Podcasts about Curator

“Sex-positive” is a term that gets used a lot these days, but it doesn't always mean the same thing to everyone. Sometimes it's about sexual openness or enthusiasm, other times it's about respect for sexual diversity, and sometimes it's even used in coercive ways. In this episode, we explore what sex-positivity actually is, and what it isn't. I am joined once again by Dr. Carol Queen, the staff sexologist, Company Historian, and Curator of the Antique Vibrator Museum at Good Vibrations. A noted cultural sexologist whose work has been widely published, she’s written and edited several books, including The Sex & Pleasure Book: Good Vibrations Guide to Great Sex for Everyone. Some of the specific topics we explore in this episode include: What are the core features of sex-positivity? What are some common usages of the term that miss the mark? Why is it important to separate sex-positivity from things like sexual behavior, frequency, and identity? How can you recognize when sex-positivity is being used coercively rather than ethically? How can you apply sex-positive values in everyday life? You can click here to learn more about Dr. Carol Queen. Got a sex question? Send me a podcast voicemail to have it answered on a future episode at speakpipe.com/sexandpsychology. *** Thank you to our sponsors!  Wrap the ones you love in luxury with Cozy Earth. Discover bedtime bliss with Cozy Earth’s bamboo sheet set and loungewear. Using code JUSTIN to get 40% off your purchase.  Soaking Wet from VB Health is the world’s first probiotic specifically designed for vaginal and vulva health and wellness. It’s a doctor formulated blend of prebiotics, probiotics, and vitamins specifically designed to restore balance and increase lubrication. Visit vb.health and use code JUSTIN for 10% off. The Kinsey Institute is where the world turns to understand sex and relationships. You can help continue its expert-led research by donating to the Kinsey Institute Research Fund. Learn more and make a donation here: https://give.myiu.org/centers-institutes/I380010749.html  *** Want to learn more about Sex and Psychology? Click here for previous articles or follow the blog on Facebook, Twitter, or Bluesky to receive updates. You can also follow Dr. Lehmiller on YouTube and Instagram. Listen and stream all episodes on Apple, Spotify, or Amazon. Subscribe to automatically receive new episodes and please rate and review the podcast! Credits: Precision Podcasting (Podcast editing) and Shutterstock/Florian (Music). Image created with Canva; photos used with permission of guest.

Sex shops are more than just retail spaces. In fact, they're often where people actually learn about sex. When formal sex ed fails, sex shops step in to answer questions about bodies, pleasure, and desire. In this episode, we’re exploring how sex shops became unexpected sex educators, and what we can learn from that. My guest is Dr. Carol Queen, the staff sexologist, Company Historian, and Curator of the Antique Vibrator Museum at Good Vibrations. A noted cultural sexologist whose work has been widely published, she’s written and edited several books, including The Sex & Pleasure Book: Good Vibrations Guide to Great Sex for Everyone. Some of the specific topics we explore in this episode include: How did sex shops become one of the main places people actually learn about sex? How did Good Vibrations completely change what a sex shop could be? What questions are people really bringing into sex shops when they walk through the door? How do you train retail staff to be responsible sex educators — not just good salespeople? You can click here to learn more about Dr. Carol Queen. Got a sex question? Send me a podcast voicemail to have it answered on a future episode at speakpipe.com/sexandpsychology. *** Thank you to our sponsors!  Soaking Wet from VB Health is the world’s first probiotic specifically designed for vaginal and vulva health and wellness. It’s a doctor formulated blend of prebiotics, probiotics, and vitamins specifically designed to restore balance and increase lubrication. Visit vb.health and use code JUSTIN for 10% off. Firmtech’s Tech Ring will help you to track your sexual health–and keep it up. Visit myfirmtech.com/justinlehmiller and use code JUSTIN15 for 15% off your purchase.  Passionate about building a career in sexuality? Check out the Sexual Health Alliance. With SHA, you’ll connect with world-class experts and join an engaged community of sexuality professionals from around the world. Visit SexualHealthAlliance.com and start building the sexuality career of your dreams today. *** Want to learn more about Sex and Psychology? Click here for previous articles or follow the blog on Facebook, Twitter, or Bluesky to receive updates. You can also follow Dr. Lehmiller on YouTube and Instagram. Listen and stream all episodes on Apple, Spotify, or Amazon. Subscribe to automatically receive new episodes and please rate and review the podcast! Credits: Precision Podcasting (Podcast editing) and Shutterstock/Florian (Music). Image created with Canva; photos used with permission of guest.

Англійська версія Артдиректор PinchukArtCentre, куратор Бйорн Гельдхоф про особисту історію, політики інституції і сприйняття політичного провенансу В.ПінчукаНовий випуск подкасту «Hi it's me Stein» — розмова Ольги Штейн з Бйорн Гельдхофом про особисту історію становлення, життя до роботи в PinchukArtCentre, дистанцію — або її відсутність — між інституційною роллю та приватною практикою. Про рішення жити в Україні й очолити PAC, про сприйняття політичного провенансу овнера інституції, побудову команди та інституційної політики, кенселінг центру та внутрішні трансформації, роботу PAC після повномасштабного вторгнення й плани на майбутнє.Розмова є в 2 варіантах:1. Ольга Штейн (укр.) - Бйорн Гельдхоф(англ.) 2. Ольга Штейн (укр.) - Бйорн Гельдхоф(укр. дубляж) Обидва аудіо можна знайти на сторінках подкасту в Spotify та Apple podcast. Запрошуємо вас слухати, ділитись думками та відмічати дім подкасту та співбесідників. Дякуємо

In our continuing series, Children of Genius, we'll talk with the children of extraordinary architects. First, Llisa Demetrios, Curator of the Eames Institute and youngest granddaughter of design legends Ray and Charles Eames. Next, Sarah and Cameron Nims, children of Florida architect Rufus Nims, and later, we'll talk with Gabriela Liebert, the architect reviving Nim's iconic "Jetsons House" in Miami.  Then, it's the daughter of architect Irving Tobocman, and also our musical guest, jazz singer Susan Tobocman. 

New year's greetings from PreserveCast! Today we're talking with Lori Beth Finkelstein and Michelle Fitzgerald from Johns Hopkins museums about Homewood Museum's recently opened If Homewood's Walls Could Talk: A History of an American House. Lori is the Philip Franklin Wagley Director & Curator of Johns Hopkins University's Evergreen Museum & Library and Director of Homewood Museum. Michelle is the Curator of Collections at Johns Hopkins University Museums, which is comprised of the university's two historic houses, Homewood Museum and Evergreen Museum & Library. She has curated several exhibitions at Hopkins, including the new Homewood exhibit. 

The Curator of Architecture and Design at MoMA enjoys work that surprises, up to a point. "I don't like gigantic provocations, I like small provocations, the ones that sneak up on you." Jolted awake, not pummeled into submission. Presented with the Viñoly Foundation. Music: Ethel—Ralph Farris, Kip Jones, Corin Lee, Dorothy Lawson.

Archaeology can offer us new discoveries into the Tower of London's medieval past, as well as insights into the lives of the community that lived and worked there. In 2019, and in the summer of 2025, we undertook one of the most important excavations at the Tower for a generation, just outside the Chapel of St Peter Ad Vincula.   Now for the first time ever, we have detailed information about the ordinary people who lived, worshipped, and died at the Tower, but what more can we learn from these excavations? To find out more, we join Alfred Hawkins, Curator of Historic Buildings.  Read about the recent archaeological digs at the Tower of London in our blog posts:     Life, death and worship in the Tower of London, Part I | Historic Royal Palaces  Life, death and worship in the Tower of London, Part II | Historic Royal Palaces 

In this new year's day episode, my guest is Chris Smith, co-founder of Curator and author of The Conversion Code and Exactly What to Say, to explore how AI is transforming real estate marketing, listing promotion, and client communication. Chris breaks down practical AI use cases for faster content creation, smarter newsletters, and automated seller updates through tools like Beacon, along with how agents can reclaim time while delivering a better client experience.   Guest: Chris Smith Instagram: https://www.instagram.com/chris_smth Subscribe to the Chris List newsletter: thechrislist.com Get 7-day Beacon Trial:  https://www.buildyourbeacon.com/ Facebook: https://www.facebook.com/ConversionCodeChris   Host: Rajeev Sajja Website: http://www.realestateaiflash.com    Facebook: https://www.facebook.com/rsajja  Instagram: http://www.instagram.com/fcamsajja  LinkedIn: http://www.linkedIn.com/in/rsajja   Resources:  Podcast Site and Resources - http://www.realestateaiflash.com  $10 off for Plaud AI Notetakers for Podcast listeners - https://realestateaiflash.com/partners/  Join our Instagram Real Estate AI Insiders Channel - https://ig.me/j/AbZCJG37DqBPPtxi/ Subscribe to our weekly AI Newsletter: https://realestateai-flash.beehiiv.com/subscribe  Join the Real Estate AI Academy Wait list - https://realestateaiflash.com/academy   

