Podcasts about Photograph

There are episodes that feel like a permission slip… and this one is exactly that. If you've ever thought, "I'm a wedding photographer," or "I'm a family photographer," or you've let a label quietly box you in—this conversation is for you. I'm bringing back my dear friend Elizabeth Messina to the podcast, and every time she's here, I'm reminded why her work has moved people for decades: she doesn't just take photos—she sees women. We talk about what it actually looks like to evolve across genres without losing your signature. How to stay curious even after years in the industry. And why the real "secret" behind her iconic imagery isn't a preset or a pose—it's connection, presence, and trust. Key Takeaways Trust your voice—your point of view matters, even when other styles inspire you. Stay curious forever; learning keeps your work (and you) alive. Sensitivity and empathy aren't "too much"—they're a creative advantage behind the camera. Your brand can be cohesive across genres when your eye is the through-line. Photograph women through seasons of life, not rigid categories like "weddings" or "maternity." Maternity work is powerful because it holds joy, vulnerability, and identity change at once. There are infinite ways to photograph pregnancy—go beyond the standard belly pose. Build trust through connection first; the image comes second. Offer possibility with "What if…?" instead of forcing a concept onto a client. Make the process the win—real connection matters even when you don't get the booking. Know your gear and workflow so the "technical math" doesn't interrupt your creativity. Stay engaged with your own work (even if you outsource) so you keep evolving as an artist. Trust is built in your communication long before the shoot—read what they asked and respond like a human. A sustainable career often comes from evolving alongside your clients over time. This episode is a love letter to the idea that you don't have to be "one thing" to be taken seriously. You can evolve. You can explore. You can shoot weddings and maternity and dark moody work and sun-drenched dreamy work—and still be unmistakably you. Elizabeth's work is proof that your artistry gets stronger the more you stay connected: to your camera, to your subjects, and to your own creative truth. And if you're feeling that tug to expand what you shoot—take this as your sign: you're allowed to grow. Meet Elizabeth Elizabeth Messina is a world renowned, award winning, celebrity photographer. She is a New York Times best selling author & a passionate teacher.. Elizabeth was named "one of the most influential photographers of our decade" by PDN.  Elizabeth has been capturing evocative photographs of women since she picked up a camera at the tender age of 12. Her images are a reflection of her heart. Elizabeth Messina is a visionary, her images tell stories of longing, solitude & the tangible beauty of the human experience. Although Elizabeth's photography takes her all over the world, her home is in Southern California, where she lives with her 3 children & 3 dogs. She continues to be a seeker of beautiful light, strong coffee & meaningful connections. Connect with Elizabeth Elizabeth's Photography WebsiteElizabeth's Arte of Maternity courseThe Arte DeptThe Art Society Click here for more ways to listen to this episode.  

Lighting Black skin isn't complicated - but it is often taught wrong. In this episode of The Nerdy Photographer, we break down how to photograph darker skin tones beautifully, accurately, and intentionally. From highlights and contrast to common lighting mistakes photographers make, this is a must-listen conversation for anyone serious about portrait photography. Learn better lighting Create stronger images Photograph people more honestly For decades, photography education, film stock, and digital camera technology have been built around a narrow definition of "correct" exposure - one that often fails Black and darker-skinned subjects. The result? Images that lack depth, nuance, and respect for the full spectrum of skin tones. In this episode of The Nerdy Photographer, we dive deep into the art, science, and responsibility of lighting Black-skinned subjects properly. This is not about shortcuts or presets - it's about understanding light, skin, and intention. Episode Promos This episode includes promos for the following: Adorama Stylecloud Website Templates On1 Photo Editing Software BackBlaze Cloud Data Backup Support The Nerdy Photographer Want to help The Nerdy Photographer Podcast? Here are a few simple (and mostly free) ways you can do that: Subscribe to the podcast! Tell your friends about the podcast Sign up for the newsletter - https://nerdyphotographer.com/newsletter Subscribe to our YouTube Channel - https://www.youtube.com/@CaseyFatchett Buy a print from the print shop - https://caseyfatchettphotography.pic-time.com/art Follow on Instagram - https://instagram.com/thenerdyphoto Follow on Threads - https://threads.net/@thenerdyphoto Follow on BlueSky - https://bsky.app/profile/thenerdyphoto.bsky.social Follow in Tiktok - https://tiktok.com/@thenerdyphoto Get some Nerdy Photographer merchandise - https://nerdyphoto.dashery.com If you're feeling extra generous, check out our support page - https://nerdyphotographer.com/support-nerdy-photographer/ About My Guest  Leighton DaCosta, or "LD" as many know him by, is a Wedding and Fine Art Portrait Photographer based in Southern California, at the moment. He started his photography business more than 15 years ago while serving in the Navy. Due to the military requirements, he learned to make his studio "interstate mobile" as he has operated for extended periods in Virginia, Florida, Utah, Georgia, South Carolina, and California. He's conducted photo assignments in exotic and remote places such as Dubai, Jamaica, and Aruba; as well as several years flying over Afghanistan. When not creating content of his own, Leighton diligently works at educating photographers and others in the industry in not only content creation but also in business practices geared for the creative. You can check out Leighton's website at LeightonD.com, and follow along with him on Facebook, Instagram, and Twitter. About The Podcast The Nerdy Photographer Podcast is written and produced by Casey Fatchett. Casey is a professional photographer in the New York City / Northern New Jersey with more than 20 years of experience. He just wants to help people and make them laugh. You can view Casey's wedding work at https://fatchett.com or his non-wedding work at https://caseyfatchettphotography.com    If you have any questions or comments about this episode or any other episodes, OR if you would like to ask a photography related question or have ideas for a topic for a future episode, please reach out to us at https://nerdyphotographer.com/contact      

It has been a LONG year. We discuss that and of course some excellent books. All Fours by Miranda July A Canticle for Lebowitz by Walter M. Miller Jr. Photograph by Brian Freeman

(Photograph courtesy of Andrew Merritt) Roger Marsh recently chatted with Baz Cilia ahead of the 2026 Spriggan Mist tour to promote new album ‘The Glare’ (dates below). Baz also selected a few tracks by contemporary artists, as well as three from ‘The Glare’ … Ghost Of The Machine – ‘Mountain’ (from ‘Scissorgames’) EBB – ‘Mary-Jane’ […]

Don and Dude keep the “I Love the 80s” tour rolling into 1983, a year when cable TV, mail‑order music clubs, and early MTV helped R&B and pop polish their hooks without sanding off all the emotional rough edges. One of us brings a married‑duo soul record that turns relationship conflict into sophisti‑funk therapy, while the other counters with a technicolor, hook‑stuffed debut that reframes punky, downtown weirdness as mass‑appeal pop. Together, the albums show how 1983's R&B and pop could be slick, vulnerable, and chart‑ready, but still tangled up in money, heartbreak, and the messy work of becoming yourself.The AlbumsWomack & Womack – Love Wars (1983) On their debut as a duo, Cecil and Linda Womack fold family gospel roots, Sam Cooke's shadow, and veteran songwriting chops into a lean early‑80s R&B set that treats love like an ongoing negotiation instead of a fairy tale. Built around supple basslines, tight James Gadson grooves, and restrained synths, the record plays like a living‑room soul soap opera where arguments, red flags, and reconciliations all get equal airtime. Tracks like “Love Wars,” “Baby I'm Scared of You,” and their quietly devastating cover of “Angie” push past easy romance into fear, honesty, and hard‑won optimism, sketching a relationship cycle that feels lived‑in rather than idealized. Produced by Stewart Levine with an A‑team of L.A. session players, the album's space, subtlety, and emotional candor would later be heard as a bridge toward neo‑soul and more adult‑minded R&B.Cyndi Lauper – She's So Unusual (1983) Cyndi Lauper's solo debut explodes out of the speakers as a neon‑bright mix of pop‑rock, new wave, and downtown art‑kid attitude, turning a batch of covers and co‑writes into an unmistakably personal statement. From the cynical, melodica‑laced opener “Money Changes Everything” through the feminist rallying cry of “Girls Just Want to Have Fun” and the tender, slow‑motion reassurance of “Time After Time,” she proves she can be funny, strange, and devastatingly vulnerable—sometimes in the same song. Rick Chertoff's production leans on jangly guitars, stacked harmonies, and sharp synth hooks, but always keeps Lauper's elastic, technically fierce voice at the center. The result is an album that made history with four Top‑Five singles and still plays like a manifesto for unapologetic individuality in pop.Diggin' AlbumsHome Front – Watch It Die (2025) Edmonton's Home Front push their self‑described “bootwave” further on Watch It Die, fusing 80s‑inflected synths, post‑punk grit, and anthemic choruses into songs about getting by when everything feels like it's fraying at the edges.The Twilight Sad – It's the Long Goodbye (2026) On their sixth LP, The Twilight Sad stretch their dense, noise‑tinted indie rock into a reflective, slow‑burning set about loss, endings, and hanging on, wrapping James Graham's thick‑accented confessions in towering guitars and electronics that feel both crushing and oddly comforting.Flickerstick – Superluminal (2025) Reuniting after more than two decades, Flickerstick return with Superluminal, an 11‑track set of cinematic alt‑rock that folds their early‑2000s melodic instincts into grown‑up songs about time, aging, and the strange vertigo of getting a second act.Def Leppard – Pyromania (1983) Pyromania finds Def Leppard and producer Mutt Lange perfecting the gleaming, radio‑ready side of hard rock, stacking harmonized choruses and surgically precise riffs into arena anthems like “Photograph,” “Rock of Ages,” and “Foolin'” that defined what big‑budget 80s rock would sound like.Follow & Support Follow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support by subscribing, rating, reviewing, and sharing.“You'll find many of the truths that we cling to depend greatly on our own point of view.” - Obi-Wan Kenobi

