Podcasts about senior curator

We're continuing my conversation with Nabila Abdel Nabi, Senior Curator of International Art at Tate Modern and Lead of the Hyundai Tate Research Centre: Transnational. On this episode, we talk about what those specialisations really mean, the paradigm shifts happening in the art world, and how a curator like Nabila collects feedback from the Museum's audience.This episode is brought to you by:EFG Hermes One: your one app for investing in more than 35 stock markets. Start investing today!Azza Fahmy JewelleryOn this episode, Nabila is wearing Azza Fahmy's:Lotus Bouquet EarringsBlossom Lotus RingWinged Scarab CuffMalak is wearing Azza Fahmy's:T-Lock Love NecklaceGold Floral Tribal EarringsGold Roman Chain BangleMusic ID: 5ROQ12DERYHSUUVQ

I'm joined today by Nabila Abdel Nabi, Senior Curator for International Art at Tate Modern and Lead of the Hyundai Tate Research Center: Transnational. When Nabila and I first met a few years ago I was immediately impressed by her sincerity and depth. She is thoughtful and intentional in how she interacts with the world and those qualities make for deep and interesting conversations. We talk about her curatorial work, in particular her focus on transnational and transcultural approaches to art history and the importance of better institutional support for parents. On Part 2 of our conversation coming out next week, Nabila and I talk about the evolution of the museum-artist dynamic and drill down into something that is especially interesting to me—the idea of repatriating art to its country of origin.This episode is brought to you by:EFG Hermes One: your one app for investing in more than 35 stock markets. Start investing today!Azza Fahmy JewelleryOn this episode, Nabila is wearing Azza Fahmy's:Lotus Bouquet EarringsBlossom Lotus RingWinged Scarab CuffMalak is wearing Azza Fahmy's:T-Lock Love NecklaceGold Floral Tribal EarringsGold Roman Chain BangleChapters:0:00 Coming up11:17 Her pivot into the art world14:28 Being an only child17:39 Institutional support for motherhood21:09 What's next for Nabila at the Tate27:30 The Lightning Round

Dr Sophie Matthiessen, Senior Curator of International Art at Auckland Art Gallery nous présente l'exposition "Facing Modernity" au Shepparton Art Museum qui se tiendra à partir du 23 mai. Cette exposition réunit des œuvres de Picasso, Degas, Matisse, Cézanne, Dali, Rodin et d'autres artistes, jamais exposées auparavant en Australie. Les oeuvres proviennent de la Galerie d'art d'Auckland Toi o Tāmaki.

Dr Sophie Matthiessen, Senior Curator of International Art at Auckland Art Gallery nous présente l'exposition "Facing Modernity" au Shepparton Art Museum qui se tiendra à partir du 23 mai. Cette exposition réunit des œuvres de Picasso, Degas, Matisse, Cézanne, Dali, Rodin et d'autres artistes, jamais exposées auparavant en Australie. Les oeuvres proviennent de la Galerie d'art d'Auckland Toi o Tāmaki.

Join artist Julius von Bismarck and ACCA's Senior Curator and Head of Exhibitions Shelley McSpedden as they take a tour of 'This is not the storm', on show at the Australian Centre for Contemporary Art.

Today marks the 200th Anniversary of Frederic Church's birth, and we are here to explore the creation, creativity, landscape, preservation, and importance of the home and gardens in history and in the Hudson Valley.The Olana State Historic Site operates through a public-private partnership. The 250-acre property is run by the New York State Office of Parks, Recreation and Historic Preservation and The Olana Partnership.Our first guests this morning are President of the Olana Partnership Sean Sawyer and Consulting Senior Curator and Chair of The Church 200 Committee Dr. Elizabeth Mankin Kornhauser. She has lead planning efforts for this national celebration, the 200th anniversary of the artist Frederic Church's birth.

@TalkArt continues with an in-depth interview on the work of GWEN JOHN with curator @Lucy.C.Wood to explore a major exhibition Gwen John: Strange Beauties at the National Museum Cardiff. Hosted by @RobertDiament.This once-in-a-generation exhibition brings together over 200 oil paintings, drawings and watercolours from public and private collections across the world with rarely seen works on paper from the artist's studio collection to celebrate her 150th birthday. Born in Haverfordwest, Pembrokeshire, in 1876, Gwen John trained at the Slade School of Art in London and was one of the first British women to receive a formal art education. She later moved to Paris, where she became part of its vibrant artistic community, forging an independent path in a male-dominated art world.Gwen John is one of Wales' most extraordinary artists. She saw the world differently — quietly, attentively, and with extraordinary depth. That difference shaped everything: her subjects, her method, her colours, her words, her work. It is the first major collection of her work in over forty years. It tells Gwen's story as it's never been told before — revealing new ways of seeing her life and art and celebrating an artist whose vision still feels strikingly modern today. This is an invitation — to see the world through Gwen's eyes — to slow down, look closer and discover the wonder in her work. Unmissable — for both newcomers and devoted admirers alike.Listen to Talk Art podcast, stream now: Spotify, Apple Podcasts, or wherever you get your podcasts!Lucy Wood is Senior Curator of Art at Amgueddfa Cymru – Museum Wales. She is co-curator of Gwen John: Strange Beauties (2026) and co-editor of the accompanying monograph with Rachel Stratton, Yale Center for British Art.Follow @MuseumWalesVisit: https://museum.wales/cardiff/whatson/12640/Gwen-John-Strange-Beauties/#GwenJohn Exhibition organised by Amgueddfa Cymru in partnership with National Galleries of Scotland, National Museum of Women in the Arts, and Yale Center for British Art. Hosted on Acast. See acast.com/privacy for more information.

TODAY on the GWA podcast: curator SONNET STANFILL on ELSA SCHIAPARELLI! Sonnet is the Senior Curator of Fashion at the V&A, where she has worked since 1999. Stanfill has curated numerous highly acclaimed exhibitions, such as New York Fashion Now, Ballgowns: British Glamour since 1950, and the landmark The Glamour of Italian Fashion (2014), which traveled to several museums across the US. She has published and lectured widely on various aspects of fashion design and holds an MA in the history of dress. But the reason why we are speaking with her today is because she has just curated the monumental exhibition, Elsa Schiaparelli: Fashion Becomes Art at the V&A, which charts the fearless life and daring work of the artist, designer, surrealist, influencer and general pioneer of who the modern woman was and what she could be. A creator of surrealist wonderlands with her fantastical gowns with floating eyes, lips, and lobsters, woven jackets embellished with astrological symbolism and mirrors inspired by Versailles, plus carrot-shaped buttons with embroidered cauliflowers, Schiaparelli – who also made jewellery and perfumes and wrote extensively – was one of the most inventive people of the 20th century. Born in Rome in 1890, she fled her conservative life for London, New York, and later Paris, where she befriended the surrealists and built a business on a scale hardly any woman had done before. Elsa Schiaparelli: Fashion Becomes Art, V&A South Kensington https://www.vam.ac.uk/exhibitions/schiaparelli?srsltid=AfmBOormAlPprtKeObeDZhw4NDLACOBGb9Z-ApA9ZHIsKAio0A3mDHAZ THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: www.famm.com/en/ www.instagram.com/famm_mougins // www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael. Music by Ben Wetherfield

What a treat! A chance not only to visit the Vancouver Art Gallery but to tour it with Diana Freundl. Diana is more than the Senior Curator at VAG. Working collaboratively she is preparing for a new exhibition. You will hear equipment and people working away to ready the space to accept the art and artifacts. Also school groups are actively engaging with the contents of this wonderful space. We start with the freshly prepared story of Emily Carr and pieces expressing the essence of Cascadia. The West Coast energy is present. It is attractive to residents of the city, the province of BC and Canada. Let's not forget the large numbers from Asia and Europe who also are captivated by the spirit.Come along and hear Diana describe the intent today and the aspirations for the future.

