Podcasts about Mulholland Drive

In 2003, an LAPD cold case detective digging through old case files finds a piece of forgotten evidence that belongs to an unidentified woman found murdered off Mulholland Drive in 1969. As he searches for her identity, he uncovers eerie parallels to another young woman killed nearby just months earlier. And he starts to wonder — are these cases linked by coincidence... or by a killer who's never been caught? If you or someone you know has information about Reet Jurvetson, you can call the LAPD's anonymous tip line at 877-527-3247 or you can submit a tip anonymously to LA Crimestoppers at 800-222-TIPS or lacrimestoppers.org.If you or someone you know has information about Marina Habe, you can call the LASD's homicide bureau at 323-890-5500 or you can submit a tip anonymously to LA Crimestoppers at 800-222-TIPS or lacrimestoppers.org.Source materials for this episode cannot be listed here due to character limitations. For a full list of sources, please visit:  https://crimejunkiepodcast.com/infamous-the-mulholland-drive-murders/Did you know you can listen to this episode ad-free? Join the Fan Club! Visit crimejunkie.app/library/ to view the current membership options and policies.Don't miss out on all things Crime Junkie!Instagram: @crimejunkiepodcast | @audiochuckTwitter: @CrimeJunkiePod | @audiochuckTikTok: @crimejunkiepodcastFacebook: /CrimeJunkiePodcast | /audiochuckllcCrime Junkie is hosted by Ashley Flowers and Brit Prawat. Instagram: @ashleyflowers | @britprawatTwitter: @Ash_Flowers | @britprawatTikTok: @ashleyflowerscrimejunkieFacebook: /AshleyFlowers.AF Text Ashley at 317-733-7485 to talk all things true crime, get behind the scenes updates, and more! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Earlier this year we lost one of the greatest filmmakers to ever do it, David Lynch. From the surrealism of Lost Highway to the melancholic charm of The Straight Story, Lynch embraced a wide range of artistic sensibilities across multiple mediums. His work can charm, terrorize, tittilate, and provoke, often times through a single image. This is especially true for Mulholland Drive, perhaps the most accessible of his notoriously cryptic original works. Largely considered one of the best films ever made, Mulholland Drive is a magnum opus by every metric. Today we honor Lynch's artistic legacy by doing our darndest to crack this deeply moving neo-noir thriller as wide open as can be (spoiler alert: it's more about us than the film itself, as is fitting to Lynch's modus operandi). Be sure to follow I Like to Movie Movie on Instagram and Twitter, and check out ScullyVision for more fun stuff. Check out .ask on TubiTV as well as Found Footage Finds on FoundTV. Fix your hearts or die! RIP David Lynch.

Troisième et dernière partie de notre long podcast en hommage à David Lynch. Bien entendu, il reste quelques perles à défendre, comme les formidables LOST HIGHWAY et UNE HISTOIRE VRAIE. Mais il faut également reconnaître que c'est à cette époque-là que le réalisateur de BLUE VELVET et ELEPHANT MAN perd Julien Dupuy, Stéphane Moïssakis et Rafik Djoumi dans les méandres de son cinéma, notamment dès MULHOLLAND DRIVE (considéré comme un classique indéniable aujourd'hui) et INLAND EMPIRE. Reste quelques émotions dans TWIN PEAKS : THE RETURN que l'ami Érich Vogel souhaitait défendre dans cette dernière partie. Bon voyage, David Lynch !Retrouvez toutes nos émissions sur http://www.capturemag.frPour nous soutenir, il y a deux adresses :PATREON : https://www.patreon.com/capturemagTIPEEE : https://www.tipeee.com/capture-magLISEZ CAPTURE MAG !Toutes nos revues sont disponibles dans les librairies, les magasins de produits culturels et sites marchands.Akileos : https://bit.ly/AkilsCMCapture Mag est sur LETTERBOXD : https://letterboxd.com/CaptureMag/En MP3 sur Acast : https://bit.ly/3v6ee7sSur SPOTIFY : https://spoti.fi/3PJYnF3Sur DEEZER : https://bit.ly/2wtDauUSur APPLE podcasts : https://apple.co/2UW3AyO#twinpeaks #DavidLynch #MulhollandDrive Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

How many times have you watched the sweaty lesbian fever dream that is Love Lies Bleeding? As you might be able to guess from this episode, Michelle Devereaux and I have stopped counting. Michelle is a feminist film-philosophy expert who joins me to talk about Rose Glass's super queer neo noir, the interplay of genre conventions and gender dynamics, and all the fun intertexts and easter eggs that we found in Love Lies Bleeding. Whether you're into bodybuilding and gender transgression or lesbian romance against all odds, this episode is for you.  ReferencesRose Glass' Love Lies Bleeding (2024)Devereaux, Michelle. "Suspicious Minds and Dead Bodies: Queer Romance and Skepticism in Rose Glass's Love Lies Bleeding." Film Quarterly 78.2 (2024): 24-32.Devereaux, Michelle. The Stillness of Solitude: Romanticism and Contemporary American Independent Film. Edinburgh University Press, 2019.Devereaux, Michelle.“‘A lot of people are creative': Process, Perfectionism and the Everyday Sublime in Kelly Reichardt's Showing Up and First Cow”. Kim Wilkins and Bruce Isaacs, eds. A24: Culture, Aesthetics, Identity. Edinburgh University Press, 2026 (expected).Devereaux, Michelle.“Inherited Trauma, Postcolonial Scepticism and the Harmony of Voice in Jennifer Kent's The Nightingale”. Film-Philosophy and Australian Cinema. Saige Walton and Matilda Mroz, eds. Edinburgh University Press, 2026 (expected).Devereaux, Michelle and Lash, Dominic (eds.). Love, Desire and Stanley Cavell. London: Routledge, 2026 (expected).MAI: Feminism and Visual Culture: www.maifeminism.comRussian DollSofia CoppolaCavell, Stanley. Pursuits of Happiness: The Hollywood Comedy of Remarriage. Harvard University Press, 1981.Cavell, Stanley. Contesting Tears: The Hollywood Melodrama of the Unknown Woman. Harvard University Press, 1996.Comedies of RemarriageScrewball ComedyOut and WildSleater-KinneyBristol Butch BarLindner, Katharina. Film Bodies: Queer Feminist Encounters with Gender and Sexuality in Cinema. Bloomsbury Academic, 2017.Bound (1996)The Incredible HulkKristen Stewart TwilightPumping Iron II: The Women (1985)Bev Francis David Lynch's Mulholland Drive (2001) and Lost Highway (1997)Winkie's DinerLauren Berlant's epistemic frenzyTeresa de Lauretis michelledevereaux@bsky.socialInstagram: @michelleldevereauxKelly Reichardt's Showing Up (2022)Michelle WilliamsDerek Jarman's Caravaggio (1996)Tilda SwintonSean Bean  Questions you should be able to respond to after listening:1.      What is Love Lies Bleeding about and why does Michelle suggest it might be more about gender than about sexuality?2.      How does Michelle describe Lindner's ‘space of transgender potential'? Can you think of an example for this?3.      Which genres does Michelle mention to discuss and describe Love Lies Bleeding? How are these genres queered in the film?4.      What role does the setting play in the film? How might this relate to the ‘space of transgender potential'?5.      What is your favourite lesbian and/or trans film and why?

