Podcasts about Photograph

FFoDpod.com   Patreon   Merchandise   CC-BY-SA  Can be found at scpwiki.com and was written by TL333s. Posted on Apr 19, 2012.

Ella Hubber, Caroline Roper and Tom Lum from 'Let's Learn Everything!' face questions about academic admissions, eight-legged equines and five-dollar flights. LATERAL is a comedy panel game podcast about weird questions with wonderful answers, hosted by Tom Scott. For business enquiries, contestant appearances or question submissions, visit https://lateralcast.com. HOST: Tom Scott. QUESTION PRODUCER: David Bodycombe. EDITED BY: Julie Hassett at The Podcast Studios, Dublin. MUSIC: Karl-Ola Kjellholm ('Private Detective'/'Agrumes', courtesy of epidemicsound.com). ADDITIONAL QUESTIONS: Steven W., Jeff Wright, Kate, Rotar, Jagan, Carlos, Noah Goob, Adrian. FORMAT: Pad 26 Limited/Labyrinth Games Ltd. EXECUTIVE PRODUCERS: David Bodycombe and Tom Scott. © Pad 26 Limited (https://www.pad26.com) / Labyrinth Games Ltd. 2026. Learn more about your ad choices. Visit megaphone.fm/adchoices

After sharing photos from her stepdaughter's sixteenth birthday, Paula found herself at the center of a wave of harsh criticism from strangers who believed they knew everything about her family from a single Instagram post.    In this episode, she uses that experience to explore the psychology of judgment, projection, entitlement, and the assumptions people make based on appearances. She also explains the philosophy behind raising children with an abundance mindset rather than a scarcity mindset, and why she refuses to apologize for creating opportunities for the people she loves. If you've ever been judged unfairly—or caught yourself judging someone else—this episode offers a perspective that may change the way you see both yourself and others.  

This episode Amy and Chris don their fanciest pair of waders and hop upon a sturdy backwater boat to review the worker placement strategy game Feya's Swamp. But before they start throwing any celebratory fish-festivals, they discuss Photograph (aka Wind the Film!) and Pandemic Legacy: Season 1. The review of Feya's Swamp begins at 32:19.

The Photograph in Jamie s Backpack Changed Everything I Thought I KnewBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-cheating-wives-and-girlfriends-stories-2026-true-cheating-stories-podcast--5689182/support.

What an interesting show...Meet Larry Hansen, representing new sponsor Make a Scene Media from Wasilla, Alaska and promoting touring artist Natalie Gelman and her Mountain Mama Tour. Natalie's songs include Heavy Heavy Heart, The Lion, Some People, Photograph and The Way Things Go

Nina Alvarez joins Dr. Sandie Morgan to unpack a question raised after The New York Times published images from Figueroa Street: was legal consent enough to prevent harm? Together they explore the ethical duty of care journalists owe survivors, the lasting life of images, and why covering trafficking responsibly takes more than good intentions.Chapters(00:00) - Introduction: welcoming journalist Nina Alvarez (03:46) - What "ethical duty of care" means for journalists (06:00) - Consent, trauma, and the limits of a release form (16:42) - Why "rescue" is the wrong word for trafficking recovery (22:14) - What editors and organizations should ask before publishing (28:44) - Power, images, and protecting sources long after publication (38:03) - Media narratives, public misunderstanding, and what needs to change (43:14) - Closing thoughts and how to get involved About Nina AlvarezNina Alvarez is a journalist, documentarian, video photographer, and the CBS Assistant Professor of International Journalism at Columbia Journalism School. She has spent more than twenty-five years reporting breaking news, feature stories, radio reports, broadcast segments, and long-form documentaries around the world.Alvarez began her career at ABC News, working on the documentary series Turning Point before covering the southeast U.S. and Latin America from ABC's Miami Bureau and helping establish the network's Mexico City Bureau in 1997. Her work has aired on World News Tonight with Peter Jennings, Good Morning America, Nightline, and 20/20, earning three national Emmy Awards.Since 2001, she has reported and produced for Univision, NBC, CNN, NPR, MTV News, and Al Jazeera, with work spanning the Middle East, Africa, Central Asia, Latin America, and the Caribbean. She produced, directed, and photographed Very Young Girls, a Showtime documentary following New York City girls who had been sexually exploited and trafficked domestically, and was a producer on the Oscar-nominated Which Way Home.Key Points• Nina Alvarez explains that the ethical duty of care means weighing the lasting impact a story will have on the person in it, since a published story is permanent and the subject may not fully grasp what that means when they agree to participate.• Consent is not the same as a signed release form; Alvarez describes consent as an ongoing process that journalists have to revisit before, during, and after a story is published.• Alvarez points out that turning 18 makes someone legally able to consent, but it doesn't erase the effects of years of trauma, so journalists still have to weigh whether a survivor's "yes" is solid.• Morgan and Alvarez agree that "rescue" is the wrong frame for trafficking recovery, since most survivors leave and return to their situations multiple times before they're fully out.• Alvarez explains that rescue-centered narratives draw more funding and legislative attention toward policing, while recovery-centered approaches that give survivors housing and health resources get less support.• Alvarez says editors should be asking why minors' first names and identifying details were included in a story at all, and whether a survivor understood that their words to police would end up published nationally.• Alvarez encourages organizations to set ground rules with journalists, including reviewing the story and images in advance, and warns that survivors who depend on an organization for access may feel pressure to say yes.• Alvarez reflects that Very Young Girls, made in 2007, didn't anticipate how permanently images would circulate online, and the women in that documentary now say they can never fully escape those images.Resources• Figueroa Street and the Ethical Duty of Care (Columbia Journalism Review)• Very Young Girls (documentary)• GEMS (Girls Educational and Mentoring Services)• Humanitarian Initiative Bridges• Columbia Journalism School

