Podcasts about Sotheby

Spike and Zuckerman hold down the garage, while Jonny is lost somewhere in Austin. Zuckerman rolls in a pristine 1968 Alfa Romeo GT Junior (factory plastic still on the seats) and Brian Finster from Sotheby's Motorsport stops by to talk high-end online car auctions. Also on the docket: California's Montana car registration tax evasion crackdown, the new Porsche 911 Turbo S putting GT3 buyers in an existential crisis, and somehow... funeral home horror stories. ______________________________________________

Kim Costa, a top 5% Realtor with Atlanta Fine Homes & Sotheby's International Realty and creator of the Wheel House Method, shares how to use a Wheel-of-Life approach to decide whether to stay, go, or renovate in retirement. You'll hear why “home” is more than square footage, how life changes create a “void” your current space may no longer fill, and how to make choices that support enjoyment and personal growth in your next chapter.What we coverWhy retirement is a “third life,” not an endingThe Wheelhouse Method: using eight life areas to clarify what's working and what isn'tHow life changes (empty nest, health shifts, career ending, family moving) can make a once-perfect home stop fittingDownsizing options: lock-and-leave living, reducing maintenance, and freeing up equityPractical ways to stay put: “shut down” unused floors, adjust thermostats, and reduce cleaning/expensesRepurposing rooms for who you are now (hobbies, writing, yoga, podcasting)The most neglected area on the wheel: spirituality (connection to nature, grounding, sunlight)Avoiding “should” decisions (e.g., moving somewhere because it's what people do)Try-it-first strategies: house-sitting, seasonal stays, and inviting family to test a destination homeBiggest regret drivers: moving too fast, not thinking it through, and market pressureKey takeawaysYour home should match your current life stage. What worked at 25 may not work at 60.Fix the pain point—but don't create a new problem. Consider health care access, finances, and connection before you leap.Enjoyment is allowed. Retirement is a season to reclaim what you loved—and design your space to support it.Small changes count. You can often improve fit by repurposing rooms and reducing unused space.Connect with Kim:Website: lifestylefoundations.comSocials: KimECostaHer new book, Live in Your Wheel House, available now for preorder; ships March 24th! https://amazon.com/dp/B0GKTB5Z7C

On today's episode, an episode from our friends at Sotheby's exploring the question: How do objects achieve iconic status? Taking inspiration from the book Icons: 100 Extraordinary Objects from Sotheby's History, published by Phaidon, the discussion explores how a work of art can transform beyond its material form to become a universal cultural image – instantly recognisable, endlessly reproduced, and symbolically charged. Joining the discussion are artist Sir Grayson Perry; Xa Sturgis, Director of the Ashmolean Museum; and Helena Newman, Chairman of Sotheby's Europe and Chairman of Impressionist & Modern Art Worldwide. This podcast was recorded at Sotheby's London in February 2026.  And, to step further into the world of Sotheby's, you can visit any of our galleries around the world; they're open to the public. For more information, visit Sothebys.com.  Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

In episode 409 UNP founder and curator Grant Scott is reflecting on the big and small things that impact on the everyday engagement we all have with photography. Mentioned in this episode: W. Eugene Smith: Shadow and Substance - The Life and Work of an American Photographer: Jim Hughes, 1989. Gene Smith's Sink: A Wide-Angle View - Sam Stephenson, 2017. Minamata (2020) theatrical trailer https://www.youtube.com/watch?v=hOXN6zgNwfk W. Eugene Smith: Photography Made Difficult (1989) https://www.youtube.com/watch?v=E3nNDOrJWjA W.Eugene Smith: The Camera as Conscience (1998) Thames & Hudson Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), What Does Photography Mean To You? (Bluecoat Press 2020) and Inside Vogue House: One building, seven magazines, sixty years of stories, (Orphans Publishing 2024). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

Charles Stewart, chief executive of Sotheby's, joins the Big Boss Interview and discusses the scrutiny facing the art market over money laundering, the growth of digital art and NFTs, the expansion of sports collectibles, and how the conflict in the Middle East could affect the industry.Stewart, who previously served as chief executive of a small bank before joining Sotheby's, describes the characterisation of the industry as working with illicit money as a “misjudged notion”. He argues the company's client base consists largely of established collectors, museum trustees and philanthropists who buy works to live with them rather than to obscure wealth.Russian buyers — often cited in discussions about opaque art transactions — represented less than 1% of Sotheby's global business when sanctions were imposed following the invasion of Ukraine, he says, challenging assumptions about the role of Russian money in the market.Geopolitics is also shaping the art market. The Middle East has become an increasingly important region for Sotheby's, with auctions in Riyadh and Abu Dhabi reflecting years of market development across the Gulf. Stewart says the company's immediate priority amid escalating regional tensions is the safety of staff working there, though he notes market reaction to the latest conflict has so far been “somewhat muted”.Stewart notes that countries including the United Arab Emirates, Qatar and Saudi Arabia are investing heavily in cultural infrastructure as part of longer-term economic diversification strategies. Institutions such as the Louvre Abu Dhabi — open for nearly a decade — and the forthcoming Guggenheim Abu Dhabi form part of plans to establish new global cultural destinations.Despite these shifts, London remains central to Sotheby's global operations. The company's New Bond Street headquarters reflects more than 280 years of British heritage and the city continues to function as Sotheby's second-largest sales centre after New York. A recent London auction achieved a 100% sell-through rate with bidders from 40 countries, demonstrating sustained international participation despite post-Brexit complications around import and export logistics.The conversation also examines how technology is changing the art market. Stewart argues digital art represents a natural evolution in artistic practice rather than simply a speculative phenomenon linked to the boom and collapse of NFTs. He distinguishes between cryptocurrency speculation, the blockchain technology underlying NFTs, and the broader creative shift as artists adopt digital tools. Sports memorabilia has also become a growing category for Sotheby's. The market now extends beyond historic trophies and medals to include game-worn shirts and collectibles authenticated through technology that can match items to specific moments in matches. Stewart attributes the expansion partly to generational wealth transfer and to younger collectors' interest in pre-owned objects with personal and cultural significance.Presenter: Sean Farrington Producer: Olie D'Albertanson Editor: Henry Jones02:12 - Middle East conflict impact 15:30 - Anti-Money laundering regulations 17:29 - Russian sanctions 19:30 - "Misguided Notion" of art world bad behaviour 23:34 - Digital Art as natural evolution 29:30 - Sports memorabilia growth

Apriamo la nostra rassegna di attualità con una conversazione sul rifiuto da parte di Anthropic delle condizioni imposte dal Pentagono per l'uso letale del suo chatbot Claude. Proseguiamo con un nuovo studio che mostra come una piattaforma sociale possa spostare molto rapidamente le opinioni politiche di una persona verso destra. La nostra prossima discussione riguarda uno studio pubblicato sulla rivista Science che spiega perché l'eredità genetica dei Neanderthal presente negli esseri umani di oggi sia distribuita in modo disomogeneo nel genoma. E infine, celebreremo la Settimana Nazionale della Procrastinazione negli Stati Uniti.   La seconda parte di questa puntata è dedicata alla lingua e alla cultura italiana. L'argomento grammaticale di oggi è Expressing Agreement and Disagreement. Ne troverete diversi esempi nel dialogo in cui si discute di un'importante opera d'arte acquistata dallo Stato italiano tramite la prestigiosa casa d'aste Sotheby's di New York, anticipando altri potenziali acquirenti. Il dipinto in questione è un "Ecce Homo" di Antonello da Messina. Nel finale ci soffermeremo sull'espressione idiomatica di oggi: Mettere il naso fuori di casa. La ritroverete nel dialogo dedicato al Carnevale di Venezia, il più celebre d'Italia. Ogni anno richiama centinaia di migliaia di turisti e riempie la città di colori e maschere. Una festa affollatissima che, paradossalmente, appartiene sempre meno ai suoi abitanti. - Anthropic e il Pentagono in disaccordo sull'uso dell'IA nella difesa e nella sicurezza - Uno studio rivela come gli algoritmi di X influenzano le opinioni politiche degli utenti - I genetisti ipotizzano sui modelli di accoppiamento tra Neanderthal e Homo sapiens - Il Procrastinators' Club of America celebra la Settimana Nazionale della Procrastinazione - Ecce homo: il capolavoro che l'Italia si è ripresa - Carnevale di Venezia: tra turismo di massa e città che si svuota

The newly released Epstein-related documents highlighted a major financial transaction involving billionaire Leon Black, revealing that he secured a $484 million loan from Bank of America backed by works of art. The loan, documented in materials connected to the Epstein files, used high-value paintings by artists such as Picasso, Giacometti, Titian, and Matisse as collateral. While the size of the loan drew attention because of its connection to the Epstein documents, art-backed lending itself is a common practice among ultra-wealthy collectors. These loans allow wealthy individuals to unlock liquidity from valuable art collections without having to sell the works, often at relatively low interest rates due to the borrower's overall wealth and the value of the collateral.The report also highlighted the rapid growth of the art-lending industry, which is estimated to be worth between $38 billion and $45 billion globally and is expected to exceed $50 billion by 2028. Wealthy collectors frequently borrow against artwork to fund investments, acquire additional art, or access cash while avoiding the significant tax consequences that come with selling pieces. Auction houses such as Sotheby's Financial Services, along with specialty lenders and private banks, dominate much of this market. Because selling art can trigger capital-gains taxes of more than 30%, borrowing against art has become an attractive financial strategy for collectors who want liquidity while continuing to hold and display their valuable pieces.to contact me:bobbycapucci@protonmail.comsource:Epstein files highlight how the wealthy borrow against art collections

