Podcasts about Lost Highway

We hope you don't get lost on the highway to this episode because we're taking a detour into the obtuse, dreamlike world of 90s cinema with David Lynch's 1997 head-scratcher, Lost Highway. As the fourth entry in our Liminal Spaces season, we're trying to figure out if we're on a road to nowhere or just stuck in a psychogenic fugue state. To help us navigate this noir nightmare. We've bought back Jamie from the Final Transmission podcast! You might remember Jamie from his debut in our Season 4 episode about The Blair Witch Project, and he's returned to help us solve a movie that even the director refuses to explain. We tackle the ethereal dualities of Patricia Arquette, wonder why Bill Pullman is so committed to strobe jazz sax solos, and witness the final, heartbreaking performance of Richard Pryor. We also dive into the horror of the Mystery Man played by Robert Blake, discuss the 90s movies trend of circular plagiarism, and finally address why Balthazar Getty has been a rising star since the Filofax era. Plus, Dan reveals his theory that the script was written by Barry Gibb and we explore the cinema of industrial soundtracks featuring Rammstein, Marilyn Manson and David Bowie. What to expect from the episode: We debate whether Fred Madison is the alpha or just a gut with a very overactive imagination. Jamie explains why this is his favourite Lynch film while Dan struggles to find any evidence of someone being kicked from the head or jumping onto a helicopter. We explore the theory that the entire movie was subconsciously inspired by the O.J. Simpson trial. Discussion around David Lynch's big hat and megaphone approach to on-set social distancing. We investigate the vampiric makeup choices and the quintessentially noir lighting of Peter Deming. This season has eight episodes, concluding July 6th Would you like to see the full lineup for season 15? The only place you can see it is on Patreon but you don't need to be a paying member. Sign up for a free membership and get access to the lineup. If you're a fan of the show and want more content, check out our £3.00 a month tier on Patreon where we release our end of season wrap shows and 2 reviews of brand new movies every month. Plus you'll get access to our back catalogue from 2023 onwards. Enjoy the show but can't support us financially? We get it. You could submit a review on the podcast player you're reading this on right now. Or if you listen on Spotify and you haven't given us a five-star rating yet, what are ye waiting for? It's easy. If you've done some or all of that and still want to do more, we would love it if you tell a friend about the show.   Or come find us on social media: Instagram | TikTok | Threads | YouTube

Backrooms (2026) Directed by: Kane Parsons Written by: Will Sudick Starring: Chiwetel Ejiofor, Renate Reinsve, Mark Duplass, Finn Bennett, Lukita Maxwell IMDB: Backrooms (2026) Episode Summary In this episode of Mindframes, Michael and Dave discuss Backrooms (2026), an A24 horror film directed by 20-year-old YouTube filmmaker and wunderkind Kane Parsons — believed to be the youngest person to ever direct a widely released feature film. The discussion covers the film's expansion of the internet liminal space phenomenon into a feature-length narrative, its Tarkovsky-esque atmosphere, and the remarkable work of cinematographer Jeremy Cox and production designer Danny Vermette in bringing 30,000 square feet of meticulously constructed sets to life. The conversation digs deep into why liminal spaces resonate so powerfully with contemporary audiences — and with Gen Z in particular — framing the backrooms not just as a horror setting but as a cultural symptom of a society in uneasy transition. Both hosts award the film five stars, with Michael calling it the best film he's seen this year.

Peter Deming, ASC on shooting Evil Dead 2 with director Sam Raimi and working with director David Lynch on Lost Highway, Mulholland Drive, and Twin Peaks. Find Peter Deming: Instagram @peter_deming Spider Noir is now streaming on MGM Plus and Amazon Prime. The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

On this week's episode, Jeremy hits the endless road with It Ends, while Brandy Joe loses himself in David Lynch's nightmare puzzle with Lost Highway. Time Stamps: It Ends - 24:40 Lost Highway - 44:17 We'd love to hear from you! Send your terrorgrams to scaringissharing@gmail.com. Also, check out all the other awesome shows coming at you from the Planet Ant/Planet Ant Podcast multiverse! Check out merch & more: https://linktr.ee/scaringissharing

This week, hosts Jim DeRogatis and Greg Kot dig into Willie Nelson's vast catalog of 150+ albums. Along with author Geoffrey Himes, they highlight the “five essential” albums people should hear. They also review the latest album from Kacey Musgraves.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Willie Nelson, "Stardust," Stardust, Columbia, 1978The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Kacey Musgraves, "Dry Spell," Middle of Nowhere, Lost Highway, 2026Kacey Musgraves, "Middle of Nowhere," Middle of Nowhere, Lost Highway, 2026Kacey Musgraves, "Horses and Divorces (featuring Miranda Lambert)," Middle of Nowhere, Lost Highway, 2026Kacey Musgraves, "Uncertain, TX (featuring Willie Nelson)," Middle of Nowhere, Lost Highway, 2026Willie Nelson, "Blue Eyes Crying in the Rain," Red Headed Stranger, Columbia, 1975Willie Nelson, "Phases and Stages (Theme) / Washing the Dishes," Phases and Stages, Atlantic, 1974Willie Nelson, "Bloody Mary Morning," Phases and Stages, Atlantic, 1974Willie Nelson, "Help Me Make It Through the Night," Sings Kristofferson, Columbia, 1979Willie Nelson, "Georgia On My Mind," Stardust, Columbia, 1978Willie Nelson, "I Guess I've Come to Live Here in Your Eyes," Spirit, Island, 1996Willie Nelson, "On the Road Again (Live)," Live! At The US Festival (June 4, 1983), Shout! Factory, 1983Willie Nelson, "Last Man Standing," Last Man Standing, Legacy, 2018Willie Nelson, "Always on My Mind," Always on My Mind, Columbia, 1982Gary Stewart, "She's Actin' Single (I'm Drinkin' Doubles)," Out of Hand, RCA Victor, 1975See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this very special episode, Kyle and Wayne speak with Joko Anwar, the award-winning Indonesian director of Satan's Slaves and Impetigore, about his latest film: the horror-comedy, Ghost in the Cell.►WATCH GHOST IN THE CELL NOW:Golden Village Cinemas►FOLLOW JOKO ANWAR:Instagram►THIS EPISODE'S HORROR RECOMMENDATIONS:Impetigore (2019)The Lennon Sisters - Tonight You Belong To Me (1956)Don't Look Now (1973)The Exorcist (1973)The Changeling (1980)Lost Highway (1997)►DEAD AIR CREDITS:Wayne Rée - Host / WriterKyle Ong - Host / ProducerJoline Lim - Art Director►SUPPORT & FIND US HERE:HANTU InstagramHANTU YouTubeHANTU TikTokHANTU FacebookHANTU TwitterHANTU WebsiteHANTU Patreon ►MUSIC CREDITS:Kevin Macleod: https://incompetech.comMyuu: https://www.youtube.com/user/myuujiArtlist: https://artlist.io/ ►EQUIPMENTS:Dead Air is recorded on Audio-Technica Mics. Hosted on Acast. See acast.com/privacy for more information.