TV INSIDE-OUT is a feast for readers who thrive on backstage stories. It is a smorgasbord of showbiz flukes, flakes, feuds and felonies. A thirty-year industry veteran, television announcer and actor, Randy West, has broken the silence surrounding dozens of surprising-sometimes shocking- mostly-untold stories of celebrity dysfunction.This BearmanorMedia release exposes outrageous celebrity misbehavior, toxic dysfunctional relationships, senseless executive blunders and million dollar production foul-ups, while sparking a myriad of stunning revelations garnered from candid on-set conversations in Hollywood studios and soundstages.How and why a violently angry Jerry Lewis threatened Joan Rivers' life. How Johnny Carson's unyielding racism broke up his family. What happened the night Jay Leno was arrested by the LAPD on Hollywood Boulevard. The chart-topping pop-rock and roll act that suddenly had eight contracted appearances on CBS cancelled following a backstage argument. ―So many people in this industry go to extremes in the pursuit of success. Too often they jump the rails, Some who gain fame and amass wealth still find themselves unfulfilled. Their lives become joyless. They then come to the realization that success must be something more. It helps explain why the beloved captain of The Love Boat was ready to drive off a cliff along Mulholland Drive, and why Danny Thomas' co-star ran from her gig as his wife despite back-to-back Emmy nominations.West asserts that ―the ultimate 'a-ha moment' comes with the understanding that success is a destination most people haven't bothered to define. Few have mapped a route, and even fewer have the autonomy needed to steer their careers to that goal.‖ It's why Redd Foxx's top-rated reign as Fred Sanford ended in a fruitless search for respect and recognition through outrageous demands, and acting out with guns, drugs and sexual inappropriateness. Those who don't self-destruct along the way finally come to understand that the true joy, serenity and sense of mastery we all seek can be found more in the pursuit than in the destination. That observation is borne out in the stories of the private lives of some of Hollywood's favorite citizens-the respected pros who are loved by studio bean counters because viewers have welcomed them into living rooms year after year. Their lesser-told stories dramatically reveal triumphs and proud achievements that were realized amid the insufferable egotists, the gun-toting hotheads, the drinkers, druggers and the convicted felons they call friends.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Sumérgete en el inquietante y fascinante mundo de David Lynch. En este video, exploramos las 5 mejores películas del maestro del surrealismo, analizando su simbolismo y su impacto cultural. Desde "Cabeza Borradora" hasta "Mulholland Drive", prepárate para un viaje cinematográfico inolvidable. #DavidLynch #CineSurrealista #MejoresPeliculas #CineDeAutor

David Lynch: A Tribute:Welcome to Out from the Horrorbox! With your Lynchian host Dom Higuera!In this episode, we look at the life and death of one of my favorite director's of all time, David Lynch! Lynch was born January 20, 1946 in Missoula, Montana. He unfortunately passed January 16, 2025. Lynch was an American filmmaker and screenwriter known for his uniquely disturbing and mind-bending visual work, such as Eraserhead, Blue Velvet, and Mulholland Drive; His films juxtapose the cheerfully mundane with the shockingly macabre and often defy explanation.This episode is also available on our YouTube channel as a video essay, please check it out!Let's open up the Horrorbox and find out what's inside!  Time Stamps:Intro - 00:44Early Life of Lynch - 05:01Populist Surrealism: From Eraserhead to Inland Empire - 14:27Twin Peaks - 25:31One Last Time: Illness and Passing - 31:19Final Thoughts - 39:30Outro - 44:21 Thank you all for listening into the podcast!We'll see you next time and hear what comes Out from the Horrorbox! Sources: WikipediaDid you like the episode? If so, please subscribe on Apple Podcasts, Spotify, or anywhere you listen to podcasts.You can follow the podcast on Instagram, Threads, TikTok, and Discord @horrorboxpodcast. You can email recommendations for reviews, personal or fictional stories, or anything else at horrorboxpodcast@gmail.com.If you like the podcast and want to show support, you can buy me a coffee at https://ko-fi.com/horrorboxpodcast, it really helps out!

This week Craig and Alex review Mulholland Drive! Next week we're watching V for Vendetta!

This week Craig and Alex review Awakenings! Next week we're watching Mulholland Drive!

Theme is: 2000s classics. Movies made in the early '00s that have become some of the best films in cinematic history. (And made it in the top 20 of the New York Times best movies of the century list!) Amanda watches the sweaty Mexican road trip movie Y TU MAMÁ TAMBIÉN from Alfonso Cuarón and Zac watches twisty dream thriller MULHOLLAND DRIVE from David Lynch. Follow Blindspotters 'cross plat': On Instagram: @blindspotterspod On Twitter: @blindspotters On Bluesky: @blindspotters On Letterboxd: Zac Pacleb, Amanda Luberto Zac's Substack: Love and Attention

Was geht hier ab!?!? Ganz einfach: Wir sammeln WTF-MOMENTE. Unsere 15 liebsten. Dafür haben Andi, Antje und Schröck jeweils eine Liste aus 10 Szenen erstellt, die sie zum Staunen, Entsetzen wie Hirnkollaps gebracht haben, woraus sie nun gemeinsam eine Liste mit 15 Titeln zusammen dampfen wollen. Also gehen sie unter anderem on THE ROAD again, um DIE ÜBLICHEN VERDÄCHTIGEN zu verhaften, sich DIE UNGLAUBLICHE GESCHICHTE DES MISTER C. zu erzählen, ein paar FUNNY GAMES zu spielen, mit THE EMPTY MAN zu tanzen, während DER NEBEL immer dichter und IRREVERSIBLE wird und TRUE LIES nicht mehr von einem REQUIEM FOR A DREAM zu unterscheiden sind. That's THE SADNESS, aber uns bleibt ja immer noch BRAZIL, bevor wir über den MULHOLLAND DRIVE in die APOCALYPSE NOW rasen. Daneben spielen aber auch noch ENTER THE VOID, THE REVENANT, TRANCE – GEFÄHRLICHE ERINNERUNG, die alte SAW und noch einige weitere Filme eine Rolle. Gefolgt von der einen oder anderen ehrenvollen Erwähnung, die es nicht ganz in die jeweilige Top Ten geschafft hat. Abgerundet durch das, was bei den Dreien zuletzt über die Netzhaut geflimmert ist. Zum Beispiel so was wie EDDINGTON oder AFRICA BLOOD & GUTS, den Andi deutlich weniger empfehlen kann als zum Beispiel MANN BEISST HUND, oder eben THE UNTOLD STORY OF KARATE TIGER, der die Entstehung eines Films beleuchtet, den gerade Daniel ja ein wenig CRAZY STUPID LOVE empfindet. Damit genug der schlechten Wort- oder Titelspiele, wir wünschen Euch viel Vergnügen mit diesem Talk, viel Spaß im Kino oder auf der Couch und ein schönes Wochenende. Bleibt gesund und gut drauf. Tschüss. Rocket Beans wird unterstützt von fritz-kola. Learn more about your ad choices. Visit megaphone.fm/adchoices

Follow the show!Twitter - @loneactingnomsLetterboxd - @loneactingnomsInstagram - @theloneactingnomineesPatreon - https://www.patreon.com/theloneactingnomineesMusic Licensing:Bad Ideas - Silent Film Dark by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100489Artist: http://incompetech.com/

Twin Peaks originally ran for two seasons on ABC from 1990 to 1991. A running joke on the show was that FBI agent Dale Cooper, the protagonist, really liked coffee and cherry pie. He was always complimenting establishments on their coffee and cherry pie, while recommending them to other people. To an audience in the early 1990s, this must have been very funny. But the humor of a guy really liking coffee was lost on me watching in 2025.In the 2017 remake of Twin Peaks on Showtime (spoilers beginning here), Dale Cooper returns in a catatonic form. This Zombie Cooper really likes coffee and cherry pie. Whenever we arrived at a moment where his old self comes out after he has seen coffee or cherry pie, I would feel this sense of anticipation and enjoy the predictable punchline. Man likes coffee is not funny to me. But a character I've grown to know and love returning after a quarter century in a different form – and liking coffee – is a thought that brings me overwhelming joy.“The past is a foreign country.” With the invention of TV and movies, we can visually and audibly experience the kinds of situations and jokes people once found funny, what they feared, how they expected the sexes to relate to one another, and more. Even if previous eras put less emphasis on realism in art, we at least learn what was expected from individuals in terms of ideals, prototypes, and norms. Becoming familiar with characters living in one culture and watching what they are like in another, through the passage of time, can be a surreal experience. Of course, all of us who were alive in 1990 and are still here today have had to adjust to new social realities, but in real life the shift is so gradual that its shock is diluted throughout countless small experiences reminding us that the past is always incrementally slipping away. Only through fiction can we fully experience getting to know characters living in one generation and then suddenly seeing what they are like in the next. The fact that this premise is so interesting is why you'll often see novels, shows, and movies about an individual waking up from a coma, or in a variation of that theme, people living in a foreign country and then coming back, which is the premise of the King of the Hill remake. This is part of the appeal of the Twin Peaks story. Tyler Tone originally convinced me to get into this universe, and he now joins me to discuss the series, with a particular focus on The Return. We spend time on the aesthetic shift between the original and the remake. As argued by Jonathan Foltz, the story is much more thematically and geographically sprawling than the original, reflecting what has happened to American culture since the early 1990s.The first series offered an idealized vision of small-town America – albeit with a dark underbelly – while the 2017 series feels haunted by economic decay, addiction, and disconnection. We reflect on how Twin Peaks originally brought tens of millions together on network television, while The Return premiered on a premium TV channel and streaming service with orders of magnitude fewer viewers.The conversation begins with a discussion of the subplots and character arcs, before getting into larger questions about the series. We reflect on how The Return withholds the Cooper fans expect, offering instead Zombie Cooper as Dougie Jones and the evil Mr. C. I take the fact that we don't get the Cooper we remember until late in the show as a sign that he's too good for the culture we've created. As viewers have come to expect anti-heroes, an unblemished classic hero is difficult to imagine. I talk about how pro wrestling changed over the 1990s, reflecting the larger cultural shift, and the move away from clear cut good guys and bad guys. There is something similar going on with the original Sheriff Truman, who is omnipresent throughout conversations and via his brother and namesake, while never actually showing up. At some point, we also discuss how the original “Bob” really doesn't work in 2017. I guess in 1990, a plausible symbol of evil was a guy who looks like a janitor in a denim outfit? Such a figure is laughable today. Maybe Bob takes whatever form represents evil in a particular cultural context. If so, it's interesting to think how out of place the original character looks from our vantage point. I was hit hard by the storyline with Bobby and Shelly. David Lynch first led us on to believe that they were still together. Then in the middle of what looks like a family discussion, the young criminal comes out and takes Shelly away. Bobby is defeated. The entirety of Shelly's past is seen in a different light. She wasn't a victim of Leo; he was the kind of man she sought out, with her daughter falling into the same patterns. The seeming revelation that something similar happened between Ed and Nora at first compounded the original despair, but their relationship then moves in the opposite direction. Tyler and I speculate on why the two love stories end up differently. We discuss David Lynch's politics. Tyler informs me that he voted for Gary Johnson in 2016. I note that the clearest tell that he was a rightoid is that he didn't cast many nonwhites in the series, except for Asian females. See in particular the scene where the tiny girl is put on the ground and crawls on the floor. Relatedly, there's the fact that the Twin Peaks universe caters to the male gaze as a more general matter. This appears to be the role of Tammy, who serves as the sidekick to Lynch himself. As mentioned in my review of that film with Rob, I've always thought that the point of Mulholland Drive was to put two beautiful actresses in sex scenes together. We spend some time on the Dr. Jacoby storyline. To me, it's interesting that the two people who we see enjoying his show are Nadine and Jerry. All three of these individuals are B characters throughout the series. Are those the ones who get into paranoid right-wing politics? Tyler questions whether Dr. Amp is actually right-coded, but I think I convince him by pointing to the shovel scam and the Americana iconography. It is true there are some more left-wing critiques in his rants, and this shows Lynch being ahead of his time, given the MAGA-MAHA convergence we have witnessed. Ben Horne makes occasional appearances to show us how men have changed. Before, he had sex with his subordinates. Now he doesn't. Not because he's afraid of being cancelled, but because that's not what we expect from older men in positions of power anymore. He's kind of dead inside, compared to the energetic and jovial character he was a quarter-century ago, so this really doesn't seem like a celebration of the feminization of the world. And then there's Audrey. I was in shock watching her first appearance. You can see the same facial expressions, patterns of speech, tics and eccentricities. But what was cute or could even make a man fall in love with a woman in her twenties – the frivolity, indecisiveness, arbitrary and fierce passions – is unsettling in one who is deep into middle age. Only the mole remains unblemished as a commemoration of the past. Shelly in contrast is still beautiful, and it seems like Lynch made Audrey look particularly bad to drive the point home. People talk about her storyline, and much of The Return, as an assault on the concept of nostalgia, but here the lessons are heightened as we're reminded of one of the cruelest facts of human existence: women age. After exhausting some of the main subplots – I don't think we could've gotten to all of them, even with much more time – we move on to larger themes. The show, we agree, is less about solving mysteries than about resisting the very idea of resolution. Tyler emphasizes that he doesn't particularly like the idea of worrying about plot details, but rather seeks to experience the director's larger vision. He mentions the four and a half hour YouTube video that seeks to explain the series, which I'm just starting to get through. I ask about the significance of the episode centered around the detonation of the atom bomb. Tyler argues that we shouldn't think about this as a scientific explanation of the main plot, but rather see nuclear weapons as a symbol of man becoming alienated from his nature and losing control. We talk about nuclear weapons as the symbol of man-made danger versus AI, with me arguing that the latter is much more depressing as the crowning achievement that might destroy us. Nuclear weapons are cool. They're just machines that are doing more of the thing that machines do, that is rearranging matter. AI cuts to the core of who we are, and while there will be a lot of great applications going forward, it is also drowning the world in slop. Fine, slop is not Hiroshima and Nagasaki, but I don't know, I find slop worse. This is the technological version of hating pronouns more than genocide, even though I've become so polarized against MAGA liars that I can't even hate pronouns all that much anymore. And of course, if you listen to Eliezer, AI is much more dangerous than nuclear weapons anyway.We close the conversation by discussing the final episodes, particularly Cooper's surreal re-entry into an altered timeline. Does he really believe he can save Laura Palmer? Was the lesson that he was being too hubristic, or something else? Tyler presents a popular theory that the ending was, despite all appearances, a happy one. I like having that out there as a possibility. Regardless, if there's one rule of watching Twin Peaks, it is to remember that the point is not narrative closure. The show is a reflection, telling us who we are and what we've become. I don't think the reality of our modern culture is as dark as Lynch believed it was. But we can't lie to ourselves and say we haven't lost something. And we cannot find redemption in nostalgia in a world where rapid societal changes are constantly making a mockery of what we have loved. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.richardhanania.com/subscribe

In 2018, film editor, producer, writer, and director Mary Sweeney sat down for a wide-ranging conversation about her career — from growing up in Madison, Wisconsin, to collaborating with one of the most visionary directors of our time, David Lynch. That conversation traced her evolution as an artist, her pivotal role in shaping films like Lost Highway, The Straight Story, and Mulholland Drive, and the intimate creative and personal relationship she shared with Lynch. Seven years later, in the wake of Lynch's death in early 2025, Sweeney returns for a follow-up conversation, recorded in a Paris hotel room nearly to the day of the original talk. While she has grown and evolved in the intervening years, she is also, unmistakably, in the process of mourning. This new conversation captures a deeply human moment: a woman navigating the complexities of grief, memory, and creative identity after the loss of a longtime collaborator and partner. Sweeney reflects not only on the legacy of her work with Lynch, but also on her ongoing life as an artist, mentor, and teacher. She speaks candidly about the challenge of being defined by a past she helped create, even as she seeks to shape new stories. There's a tension between wanting to move forward and being drawn back to moments that shaped her — and a palpable vulnerability in her willingness to explore that contradiction publicly. Paris itself plays a quiet role in the conversation — a place of reflection and ritual that has become part of Sweeney's life in recent years. The setting adds to the emotional texture of the interview: past and present gently overlapping in a city known for memory and reinvention. If the first conversation served as a kind of time capsule — a snapshot of a creative life at a particular moment — this follow-up serves as both an epilogue and a revision. It expands the story, complicates it, and deepens it. In the language of film, it might be called a director's cut: longer, more revealing, more personal. Ultimately, this episode is about how stories are shaped, reshaped, and sometimes reclaimed. About how we carry our experiences forward. And about how, even in the face of loss, we find ways to keep creating — and keep becoming. www.third-story.com www.leosidran.substack.com www.wbgo.org/podcast/the-third-story

For a very special 100th episode of Screenshot, Ellen E Jones and Mark Kermode explore the cult classic TV show.The great surrealist American filmmaker David Lynch died in January 2025 at the age of 78. Lynch's films spanned the underground midnight movie Eraserhead, the black and white heartbreaker The Elephant Man and the critically beloved Mulholland Drive. Yet the director was perhaps most appreciated for the TV show he co-created with screenwriter Mark Frost - Twin Peaks. Mark speaks to Mark Frost about his relationship with Lynch, and about the impact and legacy of their ground-breaking series. The pair discuss how pressure to solve the central murder of high school student Laura Palmer impacted Twin Peaks, and how the revival of the series in 2017 - after a 25 year hiatus - now seems fated.Meanwhile, Ellen talks to critic and die-hard Twin Peaks fan Jourdain Searles about the series' dedicated cult following. And she speaks to actor Tim Roth, star of Reservoir Dogs and Rob Roy, who got a chance to work with his hero David Lynch in 2017 on Twin Peaks: The Return. Producer: Jane Long A Prospect Street production for BBC Radio 4

Il y a dix-huit ans jour pour jour sortait ce qui allait être le dernier film de David Lynch, Inland Empire. Cette plongée expérimentale de trois heures dans les entrailles d'Hollywood réunit tous les ingrédients du cinéma « lynchien » : une ambiance étrange et dérangeante, des images cauchemardesques, un scénario nébuleux, le tout sur fond de critique du star system hollywoodien qui consomme et recrache ses actrices.Le cinéaste américain est mort le 16 janvier 2025 à 78 ans. Il laisse derrière lui dix longs métrages et une série, Twin Peaks, qui ont profondément marqué l'histoire des grands et des petits écrans. Son avant-dernier opus, Mulholland Drive, sorti en 2001 est toujours considéré par de nombreux critiques comme l'un des meilleurs films de tous les temps.Comment David Lynch est-il devenu un cinéaste culte ? Qu'est-ce qui rend son univers cinématographique si unique ? Retour sur son œuvre dans cet épisode de « l'Heure du Monde » avec Mathieu Macheret, critique cinéma au Monde.Un épisode d'Adélaïde Tenaglia. Réalisation et musiques : Amandine Robillard et Epidemic sound. Présentation et rédaction en chef : Jean-Guillaume Santi. Dans cet épisode, extraits des bandes-annonces de « Eraserhead », « Elephant man », « Mulholland drive », extrait d'une interview de David Lynch en 2001, extrait d'une vidéo Youtube de David Lynch.Episode initialement publié le 7 février 2025---Pour soutenir "L'Heure du Monde" et notre rédaction, abonnez-vous sur abopodcast.lemonde.fr Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

We've finally arrived at the end. Back in April, we started watching the landmark television show Twin Peaks (first viewings for both Reed and Nathan). In May, we began to make our way through the feature films of the late David Lynch.For the next three months, we would dive deep into Lynch's work. We debated, we pondered, we puzzled, we cheered, and we often simply sat in a certain degree of anxious wonder. From Eraserhead to The Straight Story, from Lost Highway to Mulholland Drive, and all the way through the landscape of Twin Peaks... we catalogued a master at work.So now, we reflect on our key takeaways. We examine which moments and characters stayed with us, the good, the bad, and the utterly wild. We also rank our personal selections for each of the feature films. It's a chance to breathe, a chance to unwind, and a chance to debrief. If you've been with us through this whole journey, let us know your thoughts. If you're just checking us out, let this episode serve as a primer for some of the observations and conversations over the past three months.Either way, we hope you enjoy it. Our log has a message for you...2:43 - That Ain't Right and That's So Right38:48 - Our Favorite Characters1:09 - Ranking the films of David Lynch1:41 - Final ThoughtsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The wait is over and episode 55 is finally here. Recorded way back in October 2023 we talk all things film, TV and games. Worth the wait… you decide! We start in Troll Corner with JT taking on the wresting nerds on the then new social media platform, X. Ste tells us about what he got up to in Berlin. A brief chat about some farcical celebrity boxing. On to games, Joe tells us about The Quarry, Tails Noir, and Observation he's played recently. JT puts Hotline Miami in his top 5 games of all time. Ste played Starfield leading to a debate about what is the best Bethesda game. And Sam talks about his new Steamdeck. In the movies we've seen this pod, Joe mispronounces Dune a lot and Jono and JT review Dumb Money, The Exorcist:Believer, and The Blackening. 1:21:31 - The main film reviewed in this episode is Mulholland Drive - recently voted as the best film of the 21st Century. https://www.bbc.co.uk/culture/article/20160819-the-21st-centurys-100-greatest-films Get in touch with us: Email - dontspoiltheending@gmail.com

1920's German expressionist The Cabinet of Dr. Caligari did more than inspire a whole kind of cinema-it also became the great-grandparent of a genre. The mind-bending dive into the psyche genre that saw three of its greatest examples all influence each other: Ingmar Bergman's 1966 Persona which begat in many ways Robert Altman's 1977 3 Women. And all those movies consciously or unconsciously begat David Lynch's 2001 masterpiece Mulholland Drive. Secret Movie Club founder.programmer Craig Hammill takes a look at the journey of inspiration of all these movies as well as side trips to other great examples of the genre like David Fincher's Fight Club, Roman Polanski's Repulsion, and Darren Aronovsky's Black Swan. 

