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See things afresh with this audio guide, which will help you to look at a work of art in a new way. Just head to a museum or gallery of your choice, find a painting that you might normally pass by, and listen. Narrated by Louise Thompson of Mindful Museums, this Mindful Museum Audio Guide will help you to slow down and relax, as well as connect more deeply with what you see.Brought to you by Art Fund and Mindful Museums. Follow Art Fund on Instagram @artfund or on TikTok @artfund.Art Fund's National Art Pass makes enjoying the benefits of visiting museums and galleries even easier – offering free and half-price entry to hundreds of amazing museums and galleries across the UK. Find out more on the Art Fund website. Hosted on Acast. See acast.com/privacy for more information.
The art detective Arthur Brand on why thieves may have targeted the Louvre jewellery and why time is of the essence if it is to be found in one piece
Introducing our Mindful Museum audio guides. Narrated by Louise Thompson of Mindful Museums, this Mindful Museum Audio Guide will help you to slow down and relax, as well as connect more deeply with what you see. We'll be releasing five of these over the next week to help you make the most of your next museum visit.Practise the art of mindful looking with this audio guide. On your next visit to a museum or gallery, just choose any work of art that catches your attention, pop your headphones on and press play – we'll guide you through the rest.Brought to you by Art Fund and Mindful Museums. Follow Art Fund on Instagram @artfund or on TikTok @artfund.Art Fund's National Art Pass makes enjoying the benefits of visiting museums and galleries even easier – offering free and half-price entry to hundreds of amazing museums and galleries across the UK. Find out more on the Art Fund website. Hosted on Acast. See acast.com/privacy for more information.
From new restaurants and a museum opening, to movie releases and a GOAT festival, we’ve got all the fun you could ask for this Friday!See omnystudio.com/listener for privacy information.
Send us a textWe map a six-stop Southeast Texas loop where Texas independence, immigrant craft, Spanish missions, and small-town museums meet rivers, saloons, and a famously strange cryptid. The route works as a long weekend or a slow, weeklong wander with time to linger and learn.Please subscribe and leave a review on I-Tunes. Feel free to drop me an email I would love to hear from you editor@thetravellingfool.com You can sign up for my email list Past Podcasts Follow me on social media FaceBook Twitter now X LinkedInInstagram
Paul Marden and Andy Povey head to the VAC 2025 Conference at the Queen Elizabeth II Centre in Westminster, London, to explore the evolving world of attraction retail and e-commerce.With special participation from Skip the Queue's founding host, Kelly Molson, the conversation delves into practical steps for creating seamless, authentic and profitable online experiences.Joining him are industry experts Stephen Spencer, Director of Stephen Spencer and Associates, and Simon Jones, Managing Director of Navigate Agency, to discuss how attractions can create e-commerce gift shops that truly enhance the visitor experience.They discuss the Visitor Attraction Playbook and explore how storytelling, sustainability and smart integration can transform your retail offer from an afterthought into a powerful brand extension.This episode also marks the launch of our brand-new playbook: ‘The Retail Ready Guide to Going Beyond the Gift Shop' — your go-to resource for building a successful e-commerce strategy that connects with your audience and drives sustainable growth.Download your FREE copy here: https://pages.crowdconvert.co.uk/skip-the-queue-playbook Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your hosts are Paul Marden and Andy Povey.If you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website SkiptheQueue.fm.If you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on LinkedIn. Show references: Stephen Spencer, Ambience Director of Stephen Spencer and Associateshttps://www.stephenspencerassociates.com/https://www.linkedin.com/in/customerexperiencespecialist/Simon Jones, Managing Director of Navigate Agencyhttps://www.navigate.agency/https://www.linkedin.com/in/simontjones/Kelly Molson, Skip the Queue's founding host, Agency Advisor, Kelly Molson Consultinghttps://www.kellymolson.co.uk/ https://www.linkedin.com/in/kellymolson/ The 2025 Visitor Attraction Website Survey is now LIVE! Dive into groundbreaking benchmarks for the industryGain a better understanding of how to achieve the highest conversion ratesExplore the "why" behind visitor attraction site performanceLearn the impact of website optimisation and visitor engagement on conversion ratesUncover key steps to enhance user experience for greater conversionsTake the Rubber Cheese Visitor Attraction Website Survey Report
Hoesch – das war Dortmund. Und Dortmund – das war Hoesch. Im Eisen- und Stahlwerk "Westfalenhütte" schufteten Tausende für die Produktion von Rohstahl. 2001 wurde das Werk geschlossen. Damit diese Industrie- und Stadtgeschichte nicht sang- und klanglos verschwindet, wurde am 23. Oktober 2005, heute vor 20 Jahren, das Hoesch-Museum auf dem Gelände der Westfalenhütte eröffnet.
Send us a textDelighted to have award-winning writer and journalist, Michele C. Hollow on to discuss stories that impacted her, and one of her latest books, Jurassic Girl: The Adventures of Mary Anning, Paleontologist and the First Female Fossil Hunter which is out now.To learn more about Michele, or to purchase her books, go here https://www.michelechollow.com/ Visit the Self-Care Institute at https://www.selfcareinstitute.com/ Support the showVisit www.creativepeacemeal.com to leave a review, fan voicemail, and more!Insta @creative_peacemeal_podcastFB @creativepeacemealpodRedbubble CPPodcast.redbubble.comCreative Peacemeal READING list here Donate to AhHa!Broadway here! Donate to New Normal Rep here! Interested in the Self-Care Institute with Dr. Ami Kunimura? Click here Interested in Corrie Legge's content planner? Click here to order!