                   It's in the Red this weekHere's the Playlist: Time Girl Civic Taken By ForceOne Chord Wonders The Adverts Crossing the Red Sea With The AdvertsLost Highway The Replacements Songs...

Sinema yazarı ve çevirmen Fatma Cihan Akkartal ve yazar Hakan Bıçakcı ile Gece Vardiyası, ayda 2 defa Pazartesi akşamları karşınızda... 

The Lost Highway, The Fly of The Lobster … voor liefhebbers van het genre zijn er bijzonder veel intrigerende, ongemakkelijke films te bekijken. Maar wat is de aantrekkingskracht van dat ongemak? Waarom houden we van films die ons uit onze comfort zone duwen en ons misschien zelfs angst aanjagen? Anneleen Masschelein, cultuurwetenschapper aan de KU Leuven, introduceert het 'unheimliche', troont ons mee naar Uncanny Valley én trakteert op een resem prikkelende film-en serietips. Gastspreker: Anneleen MasscheleinPresentatie: Lotte De CaluweRedactie: Shalini Van den LangenberghEindredactie: Katleen BrackeDeze podcast is mogelijk dankzij de medewerking van KU Leuven, UAntwerpen, UGent, UHasselt, VUB en de Jonge Academie en komt tot stand met de steun van VRT en de Vlaamse overheid.

 | Artist  | Title  | Album Name  | Album Copyright  | The Boneshakers  | I Need Somebody  | Live to Be This  |   | Doug MacLeod  | The Seen And The Unseen  | Between Somewhere And Goodbye  | Burnin' Sensations  | Touchy Subjects  | Welcome to the Church of Rock and Roll  | Chuck Berry  | Little Queenie  | The Ultimate Collection cd 2  | Fats Domino  | Rockin' Chair  | Roots of Rock N' Roll Vol 7 1951  | Bill Haley & His Comets  | Rudy's Rock  | Great Rock 'n Roll Instrumentals, Vol. 1 CD 2  | Bo Diddley  | I Can Tell  | Down Home Blues, Chicago Vol 3; The Special Stuff 4-4  | Bananafish  | Casey And Hayes  | Boston Bananafish CD1  | Emanuel Casablanca  | Brooklyn Groove  | It's Getting Strange  |   | New Moon Jelly Roll Freedom Rockers  | Blues For Yesterday (Feat Charlie Musselwhite)  | New Moon Jelly Roll Freedom Rockers Vol 2  | Johnny Winter  | Sweet Papa John  | The Johnny Winter Story CD3  | Myles Goodwyn and Friends of the Blues  | (Bonus Track) Even Singing Cowboys Get The Blues  | Myles Goodwyn and Friends of the Blues 2  | Blind Willie Johnson  | God Don't Never Change  | The Complete Blind Willie Johnson (1 of 2)  | Asylum Street Spankers  | Right And Wrong  | God's Favorite Band  |   | The Old Ramblers  | Viola Lee  | Old Ramblers  |   | Khalif Wailin' Walter  | Bang (Interlude)  | Nothin' Left To Lose  |   | Long Haul Paul  | Over The Road  | Legends of the Lost Highway

Hosts Jim DeRogatis and Greg Kot explore the history of Chicago's Bloodshot Records, an iconic, insurgent country music label. They talk with co-founder Rob Miller about the music and the business of running an independent label. They'll also share some of their favorite songs from the vast catalog. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Robbie Fulks, "Every Kind Of Music But Country," Country Love Songs, Bloodshot, 1996The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967The Bottle Rockets, "Every Kinda Everything," For A Life of Sin: Insurgent Chicago Country, Bloodshot, 1994Jason & the Scorchers, "Lost Highway," Lost & Found, EMI, 1985Hank Williams, "Lost Highway," Lost Highway (Single), MGM, 1949Scott H. Biram, "Blood Sweat and Murder," For a Decade of Sin: 11 Years of Bloodshot Records, Bloodshot, 2005Handsome Family, "Tower of Song," Too Late to Pray: Defiant Chicago Roots, Bloodshot, 2019Justin Townes Earle, "Far Away in Another Town," The Good Life, Bloodshot, 2008Alejandro Escovedo, "Castanets," A Man Under the Influence, Bloodshot, 2001Lydia Loveless, "Bad Way to Go," Indestructable Machine, Bloodshot, 2011Neko Case, "Deep Red Bells," Blacklisted, Bloodshot, 2002Neil Young, "Rockin' in the Free World," Freedom, Reprise, 1989See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week is lucky #13 of our series called “Degrees Of Separation…” where we discuss side projects and solo releases from artists we love. This episode focuses on the mega-intense, stage-stalking, heavy-throated, part-animal, part-machine literary punk rock icon: HENRY ROLLINS! Kevin's appreciation and fandom of old Hank goes all the way back to his rock n' roll beginnings! If you only know him as that red guy screaming Liar in that '90s video, or as the dude that is on every rockumentary, we hope we turn you on to something new. Search & destroy!!! New to InObscuria? It's all about digging up obscure Rock n' Punk n' Metal from one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. While we may be talking about an artist that many of you know in this episode, perhaps you are not aware of the depth of his work and collabs from the early 80s to the 2000s. Hope ya dig! Songs this week include: Black Flag - “My War” from My War (1984) Iommi - “Laughing Man (In The Devil Mask)” from Iommi (2000) Henry Rollins - “Hot Animal Machine 1” from Hot Animal Machine (1987) Rollins Band - “You Didn't Need” from The End Of Silence (1992) S.O.A - “Girl Problems” from No Policy (1981) Mike Watt - “Sexual Military Dynamics” from Ball-Hog Or Tugboat (1995) Rollins Band - “Love's So Heavy” from Get Some Go Again (2000) Henry Rollins - “It's Kiss! Pt.1 - Excerpt” from Talk Is Cheap, Vol. 2 (2002) Visit us: https://inobscuria.com/ https://www.facebook.com/InObscuria https://twitter.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=u Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/ If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