See J.P.'s thirty second version of "The Birds" here: https://youtu.be/kjiSyts0xnk?si=1KZK5e7fOymLmtLU EPISODE 98 -  “BEHIND THE SCENES: GETTING TO KNOW THE TEAM BEHIND FBTHS” - 7/28/25 As they say, it takes a village. And that is very true here at FROM BENEATH THE HOLLYWOOD SIGN podcast. This week, we decided to pull the curtain back and reveal two unsung heroes of the show who work tirelessly behind the scenes at the podcast. Meet Executive producer and Post Production Supervisor LINDSAY SCHNEBLY and Associate Producer and Researcher JOHN PRICE RICHEY. They are the true backbone behind this show who do an amazing job keeping us technically proficient and as factually accurate as possible. Listen and get to know these two remarkable artists who both have very interesting stories to tell. We would be lost without them!  SHOW NOTES:  Sources: Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: The Birds (1963), starring Tippi Hedren, Rod Taylor, Jessica Tandy, & Suzanne Pleshette; Vertigo (1958), starring James Stewart & Kim Novak; It's a Wonderful Life (1946), starring James Stewart & Donna Reed; The African Queen (1951), starring Humphrey Bogart & Katharine Hepburn; Singin' in the Rain (1952), starring Gene Kelly, Debbie Reynolds, & Donald O'Connor; The Bad and Beautiful (1952), starring Kirk Douglas & Lana Turner; Sunset Boulevard (1950), starring Gloria Swanson & William Holden; 8 1/2 (1963), starring Marcello Mastroianni & Claudia Cardinale; My Favorite Year (1982), starring Peter O'Toole; Mulholland Drive (2001), starring Naomi Watts & Laura Harring; The Star (1952), starring Bette Davis & Sterling Hayden; Cinderella (1997), starring Brandy & Whitney Houston; Ninotchka (1939), starring Greta Garbo & Melvyn Douglas; The Red Shoes (1948), starring Moira Shearer; City Lights (1931), starring Charlie Chaplin & Virginia Cherrill; North By Northwest (1959), starring Cary Grant & Eva Marie Saint; The Sting (1973), starring Paul Newman & Robert Redford; The Godfather (1972), starring Al Pacino, Marlon Brando, & James Caan; The Godfather II (1974), starring Al Pacino, Robert DeNiro & James Caan; The Shop Around The Corner (1940), starring James Stewart & Margaret Sullivan; The Merry Widow (1934), starring Jeanette MacDonald & Maurice Chevalier; The Poseidon Adventure (1972), starring Gene Hackman, Ernest Borgnine & Shelley Winters; Grand Prix (1966), starring James Garner & Eva Marie Saint; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

John Thorne returns this week to discuss Rebekah Del Rio's scenes in both Mulholland Drive and Twin Peaks. We compare and contrast Club Silencio with The Roadhouse, discuss how David Lynch uses color before in these scenes, the significance of the lyrics to "Llorando" and "No Stars" and more.   DISCLAIMER: This episode was recorded on Jun 11th, prior to Rebekah's passing. This is why you won't hear John and I address it, but I hope this episode showcases and honors what she brought to David Lynch's work.   John Thorne's Books on Amazon: https://www.amazon.com/Devious-Dreams-Reimagining-Lynchs-Mulholland/dp/0997108150 https://www.amazon.com/Ominous-Whoosh-Wandering-Returns-Peaks/dp/0997108126 https://www.amazon.com/Essential-Wrapped-Plastic-Pathways-Peaks/dp/099710810X   John Thorne on Social Media: https://bsky.app/profile/thornewip.bsky.social https://www.instagram.com/thornewip/   Intro/Outro Song: "My Prayer" by Agent Ivy

Writer/director James DeMonaco discusses his top ten films that evoke the surreal, hallucinatory feel of dreams/nightmares, while not actually depicting dream/or nightmares with Josh Olson and Joe Dante. Show Notes: Movies Referenced In This Episode A History Of Violence (2005) The Home (2025) 52 Pick-Up (1986) The Purge (2013) The Purge: Anarchy (2014) The Purge: Election Year (2016) Staten Island (2009) This Is The Night (2021) Glengarry Glen Ross (1992) 3 Women (1977) Apocalypse Now (1979) Apocalypse Now Redux (2001) Jack (1996) The Godfather (1972) The Godfather Part II (1974) The Godfather Part III (1990) Dementia 13 (1963) Star Wars (1977) THX 1138 (1972) Blood Simple (1984) Megalopolis (2024) Mandy (2018) Beyond The Black Rainbow (2010) Nightmare Alley (2021) Blue Velvet (1986) Mulholland Drive (2001) The Accused (1988) The Swimmer (1968) Dune (1984) Dune (2021) Jodorowsky's Dune (2014) Crash (2005) *Ghost Dog: Way of the Samurai (2000) Paterson (2016) Fellini's Roma (1972) Amarcord (1973) La Strada (1954) Nights of Cabiria (1957) 8 ½ (1963) Dirty Harry (1971) Gremlins (1984) Irreversible (2002) Antichrist (2009) Play It As It Lays (1972) Nashville (1975) Boom! (1968) Mr. Blandings Builds His Dream House (1948) Punch Drunk Love (2002) The Long Goodbye (1973) Phantom Thread (2017) One Battle After Another (2025) Happy Gilmore (1995) Happy Gilmore 2 (2025) March of the Wooden Soldiers a.k.a. Babes in Toyland (1934) Beetlejuice (1988) Monkey Trouble (1994) Prizzi's Honor (1985) Vertigo (1958) Invaders From Mars (1953) The Woman in the Window (1944)  Inception (2010) Eternal Sunshine of the Spotless Mind (2004) Dreamscape (1984) What Dreams May Come (1998) The Truman Show (1998) Minority Report (2002) Other Notable Items Our ⁠Patreon⁠! Our pals at ⁠Movies Unlimited⁠ ⁠The Hollywood Food Coalition⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Sorry for the buildup, but this discussion certainly deserved us taking our time. Considered one of the greatest films of the 21st century, and David Lynch's magnum opus, Mulholland Drive is a film that many consider to be a masterpiece. Does the dream-like feeling of the movie still hold up, or is this the David Lynch movie that will drive Isaac to madness? Find out in this long awaited episode.   Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive produced by Darrin O'Neill and recorded & produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter under ECFS Productions (@ecfsproductions). Isaac and Cameron started recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in SFSU Film School to collaborate with corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader, with creative experience in brand, advertising, product, music, and film. Isaac is the student. And Juzo, he knows everything about cinema. The podcast is a passion project between three longtime friends; we hope you can enjoy our project with the limited time we have! Thank you for your time, your generosity, and support.

We thought we'd take an episode to look at the work of the recently departed David Lynch and each of us brought one of our favorites to talk about: Twin Peaks: Fire Walk with Me and Mulholland Drive. Just a bunch of women trying to figure out what's real and what's not and how to live with it anyway, so if that's your idea of a good time, come on in.

In this episode of Popcorn & Catch-Up, we continue the 2025 season with a discussion of Mulholland Drive!We'll be discussing the film in depth, so be sure to watch it before listening to the episode. And don't forget to let us know what you think on X/Facebook/Bluesky!Tell your friends about Popcorn & Catch-Up!Thanks for listening

Are you a pod, or are you some kind of cast? I guess that's for us to know, and you to find out...that's the line right? This was originally going to be an episode covering 'The Straight Story', but instead we're paying a late homage to the passing of director David Lynch by talking about his film 'Blue Velvet'. It might not be his most complex, surreal, or emotional film, but it somehow is THE Lynch film, if that makes sense,. We get into the sex, violence, importance of music, Alex's undying love for Twin Peaks, comparisons to Mulholland Drive, and much more. Starring - Kyle McLachlan, Isabella Rosselini, Dennis Hopper, Laura Dern, Dean Stockwell, Jack Nance

Le 16 mai 1990, vers 22h, la vie de Marlon Brando bascule. Dag Drollet, le compagnon de sa fille adorée Cheyenne, est tué d'une balle dans la tête dans le huis clos la villa familiale à Mulolland drive, à Los Angeles. Très vite, le fils de Marlon Brando, Christian, va apparaitre comme le suspect numéro 1...Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

No, it's not a biopic about Jim Poolman, former insurance commissioner of North Dakota. It's a comic sunshine noir about an actual pool-maintaining Poolman, played (and written/directed) by fave Chris (Pine), who finds himself tangled in a criminal conspiracy... or maybe he's just whacked-out and paranoid? We're joined in this pool party by one of our most beloved returning guests, Mr. Josh Gondelman -- check out his new stand-up special, available for free, right now!Wikipedia page for PoolmanRecommended in this episode:Dan: I Like Movies (2022)Stu: 28 Years Later (2025)Elliott: Nightcrawler (2014), Devil in a Blue Dress (1995), Mulholland Drive (2001)Head to squarespace.com/FLOP for a free trial, and when you're ready to launch, use OFFER CODE: FLOP to save 10% off your first purchase of a website or domain.