Fluent Fiction - Norwegian: The Secret of the Missing Viking Ring: A Curator's Quest Find the full episode transcript, vocabulary words, and more:fluentfiction.com/no/episode/2026-01-01-23-34-02-no Story Transcript:No: Det snødde lett over de smale brosteinsgatene i gamle Bergen.En: It was snowing lightly over the narrow cobbled streets of old Bergen.No: Museet, en perle fra en svunnen tid, lå innhyllet i vinterens stille tepper.En: The museum, a jewel from a bygone era, was enveloped in winter's silent blankets.No: Det var på nyttårsdagen at Lars, museets engasjerte kurator, oppdaget noe forferdelig.En: It was on New Year's Day that Lars, the museum's dedicated curator, discovered something terrible.No: En sjelden gjenstand var forsvunnet fra utstillingen.En: A rare artifact had disappeared from the exhibition.No: Denne gjenstanden, en vikingring med intrikate utskjæringer, var hjertet av museets samling.En: This artifact, a Viking ring with intricate carvings, was the heart of the museum's collection.No: Lars følte vekten av ansvaret tyngende på skuldrene sine.En: Lars felt the weight of responsibility pressing on his shoulders.No: Hvis nyheten spredte seg, kunne museets rykte bli skadet.En: If the news spread, the museum's reputation could be damaged.No: Han trengte hjelp, men hvem kunne han stole på?En: He needed help, but whom could he trust?No: Ingrid, en lokal historiker, var på museet den dagen.En: Ingrid, a local historian, was at the museum that day.No: Hun hadde øye for detaljer og var en god venn.En: She had an eye for detail and was a good friend.No: Hun arbeidet jevnlig med artikler om historie, alltid på jakt etter en sjelden historie som kunne gi henne et gjennombrudd.En: She worked regularly on historical articles, always on the lookout for a rare story that could give her a breakthrough.No: Lars og Ingrid gikk forsiktig gjennom museets dunkle rom, deres pust skapte små skyer av dugg i den kjølige luften.En: Lars and Ingrid carefully walked through the museum's dim rooms, their breaths creating small clouds of mist in the chilly air.No: "Ingrid," begynte Lars nølende, "jeg trenger din hjelp, men dette må forbli mellom oss.En: "Ingrid," began Lars hesitantly, "I need your help, but this must remain between us."No: "Ingrid nikket.En: Ingrid nodded.No: "Selvfølgelig, Lars.En: "Of course, Lars.No: Jeg vil virkelig gjerne hjelpe.En: I'd really like to help."No: "De søkte gjennom utstillingene og kontrollerte hver eneste hylle, hver eneste avkrok.En: They searched through the exhibitions and checked every shelf, every nook and cranny.No: Detektivarbeidet førte dem til arkivrommet.En: The detective work led them to the archive room.No: En stor, støvete bokhylleseksjon fanget Ingrids oppmerksomhet.En: A large, dusty bookshelf section caught Ingrid's attention.No: Hun studerte en liste med notater i hånden, sammenlignet med etikettene på hyllene.En: She studied a list of notes in her hand, comparing it with the labels on the shelves.No: "Se her," sa hun med et glimt i øyet.En: "Look here," she said with a gleam in her eye.No: "Dette nummeret matcher ikke.En: "This number doesn't match."No: "Lars trådte nærmere.En: Lars stepped closer.No: De oppdaget at vikingeringsgjenstanden hadde blitt feilaktig arkivert.En: They discovered that the Viking ring artifact had been mistakenly archived.No: En enkel feil, men med store konsekvenser hvis den hadde blitt kjent.En: A simple error, but with significant consequences if it had become known.No: Lars pustet lettet ut: "Hvordan skal vi fortelle dette uten å avsløre rotet?En: Lars sighed with relief: "How should we tell this without revealing the mess?"No: "Ingrid tenkte raskt.En: Ingrid thought quickly.No: "Dette kan fremheve museets arbeid i å sikre at hver gjenstand blir riktig ivaretatt.En: "This can highlight the museum's work in ensuring every artifact is properly taken care of.No: Det er en positiv vinkel.En: It's a positive angle."No: "De ble enige om å fokusere på det positive aspektet ved funnet.En: They agreed to focus on the positive aspect of the discovery.No: Ingrid skrev en artikkel som fremhevet museets engasjement i bevaring og nyoppdagelse.En: Ingrid wrote an article that highlighted the museum's commitment to preservation and rediscovery.No: De presenterte historien med stolthet, og museets rykte forble intakt.En: They presented the story with pride, and the museum's reputation remained intact.No: Lars lærte viktigheten av samarbeid og betydningen av å balansere sitt intense fokus på arbeid med menneskelige relasjoner.En: Lars learned the importance of collaboration and the significance of balancing his intense focus on work with human relationships.No: Ingrid innså at hun kunne forfølge karrieren sin på en måte som respekterte integritet og ansvar.En: Ingrid realized she could pursue her career in a way that respected integrity and responsibility.No: Snøen falt fortsatt mykt idet de forlot museet.En: The snow was still falling softly as they left the museum.No: Nyttårsdagen brakte ikke bare et nytt år, men en ny forståelse mellom to venner, og en historie deres by kunne være stolt av.En: New Year's Day brought not only a new year but a new understanding between two friends, and a story their city could be proud of. Vocabulary Words:narrow: smalecobbled: brosteinsgateneenveloped: innhylletcurator: kuratorartifact: gjenstandintricate: intrikatecarvings: utskjæringerreputation: ryktededicated: engasjerteexhibition: utstillingenattention: oppmerksomhethesitantly: nølendearchive: arkivrommetdisappeared: forsvunnetshelves: hyllenook: avkrokcranny: avkrokmistakenly: feilaktigeditor: redaktørgleam: glimtintact: intakthighlight: fremhevecommitment: engasjementrediscovery: nyoppdagelseintegrity: integritetresponsibility: ansvardiscovery: funnetcollaboration: samarbeidsignificance: betydningenintense: intense

SCG Curator Adam Lewis joins Luke Keary and Michael Carayannis to preview the Fifth Test and to chat the state of the pitch after the MCG debacle. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jane Dutton, filling in for Relebogile Mabotja, chats with Thando Fuze, poet, writer, curator, and author of Conversations with The Human about using poetry to reflect on 2025See omnystudio.com/listener for privacy information.

Beyoncé has been declared a billionaire by Forbes, making her the fifth musician to join its list of the world's wealthiest people with 10 figure fortunes, including Taylor Swift, Rihanna, Bruce Springsteen and Beyoncé's husband Jay Z. Clare McDonnell speaks to Jacqueline Springer, music journalist and Curator of Africa & Diaspora: Performance at the Victoria & Albert museum, about what makes Beyoncé such a successful businesswoman, and the challenges along the way.Why can adults seem to regress to childhood or teenage behaviours at Christmas? We discuss family dynamics and the kinds of behaviour that can re-surface with everyone under the same roof again. Guardian columnist Elle Hunt shares her own experience alongside Woman's Hour listeners, and Psychotherapist Julia Samuel offers advice. Madelaine Thomas works as a professional dominatrix. When her own images were shared online without her consent, she decide to develop a tool that could allow images to be tracked, and abusers identified. Image Angel was the result, offering forensic image protection for platforms, and she's now trying to get businesses in the adult entertainment industry on board. Do we need to re-think our attitudes to ageing, as we age? As we approach 2026, we consider how to shed a negative attitude towards ageing, and embrace growing older and wiser, by revisiting an episode of the Woman's Hour Guide to Life: How to make ageing your superpower. Therapist Emma Kirkby-Geddes shares how she's been struggling to accept the passage of time. Gerontologist Dr Kerry Burnight, and Jacqueline Hooton, a personal trainer and ‘ageing well' coach, offer advice. Research tells us that girls tend to disengage from politics before the age of 16, just as boys seem to grow in confidence. Academics at Roehampton University have looked into this and have created a programme aimed at Year 9 students, in an attempt to re-engage teenage girls in issues that matter to them and boost their confidence to speak politically. Professor Bryony Hoskins has created G-EPIC (Gender Empowerment through Politics in the Classroom) and Rachel Burlton is a teacher at Mulberry School for Girls in London who has been teaching the programme.Presenter: Clare McDonnell Producer: Helen Fitzhenry

This episode originally was published on November 22, 2022. The Empress of Ireland was a luxurious and beautiful steamship of the early 20th century, carrying passengers across the North Atlantic between Quebec City and Liverpool. She and her sister ship, the Empress of Britain, were an important cog during the peak of Canadian immigration. In the early morning hours of 29 May, 1914, the Empress of Ireland collided with the Norwegian ship Storstad in dense fog on the St. Lawrence River. Over 1000 people on the Empress of Ireland perished, and more passengers died than on the Titanic just two years prior. Because of the massive loss of life, she has been called "Canada's Titanic." Dan Conlin, Curator of the Canadian Immigration Museum at Pier 21 in Halifax, Nova Scotia joins me as my guest. Written, edited, and produced by Rich Napolitano. All episodes can be found at ⁠https://www.shipwrecksandseadogs.com⁠. Original theme music by ⁠Sean Sigfried⁠. Listen Ad-Free, get exclusive bonus episodes, and free Shipwrecks and Sea Dogs merchandise by subscribing at patreon.com/shipwreckspod. Three tiers available! Listen ad-free on Apple Podcasts! Just find Shipwrecks and Sea Dogs in Apple Podcasts, and click the banner to subscribe. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we have the pleasure of sharing an episode from one of our favorite podcasts, the Lit Ladies Podcast. Here is more about their show: We are three writers and moms exploring how to live out our faith in our literary lives. We span the country—from the coasts to the Midwest—and with different stages of life, careers, and favorite genres, we are sure to cover the literary landscape. In every episode, we'll discuss books we love, reading life, and writing craft, using the Bible as our guide for beauty, goodness, and truth. New episodes drop every other Friday! Historical Fiction, War Stories, and What We Sip While We Read This Lit Ladies Podcast crossover with the Historical Bookworm team covers why historical fiction matters, how war settings shape stories, and what everyone is reading right now. Key takeaways Historical fiction makes history personal, which helps you see how everyday people lived. Accuracy matters most when it grounds the characters and the social pressures of the era. War settings work best when the focus stays on human cost, resilience, and the ripple effects on families. Reading older books can mean meeting older blind spots, which calls for discernment instead of reflexive dismissal. Lesser-known conflicts can add fresh perspective, especially when anchored in solid research. Welcome to the crossover Karissa: Hello and welcome to the Lit Ladies Podcast. Today we’re doing a special crossover episode with our friends KyLee Woodley and Darcy Fornier and their historical fiction podcast. We’re so excited to have you here today. Darcy: So excited to be here. We have so much fun hanging out with you guys. KyLee: Thanks for the invite. Glad to be here. Karissa: KyLee Woodley is a podcaster and author of the Outlaw Hearts series, adventure romances set in the American Wild West. Darcy Fornier is a podcaster and author of The Crown and the Axe, and they are both the hosts of the Historical Bookworm podcast, which is in its fifth season. It’s for lovers of inspirational historical fiction, and the show features author interviews, bookish and historical segments, and a wide variety of guests, from Christy Award-winners to high-quality indie authors. Favorite reading beverages Karissa: Before we jump in today, I want to know what is everyone’s favorite reading beverage of choice? Christie: I usually drink water, or else I don’t really drink anything because I’m too busy speed reading. But today for the podcast, since we’re doing it in the morning, I get to drink coffee. Darcy: Usually coffee. If I said anything else, my sisters would say I was lying. But I also enjoy hot chocolate or tea. Anything hot. I’m not going to be drinking lemonade even in the summer. KyLee: The nice thing about being in the South is that the AC is always blasting. So it’s hot cocoa, coffee, soup, any time of the day. My current favorite beverage to go with my reading, which I seldom read, but audiobooks, big on audiobooks these days, is the Iced Pecan Crunch Oat Milk Latte. I don’t usually go to Starbucks. I find their coffee very bitter, but this is a blonde espresso. I get it without the foam. It’s too sweet and it takes up too much in my cup. Karissa: I like to drink herbal tea. That’s my main comfort drink. Why historical fiction Karissa: What draws you to historical fiction? KyLee: For me, I like the nostalgia. I grew up very sheltered. We didn’t have a TV until I was 12. My mom would just drop us off at the library, then go shopping, then pick us up whenever. We always had audiobooks or books on tape. When we did get a TV, it was black and white. We watched a lot of black and white shows. For me, I remember those good times with old classic films and literature. There’s also this idea of, “What was.” Historical and fantasy are best friends because there’s that sense of wonder. But historical is like, this really did happen. This was really true. I like to dig into history and see who someone was, and go back to where they were if that’s possible. I love to research the way people lived and thought, the things they invented, and how resourceful they were. Darcy: Mine is similar. It’s about the people that came before, and how their stories influenced our lives today. You can go to historical sites and almost touch the lives that they had there. We tend to study history as the big overview. This person was king, these wars happened, all this stuff. Historical fiction lets you dive into what it was like for the day-to-day person. Even if you’re writing about a king, you’re asking what motivated him and what it felt like. People are people as long as they’ve lived. Karissa: That’s my favorite part too. How did people actually live, what challenges did they face, and what did they wear? KyLee: I also like when an author challenges what we accept as historical norms. Bring out something different that we wouldn’t expect. Like a female rancher who ran a ranch with hundreds of cowboys. I heard on a podcast that there was an African-American college in Waco in the 1860s. I had never heard of that. I want to learn the things that go against what people believe as a whole. I want to see the people who were counterculture in their time. Christie: Whoever wins writes the history book. There’s so much that was lived and done that you don’t know about because it was shut down, or the history books made it seem nice and clean. Favorite eras and the appeal of time travel Karissa: Christie, do you have a favorite era to read or write about? Christie: I haven’t read much historical in a while. I used to read a lot of Jen Turano because her voice is funny, witty, and sharp. For an era, late 1800s to 1940s. If there’s too much work to live, it pulls me out. I’m modern. I don’t want to learn about churning butter. Darcy: A few modern conveniences is okay. Christie: I would do a castle, like medieval, every now and then. KyLee: That’s what’s fun about time travel or slip time. You get the comparison. Especially time travel, when someone modern comes into the past and you see how they react to everything. Karissa: I just discovered Gabrielle Meyer. It’s sort of time travel. KyLee: In those books, the women exist in two timelines until a certain age. Then they have to choose which timeline they’ll live in. What’s fun is that she explores different eras. You get contrast between two past timelines, like the Civil War and the 1920s. Christie: I’d choose the ’20s, not the war. Karissa: I love the Victorian era and the Regency era. I also love reading classics written in the period. You get the perspective of someone who lived in that era and took so much for granted. Darcy: If you read Jane Austen, she doesn’t explain everything because her readers would understand it. Then you read a Regency novel by a modern author, and they explain everything. It’s cool to do both. Karissa: Darcy and KyLee, do you have favorite time periods? Darcy: Medieval is my favorite to read in and write in. Then the Regency era, then the American West. I probably read mostly Westerns. Some people say cowboys are the truest heirs to medieval knights. There are similarities in how unlawful it could feel. There was law in both places, but it only extended so far. Christie: I watch black and white westerns with my mom. The body count is wild. They’re just shooting people in the street and it’s cool. I would never want to live back then. KyLee: I overanalyze it too. It’s set in the 1800s, but it was made in the ’40s or ’50s. So I’m thinking about their worldview and ideologies, and how that shaped what they presented. Christie: They’re pretty racist. Sometimes I’m like, how is this still on TV? Darcy: Everything we write is a product of our time. It’s just more glaring the further back you go. KyLee: I started Gone with the Wind. It’s too long for my taste. Some language made me pause. Karissa: We never see the sins of our own era. Our descendants will look back and see the sins of today. Darcy: Grace Livingstone Hill wrote in the late 1800s and early 1900s. You see elements of racism and classism, and ideas like bloodline influencing character. Looking through modern eyes, it’s horrible. She’s still one of my favorites because her stories are sweet and encouraging in faith, but you see how even a good person is a product of their time. KyLee: That’s why it’s important to be kind. I’m not going to stop reading her because I can see flaws. Don’t throw the baby out with the bathwater. Karissa: That comes up in English teaching too. How do you teach classics responsibly without canceling them completely? War settings in historical fiction Karissa: I wanted to talk about books set during wars. We see a lot set with the backdrop of World War II. Do you have a favorite war setting to read about, and any favorite books? KyLee: I’ve always been drawn to the Civil War. When I was growing up, there were quite a few Civil War movies and books in the Christian genre. The brother against brother aspect pulls me in. As an adult, I look at the events that led up to it and grimace, hoping history doesn’t repeat itself. More recently, the Franco-Prussian War, partly because some of my ancestors' sisters came over during that time. It only lasted about a year. France declared it, and France lost. Their people suffered. Germany demanded huge remunerations in gold. By today’s standards, I did the math before we started, it was about 84 to 95 billion dollars. (FACT CHECK – In today’s purchasing power, estimates for that 5 billion francs generally range between $80 billion and $100 billion USD.) France had promised not to tax people during the war, but afterward they charged back taxes. There was a civil uprising in Paris, and a week-long massacre called the Bloody Week. That history comes into book one of the Outlaw Heart series. It’s lesser known French history. My people were German, and my characters are French, but I was fascinated by it. You don’t hear about that war as much. Darcy: That’s obscure for Americans because it didn’t affect us directly, so it doesn’t make it into our history books. But it made a huge difference in Europe. KyLee: My dad’s side always wrote Prussia on census records, not Germany. That led me to dig into where Prussia was and how that history unfolded. Writing trauma and war without being gratuitous Karissa: What challenges did you find writing about something so difficult in a way that worked for your story? KyLee: The main character in book one, Lorraine, lived through the Bloody Week. She’s in America now. I looked at where she is as an immigrant and how she tries to settle when there is nothing left for her in France. People were rounded up, imprisoned, and shipped off to New Caledonia, a penal colony near Australia, I believe. No trial. Later, there were pardons, but many people were still imprisoned because they were never tried, and their names were never even taken down. Lorraine is haunted by the past and has post-traumatic stress disorder. She refuses to speak English even though she understands it. She holds tightly to French roots, clothing, and food, and stays close to other French people. Jesse challenges her to put down roots in a country where she feels like an alien. That Bible phrase kept coming up to me, be kind to the immigrant, the alien, the foreigner. Remember when you were in Egypt and you were a stranger in a strange land. For research, I relied on as many documents as I could find, plus academic papers written about the Bloody Week and why it happened. I want to respect history and the people who lived it. Karissa: I love how you included the war because we feel the weight she carries without putting everything on the page in an overly graphic way. Christie: The Bandit’s Redemption is the first in the series. It has such a pretty cover too. Darcy: It’s such a good one. Darcy's pick: World War II Karissa: Darcy, do you have a favorite war setting? Darcy: Probably World War II, because it’s so vast. You have the European theater and the Pacific theater, plus the home front in America and Britain. Every time I pick up a World War II book, it’s like, “I did not know that.” The Civil War is hard for me. I grew up in Georgia, and in some places it feels like it happened this century. It was my country. World War II lets me detach a bit more. I did read one Civil War book by Rosanna M. White that was fabulous, Dreams of Savannah. It handled the loyalty conflict very gracefully. Karissa: What makes a good war book? Christie: Accuracy doesn’t matter much to me because I’m not going to catch mistakes. I want characters and their journeys, battles and close calls, romance, and a happy ending. Darcy: I appreciate historical facts because I want to be grounded in the setting. But if I’m reading fiction, I’m there for story and characters. I want to see what the war is doing to them, to their society, to their family, and how it changes their lives. KyLee: I want it at the character level too. I also like seeing people on both sides. I want everyday heroes, and small choices that mattered. I also love surprising historical technology I didn’t know about. Karissa: Accuracy matters to me, but not at the expense of story. I just want what happens to feel believable for the era. In Regency romances, for example, two people being alone in a room can be a big deal. A kiss behind a barn could ruin lives. Darcy: Historical characters in books sometimes have a modern disregard for societal pressure, which is inaccurate. We all feel societal pressure today too. It’s just different pressures. When classics meet modern retellings Christie: Karissa, you like reading the Brontës because they wrote in that time. Do they have stolen kisses, or is it different because they were writing then? Karissa: If it’s Emily and Wuthering Heights, it’s more dramatic and Gothic. With Jane Eyre, I think it’s more bound by the era. Darcy: If someone did a modern retelling, I think they’d put stolen kisses in. KyLee: It depends on the character and how they were raised. There were orphanages and homes for widows who were pregnant, and women who had gotten pregnant outside marriage. There are records showing pregnancies starting before marriage dates in some places in the 1700s. On the whole, the societal expectation mattered. So you need to look at your character. If she’s proper and ladylike, she probably won’t have modern levels of physical intimacy. Karissa has proofread my stuff and told me, this would never happen. She was right. It pushes you to be creative. Make the little things special too. Karissa: What might seem small to us might be very steamy to someone in the Regency era. Like touching a hand without a glove. Darcy: He’ll be proposing within the week. War book recommendations and lesser-known conflicts Christie: I read The Ice Swan by J'nell Ciesielski. That was during the Russian Revolution in 1917. I remember really liking that one. Darcy: Rosemary Sutcliff does this well in her books about Britain after Rome officially withdrew. It spans generations. The first is The Eagle of the Ninth. It’s technically YA and she wrote in the 1950s or ’60s. Sword at Sunset is an adult book with some adult content. She personalizes the conflict and shows conflicting loyalties, and friendships across cultures. It’s history, not fantasy. Karissa: Between Shades of Gray by Ruta Sepetys. Not to be confused with anything else. It’s YA historical set during World War II, but it focuses on Stalin’s reign and deportations to Siberia. It takes place in Lithuania and the Baltic states, where there were multiple occupations. It’s about a girl whose family is sent to a prison camp. I studied abroad in Lithuania, so that history sticks with me. Ruta Sepetys researches a lot and her books are well done. Kelly mentioned The Women by Kristin Hannah, set during the Vietnam War. Darcy: I had someone tell me she read The Women three times because it was so good. It's on my list. My sister highly recommends Kristin Hannah. She read The Nightingale and said it was worth the pain. Christie: I need happy ones. I can only do one super tearjerker a year. What everyone is currently reading KyLee: I borrowed The Dark of the Moon by Fiona Valpy. I’ve read The Dressmaker’s Gift and The Beekeeper’s Promise by her. They're World War II, like French resistance. Melanie Dobson does this well too, like The Curator’s Daughter, a time slip about a woman married to a Nazi soldier. I like books that feel sobering, like they changed my life. I also borrowed Angel from the East by Barbara A. Curtis. I borrowed The Winter Rose by Melanie Dobson, a World War II story about a lady who helps rescue Jewish children. Darcy: I just finished The Bounty Hunter’s Surrender by KyLee Woodley. I had never read it cover to cover. I helped brainstorm, and apparently the villain is my fault. I enjoyed it so much. I’m also reading a contemporary by Becky Wade, Turn to Me, in her Misty River romance series set in Northeast Georgia. I know exactly what she’s describing. Christie: I’m reading The Couple Next Door by Shari Lapena. Karissa: I'm listening to the audiobook of Long Bright River by Liz Moore. It’s about a police officer in Philadelphia. Her sister struggles with addiction, then goes missing. There are flashbacks and a modern timeline, plus mysterious murders. I can't stop listening. Where to find Historical Bookworm and Lit Ladies KyLee: You can connect with us at HistoricalBookworm.com. You can find me at KyLeeWoodley.com and Darcy at DarcyFornier.com Darcy: I’m most active on Instagram, DarcyFornierWriter Karissa: Thank you for joining us today on our literary journey. If you love the podcast, share it with a friend and rate and review. And don’t forget to follow us on social media at Lit Ladies Pod. Our quote today is from Barbara Tuchman: “Books are the carriers of civilization. Without books, history is silent, literature dumb, science crippled. Thought and speculation are at a standstill.”

