Podcasts about Curator

Ari and Chris are back together and excited to be joined by Joey Golden, Curator of Animal Behavior Programs at Maryland Zoo! Chris and Joey both attended the recent ABMA and ISZAW conferences, and we wanted to bring him on to chat about the great presentations he gave about his zoo's progress towards "24/7 welfare" for all their animals. We chat about the importance of leaning on innovators, how Hal Markowitz has influenced his thinking about the importance of automation in modern animal care, the new role of Microsoft's PowerBI in collecting and interpreting pretty much every kind of data in a zoo you can think of, and why all of us should be focused on observation, interpretation, and improvement. Such a cool discussion!If you have a shout-out you'd like us to share, a question or a topic you'd like us to discuss, or a suggestion for a guest we should have on the show, let us know at podcast@naturalencounters.com!

Curating Dinosaurs II Curate Harder! On this episode we welcome Jordan Mallon, a long-time collaborator of Dave's and, against the odds, a long-time listener of Terrible Lizards. While we talk about Jordan's research and career in this pod, and his work on dinosaur sizes and ecology, this one also serves as something of a sequel to our previous episode. That's because he is also the curator of the Canadian Museum of Nature in Ottawa, the national natural history museum of Canada. It's a much more typical collection than the one we talked about last time out, so join us to learn more about how museum's work, the importance of the behind-the-scenes jobs that people do, and   Links:   Support us and get extra content: https://www.patreon.com/terriblelizards   A short interview Jordan did with Dave years ago: https://archosaurmusings.wordpress.com/2017/03/06/buried-treasure-jordan-mallon/   A blogpost by Dave on his paper with Jordan on giant T. rex. https://archosaurmusings.wordpress.com/2024/07/24/on-the-trail-of-giant-tyrannosaurus-rex/   Jordan's webpage at the Canadian Museum of Nature https://nature.ca/en/our-science/science-experts/jordan-mallon/

Carmela Prudencio works at Pacific Arts Movement or Pac Arts, which highlights Asian American and Pacific Islander stories through media arts.

Episode 70 is here pals! Our 'Wrestling Art Curator' special is BACK! And this week we are doing something a little different; featuring a WRASSLIN' WRITER & a DOOZY of a one at that! We've Got Way of the Blade Author, PHIL SCHNEIDER on the show to talk all the things - from our original book, to the new AEW edition of the book, Death Valley Driver Video Review, Segunda Caida & of course, all things Action DEAN!! I enjoyed this so darned much! Thank you Phil! You are just the best!!Enjoy!!Be sure to check out all of Phil's amazing work at Ringer & Yahoo Sports!Check out ChrisThings.com.au for my own original art, prints, calendars, books & much more!Follow us on Instagram: @ChrisThings, @PhilSchneider @SocialSuplexFollow us on Twitter: @ChrisThings, @PhilASchneider, @SocialSuplexFacebook: SocialSuplexJoin our Discord: https://discord.gg/QUaJfaCVisit the Social Suplex website for news, columns, and podcasts: https://socialsuplex.com/Join the Social Suplex community Facebook Group: The Wrestling (Squared) CircleWrestling-Art with Chris Things is the Pro-Wrestling Art niche Podcast of the Social Suplex Podcast Network. Support by leaving a rating and review on Apple Podcasts.Support this podcast at — https://redcircle.com/social-suplex-podcast-network/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacySupport this podcast at — https://redcircle.com/social-suplex-podcast-network/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

MM Serra is an experimental filmmaker, curator, author, professor at Parsons at the New School and the Executive Director of Film-Makers' Cooperative, the world's oldest and largest archive of independent media. Her first five films (NYC, 1985, Nightfall, 1984, Framed, 1984, PPI, 1986, Turner, 1987) were preserved and digitized by Anthology Film Archives Preservation series Re-Visions: American Experimental Film 1975-1990. Since 1982, MM Serra has created over 31 films. This is our second episode in this deep dive with MM Serra.

Baltimore's award-winning documentary filmmaker, public historian, and Baltimore City Hall curator Joe Tropea returns to share how personal connection guides his project choices, why he embraces “ums” and raw moments in the edit, and what it takes to build strong creative partnerships — from abandoned true-crime concepts to a new mayoral portrait gallery.Following personal connection: why priests breaking into draft boards, censored movie trailers, punk archives, and barbershop stories all felt like natural fitsEmbracing imperfections: the case for keeping “ums,” pauses, and rough cuts to give stories authenticity and respect the voices involvedKnowing when to pivot: lessons from shelving a State Department project and a true-crime doc that no longer aligned with his ethicsKeys to collaboration: how attraction, creative tension, and shared values shape meaningful partnerships with co-directors and researchersCurating City Hall: what it's like to activate a 150-year-old space through public tours, historical exhibits, and a new mayoral portrait galleryRapid-fire reflections: favorite Vietnam War movie, a one-word definition of curation, and the low-key joys of exploring City Hall's archives

Author and curator Dan Nadel is a hero of mine and a bit of a renaissance man. He was the publisher of the brilliant and influential PictureBox for decades and was a champion of much of what Juxtapoz was founded on but took it to a whole new level of intricate historical research and creating a voice of record for so many artists who time wasn't given them a needle to etch their name in the vinyl, so to speak. We are talking comic book legends, graphic novelists, outsider artists who might have created some of the most recognizable art of the 20th century that the history books hadn't given the full retrospective for. And Dan was going to do it. This year in paricular, Dan is busy. From publishing his newest book, Crumb: A Cartoonist's Life on the career and life of the controversial figura that is Robert Crumb, to co-curator for Sixties Surreal, a rethinking survey the art history of the 1960s at the Whitney Museum of American Art (opening September 24, 2025) and Curator-at-Large for Geroge Lucas' new Lucas Museum of Narrative Art, we had a lot to catch up on The Unibrow's Radio Juxtapoz podcast. We talk about undergrround comic's new resurgence into contemporary art, the making of the Crumb biography and the incredibly pivotal moment of KAWS' collection show at the Drawing Center in 2024.But more than that, I got to speak with someone I admire on his dedication to print, to words, to creating narratives in a world that needs to understand it's visual history. —Evan PriccoThe Unibrow's Radio Juxtapoz podcast⁠ is hosted by Juxtapoz editor, ⁠⁠⁠Evan Pricco⁠⁠⁠. Episode 165 was recorded in Los Angeles and Brooklyn on May 14th, 2025.

Johann Ilgenfritz's life changed in 2011 when he had a heart attack and six months later was diagnosed with cancer. After unsuccessful Radio Therapy he researched for a cure, soon realizing that that there was no central point for reliable online health information. He decided to create a platform and launched UK Health Radio, while still fighting cancer. After overcoming cancer through nutritional and lifestyle changes, he earned the title "The Curator of Health Expertise" from the press. His guiding principle is simple: "Good health is a choice." Initially, he saw cancer as the root of his illness but later realized it was merely a symptom of an already unwell body. He understood that by addressing the underlying cause, he could transform the outcome. With this vision, UK Health Radio (https://ukhealthradio.com/) has embraced a clear mission: to inspire and empower people to take responsibility for their own health. This does not mean taking your health into your own hands, but to be part of the process of attaining and/or keeping your health freedom. It is all about being informed, being empowered, taking action and being healthy! UK Health Radio delivers information through 41 shows airing 24/7, reaching over 1.5 million very dedicated listeners and is now also available on 11 podcast platforms worldwide. In February of 2024, Johann created The Alkaline Collective Mastermind (https://alkaline-collective.com/), a dedicated online community for those battling cancer, aiming to prevent it, or striving to stop it's recurrence. Designed for individuals who are committed to hold themselves accountable, and seek a comprehensive toolbox of resources.

Magnus och Heavy Undergrounds redaktionsmedlem Emil Gustavsson pratar om Steve Von Till med utgångspunkt i hans nya skiva "Alone in a world of wounds". Det blir prat om både den, Harvestman och Neurosis och så försöker vi sätta fingret på vari hans storhet som musiker och människa ligger. Låter det nördigt? Så bra. För det är det. 

Spring art week just wrapped in New York City. Known for its extravagant floral displays and signature oysters and champagne, TEFAF is the fair with a vibe. This year, 91 exhibitors from 13 countries presented everything from antiquities to modern and contemporary art and design at the stately Park Avenue Armory. There's a real sense of passion here— dealers are eager to share the stories behind their works. Which brings us to today's episode, recorded live at the Thrill of the Chase panel with three very different cultural omnivores who personify Tefaf's ethos which span centuries and styles. Jeanne Greenberg Rohatyn‘s gallery Salon 94, has long blurred the lines between art and design. Housed in a Beaux-Arts townhouse on the Upper East Side she has presented everything from Rick Owens furniture to the recent Kennedy Yanko solo exhibitions. Adam Charlap Hyman, co-founder of Charlap Hyman & Herrero, brings a sweeping vision to interiors, furniture, architecture, and opera sets. He also curates, most recently Glass Subjects at R & Company which is currently on view. Alexandra Cunningham Cameron, Curator of Contemporary Design at the Cooper Hewitt, began her career in literature before turning to storytelling through objects. Her work explores symbolism, inclusion, and cultural memory. Together, they explore what makes an object irresistible. Is it beauty, rarity—or the story it tells? In this conversation, Artnet Studio's William Van Meter dig into the thrill of discovery, the elusive “X factor,” and how great objects help shape layered narratives.

Curator Sukanya Rajaratnam and biographer Jon Ott weld together African American culture and 20th century Western/European modernism, through Richard Hunt's 1956 sculpture, Hero's Head.Born on the South Side of Chicago, sculptor Richard Hunt (1935-2023) was immersed in the city's culture, politics, and architecture. At the major exhibition, Sculpture of the Twentieth Century, which travelled from the Museum of Modern Art (MoMA) in New York in 1953, he engaged with the works of artists Julio González, Pablo Picasso, and Constantin Brâncuși - encounters with Western/European modernism, that ‘catalysed' his use of metal, as the medium of his time and place.Hero's Head (1956), one of Richard's earliest mature works, was the first among many artistic responses dedicated to the legacy of Emmett Till. The previous year, Hunt joined over 100,000 mourners in attendance of the open-casket visitation of Till, a 14-year-old African American boy whose brutal lynching in Mississippi marked a seismic moment in national history. Modestly scaled to the dimensions of a human head, and delicately resting on a stainless-steel plinth, the welded steel sculpture preserves the image of Till's mutilated face. Composed of scrap metal parts, with dapples of burnished gold, it reflects the artist's use of found objects, and interest in ancient Greek and Roman mythology, which characterise his later works.With the first major European exhibition, and posthumous retrospective, of Richard's work at White Cube in London, curators Sukanya Rajaratnam and Jon Ott delve into the artist's prolific career. We critically discuss their diasporic engagement with cultural heritage; Richard collected over one thousand works of 'African art', referenced in sculptures like Dogonese (1985), and soon travelled to the continent for exhibitions like 10 Negro Artists from the US in Dakar, Senegal (1965). Jon details the reception of Richard's work, and engagement with the natural environment, connecting the ‘red soil' of Africa to agricultural plantations worked by Black slaves in southern America. We look at their work in a concurrent group exhibition at the Centre Pompidou, which retraces the presence and influence of Black artists in Paris, and considers the city as a ‘mobile site', highlighting the back-and-forth exchanges between artists, media, and movements like abstract expressionism. Shared forms are found in the works of French painters, Wangechi Mutu's Afrofuturist bronzes, and Richard's contemporaries practicing in France, Spain, Italy, and England.Plus, LeRonn P. Brooks, Curator at the Getty Research Institute, details Richard's ongoing legacies in public sculpture, and commemorations of those central to the Civil Rights Movement, including Martin Luther King Jr., Ida B. Wells-Barnett, Mary McLeod Bethune, Hobart Taylor Jr., and Jesse Owens.Richard Hunt: Metamorphosis is at White Cube Bermondsey in London until 29 June 2025.Paris Noir: Artistic circulations and anti-colonial resistance, 1950 – 2000 is at the Centre Pompidou in Paris until 30 June 2025.Listen to Sylvia Snowden at White Cube Paris, in the EMPIRE LINES episode on M Street (1978-1997).Hear more about Wangechi Mutu's This second dreamer (2017), with Ekow Eshun, curator of the touring exhibition, The Time is Always Now (2024).For more about Dogonese and ‘African masks' from Mali, listen to ⁠Manthia Diawara⁠, co-curator of The Trembling Museum at the Hunterian in Glasgow, part of ⁠PEACE FREQUENCIES 2023⁠.For more about ‘Negro Arts' exhibitions in Dakar, Senegal, read about Barbara Chase-Riboud: Infinite Folds at the Serpentine in London.For more about Black Southern Assemblage, hear Raina Lampkins-Felder, curator at the Souls Grown Deep Foundation and Royal Academy in London, on the Quiltmakers of Gee's Bend (20th Century-Now).

