Podcasts about Surrealism

Arts of the Border: Fugitive Bodies at Europe's Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe's edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais's “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining. Guest Debarati Sanyal is Professor of French, Director of the Center for Interdisciplinary Critical Inquiry, and currently holds the Zaffaroni Family Chair of Undergraduate Education. Affiliated with the Designated Emphasis in Critical Theory, the Berkeley Interdisciplinary Migration Initiative, the Center for Race and Gender, and the Institute of European Studies, her teaching and research interests span 19th -21st-century French and Francophone literature, memory studies, aesthetics and bio/necropolitics, critical human rights and refugee studies. She is a recipient of the UC Berkeley Distinguished Teaching Award (2012) and a Guggenheim Fellowship (2021-2022). She is currently co-PI on the Mellon-funded A Counter-Imaginary in Authoritarian Times (2024-2027). Besides Arts of the Border, Dr. Sanyal has authored Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), translated into French as Mémoire et Complicité: Au Prisme de la Shoah (PUV, 2019); and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006).  She has guest-edited “Time and Politics in Contemporary Critique: Entanglements and Aftermaths” (Critical Times, 2018), ha also co-edited, with Éric Fassin, Demos Anxiety: Genealogies, Rhetorics, and Politics of Great Replacement (forthcoming in Patterns of Prejudice); with Damon Young and Mario Telò, Proximities: Reading with Judith Butler (Representations 2022), and, with Michael Rothberg and Max Silverman, Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (Yale French Studies 118-119). Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Arts of the Border: Fugitive Bodies at Europe's Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe's edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais's “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining. Guest Debarati Sanyal is Professor of French, Director of the Center for Interdisciplinary Critical Inquiry, and currently holds the Zaffaroni Family Chair of Undergraduate Education. Affiliated with the Designated Emphasis in Critical Theory, the Berkeley Interdisciplinary Migration Initiative, the Center for Race and Gender, and the Institute of European Studies, her teaching and research interests span 19th -21st-century French and Francophone literature, memory studies, aesthetics and bio/necropolitics, critical human rights and refugee studies. She is a recipient of the UC Berkeley Distinguished Teaching Award (2012) and a Guggenheim Fellowship (2021-2022). She is currently co-PI on the Mellon-funded A Counter-Imaginary in Authoritarian Times (2024-2027). Besides Arts of the Border, Dr. Sanyal has authored Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), translated into French as Mémoire et Complicité: Au Prisme de la Shoah (PUV, 2019); and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006). She has guest-edited “Time and Politics in Contemporary Critique: Entanglements and Aftermaths” (Critical Times, 2018), ha also co-edited, with Éric Fassin, Demos Anxiety: Genealogies, Rhetorics, and Politics of Great Replacement (forthcoming in Patterns of Prejudice); with Damon Young and Mario Telò, Proximities: Reading with Judith Butler (Representations 2022), and, with Michael Rothberg and Max Silverman, Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (Yale French Studies 118-119). Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Arts of the Border: Fugitive Bodies at Europe's Edges (Fordham, 2025) investigates the consequences of unfolding catastrophes across the world and the displacement they continue to produce. Through recent narratives and media representations of the refugee “crisis” at Europe's edges, it tells a new story about those on the move, the technologies unleashed on them at borders, the racialized and colonial histories that inform these technologies, and the artistry with which migrants and allies bear witness to displacement. The book reorients us toward the creativity and movement of migrants themselves– their “arts of the border”—as well as toward the political force of the arts that represent them, whether in literature, documentary film, or art installations. Sanyal proposes kino-aesthetics as a framework for capture and fugitivity at borders. From kino—to set in motion—and aesthetics— relating to sensory perception—kino-aesthetics conveys the force of bodies in motion and the image in its circulation. The book examines the simultaneity of capture and escape at thresholds of illegalization, from airport detention zones to Calais's “jungle” and the Euro-African border at Ceuta and Melilla. What emerges throughout these case studies is a portrayal of border violence in its racial and colonial forms as well as an archive of refusal, fugitivity, and un-bordered imagining. Guest Debarati Sanyal is Professor of French, Director of the Center for Interdisciplinary Critical Inquiry, and currently holds the Zaffaroni Family Chair of Undergraduate Education. Affiliated with the Designated Emphasis in Critical Theory, the Berkeley Interdisciplinary Migration Initiative, the Center for Race and Gender, and the Institute of European Studies, her teaching and research interests span 19th -21st-century French and Francophone literature, memory studies, aesthetics and bio/necropolitics, critical human rights and refugee studies. She is a recipient of the UC Berkeley Distinguished Teaching Award (2012) and a Guggenheim Fellowship (2021-2022). She is currently co-PI on the Mellon-funded A Counter-Imaginary in Authoritarian Times (2024-2027). Besides Arts of the Border, Dr. Sanyal has authored Memory and Complicity: Migrations of Holocaust Remembrance (Fordham, 2015), translated into French as Mémoire et Complicité: Au Prisme de la Shoah (PUV, 2019); and The Violence of Modernity: Baudelaire, Irony and the Politics of Form (Johns Hopkins, 2006). She has guest-edited “Time and Politics in Contemporary Critique: Entanglements and Aftermaths” (Critical Times, 2018), ha also co-edited, with Éric Fassin, Demos Anxiety: Genealogies, Rhetorics, and Politics of Great Replacement (forthcoming in Patterns of Prejudice); with Damon Young and Mario Telò, Proximities: Reading with Judith Butler (Representations 2022), and, with Michael Rothberg and Max Silverman, Noeuds de mémoire: Multidirectional Memory in Postwar French and Francophone Culture (Yale French Studies 118-119). Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Their monograph Posthumanist Ecology in Global French Surrealism is forthcoming in 2027 from Northwestern University Press.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Fluent Fiction - Catalan: Rediscovering Inspiration at the Dalí Museum Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ca/episode/2026-08-29-22-34-02-ca Story Transcript:Ca: La calidesa de l'estiu omplia l'aire mentre Júlia i Oriol arribaven a Figueres.En: The warmth of summer filled the air as Júlia and Oriol arrived in Figueres.Ca: Tot seguint els carrers animats de la ciutat, els germans es dirigien cap al majestuós Teatre-Museu Dalí, un edifici que semblava sorgir directament de la ment surrealista del mateix artista.En: Following the lively streets of the city, the siblings were heading towards the majestic Teatre-Museu Dalí, a building that seemed to emerge directly from the surrealist mind of the artist himself.Ca: Júlia, amb un somriure radiant però inquiet, caminava amb pas apressat.En: Júlia, with a radiant but anxious smile, walked with a hurried step.Ca: Feia temps que se sentia desconnectada de la seva creativitat.En: She had felt disconnected from her creativity for some time.Ca: Per a ella, Salvador Dalí era més que un pintor; era una font d'inspiració.En: To her, Salvador Dalí was more than a painter; he was a source of inspiration.Ca: Per aquest motiu, havia organitzat aquest viatge, esperant trobar una espurna d'inspiració.En: For this reason, she had organized the trip, hoping to find a spark of inspiration.Ca: "D'on ve aquest entusiasme, Júlia?" va preguntar Oriol amb una cella aixecada.En: "Where does this enthusiasm come from, Júlia?" asked Oriol with a raised eyebrow.Ca: Oriol no compartia la passió de la seva germana per l'art.En: Oriol did not share his sister's passion for art.Ca: Aquestes visites als museus li semblaven perdre el temps.En: These museum visits seemed like a waste of time to him.Ca: "Aviat ho entendràs, Oriol", va respondre Júlia, amb esperança.En: "You'll understand soon, Oriol," Júlia replied, hopefully.Ca: En entrar al museu, van ser rebuts per un món màgic; cada sala i passadís estava ple d'obres que desafiaven la realitat.En: Upon entering the museum, they were greeted by a magical world; each room and corridor was filled with works that defied reality.Ca: Júlia respirava profundament mentre contemplava les pintures detallades que cobrien les parets.En: Júlia breathed deeply as she contemplated the detailed paintings covering the walls.Ca: "Vull explorar pel meu compte", va dir de sobte.En: "I want to explore on my own," she suddenly said.Ca: "Vull trobar la meva connexió personal amb aquestes obres."En: "I want to find my personal connection with these works."Ca: Oriol esbufegà, però va assentir.En: Oriol huffed but nodded.Ca: "Molt bé, ens trobem al cafè després."En: "Alright, we'll meet at the café afterward."Ca: Mentre Júlia vagava per les sales, va tropezar amb un quadre que desbordava colors i formes desconegudes.En: As Júlia wandered through the rooms, she stumbled upon a painting overflowing with colors and unknown shapes.Ca: Un quadre que semblava ballar davant dels seus ulls.En: A painting that seemed to dance before her eyes.Ca: En aquest moment, va sentir que la seva creativitat es revifava com foc ardent.En: At that moment, she felt her creativity rekindle like a blazing fire.Ca: Sabia que aquesta visita no havia estat en va.En: She knew that this visit had not been in vain.Ca: Mentrestant, Oriol, recorrent les sales sense gaire entusiasme, es va quedar fascinat davant una instal·lació inusual que girava i reflectia llums de tots colors.En: Meanwhile, Oriol, roaming the rooms without much enthusiasm, found himself fascinated by an unusual installation that spun and reflected lights of all colors.Ca: Malgrat la seva resistència inicial, va sentir una punxada de curiositat que no havia sentit abans.En: Despite his initial resistance, he felt a twinge of curiosity that he hadn't experienced before.Ca: Després de la seva exploració individual, Júlia i Oriol es van trobar al cafè del museu.En: After their individual exploration, Júlia and Oriol met at the museum café.Ca: Amb una tassa de cafè a la mà, Júlia va mirar el seu germà i va veure alguna cosa diferent als seus ulls.En: With a cup of coffee in hand, Júlia looked at her brother and saw something different in his eyes.Ca: "He vist alguna cosa increïble, Júlia", va admetre Oriol amb un lleuger encís, "potser aquest art no és tan incomprensible després de tot."En: "I've seen something incredible, Júlia," admitted Oriol with a slight charm, "maybe this art isn't so incomprehensible after all."Ca: "Estic contenta de sentir-ho", va somriure Júlia, irradiant una nova energia.En: "I'm glad to hear it," smiled Júlia, radiating new energy.Ca: "He recuperat la inspiració que cercava. Ara sento que puc començar un nou projecte."En: "I've regained the inspiration I was searching for. Now I feel like I can start a new project."Ca: El dia va acabar amb un aire diferent.En: The day ended with a different air.Ca: El Museu Dalí havia tancat les seves portes, però havia obert altres en els cors de Júlia i Oriol.En: The Dalí Museum had closed its doors, but it had opened others in the hearts of Júlia and Oriol.Ca: Els dos germans van tornar a casa amb una nova comprensió, enriquits pel món surrealista que havien compartit, i amb una ànsia renovada per descobrir el món de l'art i de la vida.En: The two siblings returned home with a new understanding, enriched by the surreal world they had shared, and with a renewed eagerness to discover the world of art and life. Vocabulary Words:warmth: la calidesasiblings: els germansmajestic: majestuósminds: les mentsradiant: radiantdisconnected: desconnectadacreativity: la creativitatsource: la fontinspiration: la inspiracióenthusiasm: l'entusiasmeeyebrow: la cellapassion: la passiógreeted: rebutsworld: el móncorridor: el passadísdefied: desafiavenbreathed: respiravawandered: vagavashapes: les formesrekindle: revifarenthusiasm: l'entusiasmefascinated: fascinatinstallation: la instal·lacióreflected: reflectiatwinge: la punxadacuriosity: la curiositatadmitted: va admetrecharm: l'encíscomprehension: la comprensióenriched: enriquits