The Photograph That Decided Who Would Disappear NextBecome a supporter of this podcast: https://www.spreaker.com/podcast/dark-mysteries-unsolved-mysteries-forgotten-secrets-unanswered-questions--5684156/support.Darkest Mysteries Online

Charles and Jon compare notes from their recent trips to China, and talk the joys of travel there, especially the country's superb mammalwatching opportunities. Charles and his family spent 10 days in China's Qinghai Province in May, while Jon was in China for a month from mid-April, including almost two weeks in Yunnan Province and a few days in Qinghai.We discuss the Gouli Valley, and the extraordinary carnivore watching there, due in large part to a guide with superhuman vision. Charles has a close encounter with some Tibetan caterpillar connoisseurs and Jon discovers that seeing any species might be possible with the help of the right friends in China, especially when one is the 'mammal lord'.Notes: Jon's 2026 reports from China - Yunnan, Qinghai, Tangjiahe, Guangxi and Zhejiang - are already available on mammalwatching's China page. If you are interested in details of the tour he will lead across Qinghai next year, including to the original Valley of the Cats, please email.The study of Fishers predating Lynxes that Charles discussed at the start is here.If you would like to submit you own notes from the field then please get in touch with Jon at info@mammalwatching.comYou can support mammalwatching and buy us a coffee here https://buymeacoffee.com/mammalwatchingFinally did you know you can sign up to receive a weekly mammalwatching newsletter here? https://www.mammalwatching.com/subscribe-to-updates/Cover art: Pallas's Cat in the Gouli Valley, February 2026. Photograph by Man Fu.Dr Charles Foley is a mammalwatcher and biologist who, together with his wife Lara, spent 30 years studying elephants in Tanzania. They now run the Tanzania Conservation Research Program at the Lincoln Park Zoo in Chicago.Jon Hall set up mammalwatching.com in 2005. Genetically Welsh, spiritually Australian, currently in New York City. He has looked for mammals in almost 120 countries.

Search for Venezuela's quake survivors continues as thousands remain missing, more international aid has been pledged. Also in the programme: a statement from Russia's Vladmir Putin on fuel shortages; and the forgotten dinosaur of Antarctica.(Photograph: destroyed buildings in La Guaira. Credit: UKIsar)

Trudy Lynn and Sugaray Rayford perform live with the Anthony Paule Soul Orchestra at the 2018 Blues Music Awards in Memphis.Photograph by Jay SkolnickFind more at BluesRadioInternational.net

Creative photography is becoming increasingly popular, and with more people than ever pushing artistic boundaries, Rob and Josh discuss what actually makes a photograph creative. Join the two for a candid discussion as they delve into another interesting topic.WildArt is also returning in the guise of the new WildArt Bird Photography Awards. Rob and Josh explain the new format, who's behind it and what the awards will be looking for. Visit the all new WildArt website - https://www.wabpa.com/As well as wildlife photographers, we are passionate about conservation and do everything we can to support grass-roots conservation initiatives across the globe. This year, through both WildArt and the podcast, we are supporting Western Australia's Black Cockatoos through efforts coordinated by Perth NRM. If you have enjoyed the content, then why not say thank you by making a small donation directly to this conservation effort? Click the link to go directly to the donation page for more information and to part with some cash!https://www.perthnrm.com/wildart-bird-photography-awards-donations/About the Hosts:Rob Read has spent many years as a photography competition organiser; firstly as a founding director of, and primary organiser of Bird Photographer of the Year for the first five years of the competition, and more recently as founder, owner, and organiser of WildArt Bird Photography Awards. Josh Galicki has been entering competitions for many years and has had significant success in many, including Bird Photographer of the Year. He is now an intergral part of WildArt Bird Photography Awards.Connect with the Podcast Instagram Account and Facebook Page using the following links:https://www.instagram.com/wildphotopodcast/https://www.facebook.com/profile.php?id=61570623586727Get in touch with us directly by sending an email to wildphotopodcast@gmail.comFind out more about your host's and view their work on their Instagram profiles:Rob - https://www.instagram.com/robreadphotos/Josh - https://www.instagram.com/galicki_photography/The WildArt Bird Photography Awards website can be found here - https://www.wabpa.com/Jiří Hřebíček - https://www.jirihrebicek.com/

Hear the 2026 International Blues Challenge second place award winning live performance in the solo/duo category by Devin C. Williams at the Orpheum Theater in Memphis on this Edition of the Blues Radio International Podcast.Photograph by Laura Carbone.Find more at BluesRadioInternational.net