Erin Gregory, the Curator at the Canada Aviation and Space Museum, joined us to look into the life and escape of her fellow Canadian, Gordon Kidder, who was a linguistics expert, and who teamed up with Tom Kirby-Green for the Great Escape. Erin is responsible for managing a collection of more than 8,500 objects and has curated many exhibitions at the Canada Aviation and Space Museum. She is currently managing research projects that focus on women's experiences in the Royal Canadian Air Force and the impact of aviation on northern Canada.For You The War Is Over is a podcast that looks at the real life stories of Prisoner-of-War escapes from the the Second World War. Hosted by Dave Robertson and Tony Hoskins, each episode looks at a new escape. If you would like to follow us on Twitter we can be found @FYTWIO we can also be found on Facebook https://www.facebook.com/FYTWIO/ or if you would prefer to send a more long form message we can also be reached via email at FYTWIOpodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

To unpack the significance of this moment—for South African art, women artists, and the global art market, the R239 million painting sale by artist, Marlene Dumas —we’re joined by Sean O’Toole, a respected art commentator and curator. Sean is known for his incisive writing on contemporary visual culture and his deep knowledge of the South African and international art scenes. Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Featuring: Rohadi Nagassar, Janice Lagata, LetGregLive, Kristian A. Smith The term: Deconstruction defined in Rohadi’s book, When We Belong, is: the work to reclaim what gives life; discard what does not; and create beautiful stories. Welcome to Episode 8 where we venture through the land of religious deconstruction, only this time through the Black and brown church experiences. In this episode we hear from Janice Lagata who shares her story about the eventual implosion of Hillsong New York. Followed by Greg, who provides some insight on the work of deconstruction and decolonization out of a Black church experience. Lastly, Kristian A Smith and Rohadi talk about what faith can look like beyond the gaze of white hegemony. All this and more in Episode 8. Episode 8 Show Notes (00:00-04:00) Introduction with Rohadi (04:24) Janice Lagata (09:00) Broaching the Death of Hillsong New York (26:00) Interrogating the deconstruction space on socials. (29:40) Intro to Greg (31:00) Greg intro (34:00) Black Deconstruction (39:20) Christian supremacy (44:00) Intro Kristian A Smith (45:00) A different take on deconstruction. (53:20) The weird in Black and brown church traditions. (57:00) Reclamation project. Where to find life. (1:02:00) on decolonizing Featuring your host, Rohadi (from Rohadi.com) Rohadi’s books can be found here, including his latest publication, When We Belong. Reclaiming Christianity on the Margins. Visit his online church community: https://abeautifultable.ca/ Janice Lagata – Musician and Podcaster Find more from Janice on her website. Stream her latest album “Toxic Empathy” on Spotify or AppleMusic. Greg – Muscian and Teacher Educator. Baritenor. Musical Theatre Enthusiast. Sinfonian. B.M.Ed, M.S., Ed.S. Kristian A Smith – Pastor and Podcaster Find him on Instagram. Community Builder; Founder & Pastor @tfc.virtual; Host @holysmokesmovement; Curator of Greatest Commandment Theology. Find him over at kristianasmith.com Bumper music by Janice Lagata; Intro by Jesse Peters

Today, we're joined by Mahesh Sathiamoorthy, co-founder and CEO of Bespoke Labs, to discuss how reinforcement learning (RL) is reshaping the way we build custom agents on top of foundation models. Mahesh highlights the crucial role of data curation, evaluation, and error analysis in model performance, and explains why RL offers a more robust alternative to prompting, and how it can improve multi-step tool use capabilities. We also explore the limitations of supervised fine-tuning (SFT) for tool-augmented reasoning tasks, the reward-shaping strategies they've used, and Bespoke Labs' open-source libraries like Curator. We also touch on the models MiniCheck for hallucination detection and MiniChart for chart-based QA. The complete show notes for this episode can be found at https://twimlai.com/go/731.

Jim Tracy, known as the Grampion, shares his journey from a family man to a successful businessman and philanthropist. Jim discusses the origin of his nickname, his passion for flying, and how he built his company from the ground up. He emphasizes the importance of giving back through nonprofit work, living an audacious life, and fostering a positive workplace culture. Jim also highlights the significance of character, mentorship, and embracing uncertainty in business, while sharing insights on overcoming fears and the value of generous listening.https://thegrampion.com/https://www.barnesandnoble.com/noresults/97816369858798TzmjI_oO93OErvqen4Want to be a guest on Stories from Real Life? Send Melvin Edwards a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/storiesfromreallife. www.podcastreallife.comKeywordsJim Tracy, Grampian, business, mentorship, flying, nonprofit, character, culture, uncertainty, leadershipChapters00:00 Introduction to Jim Tracy, The Grampian02:58 The Origin of the Grampian Name06:07 Flying High: From Cessna to Jet08:54 Building a Business from the Ground Up11:54 Giving Back: The Importance of Nonprofits15:12 Living an Audacious Life18:08 The Curator of Culture: Building Relationships21:06 Embracing Uncertainty in Business23:53 The Importance of Character and Mentorship26:58 Conquering Fears and Building Men30:07 Management by Cliché32:59 Generous Listening and Workplace Dynamics35:58 Final Thoughts and Advice

Cynthia Nourse Thompson is a Professor and the Director of Curatorial Affairs at the Zuckerman Museum of Art at Kennesaw State University. Prior to this position, for six years she was Associate Professor and Director of the graduate programs in Book Arts & Printmaking and Studio Art at University of the Arts in Philadelphia, PA. She has also served as Associate Professor and Curator of Exhibitions at University of Arkansas; twelve years as Professor of Book, Print and Paper Arts and Chair of Fine Arts at Memphis College of Art; and additionally worked at Dieu Donné Papermill, Harlan & Weaver Intaglio and Rutgers Center for Innovative Print and Paper now the Brodsky Center at Pennsylvania Academy of Fine Arts.

Episode 92 features a conversation with Sarah Frankel, the brilliant Curator of Coven's Library—a beautifully curated digital archive devoted to intuitive magick, accessible wisdom, and critical research. With a deep background in academia and a personal path as a Mermaid Mystic and Jewitch, Sarah offers a rare blend of scholarly insight and spiritual depth. We explore what it means to practicewitchcraft ethically in the digital age, touching on themes like coming out of the “broom closet,” the sacred nature of research, the rise of “witchy fast fashion,” and the importance of ethical enchantment. Sarah shares how to spot red flags in online spiritual spaces, how small makers and indie bookstores shape magical culture, and how we can all reclaim critical thinking and Earth-centered practices amidst the noise of spiritual capitalism. Instagram: covens.libraryWebsite: www.covenslibrary.com Patreon Membership for exclusive content: covenslibrary

This week Jodi Hays joins the podcast to talk about her collage paintings that explore a wide range of materials and techniques.Jodi has a solo exhibition “To Harden and Heal” opening at Johnson Lowe Gallery, May 9 - June 28th. Upcoming group exhibitions at Tennessee Gallery (Atlanta, GA) opening May 9 and the 2024 Studio Break Invitational at Studio Break Gallery, opening July 12th 6-8 PM, the exhibition runs through August 2nd.Jodi's work was selected for our 2024 Studio Break Professional Competition by Marc Mitchell, Curator & Director of Exhibitions at the University of Arkansas.

Episode 68 is here amigos! Our 'Wrestling Art Curator' special is BACK! And for a very special one indeed. This is my artist-interview series focusing on the art practices of rad wrestling-artists from all around the world! And this week I'm SO darned pleased to be interviewing a friend of mine all the way from Mexico - an amazing Lucha Libre artist & also an amazing person; Portaveritas! In this positively delightful chat, we talk all things lucha & art & more than anything, passion. From Portaveritas' introduction to art, to his later life introduction to lucha, inspirations, the role of illustrators in the world of Lucha Libre, cool accomplishments, feelings on pride & ego as an artist, asking for help from others, a few artist tips, the fusion of Lucha & Comics & his exciting new comic project; 'MORTAL'!We even get some sneak-announcements on some super exciting developments involving some Chris Things in Mexico!...I had so much fun having this chat. We could have never stopped! Thank you so much Portaveritas!!Enjoy!!Be sure to be following Portaveritas on his way-cool Instagram page!Check out ChrisThings.com.au for my own original art, prints, calendars, books & much more!Follow us on Instagram: @ChrisThings, @Portaveritas, @SocialSuplexFollow us on Twitter: @ChrisThings, @Portaveritas, @SocialSuplexFacebook: Portaveritas, SocialSuplexJoin our Discord: https://discord.gg/QUaJfaCVisit the Social Suplex website for news, columns, and podcasts: https://socialsuplex.com/Join the Social Suplex community Facebook Group: The Wrestling (Squared) CircleWrestling-Art with Chris Things is the Pro-Wrestling Art niche Podcast of the Social Suplex Podcast Network. Support by leaving a rating and review on Apple Podcasts.Support this podcast at — https://redcircle.com/social-suplex-podcast-network/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacySupport this podcast at — https://redcircle.com/social-suplex-podcast-network/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

200 small businesses, 12,000 attendees at "All Things Detroit" event at the Eastern Market, food trucks at the NFL Draft, Ask Jennyfer, LLC defines hustle in the new economy!Among other services at Ask Jennyfer, Jennyfer Crawford-Williams conceptualizes, manages and executes the successful small business showcase All Things Detroit, which draws as many as 12,000 attendees and connects them to more than 200 small businesses. Her signature, independently-organized event is held each fall and spring. Marketing and event planning services specializing in Detroit small businesses clients. It is hard to define everything Jennyfer does, but she has a storefront in Corktown, and many other business activities, just listen to the interview! 

It's no secret that arts non-profits across the country are struggling to survive, but few closures have hit their communities as hard as the recent shuttering of Big Medium in Austin, TX. For more than 20 years, Big Medium was one of the most influential visual-arts organizations in the city. It produced the beloved and sprawling Austin Studio Tour, presented exhibitions that championed historically marginalized artists and served as an essential convener for the city's creative community. At the heart of its work for many years was curator and, more recently, artistic director Coka Treviño, whose passion for equity and for platforming emerging artists helped shape the organization's inclusive mission.In this conversation, Coka, who continues her own curatorial work via her company The Projecto, reflects on her tenure at Big Medium and the complex web of challenges that led to its sudden closure. From shifts in city grantmaking priorities to the skyrocketing cost of living that made staffing nearly impossible, the interview offers a candid window into just how difficult it has become for arts organizations—even in culturally rich, economically booming cities like Austin—to maintain operations. https://www.theprojecto.org/

Tusks UP! Utah Hockey Club has a new name -- it's the Mammoth! Fans have spoken with their top pick… It began last year with a list of possible names: Blizzard, Utah HC, Mammoth, Outlaws, Venom and Yeti.  Dave and Debbie discuss the new name with Utah Hockey Club Insider, Cole Bagley.  Listeners chime in with their thoughts on the new name. Dave and Debbie listen live to the press conference happening at the Delta Center and hear from producer Noah Giles outside of the event.  Live reaction from: -Joshua Lively, Ph.D. Curator of Paleontology, USU Eastern Prehistoric Museum -Jon Smith with the Arrow/Hockey fan -Jay Stevens with Utah Puck Report calls in to recap the press event

The Utah Hockey Team has weighed the option of adopting the Mammoth as their official mascot, leading to the inevitable question...how does that relate to Utah? We discuss with Joshua Lively, Ph.D. Curator of Paleontology about the mammoth's origins in Utah. Cole Bagley, Utah Hockey Club Insider, joins the show to talk about the Utah Hockey Club's possible new mascot. 

By one estimate the average American home has 300,000 objects. Yet our ancient ancestors had no more than what they could carry with them. How did we go from being self-sufficient primates to nonstop shoppers? We examine the evolutionary history of stuff through the lens of archeology beginning with he ancestor who first picked up a palm-sized rock and made it into a tool.    Guest: Chip Colwell - archeologist and former Curator of Anthropology at the Denver Museum of Nature & Science, editor-in-chief of the digital magazine Sapiens, and author of “So Much Stuff: How Humans Discovered Tools, Invented Meaning, and Made More of Everything.” Featuring music by Dewey Dellay and Jun Miyake Originally aired February 5, 2024 You can get early access to ad-free versions of every episode by joining us on Patreon. Thanks for your support! Big Picture Science is part of the Airwave Media podcast network. Please contact advertising@airwavemedia.com to inquire about advertising on Big Picture Science. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Jingchun Li is an Associate Professor in the Department of Ecology and Evolutionary Biology at the University of Colorado Boulder, and she is the Curator of Invertebrates at CU Boulder's Museum of Natural History. She is also a Packard Foundation Fellow and a National Geographic Explorer. Jingchun studies how different species interact with each other and how that has influenced their evolution. Her work focuses mostly on mollusks like clams, scallops, cockles, snails, octopus, and squid. For example, she has recently been examining giant clams that use symbiotic algae to become photosynthetic. As a museum curator, Jingchuin manages the museum's collection of nearly one million invertebrates. She is responsible for developing the collection, good stewardship, documenting relevant details about each specimen, and making specimens available to scientists and the public. Some of Jingchun's hobbies include rock climbing at a local gym with her lab members, spending time with her kids, watching musicals, reading, and playing board games like Setters of Catan. Jingchun completed her B.S. in Biological Sciences at Capital Normal University in China and was awarded her PhD in Ecology and Evolutionary Biology from the University of Michigan. Next, Jingchun conducted postdoctoral research at Harvard University with support from an NSF Ocean Sciences Postdoctoral Research Fellowship. Afterwards, she joined the faculty at the University of Colorado Boulder. In our interview, Jingchun shares insights and stories from her life and science.

Curator of the eerie and professional haunt tech extraordinaire James Amaral joins us this week!Recorded late at night inside the infamous Factory of Terror in Fall River, MA, James shares with us an inside look into the creation of haunted attractions, the psychology and philosophy of fear, and the life of a haunt actor. We also talk the evolution of horror, the importance of folklore in storytelling, and local legends Lizzie Borden and New England vampire Mercy Brown.The Patreon is back! You can support the podcast at:www.patreon.com/mothmanaor via donation on Ko-Fi: www.ko-fi.com/manaaelin Find James:Instagram: @MacabreMindscape @Haunted_OdysseyYoutube: www.youtube.com/@thehauntedodysseythemidnight.games (Open now! Be sure to check this out)www.thegreathalloween.comwww.fear-town.comwww.factoryofterror.comFind Mana:For readings & such: www.mothmana.com⁠Amanda Paulson's Lizzie Borden Interview Linked Here⁠

This week we talked about the most recent Beta release notes, store sales, and our week in gaming. Game News Update 44.1 Beta Release Notes #2 The update is currently expected to release on May 14 Angmar and Mordor have raised their level cap to 65. The Curator has returned through May 11 Store Sales […]

Contnuing the visit to Los Angeles for the 2025 NAAM Annual Conference by talking with colleague Matt Anderson, Curator of Transportation at The Henry Ford Museum. The museum, founded by Henry Ford, holds a special place among museum fanatics. It is not only a car museum, but it sets out to preserve historical items, such as Abraham Lincoln's chair from Ford's Theater. The campous is also is home to Greenfield Village, where famous buildings, like the Wright Brothers' bicycle shop and most recently, the house Martin Luther King, Jr. stayed while he was in Selma, AL are preserved. Visit The Henry Ford at www.thehenryford.org. (You can hear the street by the "studio" in the background. This might be the most car-sounding "LeMayZing!" yet.)

An interview podcast giving the inside scoop of what happens in comedy scenes across the globe and dedicated to speaking to the mavericks in the comedy world. In this episode we speak to the curator of the Robin Hood improv festival, Shaun Landry. Shaun is an internationally known actor, producer and improviser. Since 1986, Shaun's goal has been to provide venues for voices of colour, women and the LGBTQ community. Here is an overview of what we discussed:[[01:05]] Meeting Robin Williams [[17:10]][[18:18]] Dealing with jealousy [[24:36]][[38:21]] What I love about teaching [[44:13]][[46:27]] Re-learning again [[48:17]][[48:18]] Second city being brought by a big corporation and the downsides of showbiz [[56:39]][[01:00:32]] Biggest advice for people looking to do the Robin Hood improv festival [[01:10:41]]If you would like to know more on Shaun, you can reach her on Instagram at shaunlandryactor and Facebook at shaunlandryfanpage. Also, if you would like to know more on the podcast, you can reach us on our linktree https://linktr.ee/thecomediansparadise. #standupcomedypodcast #comedypodcast #interviewingcomedians #comedians #podcastinterview #standupcomedian #standupcomedians #improvcomedy #improvpodcast #comedyfestival

MM Serra is an experimental filmmaker, curator, author, professor at Parsons at the New School and the Executive Director of Film-Makers' Cooperative, the world's oldest and largest archive of independent media. Her first five films (NYC, 1985, Nightfall, 1984, Framed, 1984, PPI, 1986, Turner, 1987) were preserved and digitized by Anthology Film Archives Preservation series Re-Visions: American Experimental Film 1975-1990. Since 1982, MM Serra has created over 31 films. 

3:25 – AI has the potential to reshape every industry, job, and life4:30 – the shift from narrow, programmatic control to individual user control7:00 – a democratized internet with language comprehension8:00 – the move from menus to genies10:00 – you can ask AI virtually anything 10:40 – offsetting the unfortunate reality of the suppression of curiosity12:00 – Hallucinations, mistakes, guessing, and precision14:15 – AI iterations are getting better15:20 – Bias in AI16:10 – Data matters16:20 – Notebook LM does not access the web16:45 – User instructions, or a company's training, can bias AI18:15 – Engagement as evidence of curiosity19:00 – The spectrum of apathy to curiosity21:55 – Responsible use of AI for formative assessment support 22:45 – AI used with curiosity is a tremendous mentor, coach, and peer22:55 – AI used with apathy is a threat to your brain . . . it might “make you dumb”24:40 – You must be aware that using AI in a bad way is very detrimental – AI is not going to tell you this itself26:45 – How much work do students do that generates pride and satisfaction that leads them to keep that work? 28:40 – All hope abandon, all ye who enter here29:00 – Great teacher Ms. Smith, Statesboro High School29:50 – We need artists in the classroom – creative, passionate, flexible31:10 – a mistake to create a fully AI school31:30 – Is AI a threat to teachers?31:50 – AI will never replace good teachers32:10 – Good teachers are curators of learning experiences32:55 – Decisions about assessment, pacing guides, etc., are not always meant to benefit students33:10 – What is the value of consistent instruction?35:50 – Recruitment problem or retention problem?36:30 – Low-hanging fruit - break down a lesson into manageable parts37:00 – Low-hanging fruit - be specific with the target audience for what is to be learned38:00 – Make this old lesson better, I need resources that cost less than one dollar per student38:45 – Ask AI to use witty banter, match student interest39:00 – AI will use analogies, metaphors, and more39:15 – Teachers still do all of the final curation and make all of the decisions39:20 – Create songs with Suno, an AI tool 40:20 – “Can AI…?” Assume that the answer is “Yes.”42:55 – You have a genie. Dream big.43:10 – Tell AI “how to act”43:40 – Another AI episode with Daniel Rivera is forthcoming Daniel RiveraSuno (music creation)ChatGPT Music for Lead. Learn. Change. is Sweet Adrenaline by Delicate BeatsPodcast cover art is a view from Brunnkogel (mountaintop) over the mountains of the Salzkammergut in Austria, courtesy of photographer Simon Berger, published on www.unsplash.com.Professional Association of Georgia EducatorsDavid's LinkedIn pageLead. Learn. Change. the bookInstagram - lead.learn.change

Giuseppe Penone is a contemporary artist associated with the Arte Povera art movement. He reinvented sculpture, drawing, conceptual photography, art installation, through proto environmental art with the sensibility of a late late romantic.Curator and art critic Germano Celant created the term #artepovera in 1967 to highlight a tendency toward a use of reduced material or idea to its archetype. How does Penone fit into that notion? He seems to have had a singular place in the Italian and global Western art canon of the time, using organic growth as an art process that the artist mirrors, plays and aligns with. Have we been forcing a dialogue between his work and Celant's concept? What other relations with memory and matter has he expanded through his work? Was he a pioneer of eco-art? A late romantic? All of the above? Artist ⁠Diogo Pimentão⁠ is my co-host for the first time. As ever, I'll introduce the artist and he'll take us through this small retrospective exhibition at the Serpentine Gallery. Curated by Claude Adjil, Curator at Large, and Hans Ulrich Obrist, Artistic Director, with Alexa Chow, Assistant Exhibitions Curator.You wouldn't leave the shop without paying for your latte, right?Buy us a latte ;-) ⁠https://exhibitionistaspodcast.com/support-us⁠SIGN UP for the NEWSLETTER! Be the first to know our upcoming episode, get our UNTIMELY BOOK RECOMMENDATIONS, and juicy facts + useful links.https://exhibitionistaspodcast.com/newsletterIf you enjoyed the episode, you may enjoy Joana's essays on Substack: ⁠https://joanaprneves.substack.com⁠For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcastBluesky: @exhibitionistas.bsky.socialexhibitionistaspod@gmail.com#contemporaryart #immersive #immersiveexperiences #artexhibitions #artisticidentity #artmovement #experimentalfilm #experimentalart #artmovement #archetype

Our national arboretum near Gisborne encompasses over 131 hectares planted in exotic and native trees, shrubs and climber plantings. Eastwoodhill is regarded as the largest and most comprehensive collection of Northern Hemisphere trees south of the equator. Now it's entering an exciting new phase, with the appointment of a new curator. Internationally respected arborist Menno Kluiters, will take on the role next month.

Clare Museum, supported by Creative Ireland, will host a Festival of Polish Culture. The festival will run from next Tuesday (6th May), until the 18th of May (Sunday). A wide variety of events are promised for the Festival of Polish Culture. To discuss this further, Alan Morrissey was joined by Jakub Kacprzak who is giving talks at the festival and Curator of Clare Museum, John Rattigan. Photo(C): ClareFM

This week on About Art, Heidi Zuckerman is joined by Madeleine Haddon, Curator for V&A East, part of the Victoria and Albert Museum's major new expansion project in East London. Together, they discuss V&A East's upcoming openings, including the phased development of a dynamic working museum store offering an innovative "order an object" service that reimagines public access to collections.The conversation explores the museum's deep commitment to accessibility, community engagement, and inclusivity - as well as its new commissions program, designed to foster meaningful dialogues between historic collections and contemporary artistic practice. Madeleine and Heidi reflect on the evolving role of museums in the twenty-first century, and how institutions like V&A East are reshaping the ways audiences encounter, experience, and connect with art and culture.

Are you tired of decluttering your home only to find it filled with stuff again months later? In this enlightening conversation with Dr. Christine Koh, host of the Edit Your Life Show, we chat about the psychology behind our attachment to possessions and discover practical strategies to break the "re-cluttering" cycle for good. Christine shares her transformative mantra that changed how she approaches consumption and reveals the surprisingly simple Sunday habit that keeps her home clutter-free. Whether you're downsizing, organizing, or simply seeking to live more intentionally, this episode offers refreshing wisdom for creating a space that truly supports your life.   Click here to learn more about Dr. Christine Koh, Phd: www.christinekoh.com  Click here to listen to her show: Edit Your Life

Today's episode of Revolutionary War Rarities was filmed at Dorchester Heights in Boston.  Today we feature Dr. Matt Keagle, the Curator at Fort Ticonderoga.  We discuss the capture of Fort Ticonderoga, the Noble Train of Artillery, and Evacuation Day of Boston by the British.  All video of Fort Ticonderoga is copyrighted, but was provided by and used with permission of Fort Ticonderoga.  We hope you enjoy this episode of Revolutionary War Rarities.  We are the podcast from the Sons of the American Revolution.

Master the secrets of scaling your business through powerful culture transformation from Jim Tracy, who built multiple successful companies from scratch. Discover practical strategies to navigate generational differences, embrace productive risk-taking, and develop the character-driven leadership that takes organizations from startup to success.===============================================

Growing up loving athletics, Gib knew he always wanted to stay connected to sports. What he didn't know was how? Then he started working for a clothing store, selling clothes and noticed that there was an opportunity to do pop ups for the pro athletes in the area, and who were coming to play in town. Gib talks about connections and how to grow your influence with people. #professionalathlete #whoknewinthemoment #philfriedrich #wardrobe #wardrobeessentials To View This Episode- https://youtu.be/chxjZVRSzk0

Working with abrasive spinning wheels, the Ferro brothers cold work glass vessels in brilliant colors. Their dramatic cuts are sometimes five layers deep, and they cradle each piece for hours, days, and often weeks, painstakingly grinding away to reveal what lies underneath. There is always the danger that the piece will shatter, so it is a painstaking process. The finished vessel is a passionate work of art in vibrant translucent colors and energetic textures. Pietro and Riccardo Ferro were born in 1975 and 1980, respectively. Under the guidance of their father, cold-working Maestro Paolo Ferro, the brothers worked in various Murano factories to learn traditional techniques, including different grinding effects such as diamond scribing, stipple engraving and the bold Battuto, which resembles hammered metal. In 2000, the Ferros opened La Moleria, a workshop for grinding glass, where they created masterpieces for world-renowned artists including Lino Tagliapietra and Pino Signoretto. They also collaborated with famous Murano factories, such as Venini and Seguso. Today, they are more focused on their own unique glass art designs and their work can be found in prestigious public and private collections worldwide. They have visited the US to meet their collectors and demonstrate their methods at the Pilchuck Glass School and the Corning Museum of Glass. Says Irene McClellan, Duncan McClellan Gallery: “Riccardo and Pietro Ferro represent a new generation of glass artists from the Island of Murano, Italy. Continuing their father's legacy, they have become renowned coldworking specialists in their own rite. They delve deeply into the possibilities that cutting and carving through layers of glass can reveal and create intriguing textural interest on glass artwork.” From April 30 to May 18, the Wiener Museum of Decorative Glass (WMODA), Hollywood, Florida, presents Carved in Glass, a selling exhibition of the Ferro Brothers' new work. Riccardo will attend opening night on April 29. Sergio Gnesin, Italian glass expert and author, serves as guest curator of the show. All art sales benefit the educational programs at WMODA, which is a 501c3 not-for-profit museum. Says Louise Irving, Executive Director and Curator at WMODA: “Venice has been producing glass since the 10th century, and Murano became the main center in 1291 when glassmakers were ordered to relocate their furnaces to the small island in the Venetian lagoon to mitigate fire hazards. Over the centuries, the Murano masters have changed our perception of glass as an artistic medium. People can experience the magic of Murano at WMODA on Tuesday, April 29, when Riccardo Ferro from La Moleria opens the museum's exhibition of brilliant carved glass art by the fabulous Ferro Brothers.”  

Episode 73 of ‘All About Art': Curating at Tate Modern with Dr. Val RavagliaIn this episode, I sat down with Dr. Val Ravaglia, Curator of Displays and International Art at Tate Modern.I speak to Val about their career path - having worked at the Tate Modern for over a decade, first as an intern, then as an assistant curator, and since 2019 as Curator of Displays and International Art.We delve into the most recent exhibition they curated, titled Electric Dreams: Art and Technology Before the Internet which celebrates the early innovators of optical, kinetic, programmed and digital art - on until June 1st 2025.We speak about the process of planning and developing such an extensive exhibition, they give tips to anyone wanting to follow in their footsteps and curate at the Tate, and so much more.Thank you Val for coming on the podcast! You can check out Val's work here: https://aestheticbricolage.wordpress.com/val-ravaglia/cv/You can check out Electric Dreams here: https://www.tate.org.uk/whats-on/tate-modern/electric-dreamsYOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: ⁠https://www.patreon.com/allaboutart⁠FOLLOW ALL ABOUT ART ON INSTAGRAM HERE: ⁠https://www.instagram.com/allaboutartpodcast/⁠ ABOUT THE HOST:I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector.Here are links to my social media, feel free to reach out:Instagram⁠ @alexandrasteinacker   ⁠Twitter ⁠@alex_steinacker⁠and LinkedIn at ⁠Alexandra Steinacker-Clark⁠COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠www.liser-art.com⁠ and Luca Laurence www.lucalaurence.com Episode Production: Paul Zschornack

In today's episode of Daily Creative, we dive into the crucial distinction between being a collector and a curator in the digital age. With endless streams of information bombarding us daily, it's easy to fall into the trap of hoarding inspiration—saving articles, quotes, and ideas without ever transforming them into something meaningful. We explore how true creativity is about making the complicated simple and turning endless noise into valuable insight.We walk through a practical, three-step framework to move from information overload to actionable insight: casting a wide net, curating what matters, and ruthlessly eliminating the rest. By asking ourselves key questions—what is this really, why does it matter to me, and what can I create with it—we can ensure that our collections fuel creativity and purposeful work instead of stifling it. Plus, we share tips for establishing regular curation sessions so these ideas don't gather digital dust.If you're ready to stop drowning in information and start producing more focused, meaningful creative work, this episode is for you.Five Key Learnings:Collecting vs. Curating: Collecting is about amassing information; curating is about making sense of it, connecting ideas, and generating insight.The Three Questions: Always ask, “What is this really?”, “Why does it matter to me?”, and “What can I create with this?” to turn stimulus into creative fuel.Ruthless Elimination: Don't be afraid to let go of anything that doesn't serve a clear purpose or add value—quality trumps quantity.Regular Curation is Essential: Scheduling time to review, connect, and synthesize ideas is the difference-maker for ongoing creative productivity.Focus on Impact: It's not about the size of your information repository, but what you do with it—what you create is what counts.Get full interviews and daily content in the Daily Creative app at DailyCreative.appGet free weekly articles by email to help you do your best work at BraveFocusedBrilliant.com.

In today's episode, we present a conversation between Conor O'Keeffe and Dr. Cary Woodruff in our segment, DINO DNA! Today, Conor and his incredible guest discuss Pachycephalosaurus and Stygimoloch, along with how they relate to the versions we see in the Jurassic franchise. Sit back, relax and ENJOY this episode of The Jurassic Park Podcast!Please check out my Newsletter featured on Substack! You can sign up for the newsletter featuring the latest from Jurassic Park Podcast and other shows I'm featured on - plus other thoughts and feelings towards film, theme parks and more!FOLLOW USWebsite: https://www.jurassicparkpodcast.com/YouTube: https://www.youtube.com/@JurassicParkPodcastInstagram: https://www.instagram.com/jurassicparkpodcast/Bluesky: https://bsky.app/profile/jurassicparkpod.bsky.socialThreads: https://www.threads.net/@jurassicparkpodcastFacebook: https://www.facebook.com/jurassicparkpodcastApple Podcasts: https://apple.co/2VAITXfSpotify:  https://spoti.fi/2Gfl41TDon't forget to give our voicemail line a call at 732-825-7763!Catch us on YouTube with Wednesday night LIVE STREAMS, Toy Hunts, Toy Unboxing and Reviews, Theme Park trips, Jurassic Discussion, Analysis and so much more.

This week is the 250th anniversary of the birth of JMW Turner, so we are playing back our show on one of the greatest landscape artists of all time.Joining Patrick is Charlotte Topsfield, Prints & Drawings Curator, National Galleries of Scotland; Anne Hodge, Curator of Prints & Drawings, National Gallery of Ireland; and Niamh McGuinne, Paper Conservator, National Gallery of Ireland.

Ceri speaks with Chantelle Purcell, a curator, producer, and visual artist who co-founded Hive Curates and Other Landz. Chantelle shares her experiences, from grassroots creative spaces to large public art projects, discussing how she manages the balance between community engagement, inclusive spaces and the art. With a passion for creating inclusive spaces and championing culturally diverse artists, Chantelle discusses her approach to curating with care at its centre. Ceri and Chantelle also discuss securing funding, building meaningful collaborations and creating a lasting legacy in public spaces. KEY TAKEAWAYS Creating inclusive environments in the arts means challenging traditional models, through initiatives like Other Landz and Hive Curates, Chantelle builds platforms that specifically support culturally diverse artists and those who haven't had opportunities to create work in public spaces. The power of 'meanwhile spaces' lies in their flexibility and community impact, Chantelle's BroadWorks project transformed a disused building in Liverpool Street into a vibrant cultural hub, supporting over 300 creatives and attracting more than 10,000 visitors in 18 months. The etymology of curate is rooted in care, which should extend to artist development, community engagement and creating accessible spaces that honour local contexts and heritage. Chantelle's work with Enfield Winter Lights and Light Up Kilburn shows how Light festivals can create community engagement. These types of events can change perceptions of public spaces and create platforms for showcasing underrepresented artists. Building relationships with local authorities and developers requires understanding their priorities. You should research cultural policies, understand community demographics and begin engagement 6-9 months before events to build meaningful connections. The role of curator includes both curation and production. Beyond selecting artworks, curators must understand fabrication, planning permissions, community engagement and the entire ecosystem of networks that support public art projects. Chantelle shares that project management fees typically run about 20-25% of total budgets, with artist fees guided by industry standards, ensuring resources flow back into local communities. Chantelle began with a passion project that evolved into a sustainable business, demonstrating how creatives can test concepts, iterate, and develop their unique approach over time and create their own opportunities. BEST MOMENTS "I was always passionate about creativity from a really early age. I was lucky that I had the support of my mum, I was raised by a single parent, but she always encouraged fine art and creativity." "Often we don't think of curation as being about care, if you think about the etymology of the words and the idea of care, I think we often forget this." "For me, curation has evolved. It's changed. When I was working in a commercial context, it was more about curating a body of works for an exhibition. Now it's really about creating legacy and working with local communities." "We realised that the physical interaction or encounter could happen in the public realm and so that's when we started to pivot." "My idea of curation is challenged by the context in which I'm working in." "It's being able to work with an artist, to give them all of the funding, perhaps the tools that they need to fabricate something that they have never fabricated before, to be part of that process EPISODE RESOURCES https://www.chantellempurcell.com/about PODCAST HOST BIO With over 30 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Build Relationships The Easy WayOur self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/**** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

In this episode of Slick Talk, Wil Slickers is joined by Jennifer Barnwell from Curator Hotel Collection. They discuss the unique perks of operating an independent hotel versus being part of a major brand like Marriott or Hilton. Jennifer shares her journey in the hospitality industry, emphasizing the importance of flexibility, creativity, and community within the independent boutique hotel space. They explore Curator's role in supporting independent hotels through vendor partnerships, cost-saving initiatives, and marketing efforts. Jennifer also provides insights into the challenges and opportunities for independent hotels, particularly in secondary markets and resort areas. Don't miss this insightful conversation packed with industry insights and practical advice for hoteliers. Connect with Jennifer: LinkedIn Curator Hotel & Resort Collection Connect with Wil: LinkedIn Instagram This episode is brought to you by our sponsors at: Hostfully – $500 off onboarding fee using code SLICK500 - Connect with Frank here! Send Squared, the Hubspot for Hospitality Brands & Professionals! Get your business and leads organized and automated with Send Squared, the industry's best CRM! ——– Thank you for tuning into our podcast! Slick Talk is a Hospitality.FM production, and you can find more of our shows at Hospitality.FM or anywhere else you listen to your podcasts! Listen to more episodes on our website and take a look at our amazing podcast and network sponsors that make this all possible! You can also listen to our Monday morning podcast, Good Morning Hospitality, where we discuss the industry in a more casual setting! If you ever want to contact us for guest suggestions or anything else related to the podcast, please fill out our contact form, and we will be in touch! Last but not least, we love to connect on LinkedIn! Let's connect there so you can see the daily content we post beyond the podcast! Learn more about your ad choices. Visit megaphone.fm/adchoices

This Thursday and Friday, April 17 and 18, EMPAC at RPI in Troy, New York presents the Ephemeral Organ Festival. The presentations this week feature a series of residencies, performances, and talks by artists whose works explore dance and movement as a means of experiencing memory, history, and Black lived experience. Tara Aisha Willis is Curator of Theater & Dance at EMPAC and she joins us to tell us more.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, Emily features an interview with curator Ciara Ennis, director of the De Saisset Museum at Santa Clara University. Ciara discusses her evolution from painter to curator, her efforts to challenge traditional museum practices, and her initiatives aimed at fostering inclusivity and dialogue within the art community. Key programs highlighted include the Flat Files of Curiosity Initiative and the Project Room for South Bay artists. She shares insights into her curatorial philosophy, influenced by her studies and experiences, including her impactful first exhibition in London and admiration for artist Joseph Beuys. The episode underscores Ciara's commitment to making museums more accessible and dynamic spaces for diverse audiences.About Curator Ciara Ennis:As Director Professor of Practice in the Department of Art and Art History, Dr. Ennis is responsible for developing the vision, artistic direction, and strategic leadership for the museum including exhibitions, programming, permanent collection, academic integration, and public profile. Ennis oversees museum operations, staffing, finances, and fundraising, and serves as the primary liaison between the museum and Santa Clara University.Prior to directing the de Saisset Museum, Ennis served as Director and Curator of Pitzer College Art Galleries, transforming it into a significant center for contemporary art and discourse through intellectually provocative initiatives focused on diverse communities of artists exploring issues that define our times. A Museum Studies scholar, Ennis' research explores the appropriation of Wunderkammer strategies as a means for rethinking contemporary curatorial practice. Ennis has been a panelist and guest speaker for the College Arts Association, American Studies Association, the International Sculpture Conference, the Association of Academic Museums and Galleries, the California Community Foundation, the Rijksakademie Amsterdam, and the Victoria and Albert Museum. Ennis is a member of Prospect Art's Advisory Board and X-TRA Contemporary Art Quarterly's Advisory Council. She has an MA (RCA) in Contemporary Curatorial Practice from the Royal College of Art, and a PhD in Cultural Studies/Museum Studies from Claremont Graduate University.For more on the exhibit, Maya Gurantz: The Plague Archives CLICK HERE. Follow Ciara on Instagram:  @CiaraEnnis5--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

As a longtime staff writer at The New Yorker, Hilton Als's essays and profiles of figures like Toni Morrison, Joan Didion, and Richard Pryor have redefined cultural criticism, blending autobiography with literary and social commentary. Als is also a curator. His latest gallery exhibition is The Writing's on the Wall: Language and Silence in the Visual Arts, at the Hill Art Foundation in New York. The exhibit brings together the works of 32 artists across a range of media to examine how artists embrace silence. The show asked a powerful question: What do words — and their absence — look like? The Pulitzer Prize-winning writer spoke with Tonya Mosley. Also, Ken Tucker reviews new music from Lucy Dacus and Jeffrey Lewis.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy