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4 episodes with senior curator
5 episodes with senior curator
2 episodes with senior curator
5 episodes with senior curator
3 episodes with senior curator
3 episodes with senior curator
2 episodes with senior curator
3 episodes with senior curator
2 episodes with senior curator
After several days of commemoration events to mark the 80th anniversary of VE Day, culminating in a memorial service today at Westminster Abbey, we're joined by Laura Clouting, Senior Curator at the Imperial War Museum, to explore why the historic event still holds importance in today's society and what we can learn from those who endured the Second World War. Plus, as Sir David Attenborough celebrates his 99th birthday, he releases a new film with possibly one of his most important messages to date. The London Standard's Culture writer, Vicky Jessop, joins us to tell us what we can expect from ‘Ocean'. Hosted on Acast. See acast.com/privacy for more information.
This podcast is a recording of a special presentation given by contemporary fine art photographer Cara Romero (Chemehuevi) at the Tucson Museum of Art on April 16, 2025.A big thank you to Cara Romero and to our host, Senior Curator of TMA, Christine Brindza for letting us record and publish this talk for our listeners (and viewers). If you are interested in learning more about Christine, be sure to listen to Art Dealer Diaries Podcast #81.I hope you enjoy. I'm a collector and a big fan of Cara's photography. If you are unfamiliar with her work, you can find it on her website: cararomero.com
In this episode, Isabella interviews Ruth Battersby, Senior Curator of Costume and Textiles at Norfolk Museums Service. The two talk about the embroidery of Lorina Bulwer, a Victorian woman institutionalised in the Great Yarmouth Workhouse who spent her days embroidering vibrant, angry, and extremely long biographical scrolls.Images and sources are available at @sewwhatpodcast on Twitter, Instagram, and Facebook. The podcast has a website, sewwhatpodcast.com.
On this episode, we continue our visit to Mount Auburn Cemetery. Joined by biographer Natalie Dykstra, we visit the Gardner tomb where Isabella Stewart Gardner is buried. We learn more about Gardner and her family's relationship to the history of Boston from Dykstra and Chief Historian Peter Drummey. Mount Auburn is the first American cemetery that purposely combined commemoration with elements of experimental gardening, picturesque landscape design, and access to nature, starting a trend across the nation in the mid-19th century that led to the creation of the first public parks in this country. Learn more about episode objects here: https://www.masshist.org/podcast/season-4-episode-5-Gardner-Tomb Email us at podcast@masshist.org. Episode Special Guests: Natalie Dykstra is the author of Clover Adams: A Gilded and Heartbreaking Life, which was a finalist for the 2013 Massachusetts Book Award. For her recent book Chasing Beauty: The Life of Isabella Stewart Gardner, she received a National Endowment for the Humanities Public Scholars grant and the inaugural Robert and Ina Caro Research Fellowship from the Biographers International Organization. Chasing Beauty is a finalist for the Marfield Prize, the national award for arts writing. Dykstra has been an elected Fellow of the Massachusetts Historical Society since 2011 and is an emerita professor of English at Hope College. She lives near Boston. Meg L. Winslow is Senior Curator of Historical Collections & Archives at Mount Auburn Cemetery where she is responsible for developing and overseeing the Cemetery's permanent collections of historical and aesthetic importance. Meg is co-author with Melissa Banta of The Art of Commemoration and America's First Rural Cemetery, Mount Auburn's Significant Monument Collection, in its third printing. This episode uses materials from: Elderberry (Instrumental) by Chad Crouch (Attribution-NonCommercial 4.0 International) Psychic by Dominic Giam of Ketsa Music (licensed under a commercial non-exclusive license by the Massachusetts Historical Society through Ketsa.uk) Curious Nature by Dominic Giam of Ketsa Music (licensed under a commercial non-exclusive license by the Massachusetts Historical Society through Ketsa.uk)
Liam Gauci, Senior Curator at the Malta Maritime Museum in Valletta, returns for another conversation about Maltese history, this time with the goal of planning a future visit by the Napoleonic Quarterly to the 'crossroads of the Mediterranean'.This episode is sponsored by Heritage Malta, whose support for the podcast is enormously appreciated. Liam's book Morte o Fortuna: Corsairs in Malta 1747-1798 is out now.
In 2022, the Getty Museum acquired a mid-15th c. manuscript copy of The Book of the Marvels of the World featuring an illumination program of global locales, launching a publication and exhibition project in partnership with the Morgan Library & Museum. Larisa and Kelin, two members of Team Marvels (along with Elizabeth Morrison, Senior Curator of Manuscripts at the Getty and Joshua O'Driscoll, Associate Curator of Manuscripts at the Morgan Library & Museum), discuss the challenges, opportunities, and priorities in crafting museum publications and exhibitions that deal with sensitive material. Their conversation provides a brief overview of The Book of Marvels, its historical context and manuscript tradition, and the process of bringing the Marvels to a public audience.For more information, visit www.multiculturalmiddleages.com.
On this episode, we visit the Mount Auburn Cemetery in nearby Cambridge and Watertown, Massachusetts. Following a suggestion by Hannah Elder, Associate Reference Librarian for Rights and Reproductions at the MHS, we investigate one connection that we have to the Cemetery: a key to Robert C. Winthrop's tomb. Mount Auburn is the first American cemetery that purposely combined commemoration with elements of experimental gardening, picturesque landscape design, and access to nature, starting a trend across the nation in the mid-19th century that led to the creation of the first public parks in this country. Learn more about episode objects here: https://www.masshist.org/podcast/season-4-episode-4-Winthrop-Tomb Email us at podcast@masshist.org. Episode Special Guests: Hannah Elder, Associate Reference Librarian for Rights and Reproductions, has been with the MHS since 2018. She holds a BA in Anthropology from the University of Maine and an MLIS from Simmons University. Her historical interests include the history of the book, queer history, and historic grief practices. Meg L. Winslow is Senior Curator of Historical Collections & Archives at Mount Auburn Cemetery where she is responsible for developing and overseeing the Cemetery's permanent collections of historical and aesthetic importance. Meg is co-author with Melissa Banta of The Art of Commemoration and America's First Rural Cemetery, Mount Auburn's Significant Monument Collection, in its third printing. This episode uses materials from: Meadowland (Instrumental) by Chad Crouch (Attribution-NonCommercial 4.0 International) Psychic by Dominic Giam of Ketsa Music (licensed under a commercial non-exclusive license by the Massachusetts Historical Society through Ketsa.uk) Curious Nature by Dominic Giam of Ketsa Music (licensed under a commercial non-exclusive license by the Massachusetts Historical Society through Ketsa.uk)
Senior Curator of Film at the Museum of the Moving Image, Eric Hynes, is my guest in the first segment. Eric and I discuss the Museum's upcoming First Look festival to take place Wednesday, March 12th through Sunday, March 16th. First Look, MoMI's annual festival showcasing adventurous new cinema, returns for its 14th edition, offering a diverse slate of major New York premieres, work-in-progress screenings and sessions, gallery installations, and fresh perspectives on the art and process of filmmaking. This year's festival introduces New York audiences to more than three dozen works from around the world, encompassing feature and short films; fiction and nonfiction; performances and experiments. The guiding ethos of First Look is openness, curiosity, discovery, aiming to expose audiences to new art, artists to new audiences, and everyone to different methods, perspectives, interrogations, and encounters. For five consecutive days the festival takes over MoMI's two theaters, as well as other rooms and galleries throughout the Museum—with in-person appearances and dialogue integral to the experience. Each night concludes with one of five selected Showcase Screenings in MoMI's Sumner Redstone Theater. In my segment I am joined by the film producer Jack Piatt and singer songwriter journeyman Chris Smither. They are part of the team behind a new short film, "The Singers" which premieres this weekend at SxSW. "The Singers" is a genre-bending film adaptation of a 19th-century short story written by Ivan Turgenev, in which a lowly pub full of downtrodden men connect unexpectedly through an impromptu sing-off. The film explores the complexities of masculinity and the power of vulnerability through art. Chris Smither makes his acting debut in this film directed by Sam Davis.
