Podcasts about museums

Episode No. 727 is a holiday weekend clips episode featuring artist Andrea Carlson. The Denver Art Museum just opened "Andrea Carlson: A Constant Sky," a mid-career survey. The exhibition spotlights how Carlson, who is Ojibwe and of European settler descent, creates works that challenge the colonial narratives presented by modern artists, museum collections, and cannibal genre horror films, all in ways that challenge and depart from the US landscape tradition. The exhibition was curated by Dakota Hoska, and will remain on view through February 16, 2026. The exhibition catalogue was published by Scala, Amazon and Bookshop offer it for $30-35. Museums that have featured solo exhibitions of Carlson's work include the Smithsonian's National Museum of the American Indian, New York, and the Minneapolis Institute of Art. Her work is in the collection of museums such as the National Gallery of Canada, Ottawa, the Walker Art Center, Minneapolis, the Whitney Museum of American Art, New York, and the Denver Art Museum. She is also the co-founder of the Center for Native Futures in Chicago. This program was taped on the occasion of Carlson's 2024 solo exhibition at the MCA Chicago. For images, please see Episode No. 677. Instagram: Andrea Carlson, Tyler Green.

Museums across the globe are facing unprecedented challenges. In the West, public funding is shrinking, politics is creeping into the galleries, and institutions are asking hard questions about how to stay relevant to their donors and their publics. In an era of increasing scrutiny and diminishing returns, even the most established museums are questioning what long-term sustainability means. Meanwhile in China, the private museum boom that once symbolized cultural ambition and real-estate wealth is cracking, and some of these lavish new museums are having to close or scale back. In short, museums are in crisis. Senior editor Kate Brown recently worked with Margaret Carrigan, our news editor and host of the Art Market Minute, to edit a four-part series examining this issue from different angles. Margaret joins her on the podcast to talk about the takeaways and the financial, political, and ethical pressures reshaping museums. We also discuss whether this breaking point could be the start of a new era of reinvention.

Museums usually keep art behind glass or tucked in storage, but one Lawrence museum lets people get closer. We'll take a trip to “Open Fridays” at the Spencer Museum.

In this interview, Aaron sits down with Annabel from SEGD to explore how design goes far beyond what we see—it shapes how we feel, move, and remember experiences. From the World War II Museum to Olympic exhibits and even the way airports are designed, Annabel shares how thoughtful design and signage transform ordinary spaces into immersive journeys. Together, they dive into the role of colors, themes, and branding in everything from children's hospitals to landmark gateway signs, proving that design isn't just decoration—it's a powerful tool to guide, calm, and inspire.

Let’s visit a few famous Museums that house precious treasures and artifacts connected to North American History. E163. Check out the YouTube version of this episode at https://youtu.be/c72EPqzxWUc which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. Great Museum books available at https://amzn.to/43sVuOR ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORICAL JESUS podcast at https://parthenonpodcast.com/historical-jesus Mark's TIMELINE video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 X (Twitter): https://twitter.com/MarkVinet_HNA Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM See omnystudio.com/listener for privacy information.

Trump says Smithsonian museums promote "divisive, race-centered ideology," and focus too much on "how bad slavery was." How is the public responding?

In this bonus episode Sebastian answers questions from listeners about the recent series on the Parthenon Marbles. The host tangles with the ethics of repatriation requests from notorious dictators, the role of the Parthenon Marbles in inspiring the Greek Independence movement, and the path towards a true "universal museum." Sebastian also wrangles with the notorious "If I don't do it, somebody else will" argument that is often used to defend Lord Elgin. Tune-in and find out how Saddam Hussein, Dr. John, and a bunch of other history podcasts play a role in the story.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The White House has been home to a menagerie of pets, from working animals such as horses and sheep, to companions of the Scottish Terrier and Siamese cat varieties - with the odd raccoon, cow, or badger thrown in, as well. Like the almost 90 million American households who have a pet, many First Families have brought animals home even when the address was 1600 Pennsylvania Avenue. White House Historical Association president Stewart McLaurin meets Alan Price, director of the John F. Kennedy Presidential Library and Museum, and takes a tour of their new exhibit, Presidential Pets. Museum curators have gathered rarely seen items from their own collection, including dog biscuits kept in President Kennedy's desk to feed the pups who visited him in the Oval Office. Other Presidential Libraries and Museums have loaned dozens of items to help tell the story of the creatures who have inhabited the White House. In this episode you'll see a Navy coat made for Fala, the beloved Scottie of President Franklin D. Roosevelt; a doghouse in the shape of the White House made for Rex, the Cavalier King Charles Spaniel cherished by the Reagans; a saddle and riding crop used by President Theodore Roosevelt; and a rare look at a passport made for Pushinka, the dog gifted by Soviet Premier Nikita Khrushchev to the Kennedy family. The exhibit runs through April 26, 2026 at the John F. Kennedy Presidential Library and Museum.A copy of the White House History Quarterly  “Animals at Work in White House History” edition can be purchased at this link.

The White House has been home to a menagerie of pets, from working animals such as horses and sheep, to companions of the Scottish Terrier and Siamese cat varieties - with the odd raccoon, cow, or badger thrown in, as well. Like the almost 90 million American households who have a pet, many First Families have brought animals home even when the address was 1600 Pennsylvania Avenue. White House Historical Association president Stewart McLaurin meets Alan Price, director of the John F. Kennedy Presidential Library and Museum, and takes a tour of their new exhibit, Presidential Pets. Museum curators have gathered rarely seen items from their own collection, including dog biscuits kept in President Kennedy's desk to feed the pups who visited him in the Oval Office. Other Presidential Libraries and Museums have loaned dozens of items to help tell the story of the creatures who have inhabited the White House. In this episode you'll see a Navy coat made for Fala, the beloved Scottie of President Franklin D. Roosevelt; a doghouse in the shape of the White House made for Rex, the Cavalier King Charles Spaniel cherished by the Reagans; a saddle and riding crop used by President Theodore Roosevelt; and a rare look at a passport made for Pushinka, the dog gifted by Soviet Premier Nikita Khrushchev to the Kennedy family.   The exhibit runs through April 26, 2026 at the John F. Kennedy Presidential Library and Museum.A copy of the White House History Quarterly  “Animals at Work in White House History” edition can be purchased at this link.  

In dieser Folge sind wir live in Berlin auf dem Beats and Bones Festival! In den altehrwürdigen Mauern des Museums für Naturkunde in Berlin war echt eine super Stimmung aber leider auch ein bisschen Hall in der Luft und auf den Mikros. Wir hoffen ihr habt trotzdem Spaß an diesem Mitschnitt! Wir sind immer noch sehr geflasht, wie viele von euch da waren. Unser Saal war rappelvoll mit dem besten Publikum des Abends. Alles bewacht vom T-Rex-Skelett namens "Tristan". Inhaltlich dachten wir, wir stellen uns der Berliner Podcast Szene hier mal vor- stattdessen war es ein Bad in unserer sehr gut gelaunten Community. Cool war es trotzdem zum Beispiel ein Foto von der Hütte zu sehen in der Frauke zehn Jahre in Westafrika gelebt hat!Wer nicht dort war und die Fotos die wir mitgebracht haben nicht gesehen hat: Seid unbesorgt! Zum Einen hatten wir ein ganz wunderbares Sehpferdchen namens Samy (oder Sunny?), das perfekt, extra für euch, die Fotos beschreibt. Zum Anderen werden wir einige der Fotos in den nächsten Tagen auf unserem Instagram Kanal bei Weltwach posten. Dann könnt ich euch die nochmal in Ruhe anschauen.Also: Vielen, vielen Dank an unser tolles Publikum und auch nochmal Danke an das Sehpferdchen! Schick uns gerne das Foto, das wir gemacht haben. Dann posten wir das auch!Weiterführende Links:Das Festival: https://www.museumfuernaturkunde.berlin/de/mitmachen/veranstaltungen/3.-beats-bones-podcast-festival-wissenschaft-auf-die-ohrenUnser Instagram-Kanal: www.instagram.com/weltwach/Fraukes neues Buch: https://www.oekom.de/buch/kann-ki-die-natur-retten-9783987261633Lydias Forschungsgebiet und 2. Heimat wo man auch Urlaub machen kann: https://fazendabarrancoalto.com/en/home-en/ Hosted on Acast. See acast.com/privacy for more information.

