Podcasts about Lost Highway

Chris and Perry are back! This month, they're talking about the Oscar nominees and their favorites of the Best Picture hopefuls. Then, they dive in for an extended discussion of David Lynch's very normal, very self-explanatory Lost Highway. 

We're getting ready for big Mid-America Trucking Show next month, March 26-28 at the Louisville Convention Center, and ready to host our Trucker of the Year and cover all manner of the various goings on at the event. It's a big undertaking, from set-up to roll-out of the custom-truck show in the Paul K. Young Memorial competition to federal and state regulatory panels, trucking-business discussions and all the rest happening at the huge event: https://overdriveonline.com/tag/mats Yet we've got help from a bit of a not-so-secret weapon who this year happens to be an integral part of the official MATS programming. He's the player of and songwriter behind much of the music you hear under the voices on Overdrive Radio week-in-week-out, the man we've featured here too many times to count and whom regular readers will also know from his stories and tall tales, interviews, oral histories of OTR drivers of all stripes, and so much more all published under the Overdrive Extra banner at OverdriveOnline.com: https://overdriveonline.com/14865330 That writer, that performer, that veritable sage of the road, Long Haul Paul Marhoefer, will feature with others during the Friday night concert at MATS this year. He's got a couple of records upcoming, too, set for release in the coming weeks: One is archival from 1994, previously unreleased material from an embryonic stage of LHP's evolution as a songwriter he's calling "1994: The Lost Tapes." Then "The After Party Sessions" features live recordings from night shows at various trucking events over the last several years, most held in the custom-outfitted venue trailer of Brandon Carpenter that is the Old Iron Bar. Off the top of the podcast, a bit of taste of that live record via a track that is the very first of Marhoefer's we ever heard at Overdrive, when he competed in Overdrive's Trucker Talent Search music competition more than 10 years ago now: https://overdriveonline.com/14888649 He'd go on to place second that year. And his star rose so quickly among owner-operators and drivers in the aftermath that he never competed again -- no doubt in our minds he'd have won it had he. But he became a real fixture in performances around the competitors after that, alongside copious writing and reporting he's done for Overdrive since, all with a clear desire to tell the stories of others with care, with faith to the their voices and no small sense of empathy for the struggles we all endure. LHP brings all of that to his songwriting as well. He's endured plenty himself in life and trucking, as he memorably chronicled as host of our Over the Road podcast back in 2020, which saw air in partnership with the Radiotopia podcast network: https://www.overdriveonline.com/t/4405867 Don't miss his performance at MATS, yet if that show's just not in the cards for you this year, know that he'll be out at a variety of other events throughout the year, though somewhat limited compared to prior years given his father, near Madison, Wisconsin, has needed home care that he and his siblings and other family members have been coordinating. The "long haul" in LHP remains a reality for Marhoefer, if he does call his trucking career at this stage a kind of semi-retirement. He still hauls for Ohio-headquartered Moeller Trucking and lives with his wife, Denise, in Losantville, Indiana, the pair an undisputed force in trucking music and culture. In the podcast, he talks through tracks from both the new records as well as 2023 and 2024's “Legends of the Lost Highway” and “Floodwaters and Fires” records, respectively. Sit back, relax, and enjoy. Hope to see you at MATS. New records should be available around the time of MATS: https://www.longhaulpaulmusic.com/ Marhoefer's chronicle of his near-death encounter with a set of runaway duals in 2023: https://overdriveonline.com/15304967 More at the head of our Music to Truck By playlist: https://soundcloud.com/overdriveradio/sets/music-to-truck-by-no-1

Lost Lost Highway episode. Weird, right?

Have you heard the best parts of Nightmares on the Lost Highway, episodes 30 thru 34?

G and Richard are warming up getting ready to enter the town of Twin Peaks. So to start they are watching 1997s Lost Highway. Lynch himself said it was set in the world of Twin Peaks so it's a good enough start for them. Expect swearing and spoilers about, well, anything really. of course its best if you watch along and if you aren' t expect gaps where they get lost watching the film. If you have Pocketcast maybe turn on the remove silence function...

Dr Adam Koontz and Col Willie Grills talk about David Lynch's film Lost Highway, confronting your own sin, and why the film portrays the horror of evil so well. Visit our website - A Brief History of Power Sign up for Memento, a Lutheran devotional for men. Thanks to our sponsors, Ad Crucem and Gnesio Health Dr Adam Koontz - Redeemer Lutheran Church Pr. Willie Grills - Zion Lutheran Church Music thanks to Verny

Best of Cinema | Lost Highway (am 03.02. zurück im Kino) Nach einigen massentauglichen Filmen widmet sich die Best-Of-Cinema-Reihe im Februar den traumverhangenen, alptraumhaften Welten eines David Lynch: „Lost Highway“ kehrt am 3. Februar zurück in unsere Kinos und lädt Fans ein, sich erneut auf diesen düsteren, hypnotischen Rausch aus Identitätsverlust und voyeuristischer Paranoia einzulassen, in dem Realität und Illusion nahtlos ineinanderfließen und das Unterbewusstsein der Zuschauerinnen in verstörender Schönheit spiegeln. Eine Warnung vorweg: Weder unser Best-Of-Cinema-Host Chris noch seine Gäste Dom und Sero zählen zu den größten Lynch-Fanatiker. Wie sie „Lost Highway“ erleben und welchen Eindruck der Kultfilm bei ihnen hinterlassen hat, erfahrt ihr in der neuen Podcast-Folge. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

It's time for the first Mike Makes Mike Watch of 2026! And to kick things off, it's a weird double feature: Mike D is making Smith watch a movie that had a stranglehold on '90s kids, FREE WILLY, while Smith is making Mike D watch David Lynch's surrealist nightmare LOST HIGHWAY!

Schickt Hilfe, die Affen sind los: Wie viel Spaß macht SEND HELP? Wie affig ist PRIMATE? Und was steckt hinter dem Titel ACH, DIESE LÜCKE, DIESE ENTSETZLICHE LÜCKE? Das wollen Schlogger, Wolf und Schröck heute eigentlich recht schnell ergründen. Es haut nur eigentlich mal wieder nicht so ganz hin. Immerhin geht es nämlich auch noch um LOST HIGHWAY, der wieder aufgeführt wird, was die beiden David Lynch-Ultras names Wolf und Schröck natürlich auch nicht so ganz umkommentiert stehen lassen können. Plus: diverse Streaming- und Mediatheken-Tipps, die auch noch das eine oder andere Wort verdienen. Selbst wenn wir sie noch nicht gesehen haben. Demzufolge geht es unter anderem um THE WRECKING CREW, um Irgendwie-schon-irgendwie-nicht-Episodenfilm FREAKY TALES, eine Doku namens ELON MUSK UNCOVERED: DAS TESLA-EXPERIMENT oder die Neuauflage von DIE NACKTE KANONE. Gefolgt von spaßiger Hochgeschwindigkeitszug-Action durch BULLET TRAIN, tollem Kino in Form von BIS DANN, MEIN SOHN, CHILDREN OF MEN oder THE HURT LOCKER und einer weiteren Doku mit dem Titel IN SEARCH OF TOMORROW, die auf jeden Fall brauchbar dafür ist die Watchlist anzufüllen. Falls wir das mit dieser hoffentlich kurzweiligen Folge nicht schon ohnehin geschafft haben. Bleibt uns nur, Euch viel Spaß damit zu wünschen, wie eben auch, dass ihr so gesund wie gut drauf bleibt oder noch eine schöne Restwoche habt. In diesem Sinne: Adieu. Und immer dran denken: Dick Laurent is dead. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we're cruising down David Lynch's Lost Highway, a nightmarish neo-noir where identity fractures and reality refuses to stay put. We talk about the film's hypnotic mood, unforgettable imagery, and that constant sense of dread that creeps in without warning. From the sound design to the performances, we dig into what makes Lost Highway such a disorienting, endlessly debatable experience. No easy answers here — just vibes, theories, and the feeling that once you're on this road, there's no clear way back.   Check out 1001 by 1 here: https://open.spotify.com/show/4SO5TQO7WgETdorAPvyKAN?si=14bdc2574cee4041       Follow Us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @horrorhourwiththehannas   Music by Aries Beats - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=DPpnxLYrzVA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠    

With music rooted in Texas Alt Rock and Americana, Singer Songwriter Dave Christen is actively releasing his original music work as singles on all of the popular music streaming platforms. Dave is in his own lane authentic and true to his love of and performing music. He writes and tells stories about life in ways that connect with everyone. You will find some acoustic exploration in his discography. Recent releases under the Rambler Radio Productions banner include musically diverse songs "Another Day Is Gone," "Right here Right Now" "Cristina," "You And I," "Be Right Here," "Something Called Love," are now followed up with the new releases, "Gets Me Where I'm Going" and "Lost Highway." Guitarist, Producer, Don Dean Maracle defined each of the songs arrangement and direction as well as contributed memorable guitar melodies. His credits include Major Label Mercury Records, The International House of Blues Foundation and an inductee of The Rochester Music Hall Of Fame.

Maintenant que David Lynch a rejoint un autre endroit, Guigui lui ai rendu hommage en organisant une soirée sur TWIN PEAKS au cinéma LE KLUB à Metz 1 an et 1 jour après sa disparition. L'idée fut de projeter le film FIRE WALK WITH ME, faire une table ronde avec Manu.e des podcasts Coin Pop et Peak Cinema, Vesper YouTubeuse et David qui a été sur le tournage de Twin Peaks The Return. Mais ce n'est pas tout, a été projeté également sur grand écran les 2 premiers épisodes de la saison 3... Il y eu également une exposition de fan-arts, ça et d'autres surprises... Bref, c'était un petit évènement où les fans de Lynch et de Twin Peaks ont pu se retrouver !Voir la version vidéo du podcast : sur la chaîne YouTube de GuiguiHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Our guest this week on The Working Songwriter hails from The Woodlands, Texas. Hayes Carll is a singer, songwriter, and storyteller whose sharp wit and plainspoken poetry first broke through with his 2002 debut, 'Flowers & Liquor.' That was followed by 2008's 'Trouble in Mind,' which delivered the hit "She Left Me for Jesus" and cemented his place among the genre's most distinctive voices. Carll has toured with artists like Old Crow Medicine Show, Todd Snider, and Alison Krauss and his songs have been covered by Miranda Lambert, Lee Ann Womack, and Kenny Chesney. He's recorded for Lost Highway, Dualtone, and Thirty Tigers and he's performed on stages from Newport Folk Festival to Austin City Limits and the Grand Ole Opry. 'Rolling Stone' praises his work for its "razor-sharp wit and lived-in warmth," while NPR notes his "keen eye for the human condition wrapped in disarming charm." 'American Songwriter' calls him "one of Americana's most reliable truth-tellers." Our show's most frequent guest pops by to discuss his latest album "We're Only Human" and finding a creative voice that's more true to himself.   Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods 

"Scala" It's hard to explain everything Barry Adamson did before he was thirty. By then, his resume' was so packed with highlights it was hard to believe there was room for more. But there was. Like, a lot more. Let me explain. The Manchester-born Barry Adamson got his start in music in the late '70s by playing bass for Magazine, a band led by ex-Buzzcock Howard DeVoto. Adamson, who was briefly in the Buzzcocks himself, went on to play with Visage and Luxuria before joining Nick Cave and the Bad Seeds. Adamson played on legendary Cave albums like From Her To Eternity and Kicking Against The Pricks and from there, he stepped into the Iggy Pop fold and toured with Mr. Pop in '87. By then, Adamson was close to thirty and in many ways, that's the point where he really started to spread his musical wings, realizing he liked being on his own than being one of the guys in a band. From there, Adamson started to explore electronic and dub-fueled soundscapes and he moved effortlessly from strength to strength, releasing classic solo albums like Moss Side Story, the 1992 Mercury Prize nominated Soul Murder and his new one, La Scala. More on that in a minute. Over the course of his winning career, Adamson has played with The Birthday, Party, collaborated with everyone from Pulp's Jarvis Crocker to Billy McKenzie of the Associates, contributed to movie soundtracks like David Lynch's Lost Highway and done remixes for everyone from Depeche Mode to The Jon Spencer Blues Explosion. His new album La Scala is the original score for the 2023 documentary Scala!!! Or, The Incredibly Strange Rise And Fall Of The World's Wildest Cinema. The film is a stirring and rousing homage to the legendary London arthouse movie theatre and Adamson's inventive score uses elements of jazz, funk and post-punk noir to detail the rise and fall of a building that meant a lot of people whose lives were saved by the freedom and spirit of life in the counterculture. www.barryadamson.com www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers IG + Bluesky: @emberspodcast Email: editor@stereoembersmagazine.com

paypal.me/LibroTobias ko-fi.com/asier24969 Continuamos el recorrido por la obra de David Lynch con su séptima película; “Lost Highway (Carretera Perdida)”. Estrenada en 1997, volvía reunir a David Lynch con el escritor Barry Gifford que ya había escritos dos guiones para los dos capítulos dirigidos por Lynch en la miniserie de 1994 “Hotel Room”. Con una magnífica dirección, una historia profunda y compleja y una excepcional banda sonora supuso sin embargo un enorme batacazo en taquilla y la división definitiva del gran público en lo que a su opinión sobre Lynch se refiere. Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

rWotD Episode 3181: Apple of Sodom (song) Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Sunday, 18 January 2026, is Apple of Sodom (song)."Apple of Sodom" is a song by American rock band Marilyn Manson. The track was recorded for the soundtrack to David Lynch's 1997 film Lost Highway. It was written by the band's eponymous vocalist and produced by Manson with Sean Beavan. Lynch personally chose the band to contribute music to the soundtrack as he found Manson inspiring, and because of the band's commercial viability. An industrial song about obsession, it was inspired by Manson's feelings about singer Fiona Apple; the eponymous apple of Sodom is a toxic plant. The song was followed by multiple collaborations between Manson and Lynch.The track received a mainly positive response from music critics, who commended its composition. A music video was directed by Joseph Cultice, although initially was not made public due to its low-budget nature and depiction of nudity. The clip was released to YouTube in 2009. It garnered critical acclaim and comparisons to the work of Manson's contemporaries.This recording reflects the Wikipedia text as of 00:23 UTC on Sunday, 18 January 2026.For the full current version of the article, see Apple of Sodom (song) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Ivy.

How do you host the perfect 24 hour movie marathon at home? What movies should you pick? Was David Lynch just parodying himself when he made this movie? How random is this cast? What video games can be considered "Lynch-ian"? What ARE the rules of the road? To help answer these questions and more, Jason welcomes back his friend James Blake Ewing as they tell you WHY Lost Highway is a hella rad movie from the '90s.Check out all of our podcasts on our home website ⁠⁠⁠⁠www.rabbitholepodcasts.com⁠⁠⁠⁠Support us by giving us a dollar! ⁠⁠⁠⁠patreon.com/rabbitholepods⁠⁠⁠⁠Questions, comments, concerns? Email Jason at ⁠whateverjasonsoto@gmail.com⁠

Have you heard the best parts of Nightmares on the Lost Highway, episodes 25 thru 29?

The birthday girl, Marissa, wanted to bring together a few friends to celebrate and experience David Lynch. The Ghouls are joined by Matt, Draper, & Chris as they sit down to watch Blue Velvet and Lost Highway. Stellar performances, deeper meanings, and the thrill of a Roger Ebert review are discussed. While everyone was good and confused, they all agree that Lynch is a master film maker for a reason. Learn more about your ad choices. Visit megaphone.fm/adchoices

Declassified December '25 Week 1 | The first of three listener favorite episodes unlocked from BCC: The Other Side!  Michael, Riley & Twin Peaks: The Return actor Eric Edelstein pay tribute to late filmmaker and artist David Lynch.  (This episode originally dropped on BCC: The Other Side.) To unlock new bonus episodes every month like this one, listen ad-free and get access to exclusive video check out ⁠BCC Clubhouse on Supercast⁠. Watch our review of David Lynch's Lost Highway on Youtube. BCC is Brought to You by... Miracle Made - Upgrade your sleep with Miracle Made! Go to ⁠⁠https://trymiracle.com/BCC⁠⁠ and use the code BCC to claim your FREE 3 PIECE TOWEL SET and SAVE over 40% OFF. -- SHOW INFORMATION Bigfoot Collectors Club is produced by Riley Bray and Michael McMillian YouTube Channel: ⁠https://youtube.com/@bigfootcollectorsclub⁠ BCC Merch Shop:   ⁠https://bigfoot-collectors-club-podcast-shop.fourthwall.com/collections/all⁠ Listener-Files Submissions: ⁠BigfootCollectorsClub@gmail.com⁠. Instagram: ⁠https://bit.ly/3W7izlL⁠ | Blue Sky: ⁠https://bsky.app/profile/bccpodcast.bsky.social⁠ Our theme song is “Come Alone,” by Suneaters, courtesy of ⁠Lotuspool Records⁠. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tonight I'm joined again by Doug Bielmeier, teaching professor, musician, and host of The Process for another Late Night Double Feature! In this episode we're talking about a pair of David Lynch films, Lost Highway & Inland Empire. Two movies centered around identity and warped realities, this pairing offers both an introduction to Lynch and a head first plunge into the deep end of his way of telling stories. YouTube Censored Version Join our Patreon to watch the uncut version! Show music by OGRE. Support the show!

