former spies, authors, and journalists. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
The Prime Minister opens a second Number 10 in Manchester, and Bex, Joe and Stevie explain what it means for where power sits in the UK. There's also a campaign asking museums to let children be as loud as they like, a big debate on whether it's ever good to be bored, and a giant mirror in space that could turn night into day. Plus the poetry shortlist for The Week Junior Book Awards, the Science+Nature Scavenger Hunt, and your chance to win this week's book.See omnystudio.com/listener for privacy information.
Philip Clark investigates this Tran-Tasman standoff with Dr Jacqui Newling from Museums of History NSW with New Zealanders claiming the term sausage sizzle, even the recipe.
Jayne takes the spotlight with her spin on the European trip I have weighed in on as we went. Sights, sounds, tastes, enjoyable people, and more from almost three weeks abroad. Plus good reads, more adventures ahead, and other delights. Enjoy!!
For years, the Ford Crown Victoria was notorious for one thing: law enforcement. Now, these cars are being preserved as museum pieces in Ohio.
Join Elliot, Luke, Cass, and Nellie Seale in this episode of Checkpoint on JOY where they talk about museums and games. Catch the latest episode on Spotify: Giving a 1-Up to diversity in gaming. The post Museums and games appeared first on Checkpoint.
New York City is a food mecca, and the neighborhood of Flushing in Queens has become a hot spot for Asian cuisine. With the largest concentration of Chinese-born people in America, Flushing is home to hundreds of authentic and delicious Asian restaurants.This quick guide will cover:Where Flushing is located & how to get thereInteresting history in FlushingOur favorite restaurants in Flushing, QueensFlushing is a neighborhood in the borough of Queens and is most easily accessible via the furthest stop on the 7 train.Flushing's DemographicsToday, there are over 70,000 Chinese residents in Flushing, of whom more than 30,000 were born in China. New York City has the largest population of Chinese people outside of China, and Flushing is seen as the epicenter of NYC's Chinese culture.Flushing has the highest population of Chinese-born people outside of China in the entire world, and roughly 70% of Flushing's population is Asian.History & Museums in FlushingWhile we most often go to Flushing for the food experience, there are some unique historical homes and museums in the neighborhood.Lewis Latimer House MuseumLewis Latimer was an African American inventor who made improvements to the lightbulb, air conditioner, bathrooms on trains, and many other inventions and patents. His historical home has been turned into a museum, free for self-guided visits or guided tours for $15 (as of July 2026).Bowne MuseumBowne House is a family's historical home built in 1661 in Flushing. The Bowne family fought for religious freedom in early America, abolition, and participated in the Underground Railroad.The museum offers tours for $10 (as of July 2026).The Flushing Queens Food Scene, Top PicksBeyond the area's history lies a bustling food scene with hundreds of options covering numerous Asian cuisines. Many restaurants on our favorites list are cash only, so plan accordingly.While there are hundreds of food options, here are some of our favorite restaurants in Flushing:Nan Xian Soup DumplingsWhite Bear Peking Duck Sandwich StallHappy Lamb Hot Pot Xing Fu TangChung MooNew World MallYou can find all of these, with notes, in our handy Ramen, Sushi & Asian Food Google Maps list. Access this and dozens more curated lists for loads of cuisines and locations in NYC when you sign up for our newsletter.You'll Have to Check It Out - MalaparteHigh-quality dishes in a no-frills, non-pretentious setting in the West Village• Large selection of outdoor seating• Watermelon salad, great bread with high-quality olive oil, cappellacci were all deliciousCheck out Malaparte in the West Village.