Clarence Ford was in conversation with Mr Motsaathebe Serekoane, lecturer in the Department of Anthropology at the University of the Free State on the notion that our houses are museums of living heritage. Views and News with Clarence Ford is the mid-morning show on CapeTalk. This 3-hour long programme shares and reflects a broad array of perspectives. It is inspirational, passionate and positive. Host Clarence Ford’s gentle curiosity and dapper demeanour leave listeners feeling motivated and empowered. Known for his love of jazz and golf, Clarrie covers a range of themes including relationships, heritage and philosophy. Popular segments include Barbs’ Wire at 9:30am (Mon-Thurs) and The Naked Scientist at 9:30 on Fridays. Thank you for listening to a podcast from Views & News with Clarence Ford Listen live on Primedia+ weekdays between 09:00 and 12:00 (SA Time) to Views and News with Clarence Ford broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/erjiQj2 or find all the catch-up podcasts here https://buff.ly/BdpaXRn Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.

Hi, everybody. George tells us about a paw paw festival, a Frida Kahlo exhibit, and a mini family reunion. Rodney, Kristin, and Rich rave about some recent Batman and Star Trek comics and some movies they watched. All this plus Kristin's son celebrates a milestone birthday. SPOILER TIMESTAMPS 35:12 - Batman #1 (2025) 40:03 - Star Trek: The Last Starship #1 47:43 - Star Trek: Red Shirts 48:38 - The Blackening 53:29 - Weapons Visit https://strangelandcomics.com and pledge to the campaign for Time Sensitive #1 through October 9, 2025 at https://www.kickstarter.com/projects/timesensitive/sci-fi-comic-issue-1  Check out all of our friend Eric's podcast at https://longboxreview.com and subscribe to Longbox Review on your podcast app. NOW ON BLUESKY @MeanwhileATP https://x.com/meanwhileatp https://www.meanwhileatthepodcast.libsyn.com Rodney (AKA Art Nerrd): https://x.com/artnerrd https://www.instagram.com/theartnerrd/ https://facebook.com/artnerrd https://shop.spreadshirt.com/artnerrd Kristin: https://www.facebook.com/kristing616 https://www.instagram.com/kristing616 Rich: https://x.com/doctorstaypuft

First up, we're off to Wellsfest 2025, happening October 4th, with Rep. Brenda Ferguson, then we're checking out what's happening around the Two MS Museum's neck of the woods during their "Free Days" and America250 celebrations, before a final stop & sit down with singer/songwriter ELSIE, hailing from the Columbia/Hattiesburg area, about her on-the-rise career and new single, "Ghetto Cowboy!" Stay tuned, buckle up and hold on tight for your Next Stop, Mississippi!Watch this episode on MPB's YouTube Channel: Next Stop, Mississippi | WellsFest 2025, Two MS Museums "Free Days," America 250, & ELSIENext Stop, Mississippi is your #1 on-air source for information about upcoming events and attractions across the state. Get to know the real Mississippi! Each week the show's hosts, Germaine Flood and entertainment attorney Kamel King, highlight well-known and unknown places in Mississippi with the best food, parks, music and arts. Check out our Sipp Events calendar to help plan your next trip! Hosted on Acast. See acast.com/privacy for more information.

The Art Newspaper's chief contributing editor, Gareth Harris, has just published a new book, Towards the Ethical Art Museum, which explores a range of issues affecting museums in the 21st century, from questions of provenance and restitution to funding and governance and responsibilities to staff and the communities the museums serve. He joins Ben Luke to discuss the book. One of the exhibitions of the year has just opened in Florence in Italy: the Fondazione Palazzo Strozzi and the Museo di San Marco are jointly presenting Fra Angelico, devoted to the great 15th-century Florentine master. Our digital editor, Alexander Morrison talks to Carl Brandon Strehlke, a curator emeritus of the Philadelphia Museum of Art, and curator of the exhibition. And this episode's Work of the Week is PsychoBarn (Cut-Up) by Cornelia Parker, an installation first made in 2023 and relating closely to the British artist's 2016 project for the roof commission for the Metropolitan Museum of Art in New York, Transitional Object (PsychoBarn). The work is in a major new group exhibition at the Kunstmuseum in Basel, Ghosts: Visualising the Supernatural and Luke speaks to its curator, Eva Reifert.Towards the Ethical Art Museum, by Gareth Harris, published by Lund Humphries, out now in the UK, £19.99 (hb), published in November in the US and Canada, US $34.99, CA $46.99.Fra Angelico, Palazzo Strozzi and the Museo di San Marco, Florence, 26 September-25 January 2026.Ghosts: Visualising the Supernatural, Kunstmuseum, Basel, until 8 March 2026.Student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available. https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

“We don't need to find an end solution, but it's a space where we can speculate, imagine, and practice our foresight. We can be part of a bigger imagination together with an institutional framework, which is really what we try to motivate as well when we communicate these exhibitions to our audience and speak with our guests about these works. We can also sense that it's really a place where a lot of people like to enter these days. When you turn on a TV, look at a newspaper, listen to your radio, or speak with your friends, it seems like the world is falling apart on so many levels. It's such a challenging time. I think we can also offer this space for reflection and hopefully provide a reflection that gives some idea or feeling of agency.For me, it's this awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world.”In the ever-evolving world of contemporary art, some voices rise to shape the conversation in truly profound ways. Marie Nipper has spent her career at the nexus of institutional leadership, curatorial innovation, and artistic collaboration. As the director of the ARKEN Museum of Contemporary Art in Denmark, she is not just leading a museum; she's rethinking its very purpose—from an artistic lab to a public town square. Her journey has taken her from the hallowed halls of the TATE and ARoS to the forward-thinking spaces of Copenhagen Contemporary, all while championing the freedom of artists and the civic role of the museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We don't need to find an end solution, but it's a space where we can speculate, imagine, and practice our foresight. We can be part of a bigger imagination together with an institutional framework, which is really what we try to motivate as well when we communicate these exhibitions to our audience and speak with our guests about these works. We can also sense that it's really a place where a lot of people like to enter these days. When you turn on a TV, look at a newspaper, listen to your radio, or speak with your friends, it seems like the world is falling apart on so many levels. It's such a challenging time. I think we can also offer this space for reflection and hopefully provide a reflection that gives some idea or feeling of agency.For me, it's this awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world.”In the ever-evolving world of contemporary art, some voices rise to shape the conversation in truly profound ways. Marie Nipper has spent her career at the nexus of institutional leadership, curatorial innovation, and artistic collaboration. As the director of the ARKEN Museum of Contemporary Art in Denmark, she is not just leading a museum; she's rethinking its very purpose—from an artistic lab to a public town square. Her journey has taken her from the hallowed halls of the TATE and ARoS to the forward-thinking spaces of Copenhagen Contemporary, all while championing the freedom of artists and the civic role of the museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We don't need to find an end solution, but it's a space where we can speculate, imagine, and practice our foresight. We can be part of a bigger imagination together with an institutional framework, which is really what we try to motivate as well when we communicate these exhibitions to our audience and speak with our guests about these works. We can also sense that it's really a place where a lot of people like to enter these days. When you turn on a TV, look at a newspaper, listen to your radio, or speak with your friends, it seems like the world is falling apart on so many levels. It's such a challenging time. I think we can also offer this space for reflection and hopefully provide a reflection that gives some idea or feeling of agency.For me, it's this awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world.”In the ever-evolving world of contemporary art, some voices rise to shape the conversation in truly profound ways. Marie Nipper has spent her career at the nexus of institutional leadership, curatorial innovation, and artistic collaboration. As the director of the ARKEN Museum of Contemporary Art in Denmark, she is not just leading a museum; she's rethinking its very purpose—from an artistic lab to a public town square. Her journey has taken her from the hallowed halls of the TATE and ARoS to the forward-thinking spaces of Copenhagen Contemporary, all while championing the freedom of artists and the civic role of the museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Genevieve Wood joins the show to discuss TikTok ownership, data privacy concerns, and the risks of Chinese influence. She also weighs in on how American history is represented at Smithsonian museums, raising concerns about "woke" agendas in cultural institutions. Specific examples include exhibits at the African American History Museum and plans for the Women's Museum. Drawing on research and resources from The Daily Signal and The Heritage Foundation, Wood offers broader commentary on cultural debates and current events shaping the U.S.

If you're a political junkie, and you want to take your hobby on holiday, what are the great political sites you can actually visit? Pól Ó Conghaile, Travel Editor, Irish Independent brings us all the details.All with thanks to Ryanair.

(01:00): Odense-borgmester kritiserer privat Hjertehusene for manglende overenskomst - men har postet 52 mio. i botilbuddet siden 2022. Medvirkende: Peter Rahbæk Juel, borgmester i Odense Kommune. (10:00): Kritik af minister: Har syltet vigtigt kulturudvalg i knap tre år. Medvirkende: Ole Winther, strategisk chefrådgiver for kulturinstitutioner hos HAVE og formand for Interational Council of Museums. (32:00): Økonom: "Skiftende regeringer behandler skatteministeriet som en slags reservebænk”. Medvirkende: Martin Ågerup, direktør i Skattebetalerne og tidligere direktør i Cepos. (41:00): Skat sendte et “vanvittigt” brev, og så meldte Anette sin "uskyldige" kæreste til politiet. Medvirkende: Anette Crone Jessen, tidl. ejer af PlusMontage. Værter: Kasper Harboe & Nicolai Dandanell See omnystudio.com/listener for privacy information.

On this episode of Out Of Office: A Travel Podcast, Kiernan and Ryan travel the world over to share our favorite obscure museums. From Kuala Lumpur to Hartford, CT, we've got some surprises on this one. Things we talk about on this week's episode: Wadsworth Athenaeum https://www.thewadsworth.org/  Button Museum https://buttonmuseum.org/  Museo de Arte Contemporáneo de Bogotá (MAC) https://museu.ms/museum/details/17154/museo-de-arte-contemporaneo-de-bogota  Islamic Arts Museum https://iamm.org.my/  Museum of Socialist Art https://www.artandobject.com/articles/museum-socialist-art-bulgarias-de-facto-museum-communist-history  Museum of Apiculture   https://mro.si/en/musem-of-apiculture  NYC School Architecture https://www.untappedcities.com/cbj-snyder-shools/?ref=daily-newsletter 

A couple of weeks ago Auckland Museum proposed axing 30 jobs, with chief executive David Reeves calling it "regrettably a necessary step towards securing the financial recovery of the museum". It came after a 10 million dollar price tag was put on the cost of removing asbestos dust detected earlier this year. With this in mind Jesse asks a bigger question. What is the role and value of museums in modern society? QWB Lab measures the value of wellbeing that a museum, gallery, heritage site, or Library generates. Co-founder Sabine Doolin joins us.

ART FOR PUBLIC PURPOSE. Dr Caroline Campbell was born and educated in Belfast, and became Director of the National Gallery of Ireland in 2022. She studied Modern History at University College Oxford, and has an MA and PhD from the Courtauld Institute of Art, University of London. A former Fellow of the Center for Curatorial Leadership, New York, before joining the National Gallery of Ireland, Caroline was Director of Collections and Research at the National Gallery, London. Earlier in her career she held curatorial positions at the Ashmolean Museum, Oxford, the Courtauld Gallery, London, and the National Gallery. Caroline has published widely on European art from the Middle Ages to the twentieth century, particularly on the Italian Renaissance, most recently Mantegna & Bellini and 14th Century Siena. “The Taking of Christ is an absolutely astonishing painting because of the moment of drama in it, and that, as much as the name Caravaggio, is what really excites our visitors.” “Irish art is really strong, but it is much less known outside of Ireland. I would love people to be able to appreciate it more, as part of the more widespread European and Western tradition.” “I love the connection that people have with the gallery.”

On episode 145 of "The Places Where We Go", we are taking you on a journey through several top art museums in Paris. Listen to learn more about what to expect when visiting the Louvre, the Musée d'Orsay, and the Musée Picasso.   The Places Where We Go Resources PODCAST: Released every other week in your favorite podcast app WEBSITE & BLOG www.theplaceswherewego.com SUBSCRIBE TO OUR NEWSLETTER YOUTUBE: The Places Where We Go YouTube Channel INSTAGRAM: https://www.instagram.com/theplaceswherewego TWITTER / X: https://twitter.com/theplaceswhere1 FACEBOOK: https://www.facebook.com/ThePlacesWhereWeGo EMAIL: Write to us at comments@theplaceswherewego.com GEAR WE USE: The Places Where We Go Amazon Storefront We'll see you at the places where we go. Julie & Art AFFILIATE LINK DISCLOSURE The Places Where We Go contains affiliate links and is a member of the Amazon Services LLC Associates Program. If you make a purchase using one of these Amazon links, we may receive compensation at no extra cost to you. Read our disclaimer and privacy policy for more information.

Step inside the world's strangest museums with Scott and Jim as your tour guides. From galleries dedicated to dog collars and instant ramen, to halls filled with mummies, parasites, and even lawnmowers, we shine a spotlight on the quirky collections that prove anything can be a museum if you try hard enough. Along the way, we'll laugh at the absurd, marvel at the bizarre, and maybe even add a few of these places to your bucket list (though you might want to think twice before visiting the museum of bad art or the one full of giant tapeworms). Because in this episode, history isn't just strange—it's proudly on display.

A new exhibits look at 50 years of Iowa State University Museums.