Lauren's guests are renowned photographers Inez van Lamsweerde and Vinoodh Matadin, who just published the book Can Love Be a Photograph, riffing off their 40-year retrospective at Kunstmuseum The Hague in the Netherlands, which runs through September 6. They discuss their working and romantic relationship, the way the fashion industry has changed over the course of their career, the evolution of fashion image-making, their favorite (and least favorite) brands, working with various designers, New York, their process, why (and how) they never leave each other's side, and so much more. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Before we dive into this week’s episode (number 588, btw), just a quick reminder: two spots are still available in the Photo Book Club—Click on the link under the workshop menu for more details.  This week, the inspiration for this episode came from the book we are reading for the book club — Robert Adams’s Why People Photograph. But before we dig into our topic. We lost two great photographers this past week. Both Duane Michals and David Hockney passed away. Duane pushed photography into the realms of narrative, imagination, and personal expression, and reminded us that photographs could ask questions rather than provide answers. David said he took pictures (30,000) from time to time, and he continually encouraged us to reconsider how we see and work with ideas as complex and dynamic rather than as frozen moments. While they will be missed, we have such a great archive of their work. If you haven’t looked at their work, it’s worth your time.  Our main topic for the week is about those exact moments of the shutter clicking. For many, photography is something we do almost automatically. Cameras are always within reach, and images are made billions of times a day. Yet beneath every photograph lies a simple question: Why did we choose to photograph that particular moment? In this episode, I explore some of the ideas behind the why of our photographs. For some of us, photography begins with attention. Before there is a photograph, there is an act of noticing. Something in the world captures our interest, interrupts our routine, and asks us to pause. The camera becomes a way to acknowledge that moment. We might photograph to remember, but photographs aren’t records of the past. They become memory triggers, opening doors to experiences, emotions, and stories that often fade or are forgotten.  We also photograph to understand who we are and the world we live in. The camera allows us to investigate the world, ask questions, and discover meanings we might have overlooked. It allows us to push back when things aren’t right and celebrate what is good. Maybe our photographs reveal something about who we are. The subjects we return to, the moments that move us, and the scenes that capture our attention all provide clues about what we value and how we see the world, all acting like a form of self-portraiture.  Ultimately, photography may not be about collecting images at all. It may be about collecting these moments and places of attention and creating a deeper connection to the world around us.

This time around, our "Breakout Album" is by Def Leppard--the smash from '83, "Pyromania." Frankie will share his story about the band from England, and Tim will fill you in on how that "Union Jack" t-shirt worn in the famous "Photograph" video came to be. Next up: "The Grand Illusion" by the Chicago band, Styx. Enjoy!

British Blues Hall of Fame member Matt Schofield performs live at the Funky Biscuit in Boca Raton, Florida, in August 2023.Sound by Michael Wolf. Photograph by Chris Schmitt.Find more at BluesRadioInternational.net

Matt Kay is a Cape Town-based photographer who came up through photojournalism, spent formative years on a Texas ranch with a Pulitzer Prize winner he didn't know was a Pulitzer Prize winner, and has spent the better part of two decades thinking seriously about what photography is actually for.In this episode, we get into why a photograph is never real, the collapse of photojournalism and how weddings filled the gap financially, why the boudoir work is less about taking saucy pictures and more about giving someone permission to be seen, and how the saturation of imagery has made it almost impossible for a single photograph to change anything anymore. We also get into snake catching clubs, growing up in the Midlands, and a yellow-billed kite named Napoleon. Enjoy. Hosted on Acast. See acast.com/privacy for more information.

Elijah Vue's biological father was in prison. The man his mother chose to care for him had a felony for harming a child, trafficking charges, and a federal drug conviction. His mother had once told police that the same man had trafficked her — and then, years later, placed her three-year-old in his apartment for “disciplinary reasons.” There was nowhere safe for this child to land. And no one intervened.The criminal complaint in this case lays out a relationship between Katrina Baur and Jesse Vang that goes back years — through trafficking allegations, federal prison, and a power dynamic Baur herself described to investigators as a “structure” with Elijah's father as “the alpha.” By February 2024, that dynamic had put a toddler inside a Two Rivers apartment where he was being subjected to what Vang called “boot camp.” Standing timeouts lasting hours. Cold water. His one toy confiscated. One diaper change per day. Text messages between Baur and Vang show them coordinating: Vang promised to make the boy hate him, and Baur replied with a correction — not hate, fear.A deleted photograph showed Elijah blindfolded and bruised at 3:13 in the morning. His mother took it, erased it, and drove home. Both Baur and Vang now face felony charges in connection with Elijah's death. Both have pleaded not guilty. Vang faces life in prison. Tony Brueski goes deep on who these people were, how they were connected, and the question that defines this first segment: how did a three-year-old end up surrounded by adults who were either locked up, accused, or complicit — with nobody standing between him and what happened next?Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/ Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/channel/UC8-vxmbhTxxG10sO1izODJg?sub_confirmation=1 Instagram https://www.instagram.com/hiddenkillerspod/ Facebook https://www.facebook.com/hiddenkillerspod/ Tik-Tok https://www.tiktok.com/@hiddenkillerspod X Twitter https://x.com/TrueCrimePodThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.#ElijahVue #JesseVang #KatrinaBaur #TwoRivers #Wisconsin #TrueCrime #JusticeForElijah #ManitowocCounty #TrueCrimeToday #TrueCrimePodcast

The Photograph That Survived the Fire Wasn't Supposed to ExistBecome a supporter of this podcast: https://www.spreaker.com/podcast/dark-mysteries-the-strange-and-unusual-podcast-2026--5684156/support.Darkest Mysteries Online

With an academic background in social, cultural anthropology and photography, I have spent the last twenty-five years working on projects that have bridged photographic and archival research. I have witnessed the power of photography as a means to connect communities. I have experienced first-hand the benefits to participants of enabling an emotional connection and inspiring a sense of validation, of feeling seen and valued and heard. That their story matters. That they matter. In this talk, we will explore the creative mechanisms involved in making memory visible through photography, stimulating engagement in the present.This lecture was recorded by Julia Winckler on the 7th of May 2026Julia Winckler is a photographer, writer, curator and Principal Lecturer at the University of Brighton's School of Art and Media, where she teaches on MA Photography and MA Fine Art and supervises PhD research. She has exhibited and published widely on memory and migration narratives, contested topographies, émigré photographers and photography as activism. With an academic background in cultural anthropology, social work and photography, she has spent the last 25 years developing projects that bridge photographic and archival research.The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/making-memoryGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today Website:  https://gresham.ac.ukX: https://x.com/GreshamCollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeBluesky: https://bsky.app/profile/greshamcollege.bsky.social TikTok: https://www.tiktok.com/@greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

Bob Brigham always knew he was adopted, but growing up, he didn't know anything about his biological parents. When he was seven years old, a social worker came for a visit and Bob heard her whisper something to his mother – something about the Vietnam War. “Within a nanosecond, I created a story in my head.” Bob Brigham's book is This Is a True War Story. My Improbable History with Vietnam. Say hello on Facebook and Instagram. Follow the show and review us on Apple Podcasts. Want to listen to This is Love ad-free? Sign up for Criminal Plus – you'll get to listen to This is Love, Criminal, and Phoebe Reads a Mystery without any ads. Plus, you'll get behind-the-scenes bonus episodes of Criminal and other exclusive benefits. Learn more and sign up here. We also make Criminal and Phoebe Reads a Mystery. Artwork by Julienne Alexander. Check out our online shop. Episode transcripts are posted on our website. Learn more about your ad choices. Visit podcastchoices.com/adchoices

For most of human history, space has been a place we visited. The next chapter may be about building there.For decades, space was the domain of governments, astronauts, and science fiction. Today, falling launch costs, reusable rockets, and a new generation of ambitious founders are turning orbit into something else entirely: a place to build. The question is no longer whether humanity can construct large-scale infrastructure in space, but what we should build first—and why.In this episode of TechSurge, host Sriram Vishwanath speaks with Dr. Ariel Ekblaw, Founder and CEO of Aurelia Institute, Research Affiliate at MIT's Space Exploration Initiative, and founder of Rendezvous Robotics. Ariel has spent her career exploring one of the most fundamental challenges of the emerging space economy: how to build structures in orbit that are far larger than anything that can fit inside a rocket.Ariel explains the origins of TESSERAE, her pioneering work on autonomous self-assembling space architecture, and how ideas borrowed from biology, swarm intelligence, and modular construction could unlock a future of massive solar arrays, communications infrastructure, orbital laboratories, and eventually human habitats in space.The conversation explores the rapidly emerging market for in-orbit infrastructure, including AI data centers in space, space-based solar power, and the technologies needed to support a permanent industrial presence beyond Earth. Ariel breaks down the engineering realities behind these ideas—why cooling data centers in space is harder than most people assume, how autonomous assembly could solve the scale problem, and why the future of orbital infrastructure may look more like a business park than a collection of standalone satellites.Sriram and Ariel also discuss the broader implications of humanity's return to space: the economics unlocked by reusable launch systems, the opportunities created by dramatically lower transportation costs, and the second-order innovations that may emerge from building an industrial ecosystem in orbit. Along the way, they examine space debris, stewardship of the orbital commons, artificial gravity, and what it will take to make long-term human habitation in space viable.At the heart of the discussion is Ariel's belief that space is not an escape from Earth's problems, but a tool for solving them. Whether through advanced manufacturing, new energy systems, biotechnology research, or entirely new industries, she argues that the next era of space exploration should be focused on improving life here at home.Sign up for our newsletter at techsurgepodcast.com for updates on upcoming TechSurge Live Summits and future episodes.Links:Ariel Ekblaw on LinkedIn:https://www.linkedin.com/in/arielekblawAurelia Institute:https://www.aureliainstitute.orgRendezvous Robotics:https://www.rdvrobotics.comMIT Space Exploration Initiative:https://www.media.mit.edu/groups/space-exploration/overview/How Aurelia is Designing Self-Assembling Space Stations: https://www.fastcompany.com/91242689/how-the-aurelia-institute-is-designing-a-self-assembling-space-stationOverview Energy (Space-Based Solar Power): https://www.overviewenergy.comStarCatcher Industries (Space-to-Space Power Transmission): https://www.starcatcherindustries.comImpulse Space (Orbital Transportation): https://www.impulsespace.comReferences Mentioned During the DiscussionEarthrise - The Apollo 8 Photograph: https://www.nasa.gov/image-article/apollo-8-earthrise/Carl Sagan's “Pale Blue Dot”: https://www.planetary.org/worlds/pale-blue-dotBuckminster Fuller Institute: https://www.bfi.orgWatch Ariel's Talks & InterviewsAurelia Institute YouTube Channel: https://www.youtube.com/@AureliaInstituteAriel's TED Talk: https://youtu.be/IHrGK3Mu5K4?si=QwGHq1BEoB-QMUjkSpace Business Podcast - Self-Assembling Space Habitats with Ariel Ekblaw: https://spacebusiness.podbean.com/e/137-self-assembling-space-habitats-ariel-ekblaw-founder-ceo-aurelia-institute/Further ReadingNASA's Artemis Program: https://www.nasa.gov/artemisInternational Space Station (ISS): https://www.nasa.gov/international-space-stationAurelia Institute's Vision for Humanity's Future in Space: https://www.aureliainstitute.orgMIT News: Supporting Mission-Driven Space Innovation: https://news.mit.edu/2025/supporting-mission-driven-space-innovation-aurelia-institute-0710Timestamps:[00:00] Highlights[00:34] Welcome to the Episode[02:33] The New Space Race Begins[04:10] Meet Dr. Ariel Ekblaw[06:30] Why We Explore Space? [12:53] How She Discovered Self-Assembly at MIT [17:10] How TESSERAE Tiles Build Themselves[20:14] How the Tiles Coordinate Like a Swarm[24:47] Repairing and Reconfiguring Structures in Orbit[28:32] Why the Space Industry Is Exploding Now[34:25] The Case for AI Data Centers in Space[45:21] How Much Compute Will Move to Space?[48:40] Why This Space Era Is Different[52:24] The Growing Problem of Space Debris[55:14] Building the Next SpaceX[57:27] What Could Go Wrong in Space?[59:33 ] How Many Hours of Gravity Do Humans Need?[01:00:38] Why We Should Build in Low Earth Orbit First[01:05:09] Should We Really Colonize Mars?[01:11:27] Could You Commute to Space for Work?[01:13:50] Who Makes the Rules in Space?[01:22:30] What's Overhyped and Underhyped in Space[01:26:57]What's the Real Story in Space?

(6) Bob Zimmerman shares the backstory of the iconic Earthrise photo and the legendary Christmas Eve broadcast. He clarifies that while there was friction over who took the photograph, Bill Anders captured the famous color version. For the broadcast, which reached the largest audience in history, Frank Borman rejected PR advice and instead chose to read from Genesis. The guest notes that this choice aimed to share a message of universal goodwill that transcended specific religions. The reading brought a hush over the world, concluding with the famous sign-off wishing a Merry Christmas to everyone on the "good earth."1955

Hear MAMA, the 2nd place award winning band at the 2026 International Blues Challenge, in their live performance at the finals at the Orpheum Theatre in Memphis, January 2026.Photograph by Laura Carbone.Find more at BluesRadioInternational.net

HT2638 - Photograph As Launch Pad It's easy to fall into the trap of thinking that a photograph is a destination of a viewing process. It's as though seeing a photograph puts a period at the end of an experiential sentence. The reason I call this a trap is because it seems much better to me to consider a photograph as a launch pad for an experience, one that encourages a train of thought, a series of questions, a dialog, a search for meaning and understanding. A photograph that only provides answers is easy to forget. This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2500 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process.

Colin is on the pod as we discuss his journey from the islands of Scotland to supporting The Strokes on their first UK tour and much more.Colin MacIntyre AKA Mull Historical Society releases a new album on May 29th. It is his 10th LP and the second in his collaborative author series following on from previous record “In My Mind There's A Room” in 2023. This brand new collection of songs, “In My Mind There's A Photograph', will feature lyrical contributions from a panoply of world-leading authors, all of whom were asked to reflect on a single significant photo to them. With Colin playing the ‘Elton to their Bernie', coupling his musical idiosyncrasies to their affecting words, together they have created 12 songs of vivid photographic realisation and a very real emotional resonance.The author collaborators on ‘In My Mind There's A Photograph' are best-sellers, Pulitzer, Booker, Costa, Women's Prize & Saltire Award-winners, including: Irvine Welsh, Sir Alexander McCall Smith, Dan Richards, Ali Smith, Len Pennie, Jehan Bseiso, Louise Welsh, Irenosen Okojie, Paul Lynch, Colum McCann, Yiyun Lee & Alan Johnson.Alongside the album's release in May, 2026 finds Colin in the most creative and prolific form of his career. An established author in his own right, MacIntyre's fifth book, and the second in his Mull Mysteries Crime series, ‘An Island Burning', came out in April on Black & White Publishing/Bonnier Books. Elsewhere, his multi-genre musical, ‘Culloden', for which he has written the script, book and music, also goes into pre-production this year. Plus, with the 25th anniversary of his Gold-selling, album-of-the-year-polls-topper, debut ‘Loss' coming around, expect further news on some special anniversary plans…In the meantime, to support the release of “In My Mind There's A Photograph” and his new novel - Colin recently announced “An Evening With…” tour, which will include songs, stories, readings and Q&A with special guests as follows:AN EVENING WITH… MULL HISTORICAL SOCIETYJUNE4 - LONDON St Pancras Old Church10 - TOBERMORY, ISLE OF MULL Aros Hall11 - STIRLING Tolbooth12 - GLASGOW King Tut's13 - EDINBURGH La Belle AngeleSEPTEMBER11 - HEBDEN BRIDGE Trades15 - BIRMINGHAM Hare & Hounds 216 - READING South Street Arts Centre17 - MANCHESTER St Michael's18 - CAMBRIDGE Storey's Field Centre19 - SOUTHAMPTON The Joiner's Arms22 - BRISTOL The Wardrobe TheatreTickets on general sale now from:http://mullhistoricalsociety.com/------22 Grand Pod is on Patreon: https://www.patreon.com/22grandpodOff the back of the main pod, we are creating Patreon only bonus content. For £3 a month you will get:The 00's Deep Dive: Taking a look back at the likes of the Stalking Pete Doherty documentary and going through them in painful detail. As well as going through NME Awards from back in the day and discussing what happened.My Favourite 00's Songs: Inviting patrons and other guests to come on the podcast to talk about their favourite songs, albums or moments from back in the day.Legend or Landfill: We go through NME's top 10 albums of each year and see if we think they are indeed Legendary or for the Landfill.Fans Stories: Talking to people about their memories and opinions on all things 00's.Unsigned Stories: Chatting with bands that didn't quite 'make it' in terms of signing that elusive record deal.Patrons will also get early access to any main pod episodesMerch etc: https://www.redbubble.com/people/22grandpod/shop?asc=uAlso check the YouTube channel for extended video versions of the interviews and much more: https://bit.ly/3Ts7Wu1And 22 Grand Pod on Islington Radio: https://www.mixcloud.com/IslingtonRadio/playlists/22-grand-pod/ Hosted on Acast. See acast.com/privacy for more information.

Photograph, Picture — PatReitaq (N), PatRiitaq (S)PatRiitarnga. – Take a photograph of me.

This week on Drinking from the Gardenhose, OB and ED tackle the true modern workplace nightmare: lunchtime meetings, surprise calendar invites, and the silent war for personal time. ED explains his elite-level strategy of blocking off his entire Outlook calendar like a corporate bunker, while OB questions whether anyone actually respects lunch anymore. The guys also dive into gym politics, prom photo etiquette, and the unwritten rules of where certain pictures should—and absolutely should not—be shared. Along the way, ED recounts a genuinely bizarre night at a beer garden involving unsupervised kids and questionable parenting decisions that left both hosts wondering if public behavior has completely unraveled. Throw in concert shirts, golf outing chaos, and one hilariously brutal insult OB has been saving for the right moment, and you've got another episode packed with observational comedy, workplace survival tactics, and pure Gardenhose energy.

Canadian author Rachel Reid talks to us about the the phenomenon which has followed the publication of her books about the romantic relationship between rival ice hockey players.We speak to author Yang Shuang-zi and translator Lin King, the author and translator of this year's International Booker Prize winning book, Taiwan Travelogue. And Mull Historical Society's latest album In My Mind There's A Photograph sees singer-songwriter Colin Macintyre work with lyrical contributions from a panoply of world-leading authors. He reveals his collaborative process with the likes of Irvine Welsh, Ali Smith, Irenosen Okojie, Yiyun Lee, and Sir Alexander McCall Smith, and performs a track live in the Front Row studio. Presenter: Kirsty Wark Producer: Mark Crossan

What company owns both Instagram and WhatsApp? Play. Share. Listen with Host of FOX Across America and FOX News Saturday Night, Jimmy Failla. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Photograph by the incredible Frederikke Jensen We're joined by Dan Kilpatrick to talk through the strange feeling of Tottenham actually giving us something to believe in again. We get into the Villa performance, De Zerbi's immediate impact, whether the Tottenham way actually exists, the power vacuum behind the scenes, Johan Lange's role, Palhinha, Vuskovic, survival, and the deeply uncomfortable question of whether we hate Arsenal more than we love Spurs. Learn more about your ad choices. Visit podcastchoices.com/adchoices

(Photograph by Howard Rankin) Roger Marsh chatted with Doris Brendel recently about a great many things, including her recent venture into Blues with her album ‘Big Blue Sky’ and the wonderful variety of album releases, both solo and with Lee Dunham. Included are the following tracks : ‘Long Long Time’ (from ‘Big Blue Sky’) ‘Fight […]

In this episode, I discuss auto focus techniques that can really help your hit rate in the field. If you have ever struggled with Auto Focus and your 'keeper rate,' then this is the podcast for you. The podcast includes techniques I have learned over more than 30 years as a professional photographer that you can apply in the field.Photograph of the Month May 2026 The Australian Photographic Prize Support the showWild Nature Photo TravelPhotography Workshops and Expeditions around the Worldwww.wildnaturephototravel.comSupport the Show and fellow Nature Photographer: https://www.buymeacoffee.com/JoshuaHolko/membershipFind us on Social MediaFacebook: https://www.facebook.com/Joshuaholko/Twitter: https://twitter.com/HolkoJoshuaInstagram: https://www.instagram.com/joshuaholko/Need to Contact us? info@jholko.com 

Savia Rocks is a singer/songwriter, poet, photographer, podcast producer/host who loves people on every level especially those who share their story with her. Her podcast Us People is all about that. It's where people can share their truth, honest and real, the good, bad and ugly. Us People highlights the underserved voices who need a place to amplify themselves and in turn provides a place for a listener to connect. Our 2026 slogan/motto/anthem is: SAY YES. When we reached out to Savia to come on World Gone Good, she said yes without hesitation. She repeated with a second yes when Steve asked her to join Slideshow's UK debut on Sunday, May 3rd in London. So this episode provides you our good listener with another guest who is here not just to uplift but also inspire you to say yes to whatever your life question is. It's also an important opportunity for us to explain to you how London is not measured in streets or miles or kilometers but rather in coffee shops. Press play for more on all this good stuff... ___________________________ June 13 and July 12 - grab your seat to SLIDESHOW: IN COLOR! now playing in London. It's the live storytelling show the Los Angeles Times declares, "Downright magical, uncomfortable and shockingly honest!" and Theatreland Adventures London cheers, "FOUR STARS - This is unlike anything I've seen before, a warm, engaging, and memorable evening!" Tickets & Info: https://www.citizenticket.com/events/etcetera-theatre/slideshow-in-color/ Pre-Order CUPID'S CURSE - the fourth book in Steve's series THE DOG WALKING DETECTIVES MYSTERIES and catch up on the rest: https://www.barnesandnoble.com/s/%22Steven+J+Silverman%22?Ntk=Publisher&Ns.

