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HEEEERE'S JOHNNY!! The Shining Full Movie Reaction Watch Along: / thereelrejects Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With IT: Welcome to Derry premiering to huge success on HBO & The Running Man coming soon + recent Stephen King adaptations The Long Walk now on VOD & home video, Tara & Andrew RETURN to give their The Shining Reaction, Recap, Commentary, Analysis, Ending Explained & Spoiler Review! Tara Erickson & Andrew Gordon react to The Shining (1980), the legendary psychological horror masterpiece directed by Stanley Kubrick (A Clockwork Orange, 2001: A Space Odyssey) and based on the bestselling novel by Stephen King. A chilling blend of psychological dread, supernatural terror, and stunning visual precision, The Shining remains one of the most haunting and analyzed horror films ever made. The story follows Jack Torrance (played by Jack Nicholson – One Flew Over the Cuckoo's Nest, Batman) as an aspiring writer who takes a winter caretaker job at the isolated Overlook Hotel with his wife Wendy (played by Shelley Duvall – Popeye, 3 Women) and their young son Danny (Danny Lloyd). As cabin fever and supernatural forces consume Jack, his descent into madness gives rise to some of the most iconic moments in film history. The film also features Scatman Crothers (One Flew Over the Cuckoo's Nest, The Aristocats) as Dick Hallorann, the hotel's cook who shares a psychic “shine” with Danny. Kubrick's meticulous direction, paired with Nicholson's unforgettable performance, turned The Shining into a genre-defining classic that continues to influence filmmakers and terrify audiences decades later. Iconic and highly searched moments include “Here's Johnny!”, the blood-flooded elevator, the twin girls in the hallway, “All work and no play…”, and the hedge maze finale. With its eerie sound design, haunting score by Wendy Carlos & Rachel Elkind, and hypnotic cinematography by John Alcott, The Shining is a cinematic descent into madness that still chills to the core. Follow Andrew Gordon on Socials: YouTube: https://www.youtube.com/@MovieSource Instagram: https://www.instagram.com/agor711/?hl=en Twitter: https://twitter.com/Agor711 Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram: https://www.instagram.com/taraerickson/ Twitter: https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
Arthur C. Clarke war einer der größten Science-Fiction-Schriftsteller des 20. Jahrhunderts. Er nahm vorweg, was heute Selbstverständlichkeit ist – und doch an Rätselhaftigkeit nicht eingebüßt hat. Von Rainer Praetorius.
Arthur C. Clarke war einer der größten Science-Fiction-Schriftsteller des 20. Jahrhunderts. Er nahm vorweg, was heute Selbstverständlichkeit ist – und doch an Rätselhaftigkeit nicht eingebüßt hat. Von Rainer Praetorius.
HEEEERE'S JOHNNY!! The Shining Full Movie Reaction Watch Along: / thereelrejects Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With IT: Welcome to Derry premiering to huge success on HBO & The Running Man coming soon + recent Stephen King adaptations The Long Walk now on VOD & home video, Tara & Andrew RETURN to give their The Shining Reaction, Recap, Commentary, Analysis, Ending Explained & Spoiler Review! Tara Erickson & Andrew Gordon react to The Shining (1980), the legendary psychological horror masterpiece directed by Stanley Kubrick (A Clockwork Orange, 2001: A Space Odyssey) and based on the bestselling novel by Stephen King. A chilling blend of psychological dread, supernatural terror, and stunning visual precision, The Shining remains one of the most haunting and analyzed horror films ever made. The story follows Jack Torrance (played by Jack Nicholson – One Flew Over the Cuckoo's Nest, Batman) as an aspiring writer who takes a winter caretaker job at the isolated Overlook Hotel with his wife Wendy (played by Shelley Duvall – Popeye, 3 Women) and their young son Danny (Danny Lloyd). As cabin fever and supernatural forces consume Jack, his descent into madness gives rise to some of the most iconic moments in film history. The film also features Scatman Crothers (One Flew Over the Cuckoo's Nest, The Aristocats) as Dick Hallorann, the hotel's cook who shares a psychic “shine” with Danny. Kubrick's meticulous direction, paired with Nicholson's unforgettable performance, turned The Shining into a genre-defining classic that continues to influence filmmakers and terrify audiences decades later. Iconic and highly searched moments include “Here's Johnny!”, the blood-flooded elevator, the twin girls in the hallway, “All work and no play…”, and the hedge maze finale. With its eerie sound design, haunting score by Wendy Carlos & Rachel Elkind, and hypnotic cinematography by John Alcott, The Shining is a cinematic descent into madness that still chills to the core. Follow Andrew Gordon on Socials: YouTube: https://www.youtube.com/@MovieSource Instagram: https://www.instagram.com/agor711/?hl=en Twitter: https://twitter.com/Agor711 Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram: https://www.instagram.com/taraerickson/ Twitter: https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
Revisiting some past stories from episodes of Lost in Science Fiction, we look at the science contained in (and the science inspired by) Star Wars, 2001: a Space Odyssey, and Ad Astra
Have you ever dreamt of a better version of this podcast? What about a world where you can now watch this movie on HBO MAX? We did, so we injected our format with Cronenberg's The Fly, Street Trash, Re-animator, and… 2001: A Space Odyssey, and we're re-releasing this episode to celebrate! That's right, we're ready to pump it up all over again for the body horror flick of 2024: Coralie Fargeat's audacious and bodacious film, THE SUBSTANCE!! Along the way, we start spoiler-free before giving birth to a conversation covering an avalanche of butts, Hollywood Walk of Fame orientation, severe trypanophobia, Sudden Oatmeal Syndrome, and rank the worst men in this movie from worst to F That Guy!! All this, plus we worship at the altar of Demi Moore, hate on cookbooks, pay for billboard views, finger shrimps, and show off an explosive edition of Choose Your Own Deathventure!! Work it, people!! Part of the BLEAV Network.Get even more episodes exclusively on Patreon! Artwork by Josh Hollis: joshhollis.com Kill By Kill theme by Revenge Body. For the full-length version and more great music, head to revengebodymemphis.bandcamp.com today!Join the new Discord Server Comvo here! Our linker.ee Click here to visit our Dashery/TeePublic shop for killer merch! Join the conversation about any episode on the Facebook Group! Follow us on IG @killbykillpodcast!! Join us on Threads or even Bluesky Check out Gena's newsletter on Ghost!! Check out the films we've covered & what might come soon on Letterboxd! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
This show has been flagged as Clean by the host. This brings us to a look at Arthur C. Clarke's most famous series, 2001: A Space Odyssey and its sequels. Links: https://en.wikipedia.org/wiki/2001:_A_Space_Odyssey https://en.wikipedia.org/wiki/The_Sentinel_(short_story) https://en.wikipedia.org/wiki/Encounter_in_the_Dawn https://en.wikipedia.org/wiki/2001:_A_Space_Odyssey_(novel) https://en.wikipedia.org/wiki/The_Lost_Worlds_of_2001 https://en.wikipedia.org/wiki/2010:_Odyssey_Two https://en.wikipedia.org/wiki/2010:_The_Year_We_Make_Contact https://en.wikipedia.org/wiki/2061:_Odyssey_Three https://en.wikipedia.org/wiki/3001:_The_Final_Odyssey https://www.palain.com/science-fiction/the-golden-age/arthur-c-clarke-2001-and-sequels/ Provide feedback on this episode.
Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 323: 2001 A Space Odyssey Released 29 October 2025 For this episode, we watched Stanley Kubrick's iconic science fiction masterpiece 2001 A Space Odyssey, written by Kubrick and Arthur C Clarke and starring Keir Dullea, Gary Lockwood, William Sylvester and the voice of Douglas Rain. It was nominated for four Oscars and won one for its special effects, the only Academy Award which Kubrick ever won. It ranks sixth on the 2022 Sight & Sound critics list and it tops the directors list. Tom's new podcast: https://podfollow.com/all-british-comedy-explained Jess's amazing storytelling show: https://kingsheadtheatre.com/whats-on/16-postcodes-jhby BEST PICK – the book is available now from all the usual places. From the publisher https://tinyurl.com/best-pick-book-rowman UK Amazon https://amzn.to/3zFNATI US Amazon https://www.amzn.com/1538163101 UK bookstore https://www.waterstones.com/book/9781538163108 US bookstore https://www.barnesandnoble.com/w/best-pick-john-dorney/1139956434 Audio book https://www.audible.co.uk/pd/Best-Pick-Audiobook/B09SBMX1V4 To send in your questions, comments, thoughts and ideas, you can join our Facebook group, email us on bestpickpod@gmail.com, or find us on Bluesky. You can also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month, but please be aware that future releases will continue to be sporadic.
In this episode of International Horizons, Interim Director Eli Karetny speaks with film scholar Nathan Abrams about the enduring relevance of Stanley Kubrick and what his work can teach us about our current era. From the nuclear absurdities of Dr. Strangelove to the cosmic rebirth of 2001: A Space Odyssey, Kubrick's films expose the fragile line between technological mastery and moral collapse. Abrams unpacks Kubrick's fascination with war, authority, and obedience, his roots in the New York Jewish intellectual tradition, and his exploration of mystical and mythic themes—from Kabbalah to The Odyssey. Together, they reveal how Kubrick's cinematic universe reflects our own: a world where human creativity, paranoia, and power intertwine in both terrifying and illuminating ways. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Join screenwriter Stuart Wright as he dives into movies that changed your life with the director of GAME, John Minton, in this engaging episode of 3 Films That Have Impacted Everything In Your Adult Life. Explore Le Jetee impact, 2001: A Space Odyssey analysis, and The Clock influence on his personal growth and cinema's transformative power. John Minton also discusses how he directed GAME Movies That Changed Your Life Find out about the making of GAME and the lasting impact of cinema with Stuart Wright on his movie podcast. [0:42] What is the film GAME about? [1:20] How a short film idea turned in to a feature film [4:50] Invada Records to Invada Films - a 20 year journey [9:00] How did you cast Sleaford Mods' Jason Williamson for the role of the poacher? [10:20] How do you make someone trapped upside down in a car visually interesting? What were the challenges? [20:00] What new story was discovered during the editing process? [24:30] Marc Bessant's upside down performance [29:45] 3 Films That Have Impacted Everything In Your Adult Life Le Jetee impact [30:10] John Minton describes how Le Jetee was a film he was introduced to on a graphic design course and he fell into the moving image as a result. How it showed him he could make films. 2001: A Space Odyssey analysis [35:20] John Minton shares how 2001: A Space Odyssey is all about the dawn of man; the cut from the bone to outer space. How he will always be impressed by it. The Clock Influence [42:50] John Minton talks about how The Clock is about the whole of the 20th century cinema. How he found himself checking he own time, all the time, while watching nearly five hours of it. Key Take Aways: - Discover how movies that changed your life shape personal and professional growth. - Learn about how an independent film is made and how to make a contained thriller on a low budget Learn about how GAME starring Jason Williamson and Marc Bessant was made Learn how to expand a short film idea into a feature film - Understand cinema's transformative power through Le Jetee (1962), 2001: A Space Odyssey (1968), The Clock (2010) - Full show notes and transcript: About the Guest: John Minton is a Bristol-based UK filmmaker, known for his experimental, lo-fi, and hallucinatory style. Characterised by grainy super-8 textures, a palette of iridescent, glowing hues, and mesmerisingly evocative imagery. John's distinctive visual flair has lent itself to music videos for Noel Gallagher, Portishead, and Savages amongst others. For more about John's work see https://www.mintonfilm.co.uk For details about November 2025 screenings: where and how to see GAME click the following link for more info https://linktr.ee/InvadaFilmsGame Subscribe on Apple Podcasts, follow on Spotify or wherever you listen to your podcasts for more movies that impacted your life! Share your favourite movies that impacted your life on X (@leytonrocks) and leave a 5-star review and tell us which 3 films impacted your adult life. Best ones get read out on the podcast. Credits: Intro/Outro music: *Rocking The Stew* by Tokyo Dragons (https://www.instagram.com/slomaxster/) Written, produced, and hosted by Stuart Wright for [Britflicks.com](https://www.britflicks.com/britflicks-podcast/) Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of International Horizons, Interim Director Eli Karetny speaks with film scholar Nathan Abrams about the enduring relevance of Stanley Kubrick and what his work can teach us about our current era. From the nuclear absurdities of Dr. Strangelove to the cosmic rebirth of 2001: A Space Odyssey, Kubrick's films expose the fragile line between technological mastery and moral collapse. Abrams unpacks Kubrick's fascination with war, authority, and obedience, his roots in the New York Jewish intellectual tradition, and his exploration of mystical and mythic themes—from Kabbalah to The Odyssey. Together, they reveal how Kubrick's cinematic universe reflects our own: a world where human creativity, paranoia, and power intertwine in both terrifying and illuminating ways. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
In this episode of International Horizons, Interim Director Eli Karetny speaks with film scholar Nathan Abrams about the enduring relevance of Stanley Kubrick and what his work can teach us about our current era. From the nuclear absurdities of Dr. Strangelove to the cosmic rebirth of 2001: A Space Odyssey, Kubrick's films expose the fragile line between technological mastery and moral collapse. Abrams unpacks Kubrick's fascination with war, authority, and obedience, his roots in the New York Jewish intellectual tradition, and his exploration of mystical and mythic themes—from Kabbalah to The Odyssey. Together, they reveal how Kubrick's cinematic universe reflects our own: a world where human creativity, paranoia, and power intertwine in both terrifying and illuminating ways. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Colonel Mark Cancian on why the US has moved a carrier strike group into the Caribbean. Then: Justin Quirk and Zoë Grünewald discuss the ‘Donroe Doctrine’ and whether ‘2001: A Space Odyssey’ could become reality. Plus: Simon Hart on his book, ‘Ungovernable: The Political Diaries of a Chief Whip’.See omnystudio.com/listener for privacy information.
