Podcasts about Surrealism

In this episode of The Compendium, we dive into the wild, beautiful, and often brutal life of Frida Kahlo. Frida Kahlo is the artist who turned her pain into power. From the accident that shattered her spine to the politics, love affairs, and Diego Rivera drama that filled her world, Frida painted every heartbreak straight onto the canvas. And today I'm going to tell Adam all about it as we explore her bold self-portraits, her surrealism before it had a name, and how a woman once dismissed as “Diego's wife” became a global symbol of art, rebellion, and self-expression, from La Casa Azul to the Tate Modern. We give you just the Compendium, but if you want more, here are our resources: Frida (2002) – Directed by Julie Taymor Frida: A Biography of Frida Kahlo – by Hayden Herrera Complete Works – Frida Kahlo – Frida Kahlo Foundation Frida: The Making of an Icon – Exhibition at Tate Modern Host & Show Info Hosts: Kyle Risi & Adam Cox Topic Suggested by: Samantha Bingley Intro Music: Alice in dark Wonderland by Aleksey Chistilin Trailer Music: Stealy Move by Soundroll Community & Calls to Action  Review & follow on: Spotify & Apple Podcasts  Follow us on Instagram: @theCompendiumPodcast  Visit us at: TheCompendiumPodcast.com ️ Early access episodes: Patreon  Share this episode with a friend! If you enjoyed it, tag us on social media and let us know your favorite takeaway. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

#AD - Cork Street Galleries special episode!We meet art critic Louisa Buck to explore 100 years of Cork Street!Cork Street Galleries this year celebrates its centenary as a pioneering force in the art world, with 2025 marking 100 years as the iconic London art destination. A specially curated programme honours its rich legacy as the historic and enduring home of modern and contemporary art in London.In tribute to the centennial year, a first-of-its-kind initiative, a group exhibition entitled Fear Gives Wings to Courage was staged across all 15 galleries on Cork Street in the Summer, with each gallery presenting a response to a central theme conceived by Tarini Malik, curator of modern and contemporary Art at the Royal Academy of Arts, London.Fear Gives Wings to Courage has been commissioned in three parts as a response to the curatorial theme conceived by Malik. This is comprised of Fear Gives Wings to Courage Part I; a new edition of the Cork Street Galleries Banners Commission forming an outdoor element of the exhibition on view until the end of 2025; Fear Gives Wings to Courage Part II; a presentation of works within each participating gallery space, on view from 11 to 25 July 2025; and Fear Gives Wings to Courage Part III; CATALOGUE Issue 8:0, guest-edited by Malik, which coincided with Frieze London 2025.Taking its title from Jean Cocteau's seminal 1938 work La peur donnant des ailes au courage(Fear Giving Wings to Courage), the exhibition celebrates 100 years of Cork Street and the transformative potential of artists' voices both within gallery spaces and outside of them. Gesturing to the street's long-established cultural history, the exhibition's theme recalls Cork Street's pioneering role in transforming London into a hub for international art practices in the twentieth century, while also making it one of the key platforms in Europe for the expansion of Surrealist and Dadaist movements.13 years after Freddy Mayor established the first gallery on Cork Street in 1925, Peggy Guggenheim opened her 'Guggenheim Jeune' gallery in 1938. While hosting her first show with the famed polymath Jean Cocteau, the gallery stirred up significant controversy due to his painting La peur donnant des ailes au courage (Fear Giving Wings to Courage), which was confiscated by British customs authorities upon arrival in the United Kingdom. Similarly, this exhibition nods to the necessity of the gallery ecosystem in encouraging, upholding and presenting artists' practices that are assertions of agency in the face of societal and political pressures. The galleries on Cork Street were asked to respond to the theme with artists' work that can be thought of as emblematic of Cocteau's unabashed vigour and Guggenheim's abiding belief in supporting artists. The galleries were also encouraged to profile artists who continue to draw from the legacies of Surrealism, not as a mere style or movement within the Western canon, but rather as a state of mind; a fluid, boundless approach of navigating notions of the self and society that transgress borders and temporalities. Follow @CorkStreetGalleries and Visit http://CorkStGalleries.com to discover more about this history of Cork Street as well as current exhibitions! Follow Louisa Buck on her Instagram @LouBuck01 Hosted on Acast. See acast.com/privacy for more information.

Mike talks with filmmaker Todd Rohal in a lively, no-holds-barred tour through one of the most delightfully unclassifiable careers in American indie cinema. From Knuckleface Jones to The Catechism Cataclysm, Rohal has carved out a lane where misfits, surreal detours, and emotional gut-punches live side-by-side.The conversation zeroes in on F*** My Son (2025), his bold and darkly comic new feature that pushes his sensibilities into feral, confrontational territory. Rohal talks process, chaos, collaboration, and why he wants to work in a hardware store.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Mike talks with filmmaker Todd Rohal in a lively, no-holds-barred tour through one of the most delightfully unclassifiable careers in American indie cinema. From Knuckleface Jones to The Catechism Cataclysm, Rohal has carved out a lane where misfits, surreal detours, and emotional gut-punches live side-by-side.The conversation zeroes in on F*** My Son (2025), his bold and darkly comic new feature that pushes his sensibilities into feral, confrontational territory. Rohal talks process, chaos, collaboration, and why he wants to work in a hardware store.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Gender by the Book: 21st-Century French Children's Literature (Routledge, 2025) investigates the gender representations that French children's literature transmits to readers today. Using an interdisciplinary, mixed methods approach, this book grounds its literary analysis in a sociohistorical examination of three key institutions – libraries, book clubs, and subscription magazines – that circulate reading material to children. It shows how French policies, cultural beliefs, and market forces influence the content of children's literature, including tensions between State support for unprofitable artistic endeavors and a belief in children's right to high-quality products on the one hand, and suspicion of activism as anathema to creativity and fear of losing boy readers on the other. In addition, the notion of universalism, which asserts that equality is best achieved when society is blind to differences, thwarts a diverse and equitable array of literary representations. Nevertheless, conditions are favorable for 21st-century French children's publishers to offer a robust body of richly entertaining egalitarian literature for children. Guest Julie Fette, author of Gender by the Book: 21st-Century French Children's Literature published in October 2024 by Routledge. Dr. Fette is Associate Professor of French Studies at Rice University where she is also Rice Faculty Scholar at the Center for the Middle East, Baker Institute and a Faculty Affiliate with the Center for the Study of Women, Gender, and Sexuality. She is also the author of Exclusions: Practicing Prejudice in French Law and Medicine, 1920-1945 from Cornell University Press in 2012 and the co-author of the textbook Les Français from Hackett in 2021, as well as numerous articles and book chapters on subjects from gender and professional life in France to teaching French studies in the classroom and online.  Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Gender by the Book: 21st-Century French Children's Literature (Routledge, 2025) investigates the gender representations that French children's literature transmits to readers today. Using an interdisciplinary, mixed methods approach, this book grounds its literary analysis in a sociohistorical examination of three key institutions – libraries, book clubs, and subscription magazines – that circulate reading material to children. It shows how French policies, cultural beliefs, and market forces influence the content of children's literature, including tensions between State support for unprofitable artistic endeavors and a belief in children's right to high-quality products on the one hand, and suspicion of activism as anathema to creativity and fear of losing boy readers on the other. In addition, the notion of universalism, which asserts that equality is best achieved when society is blind to differences, thwarts a diverse and equitable array of literary representations. Nevertheless, conditions are favorable for 21st-century French children's publishers to offer a robust body of richly entertaining egalitarian literature for children. Guest Julie Fette, author of Gender by the Book: 21st-Century French Children's Literature published in October 2024 by Routledge. Dr. Fette is Associate Professor of French Studies at Rice University where she is also Rice Faculty Scholar at the Center for the Middle East, Baker Institute and a Faculty Affiliate with the Center for the Study of Women, Gender, and Sexuality. She is also the author of Exclusions: Practicing Prejudice in French Law and Medicine, 1920-1945 from Cornell University Press in 2012 and the co-author of the textbook Les Français from Hackett in 2021, as well as numerous articles and book chapters on subjects from gender and professional life in France to teaching French studies in the classroom and online.  Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Gender by the Book: 21st-Century French Children's Literature (Routledge, 2025) investigates the gender representations that French children's literature transmits to readers today. Using an interdisciplinary, mixed methods approach, this book grounds its literary analysis in a sociohistorical examination of three key institutions – libraries, book clubs, and subscription magazines – that circulate reading material to children. It shows how French policies, cultural beliefs, and market forces influence the content of children's literature, including tensions between State support for unprofitable artistic endeavors and a belief in children's right to high-quality products on the one hand, and suspicion of activism as anathema to creativity and fear of losing boy readers on the other. In addition, the notion of universalism, which asserts that equality is best achieved when society is blind to differences, thwarts a diverse and equitable array of literary representations. Nevertheless, conditions are favorable for 21st-century French children's publishers to offer a robust body of richly entertaining egalitarian literature for children. Guest Julie Fette, author of Gender by the Book: 21st-Century French Children's Literature published in October 2024 by Routledge. Dr. Fette is Associate Professor of French Studies at Rice University where she is also Rice Faculty Scholar at the Center for the Middle East, Baker Institute and a Faculty Affiliate with the Center for the Study of Women, Gender, and Sexuality. She is also the author of Exclusions: Practicing Prejudice in French Law and Medicine, 1920-1945 from Cornell University Press in 2012 and the co-author of the textbook Les Français from Hackett in 2021, as well as numerous articles and book chapters on subjects from gender and professional life in France to teaching French studies in the classroom and online.  Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