VCU's Institute of Contemporary Art (or the ICA) opened in 2018 and has continually shown films in their auditorium. Amber Esseiva, Senior Curator and Director of Curatorial Affairs, and Mimi Luse, Head of Program Production, join me to talk about the numerous offerings that are available including: – Why cinema programs at the ICA? – Films from The Kadist Foundation – The New Richmond Filmmakers Series (featuring Surprise Guest Ken Brisby's film) – Community Media Center Film Workshops – Exposure Cinema Series – First Friday Film Events LINKS The ICA website To apply for the Community Film Project The Trailer for “Mom, I'm on Drugs” My review of “The Zone of Interest” My podcast with Yossera Bouchtia My podcast with Vivian Owen My podcast with the directors of “Futropolis” (James River Festival this weekend)

In this episode, host Ellie Woodacre interviews Dr Sarah Grant, lead curator for the V&A's incredibly popular 'Marie Antoinette Style' exhibition. We'll discuss the exhibition, the inspiration behind it and what it tells us about Marie Antoinette and her legacy.Guest Bio: Dr Sarah Grant is a Senior Curator in the Department of Art, Architecture, Photography & Design at the V&A. Sarah holds a doctorate in eighteenth-century French art from the University of Oxford and a Masters in eighteenth-century French decorative arts from the Courtauld Institute of Art. Her books include Marie Antoinette Style; Female Portraiture and Patronage in Marie-Antoinette's Court; Toiles de Jouy: French printed cottons 1760–1830 and Style and Satire: Fashion in Print 1777-1927. Her exhibitions include Marie Antoinette Style; Modern Masters: Matisse, Picasso, Dali & Warhol and Fashion Fantasies.If you missed the exhibition, you can still order and enjoy the exhibition catalogue!Follow Sarah on Instagram: @sarahgrantcurator

Today marks a historic moment for the Church of England as Dame Sarah Mullally is installed as the first female Archbishop of Canterbury in the Church's 1,400‑year history. What unique skills and priorities will she bring to the role, and what challenges lie ahead for her as she takes on one of the most influential positions in the Anglican Church? Joining Kylie Pentelow to explore these questions are the Bishop of Gloucester, Rachel Treweek; the Reverend Martine Oborne, chair of WATCH Women and the Church; and Professor Andrew Atherstone, author of a new biography of the Archbishop.A campaign backed by charities, MPs and peers is urging for more checks on pornography websites to protect children and vulnerable people. It's looking to change the law to get websites to verify the age of people appearing in the content that's published, and to guarantee that their consent has been given. To discuss the proposals, Kylie is joined by Baroness Bertin, author of an independent review into the regulation of online pornography, and Naomi Miles, founder of the Centre to End All Sexual Exploitation charity.The revolutionary Italian designer Elsa Schiaparelli is being celebrated in a dazzling new exhibition at the Victoria and Albert Museum in London. Sonnet Stanfill, Senior Curator of Fashion at the V&A and curator of Schiaparelli: Fashion Becomes Art and fashion historian, Justine Picardie, author of Fashioning the Crown, discuss her life and work.What can Taylor Swift teach us about the economy? Associate Professor at the University of Kansas, Misty Heggeness, explains how her concept of Swiftynomics shines a light on the true value of women's work and influence.Presenter: Kylie Pentelow Producer: Emma Pearce

The bee-flies are out and about in the UK doing their crazy, cool hovering displays and they're great mimickers of bumble bees. But, don't be fooled, wait until you hear about what they do with their babies... If you head outside on a warm spring day, you might be lucky enough to spot one of these tiny, fluffy, flying narwhales or hear its high-pitched hum before you see it. With many thanks to Dr Erica McAlister for being such a natural Bee-fly (she was also our maggot, her other love). She is based at London's Natural History Museum and is the Senior Curator for Diptera and Siphonaptera. She manages the lower Brachycera, Mycetophilidae and Culicidae collections in Diptera, and the Siphonaptera collection. So there. Erica's instagram   Producer, Presenter annabel@annabelross.com 

For our first show back in 2026, Art Smitten will be speaking to Angela Connor, Senior Curator at MAPh on the exhibition YOUNG

The Sunday Arts Magazine team chats with Lisa Sullivan, Senior Curator at Geelong Gallery, about the I Only Talk to God When I Want Something exhibition. The post Sunday Arts Magazine: Lisa Sullivan – December 21st, 2025 appeared first on Sunday Arts Magazine.

In this episode, Pauline sits down with Paola Antonelli, the visionary Senior Curator of Architecture & Design and founding Director of Research & Development at the Museum of Modern Art, whose career has been dedicated to helping people see the extraordinary in the ordinary.Antonelli challenges the idea that great design is about perfection. Instead, she argues, it's about intention: function with a point of view. From jolie-laide objects we can't stop staring at (yes, the Cybertruck) to the lasting joy of a Vespa, she argues that the opposite of beauty isn't ugliness; it's indifference.Together, Pauline and Paola explore secondhand fashion, the sensory limits of “pixel taste,” and why social media demands a stronger critical spine. A playful “design redemption” lightning round reveals the hidden genius of everyday objects—from shopping carts to traffic dividers—before closing with a provocative look at what meaningful design will become by the year 2050.Curious to understand the difference between art and design - and why it matters? Tune in for this masterclass in Aesthetic Intelligence.

Tonight, the winner of the 2025 Turner Prize will be announced in Bradford, this year's City of Culture. Joining Nick to discuss the runners and riders is arts journalist at the Yorkshire Post, Yvette Huddleston. The death of the photographer Martin Parr was announced over the weekend. His reputation was established with his colourful1980s seaside holiday pictures. To remember his life and legacy, we hear from photographer Stephen McCoy who currently has a show at the Martin Parr Foundation in Bristol.Egyptian Queen Nefertiti is rumoured to have been one of the most desirable women in the ancient world but could things turn ugly over the location of the bust of Nefertiti? With the opening of the Grand Egyptian Museum in Giza, there have been renewed calls for it to be returned to Egypt from the Berlin's Neues Museum where it's currently on display. Heba Abd el Gawad, Senior Curator of Anthropology at London's Horniman Museum, and Professor Sebastian Conrad, who has written extensively on Nefertiti, discuss the issues. Punchdrunk is a theatre company that has been pushing at the boundaries of theatre for over two decades. It pioneered fully immersive experiences, creating worlds where audiences become active participants rather than passive spectators. Their latest show is Lander 23, a live-action video game, set on a distant planet where a previous crew has mysteriously vanished. Nick paid a visit to the company's home in Woolwich, London. Arts journalist Yvette Huddleston reflects on Bradford's year in the spotlight. Presenter: Nick Ahad Producer: Ekene Akalawu

