Podcasts about art museums

No guest this week — just Ben and Ione, back from half the Australian leg of the Two Most Annoying People You Love Tour with Georgia Maq.Ben recaps a Melbourne show that stopped the room: Georgia singing "Rearranging Chairs on the Titanic" in front of her family for the first time, breaking down mid-song, her sister calling out from the crowd. Ben describes playing through it like a "Werner Herzog director" — wanting to preserve the moment while also quietly directing traffic.Also this week: Kate gave Ben a signed early edition of Allen Ginsberg's Howl, which sent him down a rabbit hole back to a night at Sean Lennon's house and a poem that became one of his songs. Ben and Ione unpack the viral lesbian bar mask mandate story — and why it might actually be the left's most useful mirror in years. Plus: Sylvester Stallone's surprising New York Times interview, a Bukowski side nobody saw coming, and why going to the MoMA every day when you're broke and lost might be the best advice anyone's ever given.Next episode: coming to you from Tokyo.Dive deeper into our world at https://weirdertogether.substack.com

The Rocky statue has been playing musical chairs between the top, bottom, and inside of the Philadelphia Museum of Art. It's now taking its permanent spot at the top of the Art Museum steps. It's been 50 years since the first “Rocky” movie debuted, and the statue of the fictional boxer is still a place of pilgrimage and a symbol of pride for Philadelphians. As the statue gets comfortable in its new home, we're revisiting a conversation between host Trenae Nuri and Paul Farber, co-founder of Monument Lab, host of WHYY's The Statue, and the curator of Rising Up: Rocky and the Making of Monuments, who explains why people are so fixated on Rocky and why monuments continue to matter in our culture. This episode originally aired on April 23, 2026.  Our newsletter has Philly news & events in your inbox every weekday morning. Call or text us: 215-259-8170 Instagram: @citycastphilly Support our show and get great perks as a City Cast Philly Neighbor: membership.citycast.fm Advertise on the podcast or in the newsletter: citycast.fm/advertise Learn more about the sponsors of this episode: AACR GPHCC Dine Latino Chase

This show has been flagged as Clean by the host. Civilization VI, made a number of changes, and one of the biggest was the introduction of Districts. Buildings that perviously would have just been part of the city now had to be built in special districts, and the game limited how many of them you could build in any one city. This forced you to make choices, and making choices is the heart of the Civilization series. Playing Civilization VI, Part 1 Districts As we have said before, the rule for each new version of Civilization is that 1/3 stays the same, 1/3 is tweaked, and 1/3 is new. So among things staying the same is the Hexagonal grid first introduced in Civ V, along with the usual roaming tribe in 4000BC. But the handling of terrain that a city can use has changed. The old Big Fat Cross was dropped in Civ V, and replaced with a large Hexagon. And how you use the terrain has changed. In older versions of Civilization, the terrain was mostly used for either farming or mining. It was all about resource extraction, in other words. All of the Buildings you constructed you could think of as abstract, or as all living in the City Center. The only reason you had for making different choices in the Build queue was if you didn't have enough time or resources to build everything. As a result, many cities looked very similar in what got built. You would put a Granary in each city to help it grow, a Barracks in each to build your troops, a Temple in each city to gather Faith, and so on. There wasn't much a decision here, or at least not enough to satisfy Ed Beach, the Chief Designer of Civ VI. So he came up with a new land use system involving Districts. With this system, you had to allocate land in your city for most things you would build. If you wanted to focus on Science, for instance, you would have to allocate a tile to a Campus district. Then, inside this district you could build a Library, a University, an Obervatory, and a Research Lab. But that is the only place they could be built. Furthermore, to prevent you from building every district, they limited the number of districts each city could have based on its population. You can always build one district with a new city, but to build another you need to get to a population of 4, and you get the ability to add a District with each additional increment of 3, so at Population 7, 10, 13 you get the ability to add a District. And these Districts have to be constructed as part of the normal city Build process. So in the above example, you would first have to build the Campus district, and when that was complete you could then build the Library to put inside it. And for both the Districts and the buildings inside of them you need to research certain technologies before they become available to you. Where to locate your districts becomes an issue as well. First of all, the tiles available to you are also your stock of tiles for building Farms and Mines, so you need to make choices here. Of course, making choices is the basis them of all Civilization games. Then there are the adjacency effects of terrain tiles. Both Campus (Science) and Holy Site (Faith) districts benefit from being adjacent to Mountains, and the adjacency effects are cumulative, so a tile with mountains on 3 sides can have major bonuses. But since this affects both kinds of Districts, again you have to make a choice. If you are aiming at a Science Victory, or a Religious victory, the choice will be easier, but in case you need to choose. As to placing a District, when you decide to build one you will get a highlight on the map of locations that are permissable. But if you have several such sites, you need to choose which one fits your strategy best. District Types There are a lot of Districts you can build and listing every one of them here would be tedious. Some are only relevant to late-game situations, others address issues like Housing and Amenities, which we will discuss separately. But there is group of core Districts that every player will need to deal with from the beginning: City Center – This is one you get automatically when you build a city, and can hold a Granary, a Monument, a Water Mill, and various levels of Walls, ranging from Ancient to Renaissance. Campus – This is the Science district, and is unlocked by discovering Writing. That comes pretty early so you will get this capability quite easily, but if you are going for a Science victory you might want to make a beeline for Writing. Remember that if you go into the Tech Tree you can click on a tech to select it, and the game will automatically research it and all of its prerequisites. This is very handy for simplifying Research choices. As mentioned, an adjacency bonus is +1 Science for every adjacent Mountain, but you can also get #1 Science for every 2 Rainforest or District tiles. Don't worry about memorizing these bonuses, they will appear on the map when you are selecting a spot to place your District. Campuses contain Libraries, Universities, Observatories, and Research Labs. And the more built up your Campus Disctrict is, the more Great Scientist points you accumulate. If you want a Science victory you should make it a priority to get Camapus districts put down ASAP in at least a couple of cities, since the effects build like compound interest. Theater Square – This is the Culture District, and is unlocked by discovering Drama and Poetry. That is a somewhat later tech, use the technique of clicking on it in the Tech Tree to get there quickly if you want to pursue a Culture victory. It contains the Amphitheater, Art Museum, Archeaological Museum, and Broadcast Center. It gives +2 Culture from each adjacent Wonder, and +1 Culture from each 2 adjacent Discrticts. The buildings all have slots for holding Great Works, and generate points for Great Writers, Great Artists, and Great Musicians. Holy Site – This is the Religious district, and is unlocked when you discover Astrology, which is a fairly early tech. This district contains Shrines, Temples, and other Worship buildings. It generates Faith, which can be surprisingly useful. Civ VI introduced a new system of relgious warfare and new Religious victory type, but in some circumstances you can use Faith to purchase Units and Buildings, so even if you are not intending a Religious victory you should not overlook it. This district generates Great Profit points. It has adjacency bonuses of +1 Faith from every adjacent Mountain tile, and +2 Faith from every adjacent Natural Wonder, so if you are lucky enough to have a Natural Wonder in your city keep this in mind. Encampment – This is the Military district, and is unlocked by discovering Bronze Working, a very early tech. By building an encampment you can build units that start out with higher Veteran status. In Civ VI I like to build one or two of these in my Empire and use them to construct all of my units. Remember, in Civilization you always want to maintain a strong military to deter your rivals. Buildings include Barracks, Stable, Armory, and Military Academy. This District produces Great General points. It has no adjacency bonus, and cannot be built next to the City Center. But it has strong Defense and can function like the City Center in terms of defense and bombardment capabilities. All newly produced or purchased units will appear in this District, not in the City Center as would otherwise happen. I like to build this on land that is otherwise of low value, like a Desert tile. Commercial Hub – This is the Commerce district, and is unlocked by discovering Currency. The Buildings you can place in this include the Market, the Bank, and the Stock Exchange. Adjacency bonuses include +2 Gold from an adjacent Harbor, and +2 Gold for each Adjacent river. So if your city includes a river that runs into the ocean, place a Harbor in the right spot and then a Commercial Hub and watch the Gold pile up! The Commercial Hub generates Great Merchant points. In addition, a Commercial Hub gives you one additional Trade Route, another way to generate more cash. As we have seen in this series, in all Civilization games a healthy Treasury is a major part of a successful game no matter what Victory type you are pursuing. Harbor – This is the Seafaring District and is unlocked when you discover Celestial Navigation. Buildings in this district include Lighthouse, Shipyard, and Seaport. And if you don't have a Commercial Hub in the city, adding a harbor can give you one additional Trade Route. Adjacency bonuses include +1 Gold from each adjacent Coastal resource, and +1 Gold from every 2 adjacent District tiles. There is also a bonus of +2 Gold if adjacent to the City Center. This district has to be built in Coastal waters adjacent to Land, but note that the City Center does not need to be on the Coast to build this. You just need to have Coastal Waters available within your city. This district generates Great Admiral points. While this district is important for projecting Maritime power, it is equally useful for generating Gold, reflecting the fact that historically Maritime powers have been the most successful traders and the wealthiest nations. Industrial Zone – This is the Production district, and is unlocked when you discover Apprenticeship. Its buildings include the Workshop, the Factory, and the Power Plant. Adjacency bonuses include +1 Production from each adjacent Quarry or Mine, and +1 from each two adjacent Districts. One interesting thing is that some of the prodction bonuses from this district can applly to any City whose City Center is within 6 tiles, so it is possible by careful placement to have one Industrial Zone that benefits 2-3 cities. This district generates Great Engineer points. These are the major districts you will be dealing with, and note that each one generates Great Person points. But note also that there are 7 of them. You can certainly have a large Empire that contains at least one of each. But to have all of them in one city would require a population of 22, which can happen if you aim for it, but also would mean very little in the way of farming or mining. I have seen expert players do a “one city challenge” where they attempt to win a victory with only one very large city, but I have never been interested in that sort of thing. I play to relax and enjoy myself. And one more thing about adjacency bonuses: you get bonuses even from Districts in a different city. As an example if you place a Commercial Hub from City A next to a Theater Square from City B, both Districts can benefit from the adjacency. Links https://civilization.fandom.com/wiki/District_(Civ6) https://www.palain.com/gaming/civilization-vi/playing-civilization-vi-part-1/ Provide feedback on this episode.

This spring, the Daily Inter Lake partnered with Kalispell Public Schools on Civic Voices, a news literacy course teaching Kalispell Middle School eighth graders the fundamentals of journalism. This August, six of those students returned as rising freshmen for a Storytelling Bootcamp, where they built on that foundation with hands-on interviewing and profile writing, telling the stories of six people shaping the Kalispell community. In this episode, student Blaze Schultz interviews Alyssa Cordova, executive director of the Glacier Art Museum. Cordova traces her path from aspiring artist to curator to museum director, why she left a larger institution in Southern California to come home to Montana, and what it took to keep a small nonprofit museum running through her first months on the job during the pandemic. She also talks about fundraising as a creative act and the challenge art museums face staying relevant to a generation that carries a screen in its pocket.Blaze's full written profile of Cordova appears in the Daily Inter Lake on September 9.Northwest Montana deserves strong news reporting. Your donation helps continue work like this possible. Learn more at dailyinterlake.com/support Visit DailyInterLake.com to stay up-to-date with the latest breaking news from the Flathead Valley and beyond. Support local journalism and please consider subscribing to us. Watch this podcast and more on our YouTube Channel. And follow us on Facebook, Instagram and X. Got a news tip, want to place an ad, or sponsor this podcast? Contact us! Subscribe to all our other DIL pods! Keep up with northwest Montana sports on Keeping Score, dig into stories with Deep Dive, and jam out to local musicians with Press Play.

Some musicians make ambitious records that dig into the depths of meaning behind art, mythology, time, or life itself. Two of those musicians are the British singer-songwriter Paris Paloma and the American alternative R&B producer Cautious Clay. Both musical adventurers sit down with our host, John Schaefer, to chat about their latest works and perform intimate live sets exclusively for Soundcheck. Hear how hitmaker Paris Paloma's career progressed after her viral hit, “Labour”, and the process that led to the creation of her sophomore album, The Fatal Flaw. Then, multi-instrumentalist Cautious Clay explains how he takes listeners through each hour of the day and night in The Hours trilogy.Paris Paloma's Setlist: 1.labour 2.Miyazaki 3.Stem the FlowCautious Clay's Setlist: 1.Tokyo Lift (5am) 2.Art Museum (2am) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this Summer Friday, we've put together some of our favorite recent interviews, including: Katie Gaddini, sociologist, a visiting scholar at Stanford University, an associate professor of sociology at the Social Research Institute, University College London (UCL) and a research associate at the University of Johannesburg department of sociology, and the author of Esther's Army: The Christian Women Who Power the American Right (WW Norton, 2026), talks about her research into the activism of right-wing Christian women and their leadership of the political evangelical movement. Ian Shapiro, professor of political science and global affairs at Yale University, a fellow of the American Academy of Arts and Sciences and the American Philosophical Society, a member of the Council on Foreign Relations and the author of After the Fall: From the End of History to the Crisis of Democracy, How Politicians Broke Our World (Basic Books, 2026), traces the breakdown in democratic institutions to missteps by Western leaders following the fall of the Soviet Union. Isaac Butler, culture historian, critic, podcaster and the author of The Perfect Moment: God, Sex, Art, and the Birth of America's Culture Wars (Bloomsbury, 2026), revisits the late 1980s start of the culture wars as the religious right took on the contemporary art world. As the number of adults who report reading books has declined, Rose Horowitch, staff writer for The Atlantic, argues that we're living in a "post-literate world" and talks about what that means for society. As part of the yearlong series "Wild NYC," Marielle Anzelone, urban botanist and ecologist and the founder of NYC Wildflower Week, and Clara Holmes, plant ecologist at New York City Department of Parks and Recreation, talk about the challenges facing local wildflowers and native plants and how to preserve them. These interviews were lightly polished up and edited for time, the original versions are available here: The Political Power of Christian Right Women (July 22) Where Western Leaders Went Wrong (May 8) Where the Culture Wars Began (June 23) Our 'Post-Literate World' (July 8) Wild NYC - Wildflowers (June 10) Photo: Narrow-leaved Blue-eyed Grass - native wildflower with grasslike leaves and small blue-violet flowers. Grows in open sandy meadows in low wet spots. Uncommon in NYC and locally rare. {Marielle Anzelone) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Episode 542 / Hew LockeHew Locke OBE RA (b. 1959) received an MA in sculpture at the Royal College of Art in 1994. His work is in the permanent collections of the Tate, London, UK; Metropolitan Museum of Art, New York, NY; Pérez Art Museum, Miami, FL; and British Museum, London, UK, among many others. His work has been the subject of numerous solo exhibitions including Here's the Thing which opened at Ikon Gallery, Birmingham, UK, in 2019 before traveling to the Kemper Museum of Contemporary Art, Kansas City, MO, and the Colby College Museum of Art, Waterville, ME. In March 2022, Locke presented The Procession, The Duveen Hall Commission for Tate Britain, London, UK, which later travelled to The Baltic Centre for Contemporary Art, Newcastle and the Institute of Contemporary Art, Boston. Locke unveiled Gilt, the Façade Commission at The Metropolitan Museum of Art, New York, in September 2022.His groundbreaking show, Hew Locke: what have we here?,opened at the  British Museum, London, UK, in Fall 2024. Hew Locke: Passages, the largest solo exhibition of Locke's work to date, debuted at Yale Center for British Art, New Haven, CT, traveled to Wexner Center for the Arts, Columbus, OH, and is currently on view at the Museum of Fine Arts, Houston, TX through September 13. Locke will take part in the 2027 edition of Skulptur Projekte Münster with an installation in the Haus der Niederlande at the Krameramtshaus, Münster, Germany.(photo credit: Hugh Glendinning)

The 97-year-old artist captivates with her infinity rooms of polka dotted gourds.

Former U.S. Poet Laureate Ada Limón makes an argument that gets lost in most anniversary programming: that art does something political language simply can't — that attention, joy, and grief aren't distractions from the American experiment but its actual substance. In a moment she describes as defined by the theft of imagination, she makes the case that a single poem, a single act of noticing, is itself a civic act.What does that look like when someone has to build it into an actual room? Annabel Birnie, director of Amsterdam's H'ART Museum, takes up the question directly. Drawing on two exhibitions she's currently running — David Levinthal's American Myth & Memory and Radical Histories: Chicano Prints — she reflects on holding love and criticism of a country in the same space, and on what 35 years in Amsterdam, still hesitant to call herself an Amsterdammer, taught her about belonging that Limón's poems gesture toward.Out of Many, One Voice marks America's 250th anniversary by exploring what binds a nation together, and how the many voices that compose it give that nation meaning.Support the showThe John Adams Institute is Amsterdam's home for independent American thought. John Adams himself said “Let us tenderly and kindly cherish...the means of knowledge. Let us dare to read, think, speak, and write.” For four decades, we have amassed a unique archive of great thinkers, speakers and writers, from Toni Morrison to Timothy Snyder, and from Jane Fonda to Jill Lepore. It has been our pleasure to share this treasure trove of thought and word with you. In this exclusive miniseries, we're sitting down with a few prominent voices from both sides of the Atlantic to take stock of the United States, two hundred and fifty years into its experiment in self-governance. We believe John Adams would have wanted it that way – in fact he explained as much in a letter to his wife, Abigail, on 3 July 1776; “I am apt to believe that it will be celebrated, by succeeding Generations, as the great anniversary Festival.”  And so, from Amsterdam, it's Bright Minds; Out of Many, One?  the podcast from the Adams Institute! If you're a friend of free thinking and the communities that support it, please, become a member. Our independence is something we cherish, and it comes with a cost. The John Adams is an independent foundation without structural subsidy, and there's always room at our table for more.Click here to find out about sponsorship or becoming a member...

We speak with Robb Woulfe, executive director of the Racine Art Museum, about recent renovation at RAM Downtown, changes in admission fees and hours of operation, expansion of their studio art program, and an exciting multi-arts festival opening on September 18th titled "In/Between" in which RAIM will be extending itself into some intriguing places in the community.

What changes when we stop rushing children toward the lesson we planned and start noticing the learning already unfolding?A visit with Julie's six-year-old granddaughter becomes a fresh look at poetry, reading, art museums, and the remarkable power of one-on-one attention. We explore how treasure hunts turn worksheets into quests, why a child's “wrong” answer contains useful logic, and how patient observation helps us see familiar subjects differently.Homeschooling does not always provide daily proof of progress. Often, we collect a few luminous moments surrounded by plenty of ordinary space. Join us as we learn to trust that the pearls are enough.Resources:Registration is open now for Movie Discussion Club: Captivating Stories (Christopher Nolan) and many other Brave Writer classes!You can find “Every Face I Look at Seems Beautiful to Me” on Melissa's blog, Here in the Bonny GlenCheck out the special offer at Talkbox.MOM/brave and start speaking a new language with your kids from day one!Start a free trial of CTCmath.com to try the math program that's sure to grab and keep your child's attention.If you've ever thought of trying out online music lessons, now is the time! Claim your free Maestro Music lessons at Free Music Lessons for Brave Writer Families | Maestro Music .Find our favorite readalouds and nonfiction in the Brave Writer Book ShopVisit Julie's Substack to find her special podcast for kids (and a lot more!) Purchase Julie's new book, Help! My Kid Hates WritingFind community at the Brave Learner Home Learn more about the Brave Writer Literature & Mechanics programsSubscribe to Julie's Substack newsletters, Brave Learning with Julie Bogart and Julie Off Topic, and Melissa's Catalog of EnthusiasmsSign up for our Text Message Pod Ring to get podcast updates and more!Send us podcast topic ideas by texting us: +1 (833) 947-3684Interested in advertising with us? Reach out to media@bravewriter.comConnect with Julie:Instagram: @juliebravewriterThreads: @juliebravewriterBluesky: @bravewriter.comFacebook: facebook.com/bravewriterConnect with Melissa:Website: melissawiley.comSubstack: melissawiley.substack.comInstagram: @melissawileybooksBluesky: @melissawiley.bsky.socialProduced by NOVA

The Art Museum of Eastern Idaho in Idaho Falls now has its permanent collection online thanks to help from the Henry Luce Foundation. The registrar with the Art Museum spearheaded the online collection, which helps researchers, and the local community.

The 97-year-old artist captivates with her infinity rooms of polka dotted gourds.

The cost of lemonade is skyrocketing! Jeremy also visited the Denver Art Museum and had a blast at a parking garage.The fun continues on our social media pages!Jeremy, Katy & Josh Facebook: CLICK HERE Jeremy, Katy & Josh Instagram: CLICK HERE

Welcome to the daily304 – your window into Wonderful, Almost Heaven, West Virginia. Today is Wednesday, July 29, 2026. #1 – From WV EXPLORER – West Virginia's best hikes take center stage From rugged mountain peaks to peaceful forest paths, West Virginia offers hiking experiences for every skill level. WV Explorer's 2026 ranking highlights some of the state's top trails, including favorites in the Monongahela National Forest, New River Gorge National Park and Preserve, Dolly Sods and Seneca Rocks. Whether you're chasing panoramic views, waterfalls or quiet woodland escapes, there's no shortage of places to discover in Almost Heaven. Read more: https://wvexplorer.com/best-hiking-trails-in-west-virginia-ranked-2026/ #2 – From WV EXPLORER – Filmmaker sees bright future for West Virginia West Virginia's film industry continues to build momentum. Filmmaker and producer Jeff Tinnell says the Mountain State's diverse landscapes, talented workforce and expanding film incentives position it to compete for more television and movie productions. As more filmmakers discover West Virginia, industry leaders see opportunities to create jobs, support local businesses and tell authentic Appalachian stories on a national stage. Read more: https://wvexplorer.com/west-virginia-film-industry-jeff-tinnell-netflix/ #3 – From WVU TODAY – Blanche Lazzell returns home One of West Virginia's most influential artists is coming home. The Art Museum of West Virginia University will host "Blanche Lazzell: Becoming an American Modernist," the museum's largest exhibition ever, after a successful national tour. Featuring the largest collection of works by the Monongalia County native and pioneering modernist, the exhibition celebrates Lazzell's lasting influence on American art and introduces her work to a new generation of visitors. Read more: https://wvutoday.wvu.edu/stories/2026/07/20/wvu-brings-pioneering-artist-blanche-lazzell-home-for-art-museum-s-largest-exhibition-on-record Find these stories and more at wv.gov/daily304. The daily304 curated news and information is brought to you by the West Virginia Department of Commerce: Sharing the wealth, beauty, and opportunity in West Virginia with the world. Follow the daily304 on Facebook, Twitter, and Instagram @daily304. Or find us online at wv.gov and just click the daily304 logo. That's all for now. Take care. Be safe. Get outside and enjoy all the opportunity West Virginia has to offer.

The American artist James Turrell is famous for his Skyspaces. A Skyspace is chamber with an opening to the sky. Turrell bathes the roof with light that subtly changes colour, which affects our perception of the colour of the sky itself. Julian May travels to ARoS, the Art Museum in Aarhus, Denmark to meet James Turrell as he prepares his latest SkySpace, entitled As Seen Below – The Dome. It is a monumental work, which from the ground outside looks like tumulus, an ancient a grass covered burial mound. To experience the work Julian goes through an underground tunnel that brings him into the huge domed space flooded with changing coloured light. Through the opening the sky appears at once immensely deep, yet close. James Turrell tells Julian that while most artists depict light, light is his material; his work is light itself. He speaks about how flying (he gained a pilot's licence at the age of sixteen), the changing colours of the sky and the disorientating experience of speeding between clouds and fog inspires him. How, too, his upbringing and life as a Quaker has a profound influence. This episode of The Documentary, comes to you from In the Studio, exploring the processes of the world's most creative people.

The deadly fire on the Colorado/Utah border has claimed the life of a fourth firefighter. 43-year-old Nathan Matthews, of Lincoln, Nebraska, had been hospitalized since the Snyder fire burnover June 27. Also this season, a helicopter pilot died fighting the Gold Mountain fire. How does this affect the mental health of their fellow firefighters? Then, a new exhibit featuring works by the Denver Art Museum's Indigenous artists-in-residence opens Saturday. We speak with two artists whose intricate beadwork reimagines traditional designs. 

The Art Museum of Eastern Idaho presents “Walking the Divide.” This art exhibit by Joshua Graham encourages viewers to explore their relationship with the natural world as well as participate in the process of art.

The Portland Art Museum’s rental gallery has been operating on the same business model since its inception in 1959. In the 1950s, the Portland Art Museum was the city’s art school as well as a gallery. They opened the rental gallery to showcase local artists’ works, and they’ve been offering rentals and sales ever since. Mark Tindle has been the head of the rental sales gallery since 2021, and he joins us to share more about the gallery and its unique model.    The current showcase on display at the rental gallery is a collaboration with OPB’s Oregon Art Beat, featuring local artists that have been featured on the program. The exhibit is up in the rental gallery until July 11th.  

Fluent Fiction - Korean: Brushstrokes of Connection: Romance at the Art Museum Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ko/episode/2026-06-21-07-38-19-ko Story Transcript:Ko: 국립중앙박물관은 여름 날씨에도 불구하고 차분하고 시원했다.En: The guknipjungangbangmulgwan was calm and cool despite the summer weather.Ko: 많은 사람들이 다노 축제를 맞아 박물관을 찾고 있었다.En: Many people were visiting the museum to celebrate the dano Festival.Ko: 전시회장 안엔 문화재와 그림들이 쉼없이 관람객들의 눈을 사로잡고 있었다.En: Inside the exhibition hall, cultural assets and paintings continuously captivated the eyes of the visitors.Ko: 준호는 미술관 입구에 섰다.En: Junho stood at the entrance of the gallery.Ko: 그는 영감을 찾고 싶었다.En: He wanted to find inspiration.Ko: 그의 손에는 스케치북이 들려 있었다.En: In his hand was a sketchbook.Ko: 그것은 그가 꿈꾸는 예술가로서의 긴 여정을 돕는 동반자였다.En: It was a companion that helped him on his long journey to becoming the artist he dreamed of.Ko: 하지만 이날은 특별했다.En: But this day was special.Ko: 그는 특별한 연인을 만나고 싶었다.En: He wanted to meet a special someone.Ko: 자신의 예술적 열정을 이해해줄 누군가를 찾고 있었다.En: He was looking for someone who would understand his artistic passion.Ko: 민지는 박물관 큐레이터였다.En: Minji was a museum curator.Ko: 그녀는 예술이 사람들을 연결한다고 믿었다.En: She believed that art connects people.Ko: 오늘도 그녀는 새롭게 시작할 전시회의 안내를 위해 준비하고 있었다.En: Today, she was preparing for the introduction of a new exhibition.Ko: 민지의 미소는 밝고 따뜻했다.En: Minji's smile was bright and warm.Ko: 관람객들은 안내소에 몰려들었고, 그녀의 설명을 들으며 고개를 끄덕였다.En: Visitors crowded at the information desk, nodding as they listened to her explanations.Ko: 준호는 결심했다.En: Junho made a decision.Ko: 그는 민지가 진행하는 투어에 참여하기로 했다.En: He decided to join the tour led by Minji.Ko: 그녀와 대화를 나눌 수 있는 기회를 잡고 싶었다.En: He wanted to seize the opportunity to converse with her.Ko: 그래도 마음 속에선 여전히 자신감이 부족했다.En: Yet, deep down, he still lacked confidence.Ko: 민지가 자기에게 관심을 가질지 확신할 수 없었기 때문이다.En: He wasn't sure if Minji would be interested in him.Ko: 투어가 시작되었다.En: The tour began.Ko: 민지는 그림 하나하나의 이야기와 의미를 열정적으로 설명했다.En: Minji passionately explained the story and meaning behind each painting.Ko: 준호는 그녀의 말에 귀를 기울였고, 그의 마음 속에는 작은 불꽃이 깃들기 시작했다.En: Junho listened intently to her words, and a small spark began to ignite in his heart.Ko: 어느 순간, 민지가 한 그림 앞에서 멈추며 말했다.En: At one moment, Minji stopped in front of a painting and said,Ko: "이 작품은 화가가 겪었던 깊은 고뇌를 보여줍니다."En: "This work showcases the deep anguish the artist experienced."Ko: 준호는 마음속에 감동을 느꼈다.En: Junho felt moved inside.Ko: "맞아요. 감정이 화면을 뚫고 나오는 것 같아요," 그가 말했다.En: "That's right. It's like the emotions are bursting out of the canvas," he said.Ko: 민지는 놀라며 그를 바라보았다.En: Minji, surprised, looked at him.Ko: "당신도 이런 감정을 느끼셨나요? 이 그림은 정말 특별하죠."En: "Did you also feel such emotions? This painting is indeed special."Ko: 그들은 그림을 바라보며 자연스럽게 대화를 이어갔다. 서로의 생각과 느낌을 공유하면서 마음이 맞았다.En: They naturally continued their conversation as they gazed at the painting, sharing their thoughts and feelings, connecting with each other.Ko: 그 순간, 준호는 민지를 초대할 용기를 냈다.En: At that moment, Junho mustered the courage to invite her.Ko: "혹시 이번 주말에 근처에서 열리는 예술 전시회에 함께 갈래요?"En: "Would you like to join me at an art exhibition happening nearby this weekend?"Ko: 민지는 웃으며 대답했다.En: Minji answered with a smile.Ko: "물론이에요. 그런 기회라면 놓치고 싶지 않아요."En: "Of course. I wouldn't want to miss such an opportunity."Ko: 그 날 이후로 준호는 자신감과 용기가 생겼다.En: Since that day, Junho gained confidence and courage.Ko: 그는 더 이상 두려워하지 않고 사람들과 진솔하게 어울리게 되었다.En: He no longer feared interacting openly and sincerely with people.Ko: 그리고 그 변화는 그의 그림에도 반영되었다.En: And that change was reflected in his paintings.Ko: 준호는 자신이 느낀 감정과 용기를 작품에 녹아내어 표현할 줄 알게 되었다.En: Junho learned to express the emotions and courage he felt through his art.Ko: 국립중앙박물관 앞에 활기찬 웃음소리와 다노 축제의 흥겨운 분위기가 여름의 정취를 더해주고 있었다.En: In front of the guknipjungangbangmulgwan, lively laughter and the festive atmosphere of the dano Festival added to the summer's vibe.Ko: 준호와 민지는 그렇게 서로의 인생에 중요한 존재가 되었다.En: Junho and Minji became important figures in each other's lives in this way. Vocabulary Words:calm: 차분하다cool: 시원하다exhibition: 전시회assets: 문화재captivated: 사로잡다inspiration: 영감sketchbook: 스케치북companion: 동반자artistic: 예술적curator: 큐레이터connects: 연결하다nod: 끄덕이다opportunity: 기회confidence: 자신감intently: 열심히ignite: 깃들다anguish: 고뇌bursting: 뚫고 나오다gazed: 바라보다mustered: 내다lively: 활기찬festive: 흥겨운atmosphere: 분위기vibe: 정취figures: 존재celebrate: 맞다despite: 불구하고continuously: 쉼없이converse: 대화seize: 잡다

Huntington Beach adopts a housing plan after a long legal battle. Air quality regulators cited an oil recycling facility in Compton multiple times for violating pollution rules. The world’s first museum dedicated to AI art opens Saturday in LA. Plus, more from Evening Edition. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.comSupport the show: https://laist.com

The Los Angeles City Council has approved a ballot proposal for November that would allow non-citizens to vote in council and school board elections. MacArthur Park in Westlake often makes headlines for being a place where crime runs rampant but it's also where locals are celebrating the World Cup. For Entertainment Thursday, LAist host Julia Paskin talks about a Juneteenth concert and a new L.A. AI art museum. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.comSupport the show: https://laist.com

santa clara Trinton art museum - tourist at home

Fluent Fiction - Italian: Secrets Unveiled: The Renaissance Painting's Hidden Tale Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-06-13-07-38-19-it Story Transcript:It: Il sole di primavera illuminava le strade di Firenze, mentre Enzo camminava verso il Museo d'Arte.En: The spring sun illuminated the streets of Firenze, as Enzo walked towards the Art Museum.It: Era una giornata perfetta per scoprire nuovi segreti sul Rinascimento, la sua passione più grande.En: It was a perfect day to uncover new secrets about the Renaissance, his greatest passion.It: Enzo era un esperto storico dell'arte e non vedeva l'ora di esplorare le nuove esposizioni.En: Enzo was an expert art historian and couldn't wait to explore the new exhibits.It: Entrando nel museo, l'atmosfera era incantata.En: Entering the museum, the atmosphere was enchanting.It: I corridoi di marmo, con le loro ombre danzanti, erano pieni di visitatori affascinati.En: The marble corridors, with their dancing shadows, were filled with fascinated visitors.It: Ma tra le opere d'arte, una in particolare attirò la sua attenzione.En: But among the works of art, one in particular caught his attention.It: Un dipinto che pensava perso per sempre, improvvisamente riapparso.En: A painting he thought lost forever, suddenly reappeared.It: Enzo si avvicinò, il cuore che batteva forte.En: Enzo approached it, his heart beating fast.It: Giada, la curatrice del museo, osservava la scena con ansia.En: Giada, the museum curator, watched the scene anxiously.It: Conosceva bene quel quadro e sapeva che il suo ritorno era avvolto nel mistero.En: She knew that painting well and was aware that its return was shrouded in mystery.It: Aveva un passato segreto legato al furto d'arte e questo dipinto ne faceva parte.En: It had a secret past tied to art theft, and this painting was part of it.It: Ma ora, era in difficoltà.En: But now, she was in a difficult position.It: Sapeva che Enzo avrebbe presto iniziato a fare domande.En: She knew that Enzo would soon start asking questions.It: Poco dopo, Enzo si avvicinò a Giada.En: Shortly after, Enzo approached Giada.It: "Sa qualcosa di questo dipinto?"En: "Do you know anything about this painting?"It: chiese, con uno sguardo curioso ma determinato.En: he asked, with a curious but determined look.It: Giada esitò.En: Giada hesitated.It: La sua carriera era in gioco, ma doveva scegliere tra il silenzio e la verità.En: Her career was at stake, but she had to choose between silence and the truth.It: "Sì, c'è qualcosa che devo dirti," rispose infine, con un filo di voce.En: "Yes, there is something I need to tell you," she finally replied, with a whisper.It: La conversazione divenne intensa.En: The conversation became intense.It: Enzo scoprì che il mentore di Giada, un famoso esperto d'arte, aveva nascosto il dipinto per anni per proteggerlo da un pericoloso commercio illegale.En: Enzo discovered that Giada's mentor, a famous art expert, had hidden the painting for years to protect it from a dangerous illegal trade.It: Giada lo aveva aiutato, certa che le intenzioni fossero giuste.En: Giada had helped him, certain that the intentions were right.It: Tuttavia, aveva sempre temuto questo momento.En: However, she had always feared this moment.It: Alla fine, decise di confessare tutto, rischiando la sua posizione.En: In the end, she decided to confess everything, risking her position.It: Insieme, Enzo e Giada misero in mostra il dipinto con una nuova esposizione che narrava le storie di opere d'arte scomparse e ritrovate.En: Together, Enzo and Giada showcased the painting with a new exhibition that narrated the stories of lost and found artworks.It: Il pubblico ne fu incantato.En: The public was enchanted by it.It: Enzo imparò che lavorare insieme può portare a grandi scoperte, mentre Giada scoprì il potere della sincerità.En: Enzo learned that working together can lead to great discoveries, while Giada discovered the power of sincerity.It: Mentre i visitatori riempivano le sale, entrambi si sentirono liberi, pronti ad affrontare nuove avventure nei labirinti artistici della loro amata città.En: As visitors filled the halls, they both felt free, ready to face new adventures in the artistic labyrinths of their beloved city. Vocabulary Words:the spring: la primaverato illuminate: illuminarethe museum: il museoto uncover: scoprirethe passion: la passionea historian: uno storicothe atmosphere: l'atmosferato enchant: incantarethe marble: il marmoto dance: danzarethe shadow: l'ombrafascinated: affascinatothe visitor: il visitatorethe painting: il dipintoto reappear: riapparirethe curator: la curatriceto shroud: avvolgerethe mystery: il misterosecret: segretothe theft: il furtoto hesitate: esitarethe career: la carrieraintense: intensothe mentor: il mentorethe expert: l'espertoto conceal: nascondereto protect: proteggerethe trade: il commercioillegal: illegaleintention: l'intenzione

Barry Mare, in for CapeTalk’s Sara-Jayne Makwala King, is joined on Weekend Breakfast by Caroline Greyling, Director of the Norval Foundation’s Art Museum. Weekend Breakfast with Sara-Jayne Makwala King is the weekend breakfast show on CapeTalk. This 3-hour morning programme is the perfect (and perky!) way to kickstart your weekend. Author and journalist Sara-Jayne Makwala-King spends 3 hours interviewing a variety of guests about all things cultural and entertaining. The team keeps an eye on weekend news stories, but the focus remains on relaxation and restoration. Favourites include the weekly wellness check-in on Saturdays at 7:35 am and heartfelt chats during the Sunday 9 am profile interview. Listen live on Primedia+ Saturdays and Sundays between 07:00 and 10:00 am (SA Time) to Weekend Breakfast with Sara-Jayne Makwala-King broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show, go to https://buff.ly/AgPbZi9 or find all the catch-up podcasts here https://buff.ly/j1EhEkZ Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Coos Art Museum in Coos Bay celebrates the 90th anniversary of its historic Art Deco building while showcasing maritime art in its annual "Surge" exhibition.

This week we are chatting with Vanessa Montgomery from https://astroallstarz.com/ (as always) Today's Astro charts are located at https://astromary.libsyn.com/ Vanessa is resident Astrologer at Glamour U.S with a weekly horoscope (since mid-2019), she has launched a horoscope column for News.com.au, and is a former resident astrologer for Whimn Magazine (which closed in June, find articles housed in Body+Soul Magazine) – She launched The Cosmic Eye Monthly Forecast for Astrology University Podcast which she co-anchored from 2019 through to 2023, returning with the occasional guest appearance. Her work has appeared in Vogue U.S, Elle, Cosmopolitan, Time Out London, Refinery29, Vice Broadly, The Fashion Journal, Traveller (Easy Jet Inflight Magazine), The Kit C.A, Bloom Mag, C & The Moon and more. As resident Astrologer, she launched a new and full moon Luna scope for Lunae Sparkling, Jan 2023, on the new moon in Aquarius. Her books Star Power, Cosmic Power, and most recently, Astro Power, Published by Quadrille, have generated over a million dollars in sales internationally. Art Museums like the Guggenheim N.Y have sold them + MoMA London – And stores from Anthropologie to Urban Outfitters. Link to Vanessa's Books https://amzn.to/4uJaSoc Amazon affiliate link, I could earn a small comission if you click the link Vanessa Montgomery Natal and transits for Star Power publication   Natal and transits for publication of Cosmic Power Natal & transits for Astro Power  

Rob Ellis and Mike Sielski make history with the FIRST EVER RADIO BROADCAST FROM THE PHILADELPHIA MUSEUM OF ART!! Rising Up: Rocky and the Making of Monuments is a fabulous exhibit at the art museum highlighting the making of the Rocky movies and the history of the sport of boxing and the Saturday Show guys couldn't have been more thrilled to be there. Paul Farber, the Director and Co-Founder of Monument Lab who was a part of curating the exhibit joins the show to talk about the process and his work. Also, the guys cover the the MLB salary cap, what the Phillies need to do to get over the hump, and even the likely AJ Brown trade!

Whisper in Asian Art Museum - Chiharu Shiota - tourist San Francisco, unintentional ASMR

On the May 22 episode of Friday LIVE, we're broadcasting from our radio studios. Tune in and hear host Genevieve Randall and guest host Penelope Morrow have lively conversations with: Hannah the Death Doula, explains what a death doula is and the meaning behind "death cafes" (1:26); Magdelena Garcia, executive director for Omaha's El Museo Latino, about an exhibit on textiles from Latin America (10:12); Kyren Gibson about the upcoming Carhenge Quilt Challenge (19:14); Karin Campbell, curator of contemporary art for the Joslyn Art Museum, discusses the new exhibition "I'm Not the Girl Who Misses Much" (33:16); and Alicia Henderson from the Nebraska Trumpet Ensemble (40:03). The episode will also feature poetry from Kelly Madigan (45:59), as well as a film review of Blue Heron from Kwakiutl Dreyer (21:02).

In this episode, Alana Hernandez, senior curator at ASU Art Museum, shares her journey from New York to Arizona, her focus on Latinx art, and the significance of her current Carmen Lomas Garza retrospective. Discover how curatorial work parallels community building, translation, and long-term artist relationships, highlighting Arizona's unique art scene and cultural landscape.Connect with ASU Art MuseumWebsite: https://asuartmuseum.org/Instagram: https://www.instagram.com/asuartmuseum/Facebook: https://www.facebook.com/asuartmuseumConnect with the Finding Arizona Podcast:YouTube: https://www.youtube.com/@findingarizonapodcastInstagram: https://www.instagram.com/findingarizonapodcast/Facebook: https://www.facebook.com/findingarizonapodcastWebsite: https://www.findingarizonapodcast.com/LinkedIn: https://www.linkedin.com/company/finding-arizona-podcast/Twitter / X: https://twitter.com/findingarizonaPRODUCTION:Ready to start your own podcast? Found-House powered by The Finding Arizona Podcast is your best find! https://www.findingarizonapodcast.com/found-houseCONTACT:Send us a message to us!  https://www.findingarizonapodcast.com/contactSPONSORS:SeatGeek: Get a $20 discount on your tickets with code FINDINGARIZONA at seatgeek.com.

Episode No. 758 features artists Leasho Johnson and Laura Facey. Both artists are featured in "Dancing the Revolution: From Dancehall to Reggaetón" at the Museum of Contemporary Art Chicago through September 20. The exhibition explores and expands the visual, political, and spiritual histories of dancehall and reggaetón through contemporary art produced in the Caribbean, New York, London, and beyond. It was curated by Carla Acevedo-Yates with Cecilia González Godino, Iris Colburn, Nolan Jimbo, and nibia pastrana santiago. A catalogue will be published by the museum and DelMonico Books in July. It is available from Bookshop and Amazon for $60-65. Johnson's paintings explore Black queer identity, Caribbean folklore, and post-colonial narratives. His pictures find meaning in the space between figuration and abstraction, and between Jamaican cultural heritage and broader art histories. His exhibition credits include the 2025 Liverpool biennial at the Walker Art Gallery and group shows at the Leslie Lohman Museum, New York, the Portland (Me.) Art Museum, and the National Gallery of Jamaica. His work is in the collection of the Art Gallery of Ontario, Toronto, the Pérez Art Museum Miami, and the University of Michigan Museum of Art. Facey is a Jamaica-based sculptor whose work addresses the land around her and the histories it holds. Her work often seeks what Facey calls "a healthy alchemy" for people and the earth. She has shown at the International Slavery Museum in Liverpool, the Havana biennial, and at the National Gallery of Jamaica. Her 2003 Redemption Song is sited in Kingston, Jamaica's Emancipation Park. A career-spanning monograph of her work will be published later this year. Instagram: Leasho Johnson, Laura Facey, Tyler Green. Air date: May 14, 2026.

Dr Sophie Matthiessen, Senior Curator of International Art at Auckland Art Gallery nous présente l'exposition "Facing Modernity" au Shepparton Art Museum qui se tiendra à partir du 23 mai. Cette exposition réunit des œuvres de Picasso, Degas, Matisse, Cézanne, Dali, Rodin et d'autres artistes, jamais exposées auparavant en Australie. Les oeuvres proviennent de la Galerie d'art d'Auckland Toi o Tāmaki.

This episode explores how Glenstone Museum is pursuing one of the lowest energy use intensities of any art museum in the world—without compromising the strict environmental conditions required to preserve artwork. Brendan Robinson shares how the team reduced the museum's EUI from 85 to 42 through HVAC sequence optimization, floating setpoints, water-side efficiency improvements, and deep operational discipline. The conversation also dives into fault detection, advanced supervisory control, and why empowering multiple team members to edit BAS sequences has been critical to their success. Along the way, they reveal how energy efficiency and occupant/art preservation can work together instead of competing priorities. It's a fascinating look at what's possible when operational excellence, controls expertise, and sustainability goals all align. Find full show notes and episode transcript on The Nexus Podcast: Episode 197 webpage. Sign-up (or refer a friend!) to the Nexus Newsletter. Learn more about The Smart Building Strategist Course and the Nexus Courses Platform. Check out the Nexus Labs Marketplace. Learn more about Nexus Partnership Opportunities.

The Art Museum of Eastern Idaho is set to open its new art exhibit “Sacred Spaces: Visions of the West from the Prosaic to the Sublime” this Friday. It will feature agriculture inspired art by six contemporary artists.

In this episode of The Truth In This Art, the guest is Douriean Fletcher!About Douriean Fletcher: An acclaimed jewelry designer and artisan whose work bridges adornment and storytelling. She was the specialty jeweler for Marvel's Black Panther and Black Panther: Wakanda Forever, and became the first jewelry artist to be part of an Academy Award–winning costume design team—an honor she achieved twice. Douriean has expanded into spacial adornment art, creating large-scale installations and immersive environments.In our conversation, Douriean Fletcher discusses her exhibition, Douriean Fletcher: Jewelry of the Afrofuture, at the Walters Art Museum and how a ring in the museum's collection became a touchstone for the show. Years ago, she found an ancient Egyptian brass and red jasper ring online—covered in hieroglyphics and telling a story of religious belief, culture, and tradition. She saved the image, not knowing it belonged to the Walters. When putting together the exhibition, she showed the curator that same image—and found out it was part of the museum's collection all along.Fletcher also talks about the parallels between her pieces and objects in the Walters' collection, including a sculpture of Isis and Horus that reminded her of the Dogon sculptures she referenced in the Ramonda dress for Wakanda Forever. She discusses her move from wearable jewelry to larger spacial adornment that transforms gallery spaces.Be sure to check out Douriean Fletcher: Jewelry of the Afrofuture at the Walters Art Museum — https://thewalters.org/exhibitions/douriean-fletcher/Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

(Lander, WY) – The KOVE 1330 AM / 107.7 FM Today in the 10 interview series Coffee Time continued today with host Vince Tropea, who recently spoke with CooXooEii Black and Lisa McCart. McCart is the Native American Liaison for FCSD #1 Lander Schools, and she once again set up writing classes at Lander schools, taught by Black, an LVHS graduate and member of the Northern Arapaho Tribe. Black is currently a professor teaching writing classes at the University of Memphis, and when County 10 last caught up with him, he had just been announced as one of the artists chosen for the Denver Art Museum’s 2026 Native Arts Artist-in-Residency Program. (Black shared during the interview that the residency will officially begin August 1, 2026, and will last for two years.) Even though he is staying busy as a professor and professional artist, Black still made time to stop by Lander schools and teach the youth about poetry the week before last. Black shared about making those connections with students, provided more details on the residency, and previewed what’s next for him. Check out the full Coffee Time interview with Black and McCart below! Be sure to tune in to Today in the 10 and Coffee Time interviews every morning from 7:00 to 9:00 AM on KOVE 1330 AM / 107.7 FM, or stream it live right here.

I recently gave a lecture called "Ed Mell: A Closer Look" at the Phoenix Art Museum and I wanted to share it with all of you as an episode of my podcast.It was an interesting  experience for me for two reasons. One, I knew Ed very well as a friend. Two, I represented him for almost 30 years. So with this lecture, I got to think and speak about him how an art historian would. The friendship element was part of the lecture, no doubt, but the talk is filled with the other more analytical art world components as well. For example, I talk about the difference between a 1980 Ed Mell and a 1981 Ed Mell. I analyze the kind of subject matter that he did and when he did it and why he did it. If you love Ed Mell you will probably find this talk that I did to be very interesting and maybe even compelling. I thought it was a really enjoyable  from the speaking perspective. The Phoenix Art Museum just has such a beautiful collection and they have an exhibit called "Ed Mell: In the Studio" in their all new James K. Ballinger Wing. The wing is going to be closed for a renovation from now until mid September 2026, but it'll be open again after Labor Day. Once it opens back up, the Ed Mell exhibition will be up through April 2027. Most of the work in the exhibit came right out of his studio, including some very early pastels and small oil studies. It's a very cool setup and it was curated by Chief Curator Olga Viso, who I interview at the end of the podcast about the show.So if you love Ed Mell, you might want to watch this one. Keep in mind the YouTube version will have all of the images I discuss, as well as the bonus interview at the end that shows parts of "Ed Mell: In the Studio."

Crew and Sage had a nice first date at the art museum, but what's keeping Sage from reaching back out to Crew? Find out in this all-new 2nd Date Update!

Episode No. 753 features artist Delilah Montoya and author Mario T. García. Montoya's work is featured in three major exhibitions around the US this season. The Albuquerque Museum is featuring "Delilah Montoya: Activating Chicana Resistance," the first retrospective of Montoya's forty-year career. The exhibition, which was curated by Josie Lopez, is on view through May 3. A valuable catalogue was published by University of New Mexico Press and the Albuquerque Museum. Amazon and Bookshop offer it for about $32. Two significant historical group shows also foreground Montoya's work. At the Sheldon Museum of Art, University of Nebraska, Lincoln, Montoya is featured in "Hyphen American: Intersections of Identity." The exhibition, which pointedly rejects increasing right-wing claims that the US is, or should be an ethnostate, presents the many ways identity is presented and interrogated in our art. The excellent exhibition catalogue, which was published in the four languages most commonly spoken in Lincoln (English, Spanish, Vietnamese, and Arabic), was published by the museum. "Hyphen American" was curated by Christian Wurst and is on view through July 5. Artists in the exhibition who have been guests on The Modern Art Notes Podcast include Radcliffe Bailey, Binh Danh, Catherine Opie, Alec Soth, and Renée Stout. The Riverside (Calif.) Art Museum and The Cheech Marin Center for Chicano Art & Culture are showing Montoya in "Chicano Camera Culture: A Photographic History, 1966–2026." The exhibition shows how 45 artists have used their camera as a tool of representation, empowerment, and change over the past 60 years. It is the first major survey of Chicano/a/x lens-based image making. "Chicano Camera Culture" was curated by Elizabeth Ferrer. It's on view at the Riverside Art Museum through July 5, and at The Cheech through September 6. The excellent catalogue was published by The Cheech and is distributed by University of Washington Press. It is available from Amazon for $44. Artists in the exhibition who have been guests on The Modern Art Notes Podcast include Christina Fernandez and Ken Gonzales-Day. Montoya is one of the major figures in the development of Chicana art in the United States. Her community-oriented work addresses colonialism, identity, land, feminine power, and justice. It is held by museums such as the Smithsonian American Art Museum, the Museum of Fine Arts Houston, the Los Angeles County Museum of Art, and the New Mexico Museum of Art. García is the author of "Rupert García: The Making of an American Artist, a Testimonio," which was just published by Rutgers University Press. It is the first biography of the Chicano artist Rupert García. The book, which is informed by 50 hours of interviews conducted over 30 years, is illustrated by 80 artworks. It is immediately the major volume on García's career. Amazon and Bookshop offer it for about $31-33. Instagram: Delilah Montoya, Tyler Green. Air date: April 9, 2026.

2 - Revisiting the Kimmel comments from his show last night. How much does Keith Hernandez make from his Seinfeld cameos? 210 - Is it a good idea to make the Rocky statue an exhibit in the Art Museum? Your calls. 215 - Dom's Money Melody! 225 - Karoline Levitt tees off on Larry Krasner for his comments on ICE agents at the airport yesterday. 235 - What are Dom's top stories of the day? 240 - Your calls. 250 - The Lightning Round!

12 - Jimmy Kimmel disparages MarkWayne Mullin for being a former plumber, but who is he to judge anybody about their qualifications? 1210 - JB Pritzker deflects the blame of a young college girl on you know who, instead of taking accountability. 1215 - Side - someone or something Greek 1220 - What size tampons will be in the men's rooms in Maryland? Your calls. 1235 - San Francisco overturned their ban on… Algebra? Why did it take 12 years to reverse course? How was this a failed example of equity? 1240 - Should you call your significant other your “spouse”, instead of wife/husband? Your calls. 1250 - Would Trump have stopped the Holocaust? Your calls. 1 - Managing Shareholder of the Wilentz, Goldman, and Spitzer's Philadelphia office; Lower Merion Township Commissioner - Ward 1, Daniel Bernheim joins us today. How does he have so much patience with the ineptitude of the Sheriff's office estate sales? Why are they taking years to hand over deeds in foreclosure sales? How does the process work? Should the Sheriff's office continue on in Philadelphia? What can be done to remedy these problems? 115 - Your calls. What will come of this verdict in the latest social media case? We talk through the case as we get the verdict and payout. 135 - Dom Giordano Presents: Progressive Women Gone Wild! 140 - Your calls. 145 - Beth Ann Rosica, author at Broad & Liberty, joins us today after she uncovered that local school districts are still keeping kids' gender identity a secret from the parents. How does she know they're doing this? What are some of the school districts hiding behind their false policies? How can these secretive policies be undone by parents? Are teachers liable for going against school policy? How are teachers maneuvering their way around the rules? 2 - Revisiting the Kimmel comments from his show last night. How much does Keith Hernandez make from his Seinfeld cameos? 210 - Is it a good idea to make the Rocky statue an exhibit in the Art Museum? Your calls. 215 - Dom's Money Melody! 225 - Karoline Levitt tees off on Larry Krasner for his comments on ICE agents at the airport yesterday. 235 - What are Dom's top stories of the day? 240 - Your calls. 250 - The Lightning Round!

1991 Heisman Trophy winner and Super Bowl XXXI MVP Desmond Howard speaks with Adam Barnard about his upcoming appearance at "Game Time" at Perez Art Museum Miami, the Heisman Pose, having knowledge of self, and Jay-Z.Special thanks to 10th Ward Barbershop - Proudly serving the historic 10th Ward in Lawrenceville and surrounding areas, 10th Ward Barbershop is a full service barbershop offering quality haircuts, beard trims, and hot shaves. Schedule your appointment with Finn Balor and Corey Graves' favorite barbershop today.Host/Executive Producer: Adam BarnardAdditional Production/Narration: Sam KreppsEngineer: Carl PannellIntro Music: Carl PannellOutro Music/Musical Accompaniment: EnrichmentInstagram/X/Threads/Bluesky: @thisisgoober | @fndradiopod

Recorded in Iceland! In this episode we chat about how to show at an art museum in Iceland, overcoming health obstacles, painting from your personal experience and more with project manager for exhibitions at the Akureyri Art Museum, Freyja Reynisdottir .Check out Freyja's work on her instagram here: CLICK HERE.Submit your work to the NYC exhibition I am curating, She in the Tower, with a deadline of April 10: ⁠CLICK HERE⁠Experience my FREE masterclass, Awakening the Heroine: aligning energy and action for artistic acclaim, flow, and fortune, by ⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICKING HERE! ⁠⁠⁠⁠⁠⁠⁠⁠⁠Sign up for my coaching program, The Luminary Artist Academy, before April 1 for guaranteed inclusion in a NYC May exhibition I am curating, "She in the Tower" Sign up and learn more here: ⁠⁠⁠⁠⁠LUMINARY ARTIST ACADEMY⁠⁠⁠⁠⁠Meet with me for 15 minutes to make sure the program is right for you: ⁠⁠⁠⁠⁠CALENDLY LINK⁠⁠⁠⁠⁠Enter the Creative Heroine podcast contest! Winner gets a podcast interview. To enter, write a 5 star review on Apple Podcasts, screenshot it and send it to me on IG at @thecreativeheroines or email jlibor@jessicalibor.com . Read & subscribe to my substack, Painting the Realm of Forms: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://jessicalibor.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠And join our Discord here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/SB2YY5NrnF⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out all of our courses and coaching: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thecreativeheroines.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You can explore my art here! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.jessicalibor.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thanks for listening!!

In this episode I share my experience of exploring Iceland and my artist residency at the Akureyri Art Museum.⁠Submit your work to the NYC exhibition I am curating, She in the Tower, with a deadline of April 10: CLICK HEREExperience my FREE masterclass, Awakening the Heroine: aligning energy and action for artistic acclaim, flow, and fortune, by ⁠⁠⁠⁠⁠⁠⁠⁠CLICKING HERE! ⁠⁠⁠⁠⁠⁠⁠⁠Sign up for my coaching program, The Luminary Artist Academy, before April 1 for guaranteed inclusion in a NYC May exhibition I am curating, "She in the Tower" Sign up and learn more here: ⁠⁠⁠⁠LUMINARY ARTIST ACADEMY⁠⁠⁠⁠Meet with me for 15 minutes to make sure the program is right for you: ⁠⁠⁠⁠CALENDLY LINK⁠⁠⁠⁠Enter the Creative Heroine podcast contest! Winner gets a podcast interview. To enter, write a 5 star review on Apple Podcasts, screenshot it and send it to me on IG at @thecreativeheroines or email jlibor@jessicalibor.com . Read & subscribe to my substack, Painting the Realm of Forms: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://jessicalibor.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠And join our Discord here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/SB2YY5NrnF⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out all of our courses and coaching: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thecreativeheroines.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You can explore my art here! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.jessicalibor.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thanks for listening!!

Julia Dault is an acclaimed Canadian abstract painter and sculptor whose work can be found in the Guggenheim Museum, Miami's Pérez Art Museum, the National Gallery of Canada, and many other notable galleries around the world. But after a midlife crisis, Julia shifted her focus away from international exhibits and toward the hyper-local. She sits down with guest host Garvia Bailey to talk about that change, and why she decided to open a community art studio in Toronto called Hot Pizza, built around a simple motto: art for everyone.

This week, Inside the still unsolved half billion dollar Gardner Art Museum Robbery back in the early 90s with Former Boston FBI Agent Geoff Kelly, the lead investigator on the case for 20 years. He has a new book out called 13 Perfect Fugitives. Join me and George Anastasia as we discuss the Philly connection to this infamous case. Special thanks to The Isabella Gardner Museum

Episode No. 745 is a holiday weekend clips show featuring artist Christina Fernandez. Fernandez is included in "Chicano Camera Culture: A Photographic History, 1966-2026" at the Cheech Marin Center for Chicano Art & Culture of the Riverside (Calif.) Art Museum. The exhibition explores the evolution of Chicana/o/x lens-based practices through over 150 pictures made across six decades. The exhibition is on view at both RAM locations, and will remain at The Cheech through September 6, and at RAM's Julia Morgan-designed building through July 5. through It was curated by Elizabeth Ferrer. Concurrently, Fernandez's 2002 Lavanderia #2 is on view in the National Gallery of Art's permanent collection galleries. The NGA holds at least six pictures from the series. This episode was taped in 2023 on the occasion of the Hammer Museum, University of California, Los Angeles' post-renovation-and-expansion debut exhibition "Together in Time: Selections from the Hammer's Contemporary Collection," and as the Amon Carter Museum of American Art in Fort Worth was showing "Christina Fernandez: Multiple Exposures," a survey of Fernandez's career. For images, see Episode No. 602. Air date: February 12, 2026.

Barry Asin flies through SFO about once a month and often stops to take a look at the art exhibits dotted throughout the terminals. He particularly loves the history exhibits that showcase what makes the Bay Area unique, seeing it as a nice welcome to travelers visiting the area. He wants to know more about who curates the exhibits, how they decide what to bring in and what we can expect in the future. Additional Resources: Read the transcript for this episode Why the 'O' In San Francisco's Airport Code, SFO? Why SFO Is Notorious For Delays Sign up for our newsletter Enter our Sierra Nevada Brewing Company monthly trivia contest Got a question you want answered? Ask! Your support makes KQED podcasts possible. You can show your love by going to https://kqed.org/donate/podcasts This story was reported by Ericka Cruz Guevarra and Jessica Kariisa. Bay Curious is made by Olivia Allen-Price, Katrina Schwartz and Christopher Beale. Additional support from Alan Montecillo, Jen Chien, Katie Sprenger, Maha Sanad, Ethan Toven-Lindsey and everyone on Team KQED.