Podcasts about kubrick

My fellow pro-growth/progress/abundance Up Wingers,In 1976, America celebrated 200 years of independence, democracy, and progress. Part of that celebration was the release of To Fly!, a short but powerful docudrama on the history of American flight. With To Fly!, Greg MacGillivray and his co-director Jim Freeman created one of the earliest IMAX films, bringing cinematography to new heights.After a decade of war and great social unrest, To Fly! celebrated the American identity and freedom to innovate. Today on Faster, Please! — The Podcast, I talk with MacGillivray about filming To Fly! and its enduring message of optimism.MacGillivray has produced and directed films for over 60 years. In that time, his production company has earned two Academy Award nominations, produced five of the Top 10 highest-grossing IMAX films, and has reached over 150 million viewers.In This Episode* The thrill of watching To Fly! (1:38)* An innovative filming process (8:25)* A “you can do it” movie (19:07)* Competing views of technology (25:50)Below is a lightly edited transcript of our conversation. The thrill of watching To Fly! (1:38)What Jim and I tried to do is put as many of the involving, experiential tricks into that film as we possibly could. We wrote the film based on all of these moments that we call “IMAX moments.”Pethokoukis: The film To Fly! premiered at the Smithsonian Air and Space Museum, at the IMAX Theater, July 1976. Do you happen know if it was it the 4th of July or. . . ?MacGillivray: No, you know, what they did is they had the opening on the 2nd of July so that it wouldn't conflict with the gigantic bicentennial on the 4th, but it was all part of the big celebration in Washington at that moment.I saw the film in the late '70s at what was then called the Great America Amusement Park in Gurnee, Illinois. I have a very clear memory of this, of going in there, sitting down, wondering why I was sitting and going to watch a movie as opposed to being on a roller coaster or some other ride — I've recently, a couple of times, re-watched the film — and I remember the opening segment with the balloonist, which was shot in a very familiar way. I have a very clear memory because when that screen opened up and that balloon took off, my stomach dropped.It was a film as a thrill ride, and upon rewatching it — I didn't think this as a 10-year-old or 11-year-old — but what it reminded me upon rewatching was of Henry V, Lawrence Olivier, 1944, where the film begins in the Globe Theater and as the film goes on, it opens up and expands into this huge technicolor extravaganza as the English versus the French. It reminds me of that. What was your reaction the first time you saw that movie, that film of yours you made with Jim Freeman, on the big screen where you could really get the full immersive effect?It gave me goosebumps. IMAX, at that time, was kind of unknown. The Smithsonian Air and Space Museum was the fourth IMAX theater built, and very few people had seen that system unless you visited world's fairs around the world. So we knew we had something that people were going to grasp a hold of and love because, like you said, it's a combination of film, and storytelling, and a roller coaster ride. You basically give yourself away to the screen and just go with it.What Jim and I tried to do is put as many of the involving, experiential tricks into that film as we possibly could. We wrote the film based on all of these moments that we call “IMAX moments.” We tried to put as many in there as we could, including the train coming straight at you and bashing right into the camera where the audience thinks it's going to get run over. Those kinds of moments on that gigantic screen with that wonderful 10 times, 35-millimeter clarity really moved the audience and I guess that's why they used it at Great America where you saw it.You mentioned the train and I remember a story from the era of silent film and the first time people saw a train on silent film, they jumped, people jumped because they thought the train was coming at them. Then, of course, we all kind of got used to it, and this just occurred to me, that film may have been the first time in 75 years that an audience had that reaction again, like they did with first with silent film where they thought the train was going to come out of the screen to To Fly! where, once again, your previous experience looking at a visual medium was not going to help you. This was something completely different and your sense perception was totally surprised by it.Yeah, it's true. Obviously we were copying that early train shot that started the cinema way back in probably 1896 or 1898. You ended up with To Fly! . . . we knew we had an opportunity because the Air and Space Museum, we felt, was going to be a huge smash hit. Everyone was interested in space right at that moment. Everyone was interested in flying right at that moment. Basically, as soon as it opened its doors, the Air and Space Museum became the number one museum in America, and I think it even passed the Louvre that year in attendance.Our film had over a million and a half people in its first year, which was astounding! And after that year of run, every museum in the world wanted an IMAX theater. Everyone heard about it. They started out charging 50 cents admission for the 27-minute IMAX film, and halfway through the season, they got embarrassed because they were making so much money. They reduced the admission price to 25 cents and everyone was happy. The film was so fun to watch and gave you information in a poetic way through the narration. The storytelling was simple and chronological. You could follow it even if you were a 10-year-old or an 85-year-old, and people just adored the movie. They wrote letters to the editor. The Washington Post called it the best film in the last 10 years, or something like that. Anyway, it was really a heady of time for IMAX.An innovative filming process (8:25)It was one of those things where our knowledge of technology and shooting all kinds of various films prior to that that used technology, we just basically poured everything into this one movie to try to prove the system, to try to show people what IMAX could do . . .I may have just read the Washington Post review that you mentioned. It was a Washington Post review from just three or four years later, so not that long after, and in the conclusion to that piece, it said, “You come away from the film remembering the flying, the freedom of it, the glee, the exaltation. No Wonder ‘To Fly' is a national monument.” So already calling it a national monument, but it took some innovation to create that monument. This isn't just a piece of great filmmaking and great storytelling, it's a piece of technological innovation. I wonder if you could tell me about that.We've worked with the IMAX corporation, particularly Graeme Ferguson, who is gone now, but he was a filmmaker and helped us immensely. Not only guiding, because he'd made a couple of IMAX films previously that just showed at individual theaters, but was a great filmmaker and we wanted three more cameras built—there was only one camera when we began, and we needed three, actually, so we could double shoot and triple shoot different scenes that were dangerous. They did that for us in record time. Then we had to build all these kind of imaginative camera mounts. A guy named Nelson Tyler, Tyler Camera Systems in Hollywood, helped us enormously. He was a close friend and basically built an IMAX camera mount for a helicopter that we called the “monster mount.” It was so huge.The IMAX camera was big and huge on its own, so it needed this huge mount, and it carried the IMAX camera flawlessly and smoothly through the air in a helicopter so that there weren't any bumps or jarring moments so the audience would not get disturbed but they would feel like they were a bird flying. You needed that smoothness because when you're sitting up close against that beautifully detailed screen, you don't want any jerk or you're going to want to close your eyes. It's going to be too nauseating to actually watch. So we knew we had to have flawlessly smooth and beautiful aerials shot in the best light of the day, right at dawn or right at sunset. The tricks that we used, the special camera mounts, we had two different camera mounts for helicopters, one for a Learjet, one for a biplane. We even had a balloon mount that went in the helium balloon that we set up at the beginning of the film.It was one of those things where our knowledge of technology and shooting all kinds of various films prior to that that used technology, we just basically poured everything into this one movie to try to prove the system, to try to show people what IMAX could do . . . There are quiet moments in the film that are very powerful, but there's also these basic thrill moments where the camera goes off over the edge of a cliff and your stomach kind of turns upside down a little bit. Some people had to close their eyes as they were watching so they wouldn't get nauseated, but that's really what we wanted. We wanted people to experience that bigness and that beauty. Basically the theme of the movie was taking off into the air was like the opening of a new eye.Essentially, you re-understood what the world was when aviation began, when the first balloonists took off or when the first airplane, the Wright Brothers, took off, or when we went into space, the change of perspective. And obviously IMAX is the ultimate change of perspectiveWhen I watched the entire film — I've watched it a few times since on YouTube, which I think somebody ripped from a laser disc or something — maybe six months ago, I had forgotten the space sequence. This movie came out a year before Star Wars, and I was looking at that space sequence and I thought, that's pretty good. I thought that really held up excellent. As a documentary, what prepared you to do that kind of sequence? Or was that something completely different that you really had to innovate to do?I had loved 2001: A Space Odyssey, the Kubrick film, and one of the special effects supervisors was Doug Trumbull. So we called Doug and said, “Look, I want to make the sequence. It's going to be short, but it's going to pay homage to space travel and what could happen in the future.” And he guided us a little bit, showed us how to make kind of the explosions of space that he'd done in 2001 using microscopic paint, so we had to develop a camera lens that fit on the IMAX camera that could shoot just a very small area, like half an inch across, where paint in a soluble mixture could then explode. We shot it in slow motion, and then we built a Starship, kind of like a Star Wars-looking — though, as you mentioned, Star Wars had not come out yet — kind of a spaceship that we then superimposed against planets that we photographed, Jupiter and Saturn. We tried to give the feeling and the perspective that that could give us with our poetic narrator, and it worked. It kind of worked, even though it was done on a very small budget. We had $690,000 to make that movie. So we only had one SAG actor who actually got paid the regular wage, that was Peter Walker.Was that the balloonist?Yeah, he was the balloonist. And he was a stage actor, so he was perfect, because I wanted something to obviously be a little bit overblown, make your gestures kind of comically big, and he was perfect for it. But we only had enough money to pay him for one day, so we went to Vermont and put him in the balloon basket, and we shot everything in one day. We never actually shot him flying. We shot him hanging in the balloon basket and the balloon basket was hanging from a crane that was out of the picture, and so we could lift him and make him swing past us and all that stuff, and he was terrific.Then we shot the real balloon, which was a helium balloon. We got the helium from the Navy — which would've been very costly, but they donated the helium — and went to West Virginia where the forest was basically uncut and had no power lines going through it so we could duplicate 1780 or whatever the year was with our aerial shooting. And we had a guy named Kurt Snelling, who was probably the best balloonist at that particular moment, and he dressed like Peter in the same costume and piloted the balloon across. And balloons, you can't tell where they're going, they just follow the wind, and so it was a little dangerous, but we got it all done. It was about a week and a half because we had to wait for weather. So we had a lot of weather days and bad rain in West Virginia when we shot that, but we got it all done, and it looks beautiful, and it matches in with Peter pretty well.Just what you've described there, it sounds like a lot: You're going to Maine, you're in West Virginia, you're getting helium from — it sounds like there were a lot of moving parts! Was this the most ambitious thing you had done up until that point?Well, we'd worked on some feature films before, like The Towering Inferno and Jonathan Livingston Seagull, and things like that, which were involved and very complicated. But yeah, it was very much the biggest production that we put together on our own, and it required us to learn how to produce in a big fashion. It was a thrill for us. Essentially, we had about 10 people working on the film in Laguna Beach, and none of them, except for maybe Jim and I, who we'd worked on feature films and complicated shoots with actors and all that, but a lot of our team hadn't. And so it was an adventure. Every day was a thrill.A “you can do it” movie (19:07). . . we were celebrating 200 years of democracy, of individual freedom, of individual inspiration, getting past obstacles, because you can do it — you have that belief that you can do it.There's a version of this podcast where we spend a half hour talking about The Towering Inferno. I just want you to know that it's very hard for me not to derail the conversation into talking about The Towering Inferno. I will not do that, but let me ask you this, the movie is about flight, it's about westward expansion, but that movie, it came out for the bicentennial, we'd gone through a tumultuous, let's say past 10 years: You had Vietnam, there's social unrest, you had Watergate. And the movie really must have just seemed like a breath of fresh air for people.As you put the movie together, and wrote it, and filmed it, did you feel like you were telling a message other than just about our connection with flight? It really seemed to me to be more than that, a movie about aspiration, and curiosity, and so forth.It was, and pretty much all of our films have been that positive spirit, “You can do it” kind of movie. Even our surfing films that we started with 20 years, maybe 10 years before To Fly!, you end up with that spirit of the human's ability to go beyond. And obviously celebrating the bicentennial and the beginning of democracy here in this country and the fact that we were celebrating 200 years of democracy, of individual freedom, of individual inspiration, getting past obstacles, because you can do it — you have that belief that you can do it.Of course, this was right there when everyone had felt, okay, we went to the moon, we did all kinds of great things. We were inventive and a lot of that spirit of invention, and curiosity, and accomplishment came from the fact that we were free as individuals to do it, to take risks. So I think To Fly! had a lot of that as part of it.But the interesting thing, I thought, was I had one meeting with Michael Collins, who was the director of the Air and Space Museum and the astronaut who circled the moon as Neil and Buzz Aldrin were on the moon walking around, and here he is, hoping that these two guys will come back to him so that the three of them can come back to Earth — but they'd never tested the blast-off from the moon's surface, and they didn't know 100 percent that it was going to work, and that was the weirdest feeling.But what Collins told me in my single meeting that I had with him, he said, “Look, I've got a half an hour for you, I'm building a museum, I've got two years to do it.” And I said, “Look, one thing I want to know is how much facts and figures do you want in this movie? We've got a little over a half an hour to do this film. The audience sits down in your theater, what do you want me to do?” And he said, “Give me fun. Give me the IMAX experience. I don't want any facts and figures. I don't want any dates. I don't want any names. I've got plenty of those everywhere else in the museum. People are going to be sick of dates and names. Give me fun, give me adventure.” And I said, “Oh gosh, we know how to do that because we started out making surfing films.” and he goes, “Do that. Make me a surfing film about aviation.” It was probably the best advice, because he said, “And I don't want to see you again for two years. Bring me back a film. I trust you. I've seen your films. Just go out and do it.” And that was probably the best management advice that I've ever received.So you weren't getting notes. I always hear about studios giving filmmakers notes. You did not get notes.The note I got was, “We love it. Put it on the screen now.” What they did do is they gave me 26 subjects. They said, “Here's the things that we think would be really cool in the movie. We know you can't use 26 things because that's like a minute per sequence, so you pick which of those 26 to stick in.” And I said, “What I'm going to do then is make it chronological so people will somewhat understand it, otherwise it's going to be confusing as heck.” And he said, “Great, you pick.” So I picked things that I knew I could do, and Jim, of course, was right there with me all the time.Then we had a wonderful advisor in Francis Thompson who at that time was an older filmmaker from New York who had done a lot of world's fair films, hadn't ever done IMAX, but he'd done triple-screen films and won an Academy Award with a film called To Be Alive! and he advised us. Graeme Ferguson, as I mentioned, advised us, but we selected the different sequences, probably ended up with 12 sequences, each of which we felt that we could handle on our meager budget.It was delightful that Conoco put up the money for the film as a public service. They wanted to be recognized in the bicentennial year, and they expected that the film was going to run for a year, and then of course today it's still running and it's going into its 50th year now. And so it's one of those things that was one of those feel-good moments of my life and feel-good moments for the Air and Space Museum, Michael Collins, for everyone involved.Competing views of technology (25:50)Our film was the feel-good, be proud to be an American and be proud to be a human being, and we're not messing up everything. There's a lot that's going right.When rewatching it, I was reminded of the 1982 film Koyaanisqatsi by Godfrey Reggio, which also had a very famous scene of a 747 looming at the camera. While yours was a joyous scene, I think we're supposed to take away an ominous message about technology in that film. That movie was not a celebration of flight or of technology. Have you wondered why just six years after To Fly!, this other film came out and conveyed a very different message about technology and society.I love Koyaanisqatsi, and in fact, we helped work on that. We did a lot of the aerial shooting for that.I did not know that.And Godfrey Reggio is an acquaintance, a friend. We tried to actually do a movie together for the new millennium, and that would've been pretty wild.Certainly a hypnotic film, no doubt. Fantastic.Yeah. But their thesis was, yeah, technology's gotten beyond us. It's kind of controlled us in some fashions. And with the time-lapse sequences and the basic frenetic aspects of life and war and things like that. And with no narration. That film lets the audience tell the story to themselves, guided by the visuals and the technique. Our film was absolutely a 100 percent positive that the 747 that we had was the number one 747 ever built. Boeing owned it. I don't think they'd started selling them, or they were just starting to use them. Everyone was amazed by the size of this airplane, and we got to bolt our IMAX camera on the bottom of it, and then it was such a thrill to take that big 747.The guy took off from Seattle and the pilot said, “Okay, now where do you want to go?” I said, “Well, I want to find clouds. And he goes, “Well, there's some clouds over next to Illinois. We could go there,” so we go two hours towards Illinois. And I'm in a 737 that they loaned us with the IMAX camera in a brand new window that we stuck in the side of the 737, just absolutely clear as the sheet of glass, just a single pane, and the camera's right up against that piece of plexiglass and with the 40-millimeter lens, which is a 90-degree lens.So I said, “We've got to fly the 737 really close to the 747 and through clouds so that the clouds are wisping through, and so the 747 is disappearing and then appearing and then disappearing and then appear, and we have to do this right at sunset in puffy clouds, these big cumulus clouds.” And so they said, “We can do that, let's go find it!” The two guys who were piloting were both military pilots, so they were used to flying in formation and it was a delight. We shot roll, after roll, after roll and got some of those moments where that 747 comes out into light after being in the white of the cloud are just stunning. So we made the 747 look almost like a miniature plane, except for the shot from underneath where you see the big wheels coming up. So it was a really cool, and I don't know what it cost Boeing to do that, but hundreds of thousands, maybe.Another public service.But they got it back. Obviously it was a heroic moment in the film, and their beautiful plane, which went on to sell many, many copies and was their hero airplane for so many years.Yeah, sure.It was a fun deal. So in comparison to Koyaanisqatsi, our film was the exact opposite. Our film was the feel-good, be proud to be an American and be proud to be a human being, and we're not messing up everything. There's a lot that's going right.I feel like there's a gap in what we get out of Hollywood, what we get out of the media. You don't want just feel-good films. You don't want just celebrations. You want the full range of our lives and of human experience, but I feel like, Koyaanisqatsi is about being out of balance, I think we've gotten out of balance. I just don't see much out there that has the kind of aspirational message with To Fly! I'm not sure what you think. I feel like we could use more of that.Yeah, I'm hopeful that I'm going to be able to make a movie called A Beautiful Life, which is all about the same thing that I was talking about, the freedom that the individual has here in America. I was hopeful to do it for the 250th anniversary, but I'm not going to get it done by that time next year. But I want to do that movie kind of as a musical celebration of almost a “family of man” sort of movie located around the world with various cultures and positive spirit. I'm an optimist, I'm a positive person. That's the joy I get out of life. I suppose that's why Jim and I were perfect to make To Fly! We infused beauty into everything that we tried to do.On sale everywhere The Conservative Futurist: How To Create the Sci-Fi World We Were PromisedMicro ReadsPlease check out the website or Substack app for the latest Up Wing economic, business, and tech news contained in this new edition of the newsletter. Lots of great stuff! Faster, Please! is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit fasterplease.substack.com/subscribe