In this episode of PhotoWork with Sasha Wolf, April Watson, Senior Curator of Photography at The Nelson-Atkins Museum of Art in Kansas City, Missouri, joins Sasha to discuss her upcoming exhibition, American Prospects and Landscape Photography, 1839 to Today. The two dive into an insider's conversation about how acquisitions—whether through donations or direct purchases—shape curatorial decisions. April speaks about the importance of honoring donor gifts through thoughtful exhibitions, and about working closely with museum education staff to shape exhibition language to engage audiences who may not have an art-historical background. She then turns the tables, inviting Sasha to share her perspective on the current state of the photographic art market and how it has evolved or devolved over time. https://nelson-atkins.org/art/exhibitions/american-prospects-and-landscape-photography-1839-to-today/ https://www.instagram.com/nama_photographs/ April M. Watson is Senior Curator of Photography at The Nelson-Atkins Museum of Art in Kansas City, Missouri. During her eighteen-year tenure at the museum, Watson has curated over 20 exhibitions that span the history of photography. These include: American Prospects and Landscape Photography, 1839 to the Present (forthcoming 2026); Strange and Familiar Places (2025); Evelyn Hofer: Eyes on the City (2023, with the High Museum of Art); Jim Dow: Signs (2022); Gordon Parks X Muhammad Ali: The Image of a Champion, 1966/1970 (2020, with the Gordon Parks Foundation); Eugene Richards: The Run-On of Time (2018, with the George Eastman Museum); Impressionist France: Visions of Nation from Le Gray to Monet (2013); and Heartland: The Photographs of Terry Evans (2012). Prior to the Nelson-Atkins, Watson held curatorial research positions at the National Gallery of Art, Washington D.C., and the Center for Creative Photography, Tucson. She holds an MA in Art History from the University of New Mexico and a Ph.D. in Art History from the University of Kansas. She is currently at work on a major exhibition for 2027 that explores the relationship between early photography the antislavery movement. The exhibition will also feature major contemporary works inspired by this history.

I am so excited to say that my guest on the GWA Podcast is the esteemed curator, author, and expert in photography, Madga Keany. Currently the Head Curator of International Art at the National Gallery of Art, Canberra, Magda was most recently Curator at the National Portrait Gallery, Canberra, and before that, Senior Curator, Photographs at the National Portrait Gallery London, where she lead the realisation of a major re-presentation of the Photographs Collection as part of the museum's rehaul. Keany has curated shows and published texts on Australian art, design and social history, photography that ranges from the Victorian period to fashion, conflict and portraiture, solo presentations of portraits by Irving Penn, among many others. She has written for the groundbreaking Know My Name project, that put women artists in Australia on a global stage as well as for Cindy Sherman, A World History of Women Photographers, and more. …but it was her exhibition last year that really grabbed my attention: Francesca Woodman and Julia Margaret Cameron: Portraits to Dream in', that brought together the two photographers working 100 years apart, from very different worlds, circumstances and contexts, but which showed how these pioneering women shaped the medium, with their dreamlike pictures imbued with beauty, symbolism, classicism, transformation and more… So today, I couldn't be more excited to delve into the life of the 19th century photographer, Julia Margaret Cameron, who, aged 49 in 1863, picked up a camera and, largely self-taught, crafted her distinct bohemian style pictures with that hazy sepia glow, that proved to not only be influential in Victorian Britain, but have a huge impact on photography at large. As Cameron once said: “My aspirations are to ennoble Photography and to secure for it the character and uses of High Art by combining the real & Ideal & sacrificing nothing of Truth by all possible devotion to poetry and beauty.” And I can't wait to find out more. People mentioned: Julia Margaret Cameron (1815–1879) Francesca Woodman (1958–1981) John Herschel (1792–1871) Artworks: Julia Margaret Cameron, Annie, 1864; https://collections.vam.ac.uk/item/O81145/annie-photograph-cameron-julia-margaret/ Julia Margaret Cameron, Pomona, 1872; https://collections.vam.ac.uk/item/O1433678/pomona-photograph-cameron-julia-margaret/ Julia Margaret Cameron, Thomas Carlyle, 1867; https://www.metmuseum.org/art/collection/search/269434 Julia Margaret Cameron, The Astronomer, 1867; https://collections.vam.ac.uk/item/O1433637/the-astronomer-photograph-cameron-julia-margaret/ Julia Margaret Cameron, Ellen Terry, at the age of sixteen, 1864 https://www.metmuseum.org/art/collection/search/269433 -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

Giuseppe Castellano talks to Amanda Burdan, Senior Curator at The Brandywine Museum of Art, about N.C. Wyeth's early life; what led to the restoration and permanent exhibition of Wyeth's The Apotheosis of the Family; what today's illustrators can do for tomorrow's curators; and more.To learn more about the Brandywine, visit brandywine.org. For tours and the mural experience, visit brandywine.org/mural.Artists mentioned in this episode include: Howard Pyle, Jamie Wyeth, Norman Rockwell, J.C. Leyendecker, Stanley Arthurs, Harvey Dunn, Clifford Ashley, Violet Oakley, Thomas Hart Benton, George Bellows, Marsden HartleyPhotograph credit: N.C. Wyeth in Chadds Ford studio with central panel of Apotheosis mural, undated. Photograph by Earl C. Roper, Philadelphia, PA. E. Coe Kerr Collection, Walter & Leonore Annenberg Research Center, Brandywine Museum of Art. Gift of Betsy Wyeth, 2004.  If you find value in this podcast, you can support it by subscribing to our best-selling publication, Notes On Illustration, on Substack. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, and more. | Music for the podcast was created by Oatmello. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Visit our Substack for bonus content and more:https://designbetterpodcast.com/p/bonus-episode-30-years-of-design Today we celebrate 30 years of Wert&Co.—the quiet champions of design who have shaped our field by placing the brightest designers in roles of influence at brands that impact culture, commerce, and community. Design Better is brought to you by Wix Studio, the most powerful web design platform for entrepreneurs, agencies, and creative thinkers. Learn more → To mark the occasion, Design Better is live in New York City with an inspiring panel. We'll look back at how design has shaped the world over the past three decades and look ahead to the essential role design must play as technology reshapes the human experience. Our conversation begins with Paola Antonelli, Senior Curator of Architecture and Design and Director of Research & Development at The Museum of Modern Art. Paola is one of the most influential voices in contemporary design, exploring how design shapes culture, technology, and society. We're also joined by Mark Wilson, Global Design Editor at Fast Company. Mark covers the intersection of design, technology, and culture, bringing a journalist's rigor and a designer's eye to stories that reach millions. In the second half of our conversation, we shift our focus to the present and future of design—the teams, the individual contributors, and the leaders who are navigating this evolution in real time. Kate Aronowitz, and Meaghan Choi, and Mike Davidson are three leaders who have different perspectives on where design is headed, and what it means to build meaningful careers in this rapidly changing landscape. Kate Aronowitz is a Design Partner at GV, where she helps companies of all sizes build design-driven cultures. Meaghan Choi is a Product Designer at Anthropic, focused on developer experiences for emerging technologies like AI and cloud computing, including her work on Claude Code. Mike Davidson is VP of Design and User Research at Microsoft AI, with more than two decades leading design at companies including Twitter, Disney, and ESPN.