Generative A.I., once an uncanny novelty, is now being used to create not only images and videos but entire “artists.” Its boosters claim that the technology is merely a tool to facilitate human creativity; the major use cases we've seen thus far—and the money being poured into these projects—tell a different story. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss the output of Timbaland's A.I. rapper TaTa Taktumi and the synthetic actress Tilly Norwood. They also look back at movies and television that imagined what our age of A.I. would look like, from “2001: A Space Odyssey” onward. “A.I. has been a source of fascination, of terror, of appeal,” Schwartz says. “It's the human id in virtual form—at least in human-made art.”Read, watch, and listen with the critics:TaTa Taktumi's “Glitch x Pulse”Cardi B's “Am I the Drama?”“Pop Star Academy: KATSEYE” (2024)“Dear Tilly Norwood,” by Betty Gilpin (The Hollywood Reporter)Tilly Norwood's Instagram account“Holly Herndon's Infinite Art,” by Anna Wiener (The New Yorker)“2001: A Space Odyssey” (1968)“The Morning Show” (2019—)“Simone” (2002)“Blade Runner” (1982)“Ex Machina” (2014)“The Man Who Sells Unsellable New York Apartments,” by Alexandra Schwartz (The New Yorker)“The Work of Art in the Age of Mechanical Reproduction,” by Walter Benjamin“The Death of the Author,” by Roland BarthesNew episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker that explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices
In his most detailed interview, Group Captain Shubhanshu Shukla, India's first astronaut to live in the International Space Station, talks extensively of his incredible space journey. Tune in! Produced by Taniya Dutta Sound Mix by Aman Pal
No matter what kind of horror fan you are, there's a good chance that you love the monsters. Whether it's from the Universal Classics, Hammer's colorful reinterpretations, the amazing creatures from Ray Harryhausen, to the no-classic aliens in Star Wars, monsters are a backbone of cinema, and arguably, are the backbone of horror. It's one of the things that we horror fans rally around, and love to discuss: from our favorites, to how some are designed, how they move, and everything in between. Oscar winning special makeup effects artist Howard Berger and author Marshall Julius have a new book out entitled Making Monsters: Inside Stories from the Creators of Hollywood's Most Iconic Creatures, so we asked them to be on our show to talk all about monsters, and those special memories that we all have from the films we love. Films mentioned in this episode: 2001: A Space Odyssey (1968), The 7th Voyage of Sinbad (1958), The Abyss (1989), An American Werewolf in London (1981), Creature from the Black Lagoon (1954), The Fly (1986), Frankenstein (1931), The Golden Voyage of Sinbad (1973), Gremlins (1984), The Hunchback of Notre Dame (1923), Indian Jones and the Temple of Doom (1984), Jason and the Argonauts (1963), Jurassic Park (1993), King Kong (1933), King Kong (1976), Night of the Living Dead (1968), Nosferatu (1922), Phantom of the Opera (1925), Planet of the Apes (1968), Raiders of the Lost Ark (1981), Say Anything (1989), Star Wars (1977), The Thing (1982), The Valley of the Gwangi (1969)
Episode: 2638 Artificial Gravity for Human Spaceflight; What is Gained, What is Lost. Today, astronaut Michael Barratt discusses the pros and cons of artificial gravity.
Ego Fest XV cracks open The Projection Booth once again as Mike faces a barrage of listener questions from the devoted and the deranged. From the mysteries of the long-teased 2001: A Space Odyssey episode to favorite decades of filmmaking and the highs and lows of a year's worth of interviews, nothing's off the table. Mike talks shop on balancing multiple podcasts, favorite co-hosts, and whether a Dabney Coleman series might lurk in the future. Fans ask about Elliot Gould, Malcolm McDowell, the Weirding Way family, Kurt Cobain, and even Mike's clarinet. It's a revealing, and deeply personal episode that proves—once again—that the man behind the mic never stops creating, curating, or caffeinating.Big thanks to Dallas Norvell, Captain Billy, Robert Maines, and Ben Buckingham for the thoughtful questions. Also big thanks to all of the listeners who provided such insightful reviews.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
Ego Fest XV cracks open The Projection Booth once again as Mike faces a barrage of listener questions from the devoted and the deranged. From the mysteries of the long-teased 2001: A Space Odyssey episode to favorite decades of filmmaking and the highs and lows of a year's worth of interviews, nothing's off the table. Mike talks shop on balancing multiple podcasts, favorite co-hosts, and whether a Dabney Coleman series might lurk in the future. Fans ask about Elliot Gould, Malcolm McDowell, the Weirding Way family, Kurt Cobain, and even Mike's clarinet. It's a revealing, and deeply personal episode that proves—once again—that the man behind the mic never stops creating, curating, or caffeinating.Big thanks to Dallas Norvell, Captain Billy, Robert Maines, and Ben Buckingham for the thoughtful questions. Also big thanks to all of the listeners who provided such insightful reviews.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
Send us a textA perfect storm of lousy news sees out-of-work podcaster Johnny Wolfenstein spiral into a bender, during which he claims to have been abducted by aliens, and fearing their return, he contacts his old friend MonsterZero to help him gear up for a black light alien fight! On Episode 689 of Trick or Treat Radio we discuss the neon-drenched, drug-fueled alien nightmare Jimmy and Stiggs from director Joe Begos! We also debate whether Waterworld is as bad as everyone remembers, watch the new trailer for the 4K remaster of the cult classic film, Freaked, and ponder if Eli Roth is a better ambassador for horror than he is a filmmaker. So grab your drug of choice, gas up the chainsaw, and strap on for the world's most dangerous podcast!Stuff we talk about: Vinyl, horror soundtracks, Trust Kill Records, Saw VI, Halloween 3, Type O Negative, Mushroomhead, Nightmare on Elm St 4: Dream Master, Bela Lugosi, dimestore Jerry Lewis, Mr. Sardonicus, Children of the Corn, Universal Horror, Toxic Avenger IV: Citizen Toxie, Skull and Bones, Hillside Strangler, My Soul To Take, I Spit On Your Grave, Slice and Dice, Navy Seals vs. Zombies, Soul to Keep, Freaky, Wes Craven, Bella Thorn, Nick Cannon, Terminator 3: Rise of the Machines, Prom Night 3, Michael Dudikoff, Alien, Sigourney Weaver, Ghostbusters, Copycat, The Village, Cabin in the Woods, R.L. Stine, Goosebumps, The Black Lagoon, Andromeda Strain, Ray Strickland, The Return of Dracula, The Night Watch, Night of the Bloody Apes, Santo vs The Evil Brain, Patrick Dempsey, Loverboy, Can't Buy Me Love, Sixteen Candles, 3:00 High, Courtney Gains, Witchboard, Freaked 4K Remaster, Tom Stern, Alex Winter, Brooke Shields, Mr. T, Joey Lawrence, William Sadler, Randy Quaid, Bobcat Goldthwaite, Predator: Badlands, Dan Trachtenberg, Elle Fanning, Waterworld, Kevin Costner, Come and See, Invasion of the Body Snatchers, Leonard Nimoy, Jeff Goldblum, Karen Allen, Vibes, Transylvania 6-5000, Satantango, 2001: A Space Odyssey, alien mayhem, Jimmy and Stiggs, Joe Begos, Matt Mercer, Stephen Scarlata, Bride of the Monster, Cannibal Holocaust, Kay Parker, Eli Roth, The Horror Section, Hostel 2, Thanksgiving, championing the Italians, Dream Eater, The Piano Killer, Don't Go In That House Bitch, Traumatika, and what a wonderful Waterworld.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show
Check out Cam's latest novel / audio drama here! Him is the most underrated and misunderstood horror movie of the year. In this episode, we're exploring the film's boundless thematic depth and striking visuals to uncover a fascinating inverse Faust theory and an unexpected but bone-deep Kubrick homage. Comparison titles include: Whiplash, Fight Club, Doctor Faustus, Midsommar, and 2001: A Space Odyssey. LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com
The Rich Zeoli Show- Full Episode (10/01/2025): 3:05pm- At midnight on Tuesday, the U.S. government officially shutdown after Senate Democrats refused to agree to a continuing resolution. While Democratic Senators Catherine Cortez Masto (NV) and John Fetterman (PA) voted with Republicans to pass the CR, the vote fell short of the necessary 60-vote threshold. According to rumors, Senate Minority Leader Chuck Schumer is reluctant to negotiate a deal with Republicans—hoping to prove his progressive credentials in order to stave off a potential primary challenge from Alexandria Ocasio Cortez. 3:30pm- During a Wednesday press briefing, Vice President JD Vance and White House Press Secretary Karoline Leavitt explained that Democrats have shut down the government as part of their fight to provide free healthcare to migrants residing in the United States illegally. 3:50pm- While discussing the New Jersey gubernatorial race on Fox News, Dana Perino cited Rich—so, we'll be playing that clip multiple times today. 4:05pm- During a Wednesday press briefing, Vice President JD Vance and White House Press Secretary Karoline Leavitt explained that Democrats have shut down the government as part of their fight to provide free healthcare to migrants residing in the United States illegally. 4:20pm- Did the government shutdown include audio on Capitol Hill? Chuck Schumer had some technical difficulties during an interview on Wednesday. 4:40pm- Will artificial intelligence kill us all (or at least take our jobs)? Rich and Justin are slightly concerned—Matt says he's a big believer in economist Joseph Schumpeter's theory of “creative destruction” and suggests we'll all be made better off in the long run. PLUS, Matt reviews 2001: A Space Odyssey and Alien—he didn't like either (infuriating everyone). And an autonomous Waymo vehicle gets pulled over for suspected drunk driving. Who gets the ticket? 5:00pm- Following the government shutdown, Senator Elizabeth Warren (D-MA) baselessly claimed that Republicans want to “take the wheelchair from your neighbor with a disability.” Meanwhile, Rep. Nancy Pelosi (D-CA) yelled at a reporter for suggesting Rep. Alexandria Ocasio Cortez (D-CA) is directing the shutdown from behind the scenes. 5:15pm- During a press conference on Wednesday, House Minority Leader Hakeem Jeffries dabbled in hyperbole as well—accusing Republicans of stealing “food from the mouths of hungry children” 5:20pm- In posts to social media, President Trump shared satirical memes of Hakeem Jeffries and Chuck Schumer wearing sombreros with mariachi music playing in the background. Democrats and media members have labeled the memes as “deep fakes”—but they're comically fake! No one would ever confuse them for anything other than edited. Vice President JD Vance joked: “I'll tell Hakeem Jeffries right now—I make this solemn promise to you, that if you help us reopen the government, the sombrero memes will stop.” 5:40pm- Dr. EJ Antoni—Chief Economist at The Heritage Foundation—joins The Rich Zeoli Show! He discusses the withdrawal of his nomination to lead the Bureau of Labor Statistics and explains that he simply didn't have the necessary number of Senators who were willing to meet with him. Rich emphasizes: “It's a loss for the good guys & a loss for the country.” Plus, Dr. Antoni weighs-in on the ongoing government shutdown. 6:05pm- At midnight on Tuesday, the U.S. government officially shutdown after Senate Democrats refused to agree to a continuing resolution. While Democratic Senators Catherine Cortez Masto (NV) and John Fetterman (PA) voted with Republicans to pass the CR, the vote fell short of the necessary 60-vote threshold. According to rumors, Senate Minority Leader Chuck Schumer is reluctant to negotiate a deal with Republicans—hoping to prove his progressive credentials in order to stave off a potential primary challenge from Alexandria Ocasio Cortez. 6:30pm- Did Rich mention that Dana Perino cited him on Fox Ne ...