What could museums learn right now — from their competitors?What's happening out there that museums should know about? How can museums compete with a sports venue that has 18,000 seats, each with its own interactive controller? What do IP, KPI, and F&B mean? What if museums went out and learned from theme parks, advertising, corporate centers … and even casinos? Renée Hampton (Strategic Partnerships Manager, Electrosonic) discusses “What Museums Can Learn from Casinos, Theme Parks, Sports, and More” with MtM host Jonathan Alger (Managing Partner, C&G Partners | The Exhibition and Experience Design Studio).Along the way: eye tracking, Donkey Kong, and Cirque du Soleil.Talking Points:1. What sports experiences … can teach museums2. What theme parks … can teach museums3. What advertising activations … can teach museums4. What corporate briefing centers … can teach museums5. What casinos … can teach museumsHow to Listen:Listen on Apple Podcasts:https://podcasts.apple.com/us/podcast/making-the-museum/id1674901311 Listen on Spotify:https://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G Listen at Making the Museum, the Website:https://www.makingthemuseum.com/podcast Links to Every Podcast Service, via Transistor:https://makingthemuseum.transistor.fm/ Guest Bio:Renée Hampton is passionate about bringing creativity and multidisciplinary partnerships into the way organizations design and build experiential attractions across industries. As Strategic Partnerships Manager at Electrosonic, she collaborates with architects, interior designers, exhibit designers, fabricators, media producers, and technology partners to develop innovative technology solutions for institutions, owners, and operators. With a background spanning film production, real-time interactive media production, and experiential events, Renée combines creative and technical expertise with partnership strategy, project management, and business development. She is dedicated to building strong relationships that help create immersive environments connecting people with spaces, stories, and technology through the power of design.About Making the Museum:Making the Museum is a newsletter and podcast on exhibitions, written and hosted by Jonathan Alger. MtM is a project of C&G Partners | The Exhibition and Experience Design Studio.Learn more about the creative work of C&G Partners:https://www.cgpartnersllc.com/ Links for This Episode:Renée via LinkedIn: https://www.linkedin.com/in/renee-hampton/ Renée via Email:renee.hampton@electrosonic.com or renee.e.hampton@gmail.com Electrosonic:https://www.electrosonic.com/ Links for Making the Museum, the Podcast:Contact Making the Museum:https://www.makingthemuseum.com/contact Host Jonathan Alger, Managing Partner of C&G Partners, on LinkedIn: https://www.linkedin.com/in/jonathanalger Email Jonathan Alger:alger@cgpartnersllc.com C&G Partners | The Exhibition and Experience Design Studio:https://www.cgpartnersllc.com/ Making the Museum, the Newsletter:Like the show? You might enjoy the newsletter. Making the Museum is also a free weekly email about exhibitions for museum leaders and teams. (And newsletter subscribers are the first to hear about new episodes of this podcast.)Join hundreds of your peers with a one-minute read, three times a week. Invest in your career with a diverse, regular feed of planning and design insights, practical tips, and tested strategies — including thought-provoking approaches to technology, experience design, audience, budgeting, content, and project management.Subscribe to the newsletter:https://www.makingthemuseum.com/
Bearded Vultures have lived alongside humans for thousands of years. Though these majestic raptors are mostly found in Asia and Africa today, they were once abundant in Europe, too. While Bearded Vultures have vanished across much of their original range, their nests remain like time capsules of a bygone era. Researchers analyzed historical nests in southern Spain where the birds haven't been seen in nearly a century. They found thousands of bone fragments, dozens of egg shells — as well as hundreds of human artifacts that were likely added as nesting material. These hoarded items offer an unexpected glimpse of what life was once like for the people and wildlife that thrived in this region. More info and transcript at BirdNote.org. Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks. BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
President Donald Trump has signed an executive order directing warning signs to be posted outside the Smithsonian's National Museum of American History. The move is part of a broader effort by the White House to reshape how American history is presented at federally supported institutions. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Today on The Jimmy Barrett Show, Jimmy dives into the debate over the Smithsonian's latest changes and whether America's museums are getting a "woke" makeover. He also recaps the rescheduled White House Correspondents' Dinner and what stood out from the weekend event. Plus, Texas continues to attract massive AI data center investments—but what does that mean for the state's future? Jimmy also examines the role of dark money in shaping political campaigns and influence, and wraps up with a discussion on birth tourism and the ongoing debate over its impact on U.S. immigration policy.
Brandon Zech and Jessica Fuentes discuss Texas' art museums since 2020, including renovations, closures, collaborations, and curatorial shifts. “You think of these kind of smaller-scale, midsize institutions, or even noncollecting kunsthalles, that have smaller budgets ... as being very much affected by leadership and curatorialship transitions because they are, and oftentimes the impact is larger the smaller the organization... but that's also much more true for large multimillion-dollar museums.” See related readings here: https://glasstire.com/2026/07/26/art-dirt-the-state-of-texas-museums If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate
It's not news that museums all around the world contain works of art that have been looted or forcefully taken during colonial rule but is it time they gave them back? It seems pretty straightforward for an increasing number of people that it is the moral thing to do and that art and artifacts belong in their country of origin. Museums often counteract this by saying, amongst other things, that if they returned these objects they would be left nearly empty, or that these countries or territories no longer exist so where would they go back to, or even that they were legally acquired in the first place. But recently a number of prestigious museums around the world seemed to have had a change of heart and are indeed repatriating works. What are the Parthenon Marbles and where are they from, and why are they in the UK? Will Britain give them back? In under 3 minutes, we answer your questions ! To listen to the latest episodes, click here: What did the Jane Collective do for US women's rights? What is tagskryt, the Scandinavian sustainable travel trend? Is it time the UK acknowledged its role in the slave trade? A podcast written and realised by Amber Minogue. First Brodacast: 20/9/2022 Learn more about your ad choices. Visit megaphone.fm/adchoices
This show has been flagged as Clean by the host. In our sample game we look at playing as Austria and aiming for a Diplomatic Victory. And our focus is on puppeting City-States, but I misunderstood and instead of making a Diplomatic Victory easier, it makes it harder. I still managed to get my Diplomatic Victory, but a Science or Domination Victory would definitely have been easier in this scenario. Playing Civilization V, Part 14 Now I am at turn 340, I just puppeted another City-State, and I have one more on the way. I have sent a large number of military units, both land and sea, to the City-States that are on Japan's border. If he tries anything now he will likely regret it. Now I am starting to build things I had not bothered with before, like Granaries and Amphitheaters. I got a couple of Great Engineers, and used them to rush build Wonders. I am nearly finished puppeting all of the City-States, and my Happiness and Income are both quite healthy. I am in such good shape I started to build the World's Fair, which I initally proposed then ignored. At this point I only have one more City-State to puppet, then I will have puppeted every City-State in the game. So it is time to put my large income to use in other ways by giving gifts to the other players. I may want to get a few more votes on my side to get over the top in the World Leader vote when it happens. On turn 357 I completed the puppeting of all of the City-States in the game. Meanwhile, I am building up my Science and building Wonders as they become available. I didn't build any in the early game because I had other priorities, but now I have a strong military, high income, and no other pressing needs. My score on the Leader Board is now double that of my nearest competitor which is still Japan. And their denunciation me of just expired with them taking no action. I used a Great Engineer to rush build the Porcelain Tower, earning me another Great Scientist, which I then used to build another Academy. At this point it is mostly a slog to the finish. Since I was so dominant and so wealthy I could afford to pursue a couple of other options just in case. One was a Science victory, which looked like a possibility, though it would be close. I had to be very focused in my Science Research. The other option was a Culture victory, and I had dominated two other empires culturally without half trying, and I was generating Great Artists, Great Musicians, and Great Writers pretty rapidly. So I built Museums, then Archeologists, and grabbed every artifact I find to stuff into the Museums. But the final Victory came when I researched Globalization. This tech allows you to get an extra vote in a World Council for every Spy you send to another empire's capital and designate as an Ambassador. I immediately sent my spies out (they had previously been in my cities doing counter-espionage since I had a tech lead). And a few turns later a vote for World Leader came up and I won. This was my first time using Maria Theresa of Austria as my leader, and it was fun, but in the end puppeting all of the City-Staters actually made it harder to win a Diplomatic victory. In other games I have played, every City-State that was an ally was an extra vote in the World Council, and I assumed that making them puppets would mean I would get that many votes. But that didn't happen. Of course, if I had read more carefully in the Civilization Wiki I would have realized this, because it says there very clearly that Austria is one of the worst Empires to pick if you are going for a Diplomatic victory. So the fact that I managed it anyway is nice. I think I actually could have done a Science victory as I had my Spaceship half-built when I won the Diplomatic Victory. But I hope this analysis of how I actually played this game will be helpful to someone else. Links https://www.palain.com/gaming/civilization-v/playing-civilization-v-part-14/ Provide feedback on this episode.
Working for the Common Good: The People Behind America's Smithsonian The Not Old Better Show, Smithsonian Associates Interview Series
#504Unseen Scars: Vicarious Trauma at Holocaust Museums, Exhibitions, and Memorials (with Dr. Julie Golding)> To purchase the book: https://amzn.to/4yx4eni> To join the SeforimChatter WhatsApp community: https://chat.whatsapp.com/DZ3C2CjUeD9AGJvXeEODtK> To join the SeforimChatter WhatsApp status: https://wa.me/message/TI343XQHHMHPN1> To support the podcast or to sponsor an episode follow this link: https://seforimchatter.com/support-seforimchatter/or email seforimchatter@gmail.com (Zelle/QP this email address)Support the show
Neil MacGregor reflects on creating the landmark series that changed how people think about history. Then, revisit the Rosetta Stone, the artifact that unlocked ancient Egypt. Subscribe to SiriusXM Podcasts+ to listen to new episodes of 99% Invisible ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
In 2025, Harvard Art Museums considered using generative AI in a marketing campaign to increase visitor engagement and membership. Looking to boost attendance and appeal to a younger audience base, and facing intensified competition for leisure time, the Museums' marketing team explored animating a canonical artwork using AI-generated avatars as part of a digital campaign. While the approach promised novelty and attention, it raised internal concerns about brand authenticity, interpretive authority, donor relations, and reputational risk. Harvard Business School Assistant Professor Julian De Freitas and Harvard Art Museums Director of Marketing John Connolly join host Brian Kenny to discuss the case, Harvard Art Museums: When Art Meets Artificial Intelligence. They explore tensions between innovation and brand stewardship in cultural marketing, organizational barriers to new technology adoption, and the strategic use of emerging technologies in brand management.
Send us Fan MailIn this episode, we sit down with Jose Carlos Chavez from Okta to break down the OWASP Top 10 for 2025 and what actually changed since 2021. We trace Jose's path from software engineering and observability into security, dig into why broken access control still holds the number one spot despite mature tooling, and ask the question that never seems to get old: why is injection still a top five risk after decades of parameterized queries and ORMs? Jose walks us through the growing role of supply chain and software integrity failures, the surprisingly weak security posture around AI skills and agent permissions, and why immutable, reliable logging still matters as much as ever. We close on root causes that show up across nearly every category on the list and why ownership, not tooling alone, is what actually moves the needle on security.FOLLOW OUR SOCIAL MEDIA:➜Twitter: @AppSecPodcast➜LinkedIn: The Application Security Podcast➜YouTube: https://www.youtube.com/@ApplicationSecurityPodcastThanks for Listening!~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
In this episode, we speak with Dr. Josh Perelman about the power of museums to shape memory, identity, and emotional connection. Through the story of The First Salute exhibition, the conversation explores how objects, narratives, and technology can bring overlooked histories to life. Dr. Perelman reflects on the responsibility of museums to create space for empathy, complexity, and multiple perspectives, while also discussing how AI and digital tools may change the way audiences experience the past. This episode offers an insightful look at how cultural institutions can move beyond simply presenting history and instead invite visitors into deeper conversations about who we are, where we come from, and how stories continue to shape our shared future.
Today's episode is on queer representation in museums - what it looks like, what queer people want it to look like, and how we can get there. This episode was originally released on our Patreon in 2024. It is based off Alice's Masters research, which you can read here. Check out our website, where you can find our sources, as well as everything there is to know about Queer as Fact. If you enjoy our content, consider supporting us on Patreon, checking out our merch, and following us on Instagram, Tumblr and Bluesky. [Image: The original rainbow flag on display in the GLBT Historical Society Museum and Archive in San Francisco, USA. Source.]
Five weeks solo in Paris. Twenty museums. Four monuments. And a whole lot of surprises. Annie Sargent chats with Larry Rosenblum to talk about his trip. Larry swims in the Seine. He watches a play at the Comédie-Française through AR glasses. He tours the French Senate during Heritage Days. He even straps on VR goggles and steps straight into the Louvre's history. Larry shares his best planning tips, his favorite discovery (a fairground museum you've probably never heard of), and the one thing he wishes he hadn't skipped: Montmartre. Annie also digs into "La France Moche," the ugly side of French town entrances. Hit play, then subscribe so you don't miss next week's episode. Table of Contents for this Episode Today on the podcast: 5 weeks solo in Paris Support and Boutique Magazine segment Meet Larry Paris Stats Apart Hotel Stay Getting Around Metro Tips Solo Travel Pros Cons Swimming In The Seine Comedie Francaise AR Heritage Days Senate Postal Museum Stamps VR Louvre History Tour Segway Ride Surprise Segway Night Tour Riding Paris Bike Lanes Seine After Dark VoiceMap Tour Picks AR at Conciergerie Planning Five Weeks Packing and Safety Tips What to Skip and Return Goodbyes and Article Patreon Thanks La France Moche Explained Wrap Up and Next Week Next week on the podcasts Copyright More episodes about solo travel in France #JoinUsInFrance, #FrancePodcast, #Francophile, #FranceTravelTips, #RealFrance, #ParisTravel, #SoloTravelParis, #VisitFrance, #TravelToFrance, #ParisMuseums, #HiddenParis, #OffTheBeatenPath, #Louvre, #ComedieFrancaise, #SeineSwimming, #TravelPodcast, #FrenchCulture, #ParisVacation, #FrancophileLife, #BonjourFrance
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