The newly released Epstein-related documents highlighted a major financial transaction involving billionaire Leon Black, revealing that he secured a $484 million loan from Bank of America backed by works of art. The loan, documented in materials connected to the Epstein files, used high-value paintings by artists such as Picasso, Giacometti, Titian, and Matisse as collateral. While the size of the loan drew attention because of its connection to the Epstein documents, art-backed lending itself is a common practice among ultra-wealthy collectors. These loans allow wealthy individuals to unlock liquidity from valuable art collections without having to sell the works, often at relatively low interest rates due to the borrower's overall wealth and the value of the collateral.The report also highlighted the rapid growth of the art-lending industry, which is estimated to be worth between $38 billion and $45 billion globally and is expected to exceed $50 billion by 2028. Wealthy collectors frequently borrow against artwork to fund investments, acquire additional art, or access cash while avoiding the significant tax consequences that come with selling pieces. Auction houses such as Sotheby's Financial Services, along with specialty lenders and private banks, dominate much of this market. Because selling art can trigger capital-gains taxes of more than 30%, borrowing against art has become an attractive financial strategy for collectors who want liquidity while continuing to hold and display their valuable pieces.to contact me:bobbycapucci@protonmail.comsource:Epstein files highlight how the wealthy borrow against art collectionsBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

The newly released Epstein-related documents highlighted a major financial transaction involving billionaire Leon Black, revealing that he secured a $484 million loan from Bank of America backed by works of art. The loan, documented in materials connected to the Epstein files, used high-value paintings by artists such as Picasso, Giacometti, Titian, and Matisse as collateral. While the size of the loan drew attention because of its connection to the Epstein documents, art-backed lending itself is a common practice among ultra-wealthy collectors. These loans allow wealthy individuals to unlock liquidity from valuable art collections without having to sell the works, often at relatively low interest rates due to the borrower's overall wealth and the value of the collateral.The report also highlighted the rapid growth of the art-lending industry, which is estimated to be worth between $38 billion and $45 billion globally and is expected to exceed $50 billion by 2028. Wealthy collectors frequently borrow against artwork to fund investments, acquire additional art, or access cash while avoiding the significant tax consequences that come with selling pieces. Auction houses such as Sotheby's Financial Services, along with specialty lenders and private banks, dominate much of this market. Because selling art can trigger capital-gains taxes of more than 30%, borrowing against art has become an attractive financial strategy for collectors who want liquidity while continuing to hold and display their valuable pieces.to contact me:bobbycapucci@protonmail.comsource:Epstein files highlight how the wealthy borrow against art collectionsBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

In this monthly conversation series Grant Scott speaks with editor, writer and curator of photography Bill Shapiro. In an informal conversation each month Grant and Bill comment on the photographic environment as they see it. This month Bill and Grant rigorously respond to listeners questions and comments concerning Instagram for photographers. Mentioned in this episode: Ezra Klein podcast https://overcast.fm/+AAoiPULZ3V4 Bill Shapiro Bill Shapiro served as the Editor-in-Chief of LIFE, the legendary photo magazine; LIFE's relaunch in 2004 was the largest in Time Inc. history. Later, he was the founding Editor-in-Chief of LIFE.com, which won the 2011 National Magazine Award for digital photography. Shapiro is the author of several books, among them Gus & Me, a children's book he co-wrote with Rolling Stones guitarist Keith Richards and, What We Keep, which looks at the objects in our life that hold the most emotional significance. A fine-art photography curator for New York galleries and a consultant to photographers, Shapiro is also a Contributing Editor to the Leica Conversations series. He has written about photography for the New York Times Magazine, Vanity Fair, the Atlantic, Vogue, and Esquire, among others. Every Friday — more or less — he posts about under-the-radar photographers on his Instagram feed, where he's @billshapiro. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. ©Grant Scott 2026

In this week's episode photographer Pete Souza takes on our 'Proust Photo Quiz'... The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust. Proust answered the questionnaire in a confession album, a form of parlour game popular at the end of the 1890s. The album, titled An Album to Record Thoughts, Feelings, etc. was found in 1924 and published in the French literary journal Les Cahiers du Mois. Our 'Proust Photo Quiz' is an adaption of the original text. Pete Souza is a best-selling author, speaker and freelance photographer. He started his career working for two small newspapers in Kansas. From there, he worked as a staff photographer for the Chicago Sun-Times;  an Official Photographer for President Reagan; a freelancer for National Geographic  and other publications; the national photographer for the Chicago Tribune based in their Washington, D.C. bureau; and an assistant professor of photojournalism at Ohio University. While at the Tribune, Souza was part of the staff awarded the Pulitzer Prize in 2001. After 9/11, he was among the first journalists to cover the fall of Kabul, Afghanistan. In 1992, Souza published, Unguarded Moments: Behind-the-Scenes Photographs of President Reagan, based on his 5 1/2 years in the Reagan White House. Souza was also the official photographer for the 2004 funeral of President Reagan. His 2008 book, The Rise of Barack Obama, includes exclusive photographs of Obama's rise to power. For all eight years of the Obama administration, Souza was the Chief Official White House Photographer and the Director of the White House photo office. His book, Obama: An Intimate Portrait, was published in 2017. His 2018 book, Shade: A Tale of Two Presidents, tells the tale of the Obama and Trump administrations. In 2021, Souza was inducted into the International Photography Hall of Fame. In 2022, he was honored with the Lifetime Achievement Award from the Professional Photographers of America. Based on his best-selling books, Souza became the subject of a documentary film in 2020, The Way I See It. The film was nominated for an Emmy. Souza's most recent photography book, The West Wing and Beyond: What I Saw Inside the Presidency, was published in 2022. He has won numerous photojournalism awards and had solo exhibits of his photographs at numerous galleries. He is also Professor Emeritus of Visual Communication at Ohio University. www.petesouza.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott continues to work as a photographer, writer and filmmaker and is the Subject Coordinator for both undergraduate and post graduate study of photography at Oxford Brookes University, Oxford, England. © Grant Scott 2026

One of the greatest conversations in recorded history with one of the world's most fantastic luxury realtors, Moriah Taliaferro of Premier Sotheby's International Realty in Sarasota-Longboat Key on the West Coast, or the "Cultural Coast" of Florida. If you had not considered Sarasota yet, now you will add it to your bucket list of MUSTS!MoriahTaliaferro.com#luxuryrealesate #realestate #dreamhome #dreamhomes #sarasota #sarasotarealestate #floridarealestate #florida #luxuryrealestateforsale #luxuryhome #luxuryhomes #luxuryhomesforsale #podcast #realestatepodcast #sothebysrealestate

This is an episode of The Specialist, your weekly dose of wonder. In The Specialist, explore the significance and journey of an extraordinary work through the eyes of those that know it best. On today's episode, Frank Everett, Sotheby's Vice Chairman, Jewelry Americas, discusses the string of faux pearls that belonged to the legendary Jacqueline Kennedy Onassis. Estimated at $500-$700, it was the power of provenance that drove them to sell for over $200,000. Frank is largely self-taugh and moved through the major jewelry houses before joining Sotheby's, where his knowledge of the design and history of great period jewels has led him to oversee record-breaking sales. He has his own popular video series - Frank's Files - and a cult following. Further details about the episode subject Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this powerful episode, we sit down with Bushwick, Brooklyn artist Danny Cortes who recreates iconic New York City scenes, from neighborhood ice spots and subway platforms to street signs and corner culture, blending art, hip hop, nostalgia, and community into hyper detailed miniature worlds. His work has reached global stages, including sales at Sotheby’s for $3,000, $6,000, and even $7,000. But his story is deeper than the art. Divorced, jobless, on probation, and back living with his mother during the pandemic, Danny found himself at rock bottom. It was there, in that small Brooklyn apartment, that he tapped into his true calling, miniature art. With encouragement from his mother and the love of a woman who helped him see his worth, he began rebuilding his life one piece at a time Danny proves that even when you feel like you have nothing left, one small step can change everything. For him, it was one miniature at a time. This conversation is about redemption, culture, Brooklyn resilience, and believing in yourself when no one else does.See omnystudio.com/listener for privacy information.

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Mentioned in this episode: https://gagosian.com/exhibitions/2026/nan-goldin-the-ballad-of-sexual-dependency https://gagosian.com/exhibitions/2026/richard-avedon-facing-west/ www.npg.org.uk/whatson/exhibitions/2025/taylor-wessing-photo-portrait-prize/ https://website-artlogicwebsite0087.artlogic.net/viewing-room/69/ Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale now wherever you buy your books. © Grant Scott 2025

Welcome to another episode of Fratello On Air. This week, we hop into our time machine and travel back 10 years to 2016. As we'll see, in some ways, this wasn't so long ago. Yet, in others, it was a different lifetime. Join us as we look back on fonder days.HandgelenkskontrolleIt's been a while since we've recorded, and much of this is down to Mike's travels in Germany. Sadly, on one of the trips, he had a very Balazs-like travel experience involving planes and trains. If he did have a time machine, he'd probably go back and choose to sleep through his alarm that day. We mention an upcoming Sotheby's auction featuring a pair of Michael Jordan's shoes from the Dream Team Barcelona Olympics. Balazs discusses the return of The Night Manager, a show that, coincidentally, has returned after its first season in 2016! For the Handgelenkskontrolle, Balazs is wearing an upcoming release, the Nivada Grenchen F77 MKII. Mike was wearing his Rolex Sea-Dweller 1665 "Great White" in Germany and still has it on his wrist.Taking our time machine back to 2016Yes, it's hard to believe that 2016 was 10 years ago! Time flies! In this episode, we're reminiscing about a year that brought some interesting releases and behavior. Specifically, vintage watches were within a boom period. In particular, a Patek Philippe 1518 sold at Phillips for over CHF 11 million! It was hard for us to believe that watches were achieving these sums a decade ago.Many new watches from back then still feel relatively modern, but there's no doubt that larger diameters and chunkier cases were in vogue. The Blancpain Bathyscaphe Blue and Ceramic is a good example of this, but to be fair, the same basic platform is still in the catalog today. Speaking of big and robust watches, Robert-Jan reviewed the Sinn U212, which still looks fresh. If we truly want to feel old, Tudor was already in its second year of offering non-ETA movements. Omega launched a rare box-office stinker with the blue and white CK2998, a piece that has aged quite well.Our time machine continues its journey and finds the wild Hublot Big Bang Berluti, which was available in gold or steel and showed off a leather dial. Seiko, announced a partnership with PADI. This caused a stir, and several of us on the team grabbed one of the new models. TAG Heuer announced a Monza PVD, a retro chronograph with a thick case. However, we save the most significant announcement for last. Rolex, after producing steel Daytona 116500LN models with a steel bezel for over 25 years, introduced pieces with ceramic bezels. Understandably, the excitement was palpable and hit Basel like a hurricane. We remark that these watches have been unavailable since that time!We hope you enjoy today's episode. Share your watch memories from 2016 in the comments below, and let us know if we forgot any momentous pieces.