Welcome to episode 581 of the Perceptive Photographer. This week, I am sharing what I hope are five insightful suggestions to help you think differently about your work in your photography and deepen your creative practice. As I was digging into some new books, class prepping and thinking about some classic comedy and photographic techniques, I came up with five simple ideas for you to try out and see if it can jump start soemthnign in your work. When we’re not curious, when we’re not interested in something, it becomes very easy to fall back on cliches. Five and not Six and Half ways to play in your practice 1. Create a Contact SheetRemember contact sheets? Making a contact sheet, digital or printed, shows you all your photos in the order taken. This reveals your natural rhythms, patterns, and how you approach a scene. Are you shooting the same frame multiple times? Do you start wide and move in, or vice versa? Reviewing contact sheets helps you see (and refine) your habits. 2. Watch Out for ClichésIt’s easy to fall into the trap of the “iconic shot”. You know the sunset everyone else gets, the highlight of an event. Yet, what often matters most are the quieter, everyday moments. Next time you find yourself choosing between a crowd-pleaser cliche shot and telling something personal about your day behind the camera, consider what story really matters most for you. Photograph that. 3. Feed Your CuriosityLet intense curiosity guide you. Whether it's the way light falls or a unique gesture on the street, follow what genuinely sparks your interest. When you feel that surge of excitement, slow down and let those moments develop into more meaningful images. 4. Embrace Happy AccidentsSome of the best photographs come from surprises or unplanned moments. Not every shot needs to be perfect. Sometimes unexpected leads to inspiration. Rather than rushing to delete them, pause and consider what you can learn from these “accidents.” you might find your best shots are accidents. I know I have a few of those. 5. Practice “Yes, And…”Borrowing from improv, always do the “yes, and” mindset with your camera.. Don't shut down creative ideas but rather build on them. Same goes for inspiration and influence. Don’t replicate but rather expand the re[liation to new. Extending the conversations with your images by incorporate your unique view Upcoming Events Seattle Friends: Check out Into the Wild at the Seattle Art Museum Art Walk on May 7, 5:30–7:30pm. Free admission! I have four images in the show this month. Whether you make a photograph, doodle in the margins, or shoot hoops with the trash can, try to do something creative this week. Let every click of the shutter be a “yes, and” for your own photographic journey.

Music fan Brian Koppen chats with music critic Aug Stone as they discuss Hall of Fame artists: Mamas & the Papas' “Creeque Alley” vs. The Ramones' “Come On Now”Def Leppard's “Photograph” vs. Michael Jackson's “Scream”Ruth Brown's “This Little Girl's Gone Rockin” vs. Sly & The Family Stone's “Everyday People”Dusty Springfield's “Stay Awhile” vs. Elton John's “Bennie and the Jets”George Michael's “Freedom 90” vs. Solomon Burke's “Cry To Me”Van Halen's “Unchained” vs. Talking Heads' “This Must be the Place (Naïve Melody)”Little Richard's “Hurry Sundown” vs. Kate Bush's “Hounds Of Love” Check out Aug Stone at instagram.com/augxstone/, augstone.com, https://twitter.com/augstone, augstone.substack.com, https://linktr.ee/augstone, and augstone.bsky.social! Also check out https://hbird.bandcamp.com/album/operation-fascination! Intro music is from Jussy's Down Open Roads.  Check out Jussy at https://soundcloud.com/user-214048265/sets/jussy-demos-1!Support the show

LW1502 - Being Immersed in the World of a Photograph The photography I tend to love best is when I find myself immersed in the world of the photograph rather than just shown an instant in time. Think of that photograph by Joseph Sudek looking out his rainy kitchen window. That image immerses me in his life, his surroundings, his mood. Think of Jerry Uelsmann's fanciful worlds that are nonetheless believable. Do you remember the Griffin and Sabine series of books by Nick Bantock? I could probably go on ad infinitum, but the purpose of bringing this up is to perhaps give you a new framework to view your own images. All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

Photographer Jess T. Dugan and writer Charlotte Cotton join PhotoWork with Sasha Wolf to discuss their 2 volume book, Love Pictures, published by Radius Books. Developed through their friendship and an ongoing dialogue between Dugan and Cotton, Love Pictures explores key themes shaping Dugan's photographic practice, including gender and identity, family and politics, writing and language, the photobook as object, and the dynamics of exhibition spaces. These conversations expand outward to include voices from their broader creative communities, featuring contributors such as Dawoud Bey, Kelli Connell, and Dorothy Moss. In this episode, Jess, Charlotte, and Sasha discuss how this project evolved from an intimate exchange into a comprehensive survey of Dugan's work. Jess T. Dugan Charlotte Cotton Jess T. Dugan (b. 1986, they/them, lives in St. Louis) is an artist whose work explores identity and the complexities of the human condition. While their practice is centered around photography, it also includes writing, video, audio, drawing, and installation. Their work is regularly exhibited internationally and is in the permanent collections of over seventy museums. Charlotte Cotton (b. 1970, lives in London) is a curator and writer who explores photographic culture. She has held positions at the Victoria and Albert Museum, Photographers' Gallery, Los Angeles County Museum of Art, Katonah Museum of Art, International Center of Photography, and California Museum of Photography. Her book, The Photograph as Contemporary Art, has been published in fourteen languages and has been a key text in charting the rise of photography as an undisputed art form in this century.

Actor Patrick Ball stars in "The Pitt" as Dr. Langdon, a doctor who has just returned to the ER after attending a rehab program for drug abuse. But not everyone is happy Dr. Langdon has returned, particularly Dr. Santos, who caught him stealing drugs from the hospital. Ball discusses his role in Season 2 ahead of the season finale, airing tonight on HBO. In the segment following this conversation, Ball remains to discuss his new Broadway show "Becky Shaw." Photograph by Warrick Page/HBO Max

Today, it is considered scholarly to reject the Bible's account of a worldwide flood. Some try to compromise by saying that the flood recorded in the Bible was only a local event. The problem with these scholarly claims is that there were too many witnesses who disagree with them.We can test these scholars' claims. If the Bible's account of a worldwide flood is true, it was witnessed by every person on earth. The story of this event would have been passed down to their descendants and spread across the whole face of the earth.Researchers have catalogued some 270 stories of an ancient, destructive flood in various cultures around the world. A large majority of these stories have been shown to predate any Christian influence. As one would expect, details differ after such a long time. What's remarkable, though, is that where the details of these stories agree with the Bible, they also tend to agree with each other. For example, the ancient Greek flood hero was told to build and stock an ark because the god Zeus wished to destroy humanity. The Aztec story of a universal flood says it took place 1,716 years after the creation of the world—almost the same as the Bible's date! The Babylonian flood story shares seven major details with the Bible's account. Similar stories are found around the world, including Australia, India, Scandinavia, and China.The universality of the flood stories and their similarity to the Bible cannot be explained unless they are based on an event that actually took place.2 Peter 3:5-6“For this they willingly are ignorant of, that by the word of God the heavens were of old, and the earth standing out of the water and in the water: Whereby the world that then was, being overflowed with water, perished:”Prayer: Dear Father in heaven, I thank You that Your Word is sure and true and that it has been accurately preserved to our day. Help me to live Your Word in my life and tell others about the wonderful things You have done. In Jesus' Name. Amen.REF.: Roth, Ariel A. Flood stories—can they be ignored? Origins, v. 17. Image: Manabozho in the flood, R. C. Armour, PD, via Wikimedia Commons. + British Museum Flood Tablet (from the Epic of Gilgamesh), Photograph by Mike Peel, CC BY-SA 4.0, Wikimedia Commons. + Manu and Saptarishi, PD, Wikimedia Commons. To support this ministry financially, visit: https://www.oneplace.com/donate/1232/29?v=20251111

6. Zimmerman covers the iconic "Earthrise" photograph and the crew's Christmas Eve television broadcast. He describes how the astronauts chose to read from Genesis to deliver a universal message to a global audience. The broadcast combined high-tech exploration with deep moral significance during a tumultuous era. (6)1918

2. David K. Randall, *The Monster's Bones: The Discovery of T-Rex and How It Shook Our World*. In 1902, Barnum Brown tracked a lead from a photograph of a triceratops skull to Jordan, Montana. Though the specific skull was disappointing, Brown recognized the potential of the remote Hell Creek region. Utilizing his unique skill for reading rock colors, he identified Sheba Mountain as a likely site for fossilization. He used dynamite to reveal a carnivorous dinosaur that had never been described before: the Tyrannosaurus Rex. Brown's discovery was a "jackpot" for the American Museum, even though the process of transporting and mounting the heavy specimen would take years to complete. (2)Butte, MT

Jordan Jonas (@hobojordo) grew up on a farm in Idaho, rode freight trains across the US, spent time in remote Russian villages, fur trapped and travelled for several years with nomads in Siberia, and won Alone Season 6, after being the first contestant to truly thrive in the wilderness and harvest big game. You can learn more about Jordan's axes at JordanJonas.com/Axe.This episode is brought to you by:Momentous high-quality creatine for cognitive and muscular support: LiveMomentous.com/TimMonarch track, budget, plan, and do more with your money: Monarch.com/TimEight Sleep Pod Cover 5 sleeping solution for dynamic cooling and heating: EightSleep.com/TimCresset family office services for CEOs, founders, and entrepreneurs: CressetCapital.com/Tim*TIMESTAMPS:[00:00:00] Who is Jordan Jonas?[00:02:20] The Siberian axe gospel: Single bevel, wide eye, and why your Lowe's hatchet is basically a butter knife.[00:07:16] A Montana downpour baptism.[00:08:04] Feather sticks and ferro rods.[00:12:36] A gnarly axe-ident, a quest for an abandoned boot, and frontier convalescense in a tipi.[00:19:59] First Russian word learned, courtesy of a Moscow airport officer with zero chill.[00:21:18] Jordan's youthful faith crisis and a Trans-Siberian prayer.[00:29:16] From building an orphanage to living with the Evenki.[00:31:29] Experiencing tug-of-war hospitality between ex-con Siberian families.[00:39:34] Reindeer vs caribou.[00:45:42] The Gulag Archipelago at 17.[00:49:36] The homeschooling advantage: Finishing academics by noon, then deep-diving history for fun.[00:53:50] Campfire psychology for gentlemen.[00:56:00] Why llamas are more practical than reindeer on Jordan's expeditions in the northern United States.[01:01:37] How Jordan's grandparents found purpose and built a joyful family after surviving Assyrian genocide.[01:11:18] Dad's 12-year health collapse and facing death with radical joy.[01:18:49] Freight train philosophy and evolutionary dopamine alignment.[01:30:03] Grandma moose rodeo.[01:33:07] Alone Season 6: The "Super Bowl of survival" just south of the Arctic Circle.[01:40:38] How Jordan survived 77 days in the woods barely breaking a sweat.[01:48:21] Harvesting a moose at day 20 via Russian fence-funneling tactics.[01:56:21] Wolverine vs. man with axe, a tin can alarm, and a wife who likes rustic jewelry.[02:03:05] The crappy fate of less-than-lucky rabbit feet.[02:04:59] Fat as a survival bottleneck, and how to experience the wild with Jordan.[02:09:31] Jordan hopes his upcoming book will help readers build reservoirs of resilience before they're needed.[02:12:27] The most overlooked part of the Serenity Prayer: "Accepting hardships as the pathway to peace."[02:14:48] The wilderness as political neutral ground and other parting thoughts.For show notes and past guests on The Tim Ferriss Show, please visit tim.blog/podcast.For deals from sponsors of The Tim Ferriss Show, please visit tim.blog/podcast-sponsorsSign up for Tim's email newsletter (5-Bullet Friday) at tim.blog/friday.For transcripts of episodes, go to tim.blog/transcripts.Discover Tim's books: tim.blog/books.Follow Tim:Twitter: twitter.com/tferriss Instagram: instagram.com/timferrissYouTube: youtube.com/timferrissFacebook: facebook.com/timferriss LinkedIn: linkedin.com/in/timferrissSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.