Maleeka “Mollie” Boone, a Navajo girl who'd gone missing in the community of Coalmine near Tuba City, Ariz. marks the second time an alert system has been used in search of a Native American since its implementation last year. As KJZZ's Gabriel Pietrorazio reports, that search is now over. The FBI Phoenix Field Office confirmed that Boone's body was found on Friday following a multiagency search that included law enforcement authorities from the Arizona Department of Public Safety, U.S. Marshals Service, Coconino County Sheriff's Office, and Flagstaff Police Department. “To learn that this search has ended in loss is a pain beyond words.” Navajo Nation President Buu Nygren took to social media to share his condolences – not just for Maleeka, but also 3-year-old Karson Apodaca, who was killed during a Christmas parade. “In just the past few weeks, with the tragedy in Kayenta and now this heartbreaking news from Coalmine, our Nation has endured tremendous pain. These moments remind us just how sacred our children are and how deeply connected every life is within our Navajo community. May we honor Maleeka's spirit by cherishing and protecting every child across the Navajo Nation.” The investigation into Maleeka's death is being handled by the FBI and Navajo Department of Criminal Investigations. View this post on Instagram A post shared by Jonathan Juárez (@pueblobaddie) On the opening day of the New Mexico legislative session Tuesday, a protest was held at the state capitol in Santa Fe. KUNM's Jeanette DeDios (Jicarilla Apache and Diné) spoke to Indigenous people at the event. Hundreds of New Mexicans rallied and marched up the steps towards the Roundhouse. Oglala Sioux Nation member John Swift Bird led the march with other Native drummers. “The energy always, always gets to the people. People have always resonated to the singing and to the energy of it.” He's been advocating back and forth between New Mexico and South Dakota ever since the 2016 protests in Standing Rock against the Dakota Access Pipeline. Longtime activist Elder Kathy Sanchez (San Ildefonso Pueblo) gave a blessing and told attendees to not give up. “Every thing that is brought forth in a good way will survive, because all of us are not giving up on each other.” Siihasin Hope from the Mescalero Apache and Diné Nations is an advocate for the Southwest Solidarity Network and Revolutionary 2 Spirit Collective. Hope is advocating for land and water protections and says  it's important for Indigenous people to understand and exercise their rights. “It’s the only reason that we have them, is because people before us, our ancestors before us, have fought for us to be here. Have fought for us to have the right to, you know, live.” She wants lawmakers and the governor to continue upholding tribal consultation on Native issues and says she and other advocates will continue to fight for tribal rights. Photograph and MMIP activist Amanda Freeman stands before two portraits on January 14, 2026. (Photo: Brian Bull / KLCC) The founder of a Missing and Murdered Indigenous People organization is sharing the faces of those affected by the crisis. KLCC's Brian Bull (Nez Perce) reports on a new exhibition in Salem, Oreg. Amanda Freeman founded Ampkwa Advocacy and has displayed nearly three dozen photos of Native people who have lost a relative or have suffered domestic violence or addiction. It's titled, “Ampkwa: munk lush nsayka shawash tilixam”, which means “Healing our Indigenous relatives.” Red hand prints and a long red trailing dress adorn the walls and wrap around each portrait. Freeman says she wants visitors to leave with one impression. “I would like them to remember that we're not disposable. And actually leave with the mindset of, “Let me share this information because I had no idea. Because any awareness is good awareness.” A reception and artist's talk will be held January 28. The exhibit runs through February 6 at the Gretchen Schuette Art Gallery at Chemeketa Community College. Get National Native News delivered to your inbox daily. Sign up for our daily newsletter today. Download our NV1 Android or iOs App for breaking news alerts. Check out the latest episode of Native America Calling Wednesday, January 21, 2026 – Native activists prepare for ongoing resistance and documentation as federal crackdowns expand

Wherein we are tempted by petty theft.  Express deliver a letter: gwritersanon@gmail.com  Open our locker on Facebook (Ghost Writers, Anonymous).  

The team is thrilled to welcome Meredith Page and Liz Livingston, the creative duo behind the Atlanta-based design firm Page House Studio. With a combined 15 years of experience in interiors and fashion, they joined forces in 2023 to create a studio that focuses on bespoke design and a curated collection of accessories—specifically, their signature pedestals. Meredith and Liz join Caroline, Taryn, and Liz to discuss how they transitioned from coworkers to business partners, the power of elevating everyday objects, and why "the edit" is the most crucial step in any design project. They share their secrets for creating dynamic vignettes, the importance of "triangulation" in styling, and why a pedestal is the missing ingredient your bookshelf needs. Quick Decorating Takeaways: Elevate with Pedestals: Give your small treasures and collectibles the importance they deserve by placing them on a pedestal. This adds instant height and architecture to a vignette, preventing small items from getting lost on a shelf or table.  Master "Triangulation": When styling a surface, visualize a triangle to guide your arrangement. Group items to create high and low points (the peaks and corners of the triangle) to establish a natural flow and rhythm for the eye.  Photograph to Edit: If a room feels cluttered or "off," take a photo of it with your phone. Viewing the space through a lens often highlights imbalances or clutter that your eye misses in person, helping you know exactly what to remove. What You'll Hear on This Episode: 00:00 Welcome & Introductions 01:00 Meredith & Liz's origin story: From fashion styling to interior design 05:00 Why they launched a product line focused on pedestals 09:00 How to use pedestals to layer depth and height in shelves 13:00 The "Rule of Threes" vs. "Triangulation" in styling 18:00 Mixing materials: Acrylic, wood, and stone 24:00 The Art of the Edit: How to remove items to let a room breathe 30:00 Why you should treat your accessories like a "wardrobe" for your home 35:00 Decorating Dilemma: Styling a large, awkward coffee table 42:00 Tips for finding unique vintage pieces 58:00 Closing notes & where to find Page House Studio Also Mentioned: Page House Studio | Website  Follow them on Instagram: @pagehousestudio  Shop Ballard Designs Please send in your questions so we can answer them on our next episode! And of course, subscribe to the podcast in Apple Podcasts so you never miss an episode. You can always check back here to see new episodes, but if you subscribe, it'll automatically download to your phone. Happy Decorating! Learn more about your ad choices. Visit megaphone.fm/adchoices

PROTECTING THE FAMILY AND THE BACKYARD PHOTOGRAPH Colleague Paul Gregory. Following the assassination, Oswald's mother, Marguerite, contacted Pete Gregory seeking shelter for herself and Marina. Petecoordinated with the Secret Service to move the women to a hotel at Six Flags to protect them from the press and facilitate interrogation. Authorities were particularly focused on a photo of Oswald holding a rifle; Marina initially hesitated to admit she took it, fearing legal consequences. Pete Gregory helped bridge the trust gap between Marina and the Secret Service. The situation escalated when the family learned Lee Harvey Oswald had been shot. Marguerite and Marina were taken to Parkland Hospital to view his body, after which Marguerite began demanding he be buried in Arlington National Cemetery. NUMBER 5

US Secretary of State Marco Rubio told CBS news that the US will defend its interests in its own western hemisphere and insists Venezuelan President Nicolás Maduro is an indicted criminal. In this edition dedicated to the Venezuelan crisis; we hear from a Caracas resident; and the intriguing details of the operation to extract Nicolás Maduro.(Photograph: a supporter of President Maduro in Caracas holding dolls of Maduro and his wife. Credit: Shutterstock)

Send us a textAnother chapter of Hal Needham's book - enjoySupport the showIf you've enjoyed this episode then why not follow us on Twitter, Instagram and Facebook using the following linkhttps://linktr.ee/behindthestunts

Blues Hall of Fame member John Primer performs live at the Boca Blues Festival in November, 2025 on this Edition of the Blues Radio International Podcast. Sound by Michael Wolf. Photograph by Eric Kriesant.Find more at BluesRadioInternational.net

For 25 December 2025, The Nativity of the Lord (Christmas), based on Isaiah 9:1-6 (Photograph by Gregory Heille, OP)

We're Yas and Phil dissect England's latest Ashes defeat, discuss Brendon McCullum's position, the structural problems with English cricket and more. 0:00 Timothy Taylor's / 0:50 Intro / 2:51 Brendon McCullum / 20:21 Australia / 30:37 Wisden POTY / 31:16 Structural issues / 46:23 NV Play / 57:55 Outro