Gender by the Book: 21st-Century French Children's Literature (Routledge, 2025) investigates the gender representations that French children's literature transmits to readers today. Using an interdisciplinary, mixed methods approach, this book grounds its literary analysis in a sociohistorical examination of three key institutions – libraries, book clubs, and subscription magazines – that circulate reading material to children. It shows how French policies, cultural beliefs, and market forces influence the content of children's literature, including tensions between State support for unprofitable artistic endeavors and a belief in children's right to high-quality products on the one hand, and suspicion of activism as anathema to creativity and fear of losing boy readers on the other. In addition, the notion of universalism, which asserts that equality is best achieved when society is blind to differences, thwarts a diverse and equitable array of literary representations. Nevertheless, conditions are favorable for 21st-century French children's publishers to offer a robust body of richly entertaining egalitarian literature for children. Guest Julie Fette, author of Gender by the Book: 21st-Century French Children's Literature published in October 2024 by Routledge. Dr. Fette is Associate Professor of French Studies at Rice University where she is also Rice Faculty Scholar at the Center for the Middle East, Baker Institute and a Faculty Affiliate with the Center for the Study of Women, Gender, and Sexuality. She is also the author of Exclusions: Practicing Prejudice in French Law and Medicine, 1920-1945 from Cornell University Press in 2012 and the co-author of the textbook Les Français from Hackett in 2021, as well as numerous articles and book chapters on subjects from gender and professional life in France to teaching French studies in the classroom and online.  Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Gender by the Book: 21st-Century French Children's Literature (Routledge, 2025) investigates the gender representations that French children's literature transmits to readers today. Using an interdisciplinary, mixed methods approach, this book grounds its literary analysis in a sociohistorical examination of three key institutions – libraries, book clubs, and subscription magazines – that circulate reading material to children. It shows how French policies, cultural beliefs, and market forces influence the content of children's literature, including tensions between State support for unprofitable artistic endeavors and a belief in children's right to high-quality products on the one hand, and suspicion of activism as anathema to creativity and fear of losing boy readers on the other. In addition, the notion of universalism, which asserts that equality is best achieved when society is blind to differences, thwarts a diverse and equitable array of literary representations. Nevertheless, conditions are favorable for 21st-century French children's publishers to offer a robust body of richly entertaining egalitarian literature for children. Guest Julie Fette, author of Gender by the Book: 21st-Century French Children's Literature published in October 2024 by Routledge. Dr. Fette is Associate Professor of French Studies at Rice University where she is also Rice Faculty Scholar at the Center for the Middle East, Baker Institute and a Faculty Affiliate with the Center for the Study of Women, Gender, and Sexuality. She is also the author of Exclusions: Practicing Prejudice in French Law and Medicine, 1920-1945 from Cornell University Press in 2012 and the co-author of the textbook Les Français from Hackett in 2021, as well as numerous articles and book chapters on subjects from gender and professional life in France to teaching French studies in the classroom and online.  Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Gender by the Book: 21st-Century French Children's Literature (Routledge, 2025) investigates the gender representations that French children's literature transmits to readers today. Using an interdisciplinary, mixed methods approach, this book grounds its literary analysis in a sociohistorical examination of three key institutions – libraries, book clubs, and subscription magazines – that circulate reading material to children. It shows how French policies, cultural beliefs, and market forces influence the content of children's literature, including tensions between State support for unprofitable artistic endeavors and a belief in children's right to high-quality products on the one hand, and suspicion of activism as anathema to creativity and fear of losing boy readers on the other. In addition, the notion of universalism, which asserts that equality is best achieved when society is blind to differences, thwarts a diverse and equitable array of literary representations. Nevertheless, conditions are favorable for 21st-century French children's publishers to offer a robust body of richly entertaining egalitarian literature for children. Guest Julie Fette, author of Gender by the Book: 21st-Century French Children's Literature published in October 2024 by Routledge. Dr. Fette is Associate Professor of French Studies at Rice University where she is also Rice Faculty Scholar at the Center for the Middle East, Baker Institute and a Faculty Affiliate with the Center for the Study of Women, Gender, and Sexuality. She is also the author of Exclusions: Practicing Prejudice in French Law and Medicine, 1920-1945 from Cornell University Press in 2012 and the co-author of the textbook Les Français from Hackett in 2021, as well as numerous articles and book chapters on subjects from gender and professional life in France to teaching French studies in the classroom and online.  Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

RU366: REUBEN DENDINGER & ANNA SEBASTIAN ON CURSED IMAGES, DREAMS, ART, WRITING, SURREALISM: https://renderingunconscious.substack.com/p/ru366-reuben-dendinger-and-anna-sebastian Rendering Unconscious episode 366. Rendering Unconscious welcomes author Reuben Dendinger and artist Anna Sebastian to the podcast! They're here to talk about the book Cursed Images by Hyperidean Press. https://www.hyperideanpress.com/shop/p/cursed-images-by-reuben-dendinger On this episode, Ruben Dendinger, a fiction writer and playwright, discusses his books Cursed Images and The Weeping Hemlock, which explore surrealist themes based on dreams and internet images. Anna Sebastian, a painter, shares her work, including the astrological painting “Venus” featured on Dendinger's book cover. They discuss the intersection of myth, history, death, and the natural world in their art. Dendinger also mentioned his upcoming novel on vampirism. The conversation touches on the impact of Venus in astrology, the influence of dreams on their work, and their experiences in New York and London, highlighting the importance of supporting independent presses and artists. https://www.annasebastian.com https://www.verapr.co/blog/reuben-dendinger The Weeping Hemlock: https://www.lulu.com/shop/reuben-dendinger/the-weeping-hemlock/paperback/product-kvmgwz8.html?page=1&pageSize=4 News & updates: The next event for RU Center for Psychoanalysis is coming up Saturday, November 8th! Join me for the third installment of An Introduction to Psychoanalysis. Register by becoming a paid subscriber at RU Center for Psychoanalysis: https://rucenterforpsychoanalysis.substack.com You may watch the recordings of the first two classes HERE: https://rucenterforpsychoanalysis.substack.com/t/classes Then on Wednesday, November 12th, join us for Phantoms of the Clinic: From Thought-Transference to Projective Identification with Dr. Mikita Brottman. This event will be recorded and made available for all those who register. https://rucenterforpsychoanalysis.substack.com/p/phantoms-of-the-clinic-from-thought Register by sending $9 to RU Center via https://www.paypal.com/paypalme/drvanessasinclair Proceeds raised go towards paying our presenter(s). Thank you for your support! The song at the end of this episode is "Altered States" by Vanessa Sinclair and Pete Murphy from the album "Things are Happening" available for free download/name your price at https://petemurphy.bandcamp.com Enjoy! Thank you for being a paid subscriber to Rendering Unconscious Podcast. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including new, future, and archival podcast episodes. It's so important to maintain independent spaces free from censorship and corporate influence. Thank You.