In this episode of the Anglotopia podcast, host Jonathan Thomas interviews Emily Graver, an adventure operations specialist at Macs Adventure, about the Hadrian's Wall walk. Jonathan is planning to walk the trail, a lifelong goal, in summer 2026. They discuss the history, planning, and preparation needed for this iconic 84-mile trail that runs across Northern England. Emily shares insights on logistics, fitness requirements, and the best sections to explore, as well as tips for packing and dealing with unpredictable British weather. The conversation also highlights local attractions, accommodations, and the support available for walkers, making it a comprehensive guide for anyone interested in this historic journey. Please help Jonathan make this dream of the walk happen by purchasing the special limited edition fundraiser Hadrian's Wall 2026 Calendar. Links in the show notes below. Note: Cover image in podcast is NOT Hadrian's Wall, it's Hardknott Roman Fort nearby in Cumbria (I don't have any pictures of Hadrian's Wall...yet). Links Hadrian's Wall Special Calendar Jon's Hadrian's Wall Announcement Post Hadrian's Wall Update Anglotopia & Londontopia 2026 Calendar Fundraiser Macs Adventure Hadrian's Wall Walks Cicerone Hadrian's Wall Guidebook Hadrian's Wall Path: British Walking Guide Hadrian's Wall Path National Trail official website Hadrian's Wall Country Bus (AD122) timetables and routes Friends of Anglotopia Takeaways Hadrian's Wall is a UNESCO World Heritage Site and a popular long-distance walk. The walk requires careful planning and preparation, especially regarding fitness and logistics. Walking 15 to 30 kilometers a day is common, and the terrain can be hilly. Packing for all seasons is essential due to unpredictable British weather. Booking accommodations in advance is highly recommended, especially for summer months. The East to West route offers a unique experience of walking from a busy city to peaceful countryside. Vindolanda is a must-visit site along the route, known for its historical significance. Solo walkers will find camaraderie on the trail, while group walkers may face accommodation challenges. The app provided by Macs Adventures offers useful information and emergency contacts for walkers. Public transport links to the starting points of the walk are very good, making travel easier. Sound Bites 1. On the physical challenge: "The biggest mistake people make is they underestimate the level of walking that's involved. You are walking like 15 to 30 kilometres a day. It's also very hilly. There's a lot of ascent and descent." 2. On booking timing: "May is booking up a lot for people, very keen people that are ready to go on holiday for next May. It books up really, really quickly. So I'd really recommend if you've got like, if you want to... book ahead now." 3. On the route direction debate: "I personally did the East to West and I prefer it because you're going from like quite a busy city, Newcastle, and then you're slowly walking towards like really peaceful areas... You're also following the route that the wall was originally built by the Romans." 4. On the most challenging section: "The most challenging section is between a cute little village called Once Brood and the Hayton Gate turn off. It's very, very hilly... you are looking at 18 miles total in that one section." 5. On accommodations: "I will say with the Hadrian's Hall, there's less opportunities to upgrade your accommodation just because of the places we work with. They're very, very small. So it will tend to be more bed and breakfasts and inns." 6. On the historical discovery at Vindolanda: "They've discovered preserved handwritten parchments from Roman soldiers writing letters home... this Roman soldier asking his mum for a new pair of socks because it's so chilly and things like that." 7. On the full English breakfast challenge: "My personal point of view, accommodations will serve you such a big full English breakfast that by the time it gets to lunch, I don't usually need any. I can just power on through because like it's like sausages, bacon, eggs..." 8. On solo walking: "For solo walkers, I would say that Hadrian's Walk is a really nice walk for solo walkers because of the camaraderie that you'll get... as soon as you walk and you see someone, you say hello, you'll get chatting." 9. On essential packing: "I learned the hard way blister plasters, you have to pack them because my feet were absolutely awful and then I got to this lovely accommodation... very kind lady there gave me her pack of blister plasters." 10. On weather unpredictability: "I will say the weather is unpredictable. You need to pack for all seasons, but that's just, that's British weather. And we love talking about the weather. That's like our passion." Chapters 00:00 Introduction to Hadrian's Wall 02:17 Overview of the Hadrian's Wall Route 03:44 Common Mistakes for First-Time Walkers 05:55 Logistics and Planning for the Walk 08:09 Best Times to Walk Hadrian's Wall 10:40 Fitness Preparation for the Walk 11:45 Choosing the Right Direction 14:48 Challenging Sections of the Walk 17:03 Prioritizing Sections for Shorter Walks 18:43 Luggage Transfer Logistics 20:20 Water and Food Considerations 22:24 Weather Preparedness 24:43 Essential Packing List 26:46 A Typical Day on the Wall 28:28 Accommodation Options Along the Wall 32:40 Memorable Moments on the Walk 34:37 Comparing Other UK Trails 35:32 Getting to the Starting Point 37:11 Local Sites and Museums to Visit 39:22 Food Experiences Along the Route 40:34 Support for Walkers 42:08 Solo vs Group Walking Considerations 43:33 Insider Tips for the Walk 44:37 National Trust Sites Along the Walk 45:58 Next Adventures After Hadrian's Wall 51:46 anglotopia-podcast-outro.mp4 Video Version

In this episode of The Art Engager, Claire Bown talks with Ciaron Wilkinson, Head of Partnerships and Engagement at Manchester Museum — one of the UK's largest university museums and recent winner of European Museum of the Year.After a values-led redevelopment, Manchester Museum has reimagined how a museum can engage with its community. Its mission is to be the most caring, imaginative, and inclusive museum people will ever visit - a place where everyone belongs. Ciaron shares how this vision has reshaped the museum's spaces and ways of working: co-curating the South Asia Gallery with 30 community members over five years, celebrating faith and culture through the Manchester Museum Celebrates series, and opening the Top Floor hub, shared with 25 local organisations dedicated to social justice and climate action.This conversation offers practical insights into co-curation, community engagement, and the values-led decisions behind creating cultural spaces where everyone feels welcome.The Art Engager is written and presented by Claire Bown. Editing is by Matt Jacobs and Claire Bown. Music by Richard Bown. Support the show on Patreon and find more resources at thinkingmuseum.com‘The Art Engager: Reimagining Guided Experiences in Museums‘ is now available worldwide through your favourite online platforms and retailers. Buy it here on Amazon.com: https://tinyurl.com/buytheartengagerThe Art Engager book website: https://www.theartengager.com/Support the show with a simple monthly subscription on Patreon: https://www.patreon.com/c/TheArtEngagerEpisode Links:Manchester Museum website Manchester Museum Instagram Article on European Museum of the Year Article on decolonisationNew York Times article following reopening

A Manhattan judge has dismissed two terrorism charges against Luigi Mangione, the man accused of killing the CEP of UnitedHealthcare last December in Midtown, citing insufficient evidence. Meanwhile, City Council members are criticizing the Adams administration for skipping a Monday hearing on how federal cuts to SNAP and Medicaid will affect New Yorkers. Plus, the Council is planning a public hearing next week on battery storage systems across the five boroughs, as some residents raise concerns about fire risks. Finally, WNYC's Ryan Kailath has a preview of the city's fall arts season.

This is super special! We all know Yakima is known for its incredible hop agriculture, but what many folks may not know is that the modern hop industry has its roots a little closer to... The post Episode 159: Mansions and Museums in the Mecca of Hops appeared first on Grit & Grain Podcast.

Support the show: http://www.newcountry963.com/hawkeyeinthemorningSee omnystudio.com/listener for privacy information.

Today, In Focus takes you to the Florida panhandle for our Tri-State Travel Series. The community of Carrabelle is preparing to celebrate its history and museums.