The Rich Zeoli Show- Hour 2: 4:05pm- During a Wednesday press briefing, Vice President JD Vance and White House Press Secretary Karoline Leavitt explained that Democrats have shut down the government as part of their fight to provide free healthcare to migrants residing in the United States illegally. 4:20pm- Did the government shutdown include audio on Capitol Hill? Chuck Schumer had some technical difficulties during an interview on Wednesday. 4:40pm- Will artificial intelligence kill us all (or at least take our jobs)? Rich and Justin are slightly concerned—Matt says he's a big believer in economist Joseph Schumpeter's theory of “creative destruction” and suggests we'll all be made better off in the long run. PLUS, Matt reviews 2001: A Space Odyssey and Alien—he didn't like either (infuriating everyone). And an autonomous Waymo vehicle gets pulled over for suspected drunk driving. Who gets the ticket?
On this week's episode of our show, Captain Ingle and I are joined by our special guest Scott Ferguson to take a look at arguably the greatest science fiction film ever made, Stanley Kubrick's 1968 masterpiece "2001: A Space Odyssey". Join us as we take a journey beyond the infinite and explore the possibilities of existence!
Have we discovered life on Mars? What does the center of our galaxy taste like? To find out, and to kick off Season 5 of The LIUniverse, Dr. Charles Liu and co-host Allen Liu have reached out all the way to Tokyo to chat with Dr. Kelly Blumenthal, the Director of the International Astronomical Union Office for Astronomy Outreach. As always, though, we start off with the day's joyfully cool cosmic thing, a rock found in Sapphire Canyon by the Mars Perseverance Rover containing potential biosignatures. Allen explains why this rock is different: iron and sulfur nodules that exhibit indications of layers which, on Earth, could only be formed by bacteria. Kelly points out that there needs to be more investigation before we can say anything for sure. Chuck asks Kelly, who when she was 12 told her dad that she wanted to study galaxy evolution, to describe the research she did at the start of her career. She talks about studying with pioneering astronomer Joshua Barnes in Hawaii during her Masters projects and PhD. For her first project, she studied star formation rates in Jellyfish Galaxies, which are being ram-stripped of their gases and so appear to have tendrils. She ended up looking at the history of merging galaxies through cosmic time using large cosmological simulations. Then it's time for our first student question of Season 5, from Jeannie, who asks, “Now that we've found so many planets outside of our solar system, should Pluto be promoted as a planet again?” (Pluto's “demotion” nearly 20 years ago was traumatic for some.) According to Kelly, though, the “demotion” was really a reclassification, and at least for the time being, Pluto is going to stay a dwarf planet, a new category of which it was the first of its kind. She contrasts Pluto to the moons of Jupiter and reminds us of the new rules about what's a planet and what's not. Kelly brings up Star Trek and therefore gives Chuck permission to geek out over “Devil in the Dark” from the Star Trek: The Original Series, and “Silicon Avatar” from Star Trek: The Next Generation. Kelly talks about bingeing sci-fi in high school including 2001: A Space Odyssey, and the Foundation series, and more recently, The Expanse series, which she's listened to three times as audio books! Chuck and Kelly discuss communicating about science, and even the role science fiction can play. Kelly talks about the importance of understanding your audience. She uses the example of explaining what nebulas look like through the Chandra X-Ray Observatory to a blind and low-vision audience. Kelly also talks about how you can approach science through poetry, music, dance, theatre and art – even smell. She recalls a talk where someone working with incarcerated kids, who was limited in what props they could bring, made the universe come alive for them using the scent of raspberries, which have a similar chemical signature as the center of our galaxy. For our next audience question, Bridget asks, “So is that comet actually an interstellar spaceship?” Kelly debunks the notion that Comet 3I/ATLAS is anything other than a rock that's come from outside our solar system and explains why extrasolar asteroids are amazing things. We end with a discussion of the IAU's upcoming, worldwide “100 Hours of Astronomy” on Oct. 2-5, 2025, including a 24-hour live stream on Oct. 4 from the oldest functioning planetarium in Japan. Watch it live on YouTube via the IAU Office for Astronomy Outreach @IAUoutreach here. You can also visit their website at https://iauoutreach.org/, follow IAU Office for Astronomy Outreach on Facebook and LinkedIn, and on Instagram @oao_iau. If you have any questions, email them at public@oao.iau.org. You can follow Kelly on LinkedIn. We hope you enjoy the Season 5 premiere of The LIUniverse. Please support us on Patreon. Credits for Images Used in this Episode: Observatory History Museum at NAOJ in Mitaka – Credit: おむこさん志望, CC BY 3.0 “Sapphire Canyon” sample – Credit: NASA Perseverance Rover Iron Bacteria in Scotland – Credit: Roger Griffith Jellyfish Galaxy ESO 137-001 – Credit: NASA/ESA/CXC Jellyfish Galaxy JO201 – Credit: ESA/Hubble & NASA, M. Gullieuszik, CC BY 4.0 New Horizons probe before launch – Credit: NASA Pluto's “Heart”, Tombaugh Regio – Credit: NASA / Johns Hopkins University Applied Physics Laboratory / Southwest Research Institute Chandra X-ray Observatory (Illustration) – Credit: NASA/CXC/NGST Interstellar Comet 3I/Atlas – Credit: International Gemini Observatory/NOIRLab/NSF/AURA/Shadow the Scientist, CC BY 4.0 Artist's illustration of interstellar asteroid 1I/'Oumuamua – Credit: NASA, ESA, Joseph Olmsted (STScI), Frank Summers (STScI) Interstellar Comet 2I/Borisov – Credit: NASA, ESA, and D. Jewitt (UCLA) 100 hours of Astronomy! – Credit: IAU, CC BY 4.0 #liuniverse #sciencepodcast #astronomypodcast #kellyblumenthal #lifeonmars #bacteria #jellyfishgalaxy #pluto #interstellarasteroid #comet3iatlas #iau #officeforastronomyoutreach #startrek #theoriginalseries #thenextgeneration #theexpanse
For their 213th episode, two AI-fearing film critics, two hominid dads, and two bored teachers, Will Johnson and Don Shanahan, venture into the prophetic and distant science fiction of 24 years ago by way of 57 years ago. Those that can do the math can deduce they're talking about Stanley Kubrick's cornerstone epic “2001: A Space Odyssey.” This was an egregious blindspot for Will and a contrarian hate spot for Don, who's tried many times to embrace it. Come learn more and stay for the mutual love and respect that fun movies encapsulate. Enjoy our podcast!Speakpipe - send us a voicemailhttps://discord.gg/N6MKWXU2https://www.teepublic.com/user/ruminationsradionetworkhttps://www.instagram.com/cinephilehissyfit/https://www.instagram.com/casablancadon/www.RuminationsRadioNetwork.comwww.instagram.com/RuminationsRadioNetworkProduction by Mitch Proctor for Area 42 Studios and SoundEpisode Artwork by Charles Langley for Area 42 Studios and Soundhttps://www.patreon.com/RuminationsRadiohttps://everymoviehasalesson.com/https://ruminationsradio.transistor.fm/ ★ Support this podcast on Patreon ★
Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 322: Beau Travail Released 24 September 2025 For this episode, we watched Claire Denis's 1999 story of three men in the French Foreign Legion, drawn in part from Herman Melville's unfinished novella Billy Budd. The film stars Denis Lavant, Michel Subor and Grégoire Colin and Denis also wrote the script along with Jean-Pol Fargeau. It has an 87% rating on Rotten Tomatoes and it's at number seven in the 2022 Sight & Sound poll. We also feature an exclusive clip from Tom's new podcast All British Comedy Explained. Check it out here. https://podfollow.com/all-british-comedy-explained Next time we will be discussing 2001: A Space Odyssey. If you want to watch it before listening to the next episode, you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can stream it via Apple TV+ (UK) or Apple TV+ (USA). Blood Shine https://mubi.com/en/gb/films/blood-shine The One I Love https://www.netflix.com/gb/title/70299863 https://www.earwolf.com/episode/the-snowman-live-w-erin-gibson-bryan-safi/ BEST PICK the book is available now from all the usual places, and the paperback is out now. From the publisher https://tinyurl.com/best-pick-book-rowman UK Amazon https://amzn.to/3zFNATI US Amazon https://www.amzn.com/1538163101 UK bookstore https://www.waterstones.com/book/9781538163108 US bookstore https://www.barnesandnoble.com/w/best-pick-john-dorney/1139956434 Audio book https://www.audible.co.uk/pd/Best-Pick-Audiobook/B09SBMX1V4 To send in your questions, comments, thoughts and ideas, you can join our Facebook group, email us on bestpickpod@gmail.com, or find us on Bluesky. You can also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month.
Geweld loopt als een constante door onze geschiedenis. Wat leert dat ons? En welke lessen trekken we voor de toekomst? In gesprek over primaten, paraatheid, menselijke wetmatigheden en AI-wapenwedlopen.De beroemde openingsscène van Stanley Kubricks 2001: A Space Odyssey laat er geen twijfel over bestaan: mens-zijn betekent knokken. Maar is dat wel waar? Nu de militaire uitgaven in heel Europa drastisch worden opgeschroefd, onderzoeken we de (verondersteld) agressieve aard van de mens. Is georganiseerd geweld een biologisch gegeven of een realiteit in stand gehouden door het militair industrieel complex? Is de oorlog van de toekomst te vermijden of dient deze zich onverbiddelijk aan? En hoe bereiden we ons daar dan op voor?Weinig mensen voorspelden twintig jaar geleden een grote oorlog op het Europese continent. In een wereld die voortdurend verandert en waarin technologie snel achterhaald is, werpen we een blik op de inspiratiebronnen die ons helpen de oorlog van de toekomst te voorspellen: van vogelzwerm-patronen tot sciencefiction. Kunnen we door het onvoorstelbare in te beelden, oorlog voorkomen?Over de sprekersProf. Dr. Carel van Schaik is gedrags- en evolutiebioloog en werkt als hoogleraar biologische antropologie in Zürich. Hij is expert op het gebied van de orang-oetan, die hij jarenlang observeerde in Indonesië. Hij is corresponderend lid van de KNAW. Hij is mede-auteur van het boek Waarom we vrede willen, maar oorlog voeren.Prof. Dr. Martijn Kitzen is hoogleraar irreguliere oorlogvoering & speciale operaties aan de Nederlandse Defensie Academie. Als voormalig militair deed hij ervaring op in vn- en navo-missies. Samen met Tim Sweijs schreef hij De oorlog van morgen.Dr. Tim Sweijs is onderzoeksdirecteur bij het Haagse Centrum voor Strategische Studies (hcss). Hij doet onderzoek naar het veranderend karakter van gewapende conflicten en adviseert overheden, internationale organisaties en (militaire) besluitvormers op het gebied van defensie en veiligheid. Samen met Martijn Kitzen schreef hij De oorlog van morgen.Rolien Sasse is sinds 2023 directeur van PAX, de grootste vredesorganisatie van Nederland. PAX werkt wereldwijd aan het beschermen van burgers in conflictgebieden, het bevorderen van mensenrechten en het versterken van vreedzame samenlevingen. De organisatie combineert lokale aanwezigheid met internationale lobby en beleidsbeïnvloeding en werkt nauw samen met maatschappelijke organisaties, vredesactivisten en gemeenschappen ter plaatse. Deze maand verschijnt haar boek Vrede. Wat het is en waarom het kan.Programmamaker en moderator: Veronica BaasIn samenwerking met Uitgeverij Balans.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.
The Banned Movie Month collaboration starts here! As co-hosts Spider-Dan of The Secret Bores & Tonya Todd of The Femme On Collective explore and discuss films that have been banned or restricted around the world. In each episode they will ask their guests for their uncensored opinions on censoring and whether these films should have even been banned at all?All 4 episodes will alternate between both channels every Friday in September, so be sure to either subscribe to Tonya's Youtube Channel @mstonyatodd and find all previous incredible discussions surrounding banned books or subscribe to Femme On on your favourite podcast app of choice. https://pod.link/1662270040After another dark week in the real world it's time travel to joyous #Barbie Land, to ask why the film adaptation of a harmless #Mattel toy got itself banned around the world? It's a much needed palette cleanse for #BannedMovieMonth after last week's pod on #TheBirthOfANation. This week Co-hosts Spider-Dan & Tonya are joined by another two SUBLIME! Guests Alyson Shelton & B. Danielle Watkins to discuss #MargotRobbie & #GretaGerwig's Billion Dollar Box Office Smash #Barbie2023! Join us as we discuss jokes at the expense of the patriarchy, 2001: A Space Odyssey & WTF do “family values” even mean? Find & follow B. Danielle Watkins on Instagram to find out more about her writing and movies! https://tinyurl.com/yklmz8fgAnd Alyson you can find on Instagram for her comics, books, poetry and more! https://tinyurl.com/ynpoj38z Don forget to check out Alyson talking about her 200th Episode of Where I'm From on Genuine Chit-Chat W/ Mike https://tinyurl.com/433n5mhbListen to Femme On original discussion and review of Barbie back in 2023 to hear next week's guest Ria & this week's Alyson's thoughts on the film https://tinyurl.com/yjety489 Ria & Alyson also appeared on The Secret Bores to discuss Greta Gerwig's previous film Lady Bird https://tinyurl.com/mr4xk7h7 Where to find the Spider-Dan & The Secret Bores Podcast…Follow this link to find your preferred podcast catcher of choice pod.link/danboresFacebook: https://www.facebook.com/secretboresThreads:https://www.threads.net/@spiderdansecretboresTiktok: https://www.tiktok.com/@dan_boresInstagram: https://www.instagram.com/spiderdansecretbores/?hl=enLetterboxd: https://letterboxd.com/spiderdan_2006/Like, share, comment, subscribe etc. and don't forget to use the #PrepareForPrattle when you interact with us.I'd like to thank my patrons on #Patreon for their continuing donations it is very much appreciated and helps PrattleWorld keep turning and if you ever find yourself in a position to help the podcast please consider it. https://www.patreon.com/spiderdanandthesecretboresIf you would like to make a one off donation head over to https://ko-fi.com/spiderdanandthesecretboresIf you want to #JoinThePrattalion and to be briefed in full on the #SecretBores head over to #PrattleWorld https://www.spiderdanandthesecretbores.com/
Patrick and Kat slide into the world of TAXI, and discuss, what they believe is the most monumental episode of the series, which reintroduced Christopher Lloyd into the mix. Listening Portal: https://linktr.ee/averyspecialpodcast YouTube: https://www.youtube.com/channel/UCrc5qBjkvuEbelJd4khAY6Q
Welcome to Dev Game Club, where this week we kick off a short series on 2007's Portal. We talk about the year it came out, a bit about Valve and the Orange Box, before talking about the game's development history and then some topics about the game itself. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Up to/through Test 12 (because Tim can't follow directions) Issues covered: 2007 in games, motion-controlled archaeology, the box of goodies that was The Orange Box, Team Fortress 2 and hats, connecting console accounts to Steam, Steam history and digital copies, "introducing Portal," long development time on TF2, character silhouettes, The Most Perfect Video Game, not knowing what you have, a killer first game, deep dives, giving permission to not shoot things, building up knowledge in puzzle games, Match 3 puzzle games, not seeing the game coming, the sequel, gating progress on mechanical knowledge, stepping through understanding portals, "this is impossible," subverting the player, learning without realizing it, increasing complexity, the magical opening portal moment, the infinite regress, whether you'd still take that deal, simple UX methods to help players get over the first-person thinking, embedding information in the world and fiction, narrative design vs writing, the voice of GladOS, where lore works for Brett, expanding the world of Half-Life. Games, people, and influences mentioned or discussed: BioShock, Halo 3, Super Mario Galaxy, God of War II, Mass Effect, Metroid Prime III, Tomb Raider: Anniversary, Tomb Raider: Legend, Crystal Dynamics, Wii, Jason Botta, Eidos/Square, CoD4: Modern Warfare, Crysis, Uncharted, Assassin's Creed, The Witcher, Rock Band, Nintendo DS, Phantom Hourglass, Hotel Dusk, Cooking Mama, STALKER (series), Metro (series), Trespasser, Half-Life (series), Mark Laidlaw, Dario Casals, Gabe Newell, The Orange Box, Team Fortress 2, PlayStation, The "Black Box," Quake, Pixar, Steve Meretzky, Norm MacDonald, Skyrim, Claire Danes, Narbacular Drop, My So-Called Life, Baz Luhrmann, Strictly Ballroom, Nuclear Monkey Software, Kim Swift, Jeep Barnett, Tacoma, Little Women, Greta Gerwig, DigiPen Institute of Technology, 343 Industries, Firewatch, Campo Santo, Outer Wilds, The Stanley Parable, The Talos Principle, Antichamber, Gone Home, The Witness, Zelda, MYST, PopCap, Puzzle Quest, Bejewelled, Fez, Homeland, Chet Faliszek, Eric Wolpaw, Old Man Murray, 2001: A Space Odyssey, Kirk Hamilton, Aaron Evers, Mark Garcia. Next time: Finish Portal and Takeaways! Links: The Most Perfect Video Game (Note: I remembered this as longer, especially after the switch, but it's great) Twitch: timlongojr and twinsunscorp Discord DevGameClub@gmail.com
My fellow pro-growth/progress/abundance Up Wingers,In 1976, America celebrated 200 years of independence, democracy, and progress. Part of that celebration was the release of To Fly!, a short but powerful docudrama on the history of American flight. With To Fly!, Greg MacGillivray and his co-director Jim Freeman created one of the earliest IMAX films, bringing cinematography to new heights.After a decade of war and great social unrest, To Fly! celebrated the American identity and freedom to innovate. Today on Faster, Please! — The Podcast, I talk with MacGillivray about filming To Fly! and its enduring message of optimism.MacGillivray has produced and directed films for over 60 years. In that time, his production company has earned two Academy Award nominations, produced five of the Top 10 highest-grossing IMAX films, and has reached over 150 million viewers.In This Episode* The thrill of watching To Fly! (1:38)* An innovative filming process (8:25)* A “you can do it” movie (19:07)* Competing views of technology (25:50)Below is a lightly edited transcript of our conversation. The thrill of watching To Fly! (1:38)What Jim and I tried to do is put as many of the involving, experiential tricks into that film as we possibly could. We wrote the film based on all of these moments that we call “IMAX moments.”Pethokoukis: The film To Fly! premiered at the Smithsonian Air and Space Museum, at the IMAX Theater, July 1976. Do you happen know if it was it the 4th of July or. . . ?MacGillivray: No, you know, what they did is they had the opening on the 2nd of July so that it wouldn't conflict with the gigantic bicentennial on the 4th, but it was all part of the big celebration in Washington at that moment.I saw the film in the late '70s at what was then called the Great America Amusement Park in Gurnee, Illinois. I have a very clear memory of this, of going in there, sitting down, wondering why I was sitting and going to watch a movie as opposed to being on a roller coaster or some other ride — I've recently, a couple of times, re-watched the film — and I remember the opening segment with the balloonist, which was shot in a very familiar way. I have a very clear memory because when that screen opened up and that balloon took off, my stomach dropped.It was a film as a thrill ride, and upon rewatching it — I didn't think this as a 10-year-old or 11-year-old — but what it reminded me upon rewatching was of Henry V, Lawrence Olivier, 1944, where the film begins in the Globe Theater and as the film goes on, it opens up and expands into this huge technicolor extravaganza as the English versus the French. It reminds me of that. What was your reaction the first time you saw that movie, that film of yours you made with Jim Freeman, on the big screen where you could really get the full immersive effect?It gave me goosebumps. IMAX, at that time, was kind of unknown. The Smithsonian Air and Space Museum was the fourth IMAX theater built, and very few people had seen that system unless you visited world's fairs around the world. So we knew we had something that people were going to grasp a hold of and love because, like you said, it's a combination of film, and storytelling, and a roller coaster ride. You basically give yourself away to the screen and just go with it.What Jim and I tried to do is put as many of the involving, experiential tricks into that film as we possibly could. We wrote the film based on all of these moments that we call “IMAX moments.” We tried to put as many in there as we could, including the train coming straight at you and bashing right into the camera where the audience thinks it's going to get run over. Those kinds of moments on that gigantic screen with that wonderful 10 times, 35-millimeter clarity really moved the audience and I guess that's why they used it at Great America where you saw it.You mentioned the train and I remember a story from the era of silent film and the first time people saw a train on silent film, they jumped, people jumped because they thought the train was coming at them. Then, of course, we all kind of got used to it, and this just occurred to me, that film may have been the first time in 75 years that an audience had that reaction again, like they did with first with silent film where they thought the train was going to come out of the screen to To Fly! where, once again, your previous experience looking at a visual medium was not going to help you. This was something completely different and your sense perception was totally surprised by it.Yeah, it's true. Obviously we were copying that early train shot that started the cinema way back in probably 1896 or 1898. You ended up with To Fly! . . . we knew we had an opportunity because the Air and Space Museum, we felt, was going to be a huge smash hit. Everyone was interested in space right at that moment. Everyone was interested in flying right at that moment. Basically, as soon as it opened its doors, the Air and Space Museum became the number one museum in America, and I think it even passed the Louvre that year in attendance.Our film had over a million and a half people in its first year, which was astounding! And after that year of run, every museum in the world wanted an IMAX theater. Everyone heard about it. They started out charging 50 cents admission for the 27-minute IMAX film, and halfway through the season, they got embarrassed because they were making so much money. They reduced the admission price to 25 cents and everyone was happy. The film was so fun to watch and gave you information in a poetic way through the narration. The storytelling was simple and chronological. You could follow it even if you were a 10-year-old or an 85-year-old, and people just adored the movie. They wrote letters to the editor. The Washington Post called it the best film in the last 10 years, or something like that. Anyway, it was really a heady of time for IMAX.An innovative filming process (8:25)It was one of those things where our knowledge of technology and shooting all kinds of various films prior to that that used technology, we just basically poured everything into this one movie to try to prove the system, to try to show people what IMAX could do . . .I may have just read the Washington Post review that you mentioned. It was a Washington Post review from just three or four years later, so not that long after, and in the conclusion to that piece, it said, “You come away from the film remembering the flying, the freedom of it, the glee, the exaltation. No Wonder ‘To Fly' is a national monument.” So already calling it a national monument, but it took some innovation to create that monument. This isn't just a piece of great filmmaking and great storytelling, it's a piece of technological innovation. I wonder if you could tell me about that.We've worked with the IMAX corporation, particularly Graeme Ferguson, who is gone now, but he was a filmmaker and helped us immensely. Not only guiding, because he'd made a couple of IMAX films previously that just showed at individual theaters, but was a great filmmaker and we wanted three more cameras built—there was only one camera when we began, and we needed three, actually, so we could double shoot and triple shoot different scenes that were dangerous. They did that for us in record time. Then we had to build all these kind of imaginative camera mounts. A guy named Nelson Tyler, Tyler Camera Systems in Hollywood, helped us enormously. He was a close friend and basically built an IMAX camera mount for a helicopter that we called the “monster mount.” It was so huge.The IMAX camera was big and huge on its own, so it needed this huge mount, and it carried the IMAX camera flawlessly and smoothly through the air in a helicopter so that there weren't any bumps or jarring moments so the audience would not get disturbed but they would feel like they were a bird flying. You needed that smoothness because when you're sitting up close against that beautifully detailed screen, you don't want any jerk or you're going to want to close your eyes. It's going to be too nauseating to actually watch. So we knew we had to have flawlessly smooth and beautiful aerials shot in the best light of the day, right at dawn or right at sunset. The tricks that we used, the special camera mounts, we had two different camera mounts for helicopters, one for a Learjet, one for a biplane. We even had a balloon mount that went in the helium balloon that we set up at the beginning of the film.It was one of those things where our knowledge of technology and shooting all kinds of various films prior to that that used technology, we just basically poured everything into this one movie to try to prove the system, to try to show people what IMAX could do . . . There are quiet moments in the film that are very powerful, but there's also these basic thrill moments where the camera goes off over the edge of a cliff and your stomach kind of turns upside down a little bit. Some people had to close their eyes as they were watching so they wouldn't get nauseated, but that's really what we wanted. We wanted people to experience that bigness and that beauty. Basically the theme of the movie was taking off into the air was like the opening of a new eye.Essentially, you re-understood what the world was when aviation began, when the first balloonists took off or when the first airplane, the Wright Brothers, took off, or when we went into space, the change of perspective. And obviously IMAX is the ultimate change of perspectiveWhen I watched the entire film — I've watched it a few times since on YouTube, which I think somebody ripped from a laser disc or something — maybe six months ago, I had forgotten the space sequence. This movie came out a year before Star Wars, and I was looking at that space sequence and I thought, that's pretty good. I thought that really held up excellent. As a documentary, what prepared you to do that kind of sequence? Or was that something completely different that you really had to innovate to do?I had loved 2001: A Space Odyssey, the Kubrick film, and one of the special effects supervisors was Doug Trumbull. So we called Doug and said, “Look, I want to make the sequence. It's going to be short, but it's going to pay homage to space travel and what could happen in the future.” And he guided us a little bit, showed us how to make kind of the explosions of space that he'd done in 2001 using microscopic paint, so we had to develop a camera lens that fit on the IMAX camera that could shoot just a very small area, like half an inch across, where paint in a soluble mixture could then explode. We shot it in slow motion, and then we built a Starship, kind of like a Star Wars-looking — though, as you mentioned, Star Wars had not come out yet — kind of a spaceship that we then superimposed against planets that we photographed, Jupiter and Saturn. We tried to give the feeling and the perspective that that could give us with our poetic narrator, and it worked. It kind of worked, even though it was done on a very small budget. We had $690,000 to make that movie. So we only had one SAG actor who actually got paid the regular wage, that was Peter Walker.Was that the balloonist?Yeah, he was the balloonist. And he was a stage actor, so he was perfect, because I wanted something to obviously be a little bit overblown, make your gestures kind of comically big, and he was perfect for it. But we only had enough money to pay him for one day, so we went to Vermont and put him in the balloon basket, and we shot everything in one day. We never actually shot him flying. We shot him hanging in the balloon basket and the balloon basket was hanging from a crane that was out of the picture, and so we could lift him and make him swing past us and all that stuff, and he was terrific.Then we shot the real balloon, which was a helium balloon. We got the helium from the Navy — which would've been very costly, but they donated the helium — and went to West Virginia where the forest was basically uncut and had no power lines going through it so we could duplicate 1780 or whatever the year was with our aerial shooting. And we had a guy named Kurt Snelling, who was probably the best balloonist at that particular moment, and he dressed like Peter in the same costume and piloted the balloon across. And balloons, you can't tell where they're going, they just follow the wind, and so it was a little dangerous, but we got it all done. It was about a week and a half because we had to wait for weather. So we had a lot of weather days and bad rain in West Virginia when we shot that, but we got it all done, and it looks beautiful, and it matches in with Peter pretty well.Just what you've described there, it sounds like a lot: You're going to Maine, you're in West Virginia, you're getting helium from — it sounds like there were a lot of moving parts! Was this the most ambitious thing you had done up until that point?Well, we'd worked on some feature films before, like The Towering Inferno and Jonathan Livingston Seagull, and things like that, which were involved and very complicated. But yeah, it was very much the biggest production that we put together on our own, and it required us to learn how to produce in a big fashion. It was a thrill for us. Essentially, we had about 10 people working on the film in Laguna Beach, and none of them, except for maybe Jim and I, who we'd worked on feature films and complicated shoots with actors and all that, but a lot of our team hadn't. And so it was an adventure. Every day was a thrill.A “you can do it” movie (19:07). . . we were celebrating 200 years of democracy, of individual freedom, of individual inspiration, getting past obstacles, because you can do it — you have that belief that you can do it.There's a version of this podcast where we spend a half hour talking about The Towering Inferno. I just want you to know that it's very hard for me not to derail the conversation into talking about The Towering Inferno. I will not do that, but let me ask you this, the movie is about flight, it's about westward expansion, but that movie, it came out for the bicentennial, we'd gone through a tumultuous, let's say past 10 years: You had Vietnam, there's social unrest, you had Watergate. And the movie really must have just seemed like a breath of fresh air for people.As you put the movie together, and wrote it, and filmed it, did you feel like you were telling a message other than just about our connection with flight? It really seemed to me to be more than that, a movie about aspiration, and curiosity, and so forth.It was, and pretty much all of our films have been that positive spirit, “You can do it” kind of movie. Even our surfing films that we started with 20 years, maybe 10 years before To Fly!, you end up with that spirit of the human's ability to go beyond. And obviously celebrating the bicentennial and the beginning of democracy here in this country and the fact that we were celebrating 200 years of democracy, of individual freedom, of individual inspiration, getting past obstacles, because you can do it — you have that belief that you can do it.Of course, this was right there when everyone had felt, okay, we went to the moon, we did all kinds of great things. We were inventive and a lot of that spirit of invention, and curiosity, and accomplishment came from the fact that we were free as individuals to do it, to take risks. So I think To Fly! had a lot of that as part of it.But the interesting thing, I thought, was I had one meeting with Michael Collins, who was the director of the Air and Space Museum and the astronaut who circled the moon as Neil and Buzz Aldrin were on the moon walking around, and here he is, hoping that these two guys will come back to him so that the three of them can come back to Earth — but they'd never tested the blast-off from the moon's surface, and they didn't know 100 percent that it was going to work, and that was the weirdest feeling.But what Collins told me in my single meeting that I had with him, he said, “Look, I've got a half an hour for you, I'm building a museum, I've got two years to do it.” And I said, “Look, one thing I want to know is how much facts and figures do you want in this movie? We've got a little over a half an hour to do this film. The audience sits down in your theater, what do you want me to do?” And he said, “Give me fun. Give me the IMAX experience. I don't want any facts and figures. I don't want any dates. I don't want any names. I've got plenty of those everywhere else in the museum. People are going to be sick of dates and names. Give me fun, give me adventure.” And I said, “Oh gosh, we know how to do that because we started out making surfing films.” and he goes, “Do that. Make me a surfing film about aviation.” It was probably the best advice, because he said, “And I don't want to see you again for two years. Bring me back a film. I trust you. I've seen your films. Just go out and do it.” And that was probably the best management advice that I've ever received.So you weren't getting notes. I always hear about studios giving filmmakers notes. You did not get notes.The note I got was, “We love it. Put it on the screen now.” What they did do is they gave me 26 subjects. They said, “Here's the things that we think would be really cool in the movie. We know you can't use 26 things because that's like a minute per sequence, so you pick which of those 26 to stick in.” And I said, “What I'm going to do then is make it chronological so people will somewhat understand it, otherwise it's going to be confusing as heck.” And he said, “Great, you pick.” So I picked things that I knew I could do, and Jim, of course, was right there with me all the time.Then we had a wonderful advisor in Francis Thompson who at that time was an older filmmaker from New York who had done a lot of world's fair films, hadn't ever done IMAX, but he'd done triple-screen films and won an Academy Award with a film called To Be Alive! and he advised us. Graeme Ferguson, as I mentioned, advised us, but we selected the different sequences, probably ended up with 12 sequences, each of which we felt that we could handle on our meager budget.It was delightful that Conoco put up the money for the film as a public service. They wanted to be recognized in the bicentennial year, and they expected that the film was going to run for a year, and then of course today it's still running and it's going into its 50th year now. And so it's one of those things that was one of those feel-good moments of my life and feel-good moments for the Air and Space Museum, Michael Collins, for everyone involved.Competing views of technology (25:50)Our film was the feel-good, be proud to be an American and be proud to be a human being, and we're not messing up everything. There's a lot that's going right.When rewatching it, I was reminded of the 1982 film Koyaanisqatsi by Godfrey Reggio, which also had a very famous scene of a 747 looming at the camera. While yours was a joyous scene, I think we're supposed to take away an ominous message about technology in that film. That movie was not a celebration of flight or of technology. Have you wondered why just six years after To Fly!, this other film came out and conveyed a very different message about technology and society.I love Koyaanisqatsi, and in fact, we helped work on that. We did a lot of the aerial shooting for that.I did not know that.And Godfrey Reggio is an acquaintance, a friend. We tried to actually do a movie together for the new millennium, and that would've been pretty wild.Certainly a hypnotic film, no doubt. Fantastic.Yeah. But their thesis was, yeah, technology's gotten beyond us. It's kind of controlled us in some fashions. And with the time-lapse sequences and the basic frenetic aspects of life and war and things like that. And with no narration. That film lets the audience tell the story to themselves, guided by the visuals and the technique. Our film was absolutely a 100 percent positive that the 747 that we had was the number one 747 ever built. Boeing owned it. I don't think they'd started selling them, or they were just starting to use them. Everyone was amazed by the size of this airplane, and we got to bolt our IMAX camera on the bottom of it, and then it was such a thrill to take that big 747.The guy took off from Seattle and the pilot said, “Okay, now where do you want to go?” I said, “Well, I want to find clouds. And he goes, “Well, there's some clouds over next to Illinois. We could go there,” so we go two hours towards Illinois. And I'm in a 737 that they loaned us with the IMAX camera in a brand new window that we stuck in the side of the 737, just absolutely clear as the sheet of glass, just a single pane, and the camera's right up against that piece of plexiglass and with the 40-millimeter lens, which is a 90-degree lens.So I said, “We've got to fly the 737 really close to the 747 and through clouds so that the clouds are wisping through, and so the 747 is disappearing and then appearing and then disappearing and then appear, and we have to do this right at sunset in puffy clouds, these big cumulus clouds.” And so they said, “We can do that, let's go find it!” The two guys who were piloting were both military pilots, so they were used to flying in formation and it was a delight. We shot roll, after roll, after roll and got some of those moments where that 747 comes out into light after being in the white of the cloud are just stunning. So we made the 747 look almost like a miniature plane, except for the shot from underneath where you see the big wheels coming up. So it was a really cool, and I don't know what it cost Boeing to do that, but hundreds of thousands, maybe.Another public service.But they got it back. Obviously it was a heroic moment in the film, and their beautiful plane, which went on to sell many, many copies and was their hero airplane for so many years.Yeah, sure.It was a fun deal. So in comparison to Koyaanisqatsi, our film was the exact opposite. Our film was the feel-good, be proud to be an American and be proud to be a human being, and we're not messing up everything. There's a lot that's going right.I feel like there's a gap in what we get out of Hollywood, what we get out of the media. You don't want just feel-good films. You don't want just celebrations. You want the full range of our lives and of human experience, but I feel like, Koyaanisqatsi is about being out of balance, I think we've gotten out of balance. I just don't see much out there that has the kind of aspirational message with To Fly! I'm not sure what you think. I feel like we could use more of that.Yeah, I'm hopeful that I'm going to be able to make a movie called A Beautiful Life, which is all about the same thing that I was talking about, the freedom that the individual has here in America. I was hopeful to do it for the 250th anniversary, but I'm not going to get it done by that time next year. But I want to do that movie kind of as a musical celebration of almost a “family of man” sort of movie located around the world with various cultures and positive spirit. I'm an optimist, I'm a positive person. That's the joy I get out of life. I suppose that's why Jim and I were perfect to make To Fly! We infused beauty into everything that we tried to do.On sale everywhere The Conservative Futurist: How To Create the Sci-Fi World We Were PromisedMicro ReadsPlease check out the website or Substack app for the latest Up Wing economic, business, and tech news contained in this new edition of the newsletter. Lots of great stuff! Faster, Please! is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit fasterplease.substack.com/subscribe
It's the 250th episode of the Bro Force Squad Podcast, and the guys break down their favorite movie moments of all time using the Bro Force Squad movie review criteria. Stuff discussed in this episode includes The Thin Red Line, There Will Be Blood, The Sandlot, This is the End, The Dark Knight, E.T., Pulp Fiction, Saw, Batman ‘89, 2001: A Space Odyssey, The Avengers, Star Wars A New Hope, The Lord of the Rings, Teenage Mutant Ninja Turtles Secret of the Ooze, Unknown Number the High School Catfish, Solo: A Star Wars StoryKeep up with the Bros at: https://broforcesquad.com/https://www.youtube.com/channel/UCCJML5XTKJl2OzGW5HWrJhwhttps://itunes.apple.com/us/podcast/bro-force-squad/id1158546516?mt=2https://twitter.com/BroForceSquad
A live, dice-driven episode of Wise_N_Nerdy where fatherhood truly meets fandom. Charles, Joe, and special guest Josh Cooper (Uploads of Fun) kick off with bad dad jokes, rule on a contentious Parliament of Papas case (Disney vs. Comic-Con), and trade stories about rewatching childhood movies as parents—TV edits, innuendo, and all. Audience mic stories bring the heat, from TMNT's rooftop to Robocop's cartoon tie-ins. The crew closes with practical strategies for overcoming sheltered upbringings: context, conversation, and teaching courage instead of fear.Bad Dad Jokes (rolled a 6)Icebreakers from stage and audience (dragons + fast food; “Poof! You're a drink.”).Ongoing bit: “There is no such thing as a good dad joke.”Parliament of Papas (rolled a 4)Reddit case: “Am I the buttface for going to Comic-Con after my wife took our kid (and her ex) to Disney without me—using our miles?”Panel reaction: finances + co-parenting ≠ unilateral decisions; ex attending without current spouse is a relational red flag.Consensus: wife = primary buttface; husband needs boundaries; bigger issue is relationship health.Daddy, Tell Me a Story (rolled a 2) — Rewatching childhood movies as parentsExamples: Caddyshack, Revenge of the Nerds, Three Fugitives, Firestarter, TMNT (1990 rooftop scene), Blankman, Transformers: The Movie ('86 toy-reset trauma), Robocop (how was this a cartoon?), The Ringer, Monty Python: Meaning of Life.Themes: TV edits vs. theatrical cuts; using IMDb Parents Guide; explaining dated humor; navigating innuendo in “family” animation; when to pause/skip with kids.How do I overcome my sheltered upbringing? (segued after gift moment)Hosts/guest share growing up Pentecostal/Southern Baptist/Mormon variations: satanic panic era (D&D, Magic cards), filtered DVD players, language rules.Parenting approaches now: teach context and timing for language; “if you don't know what it means, don't say it”; consent to discuss anything; “If it's on TV, it's not real.”Tools for fear/nightmares: teach lucid-dream control (look at your hand; give yourself a bazooka), anchor objects (a huggable TARDIS), model calm vs. catastrophizing.Live mic stories: rewatch shocks (Harry Potter attitudes, Severance tension without nudity, Blue Eye Samurai content surprise, 2001: A Space Odyssey at age six, Jaws jump scare), “that channel” confessions, schoolyard language, and representing disability positively in The Ringer.Parenting wisdom from audience: treat kids as autonomous humans; teach agency, not fear.Family-friendly doesn't mean sterile—context, conversation, and consent beat blanket bans.Rewatches are opportunities: talk era, edits, and what's changed culturally.Co-parenting logistics require transparency, not unilateral “surprises.”Teach courage over fear; give kids cognitive tools to manage scary media and language.“Everything I do is family-friendly—as long as you're my family.” —Charles“Teach time and place. Context turns ‘forbidden' into teachable.” —Josh“The second you posted to Reddit, you knew the answer—this is a relationship problem.” —Panel“If it's on TV, it's not real. And we can talk about anything.” —Charles
AUGGIE SMITH AKA THE T-1000 IN STUDIO!! With Peacemaker Season 2 Episode 3 now out, James Gunn Man Of Tomorrow Announced, Greg Alba sits down with legendary actor Robert Patrick (James Cameron's Terminator 2: Judgment Day) for a candid, career-spanning conversation. Visit https://huel.com/rejects to get 15% off your order We get into the many T2 restorations (theatrical vs 4K/3D re-release, what version he recommends, screening it at Cameron's studio during Avatar work), theatrical culture today, and how Patrick's craft evolved from the Roger Corman days through The Sopranos (David Chase), The X-Files (Agent John Doggett), Cop Land, Walk the Line (James Mangold), and beyond. He opens up about fatherhood, faith, and building flawed men with humanity (from Peacemaker's Auggie Smith in S1 to the very different Auggie of Peacemaker Season 2), plus on-set stories of John Cena's insane work ethic, ad-lib prep, and learning instruments. We also touch on early movie memories with his dad (2001: A Space Odyssey, Sean Connery's James Bond), acting process (prep vs spontaneity, Benedict Cumberbatch's Hamlet), working alongside Sylvester Stallone (Tulsa King), Harrison Ford, and Joaquin Phoenix, and why storytelling is the ultimate empathy machine. If you love Terminator 2, DC's Peacemaker, prestige TV, and acting deep dives, this one's for you. Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
ON THIS EPISODE: (TIME STAMPS BELOW) A review of The Conjuring: Last Rites and a look in 1 Timothy at the qualifications for our church leaders that WE should be aiming for, too! AND MUCH MORE! 00:00:30 Intro 00:05:54 The Conjuring: Last Rites Review 00:19:42 CGC & Christian Geek News(Gate Zero Gameplay Demo, The Things We Can Change: A Time Travel Thriller by Karyne Norton) 00:28:24 Qualifications For Church Leaders & Influential Geeks! (1 Timothy Geek Bible Study) 01:02:22 Listener Questions & Feedback (Is It Spiritually Harmful To Enjoy The Hellboy Movies? What Should We Do About Legalistic Christians Who Condemn Our Hobbies?) GEEK WEEK 01:22:19 TV & MOVIES- Total Recall(2012), 2001: A Space Odyssey, Highlander, 01:50:02 VIDEO GAMES- No Man's Sky “Voyagers” Update 02:17:28 On The Next Episode… 02:21:05 Essential Issues Weekly: DC Comics Reactions (DC is cooking up a massive event, dropping the ball with Bane, and using Batgirl to spread Hollywood's worst message to humanity! Green Lantern 25, Green Arrow 26, Superman 28, Batman 161 (Botching Bane & Batgirl's Bad Advice), Justice League: Dark Tomorrow 1!) Support this podcast and enjoy exclusive rewards at https://www.patreon.com/spiritbladeproductions Join Our Free Public Discord Channels! Invite HERE: https://discord.gg/5CRfFy2GG5 SUBSCRIBE TO PAETER'S SUBSTACK, @PAETERFRANDSEN: https://paeterfrandsen.substack.com/ Subscribe in a reader Open In i-tunes- itms://itunes.apple.com/us/podcast/the-christian-geek-central-podcast/id258963175?mt=2 i-tunes Page Link- https://itunes.apple.com/us/podcast/the-christian-geek-central-podcast/id258963175?mt=2 Get fun, exclusive rewards for your support! Visit: https://www.patreon.com/spiritbladeproductions Or Become a Patron! All episodes are archived and available for download at www.spiritblade.com , Resources used to prepare CGC Bible Study/Devotional content include:"Expositor's Bible Commentary", Frank E. Gaebelein General Editor (Zondervan Publishing House),"The IVP Bible Background Commentary: Old Testament", by Dr. John H. Walton, Dr. Victor H. Matthews & Dr. Mark W. Chavalas (InterVarsity Press), "The IVP Bible Background Commentary: New Testament", by Dr. Craig S. Keener (InterVarsity Press),Thayer's Greek Lexicon, Strong's Exhaustive Concordance Blueletterbible.org, The Christian Geek Central Statement Of Faith can be found at: http://christiangeekcentral.blogspot.com/p/about.html The Christian Geek Central Podcast is written, recorded and produced by Paeter Frandsen. Additional segments produced by their credited authors. Logo created by Matthew Silber. Copyright 2007-2025, Spirit Blade Productions. Music by Wesley Devine, Bjorn A. Lynne, Pierre Langer, Jon Adamich, audionautix.com and Sound Ideas. Spazzmatica Polka by Kevin MacLeod (incompetech.com) Freesound.org effects provided by: FreqMan
On today's new episode we talk The Toxic Avenger (Vol. 1) by Matt Bors and Fred Harper published by Ahoy ComicsBut first, is Jake the toxic glue that holds this podcast together? Has Cody ever seen 2001: A Space Odyssey in its entirety? What's our favorite Kubrick movie? What's the conspiracy behind Eyes Wide Shut? Is David Fincher an intense director? Why is Anthony shocked to be called a conspiracy theorist? Who's behind the Betty Yayo 2069 Twitter account? Did the Palestine, Ohio train incident inspire this comic? Are there insect aliens amongst us? Was this adaptation what we were expecting with this character? Did we like the changes from the Troma movies it's based on? Have we had a lot of Ahoy creators on the pod? Would Cody be our very own Toxic Avenger? Is ICE coming for Cody? What happens when you goof to close to the sun? Do dudes rock? Does Peter Dinklage take jobs away from little person actors? Are we excited for the new Toxic Avenger movie based on the trailer? Have we seen any of the original Toxic Avenger movies? Is this comic able to do things a low-budget Troma movie could never do? Is there a lot of body horror in this series? Were we big fans of Fred Harper's art? Is The Meg just dumb? How is this comic smart, dumb, and fun at the same time? Is Tromaville in New Jersey? Are The Toxic Crusaders on the way? What is Toxie Team-Up about? Would this version of Toxie translate well into a half-hour TV series? Does The Mothman belong to West Virginia? Is Mothman ACAB? Has the Joe Pesci scale gotten more serious over time? Does Peter Dinklage hate tangerine-sized Pescis?New episodes every THURSDAYFollow us on social media! Bluesky // Instagram // Twitter // TikTok :@comicsnchronicYouTube:www.youtube.com/channel/UC45vP6pBHZk9rZi_2X3VkzQE-mail: comicsnchronicpodcast@gmail.comCodyInstagram // Bluesky:@codycannoncomedyTwitter: @Cody_CannonTikTok: @codywalakacannonJakeInstagram // Bluesky:@jakefhahaAnthonyBluesky // Instagram // Threads // Twitter // TikTok:@mrtonynacho
(Tech note: Apologies for buzz and mic issues up front... they get ironed out few minutes in.)Big show tonight… packed!
Bob and his guests Jim Berrier and Steve Hesselback (media expert) discuss the advantages and also grave concerns about recent breakthroughs with artificial intelligence. In addition to the science, several classic science fiction pieces offering warnings years ago of what we are now seeing before our eyes are mentioned. Included: 2001: A Space Odyssey , The […]
Foundation, S3E07, "Foundation's End" is another episode that demands analysis! And has big revelations! Don't tell anyone, but I may have squeed. We have another special guest to help us wrap our heads around this one!Spoiler alerts, as usual. And don't let the title frighten you; we're not going anywhere!In this one, she names the robot that dare not speak its name. Plus, brother dude goes on a trip that makes 2001: A Space Odyssey seem tame in comparison! And a surreal fairy tale that probably has something to do with "the Mule's" backstory! A bit, a bit. To quote the great Hari Seldon, "Tragic story, I wonder how much of it is true."We're joined, once again, by Renaissance Man Extraordinaire, Paul Levinson! Since he was last on the show, Paul has published a short story, "In the Dybbuk's Pocket," and expanded the short story we discussed last time into a novel, It's Real Life: A Natural History of The Beatles. Paul and some friends did a reading from the novel at Big Red Books. You can check that out here!But first, join us for our deconstruction of what Paul calls 'by far the best of all the episodes (of Foundation) so far!" Once again, you don't want to miss this one! Let's GO!!
Hello HYSTO-philes! We hope you'll all join us for our discussion on the 1968 classic science fiction film 2001: A Space Odyssey, directed by Stanley Kubrick. Joining us is our good friend Erin Casteneda! We all hope you can get in on this conversation about a film that some feel changed the industry forever!
When it comes to marketing, the boldest ideas often come from imagining a future no one else can see, then making it real.That's exactly what Stanley Kubrick achieved with 2001: A Space Odyssey, a film that married meticulous research with visionary storytelling to create the most realistic depiction of space the world had ever seen. In this episode, we explore the marketing lessons behind it with special guest Josh Golden, CMO at Quad.Together, we dive into how marketers can embrace risk, iterate through failure, compete on imagination rather than resources, and create experiences—both digital and physical—that deliver the elusive “wow” factor. All while staying relevant, resonant, and ready to invent the future.About our guest, Josh GoldenAs Chief Marketing Officer at Quad, Josh Golden is architecting the evolution of Quad as a marketing experience company. He leads a highly collaborative team that works with marketers around the world to clear the path for a frictionless solution to easily communicate with their optimal audience.Quad's clients are the lifeblood of its operations, driving the company's evolution and influencing its every action. Josh is helping the company combine Quad's history as a manufacturer and commercial printer with this marketer-obsessed philosophy to best support client growth and eliminate the interference that otherwise causes them to lose time, money, and customers.Since assuming his role, Josh has defined the Quad brand narrative, developed the company's “marketing experience” framing, implemented a new Quad design system and initiated brand and product marketing campaigns for key verticals.With more than three decades of experience in marketing, branding, media, and content, Josh is one of the most prolific connectors in the marketing industry. Prior to joining Quad in 2021, Josh was President and Publisher of Ad Age where he spurred transformative growth for the venerable, 90-year trade publication and media brand. His passion for driving evolution was also on display as Vice President, Global Digital Marketing, at Xerox; Group Director of Digital Marketing at NBC Universal; Chief Digital Officer at Grey Group; Managing Director, Digital at Havas; and head of the first digital division at Young & Rubicam.A self-proclaimed “professional groupie,” Josh avidly follows and cheers people who pursue their passions. He likes playing a little semi-aggressive tennis and makes a killer “cheater” banana bread. He lives in Westchester, NY with his wife and two teenage children.Josh received his MBA from New York University and his B.S. in communications from Ithaca College.What B2B Companies Can Learn From 2001: A Space Odyssey:Embrace the process, not just the end product. Kubrick went through a massive number of iterations before landing on the film we know and love today. Josh says, “There is not one singular moment; it's a series of failures.” In marketing, abandoned ideas aren't wasted. They're the iterations that lead to something great. Like Kubrick, be willing to test, discard, and refine until you find the version that truly resonates. The process is the work.AI can execute, but humans inspire. Hal, the AI in 2001, could run the ship, but couldn't imagine a better way forward. Josh says, “ Humans have the capacity to do the wow factor.” AI can give you the exact steps to execute a campaign, but it can't create the unexpected spark that makes it unforgettable. Your job as a marketer is to deliver that human insight and surprise that AI can't replicate.Inspiration doesn't have to start from scratch.2001 began as a loose adaptation of Arthur C. Clarke's short story The Sentinel, but evolved far beyond it. Josh reflects, “You're ultimately gonna go rewrite it in your own way.” In marketing, you can take inspiration from existing ideas, but the magic comes from reshaping them into something uniquely yours.Quote“There's moments that we all have as marketers where real ideas happen, and I celebrate those…but in truth…There is not one singular moment. It's a series of failures…That inspiration is evident in the film, and it's evident that in the actual process of trying and failing and trying and failing and trying and failing, and then getting to a point where you're like, wow, this is actually kind of okay.'”Time Stamps[00:55] Meet Josh Golden, CMO at Quad[01:27] The Role of CMO at Quad[02:54] Overview of 2001: A Space Odyssey[21:45] B2B Marketing Lessons from 2001: A Space Odyssey[25:28] The AI Character and Its Implications[26:42] AI vs. Human Creativity[43:21] Final Thoughts & TakeawaysLinksConnect with Josh on LinkedInLearn more about QuadAbout Remarkable!Remarkable! is created by the team at Caspian Studios, the premier B2B Podcast-as-a-Service company. Caspian creates both nonfiction and fiction series for B2B companies. If you want a fiction series check out our new offering - The Business Thriller - Hollywood style storytelling for B2B. Learn more at CaspianStudios.com. In today's episode, you heard from Ian Faison (CEO of Caspian Studios) and Meredith Gooderham (Head of Production). Remarkable was produced this week by Jess Avellino, mixed by Scott Goodrich, and our theme song is “Solomon” by FALAK. Create something remarkable. Rise above the noise.
Go to http://factormeals.com/nostalgia50off and use code nostalgia50off to get 50% off your first box, plus Free Breakfast for 1 Year. Joe Ramoni joins Nostalgia Critic with looking over one of the great space comedies, but is it the best Star Wars parody? Let's take a look at Spaceballs. Check out his channel on youtube.com/@UCCay-jgoQFnEFsJ8GD6fjzQ Also check out Renegades React at youtube.com/@UCN98z0HLI504R0jGqfEC9Zw Join our YouTube Members - https://www.youtube.com/channel/UCiH828EtgQjTyNIMH6YiOSw/join Last weeks Nostalgia Critic - https://youtu.be/TNF8XtfUqvI Check out our store - https://channelawesome.myshopify.com/ Support this month's charity - https://solvecfs.org/ Spaceballs is a 1987 American space opera parody film co-written, produced and directed by Mel Brooks. It primarily parodies the original Star Wars trilogy, but also other popular franchises such as Star Trek, Alien, The Wizard of Oz, 2001: A Space Odyssey, Planet of the Apes, and Transformers. The film stars Bill Pullman, John Candy, Rick Moranis and Daphne Zuniga, with the supporting cast including Dick Van Patten, George Wyner, Lorene Yarnell, and the voice of Joan Rivers. In addition to Brooks playing a dual role, the film features Brooks regulars Dom DeLuise and Rudy De Luca in cameo appearances. Learn more about your ad choices. Visit megaphone.fm/adchoices
The consensus among AI savants is that 2027 will be a key year -- a year in which AI achieves some degree of "sentience": It won't want to be shut down, for example. The HAL scenario, in the film "2001: A Space Odyssey" is coming. But Jeffrey Cole, director of the USC Annenberg Center for the Digital Future, is mostly "positive," about the fast march of AI. He speaks with Host Llewellyn King and Co-host Adam Clayton Powell III.
Have you ever wondered about the dark side of the American dream? In this episode, we delve into the complete Seabrook Farms history, a story of ambition, innovation, and betrayal that built—and ultimately destroyed—one of America's largest agricultural empires. Author John Seabrook, grandson of the company's visionary founder, joins us to discuss his book, The Spinach King, and unearth the secrets buried beneath a dynasty built on frozen vegetables. We explore the complex question of how a family can create a national brand from nothing, only to have it torn apart by the very man who built it.From its humble beginnings as a small truck farm in southern New Jersey, Seabrook Farms grew into a powerhouse that froze one-third of the nation's vegetables. John Seabrook recounts the story of his great-grandfather, a skilled farmer, and his grandfather, C.F. Seabrook, a Fordist industrialist who brought mass production to agriculture. C.F. Seabrook partnered with the legendary Clarence Birdseye to pioneer the flash-freezing process for vegetables, introducing staples like the lima bean to the East Coast. But this success came at a cost. We uncover the shocking story of CF Seabrook erasing his father from history, fabricating a more "illustrious" ancestry to bolster the family brand while cheating his own father out of the company he helped build.The episode examines the complex labor practices that defined the company. We discuss the controversial story of the Seabrook Farms Japanese-American workers, who were recruited from internment camps during World War II under Executive Order 9066, as well as Estonian workers from displaced persons camps after the war. While the company created a unique, multicultural community in Seabrook, New Jersey, this benevolent image is contrasted with a much darker chapter: the violent 1934 Seabrook Farms labor strike. John Seabrook reveals how this event, involving armed vigilantes and the KKK, was systematically erased from the official company narrative. The full Seabrook Farms history is a complex tale of both progress and oppression, culminating in a family war that led to the company's collapse in 1959. This interview, inspired by the book John Seabrook The Spinach King, exposes the human drama behind the iconic brand, from a cameo in Stanley Kubrick's 2001: A Space Odyssey to the family's strange friendship with a gangster bodyguard and the fairytale meeting of John's parents at Grace Kelly's royal wedding.About Our Guest:John Seabrook is the author of The Spinach King: The Rise and Fall of an American Dynasty and a long-time staff writer at The New Yorker. As the son and grandson of the men at the center of the Seabrook Farms empire, he provides a deeply personal and unflinchingly honest account of his family's incredible rise and devastating fall, piecing together a story of innovation, family conflict, and the hidden costs of success.Timestamps:(0:00) The Dark Secrets of an American Food Dynasty(2:05) The Rise of a Frozen Vegetable Empire and the History of Seabrook Farms(8:40) Erasing a Patriarch: How C.F. Seabrook Rewrote His Family's History(13:51) A Controversial Workforce: Japanese-American Labor During WWII(23:55) The 1934 Strike: Labor, Race, and the KKK in South Jersey(29:54) From the Farm to Outer Space: Seabrook's Cameo in 2001: A Space Odyssey(33:07) An Unlikely Friendship: John Seabrook's Father and Red Saunders the Gangster(37:23) A Royal Wedding: How Grace Kelly United John Seabrook's Parents(46:24) The Art of Four-in-Hand Coaching: A Father's Peculiar Passion(52:13) The Fall of a Dynasty: Who Owns Seabrook Farms Today?Learn More From Our Guest / Episode Resources:Read the book we discussed, The Spinach KingLearn more about John Seabrook
We're remembering the late great director (and Trailers From Hell Guru) Jonathan Kaplan (1947–2025) and re-running our chat with the director of Over The Edge, The Accused, and many more. Jonathan took us on a journey through some of his favorite movies. Movies Referenced In This Episode The Student Teachers (1973)Night Call Nurses (1972)White Line Fever (1975)Truck Turner (1974)Heart Like A Wheel (1983)The Accused (1988)Over The Edge (1979)Modern Times (1936)City Lights (1931)Manhattan (1979) Some Like It Hot (1959)The Apartment (1960)North By Northwest (1959) Moon Pilot (1962) Mr. Billion (1977)White Heat (1949)The Wizard of Oz (1939)The Three Musketeers (1973)The Four Musketeers (1974)Superman (1978)Superman II (1980)The Three Musketeers (1948)Shane (1953) The 400 Blows (1959)8 ½ (1963)Fellini Satyricon (1969)Richard (1972)Millhouse (1971)The Projectionist (1970)El Dorado (1966)The Shootist (1976)Woodstock (1970) Payback (1999)A Hard Day's Night (1964) The Loneliness of the Long Distance Runner (1962)Billy Liar (1963)Ford Vs Ferrari (2019)The Wild Bunch (1969)The Ballad of Cable Hogue (1970)Bad Girls (1994)Masters of the Universe (1987)Giant (1956)The More The Merrier (1943) The Graduate (1967) The Victors (1963)…And Justice For All (1979)Citizen Kane (1941)An Alan Smithee Film: Burn Hollywood Burn (1997)The Day of the Dolphin (1973)The Call of the Wild (2020) The Lion King (1994)The Lion King (2019) The Revenant (2015)Lawrence of Arabia (1962)Dr. Strangelove (1964)Hollywood Boulevard (1976) Day For Night (1973)Being There (1979)Bound For Glory (1976)Second-Hand Hearts (1981)Requiem For A Heavyweight (1962)The Night of the Hunter (1955) The Godfather (1972)The Godfather Part II (1974)The Student Nurses (1970) Valley of the Dolls (1967) Charlie's Angels (2019)2001: A Space Odyssey (1968)Psycho (1960) The Oscar (1966) Barry Lyndon (1976) Once Upon A Time In The West (1968) Bird (1988)The Outlaw Josey Wales (1976)American Sniper (2014) The Beguiled (1971)The Grapes of Wrath (1940) Fort Apache (1948)The Searchers (1956) Straight Time (1978)Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? (1971)True Confessions (1981)Monster (2003)Beyond The Valley Of The Dolls (1970) This list is also available on Letterboxd. Learn more about your ad choices. Visit megaphone.fm/adchoices
The ghouls are back! After a long break, Josh and Drusilla are back to discuss Humanist Vampire Seeking Consulting Suicidal Person. From wiki: “Humanist Vampire Seeking Consenting Suicidal Person (French: Vampire humaniste cherche suicidaire consentant), also released as Humanist Vampire Too Sensitive to Kill, is a 2023 French-language Canadian vampire comedy drama film co-written and directed by Ariane Louis-Seize.[3] It stars Sara Montpetit as Sasha, a teenage vampire who befriends Paul (Félix-Antoine Bénard), a boy with suicidal tendencies.”Also discussed: Roller Coaster, 2001: A Space Odyssey, fantasy films, superhero films, 2010: The Year We Make Contact, Bedazzled (1967), vampire lore, teen films, and more! NEXT WEEK: Seconds (1966) Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/@sisterhyde.bsky.social Joshua Conkelhttps://www.joshuaconkel.com/https://bsky.app/profile/joshuaconkel.bsky.socialhttps://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/
We discuss the Venice Lineup + our early guesses at who could win some awards. Then we dive into the most humongous What We're Watching segment in the history of MMO. 54 Separate Films or Television Series are review from Eddington & I Still Know What You Did Last Summer to a Stanley Kubrick double feature to an Arnold triple feature to Final Destination: Bloodlines & Bring Her Back to Elio & Superman rewatches to Bird, starring another dancing Barry Keoghan. THE 2025 VENICE FILM FESTIVAL LINEUP: The Alexander Payne Jury & what films they might select - 3:14 In Competition Headliners - 6:36 Jay Kelly, A House of Dynamite, Frankenstein, The Testament of Ann Lee, Bugonia, The Smashing Machine & La Grazia. Other Notables In Competition - 12:30 The latest from directors of Personal Shopper, Four Daughters, Son of Saul and Only Lovers Left Alive. No Other Choice than to review the teaser for this Park Chan-wook movie with a thoughtful discussion on werewolves - 17:32 Why After The Hunt is playing Out of Competition + its NYFF Opening slot - 21:05 Other Out of Competition Films from Dead Man's Wire to Late Fame - 25:04 What's NOT Going To Venice - 29:04 BOX OFFICE UPDATE AlsoMike's Superman rewatch & week 2 bobo - 33:15 I Know What You Did Last Summer reviewing grinds us to a halt - 38:19 Eddington makes us mad that it makes us mad - 41:16 M1's Elio review and the rest of the Top 10 - 45:06 What We're Watching Newish Horror Films - 47:34 Final Destination: Bloodlines, The Shrouds, Bring Her Back, The Ugly Stepsister, Opus. New Comedies, Docs & KPOP Demon Hunter Films - 55:19 Magic Farm, Friendship, Pavements, KPOP Demon Hunters, My Mom Jayne, The Luckiest Man in America, Jaws @ 50: The Definitive Inside Story, Apocalypse in the Tropics, Barbara Walters: Tell Me Everything, Restless, Sally, and Surviving Ohio State. AM's Blind Spots & M1 Goes Artsy Fartsy - 1:13:36 Black Coal Thin Ice, Sabrina, Hard Boiled, Invention & Bird. AM's Rewatches - 1:20:31 Emma, Bull Durham, The Birdcage, Closer, I Saw The Devil, The Chaser. M1's Quickies - 1:23:28 American Splendor, Smile 2, Heretic, Dream Scenario, A History of Violence, Prince of Darkness. The Start of AM's TV Watching + M1's Arnold-a-palooza + Tuesday - 1:26:12 Dept. Q, Fred & Rose: A British Horror Story, Trainwreck: Poop Cruise, True Lies, End of Days, Commando and Tuesday. M1's Kubrick Double Feature + Past Contendres & The Rest of AM's TV Watching - 1:31:48 Paths of Glory, 2001: A Space Odyssey, September 5, Close Encounters of the Third Kind, Bad Thoughts, Mike Birbiglia: The Good Life, Untamed, Aftersun, Dexter: Resurrection. OUTRO: We attempt to avoid jinxing anything in the future. But stay tuned to more episodes, eventually or immediately, whatever happens. Oh, and go and listen to the Poop Cruise Jen Baxter interview from our friends at Chaz & AJ in the Morning https://www.wplr.com/2025/07/14/pod-pick-poop-cruise-director-jen-baxter/
Night of the Living Podcast: Horror, Sci-Fi and Fantasy Film Discussion
Our Cannon Films theme wraps up with listener Esther's pick, Firewalker. Then we yap about 2001: A Space Odyssey, Sinners (again), and Jurassic World: Rebirth. Enjoy! Support us on Patreon! Patrons have access to the NOTLP Discord Server, weekly virtual meetups with the hosts, ad free episodes and tons of other great content. This podcast is brought to you by the Legion of Demons at patreon.com/notlp. Our Beelzebub tier producers are: Ernest Perez Shayna Spalla Branan & Emily Intravia-Whitehead Bill Chandler Blayne Turner Monica Martinson Bill Fahrner Brian Krause Dave Siebert Joe Juvland Matt Funke Paul Gauthier “Monster Movies (with My Friends)” was written and performed by Kelley Kombrinck. It was recorded and mixed by Freddy Morris. Night of the Living Podcast Social Media: facebook.com/notlp instagram.com/nightofthelivingpodcast youtube.com/notlpcrew https://www.tiktok.com/@nightofthelivingpodcast
2001: A Space Odyssey (1968) is a cerebral, atmospheric, slow-paced and largely non-verbal spaceflight film thematically narrated by the musical backdrop of classical waltzes, creating strange sensations and uplifting novel psychological questions about human evolution, artificial intelligence, and alien interventions. To see the full REACT video version of this episode, you can visit our YouTube channel!
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