For the 39th episode of "Reading the Art World," host Megan Fox Kelly speaks with Susan Davidson, curator and art historian, about her landmark book "Tom Wesselmann: The Great American Nude," published by Gagosian and Almine Rech, in collaboration with the Estate of Tom Wesselmann. Distributed by Rizzoli International Publications, New York.This conversation reveals the unexpected story behind one of Pop Art's most iconic series. Wesselmann arrived in New York with no art training and couldn't paint like his heroes—a limitation that forced him to invent something entirely new. Davidson traces how he built his visual language from found materials: candy wrappers, magazine clippings, working radios, even a leaf from his soup at Trader Vic's. "The Great American Nude" series (1961-73) emerged from a dream of red, white, and blue and evolved across one hundred works that blur high and low culture, representation and real objects, art history and American consumerism. Davidson discusses Wesselmann's strategic placement of Matisse and Modigliani reproductions within his compositions—asserting his place in their lineage—while revealing the personal dimension often missed: these paintings were his sustained tribute to Claire, his wife and inspiration. Drawing on Wesselmann's pseudonymous memoir and extensive estate archives, she shows how an artist with limited natural facility built both a distinctive body of work and a lasting position in art history.Whether you're interested in Pop Art's origins, the 1960s cultural moment, or how limitation can drive innovation, this episode offers a fresh perspective on an artist who turned constraint into creative freedom.ABOUT THE AUTHOR Susan Davidson is an independent curator and scholar specializing in Surrealism, Abstract Expressionism, and Pop Art, with particular expertise in Robert Rauschenberg's work. She served as Senior Curator at the Solomon R. Guggenheim Museum (2002-2017), where she organized exhibitions including "Jackson Pollock: Exploring Alchemy" and "Robert Rauschenberg: A Retrospective." Previously, she was Collections Curator at The Menil Collection, Houston (1985-2002). Davidson holds advanced degrees in art history from the Courtauld Institute, London, and George Washington University.PURCHASE THE BOOK https://gagosianshop.com/products/tom-wesselmann-the-great-american-nude-monograph SUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

Visit our Substack for bonus content and more: https://designbetterpodcast.com/p/rewind-paola-antonelli Design Better has been on the road recently, recording a live episode in Manhattan for design search firm Wert & Co's 30th anniversary. Guests for the episode included Paola Antonelli (senior curator in the Department of Architecture and Design at MoMA) Mike Davidson (VP of Design and User Research at Microsoft AI), Kate Aronowitz (Design Partner at Google Ventures), Meaghan Choi (Product Designer at Anthropic), & Mark Wilson (Global Design Editor at Fast Company). While Aarron and I are catching up from travel, and as a lead-in to the live episode airing next week, we're rewinding to our interview with Paola Antonelli. We hope you enjoy the episode. And if you haven't checked it out yet, did you know you can save over $1600 on popular productivity tools and design and AI courses with the Design Better Toolkit? Just head over to dbtr.co/toolkit to learn more. *** The Museum of Modern Art brings to mind images of Van Gough's Starry Night, Salvador Dali's Persistence of Memory, and Andy Warhol's Campbell Soup Cans. But thanks to Paola Antonelli, senior curator in the Department of Architecture and Design, MoMA exhibitions also encompass the role design has played in shaping culture and the human experience. We talk with Paola about how we can look at digital design through a historic lens, some of the most important design movements in the past 100 years, and how the creative process has evolved through these different movements. We also talk about the history of the @ symbol, why craftsmanship is necessary to experimentation, and some of the current challenges in design education. We hope you enjoy this episode which is a part of our series on design history, with upcoming episodes on typography with Jonathan Hoefler, and the history and philosophy of design with Professor Barry Katz. Paola Antonelli joined The Museum of Modern Art in 1994 and is the Museum's Senior Curator in the Department of Architecture and Design, as well as MoMA's founding Director of Research and Development. Her work investigates design in all its forms, from architecture to video games, often expanding its reach to include overlooked objects and practices. An architect trained at the Polytechnic of Milan and a pasionaria of design, Antonelli has been named one of the 25 most incisive design visionaries in the world by TIME magazine, has earned the Design Mind Smithsonian Institution's National Design Award, has been inducted in the US Art Directors Club Hall of Fame, and has received the AIGA (American Institute of Graphic Artists,) the London Design Medal, and the German Design Award, among other accolades.

In this episode, Connects affiliated scholar, Dr. Tiffany Kuo brings you "Opera in the Community," a Behind the Curtain mini-series that pairs each opera in our historic 40th Anniversary Season with an arts organization in Los Angeles. This episode pairs "West Side Story" with LA Plaza de Cultura y Artes. Their current immersive music exhibit, A Great Day in East LA, illustrates the heritage, rhythm, and struggle of East LA, the neighborhood that actually inspired the conflict in "West Side Story." Hear Tiffany Kuo and Karen Crews Hendon, Senior Curator of the museum, discuss A Great Day in East LA and don't miss West Side Story tickets are available now at LAOpera.org.

Earlier in this season of The Object of History, we visited the tombs of Robert C. Winthrop (Season 4, Episode 4) and Isabella Stewart Gardner (Season 4, Episode 5). In both episodes, we asked Meg Winslow, Senior Curator of Historical Collections & Archives at Mount Auburn Cemetery, to provide some context for our listeners. On this bonus episode, we revisit Mount Auburn, learn more about its history, and share additional portions of our conversation with Winslow. Mount Auburn is the first American cemetery that purposely combined commemoration with elements of experimental gardening, picturesque landscape design, and access to nature, starting a trend across the nation in the mid-19th century that led to the creation of the first public parks in this country. Learn more about episode objects here: https://www.masshist.org/podcast/season-4-bonus-episode-Mount-Auburn Email us at podcast@masshist.org. Listen to Episode 4 Listen to Episode 5 Episode Special Guest: Meg L. Winslow is Senior Curator of Historical Collections & Archives at Mount Auburn Cemetery where she is responsible for developing and overseeing the Cemetery's permanent collections of historical and aesthetic importance. Meg is co-author with Melissa Banta of The Art of Commemoration and America's First Rural Cemetery, Mount Auburn's Significant Monument Collection, in its third printing. This episode uses materials from: Meadowland (Instrumental) by Chad Crouch (Attribution-NonCommercial 4.0 International)        Psychic by Dominic Giam of Ketsa Music (licensed under a commercial non-exclusive license by the Massachusetts Historical Society through Ketsa.uk)        Curious Nature by Dominic Giam of Ketsa Music (licensed under a commercial non-exclusive license by the Massachusetts Historical Society through Ketsa.uk)

Melvyn Bragg and guests discuss the Dutch artist famous for starry nights and sunflowers, self portraits and simple chairs. These are images known the world over, and Vincent van Gogh (1853-1890) painted them and around 900 others in the last decade of his short, brilliant life and, famously, in that lifetime he made only one recorded sale. Yet within a few decades after his death these extraordinary works, with all their colour and life, became the most desirable of all modern art, propelled in part by the story of Vincent van Gogh's struggle with mental health. With Christopher Riopelle The Neil Westreich Curator of Post 1800 Paintings at the National Gallery Martin Bailey A leading Van Gogh specialist and correspondent for The Art Newspaper And Frances Fowle Professor of Nineteenth Century Art at the University of Edinburgh and Senior Curator at National Galleries Scotland Producer: Simon Tillotson Reading list: Martin Bailey, Living with Vincent Van Gogh: The Homes and Landscapes that shared the Artist (White Lion Publishing, 2019) Martin Bailey, Studio of the South: Van Gogh in Provence (Frances Lincoln, 2021) Martin Bailey, Van Gogh's Finale: Auvers and the Artist's Rise to Fame (Frances Lincoln, 2021) Nienke Bakker and Ella Hendriks, Van Gogh and the Sunflowers: A Masterpiece Examined (Van Gogh Museum, 2019) Nienke Bakker, Emmanuel Coquery, Teio Meedendorp and Louis van Tilborgh (eds), Van Gogh in Auvers-sur-Oise: His Final Months (Thames & Hudson, 2023) Frances Fowle, Van Gogh's Twin: The Scottish Art Dealer Alexander Reid, 1854-1928 (National Galleries of Scotland, 2010) Bregje Gerritse, The Potato Eaters: Van Gogh's First Masterpiece (Van Gogh Museum, 2021) Steven Naifeh and Gregory White Smith, Van Gogh: The Life (Random House, 2012) Leo Jansen, Hans Luijten and Nienke Bakker (eds), Vincent van Gogh: The Letters: The Complete Illustrated and Annotated Edition (Thames and Hudson Ltd, 2009) Leo Jansen, Hans Luijten and Nienke Bakker (eds), Vincent van Gogh, A Life in Letters (Thames and Hudson Ltd, 2020) Hans Luitjen, Jo van Gogh Bonger: The Woman who Made Vincent Famous Bloomsbury, 2022 Louis van Tilborgh, Martin Bailey, Karen Serres (ed.), Van Gogh Self-Portraits (Courtauld Institute, 2022) Ingo F. Walther and Rainer Metzger, Van Gogh. The Complete Paintings (Taschen, 2022) Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.

In this Singapore Home Brew, we celebrate the vibrant intersection of art and national identity in a milestone year—Singapore turns 60, and the National Gallery marks its 10th anniversary. Joining us on the line is Dr. Adele Tan, Senior Curator at the Gallery and the guiding voice behind one of its most anticipated exhibitions: Singapore Stories: Pathways and Detours in Art. This full-scale unveiling traces the evolving narratives of our visual culture, reflecting the dynamic turns and thoughtful detours that have shaped Singapore’s artistic journey. We’ll explore how the artworks were curated to tell these stories, how new project spaces are expanding the exhibition’s reach and relevance, and what surprises await visitors who step into this immersive cultural archive. Dr. Tan, welcome to the show—and let’s begin with what this exhibition means on such a landmark birthday for both Singapore and the Gallery. Join “Saturday Mornings Show” host Glenn van Zutphen and co-host Neil Humphreys.See omnystudio.com/listener for privacy information.

There's a belief a plan to resurrect the extinct Moa will have ample roll-on effects. US company Colossal Bioscience has partnered with Ngāi Tahu in a $50 million project to revive the flightless bird through gene editing. Canterbury Museum's Senior Curator of Natural History Paul Scofield says it's a great eco-tourism opportunity. He told Heather du Plessis-Allan people could come and see Moa roaming the hills in a reserve. Scofield says scientists would also be able to see how these birds affected the ecology of New Zealand. LISTEN ABOVE See omnystudio.com/listener for privacy information.

Architectural critic Charles Jencks once said that a building should speak - that it should express meaning and emotion, surprise and humour, and reflect the values of the culture it sits within. Step inside The Cosmic House, and you'll find a home that does exactly that.In this episode, Danielle visits one of London's most astonishing hidden gems: The Cosmic House in Holland Park, the former home of the late Charles Jencks and his then wife, the landscape designer Maggie Keswick. Designed between 1978 and 1983, the house is a maximalist, multi-layered essay in built form - every inch of it embedded with symbolism, references to cosmology, art history, and post-modern thought. There's an upside-down dome, a Solar Stair, and a Cosmic Oval: this is not your typical Victorian townhouse.Danielle is joined by Eszter Steierhoffer, Director of the Jencks Foundation and former Senior Curator at the Design Museum, who walks her through this truly unique building and the mind behind it. Together, they discuss Jencks' radical approach to architecture, his belief in “radical eclecticism” and his support of Maggie's Centres for cancer patients following Maggie's death in 1995, as well as the legacy he left behind - not just in the bricks and geometry of his home, but in his writing, his gardens, and his intergalactic thinking.Part museum, part manifesto, The Cosmic House remains almost exactly as it was when the Jencks' lived there, and is now open to the public as a site of critical experimentation and creative response. Tune in to discover the legacy of one of architecture's most original thinkers, and hear how the house continues to inspire artists, architects and visitors alike.The Cosmic House 

Philip Bither has been Walker Art Center's Senior Curator of Performing Arts since April 1997, overseeing one of the country’s leading contemporary performing arts programs. He has overseen significant expansion of the Performing Arts program, including the building of the McGuire Theater, an acclaimed new theatrical space within the Walker expansion (2005), the raising of…

Rhonda Davis shares her approach to art curation ahead of the exhibition Eric Smith: The metaphysics of paint which is on at the Macquarie University Art Gallery from June 18th to August 1st 2025. Rhonda is Senior Curator of the gallery and its collection with 25 years of experience.

What do gorillas, gender roles, and glass ceilings have in common? Today's guest, Erna Walraven, knows the answer firsthand. One of Australia's first female zookeepers, Erna spent two decades as Senior Curator at Taronga Zoo, working with some of the world's most powerful animals, while battling an entirely different kind of beast: misogyny and sexism in a male-dominated working environment.Erna has penned a book, Hear Me Roar - part memoir, part feminist science, and all parts entertaining. Through vivid storytelling and deep biological insight, Erna explores the parallels between power, gender, and the animal kingdom, challenging assumptions about both human and animal behaviour.In this episode, we unpack what it means to fight for your place in a world that wasn't built for you, the surprising truths the natural world can teach us about gender, and how Erna carved out a legacy by refusing to be silenced. This one's fierce, fearless, and fascinating. Let's meet the formidable Erna Walraven…**Find Erna's new book here: Hear Me RoarFor more information about Erna, check out these places;-Website: Erna WalravenLinkedin: Erna WalravenInstagram:   Erna WalravenHead to michellejcox.com for more information about the ONE QUESTION podcast, your host or today's guestsConnect with Michelle on Linkedin here:- @MichelleJCoxConnect with Michelle on Instagram here:- @michellejcoxConnect with Michelle on Facebook here - @michellejcoxAND, if you have a burning topic you'd love people to talk more about, or know someone who'd be great to come on the One Question podcast, please get in touch;-

Ep. 328: Michael Koresky on his new book Sick and Dirty: Hollywood's Gay Golden Age and the Making of Modern Queerness - The Children's Hour, These Three, Tea and Sympathy, Dance Girl Dance, and more Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. I was a huge fan of Michael Koresky's last book, Films of Endearment, and so I leapt into action when I heard about his latest, Sick and Dirty: Hollywood's Gay Golden Age and the Making of Modern Queerness. Koresky is now Senior Curator of Film at Museum of the Moving Image, and, as he points out, his book has roots in his column I had the privilege of editing at Film Comment, Queer and Now and Then. I spoke with him about some pivotal titles in his deeply researched chronicle of under-the-radar queer cinema from the 1930s to the 1960s, and the fascinating work that could emerge under Hollywood's censorship regime: These Three and The Children's Hour, two adaptations of Lillian Hellman's play, both directed by William Wyler; Dorothy Arzner's Dance, Girl, Dance; Vincente Minnelli's oft-maligned Tea & Sympathy; and more. “Sick and Dirty: Hollywood's Gay Golden Age and the Making of Modern Queerness” by Michael Koresky is available now, published by Bloomsbury. On June 22, Tea & Sympathy will screen with Koresky in conversation at the Museum of the Moving Image as part of a special book event. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Really Interesting Women The podcast Ep. 151 Dr Maddy McAllister Maddy McAllister has the fascinating honour of being one of Australia's foremost maritime archaeologists. She's made significant contributions to underwater cultural heritage management, shipwreck documentation, and the advancement of maritime archaeological practices in Australia and beyond. She has basically helped reshape our understanding of Australia's maritime past.  Besides her work as a ‘Shipwreck Detective', she is also the Senior Curator of Maritime Archaeology at the Queensland Museum and holds a joint appointment as Senior Lecturer at James Cook University's College of Arts, Society and Education. Which allows her to blend research, teaching, and public outreach with her underwater discoveries all of which is utilised to unravel the secrets of sunken vessels.  And if you're thinking she sounds a bit like the Australian Indiana Jones, I reckon you're right. She has been instrumental in adopting new technology and making fascinating discoveries which have challenged our existing knowledge of maritime history.   Head to my bio above to have a listen to our conversation. Visit instagram @reallyinterestingwomen for further interviews and posts of interesting women in history. Follow the link to leave a review....and tell your friendshttps://podcasts.apple.com/au/podcast/really-interesting-women/id1526764849

After several days of commemoration events to mark the 80th anniversary of VE Day, culminating in a memorial service today at Westminster Abbey, we're joined by Laura Clouting, Senior Curator at the Imperial War Museum, to explore why the historic event still holds importance in today's society and what we can learn from those who endured the Second World War. Plus, as Sir David Attenborough celebrates his 99th birthday, he releases a new film with possibly one of his most important messages to date. The London Standard's Culture writer, Vicky Jessop, joins us to tell us what we can expect from ‘Ocean'. Hosted on Acast. See acast.com/privacy for more information.

This podcast is a recording of a special presentation given by contemporary fine art photographer Cara Romero (Chemehuevi) at the Tucson Museum of Art on April 16, 2025.A big thank you to Cara Romero and to our host, Senior Curator of TMA, Christine Brindza for letting us record and publish this talk for our listeners (and viewers). If you are interested in learning more about Christine, be sure to listen to Art Dealer Diaries Podcast #81.I hope you enjoy. I'm a collector and a big fan of Cara's photography. If you are unfamiliar with her work, you can find it on her website: cararomero.com

In this episode, Isabella interviews Ruth Battersby, Senior Curator of Costume and Textiles at Norfolk Museums Service. The two talk about the embroidery of Lorina Bulwer, a Victorian woman institutionalised in the Great Yarmouth Workhouse who spent her days embroidering vibrant, angry, and extremely long biographical scrolls.Images and sources are available at @sewwhatpodcast on Twitter, Instagram, and Facebook. The podcast has a website, sewwhatpodcast.com.

On this episode, we continue our visit to Mount Auburn Cemetery. Joined by biographer Natalie Dykstra, we visit the Gardner tomb where Isabella Stewart Gardner is buried. We learn more about Gardner and her family's relationship to the history of Boston from Dykstra and Chief Historian Peter Drummey. Mount Auburn is the first American cemetery that purposely combined commemoration with elements of experimental gardening, picturesque landscape design, and access to nature, starting a trend across the nation in the mid-19th century that led to the creation of the first public parks in this country. Learn more about episode objects here: https://www.masshist.org/podcast/season-4-episode-5-Gardner-Tomb  Email us at podcast@masshist.org. Episode Special Guests: Natalie Dykstra is the author of Clover Adams: A Gilded and Heartbreaking Life, which was a finalist for the 2013 Massachusetts Book Award.  For her recent book Chasing Beauty: The Life of Isabella Stewart Gardner, she received a National Endowment for the Humanities Public Scholars grant and the inaugural Robert and Ina Caro Research Fellowship from the Biographers International Organization. Chasing Beauty is a finalist for the Marfield Prize, the national award for arts writing. Dykstra has been an elected Fellow of the Massachusetts Historical Society since 2011 and is an emerita professor of English at Hope College.  She lives near Boston. Meg L. Winslow is Senior Curator of Historical Collections & Archives at Mount Auburn Cemetery where she is responsible for developing and overseeing the Cemetery's permanent collections of historical and aesthetic importance. Meg is co-author with Melissa Banta of The Art of Commemoration and America's First Rural Cemetery, Mount Auburn's Significant Monument Collection, in its third printing. This episode uses materials from: Elderberry (Instrumental) by Chad Crouch (Attribution-NonCommercial 4.0 International)        Psychic by Dominic Giam of Ketsa Music (licensed under a commercial non-exclusive license by the Massachusetts Historical Society through Ketsa.uk)        Curious Nature by Dominic Giam of Ketsa Music (licensed under a commercial non-exclusive license by the Massachusetts Historical Society through Ketsa.uk)

Liam Gauci, Senior Curator at the Malta Maritime Museum in Valletta, returns for another conversation about Maltese history, this time with the goal of planning a future visit by the Napoleonic Quarterly to the 'crossroads of the Mediterranean'.This episode is sponsored by Heritage Malta, whose support for the podcast is enormously appreciated. Liam's book Morte o Fortuna: Corsairs in Malta 1747-1798 is out now. 

In 2022, the Getty Museum acquired a mid-15th c. manuscript copy of The Book of the Marvels of the World featuring an illumination program of global locales, launching a publication and exhibition project in partnership with the Morgan Library & Museum. Larisa and Kelin, two members of Team Marvels (along with Elizabeth Morrison, Senior Curator of Manuscripts at the Getty and Joshua O'Driscoll, Associate Curator of Manuscripts at the Morgan Library & Museum), discuss the challenges, opportunities, and priorities in crafting museum publications and exhibitions that deal with sensitive material. Their conversation provides a brief overview of The Book of Marvels, its historical context and manuscript tradition, and the process of bringing the Marvels to a public audience.For more information, visit www.multiculturalmiddleages.com.

On this episode, we visit the Mount Auburn Cemetery in nearby Cambridge and Watertown, Massachusetts. Following a suggestion by Hannah Elder, Associate Reference Librarian for Rights and Reproductions at the MHS, we investigate one connection that we have to the Cemetery: a key to Robert C. Winthrop's tomb.  Mount Auburn is the first American cemetery that purposely combined commemoration with elements of experimental gardening, picturesque landscape design, and access to nature, starting a trend across the nation in the mid-19th century that led to the creation of the first public parks in this country. Learn more about episode objects here: https://www.masshist.org/podcast/season-4-episode-4-Winthrop-Tomb  Email us at podcast@masshist.org. Episode Special Guests: Hannah Elder, Associate Reference Librarian for Rights and Reproductions, has been with the MHS since 2018. She holds a BA in Anthropology from the University of Maine and an MLIS from Simmons University. Her historical interests include the history of the book, queer history, and historic grief practices. Meg L. Winslow is Senior Curator of Historical Collections & Archives at Mount Auburn Cemetery where she is responsible for developing and overseeing the Cemetery's permanent collections of historical and aesthetic importance. Meg is co-author with Melissa Banta of The Art of Commemoration and America's First Rural Cemetery, Mount Auburn's Significant Monument Collection, in its third printing. This episode uses materials from: Meadowland (Instrumental) by Chad Crouch (Attribution-NonCommercial 4.0 International)        Psychic by Dominic Giam of Ketsa Music (licensed under a commercial non-exclusive license by the Massachusetts Historical Society through Ketsa.uk)        Curious Nature by Dominic Giam of Ketsa Music (licensed under a commercial non-exclusive license by the Massachusetts Historical Society through Ketsa.uk)

Senior Curator of Film at the Museum of the Moving Image, Eric Hynes, is my guest in the first segment. Eric and I discuss the Museum's upcoming First Look festival to take place Wednesday, March 12th through Sunday, March 16th. First Look, MoMI's annual festival showcasing adventurous new cinema, returns for its 14th edition, offering a diverse slate of major New York premieres, work-in-progress screenings and sessions, gallery installations, and fresh perspectives on the art and process of filmmaking. This year's festival introduces New York audiences to more than three dozen works from around the world, encompassing feature and short films; fiction and nonfiction; performances and experiments. The guiding ethos of First Look is openness, curiosity, discovery, aiming to expose audiences to new art, artists to new audiences, and everyone to different methods, perspectives, interrogations, and encounters. For five consecutive days the festival takes over MoMI's two theaters, as well as other rooms and galleries throughout the Museum—with in-person appearances and dialogue integral to the experience. Each night concludes with one of five selected Showcase Screenings in MoMI's Sumner Redstone Theater.  In my segment I am joined by the film producer Jack Piatt and singer songwriter journeyman Chris Smither. They are part of the team behind a new short film, "The Singers" which premieres this weekend at SxSW. "The Singers" is a genre-bending film adaptation of a 19th-century short story written by Ivan Turgenev, in which a lowly pub full of downtrodden men connect unexpectedly through an impromptu sing-off. The film explores the complexities of masculinity and the power of vulnerability through art. Chris Smither makes his acting debut in this film directed by Sam Davis.

Bombay, now Mumbai, was a major shipbuilding centre for the Royal Navy in the first half of the nineteenth century. The ships were magnificent, built from the famous Malabar teak and by the hands of a highly skilled Indian workforce. This episode explores that fascinating history through one particular aspect of a sailing warship's construction: the figurehead. To find out more Dr Sam Willis spoke with Clare Hunt, a Senior Curator for the National Museum of the Royal Navy based at their site in Hartlepool. Clare has been charged with the care and management of HMS Trincomalee since 2016, a frigate built just after the end of the Napoleonic wars in Bombay dockyard. Hosted on Acast. See acast.com/privacy for more information.

Dr. Colwell is an anthropologist, editor, and author of over a dozen books. He received his doctorate from Indiana University and was the Senior Curator of Anthropology at the Denver Museum of Nature & Science for over a decade. He is currently the editor-in-chief of SAPIENS, a digital magazine that makes anthropology accessible to everyone. Chip's latest book is entitled So Much Stuff: How Humans Discovered Tools, Invented Meaning, and Made More of Everything. Chip joins the podcast to explain how we came to live in a society where no matter how much money we spend, it's never enough and why the average human has accumulated so many personal possessions. What if true happiness isn't tied to the latest trends? What if fulfillment is found somewhere else? Find out in our story “Your Hero's Journey: The Key to Unlocking Meaning in Your Life.”  Join our growing community of 45,000+ listeners and be notified of new episodes of Templeton Ideas. Subscribe today. Follow us on social media: Twitter, Facebook, Instagram, LinkedIn and YouTube.

Jewellery can enthral us in many ways: it can delight, inspire and uplift us or it can transport us to the place where we acquired it. It can also make us avaricious or jealous. But why? What explains our enduring fascination with shiny metal and colourful stones?Iszi Lawrence is joined by Dr. Emily Stoehrer, Senior Curator of Jewelry at the Boston Museum of Fine Arts and author of several books on American jewellery and fashion; Dr. Petra Ahde-Deal, a Finnish gemmologist and jeweller who currently lectures at the University of Gothenburg in Sweden and at the DIS Study Abroad Program in Copenhagen; Emefa Cole, jewellery maker originally from Ghana who is also the Curator of Diaspora Jewellery at the Victoria and Albert Museum in London; Mansi Rao, Curator of the South Asia Collection in Norwich and World Service listeners.Some of the questions discussed include: gold has been the top choice both for jewellery makers and for buyers in many cultures all over the world. But there are similar metals which are more scarce - and more expensive - than gold, so it's not exclusivity that makes it popular. And why do men wear flamboyant jewellery at some Indian weddings? (Photo: Gold Indian wedding bracelet. Credit: Neha S/Getty Images)

We meet Anya Gallacio (b. 1963, Scotland), an artist renowned for her innovative use of organic, ephemeral materials – ranging from chocolate, ice, wax, apples, flowers and chalk – and for her explorations of transformation, change and impermanence. Throughout her practice, Gallaccio has significantly reshaped understandings of contemporary sculpture.Anya Gallaccio: preserve is her largest survey exhibition to date at Turner Contemporary, Margate. The exhibition spans three decades of Gallaccio's radical practice, restaging several iconic sculptures in addition to a new site-specific commission. It reveals the artist's consistent rethinking of the relationship between art and the environment by presenting works that connect with Kent's natural heritage.Due to the temporal nature of her work, much of Gallaccio's practice is best known through documentary photographs and memory. This exhibition introduces her sculptures and large-scale installations so that a new generation can engage in their references to environmental sustainability and preserving fragile ecosystems.Renowned for her innovative use of organic, ephemeral materials such as apples, flowers and chalk, and for her explorations of transformation and impermanence, Gallaccio has reshaped our understanding of contemporary sculpture.Complementing Gallaccio's exhibition, Turner Contemporary has developed an extensive school programme in partnership with the artist. This programme, titled An Apple a Day, aims to explore Kent's countryside, heritage, and history through the lens of the apple and county's apple orchards. Inspired by the work of Californian chef and food activist Alice Waters, Gallaccio seeks to embed nature across everyday teaching in primary schools.In collaboration with Kent Downs National Landscape, DEFRA and Lees Court Estate, this project underscores Turner Contemporary's commitment to sustainability and celebrates the relationship between art, ecology, and agriculture in Kent. By engaging students with the rich heritage of the region's apple orchards, the programme fosters a deeper appreciation for nature and promotes environmental stewardship from an early age.Anya Gallaccio: preserve runs until 26th January 2024 and is free to visit. Curated by Melissa Blanchflower, Senior Curator, Turner Contemporary.Visit: https://turnercontemporary.org/whats-on/anya-gallaccio-preserve/Follow @TurnerContemporaryThanks to @ThomasDaneGallery Hosted on Acast. See acast.com/privacy for more information.

This week we will be talking with Jonathan Stuhlman and Martha Severens about their book, Southern/Modern: Rediscovering Southern Art from the First Half of the Twentieth Century (2024, UNC Press). Jonathan Stuhlman is the Senior Curator of American Art at the Mint Museum in Charlotte, NC, and Martha Severens is in independent scholar based in the upstate of South Carolina. Together they have created a book that springs from an exhibition at the Mint but is so much more than just a catalog for the exhibit.

Melvyn Bragg and guests discuss the work of the great French Impressionist Claude Monet (1840-1926) in London, initially in 1870 and then from 1899. He spent his first visit in poverty, escaping from war in France, while by the second he had become so commercially successful that he stayed at the Savoy Hotel. There, from his balcony, he began a series of almost a hundred paintings that captured the essence of this dynamic city at that time, with fog and smoke almost obscuring the bridges, boats and Houses of Parliament. The pollution was terrible for health but the diffraction through the sooty droplets offered an ever-changing light that captivated Monet, and he was to paint the Thames more than he did his water lilies or haystacks or Rouen Cathedral. On his return to France, Monet appeared to have a new confidence to explore an art that was more abstract than impressionist.WithKaren Serres Senior Curator of Paintings at the Courtauld Gallery, London Curator of the exhibition 'Monet and London. Views of the Thames'Frances Fowle Professor of Nineteenth-Century Art at the University of Edinburgh and Senior Curator of French Art at the National Galleries of ScotlandAnd Jackie Wullschläger Chief Art Critic for the Financial Times and author of ‘Monet, The Restless Vision'In Our Time is a BBC Studios Audio ProductionProducer: Simon Tillotson Studio production: John GoudieReading list:Caroline Corbeau Parsons, Impressionists in London: French Artists in Exile 1870-1904 (Tate Publishing, 2017)Frances Fowle, Monet and French Landscape: Vétheuil and Normandy (National Galleries of Scotland, 2007), especially the chapter ‘Making Money out of Monet: Marketing Monet in Britain 1870-1905'Robert Gordon and Andrew Forge, Monet (Harry N. Abrams, 1983)Paul Hayes Tucker, Monet in the '90s: The Series Paintings (Yale University Press, 1990)Paul Hayes Tucker, Monet in the 20th Century (Yale University Press, 1998)Katharine A. Lochnan, Turner, Whistler, Monet (Tate Publishing, 2005)Nicholas Reed, Monet and the Thames: Paintings and Modern Views of Monet's London (Lilburne Press, 1998)Grace Seiberling, Monet in London (High Museum of Art, 1988)Karen Serres, Frances Fowle and Jennifer A. Thompson, Monet and London: Views of the Thames (Paul Holberton Publishing, 2024 – catalogue to accompany Courtauld Gallery exhibition)Charles Stuckey, Monet: A Retrospective (Random House, 1985)Daniel Wildenstein, Monet: The Triumph of Impressionism (first published 1996; Taschen, 2022)Jackie Wullschläger, Monet: The Restless Vision (Allen Lane, 2023)

Melvyn Bragg and guests discuss the work of the great French Impressionist Claude Monet (1840-1926) in London, initially in 1870 and then from 1899. He spent his first visit in poverty, escaping from war in France, while by the second he had become so commercially successful that he stayed at the Savoy Hotel. There, from his balcony, he began a series of almost a hundred paintings that captured the essence of this dynamic city at that time, with fog and smoke almost obscuring the bridges, boats and Houses of Parliament. The pollution was terrible for health but the diffraction through the sooty droplets offered an ever-changing light that captivated Monet, and he was to paint the Thames more than he did his water lilies or haystacks or Rouen Cathedral. On his return to France, Monet appeared to have a new confidence to explore an art that was more abstract than impressionist.WithKaren Serres Senior Curator of Paintings at the Courtauld Gallery, London Curator of the exhibition 'Monet and London. Views of the Thames'Frances Fowle Professor of Nineteenth-Century Art at the University of Edinburgh and Senior Curator of French Art at the National Galleries of ScotlandAnd Jackie Wullschläger Chief Art Critic for the Financial Times and author of ‘Monet, The Restless Vision'In Our Time is a BBC Studios Audio ProductionProducer: Simon Tillotson Studio production: John GoudieReading list:Caroline Corbeau Parsons, Impressionists in London: French Artists in Exile 1870-1904 (Tate Publishing, 2017)Frances Fowle, Monet and French Landscape: Vétheuil and Normandy (National Galleries of Scotland, 2007), especially the chapter ‘Making Money out of Monet: Marketing Monet in Britain 1870-1905'Robert Gordon and Andrew Forge, Monet (Harry N. Abrams, 1983)Paul Hayes Tucker, Monet in the '90s: The Series Paintings (Yale University Press, 1990)Paul Hayes Tucker, Monet in the 20th Century (Yale University Press, 1998)Katharine A. Lochnan, Turner, Whistler, Monet (Tate Publishing, 2005)Nicholas Reed, Monet and the Thames: Paintings and Modern Views of Monet's London (Lilburne Press, 1998)Grace Seiberling, Monet in London (High Museum of Art, 1988)Karen Serres, Frances Fowle and Jennifer A. Thompson, Monet and London: Views of the Thames (Paul Holberton Publishing, 2024 – catalogue to accompany Courtauld Gallery exhibition)Charles Stuckey, Monet: A Retrospective (Random House, 1985)Daniel Wildenstein, Monet: The Triumph of Impressionism (first published 1996; Taschen, 2022)Jackie Wullschläger, Monet: The Restless Vision (Allen Lane, 2023)

Welcome to another riveting episode of Talking Tudors with your host, Natalie Grueninger. This week, we dive into the "Six Lives" exhibition at the National Portrait Gallery with special guest, Dr. Charlotte Bolland, Senior Curator of Research and 16th Century Collections. Dr Bolland takes us on a journey through this groundbreaking exhibition, offering insights into the intricate and diverse media used to portray the lives of the six Tudor queens. From portraits and miniatures to medals, photographs, and even novelty Christmas decorations, the exhibition spans 500 years of history and delves into the court culture of the 16th century. Discover the fascinating artefacts on display, including Katherine of Aragon's letter after the Battle of Flodden and Anne Boleyn's book of hours. Dr Bolland also sheds light on the personal and emotional connections these objects provide, giving us a glimpse into the lives of these remarkable women. In addition to exploring the historical significance, the episode delves into the role of women from antiquity in shaping the queens' images and how contemporary media continues to reinterpret their stories. From Shakespeare to modern musicals like Six, the influence of these queens endures. Join us for an enlightening conversation that uncovers the layers of storytelling and historical imagination that have surrounded the Tudor queens for centuries. Don't miss this chance to step through the veil of time and immerse yourself in the dazzling world of the Tudor court. Find out more about your host at https://www.nataliegrueninger.com Buy Talking Tudors merchandise at https://talkingtudors.threadless.com/ Support Talking Tudors on Patreon