Podcasts about Residence

Gavin Ortlund makes a case for Sola Scriptura by exploring what Scripture is, how it functions, and why no other authority can rival it.Videos Mentioned:"Obey Tradition!" is LITERALLY IN THE BIBLE! -https://www.youtube.com/watch?v=29QF5bFT4LE&ab_channel=GavinOrtlundEcclesial Infallibility Has No Foundation! (My Response to Joshua Charles) - https://www.youtube.com/watch?v=8adSmpvwVh0&ab_channel=GavinOrtlundhttps://youtu.be/5myQc93iswI?si=1It8wsZ77nXv1s0UA MAJOR Problem With "Doctrinal Development" -https://www.youtube.com/watch?v=5myQc93iswI&ab_channel=GavinOrtlundThe PROBLEM with "No Salvation Outside the Church" - History & Critique -https://youtu.be/72vJVTsLYkI?si=kDHgyZbbyW1gKu5HA Fallible List of Infallible Books? - https://youtu.be/rRMgYS1Taes?si=jX0HtbxKZ0izmguHTruth Unites (https://truthunites.org) exists to promote gospel assurance through theological depth. Gavin Ortlund (PhD, Fuller Theological Seminary) is President of Truth Unites, Visiting Professor of Historical Theology at Phoenix Seminary, and Theologian-in-Residence at Immanuel Nashville.SUPPORT: Tax Deductible Support: https://truthunites.org/donate/Patreon: https://www.patreon.com/truthunitesFOLLOW:Website: https://truthunites.org/Instagram: https://www.instagram.com/truth.unites/X: https://x.com/gavinortlundFacebook: https://www.facebook.com/TruthUnitesPage/

In this video, Gavin Ortlund addresses the growing normalization of profanity and ungodly speech among Christians, urging them to follow the Bible's call to speak with humility, grace, and integrity.Substack article: https://kaeleytrillerharms.substack.com/p/doug-wilsonjust-the-facts-maam?r=gu9cl&utm_medium=ios&fbclid=IwY2xjawMIU_RleHRuA2FlbQIxMQABHj48QaoTM7exjXi9FN2jihnpLVsNYmlbP-F0et6hHe7vEeNl5sCWO5j_Bm7-_aem_qsl0Ulko8UXla9BO2rLpSg&triedRedirect=trueClearly Reformed article: https://clearlyreformed.org/on-culture-war-doug-wilson-and-the-moscow-mood/Truth Unites (https://truthunites.org) exists to promote gospel assurance through theological depth. Gavin Ortlund (PhD, Fuller Theological Seminary) is President of Truth Unites, Visiting Professor of Historical Theology at Phoenix Seminary, and Theologian-in-Residence at Immanuel Nashville.SUPPORT:Tax Deductible Support: https://truthunites.org/donate/Patreon: https://www.patreon.com/truthunitesFOLLOW: Website: https://truthunites.org/Instagram: https://www.instagram.com/truth.unites/X: https://x.com/gavinortlundFacebook: https://www.facebook.com/TruthUnitesPage/

Send us a textJoin hosts Alex Sarlin and guest host Claire Zau of GSV Ventures as they unpack a huge week for AI in education, major edtech mergers, and new funding opportunities.✨ Episode Highlights:[00:00:00] Claire Zau on AI tutor memory, personalization, and data contamination risks[00:01:58] Google Guided Learning Mode vs OpenAI Study Mode – Socratic AI tools compared[00:14:07] Google Classroom integration and the personalization edge from LMS data[00:15:16] Instructure and OpenAI partnership as a counter to Google's advantages[00:25:20] GSV Summit and BETT merge to create the world's largest edtech events network[00:27:35] Acquisition roundup: Curriculum Associates, Top Hat, Alpha School, Torch[00:31:44] VR and AI content creation with Praxis Labs, Torch, and Google Genie 3Plus, special guests:[00:34:04] Derwin Sisnett, Entrepreneur-in-Residence at Cambiar Education and CEO of Adaptive Commons on Cambiar Education's Thrive Big Ideas Challenge[00:54:39] Dr. Alan Bekker, Co-Founder and CEO of eSelf AI on scaling AI English tutors in Israel and building guardrails[01:15:22] Andrea Pasinetti, Co-Founder and CEO of Kira on Kira Learning's approach to AI-powered STEM education

J. Ryan Stradal is our Writer in Residence, if you have been following along.  What does that mean?  Well, we have been with him from step one since he started his fourth novel, as yet unnamed.  A deeply personal novel that imagines the third act his mother might have lived if she had progressed past the age of 55.  She was J.'s person, his guiding light and his North Star.  He has now finished his first draft and we talk to him as he tackles notes and thinks about bringing the novel to market.  Also joining us is Jonah Zimiles, one of our all-time favorite booksellers with his mission based independent bookstore, Words in Maplewood.  Join us for a great show with old friends. Find books mentioned on The Book Case: https://www.goodmorningamerica.com/shop/story/book-case-podcast-reading-list-118433302 Books mentioned in this week's episode: Kitchens of the Great Midwest by J. Ryan Stradal Saturday Night at the Lakeside Supper Club by J. Ryan Stradal The Lager Queen of Minnesota by J. Ryan Stradal The Sportswriter by Richard Ford Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're back with the third installment in our Missing Middle in Climate Tech series, created in partnership with Spring Lane Capital. If you haven't yet heard the earlier episodes, head to our website for conversations exploring research from CREO and S2G on the financing gap facing climate tech companies caught between early-stage venture and large-scale project finance. And if you have ideas for future series or want to explore a partnership, we'd love to hear from you—reach out via our site (investedinclimate.com/contact).In this episode, we're joined by Jason Scott, Partner and Entrepreneur in Residence at Spring Lane Capital, and Mark Berryman, Partner at Capricorn Investment Group. Capricorn is one of the OGs of sustainable investing, with over two decades of leadership in the space and more than $12 billion in assets under management. This conversation brought together two distinct perspectives: a large, established asset allocator and a nimble firm specializing in project finance and growth-stage venture capital.Mark, recently named LP of the Year by Impact Capital Managers, offered nuanced insights into the challenges and opportunities of bridging the missing middle. Jason's decision to bring him into the conversation sparked a rich dialogue on what it will take to close this critical funding gap. Lots to unpack and learn in this one. Enjoy!On today's episode, we cover:[03:08] Series recap and context on the “Missing Middle" [07:03] Mark's background & experience in climate investing[11:09] Mark's perspective on the "missing middle" & its evolution[14:08] Why mid-sized funds are suited to fill the climate financing gap[17:45] Capricorn's approach to climate portfolios & supporting the ecosystem[21:46] What Mark looks for in emerging fund managers[25:07] Building a fully climate-aligned portfolio & impact reporting[28:45] Where to categorize Spring Lane's investment approach[32:10] The need for more innovative, category-defying climate funds[33:33] Macro context: tariffs, market volatility & long-term climate investing trends[41:33] Three-to-five year outlook for climate investing & the missing middle[44:15] Industry consolidation & future innovations[46:34] Closing remarksResources MentionedSpring Lane CapitalCapricorn Investment GroupThe Role of Family Offices with Spring Lane Capital & CREO, Ep #114Rethinking Climate Finance with Spring Lane Capital...

In this video, Gavin Ortlund responds to recent comments by John Mark Comer suggesting that a new book may be the “final knockout blow” to penal substitutionary atonement (PSA). Gavin offers five reasons why PSA remains a vital part of Christian theology.Truth Unites (https://truthunites.org) exists to promote gospel assurance through theological depth. Gavin Ortlund (PhD, Fuller Theological Seminary) is President of Truth Unites, Visiting Professor of Historical Theology at Phoenix Seminary, and Theologian-in-Residence at Immanuel Nashville.SUPPORT:Tax Deductible Support: https://truthunites.org/donate/Patreon: https://www.patreon.com/truthunitesFOLLOW:Website: https://truthunites.org/Instagram: https://www.instagram.com/truth.unites/X: https://x.com/gavinortlundFacebook: https://www.facebook.com/TruthUnitesPage/MY ACADEMIC WORK:https://truthunites.org/mypublications/PODCAST: https://podcasters.spotify.com/pod/show/truth-unitesDISCORD SERVER ON PROTESTANTISMStriving Side By Side: https://discord.gg/MdTt6d5PVsCHECK OUT SOME BOOKS:https://www.amazon.com/Makes-Sense-World-That-Doesnt/dp/1540964094/truthunites-20https://www.amazon.com/Theological-Retrieval-Evangelicals-Need-Future/dp/1433565269/truthunites-20https://www.amazon.com/Finding-Right-Hills-Die-Theological/dp/1433567423/truthunites-20https://www.amazon.com/Retrieving-Augustines-Doctrine-Creation-Controversy/dp/0830853243/truthunites-20

Sam Arbesman writes deep, beautiful books about the boundary between technology, knowledge, and wonder. His most recent book, The Magic of Code, is another profound exploration—this time into the wonders revealed by code. Sam describes code as “a universal force—swirling through disciplines, absorbing ideas, and connecting worlds.” In this episode, Dart and Sam talk about the experience of coding: what makes it great, when it feels arduous or magical, and how AI could change the experience.Sam Arbesman is a complexity scientist trained in computational biology and applied mathematics. He is the author of The Magic of Code, Overcomplicated, and The Half-Life of Facts. Sam is currently Scientist in Residence advising on emerging trends at Lux Capital—a venture firm investing at the outermost edges of what's possible.In this episode, Dart and Sam discuss:- The experience of writing software—and how to improve it- How Sam first discovered the magic of code- When code feels magical and why- How simple tools spark creativity- Two ways to see computing: utilitarian vs. wondering- The joy of coding just for yourself- What simulations teach us about reality- How coding reframes how we see the world- The hidden connections and limits of debugging- How AI could reshape coding and create leaner teams- Why the history of computing matters- And more…Sam Arbesman is Scientist in Residence at Lux Capital, where he advises on emerging trends at the edges of science and innovation. Previously he was a Senior Scholar at the Ewing Marion Kauffman Foundation and a Research Fellow at Harvard. His work has appeared in The New York Times, The Atlantic, Wired, Wall Street Journal, and Harvard Business Review. He holds a PhD in computational biology, and is the author of The Magic of Code, Overcomplicated, and The Half‑Life of Facts.Resources Mentioned:The Magic of Code: How Digital Language Created and Connects Our World―and Shapes Our Future, by Sam Arbesman: https://www.amazon.com/Magic-Code-Language-Connects-World_and/dp/1541704487/Connect with Sam:LinkedIn: https://www.linkedin.com/in/arbesman/ Website: https://arbesman.net/ Work with Dart:Dart is the CEO and co-founder of the work design firm 11fold. Build work that makes employees feel alive, connected to their work, and focused on what's most important to the business. Book a call at 11fold.com.

Your home isn't just where you live—it could also be your ticket to extra income! Today on The Jon Sanchez Show at 3pm, we'll explore creative, practical, and even potentially tax-smart ways to turn your primary residence into a money-making machine. From adding an ADU to renting on Airbnb, we'll cover strategies that could put money in your pocket every month—without selling your home!

On this week's episode, I had the joy of talking with writer Arisa White and visual artist Daniel Minter about their new public artworks, both of which were commissioned by Indigo Arts Alliance and the Coastal Maine Botanical Gardens on the occasion of the Deconstructing the Boundaries: Tending to Communities symposium this summer. Daniel Minter is an acclaimed American artist, recognized primarily for his work in painting and assemblage, whose themes often focus on experiences of displacement and diaspora. Minter's creative journey is deeply informed by extensive travel across Africa and worldwide destinations of the African Diaspora. Minter's work has been featured in and acquired by numerous esteemed institutions and galleries, including the Smithsonian National Museum of African American History and Culture, Portland Museum of Art, Seattle Art Museum, Charles H. Wright Museum, Bowdoin College Art Museum, Farnsworth Art Museum, The David C. Driskell Center, and more.Arisa White is an associate professor of English and Creative Writing at Colby College. She is the author of Who's Your Daddy, co-editor of Home Is Where You Queer Your Heart, and co-author of Biddy Mason Speaks Up, the second book in the Fighting for Justice Series for young readers. In collaboration with composer Jessica Jones, Post Pardon: The Opera is Arisa's librettist debut. Her poetry is widely published, and her collections have been nominated for an NAACP Image Award and a Lambda Literary Award, and have won the Per Diem Poetry Prize, the Maine Literary Award, the Nautilus Book Award, an Independent Publisher Book Award, and the Golden Crown Literary Award.  As the creator of the Beautiful Things Project, Arisa curates poetic collaborations that are rooted in Black queer women's ways of knowing. She is a Cave Canem fellow and serves on the Maine Writers & Publishers Alliance Community Advisory Board. White was a Mentorship Artist-in-Residence with Indigo Arts Alliance in 2022.To learn more about Indigo Arts Alliance, visit here.This episode was produced with support from Indigo Arts Alliance. Follow the show on IG at @theartofitallshow and follow the host at @dariasimoneharper! Don't forget to rate, review, and subscribe. Sharing an episode with a friend never hurts either;)

