Podcast appearances and mentions of Stanley Kubrick

SEASON 2 - EPISODE 203 John Schwartzman - Cinematographer In this episode of the Team Deakins Podcast, we speak with cinematographer John Schwartzman (THE HOUSEMAID, THE HIGHWAYMEN, THE ROCK). John has worked on numerous high-budget, highly commercial films throughout his career, and we spend much of the episode discussing his approach to his work on those movies and his process overall. John's father, an entertainment lawyer for the likes of Stanley Kubrick and Hal Ashby, married into the Coppola filmmaking family while John was just a teenager, and we learn how John leveraged this connection and his skills at board games to win letters of recommendation from his uncle Francis Ford Coppola and friend-of-the-family George Lucas. We also discuss how John draws on his upbringing to help actors feel comfortable during a shoot, and he reflects on how he satisfies his creative needs in modern Hollywood. John also shares the pivotal pieces of advice he received from cinematographers such as Conrad Hall and Caleb Deschanel (Season 1, Episode 86) that instilled confidence in him, and we learn how and why he failed out of USC.

In this episode, we ask: What if Nations Are Running the Same Code That Runs You?  Examined that question through history, geopolitics, and the Emotional Source Code framework. Anchored in Kubrick's Dr. Strangelove and the Marshall Plan as the two possible answers a system can give when the ledger comes due. IN THIS EPISODE (time stamp) 00:00 Bomb Rider Cold Open 01:00 Why Strangelove Matters 02:00 Series Context Zoom Out 03:49 Four Lenses Setup 04:42 Deserving Ledger In Strangelove 06:45 Mechanism Behind The World 08:06 Versailles Arithmetic 10:26 Marshall Plan Worth 12:50 America Turns Transactional 14:29 When Ledger Becomes Identity 17:10 Personal Mirror Confession 19:02 Precedent And Personal Practice 20:06 Mutual Assured Destruction 21:19 Carry This Question 21:59 Outro Stay Curious Six episodes ago, we sat with a man in a quiet room after a standing ovation.  In the last episode, we found George Bailey standing on a bridge, having concluded, with an accountant's calm, that he was worth more dead than alive. Here's what nobody warned any of them about. The deserving mechanism does not stop at the individual. It does not stop at the organization. It does not stop at the nation. Today we zoom all the way out. Stanley Kubrick made Dr. Strangelove in 1964 because someone needed to say out loud that the same code running inside individual human beings was running the room that could end the world. He was right. In this episode, we watch the mechanism run at civilizational scale. In 1919, at a table in Versailles, the Allied powers opened a ledger, made Germany pay, and produced the Second World War.  In 1948, when George Marshall stood before Congress and made the case for something the deserving logic of every preceding civilization would have called irrational, and produced seventy years of peace. And in the room where the successor to the Marshall Plan is being decided right now, as the same nation that authored the greatest act of geopolitical generosity in modern history converts every alliance it has into an invoice. Not partisan. Mechanical. Dov also names, on record, where he has watched the same mechanism run in himself. Including in the making of this series. The question this episode carries is not what has gone wrong with the world. Everyone has a theory about that.  The question is: what mechanism is running beneath the decisions that shape it? And whether the same mechanism runs beneath the decisions that shape a single human life.  THE SERIES  What We Want But Refuse To Accept is a ten-episode arc. Next episode: What AI Refuses to Accept About Itself.  Follow the show to receive each episode as it releases. ABOUT DOV BARON  Dov Baron has spent thirty years inside the rooms where leaders, founders, and executives make the decisions that shape organizations. He is the creator of the Emotional Source Code and Emotional Meaning Architecture frameworks.CONNECT WITH DOV Website: https://DovBaron.com  Email: dov@dovbaron.com LinkedIn: https://www.linkedin.com/in/dovbaron  Carry one question from this episode with you. Where in your life, your organization, your relationships, are you riding something down to destruction and calling it doing your job? Sit with it.  If this episode resonated, please rate and review on Apple Podcasts and follow on Spotify. Connect with Dov Baron:https://DovBaron.comdov@dovbaron.comRate, review, and send this episode to the most thoughtful builder you know. That is how the algorithm finds the people who still ask why. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Typical Skeptic Podcast #2729Joining me is acclaimed filmmaker, author, researcher, and former Director of Content at Gaia, Jay Weidner.Known for creating and producing Cosmic Disclosure, Wisdom Teachings, Deep Space, Hollywood Decoded, and numerous acclaimed documentaries on Stanley Kubrick, alchemy, ancient mysteries, and consciousness, Jay has spent decades researching hidden history and the deeper patterns shaping our world.Tonight we'll discuss:

Epic Battles, Betrayal, and One of Cinema's Most Powerful Endings!In this episode of Review It Yourself, Sean and Sarah tackle one of the greatest historical epics ever made: Spartacus (1960). What begins as a discussion of Roman slavery, gladiatorial combat, and rebellion quickly becomes an emotional deep dive into a film that still packs a punch more than six decades later.Sarah discovers that she may never have actually seen the ending of Spartacus, leading to genuine shock as the hosts unpack the devastating final act, the famous “I'm Spartacus” moment, and why this classic remains one of the most influential films in cinema history.Sean and Sarah explore the film's incredible cast, including Kirk Douglas, Laurence Olivier, Peter Ustinov, Charles Laughton, Jean Simmons, and Tony Curtis. They also discuss Stanley Kubrick's direction, the film's Academy Award success, the realities of Roman history, and how Spartacus helped redefine the Hollywood epic.Whether you're a fan of classic films, historical dramas, sword-and-sandal adventures, or simply want to revisit one of the greatest movies ever made, this is an episode you won't want to miss.In This EpisodeReviewing Spartacus (1960)Sarah's reaction to the film's tragic endingThe historical Spartacus and the Third Servile WarKirk Douglas and Stanley Kubrick's legendary collaborationThe iconic "I'm Spartacus" sceneRoman slavery, gladiator schools, and rebellionPeter Ustinov's Oscar-winning performanceThe film's lasting influence on cinemaWhy Spartacus remains essential viewing todayAbout Spartacus (1960)Released in 1960 and directed by Stanley Kubrick, Spartacus stars Kirk Douglas as the Thracian slave who leads a massive revolt against the Roman Republic. The film won four Academy Awards and remains one of the defining historical epics of the Golden Age of Hollywood.Follow Review It Yourself

Box office smash horror films. Sarah Watt, Jeremy Downing and William Chen discuss Backrooms (2026) and Obsession (2026), but in two separate conversations. Jeremy and William discuss Backrooms, directed by Kane Parsons, and then Jeremy and Sarah discuss Obsession, directed by Curry Barker. The Backrooms conversation starts with the box office impact of the film and how it potentially is shifting the industry model for investing in films. We unpack the psychology of the horror in the film, especially when considering the realities of Gen Z and what horror looks like in a post-Millennial world. We talk about the brilliant performances from Chiwetel Ejiofor and Renate Reinsve, as are the physical sets in the film. We discuss the structure of the film and where the films works and where it is weak. We connect the film to the work of David Lynch, Alfred Hitchcock and Stanley Kubrick. Sarah swaps out with William, and chats with Jeremy about Obsession. Our conversation begins by praising the performance actor Inde Navarrette and later in the episode Michael Johnston. We talk about the strength of the narrative and how we can relate the situation amidst the horror. Our discussion focuses on the ending and the poetic justice, as well as the strength of the writing. We make connections to Weapons (2025), Romeo and Juliet (roughly 1597), Heated Rivalry (2025-), Fatal Attraction (1987), and the work of David Fincher and David Lynch (again). We finish the conversation by highlighting how much the film connected with our own lives.

On this episode of the podcast, we are talking about ONE FILM, TWO MASTER'S! That's right, Artificial Intelligence (2001), the film conceived by Stanley Kubrick but brought to life by Steven Spielberg. Twenty-five years later, how does the film stand up? How do the competing worldviews of these two filmmakers impact the final results on the screen? Let us know your thoughts about this one - and what do you think about lifelike robots?