"Would you eat a sweet soy-glazed hot dog wrapped in seaweed… or are some culinary mashups just too far?"In this wildly entertaining segment of The Ben and Skin Show, Ben Rogers, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray dive headfirst into the bizarre, the delicious, and the cinematic. The episode kicks off with a hilarious group reaction to a viral food photo: a misubi roll—a sweet soy-glazed hot dog nestled on a rice patty and wrapped in seaweed. The crew debates whether hot dogs and sushi should ever share a plate, with KT firmly declaring, “I'm comfortable choosing a hot dog or sushi and keeping them separate.”From culinary confusion to cinematic excitement, the gang shifts gears to discuss the upcoming Paul Thomas Anderson film One Battle After Another, starring Leonardo DiCaprio, Sean Penn, Benicio Del Toro, Regina Hall, and Teyana Taylor. The buzz is real—Steven Spielberg himself called it “insane” and compared it to Kubrick's Dr. Strangelove. The hosts geek out over the trailer, the absurdist tone, and the massive $130 million budget, wondering if this could be Anderson's biggest box office hit yet.

"What do a machete-wielding motel employee, a hot dog sushi roll, and a heartfelt 9/11 memory have in common?" They all somehow fit into this unforgettable, emotionally charged, and hilariously chaotic episode of The Ben and Skin Show. Ben Rogers, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray navigate everything from the death of Charlie Kirk, a decapitation in Dallas, and Cowboys injury news. Also...Personal stories from 9/11, ranging from Ben's CBS sales meeting to Christina's sixth-grade classroom, and KT's junior high football practice where a classmate screamed “World War III!”A local Dallas beheading story. A deep dive into Cowboys cornerback drama and the mystery of Jadeveon Clowney's visit.Food news that includes Potbelly's $566M acquisition, Taco Bell's Y2K menu, and the culinary monstrosity known as the hot dog sushi roll.A tribute to Polly Holliday (Flo from Alice), who passed away just days after the crew randomly discussed her on-air.A preview of Paul Thomas Anderson's new film starring DiCaprio, Sean Penn, and Benicio Del Toro — described by Spielberg as “Kubrick-level absurdist brilliance.”Funniest Quotes:“My buzzer needs an oil change.”“I burned my tongue on a Texas Twinkie.”“You're getting your sack tenderized?”“I put it in the wrong hole. That's my fault.”

Fresh shirt drop at new store: https://occultsymbolism.com/On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we are joined with a guest that's been doing some massively deep research into Shakespeare, Francis Bacon and the impending Scientific Technocracy- it's Robert Frederick! He's the host of The Hidden Life is Best podcast and Substack and today he explains to us why Shakespeare is so important that he has a Cult! We'll catch up with his inspiration for this topic and then we get into some major concepts on how Shakespeare was burying occult concepts into his works, the Shakespeare Hoax, connections to Stanley Kubrick and David Lynch (including a story about meeting Lynch!), and Shakespeare's impact on modern pop culture. We talk about Francis Bacon's connections to use propaganda for British Empire building and hidden Rosicrucian symbolism in Shakespeare, as well as the Scientism Gnostic religion of the Technocracy and how Peter Thiel is pushing us into the digital matrix for immortality!Supporters: I run an announcement from 1:40-6:20 about new shirts and such on my new store at https://occultsymbolism.com/; you are ad-free but this is more of an announcement than an ad, my apologies if it's annoying. My shirt guy has availability if you want to print some shirts: https://www.instagram.com/bryant_prints/Links:Follow Robert Frederick for MUCH more:The Hidden Life is Best podcast: https://thehiddenlifeisbest.comThe Hidden Life is Best Substack: https://substack.com/@robertfrederickThe Hidden Life is Best Patreon: https://www.patreon.com/u28774359Show sponsors- Get discounts while you support the show and do a little self improvement!*CopyMyCrypto.com/Isaac is where you can copy James McMahon's crypto holdings- listeners get access for just $1 WANT MORE?... Check out my UNCENSORED show with my wife, Breaking Social Norms: https://breakingsocialnorms.com/GRIFTER ALLEY- get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE More from Isaac- links and special offers:*BREAKING SOCIAL NORMS podcast, Index of EVERY episode (back to 2014), Signed paperbacks, shirts, & other merch, Substack, YouTube links, appearances & more: https://allmylinks.com/isaacw *STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos. 

durée : 00:59:53 - Toute une vie - par : Irène Omélianenko, Alexandre Tylski - Né en 1928 à New York, Stanley Kubrick s'est replié, déplié, avec sa famille au nord de Londres des années 60 à sa mort, en homme/cinéaste libre, audacieux et controversé. - réalisation : Ghislaine David - invités : Anny Romand Actrice et auteure.; Rafik Djoumi Rédacteur en chef BITS (Arte).; Réjane Hamus-Vallée Maître de conférences (Evry-Val-d'Essonne).

Latest Film Club is the Kubrick 1975 masterpiece, Barry Lyndon starring Ryan O'Neal, Marisa Berenson, Patrick Magee, Leonard Rossiter and Hardy Kruger. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode: 2501 Nietzsche, Strauss, Kubrick, and a Trilogy of Metaphor.  Today, a story — in three parts.

"You mean more to me than any scientific truth." For Episode 373, David and Brandon kick off their Hard Sci-Fi month with Andrei Tarkovsky's SOLARIS. Listen as they discuss Tarkovsky's career before the film, why he wanted to make the movie, what famous sci-fi film the movie was a reaction to, why the original novelist disliked the movie, and more!  Also, don't forget to join our Patreon for more exclusive content: Opening - Gearing up for October and Borrowing Movies -  (00:00:10) Intro to Hard Sci-Fi Movies (00:06:06) Intro to Solaris (00:15:50) How Solaris Got to Production (00:24:38) Favorite Scenes (00:37:00) On Set Life - (01:05:32) Aftermath: Release and Legacy (01:11:41) What Worked and What Didn't (01:19:41) Film Facts (01:25:57) Awards (01:26:39) Final Questions on the Movie (01:31:25) Wrapping Up the Episode (01:37:45) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

On today's new episode we talk The Toxic Avenger (Vol. 1) by Matt Bors and Fred Harper published by Ahoy ComicsBut first, is Jake the toxic glue that holds this podcast together? Has Cody ever seen 2001: A Space Odyssey in its entirety? What's our favorite Kubrick movie? What's the conspiracy behind Eyes Wide Shut? Is David Fincher an intense director? Why is Anthony shocked to be called a conspiracy theorist? Who's behind the Betty Yayo 2069 Twitter account? Did the Palestine, Ohio train incident inspire this comic? Are there insect aliens amongst us? Was this adaptation what we were expecting with this character? Did we like the changes from the Troma movies it's based on? Have we had a lot of Ahoy creators on the pod? Would Cody be our very own Toxic Avenger? Is ICE coming for Cody? What happens when you goof to close to the sun? Do dudes rock? Does Peter Dinklage take jobs away from little person actors? Are we excited for the new Toxic Avenger movie based on the trailer? Have we seen any of the original Toxic Avenger movies? Is this comic able to do things a low-budget Troma movie could never do? Is there a lot of body horror in this series? Were we big fans of Fred Harper's art? Is The Meg just dumb? How is this comic smart, dumb, and fun at the same time? Is Tromaville in New Jersey? Are The Toxic Crusaders on the way? What is Toxie Team-Up about? Would this version of Toxie translate well into a half-hour TV series? Does The Mothman belong to West Virginia? Is Mothman ACAB? Has the Joe Pesci scale gotten more serious over time? Does Peter Dinklage hate tangerine-sized Pescis?New episodes every THURSDAYFollow us on social media! Bluesky // Instagram // Twitter // TikTok :⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@comicsnchronic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/channel/UC45vP6pBHZk9rZi_2X3VkzQ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠E-mail: comicsnchronicpodcast@gmail.comCodyInstagram // Bluesky:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@codycannoncomedy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: @Cody_CannonTikTok: @codywalakacannonJakeInstagram // Bluesky:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@jakefhaha⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AnthonyBluesky // Instagram // Threads // Twitter // TikTok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@mrtonynacho⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this very special episode of BOP, the crew welcomes one of their biggest guests ever: renowned cinematographer/writer/director/podcaster/beanie historian, Steven Bernstein! Before he realized what podcast he was on and called his agent, we had a lovely chat about his astounding career in show business, what it was like shooting such beloved 90's comedies as The Waterboy and Half-Baked, filming Monster with Patty Jenkins, how he wound up the favorite DP of the Wayans Bros, his philosophy of embracing the chaos in art and life, and the surreal events that led him to hanging out with Marlon Brando on the set of Scary Movie 2.Pick up your copy of Steven's novel, GRQ here:https://www.barnesandnoble.com/w/grq-steven-bernstein/1147259290https://www.amazon.com/Grq-Steven-Bernstein/dp/191578946XFollow Steven Bernstein:Instagram: https://www.instagram.com/stevenbernsteindirectorwriterFacebook: https://www.facebook.com/StevenBernsteinOfficial/Keep your eyes peeled for the worldwide release of the GRQ film adaptation, starring Mena Suvari, Denzel Whitaker, and Greg Germann!https://www.boxofficepulp.com/Listen on Apple: https://www.boxofficepulp.com/appleListen on Spotify: https://www.boxofficepulp.com/spotifyListen on Amazon: https://www.boxofficepulp.com/amazonAll The OTHER Ways to Listen: https://www.boxofficepulp.com/listenFollow on Facebook: https://www.facebook.com/BoxOfficePulpPodcast/Follow on Twiter/X: https://x.com/BoxOfficePulp

Nel luglio 1969 l'umanità raggiunge uno dei suoi traguardi più straordinari: l'allunaggio della missione Apollo 11. Ma a partire dagli anni '70, una teoria complottista inizia a prendere piede: e se lo sbarco fosse stato una messinscena? Secondo alcuni, le iconiche immagini trasmesse dalla NASA sarebbero state girate in uno studio segreto dal regista Stanley Kubrick, autore dell'acclamato “2001: Odissea nello Spazio”, un cineasta geniale e perfezionista, che con la sua filmografia ha cambiato per sempre il modo di intendere il cinema, senza mai davvero smettere di far discutere. L'ipotesi, alimentata da coincidenze visive, riferimenti simbolici e ambiguità narrative, si è diffusa per decenni, insinuandosi nella cultura pop e attirando schiere di sostenitori. Ma da dove nasce davvero questa teoria? Quali sono i presunti indizi nascosti nei film di Kubrick? E cosa dicono la scienza (ed il buon senso) per confutarla? Ne parliamo assieme a Giacomo Giaquinto: narratore, fumettista e autore di romanzi. Iscriviti al gruppo Telegram per interagire con noi e per non perderti nessuna delle novità in anteprima e degli approfondimenti sulle puntate: https://t.me/LucePodcast Se vuoi ascoltarci senza filtri e sostenere il nostro lavoro, da oggi è possibile abbonarsi al nostro canale Patreon e accedere a contenuti bonus esclusivi tramite questo link: patreon.com/LucePodcast

Sub to the new YouTube: https://www.youtube.com/@occultsymbolismOn today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we have the August 2025 livestream show!  Taylor Swift's Life of a Showgirl is here — and the occult symbolism is everywhere! From the fate of Ophelia to her fragmented alter-egos, witchy numerology, and bathtub confessions, we're breaking it all down. Then we dive into Labubu toys and their ties to Mesopotamian demon Pazuzu, plus comedian Matt Rife's shocking purchase of Ed & Lorraine Warren's haunted Conjuring house — just weeks after a paranormal researcher mysteriously died on tour with Annabelle the doll. Possessed pop culture? You decide here on this special live stream episode of Occult Symbolism and Pop Culture with ya boi Isaac Weishaupt!THE SHINING DECODED: I'll be posting up a Livestream on my new YouTube channel Thursday Sept 4th at 5pm EST for the FULL Shining documentary! Close to four hours long!! So join the chat- I'll be popping in periodically: https://youtu.be/Favb2v-1VlULinks:New online store is now up with the Mushroominati Watcher Coffee! https://occultsymbolism.comDon't miss the next livestream! Subscribe to my email newsletter at: https://illuminatiwatcher.com/3-books-5/Also sub to the new YouTube: https://www.youtube.com/@occultsymbolismShow sponsors- Get discounts while you support the show and do a little self improvement!*CopyMyCrypto.com/Isaac is where you can copy James McMahon's crypto holdings- listeners get access for just $1WANT MORE?... Check out my UNCENSORED show with my wife, Breaking Social Norms: https://breakingsocialnorms.com/GRIFTER ALLEY- get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODEMore from Isaac- links and special offers:*BREAKING SOCIAL NORMS podcast, Index of EVERY episode (back to 2014), Signed paperbacks, shirts, & other merch, Substack, YouTube links, appearances & more: https://allmylinks.com/isaacw*STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.

Amb motiu del 50è aniversari de la seva estrena als Estats Units, el 20 de juny de 1975, la productora Universal reestrena a cinemes de tot l'estat -entre ells els multisales de Vilanova- 'Tiburón', el clàssic d'Steven Spielberg que inaugurà l'era dels 'blockbusters'. Aquesta nit, al cinema Aribau de Barcelona, el director del festival de cinema de Sitges, Àngel Sala, en farà la prèvia. 'Tiburón' és la pel·lícula que més vegades ha vist després de 2001 de Kubrick, i amb ell n'hem parlat d'alguns dels aspectes més fonamentals. Tot comença amb un record d'infantesa al cinema-teatre Fleta de Saragossa, la nit del 19 de desembre de 1975, quan la pel·lícula s'estrenà a Espanya. L'entrada Torna un clàssic, ‘Tiburón’, i Àngel Sala el presenta aquesta nit al cinema Aribau ha aparegut primer a Radio Maricel.

On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we have the August BONUS episode for supporter feeds! We dive deep into the occult symbolism of Danny Boyle's Sunshine, exploring how the film functions as a modern allegory for death, rebirth, and humanity's obsession with the solar deity. We unpack the story of Icarus as a metaphor for approaching the divine unprepared, and the recurring symbolism of the number seven as the union of spirit and matter. The crew's obsession with staring into the sun becomes a study in ego death and the alchemical process of Nigredo, while the Black Sun imagery and cube-shaped bomb reflect Saturnian forces, time, and entropy. We'll connect the hidden sun concept from Crowley and Kenneth Grant to Gnostic and Freemasonic ideas of oppositional polarities, and show how Pinbacker represents the ultimate adversarial initiator, testing humanity's capacity to transcend mortal limitations. Ultimately, Sunshine is a meditation on facing death, confronting the constraints of matter, and creating a new sun within the sun—a ritualistic and esoteric journey encoded in a sci-fi epic.FULL EPISODE NOW UP AD-FREE ON ALL SUPPORTER FEEDS! Free feed gets a preview!3 SUPPORTER FEED OPTIONS- get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE

Maybe he never went away. But Dr Strangelove is back now at the heart of America's new military-industrial-digital complex. And Strangelove 2.0 might offer an even more existential threat than Kubrick's original cigar-chewing model played with such absurdist aplomb by the great Peter Sellers. While the first Strangelove was just dumb, today's powers-that-be at the Pentagon are both stupid and corrupt. That, at least, is the worrying view of Ben Freeman, the director of Democratizing Foreign Policy at the Quincy Institute for Responsible Statecraft and the co-author of the upcoming The Trillion Dollar War Machine. Freeman sees companies like Peter Thiel's Palantir—which just secured a historic $10 billion contract—as the new face of a military establishment that has grown exponentially more dangerous since Eisenhower's bipartisan warning. Today's war profiteers (in both political parties) wield AI, deepfakes, and automated kill chains while maintaining the same reckless nuclear thinking that nearly ended the world in 1962 Cuba. The result? A trillion-dollar budget that enriches contractors while making America infinitely less safe in an infinitely more dangerous world. What we're really missing is a Kubrick 2.0 to restore Strangelove to our digital screens. 1. The Military-Industrial Complex Has Gone Digital Companies like Palantir represent a new evolution - the "military-industrial-digital complex" - where Silicon Valley tech firms are now central players in defense contracting, with Palantir recently securing a historic $10 billion contract.2. It's a Bipartisan Problem, Not Just Trump Freeman emphasizes this spans party lines: Obama (despite his Nobel Peace Prize) oversaw record military spending, Biden sold arms at record levels, and the system perpetuates itself regardless of who's in the White House because defense contractors strategically place jobs in congressional districts.3. More Weapons = Less Security America just hit a trillion-dollar military budget for the first time, yet remains ineffective at solving major global conflicts (Ukraine, Gaza, Korea). Meanwhile, diplomatic tools like the State Department are being gutted, creating a dangerous imbalance.4. AI and Automation Pose New Existential Risks Beyond traditional nuclear threats, we now face "automated kill chains" where AI makes lethal decisions without human oversight, plus deepfakes that could trigger conflicts based on false information - combining old Dr. Strangelove logic with new technological capabilities.5. The Revolving Door Ensures System Perpetuation Pentagon officials stay quiet about waste and corruption because they know defense contractors like Boeing and Lockheed Martin will hire them post-retirement for lucrative positions, creating a self-perpetuating cycle that prioritizes profit over actual security.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Hello HYSTO-philes! We hope you'll all join us for our discussion on the 1968 classic science fiction film 2001: A Space Odyssey, directed by Stanley Kubrick. Joining us is our good friend Erin Casteneda! We all hope you can get in on this conversation about a film that some feel changed the industry forever! 

When it comes to marketing, the boldest ideas often come from imagining a future no one else can see, then making it real.That's exactly what Stanley Kubrick achieved with 2001: A Space Odyssey, a film that married meticulous research with visionary storytelling to create the most realistic depiction of space the world had ever seen. In this episode, we explore the marketing lessons behind it with special guest Josh Golden, CMO at Quad.Together, we dive into how marketers can embrace risk, iterate through failure, compete on imagination rather than resources, and create experiences—both digital and physical—that deliver the elusive “wow” factor. All while staying relevant, resonant, and ready to invent the future.About our guest, Josh GoldenAs Chief Marketing Officer at Quad, Josh Golden is architecting the evolution of Quad as a marketing experience company. He leads a highly collaborative team that works with marketers around the world to clear the path for a frictionless solution to easily communicate with their optimal audience.Quad's clients are the lifeblood of its operations, driving the company's evolution and influencing its every action. Josh is helping the company combine Quad's history as a manufacturer and commercial printer with this marketer-obsessed philosophy to best support client growth and eliminate the interference that otherwise causes them to lose time, money, and customers.Since assuming his role, Josh has defined the Quad brand narrative, developed the company's “marketing experience” framing, implemented a new Quad design system and initiated brand and product marketing campaigns for key verticals.With more than three decades of experience in marketing, branding, media, and content, Josh is one of the most prolific connectors in the marketing industry. Prior to joining Quad in 2021, Josh was President and Publisher of Ad Age where he spurred transformative growth for the venerable, 90-year trade publication and media brand. His passion for driving evolution was also on display as Vice President, Global Digital Marketing, at Xerox; Group Director of Digital Marketing at NBC Universal; Chief Digital Officer at Grey Group; Managing Director, Digital at Havas; and head of the first digital division at Young & Rubicam.A self-proclaimed “professional groupie,” Josh avidly follows and cheers people who pursue their passions. He likes playing a little semi-aggressive tennis and makes a killer “cheater” banana bread. He lives in Westchester, NY with his wife and two teenage children.Josh received his MBA from New York University and his B.S. in communications from Ithaca College.What B2B Companies Can Learn From 2001: A Space Odyssey:Embrace the process, not just the end product. Kubrick went through a massive number of iterations before landing on the film we know and love today. Josh says, “There is not one singular moment; it's a series of failures.” In marketing, abandoned ideas aren't wasted. They're the iterations that lead to something great. Like Kubrick, be willing to test, discard, and refine until you find the version that truly resonates. The process is the work.AI can execute, but humans inspire. Hal, the AI in 2001, could run the ship, but couldn't imagine a better way forward. Josh says, “ Humans have the capacity to do the wow factor.” AI can give you the exact steps to execute a campaign, but it can't create the unexpected spark that makes it unforgettable. Your job as a marketer is to deliver that human insight and surprise that AI can't replicate.Inspiration doesn't have to start from scratch.2001 began as a loose adaptation of Arthur C. Clarke's short story The Sentinel, but evolved far beyond it. Josh reflects, “You're ultimately gonna go rewrite it in your own way.” In marketing, you can take inspiration from existing ideas, but the magic comes from reshaping them into something uniquely yours.Quote“There's moments that we all have as marketers where real ideas happen, and I celebrate those…but in truth…There is not one singular moment. It's a series of failures…That inspiration is evident in the film, and it's evident that in the actual process of trying and failing and trying and failing and trying and failing, and then getting to a point where you're like, wow, this is actually kind of okay.'”Time Stamps[00:55] Meet Josh Golden, CMO at Quad[01:27] The Role of CMO at Quad[02:54] Overview of 2001: A Space Odyssey[21:45] B2B Marketing Lessons from 2001: A Space Odyssey[25:28] The AI Character and Its Implications[26:42] AI vs. Human Creativity[43:21] Final Thoughts & TakeawaysLinksConnect with Josh on LinkedInLearn more about QuadAbout Remarkable!Remarkable! is created by the team at Caspian Studios, the premier B2B Podcast-as-a-Service company. Caspian creates both nonfiction and fiction series for B2B companies. If you want a fiction series check out our new offering - The Business Thriller - Hollywood style storytelling for B2B. Learn more at CaspianStudios.com. In today's episode, you heard from Ian Faison (CEO of Caspian Studios) and Meredith Gooderham (Head of Production). Remarkable was produced this week by Jess Avellino, mixed by Scott Goodrich, and our theme song is “Solomon” by FALAK. Create something remarkable. Rise above the noise.

New online store is now up with the Mushroominati Watcher Coffee! https://occultsymbolism.comOn today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we wrap our decoding of Kubrick's The Shining! In Part 3 we'll decode the entire film: Stephen King, America, Illuminati bloodlines, Eyes Wide Shut elitist parties, Epstein connections, Skull and Bones, Key Club, occult symbolism, portals, Cut-Up Method, labyrinths, MKULTRA, Nazis, NASA and the fake moon landing, Project MONARCH, pedo incest theory, Jack's shadow, blood sacrifices to the gods, 42's kabbalah meaning of God, Devouring Father theory, Crowley's ritual, blood for crossing the Abyss and more!Links:The Shining Decoded Pt 1: Conspiracies, Illuminati, MKULTRA & Project Monarch! https://illuminatiwatcher.com/the-shining-decoded-pt-1-conspiracies-illuminati-mkultra-project-monarch/The Shining Decoded Pt 2: Room 237, Grady Twins, Labyrinths & Epstein Parties! https://illuminatiwatcher.com/the-shining-decoded-pt-2-room-237-grady-twins-labyrinths-epstein-parties/The Shining Decoded Pt 3: Kubrick's Code—Illuminati Bloodlines, MKULTRA, Eyes Wide Shut, Portals, Saturn & the Moon Landing Lie https://illuminatiwatcher.com/the-shining-decoded-pt-3-kubricks-code-illuminati-bloodlines-mkultra-eyes-wide-shut-portals-saturn-the-moon-landing-lie/Kenneth Grant: Atomic Bombs, UFO Portals, Alien Gateways & Twin Peaks! TP44 https://illuminatiwatcher.com/kenneth-grant-atomic-bombs-ufo-portals-alien-gateways-twin-peaks-tp44/Portals Pt 1: Magick Gateways, Jungian Symbols & Pop Culture Portals EXPLAINED! https://illuminatiwatcher.com/portals-pt-1-magick-gateways-jungian-symbols-pop-culture-portals-explained/Fake Moon Landing: Occult Symbolism of NASA and the Apollo Mission https://www.illuminatiwatcher.com/fake-moon-landing-occult-symbolism-of-nasa-and-the-apollo-missionKubrick's Code book (and 2+ hour video): https://illuminatiwatcher.com/kubricks-code-analysis-of-2001-a-clockwork-orange-the-shining-and-eyes-wide-shut/Eyes Wide Shut: Decoding Hidden Symbolism of Stanley Kubrick- Episode Index https://www.illuminatiwatcher.com/eyes-wide-shut-decoding-hidden-symbolism-of-stanley-kubrick-episode-indexShow sponsors- Get discounts while you support the show and do a little self improvement!*CopyMyCrypto.com/Isaac is where you can copy James McMahon's crypto holdings- listeners get access for just $1 WANT MORE?... Check out my UNCENSORED show with my wife, Breaking Social Norms: https://breakingsocialnorms.com/GRIFTER ALLEY- get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE More from Isaac- links and special offers:*BREAKING SOCIAL NORMS podcast, Index of EVERY episode (back to 2014), Signed paperbacks, shirts, & other merch, Substack, YouTube links, appearances & more: https://allmylinks.com/isaacw *STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.

Please Welcome Kingsize Co-Host, Eric Vespe to TYOUSK Podcast!In this episode, Eric & I Discuss: -King Bangerz and Why Revival Hits So Hard!-Favorite King Endings.-King on Film.-The Case for the Kubrick's Shining and Was Jack Really Trying? -The Eyes of the Dragon Spinoff We Need!Please Give the Show Some Love and Post a 5-Star Rating on your Favorite Podcast Outlet! End Credits: (Keys of Moon) SoundcloudX: @UnderratedSKPodInsta: @UnderratedSKPodcastBlueSky:UnderratedSKPod.bsky.social Patreon: patreon.com/dansewithkimcKim C. will Return with Song of Susannah!

On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we continue our decoding of Kubrick's The Shining! In Part 2 we'll walk through the second half of the film- we'll talk about symbolism found in the German Adler typewriter, eagles, phoenix, labyrinths, Heretic, Grady twins, Room 217 vs Room 237, Faustian bargains, Kabbalah bathtubs, Eraserhead, who is Delbert Grady, 42, REDRUM, Horace Derwent's Epstein parties, Roger the Dogman, Bears and Baphomet! Links:The Shining Decoded Pt 1: Conspiracies, Illuminati, MKULTRA & Project Monarch! https://illuminatiwatcher.com/the-shining-decoded-pt-1-conspiracies-illuminati-mkultra-project-monarch/The Shining Decoded Pt 2: Room 237, Grady Twins, Labyrinths & Epstein Parties!  The Shining Decoded Pt 3: Kubrick's Code—Illuminati Bloodlines, MKULTRA, Eyes Wide Shut, Portals, Saturn & the Moon Landing Lie COMING SOONKubrick's Code book (and 2+ hour video): https://illuminatiwatcher.com/kubricks-code-analysis-of-2001-a-clockwork-orange-the-shining-and-eyes-wide-shut/Eyes Wide Shut: Decoding Hidden Symbolism of Stanley Kubrick- Episode Index https://www.illuminatiwatcher.com/eyes-wide-shut-decoding-hidden-symbolism-of-stanley-kubrick-episode-indexNew online store is now up with the Mushroominati Watcher Coffee! https://occultsymbolism.comShow sponsors- Get discounts while you support the show and do a little self improvement!*CopyMyCrypto.com/Isaac is where you can copy James McMahon's crypto holdings- listeners get access for just $1 WANT MORE?... Check out my UNCENSORED show with my wife, Breaking Social Norms: https://breakingsocialnorms.com/GRIFTER ALLEY- get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE More from Isaac- links and special offers:*BREAKING SOCIAL NORMS podcast, Index of EVERY episode (back to 2014), Signed paperbacks, shirts, & other merch, Substack, YouTube links, appearances & more: https://allmylinks.com/isaacw *STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.

With Zach Cregger's WEAPONS getting a review this week, we dig deep into the archive for a 2012 Sacred Cow review of THE SHINING, a film Cregger frequently mentions as a major influence. Michael Phillips joins Adam and Josh for the conversation about Kubrick's horror classic, which turns 45 this year. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Movie Mistrial, we march into the heart of Stanley Kubrick's brutal and unforgettable war film, Full Metal Jacket.Full Metal Jacket is a searing, two-part exploration of the dehumanizing machinery of war—from the psychological torment of Marine boot camp to the chaos of combat in Vietnam. Kubrick's meticulous direction, paired with unforgettable performances (especially R. Lee Ermey's iconic drill sergeant), delivers a disturbing and thought-provoking experience that lingers long after the final shot.While many praise Full Metal Jacket for its realism and psychological depth, others argue the film feels disjointed—its split structure can make the second half feel less impactful than the riveting, claustrophobic opening act. Some viewers also find the characters emotionally distant, making the film more intellectual than immersive.Join us as we examine the power and contradictions of Full Metal Jacket. Is it Kubrick's most uncompromising vision of war—or a film split between two brilliant but uneven halves?Connect with us and share your thoughts:Twitter: http://tiny.cc/MistrialTwitterFacebook: http://tiny.cc/MistrialFBInstagram: http://tiny.cc/MistrialInstaVisit our website, www.moviemistrial.com, for more captivating episodes and to stay up-to-date with all things movies.

Woodstock 56 is almost upon us, and as we get ready to once again celebrate the glory of Woodstock, it's time for another episode of KEEP THE DREAM FLOWING! This time, we have an unusual twist as we welcome back out returning champion DAN VALENTI! Dan – brother of MICK VALENTI, leader of the Woodstock Free Stage band THE QUARRY – has written a new book, STANLEY KUBRICK'S FULL METAL STRAIGHTJACKET – THE SIEGE OF GUNNERY SGT. HARTMAN. In this fascinating and riveting new book Dan unravels the story behind the role of Gunnery Sgt. Hartman, of Kubrick's 1987 uber-classic FULL METAL JACKET, and spins a story of intrigue and the role that luck – or a lack of luck – played in the casting of the character. A fascinating conversation, of which this is part two of two!You can grab your copy of Dan's excellent book here: https://www.amazon.com/Stanley-Kubricks-Full-Mental-Straightjacket/dp/B0F6339TNW

In this episode of Left of the Projector, we explore the iconic film 2001: A Space Odyssey, directed by Stanley Kubrick, and its profound themes regarding AI and humanity. Joined by Levi and Joey, we discuss the contrasting representations of artificial intelligence, specifically HAL 9000 and Harlan Ellison's AM, prompting reflections on consciousness and survival. We analyze Kubrick's artistic choices, including minimal dialogue and groundbreaking visual effects, and consider the monoliths as symbols of external influence in human evolution. Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

111 Hz'in bu bölümünde, Spielberg ve Kubrick gibi iki sinema dehasının yollarının kesiştiği eşsiz bir filme, A.I. Yapay Zeka'ya odaklanıyoruz. Sevmeye programlanmış bir robot çocuğun hikayesi üzerinden insan olmanın derin çelişkilerini masaya yatırıyoruz. David'in gerçek olma arzusu, bizim kendi varoluşsal arayışlarımızın bir yansıması olabilir mi? Sevgi, sadece insana has bir duygu mu; yoksa taklit edilebilir bir kod mu? Gelin, hikayeye daha yakından bakalım. Sunan: Barış Özcan Hazırlayan: Gülşah Dim Ses Tasarım ve Kurgu: Metin Bozkurt Yapımcı: Podbee Media ------- Podbee Sunar ------- Bu podcast, Garanti BBVA reklamı içermektedir. Bonus Platinum'un avantajlarını ⁠⁠keşfet⁠⁠!

A la edad de 75 años ha fallecido la actriz Shelley Duvall que alcanzó la inmortalidad gracias a su interpretación de Wendy Torrance en “El resplandor” (1980) de Stanley Kubrick y que fue capaz de exponer el lado más amargo del mundo del espectáculo cuando pasó a ser un vago recuerdo. Destacó en el Hollywood de la década de los 70 gracias a su presencia anodina, pero a su vez tan extraña como magnética, y fue llevada a la cúspide interpretativa por Robert Altman, su descubridor y mentor, pero se convirtió en un símbolo cultural gracias a su colaboración con Kubrick, quien la llevó al límite personal. Duvall, que brilló también como productora televisiva, luchó durante varias décadas contra su salud mental que llegó a mantenerla apartada de la vida pública. Este reportaje pertenece al programa "El Cine de LoQueYoTeDiga" nº 441 (15x26) y fue emitido el 27 de julio de 2024.

We are kicking off a brand new miniseries on Oscar-winning Best Director follow-up films from the 2000s, starting with Steven Spielberg's bold and deeply divisive “A.I. Artificial Intelligence.” TV critic and Vulture writer Roxana Hadadi joins Phil and Emily for a wide-ranging conversation that digs into the movie's legacy, Kubrick's influence, and how the film hit differently post-Oscars and post-9/11.They dive into the unique collaboration and friendship between Kubrick and Spielberg, how “A.I.” bridges fairy tale and sci-fi, and what it means for love, grief, and humanity to be filtered through the eyes of a robot boy. The group explores how the film's themes of artificial intelligence, the uncanny valley, and the pursuit of parental love feel even more relevant today in a world grappling with AI and rapid technological change.Other topics include Haley Joel Osment's incredible performance, Jude Law's scene-stealing Gigolo Joe, the eerie brilliance of Teddy, and why this film has remained both underappreciated and deeply beloved by fans. They also talk about the Oscars' resistance to science fiction, the film's release in a world still haunted by 9/11, and the surprising emotional impact the film has had on different audiences, including its resonance with the trans community.It is a deep dive into one of Spielberg's most complex and haunting films, a movie that still raises questions about love, loss, technology, and what it means to be human.Follow Roxana Hadadi on Instagram: @roxana.z.hadadiWant even more? Join our Patreon at patreon.com/c/Podcastlikeits for exclusive episodes, early access, live Q&As, member polls, bonus interviews, and a behind-the-scenes look at how the show is made. Unlock more content and join a community of true movie lovers.#PodcastLikeIts2000s #AIArtificialIntelligence #StevenSpielberg #RoxanaHadadi #FilmPodcast #MoviePodcast #PodcastRecommendation #SpotifyPodcasts #SciFiMovies #Kubrick #OscarWinners #HaleyJoelOsment #JudeLaw #Vulture #FilmDiscussion #Cinephile #BehindTheScenes #PatreonExclusive #MovieCommunity #FilmHistory #PodcastSpotlight Hosted on Acast. See acast.com/privacy for more information.

Woodstock 56 is almost upon us, and as we get ready to once again celebrate the glory of Woodstock, it's time for another episode of KEEP THE DREAM FLOWING! This time, we have an unusual twist as we welcome back out returning champion DAN VALENTI! Dan – brother of MICK VALENTI, leader of the Woodstock Free Stage band THE QUARRY – has written a new book, STANLEY KUBRICK'S FULL METAL STRAIGHTJACKET – THE SIEGE OF GUNNERY SGT. HARTMAN. In this fascinating and riveting new book Dan unravels the story behind the role of Gunnery Sgt. Hartman, of Kubrick's 1987 uber-classic FULL METAL JACKET, and spins a story of intrigue and the role that luck – or a lack of luck – played in the casting of the character. A fascinating conversation, of which this is part two of two!You can grab your copy of Dan's excellent book here: https://www.amazon.com/Stanley-Kubricks-Full-Mental-Straightjacket/dp/B0F6339TNW

New online store is now up with the Mushroominati Watcher Coffee! https://occultsymbolism.comOn today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we begin our deep dive into The Shining! Part 1 will explore the cast members, like Jack Nicholson, the movie poster and the first half of the film! We'll touch on various messages and symbolism in the first half of the film: red VW bugs, David Lynch, Stephen King, Catcher in the Rye, America, MKULTRA, Project MONARCH, portal mirrors, cannibalism, Playgirl magazine, incest, Illuminati bloodlines, Calumet, Cult and Occult book, dream states and Bluebeard references to Room 237! Links:New online store is now up with the Mushroominati Watcher Coffee! https://occultsymbolism.comThe Shining 3-part series:The Shining Decoded Pt 1: Conspiracies, Illuminati, MKULTRA & Project Monarch!The Shining Decoded Pt 2: Room 237, Grady Twins, Labyrinths & Epstein Parties! COMING SOONThe Shining Decoded Pt 3: Kubrick's Code—Illuminati Bloodlines, MKULTRA, Eyes Wide Shut, Portals, Saturn & the Moon Landing Lie COMING SOONKubrick's Code book (and 2+ hour video): https://illuminatiwatcher.com/kubricks-code-analysis-of-2001-a-clockwork-orange-the-shining-and-eyes-wide-shut/Eyes Wide Shut: Decoding Hidden Symbolism of Stanley Kubrick- Episode Index https://www.illuminatiwatcher.com/eyes-wide-shut-decoding-hidden-symbolism-of-stanley-kubrick-episode-indexPATREON BONUS: A.I. Film Analysis- Kubricks FINAL Warning on Artificial Intelligence! https://www.illuminatiwatcher.com/patreon-bonus-a-i-film-analysis-kubricks-final-warning-on-artificial-intelligenceCatcher in the Rye Conspiracies Pt 1: MKULTRA Incel Abused Killer, Secret Societies & Luigi Mangione! https://illuminatiwatcher.com/catcher-in-the-rye-conspiracies-pt-1-mkultra-incel-abused-killer-secret-societies-luigi-mangione/ Portals Pt 1: Magick Gateways, Jungian Symbols & Pop Culture Portals EXPLAINED! https://illuminatiwatcher.com/portals-pt-1-magick-gateways-jungian-symbols-pop-culture-portals-explained/ PREVIEW: FRESH Film Analysis: Cannibalism Satanism & Illuminati Elites! https://www.illuminatiwatcher.com/preview-fresh-film-analysis-cannibalism-satanism-illuminati-elites Show sponsors- Get discounts while you support the show and do a little self improvement!*CopyMyCrypto.com/Isaac is where you can copy James McMahon's crypto holdings- listeners get access for just $1 WANT MORE?... Check out my UNCENSORED show with my wife, Breaking Social Norms: https://breakingsocialnorms.com/GRIFTER ALLEY- get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE More from Isaac- links and special offers:*BREAKING SOCIAL NORMS podcast, Index of EVERY episode (back to 2014), Signed paperbacks, shirts, & other merch, Substack, YouTube links, appearances & more: https://allmylinks.com/isaacw *STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos. 

Get ready to pour yourself a cocktail, put on an old opera record, and inject yourself with a chemical compound that stretches the bounds of death in a terrifying fusion of science and art, because the crew at Box Office Pulp is back on their wax bullshit with a commentary track for Sergio Stivaletti's Fulci-by-another-name fable, 1997's Wax Mask. The legendary special effects master responsible for the Demons franchise only ever directed a single feature, and this slasher by way of a giallo by way of a Wax Museum mystery has been unfairly forgotten by even the most stalwart horror faithfuls. Listen to the tale of Dario Argento's last boon to a dying frenemy, a museum owner driven by heartbreak to murder and mad science, and a dubbing track that descended into pure, unfiltered Italiano.So remove your mesh mask to reveal your wax mask to reveal your robot(?) skull by listening now!https://www.boxofficepulp.com/Listen on Apple: https://www.boxofficepulp.com/appleListen on Spotify: https://www.boxofficepulp.com/spotifyListen on Amazon: https://www.boxofficepulp.com/amazonAll The OTHER Ways to Listen: https://www.boxofficepulp.com/listenFollow on Facebook: https://www.facebook.com/BoxOfficePulpPodcast/Follow on Twiter/X: https://x.com/BoxOfficePulp

Stanley Kubrick, Eyes Wide Shut, Mohamed al-Fayed, Adnan Khashoggi, British intelligence, Julian Amery, Israel, Suez Crisis, Haiti, George de Mohrenschildt, CIA, Nasser, Lonrho, Tiny Rowland, Mayfair Set, Harrods, Sultan of Brunei, Jonathan Aitken, arms trafficking, Gerard Bull, Project Babylon, Le Cercle, Dutroux affair, Dodi Fayed, the rivalry between al-Fayed and the Khashoggis over Dodi, Prince Diane, the Dodi-Di romance, the death of Diane and Dodi, possible MI6 involvement, the Israeli link in the crash, the white Fiat Uno, Lyndon Larouche, the similarities between Robert Maxwell and al-Fayed, al-Fayed as a sexual predator, Kubrick's initial plans to use the Earl of Spencer's residence in Eyes Wide Shut, references to al-Fayed in Eyes Wide Shut, Kubrick's awareness of al-Fayed as a sexual predator, Punch magazine and Kubrick's lawsuit against, the break-in on the Eyes Wide Shut set, the white Fiat Uno reduxMusic by: Keith Allen Dennishttps://keithallendennis.bandcamp.com/ Hosted on Acast. See acast.com/privacy for more information.

Devin & James are back, and they're gonna need a bigger podcast. That's why they've brought back special guest CASEY O'CONNOR to discuss the blockbusters and award nominees of 1975! We start with a little film called JAWS, which some of you may have heard of before. We then move on to the Best Picture winner, ONE FLEW OVER THE CUCKOO'S NEST, followed by the Kubrick comedy (that's right, I'm calling it a comedy), BARRY LYNDON. We then take a turn toward Altman's NASHVILLE, before ending up in New York City for 3 DAYS OF THE CONDOR and DOG DAY AFTERNOON. Along the way, we also give shout-outs to SHAMPOO, THE GREAT WALDO PEPPER, and THE MAN WHO WOULD BE KING. There must have been something in the water in 1975 (a shark, perhaps?) because these are some of the greatest, most influential, and important films ever made, celebrating their 50th Anniversary this year!

Az előfizetők (de csak a Belső kör és Közösség csomagok tulajdonosai!) már szombat hajnalban hozzájutnak legfrissebb epizódunk teljes verziójához. A hétfőn publikált, ingyen meghallgatható verzió tíz perccel rövidebb. Itt írtunk arról, hogy tudod meghallgatni a teljes adást. Szívószálpápa 2030. Észak-tolnai anzix. Szippantás élőben. A rendszereken átívelés tökéletes megoldása. Horn Gyula egeret fog 1996-ban. Orbán Viktor esik-kel, mint Buster Keaton. Sokkoló pillanatok a Jegenye utcában. A fél ötkor kelő hajtó. 01:00 Bede Márton Észak-Tolnában fagyoskodik. Észak-Tolna a körúton kívül van. Fejlődik a magyar vidék. Augusztus közepén szünetet tartunk, augusztus 16-án és 23-án nem lesz Borízű Hang. 03:30 Orbán Viktor beerbike-kal megy Horvátországba nyaralni. 04:30 A Szívószálpápa viszatér. Szívószálpápa for prezident. Szívószálpápa 2030. A Szívószálpápa leigázta Koreát. Winkler Róbert nívós tüntetést kíván a Szívószálpápának. 07:20 Kis híján atrocitás törtlénik a tisztaszobában, körúton kívül. Föltíűnik egy szippantóskocsi. Tulipántosláda nincs. 08:20 Miről podcastol mostanában Áder János? A hatodik évfolyamban jár! 11:00 Áder János megismerkedik a fekete katonalegyekkel kapcsolatos elképzelésekkel. 13:35 Bede Márton podcasttörténelmi tudósítása a szippantásról. 15:00 Cobranding megfejtések. KDNP Inside. Semjén Zsolt kóserpecséttel. 17:00 A Shimano legnagyobb konkurense valójában. A Vass cipőknek is lehet Vibram talpa. Az afrikaiak már régen föltalálták a Michelin-talpú szandált. 19:20 Winkler Lenke néni befizeti az autópályabüntetést, és Spongyabob-matricát talál az üveget. 20:50 Winkler Lenke néni GoPrójában megkotlott az utángyártott aksi. És… (Ez neked Lenke néni??!) 22:30 Horn Gyula internetezik: 1996, Műcsarnok, Internet Expo. Szakadát István visszaemlékezése. Az egér feltalálója, aki valójában a Stanford kutatóintézetében dolgozott, de a Xeroxnál kezdték használni a találmányát 1981.ben. 28:00 Az ember, aki egy kinyomtatott Nemzeti Sport hátuljára írt jegyzeteiből olvassa fel, hogy mesterségesintelligencia-fejlesztésben merre kell menni. Elég szomi. Nem volt toppon az öreg Tusványosutt sem. 32:50 Martell Károly kiveri az araboknak. 34:50 Manhattan: helyreigazítások. Dobi István az Elnöki Tanács elnöke. Elnézést kérünk Dobi Istvántól, Sanyitól, Gabitól, Csokitól, Szabitól. 35:40 Rendszereken átívelés: olvasói megfejtések. Porsche Ferdinánd, Werner von Braun (a Kubrick-film: Dr. Strangelove), Szabó Lőrinc és… és… the ultimate átívelés is… 38:00 Bede Márton sokkot kap a kínai night marketen a Jegenye utcában: ilyen talán egész Európában nincs! 45:00 Így használd a teraszod! 49:00 A legendás prágai migránsvideó összefüggése a teraszproblémával. 52:00 Orbánnak a futballban sem ad a gép. Gyökeres az Arsenalban. 54:40 Peak Magyar Wikipedia Vol. Végtelen: Fazekas Imre hajó-tenyésztő. 62:00 A Vasprefektus megtanította az embereket a kereszteződéseket helyesen használni. Azóta elfelejtettük. 64:00 Uj Péter a Portik Tamás-féle Művészinas étterem mellett. Nem a műfaszházban. Dugó már 93-ban is volt! See omnystudio.com/listener for privacy information.

Novelist and musician Kieran Saint Leonard talks about his novel A MUSE, Crowley, and strange happenings at the Kubrick estate. Get the After Dark episode and more at patreon.com/artofdarkpod or substack.com/@artofdarkpod. Kieran on Instagram x.com/artofdarkpod x.com/abbielucas x.com/kautzmania […]

Promo code “OZZY” on gets you in for a buck! 80% off your first month of Tier 1 or Tier 2 at Patreon.com/IlluminatiWatcher, or VIP Section: https://wp.me/P2ijVF-aRL (expires Aug 1, 2025)On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we're looking at the July 2025 Midtown NYC shooting by Shane Tamura and the occult symbolism that explores theories of Saturnian control systems, Freemason rituals and architecture, MKULTRA mind control experiments & Charles Manson, Epstein operational elite sexual exploitation networks and the Shadow transformation using Joker archetypes. We'll talk 27 Club, 345 Park Avenue's Masonic numbering, 33 symbolism, Blackstone Saturn, NFL CTE and model agencies for old rich perverts.Show sponsors- Get discounts while you support the show and do a little self improvement!*CopyMyCrypto.com/Isaac is where you can copy James McMahon's crypto holdings- listeners get access for just $1 WANT MORE?... Check out my UNCENSORED show with my wife, Breaking Social Norms: https://breakingsocialnorms.com/GRIFTER ALLEY- get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE More from Isaac- links and special offers:*BREAKING SOCIAL NORMS podcast, Index of EVERY episode (back to 2014), Signed paperbacks, shirts, & other merch, Substack, YouTube links, appearances & more: https://allmylinks.com/isaacw *STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.

Woodstock 56 is almost upon us, and as we get ready to once again celebrate the glory of Woodstock, it's time for another episode of KEEP THE DREAM FLOWING! This time, we have an unusual twist as we welcome back out returning champion DAN VALENTI! Dan – brother of MICK VALENTI, leader of the Woodstock Free Stage band THE QUARRY – has written a new book, STANLEY KUBRICK'S FULL METAL STRAIGHTJACKET – THE SIEGE OF GUNNERY SGT. HARTMAN. In this fascinating and riveting new book Dan unravels the story behind the role of Gunnery Sgt. Hartman, of Kubrick's 1987 uber-classic FULL METAL JACKET, and spins a story of intrigue and the role that luck – or a lack of luck – played in the casting of the character. A fascinating conversation, of which this is part one of two! You can grab your copy of Dan's excellent book here: https://www.amazon.com/Stanley-Kubricks-Full-Mental-Straightjacket/dp/B0F6339TNW

LAST CHANCE: Promo code “OZZY” on gets you in for a buck! 80% off your first month of Tier 1 or Tier 2 at Patreon.com/IlluminatiWatcher, or VIP Section: https://wp.me/P2ijVF-aRL (expires July 30)On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we have our live show for July! We'll catch up on me while people log onto the stream and then we'll get into the red hot topic at hand: The Epstein Files! We'll talk about the cult of Saturn could be involved with this mass ritual! We'll start with the bizarre Trump FIFA trophy & time travel theory and how Saturn fits in, then the mysterious disappearances of several people involved with the Epstein case and the firing of Maureen Comey, new Butler PA footage suggests it was staged, a theory about the real reason Wall Street Journal is releasing birthday party greetings from Trump, Trump's "sugar daddy" Pepe Fanjul and a rundown of The Cult of the Black Cube and how it connects into this giant occult ritual for the Golden Age of Saturn for the Dark Enlightenment!Want to watch the video version? There are two options- the free version is on my YouTube (subscribe while you're there so you dont miss notifications on future Livestreams!): https://www.youtube.com/live/7gvunJQa_tkThe second video option is to go Tier 2 (ad-free, early access, etc) on Patreon or VIP Section Supporter feedsLAST CHANCE: Promo code “OZZY” on gets you in for a buck! 80% off your first month of Tier 1 or Tier 2 at Patreon.com/IlluminatiWatcher, or VIP Section: https://wp.me/P2ijVF-aRL (expires July 30)Show sponsors- Get discounts while you support the show and do a little self improvement!*CopyMyCrypto.com/Isaac is where you can copy James McMahon's crypto holdings- listeners get access for just $1 WANT MORE?... Check out my UNCENSORED show with my wife, Breaking Social Norms: https://breakingsocialnorms.com/GRIFTER ALLEY- get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE More from Isaac- links and special offers:*BREAKING SOCIAL NORMS podcast, Index of EVERY episode (back to 2014), Signed paperbacks, shirts, & other merch, Substack, YouTube links, appearances & more: https://allmylinks.com/isaacw *STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.

Angestossen von US-Präsident Eisenhower im Jahr 1955, weil den Sowjets musste man's zeigen! Hörenswert: Wernher von Braun Sehenswert: Man and the Moon (Youtube), Kubrick, Nixon und der Mann im Mond (Youtube) Lustig: Prä-Astronautik Die passende Ausgabe “Eine Stunde History” läuft am 28 .Juli 2025 auf DLFnova.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! This week, we're doing something a little different in honour of Cris's birthday – and what better way to celebrate than by diving into a handpicked selection of actors whose careers, films, or sheer star quality connect (tenuously or not) to our resident birthday boy. There's no Top 5 this time around – instead, it's all about Helen Mirren, Kate Beckinsale, Kevin Spacey, Jason Statham, and Sandra Bullock, with a war film classic anchoring the episode: Full Metal Jacket.

On this week's Haven't Scene It, Tim & Tommy witness the rise and fall of Barry Lyndon! This is both Tim & Tommy's first time watching the film. Where does this rank among Kubrick's finest films? All this and more on this week's Haven't Scene It!Follow us on Social Media:Twitter: @SceneItPodInstagram: @SceneItPodTiktok: @SceneItPodBluesky: ‪@podsceneit.bsky.social‬

In his latest appearance on William Ramsey Investigates, Brett discusses Part 2 of his Hollywood-NASA research report, which appeared this June in the second issue of Cultural Engineering Studies. After giving an overview of his groundbreaking research on the topic, Brett supports his conclusion that NASA's partnership with the entertainment industry has always been a globalist cultural engineering operation. William and Brett also talk about Arthur C. Clarke's central role in coordinating NASA support for the production of Kubrick's 2001, and Brett reveals never-before-seen information from the Kubrick Archive in London, offering new insights into the Luciferian-transhumanist religiosity at the heart of the film. Finally, Brett touches on the disturbing trauma-based mind control subtexts of NASA-supported children's films from the 1980s, including Flight of the Navigator, as well as NASA's ongoing promotion of the moon hoax theory (in movies like the recent Fly Me to the Moon) as a form of psychological warfare.https://decoding-culture.com/magazine-home/https://www.williamramseyinvestigates.com/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com   

On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we are joined by the legendary host of Coast to Coast AM and Strange Planet podcast- it's Richard Syrett! This is a very exclusive interview where we get into his life journey of getting into the paranormal and hosting shows that discuss conspiracy theories, aliens & UFOs! We'll also talk about his Orthodoxy journey and viewing the occult world through that lens, his take on extraterrestrials, interdimensional aliens, a fascinating paranormal experience Richard had with his rock historian friend R Gary Patterson, what A.I. looks like for the future of humanity, Elon Musk and how we can avoid going black pill!Links:Follow Richard Syrett at https://www.strangeplanet.ca (*this is where you can link to his Strange Planet podcast and get his free INNERSANCTUM newsletter as well as his YouTube channel: https://www.youtube.com/strangeplanetradioFollow Richard Syrett on Instagram: https://www.instagram.com/richardsyrettstrangeplanet/Check out my appearances on Strange Planet and Coast to Coast AM here on my new index of appearances:  https://illuminatiwatcher.com/appearances-interviews-of-isaac-weishaupt/Show sponsors- Get discounts while you support the show and do a little self improvement!*CopyMyCrypto.com/Isaac is where you can copy James McMahon's crypto holdings- listeners get access for just $1WANT MORE?... Check out my UNCENSORED show with my wife, Breaking Social Norms: https://breakingsocialnorms.com/GRIFTER ALLEY- get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODEMore from Isaac- links and special offers:*BREAKING SOCIAL NORMS podcast, Index of EVERY episode (back to 2014), Signed paperbacks, shirts, & other merch, Substack, YouTube links, appearances & more: https://allmylinks.com/isaacw*STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos. 

Welcome to this eye-opening episode of Right on Radio, hosted by Jeff. In today's show, we delve into a series of explosive topics that reveal the hidden machinations shaping our world. We begin by discussing recent accusations involving former President Barack Obama, as Tulsi Gabbard suggests his involvement in a high-level conspiracy. Although evidence is still forthcoming, the implications of these claims are thoroughly analyzed. Next, we transition to the ongoing saga surrounding Jeffrey Epstein, examining his ties to intelligence operations and debating theories about his alleged demise. The conversation touches on the possible involvement of elite global networks and the ways these cover-ups are unraveled. Our journey continues with a fascinating discussion around Mike Huckabee's stance against Israel's mistreatment of Christians, highlighting a potential shift in the political landscape and its implications for U.S.-Israel relations. The episode takes a dramatic turn as we explore the intriguing world of Hollywood and its connections to dark, secret societies. Through the lens of Stanley Kubrick's 'Eyes Wide Shut,' we investigate allegations of satanic practices within the elite, questioning whether Kubrick was silenced for exposing too much. Throughout this comprehensive episode, Jeff presents invaluable insights, encouraging listeners to look beyond the surface and understand the complex, and often concealed, forces at play in politics and entertainment. Stay tuned for a captivating blend of revelation and analysis, promising to keep you informed and engaged. Thank you for Listening to Right on Radio. Prayerfully consider supporting Right on Radio. Click Here for all links, Right on Community ROC, Podcast web links, Freebies, Products (healing mushrooms, EMP Protection) Social media, courses and more... https://linktr.ee/RightonRadio Live Right in the Real World! We talk God and Politics, Faith Based Broadcast News, views, Opinions and Attitudes We are Your News Now. Keep the Faith

SirSeatSitter Joins Us! ⛧ Room 237 - Kubrick and the Moon Landing ⛧ The Shining's Many Themes ⛧ Ghosts Want To Bang The Living ⛧ Indian American Genocide and Canned Goods ⛧ Shredder Intermission ⛧ Dave Portnoy - Masshole American Hero Jerk Boss ⛧ One Bite Everyone Knows The Rules ⛧ BLEEP Nukes Aren't Any Good Unless Everyone Knows You Have Them BYO3-DG DIRECT DOWNLOAD SHOW NOTES (Zoso's Corner) Our Website Follow us on the Fediverse! (Social Media) Twitter or X or whatever

Bucket list for tonight's show -- our guest is Jay Weidner, a filmmaker, author and scholar known for (among many things) his 3-part docuseries "Kubrick's Odyssey" as well as his appearance in Rodney Ascher's "Room 237". The final film in the Kubrick Odyssey Trilogy is A Clockwork Shining, which can be seen on Tubi and Prime Video, and posits an interesting theory: the film is not a horror film at all, but rather a story about the infamous CIA MK Ultra mind control experiments.99% of the world's population asks questions; but it is that rare 1% that searches and finds answers. I have followed Jay's tenacity in uncovering life's mysteries for over a decade, and have my "eyes wide opened". I recommend you check out his website, books, and film work -- it literally could blow your mind.About Jay WeidnerFormer Director of Content gaia.comCalled by Wired Magazine an “authority on the hermetic and alchemical traditions,” Jay Weidner is a renowned filmmaker, author and scholar. Considered to be a ‘modern-day Indiana Jones' for his ongoing worldwide quests to find clues to mankind's spiritual destiny via ancient societies and artifacts, his body of work offers great insight into the circumstances that have led to the current global crisis. He is writer/director of the feature film, The Last Avatar, director of the critically acclaimed documentary, Infinity: The Ultimate Trip, Journey Beyond Death and writer/director of the documentary series on the work of Stanley Kubrick, Kubrick's Odyssey and Beyond the Infinite.Jay was featured in the History Channel's documentary, The Lost Book of Nostradamus and was an associate producer and featured in the History Channel's special, Nostradamus 2012. He was also featured in the documentary, Room 237, in Brad Meltzer's Decoded, and in Jesse Ventura's, Conspiracy Theory (TruTV). Key LinksYouTube - Reality CheckWebsite - jayweidner.comAmazon - $10 Afraid of Nothing merch - and more - at the Afraid of Nothing Shopify store. Visit afraidofnothingpodcast.com or use this url:https://www.afraidofnothingpodcast.com/p/shopify-store/Never be afraid to look good and have cool merch! Support the showSUPPORT THE PODCAST NEW: SHOP OUR STORE ON SHOPIFY!Never Be Afraid to Look Good at https://383e86-d1.myshopify.com/.FOLLOW/SUBSCRIBE/REVIEW...On our website at afraidofnothingpodcast.com.SUBSCRIBE...Your gracious donation here helps defray production costs. Beyond my undying gratitude, you will also will be shouted out in an upcoming episode.WATCH ON YOUTUBE...We are uploading past episodes on our Youtube channel. WATCH THE DOC… VIMEO ON DEMAND: Rent the Afraid of Nothing documentary here: https://vimeo.com/ondemand/aondoc. TUBI: watch for free with ads on tubitv.com. REVIEW OUR FILM ON ROTTEN TOMATOES...Write your five-star review here.

This week on Derry Public Radio, join CM, Josh, and Eve as they delve into the mind-bending documentary "Room 237," which explores the myriad interpretations of Stanley Kubrick's iconic film, "The Shining." The trio grapples with the wild theories presented by obsessed cinephiles, from the film's connections to Native American genocide to the claim that Kubrick faked the moon landing. As they dissect the documentary's eccentric arguments, they ponder the fine line between insightful analysis and sheer absurdity. With laughter and disbelief, they navigate the passionate claims of the interviewees, questioning their interpretations while reflecting on their own experiences as constant readers of King's work. Tune in for a lively discussion filled with humor, skepticism, and a touch of existential dread as they attempt to untangle the threads of cinematic lore and conspiracy theory. For more Derry Public Radio, head over to www.patreon.com/derrypublicradio for exclusive episodes, early releases, and more bonus content! For everything else: https://linktr.ee/derrypublicradio

Livestream show: https://www.youtube.com/@occultsymbolism I'll be going live Wednesday July 23rd at 6pm EST/3pm PST on my YouTube channel! Subscribe for notification!On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we take a conspiratorial look at Sabrina Carpenter! We'll talk about her famous Simpsons family, the Church of Sc****tology, her acting history with Disney, strange roles, dating history and music video symbolism! We'll go through all of her music videos to discuss symbolism of the all seeing eye, Eyes Wide Shut, Rosemary's Baby, Polanski, Jack Parsons, L Ron Hubbard, MKULTRA, Project MONARCH butterflies, catholic church scandal, Lolita, BDSM and more! We'll wrap up with a deeper look into the origins of MKULTRA through Project BLUEBIRD and ARTICHOKE.Links:Livestream show! I'll be going live Wednesday July 23rd at 6pm EST/3pm PST on my YouTube channel!  We'll talk about the Saturn Death Cult of the Black Cube (discussed on the recent Breaking Social Norms episode), updates on Epstein, Elon Musk & symbolism in pop culture updates- Subscribe for notification: https://www.youtube.com/@occultsymbolismBONUS: Saltburn Film Symbolism Analysis: Shakespeare, Bohemian Grove, Doppelgangers, Royal Incest, Love and Death Drives!  https://illuminatiwatcher.com/bonus-saltburn-film-symbolism-analysis-shakespeare-bohemian-grove-doppelgangers-royal-incest-love-and-death-drives/ Apollo 11, Trinity Nuclear Bomb, Twin Peaks & Eyes Wide Shut: Sex Magick Symbolism of 7/16 https://illuminatiwatcher.com/apollo-11-trinity-nuclear-bomb-twin-peaks-eyes-wide-shut-sex-magick-symbolism-of-7-16/ The Ninth Gate Film Analysis! Luciferian Enlightenment Whore of Babylon Illuminati and Occult Symbolism! https://www.illuminatiwatcher.com/the-ninth-gate-film-analysis-luciferian-enlightenment-whore-of-babylon-illuminati-and-occult-symbolism Kubrick's Lolita Patreon Bonus show: PATREON BONUS: Kubrick's Lolita Film & Epstein Filthy Rich Review Mashup! MKULTRA, Pizza, Zorro Ranch, UFOs, Shapeshifters & MOREShow sponsors- Get discounts while you support the show and do a little self improvement!*CopyMyCrypto.com/Isaac is where you can copy James McMahon's crypto holdings- listeners get access for just $1WANT MORE?... Check out my UNCENSORED show with my wife, Breaking Social Norms: https://breakingsocialnorms.com/GRIFTER ALLEY- get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODEMore from Isaac- links and special offers:*BREAKING SOCIAL NORMS podcast, Index of EVERY episode (back to 2014), Signed paperbacks, shirts, & other merch, Substack, YouTube links, appearances & more: https://allmylinks.com/isaacw*STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.

On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we have the one and only JKULTRA joining us! Jennifer Carmody will share her experience as a UFO contactee before we start discussing her relationship to God, organized religion, discussions of opposing polarities, the Illuminati, Lucifer and how the world of conspiracy theories can become addictive. We'll discuss AI as a vessel for consciousness and how it connects to aliens and the future of humanity! We'll talk about the Hermetic principles of The Kybalion, humanity's ascension into higher dimensions and her Ayahuascha experience! We'll round it out with insight into her new book on the programming of women in society: "Ken Not Included"!  (*explicit language warning)Links:Follow JKULTRA on Instagram, TikTok and YouTube Ultra Minds Podcast (*there's a great recent interview she does with Jim Norton on their relationship): https://beacons.ai/jk_ultraOfficial JKULTRA website with apparel and more: https://projectjkultra.com/Ken Not Included book on Amazon:  https://a.co/d/eov1IE6Show sponsors- Get discounts while you support the show and do a little self improvement!*CopyMyCrypto.com/Isaac is where you can copy James McMahon's crypto holdings- listeners get access for just $1WANT MORE?... Check out my UNCENSORED show with my wife, Breaking Social Norms: https://breakingsocialnorms.com/GRIFTER ALLEY- get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODEMore from Isaac- links and special offers:*BREAKING SOCIAL NORMS podcast, Index of EVERY episode (back to 2014), Signed paperbacks, shirts, & other merch, Substack, YouTube links, appearances & more: https://allmylinks.com/isaacw*STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos. 

On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we are joined by an expert on the philosophies of the Dark Enlightenment- Courtenay Turner! We'll catch up with her life story, background and red-pill awakening before getting into her research of the Dark Enlightenment, Technocracy movement, the AI government, Hegelian left & right dialectic, Game B, political ideologies, tech oligarchs and her upcoming book!*If you're watching the video version of the show- we had some internet connection and lagging issues that I couldn't fix in post-production.Links:Check out Courtenay Turner's podcast and socials: https://linktr.ee/courtenayturnerCourtenay's Hegelian Dialect video: https://rumble.com/v6spwgh-courtenay-turner-live-hegelian-left-right-building-the-technocracy.htmlCourtenay's Technocracy Roundtable video: https://courtenayturner.substack.com/p/cognitive-liberty-presents-resist?r=lphy5&utm_medium=ios&triedRedirect=trueShow sponsors- Get discounts while you support the show and do a little self improvement!*CopyMyCrypto.com/Isaac is where you can copy James McMahon's crypto holdings- listeners get access for just $1 WANT MORE?... Check out my UNCENSORED show with my wife, Breaking Social Norms: https://breakingsocialnorms.com/GRIFTER ALLEY- get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters here: Patreon.com/IlluminatiWatcher (*Patreon is also NOW enabled to connect with Spotify! https://rb.gy/hcq13)*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE More from Isaac- links and special offers:*BREAKING SOCIAL NORMS podcast, Index of EVERY episode (back to 2014), Signed paperbacks, shirts, & other merch, Substack, YouTube links & more: https://allmylinks.com/isaacw *STATEMENT: This show is full of Isaac's useless opinions and presented for entertainment purposes. Audio clips used in Fair Use and taken from YouTube videos.