Go GTS Live, February 12, 2026: Eclectic Break Mix, Scottie Cashing Out, Grading News - Join host Rob Bertrand, former host of Cardboard Connection Radio, and co-host, James Gale for a fun-filled episode of the best trading card and memorabilia news and talk in #TheHobby! (Season 11, Episode 5, Master Episode 396)  #GoGTSLiveQoftheWeek Poll Question We started the show, as we always do, with our #GoGTSLiveQoftheWeek poll question, where we wanted to know: Here is this week's #GoGTSLiveQoftheWeek Poll: Do you have a special setup (lightbox, card stand, etc.) to take pictures of your cards? — Go GTS Live (@GoGTSLive) February 12, 2026 As usual, the we detailed the hobby's top stories during our weekly Hobby Happenings segment. Highlights include: PSA increases prices, CGC hiring, Dallas Card show goes national and more! Box Breaks We went hunting for

In this special episode, host Peter Bauman (Le Random's editor in chief) speaks with Kayvon Tehranian (CEO and co-founder of Foundation and Rodeo) and Sebastian Sanchez (formerly Christie's Manager of Digital Art Sales, now independent advisor and curator) about the structural challenges of the digital art market following the 2021 NFT boom.They discuss Foundation's recent sale to Blackdove and how Christie's, Sotheby's, and Rodeo have had to dissolve departments or shut down entirely because growth models built on crypto speculation proved unsustainable. The conversation explores where growth actually stalled and why none of the business models worked. Tehranian and Sanchez discuss what their organizations achieved, what can endure, and the need to rebuild from scratch.In the end, this conversation moves into the lofty topics of digital art becoming independent of volatile crypto cycles, moving into physical displays, and developing self-sufficient institutions built through slow, intentional work by committed participants.Chapters

In episode 405 UNP founder and curator Grant Scott is reflecting on the big and small things that impact on the everyday engagement we all have with photography. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), What Does Photography Mean To You? (Bluecoat Press 2020) and Inside Vogue House: One building, seven magazines, sixty years of stories, (Orphans Publishing 2024). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

On this episode of the Insurance Coffee House, Nick Hoadley is joined by Brian Posner, a seasoned investor, operator, and board director with deep experience across insurance, financial services, and public company governance, including 15 years at Arch Capital.Brian shares how his career evolved in unexpected ways, from thinking he would become a doctor to building a foundation in finance, investing, and leadership. He reflects on his formative years at Fidelity, including working directly with Peter Lynch, and explains why understanding insurance starts with the balance sheet, then cash flow, and only then the income statement. He unpacks what great insurance investing looks like in practice, from spotting hidden leverage to focusing on tangible book value growth over headline earnings.The conversation then moves from investing to governance. Brian explains how his first board appointment at Sotheby's came about as a governance solution during a crisis, what he learned from that high-stakes experience, and why he took Henry Kravis' junior senator advice seriously: listen, pick your moments, and build influence before trying to drive outcomes. Brian outlines how he approaches joining any board like an investor, absorbing context, understanding risks, and finding the best way to add value without coming in “guns blazing.”Nick and Brian discuss what separates effective boards from ineffective ones. Brian describes the secret sauce as directors who understand the business of the business, ask great questions, look around corners, and bring deep respect into deliberation. He argues the best boards treat governance as a perpetual conversation, not four or five isolated meetings per year, and explains how chairs and committee chairs can create alignment by facilitating information flow, preparing both management and directors for the real discussion, and avoiding unnecessary surprises.Looking forward, Brian shares what boards should be paying closer attention to, including geopolitical risk, rule of law, and the sanctity of contracts, particularly critical in insurance. He also offers his view on the next generation of board leaders: breadth matters, reading and learning matter, empowerment matters, and in a fast-moving world, knowing when to slow down can be a strategic advantage. He closes with practical advice on winning that first board role by building relationships, being targeted, and using a less is more approach, often by asking the one question that reframes the decision.Connect with Brian Posner on LinkedIn to follow his work.The Insurance Coffee House Podcast is brought to you by Insurance Search.We are a global Insurance Executive Search Consultancy, supporting Insurance and Insurtech businesses to attract and retain the very best insurance talent.Find out more about showcasing your employer brand as a guest on the Insurance Coffee House Podcast or sign up to our News and Insights.Or follow us on LinkedIn, Twitter or Instagram.Insurance Executive Search Consultants in USA, London and Bermuda.Copyright Insurance Search 2025 - All Rights Reserved.

In this monthly conversation series Grant Scott speaks with editor, writer and curator of photography Bill Shapiro. In an informal conversation each month Grant and Bill comment on the photographic environment as they see it. This month Bill and Grant talk about the past present and future of Instgram for photographers. Mentioned in this episode: https://www.instagram.com/p/DS7pz7-DuZG/?utm_source=ig_embed&ig_rid=7dce65f3-a428-4e8e-9c20-99bc26bb5cd8&img_index=1 Bill Shapiro Bill Shapiro served as the Editor-in-Chief of LIFE, the legendary photo magazine; LIFE's relaunch in 2004 was the largest in Time Inc. history. Later, he was the founding Editor-in-Chief of LIFE.com, which won the 2011 National Magazine Award for digital photography. Shapiro is the author of several books, among them Gus & Me, a children's book he co-wrote with Rolling Stones guitarist Keith Richards and, What We Keep, which looks at the objects in our life that hold the most emotional significance. A fine-art photography curator for New York galleries and a consultant to photographers, Shapiro is also a Contributing Editor to the Leica Conversations series. He has written about photography for the New York Times Magazine, Vanity Fair, the Atlantic, Vogue, and Esquire, among others. Every Friday — more or less — he posts about under-the-radar photographers on his Instagram feed, where he's @billshapiro. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. ©Grant Scott 2026

We got some Cali boys in the house! Nikolos Killian and Tanner Woodbury are Founders and Creative Directors at Forth+Back, the Los Angeles-based cross-disciplinary creative studio. Their work spans from creative direction and identity design, art direction and photography, to all levels of print and digital design. They've worked with Apple, The Athletic, Chipotle, Netflix, NFL, Nike, Sotheby's, and many others. They've launched some of our favorite personal projects, like the book Dreams of New York and the Football zine Spiral. Nik and Tanner are leading awesome, thoughtful, and beautiful work in a variety of different industries. We had a great conversation about their humble beginnings, doing personal projects to attract the clients they wanted to work for, they shared some of their new and upcoming work, and more! These dudes rock, enjoy the show!

I Wanted A Fancy Studio, Got A Living Room, And Accidentally Built A CommunityWhat happens when the person who built the room for everyone else's story finally sits in the guest chair? Jessica LeGare - former podcast guest and guest host - opens up the door to Kelly's living-room studio and traces the path from a drying mortgage pipeline and a growing family to a mission-driven show that helps mothers and entrepreneurs reclaim their color, voice, and courage.We explore the real start line: fear of hosting solo after co-hosted shows, the practical constraints that killed the fancy studio dream, and the surprising benefits of welcoming guests into a warm home where walls come down and stories breathe. Kelly unpacks the flamingo-pink metaphor—how motherhood and business can drain your hue—and how daily choices, faith, and community bring it back. Along the way, she reveals the unromantic backbone of podcasting: systems, editing decisions, consistent cadence, and simple gear that actually works. The takeaway is equal parts strategic and soulful: build SOPs, protect long-form depth, and choose formats you can sustain.Themes that show up across 80+ interviews get a spotlight: pivots and leap-of-faith decisions, the tension between perfectionism and progress, and the quiet grief of outgrowing old circles while forming a truer tribe. We talk about boundaries, sponsorships that match the mission, and a bolder vision that still feels personal. Kelly shares her “bookend” self-care—morning prayer, short reflections, nervous-system resets—that keep the creative well full when schedules and toddlers collide. If you've been searching for a grounded guide to podcasting, identity, and women's entrepreneurship, this conversation feels like a hand on your shoulder and a nudge forward.If this resonates, follow the show, share it with a powerhouse mama who needs a lift, and leave a quick review to help more women find their color again. Then tell us: what are you reclaiming next?Contact the Host, Kelly Kirk: Email: info.ryh7@gmail.com Get Connected/Follow: The Hue Drop Newsletter: Subscribe Here IG: @ryh_pod & @thekelly.tanke.kirk Facebook: Reclaiming Your Hue Facebook Page CAKES Affiliate Link: KELLYKIRK Credits: Editor: Joseph Kirk Music: Kristofer Tanke Thanks for listening & cheers to Reclaiming Your Hue!