George A. Romero trades zombies for suburban malaise in Jack's Wife (AKA Season of the Witch, Hungry Wives), a spellbinding portrait of domestic despair and occult liberation. Jan White stars as Joan Mitchell, a disenchanted housewife drifting through a fog of loneliness and repression until she finds power--real or imagined--through witchcraft.Rahne Alexander and Father Malone join Mike to dig into Romero's haunting mix of feminist allegory, surreal dream logic, and kitchen-sink psychology. Mike interviews Professor Adam Lowenstein about Romero's Pittsburgh years and scholar Payton McCarty-Simas about her new book That Very Witch.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

George A. Romero trades zombies for suburban malaise in Jack's Wife (AKA Season of the Witch, Hungry Wives), a spellbinding portrait of domestic despair and occult liberation. Jan White stars as Joan Mitchell, a disenchanted housewife drifting through a fog of loneliness and repression until she finds power--real or imagined--through witchcraft.Rahne Alexander and Father Malone join Mike to dig into Romero's haunting mix of feminist allegory, surreal dream logic, and kitchen-sink psychology. Mike interviews Professor Adam Lowenstein about Romero's Pittsburgh years and scholar Payton McCarty-Simas about her new book That Very Witch.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

In interwar Paris, the encounter between surrealism and the nascent discipline of ethnology led to an intellectual project now known as “ethnographic surrealism.” Joyce Suechun Cheng considers the ethnographic dimension of the surrealist movement in its formative years in her new book The Persistence of Masks: Surrealism and the Ethnography of the Subject, the inaugural volume in the University of Minnesota Press's Surrealisms series. By broadening the scope of ethnographic surrealism, Cheng offers new insights that challenge longstanding beliefs about this multifaceted movement in poetry, the arts, and culture. Here, Cheng is joined in conversation with Surrealisms series editor Jonathan Eburne.Joyce Cheng is associate professor of art history at the University of Oregon and author of The Persistence of Masks: Surrealism and the Ethnography of the Subject.Jonathan Eburne is J. H. Hexter Professor in the Humanities at Washington University in St. Louis. He is author of Outsider Theory: Intellectual Histories of Unorthodox Ideas and Exploded Views: Speculative Form and the Labor of Inquiry.    REFERENCES:Michael Stone-RichardsJames Clifford / The Predicament of CultureNatalya LustyEffie RentzouJames Leo Cahill / Zoological SurrealismGeorges Bataille / DocumentsVincent Debaene / Far AfieldSevered hand collagesMarcel MaussHannah ArendtJohannes Fabian / Time and the OtherMalkam AyyahouThe Persistence of Masks: Surrealism and the Ethnography of the Subject by Joyce Suechun Cheng is available from University of Minnesota Press and is the first book in its Surrealisms series. The University of Minnesota Press is also publisher of the International Journal of Surrealism.

Shocktober 2025 spirals into demonic delirium with Juan López Moctezuma's Alucarda (1977). This feverish blast of Mexican Gothic horror follows Justine (Susana Kamini), a sheltered orphan who finds herself drawn to the wild, otherworldly Alucarda (Tina Romero) within the stone walls of a convent that's anything but holy. What begins as innocent friendship erupts into a blood-soaked storm of possession, blasphemy, and ecstatic madness.Ryan Luis Rodriguez and Mark Begley join Mike to dissect Moctezuma's infernal masterpiece — its ties to Jodorowsky's surrealism, its place in the “nunsploitation” subgenre, and its bold feminist undercurrents that still scorch the screen nearly fifty years later.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Shocktober 2025 spirals into demonic delirium with Juan López Moctezuma's Alucarda (1977). This feverish blast of Mexican Gothic horror follows Justine (Susana Kamini), a sheltered orphan who finds herself drawn to the wild, otherworldly Alucarda (Tina Romero) within the stone walls of a convent that's anything but holy. What begins as innocent friendship erupts into a blood-soaked storm of possession, blasphemy, and ecstatic madness.Ryan Luis Rodriguez and Mark Begley join Mike to dissect Moctezuma's infernal masterpiece — its ties to Jodorowsky's surrealism, its place in the “nunsploitation” subgenre, and its bold feminist undercurrents that still scorch the screen nearly fifty years later.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

You may know Crispin Hellion Glover as an eccentric character actor from classics films like Back to the Future, River's Edge, and, of course, Friday the 13th: The Final Chapter. But he's also a committed independent filmmaker.Earlier this month, he attended the press screening for his latest movie, No! You're Wrong. Or: Spooky Action at a Distance at Chicago's Music Box Theatre--where he also performed a half-hour historical slideshow about the art and science of rat-catching for a handful of assembled press. After the show, Ian sat down with the writer/director/star for a wide-ranging interview about his refusal to make his films available digitally; his relationship with David Lynch; the history of Surrealism; artificial intelligence in the Arts, and much more.As for the movie at hand, it would require several hours and a couple of re-watches to accurately describe (and probably not even then). The best Ian can muster is, "It's like There Will Be Blood meets Cloud Atlas, set in the Land of Make-Believe".Chicagoans! See below to learn how you can experience this one-of-a-kind evening with the man himself this very week!Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXLetterboxdInstagramFacebookShow LinksWatch the No! You're Wrong. Or: Spooky Action at a Distance trailer.Crispin Hellion Glover returns to the Music Box this week for two unbelievable nights of movies!On Wednesday, October 22, he'll be on hand for a screening of a film he recently starred in, Mr. K. On Thursday the 23rd, he'll present his latest slideshow, followed by a screening of No! You're Wrong. Or: Spooky Action at a Distance.He'll stick around for an hour-long Q&A and book signing--with a promise that he won't leave until the last book is signed!For tickets and more info, check out the Music Box Theatre's website:Mr. KNo! You're Wrong. Or: Spooky Action at a DistanceTo learn when Crispin will present his slideshow and screening in a city near you, visit his website.

In this episode of More Than a Muse, hosts Sadie and Stauney dive into the enduring allure of witches—both historical and modern. From Sadie's recent trip to Salem and reflections on the infamous witch trials to conversations about how social media fuels today's digital witch hunts, they explore the intersection of outrage, activism, and empowerment. The discussion also highlights the Three Witches of Surrealism—Leonora Carrington, Remedios Varo, and Kati Horna—three visionary artists who fled war-torn Europe for Mexico and found creative freedom through mysticism and sisterhood. Together, they trace how the witch has transformed from a symbol of persecution into one of power, rebellion, and artistic magic. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of More Than a Muse, hosts Sadie and Stauney dive into the enduring allure of witches—both historical and modern. From Sadie's recent trip to Salem and reflections on the infamous witch trials to conversations about how social media fuels today's digital witch hunts, they explore the intersection of outrage, activism, and empowerment. The discussion also highlights the Three Witches of Surrealism—Leonora Carrington, Remedios Varo, and Kati Horna—three visionary artists who fled war-torn Europe for Mexico and found creative freedom through mysticism and sisterhood. Together, they trace how the witch has transformed from a symbol of persecution into one of power, rebellion, and artistic magic. Learn more about your ad choices. Visit megaphone.fm/adchoices

Imagine if you had a few thousand dollars to spend however you wanted? What would you do? A few of my friends might put a down payment on a house. Others would take a long-dreamed about vacation. Or buy an expensive piece of art. Most would give some money to their favorite charity. Yes, Americans certainly are generous with their money. In 2023, individuals gave $374 billion dollars, representing 67% of total giving, according to Giving USA. Americans gave to organizations and grantmaking foundations working in human services, health, education, environment, and the arts, financially supporting an array of causes and programs essential to the social fabric of our communities. But by far, Americans gave to religious institutions and organizations: the churches, synagogues, and mosques that offer spiritual guidance and solace – a community of the faithful. Chris Spencer knows something about the importance of supporting your parish church. As CEO and President of the United Methodist Foundation of Louisiana, Chris manages nearly $250 million on behalf of churches and philanthropists in the state, using his background in banking to help Methodist churches manage their investments and help donors with planned and legacy giving. The spiritual can be found in nature, too, and in different art movements, including Surrealism, Symbolism, and Spiritualism, a 19th-century movement that directly influenced modern art. Cana Brumfield began her exploration of art at a young age. Inspired by her mother, an art therapist and teacher, Cana grew up taking art classes and going to art camps. In 2024, Cana began selling her art to the public under the brand name Luna Leaf Studio. Incorporating upcycled materials, Cana’s art evokes a childlike love and wonder for nature and the environment by incorporating whimsical aspects of design. Her work can be found at local art markets, including Brickyard South and The Magical Spring market at the Unitarian Church of Baton Rouge. Art and religion have long shared an inseparable bond. From ancient cave paintings and illuminated medieval manuscripts to grand cathedrals and temple sculptures, art has historically functioned as a visual language of faith. And, all along, but perhaps today more than ever, art and religion both rely to some extent on a foundation of finance. Which is what brings Chris and Cana together over lunch on a show about business in Baton Rouge! Out to Lunch is recorded live over lunch at Mansurs on the Boulevard. You can find photos from this show by Ian Ledo and Miranda Albarez at itsbatonrouge.com.See omnystudio.com/listener for privacy information.

Shocktober continues with Marina de Van's unnerving and unforgettable In My Skin (Dans ma peau, 2002). Written, directed by, and starring de Van, the film follows Esther, a successful marketing executive whose accidental leg injury opens a darkly intimate portal to obsession and self-discovery. As she becomes fixated on her own wound, Esther's relationship with her body—and reality itself—begins to unravel in a visceral exploration of autonomy, alienation, and flesh as frontier.Axel Kohagen and Ben Buckingham join Mike for a deep dive into de Van's fearless vision, its connection to the New French Extremity, and the uneasy beauty found beneath the skin.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Shocktober continues with Marina de Van's unnerving and unforgettable In My Skin (Dans ma peau, 2002). Written, directed by, and starring de Van, the film follows Esther, a successful marketing executive whose accidental leg injury opens a darkly intimate portal to obsession and self-discovery. As she becomes fixated on her own wound, Esther's relationship with her body—and reality itself—begins to unravel in a visceral exploration of autonomy, alienation, and flesh as frontier.Axel Kohagen and Ben Buckingham join Mike for a deep dive into de Van's fearless vision, its connection to the New French Extremity, and the uneasy beauty found beneath the skin.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

For the 39th episode of "Reading the Art World," host Megan Fox Kelly speaks with Susan Davidson, curator and art historian, about her landmark book "Tom Wesselmann: The Great American Nude," published by Gagosian and Almine Rech, in collaboration with the Estate of Tom Wesselmann. Distributed by Rizzoli International Publications, New York.This conversation reveals the unexpected story behind one of Pop Art's most iconic series. Wesselmann arrived in New York with no art training and couldn't paint like his heroes—a limitation that forced him to invent something entirely new. Davidson traces how he built his visual language from found materials: candy wrappers, magazine clippings, working radios, even a leaf from his soup at Trader Vic's. "The Great American Nude" series (1961-73) emerged from a dream of red, white, and blue and evolved across one hundred works that blur high and low culture, representation and real objects, art history and American consumerism. Davidson discusses Wesselmann's strategic placement of Matisse and Modigliani reproductions within his compositions—asserting his place in their lineage—while revealing the personal dimension often missed: these paintings were his sustained tribute to Claire, his wife and inspiration. Drawing on Wesselmann's pseudonymous memoir and extensive estate archives, she shows how an artist with limited natural facility built both a distinctive body of work and a lasting position in art history.Whether you're interested in Pop Art's origins, the 1960s cultural moment, or how limitation can drive innovation, this episode offers a fresh perspective on an artist who turned constraint into creative freedom.ABOUT THE AUTHOR Susan Davidson is an independent curator and scholar specializing in Surrealism, Abstract Expressionism, and Pop Art, with particular expertise in Robert Rauschenberg's work. She served as Senior Curator at the Solomon R. Guggenheim Museum (2002-2017), where she organized exhibitions including "Jackson Pollock: Exploring Alchemy" and "Robert Rauschenberg: A Retrospective." Previously, she was Collections Curator at The Menil Collection, Houston (1985-2002). Davidson holds advanced degrees in art history from the Courtauld Institute, London, and George Washington University.PURCHASE THE BOOK https://gagosianshop.com/products/tom-wesselmann-the-great-american-nude-monograph SUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

Crispin Hellion Glover discusses his long-awaited directorial effort, No! YOU'RE WRONG. or: Spooky Action at a Distance. Nearly a decade in the making, the surreal 35mm odyssey stars both Crispin and his father, Bruce Glover, in multiple roles that span generations, myth, and madness.Shot primarily on sets built in Glover's Czech stables, the film weaves together science, symbolism, and the uncanny in only the way he can—part family drama, part metaphysical riddle, all unmistakably Glover.Mike digs deep with the actor-filmmaker about the project's long evolution, his singular touring approach that blends live performance and cinema.Find out more at: https://crispinglover.com/slideshow.html Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Crispin Hellion Glover discusses his long-awaited directorial effort, No! YOU'RE WRONG. or: Spooky Action at a Distance. Nearly a decade in the making, the surreal 35mm odyssey stars both Crispin and his father, Bruce Glover, in multiple roles that span generations, myth, and madness.Shot primarily on sets built in Glover's Czech stables, the film weaves together science, symbolism, and the uncanny in only the way he can—part family drama, part metaphysical riddle, all unmistakably Glover.Mike digs deep with the actor-filmmaker about the project's long evolution, his singular touring approach that blends live performance and cinema.Find out more at: https://crispinglover.com/slideshow.html Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Send us a textCover photograph credit: Jessica MinorLink to PowerPoint presentation referenced in episode is available here.Show Notes:1:20 intro and background2:40 Slide 4 - Overview of Part I: 6 & ½ tips & tricks: 1 – perspective & point of view; 2 – Light; 2-1/2 – shadow; 3 – value / contrast; 4 – temperature; 5 – depth and illusion of 3-D; 6 – line5:00 Slide 5: Point 7 - Brushstrokes6:35 thickness of paint7:00 blending with dry brush8:00 Slide 6: Point 8 - Layering9:40 ‘fat over lean' rule11:15 scumble – layer of opaque white 11:30 glaze – transparent layer over an underpainting12:40 Slide 7: Point 9 - Paint as a Language15:50 Slide 8: Point 10 - The Figure19:45 Slide 9: Point 11 – The Palette32:40 glazing 33:50 Slide 10: Point 12 – Studio Practice42:50 figurative group show with artist from Hip Bone Art Studio43:45 process of applying to shows45:00 narrative/figurative and surrealist approach to still life work46:05 artist statements48:45 sharing WIP and final works51:20 connection to the cranial optic nerve – thinking with our eyes when painting1:00:00 painting from imagination with focus on ‘technique in service of art'1:02:10 how to deal with writers' block and painters' blockPlease share your comments and/or questions at stephanie@warfareofartandlaw.comMusic by Toulme.To hear more episodes, please visit Warfare of Art and Law podcast's website.To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening!© Stephanie Drawdy [2025]