A long overdue project from Jess Van Ness, in nearly 30 years this is the first full Drum & Bass mix ever released to the public. This liquid d&b set is melodies, moods, and magic perfect for a sunset or sunrise. Set List: Pictures - Nelver Raindrops - Alpha Rhythm, Nelver Triangle Shift - Invold Meditation (Outrage Remix) - DJ Crystl, Outrage The Whole Truth - Subject 13 Orange & Red - Oversight, Blean Mistakes - Unknown Artist No More - Overtown La Vem Ela - Unknown Artist Love Observatory (Extended Mix) - Airwave Hide U (Outrage & Markee Ledge Long Remix) - Kosheen 21st Century (Bladerunner Remix) - DJ Ron Children Of The Night - Stunna, The Colonel, Calculon, Magnetic Soul (DNB) All I Ever Want feat. Ayah Marar - Outrage, Ayah Marar Peaced Out - Winslow

Kan man virkelig blive rørt af en gyser?I denne uge har Jacob Ege Hinchely besøg af Anders Bøtter, og sammen dykker de ned i to vidt forskellige filmoplevelser - fra moderne horror til en af filmhistoriens mest hyldede værker.Først anmelder de Good Boy (2025), en usædvanlig gyser, der leger med perspektiv og fortælleform. Filmen er instrueret af Ben Leonberg (The Fisherman's Wife, Bare Thoughts) og man følger hunden Indy (Daredevil: Born Again, Toni's Film Club), og dens ejer, hvor fortællingen opleves fra hundens perspektiv, og langsomt afslører en mørk og urovækkende virkelighed bag deres relation.Jacob og Anders taler om dens visuelle originalitet og stemningsopbygning og om den er tro mod hundens faktiske natur.Herefter vender de blikket mod Mulholland Drive (2001), instrueret af David Lynch (Blue Velvet, Lost Highway), som i år kan fejre 25-års jubilæum - og som ofte bliver fremhævet som en af de mest hyldede film nogensinde.
Filmen følger en ung kvinde spillet af Naomi Watts (The Ring, King Kong), der ankommer til Hollywood og bliver viklet ind i et drømmeagtigt mysterium om identitet, kærlighed og illusioner i filmbranchen.
Jacob og Anders gennemgår filmens drømmeagtige handling og taler om, hvordan den står som et selvstændigt værk i Lynchs filmografi, i modsætning til fx Twin Peaks (1990). Samtalen kredser om Lynchs særlige følelsesregister, hans evne til at skabe billeder, der sætter sig, og ikke mindst filmens ikoniske brug af musik, som begge fremhæver som noget helt særligt.Tusind tak, fordi du lytter med.

Ep. 387: Clyde Folley on VHS Forever: Videoheaven, 52 Pick-Up, Re-Wind, The Big Hit, Clerks, Ring, Lost Highway Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week Clyde Folley comes back the podcast to talk about the VHS series he programmed on the Criterion Channel: VHS Forever! (Exclamation point mine.) The selected movies feature video stores or video-recording or anything related to VHS culture, spanning the 1980s, 1990s, and 2000s—and culminating in Alex Ross Perry's comprehensive video essay Videoheaven (which Folley also edited). Titles we discuss include: 52 Pick-Up (directed by John Frankenheimer), Re-Wind (Hisayasu Sato), The Big Hit (Kirk Wong), Ring (Hideo Nakata), Clerks (Kevin Smith), Lost Highway (David Lynch), and of course Videoheaven and its making. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Chris and Perry are back! This month, they're talking about the Oscar nominees and their favorites of the Best Picture hopefuls. Then, they dive in for an extended discussion of David Lynch's very normal, very self-explanatory Lost Highway. 