The natural world faces unprecedented threats, challenging historical perceptions of nature as inexhaustible. Photographer Tim Flach draws on his acclaimed works, including Endangered, More Than Human, and Birds, to reveal how photography transcends traditional wildlife representation. By employing critical anthropomorphism and human portraiture techniques, Flach's images foster empathy and kinship with animals. Collaborating with social scientists, he illustrates how visual storytelling evokes emotional responses and inspires conservation action, showcasing the profound intersection of art, science, and social awareness in the Anthropocene.This lecture was recorded by Tim Flach on the 2nd of October 2025 at Barnards Inn Hall, LondonRenowned photographer Tim Flach is known for his stylised animal portraits. He has dedicated his career to documenting biodiversity and conveying empathy for our planet's endangered creatures. Driven by a desire to share stories of the natural world, he collaborates with scientists to research how imagery can better lead to pro-environmental outcomes. He has seven main bodies of work which have been exhibited worldwide, including shows at the Museums of Natural History, from Paris to Beijing. He has six internationally award-winning books translated into multiple languages. His latest publication, Feline, is scheduled for release in Fall 2025. Tim holds an Honorary Doctorate from the University of the Arts London (Norwich) and is an Honorary Fellow of the Royal Photographic Society. He is a Senior Research Fellow (Artist in Residence) at the Centre for Eudaimonia and Human Flourishing, University of Oxford, and currently serves as President of the Association of Photographers.The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/animal-portraitureGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todayWebsite: https://gresham.ac.ukX: https://x.com/GreshamCollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeBluesky: https://bsky.app/profile/greshamcollege.bsky.social TikTok: https://www.tiktok.com/@greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show
Das Konzept des geplanten Museums für Moderne Kunst „berlin modern“ überzeugt nicht, findet der Architektur- und Bauexperte Nikolaus Bernau. Nach dem Richtfest am Wochenende, bei dem auch eine Baustellen-Begehung möglich war, meint Bernau in SWR-Kultur: „Das neue Museum wird große Probleme haben wegen der hohen Betriebsmittel, die notwendig sind.“ Der Bau werde zwar teuer - 506 Millionen Euro stehen inzwischen zur Debatte – aber bei den Ausgaben für Personal, Reinigung, Ankauf und Ausstellungen sei zu knapp. Auch architektonisch ist Bernau enttäuscht: Die benachbarten Bauten von Hans Scharoun und Mies van der Rohe beziehe der Neubau nicht ein. Zur Neuen Nationalgalerie findet Bernau: „Die wird regelrecht an den Rand geschoben.“ Fragen stellen sich auch beim Konzept: „berlin modern“ setze auf ein konventionelles und elitäres Konzept: Es wolle nur Kunst zeigen. Moderne Museen, so Bernau, böten jedoch mehr an und fordert: „Es müsste ein sozial ganz offener Raum sein – es müsste Leute erreichen, die nie ins Museum gehen.“ Bei der Kunsthalle Mannheim und bei der Hamburger Kunsthalle funktioniere das hervorragend.
We're talking about how museums and schools can accurately teach American history going forward.
We're talking about how museums and schools can accurately teach American history going forward.
Koldehoff, Stefan www.deutschlandfunk.de, Kultur heute
Episode No. 727 is a holiday weekend clips episode featuring artist Andrea Carlson. The Denver Art Museum just opened "Andrea Carlson: A Constant Sky," a mid-career survey. The exhibition spotlights how Carlson, who is Ojibwe and of European settler descent, creates works that challenge the colonial narratives presented by modern artists, museum collections, and cannibal genre horror films, all in ways that challenge and depart from the US landscape tradition. The exhibition was curated by Dakota Hoska, and will remain on view through February 16, 2026. The exhibition catalogue was published by Scala, Amazon and Bookshop offer it for $30-35. Museums that have featured solo exhibitions of Carlson's work include the Smithsonian's National Museum of the American Indian, New York, and the Minneapolis Institute of Art. Her work is in the collection of museums such as the National Gallery of Canada, Ottawa, the Walker Art Center, Minneapolis, the Whitney Museum of American Art, New York, and the Denver Art Museum. She is also the co-founder of the Center for Native Futures in Chicago. This program was taped on the occasion of Carlson's 2024 solo exhibition at the MCA Chicago. For images, please see Episode No. 677. Instagram: Andrea Carlson, Tyler Green.
Museums across the globe are facing unprecedented challenges. In the West, public funding is shrinking, politics is creeping into the galleries, and institutions are asking hard questions about how to stay relevant to their donors and their publics. In an era of increasing scrutiny and diminishing returns, even the most established museums are questioning what long-term sustainability means. Meanwhile in China, the private museum boom that once symbolized cultural ambition and real-estate wealth is cracking, and some of these lavish new museums are having to close or scale back. In short, museums are in crisis. Senior editor Kate Brown recently worked with Margaret Carrigan, our news editor and host of the Art Market Minute, to edit a four-part series examining this issue from different angles. Margaret joins her on the podcast to talk about the takeaways and the financial, political, and ethical pressures reshaping museums. We also discuss whether this breaking point could be the start of a new era of reinvention.