In this episode of The Bible for Normal People, Pete is joined by our Nerds-in-Residence to tackle some of your biggest questions about the Old Testament. They discuss contradictions in Ecclesiastes, the influence of ancient Near Eastern literature, the meaning and function of sacrifice, and the formation of the Hebrew Bible. Show Notes → https://thebiblefornormalpeople.com/episode-306-pete-enns-the-old-testament-nerds-ask-a-scholar-anything-about-the-hebrew-bible/  Watch this episode on YouTube → https://youtu.be/oa8cQ5VTKS4 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Gavin Ortlund explores whether the parallel between circumcision and baptism is overextended in Reformed theology.Truth Unites (https://truthunites.org) exists to promote gospel assurance through theological depth. Gavin Ortlund (PhD, Fuller Theological Seminary) is President of Truth Unites, Visiting Professor of Historical Theology at Phoenix Seminary, and Theologian-in-Residence at Immanuel Nashville.SUPPORT:Tax Deductible Support: https://truthunites.org/donate/Patreon: https://www.patreon.com/truthunitesFOLLOW:Website: https://truthunites.org/Instagram: https://www.instagram.com/truth.unites/X: https://x.com/gavinortlundFacebook: https://www.facebook.com/TruthUnitesPage/MY ACADEMIC WORK:https://truthunites.org/mypublications/PODCAST: https://podcasters.spotify.com/pod/show/truth-unitesDISCORD SERVER ON PROTESTANTISMStriving Side By Side: https://discord.gg/MdTt6d5PVsCHECK OUT SOME BOOKS:https://www.amazon.com/Makes-Sense-World-That-Doesnt/dp/1540964094/truthunites-20https://www.amazon.com/Theological-Retrieval-Evangelicals-Need-Future/dp/1433565269/truthunites-20https://www.amazon.com/Finding-Right-Hills-Die-Theological/dp/1433567423/truthunites-20https://www.amazon.com/Retrieving-Augustines-Doctrine-Creation-Controversy/dp/0830853243/truthunites-20

Our Resistance in Residence Artist this week is multi-hyphenated artist and storyteller Brian Copeland. Brian's solo show The Waiting Period will play 12:00pm, Sunday, August 10, 12:00pm, Sunday, August 24, and 5:00pm, Saturday, September 20 at The Marsh Berkeley, 2120 Allston Way, Berkeley. For tickets and more information check out https://themarsh.org/performers/brian_copeland/the-waiting-period/ —- Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/ The post Resitance in Residence w/ Brian Copeland appeared first on KPFA.

Pittsburgh based singer/songwriter Anyah Nancy joins us to talk about her music making and her participation in UniSound's Black Teaching Artist in Residence program.

Episode Description:Hosted by James Altucher (serial entrepreneur, bestselling author of "Choose Yourself," podcaster, hedge fund manager, chess master, and investor in over 20 companies, with expertise in crypto and AI) and Joseph Jacks (founder and general partner of OSS Capital, the world's first VC firm dedicated to commercial open-source software; early-stage investor in AI and open-source tech, previously Entrepreneur-in-Residence at Quantum Corporation).In the premiere episode, James and Joe explore Bittensor's decentralized AI ecosystem, contrasting it with centralized giants like xAI's Grok 4. They discuss subnets providing GPUs, datasets, and models; proof-of-useful-work mining; building custom AI agents; and Bittensor's potential to outpace Big Tech in achieving superintelligence.Plus, tokenomics, real-world apps, capitalism parallels, and bold predictions on TAO's future value.Key Timestamps & Topics:00:00:00 - Intro: Podcast overview, AI/crypto news (Grok 4, Bitcoin ATH), centralized vs. decentralized AI.00:09:00 - Proof of Useful Work: Mining datasets, models, inference on Bittensor.00:10:00 - Subnet Deep Dives: Dataverse (13) for data scraping; building trading models.00:16:00 - Chutes (64): Cheap AI inference, e.g., Bible chatbot at 1/50th OpenAI cost.00:23:00 - Agentic AI: Building owned agents, avoiding Big Tech biases/control.00:28:00 - Scaling & Future: Decentralization's infinite potential; Bitcoin compute parallels.00:33:00 - Superintelligence Path: Bittensor faster than Elon; energy/chip challenges.00:34:00 - Bittensor's Early Stage: Like 1990s internet, needs better user interfaces.00:38:00 - Chutes Economics: 10T+ tokens served, 4.4K H100 GPUs, user growth.00:50:00 - Valuation & Growth: Subnets as companies; TAO potentially 5-10x Bitcoin.01:02:00 - Bittensor as Pure Capitalism: Incentives for supply/demand; upgrading equity models.01:09:00 - Centralization Risks: Elon/Meta control; Bittensor's global solution.01:13:00 - Wrap-Up: Teasing future episodes on subnets, AI ventures.Key Takeaways:Bittensor incentivizes ~20-100K GPUs permissionlessly, rivaling xAI at zero CapEx.Subnets like Chutes (inference) and Dataverse (data) enable cheap, owned AI models for anyone.Decentralization democratizes AI talent/compute, potentially building AGI faster than centralized efforts.Quote: "Bittensor is the most expressive language of value in the history of languages of value." – Joseph JacksResources & Links:Bittensor Official: bittensor.comTaostats (Explorer/TAO App): taostats.ioSubnet 64 (Chutes): taostats.io/subnets/64Subnet 13 (Dataverse): macrocosmos.ai/sn13Akash Network: akash.networkxAI: x.aiFollow Hosts: @jaltucher & @josephjacks_ on XSubscribe for more on Bittensor subnets, AI building, and crypto trends! Leave a review and share your thoughts. #TheTaoPod #Bittensor #DecentralizedAI #TAOToday's Advertisers:Secure your online data TODAY by visiting ExpressVPN.com/ALTUCHERElevate your workspace with UPLIFT Desk. Go to https://upliftdesk.com/james for a special offer exclusive to our audience.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