We're getting ready for big Mid-America Trucking Show next month, March 26-28 at the Louisville Convention Center, and ready to host our Trucker of the Year and cover all manner of the various goings on at the event. It's a big undertaking, from set-up to roll-out of the custom-truck show in the Paul K. Young Memorial competition to federal and state regulatory panels, trucking-business discussions and all the rest happening at the huge event: https://overdriveonline.com/tag/mats Yet we've got help from a bit of a not-so-secret weapon who this year happens to be an integral part of the official MATS programming. He's the player of and songwriter behind much of the music you hear under the voices on Overdrive Radio week-in-week-out, the man we've featured here too many times to count and whom regular readers will also know from his stories and tall tales, interviews, oral histories of OTR drivers of all stripes, and so much more all published under the Overdrive Extra banner at OverdriveOnline.com: https://overdriveonline.com/14865330 That writer, that performer, that veritable sage of the road, Long Haul Paul Marhoefer, will feature with others during the Friday night concert at MATS this year. He's got a couple of records upcoming, too, set for release in the coming weeks: One is archival from 1994, previously unreleased material from an embryonic stage of LHP's evolution as a songwriter he's calling "1994: The Lost Tapes." Then "The After Party Sessions" features live recordings from night shows at various trucking events over the last several years, most held in the custom-outfitted venue trailer of Brandon Carpenter that is the Old Iron Bar. Off the top of the podcast, a bit of taste of that live record via a track that is the very first of Marhoefer's we ever heard at Overdrive, when he competed in Overdrive's Trucker Talent Search music competition more than 10 years ago now: https://overdriveonline.com/14888649 He'd go on to place second that year. And his star rose so quickly among owner-operators and drivers in the aftermath that he never competed again -- no doubt in our minds he'd have won it had he. But he became a real fixture in performances around the competitors after that, alongside copious writing and reporting he's done for Overdrive since, all with a clear desire to tell the stories of others with care, with faith to the their voices and no small sense of empathy for the struggles we all endure. LHP brings all of that to his songwriting as well. He's endured plenty himself in life and trucking, as he memorably chronicled as host of our Over the Road podcast back in 2020, which saw air in partnership with the Radiotopia podcast network: https://www.overdriveonline.com/t/4405867 Don't miss his performance at MATS, yet if that show's just not in the cards for you this year, know that he'll be out at a variety of other events throughout the year, though somewhat limited compared to prior years given his father, near Madison, Wisconsin, has needed home care that he and his siblings and other family members have been coordinating. The "long haul" in LHP remains a reality for Marhoefer, if he does call his trucking career at this stage a kind of semi-retirement. He still hauls for Ohio-headquartered Moeller Trucking and lives with his wife, Denise, in Losantville, Indiana, the pair an undisputed force in trucking music and culture. In the podcast, he talks through tracks from both the new records as well as 2023 and 2024's “Legends of the Lost Highway” and “Floodwaters and Fires” records, respectively. Sit back, relax, and enjoy. Hope to see you at MATS. New records should be available around the time of MATS: https://www.longhaulpaulmusic.com/ Marhoefer's chronicle of his near-death encounter with a set of runaway duals in 2023: https://overdriveonline.com/15304967 More at the head of our Music to Truck By playlist: https://soundcloud.com/overdriveradio/sets/music-to-truck-by-no-1

Lost Lost Highway episode. Weird, right?

Have you heard the best parts of Nightmares on the Lost Highway, episodes 30 thru 34?

G and Richard are warming up getting ready to enter the town of Twin Peaks. So to start they are watching 1997s Lost Highway. Lynch himself said it was set in the world of Twin Peaks so it's a good enough start for them. Expect swearing and spoilers about, well, anything really. of course its best if you watch along and if you aren' t expect gaps where they get lost watching the film. If you have Pocketcast maybe turn on the remove silence function...

Dr Adam Koontz and Col Willie Grills talk about David Lynch's film Lost Highway, confronting your own sin, and why the film portrays the horror of evil so well. Visit our website - A Brief History of Power Sign up for Memento, a Lutheran devotional for men. Thanks to our sponsors, Ad Crucem and Gnesio Health Dr Adam Koontz - Redeemer Lutheran Church Pr. Willie Grills - Zion Lutheran Church Music thanks to Verny

It's time for the first Mike Makes Mike Watch of 2026! And to kick things off, it's a weird double feature: Mike D is making Smith watch a movie that had a stranglehold on '90s kids, FREE WILLY, while Smith is making Mike D watch David Lynch's surrealist nightmare LOST HIGHWAY!

Schickt Hilfe, die Affen sind los: Wie viel Spaß macht SEND HELP? Wie affig ist PRIMATE? Und was steckt hinter dem Titel ACH, DIESE LÜCKE, DIESE ENTSETZLICHE LÜCKE? Das wollen Schlogger, Wolf und Schröck heute eigentlich recht schnell ergründen. Es haut nur eigentlich mal wieder nicht so ganz hin. Immerhin geht es nämlich auch noch um LOST HIGHWAY, der wieder aufgeführt wird, was die beiden David Lynch-Ultras names Wolf und Schröck natürlich auch nicht so ganz umkommentiert stehen lassen können. Plus: diverse Streaming- und Mediatheken-Tipps, die auch noch das eine oder andere Wort verdienen. Selbst wenn wir sie noch nicht gesehen haben. Demzufolge geht es unter anderem um THE WRECKING CREW, um Irgendwie-schon-irgendwie-nicht-Episodenfilm FREAKY TALES, eine Doku namens ELON MUSK UNCOVERED: DAS TESLA-EXPERIMENT oder die Neuauflage von DIE NACKTE KANONE. Gefolgt von spaßiger Hochgeschwindigkeitszug-Action durch BULLET TRAIN, tollem Kino in Form von BIS DANN, MEIN SOHN, CHILDREN OF MEN oder THE HURT LOCKER und einer weiteren Doku mit dem Titel IN SEARCH OF TOMORROW, die auf jeden Fall brauchbar dafür ist die Watchlist anzufüllen. Falls wir das mit dieser hoffentlich kurzweiligen Folge nicht schon ohnehin geschafft haben. Bleibt uns nur, Euch viel Spaß damit zu wünschen, wie eben auch, dass ihr so gesund wie gut drauf bleibt oder noch eine schöne Restwoche habt. In diesem Sinne: Adieu. Und immer dran denken: Dick Laurent is dead. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we're cruising down David Lynch's Lost Highway, a nightmarish neo-noir where identity fractures and reality refuses to stay put. We talk about the film's hypnotic mood, unforgettable imagery, and that constant sense of dread that creeps in without warning. From the sound design to the performances, we dig into what makes Lost Highway such a disorienting, endlessly debatable experience. No easy answers here — just vibes, theories, and the feeling that once you're on this road, there's no clear way back.   Check out 1001 by 1 here: https://open.spotify.com/show/4SO5TQO7WgETdorAPvyKAN?si=14bdc2574cee4041       Follow Us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @horrorhourwiththehannas   Music by Aries Beats - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=DPpnxLYrzVA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠    

With music rooted in Texas Alt Rock and Americana, Singer Songwriter Dave Christen is actively releasing his original music work as singles on all of the popular music streaming platforms. Dave is in his own lane authentic and true to his love of and performing music. He writes and tells stories about life in ways that connect with everyone. You will find some acoustic exploration in his discography. Recent releases under the Rambler Radio Productions banner include musically diverse songs "Another Day Is Gone," "Right here Right Now" "Cristina," "You And I," "Be Right Here," "Something Called Love," are now followed up with the new releases, "Gets Me Where I'm Going" and "Lost Highway." Guitarist, Producer, Don Dean Maracle defined each of the songs arrangement and direction as well as contributed memorable guitar melodies. His credits include Major Label Mercury Records, The International House of Blues Foundation and an inductee of The Rochester Music Hall Of Fame.

Our guest this week on The Working Songwriter hails from The Woodlands, Texas. Hayes Carll is a singer, songwriter, and storyteller whose sharp wit and plainspoken poetry first broke through with his 2002 debut, 'Flowers & Liquor.' That was followed by 2008's 'Trouble in Mind,' which delivered the hit "She Left Me for Jesus" and cemented his place among the genre's most distinctive voices. Carll has toured with artists like Old Crow Medicine Show, Todd Snider, and Alison Krauss and his songs have been covered by Miranda Lambert, Lee Ann Womack, and Kenny Chesney. He's recorded for Lost Highway, Dualtone, and Thirty Tigers and he's performed on stages from Newport Folk Festival to Austin City Limits and the Grand Ole Opry. 'Rolling Stone' praises his work for its "razor-sharp wit and lived-in warmth," while NPR notes his "keen eye for the human condition wrapped in disarming charm." 'American Songwriter' calls him "one of Americana's most reliable truth-tellers." Our show's most frequent guest pops by to discuss his latest album "We're Only Human" and finding a creative voice that's more true to himself.   Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods 

"Scala" It's hard to explain everything Barry Adamson did before he was thirty. By then, his resume' was so packed with highlights it was hard to believe there was room for more. But there was. Like, a lot more. Let me explain. The Manchester-born Barry Adamson got his start in music in the late '70s by playing bass for Magazine, a band led by ex-Buzzcock Howard DeVoto. Adamson, who was briefly in the Buzzcocks himself, went on to play with Visage and Luxuria before joining Nick Cave and the Bad Seeds. Adamson played on legendary Cave albums like From Her To Eternity and Kicking Against The Pricks and from there, he stepped into the Iggy Pop fold and toured with Mr. Pop in '87. By then, Adamson was close to thirty and in many ways, that's the point where he really started to spread his musical wings, realizing he liked being on his own than being one of the guys in a band. From there, Adamson started to explore electronic and dub-fueled soundscapes and he moved effortlessly from strength to strength, releasing classic solo albums like Moss Side Story, the 1992 Mercury Prize nominated Soul Murder and his new one, La Scala. More on that in a minute. Over the course of his winning career, Adamson has played with The Birthday, Party, collaborated with everyone from Pulp's Jarvis Crocker to Billy McKenzie of the Associates, contributed to movie soundtracks like David Lynch's Lost Highway and done remixes for everyone from Depeche Mode to The Jon Spencer Blues Explosion. His new album La Scala is the original score for the 2023 documentary Scala!!! Or, The Incredibly Strange Rise And Fall Of The World's Wildest Cinema. The film is a stirring and rousing homage to the legendary London arthouse movie theatre and Adamson's inventive score uses elements of jazz, funk and post-punk noir to detail the rise and fall of a building that meant a lot of people whose lives were saved by the freedom and spirit of life in the counterculture. www.barryadamson.com www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers IG + Bluesky: @emberspodcast Email: editor@stereoembersmagazine.com

paypal.me/LibroTobias ko-fi.com/asier24969 Continuamos el recorrido por la obra de David Lynch con su séptima película; “Lost Highway (Carretera Perdida)”. Estrenada en 1997, volvía reunir a David Lynch con el escritor Barry Gifford que ya había escritos dos guiones para los dos capítulos dirigidos por Lynch en la miniserie de 1994 “Hotel Room”. Con una magnífica dirección, una historia profunda y compleja y una excepcional banda sonora supuso sin embargo un enorme batacazo en taquilla y la división definitiva del gran público en lo que a su opinión sobre Lynch se refiere. Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

rWotD Episode 3181: Apple of Sodom (song) Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Sunday, 18 January 2026, is Apple of Sodom (song)."Apple of Sodom" is a song by American rock band Marilyn Manson. The track was recorded for the soundtrack to David Lynch's 1997 film Lost Highway. It was written by the band's eponymous vocalist and produced by Manson with Sean Beavan. Lynch personally chose the band to contribute music to the soundtrack as he found Manson inspiring, and because of the band's commercial viability. An industrial song about obsession, it was inspired by Manson's feelings about singer Fiona Apple; the eponymous apple of Sodom is a toxic plant. The song was followed by multiple collaborations between Manson and Lynch.The track received a mainly positive response from music critics, who commended its composition. A music video was directed by Joseph Cultice, although initially was not made public due to its low-budget nature and depiction of nudity. The clip was released to YouTube in 2009. It garnered critical acclaim and comparisons to the work of Manson's contemporaries.This recording reflects the Wikipedia text as of 00:23 UTC on Sunday, 18 January 2026.For the full current version of the article, see Apple of Sodom (song) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Ivy.

Have you heard the best parts of Nightmares on the Lost Highway, episodes 25 thru 29?

The birthday girl, Marissa, wanted to bring together a few friends to celebrate and experience David Lynch. The Ghouls are joined by Matt, Draper, & Chris as they sit down to watch Blue Velvet and Lost Highway. Stellar performances, deeper meanings, and the thrill of a Roger Ebert review are discussed. While everyone was good and confused, they all agree that Lynch is a master film maker for a reason. Learn more about your ad choices. Visit megaphone.fm/adchoices

Declassified December '25 Week 1 | The first of three listener favorite episodes unlocked from BCC: The Other Side!  Michael, Riley & Twin Peaks: The Return actor Eric Edelstein pay tribute to late filmmaker and artist David Lynch.  (This episode originally dropped on BCC: The Other Side.) To unlock new bonus episodes every month like this one, listen ad-free and get access to exclusive video check out ⁠BCC Clubhouse on Supercast⁠. Watch our review of David Lynch's Lost Highway on Youtube. BCC is Brought to You by... Miracle Made - Upgrade your sleep with Miracle Made! Go to ⁠⁠https://trymiracle.com/BCC⁠⁠ and use the code BCC to claim your FREE 3 PIECE TOWEL SET and SAVE over 40% OFF. -- SHOW INFORMATION Bigfoot Collectors Club is produced by Riley Bray and Michael McMillian YouTube Channel: ⁠https://youtube.com/@bigfootcollectorsclub⁠ BCC Merch Shop:   ⁠https://bigfoot-collectors-club-podcast-shop.fourthwall.com/collections/all⁠ Listener-Files Submissions: ⁠BigfootCollectorsClub@gmail.com⁠. Instagram: ⁠https://bit.ly/3W7izlL⁠ | Blue Sky: ⁠https://bsky.app/profile/bccpodcast.bsky.social⁠ Our theme song is “Come Alone,” by Suneaters, courtesy of ⁠Lotuspool Records⁠. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tonight I'm joined again by Doug Bielmeier, teaching professor, musician, and host of The Process for another Late Night Double Feature! In this episode we're talking about a pair of David Lynch films, Lost Highway & Inland Empire. Two movies centered around identity and warped realities, this pairing offers both an introduction to Lynch and a head first plunge into the deep end of his way of telling stories. YouTube Censored Version Join our Patreon to watch the uncut version! Show music by OGRE. Support the show!

For non-fiction November, and with a nod to NaNoWriMo (RIP), we're reading Catching the Big Fish: Meditation, Consciousness, and Creativity by David Lynch. Somehow this ended up falling exactly at the intersection of all our interests—creativity, art, yoga, film, science. It's all coming together. Show NotesOf course this made us want to do all the creative things. We just have to do them! We know. We know! We're getting there.This is such a great book to read in little snippets if you need a bit of creative inspiration.Are we going to have to try Transcendental Meditation? Apparently the Toronto TM centre is in the Royal York Hotel. Our next episode is our annual FUJK episode, in which we read something hella queer instead of the boy wizard series by she who must not be named. This year we're reading The Holiday Trap by Roan Parrish.And our last episode of the year will be our Holiday Wrap Up episode! How is almost 2026 already?Books and Movies by David LynchRoom to Dream by David Lynch and Kristine McKennaEraserhead (1977)The Elephant Man (1980)Dune (1984)Blue Velvet (1986)Wild At Heart (1990)Twin Peaks (1990-1991; 2017)Lost Highway (1997)Mulholland Drive (2001)Inland Empire (2006)

Before Nicole and Cole get to discussing Lost Highway (a.k.a. one of the most cursed things ever made) for two hours, Nicole shares a funny Instagram account that made her laugh so hard she drooled on her phone. Support Marvelous! on Patreon to get the full episode and more!

Jacki and Marissa end the Fall of Found Footage with a dive into V/H/S an V/H/S 2. The girls discuss the problem with characters you are rooting against, and the problematic representations of women and men in the first film. They are divided on the second film and it's shorts. Homework- David Lynch films Lost Highway and Blue Velvet Learn more about your ad choices. Visit megaphone.fm/adchoices

"We've met before, haven't we?" Maybe not, but we have talked about this movie before.Send us a textSupport the showPlease subscribe, rate, and review! Thank you for listening! Hope you enjoy!Instagram: http://instagram.com/moviestheyreprettygoodFacebook: https://www.facebook.com/profile.php?id=100087938154530Twitter: https://twitter.com/moviesgoodpodYouTube: https://www.youtube.com/channel/UC8iGT7riyJ_K2DFLwfbTemg

Our journey through the making of LOST HIGHWAY continues. With cameras finally rolling, David Lynch and his collaborators pushed deeper into the surreal and the subconscious — crafting a film defined by haunting sound design, elliptical editing, and an atmosphere of pure dread. But the road ahead wasn't easy. In this episode, we follow the production through its rocky release and trace how LOST HIGHWAY, once a commercial disappointment, found new life as a cult classic that would reshape the next phase of Lynch's career.

Yooooooo twin it's time 2 spook it up. Movies covered: Sinners, Bring Her Back, Lost Highway, Nosferatu (2024), 28 Years Later, Weapons, I Saw the TV Glow, If I Had Legs I'd Kick You, Begonia, Companion, Heretic, Revenge, Scary Movie (2000), Deep Red, Tenebre, The Devils

We continue David Lynch: Between Two Worlds with a journey into the nightmarish echo chamber of LOST HIGHWAY — a film that fractures time, identity, and genre into something both terrifying and seductive. Released in 1997, LOST HIGHWAY marked a turning point for Lynch: a return to darker, more experimental storytelling after TWIN PEAKS and FIRE WALK WITH ME alienated mainstream audiences. With a pulsing industrial score, a story co-written by WILD AT HEART novelist Barry Gifford, and one of the creepiest villains ever put to screen, Lynch delivered a noir-horror hybrid that confused critics but inspired a new generation of filmmakers and fans. In this episode, we begin our deep dive into the making of the film. We explore how Lynch's growing disillusionment with Hollywood, a surprising creative partnership with Barry Gifford, and a growing interest in identity and psychological fragmentation laid the groundwork for what would become one of the director's most enigmatic films. From the film's origins through its complex casting choices, this is the story of how LOST HIGHWAY began.

Dhruv and Cris meet Devarsi again outside the industrial hellscape of "Eraserhead" -- this time travelling alongside two new (hopefully recurring!) podcast guests, Rushnan and Vani -- on Lynch's "Lost Highway" to psychosexual hell.Listen to the full episode to hear us not only discuss Lynch's film in detail but also explore the myriad of seemingly oppositional ways -- from deeply subjective to almost clinically objective -- the film appeals to us.Major spoilers, of course, for "Lost Highway."TIME CODESIntroduction : [00:00 - 09:42]"Lost Highway": [09:42 - 01:18:20]Outro: [01:18:20 - 01:19:27]TEXT REFERENCED REPEATEDLY HERE"Room to Dream" (David Lynch & Kristine McKenna)."Premonitions Following an Evil Deed" (David Lynch, 1995)."The Eye of the Duck" (Mark Cousins' David Lynch Interview).Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people!Follow our Instagram page: ⁠⁠⁠⁠⁠⁠https://instagram.com/queenisdead.filmpodcast.⁠⁠⁠⁠⁠⁠You can watch Rushnan's 17-minute experimental short film, "The Angel of Forms" (2023) on Vimeo for free.You can also follow us on Instagram at:VANI: https://www.instagram.com/uwu_vani/.DEVARSI: https://www.instagram.com/devarsighosh/.RUSHNAN: https://www.instagram.com/rushnanjaleel/.CRIS: https://www.instagram.com/prdscris/.DHRUV: https://www.instagram.com/terminalcinema/.You can also follow us on Letterboxd at -DEVARSI: https://letterboxd.com/d2dag/.CRIS: https://letterboxd.com/crislim/.DHRUV: https://letterboxd.com/aterminalcinema/.

Make-up and prosthetics artist Debbie Zoller (LOST HIGHWAY, TWIN PEAKS: THE RETURN) first worked with David Lynch on LOST HIGHWAY. She discusses their two decades of friendship, and how she designed the look for some of his most iconic femme fatales.LADIES OF LYNCH explores the subversive female characters created by the late David Lynch, and the singular women who helped shape them. Season 9's guests include celebrated actor and filmmaker Isabella Rossellini; Lynch's daughter Jennifer Lynch; his producer of more than 30 years, Sabrina Sutherland; TWIN PEAKS co-creator Mark Frost; and the award-winning novelist Deborah Levy.Written and guest hosted by culture writer Simran Hans, these conversations with actors, writers, producers and craftspeople who worked directly with Lynch reveal insights about the enigmatic and much-missed filmmaker, and the provocative women he put on screen.TWIN PEAKS and TWIN PEAKS: A LIMITED EVENT SERIES are now streaming on MUBI in the US, UK, Ireland, Latin America, Germany, Turkey, Italy, Netherlands and India. LOST HIGHWAY is now streaming on MUBI in Latin America, India and France. MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

David Lynch's creative process was unconventional in many ways. For example, he preferred sketching his ideas as images to explaining them in words. Producer Sabrina Sutherland worked with him for more than 30 years. How did she find the language to help translate his vision to screen?LADIES OF LYNCH explores the subversive female characters created by the late David Lynch, and the singular women who helped shape them. Season 9's guests include celebrated actor and filmmaker Isabella Rossellini; Lynch's daughter Jennifer Lynch; his producer of more than 30 years, Sabrina Sutherland; TWIN PEAKS co-creator Mark Frost; and the award-winning novelist Deborah Levy.Written and guest hosted by culture writer Simran Hans, these conversations with actors, writers, producers and craftspeople who worked directly with Lynch reveal insights about the enigmatic and much-missed filmmaker, and the provocative women he put on screen.TWIN PEAKS and TWIN PEAKS: A LIMITED EVENT SERIES are now streaming on MUBI in the US, UK, Ireland, Latin America, Germany, Turkey, Italy, Netherlands and India. MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

It's September, and to celebrate the fall season, we are doing a month of David Lynch movies. Lynch is criminally under represented in the Top 250, so we wanted to honor the legendary film maker with a run of some of his most acclaimed work. This week, we watch Lost Highway (1997).

Earlier this year we lost one of the greatest filmmakers to ever do it, David Lynch. From the surrealism of Lost Highway to the melancholic charm of The Straight Story, Lynch embraced a wide range of artistic sensibilities across multiple mediums. His work can charm, terrorize, tittilate, and provoke, often times through a single image. This is especially true for Mulholland Drive, perhaps the most accessible of his notoriously cryptic original works. Largely considered one of the best films ever made, Mulholland Drive is a magnum opus by every metric. Today we honor Lynch's artistic legacy by doing our darndest to crack this deeply moving neo-noir thriller as wide open as can be (spoiler alert: it's more about us than the film itself, as is fitting to Lynch's modus operandi). Be sure to follow I Like to Movie Movie on Instagram and Twitter, and check out ScullyVision for more fun stuff. Check out .ask on TubiTV as well as Found Footage Finds on FoundTV. Fix your hearts or die! RIP David Lynch.

Troisième et dernière partie de notre long podcast en hommage à David Lynch. Bien entendu, il reste quelques perles à défendre, comme les formidables LOST HIGHWAY et UNE HISTOIRE VRAIE. Mais il faut également reconnaître que c'est à cette époque-là que le réalisateur de BLUE VELVET et ELEPHANT MAN perd Julien Dupuy, Stéphane Moïssakis et Rafik Djoumi dans les méandres de son cinéma, notamment dès MULHOLLAND DRIVE (considéré comme un classique indéniable aujourd'hui) et INLAND EMPIRE. Reste quelques émotions dans TWIN PEAKS : THE RETURN que l'ami Érich Vogel souhaitait défendre dans cette dernière partie. Bon voyage, David Lynch !Retrouvez toutes nos émissions sur http://www.capturemag.frPour nous soutenir, il y a deux adresses :PATREON : https://www.patreon.com/capturemagTIPEEE : https://www.tipeee.com/capture-magLISEZ CAPTURE MAG !Toutes nos revues sont disponibles dans les librairies, les magasins de produits culturels et sites marchands.Akileos : https://bit.ly/AkilsCMCapture Mag est sur LETTERBOXD : https://letterboxd.com/CaptureMag/En MP3 sur Acast : https://bit.ly/3v6ee7sSur SPOTIFY : https://spoti.fi/3PJYnF3Sur DEEZER : https://bit.ly/2wtDauUSur APPLE podcasts : https://apple.co/2UW3AyO#twinpeaks #DavidLynch #MulhollandDrive Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Coming Soon. LADIES OF LYNCHLADIES OF LYNCH explores the subversive female characters created by the late David Lynch, and the singular women who helped shape them. Season 9's guests include celebrated actor and filmmaker Isabella Rossellini; Lynch's daughter Jennifer Lynch; his producer of more than 30 years, Sabrina Sutherland; TWIN PEAKS co-creator Mark Frost; and the award-winning novelist Deborah Levy.Written and guest hosted by culture writer Simran Hans, these conversations with actors, writers, producers and craftspeople who worked directly with Lynch reveal insights about the enigmatic and much-missed filmmaker, and the provocative women he put on screen.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

On the 468th episode of Piecing It Together, we are LIVE from Maya Cinemas in Las Vegas with Celine Ochoa, William Moessinger and Ernest Curcio to talk about Zach Cregger's wildly anticipated Weapons! Puzzle pieces include Longlegs, Lost Highway, The Hunt and Tangled.As always, SPOILER ALERT for Weapons and the movies we discuss!Written by Zach CreggerDirected by Zach CreggerStarring Josh Brolin, Julia Garner, Alden Ehrenreich, Austin Abrams, Amy MadiganWarner BrosCeline Ochoa is a filmmaker from Las Vegas, NV.Follow her on Instagram @celine0ch0aErnest Curcio is a versatile stage and film actor known for his dynamic performances in both classical and contemporary roles.He will next be seen in the horror feature Jane Doe with production starting in February 2026.Check out Ernest's IMDb at https://www.imdb.com/name/nm1661978/And follow Ernest on Instagram @ernestcurcioWilliam Moessinger is an actor known for his roles in Exposure (2014) and All I Am (2024).He will next be seen in the horror feature Jane Doe with production starting in February 2026.Check out William's IMDb at https://www.imdb.com/name/nm6847112/My latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Shaking" which you can watch at https://www.youtube.com/watch?v=wzm8s4nuqlAThe song at the end of the episode is from my next David Rosen album, coming sometime soon.Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at

In 2018, film editor, producer, writer, and director Mary Sweeney sat down for a wide-ranging conversation about her career — from growing up in Madison, Wisconsin, to collaborating with one of the most visionary directors of our time, David Lynch. That conversation traced her evolution as an artist, her pivotal role in shaping films like Lost Highway, The Straight Story, and Mulholland Drive, and the intimate creative and personal relationship she shared with Lynch. Seven years later, in the wake of Lynch's death in early 2025, Sweeney returns for a follow-up conversation, recorded in a Paris hotel room nearly to the day of the original talk. While she has grown and evolved in the intervening years, she is also, unmistakably, in the process of mourning. This new conversation captures a deeply human moment: a woman navigating the complexities of grief, memory, and creative identity after the loss of a longtime collaborator and partner. Sweeney reflects not only on the legacy of her work with Lynch, but also on her ongoing life as an artist, mentor, and teacher. She speaks candidly about the challenge of being defined by a past she helped create, even as she seeks to shape new stories. There's a tension between wanting to move forward and being drawn back to moments that shaped her — and a palpable vulnerability in her willingness to explore that contradiction publicly. Paris itself plays a quiet role in the conversation — a place of reflection and ritual that has become part of Sweeney's life in recent years. The setting adds to the emotional texture of the interview: past and present gently overlapping in a city known for memory and reinvention. If the first conversation served as a kind of time capsule — a snapshot of a creative life at a particular moment — this follow-up serves as both an epilogue and a revision. It expands the story, complicates it, and deepens it. In the language of film, it might be called a director's cut: longer, more revealing, more personal. Ultimately, this episode is about how stories are shaped, reshaped, and sometimes reclaimed. About how we carry our experiences forward. And about how, even in the face of loss, we find ways to keep creating — and keep becoming. www.third-story.com www.leosidran.substack.com www.wbgo.org/podcast/the-third-story

We've finally arrived at the end. Back in April, we started watching the landmark television show Twin Peaks (first viewings for both Reed and Nathan). In May, we began to make our way through the feature films of the late David Lynch.For the next three months, we would dive deep into Lynch's work. We debated, we pondered, we puzzled, we cheered, and we often simply sat in a certain degree of anxious wonder. From Eraserhead to The Straight Story, from Lost Highway to Mulholland Drive, and all the way through the landscape of Twin Peaks... we catalogued a master at work.So now, we reflect on our key takeaways. We examine which moments and characters stayed with us, the good, the bad, and the utterly wild. We also rank our personal selections for each of the feature films. It's a chance to breathe, a chance to unwind, and a chance to debrief. If you've been with us through this whole journey, let us know your thoughts. If you're just checking us out, let this episode serve as a primer for some of the observations and conversations over the past three months.Either way, we hope you enjoy it. Our log has a message for you...2:43 - That Ain't Right and That's So Right38:48 - Our Favorite Characters1:09 - Ranking the films of David Lynch1:41 - Final ThoughtsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.