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Sara Paretsky: author of the V.I. Warshawski Mysteries Sara Paretsky in 2019. Sara Paretsky, author of the V.I. Warshawski mysteries, in conversation with Richard Wolinsky and Richard A. Lupoff as part of the “Probabilities” radio series, recorded in the KPFA s studio on March 16, 1991 following the publication of “Burn Marks” and before the publication of “Guardian Angel.” In the late 1980s, crime and mystery fiction by women skyrocketed. Even so, awards were still being given to mostly male writers, and in 1987, the organization Sisters in Crime was formed. In Berkeley, at KPFA, Richard Lupoff and Richard Wolinsky, the hosts of the Probabilities radio program, having drifted from science fiction into mysteries and later into general fiction and narrative non-fiction, noticed the trend pretty early on, and began interviewing these pioneer writers, one by one, local writers like Marcia Muller and Sue Dunlap, and writers from out of town, such as Sue Grafton, or from overseas, such as P.D. James. These interviews, the Sisters in Crime interviews, were all conducted in the 1980s and 1990s, and because of the switch from analog tape to digital, have not been heard since the new century began. Until now. It is appropriate to begin this series of interviews with the first president of Sisters in Crime, Sara Paretsky, recorded March 16, 1991 while she was in the Bay Area for a mystery conference. At the time, six V.I. Warshawski novels had been published, and a film starring Kathleen Turner would be released a few months later. It would turn out to be the only time V.I. Warshawski stories were adapted for film or television.

As of July, 2026, Sara Paretsky has published 22 novels in the V.I. Warshawski mystery series, and two non-series novels, along with three short story collections and two works of nonfiction. The most recent V.I. novel, Pay Dirt, was published in 2024.   Ian Watson (1943-2025) Iconic Science Fiction and Fantasy Author Ian Watson. Photo: Glenn Hall. Wikipedia Commons Ian Watson (1943-2026), unconventional British science fiction and fantasy writer, who died on April 13, 2026 at the age of 82, in conversation with Richard Wolinsky and Richard A. Lupoff for the Probabilities radio program, recorded in Oakland at Westercon 40 on July 2, 1987. Ian Watson (1943-2026) who died on April 13, 2026 at the age of 82, was an unconventional author whose works brimmed with ideas and philosophical turnings. Author of over thirty one novels, not including several written in the world created by the Warhammer 40,000 game, there were also eleven collections of short stories, plus a catalogue of poems. An avowed socialist, he also stood in elections as a Labour Party candidate in the days before Tony Blair. His novel, The Power, discussed in the interview, was published later in 1987, and can now be found, along with many of his novels, as Kindle book through Amazon. In early 1990, Ian Watson received a call from the assistant to legendary film-maker Stanley Kubrick to work on a science fiction film based on a story about a robot boy written by Brian Aldiss. For the next several months, he and Kubrick hammered out a screenplay treatment until Kubrick, in December of that year, said it was what he wanted, barring some changes, but shortly thereafter began work on what would be his final film, Eyes Wide Shut. Kubrick died on March f7, 1999 at the age of seventy. Shortly afterward, Steven Spielberg, using Watson's treatment, wrote a screenplay which became his film, A.I. Artificial Intelligence. You can find Ian Watson's essay about his work with Kubrick by going to this link. This interview was digitized, remastered and edited on May 2, 2026. Sound quality (speed) is variable.   Review of “The Employee Dharma Handbook” at TheatreWorks Palo Alto through August 2, 2026.   The post Bookwaves/Artwaves – July 16, 2026: From the Archive: Sara Paretsky – Ian Watson appeared first on KPFA.

Julius en Jasper bespreken twee spookfilms uit 1980: The Changeling van Peter Medak en The Shining van Stanley Kubrick. Als er eentje zou moeten verdwijnen, welke mag dan blijven? In de volgende aflevering van Julius vs Jasper bespreken ze twee horrorhits van 2026: Obsession van Curry Barker en Backrooms van Kane Parsons.

What made Sir Ken Adam a movie design genius? We sit down with Sir Christopher Frayling, the world's leading Ken Adam expert. Frayling knew Adam for over 30 years to decode this question.  Frayling has written three books about Ken Adam, including the massive Taschen archive. He also curated the first British art gallery show ever given to a production designer. Together, they decode the mind behind some of cinema's most iconic sets. We dig into Adam's incredible life story. Adam fled Nazi Germany as a Jewish teenager in 1934. He later flew fighter planes for the Royal Air Force during World War II. That daring past shaped the bold, oversized worlds he built for the screen. We decode his complex, secretive bond with director Stanley Kubrick. We also unpack how his childhood in Berlin echoes through his most famous sets. This episode reveals the man behind Dr. No, Goldfinger, and Barry Lyndon. Christopher tells us stories that never made it into any book. He shares memories from decades of friendship with Adam. He explains how real wartime secrets inspired fictional villain lairs. He also reveals small details that grew into iconic movie moments. Whether you love Bond movies, classic design, or wartime history, this conversation decodes something new for every listener. Ken Adam did not just build sets. He built the visual language of modern spy movies. His influence still shapes architecture and design today. Real architects credit him with inspiring famous modern buildings. Discover how one designer shaped decades of pop culture, one unforgettable set at a time. Press play and decode the genius behind cinema's most unforgettable rooms. Some of the things you'll learn in this episode: ·       How a wartime fighter pilot became movie design's greatest legend ·       The real secret behind Ken Adam's tense friendship with Stanley Kubrick ·       Why one famous villain set almost broke his sense of humor ·       How his childhood home shaped decades of iconic movie design ·       The surprising true story behind a legendary underground missile lair ·       Winston Churchill's favorite movie ·       How the War Room in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb ·       What music was played during Ken Adam's memorial service Tell us what you think about this interview decoding Ken Adam We know there were things you didn't know before listening to this interview. What were some of the things you learned?  Have you read any of Christopher Frayling's books about Ken? Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage:  https://spymovienavigator.com/episode/the-genius-of-ken-adam

Buckle up for our annual halftime review as Andy, Ash, and Stu take a scalpel to the first six months of 2026. From the catastrophic lets-downs that broke our hearts to the essential comedies actually worth your time—and the horror gems you desperately need on your radar—the lads are charting the highs, the lows, and everything in between from the year so far.To cleanse the palate, the Short Short Film Film Review kicks off a month-long celebration of Sir Christopher Nolan that will carry us all the way through July. We're dissecting Doodlebug, the gritty 1997 micro-short that launched us into the mind-bending filmography of cinema's favorite temporal architect to see where the magic truly began.Then, the Cruise cruise sails into arguably the most intense waters of Tom's career as we approach the end of the 90s with Stanley Kubrick's psychological labyrinth, Eyes Wide Shut. Masked rituals, marital paranoia, and meticulous direction. Will your boys find enlightenment in the shadows, or will this erotic thriller leave us completely cold?With the usual blend of silliness, seriousness, and a crucial Scientology Watch update, it's time once again to take Cruise Control.

“MURPH! MUUUURPH!” Join us on a journey through the wormhole along with filmmaker Isadora Neves Marques as we discuss Christopher Nolan's intergalactic adventure, Interstellar. Is love calculable? How does this compare to Stanley Kubrick's 2001: a Space Odyssey? When does Nolan intercut TOO much? And is Matt Damon's performance good? All will be revealed… if you listen, that is.Links:You can find selections of Dora's writing on their website.You don't have to travel through a black hole to find our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00:00 Intro00:02:08 Introducing Isadora00:09:59 Our background with Nolan00:17:50 Christopher Nolan director background00:21:02 Interstellar intro00:24:24 Nolan vs Hong Sang-soo, as indie filmmaker00:27:57 Interstellar general reactions00:36:01 Editing00:39:58 Eli's theory00:42:10 Scriptwriting and plotting00:46:48 "Filmmaker for stupid people"00:51:34 A limited worldview00:56:38 Masculinity / Mann is bad01:00:33 Screenwriting lessons from Nolan01:03:44 Black hole / ocean planet01:06:25 Ending and masculinity01:10:19 Nolan film bros01:15:05 Lack of awe01:20:15 Craft01:24:31 More from Isadora

Stanley Kubrick created one of the most influential science fiction movies of all time when he made 2001: A Space OdysseyI am very honered to be presenting this feature in glorious 70mm at The Heights Theater https://heightstheater.com/& am reposting our episode on it to help celebrate it's release. Thank you to Minnesota Film Critics Association for haing me involved.My guest is Damien Riley formally of Riley on Film and now he has a music career. You can follow him on YouTubeThank you all and enjoy the show.