How dare you? That's the first question KJ asked Ally Carter, whose name is “synonymous with hilarious action and heart-pounding romance” (TRUE). Is KJ outraged? Hell no. It's a legit question. Ally's books are so so much fun, with wild action scenes befitting a Bond movie (or a Jason Bourne, OBVIOUSLY) and plots that trot the globe while dancing backwards in high heels and KJ really wants to know—how did Ally give herself permission to just go there? To write the dreamy, wild, sure it could happen but also we don't even care because we're so in it story that scares many of us (especially ex-journo KJ, who wastes far far too much time on such non dramatic questions as “but how would someone with that job pay for health insurance? and “technically, how much snow could that unit make in one night?). Also asked: how did you learn to write action so well? Do you take all kinds of crazy self defense classes? Or dissect movie fight scenes in slo-mo? Are you fun to watch a spy movie with, or terrible?I would have asked her if she used to BE a spy…but then she would have had to kill me.LINKSNational Spy MuseumThe Blonde Who Came In from the ColdThe Most Wonderful Crime of the YearThe Blonde IdentityAlly CarterAlly's rec: Netflix: The ResidenceInstagram @theallycarter The newsletterHey everyone, it's Jenny Nash. This episode happens to feature an Author Accelerator book coach. Author Accelerator is the company I founded more than 10 years ago to lead the emerging book coaching industry. If you've been curious about what it takes to become a successful book coach, which is to say, someone who makes money, meaning, and joy out of serving writers, I've just created a bunch of great content to help you learn more. You can access it all by going to bookcoaches.com/waitlist. We'll be enrolling a new cohort of students in our certification program in October, so now's a perfect time to learn more and start making plans for a whole new career.Transcript below!EPISODE 460 - TRANSCRIPTJennie NashHey everyone, it's Jennie Nash, founder and CEO of Author Accelerator, the company I started more than 10 years ago to lead the emerging book coaching industry. In October, we'll be enrolling a new cohort of certification students who will be going through programs in either fiction, nonfiction, or memoir, and learning the editorial, emotional and entrepreneurial skills that you need to be a successful book coach. If you've been curious about book coaching and thinking that it might be something you want to do for your next career move, I'd love to teach you more about it, you can go to bookcoaches.com/waitlist to check out a free training I have—that's bookcoaches.com/waitlist. The training is all about how to make money, meaning and joy out of serving writers. Fall is always a great time to start something new. So if you're feeling called to do this, go check out our training and see if this might be right for you. We'd love to have you join us.Multiple SpeakersIs it recording? Now it's recording. Yay! Go ahead. This is the part where I stare blankly at the microphone. Try to remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay. Now, one, two, three.KJ Dell'AntoniaHey, I'm KJ Dell'Antonia, and this is Hashtag AmWriting the weekly podcast about writing all the things—short things, long things, pitches, proposals, fiction, nonfiction. We're the podcast about getting things done. And I'm going to be solo this week because I am interviewing, and I'm so excited to interview one Ally Carter, whose name, I'm stealing this from her bio, because it was such a great line—is synonymous with hilarious action and heart-pounding romance. And as someone who's read much of it, I can vouch kids. So Ally's most recent big book that you've probably seen around was The Blonde Identity . Her current book that you're going to want to go straight out and grab is The Blonde Who Came In from the Cold, and her other book that she wrote just for me—because it was like exactly what I needed in a book in that moment and I really appreciate it. I'm glad other people got to read it, but it was really, for me— The Most Wonderful Crime of the Year those are her adult books. She's got a ton of young-adult books, also with heart pounding action and hilarious...wait, heart-pounding romance, hilarious action. I feel those are exchangeable. And even some middle grade if you've got some kids who might be reading in those lines. So Ally does all the things, and we're going to find out how, and immediately be able to do it ourselves. Ha! Ally, thanks for coming.Ally CarterThank you so much for having me, KJ. I appreciate it.KJ Dell'AntoniaWe are super excited.Ally CarterI also wrote The Most Wonderful Crime [The Most Wonderful Crime of the Year] just for me, because it's— that's like, I love a mystery, and I pick them up, and I'm like, this would be great. Where's the romance? And then I love a romance, and I pick it up, and I'm like, where's the mystery? And so that's, that's how Most Wonderful Crime [The Most Wonderful Crime of the Year ] came to be. It is two great genres better together.KJ Dell'AntoniaAlso, it's writers in a—like writers in a mansion, with secrets and surprise identities, and things people can do that no one knows they can do, which is my jam. Yeah, really enjoyed it.Ally CarterThank you.KJ Dell'AntoniaThank you for that. Not that I didn't I love The Blonde Identity. My daughter has it right now, and she's super excited, because I can give her The Blonde Who Came In from the Cold, early, because I might have gotten an early copy. So she'll be reading that on the beach next week after she finishes the first one.Ally CarterThat is some good cool mom points right there.KJ Dell'AntoniaWell, it is, yeah, and they're rare. But that is a great thing about your—I mean, my daughters are 21 and 19, so they're older, but I would have given the blonde books and The Most Wonderful Crime to, you know, a 16... ?... like, they're not—not that I don't actually give some pretty steamy stuff to my kids, but if you're not somebody who does that, they're steamy, but they're not—anyway...Ally CarterYeah, there are books that, like, grandma and mom and daughter can all read togetherKJ Dell'AntoniaYeah, I was just going to say I would give them to my mom too. Yeah. I mean, they're just super fun. Because sometimes the better test is not “Would I give it to my daughter?” It's “Would I give it to my mom?”Ally CarterYou're exactly right. Agreed, agreed.KJ Dell'AntoniaSo my first question is this: how dare you?! Okay, and now you're like, wait, what?! No, seriously, like, your books are—the plots are so out there, and glorious, and outrageous, and the action scenes are wild, and they're sort of everything you fantasize about in a spy romance novel. And as a former journalist, I spend a lot of time sitting around staring at my plot thinking things like, yes, but how would this person have health insurance? And I feel like you've transcended that. So can you talk to me and all of us about how you've, you know, embraced this world of the wild, glorious, fun, and outrageous in your plotting?Ally CarterYou know, that's a—thank you. First of all, that's a lovely compliment. I really credit it toward, you know, how most things are in my life and my career—it was total accident and sheer dumb luck. So 20 years ago—I realized not long ago—like, literally 20 years ago this spring, I saw it. I'd Tell You I Love You, But Then I'd Have to Kill You. And I was, you know, big dumb kid, didn't know what I was doing, sheer dumb luck, had this amazing idea. And most of all, I had an amazing idea at a time when the YA [young adult] genre was just expanding exponentially—like the shelves of shelf space at Barnes and Noble was getting bigger and bigger and bigger. And so it was a big tent, and there was room for everybody. And so I was lucky in that I got in there. I was especially lucky because I had a brilliant editor named Donna Bray. And Donna could see, like the shift coming—like, she could see Twilight and the, like, the move to paranormal, and the move to, you know, moving away from contemporary fiction to genre fiction. And she was like, we have to get this out fast. And so we crashed it. And so I sold it in, like, April or May of 2005, and then I had to go to copy editing in October, and I had—I had 32 pages.KJ Dell'AntoniaSorry, (laughing)Ally CarterAnd a day job!KJ Dell'AntoniaOh, my goodness!Ally CarterSo I had the summer of absolute deadline. I would come home from my day job, I would eat a fast dinner, and I would write till midnight. But this was also back, like, before we really had smartphones in our pockets all the time—definitely pre, like, social media—and so that's what you did. And I'm like, man, if I did that every day, think about how much writing I would get done today.KJ Dell'AntoniaYeah.Ally CarterBut because I was so fast, the turnaround there was so fast, I didn't have time to, like, go down a rabbit hole of, well, exactly what type of nylon cord would they use to rappel into such and such—you know, I just got—I made it up, and I got away with it. And so I realized that, you know, I would—I did do a lot of research on actual tradecraft.KJ Dell'AntoniaRight.Ally CarterSo the things like the girl—there's a scene where the girls have to go through the boy's garbage. And there's this—you know, there are scenes where they're, you know, planting bugs and those types of things. Those—I watched documentaries, I read a lot of, like, actual decommissioned, sort of old CIA handbooks and things.. The International Spy Museum has a wonderful reference section, and you can actually order...KJ Dell'AntoniaOh, that's cool.Ally CarterOld, like, World War Two training manuals and things. It's really greatKJ Dell'AntoniaI did not know that.Ally CarterSo I did do that. What I did not do was I didn't worry about, like, the brand name of what you might call it. So as a general rule, I tell my readers, like, the more specific something is in the book, the more likely it is I made it up. So when I'm like, well, then she did the one death ski maneuver—and, like, I don't know what the one death ski maneuver is, but they don't either—I made it up. But the actual sort of bones of what the school would teach and how they would teach, it was very accurate.KJ Dell'AntoniaWell, it must have come in handy because you have another school in the current book.Ally CarterYeah. And it's—it was a little harder, because it is, you know, it's not for kids, and so it has to have a little bit more of an air of sophistication. And I wanted to base it off of the actual CIA training facility, “The Farm,” which is at Camp Peary—which is in the book, what I couldn't figure out were things like, do they sleep in apartments? Do they have a dorm? Is there a are there barracks? Are there, you know, is there, like, a big cafeteria? Are they?KJ Dell'AntoniaVery few people will know what's real, and they can't tell you, right?Ally CarterThey can't tell me. And so I actually, when I was on tour for The Blonde Identity, I was in D.C., and I did a wonderful event, had hundreds of readers there, and they were like my Gallagher Girls who had grown up and now they all are spies. I mean, they like, literally work for the CIA. They're literally with, you know, "I'm with Homeland Security." You know, several of them were like, I can't actually tell you where I work, but you were very popular there and so, and I actually did a like, show of hands, like, if you can say so, how many of you have been to The Farm and, like, multiple hands went up.KJ Dell'AntoniaOh, wow!Ally CarterAnd I'm like we're talking when this is finished. So I got a little bit, but not very much, you know. And I guess the thing also with “The Farm” is, you know, they bring in, like, their actual undercover operatives to train there, but there are a lot of different groups that also use that facility. So, for example, I think I'm not dreaming this. I think this is true. Like, if you are an ambassador or an ambassador's family, and you and you are going, maybe not like the ambassador to London, but if you're going to, like, you know, someplace that could be a little bit dangerous, they'll send you there for, like, evasive driving training and things like that. So you get a little bit of training. So it's not just spies who train at Camp Peary, it's multiple groups.KJ Dell'AntoniaI have a new life goal now, which is to never need evasive driving training.Ally CarterRight?! And see, I kind of want to learn how to do it. I don't want to need it…KJ Dell'AntoniaYeah no, no but no, it's not to need it. I don't want to need it.Ally CarterI want to know how to do it.KJ Dell'AntoniaYeah. Well, yeah, you could, you could use it. Yeah, I just—it. I miss—your books inspire the writer in me to remember, like you said, that very few people care what brand of nylon rope you would use to repel, and from there, it's a pretty short step to, you know, whether or not you can really stop a cable car halfway.Ally CarterYeah.KJ Dell'AntoniaYeah, we're and we're not going to but.. It's just...Ally CarterAnd the way I see it is, if you are the person who knows what brand of rope it is... even if i get the rope right, i could get everything else wrong.KJ Dell'AntoniaYou're either not reading this, or you don't care.Ally CarterYeah. There... This is, this is not for them, probably.KJ Dell'AntoniaOr if it is, it they've they're there, like...Ally CarterThey're there.KJ Dell'AntoniaThat's fine.Ally CarterYou either buying in or you're out. And that's fine. And I—and nothing but respect to the people who do know that? Because now, I grew up on a farm, and so I can't read, like, cowboy books, because I'm like, oh gosh, geez Louise, of course, your barn burned down. You put that hay in there way too soon—you are you really baling green hay?KJ Dell'AntoniaThey're literally haying in my field right now.Ally CarterRight. You know, I'm like, seriously, seriously. This is, you know, you're, you're, you're not. You didn't do a semen test on your bull? Like—you know?"KJ Dell'Antonia"You are not milking that cow. I know how you're supposed to hold your hands."Ally CarterExactly!KJ Dell'AntoniaSee I did.Ally CarterYeah, I'm, I'm not, I'm not here for and so I'm, like, this is the same thing. Like spies have no reason be reading me. I have no reason reading the things that I do know about. Because it's, you know, it's, it's just, you're also, it's not exciting to me. And so I'm sure most spies, you know, there's a line in...KJ Dell'AntoniaYeah it's not a fantasy.Ally CarterYeah, so…KJ Dell'AntoniaIt can't be a fantasy, because you're too stuck on, you know, the...Ally CarterExactly, and so...KJ Dell'AntoniaThe reality that our hay baling chute is broken, and therefore we will need multiple people tomorrow to go around and pick up each individual bale…Ally CarterYeah.KJ Dell'AntoniaAnd put it on a flatbed truck, and drive to the barn, and take each individual bale off the flatbed truck, and then stack them in the barn. Y'all are missing my arm gestures, but Ally knows of which I speak.Ally CarterI know, I know those gestures. You got to buck it up with your knee. It's a whole—it's—it is not easy work. It is very hard work. And so…KJ Dell'AntoniaYeah, I'm hoping not to go out there, but I know I will.Ally CarterOh no, you don't want to do that, and you will itch for days.KJ Dell'AntoniaI've done it. I've done it for years and I know I'm going to end up there. It's my birthday tomorrow too.Ally CarterOh no, that's not the…Yeah, so it's the reality. I think it's very easy—also, when reading, as a reader—I hate it when it's very clear that an author has done a ton of research and they're not going to let it go to waste. Yeah. And so there's like, you know, they'll introduce the thing, and then they'll have, like, a paragraph explaining all of the things that they have learned. I'm like, this serves no purpose whatsoever.KJ Dell'AntoniaI also thank my editor for my leaving out the entire history of Prohibition-era alcohol rules between Kansas and Missouri in The Chicken Sisters.Ally CarterYep. See, if you, if you want to write that, the nonfiction is right there, you can— you've got it. So I like to do enough research to inform the story. And, you know, there are definitely things, you know, scenes and lines and wonderful things that have come from the research. But I never do research just so I know, like, what kind of rope it is.KJ Dell'AntoniaRight.Ally CarterI—you know, that's that I think then, then, then also, are you doing research, or are you procrastinating?KJ Dell'AntoniaWell...Ally CarterBecause I think most people are just procrastinating.KJ Dell'AntoniaWe all know the answer to that. So how about the action scenes? You write such great action scenes, but I am also not a reader who's like picturing, well, clearly at this point, he's upside down and her hand. You know, that's not how I read anything. I just kind of go (shwoop) through that. So how do you handle writing them? Are you like slowing down action films so you can dissect the movies?Ally CarterNo, I really don't like writing action scenes. They are hard, and it feels like I've done everything, like they're okay. Well, hey, here we are. We're doing that again, but there. They are. They come with the job. And so I think most of all, you just have to remember, sort of the blocking of it. Like, okay, who is where? The other hard thing that that comes and, you know, movies have it so much easier. Like, you don't need a name for the for the six bad guys, that black Willow...KJ Dell'AntoniaRight,, the one on the right, and the one behind... Yeah, yeah, no.Ally CarterAnd so I'm like, Okay, but how is the reader keeping these different so, you know, like, well, one of them has a has glasses, and the other one has a goatee. Okay, well, then from that point forward, I the author just call them glasses...KJ Dell'AntoniaGlasses and goatee. Right.Ally CarterAnd so you have to remember, like, okay, glasses is down. Goatees still at large, you know, or whatever.KJ Dell'AntoniaIs there a special copy editor for that?Ally CarterThey're not special, but that is definitely can fall into a copy editor's purview, especially things like during that fight sequence. Okay, well, it was 100 pages ago, but it was also yesterday that your heroine got shocked. Is she really fighting at full strength? Oh, ouch, you know. So that type of thing, because, again, reader wise, that's, that was, I've, that was the midpoint. I'm to the climax now. But timeline wise, no, that was yesterday.KJ Dell'AntoniaRight.Ally CarterAnd so the...KJ Dell'AntoniaAnd probably with some readers, reader wise, that was an hour ago.Ally CarterYeah! So...KJ Dell'AntoniaI mean you know, we're eating this up.Ally CarterExactly.KJ Dell'AntoniaSo much faster to read than to write.Ally CarterSo you have to think about those types of things. Like I wrote that two months ago, but nope, it's still right there.KJ Dell'AntoniaYeah.Ally CarterSo that's the kind of thing that, you know, again, you can't really worry about in a first draft. Like, let that. That's future-use problem.KJ Dell'AntoniaYeah. Now, in contrast to, you know, the wild plotting and the crazy, enjoyable, delicious action, your people feel, you know super, super real. They have, ah, big reasons for being the way that they are, but the feelings feel real. I think that is an amazing um, contrast. Do you start with the, do you start with, like, you know, the person's flaw, or what it would there's some term of art for this which I have forgotten. Or do you start with, I need a person who, or does it vary book by book?Ally CarterThank you. I, you know, it's I spend a lot of time with that.KJ Dell'AntoniaThat's why they work.Ally CarterThank you.KJ Dell'AntoniaNo, seriously, no one. I mean, The Blonde Identity would maybe be fun if it wasn't also, like, you really want her to figure out who she is, and you really want to know why is this happening, and what is up with and like, you want all that for the character you believe in, in her.Ally CarterAnd that's always I find as much about tone as anything, this particular sub- genre, it can go wacky or kooky really fast, like it's very easy. You know, I like to say that spy movies exist on a spectrum that range from get smart to Zero Dark Thirty.KJ Dell'AntoniaYeah.Ally CarterAnything along that spectrum is a spy movie. But those could not be more different. And so are we? Are we doing like James Bond, like he's cool and suave, but he also has gadgets, or are we doing like he's, you know, kind of bumbling with gadgets? Or are we doing it's very realistic?KJ Dell'AntoniaWell are we doing Roger Moore James Bond, or are we doing … um…guy who now models for…Ally CarterDaniel Craig?KJ Dell'AntoniaThank you—oy vey—Daniel Craig, which are very different. James Bonds really…Ally CarterVery different James Bonds, because I've heard people the James Bond people talk about the Daniel Craig, James Bond doesn't exist without Jason Bourne.KJ Dell'AntoniaYeah.Ally CarterThat's who they looked at and so all of these things, you know. And so when I'm trying to figure it out, and I think that's one of the hardest things about genre bending romance, whether you're bending fantasy and romance or horror and romance, or romance and mystery or romance and action, or whatever, you could only really write in the Venn diagram space, where there's overlap. And so I couldn't, you know, the realistic version of this is not something where people are falling in love, like it's, you know, it's too dark. And it's definitely not a comedy, definitely not a comedy. So you're, you have to find the place where, no, they're in real, actual peril. This is really terrible. This is... they really might dieKJ Dell'AntoniaAnd they understand that.Ally CarterAnd they understand that they get that and also, but they still have time to, you know, okay, well, now I'm going to, you know, now we're going to slow dance, you know, you still have to find those times. And the other thing is, you know, you have to figure out just where on the spectrum you want to be and lean into that. Like, if you want to write, like, the kooky, sort of Agent Cody Banks of it all, then you have to do that. But then you have to realize the other parts of the spy kind of world that you can't touch. And so it's—you're just—you're always threading needles. It's, it is a, it is a task of, of absolutely threading needles all the time.KJ Dell'AntoniaI think that, yeah, when it comes to tone, where on the spectrum do you want to be, is like, like maybe one of the greatest questions that I have heard. And it's just one that, you know, I think we all wrestle with.Ally CarterWell, and I've had people that really don't—people who should get it—who don't get it. So, you know, I was in a meeting one time with some Hollywood producers who were looking at some of my stuff, and I said, “Well, tonally, where do you want it to be?” And they were like, “What do you mean?” I said, “Well, do you want it to be like, you know, Mr. and Mrs. Smith or Bourne Identity?” And they said, “Well, those are the same thing.” And I was like…KJ Dell'AntoniaNo, no, no, no!Ally Carter“This meeting is over. Thank you very much”.KJ Dell'AntoniaYeah.Ally CarterIt's... I don't understand how people don't get that, but to me, I spend 90% of my time worried about it. Oh, I remember now what I was going to say earlier. I got my start—and I'm never going to be, like, a full-time or big-time of this—but I've done some screenwriting. . And so there's a screenwriting podcast [Scriptnotes] by two guys who are very big, very dominant—dominant—screenwriter. One of them did, like, the Charlie's Angels movies and the Aladdin remake and all those. The other one does The Last of Us and a bunch of big, like, HBO shows. And, um, they always talk about "the Want song". So in every Disney musical, the first—the first song—sets up the world. It's "Belle," you know, like, you know, wandering through town. The second song is the "whatever she wants." And so, you know Moana, you know, "See the line where the sky and the sea meet, it calls me"—like, Moana wants to travel. She wants adventure. And so I spend a lot of time, when I'm setting up these characters, thinking about what their "Want song" would be. And so, like, for The Most Wonderful Crime of the Year, her "Want song" is, "I want to be Eleanor."KJ Dell'AntoniaRight.Ally CarterYou know she wants to be Eleanor Ashley [from The Most Wonderful Crime of the Year], who is my, like, fake off-brand Agatha Christie, and so that's, that's what you have to think about a lot like, you know, what Alex [from The Blonde Who Came in from the Cold] wants is to sort of be free like she wants, she wants to be enough. She wants to pay her—you know? She has paid her debt for—you know, sort of having been born strong and healthy, where her identical twin has been born very, very sick. And so she, she wants—and she wants to never lay eyes on Michael Kingsley [also from The Blonde Who Came in from the Cold], ever again, who was her, you know, on again, off again, partner, slash love interest. And so that's—you know, that I always start with that, what is their wound? What is the thing that hurt them in the past that they're trying to get over? And what is their want?KJ Dell'AntoniaYeah.Ally CarterAnd almost always, what would they realize over the course of the book is that the thing that they want is not the thing that they need.KJ Dell'AntoniaYeah.Ally CarterAnd so that's, that's an Ally Carter book. That's an Ally Carter character progress.KJ Dell'AntoniaThat's it. Now everyone can do it.Ally CarterYeah.KJ Dell'AntoniaYeah. Oh, but if it were that easy, everyone would do it, right? Um, no, this... this is amazing and delightful. I hope really helpful for people. I got distracted by taking some notes on what you just said. So, people—for me, for the Post-its on my computer, as well as, oh my gosh, so many Post-its, so many Post-its—let's talk just a little bit about the difference between YA [young adult] and adult when you're—fundamentally—I mean, some people sort of switch genres entirely. You were writing very similarly toned books for different audiences. How? How do you think of that evolution?Ally CarterThat's—in a way—yes, I did switch audiences. In another way, they're the exact same readers. And so that's—that's an interesting and weird thing about YA is, about every three years, you have to make all new readers because they have grown up and they've aged out of you. And even if they haven't aged out of you, they have what I call "cooled out of you."KJ Dell'AntoniaYeah, yeah.Ally CarterAnd they're like, I liked those books when I was a little kid, and so current me can't possibly like those books, because those are little kid books. And so I was on the phone during the pandemic with my friend Rachel Hawkins and Rachel had written YA for a long time, and then she switched to adult. And I was talking about... do I...? What do I...? I need to sell something. Do I sell another middle grade? Do I sell a YA [young adult]? Like, what do I sell? And she says, you sell an adult. You sell an adult book that appeals to your Gallagher Girl readers. And I, I said, oh, Rachel, I've spent, you know, 15 years building a career in YA, I've got, you know... And she said, your readers aren't there anymore. They are the girls who read you when they were 12, ten years ago, and are 22 now. And I'm like, oh, that's right, they are. They've grown up. And so I—and I had the idea for “the spy twins” and had tried to do it as YA, and then at one point I even tried to do it as middle grade, and I could never make it work. And the problem wasn't, one of the twins wakes up with amnesia and somebody's trying to kill her—that I could pull off. The problem was, how and why is her identical twin on the run? And what does she have? And, like, you know, she...KJ Dell'AntoniaShe needs a longer history than you can have as a teenager.Ally CarterYeah, exactly. Like, is she actually working for the CIA, like, because then again, we get into Agent Cody Banks territory, then it's, you know, well, we've got a super-secret branch of the CIA who recruits kids. I'm like, no, you don't that's stupid. Like so...KJ Dell'AntoniaAnd she's been there since she was 10, and now she's on the lam.Ally CarterExactly.KJ Dell'AntoniaYou know, and then at age 12, she went rogue.Ally CarterYeah. And then you've got, like, well, no, you know, it's a Parent Trap situation, and one of them was raised by a spy and one of them was raised by ordinary people. I'm like, oh, maybe... I don't know, but, you know, I just couldn't quite make it work. And so I was talking to Rachel, and I said, what am I supposed to do? Just dust off that old spy twin idea, except now, instead of a super-secret organization, she's just on the run from the CIA? And then I was like, wait a second.KJ Dell'AntoniaWell yes!Ally CarterIf she's 30... she can—so every single problem and logic challenge that I had with that premise went away once those characters became 30. And so I just—and it was the easiest writing I've ever done. I feel almost guilty about how easy that book was to write; because I'd been, I'd been working at it and hammering at that idea for so long. And so it was almost like, instead of starting it at the beginning, I started it at the end of the writing process, where you have that one, like, little linchpin thing that you think, oh, but what if I do this? And then the whole plot just...KJ Dell'AntoniaRight.Ally CarterSo I started it there. I started at the...KJ Dell'AntoniaWow!Ally CarterDomino moment. And I'm spoiled, because it'll never be that easy again. But that's, that's how the transition went. And, you know, it's been great because my readers, they're so excited to see me. It's like, they're, I hear from readers all the time, they're like, you know, it feels like you wrote this just for me. I grew up with you, and now you're writing books for me again, and that has been very full circle and very, very fulfilling.KJ Dell'AntoniaThat, that's great. Well, you're writing them for me too. So, love that, and I think for a lot of our listeners—who I really think are going to enjoy this episode.Ally CarterThank you.KJ Dell'AntoniaSo before I let you go, can I ask you what you have read and loved lately?Ally CarterOh, sweet mercy. I have been so underwater, on a—on a book, and it's been the kind of—it's been the kind of deadline and the kind of book... You know how the old adage is so true that you never learn how to write a book—you just learn how to write the book you're writing right now. And so this one has just... and when I get that way, I don't enjoy reading because my inner critic can't turn off. But I will share a show that I loved, and I—they just announced that they're not doing a season two, and I'm heartbroken over it. And that is, on Netflix, there's a Shonda Rhimes show called The Residence, and it's a murder mystery set at the White House. You know, somebody drops dead during a state dinner. And it's got kind of a kooky detective and a wonderful, colorful cast, and it's very, very funny, but it also—it threads that tonal needle, where, like, no, no, there was a murder. This is still serious, but, oh, by the way, I'm going to go look at the body, but first I saw a bird I want to check out, you know. And so it's just—tonally and voice-wise—it does really amazing things. And so if any of your listeners are looking for a really great, like, eight-episode series, it's great. I could not recommend it more—The Residence on Netflix.KJ Dell'AntoniaThat sounds super fun. Well, I am in the midst of The Blonde Who Came In from the Cold. So, you know, I don't normally recommend a book until I know if the writer is going to stick a landing. But I feel quite confident in this one, and have enjoyed—as you can obviously hear from the podcast—the rest of Ally's work. So I am going to just push all of you listeners to, you know, head out there, grab the new one, grab the old one, and have a good time with them.Ally CarterAww, thank you.KJ Dell'AntoniaYou're welcome. Thanks so much for being here. Oh, should people follow you on social media? Do you do anything fun? Are you...?Ally CarterI do nothing fun. I'm not fun at all. I'm mostly on Instagram; I guess at this point I'm the Ally Carter over there. I have a couple of kind of defunct Facebook pages that I update occasionally. I just updated it for the first time, evidently, in two years. So that was fun. I'm on Threads very seldom. I used to be on Twitter and I still have that account I don't update it very often. Um, but yeah—and of course, my newsletter, like the newsletter is—I think we need to come back. We all need to get back to the newsletter, because it will deliver the news directly to your inbox. And so if you want to make sure you don't miss any like, you know, tour events, which, by the way, I'm coming to Boston on tour in a couple of weeks. So looking forward to that a lot. I think its Lovestruck Books? Is that Boston?KJ Dell'AntoniaProbably yeah.Ally CarterYeah.KJ Dell'AntoniaThat's the new romance bookstore there. I've been with Sarina a couple of times, and yeah, it's a great—it is a beautiful store. Like, every detail. Their bathrooms are phenomenal. That's how wonderful this store is. So, very cool. All right, I will link up the newsletter in the show notes, and yeah, about, you know, once every week, I decide to just cancel all the rest of my social media and only do my AmReading email. And then I imagine what my agent would say. And yeah, I don't do it, but...Ally CarterIt's, you know, and I feel like I'm such a broken record, like, oh, you know, go buy my book. Oh, go, you know, I'm going to be here on tour. Oh, this is how you get signed books. But—and I just say over and over and over again—and then inevitably, and this really happened to me one time, I was sitting at the LAX Airport waiting on a flight home, and I got an irate message from a reader that I never come to LA. And I was like, I did an event here last night—like, I was at the Barnes and Noble at The Grove or wherever—last night. And so we said, we—it feels like we are just beating a dead horse letting people know about these things, but it's so easy for things to get lost. And so...KJ Dell'AntoniaYeah! Jess tells the story—that's one of my other co-hosts—about, you know, someone who had come up to her, really one of her biggest fans, “Good new book.” And, “I get your idea, I love this, and I love that you wrote, like, knew a lot.” And then she said, “Oh, well, did you enjoy my latest book?” And they're like, “You have a new book?!”Ally CarterIt happens every time. And so, you know, it's—it's just part of the business at this point.KJ Dell'AntoniaYou've got to do it—it's just part of the business. All right. Well, thank you again...Ally CarterThank you.KJ Dell'AntoniaAnd as always, listeners until next week keep your butt in the chair and your head in the game.Jess LaheyThe Hashtag AmWriting Podcast is produced by Andrew Perella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. 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I was on a flight with my family when we had an emergency landing, and watching how the first responders handled the situation taught me the most important lesson about running a business: successful CEOs don't try to solve every problem at once, they identify the single most critical priority and focus all their resources on that one thing//Welcome to Repeatable Revenue, hosted by strategic growth advisor , Ray J. Green.About Ray:→ Former Managing Director of National Small & Midsize Business at the U.S. Chamber of Commerce, where he doubled revenue per sale in fundraising, led the first increase in SMB membership, co-built a national Mid-Market sales channel, and more.→ Former CEO operator for several investor groups where he led turnarounds of recently acquired small businesses.→ Current founder of MSP Sales Partners, where we currently help IT companies scale sales: www.MSPSalesPartners.com→ Current Sales & Sales Management Expert in Residence at the world's largest IT business mastermind.→ Current Managing Partner of Repeatable Revenue Ventures, where we scale B2B companies we have equity in: www.RayJGreen.com//Follow Ray on:YouTube | LinkedIn | Facebook | Twitter | Instagram

Superpowers for Good should not be considered investment advice. Seek counsel before making investment decisions. When you purchase an item, launch a campaign or create an investment account after clicking a link here, we may earn a fee. Engage to support our work.Watch the show on television by downloading the e360tv channel app to your Roku, LG or AmazonFireTV. You can also see it on YouTube.Devin: What is your superpower?Caroline: Positive energy.Founders of social impact organizations—those working to change the world—often experience a unique kind of isolation. The challenges they face extend beyond scaling a business or managing operations; they wrestle with the pressure of delivering meaningful social change while also keeping a wary eye on their bottom line.That's why Caroline Diehl MBE, Founder and CEO of Social Founders, has dedicated herself to supporting the well-being of the people behind these organizations. She's not focused on the nuts and bolts of business planning or marketing. Instead, Caroline is building a global network that supports founders themselves, giving them a space to connect, decompress and recharge.As Caroline explained on today's episode, “It's amazing how some of the most experienced and brilliant social founders in our network still say that they feel lonely. They feel that they can't talk really openly to their board or to their management team. They can't constantly dump on their partner back at home. And they love the idea of connecting with other founders.”She's quick to note that the ecosystem for social impact founders doesn't match what's available to tech founders. “If you're a tech founder, you're on to a good thing. But if you're a charity founder or a social entrepreneur, it's pretty tough. And there's not much support for the actual founder.”Caroline's approach is all about founder well-being. Social Founders doesn't duplicate what others do. Instead, they partner with organizations offering practical business help, like the UK's School for Social Entrepreneurs, while focusing on the founder's mental and emotional health. “We're there for the well-being of the founder, which in turn helps that founder be a better founder,” Caroline said.The double bottom line—delivering both social impact and financial sustainability—adds another layer of complexity. Caroline captured this tension: “Sometimes you can create more social impact without having to focus on the money all the time and vice versa. If you're focusing on the money all the time, then you end up just maybe selling lots of mugs or stickers or something and not doing enough social impact.”Changemakers need not go it alone. Social Founders offers a global community, recognizing the value of peer support and connection. If you're building a social enterprise or founding a charity, consider joining the movement at socialfounder.org. You'll find a group of like-minded leaders who understand your challenges—and a network designed to help you thrive.tl;dr:Caroline Diehl MBE founded Social Founders to support the well-being of social enterprise and charity founders.She highlights the loneliness and unique pressures founders face, especially balancing impact and financial sustainability.Caroline emphasizes building networks over business advice, prioritizing emotional and peer support for changemakers.Her superpower, positive energy, has fueled her success and resilience across multiple impactful organizations.Listeners are invited to join Social Founders' global network for community, inspiration and support.How to Develop Positive Energy As a SuperpowerCaroline described her superpower as “positive energy.” She explained, “Whoever I'm talking to, whether I'm meeting some grand poobah running some big company or the people that I really love who are the grassroots founders and changemakers, or whether I'm just on my own… I can call on a superpower inside me of positive energy and make that happen.” Even during difficult times, when doubt creeps in, Caroline channels this positive energy to keep moving forward, whether she's running marathons or building impactful organizations.Illustrative Story:After founding the Media Trust and Together TV, Caroline started Social Founders from scratch, with no investment capital and little personal financial security. She had to convince funders, opinion leaders and founders from diverse backgrounds to join her network. Despite being “not young anymore,” she relied on her positive energy to inspire and mobilize others. Caroline shared that much of her energy comes from the people she meets—like a renowned Japanese dancer who supports people with learning difficulties through dance, or a young entrepreneur in Japan helping formerly incarcerated youth start businesses. These encounters continually fuel her own drive.Actionable Tips for Developing Positive Energy:Focus on your love for your mission and your passionate belief in the change you want to make.Keep reminders—like sticky notes with meaningful messages—visible in your workspace.Connect regularly with the people you aim to help; their stories can renew your motivation.When energy is low, spend time outdoors: go for a walk, bike ride or simply get fresh air.By following Caroline's example and advice, you can make positive energy a skill. With practice and effort, you could make it a superpower that enables you to do more good in the world.Remember, however, that research into success suggests that building on your own superpowers is more important than creating new ones or overcoming weaknesses. You do you!Guest ProfileCaroline Diehl MBE (she/her):Founder and CEO, Social FoundersAbout Social Founders: Social Founders is the global network for social impact founders - we connect, support and celebrate founders of charities, social enterprises and community organisations.Website: socialfounder.orgCompany Facebook Page: facebook.com/socialfoundernetworkLinkedIn: linkedin.com/company/social-foundersInstagram Handle: @social.founders Biographical Information: Caroline Diehl MBE is a highly experienced Founder, CEO, Chair and Entrepreneur working across the Creative Industries, Broadcast & Digital Media, Social Enterprise and Charity sectors. She is Founder & CEO of two new global networks: SocialFounders and ImpactMedia. She is the Founder, and was CEO until 2017, of the Media Trust - the UK's leading communications charity; she is Founder, and previously CEO, then Executive Chair, of Together TV (The Community Channel) until Sept.2022. She is an INSEAD Entrepreneur in Residence, and a Cambridge MA. She is also a Churchill Fellow, a Governor of the East London NHS Foundation Trust (ELFT) and an Associate of Newnham College, Cambridge. She has launched a podcast series: 'Social Founder Stories'. In her spare time she is a Marathon runner, an avid arts consumer & reader and a proud mother of two entrepreneurial sons. In addition to English she is fluent in Spanish and French, speaks good Italian and is learning Japanese after living in Tokyo earlier this year. Personal Facebook Profile: facebook.com/carolineDiehlMBELinkedIn: linkedin.com/in/carolinediehl-mbeInstagram Handle: @carodiehl Invest in Helping Families!Support Our SponsorsOur generous sponsors make our work possible, serving impact investors, social entrepreneurs, community builders and diverse founders. Today's advertisers include FundingHope, Rancho Affordable Housing (Proactive), and Dopple. Learn more about advertising with us here.Max-Impact MembersThe following Max-Impact Members provide valuable financial support:Carol Fineagan, Independent Consultant | Hiten Sonpal, RISE Robotics | Lory Moore, Lory Moore Law | Marcia Brinton, High Desert Gear | Mark Grimes, Networked Enterprise Development | Matthew Mead, Hempitecture |  Michael Pratt, Qnetic | Dr. Nicole Paulk, Siren Biotechnology | Paul Lovejoy, Stakeholder Enterprise | Pearl Wright, Global Changemaker | Ralf Mandt, Next Pitch | Scott Thorpe, Philanthropist | Sharon Samjitsingh, Health Care Originals | Add Your Name HereUpcoming SuperCrowd Event CalendarIf a location is not noted, the events below are virtual.Impact Cherub Club Meeting hosted by The Super Crowd, Inc., a public benefit corporation, on August 19, 2025, at 1:30 PM Eastern. Each month, the Club meets to review new offerings for investment consideration and to conduct due diligence on previously screened deals. To join the Impact Cherub Club, become an Impact Member of the SuperCrowd.SuperCrowdHour, August 20, 2025, at 12:00 PM Eastern. Devin Thorpe, CEO and Founder of The Super Crowd, Inc., will lead a session on "Your Portal, Your Future: How to Choose the Right Reg CF Platform." With so many investment crowdfunding portals available today, selecting the right one can be overwhelming for both founders and investors. In this session, Devin will break down the critical factors to consider—such as platform fees, audience demographics, compliance support, industry focus, and overall user experience. Whether you're a founder planning a raise or an investor exploring where to put your dollars to work, you'll walk away with a clearer understanding of how to evaluate and choose the platform that best aligns with your goals. Don't miss this practical, insight-packed hour designed to help you take your next step in the Reg CF ecosystem with confidence.SuperCrowd25, August 21st and 22nd: This two-day virtual event is an annual tradition but with big upgrades for 2025! We'll be streaming live across the web and on TV via e360tv. VIPs get access to our better-than-in-person networking, including backstage passes, VIP networking and an exclusive VIP webinar! Get your VIP access for just $25. A select group of affordable sponsorship opportunities is still available. Learn more here.Community Event CalendarSuccessful Funding with Karl Dakin, Tuesdays at 10:00 AM ET - Click on Events.Regulated Investment Crowdfunding Summit 2025, Crowdfunding Professional Association, Washington DC, October 21-22, 2025.Impact Accelerator Summit is a live in-person event taking place in Austin, Texas, from October 23–25, 2025. This exclusive gathering brings together 100 heart-centered, conscious entrepreneurs generating $1M+ in revenue with 20–30 family offices and venture funds actively seeking to invest in world-changing businesses. Referred by Michael Dash, participants can expect an inspiring, high-impact experience focused on capital connection, growth, and global impact.Call for community action:Please show your support for a tax credit for investments made via Regulation Crowdfunding, benefiting both the investors and the small businesses that receive the investments. Learn more here.If you would like to submit an event for us to share with the 9,000+ changemakers, investors and entrepreneurs who are members of the SuperCrowd, click here.We use AI to help us write compelling recaps of each episode. Get full access to Superpowers for Good at www.superpowers4good.com/subscribe

Nintendo Switch, the Nokia 7110… what are the tech devices and gadgets that changed your life? How about you biggest disappointments?In this episode of Tech Deciphered, we will share ours. We look forward to hearing yours. Share on LinkedIn or via email or XNavigation:Intro (01:34)Tech That Changed Our LivesOur Worst Tech PurchasesReflection & TakeawaysConclusionOur co-hosts:Bertrand Schmitt, Entrepreneur in Residence at Red River West, co-founder of App Annie / Data.ai, business angel, advisor to startups and VC funds, @bschmittNuno Goncalves Pedro, Investor, Managing Partner, Founder at Chamaeleon, @ngpedroOur show: Tech DECIPHERED brings you the Entrepreneur and Investor views on Big Tech, VC and Start-up news, opinion pieces and research. We decipher their meaning, and add inside knowledge and context. Being nerds, we also discuss the latest gadgets and pop culture news Subscribe To Our Podcast Bertrand SchmittWelcome to Tech Deciphered, episode 67. This will be a lighter episode as summer is upon us. We will discuss and talk about tech that changed our lives, as well as tech that disappointed.Some of you might know, some of you might not know, but both me and Nuno are tech nerds. We have played with tech most of our lives, always looking for the next available new piece of technology to use or collect. We are going to talk about that and maybe start on the positive side. The tech that changed our lives.Nuno Goncalves PedroI'm sure everyone has their stories. Even if you're not a nerd, there's going to be that piece of equipment, that mobile phone, that gaming console, that whatever, that dramatically changed you, made you more productive, or allowed you to do something that you'd never done before, et cetera.It's always an interesting conversation to have, and it creates a lot of wonderful memories. It brings you back to places, it brings you back to that moment where you bought the device, that first time that you used it, the experiences you had, some of them maybe actually, not necessarily positive. We'll come back to the worst tech purchases of all time. Shall I launch Austilities, Bertrand? Shall I tell my first one?Bertrand SchmittSure, Nuno, feel free.Nuno Goncalves PedroGood stuff. I'll start with maybe the one that I've had the longest memory on, which is the Philips Videopac. Now, many of you will have no clue what I'm talking about.Bertrand SchmittNo idea.Nuno Goncalves PedroThe Videopac. Even Bertrand, which is impressive. The Videopac was a video game console that worked with cartridges, launched obviously via Philips. I'm not sure if the one I had was actually from Philips, question mark. It was the same format and I remember it very fondly.It was really a gaming console with a little joystick. Very basic thing. The Videopac was actually launched first thing in '83. I'm not sure when I first started using it, but I suspect I was 7 or 8 years old, so that would have been a couple of years thereafter.I remember it fondly. We got it from Andorra. If you guys know, I was born in Portugal. Andorra is this small-owned country between Spain and France, and they had no sales taxes back then, so you'd go there and buy stuff really cheaply. I think that's what we bought when I went there with my parents.I remember it very fondly. I remember playing games on it. Strangely enough, I don't remember any of the games I played on it, but I remember it very fondly as one of my first computer experiences and stuff. That was pretty cool.Bertrand SchmittNice. I think in France. I'm not sure this one was available. At least it doesn't ring a bell. I think we had some Atari consoles in France. Me, actually, I didn't start with a console. I started with a regular computer. Not the PC kind. It was an Atari computer. Actually Atari 520ST, very popular in Europe.There was also Amiga that had similar computers. It was Motorola CPU 68000 if I remember.

Join us on the latest Whisper in the Wings from Stage Whisper as we welcome on the associate artistic director Brian Reager and artistic director Kira Simring from The Cell Theatre, as well as the playwrights Maleek Rae and Ying Li. They joined us to talk about their latest Artists in Residence and their upcoming works. You won't want to miss this fantastic conversation or these great works. So hit play and get your tickets today!The Cell TheatreArtists in Residence2025-2026 Season @ The CellTickets and information is available at thecelltheatre.orgCeremonies for Alligator Bait (Or Guttah) by Maleek RaeSeptember 19th and 20th But Today I Am Fine by Ying Ying LiSeptember 24th, October 1st and 8thAnd be sure to follow our guests to stay up to date on all their upcoming projects and productions: thecelltheatre.org@thecelltheatre@maleekrae@theyingaling

My Story  Talk 23 Improving the College facilities   The Urgent Need for Action When we arrived at Mattersey it was abundantly obvious to all concerned that, to say the least, the facilities on campus were far from satisfactory. Set in seven acres of beautiful grounds the setting was certainly picturesque, but the old mansion, Mattersey Hall, was in constant need of attention, as were the other two buildings.   Before AoG acquired it, Mattersey Hall had most recently been used as a Preparatory School for young boys. A Memorial Hall had been erected over the road by Mrs. Sowerbutts, the widow of the previous principal, but this was no longer being used as David Powell had thought it too expensive to heat. There was also a building adjacent to the old mansion that had been erected, I think, in the 1930s to provide dormitories for the prep-school boys.   During Powell's principalship, our male students were housed in these dormitories which were poorly heated – one of them the students called ‘the icebox' – and another which accommodated ten men who each had a bed, a small wardrobe, and a chair. Another two dorms had no internal access to the toilets and, in the snowy winters Mattersey was experiencing at the time, visiting the toilet at night was a far from pleasant experience.   The conditions for the ladies, though limited, were somewhat better. They were housed in three upstairs rooms in the old mansion. Each room had its own washbasin and provided accommodation for five students, but, as with the men's dorms, there was no private personal space.   What's more, the heating system was far from adequate, there were no recreational facilities, and the laundry facilities were a couple of twin-tub washing machines, suitable for a private house, but not for 40-50 students living together for 40 weeks of the year.  The classrooms had chairs but no desks. There was no chapel and virtually no library. By contrast, Eileen and I were very grateful for the beautiful new house that was built for us in the College grounds during our first year at Mattersey, but we were naturally very concerned about the conditions for the students.   Needless to say, we dealt with these problems as quickly as we could. The twin-tubs were replaced with two industrial quality washing machines. We made a start on getting the books in the library classified and turned a large hut in the grounds that had been used for storing junk into a games room with facilities for table tennis, darts, and snooker, though I was conscious that in those days some of our pastors would not approve of such things!   But to make the major changes that we really wanted to see meant erecting in the College grounds a hall of residence that would cost hundreds of thousands of pounds, and, as I have already pointed out, although the College was officially owned and controlled by AoG, it was not funded by AoG! There were occasional gifts from churches, but these amounted to less than 5% of what was needed to run the College. Apart from that, our only other source of income was what the students paid in fees. And what the students could pay in fees was largely dependent on whether or not they could get a grant from their Local Education Authority (LEA). And that depended on where they lived as grants for courses at colleges like ours were entirely at the discretion of the LEA.   It became clear to me that, if we wanted to be able to pay for the improvements we needed, we would need either to upgrade the standard of our courses so that our students would be more likely to get grants, or to receive a miraculous injection of cash which only the Lord could provide.   In the end it took both. Our finances became much stronger when we finally received validation for degree courses in 1992, but until then any major improvements would only come through faith in God's ability to supply the need miraculously. And that would require faith – but not just mine. The College was not mine. I knew I would need the full backing of the Board of Governors to go ahead.   The need was obvious to all concerned, but the Board rightly felt that the matter was so big that we should seek the advice and approval of the Executive Council, and at a joint meeting it was decided we should not proceed without the backing of the AoG General Conference. But first we needed to gather sufficient information about the specific cost and details of the project, and my first task was to establish whether to not we would be likely to get planning permission.   The Hall of Residence – a leap of faith On contacting the Bassetlaw District Council early in 1979, I was delighted to hear that they foresaw no objection to our building and recommended we apply for outline planning permission, and, with the help of Mr Jeffery, a brother recommended by Pastor Eddie Durham who was a member of the Board, outline planning was approved in January 1980.   Meanwhile, Hedley Palmer, another member of the Board recommended that we consider as a builder PJ Whitehurst who had done some excellent work in constructing several of our churches. His representative, Mr John Grice visited the college and, understanding our requirements, recommended that we adopt a rather different plan designed by PJ Whitehurst at a cost of £524,560. This would provide 120 individual study-bedrooms, and a new dining hall and kitchen all under one roof.   The Board met with the Executive Council to discuss this proposal, and it was agreed that we should go ahead subject to the approval of Conference and that as Principal I should write a letter to be countersigned by Keith Munday as General Secretary and sent out ahead of Conference to give time for the delegates to consider the matter and pray about it.   During the debate, as was only to be expected, a wide diversity of views was expressed, ranging from a comment by David Powell, the previous Principal, that he had a grave sense of foreboding about the whole matter to those who were enthusiastically in favour. The difficulty was that there was no money to pay for the project! Perhaps that's why for me what proved to be the most significant contribution to the debate was what George Parrott said. For him the only important issue was whether I as Principal had heard from God about the matter. And, to be honest, I had to say that I had not, but that did not alter the fact that we desperately needed these new facilities. If God was in it, I was sure that he would provide the money. Finally, the matter was put to the vote and to my relief received the necessary two-thirds majority.   Once the decision was taken, my friend Brian Quar, who was not only a pastor but also a Civil Engineer and a Director of a Design and Construct Contracting Company, wrote to the Board expressing his delight at the decision made at Conference, but also pointing out two areas of concern. He explained these in some detail and recommended an appropriate course of action offering to be of help in any way he could.   As a result, he was coopted onto the Board of Governors for the purposes of the building project and two years later moved to Mattersey to take up the combined roles of College Bursar and Pastor of the AoG church in Mattersey. I will always be grateful to the Lord for sending Brian and Audrey to us. He relieved me of any responsibility of overseeing not only this building project but also the construction of our new chapel and classrooms in 1998. Brian is now with the Lord, but I take this opportunity to express my gratitude for his friendship and help without which much of what was accomplished at Mattersey would not have been possible.   Progress seemed relatively slow over the next few months, but that was probably a good thing because although AoG had voted to go ahead with the project, they had not promised to pay for it! After the vote had been carried by so large a majority, I fully expected the money to come pouring in. But very little came! Everyone seemed to be leaving it to everyone else! As the time for the signing of the contract drew near we still had very little money, and I began to be anxious. Who has to sign the contract? What happens if the money doesn't come in? Who goes to prison if the money doesn't come in?!   These were serious questions that were troubling my mind, and I kept remembering George Parrott's  question: David, have you heard from the Lord?   Eventually, in desperation I said to Eileen, I need to hear from God about this. I'm going to pray all night, and if he doesn't speak to me, I'm going to phone the Board of Governors and cancel the whole thing.   So I began my night of prayer . After several hours, at around 2am, I began to feel like giving up. God wasn't speaking and I really didn't know what to do. I decided to take a break, so I sat down on the settee and picked up a copy of Redemption Tidings magazine.   As I opened it the title on the editorial page struck me forcibly: FAITH. So I began to read. Now if you have ever been in desperate need to hear from God and have been in a meeting where someone has brought a prophetic word which you have known was just for you, you will understand just how I felt as I read that editorial. Every single word of it came as Thus says the Lord to David Petts. I knew that God had spoken. I knew that we were to go ahead. I knelt down by the settee and sobbed into the cushion and asked God to forgive me for my lack of faith . Then I went to bed. From that moment I never doubted that God was behind our building project after all.   But that is not the end of the story. The next morning I went down to the College and walked into the office. Ernest Anderson was standing there and I excitedly told him what had happened. That's wonderful, David, he said, I was praying all night too.   I thought it was strange that we had both decided independently to pray all night and I could not imagine why he had decided to do so.   Oh, I said, What were you praying for? I was praying for the same thing, he replied, I knew that unless you, as the Principal of the College, heard from God, the thing would never happen. Oh, thank you Ernest, I said, but you could have gone to bed at 2 o'clock!   I immediately telephoned Colin Whittaker, the editor of the magazine. Colin, I said, you have written the greatest editorial you will ever write, and I told him what had happened. Then he told me that he had known when he was writing the editorial that he was writing it for the College, but of course he could not be that explicit in print.   Jesus said that every matter may be established by the testimony of two or three witnesses (Matthew 18:16) and, although the context in which he said it was not to do with guidance, I knew beyond doubt that this matter was established. I had received faith  through hearing a word from God. Over the next year I went around the AoG District Councils telling them how the Lord had spoken to me. People began to be convinced that God was really in this project and at last the money began to come in.   Much of it was gifts from churches, but it sometimes came in rather unusual ways from individuals, like the cheque  for £1000 I received through the post with a piece of wedding cake from a couple who had just got married, or like the supermarket bag that was handed to me anonymously containing over £4000 in cash!   It was through the kindness of such people that we were able to get started. There was not enough to complete the whole building, but in September 1981 we were able to complete the shell of the whole building and erect 32 new bedrooms in the first wing. This, of course, was not enough for all 85 students, but it did mean that the 3 ladies' dorms in the old mansion could be released for other purposes. They were to become an excellent facility for the library which had previously been housed in one of the classrooms, which was far from ideal.   It was not until September 1983, however, that we had sufficient funds to complete the second phase of the building. We now had over 70 bedrooms, which meant that all our residential students could now be accommodated in the new building. There were also a dining room and kitchen and a student common room, which meant that the old kitchen and dining room could now be converted into a student coffee bar and tuck shop.   All this was wonderful, and we really enjoyed our new facilities, but the job was not yet complete, and the next few years were a real test of our faith. The next phase of the building was not complete until 1989 when the first floor of the entire building was eventually finished and two new classrooms were constructed on the ground floor of the final wing. These, however, were converted into 16 bedrooms only two years later when in 1991 the new building was finally as we had originally planned.   Why had it taken so long? Ten years from start to finish! Only God knows, but I was certainly learning important lessons from the experience. Faith for the impossible only comes by hearing a word from God. It is through faith and patience that we inherit God's promises. And God usually only provides things for us as we need them. We didn't need the whole building immediately, but by the 1990s we had the facilities we would need for the great increase in the number of students that the Lord knew was coming when the college received validation to provide degree courses and the students were able to get mandatory grants.   More of that next time, but no account of the improvement in college facilities would be complete without mentioning that in 1986 we were able to double the size of the campus by purchasing the seven acre field adjacent to the campus which proved a valuable asset for student recreational activities and for the Summer Praise Bible Weeks we ran for several years. And in 1998 we erected a beautiful, new chapel and classrooms in the college grounds, this time funded by a mortgage because our financial position had become so strong.   So the Lord provided for us in a variety ways, not, as I had originally hoped, through the supernatural provision of half a million pounds right at the start – which, by the way, would be the equivalent of at least five million today – but gradually, as he knew we would need it, through gifts, through the hard work we put in promoting the college and making the need known, through the help and expertise we received free of charge from people who caught the vision, and, as we shall see in the next talk, through our producing a curriculum that was both thoroughly Pentecostal and at the same time was of a high enough academic standard to achieve validation for degree courses that made us more attractive to applicants because of the grants they attracted.   God does provide for our needs, but he does not always do it in the ways we expect or want him to!   Next time: Developing the curriculum and choosing the faculty

August 6 2025 Big Powwow at VP residence

Where does Canada stand in the overall picture of growth? And to what extent are interest rates, and interest rate policy, crucial to growth in Canada's age of industrialization? The Bank of Canada held interest rates steady for a third consecutive time last week. At 2.75 percent, the central bank says the rate is at the mid-way point of its neutral range. As the growth of global hyper-scalers roars ahead and the slowing-down of sectors not linked to the A.I. supply chain in some way unfolds, can North American central bank policy play the pivotal role it once did in driving economic outcomes? Joining today's episode to further discuss the Bank of Canada's latest rate move - and the scenarios around which it was made - is former TD Bank Chief economist, Don Drummond. Don is also currently the Stauffer-Dunning Fellow at Queen's University and Fellow-in-Residence at the C.D. Howe Institute. Recorded on July 31, 2025. At Fidelity, our mission is to build a better future for Canadian investors and help them stay ahead. We offer investors and institutions a range of innovative and trusted investment portfolios to help them reach their financial and life goals. Fidelity mutual funds and ETFs are available by working with a financial advisor or through an online brokerage account. Visit fidelity.ca/howtobuy for more information. For a fourth year in a row, FidelityConnects by Fidelity Investments Canada was ranked #1 podcast by Canadian financial advisors in the 2024 Environics' Advisor Digital Experience Study.

E128 The Fifth Court – Drawing the Line: The Story of the Irish Boundary CommissionDr. Cormac Moore – an historian with Dublin City Council's Historian-in-Residence programme and author of Birth of the Border: The Impact of Partition in Ireland. He is a recognised authority on the politics, personalities, and legal frameworks surrounding the Irish border.It was meant to settle the border between North and South once and for all. Instead, it nearly collapsed the Irish Free State government. On this episode of The Fifth Court, barristers Peter Leonard and Mark Tottenham are joined by historian Dr. Cormac Moore, who explains the secretive, scandal-ridden tale of the Irish Boundary Commission of 1924–25—a political time bomb buried in the Anglo-Irish Treaty.From leaked maps to aborted transfers of land, Dr. Moore lays out how the Commission's quietly explosive findings were suppressed, how the Free State's hopes were dashed, and why the whole affair continues to echo in Irish constitutional law and cross-border politics today.Cormac's cultural reference...a movie 'The Treaty' on YouTube, and he also loves 'Amadeus', the movie.Before that, they examine notable recent court decisions featured on Decisis.ie including:An AI case...artificial insemination that is. A case about bull semen and a woman who, it was claimed, was acting as though she were a vet. The Veterinary Council of Ireland got involved.A defamation case where the wrong person was identified as having been on the tax defaulters list. Qualified privilege did not arise.A case involving a medical practitioner who it was said about him, had a persistent delusional disorder. The Medical Council was on one side.Whether you're in practice or just passionate about the law, this episode is a must-listen for its clarity, depth, and practical relevance.Sponsored by Charltons Solicitors and Collaborative Practitioners – family law with a collaborative approach. Hosted on Acast. See acast.com/privacy for more information.

In Residence With is a podcast series that delves into the creative processes of sound artists during their residencies at Sound Art Lab in Struer, Denmark. Each episode offers an intimate glimpse into the artists' explorations, experiments, and reflections as they develop new work. During her residency at Sound Art Lab, Portuguese multimedia artist Júlia Lema Barros is developing Mons Tro—an immersive audiovisual installation inspired by the Danish folklore figure Nøkken. In myth, Nøkken lures people to their deaths with music; in Júlia's piece, it's the seductive pull of natural sounds—wind, water, and trees—that slowly draws the listener in. Drawing from memory, mythology, and the sonic textures of Struer's shoreline, Júlia collects underwater recordings, wind in bottles, and the subtle acoustics of the coast to create a hypnotic world of sound—one that gently pulls the listener under, blurring the line between reality and imagination. Produced by Timmy Olivia Thyge Johansen and Louise Tandrup Esbensen / The Lake Radio Produced for Sound Art Lab Supported by Statens Kunstfond and Nordisk Kulturfond

Gavin Ortlund addresses some of the practical challenges involved in embracing atheism, particularly concerning questions of meaning and death. Truth Unites (https://truthunites.org) exists to promote gospel assurance through theological depth. Gavin Ortlund (PhD, Fuller Theological Seminary) is President of Truth Unites, Visiting Professor of Historical Theology at Phoenix Seminary, and Theologian-in-Residence at Immanuel Nashville.SUPPORT:Tax Deductible Support: https://truthunites.org/donate/Patreon: https://www.patreon.com/truthunitesFOLLOW:Website: https://truthunites.org/Instagram: https://www.instagram.com/truth.unites/X: https://x.com/gavinortlundFacebook: https://www.facebook.com/TruthUnitesPage/

Our Resistance in Residence artist this week is Candace Johnson, a multi-hyphenated artist and creator of the solo show Scat-ter Brain, The Music of ADHD, playing July 19 – September 13 at San Francisco's Marsh Theater as part of their POC Mental Health Awareness series. You can get tickets to see Candace's show Scat-ter Brain here https://themarsh.org/shows_and_events/marshstream/candace-johnson-scat-er-brain-the-music-of-adhd/ — Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/   The post Resistance in Residence Artist Candace Johnson appeared first on KPFA.

Dive into the city's guiding policy document, the Boulder Valley Comprehensive Plan, as the city and Boulder County work on a major update of the plan to help shape the future of Boulder.  Guests in this episode (City of Boulder staff): Kristofer Johnson - Comprehensive Planning Senior Manager, City of Boulder  Kathleen King - Comprehensive Planning Planner Principal, City of Boulder  Other Guests: Hannah Hippley - Long Range Planning Division Manager, Boulder County  Community Member voices – A Boulder Future Kick-off Video  This episode was hosted by Cate Stanek and Julie Causa. It was produced by the City of Boulder's Podcast Team. Theme music is Wide Eyes by Chad Crouch/Podington Bear, licensed under an Attribution-NonCommercial 4.0 International License.    For a full transcript, visit the City of Boulder's podcast webpage.   Related Resources: The Boulder Valley Comprehensive Plan Update project page Community Connectors Program Community Connectors in Residence

Rev. Nadia Bolz-Weber, Theologian-in-Residence

You can purchase your own copy of The Lives of the Muses: Nine Women and the Artists They Inspired HERE.Francine Prose is a renowned American author and critic. She has published several non-fiction books, including The Lives of the Muses, as well as several novels, essays, and short-stories. She has also contributed works to major publications such as The New York Times and The New Yorker. Her novel Blue Angel was a finalist for the National Book award, and her novel A Changed Man, won the Dayton Literary Peace Prize. Prose is also the former president of PEN American Center and holds the title of Distinguished Writer in Residence at Bard College, where she is currently a professor. If you have not yet listened to ArtMuse's episodes on Elizabeth Siddall and Gala Dali, you can find these episodes by searching for ArtMuse on all streaming platforms, as well as on our website: www.artmusepodcast.com. Be sure to follow ArtMuse on Instagram & TikTok. Donate to ArtMuse HERE.ArtMuse is produced by Kula Production Company.Today's episode was written by host Grace Anna.There are accompanying images, resources and suggestions for further reading on the ArtMuse website and Instagram.

I bombed my first sales interview but still got hired, and that experience taught me the three key traits I now look for when hiring salespeople that matter more than experience or charisma. Despite being introverted with no sales background, I went on to become a top performer and help raise over $100 million - here's what really matters in sales hiring.//Welcome to Repeatable Revenue, hosted by strategic growth advisor , Ray J. Green.About Ray:→ Former Managing Director of National Small & Midsize Business at the U.S. Chamber of Commerce, where he doubled revenue per sale in fundraising, led the first increase in SMB membership, co-built a national Mid-Market sales channel, and more.→ Former CEO operator for several investor groups where he led turnarounds of recently acquired small businesses.→ Current founder of MSP Sales Partners, where we currently help IT companies scale sales: www.MSPSalesPartners.com→ Current Sales & Sales Management Expert in Residence at the world's largest IT business mastermind.→ Current Managing Partner of Repeatable Revenue Ventures, where we scale B2B companies we have equity in: www.RayJGreen.com//Follow Ray on:YouTube | LinkedIn | Facebook | Twitter | Instagram

It might be the end of the month, but Monts and Nuge are back with their pockets full of geek culture goodness to keep you going as we slide into August.  So saddle up geeks because whether you're into comics, K-Pop demon slayers, or are desperite to know what Jupiter Moon is (you probably won't after Monts is finished with you) we've got you. SHOUTOUTS Des Taylor - Kickstarter for Eva strongbird & the Marine Best wishes to long time listener Anwar News Alice in Borderland - Season 3 coming soon to netflix The Residence gets cancelled and the lads are far from happy about it Week that was Look at Global Comix Jurassic World Rebirth K-Pop Demon Hunters Space Security Service Jupiter Moon aka 'I have no idea what Monts was thinking' Star Trek and Defiant (IDW) Curses! Ironheart Squid Game 3 Find GS at   Instagram: https://instagram.com/geeksyndicate/   Private Facebook Group: https://www.facebook.com/groups/2302864872/   Twitter (no not using that name): https://twitter.com/geeksyndicate   Please leave a review of our show on the podcast platform of your choosing. If you want to donate to the show to help with podcast/website hosting fees you can send us a tip via our paypal account which again is thegeeks@geeksyndicate.co.uk.   You can also become a patreon at https://www.patreon.com/geeksyndicate  or buy us a virtual coffee over at https://ko-fi.com/geeksyndicate    

In this episode of Tank Talks, we're joined by Gaurav Jain, co-founder of Afore Capital, one of the earliest and most respected players in the pre-seed investing space. Gaurav shares how growing up in a small town in India, moving to Canada, and working at Blackberry, Amazon, and Google helped him understand the value of momentum, iteration, and building products that truly matter.He walks us through how a random dinner at Harvard led to meeting his future co-founder, how they built Afore around the belief that the best founders are often overlooked too early, and why the firm exclusively focuses on investing before there's a product or sometimes even an idea.Gaurav dives into what makes a great founder at the earliest stage, why he believes momentum is the only moat, and how the rise of AI has only accelerated opportunities for young, technical entrepreneurs to build enduring companies with less capital. He also opens up about the firm's "Founder-in-Residence" and "UTransfer" programs, his view on the Canadian tech scene, and the power of bespoke, high-conviction investing.We explore:* Why is momentum the only true moat in early-stage startups?* Can pre-seed investing still deliver alpha now that it's crowded?* Is seed-strapping the future of venture capital?* How do you identify founders before they've found their idea?* What happens when you give 19-year-olds the capital to build?Building a Pre-Seed Fund Before “Pre-Seed” Was a Thing (00:03:54)* Interning globally to chase experience and perspective* The turning point: joining Founder Collective* Meeting co-founder Anamitra through a lucky dinner at Foundation Capital* Launching Afore in 2016 to fill the pre-seed voidFounder Empathy & Early-Stage VC Lessons (00:08:17)* Mistakes from being a first-time founder* Learning that exits don't matter, products and pain points do* Why Canadian angel advice focused too much on sales, not software* Why product-led growth is a must-have, not a nice-to-haveThe 10,000 Coffees Rule of Venture (00:11:27)* How judgment is built: time, exposure, and repetition* Why investing based on ideas (not teams) is a rookie mistake* Filtering “this could work” vs. “this must work”* The real constraint in VC: time, not capitalAfore's Mission: Investing Before the Idea (00:15:00)* The “Too Early” problem founders face and why Afore exists* How FIR (Founder in Residence) and Transfer University fund ideation* Building a support system, not a portfolio of call options* Why being idea-stage isn't a red flag, it's a sign of ambitionConvincing LPs That Pre-Seed Was Real (00:19:19)* LP skepticism: “Isn't this just the bad deals no one else wants?”* How talking to founders not seed managers won over investors* Working with PitchBook and Crunchbase to split out pre-seed data* Making pre-seed visible helped founders self-identify and alignSeed-Strapping and the Rise of Efficient Startups (00:24:00)* How AI-native startups are hitting $1M ARR 2x faster* Case study: Gamma's hypergrowth on ultra-low burn* Why founders can delay growth rounds longer than ever* Capital efficiency is now a competitive edgeMomentum Is the Only Moat (00:26:07)* How Android's rise taught Gaurav speed = survival* Lessons from RIM's downfall: never rest on product laurels* Why the AI era is reshaping iteration timelines* Pre-seed startups now move at the speed of launches, not quartersPivot-as-a-Service in the AI World (00:34:16)* FIR teams pivoting from speech therapy to CX platforms* Younger founders = more raw talent, less domain bias* Startups pivoting every 6–8 weeks—and why that's healthy* Embracing pivots as a feature, not a flawScaling Afore with Purpose (00:35:21)* Fund IV, $500M+ AUM, and 150+ companies later* Why concentrated portfolios beat spray-and-pray* The dangers of being too dogmatic on stage or valuation* Supporting breakout talent like Neo, Gamma, and BenchGlobal Perspective: Canada's Role in Venture (00:41:19)* Why Canada produces world-class engineering talent* The upside and limits of building in the North* Hybrid models: Canada for R&D, U.S. for GTM* Afore's belief in serving Canadian founders, wherever they buildFailure may define most early-stage startups, but for Gaurav Jain, the real story starts before the pitch, before the product, even before the idea. With Afore Capital, he is betting on people over polish, instinct over perfection, and helping founders build long before the rest of the world is watching. His journey reminds us that great companies don't always start with traction; they start with trust.About Gaurav JainCo-founder and Managing Partner at Afore Capital. Ex-Android, BlackBerry, and founder of Polar Mobile. Afore is known for being one of the first firms dedicated to pre-seed, supporting founders before they even have an idea.Connect with Gaurav Jain on LinkedIn: https://www.linkedin.com/in/gjainvcVisit Afore Capital Website: https://www.afore.vc/Connect with Matt Cohen on LinkedIn: https://ca.linkedin.com/in/matt-cohen1Visit the Ripple Ventures website: https://www.rippleventures.com/ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit tanktalks.substack.com

Lakeridge High School senior Elaina Stuppler is no stranger to the spotlight. She performs in the Portland Youth Philharmonic, playing trombone - but she also plays tuba, piano and composes music as well. She’s regularly featured on All Classical Radio as a reporter and Artist in Residence. But the last few months have been a veritable cavalcade of honors and opportunities. Stuppler won the Musical Theater Songwriting Challenge. Her winning composition, about the life of Maria Anna Mozart, was performed  by Broadway musicians and singers in New York this summer. She was just one of five students in the U.S. chosen by the Grammy Museum for its summer screen scoring program in LA. She is also a winner of the prestigious YoungArts Award with Distinction, Stuppler joins us to share some of her compositions, and tell us about what these honors mean to her and what opportunities they may open up for her future.  

Joining J.John again is Christopher Ash, Writer in Residence at Tyndale House, Cambridge. In this second episode, they talk about the book of Psalms in the Bible. (part 2 of 2)

Send us a textDeep Diving into the future of AI: Join Dr. Sean Falconer — AI Entrepreneur in Residence at Confluent, software engineering leader, and developer relations expert — for a deep dive into the future of AI, data streaming, and what it really means to build at the edge of innovation. From managing multiple LLMs to testing autonomous agents and sharing his bold contrarian takes, Sean helps us simplify the complexity of today's tech.

Send us a textDeep Diving into the future of AI: Join Dr. Sean Falconer — AI Entrepreneur in Residence at Confluent, software engineering leader, and developer relations expert — for a deep dive into the future of AI, data streaming, and what it really means to build at the edge of innovation. From managing multiple LLMs to testing autonomous agents and sharing his bold contrarian takes, Sean helps us simplify the complexity of today's tech.

"Severance" from Apple TV+ earned 27 nominations for the 77th annual Primetime Emmy Awards, while HBO Max's "The Penguin" and "The White Lotus" weren't far behind. "The Studio" and "The Bear" were also high on the list, and Harrison Ford picked up an acting nomination for "Shrinking." On this episode, the co-hosts go through some of the notable selections — and snubs — following the release of the nominations. Review the full list below: Outstanding drama series"Andor" (Disney+)"The Diplomat" (Netflix)"The Last of Us" (HBO Max)"Paradise" (Hulu)"The Pitt" (HBO Max)"Severance" (Apple TV+)"Slow Horses" (Apple TV+)"The White Lotus" (HBO Max)Outstanding comedy series"Abbott Elementary" (ABC)"The Bear" (FX)"Hacks" (HBO Max)"Nobody Wants This" (Netflix)"Only Murders in the Building" (Hulu)"Shrinking" (Apple TV+)"The Studio" (Apple TV+)"What We Do in the Shadows" (FX)Outstanding limited or anthology series"Adolescence" (Netflix)"Black Mirror" (Netflix)"Dying for Sex" (FX)"Monsters: The Lyle and Erik Menendez Story" (Netflix)"The Penguin" (HBO Max)Outstanding television movie"Bridget Jones: Mad About the Boy" (Peacock)"The Gorge" (Apple TV+)"Mountainhead" (HBO Max)"Nonnas" (Netflix)"Rebel Ridge" (Netflix)Outstanding reality competition program"The Amazing Race" (CBS)"RuPaul's Drag Race" (MTV)"Survivor" (CBS)"Top Chef" (Bravo)"The Traitors" (Peacock)Outstanding talk series"The Daily Show" (Comedy Central)"Jimmy Kimmel Live!" (ABC)"The Late Show with Stephen Colbert" (CBS)Outstanding scripted variety series"Last Week Tonight with John Oliver" (HBO Max)"Saturday Night Live" (NBC)Outstanding variety special (live)"The Apple Music Super Bowl LIX Halftime Show Starring Kendrick Lamar" (Fox)"Beyoncé Bowl" (Netflix)"The Oscars" (ABC)"SNL50: The Anniversary Special" (NBC)"SNL50: The Homecoming Concert" (Peacock)Outstanding variety special (pre-recorded)"Adam Sandler: Love You" (Netflix)"Ali Wong: Single Lady" (Netflix)"Bill Burr: Drop Dead Years" (Hulu)"Conan O'Brien: The Kennedy Center Mark Twain Prize For American Humor" (Netflix)"Sarah Silverman: Postmortem" (Netflix)"Your Friend, Nate Bargatze" (Netflix)Outstanding game show"Celebrity Family Feud" (ABC)"Jeopardy" (ABC)"The Price is Right" (CBS)"Wheel of Fortune" (ABC)"Who Wants to Be a Millionaire" (ABC)Outstanding lead actress in a drama seriesKathy Bates, "Matlock"Sharon Horgan, "Bad Sisters"Britt Lower, "Severance"Bella Ramsey, "The Last of Us"Keri Russell, "The Diplomat"Outstanding lead actor in a drama seriesSterling K. Brown, "Paradise"Gary Oldman, "Slow Horses"Pedro Pascal, "The Last of Us"Adam Scott, "Severance"Noah Wyle, "The Pitt"Outstanding lead actress in a comedy seriesUzo Aduba, "The Residence"Kristen Bell, "Nobody Wants This"Quinta Brunson, "Abbott Elementary"Ayo Edebiri, "The Bear"Jean Smart, "Hacks"Outstanding lead actor in a comedy seriesAdam Brody, "Nobody Wants This"Seth Rogen, "The Studio"Jason Segel, "Shrinking"Martin Short, "Only Murders in the Building"Jeremy Allen White, "The Bear"Outstanding lead actress in a limited or anthology series or movieCate Blanchett, "Disclaimer"Meghann Fahy, "Sirens"Rashida Jones, "Black Mirror"Cristin Milloti, "The Penguin"Michelle Williams, "Dying for Sex"Outstanding lead actor in a limited or anthology series or movieColin Farrell, "The Penguin"Stephen Graham, "Adolescence"Jake Gyllenhaal, "Presumed Innocent"Brian Tyree Henry, "Dope Thief"Cooper Koch, "Monsters: The Lyle and Erik Menendez Story"Outstanding supporting actress in a drama seriesPatricia Arquette, "Severance"Carrie Coon, "The White Lotus"Katherine LaNasa, "The Pitt"Julianne Nicholson, "Paradise"Parker Posey, "The White Lotus"Natasha Rothwell, "The White Lotus"Aimee Lou Wood, "The White Lotus"Outstanding supporting actor in a drama seriesZach Cherry, "Severance"Walton Goggins, "The White Lotus"Jason Isaacs, "The White Lotus"James Marsden, "Paradise"Sam Rockwell, "The White Lotus"Tramell Tillman, "Severance"John Turturro, "Severance"Outstanding supporting actress in a comedy seriesLiza Colón-Zayas, "The Bear"Hannah Einbinder, "Hacks"Kathryn Hahn, "The Studio"Janelle James, "Abbott Elementary"Catherine O'Hara, "The Studio"Sheryl Lee Ralph, "Abbott Elementary"Jessica Williams, "Shrinking"Outstanding supporting actor in a comedy seriesIke Barinholtz, "The Studio"Colman Domingo, "The Four Seasons"Harrison Ford, "Shrinking"Jeff Hiller, "Somebody Somewhere"Ebon Moss-Bachrach, "The Bear"Michael Urie, "Shrinking"Bowen Yang, "Saturday Night Live"Outstanding supporting actress in a limited or anthology series or movieErin Doherty, "Adolescence"Ruth Negga, "Presumed Innocent"Deirdre O'Connell, "The Penguin"Chloë Sevigny, "Monsters: The Lyle and Erik Menendez Story"Jenny Slate, "Dying for Sex"Christine Tremarco, "Adolescence"Outstanding supporting actor in a limited or anthology series or movieJavier Bardem, "Monsters: The Lyle and Erik Menendez Story"Bill Camp, "Presumed Innocent"Owen Cooper, "Adolescence"Rob Delaney, "Dying for Sex"Peter Sarsgaard, "Presumed Innocent"Ashley Walters, "Adolescence"Outstanding guest actress in a drama seriesJane Alexander, "Severance"Gwendoline Christie, "Severance"Kaitlyn Dever, "The Last of Us"Cherry Jones, "The Handmaid's Tale"Catherine O'Hara, "The Last of Us"Merritt Wever, "Severance"Outstanding guest actor in a drama seriesGiancarlo Esposito, "The Boys"Scott Glenn, "The White Lotus"Shawn Hatosy, "The Pitt"Joe Pantoliano, "The Last of Us"Forest Whitaker, "Andor"Jeffrey Wright, "The Last of Us"Outstanding guest actress in a comedy seriesOlivia Colman, "The Bear"Jamie Lee Curtis, "The Bear"Cynthia Erivo, "Poker Face"Robby Hoffman, "Hacks"Zoë Kravitz, "The Studio"Julianne Nicholson, "Hacks"Outstanding guest actor in a comedy seriesJon Bernthal, "The Bear"Bryan Cranston, "The Studio"Dave Franco, "The Studio"Ron Howard, "The Studio"Anthony Mackie, "The Studio"Martin Scorsese, "The Studio"Outstanding directing for a drama series"Andor," Janus Metz ("Who Are You?")"The Pitt," Amanda Marsalis ("6 P.M.")"The Pitt," John Wells ("7 A.M.")"Severance," Jessica Lee Gagné ("Chikhai Bardo")"Severance," Ben Stiller ("Gold Harbor)"Slow Horses," Adam Randall ("Hello Goodbye")"The White Lotus," Mike White ("Amor Fati")Outstanding directing for a comedy series"The Bear," Ayo Edebiri ("Napkins")"Hacks," Lucia Aniello ("A Slippery Slope")"Mid-Century Modern," James Burrows ("Here's To You, Mrs. Schneiderman")"The Rehearsal," Nathan Fielder ("Pilot's Code")"The Studio," Seth Rogen & Evan Goldberg ("The Oner")Outstanding directing for a limited or anthology series or movie"Adolescence," Philip Barantini"Dying for Sex," Shannon Murphy ("It's Not That Serious")"The Penguin," Helen Shaver ("Cent'anni")"The Penguin," Jennifer Getzinger ("A Great or Little Thing")"Sirens," Nicole Kassell ("Exile")"Zero Day," Leslie Linka GlatterOutstanding writing for a drama series"Andor," Dan Gilroy ("Welcome to the Rebellion")"The Pitt," Joe Sachs ("2 P.M.")"The Pitt," R. Scott Gemmill ("7 A.M.")"Severance," Dan Erickson ("Cold Harbor")"Slow Horses," Will Smith ("Hello Goodbye")"The White Lotus," Mike White ("Full-Moon Party")Outstanding writing for a comedy series"Abbott Elementary," Quinta Brunson ("Back To School")"Hacks," Lucia Aniello, Paul W. Downs and Jen Statsky ("A Slippery Slope")"The Rehearsal," Nathan Fielder, Carrie Kemper, Adam Lock-Norton and Eric Notarnicola ("Pilot's Code")"Somebody Somewhere," Hanna Bos, Paul Thureen and Bridget Everett ("AGG")"The Studio," Seth Rogen, Evan Goldberg, Peter Huyck, Alex Gregory and Frida Perez ("The Promotion")"What We Do in the Shadows," Sam Johnson, Sarah Naftalis and Paul Simms ("The Finale")Outstanding writing for a limited or anthology series or movie"Adolescence," Jack Thorne and Stephen Graham"Black Mirror," Charlie Brooker and Bisha K. Ali ("Common People")"Dying for Sex," Kim Rosenstock and Elizabeth Meriwether ("Good Value Diet Soda")"The Penguin," Lauren LeFranc ("A Great or Little Thing")"Say Nothing," Joshua Zetumer ("The People in the Dirt")Outstanding writing for a variety series"The Daily Show""Last Week Tonight with John Oliver""Saturday Night Live" About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

Join Conversations on Dance hosts Rebecca King Ferraro and Michael Sean Breeden for a live podcast recording with one of the Vail Dance Festival's most celebrated returning artists and this year's Artist-in-Residence, Melissa Toogood. Toogood, a Bessie Award-winning dancer and former member of the Merce Cunningham Dance Company, has just been named Director of The Juilliard School's Dance Division and will share her vision for the next chapter of one of the world's most prestigious conservatories. She also debuts a new work for the Festival's NOW: Premieres program this year.This episode is brought to you by Discover Vail and was recorded live from the Vail Dance Festival on July 29, 2025.Tickets to Conversations on Dance at the 2025 Vail Dance Festival on sale now! https://vaildance.org/conversations-on-dance/LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/COD-email Hosted on Acast. See acast.com/privacy for more information.

Dr. Stephen K. Klasko, MD, MBA, Executive in Residence at General Catalyst, discusses the current landscape of clinical research and the pressing workforce shortages among nurses and physicians. He shares his perspective on using AI to enhance, rather than replace, human capabilities in healthcare and emphasizes the importance of designing a future-ready medical system. Dr. Klasko outlines how innovation and bold thinking can help shape a more sustainable and human-centered healthcare future.

Brennan and the women are back to discus their July watches (spoilers for the following):   Superman, F1, Elio, Jurassic World Rebirth, How to Train Your Dragon, Drop, Materialists, Megan 2.0, Fountain of Youth, Opus, The Bear, Department Q, The Residence, Destination X, Yellowjackets, The Rehearsal

Articles featured in this episode: "Zero Waste Ypsi debuts in Ypsilanti community with Plastic Free July Challenge" - written by Natalie Kyle "Meet Angelica Esquivel, YpsiWrites' inaugural Writer in Residence" - written by Ameera Salman"Review: 'Quarterback' is a peek behind the curtain at 3 of the brightest NFL minds" - written by Caleb Henderson

Gavin Ortlund discusses the theological significance of Christ's ascension, drawing from the theology of Thomas Torrance. Patrick Schreiner's book: https://www.amazon.com/Ascension-Christ-Recovering-Neglected-Snapshots/dp/1683593979Gavin's article referenced: https://etsjets.org/wp-content/uploads/2012/01/files_JETS-PDFs_54_54-4_JETS_54-4_749-766_Ortlund.pdfTruth Unites (https://truthunites.org) exists to promote gospel assurance through theological depth. Gavin Ortlund (PhD, Fuller Theological Seminary) is President of Truth Unites, Visiting Professor of Historical Theology at Phoenix Seminary, and Theologian-in-Residence at Immanuel Nashville.SUPPORT:Tax Deductible Support: https://truthunites.org/donate/Patreon: https://www.patreon.com/truthunitesFOLLOW:Website: https://truthunites.org/Instagram: https://www.instagram.com/truth.unites/X: https://x.com/gavinortlundFacebook: https://www.facebook.com/TruthUnitesPage/

Jeff Chu, Teacher-in-Residence

The post Revelation 21:5-8 The Permanent Residence of the Redeemed appeared first on Grace Bible Church.

The Atlanta art community is second to none. The scene is so vibrant, diverse and supportive in so many ways. Courtney Brooks has been on the scene as an artist and curator for many years. She recently got the opportunity to open her own gallery space, CBrooks Gallery, and take her creative vision to the next level. We caught up to Courtney live in her gallery space to talk about her growth as curator from to doing pop-up shows to running a gallery space, balancing her artistic practice with curating and how to pour into yourself after you do so much for others. It's that good art talk you love to hear on the Noize! Listen, subscribe, and share!Episode 204 topics include:operating an art galleryspecial art residency integrating art into residential spacesKnow Regrets inaugural show at CBrooks Art Gallerygrowth in curating from pop-ups to galleriesJourney of a Black Girl projectmaking art focused on Black girls/womentaking care of yourselfCourtney Brooks Bio:An avid supporter for all creatives, Courtney is proud to be a visual artist first and is not afraid to experiment with various mediums like, watercolor, acrylic, oils and photography. Through personal experiences, traveling aboard, whether teaching art classes, painting on canvas or walls, her love for art and building relationships have led to a journey of curating. Since 2014, she developed professional skills that have provided a platform for her peers through creative direction,team building, private and community fundraising events, solo shows and group exhibitions. The significance of the work Courtney has contributed thus far has opened many opportunities. She is the former a Gallery Director and curator of the Southeast Community Cultural Center, known as the ArtsXchange's Jack Sinclair Gallery. In addition, the first woman of color Curator- in- Residence for Art the Atlanta BeltLine, where she will have the freedom to transform a public art space. Brooks has a gift to work with a wide range of entrepreneurs, small businesses, grass root based organizations and collaborates with emerging to established visual artists of multiple disciplines, cultures and backgrounds. Along with assisting artists/ muralist as a curator, she focuses on understanding the creative process and undiscovered narratives that provides a sense of urgency. Her goal is to help maximize artists' potential and expand the visibility in their careers. She understands that being curator carries a role with great expectations and It is a privilege to share work from private collections, establish studio visits and handle concepts with care.See more: Courtney Brooks' website + Courtney Brooks IG @cbrooksartFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Ever wonder if owning your home is actually a smart investment—or just an overhyped “American Dream”? In this episode of the FasterFreedom Show, Sam and Lucas dig into one of the most debated questions in personal finance: Is your primary residence really a good investment?They tackle the common arguments against homeownership (hello, opportunity cost and maintenance headaches), and explain why—despite the critics—they still strongly prefer owning over renting in the long run. From building equity and locking in costs to the freedom of making a space your own, they break down the overlooked benefits of buying your home.Then, the conversation takes a sharp turn into a hot topic: the WNBA's ongoing pay split debate. Sam and Lucas weigh in on the economics, media narratives, and what fair compensation really looks like in pro sports.Oh—and Sam also shares a quick story about his recent trout fishing adventure.Free Rental Investment Training: ⁠⁠⁠⁠⁠https://freerentalwebinar.com⁠⁠⁠⁠⁠FasterFreedom Capital Connection: ⁠⁠⁠⁠⁠https://fasterfreedomcapital.com

Hugo- and Nebula nominated author Marie Vibbert's short fiction has appeared over 90 times in top magazines like Nature, Analog, and Clarkesworld, and been translated into Czech, Chinese and Vietnamese. Her debut novel, Galactic Hellcats, was long listed by the British Science Fiction Award and her work has been called “everything science fiction should be” by the Oxford Culture Review. She also writes poetry, comics, and computer games. By day she is a computer programmer in Cleveland, Ohio.This story originally appeared in The Magazine of Fantasy & Science Fiction, January/February 2019.Narrated by: Christina RauChristina M. Rau, The Yoga Poet, leads Meditate, Move, & Create workshops for various organizations in person and online. Her collections include How We Make Amends, What We Do To Make Us Whole, and the Elgin Award-winning Liberating The Astronauts. She moderates the Women's Poetry Listserv and has served as Poet in Residence for Oceanside Library (NY) since 2020. Her poetry airs on Destinies radio show (WUSB) and appears in various literary journals like fillingStation and The Disappointed Housewife while her prose has appeared in Punk Monk Magazine and Reader's Digest. During her downtime, she watches the Game Show Network. http://www.christinamrau.comSupport this show http://supporter.acast.com/starshipsofa. Hosted on Acast. See acast.com/privacy for more information.