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Ele é designer de sapatos, mas "wears many hats", como dizem os americanos, expressão que significa fazer várias funções ao mesmo tempo. Sérgio Silva é a mente criativa, aka Diretor Criativo da Éhonté, sua marca de sapatos, e foi escolhido como emerging designer na MICAM, uma das principais feiras calçadistas do mundo, em Milão. Há 20 anos morando na Flórida, trabalhou em várias áreas até lançar sua marca, e como um empresário em crescimento, faz um pouco de tudo, do design à fotografia. Se interessou? Então pegue sua mochila e venha viajar pela trajetória do Sergio! CONVIDADO | Sergio Silva @the.sergio.co @ehonte www.ehonte.com
Meet Snezhana Paderina, a New York City-based fashion and wearable technology designer. Snezhana combines 3D printing and a traditional sewing method to create her designs. Her fusion of today’s hi-tech with traditional fashion design has shifted her vision of style toward a combo of avant-garde and ready-to-wear clothing and bags that intersperse elements of architecture, technology, cyberpunk, literature and art throughout her silhouettes and designs. Her exclusive apparel collections include the 3D Faces Coat, the Cyborg Dress, the 3D-Printed Back Dress, a sheeny reflective fabric line featuring the Silver Jacket and Silver Pants, and Cyber Realm, a cyberpunk- inspired bag line. She was one of the first in Russia who began to apply 3D printing in the production of casual wear. Her designs are already making a smash in the fashion industry: Taking first place at the Fashion Futurum Accelerator by Mercedes-Benz Fashion Week in Russia, and was featured at the Metropolitan Musuem of Art Costume Institute’s design com- petition exhibition Manus x Machina: Fashion in an Age of Technology. Her cutting-edge approach to wearable technology and the process of its creation can be a mystery to consumers and fashion mavens alike. Snezhana talks about her journey in transitioning from a career in information technology to now becoming a fashion designer, why she chose to use 3D printing to create her designs, and how today’s fashion and tech trends depend on each other to further the growth of wearable technology.
A lawyer, a host, and a comedian walk into a cyber bar and 'Drop the mic' on this week's topics. This episode they discuss the fashion hits and misses at the Met Gala: Manus x Machina: Fashion in an Age of Technology assigning a zero or a one; the positive and negative chatter regarding an Old Navy ad that featured an Interracial family; Hamilton's 16 Tony nominations; whether Broadways diversity should be a blueprint for Hollywood and President Barack Obama's last White House Correspondent's Dinner . If you consider yourself a conversational mixologist, then hit play, until the bartender cuts you off. Featured Links Met Gala 2016 Fashion Recap Old Navy ad features Interracial Family Hamilton Makes History with 16 Tony Nominations White House Correspondent’s Dinner 2016
This month is a short cast - a mini-cast! Happily Ever After – A Sewing Story I mentioned in this episode that I wish I could see the following exhibit at the Met in New York. I can't, but maybe you can! I am planning to buy the book. A docent I met there said it's going to be a really big deal show. Manus x Machina: Fashion in an Age of Technology Over 120 pieces of haute couture and ready-to-wear fashion are yours to discover in Manus x Machina: Fashion in an Age of Technology. http://www.metmuseum.org The exhibition explores the creative process and unravels how designers are reconciling the handmade with the machine-made in fashion. Galleries will focus on embroidery, feather work, artificial flowers, and pleating alongside innovative processes such as 3D printing, computer modeling, and more. Opening in early May on through
How does one begin to piece together an exhibition made up of more than 150 ensembles—dating from the early 20th century to today—that illustrate the dichotomy between handmade haute couture and machine-made fashion? Enter Andrew Bolton, the star curator at the Metropolitan Museum of Art’s Costume Institute. Here, Bolton discusses everything from his plans to (once again) engage the viewer’s imagination in a temporary context with “Manus x Machina: Fashion in an Age of Technology” to the Chanel Fall 2014 Couture “supermodern” bridal moment that inspired it all. The exhibition is set to open May 5, but you can tune in to episode 20, part one, now for a peek at what’s to come. See acast.com/privacy for privacy and opt-out information.
Starting today, tune into a new installment of the Vogue podcast dedicated to the Met Gala, from now until the party of the year on May 2. Each week, we’ll consider different perspectives from a variety of guests, including Andrew Bolton, curator of the exhibition “Manus x Machina: Fashion in an Age of Technology”; Andrew Rossi, director of the documentary The First Monday in May; and more. To kick things off, we turned to perennial Met Gala attendee Marc Jacobs. Here, the designer discusses everything from dressing Cher to the dress code, including the year Anna Wintour wanted it “more clubby and young.” See acast.com/privacy for privacy and opt-out information.