Podcasts about kore kosmou

Intro theme: “Dream Agent” by Ariel Electron, Holeg Spies and Thierry Gotti on the “Kore Kosmou” album.In this episode of Esoteric Hollywood, I decode the esoteric meaning of two important David Lynch films, Lost Highway and Mulholland Drive, the first two of the loosely-titled “Hollywood Trilogy,” with Inland Empire soon to come. Lynch takes his surrealism and dreamstate philosophy, combined with shamanic notions to produce dark noir psychodramas that often reveal a complex network of symbols, clues and keys that I decode in Esoteric Hollywood. This is the first half of the show, with the deeper aspects of Mulholland Drive to be saved for my book.

John Adams of The Afternoon Commute and Hoax Busters Call joins me to reminisce on 80s trends and lore, from the teen party to the Brat Pack to John Cusack’s transformation from Lloyd Dobler to hitman. Profuse with absurdity and impersonations, John and I have a lighthearted chat that includes a good bit of depth in terms of 80s social engineering trends. Lost Boys, John Hughes and Uncle Buck – enough said.Intro theme: “Dream Agent” by Ariel Electron, Holeg Spies and Thierry Gotti on the “Kore Kosmou” album.

Based on multiple viewings of all things Twin Peaks, including Fire Walk with Me and critical secondary works, I piece together an occult tapestry woven together in the popular cult series, soon to return to Showtime from Lynch and Frost. Unlike any other analysis, mine takes you deep down the synchronicity rabbit hole to the dark side of Laura Palmer’s murder and its symbolic meaning. If you like this analysis, purchase my book, Esoteric Hollywood: Sex, Cults and Symbols in Film. http://www.jaysanalysis.comIntro theme: “Dream Agent” by Ariel Electron, Holeg Spies and Thierry Gotti on the “Kore Kosmou” album

Intro theme: “Dream Agent” by Ariel Electron, Holeg Spies and Thierry Gotti on the “Kore Kosmou” album.In this episode, I take on Kubrick’s horror classic, The Shining with a different take than Weidner or Ager. This audio also features my Jack and Tony impersonations. My thesis is also encapsulated in my extensive written analysis at JaysAnalysis.com and will also be explored in my book Esoteric Hollywood: Sex, Cults and Symbols in Film now available for pre-order at Amazon.com

In this episode of Esoteric Hollywood I break down Stanley Kubrick’s 2001: A Space Odyssey and its esoteric meaning. Included are my rebuttals of the Neo-Darwinian philosophy that underpins the narrative, as well as the exotheology mythos that it seeks to evangelize with. 2001 is a technical achievement but also a tremendous propaganda piece that concludes with gnostic transhumanism.Intro theme: “Dream Agent” by Ariel Electron, Holeg Spies and Thierry Gotti on the “Kore Kosmou” album.

John Adams of The Afternoon Commute and Hoax Busters Call joins me to reminisce on 80s trends and lore, from the teen party to the Brat Pack to John Cusack' transformation from Lloyd Dobler to hitman. Profuse with absurdity and impersonations, John and I have a lighthearted chat that includes a good bit of depth in terms of 80s social engineering trends. Lost Boys, John Hughes and Uncle Buck,enough said. Intro theme: "Dream Agent" by Ariel Electron, Holeg Spies and Thierry Gotti on the "Kore Kosmou" album. http://jaysanalysis.com

Intro song: "Dream Agent" by: Ariel Electron, Holeg Spies and Thierry Gotti on the Kore Kosmou album. In this analysis, I cover Aldous Huxley’s classic 1932 dystopian novel Brave New World from a historical, philosophical and esoteric perspective. What is Huxley saying? Was he involved in erecting the scientistic state we now live in? Did he leave clues in his famous Berkeley lecture that suggest this? How does this relate to Bacon, Shakespeare and esoterism? Why are there curious references to Marx, Ford and Rothschild in the novel? How did Huxley know about cloning in 1932 and does this future-historical fiction work prove “Hidden Metaphysics”? Is this book an even earlier reference to the real plan of MK ULTRA?