Podcasts about Photograph

Before we dive into this week’s episode (number 588, btw), just a quick reminder: two spots are still available in the Photo Book Club—Click on the link under the workshop menu for more details.  This week, the inspiration for this episode came from the book we are reading for the book club — Robert Adams’s Why People Photograph. But before we dig into our topic. We lost two great photographers this past week. Both Duane Michals and David Hockney passed away. Duane pushed photography into the realms of narrative, imagination, and personal expression, and reminded us that photographs could ask questions rather than provide answers. David said he took pictures (30,000) from time to time, and he continually encouraged us to reconsider how we see and work with ideas as complex and dynamic rather than as frozen moments. While they will be missed, we have such a great archive of their work. If you haven’t looked at their work, it’s worth your time.  Our main topic for the week is about those exact moments of the shutter clicking. For many, photography is something we do almost automatically. Cameras are always within reach, and images are made billions of times a day. Yet beneath every photograph lies a simple question: Why did we choose to photograph that particular moment? In this episode, I explore some of the ideas behind the why of our photographs. For some of us, photography begins with attention. Before there is a photograph, there is an act of noticing. Something in the world captures our interest, interrupts our routine, and asks us to pause. The camera becomes a way to acknowledge that moment. We might photograph to remember, but photographs aren’t records of the past. They become memory triggers, opening doors to experiences, emotions, and stories that often fade or are forgotten.  We also photograph to understand who we are and the world we live in. The camera allows us to investigate the world, ask questions, and discover meanings we might have overlooked. It allows us to push back when things aren’t right and celebrate what is good. Maybe our photographs reveal something about who we are. The subjects we return to, the moments that move us, and the scenes that capture our attention all provide clues about what we value and how we see the world, all acting like a form of self-portraiture.  Ultimately, photography may not be about collecting images at all. It may be about collecting these moments and places of attention and creating a deeper connection to the world around us.

This time around, our "Breakout Album" is by Def Leppard--the smash from '83, "Pyromania." Frankie will share his story about the band from England, and Tim will fill you in on how that "Union Jack" t-shirt worn in the famous "Photograph" video came to be. Next up: "The Grand Illusion" by the Chicago band, Styx. Enjoy!

Matt Kay is a Cape Town-based photographer who came up through photojournalism, spent formative years on a Texas ranch with a Pulitzer Prize winner he didn't know was a Pulitzer Prize winner, and has spent the better part of two decades thinking seriously about what photography is actually for.In this episode, we get into why a photograph is never real, the collapse of photojournalism and how weddings filled the gap financially, why the boudoir work is less about taking saucy pictures and more about giving someone permission to be seen, and how the saturation of imagery has made it almost impossible for a single photograph to change anything anymore. We also get into snake catching clubs, growing up in the Midlands, and a yellow-billed kite named Napoleon. Enjoy. Hosted on Acast. See acast.com/privacy for more information.

Elijah Vue's biological father was in prison. The man his mother chose to care for him had a felony for harming a child, trafficking charges, and a federal drug conviction. His mother had once told police that the same man had trafficked her — and then, years later, placed her three-year-old in his apartment for “disciplinary reasons.” There was nowhere safe for this child to land. And no one intervened.The criminal complaint in this case lays out a relationship between Katrina Baur and Jesse Vang that goes back years — through trafficking allegations, federal prison, and a power dynamic Baur herself described to investigators as a “structure” with Elijah's father as “the alpha.” By February 2024, that dynamic had put a toddler inside a Two Rivers apartment where he was being subjected to what Vang called “boot camp.” Standing timeouts lasting hours. Cold water. His one toy confiscated. One diaper change per day. Text messages between Baur and Vang show them coordinating: Vang promised to make the boy hate him, and Baur replied with a correction — not hate, fear.A deleted photograph showed Elijah blindfolded and bruised at 3:13 in the morning. His mother took it, erased it, and drove home. Both Baur and Vang now face felony charges in connection with Elijah's death. Both have pleaded not guilty. Vang faces life in prison. Tony Brueski goes deep on who these people were, how they were connected, and the question that defines this first segment: how did a three-year-old end up surrounded by adults who were either locked up, accused, or complicit — with nobody standing between him and what happened next?Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/ Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1 Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#ElijahVue #JesseVang #KatrinaBaur #TwoRivers #Wisconsin #TrueCrime #JusticeForElijah #ManitowocCounty #TrueCrimeToday #TrueCrimePodcast

The Photograph That Survived the Fire Wasn't Supposed to ExistBecome a supporter of this podcast: https://www.spreaker.com/podcast/dark-mysteries-the-strange-and-unusual-podcast-2026--5684156/support.Darkest Mysteries Online

With an academic background in social, cultural anthropology and photography, I have spent the last twenty-five years working on projects that have bridged photographic and archival research. I have witnessed the power of photography as a means to connect communities. I have experienced first-hand the benefits to participants of enabling an emotional connection and inspiring a sense of validation, of feeling seen and valued and heard. That their story matters. That they matter. In this talk, we will explore the creative mechanisms involved in making memory visible through photography, stimulating engagement in the present.This lecture was recorded by Julia Winckler on the 7th of May 2026Julia Winckler is a photographer, writer, curator and Principal Lecturer at the University of Brighton's School of Art and Media, where she teaches on MA Photography and MA Fine Art and supervises PhD research. She has exhibited and published widely on memory and migration narratives, contested topographies, émigré photographers and photography as activism. With an academic background in cultural anthropology, social work and photography, she has spent the last 25 years developing projects that bridge photographic and archival research.The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/making-memoryGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today Website:  https://gresham.ac.ukX: https://x.com/GreshamCollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeBluesky: https://bsky.app/profile/greshamcollege.bsky.social TikTok: https://www.tiktok.com/@greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

Bob Brigham always knew he was adopted, but growing up, he didn't know anything about his biological parents. When he was seven years old, a social worker came for a visit and Bob heard her whisper something to his mother – something about the Vietnam War. “Within a nanosecond, I created a story in my head.” Bob Brigham's book is This Is a True War Story. My Improbable History with Vietnam. Say hello on Facebook and Instagram. Follow the show and review us on Apple Podcasts. Want to listen to This is Love ad-free? Sign up for Criminal Plus – you'll get to listen to This is Love, Criminal, and Phoebe Reads a Mystery without any ads. Plus, you'll get behind-the-scenes bonus episodes of Criminal and other exclusive benefits. Learn more and sign up here. We also make Criminal and Phoebe Reads a Mystery. Artwork by Julienne Alexander. Check out our online shop. Episode transcripts are posted on our website. Learn more about your ad choices. Visit podcastchoices.com/adchoices

For most of human history, space has been a place we visited. The next chapter may be about building there.For decades, space was the domain of governments, astronauts, and science fiction. Today, falling launch costs, reusable rockets, and a new generation of ambitious founders are turning orbit into something else entirely: a place to build. The question is no longer whether humanity can construct large-scale infrastructure in space, but what we should build first—and why.In this episode of TechSurge, host Sriram Vishwanath speaks with Dr. Ariel Ekblaw, Founder and CEO of Aurelia Institute, Research Affiliate at MIT's Space Exploration Initiative, and founder of Rendezvous Robotics. Ariel has spent her career exploring one of the most fundamental challenges of the emerging space economy: how to build structures in orbit that are far larger than anything that can fit inside a rocket.Ariel explains the origins of TESSERAE, her pioneering work on autonomous self-assembling space architecture, and how ideas borrowed from biology, swarm intelligence, and modular construction could unlock a future of massive solar arrays, communications infrastructure, orbital laboratories, and eventually human habitats in space.The conversation explores the rapidly emerging market for in-orbit infrastructure, including AI data centers in space, space-based solar power, and the technologies needed to support a permanent industrial presence beyond Earth. Ariel breaks down the engineering realities behind these ideas—why cooling data centers in space is harder than most people assume, how autonomous assembly could solve the scale problem, and why the future of orbital infrastructure may look more like a business park than a collection of standalone satellites.Sriram and Ariel also discuss the broader implications of humanity's return to space: the economics unlocked by reusable launch systems, the opportunities created by dramatically lower transportation costs, and the second-order innovations that may emerge from building an industrial ecosystem in orbit. Along the way, they examine space debris, stewardship of the orbital commons, artificial gravity, and what it will take to make long-term human habitation in space viable.At the heart of the discussion is Ariel's belief that space is not an escape from Earth's problems, but a tool for solving them. Whether through advanced manufacturing, new energy systems, biotechnology research, or entirely new industries, she argues that the next era of space exploration should be focused on improving life here at home.Sign up for our newsletter at techsurgepodcast.com for updates on upcoming TechSurge Live Summits and future episodes.Links:Ariel Ekblaw on LinkedIn:https://www.linkedin.com/in/arielekblawAurelia Institute:https://www.aureliainstitute.orgRendezvous Robotics:https://www.rdvrobotics.comMIT Space Exploration Initiative:https://www.media.mit.edu/groups/space-exploration/overview/How Aurelia is Designing Self-Assembling Space Stations: https://www.fastcompany.com/91242689/how-the-aurelia-institute-is-designing-a-self-assembling-space-stationOverview Energy (Space-Based Solar Power): https://www.overviewenergy.comStarCatcher Industries (Space-to-Space Power Transmission): https://www.starcatcherindustries.comImpulse Space (Orbital Transportation): https://www.impulsespace.comReferences Mentioned During the DiscussionEarthrise - The Apollo 8 Photograph: https://www.nasa.gov/image-article/apollo-8-earthrise/Carl Sagan's “Pale Blue Dot”: https://www.planetary.org/worlds/pale-blue-dotBuckminster Fuller Institute: https://www.bfi.orgWatch Ariel's Talks & InterviewsAurelia Institute YouTube Channel: https://www.youtube.com/@AureliaInstituteAriel's TED Talk: https://youtu.be/IHrGK3Mu5K4?si=QwGHq1BEoB-QMUjkSpace Business Podcast - Self-Assembling Space Habitats with Ariel Ekblaw: https://spacebusiness.podbean.com/e/137-self-assembling-space-habitats-ariel-ekblaw-founder-ceo-aurelia-institute/Further ReadingNASA's Artemis Program: https://www.nasa.gov/artemisInternational Space Station (ISS): https://www.nasa.gov/international-space-stationAurelia Institute's Vision for Humanity's Future in Space: https://www.aureliainstitute.orgMIT News: Supporting Mission-Driven Space Innovation: https://news.mit.edu/2025/supporting-mission-driven-space-innovation-aurelia-institute-0710Timestamps:[00:00] Highlights[00:34] Welcome to the Episode[02:33] The New Space Race Begins[04:10] Meet Dr. Ariel Ekblaw[06:30] Why We Explore Space? [12:53] How She Discovered Self-Assembly at MIT [17:10] How TESSERAE Tiles Build Themselves[20:14] How the Tiles Coordinate Like a Swarm[24:47] Repairing and Reconfiguring Structures in Orbit[28:32] Why the Space Industry Is Exploding Now[34:25] The Case for AI Data Centers in Space[45:21] How Much Compute Will Move to Space?[48:40] Why This Space Era Is Different[52:24] The Growing Problem of Space Debris[55:14] Building the Next SpaceX[57:27] What Could Go Wrong in Space?[59:33 ] How Many Hours of Gravity Do Humans Need?[01:00:38] Why We Should Build in Low Earth Orbit First[01:05:09] Should We Really Colonize Mars?[01:11:27] Could You Commute to Space for Work?[01:13:50] Who Makes the Rules in Space?[01:22:30] What's Overhyped and Underhyped in Space[01:26:57]What's the Real Story in Space?

(6) Bob Zimmerman shares the backstory of the iconic Earthrise photo and the legendary Christmas Eve broadcast. He clarifies that while there was friction over who took the photograph, Bill Anders captured the famous color version. For the broadcast, which reached the largest audience in history, Frank Borman rejected PR advice and instead chose to read from Genesis. The guest notes that this choice aimed to share a message of universal goodwill that transcended specific religions. The reading brought a hush over the world, concluding with the famous sign-off wishing a Merry Christmas to everyone on the "good earth."1955

Hear MAMA, the 2nd place award winning band at the 2026 International Blues Challenge, in their live performance at the finals at the Orpheum Theatre in Memphis, January 2026.Photograph by Laura Carbone.Find more at BluesRadioInternational.net

HT2638 - Photograph As Launch Pad It's easy to fall into the trap of thinking that a photograph is a destination of a viewing process. It's as though seeing a photograph puts a period at the end of an experiential sentence. The reason I call this a trap is because it seems much better to me to consider a photograph as a launch pad for an experience, one that encourages a train of thought, a series of questions, a dialog, a search for meaning and understanding. A photograph that only provides answers is easy to forget. This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2500 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process.

Colin is on the pod as we discuss his journey from the islands of Scotland to supporting The Strokes on their first UK tour and much more.Colin MacIntyre AKA Mull Historical Society releases a new album on May 29th. It is his 10th LP and the second in his collaborative author series following on from previous record “In My Mind There's A Room” in 2023. This brand new collection of songs, “In My Mind There's A Photograph', will feature lyrical contributions from a panoply of world-leading authors, all of whom were asked to reflect on a single significant photo to them. With Colin playing the ‘Elton to their Bernie', coupling his musical idiosyncrasies to their affecting words, together they have created 12 songs of vivid photographic realisation and a very real emotional resonance.The author collaborators on ‘In My Mind There's A Photograph' are best-sellers, Pulitzer, Booker, Costa, Women's Prize & Saltire Award-winners, including: Irvine Welsh, Sir Alexander McCall Smith, Dan Richards, Ali Smith, Len Pennie, Jehan Bseiso, Louise Welsh, Irenosen Okojie, Paul Lynch, Colum McCann, Yiyun Lee & Alan Johnson.Alongside the album's release in May, 2026 finds Colin in the most creative and prolific form of his career. An established author in his own right, MacIntyre's fifth book, and the second in his Mull Mysteries Crime series, ‘An Island Burning', came out in April on Black & White Publishing/Bonnier Books. Elsewhere, his multi-genre musical, ‘Culloden', for which he has written the script, book and music, also goes into pre-production this year. Plus, with the 25th anniversary of his Gold-selling, album-of-the-year-polls-topper, debut ‘Loss' coming around, expect further news on some special anniversary plans…In the meantime, to support the release of “In My Mind There's A Photograph” and his new novel - Colin recently announced “An Evening With…” tour, which will include songs, stories, readings and Q&A with special guests as follows:AN EVENING WITH… MULL HISTORICAL SOCIETYJUNE4 - LONDON St Pancras Old Church10 - TOBERMORY, ISLE OF MULL Aros Hall11 - STIRLING Tolbooth12 - GLASGOW King Tut's13 - EDINBURGH La Belle AngeleSEPTEMBER11 - HEBDEN BRIDGE Trades15 - BIRMINGHAM Hare & Hounds 216 - READING South Street Arts Centre17 - MANCHESTER St Michael's18 - CAMBRIDGE Storey's Field Centre19 - SOUTHAMPTON The Joiner's Arms22 - BRISTOL The Wardrobe TheatreTickets on general sale now from:http://mullhistoricalsociety.com/------22 Grand Pod is on Patreon: https://www.patreon.com/22grandpodOff the back of the main pod, we are creating Patreon only bonus content. For £3 a month you will get:The 00's Deep Dive: Taking a look back at the likes of the Stalking Pete Doherty documentary and going through them in painful detail. As well as going through NME Awards from back in the day and discussing what happened.My Favourite 00's Songs: Inviting patrons and other guests to come on the podcast to talk about their favourite songs, albums or moments from back in the day.Legend or Landfill: We go through NME's top 10 albums of each year and see if we think they are indeed Legendary or for the Landfill.Fans Stories: Talking to people about their memories and opinions on all things 00's.Unsigned Stories: Chatting with bands that didn't quite 'make it' in terms of signing that elusive record deal.Patrons will also get early access to any main pod episodesMerch etc: https://www.redbubble.com/people/22grandpod/shop?asc=uAlso check the YouTube channel for extended video versions of the interviews and much more: https://bit.ly/3Ts7Wu1And 22 Grand Pod on Islington Radio: https://www.mixcloud.com/IslingtonRadio/playlists/22-grand-pod/ Hosted on Acast. See acast.com/privacy for more information.

Portraits aller Dinge - Peter Hujar und Liz Deschenes im Gropius Bau Berlin in der Ausstellung „Persistence of Vision“ Peter Hujar ist ein wichtiger Chronist des längst vergangenen, im grundlegenden Sinne queeren New York bis in die 80er Jahre, der Avantgardist*innen und Trash/Künstler*innen, Codes, Gesichter, Körper, der Hinterhöfe, Kaianlagen – Stadtansichten des damals runtergekommenen Big Apple. Und: er war ein hervorragender Photograph. Im Martin Gropius Bau Berlin läuft noch bis zum 26. Juni die Ausstellung „Persistence of Vision“, zusammen mit der zeitgenössischen Künstlerin Liz Deschenes. Eine klare Empfehlung. Vielen Dank an monoblau und den Sprecher Paul Krüger! Musik & Sounds: lobosh kiefer

Photograph, Picture — PatReitaq (N), PatRiitaq (S)PatRiitarnga. – Take a photograph of me.

In this podcast, we look at The Publicity Photograph from the fifth radio series.The sepia-tinted triumvirate consider how this is another episode starting round the breakfast table and discuss Kenneth Williams's brilliant portrayal of Hillary St. Clair.   The team discuss the rest of the cast and, in particular, Bill's excellent portrayal of his more witless character.  The guys revel how much the £50 photograph would cost in today's money and debate, at length, which of them should really have had their leg cut down the middle in their own fan photograph. Don't forget to rate and subscribe to the podcast. And if you haven't done so already, why not join the Tony Hancock Appreciation Society - full details of how to join are at www.tonyhancock.org.uk. We are holding our annual dinner in Solihull in September, and we'd love to see you there.  In addition, screenings of Hancock's TV episodes on the big screen continue at the Riverside Studios in Hammersmith and we‘ll be back there on the 27th June when we'll be showing three more episodes. This was the last episode in the series; we'll be back in the Autumn. We hope to see you then.

This week on Drinking from the Gardenhose, OB and ED tackle the true modern workplace nightmare: lunchtime meetings, surprise calendar invites, and the silent war for personal time. ED explains his elite-level strategy of blocking off his entire Outlook calendar like a corporate bunker, while OB questions whether anyone actually respects lunch anymore. The guys also dive into gym politics, prom photo etiquette, and the unwritten rules of where certain pictures should—and absolutely should not—be shared. Along the way, ED recounts a genuinely bizarre night at a beer garden involving unsupervised kids and questionable parenting decisions that left both hosts wondering if public behavior has completely unraveled. Throw in concert shirts, golf outing chaos, and one hilariously brutal insult OB has been saving for the right moment, and you've got another episode packed with observational comedy, workplace survival tactics, and pure Gardenhose energy.

Canadian author Rachel Reid talks to us about the the phenomenon which has followed the publication of her books about the romantic relationship between rival ice hockey players.We speak to author Yang Shuang-zi and translator Lin King, the author and translator of this year's International Booker Prize winning book, Taiwan Travelogue. And Mull Historical Society's latest album In My Mind There's A Photograph sees singer-songwriter Colin Macintyre work with lyrical contributions from a panoply of world-leading authors. He reveals his collaborative process with the likes of Irvine Welsh, Ali Smith, Irenosen Okojie, Yiyun Lee, and Sir Alexander McCall Smith, and performs a track live in the Front Row studio. Presenter: Kirsty Wark Producer: Mark Crossan

Hear The Weary Ramblers live in their first place award winning performance at the 2026 International Blues Challenge on this Edition of the Blues Radio International Podcast.Photograph by Laura Carbone.Find more at BluesRadioInternational.net

What company owns both Instagram and WhatsApp? Play. Share. Listen with Host of FOX Across America and FOX News Saturday Night, Jimmy Failla. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Photograph Proved She Lied About That Night on Holcomb RiverBecome a supporter of this podcast: https://www.spreaker.com/podcast/dark-mysteries-the-strange-and-unusual-podcast-2026--5684156/support.Darkest Mysteries Online

Photograph by the incredible Frederikke Jensen We're joined by Dan Kilpatrick to talk through the strange feeling of Tottenham actually giving us something to believe in again. We get into the Villa performance, De Zerbi's immediate impact, whether the Tottenham way actually exists, the power vacuum behind the scenes, Johan Lange's role, Palhinha, Vuskovic, survival, and the deeply uncomfortable question of whether we hate Arsenal more than we love Spurs. Learn more about your ad choices. Visit podcastchoices.com/adchoices

(Photograph by Howard Rankin) Roger Marsh chatted with Doris Brendel recently about a great many things, including her recent venture into Blues with her album ‘Big Blue Sky’ and the wonderful variety of album releases, both solo and with Lee Dunham. Included are the following tracks : ‘Long Long Time’ (from ‘Big Blue Sky’) ‘Fight […]

In this episode, I discuss auto focus techniques that can really help your hit rate in the field. If you have ever struggled with Auto Focus and your 'keeper rate,' then this is the podcast for you. The podcast includes techniques I have learned over more than 30 years as a professional photographer that you can apply in the field.Photograph of the Month May 2026 The Australian Photographic Prize Support the showWild Nature Photo TravelPhotography Workshops and Expeditions around the Worldwww.wildnaturephototravel.comSupport the Show and fellow Nature Photographer: https://www.buymeacoffee.com/JoshuaHolko/membershipFind us on Social MediaFacebook: https://www.facebook.com/Joshuaholko/Twitter: https://twitter.com/HolkoJoshuaInstagram: https://www.instagram.com/joshuaholko/Need to Contact us? info@jholko.com 

Savia Rocks is a singer/songwriter, poet, photographer, podcast producer/host who loves people on every level especially those who share their story with her. Her podcast Us People is all about that. It's where people can share their truth, honest and real, the good, bad and ugly. Us People highlights the underserved voices who need a place to amplify themselves and in turn provides a place for a listener to connect. Our 2026 slogan/motto/anthem is: SAY YES. When we reached out to Savia to come on World Gone Good, she said yes without hesitation. She repeated with a second yes when Steve asked her to join Slideshow's UK debut on Sunday, May 3rd in London. So this episode provides you our good listener with another guest who is here not just to uplift but also inspire you to say yes to whatever your life question is. It's also an important opportunity for us to explain to you how London is not measured in streets or miles or kilometers but rather in coffee shops. Press play for more on all this good stuff... ___________________________ June 13 and July 12 - grab your seat to SLIDESHOW: IN COLOR! now playing in London. It's the live storytelling show the Los Angeles Times declares, "Downright magical, uncomfortable and shockingly honest!" and Theatreland Adventures London cheers, "FOUR STARS - This is unlike anything I've seen before, a warm, engaging, and memorable evening!" Tickets & Info: https://www.citizenticket.com/events/etcetera-theatre/slideshow-in-color/ Pre-Order CUPID'S CURSE - the fourth book in Steve's series THE DOG WALKING DETECTIVES MYSTERIES and catch up on the rest: https://www.barnesandnoble.com/s/%22Steven+J+Silverman%22?Ntk=Publisher&Ns.

Welcome to episode 581 of the Perceptive Photographer. This week, I am sharing what I hope are five insightful suggestions to help you think differently about your work in your photography and deepen your creative practice. As I was digging into some new books, class prepping and thinking about some classic comedy and photographic techniques, I came up with five simple ideas for you to try out and see if it can jump start soemthnign in your work. When we’re not curious, when we’re not interested in something, it becomes very easy to fall back on cliches. Five and not Six and Half ways to play in your practice 1. Create a Contact SheetRemember contact sheets? Making a contact sheet, digital or printed, shows you all your photos in the order taken. This reveals your natural rhythms, patterns, and how you approach a scene. Are you shooting the same frame multiple times? Do you start wide and move in, or vice versa? Reviewing contact sheets helps you see (and refine) your habits. 2. Watch Out for ClichésIt’s easy to fall into the trap of the “iconic shot”. You know the sunset everyone else gets, the highlight of an event. Yet, what often matters most are the quieter, everyday moments. Next time you find yourself choosing between a crowd-pleaser cliche shot and telling something personal about your day behind the camera, consider what story really matters most for you. Photograph that. 3. Feed Your CuriosityLet intense curiosity guide you. Whether it's the way light falls or a unique gesture on the street, follow what genuinely sparks your interest. When you feel that surge of excitement, slow down and let those moments develop into more meaningful images. 4. Embrace Happy AccidentsSome of the best photographs come from surprises or unplanned moments. Not every shot needs to be perfect. Sometimes unexpected leads to inspiration. Rather than rushing to delete them, pause and consider what you can learn from these “accidents.” you might find your best shots are accidents. I know I have a few of those. 5. Practice “Yes, And…”Borrowing from improv, always do the “yes, and” mindset with your camera.. Don't shut down creative ideas but rather build on them. Same goes for inspiration and influence. Don’t replicate but rather expand the re[liation to new. Extending the conversations with your images by incorporate your unique view Upcoming Events Seattle Friends: Check out Into the Wild at the Seattle Art Museum Art Walk on May 7, 5:30–7:30pm. Free admission! I have four images in the show this month. Whether you make a photograph, doodle in the margins, or shoot hoops with the trash can, try to do something creative this week. Let every click of the shutter be a “yes, and” for your own photographic journey.

Music fan Brian Koppen chats with music critic Aug Stone as they discuss Hall of Fame artists: Mamas & the Papas' “Creeque Alley” vs. The Ramones' “Come On Now”Def Leppard's “Photograph” vs. Michael Jackson's “Scream”Ruth Brown's “This Little Girl's Gone Rockin” vs. Sly & The Family Stone's “Everyday People”Dusty Springfield's “Stay Awhile” vs. Elton John's “Bennie and the Jets”George Michael's “Freedom 90” vs. Solomon Burke's “Cry To Me”Van Halen's “Unchained” vs. Talking Heads' “This Must be the Place (Naïve Melody)”Little Richard's “Hurry Sundown” vs. Kate Bush's “Hounds Of Love” Check out Aug Stone at instagram.com/augxstone/, augstone.com, https://twitter.com/augstone, augstone.substack.com, https://linktr.ee/augstone, and augstone.bsky.social! Also check out https://hbird.bandcamp.com/album/operation-fascination! Intro music is from Jussy's Down Open Roads.  Check out Jussy at https://soundcloud.com/user-214048265/sets/jussy-demos-1!Support the show

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LW1502 - Being Immersed in the World of a Photograph The photography I tend to love best is when I find myself immersed in the world of the photograph rather than just shown an instant in time. Think of that photograph by Joseph Sudek looking out his rainy kitchen window. That image immerses me in his life, his surroundings, his mood. Think of Jerry Uelsmann's fanciful worlds that are nonetheless believable. Do you remember the Griffin and Sabine series of books by Nick Bantock? I could probably go on ad infinitum, but the purpose of bringing this up is to perhaps give you a new framework to view your own images. All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

Photographer Jess T. Dugan and writer Charlotte Cotton join PhotoWork with Sasha Wolf to discuss their 2 volume book, Love Pictures, published by Radius Books. Developed through their friendship and an ongoing dialogue between Dugan and Cotton, Love Pictures explores key themes shaping Dugan's photographic practice, including gender and identity, family and politics, writing and language, the photobook as object, and the dynamics of exhibition spaces. These conversations expand outward to include voices from their broader creative communities, featuring contributors such as Dawoud Bey, Kelli Connell, and Dorothy Moss. In this episode, Jess, Charlotte, and Sasha discuss how this project evolved from an intimate exchange into a comprehensive survey of Dugan's work. Jess T. Dugan Charlotte Cotton Jess T. Dugan (b. 1986, they/them, lives in St. Louis) is an artist whose work explores identity and the complexities of the human condition. While their practice is centered around photography, it also includes writing, video, audio, drawing, and installation. Their work is regularly exhibited internationally and is in the permanent collections of over seventy museums. Charlotte Cotton (b. 1970, lives in London) is a curator and writer who explores photographic culture. She has held positions at the Victoria and Albert Museum, Photographers' Gallery, Los Angeles County Museum of Art, Katonah Museum of Art, International Center of Photography, and California Museum of Photography. Her book, The Photograph as Contemporary Art, has been published in fourteen languages and has been a key text in charting the rise of photography as an undisputed art form in this century.

Actor Patrick Ball stars in "The Pitt" as Dr. Langdon, a doctor who has just returned to the ER after attending a rehab program for drug abuse. But not everyone is happy Dr. Langdon has returned, particularly Dr. Santos, who caught him stealing drugs from the hospital. Ball discusses his role in Season 2 ahead of the season finale, airing tonight on HBO. In the segment following this conversation, Ball remains to discuss his new Broadway show "Becky Shaw." Photograph by Warrick Page/HBO Max

Piper & The Hard Times, winners of the International Blues Challenge, perform live at the 2025 Blues Music Awards in Memphis.Photograph courtesy of Piper & The Hard TimesFind more at BluesRadioInternational.net

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Today, it is considered scholarly to reject the Bible's account of a worldwide flood. Some try to compromise by saying that the flood recorded in the Bible was only a local event. The problem with these scholarly claims is that there were too many witnesses who disagree with them.We can test these scholars' claims. If the Bible's account of a worldwide flood is true, it was witnessed by every person on earth. The story of this event would have been passed down to their descendants and spread across the whole face of the earth.Researchers have catalogued some 270 stories of an ancient, destructive flood in various cultures around the world. A large majority of these stories have been shown to predate any Christian influence. As one would expect, details differ after such a long time. What's remarkable, though, is that where the details of these stories agree with the Bible, they also tend to agree with each other. For example, the ancient Greek flood hero was told to build and stock an ark because the god Zeus wished to destroy humanity. The Aztec story of a universal flood says it took place 1,716 years after the creation of the world—almost the same as the Bible's date! The Babylonian flood story shares seven major details with the Bible's account. Similar stories are found around the world, including Australia, India, Scandinavia, and China.The universality of the flood stories and their similarity to the Bible cannot be explained unless they are based on an event that actually took place.2 Peter 3:5-6“For this they willingly are ignorant of, that by the word of God the heavens were of old, and the earth standing out of the water and in the water: Whereby the world that then was, being overflowed with water, perished:”Prayer: Dear Father in heaven, I thank You that Your Word is sure and true and that it has been accurately preserved to our day. Help me to live Your Word in my life and tell others about the wonderful things You have done. In Jesus' Name. Amen.REF.: Roth, Ariel A. Flood stories—can they be ignored? Origins, v. 17. Image: Manabozho in the flood, R. C. Armour, PD, via Wikimedia Commons. + British Museum Flood Tablet (from the Epic of Gilgamesh), Photograph by Mike Peel, CC BY-SA 4.0, Wikimedia Commons. + Manu and Saptarishi, PD, Wikimedia Commons. To support this ministry financially, visit: https://www.oneplace.com/donate/1232/29?v=20251111

(Photograph courtesy of Christina Brandenburg) Roger Marsh chatted recently with Claire Hamill and Sonny Flint ahead of the release of a new Claire Hamill Band album. During the conversation, Claire reflected on her career and collaborations and included are the following tracks : ‘Speedbreaker’ (from ‘October’) ‘Look Over Your Shoulder’ (from ‘The Steve Howe Album’) […]

Legendary photographer Greg Gorman shares his philosophy on capturing genuine portraits, prioritizing spontaneity and subjects who don't take themselves too seriously. He discusses his shift away from commercial work after 2006, explaining that digital photography allowed clients to cheaply replicate his "look" and diminished the focus on capturing a person's "soul". Gorman also recounts firing an agent who told him to "reinvent" his signature style, arguing that a distinct style, like those of Avedon or Penn, is the foundation of a great photographer's brand.Show Clip from The Paris Chong Show with Greg Gormanhttps://youtu.be/5fEyOXb3Of0https://www.theparischongshow.com

6. Zimmerman covers the iconic "Earthrise" photograph and the crew's Christmas Eve television broadcast. He describes how the astronauts chose to read from Genesis to deliver a universal message to a global audience. The broadcast combined high-tech exploration with deep moral significance during a tumultuous era. (6)1918

Celebrated photographer Greg Gorman sits down with Paris Chong to discuss his current work, which includes an unannounced two-volume set of books dedicated to David Bowie and Grace Jones, both of whom he photographed for many years. He also shares that he, Matthew Ralston, and Herb Ritts are planning an upcoming project and book with Fahey Klein Gallery, stemming from their time in the "School of LA". Gorman, who is represented by Fahey Klein, details his busy schedule, which includes teaching at SVA in New York and running portraiture workshops in Maine and Aspen, Colorado.Gorman offers a candid critique of the photography industry, explaining that he made a conscious choice to step back from commercial work around 2006/2007, feeling he had "been there, done that". He attributes this change to the rise of digital and AI, which allowed producers to hire "Greg Gorman lookalikes" for a fraction of the price and use editing to mimic his style. His focus throughout his career has been on creating a "connected portrait"—getting inside the person's head to capture "a sense of the soul of who that individual was". He is the only person John Waters trusts to photograph his corpse, famously joking that Gorman would know he'd "need proper time for hair and makeup".Beyond his iconic black and white photography—known for its harsh lighting, strong highlights, hard shadows, and sculptured look—Gorman recounts the legendary status of his eclectic Hollywood dinner parties. He describes mixing guests like Bette Midler, David Bowie, and John Waters with "a hustler from Santa Monica Boulevard" and the popular, but unexpected, presence of Heidi Fleiss. Gorman also shares his history with Studio 54 and his connection to the late photographer Francesco Scavullo.Show Notes:www.theparischongshow.com/episodes/greg-gorman-talks-new-book-projects-and-why-only-john-waters-trusts-him-to-photograph-his-corpseChapters:00:00 Show Intro and Guest00:43 New Books Bowie and Grace01:57 John Waters Quote Talk03:13 Leica Versus Sony Gear05:38 Travel Wine and Workshops07:46 Portrait Philosophy and Industry19:22 Factory Days Memories19:56 Studio 54 First Night20:10 Francesco Scavullo Fan Talk22:06 Favorite Photographers Ethics23:58 Legacy Foundation Iconic Warhol28:56 Travel Festivals Workshops Farewell

Based in Kitchener-Waterloo Ontario, Bryn Gladding is a commercial photographer who works with developers, researchers, inventors, artists, and manufacturers, alongside pursuing his own personal projects. I found his insights and reflections into his personal projects in particular, from the perspective of his own vulnerability, very moving. Bryn is as passionate about nurturing connections with people as making photographs of and for them. He embraces the opportunities that come with new technologies as they emerge, and at the same time he looks forward to a resurgence in our general appreciation and valuing of art and artists, maybe even especially handcrafted or at least human-directed work. Check out Bryn's work on instagram @bryngladding as well as online at bryngladdingphotography.com Photograph © Bryn Gladding Photography Sculpture "Stratford War Memorial" Walter Seymour Allward (1919-1922)

This episode covers the next part of chapter 31 from: “On the following day I returned to her home and enjoyed...” to “... in 1935, when I made enquiry, she was still living.”. Summary: This section of the book explores stories about Lahiri Mahashaya's disciples, particularly discussing a miracles surrounding one particular devotee named Abhoya for whom a train was stopped in its tracks, and another story about her having previously lost eight children but successfully gave birth to a ninth child who survived thanks to grace. We share our own personal experiences with keeping guru images in various locations like cars and workplaces, and discussed how these images can provide protection and spiritual connection. 0:00 Prior Episode 1:40 Photograph for protection; 16:50 Faith that stops a train; 29:35 Your coming child will live; 38:00 Master helps us succeed; 42.14 Looking Ahead. Homework for next episode— Read, absorb and make notes on the next part of chapter 31 from: “One of Lahiri Mahasaya's disciples, the venerable Kali Kumar Roy...” to “...awakening of the seven cerebrospinal centres constitutes the true path to the Infinite.” #autobiographyofayogi  #autobiographylinebyline  #paramahansayogananda Autobiography of a Yogi awake.minute Self-Realization Fellowship Yogoda Satsanga Society of India #SRF #YSS

This is part two of a ten-part series from Garrett, a residential contractor living on a remote forty-seven-acre property in the southern Appalachians of western North Carolina. In Story One, Garrett described his first summer on the property, including months of wood knocking from the ridge, the discovery of seventeen-inch bipedal tracks, and a visual encounter with a massive upright figure at the edge of his meadow on September 27, 2014.Story Two picks up in the spring of 2015 after a quiet winter during which the knocking went silent. During a visit to the property's previous owner, Earl, at an assisted living facility in Marion, Garrett mentions his plans to put in a garden. Earl's reaction is subdued, noting only that his late wife Reba had tried a garden on the same ground in 1978 and hadn't kept it long because it "wasn't worth the trouble." Garrett breaks a thirty-by-forty-foot plot between the cabin and the workshop and plants tomatoes, green beans, cucumbers, squash, sweet corn, and sweet potatoes. By early June, the garden is thriving. Then produce begins disappearing overnight. Only ripe fruit and vegetables are taken, cleanly separated from the vine or stalk with no mess, no tracks, and no damage to the surrounding plants. Green and immature produce is left untouched every time.  Garrett's countermeasures fail one by one. Motion-activated floodlights are avoided entirely. A battery-powered radio left playing all night is found turned off in the morning, its power switch deliberately slid to the off position. A trail camera repositioned three times produces only one significant image: a close-up infrared photograph of a large, dark-skinned, hair-covered hand pressed against the lens at 3:17 AM.In late June, Garrett observes the visitor directly from a workshop window. He watches a tall, upright figure enter the garden from the eastern tree line, move between the rows without disturbing anything, and harvest tomatoes, corn, and green beans with practiced, selective precision over the course of about seven minutes before retreating into the forest.The story culminates in mid-August when Garrett is awakened at 3:30 AM by something breathing against the back wall of his cabin. He listens as it moves along the wall, stops outside the kitchen window, taps the glass three times at different heights, then scratches four parallel lines into the logs at the northeast corner before departing toward the ridge. In the morning, he photographs fingertip smudges on the window and fresh claw marks scored into the aged hardwood. Garrett decides not to plant a garden the following year, recognizing that the garden collapsed the distance between himself and the creature and brought it directly to his cabin walls. The series continues with Story Three, in which something in the woods mimics his brother's voice and calls his name from two directions at once.Have you experienced a Bigfoot sighting, Sasquatch encounter, Dogman experience, UFO sighting, or any unexplained cryptid or paranormal event deep in the woods? We want to hear your story.Email your encounter to brian@paranormalworldproductions.com for a chance to be featured on a future episode of Backwoods Bigfoot Stories.Backwoods Bigfoot Stories is a paranormal storytelling podcast featuring real Bigfoot encounters, Sasquatch sightings, Dogman reports, cryptid experiences, and true scary stories from the backwoods.Follow the show and turn on automatic downloads so you never miss a chilling encounter from the forest. Listen with the lights off… if you dare.

LW1498 - Announcing a New Photograph I remember with aging nostalgia when we would feel so proud about a new image we'd created. "Wowee," we'd proclaim, "Look at what I've done!" We were told that 10 new prints a year was a good crop. Now, here in 2026, I'll receive an email announcement about once a week with this same excitement. "Announcing my new print." I wish I could be excited about such pronouncements, but they leave me feeling underwhelmed. All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

Jeff and Brian begin a Horror Joy mini-series on haunted and haunting houses by discussing Stanley Kubrick's 1980 adaptation of Stephen King's The Shining and the Overlook Hotel as a possibly sentient space.They ask whether the hotel merely contains ghosts or actively amplifies violence, racism, sexism, and repetition.They critique the “Indian burial ground” trope, discuss Grady's claims that Jack has “always been” the caretaker, the final photograph's time-loop implications, and scholarship on hereditary or cyclical violence.They emphasize the film's maze motifs (hedge maze, carpets, corridors) and consider the steadicam and “autonomous camera” as intensifying dread, while noting Dick Hallorann's disposability and ending with “joy” found in the film's craft and unsettling images.References:Graham Allen. ‘A Mad Image, Chafed by Reality': Kubrick, the Uncanny and the 4th of July 1921 Photograph in The ShiningF. Brigo & S. C. Igwe & N. L. Bragazzi. Kubrick's The Shining and the erased myopathic faceLaura Mee. The Shining. Liverpool University Press, 2017Paul Sunderland. The Autonomous Camera in Stanley Kubrick's The Shining

Photograph by Steve Dutton Mike Whitfield spoke recently with Claire Helm and Steve Dutton about the debut album ‘Quicksand’ by Claire Helm & The Outside World, released in December 2025 and about the album launch gig at Amped in Huddersfield on 27th March 2026. Very brief mention is made of Eurovision too! Also included are […]

2. David K. Randall, *The Monster's Bones: The Discovery of T-Rex and How It Shook Our World*. In 1902, Barnum Brown tracked a lead from a photograph of a triceratops skull to Jordan, Montana. Though the specific skull was disappointing, Brown recognized the potential of the remote Hell Creek region. Utilizing his unique skill for reading rock colors, he identified Sheba Mountain as a likely site for fossilization. He used dynamite to reveal a carnivorous dinosaur that had never been described before: the Tyrannosaurus Rex. Brown's discovery was a "jackpot" for the American Museum, even though the process of transporting and mounting the heavy specimen would take years to complete. (2)Butte, MT

Have you ever wondered how we capture those beautiful shots of our paper flowers? In this episode, Quynh, Jessie, and Sara pull back the curtain on their photography and videography equipment, settings, and creative processes. Sara shares her daily filming routine and why she shoots the same action from multiple angles. Jessie breaks down her camera choices and explains why the person behind the lens matters more than the equipment. And Quynh reveals her favorite affordable tripod and why she upgraded her Canon for her book deal. "Do a B-roll shot list of things that you want to capture because when you're filming, you forget you're thinking you're getting all this." - Quynh Whether you're shooting with an iPhone or investing in professional equipment, this conversation is packed with practical tips to help you showcase your work beautifully. Here's What You'll Hear in This Episode: Sara's complete camera setup and why she switched from Canon to Sony The importance of lenses over camera bodies (and which ones to invest in first) How to shoot multiple angles of the same action for dynamic content iPhone camera settings for the highest quality photos and videos Why natural light beats artificial lighting every single time The pre-production process: shot lists, prep work, and planning your day Editing software recommendations: Premiere Pro, Final Cut Pro, Lightroom, and more How to find affordable secondhand camera equipment The best tripods for overhead shots and easy movement Microphone recommendations for clear audio in videos Equipment & Tools Mentioned: Sony cameras (various models) with GM 16-35mm wide angle zoom lens Canon DSLR cameras Fujifilm GFX 50S II (for professional photography) Viltrox 20mm lens (affordable option, around $100) iPhone 16 Pro Max with specific camera settings Rode shotgun and wireless microphones DJI Osmo and DJI wireless remote Greek Geekcraft tripod (extends to 7 feet with magnetic phone mount) Tethering cables for shooting directly to computer Editing Software Mentioned: Adobe Premiere Pro (video editing) Final Cut Pro (video editing for Mac users) Adobe Lightroom (photo editing) Adobe Photoshop (advanced photo editing) Edits app (mobile video editing) Snapseed (mobile photo editing) Capture One (professional photo editing with tethering)

LW1496 - When do you own a photograph? Do you own a piece of music because you purchased the CD, or do you own it when you have memorized the tune? Do you own a novel because you purchased the book or because you read it? Do you own a photograph when you've purchased the original print? Or do you own a photograph when it becomes so familiar that it's part of your mental gallery? Thought about another way, do you own a photograph because of the physicality of the print, or is it more important that the image is treasured in a corner of your soul? All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

From Tony, to Paulie, to Junior, the characters of The Sopranos are television legend. But just as iconic are the sets of the show. A new exhibit at the Museum of the Moving Image gathers the archives of Sopranos creator David Chase, as well as sketches and designs behind some of the show's principal sets, including Dr. Melfi's office, the Soprano home, the Bada Bing strip club, and Satriale's Pork Store. Barbara Miller, museum deputy director for curatorial affairs, discusses the exhibit, 'Stories and Set Designs for The Sopranos,' on view through May 31. Photograph by Courtesy of HBO

Hey there!  I hope you are having a great week. In this week’s podcast, I wanted to talk about some of the things that came up for me when I revisited John Berger’s essay, “Understanding a Photograph.” As I was preparing for a class, this essay got me excited for a podcast discussion about meaning in our work. Berger asks us, at the core of the essay, a few things. One of which is: What really gives a photograph its meaning?  Before we even get to first off, one of my favorite phrases from Berger is that a photograph is a “meditation of light.” Photography is, at its core, about light—how it shapes, reveals, and transforms a scene. Love that idea. First off, I love that a photograph is the result of a photographer’s decision to record a particular moment, event, or object. This is a deceptively simple but powerful notion. As John says, if we photographed everything indiscriminately, no single image would stand out. The act of pressing the shutter is what gives a photograph its weight. It’s not just a neutral record; it’s a message. When I decide to photograph something, I say, “This time, place, person, thing matters.” Berger also makes a subtle but important distinction: a photograph doesn’t celebrate the event or the act of seeing, but rather a focus on the message about the event. The photograph isn’t about the photographer’s experience or the event’s essence. Instead, it’s a statement: “This happened, and it was important enough to record.” That’s a powerful shift in thinking. It shifts the way I want to discuss and analyze work. What was compelling about this moment? Or what is the photographer trying to communicate? When looking at others’ work, I may try to step into their shoes. What might have inspired them to press the shutter at that exact moment? The photograph uses the event it records to explain why it was made. Sometimes, the reason is obvious—a dramatic sunset, a fleeting expression. Other times, it’s subtle or even external to the image itself. Before composing, spend a moment just watching how light interacts with your subject. What story does the light tell? Sometimes, the difference between a good photo and a great one is waiting for the right light. Be patient and responsive. Not every photograph will explain itself fully, and that’s okay. Sometimes, the meaning is personal or contextual. Berger challenges the traditional emphasis on composition by comparing photography to painting. Painting is an art of arrangement (again, his words), meaning that every element is deliberately placed. Photography, on the other hand, records events that are inherently mysterious and can’t be fully explained by arrangement alone. This doesn’t mean composition isn’t important, but it’s not the whole story. Use composition as a tool to support the significance of the moment, not as an end in itself.  The difference between photographing at one moment or another can change everything.  He also says that, unlike painting, photography doesn’t have its own internal language (not sure I agree here, but we’ll give him the benefit of the doubt). We “read” photographs like we read footprints or medical charts. The meaning is tied to the event and to what we think of or know about it, real or otherwise. It isn’t just a response to the lines and symbols within the image. Context matters and can matter a lot. When analyzing a photo, think about what’s happening outside the frame. What’s the story behind the event?  Berger’s essay made me realize how important it is to know why I clicked the shutter at a particular moment. If I can’t answer that, I wasn’t truly connected to the scene. Sometimes, the best lessons come from the shots that missed, the ones I didn’t take, or the moments I missed.  I can’t recommend John Berger’s Understanding a Photograph enough. It’s a collection of essays that will challenge and inspire you to think more deeply about your photography.  Don’t forget to check out the upcoming chat with Jenny Hansen Das, where we start a great conversation about meeting expectations.  Thanks for joining me. I hope you have a great week. 

Jordan Jonas (@hobojordo) grew up on a farm in Idaho, rode freight trains across the US, spent time in remote Russian villages, fur trapped and travelled for several years with nomads in Siberia, and won Alone Season 6, after being the first contestant to truly thrive in the wilderness and harvest big game. You can learn more about Jordan's axes at JordanJonas.com/Axe.This episode is brought to you by:Momentous high-quality creatine for cognitive and muscular support: LiveMomentous.com/TimMonarch track, budget, plan, and do more with your money: Monarch.com/TimEight Sleep Pod Cover 5 sleeping solution for dynamic cooling and heating: EightSleep.com/TimCresset family office services for CEOs, founders, and entrepreneurs: CressetCapital.com/Tim*TIMESTAMPS:[00:00:00] Who is Jordan Jonas?[00:02:20] The Siberian axe gospel: Single bevel, wide eye, and why your Lowe's hatchet is basically a butter knife.[00:07:16] A Montana downpour baptism.[00:08:04] Feather sticks and ferro rods.[00:12:36] A gnarly axe-ident, a quest for an abandoned boot, and frontier convalescense in a tipi.[00:19:59] First Russian word learned, courtesy of a Moscow airport officer with zero chill.[00:21:18] Jordan's youthful faith crisis and a Trans-Siberian prayer.[00:29:16] From building an orphanage to living with the Evenki.[00:31:29] Experiencing tug-of-war hospitality between ex-con Siberian families.[00:39:34] Reindeer vs caribou.[00:45:42] The Gulag Archipelago at 17.[00:49:36] The homeschooling advantage: Finishing academics by noon, then deep-diving history for fun.[00:53:50] Campfire psychology for gentlemen.[00:56:00] Why llamas are more practical than reindeer on Jordan's expeditions in the northern United States.[01:01:37] How Jordan's grandparents found purpose and built a joyful family after surviving Assyrian genocide.[01:11:18] Dad's 12-year health collapse and facing death with radical joy.[01:18:49] Freight train philosophy and evolutionary dopamine alignment.[01:30:03] Grandma moose rodeo.[01:33:07] Alone Season 6: The "Super Bowl of survival" just south of the Arctic Circle.[01:40:38] How Jordan survived 77 days in the woods barely breaking a sweat.[01:48:21] Harvesting a moose at day 20 via Russian fence-funneling tactics.[01:56:21] Wolverine vs. man with axe, a tin can alarm, and a wife who likes rustic jewelry.[02:03:05] The crappy fate of less-than-lucky rabbit feet.[02:04:59] Fat as a survival bottleneck, and how to experience the wild with Jordan.[02:09:31] Jordan hopes his upcoming book will help readers build reservoirs of resilience before they're needed.[02:12:27] The most overlooked part of the Serenity Prayer: "Accepting hardships as the pathway to peace."[02:14:48] The wilderness as political neutral ground and other parting thoughts.For show notes and past guests on The Tim Ferriss Show, please visit tim.blog/podcast.For deals from sponsors of The Tim Ferriss Show, please visit tim.blog/podcast-sponsorsSign up for Tim's email newsletter (5-Bullet Friday) at tim.blog/friday.For transcripts of episodes, go to tim.blog/transcripts.Discover Tim's books: tim.blog/books.Follow Tim:Twitter: twitter.com/tferriss Instagram: instagram.com/timferrissYouTube: youtube.com/timferrissFacebook: facebook.com/timferriss LinkedIn: linkedin.com/in/timferrissSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.