For non-fiction November, and with a nod to NaNoWriMo (RIP), we're reading Catching the Big Fish: Meditation, Consciousness, and Creativity by David Lynch. Somehow this ended up falling exactly at the intersection of all our interests—creativity, art, yoga, film, science. It's all coming together. Show NotesOf course this made us want to do all the creative things. We just have to do them! We know. We know! We're getting there.This is such a great book to read in little snippets if you need a bit of creative inspiration.Are we going to have to try Transcendental Meditation? Apparently the Toronto TM centre is in the Royal York Hotel. Our next episode is our annual FUJK episode, in which we read something hella queer instead of the boy wizard series by she who must not be named. This year we're reading The Holiday Trap by Roan Parrish.And our last episode of the year will be our Holiday Wrap Up episode! How is almost 2026 already?Books and Movies by David LynchRoom to Dream by David Lynch and Kristine McKennaEraserhead (1977)The Elephant Man (1980)Dune (1984)Blue Velvet (1986)Wild At Heart (1990)Twin Peaks (1990-1991; 2017)Lost Highway (1997)Mulholland Drive (2001)Inland Empire (2006)

Before Nicole and Cole get to discussing Lost Highway (a.k.a. one of the most cursed things ever made) for two hours, Nicole shares a funny Instagram account that made her laugh so hard she drooled on her phone. Support Marvelous! on Patreon to get the full episode and more!

Jacki and Marissa end the Fall of Found Footage with a dive into V/H/S an V/H/S 2. The girls discuss the problem with characters you are rooting against, and the problematic representations of women and men in the first film. They are divided on the second film and it's shorts. Homework- David Lynch films Lost Highway and Blue Velvet Learn more about your ad choices. Visit megaphone.fm/adchoices

"We've met before, haven't we?" Maybe not, but we have talked about this movie before.Send us a textSupport the showPlease subscribe, rate, and review! Thank you for listening! Hope you enjoy!Instagram: http://instagram.com/moviestheyreprettygoodFacebook: https://www.facebook.com/profile.php?id=100087938154530Twitter: https://twitter.com/moviesgoodpodYouTube: https://www.youtube.com/channel/UC8iGT7riyJ_K2DFLwfbTemg

Our journey through the making of LOST HIGHWAY continues. With cameras finally rolling, David Lynch and his collaborators pushed deeper into the surreal and the subconscious — crafting a film defined by haunting sound design, elliptical editing, and an atmosphere of pure dread. But the road ahead wasn't easy. In this episode, we follow the production through its rocky release and trace how LOST HIGHWAY, once a commercial disappointment, found new life as a cult classic that would reshape the next phase of Lynch's career.

Yooooooo twin it's time 2 spook it up. Movies covered: Sinners, Bring Her Back, Lost Highway, Nosferatu (2024), 28 Years Later, Weapons, I Saw the TV Glow, If I Had Legs I'd Kick You, Begonia, Companion, Heretic, Revenge, Scary Movie (2000), Deep Red, Tenebre, The Devils

We continue David Lynch: Between Two Worlds with a journey into the nightmarish echo chamber of LOST HIGHWAY — a film that fractures time, identity, and genre into something both terrifying and seductive. Released in 1997, LOST HIGHWAY marked a turning point for Lynch: a return to darker, more experimental storytelling after TWIN PEAKS and FIRE WALK WITH ME alienated mainstream audiences. With a pulsing industrial score, a story co-written by WILD AT HEART novelist Barry Gifford, and one of the creepiest villains ever put to screen, Lynch delivered a noir-horror hybrid that confused critics but inspired a new generation of filmmakers and fans. In this episode, we begin our deep dive into the making of the film. We explore how Lynch's growing disillusionment with Hollywood, a surprising creative partnership with Barry Gifford, and a growing interest in identity and psychological fragmentation laid the groundwork for what would become one of the director's most enigmatic films. From the film's origins through its complex casting choices, this is the story of how LOST HIGHWAY began.

Dhruv and Cris meet Devarsi again outside the industrial hellscape of "Eraserhead" -- this time travelling alongside two new (hopefully recurring!) podcast guests, Rushnan and Vani -- on Lynch's "Lost Highway" to psychosexual hell.Listen to the full episode to hear us not only discuss Lynch's film in detail but also explore the myriad of seemingly oppositional ways -- from deeply subjective to almost clinically objective -- the film appeals to us.Major spoilers, of course, for "Lost Highway."TIME CODESIntroduction : [00:00 - 09:42]"Lost Highway": [09:42 - 01:18:20]Outro: [01:18:20 - 01:19:27]TEXT REFERENCED REPEATEDLY HERE"Room to Dream" (David Lynch & Kristine McKenna)."Premonitions Following an Evil Deed" (David Lynch, 1995)."The Eye of the Duck" (Mark Cousins' David Lynch Interview).Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people!Follow our Instagram page: ⁠⁠⁠⁠⁠⁠https://instagram.com/queenisdead.filmpodcast.⁠⁠⁠⁠⁠⁠You can watch Rushnan's 17-minute experimental short film, "The Angel of Forms" (2023) on Vimeo for free.You can also follow us on Instagram at:VANI: https://www.instagram.com/uwu_vani/.DEVARSI: https://www.instagram.com/devarsighosh/.RUSHNAN: https://www.instagram.com/rushnanjaleel/.CRIS: https://www.instagram.com/prdscris/.DHRUV: https://www.instagram.com/terminalcinema/.You can also follow us on Letterboxd at -DEVARSI: https://letterboxd.com/d2dag/.CRIS: https://letterboxd.com/crislim/.DHRUV: https://letterboxd.com/aterminalcinema/.

Make-up and prosthetics artist Debbie Zoller (LOST HIGHWAY, TWIN PEAKS: THE RETURN) first worked with David Lynch on LOST HIGHWAY. She discusses their two decades of friendship, and how she designed the look for some of his most iconic femme fatales.LADIES OF LYNCH explores the subversive female characters created by the late David Lynch, and the singular women who helped shape them. Season 9's guests include celebrated actor and filmmaker Isabella Rossellini; Lynch's daughter Jennifer Lynch; his producer of more than 30 years, Sabrina Sutherland; TWIN PEAKS co-creator Mark Frost; and the award-winning novelist Deborah Levy.Written and guest hosted by culture writer Simran Hans, these conversations with actors, writers, producers and craftspeople who worked directly with Lynch reveal insights about the enigmatic and much-missed filmmaker, and the provocative women he put on screen.TWIN PEAKS and TWIN PEAKS: A LIMITED EVENT SERIES are now streaming on MUBI in the US, UK, Ireland, Latin America, Germany, Turkey, Italy, Netherlands and India. LOST HIGHWAY is now streaming on MUBI in Latin America, India and France. MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

Today on the Podcast we discuss the life and career of the great, David Lynch.    EARLY YEARS ERASERHEAD (3:00) THE ELEPHANT MAN  (8:55) DUNE  (11:25) BLUE VELVET  (13:50) TWIN PEAKS  (17:55) WILD AT HEART  (27:35) TWIN PEAKS: FIRE WALK WITH ME  (32:25) LOST HIGHWAY  (35:45) THE STRAIGHT STORY  (39:40) MULHOLLAND DRIVE  (42:50) INLAND EMPIRE  (47:35) TWIN PEAKS: THE RETURN  (50:35)    

David Lynch's creative process was unconventional in many ways. For example, he preferred sketching his ideas as images to explaining them in words. Producer Sabrina Sutherland worked with him for more than 30 years. How did she find the language to help translate his vision to screen?LADIES OF LYNCH explores the subversive female characters created by the late David Lynch, and the singular women who helped shape them. Season 9's guests include celebrated actor and filmmaker Isabella Rossellini; Lynch's daughter Jennifer Lynch; his producer of more than 30 years, Sabrina Sutherland; TWIN PEAKS co-creator Mark Frost; and the award-winning novelist Deborah Levy.Written and guest hosted by culture writer Simran Hans, these conversations with actors, writers, producers and craftspeople who worked directly with Lynch reveal insights about the enigmatic and much-missed filmmaker, and the provocative women he put on screen.TWIN PEAKS and TWIN PEAKS: A LIMITED EVENT SERIES are now streaming on MUBI in the US, UK, Ireland, Latin America, Germany, Turkey, Italy, Netherlands and India. MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

It's September, and to celebrate the fall season, we are doing a month of David Lynch movies. Lynch is criminally under represented in the Top 250, so we wanted to honor the legendary film maker with a run of some of his most acclaimed work. This week, we watch Lost Highway (1997).

Earlier this year we lost one of the greatest filmmakers to ever do it, David Lynch. From the surrealism of Lost Highway to the melancholic charm of The Straight Story, Lynch embraced a wide range of artistic sensibilities across multiple mediums. His work can charm, terrorize, tittilate, and provoke, often times through a single image. This is especially true for Mulholland Drive, perhaps the most accessible of his notoriously cryptic original works. Largely considered one of the best films ever made, Mulholland Drive is a magnum opus by every metric. Today we honor Lynch's artistic legacy by doing our darndest to crack this deeply moving neo-noir thriller as wide open as can be (spoiler alert: it's more about us than the film itself, as is fitting to Lynch's modus operandi). Be sure to follow I Like to Movie Movie on Instagram and Twitter, and check out ScullyVision for more fun stuff. Check out .ask on TubiTV as well as Found Footage Finds on FoundTV. Fix your hearts or die! RIP David Lynch.

For the year 2025, we wanted to explore the directors who created the magical movie moments and see how these legendary directors left their stamp on cinematography  for years to come.Intro Music: Fly Forward by YariThe Talkers:HoppocalypseItisdpayne⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitch.tv/itisdpayne⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Troisième et dernière partie de notre long podcast en hommage à David Lynch. Bien entendu, il reste quelques perles à défendre, comme les formidables LOST HIGHWAY et UNE HISTOIRE VRAIE. Mais il faut également reconnaître que c'est à cette époque-là que le réalisateur de BLUE VELVET et ELEPHANT MAN perd Julien Dupuy, Stéphane Moïssakis et Rafik Djoumi dans les méandres de son cinéma, notamment dès MULHOLLAND DRIVE (considéré comme un classique indéniable aujourd'hui) et INLAND EMPIRE. Reste quelques émotions dans TWIN PEAKS : THE RETURN que l'ami Érich Vogel souhaitait défendre dans cette dernière partie. Bon voyage, David Lynch !Retrouvez toutes nos émissions sur http://www.capturemag.frPour nous soutenir, il y a deux adresses :PATREON : https://www.patreon.com/capturemagTIPEEE : https://www.tipeee.com/capture-magLISEZ CAPTURE MAG !Toutes nos revues sont disponibles dans les librairies, les magasins de produits culturels et sites marchands.Akileos : https://bit.ly/AkilsCMCapture Mag est sur LETTERBOXD : https://letterboxd.com/CaptureMag/En MP3 sur Acast : https://bit.ly/3v6ee7sSur SPOTIFY : https://spoti.fi/3PJYnF3Sur DEEZER : https://bit.ly/2wtDauUSur APPLE podcasts : https://apple.co/2UW3AyO#twinpeaks #DavidLynch #MulhollandDrive Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

On this episode of They Live By Film, Adam, Chris, and Zach watch three films by Adam's favourite directors: Strangers on a Train by Hitchcock, Shame by Bergman, and Lost Highway by Lynch. New Substack: https://theylivebyfilm.substack.com/Youtube: https://www.youtube.com/@theylivebyfilmPunk Vacation: An Unofficial Vinegar Syndrome Podcast: https://podfollow.com/1760290937Wild Side: The Official Mondo Macabro Podcast: https://podfollow.com/1762695719Adam's Letterboxd: https://letterboxd.com/TheOwls23/Adam's Bluesky: https://bsky.app/profile/adamlundy.bsky.socialZach's Letterboxd: https://letterboxd.com/dharmabombs/Chris' subreddit: https://www.reddit.com/r/personalhistoryoffilm

Coming Soon. LADIES OF LYNCHLADIES OF LYNCH explores the subversive female characters created by the late David Lynch, and the singular women who helped shape them. Season 9's guests include celebrated actor and filmmaker Isabella Rossellini; Lynch's daughter Jennifer Lynch; his producer of more than 30 years, Sabrina Sutherland; TWIN PEAKS co-creator Mark Frost; and the award-winning novelist Deborah Levy.Written and guest hosted by culture writer Simran Hans, these conversations with actors, writers, producers and craftspeople who worked directly with Lynch reveal insights about the enigmatic and much-missed filmmaker, and the provocative women he put on screen.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

On the 468th episode of Piecing It Together, we are LIVE from Maya Cinemas in Las Vegas with Celine Ochoa, William Moessinger and Ernest Curcio to talk about Zach Cregger's wildly anticipated Weapons! Puzzle pieces include Longlegs, Lost Highway, The Hunt and Tangled.As always, SPOILER ALERT for Weapons and the movies we discuss!Written by Zach CreggerDirected by Zach CreggerStarring Josh Brolin, Julia Garner, Alden Ehrenreich, Austin Abrams, Amy MadiganWarner BrosCeline Ochoa is a filmmaker from Las Vegas, NV.Follow her on Instagram @celine0ch0aErnest Curcio is a versatile stage and film actor known for his dynamic performances in both classical and contemporary roles.He will next be seen in the horror feature Jane Doe with production starting in February 2026.Check out Ernest's IMDb at https://www.imdb.com/name/nm1661978/And follow Ernest on Instagram @ernestcurcioWilliam Moessinger is an actor known for his roles in Exposure (2014) and All I Am (2024).He will next be seen in the horror feature Jane Doe with production starting in February 2026.Check out William's IMDb at https://www.imdb.com/name/nm6847112/My latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Shaking" which you can watch at https://www.youtube.com/watch?v=wzm8s4nuqlAThe song at the end of the episode is from my next David Rosen album, coming sometime soon.Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at

Menetrend:00:00:00 - Csupasz pisztoly (2025)00:22:30 - Végső állomás - Vérvonalak00:34:25 - A Fantasztikus 4-es: Első lépések00:46:55 - Lynch-sorozat: Lost Highway - Útvesztőben01:51:30 - Ajánljuk még (Az eternauta, Midnight Eye: Gokû, Built in Birmingham: Brady & the Blues)Meghívott vendégek: Wostry Ferenc, Borbíró András

In 2018, film editor, producer, writer, and director Mary Sweeney sat down for a wide-ranging conversation about her career — from growing up in Madison, Wisconsin, to collaborating with one of the most visionary directors of our time, David Lynch. That conversation traced her evolution as an artist, her pivotal role in shaping films like Lost Highway, The Straight Story, and Mulholland Drive, and the intimate creative and personal relationship she shared with Lynch. Seven years later, in the wake of Lynch's death in early 2025, Sweeney returns for a follow-up conversation, recorded in a Paris hotel room nearly to the day of the original talk. While she has grown and evolved in the intervening years, she is also, unmistakably, in the process of mourning. This new conversation captures a deeply human moment: a woman navigating the complexities of grief, memory, and creative identity after the loss of a longtime collaborator and partner. Sweeney reflects not only on the legacy of her work with Lynch, but also on her ongoing life as an artist, mentor, and teacher. She speaks candidly about the challenge of being defined by a past she helped create, even as she seeks to shape new stories. There's a tension between wanting to move forward and being drawn back to moments that shaped her — and a palpable vulnerability in her willingness to explore that contradiction publicly. Paris itself plays a quiet role in the conversation — a place of reflection and ritual that has become part of Sweeney's life in recent years. The setting adds to the emotional texture of the interview: past and present gently overlapping in a city known for memory and reinvention. If the first conversation served as a kind of time capsule — a snapshot of a creative life at a particular moment — this follow-up serves as both an epilogue and a revision. It expands the story, complicates it, and deepens it. In the language of film, it might be called a director's cut: longer, more revealing, more personal. Ultimately, this episode is about how stories are shaped, reshaped, and sometimes reclaimed. About how we carry our experiences forward. And about how, even in the face of loss, we find ways to keep creating — and keep becoming. www.third-story.com www.leosidran.substack.com www.wbgo.org/podcast/the-third-story

We've finally arrived at the end. Back in April, we started watching the landmark television show Twin Peaks (first viewings for both Reed and Nathan). In May, we began to make our way through the feature films of the late David Lynch.For the next three months, we would dive deep into Lynch's work. We debated, we pondered, we puzzled, we cheered, and we often simply sat in a certain degree of anxious wonder. From Eraserhead to The Straight Story, from Lost Highway to Mulholland Drive, and all the way through the landscape of Twin Peaks... we catalogued a master at work.So now, we reflect on our key takeaways. We examine which moments and characters stayed with us, the good, the bad, and the utterly wild. We also rank our personal selections for each of the feature films. It's a chance to breathe, a chance to unwind, and a chance to debrief. If you've been with us through this whole journey, let us know your thoughts. If you're just checking us out, let this episode serve as a primer for some of the observations and conversations over the past three months.Either way, we hope you enjoy it. Our log has a message for you...2:43 - That Ain't Right and That's So Right38:48 - Our Favorite Characters1:09 - Ranking the films of David Lynch1:41 - Final ThoughtsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join us as we unravel the mystery of David's Lynch's Lost Highway

“I said, ‘Well, uh, my team and I would love to see the video,' and the woman at Lost Highway said, ‘All right, let me pop a VHS in FedEx, it'll be there tomorrow morning.' So, we watched the Johnny Cash Hurt music video and once we'd wiped a tear out of our eyes, I got on the phone. I said, ‘Retta, put us in, coach. We want to play.' And the rest is history. It was and remains still the most iconic music video of an artist doing a cover to date.” – Andy Gesner This episode's guest is the owner and president of HIP, one of the most trusted names in music marketing. He's been releasing records since 1979, giving him firsthand insight into the complexities of the music industry, and he's channeled his expertise and passion for music into uplifting fellow artists over the past twenty-four years. He and his team have promoted over 4,800 music videos, championing some of the most renowned artists and best indie talent from all corners of the globe.His name is Andy Gesner, and if you're a musician, this is a conversation you don't want to miss. I know how hard it can be these days to make a living from your art, and it can be even harder if you don't pay attention to marketing. If you're creative, you have to wear a lot of hats, and if you're looking for tips, Andy has some great ones to share in this two-part discussion.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that. (0:00:00) - From Sound to PromotionOur conversation starts off with Andy's very first memory of sound, which just happens to be the Beatles' historic performance on The Ed Sullivan Show. “Well, my sister starts screaming like a banshee and she starts twirling around like a whirling dervish,” he recalls. “And I look over at my brother, and his jaw hits the floor. And I look at this little black and white TV and there are these four guys with what at the time was considerably long hair.” He tells us about how his career shifted from performance to promotion, and what his work on Johnny Cash's classic “Hurt” video taught him about taking creative risks. “It was like, ‘We can't play a Johnny Cash video on MTV, no way,'" he remembers producers saying at the time. “People thought Johnny's version of Hurt was a bit too out there. But you and I both know, as a marketing person, you present, and the public decides.”(0:19:46) - The Importance of Music VideosOur discussion turns to how the digital era has reshaped music promotion and how the music videos of the ‘80s paved the way for today's influencer culture. “Now more than ever,” he explains, “artists, independent creatives, are public figures, and you can't just sit on the couch and say, ‘Hey, I'm not going to do any of that public figure stuff, I just want the world to love me for my music.' Those days are over.” We talk about the bands that, starting around the turn of the 21st century, have had to rely on video and online marketing instead of radio airplay, and he shares a memorable example. “I remember in 2007,” Andy says, “sending...

We're continuing our series on the films of David Lynch this week with what is arguably his most unusual entry: THE STRAIGHT STORY. Lynch had built a reputation on bizarre works like Eraserhead and Lost Highway. His films were often filled with graphic sex and violence as in Blue Velvet, Twin Peaks: Fire Walk with Me, or even Wild at Heart. So, when his gentle, elegant, G-rated Disney film was released, it turned more than a few heads and earned him some of the most broadly universal acclaim of his career.The Straight Story tells of Alvin Straight, an elderly and ailing man who learns that his brother has suffered a stroke. Unable to drive a car, he determines to set out on a nearly 400-mile journey to visit his brother on a riding lawnmower, embarking upon an episodic journey filled with interesting characters and beautiful landscapes. It is a remarkably spiritual journey of potent wisdom and uncommon grace, offered up with a degree of humanity that perhaps could have only been expressed by the late David Lynch.We're joined by Andrew Nelson and Matt Murray to discuss the film's finer details as well as debate the wisdom of Alvin Straight's quest and explore just how far we might go in order to put things right. It's a thoughtful, funny, and vulnerable conversation that we really hope you'll enjoy.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week we're excited to present a conversation with cinematographer Peter Deming, who recently joined us for two special screenings of David Lynch's Lost Highway, courtesy of Deming's personally owned 35mm film print. This conversation was moderated by FLC programmer Dan Sullivan. Most of Lynch's later films straddle (at least) two realities, and their most ominous moments arise from a dawning awareness that one world is about to yield to another. In Lost Highway we are introduced to brooding jazz saxophonist Fred Madison (Bill Pullman) while he lives in a simmering state of jealousy with his listless and possibly unfaithful wife Renee (Patricia Arquette). About one hour in, a rupture fundamentally alters the narrative logic of the film and the world itself becomes a nightmare embodiment of a consciousness out of control. Lost Highway marked a return from the wilderness for Lynch, and the arrival of his more radical expressionism—alternating omnipresent darkness with overexposed whiteouts, dead air with the belligerent soundtrack assault of industrial metal bands, and the tactile sensation that everything is really happening with the infinite delusions of schizophrenic thought. Lost Highway is a Janus Films release.

 April 7-13, 1990 This week Ken welcomes author of super cool graphic novel Von Bach, and man behind the fanstic YouTube channel Hammered Out, owenhammer.com/hammered-out.html, Owen "The Hammer" Hammer.   Ken and Owen discuss Hammered out, ABC's reputation, Twin Peaks, the premiere of Twin Peaks, David Lynch, film criticism, media review, how the actors aren't always the best person to have insight into a show they are on, Jim Belushi, Jay Larson, Twin Peaks the Return, the 4 and a half hour Twin Peaks explained Twin Perfect YouTube video, how there IS an explanation for Twin Peaks, avoiding conspiracies, artist intent, the late 80s early 90s meta fiction trend, Animal Man, Perfect Blue, the only bad movies are boring and/or insincere, Donnie Yen, Star Wars, Rogue One, water cooler media, On the Air, people not expecting humor from David Lynch, Fire Walk with Me, mid-season replacements, Comedy Central the Comedy Channel and HA!, how Lost Highway is Lynch's criticism of Quinten Tarantino, superficial readings, missing the point, TM, Eastern Mysticism, Henry Rollins, Bill Cosby, Mad Movies, MST3k, loving Murder She Wrote so watching Twin Peaks, John Waters, Looney Tunes, The Simpsons, David Lynch bringing a cow and a marching band around to publicize Inland Empire, the 1977 Jesus of Nazareth, how Laura Palmer is self aware, murder on TV, what it means to be human, The Incredible Hulk, Alien Nation, Ken Johnson, Dobie Gillis, the lambada, Missing in Action III, America's Funniest Home Videos, Star Trek the Next Generation, pigs getting sunburned, being offended by bungee cord based sneaker ads, and the greatness of Nick at Nite. 

Welcome to Dev Game Club, where this week we continue our series on walking simulators with 2012's Dear Esther, played here in a 2017 "Landmark Edition" but based on a 2007 Source mod for Half-Life 2. We of course set the game in its time, spend a fair amount of time on randomness and meaning, and open the cellar door. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: The whole shebang Issues covered: walking simulators, 2012 in games, a little history of The Chinese Room (the company), a little digression on The Chinese Room (the thought experiment), influences, developing in the mod community, the role of randomness, discovering the randomness, justifying the randomness, mod communities replaying games, not discussing games as you play them, writers having the same space to play, 30 seconds of depressing poetry, "cellar door," a quality of lovely phonemes, the facts we know and the things we might interpret, a dreamy narrative space, Tim reveals his baseball knowledge, a metaphor for grief and an otherworldly space, rebirth, a car accident setting vs a gurney setting, things you can miss, not a thing video games would do, appreciating a new design space, directors' commentaries, crematory urns, one of the props, the impact of the ultrasound, needing to relate to the characters, the potential for missing things. Games, people, and influences mentioned or discussed: Fez, The Stanley Parable, The Chinese Room, Dishonored, Halo 4, Diablo III, Kingdom Hearts 3D: Dream Drop Distance, Forza Horizon, New Super Mario Bros U, Far Cry 3, XCOM Enemy Unknown, Alan Wake's American Nightware, Hitman Absolution, Assassin's Creed 3, Max Payne 3, Mass Effect 3, Borderlands 2, Darksiders 2, Spec Ops: The Line, Dragon's Dogma, Fez, Journey, The Walking Dead, Hotline Miami, Spelunky, Papo y Yo, Bastion, Super Hexagon, Sumo Digital, Dan Pinchbeck, Jessica Curry, Rob Briscoe, Independent Games Festival, Korsakovia, Amnesia: A Machine for Pigs, Everyone's Gone to the Rapture, Unity, CryEngine, Little Orpheus, Still Wakes the Deep, Vampire: Bloodlines (series), Hardsuit Labs, Brian Mitsoda, John Searle, Alan Turing, William S. Burroughs, Nigel Carrington, Proteus, Halo, Drew Barrymore, Donnie Darko, Rogue Legacy 2, David Lynch, Lost Highway, Inland Empire, Laura Dern, Waiting for Godot, True West, Sam Shepard, Firewatch, LucasArts, 343 Games, Kevin Schmitt, Metal Gear, Death Stranding, Trespasser, Tacoma, Jedi Starfighter, Daron Stinnett, Outer Wilds, Kirk Hamilton, Aaron Evers, Mark Garcia. Next time: The Stanley Parable Twitch: timlongojr  Discord  DevGameClub@gmail.com 

We continue our series examining the films of the late David Lynch by tackling one of his most elusive and bleak visions of sex and violence: LOST HIGHWAY. We're joined by special guest Matt Cosper to unpack the surrealist fever dream of a man trapped between two lives, two minds, and perhaps even two souls. It's a compelling portrait of the inability to cope with who we are and what we've done, traversing through wishes and memory as only David Lynch could do it. Although the film's focus on the darker shades of human nature is sometimes challenging and even potentially offensive, it's also a rich exploration of the mental, emotional, and even spiritual landscapes that sit within each of us.Head with us as we head 90 miles an hour down a dark and frightening road and we really hope you enjoy the ride.4:42 - Two Questions for Matt Cosper25:35 - LOST HIGHWAYSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

David, Devindra, and Jeff get involved in some on-air scandals with Jerry Springer: Fights, Camera, Action, remember the late great David Lynch with Lost Highway, and compete in a game of wits with The Devil's Plan. Then they are transformed for their review of Leigh Whannell's latest thriller Wolf Man. We're making video versions of our reviews! Be sure to follow us on the following platforms: YouTube Tiktok Instagram Threads Thanks to our SPONSOR:  QUIP: Free your mouth today and save 20% sitewide, plus a FREE travel case and countertop stand at getquip.com/filmcastpod Weekly Plugs David - Decoding Everything: Matt Goldberg's review of Wolf Man Devindra - Engadget Podcast leading up to the TikTok mess + NVIDIA's AI NPCs are a nightmare  Jeff - Jeff's Cameo Page Shownotes (All timestamps are approximate only)    What we've been watching (~00:16:52) David - Jerry Springer: Fights, Camera, Action, Lucky You Devindra - Lost Highway, MadS, Sakamoto Days Jeff - The Devil's Plan, How It's Made, Severance S2 Featured Review (~01:05:57)     Wolf Man SPOILERS (~01:25:47) Support David's artistic endeavors at his Patreon and subscribe to his free newsletter Decoding Everything. Check out Jeff Cannata's podcasts DLC and We Have Concerns. Listen to Devindra's podcast with Engadget on all things tech. You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Credits: Our theme song is by Tim McEwan from The Midnight. This episode was edited by Noah Ross who also created our weekly plugs and spoiler bumper music. Our Slashfilmcourt music comes from Simon Harris. If you'd like advertise with us or sponsor us, please e-mail slashfilmcast@gmail.com. You can support the podcast by going to patreon.com/filmpodcast or by leaving a review on Apple Podcasts.