2025 is a big year for the railway. It's the 200thanniversary of the Stockton & Darlington railway, which is generally considered the world's first commercial railway venture.Celebrations are getting underway, so Stef had a chat withEmma Robertson and Anthony Coulls to find out what's being planned. Emma is the Railway 200 Programme Manager for GBRTT and Anthony is Senior Curator for Rail Transport and Technology at the National Railway Museum.Membership: If you want to see even more from Green Signals, including exclusive content, become a member and support the channel further too.YouTube -https://www.youtube.com/@GreenSignals/joinPatreon -https://www.patreon.com/GreenSignalsGreen Signals: Website -http://www.greensignals.org Newsletter -http://www.greensignals.org/#mailing-listFollow: X (Twitter) -https://twitter.com/greensignallers LinkedIn -https://www.linkedin.com/company/green-signals-productions-ltd Instagram -https://instagram.com/greensignallersCredits:Presenters - Nigel Harris (@railnigel on X) & Richard Bowker CBE (@SRichardBowker). General Manager: Stef Foster (@stefatrail)
Dr Ken Walker, Senior Curator of Entomology at Museums Victoria joins Darren James to talk insects.See omnystudio.com/listener for privacy information.
Bombay, now Mumbai, was a major shipbuilding centre for the Royal Navy in the first half of the nineteenth century. The ships were magnificent, built from the famous Malabar teak and by the hands of a highly skilled Indian workforce. This episode explores that fascinating history through one particular aspect of a sailing warship's construction: the figurehead. To find out more Dr Sam Willis spoke with Clare Hunt, a Senior Curator for the National Museum of the Royal Navy based at their site in Hartlepool. Clare has been charged with the care and management of HMS Trincomalee since 2016, a frigate built just after the end of the Napoleonic wars in Bombay dockyard. Hosted on Acast. See acast.com/privacy for more information.
Olafur Eliasson: Your curious journey is the newest exhibition at Auckland Art Gallery Toi o Tāmaki. Eliasson is an Icelandic–Danish world renowned artist known for sculptured and large-scaled installation art employing elemental materials such as light, water, and air temperature to enhance the viewer's experience, often speaking to a broader reflection of the history of human interaction with the environment and its impact, raising awareness about the climate crisis and the climate's impacted state. Sofia caught up with Senior Curator of Global Contemporary Art at Auckland Art Gallery Toi o Tāmaki, Natasha Conland, about Eliasson's practice and the significance of this exhibition.
Today on Various Artists! Sofia had a kōrero with Senior Curator of Global Contemporary Art at Auckland Art Gallery Toi o Tāmaki, Natasha Conland, about the gallery's newest exhibition - Olafur Eliasson: Your curious journey. Eliasson is an Icelandic–Danish world renowned artist known for sculptured and large-scaled installation art employing elemental materials such as light, water and air temperature to enhance the viewer's experience, often speaking to a broader reflection of the history of human interaction with the environment and its impact, raising awareness about the climate crisis and the climate's impacted state. Beth had a kōrero with artist Chloe Summerhayes about her exhibition of recent paintings at Suite Gallery. Summerhayes is a visual artist who often explores themes of the subconscious in her work. Sofia had a kōrero with fine art dealer and gallerist Charles Ninow about his new gallery which opened on Karangahape Road last week, and the current exhibition it's showing by Ralph Paine - Leaves from a Pillow Book. And for Stage Direction this week, Alice Canton joined us in the studio to give us her 2024 theatre round up of the year. Whakarongi mai!
Dr. Colwell is an anthropologist, editor, and author of over a dozen books. He received his doctorate from Indiana University and was the Senior Curator of Anthropology at the Denver Museum of Nature & Science for over a decade. He is currently the editor-in-chief of SAPIENS, a digital magazine that makes anthropology accessible to everyone. Chip's latest book is entitled So Much Stuff: How Humans Discovered Tools, Invented Meaning, and Made More of Everything. Chip joins the podcast to explain how we came to live in a society where no matter how much money we spend, it's never enough and why the average human has accumulated so many personal possessions. What if true happiness isn't tied to the latest trends? What if fulfillment is found somewhere else? Find out in our story “Your Hero's Journey: The Key to Unlocking Meaning in Your Life.” Join our growing community of 45,000+ listeners and be notified of new episodes of Templeton Ideas. Subscribe today. Follow us on social media: Twitter, Facebook, Instagram, LinkedIn and YouTube.
Jewellery can enthral us in many ways: it can delight, inspire and uplift us or it can transport us to the place where we acquired it. It can also make us avaricious or jealous. But why? What explains our enduring fascination with shiny metal and colourful stones?Iszi Lawrence is joined by Dr. Emily Stoehrer, Senior Curator of Jewelry at the Boston Museum of Fine Arts and author of several books on American jewellery and fashion; Dr. Petra Ahde-Deal, a Finnish gemmologist and jeweller who currently lectures at the University of Gothenburg in Sweden and at the DIS Study Abroad Program in Copenhagen; Emefa Cole, jewellery maker originally from Ghana who is also the Curator of Diaspora Jewellery at the Victoria and Albert Museum in London; Mansi Rao, Curator of the South Asia Collection in Norwich and World Service listeners.Some of the questions discussed include: gold has been the top choice both for jewellery makers and for buyers in many cultures all over the world. But there are similar metals which are more scarce - and more expensive - than gold, so it's not exclusivity that makes it popular. And why do men wear flamboyant jewellery at some Indian weddings? (Photo: Gold Indian wedding bracelet. Credit: Neha S/Getty Images)
We all know a little about New England and Connecticut's European maritime history. Dutch traders came to North America to trade for beaver pelts and English colonists came to start new communities such as Hartford. But a new exhibition at the Mystic Seaport Museum doesn't rehash this history - it looks to reveal African and Indigenous perspectives on water and the sea. Entwined: Freedom, Sovereignty, and the Sea is an exhibition that surveys the interplay of maritime histories through Indigenous, African, and African American worldviews. On view until Spring 2026, the exhibition examines twelve millennia of Black and Indigenous history through objects and loaned belongings from Indigenous and African communities dating back 2,500 years, coalescing in a selection of 22 contemporary artworks. For more on the exhibition, go here: https://mysticseaport.org/press-release/a-new-major-exhibition-at-mystic-seaport-museum-entwined-freedom-sovereignty-and-the-sea/?gad_source=1&gclid=Cj0KCQiAlsy5BhDeARIsABRc6ZsdXrwnuOdXNuyzChssJb7G7QDvtp-1ou95r4jkzwwmo2qLD7Q_1P4aAi39EALw_wcB Entwined is the first exhibition by my guest Dr. Akeia de Barros Gomes, Senior Curator of Social Histories at Mystic Seaport Museum. She earned her PhD in Anthropology with a focus in Archeology at the University of Connecticut. Our second guest is Dr. Kathy Hermes, publisher of Connecticut Explored magazine and Project Historian of the award-winning project Uncovering Their History: African, African American and Native American Burials in Hartford's Ancient Burying Ground. This is the third and final episode in our 2024 series on Connecticut's maritime history. Don't miss listening to Episode 182. Rebels at Sea: Privateering in the American Revolution with best-selling author Eric Jay Dolan and Episode 180. Colonial Connecticut: Sugar, Slavery, and Connections to the West Indies with Dr. Mathew Warshaurer and Dr. Kathy Hermes. Here's the links to these episodes: https://gratingthenutmeg.libsyn.com/182-rebels-at-sea-privateering-in-the-american-revolution https://gratingthenutmeg.libsyn.com/180-colonial-connecticut-sugar-slavery-and-connections-to-the-west-indies Here's the link to the Seaman's Protection Certificates-list on the Mystic Seaport website: https://research.mysticseaport.org/databases/protection/ -------------------------------- Help us make up our loss of state funding and celebrate our 200 episodes by donating $20 a month or $200 annually to help us continue to bring you new episodes every two weeks. It's easy to set up a monthly donation on the Connecticut Explored website at ctexplored.org Click the donate button at the top and look for the Grating the Nutmeg link. We appreciate your support! Here's the link to our online benefit auction-valid until Nov. 20, 2024. https://secure.qgiv.com/event/gtn2024/ Subscribe to get your copy of Connecticut Explored magazine delivered to your mailbox or your inbox-subscribe at ctexplored.org. We've got issues coming up on food, celebrations and the environment with places you'll want to read about and visit. https:/simplecirc.com/subscribe/connecticut-explored -------------------------------- This episode of Grating the Nutmeg was produced by Mary Donohue and engineered by Patrick O'Sullivan at www.highwattagemedia.com/ Follow GTN on our Facebook, Instagram and Threads pages. Follow host Mary Donohue on Facebook and Instagram at WeHa Sidewalk Historian. Join us in two weeks for our next episode of Grating the Nutmeg, the podcast of Connecticut history.
We meet Anya Gallacio (b. 1963, Scotland), an artist renowned for her innovative use of organic, ephemeral materials – ranging from chocolate, ice, wax, apples, flowers and chalk – and for her explorations of transformation, change and impermanence. Throughout her practice, Gallaccio has significantly reshaped understandings of contemporary sculpture.Anya Gallaccio: preserve is her largest survey exhibition to date at Turner Contemporary, Margate. The exhibition spans three decades of Gallaccio's radical practice, restaging several iconic sculptures in addition to a new site-specific commission. It reveals the artist's consistent rethinking of the relationship between art and the environment by presenting works that connect with Kent's natural heritage.Due to the temporal nature of her work, much of Gallaccio's practice is best known through documentary photographs and memory. This exhibition introduces her sculptures and large-scale installations so that a new generation can engage in their references to environmental sustainability and preserving fragile ecosystems.Renowned for her innovative use of organic, ephemeral materials such as apples, flowers and chalk, and for her explorations of transformation and impermanence, Gallaccio has reshaped our understanding of contemporary sculpture.Complementing Gallaccio's exhibition, Turner Contemporary has developed an extensive school programme in partnership with the artist. This programme, titled An Apple a Day, aims to explore Kent's countryside, heritage, and history through the lens of the apple and county's apple orchards. Inspired by the work of Californian chef and food activist Alice Waters, Gallaccio seeks to embed nature across everyday teaching in primary schools.In collaboration with Kent Downs National Landscape, DEFRA and Lees Court Estate, this project underscores Turner Contemporary's commitment to sustainability and celebrates the relationship between art, ecology, and agriculture in Kent. By engaging students with the rich heritage of the region's apple orchards, the programme fosters a deeper appreciation for nature and promotes environmental stewardship from an early age.Anya Gallaccio: preserve runs until 26th January 2024 and is free to visit. Curated by Melissa Blanchflower, Senior Curator, Turner Contemporary.Visit: https://turnercontemporary.org/whats-on/anya-gallaccio-preserve/Follow @TurnerContemporaryThanks to @ThomasDaneGallery Hosted on Acast. See acast.com/privacy for more information.
In this inaugural special live episode of Parola Progetto, recorded at Salotto in Brooklyn and presented in English, we are honored to host Paola Antonelli.As the Senior Curator of the Department of Architecture and Design at The Museum of Modern Art (MoMA) and the museum's Director of Research and Development, Antonelli brings a wealth of experience and insight. During our conversation, we delve into her distinguished career at MoMA, discussing the dynamics of success and rejection, the evolving role of curating, and how museums function as research and development hubs for society. Antonelli offers her perspectives on technology, artificial intelligence, and the future of design, highlighting the critical importance of thoughtful analysis and cultural awareness in these fields.The links of this episode:Salotto, a hub for cultural research and production run by NYC-based Italian creative professionals https://salotto.nycDesign Emergency, curated by Alice Rawsthorn and Paola Antonelli https://www.instagram.com/design.emergencyMoMA R&D Salons http://momarnd.moma.org/salons“Broken Nature: Design Takes on Human Survival”, curated by Paola Antonelli at La Triennale di Milano in 2019 https://triennale.org/en/events/broken-nature “Planet City” by Liam Young https://www.moma.org/collection/works/450744 “Pirouette. Experiments and Turning Points in Design” curated by Paola Antonelli at MoMA in 2025https://www.moma.org/calendar/exhibitions/5756“ITEMS. Is Fashion Modern?”, curated by Paola Antonelli at MoMA in 2018https://www.moma.org/calendar/exhibitions/1638 "The Emperor of All Maladies: A Biography of Cancer" by Siddhartha Mukherjee https://en.wikipedia.org/wiki/The_Emperor_of_All_Maladies
This week we will be talking with Jonathan Stuhlman and Martha Severens about their book, Southern/Modern: Rediscovering Southern Art from the First Half of the Twentieth Century (2024, UNC Press). Jonathan Stuhlman is the Senior Curator of American Art at the Mint Museum in Charlotte, NC, and Martha Severens is in independent scholar based in the upstate of South Carolina. Together they have created a book that springs from an exhibition at the Mint but is so much more than just a catalog for the exhibit.
This week on The Curatorial Blonde we have Allison Glenn. Allison Glenn is a New York-based curator and writer focusing on the intersection of art and public space, through public art and special projects, biennials, and major new commissions by a wide range of contemporary artists. She is a Visiting Curator in the Department of Film Studies at the University of Tulsa, organizing the Sovereign Futures convening, and Artistic Director of The Shepherd, a three-and-a-half-acre arts campus part of the newly christened Little Village cultural district in Detroit. Previous roles include Co-Curator of Counterpublic Triennial 2023; Senior Curator at New York's Public Art Fund, where she proposed and developed Fred Eversley: Parabolic Light (2023) and Edra Soto Graft (2024) for Doris C. Freedman Plaza; Guest Curator at the Speed Art Museum, and Associate Curator of Contemporary Art at Crystal Bridges Museum of American Art. In this role, Glenn shaped how outdoor sculpture activates and engages Crystal Bridges 120-acre campus through a series of new commissions, touring group exhibitions, and long-term loans. She also realized site-specific architectural interventions, such as Joanna Keane Lopez, A dance of us (un baile de nosotros), (2020), as part of State of the Art 2020 at The Momentary. She acted as the Curatorial Associate + Publications Manager for Prospect New Orleans' international art triennial Prospect.4: The Lotus in Spite of the Swamp. A Curatorial Fellowship with the City of Chicago's Department of Cultural Affairs and Special Events, culminated with In the beginning, sometimes I left messages in the street (2016), a citywide billboard and performance exhibition. As Program Manager at University of Chicago's Arts Incubator, she worked with a team led by Theaster Gates to develop the emergent space, where she curated exhibitions and commissioned performances such as Amun: The Unseen Legends (2014), a new performance from Terry Adkin's Lone Wolf Recital Corps, that included Kamau Patton. Glenn has been a visiting critic, lecturer, and guest speaker at a number of universities, including The University of Tulsa, University of Pennsylvania, School of the Art Institute of Chicago, Louisiana State University, and Pacific Northwest College of Art. Her writing has been featured in catalogues published by The Los Angeles County Museum of Art, The Neubauer Collegium, Counterpublic Triennial, Prospect New Orleans Triennial, Princeton Architectural Press, Crystal Bridges Museum of American Art, Scottsdale Museum of Contemporary Art, Kemper Museum, Studio Museum in Harlem, and she has contributed to Artforum, ART PAPERS, Brooklyn Rail, Hyperallergic, ART21 Magazine, Pelican Bomb, Ruckus Journal, and Newcity, amongst others. She has curated notable public commissions, group exhibitions, and site specific artist projects by many artists, including Mendi + Keith Obadike, Matthew Angelo Harrison, Maya Stovall, Rashid Johnson, Basel Abbas + Ruanne Abou-Rahme, Lonnie Holley, Ronny Quevedo, Edra Soto, Terry Adkins, Kamau Patton,Shinique Smith, Torkwase Dyson, George Sanchez-Calderon, Hank Willis Thomas, Odili Donald Odita, Martine Syms, Derrick Adams, Lisa Alvarado, Sarah Braman, Spencer Finch, Jessica Stockholder, Joanna Keane-Lopez, Genevieve Gaignard and others. Her 2021 exhibition Promise, Witness, Remembrance was name one of the Best Art Exhibitions of 2021 by The New York Times. Glenn is a member of Madison Square Park Conservancy's Public Art Consortium Collaboration Committee and sits on the Board of Directors for ARCAthens, a curatorial and artist residency program based in Athens, Greece, New Orleans, LA and The Bronx, New York. She received dual Master's degrees from the School of the Art Institute of Chicago in Modern Art History, Theory and Criticism and Arts Administration and Policy, and a Bachelor of Fine Art Photography with a co-major in Urban Studies from Wayne State University in Detroit.
This is the story of the unusual “Battle of Windham, CT” – a battle in the middle of a dark night when the residents couldn't see what they were facing – they could only hear them. It happened during the French & Indian War and townspeople had been on edge. The exceptionally loud and ongoing noise that woke up the whole town was like nothing they had ever heard before. Was it war drums – or even Judgement Day? The Interim Director and Senior Curator for the Mill Museum in Windham, Jamie Eves, will resolve the mystery.
For the 30th episode of "Reading the Art World," host Megan Fox Kelly speaks with Gary Garrels, curator of the exhibition “Willem de Kooning and Italy” and editor of the associated catalogue, published by Marsilio Arte and distributed internationally by Artbook D.A.P..In the interview, Gary provides insight into Willem de Kooning's engagement with Italy in the 1950s and early 1960s, sharing how the artist was “steeped in the history” of the place. The book and the conversation between Gary and Megan zero in on a crucial, but unexplored, period in de Kooning's career.“Willem de Kooning and Italy” is a beautifully illustrated accompaniment to the exhibition at Gallerie dell'Accademia di Venezia (closes September 15, 2024). The exhibition is curated by art historian Gary Garrels and Anish Kapoor Foundation director Mario Codognato, and is the first to analyze the impact of de Kooning's Italian sojourns on his later production. Bringing together 75 works belonging to the period from the late 1950s to the 1980s, such as the famous “Door to the River,” “A Tree in Naples,” and “Villa Borghese,” painted in 1960 in New York, it is the largest de Kooning retrospective ever organized in Italy.Gary Garrels is a highly respected and influential curator for more than thirty-five years at major museums in the United States, including: Dia Art Foundation, New York, Director of Programmes, 1987-1991; Walker Art Center, Minneapolis, Senior Curator, 1991-1993; San Francisco Museum of Modern Art, Chief Curator of Painting and Sculpture, 1993-2000; Museum of Modern Art, New York, Chief Curator, Department of Drawings and Curator, Department of Painting and Sculpture, 2000-2005; Hammer Museum, Los Angeles, Chief Curator and Deputy Director of Exhibitions and Public Programmes, 2005-2008; and again at San Francisco Museum of Modern Art, as Senior Curator of Painting and Sculpture, 2008- 2020. He is currently an independent curator living and working in New York, focused on projects of special interest.PURCHASE THE BOOK: In Italy: Marsilio Arte. Internationally: Artbook D.A.P.SUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden
Imagine a world in which the same earth you walk had been populated by Gods in years past. These deities may have had bull's tails, or the heads of falcons, held massive whips, or possessed the moon in their left eye. This was the belief system of the Ancient Egyptians, who saw their Kings and Queens as direct descandents of these divinities, and founders of human society. The Pharaoh ruled not only by divine right, but as a direct heir of these Gods. I sat down with Amanda Dunsmore, Senior Curator, International Decorative Arts and Antiquities at the National Gallery of Victoria. She heads up the monumental exhibition Pharaoh: a landmark in the collected display of treasures from Ancient Egypt. On view now, Amanda talked me through the myth and iconography of some of the more than 500 objects–including towering sculptures, statues that graced ancient temples, coffins, and of course jewellery–which immerse visitors in the world of the ancient pharaohs. Tickets here. Cleopatra's Bling jewellery is now stocked in the NGV Design Store, including exclusive pieces designed as a celebration of the Pharaoh exhibition, referencing some of the symbols we spoke about in this episode. – Shop Latest Discover Bespoke This episode was live-recorded Wurundjeri country. Cleopatra's Bling Podcast was produced by Zoltan Fecso and the CB team. Original music by Cameron Alva.
New research has found some species long thought to be native to New Zealand - including kiwi, takahe and moa - actually arrived from Australia just a few million years ago. Canterbury Museum's Senior Curator of Natural History Dr Paul Scofield spoke to Corin Dann.
In this episode, host Ellie Woodacre interviews Charlotte Boland, the curator of the Six Lives exhibition currently running at the National Portrait Gallery, London. In this interview we discuss the inspiration behind the exhibition, new approaches to the history of the Six Lives and the unusual and diverse selection of visual and material culture in the exhibition.The exhibition is running until 8 September 2024--click here for more information or to book tickets.If you are not in the UK or are listening to this episode after the exhibition has finished you can purchase the exhibition catalogue, which includes all of the material exhibited and features a range of articles from academics in the field on the Six Lives.Guest Bio: Dr Charlotte Bolland is a Senior Curator at the National Portrait Gallery—she joined in 2011 as Project Curator for the Making Art in Tudor Britain project. Her role combines responsibility for the acquisition, research and interpretation of portraits dating from the sixteenth century, with co-ordination of research activity within the curatorial department. She has co-curated a number of exhibitions at the NPG, including The Real Tudors: Kings and Queens Rediscovered (2014) and The Encounter: Drawings from Leonardo to Rembrandt (2017). Charlotte studied for her PhD at Queen Mary, University of London, in collaboration with The Royal Collection as part of an AHRC funded CDA—her doctoral thesis was entitled Italian Material Culture at the Tudor Court. It explored the many items that were owned by the Tudor monarchs that had been brought to England by Italian individuals, either through trade or as gifts. Selected Publications:C. Bolland and T. Cooper, The Encounter: Drawings from Leonardo to Rembrandt (National Portrait Gallery, 2017) C. Bolland and T. Cooper, The Real Tudors: Kings and Queens Rediscovered (National Portrait Gallery, 2014)
A selection of works by the four artists nominated for Aotearoa's most prestigious art prize, The Walters, is currently being exhibited at Auckland Art Gallery Toi o Tāmaki. The $50,000 Walters Prize - which is now awarded every three years - is being decided this year between artists Owen Connors, Juliet Carpenter, Brett Graham and Ana Iti. Sofia spoke to Senior Curator of Global Contemporary Art at Auckland Art Gallery, Natasha Conland, about the prize and the candidates this year. The winner will be announced in late September, so stay tuned for more coverage from us then! You can see the works of the finalists yourself at Auckland Art Gallery on until the 20th of October.
In this episode of Talking History: the women who married Henry VIII have come to be encapsulated in a six-word rhyme - divorced, beheaded, died, divorced, beheaded, survived. But what were their real lives and legacies? A new exhibition at the National Portrait Gallery in London, called Six Lives: The Stories of Henry VIII's Queens, charts and reveals the extraordinary stories of Catherine of Aragon, Anne Boleyn, Jane Seymour, Anne of Cleves, Catherine Howard and Catherine Parr. Joining Patrick to discuss this is Dr Charlotte Bolland, curator of the exhibition, and the Gallery's Senior Curator of Research and 16th Century Collections, managing the display of the collection in the Tudor galleries; Dr Nikki Clark, who wrote the essay in the catalogue about Ladies in Waiting, and is the author of The Waiting Game: The Untold Story of the Women Who Served the Tudor Queens and Gender, Family, and Politics: The Howard Women, 1485–1558; and Dr Nicola Tallis, who wrote the essay about the Queens' Jewels in the catalogue, and has published All the Queen's Jewels, 1445–1548: Power, Majesty and Display.
In this episode, Dar-kuen Wu, Senior Curator at Taiwan's Contemporary Culture Lab (C-Lab), shares his practical approach to blending contemporary art with Taiwanese culture. He discusses his role in managing C-Lab, a government-supported cultural centre, and highlights key projects like the Future Vision Lab. Dar-kuen also talks about significant international collaborations and offers insights into the innovative ways C-Lab combines art and technology.
Melvyn Bragg and guests discuss the work of the great French Impressionist Claude Monet (1840-1926) in London, initially in 1870 and then from 1899. He spent his first visit in poverty, escaping from war in France, while by the second he had become so commercially successful that he stayed at the Savoy Hotel. There, from his balcony, he began a series of almost a hundred paintings that captured the essence of this dynamic city at that time, with fog and smoke almost obscuring the bridges, boats and Houses of Parliament. The pollution was terrible for health but the diffraction through the sooty droplets offered an ever-changing light that captivated Monet, and he was to paint the Thames more than he did his water lilies or haystacks or Rouen Cathedral. On his return to France, Monet appeared to have a new confidence to explore an art that was more abstract than impressionist.WithKaren Serres Senior Curator of Paintings at the Courtauld Gallery, London Curator of the exhibition 'Monet and London. Views of the Thames'Frances Fowle Professor of Nineteenth-Century Art at the University of Edinburgh and Senior Curator of French Art at the National Galleries of ScotlandAnd Jackie Wullschläger Chief Art Critic for the Financial Times and author of ‘Monet, The Restless Vision'In Our Time is a BBC Studios Audio ProductionProducer: Simon Tillotson Studio production: John GoudieReading list:Caroline Corbeau Parsons, Impressionists in London: French Artists in Exile 1870-1904 (Tate Publishing, 2017)Frances Fowle, Monet and French Landscape: Vétheuil and Normandy (National Galleries of Scotland, 2007), especially the chapter ‘Making Money out of Monet: Marketing Monet in Britain 1870-1905'Robert Gordon and Andrew Forge, Monet (Harry N. Abrams, 1983)Paul Hayes Tucker, Monet in the '90s: The Series Paintings (Yale University Press, 1990)Paul Hayes Tucker, Monet in the 20th Century (Yale University Press, 1998)Katharine A. Lochnan, Turner, Whistler, Monet (Tate Publishing, 2005)Nicholas Reed, Monet and the Thames: Paintings and Modern Views of Monet's London (Lilburne Press, 1998)Grace Seiberling, Monet in London (High Museum of Art, 1988)Karen Serres, Frances Fowle and Jennifer A. Thompson, Monet and London: Views of the Thames (Paul Holberton Publishing, 2024 – catalogue to accompany Courtauld Gallery exhibition)Charles Stuckey, Monet: A Retrospective (Random House, 1985)Daniel Wildenstein, Monet: The Triumph of Impressionism (first published 1996; Taschen, 2022)Jackie Wullschläger, Monet: The Restless Vision (Allen Lane, 2023)
Melvyn Bragg and guests discuss the work of the great French Impressionist Claude Monet (1840-1926) in London, initially in 1870 and then from 1899. He spent his first visit in poverty, escaping from war in France, while by the second he had become so commercially successful that he stayed at the Savoy Hotel. There, from his balcony, he began a series of almost a hundred paintings that captured the essence of this dynamic city at that time, with fog and smoke almost obscuring the bridges, boats and Houses of Parliament. The pollution was terrible for health but the diffraction through the sooty droplets offered an ever-changing light that captivated Monet, and he was to paint the Thames more than he did his water lilies or haystacks or Rouen Cathedral. On his return to France, Monet appeared to have a new confidence to explore an art that was more abstract than impressionist.WithKaren Serres Senior Curator of Paintings at the Courtauld Gallery, London Curator of the exhibition 'Monet and London. Views of the Thames'Frances Fowle Professor of Nineteenth-Century Art at the University of Edinburgh and Senior Curator of French Art at the National Galleries of ScotlandAnd Jackie Wullschläger Chief Art Critic for the Financial Times and author of ‘Monet, The Restless Vision'In Our Time is a BBC Studios Audio ProductionProducer: Simon Tillotson Studio production: John GoudieReading list:Caroline Corbeau Parsons, Impressionists in London: French Artists in Exile 1870-1904 (Tate Publishing, 2017)Frances Fowle, Monet and French Landscape: Vétheuil and Normandy (National Galleries of Scotland, 2007), especially the chapter ‘Making Money out of Monet: Marketing Monet in Britain 1870-1905'Robert Gordon and Andrew Forge, Monet (Harry N. Abrams, 1983)Paul Hayes Tucker, Monet in the '90s: The Series Paintings (Yale University Press, 1990)Paul Hayes Tucker, Monet in the 20th Century (Yale University Press, 1998)Katharine A. Lochnan, Turner, Whistler, Monet (Tate Publishing, 2005)Nicholas Reed, Monet and the Thames: Paintings and Modern Views of Monet's London (Lilburne Press, 1998)Grace Seiberling, Monet in London (High Museum of Art, 1988)Karen Serres, Frances Fowle and Jennifer A. Thompson, Monet and London: Views of the Thames (Paul Holberton Publishing, 2024 – catalogue to accompany Courtauld Gallery exhibition)Charles Stuckey, Monet: A Retrospective (Random House, 1985)Daniel Wildenstein, Monet: The Triumph of Impressionism (first published 1996; Taschen, 2022)Jackie Wullschläger, Monet: The Restless Vision (Allen Lane, 2023)
Dr. Charlotte Bolland is Senior Curator of Research and 16th Century Collections at the National Portrait Gallery. Today, she joins me for a discussion all about the remarkable new exhibition at the national portrait gallery which Charlotte organised and curated. Featuring an incredible array of portraits and artefacts, Charlotte has brought together a cohesive and fascinating tale which tells the story of the six queens of Henry VIII, both in literal terms, and in the way society has shaped their individual iconography.
Tommy talks with Kim Guise, Senior Curator and Director of Curatorial Affairs for the National WWII Museum
Welcome to another riveting episode of Talking Tudors with your host, Natalie Grueninger. This week, we dive into the "Six Lives" exhibition at the National Portrait Gallery with special guest, Dr. Charlotte Bolland, Senior Curator of Research and 16th Century Collections. Dr Bolland takes us on a journey through this groundbreaking exhibition, offering insights into the intricate and diverse media used to portray the lives of the six Tudor queens. From portraits and miniatures to medals, photographs, and even novelty Christmas decorations, the exhibition spans 500 years of history and delves into the court culture of the 16th century. Discover the fascinating artefacts on display, including Katherine of Aragon's letter after the Battle of Flodden and Anne Boleyn's book of hours. Dr Bolland also sheds light on the personal and emotional connections these objects provide, giving us a glimpse into the lives of these remarkable women. In addition to exploring the historical significance, the episode delves into the role of women from antiquity in shaping the queens' images and how contemporary media continues to reinterpret their stories. From Shakespeare to modern musicals like Six, the influence of these queens endures. Join us for an enlightening conversation that uncovers the layers of storytelling and historical imagination that have surrounded the Tudor queens for centuries. Don't miss this chance to step through the veil of time and immerse yourself in the dazzling world of the Tudor court. Find out more about your host at https://www.nataliegrueninger.com Buy Talking Tudors merchandise at https://talkingtudors.threadless.com/ Support Talking Tudors on Patreon
Episode No. 660 of The Modern Art Notes Podcast is a holiday clips program with artist Kiyan Williams. Williams' work is on view in the 2024 Whitney Biennial, which is at the Whitney Museum of American Art, New York through August 11. On July 6, Art Omi in Ghent, NY will present "Kiyan Williams: Vertigo." It features large-scale works including Vertigo and 2022's Ruins of Empire, a reimagining of Thomas Crawford's Statue of Freedom, which was installed atop the US Capitol dome in 1863. Ruins of Empire debuted at Brooklyn Bridge Park in New York as part of the Public Art Fund's "Black Atlantic" exhibition. The Whitney exhibition was curated by Chrissie Iles and Meg Onli with Min Sun Jeon and Beatriz Cifuentes; the Art Omi show was curated by by Sara O'Keeffe, Senior Curator, with Guy Weltchek. This program was recorded on the occasion of the aforementioned Public Art Fund exhibition and the Hammer Museum's 2022 presentation of “Hammer Projects: Kiyan Williams”, the artist's first solo museum show. Instagram: Kiyan Williams, Tyler Green.
The Museum at Bethel Woods has been voted in the top 3 of USA TODAY's 10 Best Readers'Choice travel awards in the category of Best Music Museum. Museum Director and Senior Curator Neal Hitch calls it an honor and feels pride in working at such a prestigious location in conversation with host Mike Sakell. Hitch also outlines the current national ‘Living History” project collecting oral histories from those who attended the Woodstock Festival.
For decades, graphic designers have been introduced to typography by Ellen Lupton's book, Thinking With Type. It was certainly a staple in Aarron's courses when he taught graphic design. It's now in its third edition, with loads of new content. It's worth noting, the layout of each page of this book is beautiful and entirely designed by Ellen herself. We chat with Ellen about what's new in this edition of her book, and how people other than designers can use it. We also go through some rapid-fire questions about the fundamentals of typography, and origins of some of the terminology like points, leading, kerning, italics, and more. Whether you're new to typography, or a seasoned pro, you'll learn something from this conversation. Bio Ellen Lupton is a graphic designer, curator, writer, critic, and educator. Known for her love of typography, Lupton is the Betty Cooke and William O. Steinmetz Design Chair at Maryland Institute College of Art. Previously she was the Senior Curator of Contemporary Design at Cooper Hewitt, Smithsonian Design Museum in New York City and was named Curator Emerita after 30 years of service. *** Visiting the links below is one of the best ways to support our show: Methodical Coffee: Roasted, blended, brewed, served and perfected by verified coffee nerds
Natalie Grueninger speaks with Amina Wright, Senior Curator at the Faith Museum and Sutherland Forsyth, Associate Director of Heritage & Engagement at the Auckland Project, about the campaign to help save Henry VIII's lost tapestry. Learn more about this campaign: https://www.youtube.com/watch?v=1z5WF2KiVpw Donate to help save this Tudor treasure! https://justgiving.com/campaign/tapestry Find out more about your host at https://www.nataliegrueninger.com Buy Talking Tudors merchandise at https://talkingtudors.threadless.com/ Support Talking Tudors on Patreon Join 'A Weekend with Elizabeth I' https://www.eventbrite.com.au/e/a-weekend-with-elizabeth-i-tickets-769340547287
The Nevada Museum of Art invited us out for a live show in Reno with acclaimed indigenous artist Cannupa Hanska Luger. Futurism and speculative fiction are just two of many terms that describe Luger's unforgettable work and the special exhibition, SPEECHLESS. On this episode we chat with Luger and Apsara DiQuinzio, the Museum's Senior Curator of Contemporary Art.
Melvyn Bragg and guests discuss the Dutch artist famous for starry nights and sunflowers, self portraits and simple chairs. These are images known the world over, and Vincent van Gogh (1853-1890) painted them and around 900 others in the last decade of his short, brilliant life and, famously, in that lifetime he made only one recorded sale. Yet within a few decades after his death these extraordinary works, with all their colour and life, became the most desirable of all modern art, propelled in part by the story of Vincent van Gogh's struggle with mental health.With Christopher Riopelle The Neil Westreich Curator of Post 1800 Paintings at the National GalleryMartin Bailey A leading Van Gogh specialist and correspondent for The Art NewspaperAnd Frances Fowle Professor of Nineteenth Century Art at the University of Edinburgh and Senior Curator at National Galleries ScotlandProducer: Simon TillotsonReading list: Martin Bailey, Living with Vincent Van Gogh: The Homes and Landscapes that shared the Artist (White Lion Publishing, 2019)Martin Bailey, Studio of the South: Van Gogh in Provence (Frances Lincoln, 2021)Martin Bailey, Van Gogh's Finale: Auvers and the Artist's Rise to Fame (Frances Lincoln, 2021)Nienke Bakker and Ella Hendriks, Van Gogh and the Sunflowers: A Masterpiece Examined (Van Gogh Museum, 2019)Nienke Bakker, Emmanuel Coquery, Teio Meedendorp and Louis van Tilborgh (eds), Van Gogh in Auvers-sur-Oise: His Final Months (Thames & Hudson, 2023)Frances Fowle, Van Gogh's Twin: The Scottish Art Dealer Alexander Reid, 1854-1928 (National Galleries of Scotland, 2010) Bregje Gerritse, The Potato Eaters: Van Gogh's First Masterpiece (Van Gogh Museum, 2021)Steven Naifeh and Gregory White Smith, Van Gogh: The Life (Random House, 2012)Leo Jansen, Hans Luijten and Nienke Bakker (eds), Vincent van Gogh: The Letters: The Complete Illustrated and Annotated Edition (Thames and Hudson Ltd, 2009)Leo Jansen, Hans Luijten and Nienke Bakker (eds), Vincent van Gogh, A Life in Letters (Thames and Hudson Ltd, 2020)Hans Luitjen, Jo van Gogh Bonger: The Woman who Made Vincent Famous Bloomsbury, 2022Louis van Tilborgh, Martin Bailey, Karen Serres (ed.), Van Gogh Self-Portraits (Courtauld Institute, 2022)Ingo F. Walther and Rainer Metzger, Van Gogh. The Complete Paintings (Taschen, 2022)
Melvyn Bragg and guests discuss the Dutch artist famous for starry nights and sunflowers, self portraits and simple chairs. These are images known the world over, and Vincent van Gogh (1853-1890) painted them and around 900 others in the last decade of his short, brilliant life and, famously, in that lifetime he made only one recorded sale. Yet within a few decades after his death these extraordinary works, with all their colour and life, became the most desirable of all modern art, propelled in part by the story of Vincent van Gogh's struggle with mental health.With Christopher Riopelle The Neil Westreich Curator of Post 1800 Paintings at the National GalleryMartin Bailey A leading Van Gogh specialist and correspondent for The Art NewspaperAnd Frances Fowle Professor of Nineteenth Century Art at the University of Edinburgh and Senior Curator at National Galleries ScotlandProducer: Simon TillotsonReading list: Martin Bailey, Living with Vincent Van Gogh: The Homes and Landscapes that shared the Artist (White Lion Publishing, 2019)Martin Bailey, Studio of the South: Van Gogh in Provence (Frances Lincoln, 2021)Martin Bailey, Van Gogh's Finale: Auvers and the Artist's Rise to Fame (Frances Lincoln, 2021)Nienke Bakker and Ella Hendriks, Van Gogh and the Sunflowers: A Masterpiece Examined (Van Gogh Museum, 2019)Nienke Bakker, Emmanuel Coquery, Teio Meedendorp and Louis van Tilborgh (eds), Van Gogh in Auvers-sur-Oise: His Final Months (Thames & Hudson, 2023)Frances Fowle, Van Gogh's Twin: The Scottish Art Dealer Alexander Reid, 1854-1928 (National Galleries of Scotland, 2010) Bregje Gerritse, The Potato Eaters: Van Gogh's First Masterpiece (Van Gogh Museum, 2021)Steven Naifeh and Gregory White Smith, Van Gogh: The Life (Random House, 2012)Leo Jansen, Hans Luijten and Nienke Bakker (eds), Vincent van Gogh: The Letters: The Complete Illustrated and Annotated Edition (Thames and Hudson Ltd, 2009)Leo Jansen, Hans Luijten and Nienke Bakker (eds), Vincent van Gogh, A Life in Letters (Thames and Hudson Ltd, 2020)Hans Luitjen, Jo van Gogh Bonger: The Woman who Made Vincent Famous Bloomsbury, 2022Louis van Tilborgh, Martin Bailey, Karen Serres (ed.), Van Gogh Self-Portraits (Courtauld Institute, 2022)Ingo F. Walther and Rainer Metzger, Van Gogh. The Complete Paintings (Taschen, 2022)
"There can't be zombies if flies exist"Dr Erica McAlister is the Natural History Museum's Senior Curator of Diptera and Siphonaptera (A.K.A Flys and fleas!) overseeing a collection of nearly 4 million specimens. Erica has presented a Radio 4 series on Insects (Who's the Pest) and her books include The Secret Life of Flies, A Bug's World, and her upcoming title Metamorphosis: How Insects Are Changing Our World. You can get in touch with Dan Schreiber on Twitter and Instagram (@Schreiberland). In his bio, you'll find the link to our Discord channel - a global community of likeminded weirdos!
In this episode, we are joined by Dr. Kate Heard about the most prolific and exceptional artist at the court of Henry VIII...Hans Holbein. Dr. Heard is Senior Curator of Prints and Drawings, Royal Collection Trust in London. -- Credits: Hosted by: Melanie V. Taylor Guest: Dr. Kate Heard -- Commercial free episodes: Patreon.com/TudorsDynasty --- Send in a voice message: https://podcasters.spotify.com/pod/show/rebecca-larson/message Support this podcast: https://podcasters.spotify.com/pod/show/rebecca-larson/support
Join Rob Mintz, chief curator at the Asian Art Museum, and Laura Allen, the museum's Senior Curator of Japanese Art for an engaging conversation about Murakami's blockbuster exhibition Unfamiliar People: The Swelling of Monsterized Human Ego. The show, four years in the making, takes anime and manga to new heights. This is Takashi Murakami's first solo exhibition in San Francisco. The exhibit is not only a commentary on our society, it's a nuanced examination of human behavior within an extraordinary artistic framework. Laura Allen has known Murakami since the Fall of 2019, when she visited the artist in his Tokyo studio. Together with Rob Mintz, she'll provide insight into Murakami's personality, both as an artist as well as a social scientist. She'll also talk about her collaboration with Murakami; discuss the many pitfalls she encountered along the way as well as what finally convinced him to create this extraordinary exhibit and display it at the Asian Art Museum. About the Speaker Dr. Laura W. Allen is senior curator of Japanese art at the Asian Art Museum of San Francisco. After receiving a doctorate in Japanese art history at UC Berkeley, Dr. Allen spent more than two decades teaching, consulting, and publishing on Japanese art before joining the Asian Art Museum staff in 2012. Since then, she has overseen an ambitious program of exhibitions, including two very different shows opening in the fall of 2023, Takashi Murakami: Unfamiliar People – Swelling of Monsterized Human Ego and The Heart of Zen. Dr. Robert Mintz is the chief curator at the Asian Art Museum of San Francisco. He oversees the curatorial research program and guides the growth and preservation of the museum's art collections. Mintz is a specialist in Japanese art history with a keen interest in painting. With degrees from the University of Michigan and the University of Washington, he has spent his career working in public art museums trying to make the arts of Asia accessible and inspirational to the widest possible range of audiences. Main image: Bacon: Scream, 2019, by Takashi Murakami (Japanese, b. 1962). Acrylic, gold leaf, and platinum leaf on canvas mounted on aluminum frame. Collection of D.K., courtesy of the artist and Perrotin. © 2019 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. MLF ORGANIZER: Jim Brown An Asia Pacific Affairs Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. Learn more about your ad choices. Visit megaphone.fm/adchoices
Arthur Tress has been a prolific photographer since the mid 1960s. Though he may have flown under the radar when compared to some of his contemporaries, a new retrospective at The Getty Center in Los Angeles aims to change that. I had the pleasure of discussing the "new to me" work of Tress with The Getty's Senior Curator of Photographs, Jim Ganz.Arthur Tress websiteArthur Tress at The Getty websiteFlood Dream photo
Find show notes, transcripts, and more at https://designbetterpodcast.com/p/paola-antonelli The Museum of Modern Art brings to mind images of Van Gough's Starry Night, Salvador Dali's Persistence of Memory, and Andy Warhol's Campbell Soup Cans. But thanks to Paola Antonelli, senior curator in the Department of Architecture and Design, MoMA exhibitions also encompass the role design has played in shaping culture and the human experience. We talk with Paola about how we can look at digital design through a historic lens, some of the most important design movements in the past 100 years, and how the creative process has evolved through these different movements. We also talk about the history of the @ symbol, why craftsmanship is necessary to experimentation, and some of the current challenges in design education. We hope you enjoy this episode which is a part of our series on design history, with upcoming episodes on typography with Jonathan Hoefler, and the history and philosophy of design with Professor Barry Katz. Bio Paola Antonelli joined The Museum of Modern Art in 1994 and is the Museum's Senior Curator in the Department of Architecture and Design, as well as MoMA's founding Director of Research and Development. Her work investigates design in all its forms, from architecture to video games, often expanding its reach to include overlooked objects and practices. *** Subscribe to DB+ to get episodes a week early and ad-free. Plus, every month, you're invited to exclusive AMAs (Ask Me Anything) with big names in design and tech, from companies like Nike, Netflix, and the New York Times who will answer your questions directly. Early bird subscribers get 50% off for the first three months. Visit designbetter.plus to learn more and subscribe. *** Visiting the links below is one of the best ways to support our show: American Giant: Makers of the best hoodie on the planet, their clothing is American-made, ethically produced, and built to last. What more could you ask for? Save 20% off your first order with American Giant using our promo code DESIGNBETTER at checkout. dbtr.co/americangiant Uplift Desks: For people like us who spend countless hours at our desk, ergonomics are an essential consideration. A standing desk from Uplift Desk can help you avoid the negative effects of sitting all day by improving circulation and reducing strain. Design Better can get a special deal by visiting UPLIFTDesk.com. Use the code DESIGNBETTER at checkout for 5% off your order. Free shipping, free returns, and an industry-leading 15-year warranty. They're a great company. Factor, America's #1 Ready-To-Eat Meal Delivery Service, can help you fuel up fast for breakfast, lunch, and dinner with chef-prepared, dietitian-approved ready-to-eat meals delivered straight to your door. You'll save time, eat well, and stay on track with your healthy lifestyle while tackling all your holiday to-dos. https://factormeals.com/designbetter50 (use code "designbetter50" for 50% off ). Heath Ceramics: We love Heath Ceramics. They're the types of objects you pass on from generation to generation, the kind of gift you bring to a wedding, or the dishes that you'd want to put on a beautiful Thanksgiving table: dbtr.co/heathceramics get 15% off between now and December 31st with code DBholiday23 Methodical Coffee: Roasted, blended, brewed, served and perfected by verified coffee nerds
Join hosts J.D. Barker, Christine Daigle, and Kevin Tumlinson as they discuss the week's publishing topics, including an update on Simon & Schuster's new owners. Then, stick around as Christine chats with brother and sister writing duo Boyd and Beth Morrison! Boyd Morrison is a #1 NY Times bestselling author, actor, engineer, and Jeopardy! Champion. Beth Morrison is Senior Curator of Manuscripts at the J. Paul Getty Museum. Their new novel, The Last True Templar, is a follow-up to their first collaboration, The Lawless Land, and is the second book in their "Tales From The Lawless Land" series. It is available now wherever books are sold. Check It Out! The Last True Templar - https://bookshop.org/p/books/the-last-true-templar-volume-2-boyd-morrison/19781594 "The End of an Era: The Wall Street Journal's Bestseller Lists Discontinued" (via NY Weekly) - https://nyweekly.com/news/the-end-of-an-era-the-wall-street-journals-bestseller-lists-discontinued/ "Spotify Launches 200,000-Plus Audiobooks for Premium Subscribers in the U.S." (via Variety) - https://variety.com/2023/digital/news/spotify-premium-audiobooks-subscribers-us-1235784076/ "SAG-AFTRA Reveals Details of Strike-Ending Deal With Hollywood Studios" (via Rolling Stone)- https://www.rollingstone.com/tv-movies/tv-movie-news/sag-aftra-board-approves-deal-with-hollywood-studios-end-strike-1234875654/ Show Links: Writers, Ink on YouTube! - https://www.youtube.com/@jdbarker_author/podcasts J.D. Barker - https://jdbarker.com/ Christine Daigle - https://www.christinedaiglebooks.com/ JP Rindfleisch IX - https://www.jprindfleischix.com/ Kevin Tumlinson - https://www.kevintumlinson.com/ Patrick O'Donnell - https://www.copsandwriters.com/ Boyd Morrison - https://boydmorrison.com/ Other Links Best of BookTok - https://bestofbooktok.com/ Booktrib - https://booktrib.com/author/writers-ink/ Music by Nicorus - https://cctrax.com/nicorus/dust-to-dust-ep Voice Over by Rick Ganley - http://www.nhpr.com and recorded at Mill Pond Studio - http://www.millpondstudio.com Show notes & audio production by Geoff Emberlyn - https://twitter.com/horrorstoic Website Design by Word & Pixel - http://wordandpixel.com/ Contact - https://writersinkpodcast.com/contact/ *NOTE: Some of the links are affiliate links. --- Support this podcast: https://podcasters.spotify.com/pod/show/writersink/support
From a creature that leaps in the darkness of your basement to a fish that drains the life force of its partner - Josie Long presents creature features and creepy crawly short documentaries for Halloween. In Spirit Featuring James Maclaine, Senior Curator of Fish, at the Natural History Museum, London Produced and sound designed by Meera Kumar The Seventh Sense Thanks to Emma Rathbone, Gaye Williams, Ben Pagac, Mary Jane Epps, and everybody who shared a camel cricket story Music by Cue Shop, Big Lazy, and Blue Dot Sessions Produced by Jesse Dukes For the Pigeons Produced by John Luke Roberts Series Producer: Eleanor McDowall Curated by Axel Kacoutié, Eleanor McDowall and Andrea Rangecroft A Falling Tree production for BBC Radio 4
Richard Walter, Senior Curator of Phoenix's incredible Musical Instrument Museum, joins us to talk about MIM's new exhibition, 'Acoustic America: Iconic Guitars, Mandolins, and Banjos.' This exhibit, running from November 10, 2023 - September 15, 2024, features a staggering array of legendary instruments owned by the likes of David Grisman, Elizabeth Cotten, Mississippi John Hurt, Earl Scruggs and others. Read all about it here: https://mim.org/special-exhibitions/acoustic-america/ Rich tells us about how he landed his position at MIM, how he and his team care for these priceless instruments, the guitars that are closest to his heart, and so much more. The Fretboard Journal is planning on having a meetup at MIM sometime in early 2024. Reach out to us at podcast@fretboardjournal.com if you'd like to join us. If you enjoy this episode, please leave us a review on Apple Podcasts and consider joining the Fretboard Journal's new Patreon page. Subscribe to the Fretboard Journal: https://shop.fretboardjournal.com/products/fretboard-journal-annual-subscription Get a discounted digital subscription and get our 52nd issue immediately: https://shop.fretboardjournal.com/collections/downloads/products/fretboard-journal-digital-subscription-offer Our podcast is sponsored by Mike & Mike's Guitar Bar, Peghead Nation (use the promo code FRETBOARD and get your first month free or $20 off any annual subscription); and Stringjoy Strings (get 10% off your order with the FRETBOARD discount code). This episode is also sponsored by iZotope. Use the discount code FRET10 to save 10% off off your Izotope order. You can also get 10% off your Native Instruments software at Native-Instruments.comwith code RUIN10. Some restrictions apply.
"The Last Frontier" is perhaps Alaska's most pervasive settler myth. But what does it mean to call Alaska a "last frontier?" How did it become so baked into our state's identity? And what does it mean to build Alaska's identity off a myth as antiquated as "the last frontier?"In this episode, we discuss settler myths, get real about "the real Alaskan," and learn how the 19th century myth of the frontier came to define Alaska's identity. Our guests include:-Tia Tidwell, Assistant Professor of Alaska Native Studies and Rural Development at the University of Alaska Fairbanks-Aaron Leggett, Senior Curator of Alaska History and Indigenous Cultures at the Anchorage Museum and President of the Native Village of Eklutna-Kevin Maier, Professor of Environmental Humanities at the University of Alaska Southeast-Steve Henrikson, Curator of Collections at the Alaska State MuseumFor more information, visit us at www.thealaskamyth.comInstagram | Facebook | Twitter
The premise of this conversation is based on a question that Aaron Leggett — the president of the Native Village of Eklutna and the Senior Curator of Alaska History and Indigenous Culture at the Anchorage Museum — and Cody are curious about: What happens to Alaska when oil is no longer economically viable for the economy of the state? Aaron says that his hope for the future is that people will have a better understanding about the role oil plays in Alaska, that although production is in decline we can take the wealth that's been created with it and invest it into Alaska's education system in order to prepare future generations for the new realities and challenges that await them. Permanent Fund Dividend co-creator and state legislator Cliff Groh says that, for decades, oil has been the primary driver of Alaska's economy and fiscal system. However, oil production has been in decline for about 35 years. In the late 1980s, the state had more than 2 million barrels of oil going through the Trans-Alaska Pipeline System every day. Today, it's well under 500 thousand barrels a day. Right now, many people are betting the economic future of Alaska on finding another Prudhoe Bay oilfield. There's the Pikka Oil Field, the Willow Project, and the Arctic National Wildlife Refuge, or ANWR. There are arguments for and against each of these projects. Tim Bradner has been writing about Alaska's natural resources since 1966, he's also the co-owner of the Alaska Legislative Digest. He doesn't believe oil in Alaska will ever completely go away because oil fields have a way of producing for decades, but oil will become less and less important to Alaska's economy. Ultimately, he's hopeful for the future, though, that there are other things that will come along to stimulate the economy. Commercial fishing and tourism, for example. He says that if we're smart, we'll use the Permanent Fund to sustain our public services and diversify the economy, meanwhile educating young people and giving them a reason to stick around.
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