Baudelaire's Objects (Bloomsbury, 2026) examines Baudelaire's multifaceted use of natural, domestic, urban, and esthetic objects in his verse and prose poetry, as well as the ways his poems reshape our understanding of objects and how those objects destabilize, yet preserve, the subject-object relation. Charles Baudelaire's representation of objects in the natural world establishes a relation that is neither one of identity between human subject and nature nor a relation of domination; he reveals both the natural world and the human subject to be characterized by an irreducible doubleness and nonidentity to itself. Likewise, everyday domestic objects in his poems overflow their boundaries as simple metaphors; their often uncanny aspect highlights their quasi-agency as they define and shape the subject who interacts with them. Baudelaire's poems-as-objects also take on this kind of agency, acting upon readers in ways that both require and surpass attempts to grasp the poems conceptually as art objects for analysis. This reshaping of subjectivity and objectivity acquires increased intensity in his urban poetry, where city objects are at the intersection of the mythic, the historical, the esthetic, and the commercial. Baudelaire's Objects shows how paying attention to objects differently, as Baudelaire's poems impel readers to do, is to reorient ourselves in the world by giving objects their due, recognizing the mediating qualities both of objects and of the language with which we represent or create them. We can thus reinvent our understanding of the limits and potential of human subjectivity as it is inextricably intertwined with the world around us. Guest Joseph Acquisto is Professor of French and Director of the School of World Languages and Cultures at the University of Vermont. He writes on nineteenth- and twentieth-century literature with a particular focus on the intersections of literature with philosophy and music. In addition to Baudelaire's Objects, Dr. Acquisto's books include French Symbolist Poetry and the Idea of Music, The Fall Out of Redemption: Writing and Thinking Beyond Salvation in Baudelaire, Cioran, Fondane, Agamben, and Nancy, Poetry's Knowing Ignorance, Living Well with Pessimism in Nineteenth-Century France, and Reading Baudelaire with Adorno: Dissonance, Subjectivity, Transcendence.  Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Baudelaire's Objects (Bloomsbury, 2026) examines Baudelaire's multifaceted use of natural, domestic, urban, and esthetic objects in his verse and prose poetry, as well as the ways his poems reshape our understanding of objects and how those objects destabilize, yet preserve, the subject-object relation. Charles Baudelaire's representation of objects in the natural world establishes a relation that is neither one of identity between human subject and nature nor a relation of domination; he reveals both the natural world and the human subject to be characterized by an irreducible doubleness and nonidentity to itself. Likewise, everyday domestic objects in his poems overflow their boundaries as simple metaphors; their often uncanny aspect highlights their quasi-agency as they define and shape the subject who interacts with them. Baudelaire's poems-as-objects also take on this kind of agency, acting upon readers in ways that both require and surpass attempts to grasp the poems conceptually as art objects for analysis. This reshaping of subjectivity and objectivity acquires increased intensity in his urban poetry, where city objects are at the intersection of the mythic, the historical, the esthetic, and the commercial. Baudelaire's Objects shows how paying attention to objects differently, as Baudelaire's poems impel readers to do, is to reorient ourselves in the world by giving objects their due, recognizing the mediating qualities both of objects and of the language with which we represent or create them. We can thus reinvent our understanding of the limits and potential of human subjectivity as it is inextricably intertwined with the world around us. Guest Joseph Acquisto is Professor of French and Director of the School of World Languages and Cultures at the University of Vermont. He writes on nineteenth- and twentieth-century literature with a particular focus on the intersections of literature with philosophy and music. In addition to Baudelaire's Objects, Dr. Acquisto's books include French Symbolist Poetry and the Idea of Music, The Fall Out of Redemption: Writing and Thinking Beyond Salvation in Baudelaire, Cioran, Fondane, Agamben, and Nancy, Poetry's Knowing Ignorance, Living Well with Pessimism in Nineteenth-Century France, and Reading Baudelaire with Adorno: Dissonance, Subjectivity, Transcendence.  Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Baudelaire's Objects (Bloomsbury, 2026) examines Baudelaire's multifaceted use of natural, domestic, urban, and esthetic objects in his verse and prose poetry, as well as the ways his poems reshape our understanding of objects and how those objects destabilize, yet preserve, the subject-object relation. Charles Baudelaire's representation of objects in the natural world establishes a relation that is neither one of identity between human subject and nature nor a relation of domination; he reveals both the natural world and the human subject to be characterized by an irreducible doubleness and nonidentity to itself. Likewise, everyday domestic objects in his poems overflow their boundaries as simple metaphors; their often uncanny aspect highlights their quasi-agency as they define and shape the subject who interacts with them. Baudelaire's poems-as-objects also take on this kind of agency, acting upon readers in ways that both require and surpass attempts to grasp the poems conceptually as art objects for analysis. This reshaping of subjectivity and objectivity acquires increased intensity in his urban poetry, where city objects are at the intersection of the mythic, the historical, the esthetic, and the commercial. Baudelaire's Objects shows how paying attention to objects differently, as Baudelaire's poems impel readers to do, is to reorient ourselves in the world by giving objects their due, recognizing the mediating qualities both of objects and of the language with which we represent or create them. We can thus reinvent our understanding of the limits and potential of human subjectivity as it is inextricably intertwined with the world around us. Guest Joseph Acquisto is Professor of French and Director of the School of World Languages and Cultures at the University of Vermont. He writes on nineteenth- and twentieth-century literature with a particular focus on the intersections of literature with philosophy and music. In addition to Baudelaire's Objects, Dr. Acquisto's books include French Symbolist Poetry and the Idea of Music, The Fall Out of Redemption: Writing and Thinking Beyond Salvation in Baudelaire, Cioran, Fondane, Agamben, and Nancy, Poetry's Knowing Ignorance, Living Well with Pessimism in Nineteenth-Century France, and Reading Baudelaire with Adorno: Dissonance, Subjectivity, Transcendence.  Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Baudelaire's Objects (Bloomsbury, 2026) examines Baudelaire's multifaceted use of natural, domestic, urban, and esthetic objects in his verse and prose poetry, as well as the ways his poems reshape our understanding of objects and how those objects destabilize, yet preserve, the subject-object relation. Charles Baudelaire's representation of objects in the natural world establishes a relation that is neither one of identity between human subject and nature nor a relation of domination; he reveals both the natural world and the human subject to be characterized by an irreducible doubleness and nonidentity to itself. Likewise, everyday domestic objects in his poems overflow their boundaries as simple metaphors; their often uncanny aspect highlights their quasi-agency as they define and shape the subject who interacts with them. Baudelaire's poems-as-objects also take on this kind of agency, acting upon readers in ways that both require and surpass attempts to grasp the poems conceptually as art objects for analysis. This reshaping of subjectivity and objectivity acquires increased intensity in his urban poetry, where city objects are at the intersection of the mythic, the historical, the esthetic, and the commercial. Baudelaire's Objects shows how paying attention to objects differently, as Baudelaire's poems impel readers to do, is to reorient ourselves in the world by giving objects their due, recognizing the mediating qualities both of objects and of the language with which we represent or create them. We can thus reinvent our understanding of the limits and potential of human subjectivity as it is inextricably intertwined with the world around us. Guest Joseph Acquisto is Professor of French and Director of the School of World Languages and Cultures at the University of Vermont. He writes on nineteenth- and twentieth-century literature with a particular focus on the intersections of literature with philosophy and music. In addition to Baudelaire's Objects, Dr. Acquisto's books include French Symbolist Poetry and the Idea of Music, The Fall Out of Redemption: Writing and Thinking Beyond Salvation in Baudelaire, Cioran, Fondane, Agamben, and Nancy, Poetry's Knowing Ignorance, Living Well with Pessimism in Nineteenth-Century France, and Reading Baudelaire with Adorno: Dissonance, Subjectivity, Transcendence. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Aesthetics of Risk in Franco-East Asian Literatures (Cambridge UP, 2026) is the first book that examines the concept of risk in non-anglophone world literature. Focusing on how risk is produced and reshaped by literary aesthetics, Li argues that risk is a creative rather than negative force in world literature. Instead of disaster narratives, Li approaches risk from the fresh perspective of ludic aesthetics, or playful, gamelike, illusionistic and experimental literary strategies. Comparatively analysing an original selection of texts by modern and contemporary French-Francophone and East Asian writers, each chapter focuses on a particular genre such as the novel, life-writing, poetry, and image-texts. The reimagination of risk in literature is revealed to be closely related to different forms of play such as structured games, masquerade, poetic and intermedial experimentation. Franco-East Asian literatures help us rethink risk in linguistically diverse and cross-cultural contexts, providing a new paradigm for comparative criticism and world literature. Guest Xiaofan Amy Li is Associate Professor in Comparative Cultural Studies at University College London and holds a PhD in French from Queens' College, Cambridge. Her research spans comparisons and exchanges from the 20th-21st centuries between France, China, and East Asia broadly speaking. Her first monograph Comparative Encounters between Artaud, Michaux and the Zhuangzi (Legenda, 2015) re-reads two avant-garde French writers and the imaginative classical Chinese text Zhuangzi through their intertextual, poetic, and conceptual dialogues. Besides her two monographs, she has published extensively on Surrealism, poetry, and literary translation. She is a member of the AILC/ICLA (International Comparative Literature Association) Research Committee on Literary Theory. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript underreview on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Aesthetics of Risk in Franco-East Asian Literatures (Cambridge UP, 2026) is the first book that examines the concept of risk in non-anglophone world literature. Focusing on how risk is produced and reshaped by literary aesthetics, Li argues that risk is a creative rather than negative force in world literature. Instead of disaster narratives, Li approaches risk from the fresh perspective of ludic aesthetics, or playful, gamelike, illusionistic and experimental literary strategies. Comparatively analysing an original selection of texts by modern and contemporary French-Francophone and East Asian writers, each chapter focuses on a particular genre such as the novel, life-writing, poetry, and image-texts. The reimagination of risk in literature is revealed to be closely related to different forms of play such as structured games, masquerade, poetic and intermedial experimentation. Franco-East Asian literatures help us rethink risk in linguistically diverse and cross-cultural contexts, providing a new paradigm for comparative criticism and world literature. Guest Xiaofan Amy Li is Associate Professor in Comparative Cultural Studies at University College London and holds a PhD in French from Queens' College, Cambridge. Her research spans comparisons and exchanges from the 20th-21st centuries between France, China, and East Asia broadly speaking. Her first monograph Comparative Encounters between Artaud, Michaux and the Zhuangzi (Legenda, 2015) re-reads two avant-garde French writers and the imaginative classical Chinese text Zhuangzi through their intertextual, poetic, and conceptual dialogues. Besides her two monographs, she has published extensively on Surrealism, poetry, and literary translation. She is a member of the AILC/ICLA (International Comparative Literature Association) Research Committee on Literary Theory. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript underreview on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The Aesthetics of Risk in Franco-East Asian Literatures (Cambridge UP, 2026) is the first book that examines the concept of risk in non-anglophone world literature. Focusing on how risk is produced and reshaped by literary aesthetics, Li argues that risk is a creative rather than negative force in world literature. Instead of disaster narratives, Li approaches risk from the fresh perspective of ludic aesthetics, or playful, gamelike, illusionistic and experimental literary strategies. Comparatively analysing an original selection of texts by modern and contemporary French-Francophone and East Asian writers, each chapter focuses on a particular genre such as the novel, life-writing, poetry, and image-texts. The reimagination of risk in literature is revealed to be closely related to different forms of play such as structured games, masquerade, poetic and intermedial experimentation. Franco-East Asian literatures help us rethink risk in linguistically diverse and cross-cultural contexts, providing a new paradigm for comparative criticism and world literature. Guest Xiaofan Amy Li is Associate Professor in Comparative Cultural Studies at University College London and holds a PhD in French from Queens' College, Cambridge. Her research spans comparisons and exchanges from the 20th-21st centuries between France, China, and East Asia broadly speaking. Her first monograph Comparative Encounters between Artaud, Michaux and the Zhuangzi (Legenda, 2015) re-reads two avant-garde French writers and the imaginative classical Chinese text Zhuangzi through their intertextual, poetic, and conceptual dialogues. Besides her two monographs, she has published extensively on Surrealism, poetry, and literary translation. She is a member of the AILC/ICLA (International Comparative Literature Association) Research Committee on Literary Theory. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript underreview on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Aesthetics of Risk in Franco-East Asian Literatures (Cambridge UP, 2026) is the first book that examines the concept of risk in non-anglophone world literature. Focusing on how risk is produced and reshaped by literary aesthetics, Li argues that risk is a creative rather than negative force in world literature. Instead of disaster narratives, Li approaches risk from the fresh perspective of ludic aesthetics, or playful, gamelike, illusionistic and experimental literary strategies. Comparatively analysing an original selection of texts by modern and contemporary French-Francophone and East Asian writers, each chapter focuses on a particular genre such as the novel, life-writing, poetry, and image-texts. The reimagination of risk in literature is revealed to be closely related to different forms of play such as structured games, masquerade, poetic and intermedial experimentation. Franco-East Asian literatures help us rethink risk in linguistically diverse and cross-cultural contexts, providing a new paradigm for comparative criticism and world literature. Guest Xiaofan Amy Li is Associate Professor in Comparative Cultural Studies at University College London and holds a PhD in French from Queens' College, Cambridge. Her research spans comparisons and exchanges from the 20th-21st centuries between France, China, and East Asia broadly speaking. Her first monograph Comparative Encounters between Artaud, Michaux and the Zhuangzi (Legenda, 2015) re-reads two avant-garde French writers and the imaginative classical Chinese text Zhuangzi through their intertextual, poetic, and conceptual dialogues. Besides her two monographs, she has published extensively on Surrealism, poetry, and literary translation. She is a member of the AILC/ICLA (International Comparative Literature Association) Research Committee on Literary Theory. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript underreview on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

The Aesthetics of Risk in Franco-East Asian Literatures (Cambridge UP, 2026) is the first book that examines the concept of risk in non-anglophone world literature. Focusing on how risk is produced and reshaped by literary aesthetics, Li argues that risk is a creative rather than negative force in world literature. Instead of disaster narratives, Li approaches risk from the fresh perspective of ludic aesthetics, or playful, gamelike, illusionistic and experimental literary strategies. Comparatively analysing an original selection of texts by modern and contemporary French-Francophone and East Asian writers, each chapter focuses on a particular genre such as the novel, life-writing, poetry, and image-texts. The reimagination of risk in literature is revealed to be closely related to different forms of play such as structured games, masquerade, poetic and intermedial experimentation. Franco-East Asian literatures help us rethink risk in linguistically diverse and cross-cultural contexts, providing a new paradigm for comparative criticism and world literature. Guest Xiaofan Amy Li is Associate Professor in Comparative Cultural Studies at University College London and holds a PhD in French from Queens' College, Cambridge. Her research spans comparisons and exchanges from the 20th-21st centuries between France, China, and East Asia broadly speaking. Her first monograph Comparative Encounters between Artaud, Michaux and the Zhuangzi (Legenda, 2015) re-reads two avant-garde French writers and the imaginative classical Chinese text Zhuangzi through their intertextual, poetic, and conceptual dialogues. Besides her two monographs, she has published extensively on Surrealism, poetry, and literary translation. She is a member of the AILC/ICLA (International Comparative Literature Association) Research Committee on Literary Theory. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript underreview on posthumanist ecological engagement in the surrealist movement.

Before Peggy Guggenheim became one of the most influential collectors of modern art—and before Palazzo Venier dei Leoni became her Venetian home and museum—she opened a small but remarkably ambitious gallery in London.In this episode of Venice Talks, Monica Cesarato speaks with Gražina Subelytė, curator at the Peggy Guggenheim Collection in Venice, about the exhibition Peggy Guggenheim in London: The Making of a Collector.The exhibition explores the crucial years of 1938 and 1939, when Peggy founded Guggenheim Jeune, her first London gallery. During its brief eighteen-month existence, the gallery presented more than twenty exhibitions, promoted abstraction and Surrealism, introduced London audiences to major European artists and helped Peggy develop the vision that would eventually shape her celebrated collection.Gražina guides us through this formative period, revealing a Peggy Guggenheim who was still learning, experimenting and finding her place in the international art world. We discuss the artists, advisers and friendships that influenced her, the radical exhibitions she organised and the archival discoveries that offer a more complex understanding of her development as a collector.The conversation also explores the role of women artists within Guggenheim Jeune, the gallery's controversial contemporary sculpture exhibition and the first signs of Peggy's dream of creating a museum of modern art.Presented inside Palazzo Venier dei Leoni, the exhibition allows visitors to look back at the moment when Peggy's extraordinary story was only beginning—and to understand how her London years laid the foundations for the collection we know in Venice today.Key Notes from This EpisodeGražina Subelytė's journey into art history and curatorial workPeggy Guggenheim's life before she became a legendary collectorThe opening of Guggenheim Jeune in London in 1938How Marcel Duchamp, Samuel Beckett and Mary Reynolds influenced Peggy's artistic educationThe gallery's extraordinary programme of more than twenty exhibitions in eighteen monthsKandinsky's first solo exhibition in LondonPeggy's support for abstraction, Surrealism and experimental contemporary artThe role of women artistsThe controversial contemporary sculpture exhibitionLetters, photographs and archival documents that reveal a more personal side of PeggyThe origins of Peggy's ambition to establish a museum of modern artHow the London years anticipated the collection now housed in Venice

Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century (University of Toronto Press, 2024) examines one of the most revered art historical narratives of Western art: the famous turning point for painting and sculpture usually emblematized by the works of Édouard Manet and then the Impressionists. Instead of the usual revaluation of this turning point, Sara Pappas argues for the importance of the failure to find a cohesive story for the art world in the period itself, a difficulty that carries forward to galleries today. In order to demonstrate the importance of incongruity and disorder, Pappas brings together two worlds that may seem incompatible: nineteenth-century literary writers involved in naturalism and the organization of permanent collections of later nineteenth-century French art in today's museums. Drawing on the art novels and art criticism of these writers, the book provides optimal access to the questions that continue to haunt the categorization and display of nineteenth-century art. Guest Sara Pappas is Associate Professor of French and Visual Culture at the University of Richmond. In addition to this volume, she has published articles on topics from 19th century art criticism by literary figures such as Baudelaire and Zola to the Expositions universelles to contemporary artist Kehinde Wiley's influence on French art, as well as co-curating an exhibit of Nineteenth Century French and Russian Art at the Harnett Museum of Art. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century (University of Toronto Press, 2024) examines one of the most revered art historical narratives of Western art: the famous turning point for painting and sculpture usually emblematized by the works of Édouard Manet and then the Impressionists. Instead of the usual revaluation of this turning point, Sara Pappas argues for the importance of the failure to find a cohesive story for the art world in the period itself, a difficulty that carries forward to galleries today. In order to demonstrate the importance of incongruity and disorder, Pappas brings together two worlds that may seem incompatible: nineteenth-century literary writers involved in naturalism and the organization of permanent collections of later nineteenth-century French art in today's museums. Drawing on the art novels and art criticism of these writers, the book provides optimal access to the questions that continue to haunt the categorization and display of nineteenth-century art. Guest Sara Pappas is Associate Professor of French and Visual Culture at the University of Richmond. In addition to this volume, she has published articles on topics from 19th century art criticism by literary figures such as Baudelaire and Zola to the Expositions universelles to contemporary artist Kehinde Wiley's influence on French art, as well as co-curating an exhibit of Nineteenth Century French and Russian Art at the Harnett Museum of Art. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century (University of Toronto Press, 2024) examines one of the most revered art historical narratives of Western art: the famous turning point for painting and sculpture usually emblematized by the works of Édouard Manet and then the Impressionists. Instead of the usual revaluation of this turning point, Sara Pappas argues for the importance of the failure to find a cohesive story for the art world in the period itself, a difficulty that carries forward to galleries today. In order to demonstrate the importance of incongruity and disorder, Pappas brings together two worlds that may seem incompatible: nineteenth-century literary writers involved in naturalism and the organization of permanent collections of later nineteenth-century French art in today's museums. Drawing on the art novels and art criticism of these writers, the book provides optimal access to the questions that continue to haunt the categorization and display of nineteenth-century art. Guest Sara Pappas is Associate Professor of French and Visual Culture at the University of Richmond. In addition to this volume, she has published articles on topics from 19th century art criticism by literary figures such as Baudelaire and Zola to the Expositions universelles to contemporary artist Kehinde Wiley's influence on French art, as well as co-curating an exhibit of Nineteenth Century French and Russian Art at the Harnett Museum of Art. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century (University of Toronto Press, 2024) examines one of the most revered art historical narratives of Western art: the famous turning point for painting and sculpture usually emblematized by the works of Édouard Manet and then the Impressionists. Instead of the usual revaluation of this turning point, Sara Pappas argues for the importance of the failure to find a cohesive story for the art world in the period itself, a difficulty that carries forward to galleries today. In order to demonstrate the importance of incongruity and disorder, Pappas brings together two worlds that may seem incompatible: nineteenth-century literary writers involved in naturalism and the organization of permanent collections of later nineteenth-century French art in today's museums. Drawing on the art novels and art criticism of these writers, the book provides optimal access to the questions that continue to haunt the categorization and display of nineteenth-century art. Guest Sara Pappas is Associate Professor of French and Visual Culture at the University of Richmond. In addition to this volume, she has published articles on topics from 19th century art criticism by literary figures such as Baudelaire and Zola to the Expositions universelles to contemporary artist Kehinde Wiley's influence on French art, as well as co-curating an exhibit of Nineteenth Century French and Russian Art at the Harnett Museum of Art. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century (University of Toronto Press, 2024) examines one of the most revered art historical narratives of Western art: the famous turning point for painting and sculpture usually emblematized by the works of Édouard Manet and then the Impressionists. Instead of the usual revaluation of this turning point, Sara Pappas argues for the importance of the failure to find a cohesive story for the art world in the period itself, a difficulty that carries forward to galleries today. In order to demonstrate the importance of incongruity and disorder, Pappas brings together two worlds that may seem incompatible: nineteenth-century literary writers involved in naturalism and the organization of permanent collections of later nineteenth-century French art in today's museums. Drawing on the art novels and art criticism of these writers, the book provides optimal access to the questions that continue to haunt the categorization and display of nineteenth-century art. Guest Sara Pappas is Associate Professor of French and Visual Culture at the University of Richmond. In addition to this volume, she has published articles on topics from 19th century art criticism by literary figures such as Baudelaire and Zola to the Expositions universelles to contemporary artist Kehinde Wiley's influence on French art, as well as co-curating an exhibit of Nineteenth Century French and Russian Art at the Harnett Museum of Art. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

In this episode of The Truth In This Art, the guest is Khadija Jahmila!About Khadija Jahmila: Silver Spring, Maryland–based Afro-Caribbean mixed-media artist, mother, and teaching artist working across hand-cut analog and digital collage. Her pieces pull from folklore and surrealism, layering found and donated print material onto wood panels and reclaimed metal to explore what gets carried forward and what gets left behind.Jahmila talks about the apartment building her family first lived in after settling in Maryland, and how a printed photo of that building became what she calls the "spark image" for a larger piece she made during her residency at Capitol Hill Arts Workshop. She also remembers the exact moment she started calling herself an artist: twenty-one years old, sitting on a sidewalk outside her freshman dorm, writing poetry and reading it back to herself. Good enough that she believed it.Much of the conversation circles back to material. Jahmila started out working almost exclusively with paper, building early pieces from posters she'd picked up after the People's Climate March. Residencies pushed her further, onto wood, onto salvaged street signs, into printing photographs for the first time instead of only scavenging them. She talks about surrealism as something closer to survival than style, a way the African diaspora has always reached for new realities when the old ones didn't leave room to breathe. "We are building the world we want to see," she says at one point, almost in passing.Jahmila also walks through how her relationship with Eaton DC started small, at a local pop-up market, when the hotel's program director stopped in front of one of her digital collages and asked if she'd ever thought about a show. That conversation led to her first solo exhibition, Hindsight is 2020, a piece she nearly lost when her basement flooded mid-project. She talks about salvaging what survived and finishing the work anyway, water damage and all.There's also a section on her year as Season Artist for Baltimore Center Stage, where she worked across six productions with directors and playwrights. She lights up talking about it, comparing it to designing album art—another place where her collage instincts collaborate with someone else's story.Explore Khadija Jahmila's portfolio at khadijajahmila.com/portfolio, and follow her on Instagram at @khadija.jahmila. She currently has work on view in Thresholds at Techne Fine Art in Rockville (through August 22) and SUPERIMPOSED at Pyramid Atlantic Art Center (through August 9), and will exhibit at the FEMME Art Fair at International Square August 26–30.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

[REBROADCAST FROM May 22, 2026] A surrealist crime-comedy film follows the "Velvet Gang," a trio of shoplifters who steal clothes from their favorite luxury retail chain and resell them at a lower price. "Sorry to Bother You" director Boots Riley discusses his latest film, "I Love Boosters" which is now showing at Quad Cinema. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Black Power! A name with a ring to it on both sides of the Atlantic, taken as a sign of Black American rage incarnated by a few names: Malcolm X, Stokely Carmichael, the Black Panthers, Angela Davis. Behind these archetypes of the 1960s and 70s stood a political movement as mutable as it was international, that of Black Power, with the goal of bringing about a global uprising. This insurrection of Black worlds has haunted the West for centuries, rumbling beneath the words of Frantz Fanon and Lorraine Hansberry, the films of Melvin Van Peebles and Sarah Maldoror, in the albums of Sun Ra and Archie Shepp, the poems of Amiri Baraka and Sonia Sanchez. In Fantômes de la révolution noire: Une Histoire culturelle transatlantique ([Ghosts of the Black Revolution: A Transatlantic Cultural History] Éditions Ròt-Bò-Krik, 2026), Grégory Pierrot evokes the ghosts of Black Power and shows that the arts are real laboratories where the Black Revolution is formed, reinvented, and broadcast. Guest Grégory Pierrot is Associate professor of English at the University of Connecticut, where he studies the cultural and artistic networks of the Black Atlantic. In addition to Fantômes de la révolution noire published by Ròt-Bò-Krik earlier this year, Dr. Pierrot has translated and co-translated a series of essays and novels from and into French, and edited or co-edited several volumes concerning the literature of and about the Haitian revolution in French and English. He is also the author of The Black Avenger in Atlantic Culture and Decolonize Hipsters. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Black Power! A name with a ring to it on both sides of the Atlantic, taken as a sign of Black American rage incarnated by a few names: Malcolm X, Stokely Carmichael, the Black Panthers, Angela Davis. Behind these archetypes of the 1960s and 70s stood a political movement as mutable as it was international, that of Black Power, with the goal of bringing about a global uprising. This insurrection of Black worlds has haunted the West for centuries, rumbling beneath the words of Frantz Fanon and Lorraine Hansberry, the films of Melvin Van Peebles and Sarah Maldoror, in the albums of Sun Ra and Archie Shepp, the poems of Amiri Baraka and Sonia Sanchez. In Fantômes de la révolution noire: Une Histoire culturelle transatlantique ([Ghosts of the Black Revolution: A Transatlantic Cultural History] Éditions Ròt-Bò-Krik, 2026), Grégory Pierrot evokes the ghosts of Black Power and shows that the arts are real laboratories where the Black Revolution is formed, reinvented, and broadcast. Guest Grégory Pierrot is Associate professor of English at the University of Connecticut, where he studies the cultural and artistic networks of the Black Atlantic. In addition to Fantômes de la révolution noire published by Ròt-Bò-Krik earlier this year, Dr. Pierrot has translated and co-translated a series of essays and novels from and into French, and edited or co-edited several volumes concerning the literature of and about the Haitian revolution in French and English. He is also the author of The Black Avenger in Atlantic Culture and Decolonize Hipsters. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Black Power! A name with a ring to it on both sides of the Atlantic, taken as a sign of Black American rage incarnated by a few names: Malcolm X, Stokely Carmichael, the Black Panthers, Angela Davis. Behind these archetypes of the 1960s and 70s stood a political movement as mutable as it was international, that of Black Power, with the goal of bringing about a global uprising. This insurrection of Black worlds has haunted the West for centuries, rumbling beneath the words of Frantz Fanon and Lorraine Hansberry, the films of Melvin Van Peebles and Sarah Maldoror, in the albums of Sun Ra and Archie Shepp, the poems of Amiri Baraka and Sonia Sanchez. In Fantômes de la révolution noire: Une Histoire culturelle transatlantique ([Ghosts of the Black Revolution: A Transatlantic Cultural History] Éditions Ròt-Bò-Krik, 2026), Grégory Pierrot evokes the ghosts of Black Power and shows that the arts are real laboratories where the Black Revolution is formed, reinvented, and broadcast. Guest Grégory Pierrot is Associate professor of English at the University of Connecticut, where he studies the cultural and artistic networks of the Black Atlantic. In addition to Fantômes de la révolution noire published by Ròt-Bò-Krik earlier this year, Dr. Pierrot has translated and co-translated a series of essays and novels from and into French, and edited or co-edited several volumes concerning the literature of and about the Haitian revolution in French and English. He is also the author of The Black Avenger in Atlantic Culture and Decolonize Hipsters. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Black Power! A name with a ring to it on both sides of the Atlantic, taken as a sign of Black American rage incarnated by a few names: Malcolm X, Stokely Carmichael, the Black Panthers, Angela Davis. Behind these archetypes of the 1960s and 70s stood a political movement as mutable as it was international, that of Black Power, with the goal of bringing about a global uprising. This insurrection of Black worlds has haunted the West for centuries, rumbling beneath the words of Frantz Fanon and Lorraine Hansberry, the films of Melvin Van Peebles and Sarah Maldoror, in the albums of Sun Ra and Archie Shepp, the poems of Amiri Baraka and Sonia Sanchez. In Fantômes de la révolution noire: Une Histoire culturelle transatlantique ([Ghosts of the Black Revolution: A Transatlantic Cultural History] Éditions Ròt-Bò-Krik, 2026), Grégory Pierrot evokes the ghosts of Black Power and shows that the arts are real laboratories where the Black Revolution is formed, reinvented, and broadcast. Guest Grégory Pierrot is Associate professor of English at the University of Connecticut, where he studies the cultural and artistic networks of the Black Atlantic. In addition to Fantômes de la révolution noire published by Ròt-Bò-Krik earlier this year, Dr. Pierrot has translated and co-translated a series of essays and novels from and into French, and edited or co-edited several volumes concerning the literature of and about the Haitian revolution in French and English. He is also the author of The Black Avenger in Atlantic Culture and Decolonize Hipsters. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Black Power! A name with a ring to it on both sides of the Atlantic, taken as a sign of Black American rage incarnated by a few names: Malcolm X, Stokely Carmichael, the Black Panthers, Angela Davis. Behind these archetypes of the 1960s and 70s stood a political movement as mutable as it was international, that of Black Power, with the goal of bringing about a global uprising. This insurrection of Black worlds has haunted the West for centuries, rumbling beneath the words of Frantz Fanon and Lorraine Hansberry, the films of Melvin Van Peebles and Sarah Maldoror, in the albums of Sun Ra and Archie Shepp, the poems of Amiri Baraka and Sonia Sanchez. In Fantômes de la révolution noire: Une Histoire culturelle transatlantique ([Ghosts of the Black Revolution: A Transatlantic Cultural History] Éditions Ròt-Bò-Krik, 2026), Grégory Pierrot evokes the ghosts of Black Power and shows that the arts are real laboratories where the Black Revolution is formed, reinvented, and broadcast. Guest Grégory Pierrot is Associate professor of English at the University of Connecticut, where he studies the cultural and artistic networks of the Black Atlantic. In addition to Fantômes de la révolution noire published by Ròt-Bò-Krik earlier this year, Dr. Pierrot has translated and co-translated a series of essays and novels from and into French, and edited or co-edited several volumes concerning the literature of and about the Haitian revolution in French and English. He is also the author of The Black Avenger in Atlantic Culture and Decolonize Hipsters. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Max Pearson presents a collection of the week's Witness History interviews from the BBC World Service.Our guest is Mateja Kurir, associate professor at the University of Ljubljana in Slovenia and the editor of the book, On Power in Architecture.We start with Jackie Kennedy's 1962 renovation of the United States' White House and the immigrant workers who protested against rent hikes and living conditions in 1970s France. Next, the toxic explosion in a chemical factory in northern Italy in 1975 and South Sudan's celebration of independence in 2011.Plus, the art movement Dada which began 110 years ago and went on to influence Surrealism and punk.Finally, the Wimbledon final of 2008 between Rafael Nadal and Roger Federer which some call the greatest tennis match ever played.Contributors: Jackie Kennedy - featured in a CBS TV special in 1962. Mohammed Kherbachi - witness to the foyer strikes of the 1970s. Giuseppe Cassina - former Mayor of Seveso. Malual Bol Kiir - on the time of South Sudan's independence. Richard Huelsenbeck - interviewed in 1959 for the BBC programme, The Meaning of Dada. Rafael Nadal - winner of 22 Grand Slam singles titles.(Photo: The White House in 1962. Credit: Getty Images)

In 1916, Zurich was a beacon for refugees. Fleeing the death and destruction of World War I, artists and free-thinkers from all over Europe fled to the neutral Swiss city.And it was here that the people who would start the art movement Dada came together. In a rare interview from 1959, held in the BBC archive, Richard Huelsenbeck describes how the group of young artists and pacifists shared a despair about the war and a disgust for bourgeois values.At the Cabaret Voltaire, he and the Romanian-born poet Tristan Tzara, the French sculptor Jean Arp and Romanian-born artist Marcel Janco experimented. Performances were known for their spontaneity, chance and absurdity - a departure from the conventional which confronted audiences. It was the beginning of an aesthetic which would spread across Europe and to New York City, eventually influencing Surrealism and later punk. This episode is produced and presented by Josephine McDermott.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by and curious about the past. We take you to the events that have shaped our world through the eyes of the people who were there.For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more.Recent episodes explore everything from how the Excel spreadsheet was developed, the creation of cartoon rabbit Miffy and how the sound barrier was broken.We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: the moment Reagan and Gorbachev met in Geneva, Haitian singer Emerante de Pradines' life and Omar Sharif's legendary movie entrance in Lawrence of Arabia.You can learn all about fascinating and surprising stories, like the invention of a stent which has saved lives around the world; the birth of the G7; and the meeting of Maldives' ministers underwater. We cover everything from World War Two and Cold War stories to Black History Month and our journeys into space.(Photo: Scene from the Dadaist film Ballet Mécanique, 1924 from the Collection of Musée national d'art moderne, Paris. Credit: Fine Art Images/Heritage Images via Getty Images.)

Kim Dacres is a first-generation American sculptor of Jamaican descent, who lives in Harlem and works in the Bronx. Dacres's work has been exhibited around the world, including recent solo exhibitions in Paris, New York, NY, and Los Angeles, CA. The artist's first site-specific and permanent outdoor sculptural installation, in partnership with Artbridge at the historic Harlem River Houses, was unveiled in June 2026.  She has a MS.Ed from CUNY Lehman College in Teaching English to Speakers of Other Languages (2010) and a BA from Williams College in, Political Science, Art Studio, and Africana Studies (2008.). Kim spent ten years teaching and leading in New York City public schools before becoming an artist.  Dacres's work has been exhibited around the world, including solo exhibitions at Charles Moffett Gallery in New York, (2023), Gavlak Gallery in Los Angeles, CA (2020) and Palm Beach, FL (2021). Dacres has also participated in group exhibitions internationally and within the U.S., including Surrealism and Us: Caribbean and African Diasporic Artists Since 1940 at the Modern Art Museum of Fort Worth (2024), Black American Portraits at Spelman College Museum of Fine Art, Atlanta, GA (2023) and Los Angeles County Museum of Art, Los Angeles, CA (2021), Sounds of Blackness at The Metropolitan Museum of Manila, Philippines (2023), Godhead – Idols in Times of Crisis at Lustwarande 12th Edition, Tilburg, Netherlands (2022), Arrangements in Black at Phillips, New York, NY (2022), From a Place, Of a Place, presented by ArtNoir X regularnormal X Meatpacking District, New York, NY (2021), Through the Looking Glass, presented by UTA Artist Space, Beverly Hills, CA (2021), Dueling Consciousness, presented by Zidoun-Bossuyt, Luxembourg (2023). Learn more about Kim Dacres here. Follow Kim on Instagram here. Follow the show on IG at @theartofitallshow and follow the host at @dariasimoneharper! Don't forget to rate, review, and subscribe. Sharing an episode with a friend never hurts either;)

With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026), Rachel Silveri takes a fresh look at the desire to unify art and life, an ambition long regarded as foundational to the European historical avant-gardes. She reveals how many early twentieth-century artists saw their own everyday lives—their bodies, identities, and relationships—as a type of creative material and a central component to their avant-garde practice. These artists abandoned traditional forms of artmaking and venues of art viewing, instead aspiring to integrate art with everyday life, creating an “art of living.”  Considering Tristan Tzara's performances of Dadaist identity, Sonia Delaunay's simultaneous fashions and self-branding, and the collective endeavor to open and operate the Surrealist Research Bureau, Silveri offers a new narrative about how the artists of interwar Paris developed experiential life practices that resisted dominant forms of “lifestyle” and normative discourses surrounding gender, ethnicity, and office work. This book argues that ethical questions of “How should I live?” and “How should I relate to others?” were as important to the avant-garde as politics, and that aspirations to change the world played out in daily practices of self-making. Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026), Rachel Silveri takes a fresh look at the desire to unify art and life, an ambition long regarded as foundational to the European historical avant-gardes. She reveals how many early twentieth-century artists saw their own everyday lives—their bodies, identities, and relationships—as a type of creative material and a central component to their avant-garde practice. These artists abandoned traditional forms of artmaking and venues of art viewing, instead aspiring to integrate art with everyday life, creating an “art of living.”  Considering Tristan Tzara's performances of Dadaist identity, Sonia Delaunay's simultaneous fashions and self-branding, and the collective endeavor to open and operate the Surrealist Research Bureau, Silveri offers a new narrative about how the artists of interwar Paris developed experiential life practices that resisted dominant forms of “lifestyle” and normative discourses surrounding gender, ethnicity, and office work. This book argues that ethical questions of “How should I live?” and “How should I relate to others?” were as important to the avant-garde as politics, and that aspirations to change the world played out in daily practices of self-making. Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026), Rachel Silveri takes a fresh look at the desire to unify art and life, an ambition long regarded as foundational to the European historical avant-gardes. She reveals how many early twentieth-century artists saw their own everyday lives—their bodies, identities, and relationships—as a type of creative material and a central component to their avant-garde practice. These artists abandoned traditional forms of artmaking and venues of art viewing, instead aspiring to integrate art with everyday life, creating an “art of living.”  Considering Tristan Tzara's performances of Dadaist identity, Sonia Delaunay's simultaneous fashions and self-branding, and the collective endeavor to open and operate the Surrealist Research Bureau, Silveri offers a new narrative about how the artists of interwar Paris developed experiential life practices that resisted dominant forms of “lifestyle” and normative discourses surrounding gender, ethnicity, and office work. This book argues that ethical questions of “How should I live?” and “How should I relate to others?” were as important to the avant-garde as politics, and that aspirations to change the world played out in daily practices of self-making. Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026), Rachel Silveri takes a fresh look at the desire to unify art and life, an ambition long regarded as foundational to the European historical avant-gardes. She reveals how many early twentieth-century artists saw their own everyday lives—their bodies, identities, and relationships—as a type of creative material and a central component to their avant-garde practice. These artists abandoned traditional forms of artmaking and venues of art viewing, instead aspiring to integrate art with everyday life, creating an “art of living.”  Considering Tristan Tzara's performances of Dadaist identity, Sonia Delaunay's simultaneous fashions and self-branding, and the collective endeavor to open and operate the Surrealist Research Bureau, Silveri offers a new narrative about how the artists of interwar Paris developed experiential life practices that resisted dominant forms of “lifestyle” and normative discourses surrounding gender, ethnicity, and office work. This book argues that ethical questions of “How should I live?” and “How should I relate to others?” were as important to the avant-garde as politics, and that aspirations to change the world played out in daily practices of self-making. Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026), Rachel Silveri takes a fresh look at the desire to unify art and life, an ambition long regarded as foundational to the European historical avant-gardes. She reveals how many early twentieth-century artists saw their own everyday lives—their bodies, identities, and relationships—as a type of creative material and a central component to their avant-garde practice. These artists abandoned traditional forms of artmaking and venues of art viewing, instead aspiring to integrate art with everyday life, creating an “art of living.”  Considering Tristan Tzara's performances of Dadaist identity, Sonia Delaunay's simultaneous fashions and self-branding, and the collective endeavor to open and operate the Surrealist Research Bureau, Silveri offers a new narrative about how the artists of interwar Paris developed experiential life practices that resisted dominant forms of “lifestyle” and normative discourses surrounding gender, ethnicity, and office work. This book argues that ethical questions of “How should I live?” and “How should I relate to others?” were as important to the avant-garde as politics, and that aspirations to change the world played out in daily practices of self-making. Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices

Scott and Joris sit down to get into the guts of Belgium's World Cup journey so far, a journey with plenty of twists and turns and an extraordinary encounter v Senegal.

Watch the full episode here: https://renderingunconscious.substack.com/p/ru408-carl-abrahamsson-on-author Rendering Unconscious is now at Substack: https://renderingunconscious.substack.com RU408: CARL ABRAHAMSSON ON AUTHOR JG BALLARD & THE PSYCHOSEXUAL PATHOLOGY OF INDUSTRIAL CULTURE Rendering Unconscious welcomes Carl Abrahamsson back to the podcast! He's here to talk about his upcoming online course The Psychosexual Pathology of Industrial Culture:The World of J.G. Ballard: with Author Carl Abrahamsson, Begins July 5. https://www.morbidanatomy.org/classes/p/jg-ballard-the-psychosexual-pathology-of-industrial-culture-with-author-carl-abrahamsson PLEASE NOTE: Classes will be recorded and archived for those who cannot attend live. Rendering Unconscious episode 408. On this episode, Carl discusses the life and work of acclaimed author J.G. Ballard and provides a teaser for his upcoming course The Psychosexual Pathology of Industrial Culture:The World of J.G. Ballard, which begins Sunday, July 5th and runs for 4 weeks. Join author Carl Abrahamsson for a guided exploration of the life and work of J. G. Ballard, one of the most visionary writers of the modern world. Ballard saw science fiction not in distant galaxies, but in the landscapes we already inhabit: highways, high-rises, airports, and shopping malls. Carl will also be teaching two more online classes for Morbid Anatomy this autumn: Philip K. Dick: Paranoid Iconoclast with Author Carl Abrahamsson, Begins September 6: https://www.morbidanatomy.org/classes/p/philip-k-dick-paranoid-iconoclast-with-author-carl-abrahamsson Ray Bradbury: Dark Carnival, Bright Mind with Author Carl Abrahamsson, Begins October 4: https://www.morbidanatomy.org/classes/p/ray-bradbury-dark-carnival-bright-mind-with-author-carl-abrahamsson Carl Abrahamsson is the author of more than 20 books, many of which are inspired by his decades of experience working with occulture and magic. He is also the editor and publisher of the occultural journal The Fenris Wolf (1989-present day). He lives with his wife, American psychoanalyst Vanessa Sinclair, in Vimmerby, Sweden. https://linktr.ee/CarlAbrahamsson Follow Carl's Substacks An Art Apart and The Fenris Wolf for ongoing content about culture and occulture, respectively. https://thefenriswolf.substack.com https://anartapart.substack.com Our creative and magical work together is housed at our joint Patreon, where we post exclusive content multiple times per week! https://www.patreon.com/c/vanessa23carl You may find your favorite Rendering Unconscious Podcast episodes and guests here: https://renderingunconscious.substack.com/p/episodes Rendering Unconscious is also a book: Rendering Unconscious: Psychoanalytic Perspectives, Politics & Poetry vols 1:1 & 1:2 (Trapart Books, 2024): https://amzn.to/4sOqSEu Thank you for being a paid subscriber to Rendering Unconscious Podcast. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including new, future, and archival podcast episodes. It's so important to maintain independent spaces free from censorship and corporate influence. If you are interested in pursuing psychoanalytic treatment or supervision with me, please feel free to contact me directly: www.drvanessasinclair.net/contact/ The song at the end of this episode is "Humbly Triumphant" from the album "The Larval Stage of a Bookworm" by Carl Abrahamsson: https://carlabrahamsson.bandcamp.com/album/the-larval-stage-of-a-bookworm Also available at Spotify and other streaming services. https://open.spotify.com/album/54cJmXEG9uz824XVGBr32O?si=-LAP30vZSrmkHW7baWcjjA Links to everything can be found at: https://linktr.ee/renderingunconscious Enjoy! Thank You.

Leafstar follows through on her decision despite several interruptions. It helps that her deputy approves - even if no one else (alive) does. Book: Super Edition: SkyClan's DestinySupport us on Ko-fi! WCWITCast Ko-fiFollow us on BlueSky! WCWITCastFollow us on Instagram! WCWITCastCat Fact Sources:Leonor Fini - WikipediaLeonor Fini: The Artist Who Thought Like a Cat - Cats MuseumLeonor Fini | Biography, Surrealism, Paintings, & Facts | BritannicaLeonor Fini Paintings, Bio, Ideas | TheArtStoryLeonor Fini | Weinstein GalleryThe Enduring Allure of Surrealist Leonor Fini | Artnet NewsMusic:Happy Boy End Theme Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0https://creativecommons.org/licenses/by/4.0/This transformative podcast work constitutes a fair-use of any copyrighted material as provided for in section 107 of the US copyright law. Warrior Cats: What is That? is not endorsed or supported by Harper Collins and/or Working Partners. All views are our own.

In this episode of the AART Podcast, host Chris Stafford sits down with renowned American digital collage artist Maggie Taylor, whose dreamlike, surreal imagery has redefined the boundaries between photography, technology, and fine art.Known for her pioneering work in digital collage, Maggie Taylor creates richly layered visual narratives that blend 19th-century photographic elements with contemporary digital tools. Her work invites viewers into imaginative, often whimsical worlds—where memory, symbolism, and storytelling converge in unexpected ways. In this intimate and insightful conversation, Maggie shares how she discovered her distinctive artistic voice, her transition from traditional photography to digital media, and how tools like Photoshop became central to her creative process.Raised in a creative environment and married to photographer Jerry Uelsmann, Maggie Taylor developed an early appreciation for photographic experimentation. Yet she forged her own path, becoming one of the most recognized figures in digital art. Her work has been exhibited internationally and is held in major museum collections, including the Art Institute of Chicago, the George Eastman Museum, and the Smithsonian American Art Museum.On AART, Maggie reflects on the evolution of her career, the role of intuition in her artistic decisions, and the balance between control and discovery when creating complex digital compositions. She also discusses the emotional resonance of her work, the importance of curiosity, and how artists can embrace new technologies without losing their authenticity. This episode offers a fascinating look into the mind of an artist who has quietly but profoundly influenced contemporary visual culture. Whether you're an artist, photographer, or simply someone drawn to imaginative storytelling, Maggie Taylor's journey is both inspiring and deeply thought-provoking.Maggie's links website: www.maggietaylor.com Instagram: @maggietaylor.art Some favorite women artists: Julie Blackmon, Sandy Skogland, Lori Nix, Cig Harvey, Marion Peck, Lori Vrba, Claire RosenDinner party guests: Patti Smith, Aimee Mann, Laurie Anderson, Tilda Swinton, Kara Swisher, and Eve SchoolerKeywords: Maggie Taylor, digital collage artist, American artist Maggie Taylor, surreal digital art, digital collage photography, contemporary digital artists, Photoshop art, fine art photography, AART podcast, Chris Stafford podcast, women artists interview, visual storytelling, surrealism in digital art, creative process artists, modern collage art, experimental photography, women in art podcast, artist interviews, contemporary art podcast, museum exhibited artists, digital art techniques, storytelling through images, imaginative art, photography and technology, Jerry Uelsmann influence, American contemporary artists, art podcast interviews, Women Unscripted podcast networkBecome a supporter of this podcast: https://www.spreaker.com/podcast/women-unscripted--4769409/support.Host: Chris StaffordProduced by Hollowell StudiosFollow @twomenunscriptedpodcasts on InstagramOn Facebook at Women Unscripted PodcastsEmail: hollowellstudios@gmail.com

In this episode of the AART Podcast, host Chris Stafford sits down with renowned American digital collage artist Maggie Taylor, whose dreamlike, surreal imagery has redefined the boundaries between photography, technology, and fine art.Known for her pioneering work in digital collage, Maggie Taylor creates richly layered visual narratives that blend 19th-century photographic elements with contemporary digital tools. Her work invites viewers into imaginative, often whimsical worlds—where memory, symbolism, and storytelling converge in unexpected ways. In this intimate and insightful conversation, Maggie shares how she discovered her distinctive artistic voice, her transition from traditional photography to digital media, and how tools like Photoshop became central to her creative process.Raised in a creative environment and married to photographer Jerry Uelsmann, Maggie Taylor developed an early appreciation for photographic experimentation. Yet she forged her own path, becoming one of the most recognized figures in digital art. Her work has been exhibited internationally and is held in major museum collections, including the Art Institute of Chicago, the George Eastman Museum, and the Smithsonian American Art Museum.On AART, Maggie reflects on the evolution of her career, the role of intuition in her artistic decisions, and the balance between control and discovery when creating complex digital compositions. She also discusses the emotional resonance of her work, the importance of curiosity, and how artists can embrace new technologies without losing their authenticity. This episode offers a fascinating look into the mind of an artist who has quietly but profoundly influenced contemporary visual culture. Whether you're an artist, photographer, or simply someone drawn to imaginative storytelling, Maggie Taylor's journey is both inspiring and deeply thought-provoking.Maggie's links website: www.maggietaylor.com Instagram: @maggietaylor.art Some favorite women artists: Julie Blackmon, Sandy Skogland, Lori Nix, Cig Harvey, Marion Peck, Lori Vrba, Claire RosenDinner party guests: Patti Smith, Aimee Mann, Laurie Anderson, Tilda Swinton, Kara Swisher, and Eve SchoolerKeywords: Maggie Taylor, digital collage artist, American artist Maggie Taylor, surreal digital art, digital collage photography, contemporary digital artists, Photoshop art, fine art photography, AART podcast, Chris Stafford podcast, women artists interview, visual storytelling, surrealism in digital art, creative process artists, modern collage art, experimental photography, women in art podcast, artist interviews, contemporary art podcast, museum exhibited artists, digital art techniques, storytelling through images, imaginative art, photography and technology, Jerry Uelsmann influence, American contemporary artists, art podcast interviews, Women Unscripted podcast networkBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.A Hollowell Studios ProductionInstagram: @theaartpodcast Email: theaartpodcast@gmail.com© Copyright: Chris Stafford | Hollowell StudiosAll Rights Reserved

The study of French science fiction – even in France – remains an underexploited field. Only recently have French literary scholars been able to gain recognition for the validity of studying SF, but their works are often literary histories. Reimagining the Human in Contemporary French Science Fiction (Liverpool UP, 2023) is the first book-length study to take into account both French and Anglo-American intellectual trends, theories, and SF scholarship and apply them to a corpus of French works. It shows how contemporary French SF imagines two broad philosophical inquiries into the powerful, yet terrifying geological age of the Anthropocene: posthumanism and transhumanism. While the posthumanist perspective calls attention to the interdependence and co-evolution of humans and nonhumans within a complex ecosystem of life, the transhumanist view of coping with the Anthropocene offers more pragmatic, tool-based solutions, rather than a reworking of the human imagination. Given the history of philosophical thought's entanglement with literature in France, French SF can tell us a lot about this existential crisis of Anthropos as both destroyer and savior of worlds and bodies alike. With a focus on encounters between humans, nonhumans, and posthumans in selected works, this book investigates both the immaterial (the psychological state of the mind) and material (the body) stakes of posthumanist or transhumanist thinking in French SF. Guest Christina Lord is Associate Professor of French at the University of North Carolina Wilmington. As a scholar of French and francophone studies and science fiction (sf) studies, she often writes about nonhuman beings in literary and visual storytelling. In addition to Reimagining the Human She has published essays in Nineteenth-Century French Studies, Oeuvres et Critiques, Studies in the Fantastic, and European Comic Art, among others. She also serves as contributing editor for the section on “Speculative Studies in French” for the bibliographic journal, The Year's Work in Modern Language Studies. Her current research focuses on transnational and transmedial processes of circulation, recycling, and adaptation of sf imagery and narratives. Her current work focuses on the "alien aesthetic" of Denis Villeneuve's sf films and the iconography of mid-twentieth century French comics, Valérian et Laureline. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript underreview on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The study of French science fiction – even in France – remains an underexploited field. Only recently have French literary scholars been able to gain recognition for the validity of studying SF, but their works are often literary histories. Reimagining the Human in Contemporary French Science Fiction (Liverpool UP, 2023) is the first book-length study to take into account both French and Anglo-American intellectual trends, theories, and SF scholarship and apply them to a corpus of French works. It shows how contemporary French SF imagines two broad philosophical inquiries into the powerful, yet terrifying geological age of the Anthropocene: posthumanism and transhumanism. While the posthumanist perspective calls attention to the interdependence and co-evolution of humans and nonhumans within a complex ecosystem of life, the transhumanist view of coping with the Anthropocene offers more pragmatic, tool-based solutions, rather than a reworking of the human imagination. Given the history of philosophical thought's entanglement with literature in France, French SF can tell us a lot about this existential crisis of Anthropos as both destroyer and savior of worlds and bodies alike. With a focus on encounters between humans, nonhumans, and posthumans in selected works, this book investigates both the immaterial (the psychological state of the mind) and material (the body) stakes of posthumanist or transhumanist thinking in French SF. Guest Christina Lord is Associate Professor of French at the University of North Carolina Wilmington. As a scholar of French and francophone studies and science fiction (sf) studies, she often writes about nonhuman beings in literary and visual storytelling. In addition to Reimagining the Human She has published essays in Nineteenth-Century French Studies, Oeuvres et Critiques, Studies in the Fantastic, and European Comic Art, among others. She also serves as contributing editor for the section on “Speculative Studies in French” for the bibliographic journal, The Year's Work in Modern Language Studies. Her current research focuses on transnational and transmedial processes of circulation, recycling, and adaptation of sf imagery and narratives. Her current work focuses on the "alien aesthetic" of Denis Villeneuve's sf films and the iconography of mid-twentieth century French comics, Valérian et Laureline. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript underreview on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction

The study of French science fiction – even in France – remains an underexploited field. Only recently have French literary scholars been able to gain recognition for the validity of studying SF, but their works are often literary histories. Reimagining the Human in Contemporary French Science Fiction (Liverpool UP, 2023) is the first book-length study to take into account both French and Anglo-American intellectual trends, theories, and SF scholarship and apply them to a corpus of French works. It shows how contemporary French SF imagines two broad philosophical inquiries into the powerful, yet terrifying geological age of the Anthropocene: posthumanism and transhumanism. While the posthumanist perspective calls attention to the interdependence and co-evolution of humans and nonhumans within a complex ecosystem of life, the transhumanist view of coping with the Anthropocene offers more pragmatic, tool-based solutions, rather than a reworking of the human imagination. Given the history of philosophical thought's entanglement with literature in France, French SF can tell us a lot about this existential crisis of Anthropos as both destroyer and savior of worlds and bodies alike. With a focus on encounters between humans, nonhumans, and posthumans in selected works, this book investigates both the immaterial (the psychological state of the mind) and material (the body) stakes of posthumanist or transhumanist thinking in French SF. Guest Christina Lord is Associate Professor of French at the University of North Carolina Wilmington. As a scholar of French and francophone studies and science fiction (sf) studies, she often writes about nonhuman beings in literary and visual storytelling. In addition to Reimagining the Human She has published essays in Nineteenth-Century French Studies, Oeuvres et Critiques, Studies in the Fantastic, and European Comic Art, among others. She also serves as contributing editor for the section on “Speculative Studies in French” for the bibliographic journal, The Year's Work in Modern Language Studies. Her current research focuses on transnational and transmedial processes of circulation, recycling, and adaptation of sf imagery and narratives. Her current work focuses on the "alien aesthetic" of Denis Villeneuve's sf films and the iconography of mid-twentieth century French comics, Valérian et Laureline. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript underreview on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The study of French science fiction – even in France – remains an underexploited field. Only recently have French literary scholars been able to gain recognition for the validity of studying SF, but their works are often literary histories. Reimagining the Human in Contemporary French Science Fiction (Liverpool UP, 2023) is the first book-length study to take into account both French and Anglo-American intellectual trends, theories, and SF scholarship and apply them to a corpus of French works. It shows how contemporary French SF imagines two broad philosophical inquiries into the powerful, yet terrifying geological age of the Anthropocene: posthumanism and transhumanism. While the posthumanist perspective calls attention to the interdependence and co-evolution of humans and nonhumans within a complex ecosystem of life, the transhumanist view of coping with the Anthropocene offers more pragmatic, tool-based solutions, rather than a reworking of the human imagination. Given the history of philosophical thought's entanglement with literature in France, French SF can tell us a lot about this existential crisis of Anthropos as both destroyer and savior of worlds and bodies alike. With a focus on encounters between humans, nonhumans, and posthumans in selected works, this book investigates both the immaterial (the psychological state of the mind) and material (the body) stakes of posthumanist or transhumanist thinking in French SF. Guest Christina Lord is Associate Professor of French at the University of North Carolina Wilmington. As a scholar of French and francophone studies and science fiction (sf) studies, she often writes about nonhuman beings in literary and visual storytelling. In addition to Reimagining the Human She has published essays in Nineteenth-Century French Studies, Oeuvres et Critiques, Studies in the Fantastic, and European Comic Art, among others. She also serves as contributing editor for the section on “Speculative Studies in French” for the bibliographic journal, The Year's Work in Modern Language Studies. Her current research focuses on transnational and transmedial processes of circulation, recycling, and adaptation of sf imagery and narratives. Her current work focuses on the "alien aesthetic" of Denis Villeneuve's sf films and the iconography of mid-twentieth century French comics, Valérian et Laureline. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript underreview on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Contemporary French and Francophone Futuristic Novels: The Longing to be Written and Its Refusal (Palgrave Macmillan, 2022) sheds a new light on the metafictional aspects of futuristic and science fiction novels, at the crossroads of information and media studies, possible worlds theories applied to cognitive narratology, questions related to the criticism of post-humanity, and, more broadly, contemporary French and Francophone literature. It examines the fictional minds of characters and their conceptions of resistance to the anticipated worlds they inhabit, particularly in novels by Pierre Bordage, Marie Darrieussecq, Michel Houellebecq, Amin Maalouf, Jean-Christophe Rufin, Antoine Volodine, and Élisabeth Vonarburg. It also explores how corporal postures serve as a matrix for philosophical quests in novels by Amélie Nothomb, Alain Damasio, and Romain Lucazeau. More specifically, from the fictional readers' points of view, it provides a critical approach to the mythologies of writing, in the wake of the French philosophical tales by authors including Cyrano de Bergerac and Voltaire, to question the traditionally expressed formulations of the mythologies of writing, that is, of the metaphors of the book (the book of life, nature, and the world), to rethink the idea of a humanity within its limits. Guest Emmanuel Buzay is currently working as an international technical expert for the Modern Language Association and the French Embassy in the US, having previously held appointments at UMass Amherst and the University of Connecticut. In addition to this monograph, he has published book chapters on topics from Frankenstein to Michel Houellebecq, and his articles have appeared in Nouvelles Études Francophones, Res Futurae, and Contemporary French and Francophone Studies. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Contemporary French and Francophone Futuristic Novels: The Longing to be Written and Its Refusal (Palgrave Macmillan, 2022) sheds a new light on the metafictional aspects of futuristic and science fiction novels, at the crossroads of information and media studies, possible worlds theories applied to cognitive narratology, questions related to the criticism of post-humanity, and, more broadly, contemporary French and Francophone literature. It examines the fictional minds of characters and their conceptions of resistance to the anticipated worlds they inhabit, particularly in novels by Pierre Bordage, Marie Darrieussecq, Michel Houellebecq, Amin Maalouf, Jean-Christophe Rufin, Antoine Volodine, and Élisabeth Vonarburg. It also explores how corporal postures serve as a matrix for philosophical quests in novels by Amélie Nothomb, Alain Damasio, and Romain Lucazeau. More specifically, from the fictional readers' points of view, it provides a critical approach to the mythologies of writing, in the wake of the French philosophical tales by authors including Cyrano de Bergerac and Voltaire, to question the traditionally expressed formulations of the mythologies of writing, that is, of the metaphors of the book (the book of life, nature, and the world), to rethink the idea of a humanity within its limits. Guest Emmanuel Buzay is currently working as an international technical expert for the Modern Language Association and the French Embassy in the US, having previously held appointments at UMass Amherst and the University of Connecticut. In addition to this monograph, he has published book chapters on topics from Frankenstein to Michel Houellebecq, and his articles have appeared in Nouvelles Études Francophones, Res Futurae, and Contemporary French and Francophone Studies. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Contemporary French and Francophone Futuristic Novels: The Longing to be Written and Its Refusal (Palgrave Macmillan, 2022) sheds a new light on the metafictional aspects of futuristic and science fiction novels, at the crossroads of information and media studies, possible worlds theories applied to cognitive narratology, questions related to the criticism of post-humanity, and, more broadly, contemporary French and Francophone literature. It examines the fictional minds of characters and their conceptions of resistance to the anticipated worlds they inhabit, particularly in novels by Pierre Bordage, Marie Darrieussecq, Michel Houellebecq, Amin Maalouf, Jean-Christophe Rufin, Antoine Volodine, and Élisabeth Vonarburg. It also explores how corporal postures serve as a matrix for philosophical quests in novels by Amélie Nothomb, Alain Damasio, and Romain Lucazeau. More specifically, from the fictional readers' points of view, it provides a critical approach to the mythologies of writing, in the wake of the French philosophical tales by authors including Cyrano de Bergerac and Voltaire, to question the traditionally expressed formulations of the mythologies of writing, that is, of the metaphors of the book (the book of life, nature, and the world), to rethink the idea of a humanity within its limits. Guest Emmanuel Buzay is currently working as an international technical expert for the Modern Language Association and the French Embassy in the US, having previously held appointments at UMass Amherst and the University of Connecticut. In addition to this monograph, he has published book chapters on topics from Frankenstein to Michel Houellebecq, and his articles have appeared in Nouvelles Études Francophones, Res Futurae, and Contemporary French and Francophone Studies. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

It's been 8 long years since Boots Riley's directorial debut (Sorry to Bother You) surprised and delighted moviegoers. Does his follow-up deliver on color, comedy, and chaos? We've got Black People Love Paramore's Ryann Graham with us to discuss I Love Boosters. Then, we talk about how some of the sci-fi tech from this film might be deployed in other movies! What's Good Alonso - Getting things “Christmas” (both red and green chile) in Albuquerque Drea - Baked Ruffles Ryann - El Pollo Loco Kevin - mystery sauce saga ITIDIC Team Behind “Americana at Brand Memes” Writing Heist Comedy 2 Previously Unseeable Documentaries Are Getting a Chance to Be Seen: Spacewoman and Boorman & the Devil Staff Picks Drea - Dead Pigs Alonso - Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (Upcoming Cinematographe release) Ryann - Obsession Kevin - Legally Blonde This episode edited by Gabe Mara Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinmaxfilm Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

A new surrealist crime-comedy film follows the "Velvet Gang"--- a trio of shoplifters, who steal clothes from their favorite luxury retail chain and resell them at a lower price. "Sorry to Bother You" director Boots Riley joins us to discuss his latest film, "I Love Boosters" which is in theaters now. Photo courtesy of the film Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tonight, Andrew will talk on the topic of Surrealism until you fall asleep.  Start your 7-day free trial of Send Me to Sleep Premium today, and enjoy our two upcoming exclusive episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://sendmetosleep.supercast.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Welcome to Send Me To Sleep, the place to find a good night's rest. My name is Andrew, and I help you fall asleep by reading relaxing books and stories. If you find this podcast effective, please consider following, so you can stay up-to-date with new weekly episodes and fall asleep consistently, each night. Enjoying the show? Leave us a rating and review: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Visit our website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.slumberstudios.com Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/sendmetosleepco/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Do not listen to this sleep story whilst driving or operating machinery. Please only listen to the Send Me To Sleep podcast in a safe place where you can relax and fall asleep. Our AppsRedeem exclusive, unlimited access to premium content for 1 month FREE in our mobile apps built by the Slumber Studios team:Deep Sleep Sounds App: deepsleepsounds.com/sendmetosleepSlumber App: slumber.fm/sendmetosleep Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tonight, Andrew will talk on the topic of Surrealism until you fall asleep.  Start your 7-day free trial of Send Me to Sleep Premium today, and enjoy our two upcoming exclusive episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://sendmetosleep.supercast.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Welcome to Send Me To Sleep, the place to find a good night's rest. My name is Andrew, and I help you fall asleep by reading relaxing books and stories. If you find this podcast effective, please consider following, so you can stay up-to-date with new weekly episodes and fall asleep consistently, each night. Enjoying the show? Leave us a rating and review: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Visit our website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.slumberstudios.com Follow us on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/sendmetosleepco/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Do not listen to this sleep story whilst driving or operating machinery. Please only listen to the Send Me To Sleep podcast in a safe place where you can relax and fall asleep. Our AppsRedeem exclusive, unlimited access to premium content for 1 month FREE in our mobile apps built by the Slumber Studios team:Deep Sleep Sounds App: deepsleepsounds.com/sendmetosleepSlumber App: slumber.fm/sendmetosleep Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.