Podcast appearances and mentions of ingrid schaffner

Ingrid Schaffner is a curator, art critic, writer, and educator specializing in contemporary art. She is the curator of the 57th Carnegie International (2018–19) at the Carnegie Museum of Art in Pittsburgh, PA. From 2000 to 2015, Schaffner directed the exhibition program at the Institute of Contemporary Art at the University of Pennsylvania. She serves as the 2019 AAM Curator in Residence. http://www.grassrootstv.org/

Aspen Art Musueum presents: Art Matters with Ingrid Schaffner and Heidi Zuckerman by GrassPods

Entry Points Episode 3 - Ingrid Schaffner And The Carnegie International by Miller Institute for Contemporary Art at Carnegie Mellon University

How do curators find art, and decide to show it? Joining our host Charlotte Burns for a conversation about the future of biennials, triennials and other group shows are Cecilia Alemani (director and chief curator of High Line Art and the artistic director of Art Basel Cities) and Ingrid Schaffner (curator of the 57th Carnegie International, which recently opened in Pittsburgh, Pennsylvania). They talk about how they view the role of the curator, and about getting off the beaten track. They discuss topics including the intersection of politics and art, and reveal the best art they've recently seen. For this and more, tune in today. Transcript: http://www.artagencypartners.com/transcript-ingrid-schaffner-and-cecilia-alemani/ “In Other Words” is a presentation of AAP and Sotheby's, produced by Audiation.fm.

How do curators find art, and decide to show it? Joining our host Charlotte Burns for a conversation about the future of biennials, triennials and other group shows are Cecilia Alemani (director and chief curator of High Line Art and the artistic director of Art Basel Cities) and Ingrid Schaffner (curator of the 57th Carnegie International, which recently opened in Pittsburgh, Pennsylvania). They talk about how they view the role of the curator, and about getting off the beaten track. They discuss topics including the intersection of politics and art, and reveal the best art they’ve recently seen. For this and more, tune in today. Transcript: http://www.artagencypartners.com/transcript-ingrid-schaffner-and-cecilia-alemani/ “In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.

NOTE: This podcast was originally published on Artblog on September 5, 2011 Ingrid Schaffner, ICA’s Senior Curator, has been with the Institute of Contemporary Art for ten years, and in that time she’s created many great exhibitions. Schaffner has a an easy smile, a ready laugh, and an interest in the absurd, from Dali and Dada […]

NOTE: This podcast was originally published on Artblog on September 5, 2011 Ingrid Schaffner, ICA’s Senior Curator, has been with the Institute of Contemporary Art for ten years, and in that time she’s created many great exhibitions. Schaffner has a an easy smile, a ready laugh, and an interest in the absurd, from Dali and Dada […]

Ingrid Schaffner, ICA’s Senior Curator, has been with the Institute for ten years, and in that time she’s created many great exhibitions. Schaffner has a an easy smile, a ready laugh, and an interest in the absurd, from Dali and Dada to more contemporary artists like Richard Artschwager, for whom she worked as an archivist, pre-Philadelphia. […]

Ingrid Schaffner, ICA’s Senior Curator, has been with the Institute for ten years, and in that time she’s created many great exhibitions. Schaffner has a an easy smile, a ready laugh, and an interest in the absurd, from Dali and Dada to more contemporary artists like Richard Artschwager, for whom she worked as an archivist, pre-Philadelphia. […]

Who contributes more to the public perception of a building, the architect or the photographer? For Harwell Hamilton Harris, a California architect in the 1930s and 40s, the photographer who helped make Harris’s buildings famous was one of the 20th century’s most celebrated Surrealists--Man Ray. Man Ray embraced the new ideas of art and culture, he was one of the leading spirits of DADA and Surrealism and the only American artist to play a prominent role in the launching of these two influential movements. He had never photographed architecture when Harris commissioned him to photograph three of Harris' most interesting houses. Man Ray’s architectural photos were unlike anything Harris had ever seen--and Man Ray never photographed architecture again. We, who are interested in architecture and art, are the better for Man Ray’s short, but memorable side trip into architecture, when two great artists--one a mild-mannered modernist, and one a Dada Surrealist--met on sunny hillsides in Los Angeles and Berkeley and created works of art, in architecture and photography. For more information about Man Ray and his art, read Ingrid Schaffner's book, The Essential Man Ray (2003,The Wonderland Press, Harry. N. Abrams, publishers). To see Man Ray's work online, visit www.manraytrust.com. And see what's surreal at www.tedwells.com. Photograph of the Weston Havens House, Architect: Harwell Hamilton Harris; Photo by Man Ray, Copyright Man Ray Trust.