MCG curator Matt Page and MCC CEO Stuart Fox speak to the media after the two day Test. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tobias Degsell, founder of Combiner, and former Curator of the Nobel Museum, joins Deborah Corn to discuss why obsession, not passion, drives excellence, rethinking systems that support human collaboration, and why trust, diversity of thought, and long-term thinking are essential to building better organizations and a better future. Tobias also shares what he would put into a time capsule. Mentioned in This Episode: Tobias Degsell on LinkedIn: https://www.linkedin.com/in/tobias-degsell/ Tobias Degsell on Instagram: https://www.instagram.com/tobiasdegsell/ Combiner: https://combiner.se/ Deborah Corn: https://www.linkedin.com/in/deborahcorn/ Print Media Centr: https://printmediacentr.com Subscribe to News From The Printerverse: https://printmediacentr.com/subscribe-2 PrintFM Radio: https://printfmradio.com Girls Who Print: https://girlswhoprint.org Project Peacock: https://ProjectPeacock.TV

Send us a textOn the latest episode of the Lost In The Sauce Podcast, Sauce is joined by a friend of the show: Curator, tastemaker, artist, and DJ Intro. Intro sits down with Sauce to discuss his brand-new project, “Duality of man,” exploring that ideology, growing as an individual, remembering WTNY, and much more! Links for Intro | https://codeswitch.lnk.to/dualityofmanIntro | Ride with me / 5k interlude - Intro Pass The Aux Segment | Trap Phone Podcast Platforms | https://linktr.ee/Lostinthesauce5Sauce IG | https://www.instagram.com/sauceville_615/

The Museum of the Shenandoah Valley (MSV) is more than just a repository of artifacts—it's a vibrant center for community, history, and storytelling. In this episode of The Valley Today, host Janet Michael sits down with Scott Stroh, the museum's new Executive Director and CEO, and Nick Powers, Curator of Collections, to discuss the MSV's evolving role in Winchester and the wider valley. Scott, less than a year into his role, brings a lifelong passion for history and museums, having previously led George Mason's Gunston Hall. "I am very blessed and fortunate to have been able to take my love of history and museums and make it into a career," he shares. Since arriving in Winchester, Scott has been struck by the community's warmth and the museum's central place in local life. Collecting the Valley's Many Voices Nick Powers, a familiar voice to listeners, explains the museum's unique approach to collecting. The MSV's collection spans 150 miles, from Harper's Ferry to Natural Bridge, and covers a vast array of stories and communities. "We try to collect and exhibit all the communities that make up the valley," Nick says, emphasizing the importance of allowing communities to tell their own stories. The museum's holdings are vast—over 25,000 objects, from miniature chairs to massive furniture, each meticulously cataloged. Recent upgrades to storage ensure both preservation and room for growth, reflecting the MSV's commitment to stewardship and active collecting. History in the Making The conversation highlights how history is not just about the distant past. Nick points out that today's everyday objects could become tomorrow's artifacts, and the museum actively collects contemporary art and stories. "There's always something new coming around the bend," he notes, referencing both changing land use and the valley's vibrant artistic community. Janet and Nick reminisce about estate sales and family heirlooms, underscoring the personal connections that make the MSV's collections so meaningful. Scott echoes this sentiment, describing the museum's artifacts as the "collective identity of the valley," akin to family heirlooms that tell the story of a people and a place. Staff Favorites and Community Connections A highlight of the current MSV experience is the "Inside Job: Staff Favorites from the Valley Collection" exhibition, celebrating the building's 20th anniversary. Staff members selected their favorite objects, with Nick curating complementary pieces. The result is an exhibition that not only showcases artifacts but also the personal stories and evolving perspectives of the museum's team. One standout story is the "Little Beasties" toys, crafted during the Depression by the Shenandoah Community Workers of Bird Haven, Virginia. These toys, along with marketing ephemera, illustrate how valley residents used creativity and local resources to overcome hardship. Sharing the Valley's Treasures The MSV's reputation extends far beyond Winchester. A prized Grandma Moses painting from the collection is currently on loan to the Smithsonian American Art Museum, part of a major retrospective. Nick reveals that Grandma Moses spent nearly two decades in the Shenandoah Valley, a little-known fact that deepens the region's artistic legacy. Looking Forward: Apple Blossom and Revolutionary Valley The museum is gearing up for major exhibitions. In 2027, the MSV will help celebrate the 100th Apple Blossom Festival parade with a community-driven exhibition. Residents are encouraged to submit objects and photographs that tell the story of this beloved event. "We want to acknowledge the very diverse group of people that make this a success year after year," Nick says. Another milestone is the upcoming "Revolutionary Valley" exhibition, opening July 4, 2026, to mark America's 250th anniversary. The show will explore the valley's role in the Revolution and beyond, featuring never-before-seen objects and personal stories, such as the correspondence of James Wood Jr. and the remarkable legal battle of Sarah Strother, a woman born enslaved on the Glen Burnie property who fought for—and won—her freedom. The Power of Storytelling As the conversation draws to a close, Scott emphasizes the museum's mission: "At the end of the day, it's about stories, it's about people, it's about place, and it's about fostering dialogue and understanding." The MSV stands as a testament to the valley's rich, diverse, and ongoing story—inviting all to explore, learn, and connect. For more information on current and upcoming exhibitions, visit msv.org or follow @visitmsv on social media. Memberships are available and make thoughtful gifts for anyone eager to discover the valley's past, present, and future.

This is Garrett Chaffin-Quiray's summation of GATEWAY CINEMA, a multi-part series of conversations centered on key ideas in film studies. In these conversations, Garrett and Ed Rosa have interpreted and celebrated a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie à Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 20:“La Haine” (Mathieu Kassovitz, 1995)“Drum” (Steve Carver, 1976)“Alien 3 (Assembly Cut)” (David Fincher, 1992)“Come and See” (Elen Klimov, 1985)“Perfect Days” (Wim Wenders, 2023)“Sweet Smell of Success” (Alexander Mackendrick, 1957)“The Swimmer” (Frank Perry, 1968)“The Assassination of Jesse James by the Coward Robert Ford” (Andrew Dominik, 2007)“Amadeus (Director's Cut)” (Miloš Forman, 1984/2002)“Bring Me the Head of Alfredo Garcia” (Sam Peckinpah, 1974)“Friday” (F. Gary Gray, 1996)“Marie Antoinette” (Sofia Coppola, 2006)“The Night of the Hunter” (Charles Laughton, 1955)“Crank” (Mark Neveldine and Brian Taylor, 2006)“Crank 2: High Voltage” (Mark Neveldine and Brian Taylor, 2009)“Portrait of a Lady Fire” (Céline Sciamma, 2019)“The Fabulous Baron Munchausen” (Karel Zeman, 1962)“Joker: Folie à Deux” (Todd Phillips, 2024)“Welcome to the Dollhouse” (Todd Solondz, 1995)“Heathers” (Michael Lehmann, 1988)“The Death of Stalin” (Armando Iannucci, 2017)"Star Trek" (Gene Roddenberry, 1966-1969)Audio quotation in GATEWAY CINEMA, Episode 20:“Also sprach Zarathustra” (1896) by Richard Strauss, performed by Berliner Philharmoniker, https://www.youtube.com/watch?v=Szdziw4tI9o“Eugene's Lament” by Beastie Boys, Nishita, Bobo, and Eugene Gore for the album “Ill Communication” by Beastie Boys (1994), used in “La Haine” (Mathieu Kassovitz, 1995)“Drum” (Steve Carver, 1976)“Alien 3 (Assembly Cut)” (David Fincher, 1992), including “End Credits” composed by Elliott Goldenthal“Come and See” (Elem Klimov, 1985)“Perfect Days” (Wim Wenders, 2023), including “Perfect Day (Piano Komorebi Version)” (2024) by Patrick Watson, https://www.youtube.com/playlist?list=PLhC3YPiBwS9Vc9nbBG1Dl6y4AfZPD23lm“Sweet Smell of Success” (Alexander Mackendrick, 1957)“The Swimmer” (Frank Perry, 1968), including “Theme from ‘The Swimmer' (Send for Me in Summer) / Big Splash” and “My Kids Love Me / Traveling Home / Closer to Home / Home / Marcia Funebre” by Marvin Hamlisch, https://www.youtube.com/playlist?list=PLkAUJkbhd-RgA8zSAa_Uqqq45GMl_ONci“Amadeus (Director's Cut)” (Miloš Forman, 1984/2002)“Bring Me the Head of Alfredo Garcia” (Sam Peckinpah, 1974)“Friday” (F. Gary Gray, 1996)“Marie Antoinette” (Sofia Coppola, 2006), including the song “Hong Kong Garden” (1978) by Siouxsie and the Banshees, https://www.youtube.com/playlist?list=PLkTESLJ1DzwVuwneRvZRNBzJkbNQsX-sP“The Night of the Hunter” (Charles Laughton, 1955)“Crank” (Mark Neveldine and Brian Taylor, 2006), including “Don't Stop” by Paul Haslinger,

The Swiss-born, London-based curator, art historian, and Serpentine Galleries artistic director Hans Ulrich Obrist moves through his life and work with a deep internal sense of urgency. Among the most prolific and everywhere-all-at-once people in the world of art—whose peripatetic path has taken him from a sheltered upbringing in a small Swiss village to his current post in London at the Serpentine—Obrist has been curating shows for more than three decades. During this time, he has recorded conversations with thousands of artists, architects, and others shaping culture and society. He's also the author of dozens of books, most recently Life in Progress, released in the U.K. this fall, with the U.S. edition coming out next spring.On this episode, Obrist reflects on 25 years of the Serpentine Pavilion, which has become a defining annual moment in culture globally and a springboard for many of today's leading voices in architecture, including Lina Ghotmeh (the guest on Ep. 129 of Time Sensitive) and Frida Escobedo, and his firm belief that we all need to embrace more promenadology—the science of a stroll—in our lives.Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.Show notes:[00:47] Hans Ulrich Obrist[5:18] Brutally Early Club[7:40] Frank Gehry[8:20 ] Bettina Korek[8:28] Luma Arles[10:21] Pierre Boulez[13:10] Etel Adnan[19:37] Giorgio Vasari[21:22] Ludwig Binswanger[27:20] “Life in Progress”[37:48] Peter Fischli & David Weiss[34:00] Kasper König[39:09] Maria Lassnig[39:35] Serpentine Galleries[43:24] Musée d'Art Moderne de Paris[48:11] Serpentine Pavilion[51:15] Frida Escobedo[51:49] Lina Ghotmeh[56:11] The FLAG Art Foundation[56:37] Play Pavilion[56:58] Serpentine General Ecology[58:00] Serpentine Arts Technologies[1:02:08] “Peter Doig: House of Music”[1:04:11] “Danielle Brathwaite-Shirley: The Delusion”[1:05:00] Édouard Glissant[1:05:47] Umberto Eco[1:12:28] Lucius Burckhardt[1:12:28] Cedric Price[1:11:56]  Robert Walser

In this episode, Julia speaks with Maryam Pasha, Executive Director & Curator of TEDxLondon, about the power of owning your narrative and why clarity about who you are changes how you lead. Maryam shares that narrative isn't just about telling your story. It's about deciding the foundation on which you stand. When you don't define your narrative, she says, you end up living someone else's. She talks about the moment she realised she had been shrinking herself; to be agreeable, to be easy, to take up less space and how everything changed when she chose to show up with certainty and self-respect. She describes the shift from being shaped by the expectations of others to shaping her own direction: a shift that gave her confidence, presence, and the ability to speak and act with conviction. When you know what you're trying to do in the world, she says, you stop asking for permission and start owning your place in the room. This episode is a reminder that leading doesn't begin when others believe in you. It begins when you do. About the Guest: Maryam Pasha is a Storytelling strategist, producer and curator. She is co-founder of XEQUALS Studio, a creative studio dedicated to telling stories that can create a just, sustainable and joyful future. Projects include TEDxLondon, the Climate Curious Podcast and THE HERDS London. As a storyteller and coach she has worked with hundreds of speakers, including philanthropists, Nobel-prize-winning academics, business leaders, technical experts, activists and students. She has helped organisations to raise over a $1.5 billion to fight climate change, worked on talks that have been viewed over 25 million times and supported activists who've successfully changed the law in England to protect girls from child marriage. Earlier this year she joined the Palestine Comedy Club as an Exec Producer, is on the board on Climate Spring and a visiting Fellow at Oxford University.

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John Maytham is joined by Nick Ashton, Curator at the British Museum since 1983 and custodian of its world-renowned Palaeolithic collections. Ashton is also one of the lead authors of this landmark study, which is reshaping our understanding of early human ingenuity — and the moment we truly learned to ignite our own flame. Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Aindrea Emelife is Curator, Modern and Contemporary at MOWAA (Museum of West African Art), a new museum which opened in Benin City, Nigeria in November 2025. She was also the curator of the Nigeria Pavilion at the Venice Biennale in 2024. Born in London, United Kingdom, Emelife studied at The Courtauld Institute of Art. Her work focuses on questions around colonial and decolonial histories in Africa, transnationalism and the politics of representation. Her recent exhibitions include BLACK VENUS; a survey of the legacy of the Black woman in visual culture which opened at Fotografiska NY and toured to MOAD (San Francisco, USA) and Somerset House (London, UK). Emelife's first book, A Brief History of Protest Art was released by Tate in March 2022, Emelife has contributed to exhibition catalogues and publications, most recently including Revising Modern British Art (Lund Humphries, 2022). In 2021, Emelife was appointed to the Mayor of London's Commission for Diversity in the Public Realm.She and Zuckerman discuss being seen in institutions, how exhibition making can shape the curator, nuance, artists as activists, what a museum can be, power, ancient traditions as innovation, impact, visibility and belonging, the archive, the human imagination, and not being afraid of imaginative possibility!

Send us a textIn this episode of Artwank, we visit Bundanon to discuss the current exhibition, 'The Hidden Line The Art of the Boyd Women', with curator Sophie O'Brien. The exhibition brings attention to the women of the Boyd family (Arthur Boyd was a celebrated Australian artist, leaving his home, the Bundanon estate, to support the arts) and their role in Australian art and cultural life. While the Boyd name is often associated with male artists, this show focuses on the work, lives and influence of the women who shaped the legacy in ways that have often been overlooked.Sophie O'Brien joins us to talk through the curatorial process behind the exhibition. She reflects on how the project developed, how works and archival materials were selected, and the challenges of representing multiple generations of women across different creative practices. The conversation explores what it means to reframe established art histories and how institutions like Bundanon can open space for stories that have not always been centred.Sophie O'Brien is a curator at Bundanon where she works across exhibitions, collections and research. She has held roles at major public institutions and has worked on a wide range of projects spanning historical and contemporary art. Her practice is grounded in close engagement with artists, archives and place, with a focus on bringing new perspectives to existing collections.This episode looks at the labour of curating, the gaps that still exist in art history and how exhibitions like The Boyd Women can shift public understanding of legacy, authorship and recognition. It is a conversation about process, responsibility and the ongoing work of making space for women within cultural narratives.Thanks for chatting to us SophieRecorded November 2025Exhibition on until 15th February 2026'The Hidden Line: Art of the Boyd Women repositions the creative practices of five generations of women from one of Australia's most prominent artistic dynasties. Showcasing more than 300 powerful and diverse works, this timely exhibition brings into focus the women of the Boyd family – artists, designers, writers, and creative collaborators – whose contributions have long been influential yet overshadowed by their celebrated male counterparts.Revealing a remarkable matrilineal line of artistic practices, the exhibition will present works by Emma Minnie a'Beckett Boyd, Lady Mary Nolan, Yvonne Boyd, Lucy Boyd Beck, Hermia Boyd and their descendents still practicing today including Lucy Boyd, Polly Boyd, Florence Boyd Williams and Ellen Boyd Green. Drawn largely from the Bundanon Collection, with key loans from the National Gallery of Australia, the National Gallery of Victoria, the National Library, and Heide Museum of Modern Art, the exhibi

Adrian Wootton, OBE Adrian Wootton OBE is Chief Executive of Film London and the British Film Commission. Adrian is a Programme Advisor to the BFI London Film Festival; Venice Film Festival; Mediterranean Film Festival, Malta and Noir in Fest, Milan; Founding Director of Shots in the Dark Festival, Nottingham and Curator of the annual Cinema Made in Italy programme, London as well as the comprehensive BFI Taviani Brothers retrospective in 2024.. Adrian is a recognised authority in various film/TV and literature subjects (Hollywood, crime and mystery and Italian Cinema amongst others) and regularly lectures, writes broadcasts and curates programmes on them. Adrian co-ordinated the film and television components of the international Dickens 2012 celebrations, of which Film London was a co-ordinating partner with the Charles Dickens Museum. Specifically, Adrian co-curated a large film and television retrospective which toured throughout the world. He also produced, co-wrote and co-narrated the 2012 documentary Dickens on Film for BBC Arena and Film London. In 2016 Adrian wrote and coproduced the BBC Arena Documentary Shakespeare on Screen. In 2012, Adrian received an Honorary Doctorate in the Arts and was appointed Visiting Professor of Film & Media at Norwich University of the Arts. In 2014, Adrian received an Honorary Doctorate of Letters from the University of East Anglia; in 2024 he received an Honorary Doctorate from Middlesex University and in 2017 was awarded an OBE for Services to Film. Screen Heat Miami Screen Heat Miami (SHM) is hosted by veteran Miami based producers Kevin Sharpley and JL Martinez and covers the latest trends in the film, tv, and entertainment industry, including interviews with global and local industry leaders, all told from a "Miami" point of view.

C Stone-Léon, a rapper/producer/curator residing in Halifax, NS. He draws inspiration from underground and old-school sounds, citing influences like Westside Gunn, Roc Marciano, MF Doom, and The Alchemist. Collaborating with long-time friend French, they released Léon's debut mixtape “Burning Bushes on Marble Floors” in January 2021. The lead single “Matilda” received recognition from Ghostface Killah, Redman, and Busta Rhymes. Léon is the founder of DIRECTOR, a brand spanning music, film, art, and fashion, and has released 9 projects and various singles. His newest collaboration effort with Luke French & Ghostboyrj “Tokyo, Sayonara!” Is out now everywhere.Check him out @cstoneleon

I'm delighted to be talking to Rali Chorbadzhiyska about her work as freelance editor, and we're asking what the road to publication really looks like.   It must be another edition of Ask the Curator. In these episodes, we go behind the curtain of the literary industry to ask another literary curator, how they do what they do. Over the years, Rali has worked at Penguin RandomHouse, Faber and Canongate, working with some of the biggest names in literature. But she recently went freelance to deliver on her aim of guiding writers refine and elevate their work. She was awarded with a Rising Star Award from The Printing Charity in recognition of her work. Support the Rippling Pages on a new Patreon with exclusive crafted subscriber benefits.  https://patreon.com/RipplingPagesPod?utm_medi Interested in hosting your own podcast? Follow this link and find out how: https://www.podbean.com/ripplingpages  Links to Rali's services: https://www.ralieditorial.com/ https://www.instagram.com/reading.rali/ https://www.linkedin.com/in/ralieditorial/ https://www.tiktok.com/@reading.rali   Reference Points Farah Ali Raymond Carver V.S. Naipaul Erin Sommers Chapters 2.25 - what does Rali's work look like? 3.45 - Rali's ideal clients 4.50 - the importance of taking feedback 7.15 - strategies for taking and rejecting feedback 12.00 - finding people who champion you 15.20 - Do writers need to market themselves? 16.10 - Having ties to local communities. 17.40 - Rali's top tip  19.40 - books Rali is looking forward to in 2026

Hosts Fran Chismar and Tom Knezick connect with David McKinney, Curator of Collections and Grounds at Iowa Arboretum and Gardens, to discuss the future of our natural ecosystems. Topics include how David found his love for native plants, stewardship of natural lands at the arboretum, what climate change means for pollinators, non-native plants in urban environments, and it wouldn't be a show without favorite native plants. Music by Egocentric Plastic Men, Outro music by Dave Bennett. Follow David's Instagram Here. Follow Iowa Arboretum and Gardens Here. Learn More about Trees in Peril Here. Have a question or a comment?  Call (215) 346-6189. Follow Native Plants Healthy Planet – Website / Instagram / Facebook / YouTube Follow Fran Chismar Here. Buy a T-shirt, spread the message, and do some good. Visit our store Here! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today on The Art Bystander, I speak with Marlies Wirth, Curator for Digital Culture and Head of the Design Collection at the MAK in Vienna, about one of the most quietly radical figures of late-20th- and early-21st-century culture: Helmut Lang. Our conversation turns not to his later sculptural practice, but to the architecture of a legacy that reshaped how we understand design, communication, identity, and the very idea of what a fashion house could be.The MAK's new exhibition, Excerpts from the MAK Helmut Lang Archive — running 10.12.2025 → 03.05.2026 — reflects on the years 1986–2005, a period in which Lang's vision dissolved the boundaries between disciplines. His work unfolded across clothing, graphics, architecture, staging, branding, and digital experimentation — not as separate gestures, but as parts of a single cultural language. Long before he stepped away from fashion, Lang had already begun to operate like an artist moving across mediums, using every surface as a site of meaning.This retrospective reveals how deeply his ideas anticipated the world we now take for granted. It recalls the moment he livestreamed a runway before the internet had become a stage; the years when he turned New York itself into an extension of his voice; the way his presentations and stores became environments rather than commercial spaces. Lang's legacy is not simply a story of minimalism or aesthetic restraint — it is a study in how form can become communication, and how identity can be constructed with both precision and quiet intensity.In speaking with Marlies, the past becomes newly vivid: not nostalgic, but architectural. We explore how Lang's decisions — from the shape of a jacket to the rhythm of a campaign, to the destruction of his own archive — can be understood as part of a larger narrative about authorship, memory, and the courage to redefine oneself.This episode looks back at the cultural landscape Helmut Lang helped build, and the echoes of his vision that continue to structure how we see and experience the world today. Hosted on Acast. See acast.com/privacy for more information.

210: ART & KEFI: A Doorway To Peace and Everyday Wellness A unexpected doodling art class opened my eyes to possibilities of being well through art. Artist Christina Angelos joins to reveal ways to heal through art. Kiki & Christina Today's Lexi:  Συνεργείο – Synergeio – Workshop In Today's Episode: Christina Angelos is a Fine Artist, Curator, and Modern-Day Philosopher capturing the soul's mystical experience of Greece, its water, cliffs, and divine energy. Rooted in her Greek Orthodox faith, Christina creates visual narratives that explore how the nous, our spiritual mind, encounters God through nature. Her flowing abstract lines mirror the fingerprint of each wave and the invisible energy of creation itself. A former high school art teacher, Christina now teaches online courses that guide students to draw and paint their own memories of travel and emotion. She's passionate about helping others develop their own artistic voice and style while connecting to something deeper within. Through her work and teachings, Christina invites others to feel the eternal pull of home, the same longing Odysseus carried in his heart, and to remember that divine beauty lives within us all. Listen in and learn ways to be well and possibly begin to heal your spirit with doodling, art and painting. Resources: Christina Angelos Studios Hinsdale Library Hinsdale Chamber of Commerce Credits: Music: Spiro Dussias Vocals: Zabrina Hay Graphic Designer: Manos Koumparakis  

Kyle Worley is joined by Geoff Chang to discuss how Charles Spurgeon would answer specific questions if he were alive today.Questions Covered in This Episode:What are your thoughts on artificial intelligence?What are your thoughts on gambling?What are your thoughts on recreational marijuana?Guest Bio:Geoff Chang serves as Associate Professor of Church History and Historical Theology and the Curator of the Spurgeon Library at Midwestern Baptist Theological Seminary. He is a graduate of The University of Texas at Austin (B.B.A.), The Southern Baptist Theological Seminary (M.Div.), and Midwestern Baptist Theological Seminary (Ph.D.), where he wrote his dissertation on Charles H. Spurgeon's ecclesiology. He also serves the Book Review Editor for History & Historical Theology at Themelios, the academic journal for The Gospel Coalition. He is the volume editor of The Lost Sermons of C.H. Spurgeon Volumes 5, 6, and 7 and the author of Spurgeon the Pastor: Recovering a Biblical and Theological Vision for Ministry. He is married to Stephanie, and they have three children. You can follow him on Facebook and Twitter.Resources Mentioned in this Episode:“Lectures to My Students” by C H Spurgeon“Spurgeon the Pastor” by Geoffrey Chang Follow Us:Twitter | Instagram | Facebook | WebsiteOur Sister Podcast:Tiny TheologiansSupport Training the Church and Become a Patron:patreon.com/trainingthechurchYou can now receive your first seminary class for FREE from Midwestern Seminary after completing Lifeway's Deep Discipleship curriculum, featuring JT, Jen and Kyle. Learn more at mbts.edu/deepdiscipleship.To learn more about our sponsors please visit our sponsor page.Editing and support by The Good Podcast Co. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Problem: You can feel the sheep. (Recorded on Monday, December 1, 2025.)

In this episode, Detlef explores a provocative question:Why does creativity hurt the human body — but not the machine?This episode dives into:⚡ Burnout in the creative world⚡ The myth of the suffering artist⚡ Flesh vs. Electricity⚡ AI as poison AND remedy⚡ The artist as curator of boundariesFrom burnout in the creative process to the myth of the “suffering artist,” Detlef examines how pain became prestige — and why AI challenges that narrative. With insights from Walter Benjamin, Bernard Stiegler, Donna Haraway, and Shoshana Zuboff, the episode asks whether AI is a threat… or a liberation from endless labour.Is the artist still a worker — or a curator of boundaries?The episode closes with the industrial new track by Los Inorgánicos:“Work. Exhaust. Collapse. Repeat.”A mantra for a system that demands more than the body can give.Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork. He is recognised for his seminal work, including a scholarly examination of the intersections between shamanism, art, and digital culture, and his acclaimed video installation, Transodin's Tragedy. He primarily works in performance, photography, painting, sound, installations, and film. In his work, he reflects on the human condition and uses the digital shaman's methodology as an alter ego to create artwork. His media archaeology is a conceptual and practical exercise in uncovering the unique aesthetic, cultural, and political aspects of media in culture.WEBSITE LINKS WAW Official YouTube Channelhttps://www.youtube.com/@WAWBand"The Niles Bittersweet Song" WAW BandcampSilent NightIn a world shadowed by conflict and unrest, we, Dirk Schlömer & Detlef Schlich, felt compelled to reinterpret 'Silent Night' to reflect the complexities and contradictions of modern life.https://studiomuskau.bandcamp.com/track/silent-nightWild Atlantic WayThis results from a trip to West Cork, Ireland, where the beautiful Coastal "Wild Atlantic Way" reaches along the whole west coast!https://studiomuskau.bandcamp.com/track/wild-atlantic-wayYOU TUBE*Silent Night Reimagined* A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlichhttps://www.youtube.com/watch?v=dAbytLSfgCwDetlef SchlichInstagramDetlef Schlich ArTEEtude I love West Cork Artists FacebookDetlef Schlich I love West Cork Artists Group ArTEEtudeYouTube Channelsvisual PodcastArTEEtudeCute Alien TV official WebsiteArTEEtude Detlef Schlich Det Design Tribal Loop Download here for free Detlef Schlich´s Essay about the Cause and Effect of Shamanism, Art and Digital Culturehttps://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_EffectSupport this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/donations

A conversation with Victoria Broackes - curator and writer sharing fascinating behind the scenes stories in November 2025 about the David Bowie archive now with a permanent home at the V&A Museum East Storehouse London, the accompanying book, and some exciting, surprising discoveries that were locked away in Bowie's study until recently.

Ray and Dave talk with Smithsonian paleontologist Hans-Dieter Sues about the origins of reptiles, the rise of dinosaurs, and a lifetime unearthing Triassic treasures from around the world.  

Curator of "Niyū Yūrk: Middle Eastern and North African Lives in the City", Hiba Abid, joins us to talk about the exhibition, housed at the New York Public Library's iconic 42nd Street building, which challenges dominant narratives by presenting New York as a city deeply intertwined with Middle Eastern and North African history and culture. Abid delves into the diverse stories of immigration, the often-overlooked North African presence, and the revolution in Arabic publishing in New York. Through fascinating primary documents and personal stories, the discussion explores everything from the surprising origins of the Statue of Liberty to early 20th-century American citizenship guides published in Arabic, revealing the long, complex, and vibrant history of Arab and Middle Eastern communities in New York. The exhibition remains until March 8, 2026. On December 5, is a Middle Eastern/North African take over of the flagship building of the NYPL that's not to be missed

Dominique is back! Dominique took some time off over the summer. Now she is back and full of enthusiasm for the recent Equiosity conversations she's been listening to. In this episode we revisit the conversation we had with Rick Hester, Amy Schilz and Lucy Butler. Rick is the Curator of Behavioral Husbandry for the Cheyenne Mountain Zoo in Colorado. Amy is in charge of the giraffe at the zoo. Lucy Butler and her husband own the River Haven Animal Sanctuary in Rhode Island. With Dominique we revisit the four operant freedoms, and we consider the parallels between the way zoo animals are managed past and present and the way we keep horses. There is so much we can learn from modern zoo keepers. As Dominique says at the start of the conversation, she's been looking through some of the traditional horse training books she owns and they just seem so out of date especially when she compares them to the work that Rick and Amy talk about. Her takeaways from their interview make for a lively conversation.

The curator Thelma Golden is a major presence in New York City's cultural life, having mounted era-defining exhibitions such as “Black Male” and “Freestyle” early on in her career. Golden is the Ford Foundation director and chief curator of the Studio Museum in Harlem, an institution, founded in 1968, that is dedicated to contemporary artists of the African diaspora. But, for a significant portion of her tenure, this singular institution has been closed to the public. Golden led the initiative to create a new, purpose-built home—requiring the demolition of an old building and reconstruction on the same site. To mark its reopening, David Remnick tours the new space with Golden, discussing some key works and the museum's mission. He notes that this triumphant moment for the Studio Museum comes during a time of broad attacks on cultural institutions, particularly on expressions of identity politics. “I take a lot of inspiration from our founders, who opened up in a complicated moment,” Golden reflects. “My own career began in the midst of the culture wars of [the nineteen-nineties]. Understanding museums as a place that should be, can be, must be where we engage deeply in ideas. In this moment, that has to offer some hope as we consider a future.”New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Meet Laura Ramson Hales, Curator of Center Space Gallery at Scottsdale Center for the Performing Arts

This week on the Revolution 250 Podcast, host Professor Robert Allison welcomes Dr. Matthew Keagle, Curator at Fort Ticonderoga, for a vivid exploration of one of the most audacious logistical feats of the American Revolution: Henry Knox's Noble Train of Artillery. Together they trace Knox's remarkable mid-winter journey of 1775–1776—300 miles across frozen rivers and lakes, treacherous terrain, and sometimes snow-choked roads—to deliver more than 60 tons of captured British artillery to General George Washington.  Tell us what you think! Send us a text message!

The story of Thomas Cheeseman, Auckland Museum's curator for 50 years 

I am so excited to say that my guest on the GWA Podcast is the esteemed curator, author, and expert in photography, Madga Keany. Currently the Head Curator of International Art at the National Gallery of Art, Canberra, Magda was most recently Curator at the National Portrait Gallery, Canberra, and before that, Senior Curator, Photographs at the National Portrait Gallery London, where she lead the realisation of a major re-presentation of the Photographs Collection as part of the museum's rehaul. Keany has curated shows and published texts on Australian art, design and social history, photography that ranges from the Victorian period to fashion, conflict and portraiture, solo presentations of portraits by Irving Penn, among many others. She has written for the groundbreaking Know My Name project, that put women artists in Australia on a global stage as well as for Cindy Sherman, A World History of Women Photographers, and more. …but it was her exhibition last year that really grabbed my attention: Francesca Woodman and Julia Margaret Cameron: Portraits to Dream in', that brought together the two photographers working 100 years apart, from very different worlds, circumstances and contexts, but which showed how these pioneering women shaped the medium, with their dreamlike pictures imbued with beauty, symbolism, classicism, transformation and more… So today, I couldn't be more excited to delve into the life of the 19th century photographer, Julia Margaret Cameron, who, aged 49 in 1863, picked up a camera and, largely self-taught, crafted her distinct bohemian style pictures with that hazy sepia glow, that proved to not only be influential in Victorian Britain, but have a huge impact on photography at large. As Cameron once said: “My aspirations are to ennoble Photography and to secure for it the character and uses of High Art by combining the real & Ideal & sacrificing nothing of Truth by all possible devotion to poetry and beauty.” And I can't wait to find out more. People mentioned: Julia Margaret Cameron (1815–1879) Francesca Woodman (1958–1981) John Herschel (1792–1871) Artworks: Julia Margaret Cameron, Annie, 1864; https://collections.vam.ac.uk/item/O81145/annie-photograph-cameron-julia-margaret/ Julia Margaret Cameron, Pomona, 1872; https://collections.vam.ac.uk/item/O1433678/pomona-photograph-cameron-julia-margaret/ Julia Margaret Cameron, Thomas Carlyle, 1867; https://www.metmuseum.org/art/collection/search/269434 Julia Margaret Cameron, The Astronomer, 1867; https://collections.vam.ac.uk/item/O1433637/the-astronomer-photograph-cameron-julia-margaret/ Julia Margaret Cameron, Ellen Terry, at the age of sixteen, 1864 https://www.metmuseum.org/art/collection/search/269433 -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

In the 40th episode of our "Reading the Art World" podcast, Megan Fox Kelly speaks with the Guggenheim's Megan Fontanella, Curator of Modern Art and Provenance, about her beautifully researched book "Gabriele Münter: Contours of a World," published by Guggenheim Museum Publications, distributed by Artbook DAP.Our conversation reveals the life and art of Gabriele Münter, a pioneering German Expressionist whose bold use of color and form helped define early modernism—yet whose place in art history has long been understated. Fontanella traces Münter's path from her early photographic work during travels in the United States (1898-1900) to her vibrant paintings that reimagined landscape, still life, and portraiture through radical simplification and expressive color.We discuss Münter's role as cofounder of Der Blaue Reiter (The Blue Rider), the influential collective that included Vasily Kandinsky and other progressive artists who pushed the expressive potential of color and symbolic form. Fontanella shows how Münter developed her distinctive visual language—one that sought to "convey an essence" rather than imitate reality—offering a lyrical alternative to the pure abstraction that dominated much of early Modernism.One of the most compelling parts of our conversation addresses Münter's actions during World War II, when she hid major works by herself and other Blue Rider artists in the basement of her home in Murnau, Germany, protecting them from Nazi confiscation. This act of quiet courage preserved a vital chapter of modern art history. Fontanella reflects on how women artists of Münter's generation have been systematically undervalued, and how recent scholarship is finally restoring Münter to her place in the modernist canon.For anyone interested in German Expressionism, the recovery of women artists' legacies, or the collaborative networks that shaped the early 20th-century avant-garde, this episode offers essential insights into an artist whose vision continues to inspire—and whose work deserves far greater recognition.ABOUT THE AUTHORMegan Fontanella is Curator of Modern Art and Provenance at the Solomon R. Guggenheim Museum. She is recognized as an expert in provenance research with a focus on World War II spoliation issues. Fontanella graduated from Dartmouth College with a BA in art history and received her MA from the Courtauld Institute of Art, London, where she specialized in late 19th-century French art.ABOUT THE EXHIBITION"Gabriele Münter: Contours of a World" is on view at the Solomon R. Guggenheim Museum, New York, from November 7, 2025 through April 26, 2026. The exhibition presents over fifty paintings across three Tower galleries, alongside nineteen photographs Münter captured during her extended stay in the United States. Learn more here: https://www.guggenheim.org/exhibition/gabriele-munterPURCHASE THE BOOKhttps://www.guggenheimstore.org/gabriele-munter-contours-of-a-worldSUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market. They are an opportunity to engage further with the minds behind these insightful new publications.Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

The Curator of the NSA’s National Cryptologic Museum knows if the government is watching you. He knows how to tell who’s doing hidden nuclear testing. He’s written about some of the wilder (and unsuccessful) endeavors by the CIA, and how the CIA build Miami, the second largest hub of espionage in the world.

Paul Roessler is a musician and record producer based in Los Angeles. Active since 1978, he was part of the early L.A. punk scene and played keyboards with band including The Screamers, Twisted Roots, 45 Grave, Nervous Gender. His work includes solo albums such as Abominable, Curator, and The Drug Years, as well as collaborations with artists including Nina Hagen and Mike Watt. Paul is currently a producer at Kitten Robot Studios and is the brother of musician Kira Roessler and son of underwater photographer Carl Roessler.

Marissa Chanel Hampton began her journey as a cross country runner.  Now, she's an actor who's worked on projectssuch as Scandal, Friends and Lovers, and It's Not Like Thatcoming soon to Amazon.  In addition to her on-screen work, Marissa is a prolific audiobook narrator with more than 20titles to her name including The Can-Do Mindset, the memoir by one of the most decorated and celebrated women's basketball players of all time, Candace Parker.  Beyond her acting and narration, Marissa is passionate about social justice and education. She lends her voice and support to organizations such as the ACLU, The Innocence Project, and Doctors Without Borders. The self-proclaimed book nerdalso curates Ink and Paper Soul, a platform dedicated to books, culture, and communityOn this episode, Marissa shares her journey, breaks down what it takes to succeed in audiobook narration, and recounts one of the highlights of her life-getting to hold the Indiana Colts' Super Bowl trophy as a diehard fan.

We are so back.ShopMy: https://shopmy.us/shop/product/211875?Curator_id=220839Codes: Head to Saks Fifth Avenue for inspiring ways to elevate your personal style, every day.Aura: For a limited time, listeners can get $20 off their best-selling Carver Mat frame with code CBC. AuraFrames.com promo code CBCGoldbelly.com code CBC for 20% off your first orderbollandbranch.com/COMMENTS for 20% offletsliveitup.com/CBC and use code CBC for 15% off your first Super Greens order!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Meet KyleI'm passionate about how we gather. And I'm here to bring change to those spaces!Conferences have become over-produced. Offsites are glorified meetings. And men's retreats often miss the mark; either too shallow or too scripted. We're here to change that. We believe a powerful connection happens when people are given space to think, challenge themselves physically, and step into environments that strip away the noise.Our experiences are intentionally designed to do just that.Every fire we build, every trail we hike, every challenge we introduce…it's all crafted to create clarity, trust, and perspective. We don't rely on gimmicks or glossy production. We believe in earned moments. In letting the environment, the effort, and the group do what they were built to do.This isn't just about escaping.It's about returning with something better. We guide people - men, teams, leaders - through experiences that help them see differently, lead differently, and live more deliberately. The world doesn't need more content. It needs more character. And we're building it, one unforgettable experience at a time.Learn more about Kyle and "Guys Trips" here: https://www.kyledepiesse.com/guys-tripDon't forget to download our FREE LinkedIn Post Templates For High Impact Posts here:https://www.thetimetogrow.com/ecsposttemplates

This episode includes: Rob Kardashian & Blac Chyna, the Hailey/Selena non-story story, notes from the Academy Museum gala, John Stamos' comments regarding Lori Loughlin's divorce, and an analysis of Kim on Call Her Daddy.Shop our ShopMy: https://shopmy.us/shop/product/325011?Curator_id=220839CANN code: COMMENTS for 20% offCodes: Head to Saks Fifth Avenue for inspiring ways to elevate your personal style, every day.Aura: For a limited time, listeners can get $20 off their best-selling Carver Mat frame with code CBC. AuraFrames.com promo code CBCGoldbelly.com code CBC for 20% off your first orderbollandbranch.com/COMMENTS for 20% offletsliveitup.com/CBC and use code CBC for 15% off your first Super Greens order!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.