Lars Hinrichs baut mit dem UBS Digital Art Museum ein multisensorisches Kunsterlebnis — mitten in der HafenCity und mit einem klaren Anspruch: Digitalkunst für alle erlebbar machen. Im Gespräch mit Carsten Puschmann erzählt Lars, wie die Zusammenarbeit mit dem japanischen Kunstkollektiv teamLab entstand, warum große, säulenfreie Räume und immersive Technik nötig sind und wie das Projekt Bildung, Tourismus und Stadtentwicklung verbinden soll. Er spricht über die Idee hinter „voraussetzungsloser“ Kunst, die Rolle von Architektur und Technik — und warum er als Gründer aus Leidenschaft ein Museum baut.Wir reden über:
The Trump administration is ordering thorough investigations of the Smithsonian Institution, claiming that exhibits are displaying damaging images of U.S. history that go against so-called "patriotism." KCSB's Emerson Good talks to Sarah Weicksel, Executive Director of the American Historical Association about the reviews and the role of museums in telling history.
Museums were visited, a half marathon was run, In and Out was hit and more from a big road trip to San Francisco!
Nestled in the heart of Winchester, Virginia, the Museum of the Shenandoah Valley (MSV) is more than just a repository of art and history—it's a vibrant, ever-evolving community hub. In this episode of “The Valley Today,” host Janet Michael sat down with Julie Armel, the museum's Deputy Director of Marketing and Communications, to uncover the stories, exhibits, and people that make the MSV a regional treasure. The conversation opens with a sense of homecoming, as Janet recalls her long-standing relationship with the museum and marvels at its transformation over the past two decades. Julie offers listeners a sweeping overview: the MSV spans nearly 200 acres, featuring the largest green space and only working farm within Winchester's city limits. Visitors can explore formal gardens, the historic Glen Burnie House, and a dynamic galleries building that tells the story of the Shenandoah Valley through permanent and rotating exhibitions. One of the museum's standout features is its commitment to change and innovation. Julie describes the ever-shifting landscape of outdoor exhibits, from the whimsical “Gardens of Glass” to the current showstopper: “Scraposaurs,” a collection of giant prehistoric creatures crafted from scrap metal. These imaginative sculptures, including a T-Rex with John Deere rotary hoe teeth and a triceratops built on a Chevy truck frame, delight families and art lovers alike. The MSV's trails double as an art park, dotted with sculptures from local and internationally renowned artists, ensuring that every visit offers something new. Accessibility and community engagement are at the core of the MSV's mission. Julie highlights programs like “Museums for All,” which provides free admission to families on food assistance, and special events such as Dino Con, where dinosaur-themed attire earns free entry. The museum also offers free gallery admission on Wednesdays and always welcomes children under 12 at no charge. Volunteers play a vital role, contributing thousands of hours to events like Garden Lights, a spectacular annual display of LED flowers and immersive art that draws crowds from across the region. Inside, the museum's galleries are equally dynamic. Janet and Julie discuss recent and upcoming exhibitions, including a Frida Kahlo photography show and “Curated Chaos,” which offers a rare glimpse into the museum's collection storage. The MSV's educational programming is robust, with teen art clubs, workshops, and interactive activities designed to engage visitors of all ages and backgrounds. The museum's makerspace invites creativity, while membership programs and volunteer opportunities foster a sense of belonging and shared purpose. Throughout the conversation, a recurring theme emerges: the MSV is a place where history, art, and community intersect. Whether you're a first-time visitor or a longtime supporter, the museum offers a welcoming space to learn, create, and connect. As Julie notes, “There's something for everyone here.” With its blend of tradition and innovation, the Museum of the Shenandoah Valley stands as a testament to the power of cultural institutions to enrich and inspire their communities.
Museums usually keep art behind glass or tucked in storage, but one Lawrence museum lets people get closer. We'll take a trip to “Open Fridays” at the Spencer Museum.
In this episode, Hailey uncovers your next stop on the Great River Road! Crawford County awaits—where the Wisconsin River meets the mighty Mississippi River at Prairie du Chien, weaving through rolling bluffs! This part of the Driftless Region is a place that invites you to slow down and explore something new, no matter the season.The Bobber is brought to you by Something Special from Wisconsin: https://www.somethingspecialwi.com/Read the blog here: https://discoverwisconsin.com/your-next-great-river-road-stop-explore-crawford-county/Sugar Creek Bluff State Natural Area: https://dnr.wisconsin.gov/topic/statenaturalareas/SugarCreekBluff; Rush Creek State Natural Area: https://dnr.wisconsin.gov/topic/statenaturalareas/RushCreek; Fort Crawford Museum: https://www.fortcrawfordmuseum.com/; Villa Louis: https://villalouis.wisconsinhistory.org/; River Bluff Daze Festival: https://www.visitferryville.com/events; Prairie Dog Blues Festival: https://www.prairiedogblues.com/; Crawford County Fair: https://crawfordcountywisconsinfair.com/; Halvers Town Tap: https://www.facebook.com/p/Halvers-Town-Tap-100063671285641/; Swede's Swing Inn: https://www.facebook.com/SwedesSwingInn/; Sunrise Orchards: https://www.sunriseapples.com/; Kickapoo Orchard: https://1913kickapoo.com/; Gays Mills Apple Festival: https://www.gaysmills.org/local-events/apple-festival/; Ferryville's Fall Fest: https://www.visitferryville.com/events; La Riviere Park: https://cityofpdc.com/LaRiviere-Park; Prairie du Chien Ice Fisheree: https://www.prairieduchien.org/icefisheree/; The Porch: https://www.pdcporch.com/; The Wooden Nickel Saloon: https://www.facebook.com/p/The-Wooden-Nickel-100047938975504/; The Bobber: https://discoverwisconsin.com/the-bobber-blog/The Cabin Podcast: https://the-cabin.simplecast.com. Follow on social @thecabinpodShop Discover Wisconsin: shop.discoverwisconsin.com. Follow on social @shopdiscoverwisconsinDiscover Wisconsin: https://discoverwisconsin.com/. Follow on social @discoverwisconsinDiscover Mediaworks: https://discovermediaworks.com/. Follow on social @discovermediaworksFriends of the Wisconsin Great River Road: https://www.wigrr.com/. Follow on social @wigreatriverWisconsin Department of Transportation: https://wisconsindot.gov/Pages/Home.aspx. Follow on social @wisdot
In this interview, Aaron sits down with Annabel from SEGD to explore how design goes far beyond what we see—it shapes how we feel, move, and remember experiences. From the World War II Museum to Olympic exhibits and even the way airports are designed, Annabel shares how thoughtful design and signage transform ordinary spaces into immersive journeys. Together, they dive into the role of colors, themes, and branding in everything from children's hospitals to landmark gateway signs, proving that design isn't just decoration—it's a powerful tool to guide, calm, and inspire.