In this episode of the podcast (episode 563), I want to first say Happy Solstice and how nice it is to start getting those longer days. I discuss the moment when a photograph and photographer stop explaining everything or at least trying to. Not because we fail,, but because it can’t explain everything nor should it. Most of us are taught to search for photographs. We head into the world with a sense of purpose, a checklist of things to photograph, or an idea of what would make the outing worthwhile. Searching is active can feel productive. It also quietly demands that the photograph arrive already formed, ready to justify itself and how well we did in the clicking of the shutter Seeing is different. Seeing has no urgency. It does not require the world to perform on command. It asks only that we stay. I notice that when I am searching, my attention narrows. I move faster. I recognize patterns quickly and dismiss what does not fit. The photographs that come from this state often easily explain themselves . There is nothing wrong with that, but there is a limit and it can be borning over time. AFterall, once the photograph has finished explaining, there is nothing else left to see. Seeing begins when searching exhausts itself. When I stop asking what I am going to make and start paying attention to what is already there. For me this is rooting in boredom or frustration when nothing else is working. Nothing is happening. The light is flat. The scene feels unremarkable. Yet, if I stay, something subtle begins to emerge. A relationship. A rhythm. A small shift in how I now look at things in the world. These photographs do not announce themselves. They do not resolve quickly. They often feel unfinished, even to me. And that is precisely what gives them room to breathe. A photograph that stops explaining does not close the conversation. It opens it. It allows uncertainty to remain intact. Instead of delivering meaning, it makes space for it. This kind of image asks the viewer to linger, to bring their own attention and experience into the frame. Seeing without searching is a discipline. It requires patience, restraint, and a willingness to leave with nothing. It means trusting that not every photograph needs to declare its purpose. Some of the most meaningful work I have made came from moments when I stopped trying to find something and allowed myself to simply be present. When the photograph arrived slowly. When it did not explain itself. When it asked me, and eventually the viewer, to stay.

Sarah Boxer is foremost a thinker! The author of s⁠everal books, graphic novels and articles for many storied publications such as the New York Times, The New York Review of Books, The Atlantic, Brooklyn Rail and many more. Dr. Lisa began her career as a self-proclaimed psychotherapist in 2001 and Sarah, on staff at the Arts & Ideas desk at the NY Times, wrote a feature story on Psychotherapy LIVE! READ IT HERE Lisa's live stage show where she did "Psychotherapy" on audience volunteers. A LOT has happened in the last 25 years. Sarah has a 22 year old son and she's putting the finishing touches on a book of her drawings she did of him from birth to age 5 that is to be published soon. She discusses what effect it had on her to do those drawings, how she first dived into Freud's writing at age 15 (her father had his books in the house) and her impression of Psychotherapy LIVE! all those years ago (a good impression!) It's compelling to find these women with their separate journeys back in the same room, years away from when they first met in July, 2002. Sarah Boxer Bio: WHO AM I? ​​I am a writer of non-fiction and graphic fiction from Colorado who now lives in Washington, D.C. I have drawn & written two psycho-comics -- In the Floyd Archives, based on Freud's case histories, and its post-Freudian sequel, Mother May I?  I have also written reviews and essays for The New York Review of Books, The Atlantic, The Comics Journal, The L.A Review of Books, The New York Times, Photograph, Slate, and Artforum. Now I'm working on a third volume of my Shakespearean Tragic-Comics, a series that so far includes Hamlet: Prince of Pigs ​and Anchovius Caesar. For more detail, see my CV.  WHO WAS I?​​For many years I worked at The New York Times  (1989-2006) where I was, at various points, a photo critic, a Web critic, an arts reporter, an editor at The Week in Review, and an editor at The Book Review.  In 2008 Vintage published Ultimate Blogs: Masterworks From the Wild Web, an anthology that I edited. My first book, published by Pantheon in 2001 was In the Floyd Archives.

December 2025 This is the fifth instalment of our annual episode where we celebrate the oncoming festivities of the snowy season - religious or secular - with a surfeit not of turkey and roasties but of questions! Questions sent in by our listeners, gifted to us through the medium of social media. A selection of these holiday treats, where we bust myths and reveal hidden histories, has been made by Team Podcast who are all present and correct for this episode. Who are Team Podcast? Erica Munro (Head of Content), Dr David Kenyon (Research Historian), Dr Thomas Cheetham (Research Officer) and podcast producer Mark Cotton. We have six of our listeners' finest questions to share with you - we will do five of these as a usual Q&A, but look out for the sixth question - relating to pets - as we intersperse our interview with simian Siginters' sidekicks, and canine Codebreakers' companions. Image: ©Bletchley Park Trust 2025. Photograph of Corporal Dionne, a dog, on watch at Gorleston. #BPark, #Bletchleypark, #WW2, #Enigma, #Q&A,

On the occasions when we humans go out of our way to help another person who is in distress, we are acting out our biological inheritance. And if we don't help someone in trouble, that's because we've had to actually actively suppress what is natural for us to do. That was the finding of the neurologist Peggy Mason. whom we interviewed in Shape of the World's second season. We've re-released that episode because that particular finding of Peggy's and the others she spoke about remain incredibly relevant and still come across as a bit shocking.  As a child, Peggy Mason was a biology prodigy. By the age of nine, she was assisting the zoologist Dr. Charles Handley in teaching taxidermy at the Smithsonian. Today, as a neurobiologist, Peggy still works with mammals, but now she's studying whether they experience empathy and act to help one another. Peggy was studying the subject of pain modulation until a post-doctoral student at the University of Chicago, Inbal Ben-Ami Bartal, asked if she'd be interested in expanding her work to collaborate on a project about empathy. “I went over to see her that same day,” says Peggy, and the upshot was the discovery that, like humans, rats have an aversion to witnessing the distress of others and a strong motivation to help someone else who's suffering. In addition to leading the research laboratory at the University of Chicago, Peggy is a committed teacher of neurobiology, teaching both formally (at the University) and informally, through her blog and a popular free, online course. “It's our biological mammalian inheritance to help. It's not helping that's the weird thing.” – Dr. Peggy Mason is a professor of neurobiology at the University of Chicago. Want to Learn More, See More, Know More? You'll love this video from Nova that shows one rat deliberately setting free another rat that's trapped. Later, the rat is confronted with the question of which to do first: save some rat it had never even met before, or wolf down the chocolate Peggy offered? Also, here's the article in Science magazine. How can I take a class with Peggy? On Coursera, take “Understanding the Brain: The Neurobiology of Every Day Life,” a free course taught by Peggy. You can also gain more insights from Peggy by subscribing to her blog, which is fascinating and far-reaching in its subject matter. Her most recent post has the full script of her “Aims of Education” address, a prestigious speech given to incoming students. Rats from Dr. Mason and Dr. Bartal’s trapped-rat empathy experiment. Amazingly, the black-and-white rat will venture into the “danger zone” of the arena to help the trapped rat. Photograph of Dr. Mason and Dr. Bartal together. Rat-nibbled Hershey's kisses. Electrophysiological recordings of a rat, illustrating how different parts of a rat's body (the right forepaw, the left hindpaw, etc.) respond to certain stimuli.

In this episode of the podcast, I dig into an idea that feels increasingly important in a culture built around constant sharing. Not every good photograph needs to be shared. That may sound counterintuitive, especially when so much of contemporary photography is tied to visibility, platforms, and audience response. But making a photograph and sharing a photograph are two very different acts.For many photographers today, the question of where an image will be posted arrives almost immediately after the shutter is pressed. Sometimes it even arrives before. That subtle shift can quietly change our relationship to photography. The act of sharing begins to define the act of seeing. Over time, photographs can start to feel less like a process of exploration and more like a product designed for approval.Some photographs are meant to function as visual notes. They help us understand light, place, or emotion. They clarify what we are drawn to and what we are still wrestling with.These images might be strong, but their purpose is internal rather than public.They move our work forward even if no one else ever sees them.There are also photographs that are emotionally close. We might make images that are more closely related to memory, vulnerability, or personal experience which often carry a different weight. We can opt to keep those images close to home so to speak as a way of honoring the moment of seeing.Not to completely rag on social media and photographs, but right now the algorithms reward familiarity. They favor images that resemble what has already succeeded. If every good photograph must be shared, then experimentation becomes a no go. We will slowly stop taking risk to make more interesting work. We stop taking risk in the editing of images, the selection of images and ultimately in the sharing of images.Remember, editing is not just about selecting the strongest images. It is about shaping meaning. A body of work is defined as much by what is excluded as by what is included. Choosing not to share a photograph is still an editorial decision.I love sharing work so I by no means am trying to say that sharing is unimportant. Sharing connects us. It builds conversation and community. But it works best when it is intentional rather than automatic. When sharing becomes a choice instead of a reflex, it regains its power.I think it is worth redefining what success looks like in photography. A successful photograph is not always one that is widely seen or highly praised. Sometimes it is an image that teaches you something, shifts your attention, or reminds you why you enjoy making photographs in the first place.Letting some images live only with you does not diminish them. In many cases, it strengthens your relationship to photography. It allows the act of seeing to exist without expectation. And in a world that constantly asks us to show everything, there is quiet value in choosing to hold some things back.

It's Christmas season, so everyone's in different places! Yas, Butch, Ben and ESPN Cricinfo's Matt Roller look ahead to the third Test at Adelaide, reacting to England's XI and the decision to leave out Shoaib Bashir. 0:00 Timothy Taylor's / 0:47 Intro / 1:12 Mark Butcher / 27:31 Wisden POTY / 27:58 England's XI / 49:55 Naked Wines / 50:54 The problem with England's squad / 1:00:07 WARNE: Treasures of a legend / 1:07:25 Outro

Pool Pros text questions hereThis week, Steve flies solo again — but with good news: Wayne is on the mend and expected back very soon. Until then, Steve brings a full toolbox of stories, lessons, and a deep dive into one of the most-requested topics from pool pros: leak detection as a service.

Short Story: Shrap by Shivani / Narrated by Vidushi Parekh/Curator: IrfanJoin the Art of Reading:Share Your Story on Listen with IrfanDo you have a passion for reading literature or narrating captivating prose? Here's your chance to shine! I'm thrilled to announce a new collaborative series, Art of Reading, on my podcast channel, Listen with Irfan.If you love bringing stories to life, I'm offering you a platform to showcase your talent.Record a short story of your choice (maximum 8 minutes) and share it with a community of like-minded narrators and listeners. This is a free, non-commercial initiative to connect aspiring narrators, promote storytelling, and build a creative community. No monetization, just pure love for the art of narration.How to Participate:- Choose a short story or piece of prose you're passionate about.- Record it with clear audio using a mobile phone or audio recorder. Do not include your name or the story's title in the recording.- Background music is optional, but avoid copyrighted tracks to prevent hosting issues.- Send your recording via email to ⁠⁠⁠⁠⁠⁠⁠⁠⁠voiceworkshopwithirfan@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠ or WhatsApp at +91 9818098790.Submission Guidelines- -Write your-1. Name2. Current City3. Profession4. Brief bio (max 80 words)5. Photograph (if requested after review)  Submit only MP3 files. Full credit to the writer and narrator will be given on the Listen with Irfan podcast channel. Join us to share your voice, connect with an audience, and celebrate the art of storytelling!Let's create something beautiful together!BECOME A PATRON : Work on Listen with Irfan takes time, money and hard work to produce. As of now it is being done voluntarily with the family, friends and listeners who came forward for hand holding from its inception.  If you like the Podcasts, admire it, and benefit from its content, please consider awarding us an honorarium to make the future of this Podcast Channel robust and assured.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠यहाँ आपको मिलती हैं वो दुर्लभ आवाज़ें खुद बोलती, गाती और बहस करती। मनोहर श्याम जोशी, कमलेश्वर, कृष्णा सोबती, बी वी कारंत, शमशेर बहादुर सिंह, बलराज साहनी, अज्ञेय, रसूलन बाई, निर्मल वर्मा, मंगलेश डबराल, राजेंद्र यादव, चंद्रकांत देवताले, भवानी प्रसाद मिश्र, इस्मत चुग़ताई, सत्यदेव दुबे, त्रिलोचन, अमरीश पुरी, इब्राहीम अल्क़ाज़ी, मोहन उप्रेती, गोरख पांडेय, नैना देवी, वीरेन डंगवाल, मन्नू भंडारी, भीष्म साहनी, देवकी नंदन पांडे आदि के अलावा अनगिनत भारतीय और विदेशी समकालीन विचारक, कलाकार, लेखक, कवि और सांस्कृतिक लड़ाके। किताबों पर चर्चा के पॉडकास्ट, संगीत, फिल्म रिव्यू और स्ट्रीट रिकॉर्डिंग्स का एकमात्र पॉडकास्ट मंच। Details to support this Podcast Channel i.e. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen with Irfan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ :-Bank Name: State Bank Of IndiaName: SYED MOHD IRFANAccount No:32188719331Branch: State Bank of India, Vaishali Sec 4, GhaziabadIFSC–SBIN0013238UPI/Gpay ID irfan.rstv-2@oksbiCover: Irfan

Oakland power pop band The Goods return with Don't Spoil the Fun, their first full-length album, arriving October 24th, 2025 via Dandy Boy Records. Written and produced by frontman Rob Good (Ryli) in his Oakland studio, the record captures the band's signature mix of jangling guitars, big melodic hooks, and heartfelt songwriting. Joined by bassist Cherron Arens and guitarist Gabriel Monnot, Good channels the classic shimmer of The Byrds and Big Star with the energy of Teenage Fanclub and Matthew Sweet – crafting songs that feel both familiar and fresh. The album's focus track and accompanying video, “Sunday Morning Out of the Blue,” also arrives October 24. It's about the push and pull of trying to make a relationship work – the kind of argument that leaves you both worn out and closer at the same time. Built around bright guitars and melodic basslines, the song captures that uneasy calm after a fight, when things finally start to make sense again. Across its eleven tracks, Don't Spoil the Fun explores the search for love, connection, and meaning with warmth and empathy. “These songs were written over the last five years – some of them even pre-date our first EP,” says Good. “We recorded several versions before finally landing on something that felt right. This album is us leveling up our sound and finding our own style.” From the chiming immediacy of lead single “April Fools” to the wistful reflection of “Remember,” the album moves fluidly between exuberant and introspective moods. “Photograph” memorializes a lost Oakland venue, The Golden Bull, where The Goods played their first show, while “Aurora” celebrates staying rooted instead of chasing dreams elsewhere. “Me and My Ghost” turns a song written for a friend into a self-reflection on solitude, and “Keep It Safe” closes the album with a gentle reminder to protect one's mental health amid chaos. With their blend of bright guitars, fuzz-drenched hooks, and honest storytelling, The Goods craft a record that balances classic influences with a distinctly modern heart. Don't Spoil the Fun arrives October 24, 2025 on Dandy Boy Records. D I S C O V E R Bandcamp: https://dandyboyrecords.bandcamp.com/album/dont-spoil-the-funInstagram: https://www.instagram.com/the_goods_musicYoutube:https://www.youtube.com/channel/UCpoBK9seWqis1TndDBjI4vQSpotify: https://open.spotify.com/artist/2MPqTq6PBP2ZEWnNQEhVqB Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_fAlso my Weekly Tour Vlog is up an live on the YouTubeshttps://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shopCheck out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ephttps://distrokid.com/hyperfollow/foursquare/seven-oh-sevenhttps://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remasteredhttps://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

Phil, Jo and Yas reflect on England's poor performance in the pink-ball Test in Brisbane and West Indies' incredible draw in New Zealand. 0:00 Timothy Taylor's / 1:01 Intro / 3:00 New Zealand vs West Indies / 10:43 WARNE: Treasures of a legend / 11:22 Brisbane Test / 27:30 Is Bazball dead? / 34:59 Alex Carey / 39:18 Wisden POTY / 39:48 Patreon / 40:11 Naked Wines / 42:36 Joe Root / 44:50 Change for Adelaide? / 53:01 Stokes, McCullum and Key / 56:47 Shakib Al Hasan / 58:18 Outro

Short Story: Chief Ki Dawat by Bhisham Sahni / Narrated by Irum Sumbul/Curator: IrfanJoin the Art of Reading:Share Your Story on Listen with IrfanDo you have a passion for reading literature or narrating captivating prose? Here's your chance to shine! I'm thrilled to announce a new collaborative series, Art of Reading, on my podcast channel, Listen with Irfan.If you love bringing stories to life, I'm offering you a platform to showcase your talent.Record a short story of your choice (maximum 8 minutes) and share it with a community of like-minded narrators and listeners. This is a free, non-commercial initiative to connect aspiring narrators, promote storytelling, and build a creative community. No monetization, just pure love for the art of narration.How to Participate:- Choose a short story or piece of prose you're passionate about.- Record it with clear audio using a mobile phone or audio recorder. Do not include your name or the story's title in the recording.- Background music is optional, but avoid copyrighted tracks to prevent hosting issues.- Send your recording via email to ⁠⁠⁠⁠⁠⁠⁠⁠voiceworkshopwithirfan@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠ or WhatsApp at +91 9818098790.Submission Guidelines- -Write your-1. Name2. Current City3. Profession4. Brief bio (max 80 words)5. Photograph (if requested after review)  Submit only MP3 files. Full credit to the writer and narrator will be given on the Listen with Irfan podcast channel. Join us to share your voice, connect with an audience, and celebrate the art of storytelling!Let's create something beautiful together!BECOME A PATRON : Work on Listen with Irfan takes time, money and hard work to produce. As of now it is being done voluntarily with the family, friends and listeners who came forward for hand holding from its inception.  If you like the Podcasts, admire it, and benefit from its content, please consider awarding us an honorarium to make the future of this Podcast Channel robust and assured.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠यहाँ आपको मिलती हैं वो दुर्लभ आवाज़ें खुद बोलती, गाती और बहस करती। मनोहर श्याम जोशी, कमलेश्वर, कृष्णा सोबती, बी वी कारंत, शमशेर बहादुर सिंह, बलराज साहनी, अज्ञेय, रसूलन बाई, निर्मल वर्मा, मंगलेश डबराल, राजेंद्र यादव, चंद्रकांत देवताले, भवानी प्रसाद मिश्र, इस्मत चुग़ताई, सत्यदेव दुबे, त्रिलोचन, अमरीश पुरी, इब्राहीम अल्क़ाज़ी, मोहन उप्रेती, गोरख पांडेय, नैना देवी, वीरेन डंगवाल, मन्नू भंडारी, भीष्म साहनी, देवकी नंदन पांडे आदि के अलावा अनगिनत भारतीय और विदेशी समकालीन विचारक, कलाकार, लेखक, कवि और सांस्कृतिक लड़ाके। किताबों पर चर्चा के पॉडकास्ट, संगीत, फिल्म रिव्यू और स्ट्रीट रिकॉर्डिंग्स का एकमात्र पॉडकास्ट मंच। Details to support this Podcast Channel i.e. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen with Irfan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ :-Bank Name: State Bank Of IndiaName: SYED MOHD IRFANAccount No:32188719331Branch: State Bank of India, Vaishali Sec 4, GhaziabadIFSC–SBIN0013238UPI/Gpay ID irfan.rstv-2@oksbiCover: Irfan

Short Story: Nath by Shivani / Narrated by Himanshu Soni/Curator: IrfanJoin the Art of Reading:Share Your Story on Listen with IrfanDo you have a passion for reading literature or narrating captivating prose? Here's your chance to shine! I'm thrilled to announce a new collaborative series, Art of Reading, on my podcast channel, Listen with Irfan.If you love bringing stories to life, I'm offering you a platform to showcase your talent.Record a short story of your choice (maximum 8 minutes) and share it with a community of like-minded narrators and listeners. This is a free, non-commercial initiative to connect aspiring narrators, promote storytelling, and build a creative community. No monetization, just pure love for the art of narration.How to Participate:- Choose a short story or piece of prose you're passionate about.- Record it with clear audio using a mobile phone or audio recorder. Do not include your name or the story's title in the recording.- Background music is optional, but avoid copyrighted tracks to prevent hosting issues.- Send your recording via email to ⁠⁠⁠⁠⁠⁠⁠⁠voiceworkshopwithirfan@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠ or WhatsApp at +91 9818098790.Submission Guidelines- -Write your-1. Name2. Current City3. Profession4. Brief bio (max 80 words)5. Photograph (if requested after review)  Submit only MP3 files. Full credit to the writer and narrator will be given on the Listen with Irfan podcast channel. Join us to share your voice, connect with an audience, and celebrate the art of storytelling!Let's create something beautiful together!BECOME A PATRON : Work on Listen with Irfan takes time, money and hard work to produce. As of now it is being done voluntarily with the family, friends and listeners who came forward for hand holding from its inception.  If you like the Podcasts, admire it, and benefit from its content, please consider awarding us an honorarium to make the future of this Podcast Channel robust and assured.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠यहाँ आपको मिलती हैं वो दुर्लभ आवाज़ें खुद बोलती, गाती और बहस करती। मनोहर श्याम जोशी, कमलेश्वर, कृष्णा सोबती, बी वी कारंत, शमशेर बहादुर सिंह, बलराज साहनी, अज्ञेय, रसूलन बाई, निर्मल वर्मा, मंगलेश डबराल, राजेंद्र यादव, चंद्रकांत देवताले, भवानी प्रसाद मिश्र, इस्मत चुग़ताई, सत्यदेव दुबे, त्रिलोचन, अमरीश पुरी, इब्राहीम अल्क़ाज़ी, मोहन उप्रेती, गोरख पांडेय, नैना देवी, वीरेन डंगवाल, मन्नू भंडारी, भीष्म साहनी, देवकी नंदन पांडे आदि के अलावा अनगिनत भारतीय और विदेशी समकालीन विचारक, कलाकार, लेखक, कवि और सांस्कृतिक लड़ाके। किताबों पर चर्चा के पॉडकास्ट, संगीत, फिल्म रिव्यू और स्ट्रीट रिकॉर्डिंग्स का एकमात्र पॉडकास्ट मंच। Details to support this Podcast Channel i.e. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen with Irfan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ :-Bank Name: State Bank Of IndiaName: SYED MOHD IRFANAccount No:32188719331Branch: State Bank of India, Vaishali Sec 4, GhaziabadIFSC–SBIN0013238UPI/Gpay ID irfan.rstv-2@oksbiCover: Irfan

Short Story: Goonga by Shivani / Narrated by Anuradha Parab/Curator: IrfanJoin the Art of Reading:Share Your Story on Listen with IrfanDo you have a passion for reading literature or narrating captivating prose? Here's your chance to shine! I'm thrilled to announce a new collaborative series, Art of Reading, on my podcast channel, Listen with Irfan.If you love bringing stories to life, I'm offering you a platform to showcase your talent.Record a short story of your choice (maximum 8 minutes) and share it with a community of like-minded narrators and listeners. This is a free, non-commercial initiative to connect aspiring narrators, promote storytelling, and build a creative community. No monetization, just pure love for the art of narration.How to Participate:- Choose a short story or piece of prose you're passionate about.- Record it with clear audio using a mobile phone or audio recorder. Do not include your name or the story's title in the recording.- Background music is optional, but avoid copyrighted tracks to prevent hosting issues.- Send your recording via email to ⁠⁠⁠⁠⁠⁠⁠voiceworkshopwithirfan@gmail.com⁠⁠⁠⁠⁠⁠⁠ or WhatsApp at +91 9818098790.Submission Guidelines- -Write your-1. Name2. Current City3. Profession4. Brief bio (max 80 words)5. Photograph (if requested after review)  Submit only MP3 files. Full credit to the writer and narrator will be given on the Listen with Irfan podcast channel. Join us to share your voice, connect with an audience, and celebrate the art of storytelling!Let's create something beautiful together!BECOME A PATRON : Work on Listen with Irfan takes time, money and hard work to produce. As of now it is being done voluntarily with the family, friends and listeners who came forward for hand holding from its inception.  If you like the Podcasts, admire it, and benefit from its content, please consider awarding us an honorarium to make the future of this Podcast Channel robust and assured.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠यहाँ आपको मिलती हैं वो दुर्लभ आवाज़ें खुद बोलती, गाती और बहस करती। मनोहर श्याम जोशी, कमलेश्वर, कृष्णा सोबती, बी वी कारंत, शमशेर बहादुर सिंह, बलराज साहनी, अज्ञेय, रसूलन बाई, निर्मल वर्मा, मंगलेश डबराल, राजेंद्र यादव, चंद्रकांत देवताले, भवानी प्रसाद मिश्र, इस्मत चुग़ताई, सत्यदेव दुबे, त्रिलोचन, अमरीश पुरी, इब्राहीम अल्क़ाज़ी, मोहन उप्रेती, गोरख पांडेय, नैना देवी, वीरेन डंगवाल, मन्नू भंडारी, भीष्म साहनी, देवकी नंदन पांडे आदि के अलावा अनगिनत भारतीय और विदेशी समकालीन विचारक, कलाकार, लेखक, कवि और सांस्कृतिक लड़ाके। किताबों पर चर्चा के पॉडकास्ट, संगीत, फिल्म रिव्यू और स्ट्रीट रिकॉर्डिंग्स का एकमात्र पॉडकास्ट मंच। Details to support this Podcast Channel i.e. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen with Irfan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ :-Bank Name: State Bank Of IndiaName: SYED MOHD IRFANAccount No:32188719331Branch: State Bank of India, Vaishali Sec 4, GhaziabadIFSC–SBIN0013238UPI/Gpay ID irfan.rstv-2@oksbiCover: Irfan

Short Story: Shart by Shivani / Narrated by Shruti B/Curator: IrfanJoin the Art of Reading:Share Your Story on Listen with IrfanDo you have a passion for reading literature or narrating captivating prose? Here's your chance to shine! I'm thrilled to announce a new collaborative series, Art of Reading, on my podcast channel, Listen with Irfan.If you love bringing stories to life, I'm offering you a platform to showcase your talent.Record a short story of your choice (maximum 8 minutes) and share it with a community of like-minded narrators and listeners. This is a free, non-commercial initiative to connect aspiring narrators, promote storytelling, and build a creative community. No monetization, just pure love for the art of narration.How to Participate:- Choose a short story or piece of prose you're passionate about.- Record it with clear audio using a mobile phone or audio recorder. Do not include your name or the story's title in the recording.- Background music is optional, but avoid copyrighted tracks to prevent hosting issues.- Send your recording via email to ⁠⁠⁠⁠⁠⁠voiceworkshopwithirfan@gmail.com⁠⁠⁠⁠⁠⁠ or WhatsApp at +91 9818098790.Submission Guidelines- -Write your-1. Name2. Current City3. Profession4. Brief bio (max 80 words)5. Photograph (if requested after review)  Submit only MP3 files. Full credit to the writer and narrator will be given on the Listen with Irfan podcast channel. Join us to share your voice, connect with an audience, and celebrate the art of storytelling!Let's create something beautiful together!BECOME A PATRON : Work on Listen with Irfan takes time, money and hard work to produce. As of now it is being done voluntarily with the family, friends and listeners who came forward for hand holding from its inception.  If you like the Podcasts, admire it, and benefit from its content, please consider awarding us an honorarium to make the future of this Podcast Channel robust and assured.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠यहाँ आपको मिलती हैं वो दुर्लभ आवाज़ें खुद बोलती, गाती और बहस करती। मनोहर श्याम जोशी, कमलेश्वर, कृष्णा सोबती, बी वी कारंत, शमशेर बहादुर सिंह, बलराज साहनी, अज्ञेय, रसूलन बाई, निर्मल वर्मा, मंगलेश डबराल, राजेंद्र यादव, चंद्रकांत देवताले, भवानी प्रसाद मिश्र, इस्मत चुग़ताई, सत्यदेव दुबे, त्रिलोचन, अमरीश पुरी, इब्राहीम अल्क़ाज़ी, मोहन उप्रेती, गोरख पांडेय, नैना देवी, वीरेन डंगवाल, मन्नू भंडारी, भीष्म साहनी, देवकी नंदन पांडे आदि के अलावा अनगिनत भारतीय और विदेशी समकालीन विचारक, कलाकार, लेखक, कवि और सांस्कृतिक लड़ाके। किताबों पर चर्चा के पॉडकास्ट, संगीत, फिल्म रिव्यू और स्ट्रीट रिकॉर्डिंग्स का एकमात्र पॉडकास्ट मंच। Details to support this Podcast Channel i.e. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen with Irfan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ :-Bank Name: State Bank Of IndiaName: SYED MOHD IRFANAccount No:32188719331Branch: State Bank of India, Vaishali Sec 4, GhaziabadIFSC–SBIN0013238UPI/Gpay ID irfan.rstv-2@oksbiCover: Irfan

Everything you need to prepare for photographing your Polar Latitudes adventure to Antarctica.

Short Story: Apradhi Kaun by Shivani / Narrated by Smita Goyal/Curator: IrfanJoin the Art of Reading:Share Your Story on Listen with IrfanDo you have a passion for reading literature or narrating captivating prose? Here's your chance to shine! I'm thrilled to announce a new collaborative series, Art of Reading, on my podcast channel, Listen with Irfan.If you love bringing stories to life, I'm offering you a platform to showcase your talent.Record a short story of your choice (maximum 8 minutes) and share it with a community of like-minded narrators and listeners. This is a free, non-commercial initiative to connect aspiring narrators, promote storytelling, and build a creative community. No monetization, just pure love for the art of narration.How to Participate:- Choose a short story or piece of prose you're passionate about.- Record it with clear audio using a mobile phone or audio recorder. Do not include your name or the story's title in the recording.- Background music is optional, but avoid copyrighted tracks to prevent hosting issues.- Send your recording via email to ⁠⁠⁠⁠⁠voiceworkshopwithirfan@gmail.com⁠⁠⁠⁠⁠ or WhatsApp at +91 9818098790.Submission Guidelines- -Write your-1. Name2. Current City3. Profession4. Brief bio (max 80 words)5. Photograph (if requested after review)  Submit only MP3 files. Full credit to the writer and narrator will be given on the Listen with Irfan podcast channel. Join us to share your voice, connect with an audience, and celebrate the art of storytelling!Let's create something beautiful together!BECOME A PATRON : Work on Listen with Irfan takes time, money and hard work to produce. As of now it is being done voluntarily with the family, friends and listeners who came forward for hand holding from its inception.  If you like the Podcasts, admire it, and benefit from its content, please consider awarding us an honorarium to make the future of this Podcast Channel robust and assured.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠यहाँ आपको मिलती हैं वो दुर्लभ आवाज़ें खुद बोलती, गाती और बहस करती। मनोहर श्याम जोशी, कमलेश्वर, कृष्णा सोबती, बी वी कारंत, शमशेर बहादुर सिंह, बलराज साहनी, अज्ञेय, रसूलन बाई, निर्मल वर्मा, मंगलेश डबराल, राजेंद्र यादव, चंद्रकांत देवताले, भवानी प्रसाद मिश्र, इस्मत चुग़ताई, सत्यदेव दुबे, त्रिलोचन, अमरीश पुरी, इब्राहीम अल्क़ाज़ी, मोहन उप्रेती, गोरख पांडेय, नैना देवी, वीरेन डंगवाल, मन्नू भंडारी, भीष्म साहनी, देवकी नंदन पांडे आदि के अलावा अनगिनत भारतीय और विदेशी समकालीन विचारक, कलाकार, लेखक, कवि और सांस्कृतिक लड़ाके। किताबों पर चर्चा के पॉडकास्ट, संगीत, फिल्म रिव्यू और स्ट्रीट रिकॉर्डिंग्स का एकमात्र पॉडकास्ट मंच। Details to support this Podcast Channel i.e. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen with Irfan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ :-Bank Name: State Bank Of IndiaName: SYED MOHD IRFANAccount No:32188719331Branch: State Bank of India, Vaishali Sec 4, GhaziabadIFSC–SBIN0013238UPI/Gpay ID irfan.rstv-2@oksbiCover: Irfan

Some artists wait for the perfect show to appear, as if the universe will tap them on the shoulder and whisper that it is finally time to finish the work. But the longer you wait, the further away it drifts. Because unfinished work is safe. It stays in potential, where nothing is at risk and everything is still possible. And waiting feels easier than deciding. But waiting is not how shows happen. Finishing is. Ceri explains how to get unstuck, finish your work and finally show it. -- Most artists are guessing their way through and staying stuck far longer than they need to. Inside Ceri Hand´s Coaching Membership, you get straight answers and real support through live sessions, portfolio reviews, virtual studio visits, monthly art world experts and community to help you cut through fast. Ceri covers everything. Right now, you can join or gift a full year for £99 - our only discount of the year, available until the first of January. Please join here - http://cerihand.com/membership/ KEY TAKEAWAYS There is the quiet belief that if you never finish, you never fail, but you also never get seen. You can't wait for a show to begin. You have to build the show from where you are. Finish the work. Completion builds confidence. Confidence builds momentum. Momentum builds opportunity. If you want to show, you have to practice building one in your studio. Now, regularly. BEST MOMENTS “The shift comes when you decide that a work is the best you can make for this particular moment in your life, that this alone is enough reason to finish it.” “When you don't trust your authority, you fill the space with quantity. You make more instead of choosing better. You wait for a show instead of becoming the person a show makes sense for - opportunities come when you behave as if they already exist.” “Photograph it, sit with it, invite someone you trust to see it, but only after you've formed your own view. If you ask too early, you lose the chance to hear your own voice.” PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Something happens when a photograph refuses to behave like a photograph. When a shadow appears in a place no shadow should be — and stays there, year after year, no matter who tries to explain it away. Our first story begins with an image like that… taken at an old summer camp where the activity never really stopped when the season ended. But the picture is only the beginning. Because for this storyteller, the strange didn't end at camp. It followed them home — into a house that seemed to breathe, listen, and occasionally let its presence be known in ways no one could ignore. Voices in empty rooms. Movements in places no one was standing. Moments that felt less like hauntings and more like… interactions. And the most unsettling part? Very little ever repeated itself. As if whatever lived there didn't want to form a pattern — it wanted to be noticed. #ghoststories #hauntedhouse #realghoststoriesonline #paranormalactivity #walmartghost #threeknocks #shadowpeople #poltergeist #grandmaghost #supernatural #trueparanormal #hauntedsummer camp Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

Short Story: Bund Ghadi by Shivani / Narrated by Shraddha Singh/Curator: IrfanJoin the Art of Reading:Share Your Story on Listen with IrfanDo you have a passion for reading literature or narrating captivating prose? Here's your chance to shine! I'm thrilled to announce a new collaborative series, Art of Reading, on my podcast channel, Listen with Irfan.If you love bringing stories to life, I'm offering you a platform to showcase your talent.Record a short story of your choice (maximum 8 minutes) and share it with a community of like-minded narrators and listeners. This is a free, non-commercial initiative to connect aspiring narrators, promote storytelling, and build a creative community. No monetization, just pure love for the art of narration.How to Participate:- Choose a short story or piece of prose you're passionate about.- Record it with clear audio using a mobile phone or audio recorder. Do not include your name or the story's title in the recording.- Background music is optional, but avoid copyrighted tracks to prevent hosting issues.- Send your recording via email to ⁠⁠⁠voiceworkshopwithirfan@gmail.com⁠⁠⁠ or WhatsApp at +91 9818098790.Submission Guidelines- -Write your-1. Name2. Current City3. Profession4. Brief bio (max 80 words)5. Photograph (if requested after review)  Submit only MP3 files. Full credit to the writer and narrator will be given on the Listen with Irfan podcast channel. Join us to share your voice, connect with an audience, and celebrate the art of storytelling!Let's create something beautiful together!BECOME A PATRON : Work on Listen with Irfan takes time, money and hard work to produce. As of now it is being done voluntarily with the family, friends and listeners who came forward for hand holding from its inception.  If you like the Podcasts, admire it, and benefit from its content, please consider awarding us an honorarium to make the future of this Podcast Channel robust and assured.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠यहाँ आपको मिलती हैं वो दुर्लभ आवाज़ें खुद बोलती, गाती और बहस करती। मनोहर श्याम जोशी, कमलेश्वर, कृष्णा सोबती, बी वी कारंत, शमशेर बहादुर सिंह, बलराज साहनी, अज्ञेय, रसूलन बाई, निर्मल वर्मा, मंगलेश डबराल, राजेंद्र यादव, चंद्रकांत देवताले, भवानी प्रसाद मिश्र, इस्मत चुग़ताई, सत्यदेव दुबे, त्रिलोचन, अमरीश पुरी, इब्राहीम अल्क़ाज़ी, मोहन उप्रेती, गोरख पांडेय, नैना देवी, वीरेन डंगवाल, मन्नू भंडारी, भीष्म साहनी, देवकी नंदन पांडे आदि के अलावा अनगिनत भारतीय और विदेशी समकालीन विचारक, कलाकार, लेखक, कवि और सांस्कृतिक लड़ाके। किताबों पर चर्चा के पॉडकास्ट, संगीत, फिल्म रिव्यू और स्ट्रीट रिकॉर्डिंग्स का एकमात्र पॉडकास्ट मंच। Details to support this Podcast Channel i.e. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen with Irfan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ :-Bank Name: State Bank Of IndiaName: SYED MOHD IRFANAccount No:32188719331Branch: State Bank of India, Vaishali Sec 4, GhaziabadIFSC–SBIN0013238UPI/Gpay ID irfan.rstv-2@oksbiCover: Irfan

Short Story: Manimala Ki Hansi by Shivani / Narrated by Suman Shekhar/Curator: IrfanJoin the Art of Reading:Share Your Story on Listen with IrfanDo you have a passion for reading literature or narrating captivating prose? Here's your chance to shine! I'm thrilled to announce a new collaborative series, Art of Reading, on my podcast channel, Listen with Irfan.If you love bringing stories to life, I'm offering you a platform to showcase your talent.Record a short story of your choice (maximum 8 minutes) and share it with a community of like-minded narrators and listeners. This is a free, non-commercial initiative to connect aspiring narrators, promote storytelling, and build a creative community. No monetization, just pure love for the art of narration.How to Participate:- Choose a short story or piece of prose you're passionate about.- Record it with clear audio using a mobile phone or audio recorder. Do not include your name or the story's title in the recording.- Background music is optional, but avoid copyrighted tracks to prevent hosting issues.- Send your recording via email to ⁠⁠⁠⁠voiceworkshopwithirfan@gmail.com⁠⁠⁠⁠ or WhatsApp at +91 9818098790.Submission Guidelines- -Write your-1. Name2. Current City3. Profession4. Brief bio (max 80 words)5. Photograph (if requested after review)  Submit only MP3 files. Full credit to the writer and narrator will be given on the Listen with Irfan podcast channel. Join us to share your voice, connect with an audience, and celebrate the art of storytelling!Let's create something beautiful together!BECOME A PATRON : Work on Listen with Irfan takes time, money and hard work to produce. As of now it is being done voluntarily with the family, friends and listeners who came forward for hand holding from its inception.  If you like the Podcasts, admire it, and benefit from its content, please consider awarding us an honorarium to make the future of this Podcast Channel robust and assured.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠यहाँ आपको मिलती हैं वो दुर्लभ आवाज़ें खुद बोलती, गाती और बहस करती। मनोहर श्याम जोशी, कमलेश्वर, कृष्णा सोबती, बी वी कारंत, शमशेर बहादुर सिंह, बलराज साहनी, अज्ञेय, रसूलन बाई, निर्मल वर्मा, मंगलेश डबराल, राजेंद्र यादव, चंद्रकांत देवताले, भवानी प्रसाद मिश्र, इस्मत चुग़ताई, सत्यदेव दुबे, त्रिलोचन, अमरीश पुरी, इब्राहीम अल्क़ाज़ी, मोहन उप्रेती, गोरख पांडेय, नैना देवी, वीरेन डंगवाल, मन्नू भंडारी, भीष्म साहनी, देवकी नंदन पांडे आदि के अलावा अनगिनत भारतीय और विदेशी समकालीन विचारक, कलाकार, लेखक, कवि और सांस्कृतिक लड़ाके। किताबों पर चर्चा के पॉडकास्ट, संगीत, फिल्म रिव्यू और स्ट्रीट रिकॉर्डिंग्स का एकमात्र पॉडकास्ट मंच। Details to support this Podcast Channel i.e. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen with Irfan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ :-Bank Name: State Bank Of IndiaName: SYED MOHD IRFANAccount No:32188719331Branch: State Bank of India, Vaishali Sec 4, GhaziabadIFSC–SBIN0013238UPI/Gpay ID irfan.rstv-2@oksbiCover: Irfan

The holidays are coming up and that means holiday photos! But how do you capture that fabulous holiday ambience when the light is terrible?We're going to talk about the challenges of lighting holiday photos and my tips and tricks (yes, we're talking about off-camera flash) for conquering them!The holidays are full of real emotional, beautiful moments and they deserve to be photographed well! It's a little tricky to learn lighting on a podcast so I'm starting a lighting series tackling holiday lighting on my Instagram!Follow along with my new Festival of Lights series starting next week!And if you want to get a head start on your in home lighting, be sure to check out my course, Lighting on Location: Off Camera Flash for In-Home Photographers, currently 50% off for a limited time!Lighting on LocationFind me on Instagram

Short Story: Channi / Narrated by Farhan Ali/Curator: IrfanJoin the Art of Reading:Share Your Story on Listen with IrfanDo you have a passion for reading literature or narrating captivating prose? Here's your chance to shine! I'm thrilled to announce a new collaborative series, Art of Reading, on my podcast channel, Listen with Irfan.If you love bringing stories to life, I'm offering you a platform to showcase your talent.Record a short story of your choice (maximum 8 minutes) and share it with a community of like-minded narrators and listeners. This is a free, non-commercial initiative to connect aspiring narrators, promote storytelling, and build a creative community. No monetization, just pure love for the art of narration.How to Participate:- Choose a short story or piece of prose you're passionate about.- Record it with clear audio using a mobile phone or audio recorder. Do not include your name or the story's title in the recording.- Background music is optional, but avoid copyrighted tracks to prevent hosting issues.- Send your recording via email to ⁠⁠voiceworkshopwithirfan@gmail.com⁠⁠ or WhatsApp at +91 9818098790.Submission Guidelines- -Write your-1. Name2. Current City3. Profession4. Brief bio (max 80 words)5. Photograph (if requested after review)  Submit only MP3 files. Full credit to the writer and narrator will be given on the Listen with Irfan podcast channel. Join us to share your voice, connect with an audience, and celebrate the art of storytelling!Let's create something beautiful together!BECOME A PATRON : Work on Listen with Irfan takes time, money and hard work to produce. As of now it is being done voluntarily with the family, friends and listeners who came forward for hand holding from its inception.  If you like the Podcasts, admire it, and benefit from its content, please consider awarding us an honorarium to make the future of this Podcast Channel robust and assured.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠यहाँ आपको मिलती हैं वो दुर्लभ आवाज़ें खुद बोलती, गाती और बहस करती। मनोहर श्याम जोशी, कमलेश्वर, कृष्णा सोबती, बी वी कारंत, शमशेर बहादुर सिंह, बलराज साहनी, अज्ञेय, रसूलन बाई, निर्मल वर्मा, मंगलेश डबराल, राजेंद्र यादव, चंद्रकांत देवताले, भवानी प्रसाद मिश्र, इस्मत चुग़ताई, सत्यदेव दुबे, त्रिलोचन, अमरीश पुरी, इब्राहीम अल्क़ाज़ी, मोहन उप्रेती, गोरख पांडेय, नैना देवी, वीरेन डंगवाल, मन्नू भंडारी, भीष्म साहनी, देवकी नंदन पांडे आदि के अलावा अनगिनत भारतीय और विदेशी समकालीन विचारक, कलाकार, लेखक, कवि और सांस्कृतिक लड़ाके। किताबों पर चर्चा के पॉडकास्ट, संगीत, फिल्म रिव्यू और स्ट्रीट रिकॉर्डिंग्स का एकमात्र पॉडकास्ट मंच। Details to support this Podcast Channel i.e. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen with Irfan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ :-Bank Name: State Bank Of IndiaName: SYED MOHD IRFANAccount No:32188719331Branch: State Bank of India, Vaishali Sec 4, GhaziabadIFSC–SBIN0013238UPI/Gpay ID irfan.rstv-2@oksbiCover: Irfan

In this episode of the podcast, I explore the notion of what it means for a photograph to be something it wants versus something I like. We all spend time thinking about what we want our photos to be or be about. We might even have some unintentional expectations that develop long before we click the shutter. Those expectations can be a problem because once the photo is made, it becomes something different than what we thought we photographed. So this week, we are going to dig into what it means to let a photograph be its own thing.I have started to think that every photograph we make can carry its own internal logic or way of being. Each image, good or bad, has structure, rhythms, weights, and a pull that is inside the frame. We can choose to fight that structure or enhance it. I always say to follow the light in an image. Work with what you have, not what you might want to have. How do the tones relate to one another? How do you make them something else? Is there a gesture or a space that pushes and pulls in unexpected ways? If we think of our photographs more as partners in the process, does the picture know more about what to focus on in processing than we might? At the root of all this are our intentions. The thinking about what we should do versus what we can do versus what image is doing. That intention often comes from a memory of the moment. We remember taking the shoot and what all went into that. And yes, all of that is valuable, but none of it lives inside the photograph. If we try to force the image to match our memory rather than honor its reality, we can miss out on something really cool. The question then becomes, what do we do in those positions? Well, I think you can ask yourself a simple question: what is this photograph already doing well without me touching a thing? Before I move a single slider or adjust a single tone, I want to get a sense of the image. That sense tells me what to do rather than the other way around. This allows for things like minor mistakes to become important to the image, and it asks whether the so-called flaw is actually what gives the photograph its interest. To all this, our editing becomes a conversation rather than a correction. I am collaborating with the picture. I respond. It esponds. We discover the image rather than follow my old formula for getting it done. If you give it a shot, you might be surprised that the photograph often reveals the one you didn't expect, but the one you needed.

Butch, Phil, Ben and Yas look ahead to the pink-ball Test in Brisbane, react to South Africa's series win in India and more. 0:00 Timothy Taylor's / 0:40 Intro / 2:17 Do we like pink-ball Tests? / 16:45 Naked Wines / 17:10 Mark Butcher / 32:27 Cricket 26 / 32:51 What will Australia's XI be? / 39:38 Pink-ball warm-up / 48:10 Visit Victoria / 48:35 Wisden Photograph of the Year competition / 48:59 FREE WCM Ashes special / 50:05 Patreon / 50:54 India vs South Africa / 1:00:12 County schedule / 1:08:13 Outro

TWiV explains the Nobel Prize-winning discovery of pre-mRNA splicing, and engineering bacteriophage to deliver proteins to the human intestine. Hosts: Vincent Racaniello, Kathy Spindler, and Brianne Barker Subscribe (free): Apple Podcasts, RSS, email Become a patron of TWiV! Links for this episode Support science education at MicrobeTV Immune 100 live at the Incubator Spliced segments of adenovirus mRNA (PNAS) An amazing sequence in adenovirus mRNA (Cell) Nobel Prize for mRNA splicing (Nobel) A predominant undecanucleotide in adenovirus late mRNAs (Cell) Splicing RNA with Phillip A. Sharp (ASM) Protein production in the gut by engineered phage (Nat Biotech) Engineered phage T4 (Curr Op Virol) Timestamps by Jolene Ramsey. Thanks! Weekly Picks Brianne – Can You Identify These Lines from Classic SciFi Novels? Kathy – Saturday Morning Physics, Photograph 51 and JCE article Rich – Wikipedia:Wiki Science Competition 2025 in the United States Jolene – Data visualization workshop Vincent – Transformer: The Deep Chemistry of Life and Death by Nick Lane Intro music is by Ronald Jenkees Send your virology questions and comments to twiv@microbe.tv Content in this podcast should not be construed as medical advice.

Dennis Church, 76, has been a photographer for 50 years and has used the quiet act of photographing the world around him to navigate childhood trauma, addiction, and shame. His forthcoming book, DIRT FRESH (Fall Line Press, Atlanta), is part visual memoir and part emotional x-ray—a project rooted in finding light, humor, and color in the mundane. Having survived much, Dennis has made pictures through it all, using photography as a kind of recovery hymn. He speaks on art as healing, vision as survival, and the long arc of becoming whole.In This EpisodeDennis' websiteBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-trauma-therapist--5739761/support.You can learn more about what I do here:The Trauma Therapist Newsletter: celebrates the people and voices in the mental health profession. And it's free! Check it out here: https://bit.ly/4jGBeSa———If you'd like to support The Trauma Therapist Podcast and the work I do you can do that here with a monthly donation of $5, $7, or $10: Donate to The Trauma Therapist Podcast.Click here to join my email list and receive podcast updates and other news.Thank you to our Sponsors:Incogni - Use code [traumatherapist] and get 60% off annual plans: https://incogni.com/traumatherapistJane App - use code GUY1MO at https://jane.app/book_a_demoJourney Clinical - visit https://join.journeyclinical/trauma for 1 month off your membershipTherapy Wisdom - https://therapywisdom.com/jan/

Photograph by Bill Bennett

This video answers the question: Can I analyze the case of James Colley? Support Dr. Grande on Patreon: ⁠https://www.patreon.com/drgrande⁠⁠⁠⁠⁠⁠⁠⁠ Dr. Grande's book Harm Reduction: ⁠https://www.amazon.com/Harm-Reduction-Todd-Grande-PhD/dp/1950057313⁠⁠⁠⁠⁠⁠⁠⁠ Dr. Grande's book Psychology of Notorious Serial Killers: ⁠https://www.amazon.com/Psychology-Notorious-Serial-Killers-Intersection/dp/1950057259⁠ Check out Dr. Grande's merchandise ⁠⁠⁠⁠⁠⁠⁠⁠https://teespring.com/stores/dr-grandes-store⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textThe Toy Genius, Doctor Photograph, makes his first appearance on the pod to talk about Skankfest New Orleans 2025 with the boys! No movie talk on this one but we chat about our experience at the fest and revisit some of Doctor Photograph's best creations for the show!Go give the Doc a follow on Instagram & Youtube:  @DoctorPhotograph  If you want to watch along check us out on Youtube: @MovieRuiners

In this episode of the Hot Young Designers Club, Rebecca and Shaun welcome interior‑photographer turned editor and marketing strategist Jessica Burke to unpack when and why designers should not photograph—or publish—every single project. Jessica shares her transition from the wedding industry into shooting editorial interiors, how to evaluate when a project is worth photography, how to structure the relationship between designer and photographer (especially contracts/licensing), and how to strategically use imagery to attract your ideal clients and press.In this friendly, candid conversation you'll hear stories of photo‑shoot challenges, licensing headaches, and practical business strategies that interior designers can apply right now.In this episode they discuss:How Jessica moved from wedding photography into interior design marketing and then interior‑shoot work — and the lessons she brought with her.Why shooting every project is not only expensive but may hurt your brand if the work doesn't align with your vision.How to decide which spaces to shoot (and publish) and which to leave out or hold for later.Why building a trusted long‑term photographer‑designer relationship matters (and how it benefits both sides).Key contract and licensing issues designers should ask photographers before a shoot — e.g., copyright, vendor use, third‑party licensing.Growing a photography business and the parallel to growing a design firm: scaling, handing off work, outsourcing editing/licensing.How social media, PR, and vendor/product‑licensing have changed the interior‑photography landscape—what designers should watch out for.Jessica's favorite (and least‑favorite) rooms to shoot, how to manage shoot stress and logistics, and her advice on working with a stylist and assistants.Mentioned:Jessica Burke's website: https://www.jessicaburke.com/Jessica's Instagram: @jessicaburkeThe Haven List feature on Jessica Burke Photography: HavenOur links:Subscribe and leave a review - Apple PodcastsLike, Comment, & Follow - Hot Young Designers Club InstagramRebecca's InstagramShaun's InstagramFor more information - Check out the websiteBecome a “Loyal Hottie” - Support us on PatreonDesign Resources - Check out our shop

Giuseppe Castellano talks to Amanda Burdan, Senior Curator at The Brandywine Museum of Art, about N.C. Wyeth's early life; what led to the restoration and permanent exhibition of Wyeth's The Apotheosis of the Family; what today's illustrators can do for tomorrow's curators; and more.To learn more about the Brandywine, visit brandywine.org. For tours and the mural experience, visit brandywine.org/mural.Artists mentioned in this episode include: Howard Pyle, Jamie Wyeth, Norman Rockwell, J.C. Leyendecker, Stanley Arthurs, Harvey Dunn, Clifford Ashley, Violet Oakley, Thomas Hart Benton, George Bellows, Marsden HartleyPhotograph credit: N.C. Wyeth in Chadds Ford studio with central panel of Apotheosis mural, undated. Photograph by Earl C. Roper, Philadelphia, PA. E. Coe Kerr Collection, Walter & Leonore Annenberg Research Center, Brandywine Museum of Art. Gift of Betsy Wyeth, 2004.  If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.