Pauline Frommer discussed her newly released guidebook "Frommer's New York City 2026" and what the top culinary trends in the city are right now. She also talked about what it's like to visit NYC's newest observation deck, and how The Studio Museum, Sotheby's and The Jewish Museum have reinvented themselves. Then Kevin Long, CEO of TheDyrt.com, talked about how many new campers there were in 2025, what people can do when there's no room at the campsite, and how this form of vacation is evolving.Takeaways:The latest edition of Frommer's New York City guidebook was released this fall, highlighting recent changes and attractions in the city.New York City has exciting new attractions and revamped iconic sites.The introduction of a new observation deck in Times Square offers unique nighttime views.A number of new high-end Caribbean restaurants and innovative wine bars are reshaping the city's culinary scene..Over half of campers had difficulty finding room at their first choice campgrounds in 2025Companies, products and websites mentioned in this episode:Frommer's New York City 2026Frommers.comSwarovski CrystalOne Times SquareThe Jewish MuseumThe Studio Museum of HarlemSotheby'sThe DyrtToyota TrucksHa's Snack BarSunn's Wine BarKabawaLei Wine Bar (this is the name of the restaurant Pauline couldn't remember)

Don LuluLemon indicted and arrested. Sotheby's conducts record setting "Great American Whiskey" Auction. New limited edition cigars from Kelner Cigar & Rocky Patel; and afternoon power naps scientifically proven beneficial.Cigar Selection:  Rocky Patel Vintage '99 Connecticut

It's This Week in Bourbon for January 30th 2026. Sotheby's has set a record for the most valuable bourbon ever sold at auction, Kentucky Bourbon Country Auction has announced a historic collaborative lot titled “United We Stand”, and Brothers Andy and Charlie Nelson have reclaimed and are relaunching their Belle Meade whiskey.Show Notes: Bardstown Bourbon Company unveils packaging redesign for core portfolio and new wheated single barrel option Uncle Nearest founders file emergency motion to end receivership amid plummeting sales and market value Sotheby's sets $2.5M record for most valuable American whiskey collection ever sold at auction Off Hours Bourbon named "Official Partner of the Detroit Pistons" in multi-year sports collaboration Pursuit Spirits and partners announce "United We Stand" collaborative barrel auction for veteran charity Old Forester's 156-year legacy celebrated in new "Whiskeyland" documentary by the Balas Brothers Maker's Mark Cask Strength receives premium bottle redesign and debut age statement Garrison Brothers to release first-ever Bottled in Bond Texas Bourbon on Texas Independence Day Nelson brothers reclaim Belle Meade brand for independent regional relaunch in Tennessee Learn more about your ad choices. Visit megaphone.fm/adchoices

Why This Episode Is a Must-Watch Is fine art a savvy investment, or just a glamorous gamble? This episode of Inspired Money pulls back the curtain on the art market and uncovers what most investors really need to know before putting their money into masterpieces. Whether you're curious, skeptical, or already have a piece or two on your walls, this panel of high-caliber experts navigates art's intersection with investment, tech, and trust... making it a must-watch for business professionals, finance enthusiasts, and art lovers alike. Meet the Expert Panelists Philip Hoffman is the Founder and Chairman of The Fine Art Group, a global leader in art investment, finance, advisory, and philanthropy that he founded in 2001 after a distinguished 12-year career at Christie's, where he became CFO at age 27 and Deputy Chief Executive of Europe by 33. Under his leadership, The Fine Art Group now advises on over $20 billion in art annually for more than 350 family offices worldwide, with a presence across the U.S., Europe, Asia, and Australia. Philip is a widely quoted authority on the art market in global media and at leading financial and cultural institutions. https://www.fineartgroup.com Nanne Dekking is Co-Executive Chairman of Winston Artory Group and one of the most prominent pioneers in applying data science, artificial intelligence, and asset tokenization to the global art market. With more than three decades of experience as an art historian, advisor, and market innovator, he has consistently operated at the intersection of connoisseurship, finance, and technology. Formerly Vice Chairman and Worldwide Head of Private Sales at Sotheby's, and the founder of Artory, Dekking is widely recognized for advancing provenance, transparency, and trust in high-value art transactions through data-driven systems and blockchain-based infrastructure. He is a frequent contributor to Bloomberg and the Financial Times and a leading voice on the future of art as an institutional-grade asset class. https://www.wag-art.com Dr. Carina Popovici is the co-founder and CEO of Art Recognition, a Zurich-based ArtTech company pioneering the commercial use of artificial intelligence for art authentication and forgery detection. A PhD-trained theoretical physicist and former quantitative risk specialist in Swiss banking, she brings deep expertise in AI, physics, and finance to one of the art market's most critical challenges: trust, provenance, and authenticity. Her work has been featured by major international outlets including The Wall Street Journal, Financial Times, and The Guardian. In 2025, Luxembourg-based art investment firm Alpha Star invested USD 1 million in Art Recognition to accelerate the company's growth and mission. https://art-recognition.com Key Highlights: 1. Authenticity, Trust, and Data—More Fragile Than You Think Blue chip status rests on reputation, but Carina Popovici reveals that institutional validation doesn't eliminate authenticity risks. AI tools are changing how authenticity and confidence intersect, potentially saving investors from costly surprises. 2. Investment Is About Expert Know-How, Not Just Data Philip Hoffman emphasizes that "human interaction, professional knowledge, and expertise make the difference between $3 million and $30 million." Data and AI support, but don't replace, the judgement of seasoned advisors, especially when condition and provenance can shift value dramatically. 3. Fractional Ownership: Democratizing or Dangerous? Platforms like Masterworks are opening doors, but Nanne Dekking and Philip Hoffman warn about high fees and speculative risks for everyday investors. "The costs kill it. For every million you're investing…in a fractionalized fund…your fees will be $40 million," cautions Philip Hoffman. 4. AI Can Be a Double-Edged Sword While good AI models are advancing to authenticate art, Carina Popovici highlights the growing threat: "These days it's possible to fake absolutely anything…with AI." The stakes in provenance and validation have never been higher. Call-to-Action Here is one thing to do this week, take a moment to explore your own relationship with art: visit a gallery, research an artist you admire, or even start tracking works that inspire you. Engaging with the art world, even just a little, is the first step toward thinking like a thoughtful art investor. Find the Inspired Money channel on YouTube or listen to Inspired Money in your favorite podcast player. Andy Wang, Host/Producer of Inspired Money

In this weeks episode we launch the new 'Proust Photo Quiz'. Friend of the podcast photographer Harry Borden is the first to take the questions on... The Proust Questionnaire is a set of questions answered by the French writer Marcel Proust. Proust answered the questionnaire in a confession album, titled An Album to Record Thoughts, Feelings, etc. The album was found in 1924 and published in the French literary journal Les Cahiers du Mois. Our 'Proust Photo Quiz' is an adaption of the original text. Harry Borden was born in New York and brought up on a farm in Devon in the South West of England. He studied photography at Plymouth College of Art and Design. Borden moved to London after graduation, where he worked as an assistant for the photographer Lester Bookbinder. He received his first commission from The Observer in 1994 and continued to work for the title until the present day photographing celebrities, musicians, creatives and politicians. Examples of Borden's work are held in the collections of the National Portrait Gallery, London and National Portrait Gallery, Australia and appeared regularly in Harpers & Queen, Vogue and The New Yorker. In June 2005, he had his first solo exhibition at the National Portrait Gallery, London titled Harry Borden: On Business which included 30 portraits of leading business leaders. In 2017 his book Survivor, A Portrait of the Survivors of the Holocaust was published having been shortlisted for the European Publishers Award for Photography in 2014. It was later judged among the 10 best photography books of 2018 by the Kraszna-Krausz Foundation. In 2021 his second book Single Dad was published by Hoxton Mini Press. He continues to work on a commissioned basis and on personal work, whilst also lecturing on the MA Professional Photography at Oxford Brookes University. Borden's YouTube channel which contains films made with his son Fred can be found at www.youtube.com/@fredandharryborden his photography at www.harryborden.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott continues to work as a photographer, writer and filmmaker and is the Subject Coordinator for both undergraduate and post graduate study of photography at Oxford Brookes University, Oxford, England. Scott's book Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is now on sale. © Grant Scott 2026

What an exceptional conversation! Living the lifestyle in one of the few true ski towns is something very few get to experience, nor even try. While for those that do, if they are so very fortunate, that lifestyle all it can be and more when the cross paths with a unicorn such as Jeff Scroggins of LIV Sotheby's International Realty, Breckenridge, "Breck" Colorado, LuxuryRealEstateCO.com. Elevated Magazines Podcast is Powered by Bennett Winch | Handmade in England. BennettWinch.com.

Andy Warhol is one of the most recognisable artists of the 20th century, but after his death in 1987, it was what he owned that truly shocked the art world. Hidden inside his New York townhouse was a vast, obsessive, and deeply personal collection: furniture, fine art, kitsch, cookie jars, watches… and an extraordinary cache of jewellery he never wore in public. In this episode, we explore Andy Warhol the collector — from flea-market finds to Cartier, from Elsa Peretti for Tiffany to surrealist jewels by Salvador Dalí, modernist designs by Jean Després and the aquamarine parure once worn by Joan Crawford. We unpack the legendary Sotheby's auctions that followed his death, the records they broke, and the moment a second secret stash of jewels and watches was discovered hidden in false-bottom drawers. A story of taste, obsession, secrecy, and the quiet extravagance behind one of art's loudest icons. www.courtville.ie Get social with Courtville, follow us on Instagram, Facebook, and TikTok This podcast was produced for Courtville by Tape Deck

The second part of the discussion of embroidery history covers blackwork and Opus Anglicanum, then embroidery samplers and beetle-wing embroidery. Research: Абильда, Айжан. “Scythians are creators of embroidery art.” Qazaqstan Tarihy. May 24, 2019. https://e-history.kz/en/news/show/7178#:~:text=Embroidery%20is%20a%20traditional%20East,a%20wedding%20or%20a%20party. Angus, Jennifer. “Nature’s Sequins.” Cooper Hewitt. Sept. 14, 2018. https://www.cooperhewitt.org/2018/09/14/natures-sequins/ “The art of printing textile.” Musee de L’Impression sur Etoffes. https://www.musee-impression.com/en/the-collection/ Badshah, Nadeem. “Bayeux tapestry to be insured for £800m for British Museum exhibition.” The Guardian. Dec. 27. 2025. https://www.theguardian.com/world/2025/dec/27/bayeux-tapestry-to-be-insured-for-800m-for-british-museum-exhibition “Bayeux Tapestry.” UNESCO. https://www.unesco.org/en/memory-world/bayeux-tapestry “The Bayeux Tapestry.” La Tapisserie de Bayeux. Bayeux Museum. https://www.bayeuxmuseum.com/en/the-bayeux-tapestry/ Binswanger, Julia. “These Delicate Needles Made From Animal Bones May Have Helped Prehistoric Humans Sew Warm Winter Clothing.” Smithsonian. Dec. 11, 2024. https://www.smithsonianmag.com/smart-news/these-delicate-needles-made-from-animal-bones-may-have-helped-prehistoric-humans-sew-warm-winter-clothing-180985601/ Britannica Editors. "Scythian art". Encyclopedia Britannica, 27 May. 2018, https://www.britannica.com/art/Scythian-art “Chasuble (Opus Anglicanum).” The Met. https://www.metmuseum.org/art/collection/search/466660 Chung, Young Yang. “Silken Threads: A History of Embroidery in China, Korea, Japan, and Vietnam.” Abrams. 2005. Daniels, Margaret Harrington. “Early Pattern Books for Lace and Embroidery.” Bulletin of the Needle and Bobbin Club. https://www2.cs.arizona.edu/patterns/weaving/articles/nb33_lac.pdf “DMC.” Textile Research Center Leiden. https://trc-leiden.nl/trc-needles/organisations-and-movements/companies/dmc “Dragon Robe Decoded.” Sotheby’s. May 23, 2019. https://www.sothebys.com/en/articles/dragon-robe-decoded Embroiderers’ Guild. https://embroiderersguild.com/ Embroiderers’ Guild of America. https://egausa.org/ “Embroidery Techniques from Around the World: Crewel.” Embroiderer’ Guild of America. Oct. 28, 2024. https://egausa.org/embroidery-techniques-from-around-the-world-crewel/ Francfort, H.-P., 2020, “Scythians, Persians, Greeks and Horses: Reflections on Art, Culture Power and Empires in the Light of Frozen Burials and other Excavations”, in: , Londres, British Museum, p. 134-155. https://www.academia.edu/44417916/Francfort_H_P_2020_Scythians_Persians_Greeks_and_Horses_Reflections_on_Art_Culture_Power_and_Empires_in_the_Light_of_Frozen_Burials_and_other_Excavations_in_Londres_British_Museum_p_134_155 “Girlhood Embroidery.” Pilgrim Hall Museum. https://www.pilgrimhall.org/girlhood_embroidery.htm Gower, John G., and G.C. Macaulay, ed. “The Complete Works of John Gower.” Clarendon Press. 1901. https://www.gutenberg.org/files/71162/71162-h/71162-h.htm#Page_1 “Introducing Opus Anglicanum.” Victoria and Albert Museum. https://www.vam.ac.uk/articles/about-opus-anglicanum?srsltid=AfmBOor2pOTddjxaPC9AXHvvQuGXD4Tyx9N3zBeISzMSDHX1KnaUnfnL “Introducing the Scythians.” British Museum. May 30, 2017. https://www.britishmuseum.org/blog/introducing-scythians Nazarova, Yevhenia. “Ukraine's Ancient 'River Guardians.'” Radio Free Europe. Oct. 17, 2021. https://www.rferl.org/a/scythian-dig-ukraine-river-guardians-discovery/31507187.html "Ancient Peruvian Textiles." The Museum Journal XI, no. 3 (September, 1920): 140-147. Accessed December 22, 2025. https://www.penn.museum/sites/journal/843/ “Embroidery – a history of needlework samplers.” Victoria & Albery Museum. https://www.vam.ac.uk/articles/embroidery-a-history-of-needlework-samplers “History of The Broderers.” The Worshipful Company of Broderers. https://broderers.co.uk/history-broderers “The History of Britain's Bayeux Tapestry.” Reading Museum. https://www.readingmuseum.org.uk/collections/britains-bayeux-tapestry/history-britains-bayeux-tapestry Kennedy, Maev. “British Museum to go more than skin deep with Scythian exhibition.” The Guardian. May 30, 2017. https://www.theguardian.com/culture/2017/may/30/british-museum-skin-scythian-exhibition-tattoo-empire Lattanzio, Giaga. “Byzantine.” Fashion History Timeline. FITNYC. https://fashionhistory.fitnyc.edu/byzantine/ Leslie, Catherine Amoroso. “Needlework Through History: An Encyclopedia.” Greenwood Press. 2007. Libes, Kenna. “Beetle-Wing Embroidery in Nineteenth-Century Fashion.” Fashion History Timeline. FITNYC. https://fashionhistory.fitnyc.edu/beetle-wing-19thcentury/ Liu Y, Li Y, Li X, Qin L. The origin and dispersal of the domesticated Chinese oak silkworm, Antheraea pernyi, in China: a reconstruction based on ancient texts. J Insect Sci. 2010;10:180. doi: 10.1673/031.010.14140 “Mrs. Jacob Wendell (Mary Barrett, 1832–1912).” The New York Historical. https://emuseum.nyhistory.org/objects/68658/mrs-jacob-wendell-mary-barrett-18321912 Muntz, Eugene and Louisa J. Davis. “A short history of tapestry. From the earliest times to the end of the 18th century.” London. Cassel & Co. 1885. Accessed online: https://archive.org/details/shorthistoryofta00mntz/page/n3/mode/2up Pohl, Benjamin. “Chewing over the Norman Conquest: the Bayeux Tapestryas monastic mealtime reading.” Historical Research. 2025. https://academic.oup.com/histres/advance-article/doi/10.1093/hisres/htaf029/8377922 Puiu, Tibi. “Pristine 2,300-year-old Scythian woman’s boot found in frozen Altai mountains.” ZME Science. Dec. 29, 2021. https://www.zmescience.com/science/scythian-boots-0532/ Razzall, Katie. “Bayeux Tapestry to return to UK on loan after 900 years.” BBC. July 8, 2025. https://www.bbc.com/news/articles/c14ev1z6d5go Royal School of Needlework. https://royal-needlework.org.uk/ Salmony, Alfred. “The Archaeological Background of textile Production in Soviet Russia Territory.” The Bulletin of the Needle and Bobbin Club. Volume 26. No. 2. 1942. https://www2.cs.arizona.edu/patterns/weaving/periodicals/nb_42_2.pdf “Sampler.” Victoria & Albert Museum. https://collections.vam.ac.uk/item/O46183/sampler-jane-bostocke/ Schӧnsperger, Johann. “Ein ney Furmbüchlein. 1525-1528. Met Museum Collection. https://www.metmuseum.org/art/collection/search/354716 Schӧnsperger, Johann. “Ein new Modelbuch … “ 1524. https://www.metmuseum.org/art/collection/search/354660 Shrader, Dustin. “Embroidery Through the Ages.” Impressions. July 28, 2023. https://impressionsmagazine.com/process-technique/embroidery-through-the-ages/39234/#:~:text=The%20Age%2DOld%20Beginning&text=We%20tend%20to%20typically%20think,to%20generation%20across%20the%20millennia. “Silk Roads Programme.” UNESCO. https://en.unesco.org/silkroad/silkroad-interactive-map Sons of Norway's Cultural Skills Program. “Unit 8: Hardanger Embroidery.” 2018. https://www.sofn.com/wp-content/uploads/2018/11/unit8hardanger_rev8.11.pdf “Suzhou Embroidery.” Smithsonian National Museum of Asian Art.” https://asia-archive.si.edu/learn/for-educators/teaching-china-with-the-smithsonian/videos/suzhou-embroidery/ Teall, John L., Nicol, Donald MacGillivray. "Byzantine Empire". Encyclopedia Britannica, 5 Dec. 2025, https://www.britannica.com/place/Byzantine-Empire Warner, Pamela. “Embroidery: A History.” B.T. Bedford, Ltd. 1991. Watt, James C. Y., and Anne E. Wardwell. “When Silk Was Gold: Central Asian and Chinese Textiles.” Metropolitan Museum of Art. Harry N. Abrams. New York. 1997. https://cdn.sanity.io/files/cctd4ker/production/d781d44d3048d49257072d610034400182246d3e.pdf Watt, Melinda. “Textile Production in Europe: Embroidery, 1600–1800.” The Met. Oct. 1, 2003. https://www.metmuseum.org/essays/textile-production-in-europe-embroidery-1600-1800 See omnystudio.com/listener for privacy information.

In episode 402 UNP founder and curator Grant Scott reflects on the big and small things that impact on the everyday engagement we all have with photography. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), What Does Photography Mean To You? (Bluecoat Press 2020) and Inside Vogue House: One building, seven magazines, sixty years of stories, (Orphans Publishing 2024). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

The first installment of this two-parter covers ancient embroidery around the world, and then focuses on European embroidery, Chinese dragon robes, and the Bayeux Tapestry. Research: Абильда, Айжан. “Scythians are creators of embroidery art.” Qazaqstan Tarihy. May 24, 2019. https://e-history.kz/en/news/show/7178#:~:text=Embroidery%20is%20a%20traditional%20East,a%20wedding%20or%20a%20party. Angus, Jennifer. “Nature’s Sequins.” Cooper Hewitt. Sept. 14, 2018. https://www.cooperhewitt.org/2018/09/14/natures-sequins/ “The art of printing textile.” Musee de L’Impression sur Etoffes. https://www.musee-impression.com/en/the-collection/ Badshah, Nadeem. “Bayeux tapestry to be insured for £800m for British Museum exhibition.” The Guardian. Dec. 27. 2025. https://www.theguardian.com/world/2025/dec/27/bayeux-tapestry-to-be-insured-for-800m-for-british-museum-exhibition “Bayeux Tapestry.” UNESCO. https://www.unesco.org/en/memory-world/bayeux-tapestry “The Bayeux Tapestry.” La Tapisserie de Bayeux. Bayeux Museum. https://www.bayeuxmuseum.com/en/the-bayeux-tapestry/ Binswanger, Julia. “These Delicate Needles Made From Animal Bones May Have Helped Prehistoric Humans Sew Warm Winter Clothing.” Smithsonian. Dec. 11, 2024. https://www.smithsonianmag.com/smart-news/these-delicate-needles-made-from-animal-bones-may-have-helped-prehistoric-humans-sew-warm-winter-clothing-180985601/ Britannica Editors. "Scythian art". Encyclopedia Britannica, 27 May. 2018, https://www.britannica.com/art/Scythian-art “Chasuble (Opus Anglicanum).” The Met. https://www.metmuseum.org/art/collection/search/466660 Chung, Young Yang. “Silken Threads: A History of Embroidery in China, Korea, Japan, and Vietnam.” Abrams. 2005. Daniels, Margaret Harrington. “Early Pattern Books for Lace and Embroidery.” Bulletin of the Needle and Bobbin Club. https://www2.cs.arizona.edu/patterns/weaving/articles/nb33_lac.pdf “DMC.” Textile Research Center Leiden. https://trc-leiden.nl/trc-needles/organisations-and-movements/companies/dmc “Dragon Robe Decoded.” Sotheby’s. May 23, 2019. https://www.sothebys.com/en/articles/dragon-robe-decoded Embroiderers’ Guild. https://embroiderersguild.com/ Embroiderers’ Guild of America. https://egausa.org/ “Embroidery Techniques from Around the World: Crewel.” Embroiderer’ Guild of America. Oct. 28, 2024. https://egausa.org/embroidery-techniques-from-around-the-world-crewel/ Francfort, H.-P., 2020, “Scythians, Persians, Greeks and Horses: Reflections on Art, Culture Power and Empires in the Light of Frozen Burials and other Excavations”, in: , Londres, British Museum, p. 134-155. https://www.academia.edu/44417916/Francfort_H_P_2020_Scythians_Persians_Greeks_and_Horses_Reflections_on_Art_Culture_Power_and_Empires_in_the_Light_of_Frozen_Burials_and_other_Excavations_in_Londres_British_Museum_p_134_155 “Girlhood Embroidery.” Pilgrim Hall Museum. https://www.pilgrimhall.org/girlhood_embroidery.htm Gower, John G., and G.C. Macaulay, ed. “The Complete Works of John Gower.” Clarendon Press. 1901. https://www.gutenberg.org/files/71162/71162-h/71162-h.htm#Page_1 “Introducing Opus Anglicanum.” Victoria and Albert Museum. https://www.vam.ac.uk/articles/about-opus-anglicanum?srsltid=AfmBOor2pOTddjxaPC9AXHvvQuGXD4Tyx9N3zBeISzMSDHX1KnaUnfnL “Introducing the Scythians.” British Museum. May 30, 2017. https://www.britishmuseum.org/blog/introducing-scythians Nazarova, Yevhenia. “Ukraine's Ancient 'River Guardians.'” Radio Free Europe. Oct. 17, 2021. https://www.rferl.org/a/scythian-dig-ukraine-river-guardians-discovery/31507187.html "Ancient Peruvian Textiles." The Museum Journal XI, no. 3 (September, 1920): 140-147. Accessed December 22, 2025. https://www.penn.museum/sites/journal/843/ “Embroidery – a history of needlework samplers.” Victoria & Albery Museum. https://www.vam.ac.uk/articles/embroidery-a-history-of-needlework-samplers “History of The Broderers.” The Worshipful Company of Broderers. https://broderers.co.uk/history-broderers “The History of Britain's Bayeux Tapestry.” Reading Museum. https://www.readingmuseum.org.uk/collections/britains-bayeux-tapestry/history-britains-bayeux-tapestry Kennedy, Maev. “British Museum to go more than skin deep with Scythian exhibition.” The Guardian. May 30, 2017. https://www.theguardian.com/culture/2017/may/30/british-museum-skin-scythian-exhibition-tattoo-empire Lattanzio, Giaga. “Byzantine.” Fashion History Timeline. FITNYC. https://fashionhistory.fitnyc.edu/byzantine/ Leslie, Catherine Amoroso. “Needlework Through History: An Encyclopedia.” Greenwood Press. 2007. Libes, Kenna. “Beetle-Wing Embroidery in Nineteenth-Century Fashion.” Fashion History Timeline. FITNYC. https://fashionhistory.fitnyc.edu/beetle-wing-19thcentury/ Liu Y, Li Y, Li X, Qin L. The origin and dispersal of the domesticated Chinese oak silkworm, Antheraea pernyi, in China: a reconstruction based on ancient texts. J Insect Sci. 2010;10:180. doi: 10.1673/031.010.14140 “Mrs. Jacob Wendell (Mary Barrett, 1832–1912).” The New York Historical. https://emuseum.nyhistory.org/objects/68658/mrs-jacob-wendell-mary-barrett-18321912 Muntz, Eugene and Louisa J. Davis. “A short history of tapestry. From the earliest times to the end of the 18th century.” London. Cassel & Co. 1885. Accessed online: https://archive.org/details/shorthistoryofta00mntz/page/n3/mode/2up Pohl, Benjamin. “Chewing over the Norman Conquest: the Bayeux Tapestryas monastic mealtime reading.” Historical Research. 2025. https://academic.oup.com/histres/advance-article/doi/10.1093/hisres/htaf029/8377922 Puiu, Tibi. “Pristine 2,300-year-old Scythian woman’s boot found in frozen Altai mountains.” ZME Science. Dec. 29, 2021. https://www.zmescience.com/science/scythian-boots-0532/ Razzall, Katie. “Bayeux Tapestry to return to UK on loan after 900 years.” BBC. July 8, 2025. https://www.bbc.com/news/articles/c14ev1z6d5go Royal School of Needlework. https://royal-needlework.org.uk/ Salmony, Alfred. “The Archaeological Background of textile Production in Soviet Russia Territory.” The Bulletin of the Needle and Bobbin Club. Volume 26. No. 2. 1942. https://www2.cs.arizona.edu/patterns/weaving/periodicals/nb_42_2.pdf “Sampler.” Victoria & Albert Museum. https://collections.vam.ac.uk/item/O46183/sampler-jane-bostocke/ Schӧnsperger, Johann. “Ein ney Furmbüchlein. 1525-1528. Met Museum Collection. https://www.metmuseum.org/art/collection/search/354716 Schӧnsperger, Johann. “Ein new Modelbuch … “ 1524. https://www.metmuseum.org/art/collection/search/354660 Shrader, Dustin. “Embroidery Through the Ages.” Impressions. July 28, 2023. https://impressionsmagazine.com/process-technique/embroidery-through-the-ages/39234/#:~:text=The%20Age%2DOld%20Beginning&text=We%20tend%20to%20typically%20think,to%20generation%20across%20the%20millennia. “Silk Roads Programme.” UNESCO. https://en.unesco.org/silkroad/silkroad-interactive-map Sons of Norway's Cultural Skills Program. “Unit 8: Hardanger Embroidery.” 2018. https://www.sofn.com/wp-content/uploads/2018/11/unit8hardanger_rev8.11.pdf “Suzhou Embroidery.” Smithsonian National Museum of Asian Art.” https://asia-archive.si.edu/learn/for-educators/teaching-china-with-the-smithsonian/videos/suzhou-embroidery/ Teall, John L., Nicol, Donald MacGillivray. "Byzantine Empire". Encyclopedia Britannica, 5 Dec. 2025, https://www.britannica.com/place/Byzantine-Empire Warner, Pamela. “Embroidery: A History.” B.T. Bedford, Ltd. 1991. Watt, James C. Y., and Anne E. Wardwell. “When Silk Was Gold: Central Asian and Chinese Textiles.” Metropolitan Museum of Art. Harry N. Abrams. New York. 1997. https://cdn.sanity.io/files/cctd4ker/production/d781d44d3048d49257072d610034400182246d3e.pdf Watt, Melinda. “Textile Production in Europe: Embroidery, 1600–1800.” The Met. Oct. 1, 2003. https://www.metmuseum.org/essays/textile-production-in-europe-embroidery-1600-1800 See omnystudio.com/listener for privacy information.

[REDIFFUSION]  24 octobre 2018. Londres, Sotheby's. Alors que le marteau vient à peine de clôturer la vente aux enchères de l'oeuvre La fille au ballon, la toile du tableau glisse dans son cadre et s'autodétruit sur sa moitié, coupée en lamelles par une déchiqueteuse. Derrière ce coup de maître, un artiste qui ne veut plus voir ses oeuvres de rue vendues à des prix indécents. Son nom : Banksy. Des rues de Bristol aux plus prestigieuses salles de ventes, découvrez son Fabuleux destin Un artiste anti-système On ne connaît rien de l'histoire et du passé de Banksy. Ce graffeur de rue britannique est pourtant mondialement connu grâce à ses oeuvres coup de poings. Banksy commence en tant que graffeur au sein du collectif Bristol's DryBreadZ Crew à Bristol, comme son nom l'indique. On peut donc en déduire qu'il est originaire de ce coin-là de la Grande-Bretagne et qu'il est surement né autour de l'année 1974. En 1998, il co-organise l'exposition collective de graffitis Walls of Fire. L'année suivante, on découvre la première oeuvre signée Banksy : The Mild Mild West, sur un mur de Bristol. Un graf qui représente un ours polaire en peluche, tirant un cocktail Molotov sur trois policiers anti-émeute. Banksy se révèle être un artiste anti-système dont les oeuvres visent à pousser le public à la réflexion. Une production Bababam Originals  Learn more about your ad choices. Visit megaphone.fm/adchoices

In the first episode of Season 6, Adrian Ellis speaks with Noah Horowitz, CEO of Art Basel, about how art fairs shape cities and cultural ecosystems. Their conversation explores the evolving role of Art Basel as a cultural platform operating at the intersection of culture, capital, and place – and what that means for the cities that host them.External references:Art Basel: Global art fair platform founded in Basel in 1970, with editions in Basel, Miami Beach, Hong Kong, Paris, and Qatar.MCH Group: Swiss-based live marketing and events company and parent company of Art Basel.UBS & Art Basel – The Art Market Report: Annual research report referenced in the discussion of market dynamics and collecting trends.Art Basel Paris: Art Basel's Paris edition, held at the Grand Palais.Art Basel Qatar: Newly announced Art Basel edition, launching in Doha, Qatar, 5-7 February 2026.About our guest:Noah Horowitz, is CEO of Art Basel. Previously Director of Americas for Art Basel, he has also held leadership roles at Sotheby's and The Armory Show. Trained as an art historian, his work sits at the intersection of the art market, cultural institutions, and urban life. +

In episode 401 UNP founder and curator Grant Scott is reflecting on the big and small things that impact on the everyday engagement we all have with photography. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), What Does Photography Mean To You? (Bluecoat Press 2020) and Inside Vogue House: One building, seven magazines, sixty years of stories, (Orphans Publishing 2024). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

Our book this week is An Object of Beauty, a novel released in 2010 by Steve Martin, chronicles the journey of the driven and charming Lacey Yeager as she navigates the New York art scene. Starting as an intern at Sotheby's, Lacey ascends to become a prominent gallery owner, revealing her questionable methods and the fluctuating dynamics of the art market from the 1990s to the present. Narrated by her friend Daniel, the story delves into themes of art, collecting, ambition, and social ambition within the art world, all infused with Martin's characteristic wit and dry humor.My guest this week is Amy Carleton, Ph D. She teaches in the Comparative Media Studies/Writing program at MIT and is the co-founder of Black Notes Project, a Charlotte, NC-based music festival and nonprofit, as well as the creator of Lecture Notes, a public humanities series (and now Substack!). Her research focuses on the behavioral economics of online communities and the intersection of race and digital culture. She is a recipient of the MIT Teaching With Digital Technology award, holds a graduate certificate in Diversity, Equity, and Inclusion from Cornell University, and was selected by the WikiEducation Foundation as a Wikipedia Black History Scholar. Find out more about Amy through her website TheAmyCarleton.comOur Drink this week is La Marca Prosecco, which is a popular offering at art galleries and showings. So sip some along with us as we dive into the art world of the 90s and 2000s!In this EpisodeWays of Seeing by John BergerBorn Standing Up by Steve MartinDavidson collegeExit Through the Gift Shop DocumentaryIsabella Stewart Garden Museum TheftThe Mint Museum Boston Museum of Fine ArtsBechtler Museum of Modern Art Harvey B. Gantt CenterInstitute of Contemporary ArtYour Brain on Art by Susan Magsamen and Ivy RossNovant Health Art InitiativeVirginia Museum of Fine ArtsThe Story of Art Without Men by Katy HesselUnfinished: The Role of the Artist in the Age of Artificial Intelligence by Lucas Cantor SantiagoA Little Life by Hanya YanagiharaRandom Family: Love, Drugs, Trouble, and Coming of Age in the Bronx by Adrian Nicole LeBlanc Brookline BooksmithRJ Julia Bookstore

Daniel de la Vega spotlights luxury real estate, saying it is acting as an alternative asset class for investors. He notes that it outpaced housing in 2025 and sees premium resilience. “Lifestyle's a big, big component of all of this.” The buyer base is global and motivated by wealth preservation, he argues, not worried about monthly payments and often paying in cash. He breaks down the Sotheby's Luxury Outlook Report, which highlights roughly $6 trillion inherited in 2025.======== Schwab Network ========Empowering every investor and trader, every market day.Options involve risks and are not suitable for all investors. Before trading, read the Options Disclosure Document. http://bit.ly/2v9tH6DSubscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/About Schwab Network - https://schwabnetwork.com/about

At the top of 2025, the outlook for the art industry was pretty bleak, and people's worst fears were, in some cases, more than realized. By now, if you're paying any attention to the movements in the art market you have been hearing the drumbeat of bad news: Galleries shuttering, a lot of the buying energy drying up, some fairs shriking operations, and the secondary market stuttering. But the picture is, as usual, quite nuanced depending on how you look at it. There were some upsides to the slowdown in the hype and the speculation gamification of art seems to be over, which some people say is not the worst thing. Things seemed to turn a corner in the closing months of 2025, which included a successful fall New York auction week and a stronger-than-expected edition of Art Basel Miami Beach. Following two years of a down market and declining sales, the world's two leading auction houses Christie's and Sotheby's reported at the close of the year, upticks in total projected revenue for 2025. So is the wind back in the sails? After years of downturn, has the art market changed in permanent ways? What major shifts can we expect in 2026? Senior editor Kate Brown is joined by Marc Spiegler to consider these questions. For those who don't already know, Spiegler led Art Basel from 2007 to 2022, and the brand saw a major expansion under his tenure. Currently, he works on a portfolio of cultural strategy projects with major foundations, private corporation and projects in the immersive digital and experiential. Spiegler has long been a Visiting Professor in cultural management at Università Bocconi in Milan and launched the Art Market Minds Academy, which just announced its Cultural Catalyst Project.

When we break down who's buying real estate in New York City right now, the picture becomes very clear — and it's not driven by first-time, entry-level buyers. Older Millennials are leading the charge. These are buyers in their late 30s and early 40s who delayed purchasing, built careers, and are now entering the market with intention, stronger balance sheets, and a long-term view. Right behind them is Gen X — buyers who are often trading up, buying for space, schools, or multigenerational living, and making highly practical decisions. And then you have Baby Boomers, who remain a powerful force in NYC. Many are downsizing, relocating capital within the city, or buying with substantial equity or all cash, which continues to influence pricing and negotiations. Gen Z is starting to appear, but in New York City they remain a relatively small segment. Affordability, career stage, and the realities of co-op rules and financing mean most are still renters or waiting on the sidelines. So when we talk about today's NYC market, it's really being shaped by buyers with experience, capital, and clarity — and that dynamic defines how deals are getting done Featuring guests Louise Philips Forbes of Brown Harris Stevens, Daniel Blatman of Compass, and Leslie Modell of Sotheby's. Filmed at Brown Harris Stevens' Studio 1873, Part of the Mastery of Real Estate (MORE) Network. Subscribe: https://podcasts.apple.com/us/podcast/talking-new-york-real-estate-with-vince-rocco/id1645541166 Connect with Vince Rocco: https://www.bhsusa.com/real-estate-agent/vince-rocco Brown Harris Stevens is one of the largest privately owned real estate brokerages in the country, with more than 40 offices across four states: New York, New Jersey, Connecticut, and Florida. https://bhsusa.com/ #realestatebuyers #nycrealestate #realestate #vincerocco #TNYRE #theeverset #roadwaymoving #newyorkrealestate #nyc

In this special 400th episode UNP founder and curator Grant Scott looks back over the podcast's evolution from idea to reality, from shed to garage and from one man talking into a microphone to live events. Engaging in trans-Atlantic conversations and building an incredible archive of photographers thoughts on photography. Contributors to the mega mix in order of appearance: Tom Stoddart Daniel Meadows Alys Tomlinson Ilona Langbroek Ashleigh Coleman David Rothenberg The Guzman Harry Borden Fabio Ponzio Jason Langer Kenneth Jarecke Katherine MacDaid Jill Hannes Mark Klett Greg Marinovich Paul Lowe Anna Boyiazis Andrew Jackson Jeremy Nicholl Simon Roberts Yukari Chikura Polly Alderton Seamus Murphy Sirrka Konttinen Yael Martinez Venetia Dearden Derek Ridgers Dan Burn Forti David Eustace Julia Fullerton Batten JM Golding Stephen Dupont Tim Davis Robert Trachtenberg Ruth Lauer Manetti Richard Ansett Reuben Wu Pixy Liao Paul Russell Mona Kuhn Melissa Breyer Buku Sarker Chris Floyd Alys Tomlinson Aaron Turner AD Coleman Brian Griffin Claire Thomas Cathal McNaughton Craig Easton Dafydd Jones Danna Singer Ed Kashi Jim Mortram Daniel Meadows David Eustace Art Streiber Tom Oldham Clare Strand Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), What Does Photography Mean To You? (Bluecoat Press 2020) and Inside Vogue House: One building, seven magazines, sixty years of stories, (Orphans Publishing 2024). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

We're excited to welcome Seattle-based interior designer Lisa Staton to the show. With more than 20 years of experience, her firm is known for seamlessly blending current trends with timeless appeal to create spaces that feel both fresh and rooted in history. Lisa joins Taryn and Caroline to discuss her East Coast upbringing, how she navigates the "algorithm era" of design, and why she believes every room needs a mix of old and new. She shares her philosophy on "Soup and Symphony" design, how to choose the right white paint for your region, and why the house itself is always the first client. Quick Decorating Takeaways: Use the House as Your Guide: Let the home's original architecture be your "guiding life force" when renovating. Matching details like millwork to the original style creates a cohesive foundation, allowing for trendy updates without losing character.  Practice "Soup and Symphony": Focus on how all design elements work together rather than critiquing individual pieces. Like a soup or symphony, the magic lies in the harmonious blend of textures, colors, and furniture, not just the single ingredients.  Respect Your Region's Light: Choose paint colors based on your specific location's light, not just what looks good in photos. For example, the blue-toned light of the Pacific Northwest calls for warmer whites to avoid sterility, unlike a sun-drenched desert home.  What You'll Hear on This Episode: 00:00 Welcome & Introductions 01:45 Lisa's background: From Boston history to Sotheby's art auctions 04:00 The "Algorithm Effect": How social media homogenizes design 06:00 Balancing high-end design with accessible updates 09:00 How to respect architecture without creating a "period piece" 11:00 Designing for location: Why a Cape Cod style doesn't always work in Arizona 13:00 The collaborative process and avoiding "reverse Google search" design 15:00 The "Soup and Symphony" analogy for cohesive interiors 19:00 Mixing traditional cabinetry with sleek, modern furniture 25:00 Designing for the Pacific Northwest: Coziness and light management 28:00 Lisa's go-to white paints for different lights 31:00 Tips for choosing exterior paint colors 36:00 Decorating Dilemma: Updating a beige-on-beige rental apartment 44:00 Why you should embrace "weird" art and vintage finds 52:00 Closing notes & where to find Lisa Also Mentioned: Lisa Staton Design | Website Follow Lisa on Instagram: @lisastatondesign Paint Colors Mentioned: Sherwin Williams Alabaster, Benjamin Moore Simply White, Lancaster White, Swiss Coffee Shop Ballard Designs Please send in your questions so we can answer them on our next episode! And of course, subscribe to the podcast in Apple Podcasts so you never miss an episode. You can always check back here to see new episodes, but if you subscribe, it'll automatically download to your phone. Happy Decorating! Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep. 508 / Our annual Year In Review with Brian BoucherSenior Market Reporter, ARTnewsBrian Boucher is an art writer based in New York. His byline has appeared in the New York Times, New York, Garage, Frieze, Sotheby's Magazine, and CNN. Boucher was formerly senior writer for Artnet News and website editor at Art in America.We sat down for our annual recap on shows, film and music that struck a chord with him this past year. 

In this special episode, editor, writer and curator of photography Bill Shapiro, art director, creative director and lecturer Fiona Hayes and UNP founder and curator Grant Scott look back on 2025 and forward to 2026 reflecting on photo exhibitions, books, social media, publishing and the expectations of the Twenty First Century photographer. Bill Shapiro Bill Shapiro served as the Editor-in-Chief of LIFE, the legendary photo magazine. He was the founding Editor-in-Chief of LIFE.com, which won the 2011 National Magazine Award for digital photography. A fine-art photography curator for New York galleries and a consultant to photographers, Shapiro is also a Contributing Editor to the Leica Conversations series. He has written about photography for the New York Times Magazine, Vanity Fair, the Atlantic, Vogue, and Esquire, among others. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. She currently divides her time between design consultancy for commercial clients, and lecturing. Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), What Does Photography Mean To You? (Bluecoat Press 2020) and Inside Vogue House: One building, seven magazines, sixty years of stories, (Orphans Publishing 2024). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2025

The famous street artist Banksy shocked the art world in 2018 when his painting, Girl with Balloon, partially shredded itself moments after selling it for over a million dollars. at a Sotheby's auction in London. Banksy had secretly built a mechanical shredder into the painting's ornate frame, turning the destruction into a piece of performance art which was later authenticated and renamed Love Is in the Bin. He did this to make a statement about the art market's hyper-commercialization. One of the most famous and influential philosophers of the ancient world enjoyed doing similar types of shocking stunts to make his point in the most memorable way possible. Diogenes the Cynic had a reputation for eccentricity. He lived in a large clay wine jar and owned almost nothing, a demonstration that true freedom and happiness come from self-sufficiency. He defecated in public, and when criticized, he asked why it was acceptable to eat there but not to perform other natural acts, illustrating that social shame is arbitrary and not rooted in nature or reason. Since his death in 323 BC, devoted followers made him and his ideas famous the world over. But some modern philosophers like Friedrich Hegel thought of him as just a shock jock. To him, Diogenes had a way of life based on simple, isolated maxims and provocative anecdotes—like those of a folk figure—rather than a fully developed, systematic philosophical system that truly captured the evolving spirit of reason in history. Today’s guest is Inger Kuin, author of “Diogenes: The Rebellious Life and Revolutionary Philosophy of the Original Cynic.“ We look at this iconoclastic philosopher whose brash and free-thinking vision of life ended up inspiring the philosophy of Stoicism. His philosophy stresses the importance of living here and now and not concerning ourselves with things out of our control. Diogenes also stands apart as history’s first recorded critic of slavery, a lone voice of his time that powerfully influenced future thinkers, from Epictetus to future abolitionists.See omnystudio.com/listener for privacy information.

Merry Christmas and welcome to another episode of Fratello On Air! We're back with an episode on Christmas Eve, and we're talking about our favorite Seiko watches of all time. That's a tough mission, but like Santa's job of delivering toys to all the children, we're up to the task! Grab some mulled wine, settle in by the fireplace, and enjoy the banter.Folks, we've been on the road for the last few weeks. America, Japan, and Germany are just some of the places we've been. However, we're back just in time for Christmas, and we're excited to talk about one of our favorite brands. Seiko has an impressive history and has made significant contributions to watchmaking. In this episode, we discuss our six favorite Seiko references. It wasn't easy, but we've somehow whittled it down to a handful and a thumb!HandgelenkskontrolleTo kick things off, we return to sneakers. We've been a little disappointed in the Nike and New Balance releases leading up to the holiday season. Balazs brings up a set of Chicago Bulls championship rings that sold at Sotheby's on December 12th for over $400,000. Mike then discusses the Imperial Fabergé Winter Egg that recently sold for $30.2 million at Christie's. It was on preview at Christie's in London before going under the hammer earlier this month. For the Handgelenkskontrolle, Balazs is wearing his lovely Rolex GMT-Master reference 1675. Mike is still addicted to his Ming 37.11 Odyssey on the Polymesh bracelet.Our favorite Seiko watchesIf you haven't figured it out, Seiko is one of our favorite brands. When reviewing its back catalog, the number of significant references is mind-boggling. There are an incredible number of amazing watches in so many genres. Somehow, we've boiled our list down to six favorites. Some are surprises, and some are not. Still, all are fun and worth mentioning. Our picks are:The 6139-7070, a fantastic reference showcasing Japan's first automatic chronographThe Grand Seiko 44GS, 4420-9000, is one of the most significant designs from the brandA King Seiko 5626-7000, a Hi-Beat legend still available at an amazing priceSeiko's Champion Alpinist J13043, an incredibly distinct model with a stunning dialGrand Seiko's modern collection, one of the most gratifying and well-designed lineups on the market todayThe Seiko 6215-7000, a watch that broke boundaries for the brand and set a design standard that persists to this dayWe hope you enjoy today's episode, and while we expect some controversy from our discussion, we'd love it if you would contribute to the comments section with your favorite Seiko references. Most of all, we wish you a safe and joyous holiday period and thank you for your endless support. We look forward to our next episode!

This is an episode of The Specialist, your weekly dose of wonder. In The Specialist, explore the significance and journey of an extraordinary work through the eyes of those that know it best. On today's episode, what happens when a work of art is so enigmatic that you think about it for 60 years? Alex Bell, Chairman Emeritus of Sotheby's UK and Old Masters Worldwide, tells the story of how a mysterious Renaissance altarpiece entered the collection of the National Gallery in London as the museum celebrated its bi-centenary. Further details about the episode subject. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Recorded live at the PRI Show in Indianapolis, this episode of The Collector Car Podcast features an in-depth conversation with Mike Spagnola, President & CEO of SEMA, on why PRI remains vital to the performance and racing world, how advocacy protects enthusiast culture, and what the future holds for the next generation of car people. In the second part of the episode, I'm joined by Kevin Darwish of Lost Angels Career Center to discuss the incredible Camaro drift car on display at PRI—designed and built by students. It's a powerful example of how education, mentorship, and hands-on experience are shaping the future of the automotive industry. #TheCollectorCarPodcast #SEMA #PRISHOW #PRI2025 #CarCulture #MotorsportsIndustry #CollectorCars #WhyCarsMatter #CarEnthusiast Do you need help buying or selling your collector car?  Contact Greg directly at Greg@TheCollectorCarPodcast.com or GStanley@RMSothebys.com. A special thank you to our new sponsor, Discover Once, curators of one-of-a-kind automotive adventures you'll never experience twice. Learn more at discoveronce.com/muscle. And as always, huge thanks to RM Sotheby's for their continual support and for making so many of these automotive dreams possible. Listen to the "Octane FM: Shift, Rev, Repeat" album on Spotify! Stay connected with The Collector Car Podcast—find us on our Website, Instagram, Facebook, YouTube, or reach out to Greg directly via email. Join RM Sotheby's Car Specialist Greg Stanley as he brings over 25 years of experience and keen market analysis to the world of collector cars. Each week, Greg dives into market trends, interviews industry experts, and shares insights—with a little fun along the way. New episodes drop every Thursday and are available on Apple Podcasts, Google Play, Spotify, or wherever you get your podcasts. Learn more at www.TheCollectorCarPodcast.com or email Greg at Greg@TheCollectorCarPodcast.com. Interested in consigning a car at an RM Sotheby's or Sotheby's Motorsport auctions? Contact Greg directly at GStanley@RMSothebys.com or Greg.Stanley@SothebysMotorsport.com 

Episode 718: Neal and Toby dive into Nvidia's Q3 earnings that topped expectations while CEO Jensen Huang reiterated his confidence in AI. Then, Target reports another stinker of a quarter causing many to believe the retailer is on the ropes. Also, a new study believes this year's Thanksgiving dinner will be more affordable than last year's. Meanwhile, Neal shares his favorite numbers on Gustav Klimt's most expensive artwork sold at Sotheby's, the truest underdog in the World Cup, and the origins of kissing.  Learn more at usbank.com/splitcard  Get your MBD live show tickets here! https://www.tinyurl.com/MBD-HOLIDAY  Subscribe to Morning Brew Daily for more of the news you need to start your day. Share the show with a friend, and leave us a review on your favorite podcast app. Listen to Morning Brew Daily Here:⁠ ⁠⁠https://www.swap.fm/l/mbd-note⁠⁠⁠  Watch Morning Brew Daily Here:⁠ ⁠⁠https://www.youtube.com/@MorningBrewDailyShow⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: OpenAI has moved away from being run as a non-profit.  Felix Salmon, Elizabeth Spiers, and Emily Peck discuss the stated reasons behind the move and what it actually means to be a not-for-profit company. Then, the rates for next year's Affordable Care Act marketplace insurance have come out, and the prices have skyrocketed, reflecting an increase in healthcare costs across the board in the US. The hosts examine the reasons for this depressing trend. And finally, lovers of Maurizio Cattelan's “America”, rejoice. Though his original piece was stolen, it turned out there was a spare 14k gold toilet all along and it will be auctioned off at Sotheby's amid record high gold prices.  In the Slate Plus episode: AI Job Apocalypse…Now? Want to hear that discussion and hear more Slate Money? Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices