Podcasts about Photograph

Misha Glenny delves in to the In Our Time archive to select ten episodes for listeners to revisit. His seventh choice is the pioneering scientist Rosalind Franklin (1920 - 1958), first released in February 2018. During her distinguished career, Franklin carried out ground-breaking research into coal and viruses but she is perhaps best remembered for her investigations in the field of DNA. In 1952 her research generated a famous image that became known as Photograph 51. When the Cambridge scientists Francis Crick and James Watson saw this image, it enabled them the following year to work out that DNA has a double-helix structure, one of the most important discoveries of modern science. Watson, Crick and Franklin's colleague Maurice Wilkins received a Nobel Prize in 1962 for this achievement but Franklin did not and today many people believe that Franklin has not received enough recognition for her work. With:Patricia Fara President of the British Society for the History of ScienceJim Naismith Interim lead of the Rosalind Franklin Institute, Director of the Research Complex at Harwell and Professor at the University of OxfordJudith Howard Professor of Chemistry at Durham UniversityProducer: Victoria Brignell.Reading list:Jenifer Glynn, My Sister Rosalind Franklin (Oxford University Press, 2012)Kersten T. Hall, The Man in the Monkeynut Coat: William Astbury and the Forgotten Road to the Double-Helix (Oxford University Press, 2014)Brenda Maddox, Rosalind Franklin: The Dark Lady of DNA (HarperCollins, 2002)Anne Sayre, Rosalind Franklin and DNA (first published 1975; W. W. Norton, 2000)James D. Watson, The Double Helix: A Personal Account of the Discovery of the Structure of DNA (first published 1968; W&N, 2010)In Our Time is a BBC Studios productionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

Bill and Jeffery gripe about Apple's new pricing and gear decisions, then get into Norman Rockwell's staged reference photography after a Vermont museum trip, and wander through social media algorithms, creative burnout, and letting go and moving onto the next project, before wrapping with photographer of the week Frank Horvat. Photograph search of Norman Rockwell Archives Norman Rockwell “Behind the Camera” book on Amazon Rockwell “Shuffleton's Barbershop” Shelburne Farms Wikipedia Shelburne Museum Wikipedia PotW - Frank Horvat Frank Horvat on Wikipedia

Photography is supposed to be fun. But somewhere along the way, as we get better at it, acquire more gear, learn more techniques, and start expecting more from every photograph, some of that original excitement can fade.In this episode, Court explores how to bring some of that playfulness, curiosity, experimentation, and excitement back into photography. This isn't really an episode about taking technically better photographs. In fact, that's sort of the point. It's about enjoying the process, trying things without worrying whether they'll work, and occasionally giving yourself permission to make some genuinely bad photos along the way.From simplifying your camera kit and creating photo assignments to breaking your own habits, printing photographs, shooting with friends, and sometimes leaving the camera at home altogether, Court shares practical ways to reset your photographic brain and rediscover some of the excitement that probably got you hooked on photography in the first place.In This EpisodeSimplify your gear. Try heading out with one camera and one lens. Removing choices forces you to work a little harder creatively and spend less time managing equipment.Give yourself a very specific photo assignment. Photograph only shadows, reflections, textures, one color, things in motion, or subjects less than a foot off the ground.Limit yourself to one focal length. Even with a zoom lens, pick something like 35mm and don't touch the zoom ring.Pretend you're shooting film. Give yourself exactly 24 photographs, or tell a complete photo story using only five images.Make photographs you never intend to share. Take Instagram, portfolios, competitions, and other people's opinions completely out of the equation.Break your normal photographic habits. Photograph wildlife wide, landscapes with a telephoto, moving subjects at slow shutter speeds, or scenes at apertures you'd normally avoid.Learn one small new technique. Try focus stacking, panoramas, intentional camera movement, exposure bracketing, astrophotography, macro, or black-and-white photography.Try a completely different genre. Wildlife photographers can photograph architecture. Landscape photographers can try street photography. Travel photographers can spend an hour chasing insects and wildflowers.Stop waiting for perfect conditions. Instead of asking whether the light or weather is "good," ask what kind of photography those conditions make possible.Spend more time with fewer subjects. Pick one tree, flower, bird, landscape, or street corner and photograph it for 15 or 20 minutes. The interesting photographs often start after you've exhausted the obvious ones.Observe wildlife instead of simply collecting photographs of it. Once you've "got the shot," keep watching. Behavior, light, composition, and interactions can change quickly.Print your photographs. Even a simple 4x6, 5x7, or small collection of prints can completely change your relationship with an image.Photograph with other people. Seeing what catches another photographer's eye can reveal compositions and ideas you would have walked right past.Occasionally leave the camera at home. Experience a hike, sunset, wildlife sighting, or beautiful place without constantly evaluating it as a photograph.Remember why you started. Photography becomes a lot more interesting when you start asking "What if?" again.Mentioned in the EpisodeCourt Whelan on YouTubeSearch "Court Whelan Photography" on YouTube for photography tutorials, editing videos, techniques, and photo-travel content.https://www.youtube.com/@courtwhelanFoxPrintSmall Polaroid-style photo prints and other easy ways to turn digital photographs into something physical.https://www.foxprint.com/collections/square-printsCourt's WebsitesCheck out my photo portfolio here: shop.courtwhelan.comSign up for my photo and conservation blog at www.courtwhelan.comFollow me on YouTube (@courtwhelan) for more photography tipsView my camera kit and recommended camera gearSponsors and Promo Codes:MPB.com - Buy, Sell, or Trade Camera GearArtStorefronts.com - Mention this podcast for free photo website designBayPhoto.com - 25% off your first order (code: TWP25) ArtHelper.com - a photo community to learn, share and be inspiredArthelper.Ai - Smart tools to promo and showcase your art.LensRentals.com - WildPhoto15 for 15% off

In 1971, a Costa Rican government mapping aircraft photographed Lake Cote every 13 seconds. Frame 299 showed nothing unusual. Frame 300 captured a metallic, disc-shaped object. By frame 301, it was gone. Nobody onboard saw it at the time.Andy is joined by filmmaker Adam Pillon to discuss The Cote Photo, a new documentary investigating one of the clearest and best-documented UFO photographs ever made public.They explore how the image was captured, its remarkable chain of custody, modern analysis of the film, the testimony of Sergio Loaiza and why this photograph still stands apart more than half a century later.The Cote Photo is available now on Amazon, Apple TV and cotephoto.com.

My Backpack Went to Paris and Had a Better Vacation Than Me!What happens when you travel across the globe with a brand-new puppy, only to find yourself stranded without clothes, while your beloved backpack takes a solo two-week tour of France? In this hilarious and jam-packed episode, host Laura Reeves sits down with our favorite veterinarian, Dr. Marty Greer, for a special "back-to-school" edition of Veterinary Voice. Between moving houses and managing a hectic schedule of 14 flights before the end of the year, Dr. Marty is no stranger to travel chaos. From Sweden to Newark, and JFK to Paris, she has survived it all, and she is here to share her hard-won, practical (and highly entertaining) wisdom for navigating airports, gate changes, luggage nightmares, and international travel with purebred dogs. Whether you're heading to the National, Westminster, Crufts, or just bringing a new puppy home, this episode is your ultimate survival guide to turning travel chaos into a smooth, organized adventure.

Blues Music Award winner and Grammy nominee Eric Gales performs live at the 2019 Blues Music Awards in Memphis.Photograph by Jay Skolnick.Find more at BluesRadioInternational.net

In this episode, Casey Fatchett sits down with award-winning photographer Ari Espay, who splits his time between New York City and Santiago, Chile. Ari discusses his decade producing and teaching at National Geographic's photography workshops alongside legends like David Alan Harvey, Ed Kashi, Bob Sacha, Ira Block, and Maggie Steber; his approach to street photography and portraiture with subjects ranging from presidents to Broadway performers; his long-term humanitarian project documenting the EB (Epidermolysis Bullosa) community; and his nonprofit Statement Arts, which has run photography workshops and donated more than 100 cameras to young and at-risk photographers in Myanmar and Laos, including activists documenting human rights abuses in their own communities. Topics Covered: Lessons from a decade at National Geographic's photography workshops Why "serendipity" changed how Ari approaches every shoot Reading a scene: light, subject, and background as visual problem-solving Building trust with strangers on the street Studio portraiture with presidents and public figures vs. street portraiture Photographing vulnerability: the Faces of EB project Where to draw the line between bearing witness and intruding Statement Arts: teaching photography and donating cameras in Myanmar and Laos Why the people living a crisis should be the ones documenting it The throughline across Ari's career: humanity Episode Promos On1 Photo RAW - https://nerdyphotographer.com/recommends/on1 Nerdy Photographer Contract Templates - https://nerdyphotographer.com/product-category/contracts/ Siteground Web Hosting - https://siteground.com/go/nerdy Survey Monkey - https://get.surveymonkey.com/nerdy ABOUT MY GUEST Award-winning photographer, Ari Espay, splits his time between New York City and Santiago, Chile. Ari has shot documentary pieces, campaigns and editorial essays for magazines in the US and all over South America including; Architectural Digest, Vogue Latin America, Que Pasa, and ED. He has worked for Maybelline, Gillette, Corpbanca, Ferouch, New Man, Kohana Rum, Amazon/AWS, Australis Cruise to name a few and has shot portraits for Presidents, internationally known actors, Emmy Award winning directors, Broadway performers, politicians and high profile business people. With numerous gallery exhibitions, Ari's recent show, "A Glimpse of Southeast Asia" was featured at the Galleria d'Arte Moderna, a museum in Cento, Italy (2018 – 2019). Other exhibitions include; 2026 "Rostros, El Mar De Cultura" Valencia Photo Festival, Spain. 2025 "FACES / VISAGES" , Art-Icon Collective Exhibition Arles, France. 2024 "Corporeality" Art-Icon Collective Exhibition - Paris, 2024 "Moments in Time" Art on the Avenue - New York City, New York, 2021 Art on the Avenue - New York City, New York "Art on the Avenue" (New York City 2021), "Mingalabar Myanmar"(Rome and Bologna, Italy - 2016) and "The Faces of EB" in New York City (2015). In 2012, he was named as Artistic Director of International Projects for Galeria64, the only gallery in Chile exhibiting photography exclusively. Ari has won Chile's prestigious Fondart Grant, was a 2026 Finalist Lucie Foundation On The Block Street Photography, a 2026 Selected Winner American Photography AI-AP 42, a 2024 Portraiture Bronze Winner Prix de la Photographie Paris PX3, Short Listed "EB" State of the World Project Prix de la Photographie Paris PX3, Street Photography Honorable Mention Prix de la Photographie Paris PX3 and 4 Portraiture Honorable Mention Prix de la Photographie Paris PX3, a 2024, 2022 BIFA Budapest International Foto Award Silver winner in Book / Documentary, 2022 MIFA Moscow International Photo Award Winner for our book, 2020Unmasked, in the Documentary Book category. He was the photo editor for "2020 Unmasked" book which won 2 Honorable Mentions at the IPA/International Photography Awards for Documentary and Self-published book.  For 10 years, he taught photography workshops for National Geographic and their legendary photographers including, Joe McNally, Bob Sacha, Ira Block, VII's agency Ed Kashi and Magnum's David Alan Harvey. He has worked and traveled in more than 40 countries. Ari speaks 3 languages and enjoys spending time in the mountains. Find Ari Espay: Website: https://ariespayphotography.com Instagram: https://instagram.com/ari_espay Photography Workshops: https://fancygirlstreetboy.com Nonprofit: https://StatementArts.org Follow the Nerdy Photographer Podcast: Instagram - https://instagram.com/thenerdyphoto Reddit - https://reddit.com/u/thenerdyphoto Threads - https://threads.com/thenerdyphoto Bluesky - https://bsky.app/profile/thenerdyphoto.bsky.social TikTok - https://tiktok.com/@thenerdyphoto About The Podcast The Nerdy Photographer Podcast is written and produced by Casey Fatchett. Casey is a professional photographer in the New York City / Northern New Jersey with more than 20 years of experience. He just wants to help people and make them laugh. You can view Casey's wedding work at https://fatchett.com or his non-wedding work at https://caseyfatchettphotography.com    If you have any questions or comments about this episode or any other episodes, OR if you would like to ask a photography related question or have ideas for a topic for a future episode, please reach out to us at https://nerdyphotographer.com/contact

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Episode Notes Brannon is joined once again by Dillon Flynn , Trevor Ikrath, Ryan Hughes & Maxton Stenstrom to pay penance. This is the CODYSSEY Where you can find Brannon: Bluesky Intro game start up noise: "Gamecube intro but it's a crossover episode" by 4096 Intro Music: "Hero" by Chad Kroeger Featuring Joey Scott from the Spider-Man 2 OST Outro Music: "Photograph" by Nickleback All musicbed music during the show was assembled by Trevor This podcast is powered by Pinecast.

Can you recover working software from a photograph of a microchip? Embedded systems reverse engineer Travis Goodspeed demonstrates how to extract the original Game Boy's 256-byte boot ROM from a microscopic photograph of the mask ROM inside its CPU. The source image was created by combining 22 microscope photographs captured at 50x magnification. Using his free, open-source Mask ROM Tool, Travis marks 2,048 ROM bit locations, separates the ones from the zeros and checks for possible recognition errors. He then determines the logical order of the bits, disassembles the program and shows how it can be exported as a ROM file for use in an emulator. Travis also explains the Game Boy's unusual copy-protection system. During startup, its boot ROM displays logo data supplied by the cartridge and compares it with Nintendo's internal copy. If the logos do not match, the game does not boot. Requiring cartridges to contain Nintendo's trademark gave the company legal leverage against unlicensed publishers. The video also explores techniques from Travis's book, Microcontroller Exploits. These include extracting protected firmware from an access-control reader, chemically decapsulating chips while preserving their operation and using ultraviolet light with a nail-polish mask to remove memory protection without erasing the program. The Mask ROM Tool, Game Boy chip photograph and step-by-step tutorial are publicly available, allowing you to reproduce the ROM-decoding demonstration without owning a microscope or chemistry lab. // Sponsored SEGMENT // Big thank you to Proton Pass for sponsoring this video. Take your security to the next level by getting Proton Pass using the following be www.proton.me/davidbombal // Link to No Starch Website for Travis' Book // Order Microcontroller Exploits and get the eBook free. https://nostarch.com/microcontroller-... Use Coupon Code GOODSPEED25 for 25% off Microcontroller Exploits at NoStarch.com // Travis Goodspeed SOCIAL // GitHub: https://github.com/travisgoodspeed // GitHub link to GameBoy ROM Tutorial // https://github.com/travisgoodspeed/gb... // David's SOCIAL // Discord: discord.com/invite/usKSyzb Twitter: www.twitter.com/davidbombal Instagram: www.instagram.com/davidbombal LinkedIn: www.linkedin.com/in/davidbombal Facebook: www.facebook.com/davidbombal.co TikTok: tiktok.com/@davidbombal YouTube: / @davidbombal Spotify: open.spotify.com/show/3f6k6gE... SoundCloud: / davidbombal Apple Podcast: podcasts.apple.com/us/podcast... // MY STUFF // https://www.amazon.com/shop/davidbombal // SPONSORS // Interested in sponsoring my videos? Reach out to my team here: sponsors@davidbombal.com // MENU// 0:00 - Coming Up 0:40 - Intro 03:28 - Book Overview 05:27 - Proton Pass Ad 07:29 - Demonstration Context 09:56 - Demo Begins 12:48 - Marking the Chip Rows 18:27 - How Travis Wrote his Book 19:55 - Design Rule Check 23:11 - How to Decode the Binary 28:36 - Can the Binary Numbers Change? 30:30 - Why is this Method Useful? 34:24 - More book Overviews 40:48 - Conclusion Please note that links listed may be affiliate links and provide me with a small percentage/kickback should you use them to purchase any of the items listed or recommended. Thank you for supporting me and this channel! Disclaimer: This video is for educational purposes only. #gameboy #reverseengineering #rom

Send us Fan MailSplash Stories presents the ever creative Mull Historical Society (AKA Colin Macintyre). The show goes live 1st September 2026.With a new album and novel just around the corner, Colin Macintyre will be taking his latest works out on the road.With the release of his 10th studio album ‘In My Mind There's A Photograph', out now via the LNFG label; Colin also released the latest instalment of his The Mull Mysteries crime fiction series, ‘An Island Burning' earlier this year too.Marking the releases in style, the Scottish creative is planning a series of innovative shows in honour of both, with the dates set to combine songs, stories, readings, audience Q&As, and special guest appearances.Following on from the critical and commercial success of the previous record, 'In My Mind There's A Room', Colin MacIntyre AKA Mull Historical Society delivers its direct successor ‘In My Mind There's A Photograph'.  Due for release on 29 May via the LNFG label, this brand new collection of songs will feature lyrical contributions from a panoply of world-leading authors, all of whom were asked to reflect on a single significant photo to them. Amongst the collaborators this time are best-sellers, Pulitzer, Booker, Costa, Women's Prize & Saltire Award-winners, including: Irvine Welsh, Ali Smith, Len Pennie, Jehan Bseiso, Louise Welsh, Irenosen Okojie, Paul Lynch, Colum McCann, Yiyun Lee, Alan Johnson, Dan Richards and Sir Alexander McCall Smith, on recent single “Cattle Bells” hear it here: https://youtu.be/metUbK92V-4?si=IoLna9y8Q2httg0TOf the upcoming tour, SOCIETY® in celebration of the new MHS album 'In My Mind There's A Photograph and Colin Mocintyre's new novel 'An Island Burning" Songs, Stories, Readings & Q&A AN EVENING WITH… MULL HISTORICAL SOCIETY WITH SPECIAL GUESTS SEPTEMBER11 - HEBDEN BRIDGE Trades15 - BIRMINGHAM Hare & Hounds 216 - READING South Street Arts Centre17 - MANCHESTER St Michael's18 - CAMBRIDGE Storey's Field Centre19 - SOUTHAMPTON The Joiner's Arms22 - BRISTOL The Wardrobe TheatreAn excited Macintyre shared: “'The ‘Society' part of my music identity has always been the most important bit for me, so I'm very excited about bringing songs from my new album, as well as many from my back catalogue, to audiences around the UK. I've been flat out in creative mode but the act of creativity to me is really embodied in community and connection. For these shows I'll also be sharing stories and reading from my new Mull Mysteries novel, ‘An Island Burning'. The themes linking my two new releases reflect on war, childhood, place, identity, memory, family, survival — shining a light on hope, empathy and understanding — I hope just what we need in this fractured world. The concept of “home” in particular, and how it travels with us, always fascinates me, and I'm excited to bring my home island to society far and wide.                                                      Splash Stories Podcast every 1st of the Month  https://www.buzzsprout.com/1891668/episodesApple  tinyurl.com/4p3nzs3pSpotify tinyurl.com/2jj75vrxFB: www.facebook.com/thesplashclubSplash Stories Video Reel by Dizqohttps://www.facebook.com/markDizQo/Audio Editing Generation Studio https://www.generationstudio.co.ukTickets on general sale nowhttp://mullhistoricalsociety.com/ See lessSupport the showGet in touch with Splash Stories : splashclubtv@gmail.comwww.facebook.com/thesplashclubJoin Splash Stories https://www.buzzsprout.com/1891668/supporthttps://www.instagram.com/thewonderstuffofficial/https://www.instagram.com/rickywarwickofficial/https://www.instagram.com/echobelly_official/https://www.instagram.com/officialskunkanansie/https://www.instagram.com/feederofficial/https://www.instagram.com/kcmanc/?hl=enhttps://www.facebook.com/kerbdogband/https://www.instagram.com/sohoradiohttps://www.facebook.com/groups/SoundAsEverhttps://www.pearllowe.co.ukhttps://www.supergrass.comhttps://www.wienerworld.com/product/gary-crowleys-indie-90s-playback-classics-curveballs-and-bangers/Terrorvision Tequila  : https://youtu.be/8hLQCA2h8kA?si=7_HfuruL5fFUnMdFhttps://linktr.ee/thesoupdragonshttps://www.merchbar.com/rock-alternative/cj-wildhearthttps://www.facebook.com/CJWildheartOfficial/https://www.instagram.com/cjwildheart/EMF  www.emf-theband.com

Scotland's most famous cryptid has her face on a shortbread tin — but the folklore underneath is one of the deadliest water legends in all of Europe, and it doesn't begin in 1933 with a grainy photograph. It begins in the year 565, with a burial.   In this episode of Freaky Folklore, we drag Nessie out of the gift shop and back into the black water where she came from: the deepest, coldest, most lightless loch in Britain. We get into the 1,400-year-old account of Saint Columba and the "water beast" that had already killed a man before he ever reached the shore. We uncover the each-uisge — the Highland water horse that lures you close, fuses to your skin, drags you under, and leaves only your liver floating back to shore by morning. We expose the beloved "Surgeon's Photograph" for the revenge hoax it always was. And then I tell you an original story about a boy, a brother, and a warm, calm, silent night on the loch in the winter of 1889 — and the one thing the postcards will never tell you about what's waiting down there.   Turn the lights off. Just… not near the water.   #LochNessMonster #Folklore #HorrorPodcast #Nessie #Cryptid #ScottishFolklore #FreakyFolklore #Kelpie #Mythology #FolkloreHorror #ScaryStories #Legends   EXPLORE MORE SPINE-CHILLING CONTENT: Freaky Folklore: https://www.eeriecast.com/podcasts/freaky-folklore Carman's Crypt (Original Horror): https://www.carman-carrion.com/ Deadly Intent (True Crime): https://www.carman-carrion.com/ Destination Terror: https://www.eeriecast.com/podcasts/destination-terror ________________________________________ SUPPORT THE SHOW: Buy Me a Coffee: https://buymeacoffee.com/carmancarrion ________________________________________ CONNECT WITH CARMAN: Website: https://www.carman-carrion.com/ YouTube: https://www.youtube.com/@CarmanCarrion YouTube: https://www.youtube.com/@FreakyFolklore Twitter/X: https://x.com/CarmanCarrion Instagram: https://www.instagram.com/carmancarrion/ ________________________________________ SUBSCRIBE& REVIEW: Spotify: https://open.spotify.com/show/0uiX155WEJnN7QVRfo3aQY iTunes: https://podcasts.apple.com/us/podcast/freaky-folklore/id1550361184 Your support helps bring you more terrifying tales. ________________________________________ DISCOVER MORE HORROR: http://eeriecast.com/ https://www.carman-carrion.com/ ________________________________________ MUSIC CREDITS: Music and sound effects provided by: ElevenLabs Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hear Norway's JT Lauritsen & The Buckshot Hunters perform live at the 2026 Blues Music Awards in Memphis, where they won the first International Artist Blues Music Award.Photograph courtesy of JT Lauritsen.Find more at BluesRadioInternational.net

Part Five of Born Wild: Koda's Odyssey, Volume Two begins with the mistake the clans always knew was coming. Summer settles over the forest and brings people with it. More hikers, more campers, more cameras scanning the ridgelines for a postcard moment to carry home.The sasquatch do what they've always done when the world crowds in, pulling back into the heavy timber, moving only in the gray hours, eating less and resting less and watching more.But discipline can only stretch so far, and out in a dense stretch of old growth four miles from the nearest trail, a wildlife photographer named David Reeves is about to point his lens at something no magazine will ever publish.David isn't a weekend tourist. He's patient, serious, and good enough at reading the backcountry to go exactly where he shouldn't. That's the problem. One glimpse, one held breath, and suddenly the secret three years of caution were meant to protect is sitting exposed in the viewfinder of a man who knows what he's looking at.What follows tests everything Koda and the clans have built. A single photograph in the wrong hands could bring the whole outside world down on them, and the choices the sasquatch make in the hours after that encounter carry a weight none of the earlier fights ever did.This is the danger the clans have always feared most, and it doesn't come with claws or howls. It comes with a camera.Email BrianJoin Our FREE NewsletterGet Brian's Books Leave Us A VoicemailVisit Our WebsiteBecome a supporter of this podcast: https://www.spreaker.com/podcast/sasquatch-odyssey--4839697/support.Have you had a Bigfoot encounter, Sasquatch sighting, Dogman experience, or other cryptid or paranormal encounter? We'd love to hear your story. Email brian@paranormalworldproductions.com to be featured on a future episode of Sasquatch Odyssey.Sasquatch Odyssey is a leading Bigfoot and cryptid podcast exploring real encounters, field research, and scientific analysis of the Sasquatch phenomenon.Follow the show and turn on automatic downloads so you never miss an episode.

What happens when a morning walk through a thick, ancient fog results in one of the most famous and heavily debated alien photographs in human history? On December 1, 1987, a retired policeman named Philip Spencer walked onto the desolate Ilkley Moor in the UK. What he encountered in the mist—a strange, 4-foot-tall entity, a humming saucer, and hours of missing time—would cement the Ilkley Moor Incident as a cornerstone of UFO lore. In this deep-dive investigation, we break down the exact timeline of Spencer's terrifying extraterrestrial encounter. But we aren't just looking at the supernatural claims; we are applying rigorous psychological analysis to the event. Was this a genuine close encounter with an otherworldly biological entity, or a terrifying mix of pareidolia, exhaustion, and leading questions during subsequent hypnosis sessions? We examine the gaping logical holes in the story—like why a photographer would snap a picture of an entity but completely ignore a massive, glowing saucer lifting into the sky. If you think you know how alien abductions and UFO sightings work, the psychological science and hidden details uncovered in this breakdown will completely shatter your perception of eyewitness testimony. You will never look at a foggy landscape the same way again. (Make sure to join our Discord and Patreon communities for deeper, behind-the-scenes mystery analysis and exclusive true crime breakdowns!) Thank you for watching Roanoke Tales! Patreon: https://www.patreon.com/c/RoanokeTalesPatreon Roanoke Gaming: https://www.youtube.com/@UCs8lYkna2S6DkcHO9o2008A Instagram: https://www.instagram.com/roanokegaming/ Twitter: https://x.com/RoannokeGaming Thank you for watching Roanoke tales Wendigo illustration made by Tania Sanchez-Fortun. Here are the links! Instagram : https://www.instagram.com/tania_sanchezfortun_art/ Cara ; https://cara.app/tsanchezfortun Artstation : https://www.artstation.com/taniasanchezfortun Go and check out his work! [00:00] - The Fog of Ilkley Moor: A Cold Morning in 1987 [01:53] - Philip Spencer's Extraterrestrial Encounter [03:32] - The Photograph, The Entity, and the "Missing Time" [05:19] - The Saucer Sighting: Why Didn't He Take a Picture? [25:22] - The Science Portion: Pareidolia & The Psychology of Fear [26:32] - The Hypnosis Trap & The Unreleased "Second Video" [27:45] - Outro & The Truth About UFO Eyewitness Accounts #UnsolvedMystery #RealHorror #RoanokeTales

Historian Mike Bell and I discuss his latest Brand Book about Captain Cookesley's Photograph

Def Leppard's story is filled with massive hits, groundbreaking albums, incredible triumphs, and devastating setbacks. In this episode, author Scott Robinson joins me to discuss his book Def Leppard: Every Album, Every Song, part of Sonicbond's On Track series, and take us through the music and moments that shaped one of rock's most enduring bands.We dig into Def Leppard's early days in Sheffield, the influence of producer Mutt Lange, and the making of landmark albums like Pyromania and Hysteria. Scott shares the fascinating stories behind songs including “Photograph,” “Bringin' On the Heartbreak,” and “Pour Some Sugar on Me,” while we also discuss Rick Allen's remarkable comeback, what the band lost creatively with the death of Steve Clark, the reinvention of Slang, and overlooked later albums such as Songs from the Sparkle Lounge and Diamond Star Halos. Plus, Scott explains why, after more than four decades of tragedy, changing musical trends, and an evolving industry, Def Leppard remains one of rock's great bands of brothers.Purchase a copy of Def Leppard: Every Album, Every Song in the USPurchase a copy of Def Leppard: Every Album, Every Song in the UKFind more books by Scott Robinson----------

Piano virtuoso Mitch Woods plays live blues at the 2018 Blues Music Awards in Memphis.Photograph courtesy of Mitch Woods.Find more at BluesRadioInternational.net

Welcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australian 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman. Produced & edited by Matty Ray. See Facebook for links to videos & songs mentioned in this episode! Email: Samantha@planet80s.com.auFacebook: the80smontagepodcast twitter: @the80smontage instagram: the80smontageRewind 80's Band - www.rewind80sband.comTickets - www.rewind80smixtape.com.auBookings - samantha@planet80s.com.auPlease Subscribe, Like, Share, Rate (Itunes please)You can join to for only $2 a month (Get On It)https://www.patreon.com/the80smontagepodcast*The views & opinions expressed in this Podcast are solely those of the individuals expressing them & do not represent the views or opinions of any third party.Where guests appear on the Podcast, their views & opinions are solely their own & do not represent the views or opinions of The 80's Montage hosts or team.The 80's Montage does not accept responsibility for the views of its guests & their appearance on this Podcast does not imply an endorsement of them or any entity they represent.*Links: Japan - Gentlemen Take Polaroidshttps://youtu.be/wEdX0veLihM?si=BlnF6hA894s6rn-KA Flock Of Seagulls - Wishing (If I Had a Photograph of You) (Video)https://youtu.be/opkzgLMH5MA?si=qYH-pS4yi6VGb9eMBucks Fizz - My Camera Never Lieshttps://youtu.be/QYDy4oSegNQ?si=lrCx_PZ7tx1lQLlKDepeche Mode - Photographichttps://youtu.be/wkKueyJaA0A?si=gd0-b0Xzvy2-zTVHDef Leppard - Photographhttps://youtu.be/D4dHr8evt6k?si=uf4GSWsr1SGcjypzFuji Film commercial [1987]https://youtu.be/nleAXBpTmjE?si=Bz_3e5T5kjXw2QFGDuran Duran - Girls On Film (Official Music Video)https://youtu.be/KCjMZMxNr-0?si=1AcmymlCRuF5E684The Buggles - I am a camerahttps://youtu.be/nSlkEwYHMm4?si=_k-Ke_F-1mQ62WKbPhotographhttps://youtu.be/iO2eIebQqWg?si=mCneERQ_3WM7fKTpThe Cure - Pictures Of Youhttps://youtu.be/UmFFTkjs-O0?si=y2NyjiXasaz0EipvTake Another Picture - Quarterflash 1983https://youtu.be/6JxPh72zqnA?si=XSr9cqm91nC2hS0rThanks For Listening!The 80's Montage Podcast

Send us Fan MailYour Classroom Is Beautiful. Please Get Off the Desk.Back-to-school classroom setup videos are full of creativity, care, and an astonishing amount of teachers' personal money. But what happens if you are injured while decorating before your contract begins—or if the things you purchased are damaged, destroyed, or carried off during summer cleanup?In this episode of Teachers in Transition, Vanessa examines some risks hidden behind those beautiful classroom transformations. She discusses workers' compensation, a viral video showing a teacher's belongings covered in mold, and the important difference between documenting a workplace problem and publishing it online.Teacher Hack: Create a Classroom Purchase FileLearn how to:• Save and organize classroom receipts • Document furniture, electronics, books, and other personal property • Keep records outside district-controlled systems • Photograph valuable items without exposing student information • Understand the difference between a tax deduction and a tax creditFor eligible educators, the federal educator-expense deduction rises to $350 for expenses paid during tax year 2026. Tax laws and individual circumstances vary, so verify the current rules and consult a qualified tax professional.Career Transition and Job SearchEvery public post contributes to your personal brand. Vanessa explains how to audit your digital footprint, preserve important workplace evidence, remove content that no longer represents you, and intentionally build the professional identity you want employers to find.Ask yourself:• Is this accurate? • Is this an impression I am willing to own? • Would I be comfortable explaining it during an interview?Coming Next Week: Join the Movement: Invisible Excellence is available for pre-sellSupport the show

Asking a simple question I’ve been pondering a deceptively simple question: What makes a photograph good as part of my book club this month? But, before diving into that, a couple of quick announcements! I’ve got some new workshops lined up in 2027 at Badlands, Adventures in the Palouse, and the Oregon Coast and Redwoods. Check out the details on my website. Plus, I’ll be teaching a masterclass called “The Landscape is Language” at the Photographic Center Northwest in November 2026. As for the topic of episode 596, the source of this question comes from re-reading The View from the Studio Door by Ted Orland. In the section Art & Society, Ted comes up with an interesting answer that we will get to at the end of the podcast. Sure, the what is a good photography questionseems like it should have a straightforward answer. We could list out a bunch of qualities: composition, light, color, timing, technical skill, originality, emotion. Maybe a photo resonates because it communicates something important or makes us pause and reflect. So, what are we really talking about when we say a photograph is good? First off, we need to distinguish between “good” and “beautiful.” A photograph can be stunning without really offering much depth. Gorgeous light, perfect composition, beautiful colors—sure, but does it say anything? Conversely, a photograph can be rough around the edges but still pack an emotional punch.  Good isn’t necessarily beautiful First off, we need to distinguish between “good” and “beautiful.” A photograph can be stunning without really offering much depth. Gorgeous light, perfect composition, beautiful colors—sure, but does it say anything? Conversely, a photograph can be rough around the edges but still pack an emotional punch. Who gets to decide? Who determines what makes a photograph good? Is it because I like it? A critic? Other photographers? Does it matter if it's hanging in a museum or selling at auction? Or is it simply about whether the creator feels they achieved what they set out to do? The more I reflect, the more I realize there isn’t a universal standard for art—and maybe that's just fine. What if we judged the “goodness” of a photograph by its impact? – Does it make me stop? – Does it hold my gaze? – Does it shift my perspective? – Does it make me uncomfortable or curious? – Does it inspire creativity in me? Can a Bad Photograph Still Be Good? Suppose I take a photograph that falls flat. You have them too. You know the ones with bad composition, poor lighting, missing the mark entirely. On its own, it might not see the light of day. But what if that photo leads me to create ten better ones? What if it highlights what I don't want in my work or points me toward an unexpected direction? Does that still make it a bad photograph? Aesthetically, sure. Creatively, it could be invaluable. It makes me wonder if we're sometimes asking the wrong questions about art. Instead of “Is this good?” maybe we should be asking, “What did this make possible?” We don’t make masterpieces one at a time I feel like photographers can get caught up in the notion that their work is a collection of standalone images. You make a picture, then another, and it's easy to obsess over which ones are the “good” ones. But that’s not really how creativity works. It is a journey for us to follow, and the most important photographs aren’t necessarily the strongest ones; it might be the one that reshapes everything that follows Ted’s key point with the photograph as a stepping stone Ted Orland has this concept I keep returning to: a piece of work can be deemed good if it helps you move toward the next piece. I love this idea because it eases the pressure on each photograph. It doesn’t have to be the final say; it can be a question, an experiment, or even a failure.

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Get a recipe and look at an old photo of Joni's sweet mother Lindy here. --------Thank you for listening! Your support of Joni and Friends helps make this show possible. Joni and Friends envisions a world where every person with a disability finds hope, dignity, and their place in the body of Christ. Become part of the global movement today at www.joniandfriends.org. Find more encouragement on Instagram, TikTok, Facebook, and YouTube.

Every photograph tells us something, but creating an image that makes people stop and feel something requires more than pointing a camera at an interesting subject.In this episode of Cowgirls with Cameras, we're breaking down what storytelling actually means in photography. We talk about creating tension, using foreground and background intentionally, and giving viewers enough information to wonder what just happened or what might happen next.We also discuss why storytelling is especially important in Western photography. These images preserve more than horses, cowboys, cattle, and scenery. They document family traditions, working relationships, quiet routines, and a way of life that continues to change.Finally, we share practical ways to choose the story you want an image to tell. You'll learn how to identify the main character, notice the smaller stories happening around the obvious action, decide what belongs in the frame, and recognize when the most memorable photograph is happening off to the side.Because strong storytelling isn't about forcing a bigger moment. It's about paying closer attention to the one already happening.

Welcome to episode 595 of the Perceptive Photographer. This week, we are exploring the importance of asking questions about our work—not questions related to critique or the meaning of our completed images, but rather questions we consider before taking the shot. I hypothesize that the questions we ask play a crucial role in shaping the central theme of the image. If we prioritize technical elements and settings over feelings or storytelling, the final image may feel off in its narrative. This disconnect occurs because we focused on the wrong aspects when creating the photograph. When we make a photograph, there is a lot happening in our minds. If we concentrate on the wrong elements, that focus may not be conveyed effectively. However, this doesn’t mean that all elements aren’t important; they are. Composition, technique, emotion, and storytelling all matter. Ultimately, it comes down to determining which of these elements you want to prioritize in your work.

Could a single photograph strengthen your testimony of the Restoration?For years, countless images have claimed to be authentic photographs of the Prophet Joseph Smith—but none have been universally accepted. So what happens when a long-forgotten daguerreotype is discovered in a family heirloom, and the evidence begins pointing in an unexpected direction?In this fascinating episode of Latter-Day Lights, researcher Curtis Weber shares how his initial attempt to disprove the image's authenticity led him down a years-long journey through forensic anthropology, historical records, facial analysis, and Church history.Join us as Curtis unpacks the remarkable research behind what may be the strongest case yet for an authentic photograph of Joseph Smith. Along the way, you'll discover how careful investigation, expert collaboration, and an honest pursuit of truth can deepen faith and offer a fresh appreciation for the life and legacy of the Prophet of the Restoration.*** Please hit SUBSCRIBE to get our latest episodes, and hit the SHARE button to help us share Curtis' story and light with others. ***To WATCH this episode on YouTube, visit: https://youtu.be/RisRIe1je5M-----To CONNECT with Curtis on Facebook, visit: https://www.facebook.com/curtis.weber.5-----To READ Scott's new book “Faith to Stay” for free, visit: https://www.faithtostay.com/-----Follow us on Facebook: https://www.facebook.com/latterdaylightsAlso, if you have a faith-promoting or inspiring story, or know someone who does, please let us know by going to https://www.latterdaylights.com and reaching out to us.

In this episode of GardenDC: The Podcast about Mid-Atlantic Gardening, we talk with photographer Becca Mathias about capturing better images of our home gardens. The plant profile is on Lemongrass and we share what's going on in the garden as well as some upcoming local gardening events in the What's New segment. We close out with the Last Word on "How to Zoodle Your Zucchinis" from Christy Page of GreenPrints.BTW, YOU can become a listener supporter for as little as $0.99 per month! See how at: https://creators.spotify.com/pod/show/gardendc/subscribeIf you liked this episode, you may also enjoy listening to:~ GardenDC Podcast Episode 238: Flower Photography Tipshttps://washingtongardener.blogspot.com/2025/04/gardendc-podcast-episode-238-flower.html~ GardenDC Podcast Episode 202: Documenting Gardenshttps://washingtongardener.blogspot.com/2024/07/gardendc-podcast-episode-202.html~ GardenDC Podcast Episode 17: Garden Photographyhttps://washingtongardener.blogspot.com/2020/06/gardendc-podcast-episode-17-garden.htmlShow Notes will be posted after 8/15/2026.We welcome your questions and comments! You can leave a voice mail message for us at: https://podcasters.spotify.com/pod/show/gardendc/message Note that we may use these messages on a future episode.And be sure to leave us a 5-star review on your favorite podcast platform plus share us on social media with #GardenDC, so other gardeners can find us too!Episode Credits:Host and Producer: Kathy JentzMusic: Let the Sunshine by James MulvanyRecorded on 8-1-2026.

What if the tray is the reason your whitening results are inconsistent?Why would a dentist who owns a whitening lab — and holds four patents on making bleaching trays — tell you to skip the tray?Trayless whitening does not mean strips. It means the patient puts in a retractor and paints the gel directly onto the teeth, twice a day, for half an hour. No impression, no lab bill, no two-week wait, and no soft plastic reservoir quietly absorbing your peroxide.This is Part 1 of a two-part conversation with Dr Wyman Chanand Dr Elvis Law, recorded live in their central London whitening practice. Wyman has done nothing but whitening since 2002, has a PhD on the efficacy and safety of whitening processes, and — despite owning the lab that makes the trays — now does most of his cases without one. Elvis trained under him and reckons around 90% of his own cases are now trayless.Part 1 is the mechanism, the protocol and an honest list of who it doesn't suit. Part 2 takes it into the hard cases.Protrusive Dental Pearl: Let the Patient Pick the ShadeMost of us ask “how white do you want to go?”, get a laugh about Hollywood white or Simon Cowell white, then hold a B1 tab against the canine and call that the destination. Try flipping it.Under corrected light, record where the patient is now. Then hand over the whole shade guide, arranged by value, and let them choose the tab they want to reach. Photograph both.This is the VITA Shade guide arranged by value:B1 → A1 → B2 → D2 → A2 → C1 → C2 → D4 → A3 → D3 → B3 → A3.5 → B4 → C3 → A4 → C4Two things change. You now know the target precisely instead of inferring it, and you can track progress against a fixed reference. Most patients land on B1 — it's the last shade before the bleach range, and it reads natural rather than veneered. Some will point at 0M1 and that's a different conversation, which is exactly the point.Because whatever they choose dictates how many weeks, how much gel and how many reviews the case needs — and therefore what it should cost. A single flat whitening fee assumes every case takes the same work. They don't. Someone starting at C4 who wants a bleach shade can get there, but it takes more gel, more time, more reviews and probably a protocol change along the way. Price that honestly.Only you can decide what the tiers look like in your practice. But it might be worth sitting down as a team of dentists and therapists and asking: how are we delivering whitening? Two tiers? More? Based on what?What You'll Take From This EpisodeConscious bleaching — why an awake patient with an open mouth is a completely different chemical situation to a sealed tray worn overnight, and what that does to sensitivity.The formulation constraint — peroxide needs acid to stay stable on the shelf, which is why pre-mixed products lean acidic and why two-component gels exist at all.The full trayless protocol — wear schedule, spacing, patient positioning, review intervals and what to troubleshoot first when a case is behind.Who it doesn't suit — an honest contraindications list, including the one objection patients raise most often and the answer to it.Tray hygiene as a clinical instruction — the reason results vary so much between patients using the identical gel.An A3.5 to B1 case — start to finish in three weeks, with the review points and the maintenance plan.Highlights of This Episode00:00     TEASER01:05     Trayless Teeth Whitening Explained03:40     Protrusive Dental Pearl: Let Patients Pick Their Whitening Shade06:05     Meet the Guests: A Career Built on Teeth Whitening10:27     What Is Trayless Whitening? (It's Not Whitening Strips)13:44     Why Whitening Trays Waste Your Bleaching Gel15:37     Are Whitening Strips Acidic? Gel Formulation Explained19:17     Conscious Bleaching and Whitening Sensitivity24:43     When NOT to Use Trayless Whitening29:05     The Trayless Whitening Protocol: 30 Minutes Twice a Day32:55     Midroll42:45     How to Clean Whitening Trays Properly50:02     A3.5 to B1 in Three Weeks: A Case Walkthrough56:16     Tooth Porosity and the 45-Degree Recline Rule1:02:09   Whitening Top-Ups and the Five-Year Guarantee1:06:49   How to Price Teeth Whitening and Let Patients Pick the Shade1:07:45   OUTRO1:12:56   What's Coming in Part 2Start Offering Trayless Whitening for Your OfficeUK Dentists:In the UK you need the Get2Smile Kit which is 6% formulation applied twice daily for 30 minutes.Head to directoralcare.com and register for a free professional account. Approval unlocks the full shop, pricing, offers and their upcoming educational courses.At checkout, use code: DOCSUMMER20The Trayless whitening system is called Get2Smile.International Dentists wishing to offer Get2Smile, please enquire from Dr Chan's website. The international version uses 10% formulation applied for 15 minutes, twice daily.

What if the tray is the reason your whitening results are inconsistent? Why would a dentist who owns a whitening lab — and holds four patents on making bleaching trays — tell you to skip the tray? Trayless whitening does not mean strips. It means the patient puts in a retractor and paints the gel directly onto the teeth, twice a day, for half an hour. No impression, no lab bill, no two-week wait, and no soft plastic reservoir quietly absorbing your peroxide. This is Part 1 of a two-part conversation with Dr Wyman Chan and Dr Elvis Law, recorded live in their central London whitening practice. Wyman has done nothing but whitening since 2002, has a PhD on the efficacy and safety of whitening processes, and — despite owning the lab that makes the trays — now does most of his cases without one. Elvis trained under him and reckons around 90% of his own cases are now trayless. Part 1 is the mechanism, the protocol and an honest list of who it doesn't suit. Part 2 takes it into the hard cases. https://youtu.be/aAAoUxTIkxo Watch PDP277 on YouTube Protrusive Dental Pearl: Let the Patient Pick the Shade Most of us ask “how white do you want to go?”, get a laugh about Hollywood white or Simon Cowell white, then hold a B1 tab against the canine and call that the destination. Try flipping it. Under corrected light, record where the patient is now. Then hand over the whole shade guide, arranged by value, and let them choose the tab they want to reach. Photograph both. This is the VITA Shade guide arranged by value: B1 → A1 → B2 → D2 → A2 → C1 → C2 → D4 → A3 → D3 → B3 → A3.5 → B4 → C3 → A4 → C4 Two things change. You now know the target precisely instead of inferring it, and you can track progress against a fixed reference. Most patients land on B1 — it's the last shade before the bleach range, and it reads natural rather than veneered. Some will point at 0M1 and that's a different conversation, which is exactly the point. Because whatever they choose dictates how many weeks, how much gel and how many reviews the case needs — and therefore what it should cost. A single flat whitening fee assumes every case takes the same work. They don't. Someone starting at C4 who wants a bleach shade can get there, but it takes more gel, more time, more reviews and probably a protocol change along the way. Price that honestly. Only you can decide what the tiers look like in your practice. But it might be worth sitting down as a team of dentists and therapists and asking: how are we delivering whitening? Two tiers? More? Based on what? What You'll Take From This Episode Conscious bleaching — why an awake patient with an open mouth is a completely different chemical situation to a sealed tray worn overnight, and what that does to sensitivity. The formulation constraint — peroxide needs acid to stay stable on the shelf, which is why pre-mixed products lean acidic and why two-component gels exist at all. The full trayless protocol — wear schedule, spacing, patient positioning, review intervals and what to troubleshoot first when a case is behind. Who it doesn't suit — an honest contraindications list, including the one objection patients raise most often and the answer to it. Tray hygiene as a clinical instruction — the reason results vary so much between patients using the identical gel. An A3.5 to B1 case — start to finish in three weeks, with the review points and the maintenance plan. Highlights of This Episode 00:00     TEASER 01:05     Trayless Teeth Whitening Explained 03:40     Protrusive Dental Pearl: Let Patients Pick Their Whitening Shade 06:05     Meet the Guests: A Career Built on Teeth Whitening 10:27     What Is Trayless Whitening? (It’s Not Whitening Strips) 13:44     Why Whitening Trays Waste Your Bleaching Gel 15:37     Are Whitening Strips Acidic? Gel Formulation Explained 19:17     Conscious Bleaching and Whitening Sensitivity 24:43     When NOT to Use Trayless Whitening 29:05     The Trayless Whitening Protocol: 30 Minutes Twice a Day 32:55     Midroll 42:45     How to Clean Whitening Trays Properly 50:02     A3.5 to B1 in Three Weeks: A Case Walkthrough 56:16     Tooth Porosity and the 45-Degree Recline Rule 1:02:09   Whitening Top-Ups and the Five-Year Guarantee 1:06:49   How to Price Teeth Whitening and Let Patients Pick the Shade 1:07:45   OUTRO 1:12:56   What’s Coming in Part 2 Start Offering Trayless Whitening for Your Office UK Dentists: In the UK you need the Get2Smile Kit which is 6% formulation applied twice daily for 30 minutes. Head to directoralcare.com and register for a free professional account. Approval unlocks the full shop, pricing, offers and their upcoming educational courses. At checkout, use code: DOCSUMMER20 The Trayless whitening system is called Get2Smile. International Dentists wishing to offer Get2Smile, please enquire from Dr Chan’s website. The international version uses 10% formulation applied for 15 minutes, twice daily.

While clearing out her late mother's house, Annabelle finds a decades-old family photo of a gathering at a house no one recognizes, presided over by a stranger who stares straight into the camera while everyone else looks away. The more relatives she consults, the more names she recovers and the less she learns about the one face that matters — until the figure in the corner becomes less a mystery to solve than a presence she can't quite put down.Tales From The Blue Line: Every morning at three, Mason and Ally ride the Blue Line into downtown Chicago together. The train brings out its own brand of weird, which has led to Mason and Ally trading spooky stories to help their commute pass a little faster.If you have a story you'd like to contribute to the series, you can visit https://submissions.soundconceptmedia.com/You can support the show by becoming a paid subscriber on Substack: https://auditoryanthology.substack.comBy becoming a paid subscriber you can listen to every episode completely ad-free!Curator: Keith Conrad linktr.ee/keithrconradNarrator: Darren Marlar https://darrenmarlar.com/Other shows hosted by Darren:Weird Darkness: https://weirddarkness.com/Paranormality Magazine: https://weirddarkness.tiny.us/paranormalitymagMicro Terrors: Scary Stories for Kids: https://weirddarkness.tiny.us/microterrorsRetro Radio – Old Time Radio In The Dark: https://weirddarkness.tiny.us/retroradioChurch of the Undead: https://weirddarkness.tiny.us/churchoftheundead Hosted on Acast. See acast.com/privacy for more information.

When a guest has a severe allergic reaction from a bee string, photographer John Ruddock of @highorbitmedia made a snap decision as to how much of the moment to capture. What do you do when unexpected things happen during weddings. Put the camera down and give it space, or document everything?   

Smoking Joe Kubek & Bnois King perform live at the 2011 Blues Music Awards on this Edition of the Blues Radio International Podcast.Photograph courtesy of Alligator Records.Find more at BluesRadioInternational.net

FFoDpod.com   Patreon   Merchandise   CC-BY-SA  Can be found at scpwiki.com and was written by TL333s. Posted on Apr 19, 2012.

Ella Hubber, Caroline Roper and Tom Lum from 'Let's Learn Everything!' face questions about academic admissions, eight-legged equines and five-dollar flights. LATERAL is a comedy panel game podcast about weird questions with wonderful answers, hosted by Tom Scott. For business enquiries, contestant appearances or question submissions, visit https://lateralcast.com. HOST: Tom Scott. QUESTION PRODUCER: David Bodycombe. EDITED BY: Julie Hassett at The Podcast Studios, Dublin. MUSIC: Karl-Ola Kjellholm ('Private Detective'/'Agrumes', courtesy of epidemicsound.com). ADDITIONAL QUESTIONS: Steven W., Jeff Wright, Kate, Rotar, Jagan, Carlos, Noah Goob, Adrian. FORMAT: Pad 26 Limited/Labyrinth Games Ltd. EXECUTIVE PRODUCERS: David Bodycombe and Tom Scott. © Pad 26 Limited (https://www.pad26.com) / Labyrinth Games Ltd. 2026. Learn more about your ad choices. Visit megaphone.fm/adchoices

For 52 years, citizen-scientists have documented Mt. Shasta’s melting glaciers as the planet warms from climate change. They’ve taken a series of photographs over decades that shows these glaciers shrinking.   These citizen-scientists say they’re hoping to reduce “environmental amnesia” by presenting this visual evidence of climate change.   Washington journalist and author of “The Earth Said Remember Me,” Jason Dove Mark, joins us to discuss his experience on Mt. Shasta, and its broader implications.  

After sharing photos from her stepdaughter's sixteenth birthday, Paula found herself at the center of a wave of harsh criticism from strangers who believed they knew everything about her family from a single Instagram post.    In this episode, she uses that experience to explore the psychology of judgment, projection, entitlement, and the assumptions people make based on appearances. She also explains the philosophy behind raising children with an abundance mindset rather than a scarcity mindset, and why she refuses to apologize for creating opportunities for the people she loves. If you've ever been judged unfairly—or caught yourself judging someone else—this episode offers a perspective that may change the way you see both yourself and others.  

This episode Amy and Chris don their fanciest pair of waders and hop upon a sturdy backwater boat to review the worker placement strategy game Feya's Swamp. But before they start throwing any celebratory fish-festivals, they discuss Photograph (aka Wind the Film!) and Pandemic Legacy: Season 1. The review of Feya's Swamp begins at 32:19.

The Photograph in Jamie s Backpack Changed Everything I Thought I KnewBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-cheating-wives-and-girlfriends-stories-2026-true-cheating-stories-podcast--5689182/support.

What an interesting show...Meet Larry Hansen, representing new sponsor Make a Scene Media from Wasilla, Alaska and promoting touring artist Natalie Gelman and her Mountain Mama Tour. Natalie's songs include Heavy Heavy Heart, The Lion, Some People, Photograph and The Way Things Go

Nina Alvarez joins Dr. Sandie Morgan to unpack a question raised after The New York Times published images from Figueroa Street: was legal consent enough to prevent harm? Together they explore the ethical duty of care journalists owe survivors, the lasting life of images, and why covering trafficking responsibly takes more than good intentions.Chapters(00:00) - Introduction: welcoming journalist Nina Alvarez (03:46) - What "ethical duty of care" means for journalists (06:00) - Consent, trauma, and the limits of a release form (16:42) - Why "rescue" is the wrong word for trafficking recovery (22:14) - What editors and organizations should ask before publishing (28:44) - Power, images, and protecting sources long after publication (38:03) - Media narratives, public misunderstanding, and what needs to change (43:14) - Closing thoughts and how to get involved About Nina AlvarezNina Alvarez is a journalist, documentarian, video photographer, and the CBS Assistant Professor of International Journalism at Columbia Journalism School. She has spent more than twenty-five years reporting breaking news, feature stories, radio reports, broadcast segments, and long-form documentaries around the world.Alvarez began her career at ABC News, working on the documentary series Turning Point before covering the southeast U.S. and Latin America from ABC's Miami Bureau and helping establish the network's Mexico City Bureau in 1997. Her work has aired on World News Tonight with Peter Jennings, Good Morning America, Nightline, and 20/20, earning three national Emmy Awards.Since 2001, she has reported and produced for Univision, NBC, CNN, NPR, MTV News, and Al Jazeera, with work spanning the Middle East, Africa, Central Asia, Latin America, and the Caribbean. She produced, directed, and photographed Very Young Girls, a Showtime documentary following New York City girls who had been sexually exploited and trafficked domestically, and was a producer on the Oscar-nominated Which Way Home.Key Points• Nina Alvarez explains that the ethical duty of care means weighing the lasting impact a story will have on the person in it, since a published story is permanent and the subject may not fully grasp what that means when they agree to participate.• Consent is not the same as a signed release form; Alvarez describes consent as an ongoing process that journalists have to revisit before, during, and after a story is published.• Alvarez points out that turning 18 makes someone legally able to consent, but it doesn't erase the effects of years of trauma, so journalists still have to weigh whether a survivor's "yes" is solid.• Morgan and Alvarez agree that "rescue" is the wrong frame for trafficking recovery, since most survivors leave and return to their situations multiple times before they're fully out.• Alvarez explains that rescue-centered narratives draw more funding and legislative attention toward policing, while recovery-centered approaches that give survivors housing and health resources get less support.• Alvarez says editors should be asking why minors' first names and identifying details were included in a story at all, and whether a survivor understood that their words to police would end up published nationally.• Alvarez encourages organizations to set ground rules with journalists, including reviewing the story and images in advance, and warns that survivors who depend on an organization for access may feel pressure to say yes.• Alvarez reflects that Very Young Girls, made in 2007, didn't anticipate how permanently images would circulate online, and the women in that documentary now say they can never fully escape those images.Resources• Figueroa Street and the Ethical Duty of Care (Columbia Journalism Review)• Very Young Girls (documentary)• GEMS (Girls Educational and Mentoring Services)• Humanitarian Initiative Bridges• Columbia Journalism School

Charles and Jon compare notes from their recent trips to China, and talk the joys of travel there, especially the country's superb mammalwatching opportunities. Charles and his family spent 10 days in China's Qinghai Province in May, while Jon was in China for a month from mid-April, including almost two weeks in Yunnan Province and a few days in Qinghai.We discuss the Gouli Valley, and the extraordinary carnivore watching there, due in large part to a guide with superhuman vision. Charles has a close encounter with some Tibetan caterpillar connoisseurs and Jon discovers that seeing any species might be possible with the help of the right friends in China, especially when one is the 'mammal lord'.Notes: Jon's 2026 reports from China - Yunnan, Qinghai, Tangjiahe, Guangxi and Zhejiang - are already available on mammalwatching's China page. If you are interested in details of the tour he will lead across Qinghai next year, including to the original Valley of the Cats, please email.The study of Fishers predating Lynxes that Charles discussed at the start is here.If you would like to submit you own notes from the field then please get in touch with Jon at info@mammalwatching.comYou can support mammalwatching and buy us a coffee here https://buymeacoffee.com/mammalwatchingFinally did you know you can sign up to receive a weekly mammalwatching newsletter here? https://www.mammalwatching.com/subscribe-to-updates/Cover art: Pallas's Cat in the Gouli Valley, February 2026. Photograph by Man Fu.Dr Charles Foley is a mammalwatcher and biologist who, together with his wife Lara, spent 30 years studying elephants in Tanzania. They now run the Tanzania Conservation Research Program at the Lincoln Park Zoo in Chicago.Jon Hall set up mammalwatching.com in 2005. Genetically Welsh, spiritually Australian, currently in New York City. He has looked for mammals in almost 120 countries.

Search for Venezuela's quake survivors continues as thousands remain missing, more international aid has been pledged. Also in the programme: a statement from Russia's Vladmir Putin on fuel shortages; and the forgotten dinosaur of Antarctica.(Photograph: destroyed buildings in La Guaira. Credit: UKIsar)

Elijah Vue's biological father was in prison. The man his mother chose to care for him had a felony for harming a child, trafficking charges, and a federal drug conviction. His mother had once told police that the same man had trafficked her — and then, years later, placed her three-year-old in his apartment for “disciplinary reasons.” There was nowhere safe for this child to land. And no one intervened.The criminal complaint in this case lays out a relationship between Katrina Baur and Jesse Vang that goes back years — through trafficking allegations, federal prison, and a power dynamic Baur herself described to investigators as a “structure” with Elijah's father as “the alpha.” By February 2024, that dynamic had put a toddler inside a Two Rivers apartment where he was being subjected to what Vang called “boot camp.” Standing timeouts lasting hours. Cold water. His one toy confiscated. One diaper change per day. Text messages between Baur and Vang show them coordinating: Vang promised to make the boy hate him, and Baur replied with a correction — not hate, fear.A deleted photograph showed Elijah blindfolded and bruised at 3:13 in the morning. His mother took it, erased it, and drove home. Both Baur and Vang now face felony charges in connection with Elijah's death. Both have pleaded not guilty. Vang faces life in prison. Tony Brueski goes deep on who these people were, how they were connected, and the question that defines this first segment: how did a three-year-old end up surrounded by adults who were either locked up, accused, or complicit — with nobody standing between him and what happened next?Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/ Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1 Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#ElijahVue #JesseVang #KatrinaBaur #TwoRivers #Wisconsin #TrueCrime #JusticeForElijah #ManitowocCounty #TrueCrimeToday #TrueCrimePodcast

Bob Brigham always knew he was adopted, but growing up, he didn't know anything about his biological parents. When he was seven years old, a social worker came for a visit and Bob heard her whisper something to his mother – something about the Vietnam War. “Within a nanosecond, I created a story in my head.” Bob Brigham's book is This Is a True War Story. My Improbable History with Vietnam. Say hello on Facebook and Instagram. Follow the show and review us on Apple Podcasts. Want to listen to This is Love ad-free? Sign up for Criminal Plus – you'll get to listen to This is Love, Criminal, and Phoebe Reads a Mystery without any ads. Plus, you'll get behind-the-scenes bonus episodes of Criminal and other exclusive benefits. Learn more and sign up here. We also make Criminal and Phoebe Reads a Mystery. Artwork by Julienne Alexander. Check out our online shop. Episode transcripts are posted on our website. Learn more about your ad choices. Visit podcastchoices.com/adchoices

(6) Bob Zimmerman shares the backstory of the iconic Earthrise photo and the legendary Christmas Eve broadcast. He clarifies that while there was friction over who took the photograph, Bill Anders captured the famous color version. For the broadcast, which reached the largest audience in history, Frank Borman rejected PR advice and instead chose to read from Genesis. The guest notes that this choice aimed to share a message of universal goodwill that transcended specific religions. The reading brought a hush over the world, concluding with the famous sign-off wishing a Merry Christmas to everyone on the "good earth."1955