Let’s visit a few famous Museums that house precious treasures and artifacts connected to North American History. E163. Check out the YouTube version of this episode at https://youtu.be/c72EPqzxWUc which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. Great Museum books available at https://amzn.to/43sVuOR ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORICAL JESUS podcast at https://parthenonpodcast.com/historical-jesus Mark's TIMELINE video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 X (Twitter): https://twitter.com/MarkVinet_HNA Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM See omnystudio.com/listener for privacy information.
Trump says Smithsonian museums promote "divisive, race-centered ideology," and focus too much on "how bad slavery was." How is the public responding?
In this bonus episode Sebastian answers questions from listeners about the recent series on the Parthenon Marbles. The host tangles with the ethics of repatriation requests from notorious dictators, the role of the Parthenon Marbles in inspiring the Greek Independence movement, and the path towards a true "universal museum." Sebastian also wrangles with the notorious "If I don't do it, somebody else will" argument that is often used to defend Lord Elgin. Tune-in and find out how Saddam Hussein, Dr. John, and a bunch of other history podcasts play a role in the story.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The White House has been home to a menagerie of pets, from working animals such as horses and sheep, to companions of the Scottish Terrier and Siamese cat varieties - with the odd raccoon, cow, or badger thrown in, as well. Like the almost 90 million American households who have a pet, many First Families have brought animals home even when the address was 1600 Pennsylvania Avenue. White House Historical Association president Stewart McLaurin meets Alan Price, director of the John F. Kennedy Presidential Library and Museum, and takes a tour of their new exhibit, Presidential Pets. Museum curators have gathered rarely seen items from their own collection, including dog biscuits kept in President Kennedy's desk to feed the pups who visited him in the Oval Office. Other Presidential Libraries and Museums have loaned dozens of items to help tell the story of the creatures who have inhabited the White House. In this episode you'll see a Navy coat made for Fala, the beloved Scottie of President Franklin D. Roosevelt; a doghouse in the shape of the White House made for Rex, the Cavalier King Charles Spaniel cherished by the Reagans; a saddle and riding crop used by President Theodore Roosevelt; and a rare look at a passport made for Pushinka, the dog gifted by Soviet Premier Nikita Khrushchev to the Kennedy family. The exhibit runs through April 26, 2026 at the John F. Kennedy Presidential Library and Museum.A copy of the White House History Quarterly “Animals at Work in White House History” edition can be purchased at this link.
The White House has been home to a menagerie of pets, from working animals such as horses and sheep, to companions of the Scottish Terrier and Siamese cat varieties - with the odd raccoon, cow, or badger thrown in, as well. Like the almost 90 million American households who have a pet, many First Families have brought animals home even when the address was 1600 Pennsylvania Avenue. White House Historical Association president Stewart McLaurin meets Alan Price, director of the John F. Kennedy Presidential Library and Museum, and takes a tour of their new exhibit, Presidential Pets. Museum curators have gathered rarely seen items from their own collection, including dog biscuits kept in President Kennedy's desk to feed the pups who visited him in the Oval Office. Other Presidential Libraries and Museums have loaned dozens of items to help tell the story of the creatures who have inhabited the White House. In this episode you'll see a Navy coat made for Fala, the beloved Scottie of President Franklin D. Roosevelt; a doghouse in the shape of the White House made for Rex, the Cavalier King Charles Spaniel cherished by the Reagans; a saddle and riding crop used by President Theodore Roosevelt; and a rare look at a passport made for Pushinka, the dog gifted by Soviet Premier Nikita Khrushchev to the Kennedy family. The exhibit runs through April 26, 2026 at the John F. Kennedy Presidential Library and Museum.A copy of the White House History Quarterly “Animals at Work in White House History” edition can be purchased at this link.
In dieser Folge sind wir live in Berlin auf dem Beats and Bones Festival! In den altehrwürdigen Mauern des Museums für Naturkunde in Berlin war echt eine super Stimmung aber leider auch ein bisschen Hall in der Luft und auf den Mikros. Wir hoffen ihr habt trotzdem Spaß an diesem Mitschnitt! Wir sind immer noch sehr geflasht, wie viele von euch da waren. Unser Saal war rappelvoll mit dem besten Publikum des Abends. Alles bewacht vom T-Rex-Skelett namens "Tristan". Inhaltlich dachten wir, wir stellen uns der Berliner Podcast Szene hier mal vor- stattdessen war es ein Bad in unserer sehr gut gelaunten Community. Cool war es trotzdem zum Beispiel ein Foto von der Hütte zu sehen in der Frauke zehn Jahre in Westafrika gelebt hat!Wer nicht dort war und die Fotos die wir mitgebracht haben nicht gesehen hat: Seid unbesorgt! Zum Einen hatten wir ein ganz wunderbares Sehpferdchen namens Samy (oder Sunny?), das perfekt, extra für euch, die Fotos beschreibt. Zum Anderen werden wir einige der Fotos in den nächsten Tagen auf unserem Instagram Kanal bei Weltwach posten. Dann könnt ich euch die nochmal in Ruhe anschauen.Also: Vielen, vielen Dank an unser tolles Publikum und auch nochmal Danke an das Sehpferdchen! Schick uns gerne das Foto, das wir gemacht haben. Dann posten wir das auch!Weiterführende Links:Das Festival: https://www.museumfuernaturkunde.berlin/de/mitmachen/veranstaltungen/3.-beats-bones-podcast-festival-wissenschaft-auf-die-ohrenUnser Instagram-Kanal: www.instagram.com/weltwach/Fraukes neues Buch: https://www.oekom.de/buch/kann-ki-die-natur-retten-9783987261633Lydias Forschungsgebiet und 2. Heimat wo man auch Urlaub machen kann: https://fazendabarrancoalto.com/en/home-en/ Hosted on Acast. See acast.com/privacy for more information.
Hi, everybody. George tells us about a paw paw festival, a Frida Kahlo exhibit, and a mini family reunion. Rodney, Kristin, and Rich rave about some recent Batman and Star Trek comics and some movies they watched. All this plus Kristin's son celebrates a milestone birthday. SPOILER TIMESTAMPS 35:12 - Batman #1 (2025) 40:03 - Star Trek: The Last Starship #1 47:43 - Star Trek: Red Shirts 48:38 - The Blackening 53:29 - Weapons Visit https://strangelandcomics.com and pledge to the campaign for Time Sensitive #1 through October 9, 2025 at https://www.kickstarter.com/projects/timesensitive/sci-fi-comic-issue-1 Check out all of our friend Eric's podcast at https://longboxreview.com and subscribe to Longbox Review on your podcast app. NOW ON BLUESKY @MeanwhileATP https://x.com/meanwhileatp https://www.meanwhileatthepodcast.libsyn.com Rodney (AKA Art Nerrd): https://x.com/artnerrd https://www.instagram.com/theartnerrd/ https://facebook.com/artnerrd https://shop.spreadshirt.com/artnerrd Kristin: https://www.facebook.com/kristing616 https://www.instagram.com/kristing616 Rich: https://x.com/doctorstaypuft
First up, we're off to Wellsfest 2025, happening October 4th, with Rep. Brenda Ferguson, then we're checking out what's happening around the Two MS Museum's neck of the woods during their "Free Days" and America250 celebrations, before a final stop & sit down with singer/songwriter ELSIE, hailing from the Columbia/Hattiesburg area, about her on-the-rise career and new single, "Ghetto Cowboy!" Stay tuned, buckle up and hold on tight for your Next Stop, Mississippi!Watch this episode on MPB's YouTube Channel: Next Stop, Mississippi | WellsFest 2025, Two MS Museums "Free Days," America 250, & ELSIENext Stop, Mississippi is your #1 on-air source for information about upcoming events and attractions across the state. Get to know the real Mississippi! Each week the show's hosts, Germaine Flood and entertainment attorney Kamel King, highlight well-known and unknown places in Mississippi with the best food, parks, music and arts. Check out our Sipp Events calendar to help plan your next trip! Hosted on Acast. See acast.com/privacy for more information.
The Art Newspaper's chief contributing editor, Gareth Harris, has just published a new book, Towards the Ethical Art Museum, which explores a range of issues affecting museums in the 21st century, from questions of provenance and restitution to funding and governance and responsibilities to staff and the communities the museums serve. He joins Ben Luke to discuss the book. One of the exhibitions of the year has just opened in Florence in Italy: the Fondazione Palazzo Strozzi and the Museo di San Marco are jointly presenting Fra Angelico, devoted to the great 15th-century Florentine master. Our digital editor, Alexander Morrison talks to Carl Brandon Strehlke, a curator emeritus of the Philadelphia Museum of Art, and curator of the exhibition. And this episode's Work of the Week is PsychoBarn (Cut-Up) by Cornelia Parker, an installation first made in 2023 and relating closely to the British artist's 2016 project for the roof commission for the Metropolitan Museum of Art in New York, Transitional Object (PsychoBarn). The work is in a major new group exhibition at the Kunstmuseum in Basel, Ghosts: Visualising the Supernatural and Luke speaks to its curator, Eva Reifert.Towards the Ethical Art Museum, by Gareth Harris, published by Lund Humphries, out now in the UK, £19.99 (hb), published in November in the US and Canada, US $34.99, CA $46.99.Fra Angelico, Palazzo Strozzi and the Museo di San Marco, Florence, 26 September-25 January 2026.Ghosts: Visualising the Supernatural, Kunstmuseum, Basel, until 8 March 2026.Student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available. https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.
“We don't need to find an end solution, but it's a space where we can speculate, imagine, and practice our foresight. We can be part of a bigger imagination together with an institutional framework, which is really what we try to motivate as well when we communicate these exhibitions to our audience and speak with our guests about these works. We can also sense that it's really a place where a lot of people like to enter these days. When you turn on a TV, look at a newspaper, listen to your radio, or speak with your friends, it seems like the world is falling apart on so many levels. It's such a challenging time. I think we can also offer this space for reflection and hopefully provide a reflection that gives some idea or feeling of agency.For me, it's this awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world.”In the ever-evolving world of contemporary art, some voices rise to shape the conversation in truly profound ways. Marie Nipper has spent her career at the nexus of institutional leadership, curatorial innovation, and artistic collaboration. As the director of the ARKEN Museum of Contemporary Art in Denmark, she is not just leading a museum; she's rethinking its very purpose—from an artistic lab to a public town square. Her journey has taken her from the hallowed halls of the TATE and ARoS to the forward-thinking spaces of Copenhagen Contemporary, all while championing the freedom of artists and the civic role of the museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“We don't need to find an end solution, but it's a space where we can speculate, imagine, and practice our foresight. We can be part of a bigger imagination together with an institutional framework, which is really what we try to motivate as well when we communicate these exhibitions to our audience and speak with our guests about these works. We can also sense that it's really a place where a lot of people like to enter these days. When you turn on a TV, look at a newspaper, listen to your radio, or speak with your friends, it seems like the world is falling apart on so many levels. It's such a challenging time. I think we can also offer this space for reflection and hopefully provide a reflection that gives some idea or feeling of agency.For me, it's this awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world.”In the ever-evolving world of contemporary art, some voices rise to shape the conversation in truly profound ways. Marie Nipper has spent her career at the nexus of institutional leadership, curatorial innovation, and artistic collaboration. As the director of the ARKEN Museum of Contemporary Art in Denmark, she is not just leading a museum; she's rethinking its very purpose—from an artistic lab to a public town square. Her journey has taken her from the hallowed halls of the TATE and ARoS to the forward-thinking spaces of Copenhagen Contemporary, all while championing the freedom of artists and the civic role of the museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“We don't need to find an end solution, but it's a space where we can speculate, imagine, and practice our foresight. We can be part of a bigger imagination together with an institutional framework, which is really what we try to motivate as well when we communicate these exhibitions to our audience and speak with our guests about these works. We can also sense that it's really a place where a lot of people like to enter these days. When you turn on a TV, look at a newspaper, listen to your radio, or speak with your friends, it seems like the world is falling apart on so many levels. It's such a challenging time. I think we can also offer this space for reflection and hopefully provide a reflection that gives some idea or feeling of agency.For me, it's this awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world.”In the ever-evolving world of contemporary art, some voices rise to shape the conversation in truly profound ways. Marie Nipper has spent her career at the nexus of institutional leadership, curatorial innovation, and artistic collaboration. As the director of the ARKEN Museum of Contemporary Art in Denmark, she is not just leading a museum; she's rethinking its very purpose—from an artistic lab to a public town square. Her journey has taken her from the hallowed halls of the TATE and ARoS to the forward-thinking spaces of Copenhagen Contemporary, all while championing the freedom of artists and the civic role of the museum.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Genevieve Wood joins the show to discuss TikTok ownership, data privacy concerns, and the risks of Chinese influence. She also weighs in on how American history is represented at Smithsonian museums, raising concerns about "woke" agendas in cultural institutions. Specific examples include exhibits at the African American History Museum and plans for the Women's Museum. Drawing on research and resources from The Daily Signal and The Heritage Foundation, Wood offers broader commentary on cultural debates and current events shaping the U.S.
On this episode of Out Of Office: A Travel Podcast, Kiernan and Ryan travel the world over to share our favorite obscure museums. From Kuala Lumpur to Hartford, CT, we've got some surprises on this one. Things we talk about on this week's episode: Wadsworth Athenaeum https://www.thewadsworth.org/ Button Museum https://buttonmuseum.org/ Museo de Arte Contemporáneo de Bogotá (MAC) https://museu.ms/museum/details/17154/museo-de-arte-contemporaneo-de-bogota Islamic Arts Museum https://iamm.org.my/ Museum of Socialist Art https://www.artandobject.com/articles/museum-socialist-art-bulgarias-de-facto-museum-communist-history Museum of Apiculture https://mro.si/en/musem-of-apiculture NYC School Architecture https://www.untappedcities.com/cbj-snyder-shools/?ref=daily-newsletter
A couple of weeks ago Auckland Museum proposed axing 30 jobs, with chief executive David Reeves calling it "regrettably a necessary step towards securing the financial recovery of the museum". It came after a 10 million dollar price tag was put on the cost of removing asbestos dust detected earlier this year. With this in mind Jesse asks a bigger question. What is the role and value of museums in modern society? QWB Lab measures the value of wellbeing that a museum, gallery, heritage site, or Library generates. Co-founder Sabine Doolin joins us.
On episode 145 of "The Places Where We Go", we are taking you on a journey through several top art museums in Paris. Listen to learn more about what to expect when visiting the Louvre, the Musée d'Orsay, and the Musée Picasso. The Places Where We Go Resources PODCAST: Released every other week in your favorite podcast app WEBSITE & BLOG www.theplaceswherewego.com SUBSCRIBE TO OUR NEWSLETTER YOUTUBE: The Places Where We Go YouTube Channel INSTAGRAM: https://www.instagram.com/theplaceswherewego TWITTER / X: https://twitter.com/theplaceswhere1 FACEBOOK: https://www.facebook.com/ThePlacesWhereWeGo EMAIL: Write to us at comments@theplaceswherewego.com GEAR WE USE: The Places Where We Go Amazon Storefront We'll see you at the places where we go. Julie & Art AFFILIATE LINK DISCLOSURE The Places Where We Go contains affiliate links and is a member of the Amazon Services LLC Associates Program. If you make a purchase using one of these Amazon links, we may receive compensation at no extra cost to you. Read our disclaimer and privacy policy for more information.
Step inside the world's strangest museums with Scott and Jim as your tour guides. From galleries dedicated to dog collars and instant ramen, to halls filled with mummies, parasites, and even lawnmowers, we shine a spotlight on the quirky collections that prove anything can be a museum if you try hard enough. Along the way, we'll laugh at the absurd, marvel at the bizarre, and maybe even add a few of these places to your bucket list (though you might want to think twice before visiting the museum of bad art or the one full of giant tapeworms). Because in this episode, history isn't just strange—it's proudly on display.
A new exhibits look at 50 years of Iowa State University Museums.
A Manhattan judge has dismissed two terrorism charges against Luigi Mangione, the man accused of killing the CEP of UnitedHealthcare last December in Midtown, citing insufficient evidence. Meanwhile, City Council members are criticizing the Adams administration for skipping a Monday hearing on how federal cuts to SNAP and Medicaid will affect New Yorkers. Plus, the Council is planning a public hearing next week on battery storage systems across the five boroughs, as some residents raise concerns about fire risks. Finally, WNYC's Ryan Kailath has a preview of the city's fall arts season.
We're back baby (fingers crossed) hope y'all are still out there! The first story back is a personal one, because my dad was born up in this tiny mining community. I hope you enjoy this first episode back! I'lll up load pics to go along with the episode soon so be on the lookout for those on our social media, search Lore of the South and we should pop up. Thanks for listening!Thank you to Mrs Joyce at the Ducktown Basin Museum. You were a treasure and really put a personal touch on the whole tour. Hope you get some LotS, listeners to come and visit. Shoutouts! People who have really helped to bring me back to my story telling. My Cousin Grant, My Uncle Clint, the memory of my aunt, my friend Curtimus who told me it was a gift and I shouldn't waste it ( or something like that ). My OG supporters, Elle, Ms Judy, Sydney and Chantel (I did that from memory I hope I spelled y'alls names okay) Rhonda. To anyone I missed, I do apologize. I almost forgot the link to the museum! https://ducktownbasinmuseum.comCitations(N.d.). Ducktown Mine in the copper basin. I can't find the booklet, but I'll include a link to the museum Daniels, K. (n.d.). Tennessee's Historic Copper Basin Area: an overview. Dulemba, E. O. (2019). A bird on Water Street. Little Pickle Press. Used to get descriptions of housing, gen living conditionFrye, H. (2017). Tennessee's Great Copper Basin. Arcadia Publishing Inc. Home: Ducktown basin museum. The Ducktown Basin Museym. (n.d.). https://ducktownbasinmuseum.com/ Support the show
Episode No. 722 features museum director and human rights activist Ann Burroughs, and curator Cory Korkow. Burroughs is the director of the Japanese American National Museum, Los Angeles, which has led the museum sector in resisting Trumpism and the rise of fascism in the United States. Even as many US institutions capitulated when the Trump administration demanded a return to racist and white supremacist policies and practices, JANM stood by its diversity and equity foci and programs. Over the summer, armed and often masked Border Patrol agents conducted what appeared to be an operation aimed at intimidating speakers at a program at the museum's Daniel K. Inouye National Center for the Preservation of Democracy, including at a press conference held by California Gov. Gavin Newsom. The museum aggressively resisted the federal show of force, drawing lines between illegal federal actions in 1942 and the present. JANM's mission is "to promote understanding and appreciation of America's ethnic and cultural diversity by sharing the Japanese American experience." Its collections and programs feature art and art's history. The museum holds work by and the archives of artists such as Hisako Hibi, George Hoshida, Estelle Ishigo, Henry Sugimoto, Chikashi Tanaka, Kango Takamura, and Jack Iwata. In addition to leading JANM, Burroughs is the two-time former chairperson of the board of Amnesty International USA, the chair of the Amnesty International Global Assembly, and presently sits on the board of Amnesty International. As mentioned on the program: Burroughs' op-ed for the American Alliance of Museums; and JANM's "History Unpacked" program. Korkow helped lead the Cleveland Museum of Art's acquisition and initial installation of Giambologna's Fata Morgana (ca. 1572), which had been the last of the roughly dozen marble sculptures made by the artist remaining in private hands. Giambologna made the sculpture for installation in a fountain at Bernardo Vecchietti's Villa il Reposo in Bagno a Ripoli, Italy. Instagram: Cory Korkow, Tyler Green. Air date: September 4, 2025.
Elizabeth Merritt is the founding director of the Center for the Future of Museums at the American Alliance of Museums. It's her job to track cultural, technological, environmental, political and public health trends — and figure out what they might mean for museums and the communities they serve. She thinks about things like: what role could blockchain play in the art world? Could it allow artists to permanently bake royalties into their work, so that they get a share on future resales? Could museums help lead that kind of change? For Elizabeth, this is personal work: growing up, museums were her favorite places to learn and explore. She did well in school, but she learned more wandering the halls of the Cleveland Museum of Natural History on her own. It was a space that nurtured her curiosity. And that curiosity, a belief that museums are places where we can choose to learn, shapes how she sees the future. Elizabeth says that she approaches her work like a classic futurist: she reads widely — from academic research to news articles to social media — absorbing as much as she can across disciplines. She also draws inspiration from science fiction, especially dystopias, usually the ones that highlight problems and pathways forward. But her job isn't just about anticipatory practices and strategic foresight, it's about preparing museums for the future. So, she's careful to distinguish trends from fads — trends have direction and persistence, while fads fade. For example, when it comes to climate change, she sees museums as cultural institutions as well as potential anchors of community resilience, helping people adapt to extreme heat, cold and severe weather. Still, she says the biggest challenge right now is twofold: how museums can remain economically sustainable and intellectually independent — and, more importantly, how they can hold on to public trust. Museums are among the most trusted institutions in American life, and she believes that trust is a powerful tool for reshaping a better world. In this Chatter Marks series, Cody and co-host Dr. Sandro Debono talk to museum directors and knowledge holders about what museums around the world are doing to adapt and react to climate change. Dr. Debono is a museum thinker from the Mediterranean island of Malta. He works with museums to help them strategize around possible futures.
Museums are where we put our best stuff. An item might belong in a museum if it's rare, expensive, irreplaceable, or so ordinary and beloved it becomes extraordinary. A self-portrait by Vincent Van Gogh, a can of SPAM, a Romanian mud hut, a narwhal horn, a discarded red stiletto: They can all be found in a museum somewhere in the world. But exhibitions in museums are more than mere collections of striking items. Museums are vital institutions that take on the tasks of collecting, interpreting, and caring for artifacts so they can be experienced by the general public. The Ancient Greek word mouseion means ‘seat of Muses.' In classical antiquity, a museum was a place for contemplation and philosophical debate. When art moved from the open air, larger-than-life statuary of the Greco-Roman era to more intimate, human-scale paintings and objects, the definition of museum changed, too. It became a place to visit to see art — and anything placed in a museum became art. In this episode, we romp through the delightful hoarding behavior behind Renaissance Wunderkammers, learn about the first museum curator (spoiler: It was a woman!), and celebrate the majesty of the Louvre. Then we recommend books that transported us to museums around the world. Here are the books we recommend on the show: A Little History of Art by Charlotte Mullins A Parisian Cabinet of Curiosities: Deyrolle by Prince Louis Albert de Broglie Cabinets of Curiosities by Patrick Mauriès How to Enjoy Art by Ben Street Metropolitan Stories by Christine Coulson The Last Painting of Sara de Vos by Dominic Smith For more on the books we recommend, plus the other cool stuff we talk about, visit show notes at http://strongsenseofplace.com/podcasts/2022-07-18-museums Do you enjoy our show? Do you want access to awesome bonus content? Please support our work on Patreon! Every little bit helps us keep the show going and makes us feel warm and fuzzy inside - https://www.patreon.com/strongsenseofplace Learn more about your ad choices. Visit megaphone.fm/adchoices
Why is Trump reviewing the Smithsonian? Building a nation full of malcontents. Ignoring the politics of your new hires is the poison pill for any company. the bridge over the river kwai. The problem with access. Follow The Jesse Kelly Show on YouTube: https://www.youtube.com/@TheJesseKellyShowSee omnystudio.com/listener for privacy information.
As the Trump administration conducts a review of the content in the Smithsonian museums, the president wrote on social media earlier this week that the Smithsonian Institution was too focused on the horrors of slavery. Douglas Brinkley, professor of history at Rice University, a CNN Presidential Historian, and a contributing editor at Vanity Fair, talks about what could be lost if the administration is able to censor what is presented to museumgoers.
President Trump calls the Smithsonian museum "out of control," in part, he says, because of its focus on "how bad slavery was." Pulitzer Prize-winning historian Annette Gordon-Reed of Harvard University talks with Anderson about the President's latest comments. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Napoleon Bonaparte dreamed Paris would be the 'capital city of the universe' and much of what we see - and love - about Paris is thanks to him. The long straight boulevards, the fountains, the galleries and museums- even the bread that comes with European cuisine were brought in by Napoleon. He wanted to make it a city that reflected his imperial ambition. But this city shaped him too - Paris is where he went through his most formative experiences as a young man, where he first tasted power, seduction and revolution.Dan joins historian and expert guide Stephanie Paul in Paris to explore the story of Napoleon's early life here, how the city shaped him and how he created the Paris we recognise today.Click here for Stephanie's Napoleonic Paris Tour.This episode is part of our 'Dan Snow's Guide to Europe' Series.Produced by Mariana Des Forges and edited by Dougal Patmore. The production manager was Beth Donaldson.Join Dan and the team for a special LIVE recording of Dan Snow's History Hit on Friday, 12th September 2025! To celebrate 10 years of the podcast, Dan is putting on a special show of signature storytelling, never-before-heard anecdotes from his often stranger-than-fiction career, as well as answering the burning questions you've always wanted to ask!Get tickets here, before they sell out: https://www.kingsplace.co.uk/whats-on/words/dan-snows-history-hit/.We'd love to hear your feedback - you can take part in our podcast survey here: https://insights.historyhit.com/history-hit-podcast-always-on.You can also email the podcast directly at ds.hh@historyhit.com. Hosted on Acast. See acast.com/privacy for more information.