We're back baby (fingers crossed) hope y'all are still out there!  The first story back is a personal one, because my dad was born up in this tiny mining community. I hope you enjoy this first episode back! I'lll up load pics to go along with the episode soon so be on the lookout for those on our social media, search Lore of the South and we should pop up. Thanks for listening!Thank you to Mrs Joyce at the Ducktown Basin Museum. You were a treasure and really put a personal touch on the whole tour. Hope you get some LotS, listeners to come and visit. Shoutouts! People who have really helped to bring me back to my story telling. My Cousin Grant, My Uncle Clint, the memory of my aunt, my friend Curtimus who told me it was a gift and I shouldn't waste it ( or something like that ).  My OG supporters, Elle, Ms Judy, Sydney and Chantel (I did that from memory I hope I spelled y'alls names okay) Rhonda. To anyone I missed, I do apologize. I almost forgot the link to the museum! https://ducktownbasinmuseum.comCitations(N.d.). Ducktown Mine in the copper basin. I can't find the booklet, but I'll include a link to the museum Daniels, K. (n.d.). Tennessee's Historic Copper Basin Area: an overview. Dulemba, E. O. (2019). A bird on Water Street. Little Pickle Press. Used to get descriptions of housing, gen living conditionFrye, H. (2017). Tennessee's Great Copper Basin. Arcadia Publishing Inc. Home: Ducktown basin museum. The Ducktown Basin Museym. (n.d.). https://ducktownbasinmuseum.com/ Support the show

Skip The Queue is back for Season 7 and we're announcing some big changes! Get ready for new hosts, a fresh new look, weekly content and find out where you can catch us live at events to be part of the action.Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is Paul Marden  and Andy Povey.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm. Show references: Paul Marden The CEO of Rubber Cheese, Paul pairs two decades of digital expertise with a love of creative problem solving, making him the go-to guy for turning tricky tech into seamless guest journeys, all delivered with his trademark energy and wit.https://www.linkedin.com/in/pmarden/ Andy Povey The Co-CEO of Crowd Convert, Andy brings sharp insights, deep industry knowledge and notorious anecdotes from decades in attractions.https://www.linkedin.com/in/andypovey/  Transcriptions:  Paul Marden: Welcome to Skip the Queue, the podcast about the world's best visitor attractions and the people that work in them. I'm Paul Marden. Along with my co-hosts, Andy Povey and Sinead Kimberley, I spend my days working with ambitious attractions like theme parks, museums, galleries, and science centres to help them to attract more guests. In today's episode, Andy and I talk about what's coming up for Skip the Queue as we enter Season 7.Paul Marden: Seven seasons, hey? Good lord. How very exciting. We've had our summer holidays. We've had our little break, but there's no rest for the wicked, is there?Andy Povey: Absolutely not. You say it's a busman's holiday, really, isn't it?  Working in our industry.Paul Marden: I think it is, isn't it? Life has changed quite a lot for us recently, hasn't it? In the last few months, with the advent of Crowd Convert and Merac coming back to life again, we've been out on the road going everywhere, haven't we?Andy Povey: Absolutely everywhere. And I promise I'm not going to bitch about electric cars and charging.Andy Povey: That's the only thing I've found that annoys me more than a poor online ticketing experience.Paul Marden: Yeah, absolutely. So we have both been visiting lots of clients. It's been very exciting. But we've also both had our summer holidays. Which attraction is memorable for you from your recent holiday?Andy Povey: Do you know, there's so many. We took our girls to the longest named tourist attraction in the world, I think. Warner Brothers Studio Tour London, the making of Harry Potter. On their 11th birthday. Oh, how was that? We had a beautiful experience. They have this really smart trick there where if they note your birthday, they give you a badge that says, 'It's my birthday.'Andy Povey: It's modelled on the birthday cake that Hagrid gave Harry. So it's all completely in keeping and in theme. So my daughters were walking around with these and every member of staff we saw that saw the badge wished them happy birthday. The first member of staff that did it absolutely blew my girls' minds. They hadn't associated it with the badge that they were wearing and they thought that they were the most special people on the face of the earth.Andy Povey: Absolutely superb. And the experience itself is wonderful. So that was probably the most memorable. I did something else very recently that was a little bit unusual. So I'm a man in my 50s. I was a teenager, probably not even a teenager, a kid when Grease came out. And all my mates and all my friends raved about it, and I didn't go and see it. And I've been very proud of the fact that I've never seen Grease.Andy Povey: Until last weekend. When we went to the Secret Cinema showing of Grease in Battersea Park, wow, wow, what an experience. Live actors, live scenes with the film running in the background, the fairground sitting outside the auditorium, where the final set, if you've watched Grease ever, where they're in the fairground, went out there.Andy Povey: Such a fantastic experience. Really does make me wonder why we don't have more of our larger parks doing that kind of stuff in partnership with Secret Cinema. It would make you stay for the evening and really extend your day. Absolutely superb experience. So, if you get the opportunity to go and see it, please do.Paul Marden: How very cool.Andy Povey: Tell them Andy sent you, which will mean absolutely nothing.  How about you?Paul Marden: We recently went to Scotland. We spent a day, which was really not enough, in Edinburgh. And actually, as you're talking about the Harry Potter experience, we did a little Harry Potter thing because there is a graveyard, Greyfriars Bobby's graveyard.Paul Marden: It was the inspiration for many of the names in Harry Potter. And this graveyard was, I mean, it was chock full of every nationality of tourist you could possibly imagine, plus the three of us wandering around all trying to find Harry Potter themed gravestones. Yeah, so we found Tom Riddle's tombstone. We saw a McGonagall. Yeah, it was just, that was quite magical. But the thing that sticks in my head is we also visited the Real Mary King's Close. And when you walk along the Royal Mile, falling off the side of the Royal Mile are all of these tenement closes that three of them were capped over a couple of hundred years ago and completely forgotten about. Continuum attractions have turned them into an attraction that you can wander around. You get a guided tour of this time capsule of what life was like in a tenement block. In Edinburgh, it was rated last year as the best tourist attraction in Britain, according to TripAdvisor.Paul Marden: And it really, really was magical. It was such a fun visit. We were guided around by a tour guide in costume and in character the whole way around. And at the end of it, she introduced herself as coming from Philadelphia.Paul Marden: She was really really great guide, and I just loved it. I've seen them in the Rubber Cheese Survey for the last four years, and thought, 'What a funny name for an attraction? I wonder what that is?' And so, when I saw it, I had to go. I loved every minute of it, and it was brilliant.Andy Povey: I agree, it's a fantastic place. Did you see J. K. Rowling's handprints just around the corner?Paul Marden: No.Andy Povey: In the courtyard next to the entrance?Paul Marden: No, I didn't.Andy Povey: See, I think they were trying to do something like the Hollywood Walk of Fame, where there are famous people's handprints. I should have told you before. Is there something to go back for?Paul Marden: Oh, we'll definitely be going back. There was so much there in Edinburgh that we didn't get to see. You just couldn't do it in a day.Paul Marden: But so much fun. So much fun.Paul Marden: So we are into season seven. And just like the last few seasons, we've got lots of ideas, brimming with ideas, few changes. And we thought we would tease them for you here in this short non-episode, just to tell you about some of the things that are coming up. And yeah, shall we?Paul Marden: We'll talk about the first thing that you came up with, which was the move to weekly content.Andy Povey:  You're blaming me for this?Paul Marden: Absolutely. Absolutely.Andy Povey: I mean, the objective was to double the listenership of the podcast. And so you did that by doubling my work. And it seemed like it would be really, really easy to do that if we doubled the episodes.Andy Povey: So, yeah, we're going weekly. I'm sure we're going to have plenty to fill it. Because you look at all of the interesting stories we come across, the people that we talk to, the things that we want to talk about, and we end up editing and cutting things. So I'm convinced that we're going to have loads of really exciting things to talk about. We're also going to introduce a couple of different themes. So do you want to talk about the Millennium-funded projects?Paul Marden: Yes, so this is carrying on the theme that I started back at the back end of Season 6. When I spoke to another Edinburgh attraction, Dynamic Earth. They were a good example of a Millennium project that was obviously kicked off 25 years ago. And we had a lovely conversation about what has been the challenges, what has been the opportunities for them in the last 25 years, and what does the future look like? I'm off to the Association of Science and Discovery Centres conference next week. That episode will be out in a few weeks' time. And we're going to be talking a lot about science centres. and how they can thrive over the next 25 years. But we'll be talking to some other Millennium projects as well in the season ahead. So Charles Bishop from the National Space Centre, if you're listening, give me a call.Andy Povey: I'm going to try and hound you to appear on the podcast.Paul Marden: We've also, this is very self-indulgent, but we are going to be going through a little bit of a rebrand. The Skip the Queue brand has stayed the same for the six seasons. And our friends at Plaster Creative Communications have been working really hard. They're the only reason why we could possibly go weekly with our content because Emily and Sami are helping us to ramp up our content and working with us closely. But they've also helped us with our rebrand, which is also going to be an audio rebrand. So there's going to be some new audio tickling your ears coming up as well, which is very exciting.Andy Povey: It's not just the rebrand though, is it? Let's talk about the other things that we're going to be doing with Skip the Queue.Paul Marden: Yeah. Should we talk playbooks?Andy Povey: Absolutely. Tell me what it means.Paul Marden: So I, for a long time, thought that there was something that Skip the Queue could do because, you know. Yes, this is our baby, but it is a lot of hard work from across the industry that goes towards making the podcast the success that it is. And we're going to move that successful collaboration into a series of playbooks where we're bringing together people from across the industry to help guide attractions into... the state of the art and what's possible within the sector across a number of different subjects. And we're starting that with e-commerce. So we're currently collaborating with our friends at Stephen Spencer Associates and at Navigate. And we're producing the first in that playbook series all about what... What does it take to be able to build an amazing e-commerce experience for an attraction? How do you curate the products?Paul Marden: How do you come up with the ideas? How do you put the technology together? And then how do you get anybody to come and visit and buy from you? So that's very exciting.Andy Povey: So that's more of your gift shop. Retail e-commerce.Paul Marden: Absolutely. Absolutely. And there'll be room as well within the series for us to talk about other things as well. So we are completely open to ideas. So listeners, if you've got ideas of a playbook that you'd like to see, it could be about digital sustainability. It could be about ticketing. It could be about any aspect of operating an attraction. Come and tell us and come up with ideas of who we could work with and we'll put something together for you. So I think that's really exciting, and that will be coming out in a few weeks' time.Andy Povey: Very interesting. Look forward to that.Paul Marden: We were excited in Season 6 to break out of the four walls of our little dungeon offices, working via video conferencing and going out and about, weren't we? We absolutely loved visiting the NFAN Conference, ASDC.Paul Marden: We worked from the floor of so many different events, didn't we? And tried lots of formats. And we definitely, definitely want to do more of that. And there's an exciting turn because weekly isn't enough, is it?Andy Povey:  If you're going to do it, go big. Go big or go home.Paul Marden: We have been invited to the IAAPA Europe Conference Expo in Barcelona, no less. And we are going to be coming into your ears daily, not weekly, daily.Paul Marden: So we have got an amazing lineup of people that we are going to be talking to from the conference floor. But there's also so much time to fill. We don't know who we're going to talk to. We're going to be hitting the floor and just grabbing people, just like we did at NFAN. You'll be out, Andy, just hooking people. And we'll be talking to them. And we plan to do those interviews during the day, and Wenalyn and Steve, our long-suffering editorial and production team, will be working furiously through the night to publish the following morning.Andy Povey: Fantastic. So do we need to talk about our launch episode for Season 7?Paul Marden: Yes.Andy Povey: As this is just the trailer.Paul Marden: Yes. So in 29 minutes, I will be recording my launch episode. So I'm meeting with Massimiliano Freddi, who is the IAAPA board chairman. We're going to find out more about Massimiliano. Not only is he the first Italian chairman of IAAPA, which has been in existence for over 100 years, I believe. We are also going to find out about what he does in his day job and the attraction that he runs over in Italy. So that's a very exciting first episode. So we will be launching that episode 17th of September, and then we will be live from Barcelona starting on the 23rd and going out daily from there on for the rest of that week. I mean, what more could we want? Andy Povey: It's justification for the family for me going to Barcelona after just having returned from Menorca so daddy does a holiday work.Paul Marden: We've at least got to walk down Las Rambla and chat about the conference we can't just be within the expo location surely. A little vino tinto on.Andy Povey: I'm sure we will be at Tribudabo at what, in my experience, this is the third time I've been to IAAPA in Barcelona. But the opening night party in Tribudabo has always been one of the most fantastic events I've ever been to. The view over the city at night with rides and superb food, drink and entertainment going off behind you is just  out of this world.Paul Marden: But it's work just for anyone that's listening outside the door right now.Andy Povey: Very hard work for very important people.Paul Marden: Yes so we are still planning out the rest of season seven, obviously going weekly, lots of opportunities for us to talk to lots of people. If you've got ideas for themes or people that we could interview, we are absolutely all ears. So hit us up on LinkedIn, hello@SkiptheQueue.fm, or go to the website, skipthequeue.fm. Yeah, and you'll find all of our contact details and we'd love to hear from you with ideas of what we could do for the rest of this season. What would you find interesting? Apart from that, we're going to sign off. I've got an interview to go to in 25 minutes. We will be back with you on the 17th of September with our first episode and from IAAPA on the 23rd of September for the rest of that week.Andy Povey: You're going to be on IAAPA. Come and find us. Come and have a chat.Paul Marden: Looking forward to it.Paul Marden: Skip the Queue is brought to you by Rubber Cheese, the digital agency that creates amazing websites for ambitious visitor attractions.  The 2025 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsTake the Rubber Cheese Visitor Attraction Website Survey Report

Episode No. 722 features museum director and human rights activist Ann Burroughs, and curator Cory Korkow. Burroughs is the director of the Japanese American National Museum, Los Angeles, which has led the museum sector in resisting Trumpism and the rise of fascism in the United States. Even as many US institutions capitulated when the Trump administration demanded a return to racist and white supremacist policies and practices, JANM stood by its diversity and equity foci and programs. Over the summer, armed and often masked  Border Patrol agents conducted what appeared to be an operation aimed at intimidating speakers at a program at the museum's Daniel K. Inouye National Center for the Preservation of Democracy, including at a press conference held by California Gov. Gavin Newsom. The museum aggressively resisted the federal show of force, drawing lines between illegal federal actions in 1942 and the present. JANM's mission is "to promote understanding and appreciation of America's ethnic and cultural diversity by sharing the Japanese American experience." Its collections and programs feature art and art's history. The museum holds work by and the archives of artists such as Hisako Hibi, George Hoshida, Estelle Ishigo, Henry Sugimoto, Chikashi Tanaka, Kango Takamura, and Jack Iwata. In addition to leading JANM, Burroughs is the two-time former chairperson of the board of Amnesty International USA, the chair of the Amnesty International Global Assembly, and presently sits on the board of Amnesty International. As mentioned on the program: Burroughs' op-ed for the American Alliance of Museums; and JANM's "History Unpacked" program. Korkow helped lead the Cleveland Museum of Art's acquisition and initial installation of Giambologna's Fata Morgana (ca. 1572), which had been the last of the roughly dozen marble sculptures made by the artist remaining in private hands. Giambologna made the sculpture for installation in a fountain at Bernardo Vecchietti's Villa il Reposo in Bagno a Ripoli, Italy. Instagram: Cory Korkow, Tyler Green. Air date: September 4, 2025.

Digital Editor Al Lunsford and photographer Billy Richards (carolina_pines_golf) recount their four-day road trip in South Carolina discovering historic public golf courses and a collection of museums in this travelogue-style episode. Discover all South Carolina has to offer at discoversouthcarolina.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Elizabeth Merritt is the founding director of the Center for the Future of Museums at the American Alliance of Museums. It's her job to track cultural, technological, environmental, political and public health trends — and figure out what they might mean for museums and the communities they serve. She thinks about things like: what role could blockchain play in the art world? Could it allow artists to permanently bake royalties into their work, so that they get a share on future resales? Could museums help lead that kind of change? For Elizabeth, this is personal work: growing up, museums were her favorite places to learn and explore. She did well in school, but she learned more wandering the halls of the Cleveland Museum of Natural History on her own. It was a space that nurtured her curiosity. And that curiosity, a belief that museums are places where we can choose to learn, shapes how she sees the future. Elizabeth says that she approaches her work like a classic futurist: she reads widely — from academic research to news articles to social media — absorbing as much as she can across disciplines. She also draws inspiration from science fiction, especially dystopias, usually the ones that highlight problems and pathways forward. But her job isn't just about anticipatory practices and strategic foresight, it's about preparing museums for the future. So, she's careful to distinguish trends from fads — trends have direction and persistence, while fads fade. For example, when it comes to climate change, she sees museums as cultural institutions as well as potential anchors of community resilience, helping people adapt to extreme heat, cold and severe weather. Still, she says the biggest challenge right now is twofold: how museums can remain economically sustainable and intellectually independent — and, more importantly, how they can hold on to public trust. Museums are among the most trusted institutions in American life, and she believes that trust is a powerful tool for reshaping a better world. In this Chatter Marks series, Cody and co-host Dr. Sandro Debono talk to museum directors and knowledge holders about what museums around the world are doing to adapt and react to climate change. Dr. Debono is a museum thinker from the Mediterranean island of Malta. He works with museums to help them strategize around possible futures.

Send us a textBob Eckstein, the brilliant, funny award-winning illustrator and New Yorker cartoonist, shares how his career evolved from writing to cartooning and his passion for uncovering extraordinary stories in ordinary subjects throughout the world. His latest book, "Footnotes from the Most Fascinating Museums," showcases North America's most captivating museums and the transformative experiences they offer visitors of all interests. The interview focuses on how he:• Spent seven years traveling globally to solve the mystery of who made the first snowman• Became a cartoonist accidentally while researching his first book on snowmen history, and wrote a book about bookstores around the world.• Transitioned from museum-hater as a child to passionate advocate after visiting Natural History Museum• Selected museums for his book based on beauty, compelling stories, and community impact• Created museum categories for everyone, including those who think they hate museums• Aims to create books appealing to men, who he believes aren't reading enough• Highlights unique museums like the Mob Museum, the Spam Museum, and the Museum of Jurassic Technology• Spent a week sketching on the oldest working ship in the world, later recreating its captain's quarters in his home• Has exciting upcoming projects including museum postcards, a book about writers and their cats, and a movie• Recommends visiting Bruges early morning or late evening to experience its true beauty**Guest Bob Eckstein is an award-winning illustrator and New Yorker cartoonist. Check out his website!  Also, see his books and new sets of gorgeous postcards here.**Podcast host Lea Lane has traveled to over 100 countries, and  has written nine books, including the award-winning Places I Remember  (Kirkus Reviews star rating, and  'one of the top 100 Indie books of  the year'). She has contributed to many guidebooks and has written thousands of travel articles. _____Our award-winning travel podcast, Places I Remember with Lea Lane, has dropped over 120 travel episodes! New episodes drop on the first Tuesday of the month, on Apple, Spotify, and wherever you listen. _____Travel vlogs of our featured  podcasts-- with video and graphics -- now drop on YouTube.Please subscribe, like, and comment. 

This week, we head back to a time of monochrome and unreliable box office receipts to discuss 1935's “The 39 Steps”. Alfred Hitchcock was 10 years and 22 films deep by this point in his directing career, and really caught his groove, to the point where this film is ranked the #4 British film by the BFI. We've talked about the top 3 on the show (1 & 2 in detail), and about 8 Hitchcocks, but grab a beer and hear what we have to say about this one! Also, listen to John talk about “Jaws” 50th anniversary & “Caught Stealing”. linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 3:29 John's “Jaws” 50th Anniversary mini-review; 6:06 John's “Caught Stealing” mini-review; 17:06 1935 Year in Review; 35:37 Films of 1935: “The 39 Steps”; 1:12:12 What You Been Watching; 1:17:45 Next Week's Episode Teaser Additional Cast/Crew: Alfred Hitchcock, John Buchan, Charles Bennett, Robert Donat, Madeleine Carrol, Austin Butler, Darren Aronofsky, Matt Smith, Regina King, Zoë Kravitz, Griffin Dunne, George Abud, Will Brill, Stephen Spielberg, Richard Dreyfuss, Robert Shaw. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Peacemaker, Twisted Tale of Amanda Knox, Platonic, Toy Story 4. What Women Want Additional Tags: Paramount, Poop Cruise, Netflix, Apple Film, Times Square, Formula 1, British Grand Prix at Silverstone, Austrian Grand Prix, Lando Norris, Charles Leclerc, Oscar Piastri, Shane, Stick, Peter Pan, Roman Holiday, Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, Tom Cruise, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), The Canadian Grand Prix. Montana,   

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On episode 144 of "The Places Where We Go", we are taking you on a journey through the beautiful city of Paris, France. Known for its romantic charm and rich history, this city is home to some of the world's most famous museums and monuments. Our stops include the Pantheon, Musee Curie, the Arc de Triomphe, Sainte-Chapelle, the Army Museum, and the National Archives. The Places Where We Go Resources PODCAST: Released every other week in your favorite podcast app WEBSITE & BLOG www.theplaceswherewego.com SUBSCRIBE TO OUR NEWSLETTER YOUTUBE: The Places Where We Go YouTube Channel INSTAGRAM: https://www.instagram.com/theplaceswherewego TWITTER / X: https://twitter.com/theplaceswhere1 FACEBOOK: https://www.facebook.com/ThePlacesWhereWeGo EMAIL: Write to us at comments@theplaceswherewego.com GEAR WE USE: The Places Where We Go Amazon Storefront We'll see you at the places where we go. Julie & Art AFFILIATE LINK DISCLOSURE The Places Where We Go contains affiliate links and is a member of the Amazon Services LLC Associates Program. If you make a purchase using one of these Amazon links, we may receive compensation at no extra cost to you. Read our disclaimer and privacy policy for more information.

Museums are where we put our best stuff. An item might belong in a museum if it's rare, expensive, irreplaceable, or so ordinary and beloved it becomes extraordinary. A self-portrait by Vincent Van Gogh, a can of SPAM, a Romanian mud hut, a narwhal horn, a discarded red stiletto: They can all be found in a museum somewhere in the world. But exhibitions in museums are more than mere collections of striking items. Museums are vital institutions that take on the tasks of collecting, interpreting, and caring for artifacts so they can be experienced by the general public. The Ancient Greek word mouseion means ‘seat of Muses.' In classical antiquity, a museum was a place for contemplation and philosophical debate. When art moved from the open air, larger-than-life statuary of the Greco-Roman era to more intimate, human-scale paintings and objects, the definition of museum changed, too. It became a place to visit to see art — and anything placed in a museum became art. In this episode, we romp through the delightful hoarding behavior behind Renaissance Wunderkammers, learn about the first museum curator (spoiler: It was a woman!), and celebrate the majesty of the Louvre. Then we recommend books that transported us to museums around the world. Here are the books we recommend on the show: A Little History of Art by Charlotte Mullins A Parisian Cabinet of Curiosities: Deyrolle by Prince Louis Albert de Broglie Cabinets of Curiosities by Patrick Mauriès How to Enjoy Art by Ben Street Metropolitan Stories by Christine Coulson The Last Painting of Sara de Vos by Dominic Smith For more on the books we recommend, plus the other cool stuff we talk about, visit show notes at http://strongsenseofplace.com/podcasts/2022-07-18-museums Do you enjoy our show? Do you want access to awesome bonus content? Please support our work on Patreon! Every little bit helps us keep the show going and makes us feel warm and fuzzy inside - https://www.patreon.com/strongsenseofplace Learn more about your ad choices. Visit megaphone.fm/adchoices

The Smithsonian museums are now the focus of a review ordered by US President Donald Trump targeting exhibits on slavery, immigration and LGBTQ history. The White House told The Take taxpayer money should not fund displays that divide Americans and the Smithsonian Institution should present history in an accurate, factual way. Can Trump reshape the largest museum complex in the world? In this episode: Samuel J. Redman, Professor of History & Director of Public History Program, University of Massachusetts Amherst Episode credits: This episode was produced by Diana Ferrero, Noor Wazwaz, and Tracie Hunte, with Phillip Lanos, Spencer Cline, Melanie Marich, Kisaa Zehra, Farhan Rafid, and our host, Malika Bilal. It was edited by Amy Walters and Sarí el-Khalili. Our sound designer is Alex Roldan. Our video editors are Hisham Abu Salah and Mohannad al-Melhem. Alexandra Locke is The Take’s executive producer. Ney Alvarez is Al Jazeera’s head of audio. Connect with us: @AJEPodcasts on X, Instagram, Facebook, and YouTube

Why is Trump reviewing the Smithsonian? Building a nation full of malcontents. Ignoring the politics of your new hires is the poison pill for any company. the bridge over the river kwai. The problem with access. Follow The Jesse Kelly Show on YouTube: https://www.youtube.com/@TheJesseKellyShowSee omnystudio.com/listener for privacy information.

As the Trump administration conducts a review of the content in the Smithsonian museums, the president wrote on social media earlier this week that the Smithsonian Institution was too focused on the horrors of slavery. Douglas Brinkley, professor of history at Rice University, a CNN Presidential Historian, and a contributing editor at Vanity Fair, talks about what could be lost if the administration is able to censor what is presented to museumgoers. 

President Trump calls the Smithsonian museum "out of control," in part, he says, because of its focus on "how bad slavery was." Pulitzer Prize-winning historian Annette Gordon-Reed of Harvard University talks with Anderson about the President's latest comments. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Julie Decker is the director and CEO of the Anchorage Museum. But before that she practiced as an artist and ran her own art gallery. Since then she's fostered a belief in the power of museums to spark action — whether that means picking up a paintbrush, reading a new book, or seeing the world differently. Her connection to the Anchorage Museum runs back to childhood, when it was little more than a single room with a borrowed collection. Her dad was a visual artist and an art teacher; he was her earliest and most influential guide into that world. He taught her to be an observer — to notice the small things — and she watched as his own work appeared in solo shows and juried exhibitions at the museum. So, for Julie, the Anchorage Museum isn't just a workplace; it's been a constant presence in her life, shaping her sense of art, community and possibility. In the work she does now, Julie envisions the Anchorage Museum as less a keeper of artifacts and more of a living platform for Alaska's stories. It acts as a collaborator and a partner — a place that listens to communities, amplifies the voices of Alaskans and connects local narratives to global conversations. In her view, Alaska's relatively small population allows individual creativity and innovation to ripple widely, making it vital to highlight imaginative thinkers, cultural disruptors and non-Western ways of knowing. That means rethinking what it means to collect — not simply holding objects, but being a responsible host and steward of the stories they carry.  In Alaska, where the natural world shapes identity and guides daily life, the museum's role is to reflect how environmental change, Indigenous lifeways and community resilience intersect. Some projects take the form of exhibitions, others emerge as films, books, podcasts, newspaper series, or collaborations with musicians. Whether the work is local or part of an international conversation, Julie believes it must be rooted in place — fluid, adaptable and focused on a shared future that feels possible and inhabitable. In this Chatter Marks series, Cody and co-host Dr. Sandro Debono talk to museum directors and knowledge holders about what museums around the world are doing to adapt and react to climate change. Dr. Debono is a museum thinker from the Mediterranean island of Malta. He works with museums to help them strategize around possible futures.

Napoleon Bonaparte dreamed Paris would be the 'capital city of the universe' and much of what we see - and love - about Paris is thanks to him. The long straight boulevards, the fountains, the galleries and museums- even the bread that comes with European cuisine were brought in by Napoleon. He wanted to make it a city that reflected his imperial ambition. But this city shaped him too - Paris is where he went through his most formative experiences as a young man, where he first tasted power, seduction and revolution.Dan joins historian and expert guide Stephanie Paul in Paris to explore the story of Napoleon's early life here, how the city shaped him and how he created the Paris we recognise today.Click here for Stephanie's Napoleonic Paris Tour.This episode is part of our 'Dan Snow's Guide to Europe' Series.Produced by Mariana Des Forges and edited by Dougal Patmore. The production manager was Beth Donaldson.Join Dan and the team for a special LIVE recording of Dan Snow's History Hit on Friday, 12th September 2025! To celebrate 10 years of the podcast, Dan is putting on a special show of signature storytelling, never-before-heard anecdotes from his often stranger-than-fiction career, as well as answering the burning questions you've always wanted to ask!Get tickets here, before they sell out: https://www.kingsplace.co.uk/whats-on/words/dan-snows-history-hit/.We'd love to hear your feedback - you can take part in our podcast survey here: https://insights.historyhit.com/history-hit-podcast-always-on.You can also email the podcast directly at ds.hh@historyhit.com. Hosted on Acast. See acast.com/privacy for more information.

The White House lays out plans for getting involved in what's on display at the Smithsonian museums, with an eye toward enforcing its view of American history. Plus, with troops arriving tonight for police duty in Washington D.C., my conversation with Maryland's Governor  Wes Moore, home to Baltimore, where the President is also talking about taking over law enforcement. Learn more about your ad choices. Visit podcastchoices.com/adchoices