Emil och Erik pratar om Stanley Kubricks upplyfta Science-fiction-klassiker 2001 från 1968.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! El miedo a que nuestras creaciones se rebelen contra nosotros no nació con la inteligencia artificial ni con la revolución industrial, sino en el momento en que el ser humano comprendió que podía fabricar algo más fuerte, más rápido y quizá más listo que él mismo. Toda herramienta prolonga el cuerpo y amplía sus capacidades, pero mientras se limita a la fuerza bruta permanece bajo control. El problema surge cuando alguien imagina una criatura fabricada dotada de algo parecido a la voluntad, porque entonces deja de ser herramienta y se convierte en rival. Esa genealogía del temor tiene raíces muy antiguas. Los griegos imaginaron a Talos, un gigante de bronce que custodiaba las costas Creta, pero no sabía distinguir al invasor del náufrago. Talos solo podía ser desactivado mediante un clavo en su tobillo al que al final tuvieron que recurrir. La tradición judía dio forma al golem, un hombre de barro que se volvía inestable porque carecía de alma. Entre ambos median 2000 años pero ninguna distancia real, porque ambos obedecen la letra de las órdenes e ignoran su espíritu. Después llegaron los autómatas renacentistas y dieciochescos, los relojes con figuras, el pato de Vaucanson y el falso turco ajedrecista, hasta que el telar de Jacquard y la furia de los luditas trasladaron el miedo al terreno económico. En 1818 apareció Frankenstein, una fábula sobre la paternidad irresponsable más que sobre la tecnología, porque la criatura no nace perversa, se rebela contra su creador cuando éste le abandona. Samuel Butler en 1863 imaginó la amenaza se en términos evolutivos, predijo que las máquinas nos domesticarían como si fuésemos animales ya que evolucionaban más rápido que los seres vivos. El paso final llegó en 1920, cuando se acuñó la palabra robot, que significa esclavo. Lo hizo un autor checo llamado Karel Čapek que escribió una obra de teatro en la que los robots se rebelaban contra sus dueños. Luego llegaron Fritz Lang, Asimov y sus tres leyes de la robótica, HAL 9000 de Stanley Kubrick, Skynet, Terminator y Matrix que han ido reelaborando la historia hasta el momento presente en el que nuestro temor está en la inteligencia artificial. Pero los miedos de nuestro tiempo no los han traído los microchips ni los modelos de IA. Los hemos traído nosotros. Cambia el material y el vocabulario, pero la pregunta permanece intacta desde hace miles de años, sabemos crear cosas que nos superan y tememos que un día nos sustituyan y ocupen nuestro lugar. · Canal de Telegram: https://t.me/lacontracronica · “Contra el pesimismo”… https://amzn.to/4m1RX2R · “Hispanos. Breve historia de los pueblos de habla hispana”… https://amzn.to/428js1G · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Contra la Revolución Francesa”… https://amzn.to/4aF0LpZ · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #ia #maquinas Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! El miedo a que nuestras creaciones se rebelen contra nosotros no nació con la inteligencia artificial ni con la revolución industrial, sino en el momento en que el ser humano comprendió que podía fabricar algo más fuerte, más rápido y quizá más listo que él mismo. Toda herramienta prolonga el cuerpo y amplía sus capacidades, pero mientras se limita a la fuerza bruta permanece bajo control. El problema surge cuando alguien imagina una criatura fabricada dotada de algo parecido a la voluntad, porque entonces deja de ser herramienta y se convierte en rival. Esa genealogía del temor tiene raíces muy antiguas. Los griegos imaginaron a Talos, un gigante de bronce que custodiaba las costas Creta, pero no sabía distinguir al invasor del náufrago. Talos solo podía ser desactivado mediante un clavo en su tobillo al que al final tuvieron que recurrir. La tradición judía dio forma al golem, un hombre de barro que se volvía inestable porque carecía de alma. Entre ambos median 2000 años pero ninguna distancia real, porque ambos obedecen la letra de las órdenes e ignoran su espíritu. Después llegaron los autómatas renacentistas y dieciochescos, los relojes con figuras, el pato de Vaucanson y el falso turco ajedrecista, hasta que el telar de Jacquard y la furia de los luditas trasladaron el miedo al terreno económico. En 1818 apareció Frankenstein, una fábula sobre la paternidad irresponsable más que sobre la tecnología, porque la criatura no nace perversa, se rebela contra su creador cuando éste le abandona. Samuel Butler en 1863 imaginó la amenaza se en términos evolutivos, predijo que las máquinas nos domesticarían como si fuésemos animales ya que evolucionaban más rápido que los seres vivos. El paso final llegó en 1920, cuando se acuñó la palabra robot, que significa esclavo. Lo hizo un autor checo llamado Karel Čapek que escribió una obra de teatro en la que los robots se rebelaban contra sus dueños. Luego llegaron Fritz Lang, Asimov y sus tres leyes de la robótica, HAL 9000 de Stanley Kubrick, Skynet, Terminator y Matrix que han ido reelaborando la historia hasta el momento presente en el que nuestro temor está en la inteligencia artificial. Pero los miedos de nuestro tiempo no los han traído los microchips ni los modelos de IA. Los hemos traído nosotros. Cambia el material y el vocabulario, pero la pregunta permanece intacta desde hace miles de años, sabemos crear cosas que nos superan y tememos que un día nos sustituyan y ocupen nuestro lugar. · Canal de Telegram: https://t.me/lacontracronica · “Contra el pesimismo”… https://amzn.to/4m1RX2R · “Hispanos. Breve historia de los pueblos de habla hispana”… https://amzn.to/428js1G · “La ContraHistoria del comunismo”… https://amzn.to/39QP2KE · “La ContraHistoria de España. Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Contra la Revolución Francesa”… https://amzn.to/4aF0LpZ · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #ia #maquinas Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

This week, Scott sat down with his Lawfare colleagues Editor in Chief and co-host emeritus Benjamin Wittes and Senior Editors Anna Bower and Michael Feinberg to talk through the latest in national security news, including:“Humphrey's Executioner.” On June 29, the Supreme Court closed out its term with a trio of decisions on the president's power to fire officials at supposedly independent agencies. In Trump v. Slaughter, a 6–3 majority upheld Trump's firing of FTC Commissioner Rebecca Slaughter and overruled the 90-year-old precedent Humphrey's Executor, handing the president at-will removal power over roughly two dozen multimember agencies. The same day, in Trump v. Cook, the Court refused 5–4 to let Trump remove Federal Reserve Governor Lisa Cook, carving out a special exemption for the central bank. And a day later, in Blanche v. Perlmutter, the justices declined to let Trump oust Register of Copyrights Shira Perlmutter, whose office sits within the legislative branch. Taken together, what do these cases tell us about the unitary executive and the future of agency independence?“For Your Lies Only.” The Office of the Director of National Intelligence is in freefall. Since Bill Pulte—a housing-finance official with no intelligence background—took over as acting DNI on June 19, he has demanded a roster of every employee, fired the head of the office that oversees the President's Daily Brief, and all but liquidated the National Intelligence Council. The fight over his appointment has already cost the government its Section 702 surveillance authority, which lawmakers let lapse rather than leave in his hands, and Trump abruptly canceled the confirmation hearing for his own permanent nominee, Jay Clayton, to keep the “less shackled” Pulte in place. How did the nation's top intelligence coordinator get here—and how much damage can a politicized ODNI actually do?“Fixer Upper.” In one of the stranger turns of the Trump era, Michael Cohen—the former “fixer” whose testimony helped convict Trump of 34 felonies—says he and the president have reconciled. Cohen, who once vowed to flee the country if Trump won, said that the ice between them “didn't just melt, it broke,” and he is now taking a weekend slot on a conservative station with what he says was Trump's “glowing recommendation.” The thaw arrives as Trump's appeal of his New York conviction and related civil fraud judgment grind forward—and after Cohen publicly claimed he felt “pressured and coerced” to testify. What might Cohen's turn mean for that pending appeal?In object lessons, everyone is in a unifying mood. Ben demonstrates how RAGtime, his co-creation with AI overlord Claude to develop and analyze datasets, can find common cause between this week's co-hosts. Mike is enthusiastic about the new Criterion Collection bringing together all of Stanley Kubrick's works. Scott is reaching for perhaps humanity's greatest unifier—a certain beverage that can be enjoyed across political persuasions and coasts alike. And Anna is bringing us all to the world of personal essays with Jo Ann Beard's “The Fourth State of Matter.” To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

This week, Scott sat down with his Lawfare colleagues Editor in Chief and co-host emeritus Benjamin Wittes and Senior Editors Anna Bower and Michael Feinberg to talk through the latest in national security news, including:“Humphrey's Executioner.” On June 29, the Supreme Court closed out its term with a trio of decisions on the president's power to fire officials at supposedly independent agencies. In Trump v. Slaughter, a 6–3 majority upheld Trump's firing of FTC Commissioner Rebecca Slaughter and overruled the 90-year-old precedent Humphrey's Executor, handing the president at-will removal power over roughly two dozen multimember agencies. The same day, in Trump v. Cook, the Court refused 5–4 to let Trump remove Federal Reserve Governor Lisa Cook, carving out a special exemption for the central bank. And a day later, in Blanche v. Perlmutter, the justices declined to let Trump oust Register of Copyrights Shira Perlmutter, whose office sits within the legislative branch. Taken together, what do these cases tell us about the unitary executive and the future of agency independence?“For Your Lies Only.” The Office of the Director of National Intelligence is in freefall. Since Bill Pulte—a housing-finance official with no intelligence background—took over as acting DNI on June 19, he has demanded a roster of every employee, fired the head of the office that oversees the President's Daily Brief, and all but liquidated the National Intelligence Council. The fight over his appointment has already cost the government its Section 702 surveillance authority, which lawmakers let lapse rather than leave in his hands, and Trump abruptly canceled the confirmation hearing for his own permanent nominee, Jay Clayton, to keep the “less shackled” Pulte in place. How did the nation's top intelligence coordinator get here—and how much damage can a politicized ODNI actually do?“Fixer Upper.” In one of the stranger turns of the Trump era, Michael Cohen—the former “fixer” whose testimony helped convict Trump of 34 felonies—says he and the president have reconciled. Cohen, who once vowed to flee the country if Trump won, said that the ice between them “didn't just melt, it broke,” and he is now taking a weekend slot on a conservative station with what he says was Trump's “glowing recommendation.” The thaw arrives as Trump's appeal of his New York conviction and related civil fraud judgment grind forward—and after Cohen publicly claimed he felt “pressured and coerced” to testify. What might Cohen's turn mean for that pending appeal?In object lessons, everyone is in a unifying mood. Ben demonstrates how RAGtime, his co-creation with AI overlord Claude to develop and analyze datasets, can find common cause between this week's co-hosts. Mike is enthusiastic about the new Criterion Collection bringing together all of Stanley Kubrick's works. Scott is reaching for perhaps humanity's greatest unifier—a certain beverage that can be enjoyed across political persuasions and coasts alike. And Anna is bringing us all to the world of personal essays with Jo Ann Beard's “The Fourth State of Matter.” To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute. Hosted on Acast. See acast.com/privacy for more information.

Wednesday 4th of April 1973 at 11pm, on the porch of St Martin's Church in Fenny Stratford, Buckinghamshire, 60-year-old homeless man, David McManus was beaten to death in an attack identical to a fictional killing in the book ‘A Clockwork Orange' by Anthony Burgess and the controversial film by director Stanley Kubrick. But who was to blame, the book, the film or the killer?Location: St Martin's Church, Watling/Aylesbury Street, Fenny Stratford, BuckinghamshireDate: Wednesday 4th of April 1973 at 11pm-ishVictims: David McManusCulprit: Richard John PalmerSeven time nominated at the True Crime Awards, Independent Podcast Awards and the British Podcast Awards, Murder Mile is one of the best UK / British true crime podcasts covering only 20 square miles of West London. It is researched, written and performed by Michael of Murder Mile UK True Crime Podcast with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name and additional music, as used under the Creative Commons License 4.0. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.Follow me on SOCIAL MEDIA · Instagram· FaceBook· Threads· TokTok· YouTubeSUBSCRIBE via PatreonSupport this show http://supporter.acast.com/murdermile. Hosted on Acast. See acast.com/privacy for more information.

A 25 años de su estreno, Inteligencia Artificial (A.I. Artificial Intelligence) sigue siendo una de las películas de ciencia ficción más fascinantes y debatidas del cine moderno.Concebida durante más de dos décadas por Stanley Kubrick y finalmente dirigida por Steven Spielberg, la película nació del encuentro entre dos de los cineastas más influyentes de la historia.En este episodio de El Contador de Películas, Daniel Villalobos reconstruye la extraordinaria historia detrás de su creación: desde el cuento de Brian Aldiss que inspiró el proyecto, pasando por los años de desarrollo de Kubrick, los múltiples guiones, la imposibilidad técnica de filmarla y la decisión de confiarle la dirección a Spielberg tras el rodaje de Eyes Wide Shut.Un análisis sobre cómo Inteligencia Artificial reúne las grandes obsesiones de ambos directores: la inteligencia artificial, la programación de la mente, la identidad, el amor, la memoria y la pregunta sobre qué significa realmente ser humano. ¿Puede una máquina amar? ¿Y cuánto de nuestros propios afectos es libertad y cuánto programación?A la luz del auge de la IA generativa, ChatGPT, OpenAI y los debates actuales sobre inteligencia artificial, la película adquiere una vigencia inesperada. Lo que en 2001 parecía una fábula futurista hoy dialoga directamente con el presente y con las preguntas que comienzan a definir nuestra relación con las máquinas.Un episodio sobre Steven Spielberg, Stanley Kubrick, el legado compartido de dos maestros del cine y una obra que, 25 años después, sigue obligándonos a preguntarnos si la diferencia entre un ser humano y una inteligencia artificial está en la tecnología... o en la forma en que aprendemos a amar.Descubre más historias de cine en Cooperativapodcast.cl

Doug Trumbull spent fifty years trying to convince Hollywood that the way movies are projected is fundamentally broken, and most of the industry never listened. The visual effects supervisor behind 2001: A Space Odyssey, Close Encounters of the Third Kind, Blade Runner, and Star Trek: The Motion Picture, and the director of Silent Running and Brainstorm, Trumbull passed away in 2022. This conversation originally aired in July 2020, before a lot of you were listening, and it's one of the fullest records of him explaining his life's obsession in his own words. We're pulling it back out of the archives because it deserves a wider audience than it got the first time around. Chris and Doug cover the whole arc: getting hired at Graphic Films off a satellite painting, cold calling Stanley Kubrick's secret phone number to get on 2001, the accidental discovery of double stars that led him toward persistence of vision research, and the Showscan process he patented at Paramount. They also get into Trumbull's MAGI process, 4K stereo at 120 frames per second, representing 40 times the data of a traditional HD video, and Chris's own experience helping produce a piece of content rendered through it as a proof of concept. Trumbull gives his blunt account of Ang Lee allegedly misusing his patented process on Gemini Man. This is a conversation about a man who understood something about how movies work that almost nobody in the industry, including some of its biggest directors, ever fully grasped. Guest: Doug Trumbull > Referenced in this episode: 2001: A Space Odyssey Close Encounters of the Third Kind Star Trek: The Motion Picture Blade Runner Silent Running Brainstorm Showscan process > Future General Corporation (Paramount R&D division) > MAGI process > Special thanks to our sponsor: Center Grid Virtual Studio: https://cgvirtualstudio.com/

The Turtles are going on tour and the complete Stanley Kubrick collection is coming. Find out about it all in the #MikeJonesMinuteCon!See omnystudio.com/listener for privacy information.

Live from Phoenix Fan Fusion, Olivia and Shauna head a panel to discuss a serious topic with their characteristic dark humor and feminist sass. Womansploitation - using violence against women as entertainment - is found in movies, in television shows, in books, in true crime documentaries and podcasts. Obviously, there is money to be made in victimizing women for the enjoyment of an audience. The Junkies look at the history of this sub-genre, discuss some examples and go into why it's so popular and the effects this has on society. With the help of the audience and research, they ask and answer questions like 'when does depicting violence against women become critique — and when does it become consumption?' and 'is the violence in the story a “narrative necessity” or exploitation?' Olivia and Shauna give examples of movies, TV shows and directors (maybe some of your favorites!) that have been challenged for their use of violence against girls and women. From 'fridging' to final girls to the perfect true crime victim, the Junkies cover the many, many ways women are exploited for entertainment. You can watch the Pop Culture Junkie Podcast on YouTube! Click here: https://www.youtube.com/@popculturejunkiepod/videos We have affordable and rewarding Patreon tiers! Be the first to hear new and uncensored content, if you dare! Click here: https://www.patreon.com/popculturejunkiepodcast/posts Apple Podcast: https://podcasts.apple.com/us/podcast/pop-culture-junkie/id1536737728Spotify:https://open.spotify.com/show/7k2pUxzNDBXNCHzFM7EL8W Website: www.popculturejunkie.com Facebook: PopCultureJunkiePodcast Instagram: @pop.culturejunkie Threads:@pop.culturejunkie Bluesky: @pop-culture-junkie.bsky.social Email: junkies@popculturejunkie.comShauna on Instagram: @shaunatrinidad Shauna on Threads: @shaunatrinidad Olivia on Instagram: @livimariez

The Cold War Cinema team returns to discuss Sidney Lumet's 1964 film Fail Safe, a powerful (and bold) independent Hollywood production that paints a horrific picture of a potential nuclear war. The film was released the same year as Stanley Kubrick's Dr. Strangelove and has remained in its shadow, unfairly, ever since.  In this episode we discuss:  Sidney Lumut's fascinating and underrated cinematic career The political and historical context of Fail Safe (1964), a film that captures the paranoia of nuclear proliferation The film's critique of war technology and how that maps onto our current era of AI-assisted warfare.   The limits of Hollywood storrytelling for a truly radical critique of US imperialism _____________________ We love to give book or film recommendations on the podcast, so here are ours for this episode:  Jason recommends the 1992 book Signatures of the Visible by Fredric Jameson. Paul recommends the novel Advise and Consent by Allen Drury and Otto Preminger's 1962 film adaptiion Avise & Consent.  Tony recommends the book Raymond Chandler: The Detections of Totality by Fredric Jameson and W.E.B. Du Bois's  book Darkwater: Voices from Within the Veil.  _____________________________ Like and subscribe to Cold War Cinema, and don't forget to leave us a review! Want to continue the conversation? Drop us a line at any time at coldwarcinemapod@gmail.com. To stay up to date on Cold War Cinema, follow along at coldwarcinema.com, or find us online on Bluesky @coldwarcinema.com or on X at @Cold_War_Cinema.  For more from your hosts: Follow Jason on Bluesky at @JasonChristian.bsky.social, on X at @JasonAChristian, on Letterboxed at @exilemagic. Jason also writes an infrequent newletter on left-wing cinema at Notes on Radical Cinema.  Follow Anthony on Bluesky at @tonyjballas.bsky.social, on X at @tonyjballas, or on Letterboxed at @tonyjballas.  Follow Paul on Bluesky at @ptklein.com, or on Letterboxed at @ptklein. Paul also writes about movies at www.howotreadmovies.com  _____________________ Logo by Jason Christian  Theme music by DYAD (Charles Ballas and Jeremy Averitt).  Happy listening!

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! 2010 - Odisea 2: El Año que Hicimos Contacto NTA A mediados de los años ochenta, el cine de ciencia ficción recibió un mensaje que reescribió las reglas del espacio. En 1968, Stanley Kubrick nos había dejado flotando en el vacío, huérfanos de respuestas, contemplando el nacimiento del Hombre de las Estrellas y el silencio cósmico del Monolito. Nadie pensó que alguien se atrevería a regresar a ese santuario. Pero en 1984, el director Peter Hyams aceptó el desafío más peligroso de Hollywood: filmar la secuela de la considerada mejor película de ciencia ficción de todos los tiempos. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

There were, in many ways, two Kubricks: the pre-Spartacus Kubrick and the post-Spartacus Kubrick.The common belief is that once Kubrick became Stanley Kubrick, success followed effortlessly.The reality was very different.Despite becoming one of cinema's most celebrated directors, Kubrick spent much of his career battling rejection, financing challenges, unrealized projects, and the immense pressures of filmmaking.Great artists are often remembered for their successes. What we forget are the disappointments, failures, and resilience that shape the journey.Filmmaking is a high-stress profession. It demands conviction, persistence, and the ability to keep going when the odds are against you.Perhaps that's one of the most important lessons Kubrick leaves behind: talent matters, but resilience matters just as much.

Eu e o Adriano sentamos de novo naquele estúdio que ainda cheira a carpete novo para falar sobre uma coisa que, se você parar para pensar, é meio doentia: filmes onde pessoas morrem de formas criativas.O Adriano trouxe uma lista com dez filmes slasher. Eu percebi, enquanto ele falava, que o que me atrai nesses filmes não é a perfeição técnica. Na verdade, é quase o contrário. São as falhas, o baixo orçamento e aquela sensação de que o diretor estava tentando dizer algo muito sério com muito pouco dinheiro.Falamos sobre John Carpenter e Wes Craven, que são os nomes óbvios, mas também sobre Michael Haneke, que fez um filme que eu não sei se quero ver de novo, mas fico feliz que exista.No final, a gente ainda gastou um tempo considerável discutindo se Stanley Kubrick estava tentando nos avisar de algo em seu último filme antes de partir. E tem uma série polonesa sobre mandamentos bíblicos que o Adriano indicou e que parece ser a coisa mais triste e bonita que você vai ver este ano.Enfim. É só uma conversa. Se você tiver um tempo livre e quiser ouvir dois caras falando sobre o que faz um filme resistir ao tempo, o vídeo está aí. Se não tiver, eu entendo perfeitamente. A vida anda bem ocupada para todo mundo.

Was Stanley Kubrick simply a genius—or did he train himself to become one?In this episode of The Artists, filmmaker Suchita Bhhatia sits down with renowned Kubrick scholar Professor Nathan Abrams to explore the inner life, creative process, habits, struggles, and mindset of one of cinema's greatest storytellers. From photography and self-education to financing challenges and artistic obsession, this conversation uncovers what today's artists can learn from Kubrick's extraordinary journey.01:55 – Kubrick before he became Kubrick03:00 – The qualities of young Kubrick: curiosity, personality & childhood06:17 – Photography and learning the art of seeing09:22 – What does it take to become a self-taught filmmaker?13:25 – How Kubrick developed his artistic taste18:00 – When did the world begin taking Kubrick seriously?21:14 – Why even Kubrick struggled to get financing23:00 – Genres, intellectual trends, and cinematic trends29:00 – Ideas, depth, and technological innovation30:12 – Filmmaking as a high-stress profession: the hidden cost of creating30:51 – Doubts, insecurities, and creative challenges40:50 – An excellent director but a cheap producer?41:27 – Three Stanley Kubrick films every Gen Z viewer should watchIf you're an artist, filmmaker, writer, or simply curious about creativity, this episode is an invitation to understand not just Kubrick's films—but how he became Kubrick.#StanleyKubrick #Kubrick #NathanAbrams #TheArtistsPodcast #Storytelling #Filmmaking #CreativeProcess #Cinema #FilmTheory #Creativity #Screenwriting #Directing #IndependentFilmmaking #Artists #FilmPodcast #MovieLovers #Cinephile #ArtAndCulture #VisualStorytelling #FilmEducation

How did Stanley Kubrick become one of the greatest storytellers in cinema?It wasn't just talent.It was a lifetime of training his mind—through photography, reading, chess, music, relentless curiosity, and learning how to truly observe the world.Long before he made masterpieces, Kubrick was honing himself as an artist.In this conversation with renowned Kubrick scholar Professor Nathan Abrams, we explore the inner life and creative process behind one of cinema's greatest minds—and what today's artists can learn from it.