IN MEMORIAM: REBEKAH DEL RIO 1967-2025 On June 25th, Rebekah Del Rio passed away. You might not know the name right away, but if you've seen Mulholland Drive or Twin Peaks: The Return on Showtime, you've definitely heard her voice. It's haunting, unforgettable. I met Rebekah back in 2020 at the Fayetteville Comic Show during a Twin Peaks reunion, which is part of the panel you're about to hear. She was all over social media at the time. I actually first saw her at the airport, livestreaming to her followers on this jewel-covered phone. She had such a big, lively presence—exactly what you'll hear in the panel. She had some health issues, but 57 is still way too young. So this is just our small way of honoring her—sharing a bit of that Twin Peaks reunion panel from 2020 and remembering the spark she brought with her wherever she went.

Avtor kultne televizijske serije Twin Peaks in nič manj razvpitih filmov, kot so Modri žamet, Divji v srcu in Mulholland Drive, je v očeh številnih veljal za največjega mojstra sedme umetnosti našega časaVčasih se zdi, kakor da je biti kritičen do filmov, ki prihajajo iz Hollywooda, malodane stvar minimalnega osebnega samospoštovanja resnih cinefilov, kajne. A vsake tolikokrat se pojavi kak režiser, ki celo sredi ameriške tovarne cukrenih sanj in cenene zabave vendarle ustvari filme, v katerih tudi najbolj izbirčni gledalke in gledalci hitro prepoznajo čisto pravo, emocionalno in intelektualno izzivalno, nemara že kar sublimno umetnost. Eden takih je bil skoraj gotovo David Lynch, ki se je poslovil letos januarja v 79. letu starosti. V štirih desetletjih, med letoma 1977 in 2017, je posnel deset filmov, med katerimi gre menda posebej izpostaviti Modri žamet pa Divje v srcu in Mullholland Drive, ter tri sezone kultne televizijske nadaljevanke Twin Peaks, za ta opus pa je – poleg številih nominacij – med drugim prejel zlato palmo v Cannesu, častnega zlatega leva v Benetkah in oskarja za življenjsko delo. Še več; britanski časopis Guardian ga je že pred slabima dvema desetletjema razglasil za največjega režiserja našega časa, legendarna filmska kritičarka Pauline Kael ga je označila za prvega resnično popularnega nadrealista, režiserski kolega Martin Scorsese pa je ob njegovi smrti zapisal, da je Lynch na veliko platno spravil resnično nezaslišane podobe, take, ki jih pred tem še ni videlo človeško oko. Če je tako, tedaj se najbrž velja vprašati, s čim natanko se je David Lynch pravzaprav zavihtel na sam vrh filmskega Parnasa? Velja se, drugače rečeno, vprašati, kaj nam njegovi filmi pripovedujejo in kako to počno? – Prav tega smo se lotili v tokratni Intelekti, ko smo pred mikrofonom gostili literarnega in filmskega kritika Roberta Kureta pa filozofa, sociologa, pisatelja in predavatelja na ljubljanski Fakulteti za družbene vede, dr. Mirta Komela, ter kulturologinjo, našo kolegico s televizijske strani Kolodvorske ulice, avtorico oddaje Televizorka, Ivano Novak. Foto kolaž:- David Lynch na festivalu v Cannesu leta 2017 (Georges Biard, Wikipedija)- Plakat za film Eraserhead, 1977 (Libra Films, Wikipedija)- Plakat za film Človek slon, 1980 (Paramount Pictires, Wikipedija)- Plakat za film Dune, 1984 (Universal Pivture, Wikipedija)- Plakat za film Modri žamet, 1986 (De Laurentiis Entertainment Group, Wikipedija)- Plakat za film Divji v srcu, 1990 (The Samuel Goldwyn Company, Wikipedija)- Kader iz uvodne špice za prvi dve sezoni televizijske serije Twin Peaks, 1990-91 (ABC, Wikipedija)- Plakat za film Twin Peaks : Ogenj hodi z mano (New Line Cinema, Wikipedija)- Plakat za film Izgubljena cesta, 1997 (October Films, Wikipedija)- Plakat za film Resnična zgodba, 1999 (Buena Vista Pictures, Wikipedija)- Plakat za film Mulholland Drive, 2001 (Universal Pictires, Wikipedija)- Plakat za film Notranje zadeve, 2006 (Absurda / 518 Media, Wikipedija)- Plakat za tretjo sezono televizijske serije Twin Peaks, 2017 (Showtime, Wikipedija)

This week we finish the mysterious Mulholland Drive, and ask ourselves where do the dreams of this movie begin and end.

Our month of remembrance at Film Seizure now shifts to David Lynch. The first of two films we are going to look at is his neo-noir masterpiece that many consider is one of the greatest films of the 21st century, Mulholland Drive. Episodes release on Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on BlueSky: https://bsky.app/profile/filmseizure.bsky.social Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure

This is the week we finally get to Mulholland Dr., one of David Lynch's seminal movies. We are only covering the first half this mysterious movie. Next week is part two so please remember to tune in to that episodas well.

The Lynch series comes to an end David's most critically acclaimed film, the noir, nightmare dream epic "Mulholland Drive". Zach and Ben dive into the deep meanings woven into this film and discuss if it is a mystery that can be solved. Instagram-@TheMovieVaultPod Email us- themovievaultpod@gmail.com YouTube - https://www.youtube.com/@lastresortnetworkThis episode is brought to you by Hedman Anglin Agency. Contact them at 614-486-7300 for your home and auto insurance needs. If you do contact them, make sure to tell them that Ben and Zach sent you! Visit their website for more information at www.HedmanAnglinAgency.com

For their historic 200th episode, two detective-minded film critics, two dream theory dads, and two noir-loving teachers, Will Johnson and Don Shanahan, have reached a milestone that deserved a big movie and the help of stellar new guest. The hosts welcome Chicago-based film critic and artist Jeff York of The Establishing Shot and Pipeline Artists to compare two examples of poisonous Hollywood settings separated by decades and mere blocks of postal addresses. Our trio compares the dangerous and pervasive themes to be found in David Lynch's revered 2001 fever dream "Mulholland Drive" versus Billy Wilder's salaciously seminal 1950 dark comedy "Sunset Boulevard." The interpretations and lasting effects run quite the gamut in this extended discussion. Come learn more and stay for the mutual love and respect that fun movies encapsulate. Enjoy our podcast!https://discord.gg/N6MKWXU2https://www.teepublic.com/user/ruminationsradionetworkhttps://www.instagram.com/cinephilehissyfit/https://www.instagram.com/casablancadon/Twitter: https://twitter.com/CinephileFitwww.RuminationsRadioNetwork.comwww.instagram.com/RuminationsRadioNetworkTwitter: RuminationsRadioNetwork@RuminationsNProduction by Mitch Proctor for Area 42 Studios and SoundEpisode Artwork by Charles Langley for Area 42 Studios and Soundhttps://www.patreon.com/RuminationsRadiohttps://everymoviehasalesson.com/https://ruminationsradio.transistor.fm/ ★ Support this podcast on Patreon ★

This week we're covering David Lynch's Hollywood nightmare, "Mulholland Drive." We cover everything from the TV beginnings of Mulholland Drive as well as the revival of the story years later.  After we cover the background, we dive into the plot and offer our interpretations while discussing our favorite scenes. Finally, we each pair the film for a duo of double bills for your viewing pleasure. Thank you so much for listening!Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

When it comes to erotic thrillers, Mulholland Drive (2001) is one of the classics — and given that it opens with a serendipitous sapphic love story between a Hollywood hopeful and an amnesiac A-list actress, it felt like a must-do for this year's pride lineup. Though the 2.5 hour runtime may be daunting to new viewers, this movie earns every minute, mixing mystery with the charm of an unexpected romance. And we do mean unexpected. Known for his surrealist style, David Lynch wrote and directed a film that takes you on a journey as it examines love, loss, and the meaning of dreams. Also, Billy Ray Cyrus is there for a second, too. References:https://www.radiotimes.com/movies/mulholland-drive-explained/https://www.mulholland-drive.net/studies/swap.htmhttps://screenrant.com/mulholland-drive-behind-scenes-facts-david-lynch-hollywood-satire/https://theasc.com/articles/mulholland-drive-cinematic-journeyhttps://medium.com/outtake/in-plain-sight-the-hidden-symbolism-in-mulholland-drive-4183752813e1https://screenrant.com/interpretations-of-mulholland-drive/https://medium.com/@ashfaq.mf/metaphor-in-mulholland-drive-2dcfbb029271https://afterellen.com/importance-mulholland-drive-sapphic-cinematic-history/

Continuing our journey through the work of the late David Lynch, we finally arrive at what is often considered his finest film. MULHOLLAND DRIVE brought Lynch some of the largest and most universal acclaim of his career. Its Los Angeles-centric mystery traverses the territories of dream logic, identity, ambition, envy, and the elusive way we all try to find ourselves. It featured a star-making performance from Naomi Watts and was nominated for numerous awards.We're joined by friend of the show Sarah Welch-Larson (author of Becoming Alien) and new friend of the show Abby Olcese (author of Films for All Seasons) to dive deep into the spirit and the mind of all that happens on Mulholland Drive. It's a hearty and thoughtful conversation that we really hope you enjoy!5:41 - Two Questions with Abby Olcese15:23 - MULHOLLAND DRIVESee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're back from our annual (yes, we're calling it that now) Mother's Day girls trip, and let's just say... we did everything from singing R-rated Disney remixes in wigs to theorizing how Bonnie Blue pulled off her record-breaking OnlyFans stunt (spoiler: we crunched the math). In this episode, we talk about the beauty of going back to the same magical place, and how we've cracked the code on motherhood sanity. We also unpack the Bieber-Vogue caption drama, Diddy's applesauce obsession, celeb plastic surgery conspiracies, and the petty Olympic sport of unfollowing on Instagram. Plus: why Cannes red carpet rules have us reminiscing about Catholic school skirt checks.To connect with Rachel click hereTo connect with Rocky click hereTo follow Mulholland Drive click here Hosted on Acast. See acast.com/privacy for more information.

Hey Dude, an innocent Sunday drive to the Hollywood Bowl box office with my dad, turns into a mudslide of deep hometown memories. QUOTE: "If you don't drive through your hometown, are you really in your hometown?" LULLABY: "Hooray for Hollywood" (Whitling/Mercer) MUSICIANS/CAST:  John Fogerty, Joan Anderson, George Clooney, Billy Strings, Bob Dylan LOCATIONS: The Hollywood Bowl, Hollywood, Hollywood Way, Warner Bros., Walt Disney Studio, Universal Studios, Cahuenga Pass, Highland Ave., Sunset Blvd, Los Angeles, California, Hollywood United Methodist Church, Hollywood Blvd., Hollywood High, Burbank High, North Hollywood High, In-N-Out Burger, Director's Guild, Laugh Factory, Laurel Canyon, Mt. Olympus, Laurel Canyon County Store, Mulholland Drive, San Fernando Valley ("The Valley"), Fryman Canyon Park, Capenter Avenue School, Ventura Blvd., Thrifty's, Studio City Theater, Carney's, Pinz Bowling Alley, Sportsman's Lodge, Weddington Golf & Tennis, Harvard-Westlake, Ringside Liquor, Henry's Tacos, Woodbridge Park, Jennifer's Coffee, Tujunga Village, Ernie's Taco House  PROPS: Saturday Stairs, "The Californians", Little League, "Rocky"  MUSIC: "All Along the Watchtower" SOUNDS: birds, gravel, footsteps, "The 5 Freeway",  Laguna Sawdust Cowbell Chimes   PHOTO: "Fogerty at the Bowl" shot with my iPhone XS RECORDED: May 26, 2025 in "The Cafe"  under the flight path of the Bob Hope Airport in Burbank, California GEAR: Zoom H1 XLR with Sennheiser MD 46 microphone. TOTAL RUNNING TIME: 16:29   FILE SIZE: 9MB GENRES: storytelling, personal storytelling, personal journal, journal, personal narrative, audio, audio blog HYPE: "It's a beatnik kinda literary thing in a podcast cloak of darkness." Timothy Kimo Brien (cohost on Podwrecked and host of Create Art Podcast) DISCLAIMER/WARNING: Proudly presented rough, raw and ragged. Seasoned with salty language and ideas. Not for most people's taste. Please be advised.

Long delayed but also long in the making, this week the Sneople are finally doing a David Lynch memorial episode! Helena and Matty go a little off the deep end this episode (as they do every episode they're left to their own devices), covering Mulholland Drive, Blue Velvet, Twin Peaks, Eraserhead, Elephant Man, Dune (obviously) and so so much more. Warning, this episode is full of spoilers/discussion of a variety of Lynch films (though we avoid Twin Peaks spoilers for the most part) - if you wanna avoid that, come back at a later date. It's okay! We'll wait. Thanks David - we'll be appreciating your work for years and years to come. XOXO to eraserhead baby, we love you little angel

With the release of The Friend, starring Naomi Watts, the Captains decided to tackle another movie she starred in. Listen as the Captains discuss Watts up with the mind-bending movie, Mulholland Drive. Have we been doing the podcast the whole time? Or was it all just a dream? Maybe it was a dream and that's why nobody was listening!Starring - Naomi Watts, Laura Harring, Justin Theroux, Ann MillerDirected By - David LynchWritten By - David LynchMusic - Angelo BadalamentiCinematography - Peter DemingEditing - Mary Sweeney.Website: https://amoviepodcast.com/Twitter: @ItsaFilmPodcastInstagram: @toomanycaptainsproductions

It's a fever dream, a dream about a fever, and a fever about a dream. On this episode, we're joined by guest and friend of the pod, Michael J. O'Connor as we talk about 1977's Eraserhead--the FIRST DAVID LYNCH FILM. We're talking strange babies (critters), tall hair, pipes all over town, and next door neighbors. Really, the episode defies a single explanation, just like its subject. Plus, we talk MouthGarf, play I See What You Did There, and have a damn fine time doing it too. Lastly, we bid a fond farewell-for-now to Chelsea... Thank you so much for being part of this show! We love you!Sources:https://www.max.com/movies/eraserhead/8aaa868f-34a4-4b00-aed1-ec6e3ce8bc66https://en.wikipedia.org/wiki/Eraserheadhttps://en.wikipedia.org/wiki/David_LynchPlease give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor's music!Next time: First Roller Coaster 

We say goodbye to the land of cults with maybe the most dangerous cult of all – biblical allegory! That's right, we're tackling Darren Aronofsky's divisive and provoking mother!. Does the film stand on its own or is it simply an exercise? Is it about Aronofsky? Who got the bigger end of the wishbone baby? All of that and more within the episode. Along that path Curtis discusses way too many movies, including a couple of new releases! Then stick around to hear Cody's selection for the next theme and first film within that theme!   Go to patreon.com/SHUDcast where you can sign up for all kinds of extra goodies!   00:00 - 10:00ish - Intros - Parody law and tariffs (because we're experts), Lucas is licensed to be married   10:00ish - 1:13:00ish - The other stuff we watched this time:   Curtis - Perfect Days, Shadow, Hero, My Heart is That Eternal Rose, The Grandmaster, The Seventh Curse, The Witch From Nepal, The Roundup: Punishment, The Mask of Satan, Rats: Night of Terror, Hell of the Living Dead, Climax, Ash, Friday, Monster Hunter, Hackers, Villains, Mulholland Drive, Final Destination 2, Eraserhead, His Girl Friday, The Player, Night of the Living Dead (1990), Hell of a Summer, Death of a Unicorn   Austin - Death of a Unicorn, Smile 2, MaXXXine, The Ballad of Wallis Island, Y2K,    Cody - Black Bag, Labyrinth, King Arthur: Legend of the Sword, Monty Python and the Holy Grail, Alice in Wonderland (1951), Alice in Wonderland (2010), Alice Through the Looking Glass, Pirates of the Caribbean: At World's End, Pirates of the Caribbean: On Stranger Tides, Sleeping Beauty, Maleficent, Maleficent: Mistress of Evil, Indiana Jones and the Kingdom of the Crystal Skull, Indiana Jones and the Dial of Destiny   Lucas - Ash, Death of a Unicorn, Cloudy with a Chance of Meatballs 2, Predestination, A Working Man, Rush, Sweeney Todd, Feed (kinda), Novocaine   1:13:00ish - 1:48:00ish - mother! - SHUDdown and discussion!   1:48:00ish - 1:53:00ish - “Purple Flavored Kool-Aid” Awards!   1:53:00ish - End - Our next theme! Brought to you by Cody!  

Fashion icon, entrepreneur, podcast host, and mom of two Rocky Barnes sits down with Avery. Rocky shares her journey from growing up in Manhattan Beach to becoming one of the first major fashion influencers. She opens up about her early modeling career, her first marriage, and the love story that led her to her husband. She talks about the importance of understanding body proportions in fashion, balancing motherhood and work, and navigating the ever-changing world of social media. Rocky also shares her perspective on raising kids in the digital age and the creative outlet she's found through her new podcast, Mulholland Drive.

In which Rob and Lilit discuss a movie that underwent a strange transformation from its original form to a similar-yet-distinct one, and the fun part is that you could assume that refers to the narrative OR the production history and you'd be correct either way.

Our penultimate episode! The guys get into Mulholland Drive (directed by David Lynch) on this one. This film is a great segue for conversation as it weaves through film studies, what it means for something to be Lynchian, what it means to make movies - and more. Enjoy! Join the LAST Livestream of SHOW ME THE MEANING! next Tuesday at 5 PM PST on the Wisecrack 2 channel! https://youtube.com/@wisecrack_2 In case you missed it, this iteration of Show Me The Meaning! is ending next week, March 25, 2025. Thank you all for your ears and your emails. Join us for one last ride next week! Follow us on Twitter! @austin_hayden (Austin) @creamatoria (Raymond) and on Letterboxd! @SMTMPod @creamatoria @izbel (Henry) © 2024 Wisecrack / Enthusiast Gaming Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode 358: In Los Angeles, California, in the autumn of 1969, along winding Mulholland Drive, a young woman's body was discovered, brutally stabbed more than 150 times, her identity shrouded in mystery for nearly half a century. This Jane Doe, known only as case number 59, would lie nameless for the next 46 years, her story untold and her family unaware of her tragic fate. In a chilling twist, the proximity of her death to the infamous Tate-LaBianca murder scenes led investigators down a twisted path of speculation. The brutal nature of the crime sparked whispers of a possible connection to one of America's most notorious cults — the Manson Family. It wasn't until 2016 that modern forensic techniques finally gave her a name: Reet Silvia Jurvetson, a 19-year-old from Montreal who had ventured to L.A. with dreams as big as the Hollywood sign. Despite her identity now being known, Reet Jurvetson's murder remains unsolved. Her family is still hoping for answers more than 55 years later. Sources: The Murder of Marina Habe Helter Skelter: The True Story of the Manson Murders About Reet Jurvetson | Reet Jurvetson's Family Memorial Man Who Found Possible Manson Victim as Teen Speaks Out Forensic DNA analysis: technology and application (BP-443E) 'Jane Doe #59' was a 19-year-old from Montreal -- was she also a Manson victim? Woman found near Manson murders ID'd after 47 years ID of woman found near Manson murders site stirs mystery Who Killed Jane Doe #59 | CBC News Jane Doe found in L.A. in 1969 ID'd as Montreal teen | CBC News 'Who is he?': Sketch shows 'person of interest' at heart of probe into Canadian woman's brutal 1969 killing | CBC News Could Canadian's brutal 1969 stabbing death be connected to another L.A. cold case? | CBC News 'In a hurry': Did Canadian woman's killer drop his glasses as he got rid of body in L.A. in 1969? | CBC News Who Killed Jane Doe #59 : The Case of Reet Jurvetson - The Fifth Estate LAPD Seeks to Identify Two Men in Connection with Murder of Reet Jurvetson Reet Jurvetson: Was Jane Doe No. 59 a Victim of the Manson Family? Did Charles Manson Have 4 More Victims? 'There's an Answer There Somewhere,' Says LAPD Detective Murder of Reet Jurvetson | Wikipedia Reet Silvia Jurvetson (1950-1969) From the UnresolvedMysteries community on Reddit: Who are the two men named 'Jean' who Reet Jurvetson visited with before she was found murdered on November 16, 1969? https://www.reddit.com/r/UnresolvedMysteries/comments/gcypxe/who_are_the_two_men_named_jean_who_reet_jurvetson/ LAPD releases sketches of two men linked to 1969 killing of Canadian Reet Jurvetson Who Killed Jane Doe #59 : The Case of Reet Jurvetson - the fifth estate Reet Silvia Jürvetson (1950-1969) Facebook LAPD Seeks to Identify Two Men in Connection with Murder of Reet Jurvetson ID of woman found near Manson murders site stirs mystery Learn more about your ad choices. Visit megaphone.fm/adchoices

Not one but two of Charlie Sheen's Mercedes were found crashed into a ravine off Mulholland Drive on separate occasions. By that point, he was working on running his career off the road for a second or third time, in a haze of alcohol, cocaine, $30,000 one-night stands, awkward dinner dates with porn stars and his ex-wife, livestream rants, LAPD house raids, and a triumphant ascent to a Beverly Hills rooftop with a machete and a bottle of red liquid labeled “Tiger Blood.” And that's only part of the story. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices