Podcasts about museums

How are museums adapting to the digital age, and what transformations are taking place in institutions we often consider to be highly conservative? In this episode, researcher Aya Kimura shares her fascination with museums in both Japan and Lithuania, as well as insights from her research and analysis over the past several years. For those who read Japanese, more details can be found in Aya Kimura's book Museums of the Digital Age (デジタル時代の博物館), published by Kadensha.Aya Kimura is Associate Professor, Department of Human Sciences, Obihiro University of Agriculture and Veterinary MedicineThe episode is hosted by Linas Didvalis, an Associate Professor at Centre for Asian Studies at Vytautas Magnus University (Kaunas, Lithuania).The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland), Centre for East and South-East Asian Studies, Lund University (Sweden) and Centre for South Asian Democracy, University of Oslo (Norway).We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.Host: Linas Didvalis Find the book here Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This Paranormal Thursday Morning, we talk about the Snallygaster. What is it? Where did it come from? Is it more terrifying than its name? Is it real? Tune in and find out!

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This week, Smithsonian Institution Secretary Lonnie Bunch announced his retirement after a nearly four decade affiliation with its network and ending his seven year tenure as the first African American and first Historian to lead the institution founded in 1848. A decade ago this month, the National Museum of African American History and Culture opened. Bunche's efforts leading both institutions provide a lens through which to consider ongoing contests over relationships between integrating various national identities into larger Social Structures of state affiliation, citizenship and belonging.In an era where white nationalist nativism in the United States increasingly aligns with global white supremacist political movements, Bunch's structural attempts to integrate various competing narratives of collective memory often inflamed U.S. white nationalist ideologues and extremists determined to use high-stakes cultural battlegrounds to cement an emerging minority rule.This collision of narrative and space echoes Paul Goldberger's recent reflection on the World Trade Center's 25th anniversary in The New York Times, where he observed, "You can destroy something in an instant, but it will take a generation to rebuild it, and even then it cannot ever be the same."The Africana Studies Framework allows us to examine both competing ideas of Governance and underlying Social Structures in which they exist. How do we recognize both interpretive differences and undeniable realities? How can we use Movement and Memory to build self-determining Governance formations? And what can and will emerge in the wake of a shifting world system?Are you a member of Knarrative? If not, we invite you to join our community today by signing up at: https://www.knarrative.com. As a Knarrative subscriber, you'll gain immediate access to Knubia, our growing community of teachers, learners, thinkers, doers, artists, and creators. Together, we're making a generational commitment to our collective interests, work, and responsibilities. Join us at https://www.knarrative.com and download the Knubia app through your app store or by visiting https://community.knarrative.com.To shop Go to:TheGlobalMajorityMore from us:Follow on X: https://x.com/knarrative_https://x.com/inclasswithcarrFollow on Instagram IG / knarrative IG/ inclasswithcarr Follow Dr. Carr: https://www.drgregcarr.comhttps://x.com/AfricanaCarrFollow Karen Hunter: https://karenhuntershow.comhttps://x.com/karenhunter IG / karenhuntershowSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Es ist sicherlich keine üble Nachrede zu behaupten, dass bis vor drei Jahren kaum jemand Dietzhölztal-Ewersbach kannte, zumindest nicht in der Automobilszene. Wirtschaftsfachleute hingegen kannten den Ort als Wohnort von Prof. Dr. Friedhelm Loh, dem Eigentümer der Friedhelm Loh Group, zu der unter anderem Rittal gehört. Mit der Gründung des Nationalen Automuseums The Loh Collection wurde der Ort dann zur Pilgerstätte von Tausenden von Automobilfans. Und: Der Besuch lohnt sich!  Darum geht es diesmal!Seit nunmehr drei Jahren gibt es das Nationale Automuseum The Loh Collection: Seit der Eröffnung am 23. Juli 2023 hat sich die mehrfach prämierte Sammlung im mittelhessischen Dietzhölztal-Ewersbach als feste Größe der internationalen Automobil- und Klassikerszene etabliert. Mehr als 275.000 Besucherinnen und Besucher aus aller Welt haben die Ausstellung seitdem erlebt. Zur Verbesserung der Infrastruktur vor Ort entsteht derzeit auf dem Museumsgelände ein Hotel mit 60 Betten.  Faszination auf Rädern: 140 Jahre AutomobilgeschichteHerzstück des Museums ist die Dauerausstellung. Sie umfasst rund 130 sorgfältig ausgewählte Fahrzeuge aus 140 Jahren Automobilgeschichte – von frühen Pionierautomobilen über Design-Ikonen, Prototypen und Einzelstücke bis zu Rennwagen von internationalem Rang. Zu den Highlights zählen unter anderem Michael Schumachers letzter Weltmeister-Ferrari, der Lincoln Continental von US-Präsident John F. Kennedy und das nur einmal gebaute Rekordfahrzeug Maybach Exelero.Rallye-Legenden: Zeitreise auf Asphalt, Schotter und Schnee Neben der Dauerausstellung prägen hochkarätige Sonderausstellungen das Profil des Museums. Nach „100 Jahre 24h Le Mans – der Mythos, die Helden, die Autos“, „Ferrari – Meisterstücke für Rennstrecke und Straße“ und „Grand Prix – Ikonen der Königsklasse“ steht aktuell der Rallyesport im Mittelpunkt.  Das Chassis #1 des exklusiven Hochleistungsfahrzeugs überbrachte Hans Werner Aufrecht, Gründer von AMG und HWA, persönlich dem Nationalen Automuseum (v.l.nr. Hans Werner Aufrecht, Martin Marx, CEO HWA, Simon-Markus Loh, Prof. Friedhelm Loh HWA EVO: moderner Meilenstein trifft MotorsportgeschichteEin besonderer Akzent im Jubiläumsjahr ist der HWA EVO. Das Chassis #1 des exklusiven Hochleistungsfahrzeugs überbrachte Hans Werner Aufrecht, Gründer von AMG und HWA, persönlich dem Nationalen Automuseum. Aus diesem Anlass zeigt das Museum seit dem 22. Juli 2026 im Rahmen einer Sonderausstellung auf dem „Marktplatz“ ein außergewöhnliches Ensemble, das die Entwicklungslinie vom historischen Homologationsmodell über den DTM-Rennsport bis zur modernen Neuinterpretation nachzeichnet.  Im Mittelpunkt steht der HWA EVO, der formal und ideell an den Mercedes-Benz 190 E 2.5-16 Evolution II anknüpft. Im Nationalen Automuseum trifft der Neuzugang auf zwei Mercedes-Benz 190 E 2.5-16 Evolution II mit den Chassis-Nummern 1 und 500. Alle Fotos: © Nationales Automuseum The Loh Collection     Diesen Beitrag können Sie nachhören oder downloaden unter:

Um die berühmte Gletschermumie aus Südtirol dauerhaft zu bewahren und zu erforschen, wurde nun ein "digital twin" entwickelt. Die Details erläutert die Direktorin des Archäologischen Museums in Bozen, Elisabeth Vallazza.

P.M. Edition for Sept. 8. OpenAI says it's cracked the Navier-Stokes problem, one of the seven Millennium Prize Problems that are the deepest and most difficult unresolved questions in mathematics. WSJ Science of Success columnist Ben Cohen explains why labs like OpenAI are competing—and spending millions—for such breakthroughs. Plus, a dozen nations are imposing new trade restrictions on Israel over the expansion of settlements in the West Bank. And Smithsonian Secretary Lonnie Bunch III, the first African-American and the first historian to lead the institution, is stepping down after more than a year of tension with President Trump. Alex Ossola hosts. Sign up for the WSJ's free What's News newsletter. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A decade after President Xi Jinping and Egyptian President Abdel Fattah El-Sisi toured Luxor, a city widely known as one of the world's largest open-air museums, the two leaders again stepped into the world of ancient Egypt — this time at the Grand Egyptian Museum on the Giza Plateau.On Wednesday, during Xi's state visit to Egypt, the two presidents and their wives visited the museum, viewing treasures including the throne, golden mask and royal chariots of Tutankhamun. Surrounded by artifacts tracing thousands of years of Egyptian civilization, Xi called the museum "a book with endless pages".During the tour, Xi noted that China and Egypt are both ancient civilizations and countries rich in World Heritage sites. He called on the two sides to uphold a vision of civilization based on equality, mutual learning, dialogue and inclusiveness, implement the Global Civilization Initiative, and promote inclusive coexistence and mutual learning among different civilizations.Museums have been repeatedly featured in Xi's engagement with history and civilization — as places for understanding cultural roots and as settings for encounters with other civilizations.In a congratulatory letter to the first UNESCO High-Level Forum on Museums in Shenzhen, Guangdong province, in November 2016, Xi described museums as important places for protecting and passing on human civilizations and as bridges linking the past, present and future, with a special role in exchanges and mutual learning among civilizations.Whether on domestic inspection tours or overseas trips, Xi's visits have taken him to many museums, such as the Sanxingdui Museum in Sichuan province and the Yinxu Museum in Henan province, key sites of early Chinese civilization.During a visit in April 2021 to the Anthropology Museum of Guangxi in Nanning, the capital of the Guangxi Zhuang autonomous region, Xi said that he made time to visit museums during local inspection tours to better understand a place's historical and cultural development.At a symposium at the Dunhuang Academy in Gansu province in August 2019, Xi spoke about cultural confidence and learning from other civilizations."Only a self-confident civilization can absorb and draw on the achievements of other civilizations while maintaining its own characteristics," he said, calling for broader cultural exchanges with other countries and more active efforts to learn from the achievements of civilizations around the world.Dong Biao, a researcher at Peking University's Institute of Xi Jinping Thought on Socialism with Chinese Characteristics for a New Era, said museums preserve both the tangible achievements and the cultural and intellectual legacy of human civilizations, enabling people to engage more directly with the creativity, ways of life and ideas of past societies.A deeper understanding of one's own history and culture can strengthen cultural identity and confidence, Dong said.For Xi, museums offer people a chance to discover unfamiliar histories, recognize common threads of human creativity and gain a deeper understanding of one another."In the many places I have visited around the world, what fascinates me the most is civilizations in their rich diversity," Xi said at the opening of the Conference on Dialogue of Asian Civilizations in May 2019.Xi's overseas visits over the years have included stops at museums and historic sites such as the Amir Timur Museum in Uzbekistan and the ancient Maya ruins of Chichen Itza in Mexico.At the Acropolis Museum in Athens, Greece, in November 2019, one such cultural encounter unfolded around a single artifact.Xi and his wife, Peng Liyuan, were visiting the museum with then Greek president Prokopis Pavlopoulos and his wife when they stopped before the relief known as the "Pensive Athena".Pavlopoulos explained that Athena, the goddess of warfare and wisdom in Greek mythology, was resting and contemplating after battle. Xi said she was reflecting on what war meant and cited the ancient Chinese idiom "zhi ge wei wu", which means that to be able to stop war is the true art of war.Xi later said the museum visit had deepened his understanding of ancient Greek civilization and made him further realize how much the Chinese and Greek civilizations have in common.Museums have also served as settings in which Xi introduced China's history and cultural ideas to visiting foreign leaders.During Donald Trump's first state visit to China in November 2017, Xi and Peng accompanied the US president and first lady Melania Trump through the Palace Museum, or Forbidden City.As they walked along its central axis, Xi introduced the history, architecture and culture of the ancient palace. They visited the Hall of Supreme Harmony, the Hall of Central Harmony and the Hall of Preserving Harmony, whose names reflect the Chinese cultural ideal of harmony.Wang Yiwei, vice-president of the Academy of Xi Jinping Thought on Socialism with Chinese Characteristics for a New Era at Renmin University of China, said that exchanges among civilizations are not only about preserving the past, but also about how societies understand one another in the present.He said the Global Civilization Initiative put forward by Xi reflects this emphasis by calling for respect for the diversity of civilizations and for equality, mutual learning, dialogue and inclusiveness.At a time of geopolitical rivalry, conflicts and differences over values, Wang said that dialogue among civilizations cannot replace political negotiations or resolve disagreements over national interests. But it can help countries better understand one another's histories, identities and development paths, reduce misperceptions and strengthen the basis for mutual understanding.

Terrorism in American Memory argues that the terrorist attacks of 9/11 and all that followed in its wake were the primary force shaping United States politics and culture in the post-9/11 era. Marita Sturken maintains that during the past two decades, when the country was subjected to terrorist attacks and promulgated ongoing wars of aggression, we have veered into increasingly polarized factions and been extraordinarily preoccupied with memorialization and the politics of memory. The post-9/11 era began with a hunger for memorialization and it ended with massive protests over police brutality that demanded the destruction of historical monuments honoring racist historical figures. Terrorism in American Memory: Memorials, Museums, and Architecture in the Post-9/11 Era (NYU Press, 2022) sheds light on the struggles over who is memorialized, who is forgotten, and what that politics of memory reveals about the United States as an imaginary and a nation. Marita Sturken is Professor in the Department of Media, Culture, and Communication at New York University, where she teaches courses in visual culture, cultural memory, and consumerism. She is the author of Tangled Memories: The Vietnam War, the AIDS Epidemic, and the Politics of Remembering (1997), Thelma & Louise (2000, reissued 2020), Practices of Looking: An Introduction to Visual Culture (with Lisa Cartwright, 4th edition 2025), Tourists of History: Memory, Kitsch, and Consumerism From Oklahoma City to Ground Zero (2007), and Terrorism in American Memory: Memorials, Museums, and Architecture in the Post-9/11 Era (2022). She is currently working on a project about the history of amateur photography in the American culture from Kodak to Polaroid to the iPhone. She was awarded a Guggenheim Fellowship in 2023. Chris Millington is Professor of Modern European History and lead of the Histories and Cultures of Conflict research group at Manchester Metropolitan University, UK. He is the author of eight books including Murder in Marseille: Right-Wing Terrorism in 1930s Europe ((Manchester University Press, 2025), The Invention of Terrorism in France, 1904-1939 (Stanford University press, 2023), and France in the Second World War Collaboration, Resistance, Holocaust, Empire (Bloomsbury Academic, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Terrorism in American Memory argues that the terrorist attacks of 9/11 and all that followed in its wake were the primary force shaping United States politics and culture in the post-9/11 era. Marita Sturken maintains that during the past two decades, when the country was subjected to terrorist attacks and promulgated ongoing wars of aggression, we have veered into increasingly polarized factions and been extraordinarily preoccupied with memorialization and the politics of memory. The post-9/11 era began with a hunger for memorialization and it ended with massive protests over police brutality that demanded the destruction of historical monuments honoring racist historical figures. Terrorism in American Memory: Memorials, Museums, and Architecture in the Post-9/11 Era (NYU Press, 2022) sheds light on the struggles over who is memorialized, who is forgotten, and what that politics of memory reveals about the United States as an imaginary and a nation. Marita Sturken is Professor in the Department of Media, Culture, and Communication at New York University, where she teaches courses in visual culture, cultural memory, and consumerism. She is the author of Tangled Memories: The Vietnam War, the AIDS Epidemic, and the Politics of Remembering (1997), Thelma & Louise (2000, reissued 2020), Practices of Looking: An Introduction to Visual Culture (with Lisa Cartwright, 4th edition 2025), Tourists of History: Memory, Kitsch, and Consumerism From Oklahoma City to Ground Zero (2007), and Terrorism in American Memory: Memorials, Museums, and Architecture in the Post-9/11 Era (2022). She is currently working on a project about the history of amateur photography in the American culture from Kodak to Polaroid to the iPhone. She was awarded a Guggenheim Fellowship in 2023. Chris Millington is Professor of Modern European History and lead of the Histories and Cultures of Conflict research group at Manchester Metropolitan University, UK. He is the author of eight books including Murder in Marseille: Right-Wing Terrorism in 1930s Europe ((Manchester University Press, 2025), The Invention of Terrorism in France, 1904-1939 (Stanford University press, 2023), and France in the Second World War Collaboration, Resistance, Holocaust, Empire (Bloomsbury Academic, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Terrorism in American Memory argues that the terrorist attacks of 9/11 and all that followed in its wake were the primary force shaping United States politics and culture in the post-9/11 era. Marita Sturken maintains that during the past two decades, when the country was subjected to terrorist attacks and promulgated ongoing wars of aggression, we have veered into increasingly polarized factions and been extraordinarily preoccupied with memorialization and the politics of memory. The post-9/11 era began with a hunger for memorialization and it ended with massive protests over police brutality that demanded the destruction of historical monuments honoring racist historical figures. Terrorism in American Memory: Memorials, Museums, and Architecture in the Post-9/11 Era (NYU Press, 2022) sheds light on the struggles over who is memorialized, who is forgotten, and what that politics of memory reveals about the United States as an imaginary and a nation. Marita Sturken is Professor in the Department of Media, Culture, and Communication at New York University, where she teaches courses in visual culture, cultural memory, and consumerism. She is the author of Tangled Memories: The Vietnam War, the AIDS Epidemic, and the Politics of Remembering (1997), Thelma & Louise (2000, reissued 2020), Practices of Looking: An Introduction to Visual Culture (with Lisa Cartwright, 4th edition 2025), Tourists of History: Memory, Kitsch, and Consumerism From Oklahoma City to Ground Zero (2007), and Terrorism in American Memory: Memorials, Museums, and Architecture in the Post-9/11 Era (2022). She is currently working on a project about the history of amateur photography in the American culture from Kodak to Polaroid to the iPhone. She was awarded a Guggenheim Fellowship in 2023. Chris Millington is Professor of Modern European History and lead of the Histories and Cultures of Conflict research group at Manchester Metropolitan University, UK. He is the author of eight books including Murder in Marseille: Right-Wing Terrorism in 1930s Europe ((Manchester University Press, 2025), The Invention of Terrorism in France, 1904-1939 (Stanford University press, 2023), and France in the Second World War Collaboration, Resistance, Holocaust, Empire (Bloomsbury Academic, 2020).Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ein japanischer Star-Architekt baut ein Museum im Neusser Umland und in Laufdistanz finden wir einen ganzen Landstrich voller kultureller Highlights. Melanie Raabe schickt uns eine Sprachnachricht zu ihrem tollen neuen Buch „Daisy“, wir sprechen über einen der besten Filme des Jahres und über eine Reise-Doku, die dahin geht, wo wir vorerst nicht hinreisen werden: Afghanistan. Abschließend diskutieren wir eine der großen Fragen des Lebens: Landleben oder Stadtleben? Kommt mit ins Wochenende - eine Folge voller Tipps und Reise-Geschichten. Mehr zu Melanie Raabe hier.Die Langen Foundation in Neuss.Museum Insel Hombroich.„Ferien bei den Taliban“-Doku.Unsere Werbepartner findet ihr hier.Mehr Reisen Reisen gibt es bei Instagram oder auf unserem Blog.Abboniere unseren Newsletter unter https://www.reisenreisen.info/p/newsletter Hosted on Acast. See acast.com/privacy for more information.

Episode 194.1: Dolly, Celebrity Deaths, Trip to Philly, Museums, Appomattox, Plane Booze, 1792 SB Store Pick BIB

I have been talking quite a bit about this concept of The UN-WOW, a call to focus more of our attention on the everyday experiences that make up the bulk of our lives. Just because they are everyday and mundane doesn't mean they can't be designed with intentionality. It also means if everything is an experience, that means as experience designers, every moment is open for design. Or in other words, experience designs of all kinds. When talking about experience designs of all kinds, this includes metamorphic (or transformational) experiences. Sometimes transformation happens without any warning, such as with a life-changing event. Other times, we can create experiences meant to have a transformative impact on people. On this episode, I'm fortunate to have Bob Rogers in the Experience by Design studio. Bob has had a career of creating experiences that are meant to have a lasting impact. His work includes founding in 1981 BRC Imagination Arts, “a full-service, strategic design and production company that translates brand and cultural stories into transformative, human experiences.” During the last 40-plus years, they have created a range of transformational experiences for companies, museums, sporting events, entertainment, and more. I should mention that one of Bob's films is in the Guinness Book of World Records for the longest running daily screening of a film in the same theater. If that wasn't enough, he also has received the Thea Award for Lifetime Achievement, which is given to an individual for their key contributions to the evolution of themed design and entertainment. Finally, if that wasn't enough, he has served on the Academy Award Board of Governors. Bob talks about his new book “Deep Story: A Complete Guide to Creating Transformational Visitor Attractions,” set to be released on September 8th. We talk about his book, and how to create experiences that have a lasting impact on visitors. We talk about his entry into this kind of work, stemming from his desire to be a film director. He describes how his early interest in magic led to a broader interest in how to leave audiences with a sense of wonder. We also discuss how technology can be a helpful tool in creating these experiences, but you first need to work on the story that you are trying to tell and the transformation you are trying to achieve. Bob emphasizes the importance of creating emotional connections with audiences through storytelling and immersive experiences. Bob shares examples from his work, including projects at Space Center Houston, Knott's Berry Farm, the Holocaust Museum, and many more, emphasizing the power of personal connections and authentic storytelling. BRC Imagination Arts Website: https://www.brcweb.com/ Bob Rogers LinkedIn: https://www.linkedin.com/in/bob-rogers-34a193146/ Bob Rogers Website: https://www.bobrogers.com/ “Deep Story” order site: https://www.amazon.com/Deep-Story-Complete-Transformational-Attractions/dp/1963714156/

We'll discuss collections and exhibits, and we'll talk about how museums offer community engagement and provide context for what is happening in our region today.

We pivot to Friends of the Fort Riley Museums and map out how Apple Days turns a fun day on post into real support for local history. Tara shares what to expect, how to get through the gate smoothly, and why the ghost tours keep people coming back year after year. • Fort Riley Fall Apple Days as one of the biggest events on post • Libby Custer apple pies as the signature fundraiser and why people stock up • Static displays, food vendors and a simple way to explore Fort Riley • Online pre-approval and QR scanning at the gate to make entry easier • Community partners helping produce and store hundreds of pies • Fort Riley ghost tours with changing stories and a walking route with multiple stops • Free tour model paired with donation items like gloves or socks • Where to find updates and sign-up details online and on Facebook Right now you can go online and fill out a form, an easy little form, which gets you access to Fort Riley.GMCFCFAs

Museums are purging their collections of looted treasures. Can they also get something in return? And what does it mean to be a museum in the 21st century? (Part 3 of an updated series originally published in 2023.) SOURCES: Patricia Allan, museum consultant, former curator of world cultures for the Glasgow Museums. Andrea Bayer, deputy director for collections and administration at the Metropolitan Museum of Art in New York. Lonnie G. Bunch III, Secretary of the Smithsonian Institution. Victor Ehikhamenor, Nigerian writer and artist. Patty Gerstenblith, professor emeritus of law at DePaul University College of Law. Tom Wilkening, professor of economics at the University of Melbourne. RESOURCES: "After Seizures, the Met Sets a Plan to Scour Collections for Looted Art," by Robin Pogrebin and Graham Bowley (The New York Times, 2023). "Nigeria Benin Bronzes: Buhari Declaration 'Blindsides' Museum Officials," by Barnaby Phillips (B.B.C., 2023). "Shared Stewardship and Ethical Returns Policy," by the Smithsonian Ethical Returns Working Group (2022). "Protecting Antiquities: A Role for Long-Term Leases?" by Michael Kremer and Tom Wilkening (Working Paper, 2015). EXTRAS: “Stealing Art Is Easy. Giving It Back Is Hard,” series by Freakonomics Radio (2023). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

So sorry we've been away lovely listeners! back in the saddle again eh?? We love a heist tale over here at C+C Headquarters, and so we plucked a few choice stories to tell that tickled our fancy. What's an art heist without an artist, we may say? Well, Kelsey brings the artistic talent in the case of the Graff Diamonds robbery. the disguises leveled up with the help of a makeup magician, so it doesn't fall off like a bad mustache.After a quick caper into a chicken shack, it's on the Mona Lisa's missing case, the one that made her famous! and likely increased security on Museums everywhere, Plus a mini pirate theft, to satisfyt the swashbuckling swelter of late summer! Keep It Cryptic!Darkcast Promo of the week Stop1 who Does That?

In the 1930s, the artist Abram Champanier painted Alice of Wonderland Visiting New York, a series of murals that displayed Alice in Wonderland characters throughout the city. The piece was commissioned by the Works Progress Administration, and the panels were displayed in the children's ward at the Gouverneur Hospital between 1938 and 1940. Now at the Museum of the City of New York, the mural panels are on view together for the first time in almost 50 years. Lilly Tuttle, senior curator of the Collection at Museum of the City of New York, discusses the legacy of this mural series and the exhibit 'Another Wonderland: Abram Champanier's Alice Mural,' on view through September 27. Image courtesy of MCNY Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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Charles Philipp believes museums can be small, surprising, and everywhere. As the founder of MICRO (www.micro.ooo), he creates immersive, research-driven exhibitions that fit into everyday settings, reaching audiences in hospitals, libraries, and other public spaces that traditional cultural institutions may overlook. In this conversation Charles traces the path from his early work in animation and fabrication to building a new kind of museum infrastructure. He discusses how MICRO designs for short attention spans without sacrificing depth, how optical illusions and tactile details can spark curiosity, and why exhibitions should speak with communities rather than at them. The episode explores the impact of MICRO's public-hospital installations during COVID, the value of rapid physical prototyping, and a new project that turns a retro refrigerator into a museum about food, biology, culture, and the microbiome.

Wandering Works for Us PodcastDate: 26 August 2026Title: Glasgow 2: Back again for more Mackintosh, Murals, and MuseumsSummary of EpisodeGlasgow has become one of our favorite cities in Scotland, and after spending five days there on this trip, we decided it deserved its very own episode.We love Edinburgh too, but Glasgow has a completely different feel. Edinburgh is the picture-perfect Scotland that many visitors imagine—castles, bagpipes, kilts, and the Royal Mile. Glasgow feels more like a real, lived-in city. It is creative, friendly, walkable, a little grittier in the best possible way, and full of great food, pubs, art, architecture, and interesting people.On this trip, we revisited a few favorites, including the Willow Tea Rooms, while also exploring new places. Beth went deep into the world of Charles Rennie Mackintosh with a visit to the Hunterian and the recreated Mackintosh House. Shelley took some time on her own to follow Glasgow's incredible mural trail and discovered just how much of the city you can see on foot.Of course, we also went looking for Highland coos at Pollok Country Park, found one of Glasgow's oldest pubs, ate some excellent Thai and Vietnamese food, and had a few adventures with the city's public transportation and construction.And because we were traveling with our friends Sheila and Chris, we also took them out of Glasgow for a visit to our beloved little Scottish town of Strathaven. Their reaction reminded us of something we always encourage travelers to do: make time for the smaller places. The big cities are wonderful, but sometimes the best travel memories happen when you slow down, visit a village, meet some locals, and see what everyday life is really like.Pour yourself a gin and tonic—preferably a Glasgow gin—and come along with us as we talk about five days in one of our favorite Scottish cities.Key Topics00:33 – Welcome to the Glasgow episodeAfter a few technical difficulties—and a couple of false starts—we finally get going and explain why Glasgow deserves its own episode.01:25 – Why we came back to GlasgowWe had visited before on day trips, but this time we stayed in the city for five days and had a chance to really explore.03:25 – Why Glasgow is our favorite Scottish cityWe talk about how walkable and comfortable Glasgow feels and why we keep wanting to return.03:40 – Edinburgh vs. GlasgowEdinburgh is the beautiful, quintessential Scotland that everyone imagines. Glasgow? It feels more like a real, lived-in city—and that is exactly what we love about it.06:00 – Gin and tonic, Glasgow styleWe introduce our special Glasgow gin, brought back for us by our friend Geoff, and talk about the Glasgow street artist featured on the bottle.08:25 – Back to the Willow Tea RoomsGreat tea, scones, Scottish breakfast, and plenty of Charles Rennie Mackintosh.10:40 – The Hunterian and the Mackintosh HouseBeth goes looking for more Mackintosh and discovers a fascinating museum, an unexpected science collection, and the recreated home of Charles Rennie Mackintosh and his wife. The “whatever” building is the Mackintosh House at the Glasgow School of Art.15:00 – Shelley takes on the Glasgow mural walkA little solo time turns into a walking tour of Glasgow's incredible murals, hidden alleys, tunnels, and street art.17:50 – Our updated opinion on the hop-on, hop-off busWe loved it on our previous visit, but with all the construction around George Square, we don't think it's the best choice right now.20:30 – Highland coos at Pollok Country ParkThis was an absolute must-do for Sheila—and she was determined to see some Highland coos. We talk about getting there, racing to the field, and finally seeing the famous fluffy cows.24:10 – Hanging out at The Scotia BarOne of Glasgow's oldest pubs, good beer, dark wood, friendly locals, and some memorable conversations.24:55 – Football weekend in GlasgowWe accidentally found ourselves in town during a huge football weekend and discovered just how seriously Glasgow takes its football—and its beer.27:10 – A Sunday roast we wouldn't repeatNot every meal can be a winner. We share our honest experience and then move on to some much better food.30:00 – Where we ate in GlasgowExcellent Thai at Rosa's Thai, delicious Vietnamese at Four Seasons, and a surprisingly good breakfast at Black Sheep Coffee.32:00 – A day trip from Glasgow to StrathavenWe take Sheila and Chris to one of our favorite places in Scotland to meet friends, see more Highland coos, eat ice cream, visit a pub, and spend time in a real Scottish village.34:00 – Why more village time might be better travelOur biggest travel takeaway: don't spend all your time checking off the major cities. Make time for small villages, local pubs, public transportation, and everyday life.36:50 – What's coming nextWe wrap up Glasgow and preview our next Scotland episode: a very different adventure into the Highlands.37:35 – Subscribe, share, and… maybe another gin and tonicWe attempt to close out the episode while proving that two gin and tonics may not be ideal for remembering your outro.Important Links To follow all of our antics and adventures, please visit our social media pages and our website at wwforus.com! You can send us a message at any of these places, and feel free to email us at wandering@wwforus.comLike what we are doing? Buy us a gin and tonic and help us keep going!InstagramFacebookTiktokYouTubeLooking for a tour guide in Portugal? I have a whole list!Blog post for this episode: Glasgow, Scotland: Best things to do and seeAlso, Glaswegin brand gin can be found here.RESOURCES & LINKSLooking to plan your next trip to Portugal? We can help! Check out our guides and Itineraries at wwforus.comFree Lisbon ItineraryPacking ListEssentials for every tripRenting a car in PortugalLooking for a tour guide in Portugal? I have a whole list!Support this podcast at — https://redcircle.com/wandering-works-for-us/donations

Guest Ryan McCurdy is a Consultant, Producer, Writer, and Actor. His work has taken him across the concert and theatrical landscapes with appearances at NYC's Town Hall, Broadway's Minskoff and New Amsterdam Theatres, Carnegie Hall, and the legendary Bitter End.   Storyteller, songwriter, and performer Ryan McCurdy will bring his one-man musical Whiterock Cliff to Savannah for a special one-night-only performance at 7PM this Friday, August 28th, at Asbury Memorial Church. The evening will serve as a fundraiser benefiting Asbury Memorial Church and the Savannah Performance Alliance.    More about Ryan:   Serving as Music Director and Supervisor, Ryan has collaborated with companies like Manhattan Theatre Club, Second Stage, Rattlestick Theater, and The 24 Hour Plays. As a consultant and founder of Kinetic Stages, a producing organization specializing in Attractions and Museums, Ryan has collaborated with clients including American Prohibition Museum, Marvel, Civis Foundation, Key West Aquarium, Savannah Performance Alliance, and Oglebay Resort. He is an Actor-Musician trainer and developer, a private voice, acting, and public speaking instructor, and as a writer his projects Whiterock Cliff, 45 Bennington, and NIAGARA: A New Musical (with Lauren Widner) are all being developed for future production and licensing. Ryan is a twelve instrument multi-instrumentalist whose original music can be heard on stage, television, film, and through his work as a founding member of rock band ARBORETUM.     More about Whiterock Cliff:    Featuring special guest J.J. Collins – local singer, vocal coach and minister – Whiterock Cliff is a theatrical experience that blends autobiography, fiction, folk music and musical theater into a moving exploration of memory, resilience, creativity and the stories people tell to make sense of their lives. Set against the backdrop of a future where society has collapsed and the Appalachian Trail has become America's new superhighway, the production is both a fictional musical and a personal reflection on McCurdy's own experiences. In 2010, McCurdy began a thru-hike of the Appalachian Trail with friends before a devastating fall at Jones Falls in Tennessee abruptly ended the journey. Nearly a decade later, he and collaborator Ellie Pyle transformed elements of that experience into a fictional musical set at the end of the world. Then came 2020, when reality unexpectedly echoed many of the themes they had imagined. The result is Whiterock Cliff — part biographical journey, part memory play and part jukebox musical featuring original folk songs by McCurdy. Audiences are invited into an intimate performance that explores mental health, the creative process, truth, memory and survival through music and storytelling. "Whiterock Cliff weaves together memory, music, mental health, the creative process, the stories we tell ourselves and the ones we tell each other," McCurdy said. "Share every story you survive." The Savannah performance marks the launch of McCurdy's Thru-Hike Tour, a yearlong journey bringing Whiterock Cliff to all 14 states along the Appalachian Trail, beginning in Georgia and traveling north. The production's evocative sound design is by Martha Goode with graphic design and branding by Patrick Bonsu. Joining the tour is company manager Katie Schmitz. All proceeds from the Savannah performance will directly benefit Asbury Memorial Church and the Savannah Performance Alliance, supporting their ongoing efforts to foster arts, culture and community engagement.     Learn more & follow here: https://www.actormccurdy.com/ https://www.instagram.com/actormccurdy/     To purchase tickets, visit  http://whiterockcliff.com/

Warum bleiben wir vor manchen Ausstellungsstücken wie magisch stehen, während wir an anderen einfach vorbeigehen? Und wie entsteht eigentlich eine Ausstellung, die neugierig macht, überrascht und lange im Gedächtnis bleibt? In dieser Folge spricht Host Lukas Klaschinski mit der Ausstellungskuratorin Linda Gallé und dem Leiter der Ausstellungsentwicklung Uwe Moldrzyk vom Museum für Naturkunde Berlin. Gemeinsam werfen sie einen Blick hinter die Kulissen eines Museums, das sich mitten im laufenden Betrieb neu erfindet. Sie erzählen, wie Millionen Sammlungsobjekte umziehen, warum Besucherinnen und Besucher schon vor der Eröffnung neuer Räume mitentscheiden und wie aus wissenschaftlichen Objekten spannende Geschichten werden. Außerdem geht es darum, wie Museen heute unterschiedliche Perspektiven sichtbar machen und warum auch die koloniale Geschichte von Sammlungen ein wichtiger Teil moderner Ausstellungen ist. Eine Folge über Neugier, gutes Ausstellungsdesign und die Frage, warum manche Räume uns sofort in ihren Bann ziehen. Dieser Podcast entsteht in freundlicher Produktionsunterstützung der Auf die Ohren GmbH und wurde 2021 als Bester Podcast mit dem Deutschen Hörbuchpreis ausgezeichnet. Weitere Informationen zum Podcast und Museum gibt es auf: [www.museumfuernaturkunde.berlin/beatsandbones](https://www.museumfuernaturkunde.berlin/beatsandbones)

Russia's full-scale invasion of Ukraine has placed not only lives and cities under attack, but also the country's language, history and culture. Museums have been looted, cultural sites destroyed and a generation of writers, artists and performers drawn into the war. Yet amid this devastation, art has become a powerful form of documentation, resistance and survival. In this episode, journalist and author Hannah Lucinda Smith speaks with Guardian chief culture writer Charlotte Higgins about her book Ukrainian Lessons: A Journey into the Art and Life of a Country at War and the reporting journeys that transformed her understanding of the relationship between culture and conflict. Charlotte reflects on arriving in Kyiv during a major missile attack, learning Ukrainian and meeting the artists determined to record their experiences in their own words. Why do writers turn to poetry in times of war? What makes people risk their lives to protect paintings, manuscripts and museum objects? And how can art restore meaning when violence has torn it apart? Charlotte also remembers the Ukrainian novelist and war crimes investigator Victoria Amelina, who was killed in a Russian missile strike in 2023, and explores what her life and unfinished work reveal about the human cost of the war. Charlotte Higgins is the chief culture writer at The Guardian and the author of Ukrainian Lessons: A Journey into the Art and Life of a Country at War. Hannah Lucinda Smith is a journalist and author whose reporting has taken her across Europe and the Middle East. Her latest book is Hinterlands: A Journey Through the New Europe. If you'd like to become a Member and get access to all our full conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

A love of words, stories, and cloth led Karen Elting Brock around the world and back to PieceWork. ”All This by Hand” appeared on the first covers of PieceWork magazine, intended to capture the scope of material between the covers. Stitching, lacemaking, and other needlework, certainly, but other handwork, fashion, and the artisans who created the work all found their way into the pages of the magazine. The scope of the project—worldwide, from historical to contemporary, from anonymous to celebrated—has made it beloved by its readers and also difficult to explain. All this by hand, indeed. Karen Elting Brock first joined the staff of PieceWork in 2010, working with authors who were artisans or had stories to tell. From her desk, she pored through the collections of international museums and chased down photographers for just the image that would tell the story of a textile. After several years on the editorial staff, she moved on to experience global stories for herself, living in (and sending dispatches from) Nepal, Morocco, and other international locations. Even (or especially) in remote villages, textiles and makers continued to find her. In 2025, Karen was ready to return to Colorado, and PieceWork welcomed her to the editor's seat. As of recording time, Karen has brought some of her ambitions for the publication to fruition—she's especially excited about the Fall 2026 Museum Issue and the new reader-fed international museum directory—but she has a list of other ideas she's eager to explore. In this episode, we explore some of her favorite textile stories and some of her plans for the future. Links PieceWork issues and website PieceWork's Blue & White Issue, released in Summer 2026 International Needlework Museum Directory “Knitting on Peru's Taquile Island” by Linda Ligon “Spinning Giant Nettle in the Himalayas” Karen's posts for pieceworkmagazine.com This episode is brought to you by: Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white. If you love silk, you'll love Treenway Silks, where superior quality and customer service are guaranteed. “Hi, I'm Gabi van Tassell from Bluebonnet Crafters, and I'm the inventor of TURTLE pin looms. Pin looms are small, handheld looms that quickly weave self-contained fabric pieces like squares, hexagons, and more. Weave them with almost any yarn you have on hand, then combine them into projects of any size. They make a wonderful companion for any fiber lover, at home or on the go. I'd love for you to visit us at turtleloom.com to explore the full loom catalog, patterns, and more. Hope to see you there.” The Mountain & Valley Fiber Arts Festival comes to Durango, Colorado, the first full weekend in October. Formerly the Taos Wool Festival, this new chapter brings together natural fiber artists, vendors, instructors, growers, and makers for a weekend of shopping, learning, and community. Plan your fiber arts weekend at Mountain & Valley Fiber Arts Fest at mavwafiberartsfest.org.

The world's great museums are full of art and artifacts that were plundered during an era when plunder was the norm. Now there's a push to return these works to their rightful owners. Sounds simple, right? It's not. (Part 2 of an updated series originally published in 2023.)   SOURCES: Matthew Bogdanos, assistant district attorney in the Manhattan District Attorney's Office and chief of the Antiquities Trafficking Unit. Nicholas Cullinan, director of the British Museum. Victor Ehikhamenor, Nigerian writer and artist. David Frum, staff writer at The Atlantic. Dan Hicks, professor of contemporary archaeology at the University of Oxford and curator of world archaeology at the Pitt Rivers Museum. Bénédicte Savoy, professor of art history at the Technical University in Berlin.   RESOURCES: "These Looted Treasures Are Home. What Now?," by Alex Marshall (New York Times, 2025). "France's Long-Awaited Restitution Policy Is Finally Here," by Vincent Noce (The Art Newspaper, 2023). Africa's Struggle for Its Art: History of a Postcolonial Defeat, by Bénédicte Savoy (2022). "Who Benefits When Western Museums Return Looted Art?" by David Frum (The Atlantic, 2022). "Museums in England and Wales to Gain Powers to Dispose of Objects on Moral Grounds," by Dalya Alberge (The Guardian, 2022). The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution, by Dan Hicks (2020). "The Restitution of African Cultural Heritage. Toward a New Relational Ethics," by Bénédicte Savoy and Felwine Sarr (2018).   EXTRAS: "Can a Museum Be the Conscience of a Nation?," by Freakonomics Radio (2025). "The Hidden Side of the Art Market," by Freakonomics Radio (2021). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This show has been flagged as Clean by the host. Civilization VI, released in 2016, was a further evolution of the franchise that added interesting new features. We introduce it in this episode. Civilization VI Released in 2016, Civ VI is probably still the most played version of the game. Although there has been a general gap of 5-6 years between versions, the effects of the Covid-19 pandemic slowed down many things. Since early 2025 we have had Civilization VII come out, but in my opinion it is still being tweaked and refined. In the meantime, Civilization VI is the game I play now when I play Civ. I've played all of them from the first, and put in many hours here. Since I now play Civ on Steam mostly, I have statistics! I played Civ V for a total of 769 hours, and so far I have played Civ VI for 689 hours, but since this is what I play for now I will probably exceed my Civ V hours pretty soon. BTW, I probably have well over 1000 hours on Civ II, which I think I have played the most, and certainly more than 3000 hours total over all all versions. I'm going to cover this without worrying too much about whether it is the base game or an expansion. Fact is, Firaxis have started moving to something more akin to a subscription model when they introduced the New Frontier Pass, which works very well when you are on Steam. The idea was that you bought this pass, and very few months got new content, and on Steam it would automatically be downloaded to your account. That is not to say that there weren't actual expansions, but since the last thing they released was this “pass”, i'm kind of wondering what they will do with Civ VII. In any case, let's take a look at this. Gameplay Again, you start with a tribe in 4000BC which founds your first city, and you immediately begin building units, exploring, researching, and developing your city. this is a time-tested mechanic that never changes. but there are some interesting changes that make this game fascinating. First, in the earlier versions of Civ you thought of yourself as playing a particular civ, which came with a particular leader. In different versions of Civ the name of the leader might change, like for France you might have Napoleon on some versions, or Joan of Arc in another, but in each case one civ gets one leader, so you tended to think of yourself as playing the nation. Rome might be Caesar in one version, Augustus in another, or Trajan in yet another. (Fun fact: Sid Meier says he always plays as Rome because it just feels right to him). In Civ VI this linkage is broken. One leader, Eleanor of Aquitaine, can be played as the Queen of England, or she can be played as the Queen of France. And each version has different abilities and strengths. If you want a fairly easy Culture victory, play her as Queen of France, and watch as other players' cities rebel and join your Empire because they admire you so much. Teddy Roosevelt also has two different manifestations, Rough Rider Teddy, and Big Stick Teddy, when you have all the expansions. China has two possible leaders, with different strengths: Qin Shi Huang, and Kublai Khan. And Kublai Khan can be either Chinese or Mongolian, with different strengths. So in Civ VI you don't think of what Civ you want to play, you think of which leader you want to play. Every leader comes with a Civilization Ability, a Unique Unit, and a Unique Infrastructure. These matter a lot. For example, take John Curtin, the leader of the Australian civilization. His Civilization Ability is called Land Down Under, and it gives him +3 Housing in coastalcities. Building a Pasture triggers a Culture Bomb, claiming surrounding tiles. Campus, Commercial Hub, Holy Site, and Theater Squaredistricts gain +1 to their yields in tiles with Charming Appeal, and +3 in tiles with Breathtaking Appeal. Then his Unique Unit is the Digger, a melee military unit that replaces the Infantry unit. And his Unique Infrastructure is tile improvement called the Outback Station. This gives you increased food, production, and housing, some of which varies according to what is on surrounding tiles. The point is that each leader gives you very specific advantages that you should play to. In Civ VI it is even more important to tailor your strategy to the particular leader. Leaders like Frederic Barbarossa or Simon Bolivar are very good for Domination, while Peter the Great and Saladin are very good for Religious victories. If you take a random leader be ready to adapt your play style and strategy to fit, or alternatively decide what kind of victory you want to achieve and pick a leader who is good at it. Or if you want a real challenge, pick a leader who is not suited to the victory condition you are aiming at. But keep in mind that the game may take you in places you didn't expect. One game I picked Wilfrid Laurier of Canada, who is ideal for Diplomatic and Cultural victories, and I thought I would be going for a Cultural victory. But Wilfrid's strengths come from his advantages on Tundra land tiles, and I somehow managed to spawn in the middle of the map with no Tundra tiles at all in my empire. I had work hard to manage a Science victory in that case. Districts This is a major change in Civ. In earlier versions you built buildings inside of cities, and you tended to build the same buildings in most or all cities. You were only limited by your ability to generate Production to get them done. Civ VI is different. You have to place Districts on specific tiles, and and you can then develop the district with added buildings. If you want to develop your industry, you can place an Industrial Zone, and then add a Workshop, then a Factory, then a Power plant, and so on, each one increasing your Production. For Science you place down a Campus District, then a Library, then a University, then a Research Lab. And the game mechanic means you cannot built everything in every city. You can place one district at the start, then one more when your city reaches a population of 4, then a third one when you reach 7, and so on with each added population of three allowing one more district. The point is to force you to make choices. Districts get adjacency bonuses which increase their output. The Campus (generates Science) and the Holy Site (generates Faith) both benefit from adjacent Mountains, and the effect is additive. So if you find a tile with three mountains around it, you will want to place one of these districts there. Districts also get adjacency bonuses from other districts, so the planning the layout of your cities is really important to maximize these bonuses. And they can get bonuses even with adjacent Districts that belong to a different city! Another key district is the Encampment, which let you build better, more veteran military units. Since building units requires Production, you should build build an Encampment in a city which has a lot of Production, and that probably means one with an Industrial Zone. A Harbor District would go in a city with coastal tiles, of course. All of this requires planning. Expert players will usually start out by exploring to see what the map looks like around them, what terrain features they have to work with, what resources are available, and so on. Then, around turn ten they will plan out their next cities, and figure out where they want to place districts and so on. There is a built-in “map pin” system for this, and it can be improved by installing the right mod. While you don't have to do this, it does help you to be successful. Maps and Terrain Terrain features matter a lot in this game. We already mentioned adjacency bonuses of Mountains for Holy Sites and Campuses, but there is much more. The map is divided into Continents, and it is quite normal for a contiguous land mass to contain two or more continents if it is large enough. Think of how Europe and Asia are really just one large land mass to see what I mean. This matters because certain units may defend differently depending on which continent they are on, or some civilizations may be affected from having cities on a different continent. Terrain features like Rivers are extremely important for the placement of cities because they provide fresh water. You can sometimes get around that by building an Aqueduct to bring water from a Lake or a Mountain, but that means using up one of your city tiles, and spending production to build it. If you can place your city on a river you can avoid that problem and get off to a fast start. But the downside is that rivers can flood, and that can wreck your improvements. A big idea for terrain is Appeal. Each tile has an Appeal level ranging from Disgusting to Breathtaking, and it is determined by a combination of the tile's features themselves and by adjacencies. The modifiers are added together to determine the Appeal level of the tile, and there is a lens you use to view your Appeal levels on all tiles, which are color coded. This matters particularly if you are trying for a Culture victory. Culture victories are own by generating Tourism, and while some that can come from things like Museums and Wonders, you will really want to maximize your Tourism to win this game, and two good ways to do that are building National Parks and Seaside Resorts. You can only do that if the appeal is at least Charming (or even better, Breathtaking). If you find you cannot build them in what seems like a good spot, chances are Appeal is the problem. So check that out. You can, for instance, remove marshes (which give negative appeal), and plant forests (which add appeal), and that might be all it takes to get these going. The underlying issue in managing your cities is that you only have so many tiles, and a tile that might be great for a farm might also be great for a District. You need food to grow, and you need to grow to put down Districts, so you are always making choices about this, and that is what makes this a great strategy game. Other Resources Civilization 6 Tutorial: In Game Settings Links https://www.pcgamesn.com/civilization-vii/narrative-lead-job-posting https://civilization.fandom.com/wiki/Qin_Shi_Huang_(Civ6) https://civilization.fandom.com/wiki/Kublai_Khan_(Chinese)_(Civ6) https://civilization.fandom.com/wiki/Housing_(Civ6) https://civilization.fandom.com/wiki/Coastal_(Civ6) https://civilization.fandom.com/wiki/Pasture_(Civ6) https://civilization.fandom.com/wiki/Tile_(Civ6) https://civilization.fandom.com/wiki/Campus_(Civ6) https://civilization.fandom.com/wiki/Commercial_Hub_(Civ6) https://civilization.fandom.com/wiki/Holy_Site_(Civ6) https://civilization.fandom.com/wiki/Theater_Square_(Civ6) https://civilization.fandom.com/wiki/District_(Civ6) https://civilization.fandom.com/wiki/Appeal_(Civ6) https://civilization.fandom.com/wiki/Continent_(Civ6) https://www.youtube.com/watch?v=lkas_uiq_fk https://www.palain.com/gaming/civilization-vi/ Provide feedback on this episode.

Chris of The Morning Mix chats with Cassie Coffey of DuPage Children's Museum about their upcoming Gabby's Dollhouse MEOWseum Discovery Days, August 21st - 23rd. Get ready for a paws-itively magical adventure! Step inside a world of imagination as DuPage Children's Museum transforms into a Gabby's Dollhouse experience bursting with creativity, playful discoveries, and hands-on fun for the whole family. We're thrilled to host Gabby's Dollhouse MEOWseum Discovery Days in collaboration with DreamWorks Animation and the Association of Children's Museums.For more details and to purchase tickets, click HERE.Listen to The Morning Mix weekdays from 5:30am - 10:00am on 101.9fm The Mix in Chicago or with the free Mix App available in the Apple App Store and Google Play.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

By the end of this century, half of the world's 7,000 languages could be gone. On this episode of Unpacked, host Aislyn Greene hands the mic to travel writer Lucy Kehoe for a conversation about saving language with journalist Sophia Smith Galer, author of the new book How to Kill a Language. For Sophia, saving language is personal: her Italian grandmother spoke Emilian, one of Italy's Indigenous tongues, and it's quietly slipping away. To understand what we lose when a language dies, Sophia traveled from the mountains of Oman to the hills of California, seeking out endangered languages and the communities fighting—or grieving—for them. She and Lucy get into why these languages matter to every traveler, how language and landscape are woven together, and what it means to travel thoughtfully to a place whose language is at risk—beyond learning a few phrases. It's a conversation about treating language as part of the culture we come to experience, and about meeting it with curiosity and respect rather than as something quaint. THIS WEEK'S GUESTS Sophia Smith Galer is an award-winning journalist and author whose new book, How to Kill a Language, traces the forces—colonialism, globalization, migration, and war—pushing thousands of the world's languages toward extinction. Multilingual in English, Spanish, Italian, and Arabic, she reported it across California, Oman, Ghana, Ecuador, Italy, and Greece, meeting speakers of critically endangered languages in person to capture not only their words but their connection to a place. Lucy Kehoe is a London-based journalist who covers travel, food, and the environment, with a particular interest in how people relate to landscape and place. IN THIS EPISODE The statistic that stopped us cold: by 2100, up to half of the world's 7,000 languages could vanish, and the rate of loss is expected to triple over the next 40 years Why a language is far more than a way to order coffee—Sophia's case that it holds the past, present, and future of a people connected to a place, from Oman's Jibbali (with distinct words for animal versus human shelter) to a California tribe down to 12 adult speakers What it really asks of travelers: not memorizing phrases, but bringing respect and dignity to an endangered language, and asking who profits from "language tourism" and whether speaker communities are truly part of it Where to find language on the road—Planet Word in Washington, D.C., the Armenian alphabet monument outside Yerevan, a Ukrainian language tour in Kyiv, and Oman's frankincense heritage experience The range of feelings Sophia found among speakers themselves—pride, determination, and quiet resignation—and why she believes the fate of each endangered language belongs to its own community to decide 00:00:00 A Grandmother's Vanishing Tongue 00:04:00 Why Endangered Languages Matters 00:06:00 Words Shaped by Place 00:10:00 Tourism Done Respectfully 00:16:00 California's Last Speakers 00:24:00 Ladino, Museums, and Hope LINKS & RESOURCES How to Kill a Language by Sophia Smith Galer — buy on Bookshop Sophia Smith Galer's website Lucy Kehoe's website Planet Word, the language museum in Washington, D.C. Armenian Alphabet Monument, outside Yerevan Museum of the Frankincense Land, Oman Stay connected Be sure to subscribe to the show and sign up for our podcast newsletter, Behind the Mic, where we share upcoming news and behind-the-scenes details of each episode. And explore our second podcast, Travel Tales, which celebrates first-person narratives about the way travel changes us, and View From Afar, where we spotlight the people and ideas shaping the future of travel. Unpacked by Afar is part of Airwave Media's podcast network. Please contact advertising@airwavemedia.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Connor and Mike ranked the museums that they either have or have not been to.

Topics Discussed Insa-dong as one of Joe and Shawn's first experiences of SeoulHow the neighborhood has changed since the early 2000sTraditional Korean incense and surviving specialty shopsThe hidden waterways that shaped Insa-dong's streetsInsa-dong during the late Joseon period and Korean EmpireHow Japanese colonial rule helped create the antiques districtLooted temple and palace artifacts entering the antique tradeThe rise of artists, galleries, tea houses, and literary cultureCrime and kidnapping in old Insa-dongPoet Chun Sang-byeong and his abduction by the Korean intelligence servicesTorture, political repression, and Chun's disappearanceInsa-dong's designation as Korea's first cultural districtStarbucks, Hangul signage, and the commercialization of “traditional” SeoulSsamziegil and the transformation of Insa-dong into a shopping destinationDragon's Beard candy and Insa-dong's changing street-food cultureThe 2013 Insa-dong fireMuseums, galleries, traditional crafts, and what remains worth visitingHow nostalgia shapes the way longtime residents remember Insa-dong Timestamps 00:00 Tourist Season introduction 02:10 Introducing Insa-dong and memories of old Seoul 05:00 How Insa-dong has changed 08:00 Traditional Korean incense and surviving old shops 25:10 The geography of Insa-dong and its buried waterways 30:00 Insa-dong during the Korean Empire 35:00 How Insa-dong became Seoul's antiques district 39:00 Japanese colonial dealers and looted cultural artifacts 42:00 Crime and kidnapping in old Insa-dong 47:05 Poet Chun Sang-byeong and Seoul's literary culture 48:55 Chun Sang-byeong's abduction and torture 55:00 The legacy of Chun Sang-byeong 1:00:25 Insa-dong becomes Korea's first cultural district 1:00:55 Starbucks and the famous Hangul sign 1:04:55 Ssamziegil and the commercialization of Insa-dong 1:09:00 Insa-dong street food 1:10:45 Dragon's Beard candy 1:36:05 The 2013 Insa-dong fire 1:48:30 What remains worth seeing in Insa-dong 2:00:00 Museums, crafts, tea, and surviving cultural attractions Mentioned During the Episode Insa-dongCheonggyecheonJongnoJoseon DynastyKorean EmpireJapanese colonial periodChun Sang-byeongSsamziegilStarbucks Insa-dongDragon's Beard candyKorean traditional incenseInsa-dong antique dealersInsa-dong art galleriesTraditional Korean tea housesThe 2013 Insa-dong fire Follow The Dark Side of Seoul Websitehttps://darksideofseoul.com Patreonhttps://patreon.com/darksideofseoul Instagramhttps://instagram.com/darksideofseoul Facebookhttps://facebook.com/darksideofseoul YouTubehttps://youtube.com/@darksideofseoul About The Dark Side of Seoul The Dark Side of Seoul explores Korea's hidden history, true crime, folklore, ghost stories, urban legends, disasters, political scandals, and the strange corners of Korean culture that rarely make it into guidebooks. Hosted by long-time Korea residents Joe McPherson and Shawn Morrissey, the show blends historical research, cultural analysis, and firsthand experience to examine the people, events, beliefs, and mysteries that have shaped the Korean peninsula. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Air Date: 8/16/2026 Today we look at what Toni Morrison called "sanctioned ignorance," the deliberate manufacture of a version of the past that keeps citizens from connecting the dots between what their government did then and what it's doing now. They're doing it by attacking museums, libraries, and everyone dedicated to ensuring that people have access to accurate information because that's what it takes to implement authoritarian control over a society. It's also the reason that countries under authoritarian rule suffer from the lack of benefits that comes with the free exchange of ideas. Full Show Notes Transcript Be part of the show! Leave a voice message, message us on Signal at the handle bestoftheleft.01, or email Jay@BestOfTheLeft.com BestOfTheLeft.com/Support (Members Get Bonus Shows + No Ads!) Use our links to shop Bookshop.org and Libro.fm for a non-evil book and audiobook purchasing experience! Join our Discord community! TOP TAKES KP 1: David Blight Makes Opening Statement in Hearing on How Smithsonian Presents History - PBS Newshour - Air Date 7-21-26 KP 2: Trying to Rewrite History - Letters From an American - Air Date 7-28-26 KP 3: Trump Orders Signs at Smithsonian Museum Warning of 'Inaccurate' History - Thom Hartmann Program - Air Date 7-30-26 KP 4: Rebecca Nagle on the Boomerang of Empire Part 1 - The Intercept Briefing - Air Date 7-11-26 KP 5: Right-Wing Attacks on Small-Town Libraries; Plus The Snow Leopard Part 1 - Start Making Sense - Air Date 8-17-23 KP 6: Free Speech for Me, but Not for Thee. Plus, Librarians Under Siege. - On the Media - Air Date 9-19-25 KP 7: Why Libraries Matter in a Fascist Moment Part 1 - Movement Memos - Air Date 3-19-26 (00:57:23) NOTE FROM THE EDITOR Why Authoritarians Always Create a Brain Drain That Leaves Their Country Intellectually Impoverished My commentaries on YouTube - Share them! DEEPER DIVES (01:08:29) SECTION A: THE CRACKDOWN A1: What Is the Smithsonian - Civics 101 - Air Date 6-25-24 A2: 'If You Can Keep It' The Smithsonian Part 1 - 1A - Air Date 8-18-25 A3: Trumps Assault on Museums and Libraries, the Art Markets 12% Fall, Evie Hone and Mainie Jellett Part 1 - The Week in Art - Air Date 4-10-25 A4: 'If You Can Keep It' The Smithsonian Part 2 - 1A - Air Date 8-18-25 A5: Trumps Assault on Museums and Libraries, the Art Markets 12% Fall, Evie Hone and Mainie Jellett Part 2 - The Week in Art - Air Date 4-10-25 (01:47:35) SECTION B: HISTORIANS PUSH BACK B1: Historian Douglas Brinkley on MAGA-fying the Smithsonian Part 1 - Brian Lehrer A Daily Podcast - Air Date 8-21-25 B2: Trumps Renewed War, More ICE Killings, and Teaching American History - Start Making Sense - Air Date 7-15-26 B3: Historian Douglas Brinkley on MAGA-fying the Smithsonian Part 2 - Brian Lehrer A Daily Podcast - Air Date 8-21-25 (02:13:02) SECTION C: LIBRARIES UNDER SIEGE C1: From Budget Cuts to Book Bans — The Decades-Long Assault on Public Libraries Part 1 - Citations Needed - Air Date 3-29-23 C2: Why Libraries Matter in a Fascist Moment Part 2 - Movement Memos - Air Date 3-19-26 C3: From Budget Cuts to Book Bans — The Decades-Long Assault on Public Libraries Part 2 - Citations Needed - Air Date 3-29-23 C4: Right-Wing Attacks on Small-Town Libraries; Plus The Snow Leopard Part 2 - Start Making Sense - Air Date 8-17-23 (02:44:58) SECTION D: THE LONGER ARC - EMPIRE, IDEOLOGY, AND THE WORLD'S VIEW D1: The US Struggles with History, Stephen Friedman Gallery Closes, Tudor Heart Pendant Acquired by the British Museum - The Week in Art - Air Date 2-12-26 D2: Museum Responses to Fascism (or Not) Part 1 - The Modern Art Notes Podcast - Air Date 8-6-26 D3: Museum Responses to Fascism (or Not) Part 2 - The Modern Art Notes Podcast - Air Date 8-6-26 D4: Rebecca Nagle on the Boomerang of Empire Part 2 - The Intercept Briefing - Air Date 7-11-26   Produced by Jay! Tomlinson Visit us at BestOfTheLeft.com Listen Anywhere! BestOfTheLeft.com/Listen Follow BotL: Bluesky | Mastodon | Threads | X Like at Facebook.com/BestOfTheLeft Contact me directly at Jay@BestOfTheLeft.com

00:00 Intro01:10 Trump Orders Boost to U.S. Defense Industrial Base01:53 President Trump Boosts Naval Shipbuilding Capacity02:32 President Trump Announces Up to 100 Percent Drone Tariffs03:10 CCP Intel Official Buys Building Near White House06:23 CCP Influencing U.S. Museums, Education Institutions08:11 New Report Details CCP Influence at Harvard University11:14 Chinese Tech Raises Risks to U.S. Infrastructure11:34 Cameras on UK Naval Drones Sending Data Back to China12:53 Report: Waymo Imports 3,200 Chinese Robotaxis to U.S.13:39 Senate Report: China Could Disrupt U.S. Power Grid14:58 U.S.-Japan Push Deep-Sea Mining to Counter China17:10 U.S. Enlists Private Firms to Hack Foreign Cybercriminals18:08 Philippines Bars U.S. Attacks From Its Soil Over Taiwan19:51 Australia's Albanese Says He Had Productive Call w/Trump20:46 Albanese Says AUKUS Full Steam Ahead After Trump Call21:02 Trump, Albanese Talk China, Critical Minerals21:27 China Uses Stars to Guide Hypersonic Weapons: Report

Displays of Belonging: Polish Jewish Collecting and Museums, 1891–1941 (Cornell UP, 2025.) illuminates the lives and work of Polish Jewish collectors and museologists, who sought to preserve the treasures of the Jewish past while demonstrating Jewish belonging on Polish soil. As Jews comfortable in the Polish language and within Polish artistic and academic society, they saw themselves as intermediaries between less-integrated Jews and the Polish cultural elite. At the turn of the century, Jewish ethnographers and museum creators staked their claim to belonging to the civic nation though the display of Jewish folk art, fine art, and Judaica. After the First World War, the nearly three million Jews in the Second Polish Republic were suddenly challenged with finding a place for themselves in a state that increasingly defined itself as a creation of the ethnic Polish nation, to which Jews, by many accounts, did not belong. By tracing emergent documentation and display practices in partitioned Poland and in the interwar Second Polish Republic, Sarah Ellen Zarrow offers a better understanding of how integrated Jews identified with Polish culture and history and with non-Jewish Poles, and how they conceived of, negotiated, and argued their collective place within Poland. This is not a case of assimilation, nor of acculturation, but rather of displaying a parallel culture that was at once similar and yet distinctive. Displays of Belonging offers a nuanced understanding of the multiplicity of ways in which Jews in Poland saw their present and dreamed of their future. It places Jewish ethnographic practice and art collection within a Polish context, and sheds light on ways in which ideas about belonging and national identity were negotiated in the space of museums.  Paul Lerner is Chair of the History Department at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. Book here Faculty page here Email & Social Media: plerner@usc.edu @plerner.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Displays of Belonging: Polish Jewish Collecting and Museums, 1891–1941 (Cornell UP, 2025.) illuminates the lives and work of Polish Jewish collectors and museologists, who sought to preserve the treasures of the Jewish past while demonstrating Jewish belonging on Polish soil. As Jews comfortable in the Polish language and within Polish artistic and academic society, they saw themselves as intermediaries between less-integrated Jews and the Polish cultural elite. At the turn of the century, Jewish ethnographers and museum creators staked their claim to belonging to the civic nation though the display of Jewish folk art, fine art, and Judaica. After the First World War, the nearly three million Jews in the Second Polish Republic were suddenly challenged with finding a place for themselves in a state that increasingly defined itself as a creation of the ethnic Polish nation, to which Jews, by many accounts, did not belong. By tracing emergent documentation and display practices in partitioned Poland and in the interwar Second Polish Republic, Sarah Ellen Zarrow offers a better understanding of how integrated Jews identified with Polish culture and history and with non-Jewish Poles, and how they conceived of, negotiated, and argued their collective place within Poland. This is not a case of assimilation, nor of acculturation, but rather of displaying a parallel culture that was at once similar and yet distinctive. Displays of Belonging offers a nuanced understanding of the multiplicity of ways in which Jews in Poland saw their present and dreamed of their future. It places Jewish ethnographic practice and art collection within a Polish context, and sheds light on ways in which ideas about belonging and national identity were negotiated in the space of museums.  Paul Lerner is Chair of the History Department at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. Book here Faculty page here Email & Social Media: plerner@usc.edu @plerner.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Displays of Belonging: Polish Jewish Collecting and Museums, 1891–1941 (Cornell UP, 2025.) illuminates the lives and work of Polish Jewish collectors and museologists, who sought to preserve the treasures of the Jewish past while demonstrating Jewish belonging on Polish soil. As Jews comfortable in the Polish language and within Polish artistic and academic society, they saw themselves as intermediaries between less-integrated Jews and the Polish cultural elite. At the turn of the century, Jewish ethnographers and museum creators staked their claim to belonging to the civic nation though the display of Jewish folk art, fine art, and Judaica. After the First World War, the nearly three million Jews in the Second Polish Republic were suddenly challenged with finding a place for themselves in a state that increasingly defined itself as a creation of the ethnic Polish nation, to which Jews, by many accounts, did not belong. By tracing emergent documentation and display practices in partitioned Poland and in the interwar Second Polish Republic, Sarah Ellen Zarrow offers a better understanding of how integrated Jews identified with Polish culture and history and with non-Jewish Poles, and how they conceived of, negotiated, and argued their collective place within Poland. This is not a case of assimilation, nor of acculturation, but rather of displaying a parallel culture that was at once similar and yet distinctive. Displays of Belonging offers a nuanced understanding of the multiplicity of ways in which Jews in Poland saw their present and dreamed of their future. It places Jewish ethnographic practice and art collection within a Polish context, and sheds light on ways in which ideas about belonging and national identity were negotiated in the space of museums.  Paul Lerner is Chair of the History Department at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. Book here Faculty page here Email & Social Media: plerner@usc.edu @plerner.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

[REBROADCAST FROM April 29, 2026] The first American retrospective of the work of pioneering artist Marcel Duchamp in 50 years has landed at the MoMA. Curators Ann Temkin and Michelle Kuo discuss the show, running now through August 22.  Photo by Dan Kitwood/Getty Images: A piece of work by Marcel Duchamp entitled 'Bicycle Wheel' during a press preview of 'The Bride and the Bachelors' exhibition at the Barbican Art Gallery on February 13, 2013 in London, England. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

MoMA welcomes three million people to its Midtown campus in a good year. But the beloved cultural institution now has the power to reach multiples of that through a hoodie, a Lego set, and a chicken-shaped cutting board. General Manager of Retail, Jesse Goldstine, joins the show to explain how MoMA inverted the museum retail model, how every product in the store thoughtfully ties back to MoMA's art, and where the design institution draws the line between rolling out AI partnerships while protecting human craft.  Until the AI Overlords Say Otherwise Key takeaways: Museums historically have defaulted to funneling visitors through the gift shop last. MoMA inverted the formula, shifting the museum's point-of-entry to retail channels.  Cutting SKUs in SoHo raised productivity per SKU and clarified brand identity. Licensing starts and ends with one question: why MoMA? Discovery and gifting resist automation in ways basic replenishment does not. [00:24:04] Jesse: "The DNA of our business is rooted in decisions made by humans in our curatorial department…I will continue to defer to them and put my faith in them until our AI overlords tell me that I need to behave differently." [00:26:43] Jesse: "There's something really special about our brand that... will sort of inoculate it against some sort of automated sock repurchase every six months." In-Show Mentions: Join us at VISIONS: NYC at MoMa on November 3! MoMA Design Stores MoMA licensing partners: LEGO, Mattel Creations, Uniqlo, Champion Associated Links: More on the intersection of art, culture, and commerce: Insiders #186 Check out Future Commerce on YouTube Check out Future Commerce Plus for exclusive content and save on merch and print Subscribe to Insiders and The Senses to read more about what we are witnessing in the commerce world Listen to our other episodes of Future Commerce Have any questions or comments about the show? Let us know on futurecommerce.com, or reach out to us on Twitter, Facebook, Instagram, or LinkedIn. We love hearing from our listeners! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Near and Desired Things: Shamanism in Late Imperial Local Siberian Museums (Cornell University Press, 2026) reveals nineteenth-century Siberian museums, built on Indigenous land and increasingly populated by political exiles, as active sites of ethnographic knowledge-making and centers of scientific research, regional identity, and colonial authority. Rather than collecting from distant colonies, these institutions concentrated on surrounding communities, their tools, beliefs, and everyday lives, to configure ideas about what counted as legitimate knowledge. Dr. Marisa Karyl Franz traces how Siberian museums helped construct shamanism as an ethnographic category. Shamans, while familiar and embedded in local space, were recast as icons of cultural otherness or representatives of an imagined primitive past. Through the evolving languages of science, anthropology, and empire, the local was abstracted and exported, feeding global museum networks and shaping modern anthropology. Yet, the museums held onto the intimacy of place, preserving tensions between familiarity and spectacle, documentation and desire. By placing Siberia at the center of a broader intellectual and political history, Near and Desired Things challenges assumptions about where modern knowledge is made and redefines provincial spaces as sites of innovation and as forces that reshape the terms of empire. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Near and Desired Things: Shamanism in Late Imperial Local Siberian Museums (Cornell University Press, 2026) reveals nineteenth-century Siberian museums, built on Indigenous land and increasingly populated by political exiles, as active sites of ethnographic knowledge-making and centers of scientific research, regional identity, and colonial authority. Rather than collecting from distant colonies, these institutions concentrated on surrounding communities, their tools, beliefs, and everyday lives, to configure ideas about what counted as legitimate knowledge. Dr. Marisa Karyl Franz traces how Siberian museums helped construct shamanism as an ethnographic category. Shamans, while familiar and embedded in local space, were recast as icons of cultural otherness or representatives of an imagined primitive past. Through the evolving languages of science, anthropology, and empire, the local was abstracted and exported, feeding global museum networks and shaping modern anthropology. Yet, the museums held onto the intimacy of place, preserving tensions between familiarity and spectacle, documentation and desire. By placing Siberia at the center of a broader intellectual and political history, Near and Desired Things challenges assumptions about where modern knowledge is made and redefines provincial spaces as sites of innovation and as forces that reshape the terms of empire. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

Episode No. 770 features former museum director,  former Association of Art Museum Directors president, and Souls Grown Deep president Maxwell L. Anderson, and Oakland Museum of California director Lori Fogarty. With the Trump administration and its Congressional allies having threatened, diminished, or attacked national cultural institutions such as the National Gallery of Art, the Kennedy Center, and increasingly the Smithsonian Institution, Anderson discusses whether the sector's response to government hostility has been appropriate. The first, and perhaps only museum to speak out after the most recent Trump administration attacks on Smithsonian museums and the directors was the Japanese American National Museum, Los Angeles. (JANM will be hosting National Museum of American History director Anthea Hartig, the director the administration has most recently attacked, for a live program on August 22.) The Association of Art Museum Directors has not spoken about administration attacks on federal museum institutions since this December 2025 statement. The American Alliance of Museums "condemned" the Trump administrations attacks nearly two weeks after JANM issued its statement. Read and/or subscribe to Anderson's Art Scoping Substack. Museums also do internal work to meet our moment. Fogarty joins the program to discuss how museums and their staffs best work within their community and in ways that advance their communities values, especially in ways that go beyond narrow, essentializing approaches to administration, exhibitions, and more. Read Fogarty's recent The Art Newspaper op-ed, "Museums are civic institutions. It's time we acted like it." Air date: August 6, 2026.

Josh T. Franco is an artist and art historian from West Texas who believes that art history is made by hand. Cultured Magazine included this creative powerhouse in their 2026 list of 12 Art-World Tastemakers We're Most Excited About. Franco actually wears four creative hats: artist, art historian, curator and new Exec Dir of US Latinx Art Forum. He grew up immersed in the ever-evolving wonderland his grandfather created in his backyard in Marfa, TX, full of eclectic found objects, sculptures and whimsical installations. Franco's current  exhibition, Where I Learned to Look: Art from the Yard, celebrates the foundational role of yards in shaping contemporary art in America. His forthcoming book, Marfa, Marfa: Rasquachismo and Minimalism in Far West Texas, examines minimalism and the aesthetics that artist Donald Judd brought to Marfa … and how these intersect with "rasquachismo," the sensibility of the oppressed in working class Chicano communities. “I am an artist with an art history PhD. My practice investigates the mechanisms by which knowledge moves intergenerationally,” says. Franco. He's been an art historian with the Smithsonian for over ten years, interacting with some of the most treasured documents ever produced by artists across time. “I believe that every work of art is also a work of art history, because every work of art carries the past.” As the new Executive Director  of US Latinx Art Forum, Franco is committed to celebrating and promoting art by US inhabitants of Latinx descent and their communities to foster equity and growth, and support its practitioners. Have a Swan Dive to share? Text us!We are always looking for Swan Dive Stories to share so hit us up, send an e mail to Ron: Ron@artbikesjax.com or Stu: Stuart@stuartsheldon.com

With Sarah Woloski in the trenches at this year's San Diego Comic-Con and Tricia Barr watching the news diligently over the weekend, your Fangirls Going Rogue hosts are ready to share their favorite news. From Star Trek to Star Wars and Marvel to Museums, we cover a lot of ground, including our favorite Star Wars Books news and speculation about those Latverian witch costume changes. The Mandalorian and Grogu is now available on Disney+. Check out our discussion here. Related The Star Wars Experience at Franklin Institute via StarWars.com Star Wars Books and Comics news via StarWars.com Star Wars: Twin Crossroads interview with Beth Revis at StarWars.com Marvel news from SDCC via Marvel.com Star Wars: Legacy Review via Skywalking Through Neverland Skywalking Through Neverland Episode 568: Spaceballs panel and Trivia Hyperspace Theories Podcast: The Mandalorian and Grogu Social Media Fangirls Going Rogue Threads | Instagram Tricia Barr Threads | Instagram Sarah Woloski Threads | Instagram Facebook Public | Private You must answer the 3 questions to join the Private Facebook group!

Bearded Vultures have lived alongside humans for thousands of years. Though these majestic raptors are mostly found in Asia and Africa today, they were once abundant in Europe, too. While Bearded Vultures have vanished across much of their original range, their nests remain like time capsules of a bygone era. Researchers analyzed historical nests in southern Spain where the birds haven't been seen in nearly a century. They found thousands of bone fragments, dozens of egg shells — as well as hundreds of human artifacts that were likely added as nesting material. These hoarded items offer an unexpected glimpse of what life was once like for the people and wildlife that thrived in this region. More info and transcript at BirdNote.org. Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks.  BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Working for the Common Good: The People Behind America's Smithsonian The Not Old Better Show, Smithsonian Associates Interview Series

Neil MacGregor reflects on creating the landmark series that changed how people think about history. Then, revisit the Rosetta Stone, the artifact that unlocked ancient Egypt. Subscribe to SiriusXM Podcasts+ to listen to new episodes of 99% Invisible ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.