Author C.J. Leede ("Maeve Fly," "American Rapture") returns to talk about her new novel "Headlights" (June 9, Tor Nightfire). She and Scotty discuss the borderline between mystery and horror, dark Americana, the importance of having a supportive team in publishing, the forbidding nature of the Rocky Mountains, horrific possibilities in John Denver's music, and more. They also look at Stanley Kubrick's 1980 film "The Shining"--a movie that Scotty has...complicated feelings about. You can find C.J. online at https://linktr.ee/cjleede You can follow C.J. on Instagram at https://www.instagram.com/ceejthemoment/ You can get your copy of "Headlights" at https://us.macmillan.com/books/9781250857965/headlights/ --- Be sure to tune in to Daniel Braum's YouTube series "Night Time Logic." The series focuses on the strange, weird, and wonderful side of dark fiction through readings and discussions with diverse authors from around the world. You can tune in on Daniel's You Tube Channel, which is his name DanielBraum or @danielbraum7838. https://www.facebook.com/groups/429777132474382 https://www.youtube.com/@danielbraum7838

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Jeff Griffith-Perham, Stanley Kubrick Retrospective at Pacific Film Archive Jeff Griffith-Perham is the curator of a retrospective “A Complete Stanley Kubrick” at Berkeley Art Museum/Pacific Film Archive (BAMPFA), running from June 12 through August 30, 2026. He is interviewed by host Richard Wolinsky. Stanley Kubrick was one of the most acclaimed film directors of the Twentieth Century. Though he only made 13 feature films, several of them made international headlines and one, “2001: A Space Odyssey” changed movie history. Among his other works are “Dr. Strangelove, or How I Stopped Worrying and Learned to Love the Bomb,” the gorgeous “Barry Lyndon,” his controversial “A Clockwork Orange,” and the stunning horror film, “The Shining.” Jeff Griffith-Perham is an Associate Film Curator at BAMPFA, and has curated other retrospectives focusing mostly on documentaries. He is considered an expert on the films of documentarian Frederick Wiseman. In this interview, each of Kubrick's films are discussed, along with ideas about Kubrick's antiwar viewpoint, his working process and his place in film history.   Paths of Glory (photo courtesy BAMPFA) 2001: A Space Odyssey (photo courtesy BAMPFA)       The post Bookwaves/Artwaves – June 11, 2026: The Films of Stanley Kubrick appeared first on KPFA.

In this first episode of the new series, Lisa Yuskavage talks to Ben Luke about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work. Yuskavage, was born in Philadelphia in 1962 and lives today in New York, makes paintings that involve a cast of stylised and often eroticised, mostly female characters set within invented interiors and landscapes. Deeply engaged with the history of art and representation, Lisa's pictures explore centuries-old traditions and genres and play with them, along a sliding scale from homage to subversion, sometimes within the space of one canvas. Her figures can derive from everyday observation, draw from soft-porn magazines or a wealth of other pop-cultural sources, or quote from historic paintings. But set within enigmatic spaces, accompanied by a range of props and objects, and allied to Lisa's intoxicating colour sense, they are encapsulated in a singular realm of imagination and unleashed into the peculiar communion between this artist and us—one which can be delightful and disquieting, often at once.She reflects on the “emotional formalism” at the heart of her work, her early visit to the Philadelphia Museum of Art and trip to Italy and their transformative effect on her work. She discusses the seismic effect of seeing a Giovanni Bellini painting in Venice, the ongoing influence of Marcel Duchamp's Étant Donnés and her admiration for, among others, Agnes Martin, Philip Guston and Laura Owens. She talks about the poet Wallace Stevens's impact on her work and her interest in the films of Stanley Kubrick. Plus, she gives insight into her life in the studio and answers our usual questions, including the ultimate: what is art for?Lisa Yuskavage, David Zwirner, New York, until 26 June. Hosted on Acast. See acast.com/privacy for more information.

Horror history gets weird, reflective, and dangerously snackable this week as This Week in Horror History travels through June 8–14 with mischievous monsters, haunted hotels, supernatural comedy, demonic hauntings, creepy mirrors, and one killer dessert that may be eating America alive.This episode digs into a packed week of classic horror movies, cult horror sequels, supernatural blockbusters, 1980s horror, haunted-house horror, and strange consumer-satire body horror, including the release of Gremlins, the same-day arrival of Ghostbusters, the wider theatrical expansion of The Shining, the hit sequel The Conjuring 2, and the mirror-filled nightmare of Poltergeist III.Inside this episode:• Gremlins turns one cute little mogwai into small-town monster chaos and helps push Hollywood toward the PG-13 rating.• Ghostbusters brings haunted libraries, demonic possession, rooftop apocalypse, and paranormal exterminators into one of the biggest supernatural comedy franchises ever.• The Shining expands wider in U.S. theaters, pulling more audiences into Stanley Kubrick's cold, hypnotic nightmare inside the Overlook Hotel.• The Conjuring 2 sends Ed and Lorraine Warren to the Enfield haunting and introduces one of modern horror's most memorable demonic figures.• The Deep-Cut Spotlight goes to Poltergeist III, the strange 1988 sequel that traps Carol Anne inside a haunted Chicago high-rise full of mirrors, elevators, cold hallways, and unfinished supernatural business.Plus: a horror birthday roll featuring Johnny Depp, Natalie Portman, Jurgen Prochnow, and Adrienne Barbeau, a creepy look at how horror sneaks into family homes, hotels, corporate towers, grocery aisles, and blockbuster comedy, and a weekly recommendation for Larry Cohen's weird, gross, and sharply satirical cult classic The Stuff.From mogwai mayhem and ghost exterminators to haunted reflections, demonic forces, the Overlook Hotel, and a mysterious dessert that might be consuming its customers from the inside out, this week proves horror can invade almost anything: your home, your hotel room, your movie theater, your refrigerator, and your appetite.

Dave McArthur and Clint Lanier discuss the Stanley Kubrick joint Spartacus and find out they really do like movies about gladiators.

Hey Reservos! This week we are discussing Stanley Kubrick's final completed film, Eyes Wide Shut (1999). Listen as we breakdown this dream-like odyssey through jealousy, regret, and the lustrous debauchery of the economic elite and the power they hold over those who discover them. 

Hello, and welcome to Entangled! The podcast where we explore the science of consciousness, the true nature of reality, and what it means to be a spiritual being having a human experience. I'm your host Jordan Youkilis, and this is Part 1 of the new Entangled Series: Eyes Wide Open. Eyes Wide Open continues the conversation I had in episode 94 with John Coffey regarding Stanley Kubrick's film Eyes Wide Shut.Part 1 of the series begins with an overview of Eyes Wide Shut and the mysterious circumstances surrounding Kubrick's death. We continue with the testimony of human trafficking survivor Fiona Barnett: Candy Girl. Next, we discuss Meryl Streep, The Grand Dame of Hollywood Babylon. From there, Isaac Kappy Burns Down Hollywood Babylon. Then, we discuss Harvey Weinstein: The Pig Monster. Part 1 concludes with Ronan Farrow, Rose McGowan, & #MeToo.Outros available for this and all episodes at entangledpodcast.substack.com. Music from the show available on the Spotify playlist “Entangled – The Vibes”.If you like the show, please drop a 5-star review and subscribe on Substack, YouTube, Spotify, Rumble, X, or wherever you listen to podcasts.This is the biggest series we've published yet on Entangled. The content that follows is both intense and challenging, to put it mildly. But it's well past time we expose the men behind the curtain. Because as it will hopefully be made clear throughout this series, child trafficking is run as a single, integrated world operation. This operation is coordinated by the CIA. And that as we expose the king pins running this syndicate, we'll find that one leads to another to another to another. One leads to many.Please enjoy the episode.Music: Intro/Outro: Ben Fox - “The Vibe”. End Credits: Vic Sage – “Shut It Down”.Published: 6/9/26.Check out the resources mentioned:- Eyes Wide Shut: https://www.amazon.com/gp/video/detail/B000GOVK8Q/ref=atv_dp_share_cu_r- Fiona Barnett – ITNJ Testimony: - Eyes Wide Open by Fiona Barnett: https://archive.org/details/eyeswideopen-2020-edition/mode/2up- Isaac Kappy Livestream Archive: https://www.youtube.com/playlist?list=PL1U9nvTXdVdSJgJqZb0MjFzRM2GxmKVbC- Brave by Rose McGowan: https://a.co/d/064RW04f- Citizen Rose: https://www.amazon.com/gp/video/detail/B079HMLP6X/ref=atv_sr_fle_c_sra5ba81_2_1_2?sr=1-2&pageTypeIdSource=ASIN&pageTypeId=B079H5L466&qid=1780938801213- Catch & Kill by Ronan Farrow: https://a.co/d/022eRYo2- Catch and Kill: The Podcast Tapes: https://www.amazon.com/gp/video/detail/B0B8QD6HJJ/ref=atv_sr_fle_c_sra5ba81_1_1_1?sr=1-1&pageTypeIdSource=ASIN&pageTypeId=B0B8QW4HQR&qid=1780938869819- Allen v. Farrow: https://www.amazon.com/gp/video/detail/B0B7DGGTD4/ref=atv_sr_fle_c_src13fdd_1_1_1?sr=1-1&pageTypeIdSource=ASIN&pageTypeId=B0B7DC3ZX1&qid=1780938832027- Department of Justice: Epstein Files: https://www.justice.gov/epstein- The People's Voice: https://x.com/tpvsean This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit entangledpodcast.substack.com

Evan, Rémy and Marcus go one f'n hour on Stanley Kubrick's DR. STRANGELOVE, the unsettling Cold War masterpiece that confronts the specter of nuclear annihilation through absurdist satire and institutional madness. Along the way, they explore the culture of atomic anxiety that shaped the film, its disturbing parallels to our modern world, and the thematic connections it shares with Sidney Lumet's FAIL-SAFE and Michelangelo Antonioni's RED DESERT, two other 1964 classics grappling with humanity's fragile relationship to technology, power, and catastrophe. Sign-up for the OFH Patreon to get access to our bonus episodes and to support Tom Fitzgerald: ⁠http://patreon.com/onefuckinghour

Episode 450: The Crew's feeling the anxiety of unjust accusations while watching Stanley Kubrick's Paths of Glory. This anti-war film will give you second thoughts about joining any military. The tension is ever present, even after the genre switches from war film to courtroom drama. It's Kubrick's fourth film but his first real masterpiece. The Crew discusses… If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: moviecrewpod@gmail.com

Jay Weidner joins us today to discuss Stanley Kubrick, the moon landing, history, and controlled release of UFO technology. We will also delve into the connections to James Forrestal, JFK, and more. Guest Links Jay Weidner Sacred Mysteries

Bill and Sean open up the pod bay doors with director Steven Spielberg to revisit one of the greatest films of all time, Stanley Kubrick's ‘2001: A Space Odyssey' starring Keir Dullea, Gary Lockwood, and William Sylvester. Producer: Craig Horlbeck, Chia Hao Tat, Eduardo Ocampo, and Matt Pevic The Ringer is committed to responsible trading. Please visit https://fanduel.com/predicts to learn more about the resources and helpline. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Let's talk about sex. At long last, we tackle the final movie from the master, Stanley Kubrick. Tom Cruise and Nicole Kidman's sexual drama Eyes Wide Shut. Joining us for the conversation is New York Times bestselling fantasy author of The School for Good and Evil and the new hit novel Young World, Soman Chainani. We cover how today's youth are going to save us and the dream that is this masterpiece movie.Chapters Introduction (00:00:00) Hatch News (00:16:13) Eyes Wide Shut Roundtable (00:25:41) Your Letters (01:29:58) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

Thanks to some great feedback and some more of that awesome Barney Dicker chat to share, this episode is basically a second instalment of Movie Monday: Blade Runner. But before the Blade Runner chat, I respond to a message from M. W. Lewis of The Worlds of M. W. Lewis concerning April's movie Michael Crichton's Westworld. Then it's onto some Blade Runner feedback from Jason Connerley of Nerd's RPG Variety Cast, Joe Richter of Hindsightless, and Goblin's Henchman, before rounding things off with more of my chat with Barney Dicker of Loco Ludus. Honourable mentions: 2001: A Space Odyssey dir. Stanley Kubrick, Dark Star dir. John Carpenter, Westworld (TV series), Masters of the Universe dir. Travis Knight, Legend dir. Ridley Scott, Edge of Tomorrow dir. Doug Liman, Minority Report dir. Steven Spielberg, Do Androids Dream of Electric Sheep by Philip K. Dick, Alien dir. Ridley Scott, The Long Tomorrow by Dan O'Bannon and Moebius, The Incal by Alejandro Jodorowsky and Moebius, Blade Runner 2049 dir. Denis Villeneuve Read Barney's “Stroboscopic Revelations in Blade Runner” here https://www.academia.edu/36398665/_Stroboscopic_Revelations_in_Blade_Runner_PhotoResearcher_No_29_2018_ Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ So, from the sublime to the ridiculous. The movie for June is 1987's Masters of the Universe, directed by Gary Goddard and starring Dolph Lundgren. That episode will air on June 29th, so please send in your submissions by the 27th if you'd like to be included in the show. Send submissions to ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall Also, be sure not to miss my other movie podcast, With Wife and I. Isla and I take turns choosing movies to watch together, then share our thoughts with anyone who cares to listen. You can find it wherever you get your podcasts. “Warning” by Lieren of Updates From the Middle of Nowhere Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

https://www.patreon.com/posts/159576653?pr=true (*UNLOCK full episode ad-free on Patreon!)On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we have the May BONUS episode only for the Supporters! We will have a look at the story Lolita and how it connects into Epstein's Zorro Ranch, Kubrick's film and alien sacrifices! We'll talk about the history of Epstein's Zorro Ranch and how the conspiracy about the current MAGA owner Donald Huffines digging up a symbolic sacrifice altar on Saint Raphael Ranch. We'll cover Alisa Valdes-Rodriguez' findings on her Substack, directed energy attacks and how TikTok mega-star Aaron Parnas has degrees of separation to all of this through his father Lev Parnas! We'll also cover Robert and Ghislaine Maxwell conspiracies, Kubrick's Lolita film, the novel and how these worlds intersect into New Mexico! From Hollywood to Wayfair to Aliens and Epstein- it's a wild ride so get ready!NOW UP AD-FREE ON SUPPORTER FEEDS! Free feed gets a preview!Links:OSAPC Lolita/Epstein 2020 episode: https://www.patreon.com/posts/patreon-bonus-38023728 Breaking Social Norms Zorro Ranch Part 1: https://breakingsocialnorms.com/2026/03/17/zorro-ranch-pt-1-epsteins-aliens-rigged-lottery-messiahs-evil-donalds/SUPPORTER FEEDS get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE *STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.

We're back with our 2000s pick in our Spielberg Through the Decades series, A.I. Artificial Intelligence! The project began as a film by Stanley Kubrick that Spielberg took over after Kubrick's death in 1999. Seen as an underrated gem in his filmography by many, the crew takes a look at the film in a modern lens with AI starting to take over every aspect of society. Come back next episode as we tackle the Daniel-Day Lewis lead film Lincoln from 2012!

This week on Myopia Movies, we're going full existential crisis with A.I. Artificial Intelligence — the 2001 Spielberg film based on the project Stanley Kubrick spent decades developing and wisely never finished. It's got everything you'd expect from a Spielberg joint: a family torn apart by divorce energy, social dynamics that make you want to lie down, and — in what can only be described as a creative choice — aliens. In the third act. For reasons. A boy robot wants to be a real boy. His mom is not fully on board. His dad is very not on board. A sentient teddy bear named Teddy is, somehow, the most emotionally stable character in the film. Jude Law shows up as a gigolo robot, almost saves the movie, and is promptly sidelined so we can get back to the crying. The film ends. Then it ends again. Then aliens arrive. Then it ends a third time. Joining us this week is the legendary Jiggle O'Joe, who survived this film with us and only had to step outside twice. Myopia Movies — watching the movies you loved, the movies you hated, and apparently now the movies that make you question the nature of love itself. How will AI - Artificial Intelligence hold up? Directed by: Steven Spielberg (from a project developed by Stanley Kubrick) Starring: Haley Joel Osment, Jude Law, Frances O'Connor, Sam Robards, Jake Thomas, William Hurt, and the voice of Jack Angel as Teddy

We reach the critical crunch of our space odyssey, and back on our home planet we find the story of the moon landing beset by very earthly problems. Sections of an increasingly cynical and distrusting population start to question if humanity's greatest achievement was all that was claimed, or just a big spoof.We go through the strange sequence of events & a peculiar cast of characters, who began the claim that the moon landing was a hoax. There are men smashing up their TVs and hating supermarkets, stories of astronauts hiding out in the casinos of Las Vegas, allegations the Mafia ran security for NASA, and possibly the most entertaining of all conspiracy theories – that Stanley Kubrick faked the moon landing, and secretly confessed to it in one of his most famous films.It's the story of a conspiracy theory that begins among a strange secret society (possibly a drinking club) and then simmers on the fringes for decades until a few key events, and people, supercharge it.There are also too many snooker references.This episode was originally in one part, but our own strange sequence of events has led to us having to split it into two – all of which we try to explain.Send all of your questions, comments, complaints and conspiracies to stallit@goloudnow.com

On this fresh from the grave episode of Death By DVD filmmaker Jeremy Berkowitz returns to Death By DVD to discuss their life one year after releasing their debut feature film, Sydney. Filmmaking, mental health, physical health, growth, change, autism and more is discussed on this episode that dives deep into what its like to make movies, and what art means. Quit reading and hit play, now! Dive into this episode celebrating and exploring independent film and life itself. Watch Sydney by Jeremy Berkowitz now on Amazon : https://www.amazon.com/Sydney-Jeremy-Berkowitz/dp/B0GPD3NXTRVisit the official website of Jeremy Berkowitz : https://www.jeremyberkowitz.com/Official website for Sydney : https://www.sydneythefilm.com/CHECK OUT DEATH BY DVD ON YOUTUBE : https://www.youtube.com/@DeathByDVDDon't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES  ★ Support this podcast on Patreon ★

This week we’re talking horse tracks, crooked cops, femme fatales, and an ex-con with a plan to make a killing as Zeth looks back at the 1956 Stanley Kubrick film ‘The Killing.’ Plus we make a mixtape inspired by the film including songs by Phantom Planet, George Jones, and Danger Doom. Become an All Access member and get ad-free listening by visiting disgracelandpod.com.See omnystudio.com/listener for privacy information.

What are the best movies from six of the greatest directors ever? Lance Taylor and Tyler Johns go filmmaker by filmmaker through the careers of Quentin Tarantino, Martin Scorsese, David Fincher, Paul Thomas Anderson, Stanley Kubrick, and Christopher Nolan to choose the films that best define each director. From Tarantino's pop-culture-changing Pulp Fiction to Scorsese's gangster classic Goodfellas, Fincher's dark thriller Seven, PTA's powerhouse drama There Will Be Blood, Kubrick's horror landmark The Shining, and Nolan's massive historical epic Oppenheimer, this episode is a full movie-lover deep dive. The guys also discuss the difference between a director's “best” movie and their personal favorite, why some films age better than others, and how certain movies reshape an entire genre. Before the main topic, Lance and Tyler review recent viewings including Who Will Stop the Rain?, Marathon Man, Billy Idol Should Be Dead, Hooper, Widow's Bay, Mortal Kombat 2, and Batman Beyond. #BestFilms #BestMovies #LegendaryDirectors #QuentinTarantino #MartinScorsese #ChristopherNolan #StanleyKubrick #DavidFincher #PaulThomasAnderson #PulpFiction #Goodfellas #Oppenheimer #TheShining #TheNextReel #moviereview SUBSCRIBE: @NextRoundLive - / @nextroundlive FOLLOW TNR ON SPOTIFY: https://open.spotify.com/show/7zlofzLZht7dYxjNcBNpWN FOLLOW TNR ON APPLE PODCASTS: https://podcasts.apple.com/us/podcast/the-next-round/id1797862560 WEBSITE: https://nextroundlive.com/ MOBILE APP: https://apps.apple.com/us/app/the-next-round/id1580807480 SHOP THE NEXT ROUND STORE: https://nextround.store/ Like TNR on Facebook: / nextroundlive Follow TNR on Twitter: / nextroundlive Follow TNR on Instagram: / nextroundlive Follow everyone from the show on Twitter: Jim Dunaway: / jimdunaway Ryan Brown: / ryanbrownlive Lance Taylor: / thelancetaylor Scott Forester: / scottforestertv Tyler Johns: /TylerJohnsTNR Sponsor the show: sales@nextroundlive.com Learn more about your ad choices. Visit megaphone.fm/adchoices

A chilling pattern is emerging. Scientists in propulsion, fusion, and aerospace—gone, missing, or dead under bizarre circumstances. Coincidence… or containment? As the list grows to include David Wilcock of Ancient Aliens fame, so do the questions. Isaac Weishaupt joins Richard Syrett to dissect a cluster of deaths that may orbit the most dangerous secret of all. GUEST: Isaac Weishaupt is a researcher, author, and podcast host known for decoding hidden systems of power, symbolism, and cultural manipulation. He is the creator of Occult Symbolism and Pop Culture, where he explores the intersection of elite influence, media messaging, and esoteric traditions. Through books like Aliens, UFOs & the Occult: Use Your Illusion and The Dark Path, Weishaupt examines the idea that reality operates on layered narratives—where what we see publicly may conceal deeper, coordinated forces shaping belief, technology, and truth itself. WEBSITE/LINKS: https://occultsymbolism.com https://allmylinks.com/isaacw BOOKS: A Grand Unified Conspiracy Theory: The Illuminati, Ancient Aliens, and Pop Culture The Dark Path: Conspiracy Theories of Illuminati and Occult Symbolism in Pop Culture, the New Age Alien Agenda & Satanic Transhumanism Kubrick's Code: An Examination of Illuminati & Occult Symbolism in Stanley Kubrick's Films Sacrifice: Magic Behind the Mic: The Conspiracy Behind Rap Music and the Illuminati Manipulation of Hip Hop Through Occult Symbols Aliens, UFOs & the Occult: Use Your Illusion I: UAP Disclosure, Spiritual Warfare and Manifesting Extraterrestrials Through Entertainment FOLLOW RICHARD Website: https://www.strangeplanet.ca YouTube: @strangeplanetradio Instagram: @richardsyrettstrangeplanet TikTok: @therealstrangeplanet SUPPORT OUR SPONSORS!!! MARS MEN Mars Men helps you reclaim your edge with natural testosterone support for energy, focus, and strength Go to MenGoToMars.com right now, for a limited time, listeners of this program get 50% off for life, plus free shipping AND 3 free gifts. QUINCE Luxury, European linen that gets softer with every wash! Turn up the luxury when you turn in with Quince. Go to Quince dot com slash RSSP for free shipping on your order and 365-day returns. Now available in Canada, too. CARGURUS CarGurus is the #1 rated car shopping app in Canada on the Apple App and Google Play store. They've got hundreds of thousands of cars from top-rated dealers, plus advanced search tools that let you zero in on exactly what you want. And you can set real-time alerts for price drops and new listings — so you never miss a great deal. Buy your next car today with CarGurus at cargurus dot ca. Go to cargurus dot ca to make sure your big deal is the best deal. ⁠ BECOME A PREMIUM SUBSCRIBER!!!⁠ ⁠https://strangeplanet.supportingcast.fm⁠ Three monthly subscriptions to choose from. Commercial Free Listening, Bonus Episodes and a Subscription to my monthly newsletter, InnerSanctum. Visit ⁠https://strangeplanet.supportingcast.fm⁠ Use the discount code "Planet" to receive $5 OFF any subscription. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and services, you agree to our use of cookies as described in our Cookie Policy. Learn more about your ad choices. Visit ⁠megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://strangeplanet.supportingcast.fm/