Czechtember 2025 wraps with Jan Švankmajer's Conspirators of Pleasure (1996), a delirious, dialogue-free plunge into fetish and surrealism. Mike teams up with filmmaker Jim Vendiola and critic Samm Deighan to unravel the tangled lives of six Prague eccentrics whose private obsessions—ranging from papier-mâché contraptions to elaborate role-play—collide in hilariously unsettling ways. The result is a darkly comic meditation on desire, ritual, and the pleasures of the bizarre, filtered through Švankmajer's singular stop-motion, tactile textures, and Surrealist imagination.We're joined by Peter Hames, editor of The Cinema of Jan Svankmajer: Dark Alchemy.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Czechtember 2025 wraps with Jan Švankmajer's Conspirators of Pleasure (1996), a delirious, dialogue-free plunge into fetish and surrealism. Mike teams up with filmmaker Jim Vendiola and critic Samm Deighan to unravel the tangled lives of six Prague eccentrics whose private obsessions—ranging from papier-mâché contraptions to elaborate role-play—collide in hilariously unsettling ways. The result is a darkly comic meditation on desire, ritual, and the pleasures of the bizarre, filtered through Švankmajer's singular stop-motion, tactile textures, and Surrealist imagination.We're joined by Peter Hames, editor of The Cinema of Jan Svankmajer: Dark Alchemy.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Today marks the opening of the Whitney's major exhibition this fall, "Sixties Surreal." The exhibition displays the work of over 100 American artists made during the years 1958-1972, and makes the case that early 20th century Surrealism inspired a new kind of surrealist influence during a turbulent era of American history. Whitney curators Dan Nadel and Laura Phipps talk about the exhibition, on view through January 19.

This is our final film pick for Season 5, and it stimulates quite a discussion. The film is a concept test of tools and techniques, but the story and aesthetic is less inspiring. Check out our thoughts and do add your own comments below. 1:47 Introduction to Reflekt by @derunique 4:00 Anachronistically broken 10:25 Gelling the story? 11:54 The aesthetic of Unreal 13:19 Who is the apocalyptic soldier Unreal tutor? 14:00 The attraction of Unreal – its all about the technology, and little about the story 15:02 Comparison to Project Zomboid movie (S5 ep 193) 15:40 Camera work in Unreal is uninspiring! 18:12 Prazinburke Ridge remains the outstanding Unreal film we've seen 18:22 Lighting is a standout, ambiguity and some suggestions 25:31 Speaking vs talking to self, and quality and use of the sound library 33:11 Surrealism and uncanny are some of the most creative ideas 37:35 Why is the Unreal creator community just not hit the high notes just yet 39:29 Final words Credits - Speakers: Ricky Grove, Phil Rice, Tracy Harwood, Damien Valentine Producer: Phil Rice Editor: Phil Rice Music: Phil Rice & SunoAI

“If you look very intensely and slowly things will happen that you never dreamed of before.” This Aaron Siskind quote neatly sums up the deeply contemplative discussion we had with landscape photographers John Paul Caponigro and Joel Simpson in this week's podcast. Siskind's name is mentioned several times in our chat—as are many other 20th century photography legends—making this show both an exploration of photo history and an exercise in a holistic way to envision and record the world around us. Our focus on landscape quickly diverges from realistic depictions in favor of terrain that celebrates abstraction and metaphor. Follow along as we unpack the unwieldy term Pareiolia—the tendency to see familiar things in otherwise random patterns—and discover unique pathways to relate to the natural world. As John Paul Caponigro aptly points out, “I think of every exposure that I make as having a conversation with the subject and myself. I think of every move that I make in Photoshop as having a conversation with the image that started one way and is developing in another. And I ask, you know, what does the image want?”   Guests: John Paul Caponigro & Joel Simpson   Episode Timeline: 3:30: Joel Simpson describes his early landscapes as a way to re-experience being elsewhere. 9:24: Pareidolia: what it means and its relationship to Joel's photographs. 13:24: John Paul's relationship to the term pareidolia: a way to find patterns and make sense out of chaos. 19:12: The influence of Gestalt psychology when interpreting abstract patterns and photographing the bare bones of the earth. 24:55: Differences between making pictures with the aid of pre-visualization vs going in empty and refining ones' vision in post using digital tools. Plus insights about getting beyond the imitation phase to find a path to originality in your work. 35:58: How do you know when your unique vision from the pictures you make are ready to be released into the world? 42:12: Episode Break 43:24: John Paul's approach to post-processing—using the tools as a laboratory to make multiple iterations. 47:00: Joel describes the discoveries he made when finessing photos of a wonderous landscape from Zhangjiajie, China. 50:21: How does AI factor into crafting an authentic vision, plus the mind as the original AI. 1:03:18: Using photography to tap into things that haven't yet been discovered and elicit a sense of wonder from viewers' responses. 1:06:50: Joel and John Paul talk about the places that inspire their respective photographic projects.   Guest Bios: John Paul Caponigro is a digital media pioneer, combining his painting background with a variety of photographic processes using the latest in digital technology. His work is about the perception of nature and the nature of perception. Widely respected as an authority on creativity, photography, and fine art printing, John Paul's images and writings are widely published in periodicals and books, and he's been a contributing editor to a variety of magazines and websites. He's also author of the video training series R/Evolution and the book “Adobe Photoshop Master Class,” now in its second edition. As a highly sought-after speaker and educator, John Paul has presented lectures and workshops around the globe. His art has been exhibited internationally, and his prints are housed in numerous public and private collections. Select clients include Adobe, Apple, Canon, Kodak, and Sony, and he is a member of the Photoshop Hall of Fame, Epson's Stylus Pros, and X-Rite's Coloratti.   Joel Simpson began making pictures as a teen in the 1960s, turning pro in 2002. Since that time, he's had more than 50 exhibitions in the US and abroad. His work has also been widely published and received numerous awards, including a Nautilus Gold Award for Art and Photography for his 2019 book Earthforms: Intimate Portraits of our Planet. His new book, Faces in the Rocks: Beyond Landscape to Psycho-Geological Photography, organizes his discoveries about the aesthetics of abstract and figurative forms in the earth, concluding with a tongue-in-cheek collection of imagined extra-terrestrial landscapes and future cityscapes. In addition to his career in photography, Simpson holds a PhD in comparative literature, and spent 22 years as a professional jazz pianist. He lives in Union, New Jersey.   Stay Connected: John Paul Caponigro Website Instagram Facebook YouTube 1980's Guardian advertisement “Multiple Points of View”   Joel Simpson Website Instagram YouTube   Credits: Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens

Learn more at TheCityLife.org

Esoteric Crossroads: Scholars Meet Practitioners is a new collaborative video series, launched in 2025, co-produced by Rejected Religion and RENSEP. Hosted by Stephanie Shea, each session brings together scholars and practitioners for thoughtful dialogue on esoteric traditions. This audio is an edited version of the live (video) session on Initiatory Wicca that took place in March 2025. If you are interested to learn more and join the upcoming discussions, please visit www.rensep.org or my Patreon page: www.patreon.com/RejectedReligion. Judith Noble is Professor of Film and the Occult at Arts University Plymouth (UK). She began her career as an artist filmmaker, exhibiting work internationally and worked for over twenty years as a production executive in the film industry, working with directors including Peter Greenaway and Amma Asante. Her current research centers on artists' moving image, Surrealism, the occult and work by women artists, and she has published on filmmakers including Maya Deren, Derek Jarman and Kenneth Anger. Her most recent publications include: The Dance of Moon and Sun – Ithell Colquhoun, British Women and Surrealism (editor, 2023, Fulgur) and ‘A Convocation of Theurgists – Kenneth Anger's Inauguration of the Pleasure Dome and West Coast Occulture' in Sci-Fi, Magick, Queer LA – Sexual Science and the Imagination (eds Lexi Bard Johnson and Kelly Filreis, One Archive/USC, 2024), and a chapter on the work of Penny Slinger in Animation and International Surrealism (ed Abigail Susik, Bloomsbury, 2925). She is a board member of RENSEP (the Research Network for Esoteric Practices, and a founder member of the Black Mirror Research network and the artists' collective the Inner Space Exploration Unit. She continues to practice as an artist, making artist's books and text+image works, and filmmaker; her most recent film is Fire Spells (2022), a collaboration with director Tom Chick. Her recent work can be found at www.iseu.space. Her film work is distributed by Cinenova. Rufus Harrington is an initiate of Both the Alexandrian and Gardnerian traditions of Wiccan practice. He has more than Forty years of experience initiating and training Wiccan initiates in many parts of the world. He is a Trustee of the Doreen Valiente Foundation (DVF), which protects and preserves many of the original Books of Shadows belonging to Gerald Gardner and Doreen Valiente. Working as a Director of Clinical Studies at the University of Cumbria He trained over 500 cognitive behavioural psychotherapists to work in the NHS. He has worked extensively in the field of mental health, working as a Clinical Director for the Priory Group of Hospitals, For BAE systems and the Police. He has developed specialist resilience training programs that have won national recognition and awards. Rufus is an initiate of the Bricket Wood Coven founded by Gerald Gardner. His initiatory lineage weaves together many of the most influential lines of initiation in British Wiccan tradition. He has lived through and been part of the evolution of Initiatory Wiccan practice in the UK.Music and Audio Production: Stephanie Shea This series is presented by Research Network for the Study of Esoteric Practices - www.rensep.org and Rejected Religion.

Welcome to One Bright Book! Join our hosts Dorian, Rebecca, and Frances as they discuss MIAOW by Benito Pérez Galdós, translated from the Spanish by Margaret Jull Costa, and chat about their current reading. For our next episode, we will discuss The Stone Door by Leonora Carrington. We would love to have you read along with us, and join us for our conversation coming to you sometime in late September. Want to support the show? Visit us at Bookshop.org or click on the links below and buy some books! Books mentioned: Miaow by Benito Pérez Galdós, translated from the Spanish by Margaret Jull Costa The Antinomies of Realism by Frederic Jameson The Pickwick Papers by Charles Dickens The Blue Place by Nicola Griffith Anima: A Wild Pastoral by Kapka Kassabova Living by Henry Green People Like Us by Jason Mott Erik Satie: Three Piece Suite by Ian Penman The Metamorphosis by Franz Kafka The Odd Women by George Gissing The Holiday by Stevie Smith Schattenfroh by Michael Lentz,translated from the German by Max Lawton Life A User's Manual by Georges Perec, translated from the French by David Bellos The Stone Door by Leonora Carrington Angela Carter and Surrealism by Anna Walz A History of the Surrealist Novel edited by Anna Walz Surrealist Women's Writing: A Critical Exploration by Anna Walz Opus Siniestrus by Leonora Carrington   Further resources and links are available on our website at onebrightbook.com. Browse our bookshelves at Bookshop.org. Comments? Write us at onebrightmail at gmail Find us on Bluesky at https://bsky.app/profile/onebrightbook.bsky.social Frances: https://bsky.app/profile/nonsuchbook.bsky.social Dorian: https://bsky.app/profile/ds228.bsky.social Rebecca: https://bsky.app/profile/ofbooksandbikes.bsky.social Dorian's blog: https://eigermonchjungfrau.blog/ Rebecca's newsletter: https://readingindie.substack.com/ Our theme music was composed and performed by Owen Maitzen. You can find more of his music here: https://soundcloud.com/omaitzen.

Welcome to The Times of Israel's Daily Briefing, your 20-minute audio update on what's happening in Israel, the Middle East and the Jewish world. Editor David Horovitz joins host Amanda Borschel-Dan for today's episode. Hamas negotiators arrived in Egypt this week for talks aimed at getting moribund ceasefire and hostage release negotiations back on track, with Israel having reportedly sent a team to Doha. Horovitz updates us on the status of negotiations. IDF Chief of Staff Lt. Gen. Eyal Zamir yesterday approved the general outline for the military’s upcoming major offensive to conquer Gaza City. This comes after a highly charged conflict with Defense Minister Israel Katz earlier this week. Horovitz takes us through this unusual public spat and what we know so far about the plan to take Gaza City. Yesterday, Spain signaled support for French President Emmanuel Macron’s proposal of an international coalition under a United Nations mandate to stabilize Gaza -- including deploying the controversial UNRWA agency -- calling it “one of the tools” that could bring peace to the region. Horovitz briefly comments. Even as much of the western world is pushing for a two-state solution, Prime Minister Benjamin Netanyahu agreed in a rare Hebrew-language interview that he felt a connection to the vision of “Greater Israel.” We learn more about the bizarre interaction during an i24 interview, which has spurred international condemnation. Horovitz sat down with US Ambassador Mike Huckabee this week for an in-depth interview. Horovitz brings highlights, including Huckabee's stalwart support and the Baptist minister's impressions of how Gazans see the US and the IDF. The CEO of the Toronto International Film Festival said overnight that he is working to get "The Road Between Us: The Ultimate Rescue," a documentary about the October 7 massacre, back on the big screen, apologizing after the movie was pulled from the festival schedule, which sparked a large outcry. Horovitz describes the surreal request by the festival's organizers to obtain permission for use of the Hamas October 7 footage. Check out The Times of Israel's ongoing liveblog for more updates. For further reading: IDF chief greenlights general outline of planned conquest of Gaza City Israel may dispatch negotiators to Doha for talks on freeing all hostages, ending war Arab nations fume after Netanyahu says he feels connection to vision of Greater Israel Huckabee: With Palestine state move, UK and France have joined forces with Israel’s enemies After outcry, Toronto film fest says it wants to reinstate pulled October 7 documentary Subscribe to The Times of Israel Daily Briefing on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts. This episode was produced by the Pod-Waves. IMAGE: Retired Israeli general Noam Tibon in the documentary 'The Road Between Us: The Ultimate Rescue' (Courtesy)See omnystudio.com/listener for privacy information.

*This is the Free Content version of my interview with Dr. Mariano Villalba. To access the full interview, please consider becoming a paid Patreon member; alternatively, this episode is also available for a one-time purchase here on Patreon (under 'Shop' tab). www.patreon.com/RejectedReligion My guest this month is Dr. Mariano Villalba. Mariano is a postdoctoral fellow in Spirituality and the Arts, in collaboration with the Giorgio Cini Foundation in Venice, the History of Hermetic Philosophy and Related Currents at the University of Amsterdam, and the Warburg Institute at the University of London.Mariano specializes in esotericism in Colonial America, contemporary Latin America, and early modern Spain. He completed a joint PhD in religious studies at the University of Lausanne and the French l'École Pratique des Hautes Études- Paris Sciences & Letters University.Mariano serves as the editor in chief of Melancolia, an annual journal dedicated to the study of esotericism in Latin America. His methodology combines a global history perspective on Colonial America with a decolonial approach, intersecting themes of race, gender, and imperialism to analyze modern occultism in Latin America. His new research project will focus on “Occult Movements and Mexican Mural Art: What Role Did Occult Movements Play in Mexican Mural Art During the Interwar Period?”In this episode, Mariano and I explore his groundbreaking research into the overlooked women of the Mexican muralist movement. Building on his earlier work, Mariano dives into the rich, complex history of Mexican muralism—an artistic revolution born from post-revolutionary ideals and dominated by the towering figures of “Los Tres Grandes.”But beyond the celebrated murals of Rivera, Orozco, and Siqueiros lies a hidden narrative: the women artists whose contributions were marginalized or erased. Mariano introduces us to several of these remarkable figures, focusing in particular on María Izquierdo and Sofía Bassi. He shares insights into their lives, artistic themes, and the esoteric influences that shaped their work, while unpacking why their legacies remain in the shadows compared to contemporaries like Frida Kahlo and Leonora Carrington.This episode is a compelling journey into art history, gender politics, and the mystical dimensions of creativity. Dr. Villalba also discusses the goals of his current project and how listeners can engage with the research on his online platform.An editing correction: Just a note to correct a mistake made during the interview: In the discussion about Frieda Kahlo's parents (a German father and a Mexican mother), Mariano mistakenly states that (María) Izquierdo was the daughter instead of Kahlo. There was a slight mix-up here as Mariano was comparing Frieda Kahlo and María Izquierdo. So please be aware of this when listening.PROGRAM NOTESMariano Villalba | Center for the Study of World ReligionsOccult Mexican art | Explore the Occult in Mexican visual artAbout Gender & Visual Arts | Discover Women's Insight — Occult Mexican artAbout Esotericism & Muralism | Explore Mexican Art — Occult Mexican artMuralism and Mexican Identity: Rediscovering the Esoteric Visions of Post-Revolution Female Artists: Q&A with Mariano Villalba | Center for the Study of World ReligionsOccult Movements and Mexican Mural Art | Center for the Study of World ReligionsThe Visionary World of Sofía Bassi | Center for the Study of World ReligionsFundación | Sofia BassiEsotericism, Gender, and the Legacy of a Mexican Artist | Center for the Study of World ReligionsMariano Villalba - Harvard University Music and Editing: Daniel P. SheaEnd Production: Stephanie Shea

Open Mike Eagle’s tenth studio album, Neighborhood Gods Unlimited, continues the rap legacy that he started in the late 2000s when he cofounded the trio Thirsty Fish. From there, he made a bigger name for himself as a solo artist, starting with his 2010 debut, Unapologetic Art Rap. Along the way, he even appeared in the cartoon Adventure Time as a rapping gingerbread cookie. On top of his music career, Open Mike Eagle has also started multiple multimedia endeavors, like the artist collective Hellfyre Club and an alt-comedy TV series called The New Negroes (both of which have since ended). These days, he’s running his own podcast network, Stony Island Audio. KEXP’s Martin Douglas spoke with Open Mike Eagle about the years leading up to his newest album, which included a divorce and various collaborations with other rappers. Neighborhood Gods Unlimited draws heavily on Black surrealism, similar to movies like Sorry to Bother You and Get Out.“ I felt challenged and inspired by these pieces of media,” Open Mike Eagle says in the interview. “I want to tell an absurd story in a rap album. I want people to feel the depths where it might be trying to go emotionally and the questions it might be trying to ask — but I don't want to say all the answers.” He continues, “At every step of that process, I have to deal with self-doubt. I want to make art that is able to contend with that.” Photo credit: Robert Adam Mayer Support the show: kexp.org/deeper Support the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.

Today on the Artalogue, Canadian artist Simon Hughes chats with Madison Beale from his Winnipeg studio about his creative beginnings, Canadian art and his career. This episode is all about finding your artistic voice in unexpected places.Hughes reveals how he developed his unique approach that treats watercolors, drawings and canvas paintings as equal  expressions, not relegating drawings to mere preparatory sketches. His technique of building translucent layers of color, inspired by Paul Klee, creates a distinctive visual depth that characterizes his work. From his early fascination with Hieronymus Bosch and Surrealism to his later dialogue with Canadian art history, Hughes traces the evolution of his artistic vision with refreshing candor.The conversation takes a fascinating turn when Hughes discusses his unexpected path from graduating from the University of Manitoba to working in film production between art projects, waiting eleven years before pursuing his MFA in California, and discovering surprising similarities between Winnipeg's and Southern California's art scenes. His recent exhibition "Fire, Flood and All the Feelings" at Blouin Division showcases his ability to blend contemporary suburban landscapes with spiritual elements, creating a modern counterpoint to Lawren Harris's iconic Canadian wilderness paintings.What makes this discussion particularly valuable is Hughes' practical wisdom about navigating an art career. Rather than waiting for institutional recognition, he emphasizes creating your own opportunities through community engagement and persistent creation. "Wherever you are, that's the place to be," he advises, offering a refreshing perspective on building an authentic artistic life regardless of location or circumstances.Follow Simon's work at his studio gallery space Fire Door in Winnipeg or on Instagram @simonmhughes to discover more about his artistic journey. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast

Mark & Pete present: Hyper Children, Creative Storytelling & a Wealth of Surrealism explores the risks of high‑caffeine yeast, the legacy of beloved children's author Alan Ahlberg, and the serendipitous discovery of a Salvador Dalí painting in Cambridge. In this episode, Pete dives into how excessive caffeine use harms adolescent brain development, citing the dangers of dependency, disrupted sleep, and elevated anxiety in teens who routinely consume high‑caffeine products spreaker.com. Mark responds with poetic flair, offering comfort and reflection through a bespoke poem. We honour Ahlberg's legacy by discussing the power of children's fiction, focusing on imagination grounded in values rather than the occult—highlighting how stories shape identity and moral formation. Finally, we marinate in the surrealism of Dalí discovered for £150 in Cambridge, asking whether the extraordinary might just be Divine providence. Expect sharp insight, biblical verses, satirical humour, and a custom poem per topic. Ideal for fans of Christian podcast commentary, culture, mental health, children's literature, and unexpected art revelations. Subscribe now for a show where faith, culture, and creativity converge in every surprising twist.Become a supporter of this podcast: https://www.spreaker.com/podcast/mark-and-pete--1245374/support.

Start our Spike Jonze retrospective with "Being John Malkovich"! Discover how this 1999 classic challenges identity & reality through Jonze's unique vision.

Sci-Fi July dives deep into the sublime with Upstream Color (2013), Shane Carruth's mesmerizing meditation on identity, connection, and control. Co-hosts Ben Buckingham and Jim Laczkowski join Mike to untangle the film's elliptical narrative, which follows a woman who is drugged, robbed, and psychically linked to a pig as part of a surreal cycle of manipulation and rebirth. A bold, enigmatic follow-up to Primer, Carruth's film is an audiovisual trance, blurring the line between organism and environment, memory and self. We explore the film's layered metaphors, sound design, and experimental structure — and maybe, just maybe, crack its code.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Sci-Fi July dives deep into the sublime with Upstream Color (2013), Shane Carruth's mesmerizing meditation on identity, connection, and control. Co-hosts Ben Buckingham and Jim Laczkowski join Mike to untangle the film's elliptical narrative, which follows a woman who is drugged, robbed, and psychically linked to a pig as part of a surreal cycle of manipulation and rebirth. A bold, enigmatic follow-up to Primer, Carruth's film is an audiovisual trance, blurring the line between organism and environment, memory and self. We explore the film's layered metaphors, sound design, and experimental structure — and maybe, just maybe, crack its code.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

A single moment changed everything for Ghanaian visual artist Nana Frimpong Oduro. It began with a quiet walk, a dying tree, and a gifted camera from a stranger. That moment led him away from architecture and toward a new life in photography. In this episode, I sit down with Nana to explore how he built a career rooted in emotion, storytelling, and self-discovery. He shares how he creates powerful images without technical equipment. Instead, he relies on instinct, connection, and the people closest to him. His work is raw, painterly, and deeply human. This conversation is for artists seeking clarity on their path. Nana's story offers insight, encouragement, and a reminder that your creative voice is worth following. Listen in and reconnect with the reason you started creating in the first place. Chapters   00:00 - Introduction to Nana Frimpong Oduro 02:15 - Early Creative Influences in Ghana 03:48 - The Path to Architecture 05:12 - The Dying Tree: A Journey into Photography Begins 07:34 - Finding a Subject: The Power of Self-Portraiture 08:45 - From Idea to Image: Inside the Creative Process 12:20 - A Sign from the Universe: The Adobe Rising Star Award 14:35 - Finding a Visual Style: Light, Tone, and Emotion 16:30 - Family, Support, and Blossoming as an Artist 18:40 - The Myth of Originality and Unexpected Lessons 20:00 - Describing the Indescribable: Emotions Brought to Life 22:00 - Redefining Success and What's Next   Connect with Nana:   Follow Nana on Instagram: https://www.instagram.com/frizzlemadeit/ Nana's Portfolio: http://bit.ly/3ZRZKYN   Support the Show Website: www.martineseverin.com Follow on Instagram: @martine.severin | @thisishowwecreate_ Subscribe to the Newsletter: www.martineseverin.substack.com This is How We Create is produced by Martine Severin. This episode was edited by Santiago Cardona and Daniel Espinosa.   Subscribe wherever you get your podcasts Leave a review Follow us on social media Share with fellow creatives  

Lee Miller lived many lives—model, surrealist, war correspondent—but it was in the kitchen and garden at Farleys House that she found a kind of peace after the chaos. In this episode, Lee's granddaughter Ami Bouhassane discusses her book Lee Miller: A Life with Food, Friends and Recipes, and offers an intimate portrait of her grandmother's postwar years. We explore how cooking became a creative outlet, the mystery of the unpublished Entertaining Freezer, and the role of the garden in shaping Lee's later life. Links Lee Miller Archives (official site) – Explore her life as a surrealist, model, war correspondent, photographer, and gourmet cook, with access to archives, exhibitions, and images. Farleys House & Gallery (official site) – Visit the Sussex home and sculpture garden of Lee Miller and Roland Penrose, with information on guided house tours, seasonal exhibitions, and booking details. Other episodes if you liked this one: Episode 324: “Kitchen Garden Living” with Bailey Van Tassel — we dig into the art of seasonal, sustainable kitchen gardening, echoing Lee Miller's own relationship with her garden at Farleys House.  Episode 328: “Soil, Health & Nutrition” featuring Sam Hamrebtan — an exploration of how growing practices shape the nutrient quality of our food, beautifully complementing our discussion of Lee's experimental cooking.  Please support the podcast on Patreon  

Hey friends! This week my guest is the brilliant Kevin Cann! I first learned about Kevin from Jeffrey Kripal's book, How To Think Impossibly. I then bumped into Kevin's incredible Facebook group, Platonic Surrealism, which immediately wow'd me. Kevin is a next level thinker when it comes to the topics we discuss right here on this show, and I think he's one of the few people I know of who's really trying (and succeeding) in taking UFOs and the nature of reality further down the proverbial field. This was such a fun discussion for me. Kevin is brilliant, but he's also and incredibly kind, and sweet man. What a pleasure it was to get to chat with him. Enjoy!Love, Steve For more Kevin Cann:https://platonicsurrealism.com/?fbclid=PAZXh0bgNhZW0CMTEAAafeVtI68ycz8cxHkXprd4NLbVdzksWHFmpTPrZ78OR6aiWDYmT1OLtwo-1Heg_aem_a_gCrq8PnzDu3rsPEt6oRwhttps://www.instagram.com/platonic_surrealism/https://www.facebook.com/groups/1173298521190759https://www.facebook.com/kevin.cann.779Steve Berg LInks:https://www.patreon.com/HiStrangenesslinktr.ee/stevebergPretty please subscribe and leave a review!

"The zodiacal light is very faint and so are we, from hunger, a hunger for the stars, the stars we can never reach. Yes, it is faint and so are our hopes, but that doesn't matter if we enjoy the standing and reaching, on the shoulders of our friends, on a ladder, on chairs piled on chairs. We are nearer the stars that way."   Like a few gems in one's palm, here are several very short fictions that explore, from angles you've never seen before, the signs of Aries, Taurus, Gemini, Cancer, Leo, Virgo...

Send us a textThis week, Wes and Todd sit down with Photographer and Anti-Curator, Richard Alden Peterson. Richard discusses his introduction to photography, growing up in Santee California, writing for “The Door” and being the editor of his high school paper, shooting renowned bands for the local rock station at fifteen, GO newspaper, Illusion Light Show, art activism, art in society, being attracted to all things counterculture, Mabuhay Gardens, the early San Francisco punk scene, Search & Destroy, Bruce Conner, Val Vale, City Lights bookstore, Dada & Surrealism, Victoria's Secret & Xandria, commercial work, the evolution of the scene, Beatniks, Pink & Pearl Gallery, the diversity of the punk scene, Devo, what prompted him to move to Colorado, museum work, taxes, the formation of the Denver Tea Party, Heads of Hydra, protesting, and being an Anti-Curator.Join us for a compelling conversation with Richard Alden Peterson!Check out Richard's website at www.richardaldenpeterson.comFollow Richard on social media:Instagram - www.instagram.com/rpphoto/ - @rpphotoFacebook - www.facebook.com/rpphotoFollow us on Instagram: @tenetpodcast - www.instagram.com/tenetpodcast/ @wesbrn - www.instagram.com/wesbrn/ @toddpiersonphotography - www.instagram.com/toddpiersonphotography/ Follow us on Facebook: www.facebook.com/TenetPodcast/ Email us at todd@toddpierson.com If you enjoyed this episode or any of our previous episodes, please consider taking a moment and leaving us a review on your favorite podcast platform. Thanks for listening!

Urs Fischer is a contemporary artist renowned for his experimental and highly unpredictable practice of sculpture, installation, painting, and photography. He often uses unconventional materials, such as wax, bread, and everyday objects, which he employs to explore themes of transformation, impermanence, and creative destruction, allowing his works to transform or decay over time. Fischer's work, influenced by movements like Surrealism and Pop Art, is marked by a dynamic interplay between construction and deconstruction, permanence and ephemerality, inviting audiences to reconsider the boundaries of art and the fleeting nature of existence. Fischer has held major solo exhibitions at institutions such as Kunsthaus Zürich, the New Museum in New York, Palazzo Grassi in Venice, MOCA in Los Angeles, and galleries including Sadie Coles HQ in London and Gagosian locations worldwide—most recently at Gagosian Gstaad in Switzerland. ------ Thank you to the sponsors that fuel our podcast and our team: LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

This week, we spoke  with author Max Cafard and illustrator Vulpes about their new book, Anarchy in The Big Easy: A History of Revolt, Rebellion, and Resurgence. Among other topics, they discuss Cafard's Surregionalism Manifesto, the origins and production of the book, and what the media gets right and wrong about New Orleans. The book came out from PM Press on April 15, 2025. . ... . .. Featured Track: Four Corners (part 2) by Lee Dorsey from Four Corners EP

In this episode of Outside the Cinema, hosts Bill and Chris discuss various topics ranging from the challenges of baseball season to listener feedback that draws parallels between political figures and movie characters. They delve into Martin Scorsese's filmography, particularly focusing on the unique dark comedy 'After Hours', exploring its themes and style while debating the merits of Scorsese's work. In this conversation, Chris Bricklemyer and Bill delve into Martin Scorsese's film 'After Hours,' exploring its classification as a black comedy and a comedy of errors. They discuss the film's initial poor reception and its evolution into a cult classic, examining the character dynamics and the surreal, quirky nature of the narrative. The conversation also reflects on Scorsese's unique style and the film's cultural context, ultimately questioning the reasons behind its cult status. In this conversation, Bill and Chris delve into various film reviews, focusing on 'After Hours', 'The Mummy: Tomb of the Dragon Emperor', and 'The Accountant Squared'. They discuss casting choices, the influence of directors like Scorsese, and the balance between enjoyment and critique in film. The dialogue highlights the nuances of character dynamics, visual storytelling, and the evolution of filmmaking.