Podcasts about metropolitan museum

En este episodio de Interesante historia exploramos uno de los episodios más llamativos ocurridos en el The Metropolitan Museum of Art, cuando muy cerca a la fecha de San Valentín se produjo un robo que puso en evidencia las vulnerabilidades de una de las instituciones culturales más importantes del mundo. A partir de ese caso, revisamos otros asaltos y sustracciones que han marcado la historia del museo, analizando cómo ocurrieron, qué piezas estuvieron involucradas y de qué manera estos hechos impactaron en los protocolos de seguridad y en el mercado internacional del arte.

Legendary activist Marsha P. Johnson was one of the most remarkable figures in LGBTQ+ history – central to the Stonewall Riots and the gay liberation movement at large. Her remarkable life story is captured in a new biography by artists and filmmaker Tourmaline. Tourmaline is an award-winning artist, filmmaker, writer, and activist whose work is dedicated to Black trans joy and freedom. She is a TIME 100 Most Influential Person in the World awardee and a Guggenheim Fellow. She has frequently appeared on ABC News, as well as in the New York Times and Vogue. Her art is in the permanent collection of the Metropolitan Museum of Art, the Tate, and the Getty Museum. She created the critically acclaimed film Happy Birthday, Marsha!, and she has directed Pride campaigns for Dove, Marc Jacobs, and Reebok. She previously worked with Queers for Economic Justice and the Sylvia Rivera Law Project. She lives in Miami, Florida.Kate Schatz is the New York Times-bestselling author of the “Rad Women” book series and Do the Work: An Anti-Racist Activity Book, co-written with W. Kamau Bell. Her novel Where the Girls Were is forthcoming in 2026 from Dial Press. On December 10, 2025, Tourmaline came to the Sydney Goldstein Theater to talk to Kate Schatz about her bool "Marsha: The Joy and Defiance of Marsha P. Johnson".  

[REBROADCAST FROM September 22, 2025] A new exhibit at the Metropolitan Museum of Art spotlights the work of John Wilson, a Boston-born artist who dedicated his career to creating art about the Black American experience. Curators Jennifer Farrell and Leslie King Hammond discuss "Witnessing Humanity: The Art of John Wilson," which is showing at the Met through February 8, 2026.

Jesus Asks, Why Are You Afraid? Awakening Faith Within TheHomily reviews the Gospel account of Jesus calming the storm . . . . . . (Mark 4:35–41) with moral and spiritual lessons drawn from King David's repentance and everyday human experience. The disciples' fear during the storm reveals their fragile faith, even though Christ is present with them. Jesus' calm, even while asleep, demonstrates perfect trust in the Father and offers a model for finding interior peace amid life's storms. The Homily contrasts human judgment . . . quick to condemn others but slow to recognize personal sin . . . with David's humility in acknowledging his own wrongdoing. Sin, while forgivable, always leaves consequences, illustrated through the parable of nails hammered into a wall. The reflection urges self-awareness, repentance, and mercy. Awaken Christ Within You Ultimately, the Homily calls believers to awaken Christ within themselves through prayer and the sacraments, especially Confession and the Eucharist. True peace comes from allowing Jesus to dwell actively in one's heart, enabling courage, trust, and stability amid the storms of life. Listen to Jesus Asks, Why Are You Afraid? Awakening Faith Within -------------------------------------------------------------- Art Work Christ Asleep during the Tempest: French Painter: Eugène Delacroix: 1853 The painting is now displayed in the Metropolitan Museum of Art in New York City. -------------------------------------------------------------- Gospel Reading: Mark 4: 35-41 First Reading: 2 Samuel 12: 1-7, 10-17 -------------------------------------------------------------- Why was this image selected: The artist emphasizes Christ sleeping peacefully while chaos reigns around Him. This directly reflects the Homily's insight that fear arises when Christ is “allowed to sleep” within us, and that faith must actively awaken His presence through prayer and sacramental life.

„New York im Gespräch“ – die erste Folge unseres neuen Mittwochs-Formats!Was passiert, wenn man den schnellen Takt des Lebens bewusst verlässt – und sich zehn Jahre lang dem Staunen widmet? Patrick Bringley arbeitete einst beim New Yorker, einem der renommiertesten Magazine der Welt. Doch nach dem frühen Krebstod seines Bruders Tom ließ er seine Karriere hinter sich und wurde Museumswächter – im legendären Metropolitan Museum of Art ("The Met") in New York.In seinem internationalen Bestseller „All the Beauty in the World“ (deutsch: „All die Schönheit dieser Welt“) erzählt Patrick, wie er inmitten der Kunstwerke des MET Trost fand – und in der Stille, der Schönheit und der schieren Menschlichkeit dieses besonderen Ortes wieder zu sich selbst. In dieser Folge spricht er mit Erik und Cedric über:seinen Weg vom Büroalltag im Hochhaus zum Leben in den Hallen eines der größten Kunstmuseen der Weltdie tiefe Verbindung zwischen Trauer, Glück und Kunstseine Lieblingswerke im MET – und warum gerade Peter Bruegels „Die Kornernte“ eine existenzielle Ruhe ausstrahltdie Vielfalt und Menschlichkeit hinter den Kulissen: Geschichten seiner Kolleg:innen aus aller Weltdie Magie von Langsamkeit, Beobachtung – und von Kunst, die nicht belehrt, sondern berührtEin bewegendes Gespräch über Verlust, Hoffnung, Mut, Schönheit – und darüber, wie Kunst unser aller Leben bereichern kann.Für die Eiligen unter euch:Min 0: Vorbemerkung & FormatvorstellungMin 6:10: Einführung mit CedricMin 11:15: Beginn des Gesprächs mit Patrick=== Über das Format „New York im Gespräch“ ===Ein Blick auf New York, eine Stadt, die fasziniert wie kaum eine andere – und auf Menschen, die sie prägen und von ihr geprägt sind.Seit einigen Jahren lebt unser Host Erik Lorenz in jener Metropole, die niemals schläft und ihn immer wieder ins Staunen versetzt. In „New York im Gespräch“ trifft er auf Menschen und Themen aus seiner Wahlheimat, die ihn begeistern – und hoffentlich auch euch.Der Titel ist bewusst doppeldeutig: Es geht um Gespräche über New York – aber vor allem um Gespräche in New York. Mit Menschen, die hier leben, arbeiten, wirken – und die uns zeigen, wie sie ihre Welt in dieser einzigartigen Stadt gestalten. Hosted on Acast. See acast.com/privacy for more information.

New York Times bestselling author Fiona Davis knows about both history and mystery.In her eight novels, Davis deftly weaves real-life historical characters and events with fiction to create fascinating tales with lots of intrigue and  always a good mystery to solve along the way. And all of them are set in iconic New York City landmarks, in time periods ranging from the Gilded Age to the Jazz Age and beyondIn this show, Fiona joins the Gilded Gentleman to discuss three novels with ties to the Gilded Age,The Address, set in the fabled Dakota apartment building, The Magnolia Palace which takes place in the mansion of Henry Clay Frick (now The Frick Collection), and her most recent, The Stolen Queen set in the great Gilded Age architectural masterpiece, the Metropolitan Museum of Art.   Fiona discusses the real history behind her novels as well as the craft of mystery writing to keep her readers reading until the inevitable fascinating conclusions. This episode was edited and produced by Kieran Gannon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What does it really mean to live with an unstoppable mindset when life keeps changing the rules? In this conversation, I had the privilege of talking with Linda MacKenzie, whose life story spans poverty, reinvention, creativity, faith, and deep personal responsibility. Linda grew up in the Bronx with very little, learned resilience early, and carried those lessons into a life that has included engineering, broadcasting, authorship, and decades of work around positivity, healing, and intuition. As we talked, we explored fear not as something that controls us, but as something that can guide us when we learn how to listen. We also discussed the importance of trusting your inner voice, choosing kindness even when it feels difficult, and staying grounded in truth rather than noise or fear. I believe this conversation offers something meaningful for anyone who wants to better understand themselves, live with greater purpose, and remember that an unstoppable mindset is built one choice at a time. Highlights: 00:47 – Learn how early poverty and cultural diversity shaped a deep respect for people and resilience.03:25 – Understand why looking at a person's heart matters more than labels or background.07:28 – Hear how lifelong learning and creativity fueled constant reinvention.09:56 – Discover why fear can be used as a signal instead of something to avoid.11:22 – Learn how positive thinking became the foundation for long-term impact.13:09 – Understand why truth and responsibility matter more than opinions.17:49 – Learn how intuition and inner voice guide better decisions.22:29 – Discover the two core fears that drive most human behavior.29:11 – Hear how natural healing and mindset work together over time.32:49 – Learn why giving back to the community creates balance and purpose.46:31 – Understand how positivity shapes collective consciousness.58:58 – Learn what it means to live with responsibility, kindness, and self-trust. About the Guest: Linda Mackenzie is the epitome of the multi- hyphenate! A former telecom engineer who designed worldwide communications networks for the airlines and Fortune 1000 companies, Mackenzie is a mainstay in pioneering entrepreneurial spirit. She launched one of the first used PC stores, a datacom consulting firm,a wholesale gift manufacturing company and was the former President of a mind- body supplement manufacturing corporation. Today she heads one of her proudest accomplishments to date, as President of CREATIVE HEALTH & SPIRIT-- a Manhattan Beach based media & publishing company started in 1995 and Founder of HealthyLife. net - All Positive Talk Radio which commenced in October, 2002. Linda Mackenzie is also an author, radio host, lecturer, audio/ TV/ film producer, screenwriter, Doctoral Clinical Hypnotherapist Candidate, a world- renown psychic who has appeared worldwide on hundreds of radio shows, almost all network and cable TV stations and in several award winning documentaries. Ways to connect with Linda**:** Social Media: Twitter: https:// twitter. com/ lindamackenzie; https:// twitter. com/ positiveradio Linked In: https:// www. linkedin. com/ in/ linda- mackenzie- 590649b/ Facebook: https:// www. facebook. com/ linda. mackenzie. 56 Instagram: https:// www. instagram. com/ healthyliferadio/ You Tube: https:// www. youtube. com/@ LindaMackenzie https:// www. youtube. com/@ healthyliferadio Websites: www. lindamackenzie. net, www. healthylife. net, www. hrnradio. com P. O. Box 385, Manhattan Beach, CA 90267 books@ lindamackenzie. net www. LindaMackenzie. net About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:20 Well, hello, everyone, wherever you happen to be, I am Michael Hingson, and you are listening or watching unstoppable mindset. And today, we have a wonderful guest to talk with. She is an innovator by any standard. She's done a lot of different kinds things. She describes herself as a self as a multi hibernate, and I'm gonna let her explain some of that, but I think she's got some interesting and relevant stories to tell, and I'm really glad to have her here. I'd like you to meet Linda. MacKenzie, Linda, welcome to on top of a mindset. Linda MacKenzie  01:58 Well, thank you so much for having me. I'm really happy to be here Michael Hingson  02:02 and you're in Manhattan Beach, right, correct, yeah. So you're not all that far away from me from where I am, up in Victorville. So you know, we could probably open our windows and if we yelled loud enough, we could hear each other. But anyway, tell me about the early, early Linda, growing up and all some of that stuff. Well, that was kind Linda MacKenzie  02:22 of an interesting journey. You know, I was born in the Bronx. My mother was Bostonian, Irish, and my dad was Northern Italian. He had the red hair. My mother had the dark hair, and a typical Italian family, you know, and Irish family, they were constantly fighting, so I delved into books and ran to the church for peace and quiet and and many, many things like that. And we were very poor, you know, we had two dresses. I had two dresses a year. And we, you know, did, had to come home for lunch because we didn't have lunch money and stuff like that. Walked walk that mile to school, too much to school. And we did. I actually lived on the second highest point on the eastern seaboard and so but we grew up really fun. You know, we had when I was growing up in New York, one one street was Italian, the next one was Irish, and the blacks had a street, and the Japanese had a street, and the Koreans had a street, and the Germans had a street. And we all went to school together, and we had one common denominator. We were poor. So when I had sleepovers, I had every kind of person, and we just took each other for who we were and not what we were. And so that was a very nice thing growing up. And because we were poor, we got a lot of advantages. For example, our chorus was in high school, our chorus was taught by Metropolitan Opera singers. So we learned and got many things. And if you were very bright and understood that, we to try and get everything we could do, you know, and use it to improve yourself, it happened so and that's kind of what we did. Michael Hingson  04:14 Well, I think that's really cool, and it's great that you grew up in an environment where everyone understood that we're all part of the same world and and they got along. So you never really had to face a whole lot of or you see other people face a whole lot of that, the kinds of problems that we see in other parts of the world, that everyone worked out pretty well together. Linda MacKenzie  04:35 Yeah, I for us. We did, and I've learned to take people, but I always looked at the heart of a person. You know, I may never have remembered their name, but I would remember everything they said, and I could see their soul. So I I never, ever really saw color of skin or anything like that, and and so it was kind of an enigma for that. I mean, it was. An easy for me growing up. I mean, I had three attempted rapes before I was 11, you know, you had to learn street smarts. You know, you go to church and you got, you're passing the strip club with, you know, all the drunks trying to grab at you at eight years old, trying to pull you away. So, you know, so you learned real quick on what to do and what not to do, and I ended up getting married, put my ex husband through school. He became a biochemist, and went to college for two years, and then quit and put him through school, and then, you know, had a baby at, you know, is married at 19 and had a baby at 21 and, you know, was divorced at 27 and moved to California at well, divorced at 25 I guess, yeah, and then moved to California in 27 and just had a really interesting life. I've been through every strata society, from extremely poor to not so poor to middle class to nouveau riche to old money. I've even jet set. I've done it all so, great experience, no matter what. Did you ever get remarried? Yes, I did. I got I got married to a commodities broker that actually worked at the World Trade Center and in the Mercantile Exchange up there in the comics and the mercantile and, you know, as a matter of fact, there was one day because I was cute when I was, you know, 2728 and my husband was a broker on a floor trader, and he'd say, come in, as it's this particular time, onto the floor, and come meet me on the floor. Well, they didn't really have a lot of women on the floor. Yeah, back in those days. I mean, you know, back in the days where I grew up, my husband had to approve a bank account if I could have a savings account. So you could, you couldn't even, you know, have a credit card if you were a woman, you know. So I went through a lot of stuff. But anyway, I remember walking on the floor, and the whole exchange stopped because he told me wear a mini skirt. And I did. And he went in and did a whole big thing on trading gold, and made a lot of money that day. Walked on the exchange. That's what ended up happening. But Seth, you Michael Hingson  07:17 talked about, you just made me think of something you talked about, you saw people's hearts and so on, but you never remembered their names. I know for six years I worked up at Guide Dogs for the Blind in San Rafael, which is where I've gotten all of my guide dogs. Because after September 11, one of the things they asked me if I come be their spokesperson. One of the things that we heard, and I never believed in until I saw it in action, is that most of the people at guide dogs know every single dog that goes through the campus bills. They'll never remember your names. They don't remember students names, but they remember the dogs, Linda MacKenzie  07:53 right, right? Well, they have intimate Well, I mean, I remembered my mom's name. Well, that's a start. Michael Hingson  08:04 It's just kind of funny, because, you know, the students and the trainers do get along well, but it's just so funny. How so many people up there would remember the dogs. I could go down the corridor going to the Veterinary Clinic, and people would come up and they go, Hi Rosell, or hi Africa. I can't quite remember your name, but it's so funny. That's great, you know, and can't argue with it. It's nice to be remembered somehow, even if it's for the dog. That's right, that's right. So did you just have two years of college, or did you ever finish? Linda MacKenzie  08:39 Yeah, no, I went back and I got a degree, and then I got grandfathered in, and I have a PhD in clinical hypnotherapy, and I have been recognized as a furthering the profession, and also by the American Board of hypnotherapy, they say that I'm the their most creative, prolific minds, which I said, Oh, good. I can use that in PR for at least 10 minutes? Yeah, at Michael Hingson  09:05 least it's something to say. Linda MacKenzie  09:07 Yeah, no, but I've always I was. My Autobiography is called Life is like Girl Scout badges. I'm kind of writing that so and it's because whenever I finish something or did something, you know, I would go on to something else, because I feel life is just a wonderful thing. So I've done many, many things I've done, you know, when I was 18, I won awards from the Metropolitan Museum of Art for my artwork, and I was offered a contract with Columbia Records to sing, but the promoter, the ME TOO movement was back then too, and I chose not to do it, so I didn't go with them, which is a funny thing, because now I'm 76 this year, and I am producing a children's record and next month, and I've written the songs and done the music, and we've got people from Off Broadway and different kinds of people coming together. For for a wonderful record for children on how to stop negative thought, to stay positive and what and how to transcend fear. So that's my project for this year. You know, so, but I've done so many things. I mean, I don't know where you just start. Michael Hingson  10:18 That's fine. Well, I hope to hear the record someday. Linda MacKenzie  10:22 Oh, you will. It's going to be so much fun. It's so much fun. Michael Hingson  10:26 I you know, you know who Neil sadaka is, yes, and he's got this song, Breaking up is hard to do. Well, it turns out that in 2009 he did a whole album for kids. The title song is waking up is hard to do. It's never it's cute. Somebody told me about it earlier this year, and I went and found it. It is a cute album, and it's the melodies are most all of his other songs, but the words are all kids related, and they're very clever. Linda MacKenzie  10:53 Well, this was a book that I wrote about 20 years ago, and and then I and somebody picked it up, and then they said, you need to write a script. And I said, Well, I don't know how to write a script, so I bought a book and I wrote a script, and they it was picked up while Ron Howard had it, and Hawk Koch, who did sliver, and Deborah Johnson, and it's been in play for 20 years. I mean, the last producers that had it was crazy, Rich Asians, and it was never produced, and every single time they wanted to produce it, so I said, You know what, I'm going to write the book myself. So I rewrote the book. My daughter's doing some education. She's a teacher, so she's doing some educational things so that the people in education can, you know, take the chapters and the characters and learn how to be positive from these things and and it's really kind of a fun thing, so I'm really excited about it. So I just said, I'm not going to wait for them. I'm going to do it because the kids need it now more than ever. They just get away from that social media and to really start connecting and to understand that it's not the witchcraft, it's not the, you know, the social media that, or you know what it is, is your own mind and your own self, and using the quality of your mind and understanding that and moving through it and having a Positive attitude that will get you so far in life, and that's what my goal is, is to just, you know, I've been doing that for almost, I don't know, 40 years. Is my whole goal was truth and positivity. So Well, there Michael Hingson  12:33 you go. By the way, since you have written books, I would appreciate it if you would email me and attach pictures of the book covers, because I'd love to put them out as part of the show notes. Linda MacKenzie  12:45 Okay, great. That would be great. I have four books out. I I had started a positive Talk Radio Network back in 2002 and you know, we're going to a lot of we go. We have 45 hosts. It's live. We do podcasts, and we've been doing podcasts since 2004 if you can believe that, and we were pioneer in internet radio and so and that's because I was an engineer for 18 years, and I was the first woman Datacom engineer in any airline in the world, and designed stuff for Continental Airlines and Western airlines and international airlines and things like that. And, you know, air to ground, radio and right go to the when you go to the airport, if you use computerized tickets, that was kind of my I participated in that with other wonderful people, and I worked with microwave and did all of that as matter of fact, I redesigned a computer center. So every year I've done something, you know, and I've been successful, and then I move on, you know. But the radio network is my longest one. That's 23 years. So we'll be 2024, years this year, which is a lot of years, but we're helping people, because it's all positive talk. So although we do have a news program, I tried to make it positive, but we report the old way, you know, with, you know, checking sources and really having too much opinion. And when you have an opinion, say it's your opinion, you know, not trying to which Michael Hingson  14:21 is fair, which is which is fair. Well, if you ever need a guest on the podcast or on any of the radio shows, just let me know. I'm always looking for opportunities to also be positive and and motivate people. So if Linda MacKenzie  14:33 we can, just have to go to the site, and there's a thing called all shows, and go through all of the hosts, because we have over 45 of them, and, you know, and so, and each one does 14:47 their own. Got it? What's the site? Linda MacKenzie  14:50 Again, it's called Healthy Life. Dot.net. It's or heal thy life.net. So it's healthy life or heal thy life. Same got it? Same thing. Saying different, different way of saying it and and you can listen 24/7, I don't do any apps. We are syndicated on 75 channels of distribution. So if you wanted to get on, tune in, or streama, or some of these other wonderful networks in Europe, you know, we go to 137 countries. So it's a pretty good network. And if you want to be happy and get learn things, you know it's just wonderful. We're starting some new shows that nobody's ever done, and I can do an exclusive here for you, if you want it, our network is going to be doing I've been following a while that there's certain kinds of classical music, right? That when you listen to it can reverse cancer, stop Alzheimer's, stop Parkinson's. And there are certain things at certain frequencies. And I have one of the greatest classical Taurus in the world, in my opinion, and he's going to be doing a show where people can listen to the music and then and help themselves heal right on air, I'm stupid by John Hopkins University. And, I mean, it's not just namby pamby or, you know, La La Land stuff. It's no, I'm saving for certain things. So it's it's really no one's doing that. So it's going to be really fun for me to do. Michael Hingson  16:27 Are you familiar with Joe fatale? No. He is a an individual who has done a lot with with sound to not only help people from a wealth standpoint, but also help them in terms of dealing with health. I've, I've been on a couple of his mailing lists, and he's had some interesting, some interesting things, and a couple of people who've worked with him and so on have been guests on unstoppable mindset. But it's an interesting guy, but definitely parallels a lot of what you're saying, certainly stuff, I have also believed, right? Linda MacKenzie  17:03 We've had Jonathan Goldman, who has written, He's a graduate of Berkeley School of Music, but he's been doing sound healing. It was an interesting story with him, and he's on our network, and he's been doing shows with us for over 20 years. And it was funny, he went to Tibet and he was loved the chants of the Tibetan monks. And he went over there, and he said, can I try that chant? And they said, No, that chant, you know, is like 10 years. You have to do it in 10 years, you know, you have to train for that. He goes, Can I try? And they said, Yes. And he got it perfectly. And so now the Tibetan monks go to train with him in Boulder, Colorado every year around June timeframe. So it's kind of a fun story. So he's been in sound healing for a long time. And there's a lot of different things that are true, but like today, you have to make sure that it resonates with you, because not everything that you're hearing is true, and people are bastardizing things. And the closer you are to the truth, and the closer that you and you can depend on your own truth meter, because everybody's got one, yeah. And if you depend on that and listen to just that, and if it tells you stop, I don't want to do this anymore, then you just go to that point, and then you will get the benefit from everything. Michael Hingson  18:25 One of my favorite things that I've talked about several times on the podcast when I talk to people about inner voices and their thoughts is I ask a number of people, did you used to play or do you play Trivial Pursuit? And when they say, Yes. One of the things I constantly ask people is, how often did somebody ask a question? Immediately you thought of an answer, but you went, Oh, that was just too easy. And so you think again, you come up with a different answer, but the first answer that you thought of was the correct one, which is absolutely all about listening to your inner voice and listening to correct what you're being told. Linda MacKenzie  19:00 That's right. You're 99% right if you listen the first time and don't use your mind to think. You know, the brain is divided into two kinds. You know, the left logical brain. What you need if you're crossing a street. I mean, I would like to know there's a car and step back, but the right side of the brain is where your creativity is, and I call the seat of soul. And what happens is, is that your creative side is the thing that heals you. Your left logical side is just like the monkey mind. And so what happens when you're doing hypnosis? What you're doing is you're getting the left brain to listen to a story, but you before you do it, you have an intention, and the intention is the right brain knows exactly what you need to do, but it's very kind, and it lets the left brain sit there, be in control, except at night, and you'll notice that if you're ill, and when you wake up in the morning, you feel, most times, a lot better. And that's reason is, is because the right side of the mind has. Has actually taken control right and the left side of the brain is sleeping, so your right side of the brain can absolutely heal you. And this is where your your gut feel comes from, too, is from the right side of the brain. And we are much more than we think we are. You know, we're just spiritual beings in a physical body, not a physical being in a you know, we're not just physical beings, you know, right? Michael Hingson  20:28 Well, and it all goes back to the spiritual and to the light. And absolutely is true. I know that I've, we've had on on this podcast, a number of Reiki Masters and other people, and we've had people who bring on singing musical bowls and so on. Linda MacKenzie  20:50 And it's interesting about that, because, you know, here in Japan, Reiki has 12 levels, but they're only taught three here, and they're never taught the level to where you protect yourself, because when you're out there in the universe and you're going into doing some of these things, everything exists, even a thought form exists. So you want to make sure that you're as protected as possible when you're doing these things right and so, but most of the people don't know, because they don't allow you to do that. And Reiki, there is a you're there in it, day in, day out. That's your career. You know, it's not just a pastime. And the Tibetan bowls are great. However, for me, when they do the regular way of doing it, it's like chalk on a chalkboard. For me, when they do it opposite and backwards, I'm in heaven. So it's really interesting how everybody's body is different. Every person is unique. And we have to understand that when we're looking at health or with mind or with body, we want to understand that we are so important. Each one of us is important. Never should be belittled or, you know, and treat everybody with kindness and love and and respect and truth Michael Hingson  22:06 exactly right. And I'd love to see a whole lot more of it than oftentimes we do see, but I know that that it's so important that we focus on doing things to protect ourselves. And one of the things that that I talk about is I wrote a book that was published last year called on stop or excuse me, called Live like a guide dog, true stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith. And the whole idea behind the book was that at the beginning of the pandemic, I realized that although I had escaped from the World Trade Center, and I had, in fact, known what to do, which was a mindset that clicked in when the emergency happened. I never really worked to teach other people that. So I wrote, live like a guide dog, and used lessons that I learned from all of my guide dogs and my wife's service dog, the lessons from those dogs to, in fact, learn how to deal with the different things that we have to deal with, and learn how to, in reality, control, protect ourselves and move forward in a positive and constructive way. In other words, really learning about the fact that you can control fear. Fear is not something that you you need to allow to overwhelm or, as I put it, blind you or paralyze you. The reality is that fear is a wonderful thing that you can use as a very powerful tool to help you function and succeed even in the most adverse circumstances possible. Linda MacKenzie  23:40 Well, I one of the songs on the record is called fear is fear is my friend, and it's a wonderful song, and it teaches you that fear. I did a big study for 20 years on fear, right? Because the only way that people can control you is through fear. Okay? If you don't have fear, no one can control you. No one, okay, yeah. Michael Hingson  24:08 Well, and just to interrupt for a quick sec, I would say it's not that you don't have fear, but you control it. Linda MacKenzie  24:16 Well, you overcome it. You Michael Hingson  24:17 exactly, right, exactly. You use it. You use it in a powerful, better way. Anyway, go ahead, right? Linda MacKenzie  24:23 Well, fear does, for me is that when fear comes in, it's, it's a wake up call, saying, yeah, look at this. What is it that you're fearful of, and what? Because the only way you can go through exactly right through it. And so when I did this study, it was very interesting, because I found that fear comes from two places. One is a fear of loss, and the other is a fear of death. When you fine tune fear all the way all the way all the way all the way down, it's fear of loss or fear of death. And it's funny, because we come in with nothing, we're leaving with nothing. The only thing we take. With us is the love we give and the love we get. That's it. And I've been on the other side and worked on the other side for the British government and all sorts of stuff, so I know that there's life after death, yeah. And so therefore there's really nothing to fear except to find out what the lesson fear is trying to teach you when you learn it, and you learn it all the way that lesson, you will never have to repeat it in your life again. And so fear is so, so important, and yet not to be feared. Don't fear Michael Hingson  25:35 don't fear it. No, as I said, it's a very powerful tool that can help in so many ways, right, which I think is really important. Well, after college, you started working at various things. What did you do after college? What was kind of your first endeavor? Linda MacKenzie  25:51 Well, I started with the New York telephone company, and I was called when I was selling touch tone telephones. They had just come out. Michael Hingson  26:01 Was it, was it called? Was it called 9x then? Or was it was that? Linda MacKenzie  26:05 Well, in New York, it was no. It was, yeah, that was the trade trade, yes, but it was New York telephone company, yeah. And then I went to work for the National radiology registry, and I designed a prison. When I moved to California, I started to really take off, and I designed a people coming out of prison weren't able to get jobs and and so the X ray they did teach in some prisons in Chino, as a matter of fact, how to become a x ray technician and and so, and an ultrasound wasn't even out back then, back in 77 so I started a prison program to it was a temporary agency so that when a doctor's office or a hospital, their x ray technicians didn't show up, they would call us, and then we would send somebody out, and then they would like the people we would send, and they would give them jobs. So the we so I tried to do that. And then I started working for the airlines and and I they said, Well, do you want to be a reservation person? I said, No. And they said, Well, do you want to be, you know, at the ticket counter agent? Yeah, no, no. He said, Do you want to be a flight attendant? I said, No. And they said, Well, what do you want to do? And I said, Put me in accounting at the mail desk. I want to see where the money goes, and then I'll figure out where I'm going to go. And they said, What? And I said, Just do it, you know. And I had made friends with someone, and so they gave me the job, and I kept moving. And every six months I'd find another error, a million dollar error, and this and this and this. And I finally worked my way up into computers and and then I was the very first woman in any as a data com engineer in any airline in the world. And I started doing a lot of things like that, and then went to work for Western airlines. And then I did worked for CETA, which is Society International Telecommunications aeronautic, which is a largest telecommunications company in the world, based in France and Switzerland. And then I from there, after my daughter graduated from college, I said, enough of this engineering. And so I quit, and I started a metaphysical company, and I got onto a lot of TV. I started my radio show in 1996 I started writing books, and I then from there, I was president of a dietary supplement manufacturing company for a while, and then I manufactured audio tapes and and our company, our vitamin company, was the first company to do mind body medicine. So we would have my partner, was Vice President from GNC, and we started a business in New York and in California. And what we did was we would do an arthritis formula, which she was great at formulation. She was one of the best in the biz. And I would do audio visualization tapes, so that when you were taking the formulas, you would be working on a body level, but the mind would, you would start helping to grow bone with the mind. So we were the first ones to do all these wonderful things for that. And we sold to Trader Joe's and house markets and all sorts of stuff. And then the big farmer came in, and then that was that, you know, they bought up almost all the vitamin companies, and then they started, you know, most of the vitamin companies out there aren't worth their salt, and they're not giving you good vitamins. So and then from there, I went into doing the radio network and which I've been doing, and then I stopped doing books. And then two years ago, I said, you know, I'm getting old, and if I want to get these books out, I better get them out. So I probably. Myself that I was going to do one a year. And for the last two years, I did those two new books, and then I was, I was going to do the children's book this year, but they say that April is the best time to release a children's book is that's when the stores and the education people are looking at it and getting towards summer and all that. Yeah, yeah. So I'm waiting until next year to release that, the album and stuff. But so this year I had to put together a new book, which I'm doing. I just, I'm almost finished with that, so I can release it in September, and that is going to be where it's, I think it's going to be called, help yourself heal with natural remedies or naturally, and it's going to have 40, or about 40 different illnesses, and all the natural medicine with it, plus in the back, it's going to have what is an amino acid, all these terms, so that people can understand. I like to do things that are complete and and I don't do anything if somebody has to get something from a book or a product or a thing that I do. Otherwise I won't do it, yeah, because I want it for everyone, you know. So, so anyways, I'm, I'm working on that as we 31:08 speak. Well, there you go. Well, Michael Hingson  31:11 so it'll be out in like, September or October. Linda MacKenzie  31:14 Yeah, exactly. I'm, I'm doing, I'm just about completed with it, and I just have about three or four chapters to go, but I keep finding new things I want to put in. For example, you know, since there is a censorship on the natural health sites, I'm going to include all of the wonderful health site, health natural health sites, so that people will have a reference so they don't have to worry about things, you know and where to get information. So it's going to be good. Michael Hingson  31:44 Well, when that book gets to the point where you have a book cover, I certainly want to put that in the show notes as well. Speaker 1  31:50 Okay, great. That'd be great. And Michael Hingson  31:53 maybe we can release this about the time the book is is made visible to the world, so that that'll help. Speaker 1  32:01 That'd be great, sure. Well, so what Michael Hingson  32:05 do you consider your profession today? Linda MacKenzie  32:09 Me, I'm my own profession. Me, the I don't have a profession. I have many hats that I'm wearing, right? So I mean tremendous amounts. I'm still running the radio network, and in a radio network, you need 21 individuals to do it, and there we have four, and I'm doing about, I don't know, 10 or 12 of the 21 things to do. So if you want to give me a hat for there, that's that. And then I'm an author and I'm doing the record, so I'm that, and I'm a radio host and, you know, and I give pictures. And the thing is, is that it's like, I'm not busy enough, but I love giving back to the community, because, you know, when you are there's six things you need in your life to be happy and balanced, right? And one of them is giving to the community. So I wasn't really before covid, I was doing a lot, but I wasn't really doing anything for my community. So what I did was I it took me four months. They had to do a homeland security check and a thumbprint and, you know, all sorts of stuff, to do guided meditation for healing for seniors. So we're going to be taking, and that's starting in two weeks, in August 8, and we're, we're going to be doing at the Senior Center in Redondo Beach and and so people will come, and we're going to work on different kinds of anti aging issues, like arthritis and, you know, macular degeneration and bones and diabetes and stuff, and every every two weeks, I'll be doing a guided meditation and helping people heal with that. So, so now I've got the community in and so I've got all my six pieces of my pie, and now I'm stable again. Michael Hingson  34:00 There you go. It's nice to have peace in the world, right? Yeah, it is. It is. So tell me, given all the things you've done, tell me a story or two about things that you've done, something very memorable that comes to mind. Linda MacKenzie  34:15 Oh, there's so many, I'm sure. I mean, because on top of that, you know, I've been a psychic since I'm eight years 34:21 old, right? So how did you discover that? How did Linda MacKenzie  34:25 you I saw God when I was eight? Okay, I'm very God based. I'm not from the planet Altair or the universe. I never took a course. I mean, I listened to God. God said, Jump. I said, Hi. How high and and that's what I do. But I've done I'm very respected in the community. I do a lot of, like, a lot of things for for that, there's, you know, I've done documentaries on it, and there's 17 different distinct psychic abilities. I have them all, and I don't do. Two of them, I don't do prophecy and I don't do trans mediumship, which means that an entity will jump into you and talk through you. And that happens because for a long time, I was on ABC, NBC, BBC, Japan TV. I worked with International Society for paranormal research, and we went over to London to investigate for the British government, you know, some of the Belgrave Hall, whether the ghost things were real or not. And one of the things that was interesting, because there's a lot of stories on those you know that are like, kind of titillating, or saying, Oh, what's going on? I was so basically, I tested my abilities for 37 years before I came out. So what I would do is say I was 16, and I would have pre Cognizant dreams. So I would write the dreams out. And what I would do is I would give them to my girlfriend after I wrote them, and then when one of the dreams would come true, I'd have a witness that was there with me, and I'd go over to her house, and I'd say, hey, Eileen, can you pull the dream with the roller coaster there? And she would pull it out. And then I said, read it. And then that way, I learned to decipher what was coming from God, what was coming from me. Because, you know, there's a lot of, you know, where if you don't know how to manipulate the energy. So it was a long, long time I, you know, by the time I was 15, I had read every metaphysical book in the New York Public Library, everyone, and so I took it very seriously. And I was, you know, busting psychics in New York at 21 and and then finally I just stopped, and I didn't come back out until I was about 37 and so when I went to London, they there was a, we had a Cora Derek. A Cora was the one of the leading psychics in London. And then we had Peter James, who was on sightings. And then we had me, and we three went over. And then we would go into they would take us individually to these different sites. And they would say, Okay, what do you feel, and what do you see? And so I would be taking, you know, they take me to these different things and, and I would see all these different things, and I would say it, and it turned out, I'm saying I'm not very comfortable here. I'm not comfortable here. And then we go to the next site, and I would tell them, Oh, I see a woman with a red hat. And I gave them names and places and dates and and it turned out that they were taking me on the path of Jack the Ripper, and to the point where I gave them new information on Jack the Ripper that they never had before. And so I have an ability that I can stand on a piece of ground, and I can go back to the beginning of time and tell you names and dates and places of who was there all the way back up. So there's a lot of things, and the government has asked me to work for them on many projects. They've been charting me since I'm 15 and so, and I just don't, I don't do and one, and I'm not going to say which, but one of the presidents of the United States, when they were in office, asked me to be their psychic, and I told them, I don't do politics, sports books or lottery tickets, and I turned them down. I mean, I was going to go to dinner with them, because Henry Kissinger was going to be my dinner partner at the Jonathan club, you know. And I thought he was an interesting guy, you know, whether you liked him or you didn't like him, he was an interesting guy. And I like to meet different people, because even if you it's not somebody you like, you need to understand the people so that you know how to handle them in a correct manner, you know. And so even if you don't like someone, you treat them with respect, and you learn you better, you understand, you know. So, so that's those are some stories. Michael Hingson  39:01 So, so let's, let's get to the reality of the world. Did you ever visit the Del Coronado hotel and talk to the ghost down there? Linda MacKenzie  39:08 Yes, oh, good. We did. We were one. We were the group that was doing it, that was filmed. We did the Queen Mary. We did. We were, if you saw that on television. It was probably me there. It wasn't as as haunted as some of the other places. I mean, you know, there was one place in England that was very interesting, so we did a documentary called ghost of England, and there was a one house. I don't remember the name of it, but there was a three generations that had died that were still in the house. The house was in the family for 300 years, and I released a little girl there that was eight, that was a, you know, a spirit there, and I released her to her mom. She had died of consumption. It was really interesting, because. Because they knew of each other, and it was, here's these three different generations, and they can see each other, and they know each other. So that was very interesting, because the Society for paranormal research actually did research into the phenomena of ghosts and the ghost at Belgrave Hall, we found we were very truthful. There was no ghost at Belgrave Hall, okay? I mean, it was explained away by phenomena that, you know, street lights and rain stuff. So we did a lot of that, but we wanted to make sure that everything that we did was in truth. And then another thing that we found was I did another documentary called ghost of New Orleans. And New Orleans is a very, very, very strange place. And I actually went back and they asked me to do a I did a 17 part interactive museum display for a paranormal Museum in New Orleans, and it was all teaching about psychic ability and how not to fear it. And it's not the devil's work. It's, you know, it's just a natural ability that we have. And I wanted people to understand that, but get the truth not from a lot of these people that are just talking that don't know, you know. So anyway, so we did in New Orleans. It was interesting, because the ghosts work together. We were all on different floors, and on each floor, they would give us papers, and they would, you know, newspapers in the morning, and the newspapers would end up in our rooms, in different places all the time, and it was just and we didn't move them. Nobody touched them. The room wasn't able to get in. So there's all sorts of phenomenon there that is just kind of interesting, you know, there. Michael Hingson  41:47 So just, does some of that have to do with voodoo and so on, but just because they're so prevalent down Linda MacKenzie  41:52 if you understand that everything exists, you have to none of that was the voodoo, because, very specific thing, yeah, and it's a specific practice, okay, and so it's not something that I would get into. Or, do you know? I mean, it's not we were, I was attacked several times there. I mean, we went into a we went into a house where there was an entity there that had committed 27 murders, and it was they were all buried in the backyard, and they never even knew until we told them about it, when he came after me on that and so you know, you you have to know what you're doing when you're Doing this, too, you know. So you know, but most ghosts, you just tell them to go away, or if you and sometimes you want to see them, you know, maybe it's your mom or your dad that you're missing. So one of the ways that you can do that is you can say, Hey, before you go to sleep, put a pen and a pencil by your bed, and just say, I would like to see you, dad tonight, and and then you say, I would like to remember that I saw you, yeah. And then when you get up in the morning, you just jot down little words or something, anything that you remember. And then after a while, you'll be able to get a rapport where you'll be able to start to remember, and then able to communicate. Michael Hingson  43:23 Yeah. And the reason I asked about the Dell, just because that's that is a a ghost I've, I've heard so much about, and a friendly ghost, as I understand it. So there's a woman, I guess what? She died in a room there. But it's one of the things that everybody talks about with the Dell all the time, of course. Linda MacKenzie  43:40 Well, one of the funniest things that happened was, well, there was two funny things. One was, you know, we were at the doing the the Comedy Store, the magic and magic club. And the Comedy Store is what that Tootsie shores place, anyway. So we were doing, doing the Comedy Store, and there's a ghost there that puts his hands up people's skirts. Well, that's nice. I went in there, and they didn't tell me, and all of a sudden, I'm going, what the heck. And I look there and I see and I and these, and they said, Oh yeah, we forgot to tell you. I said, Yeah, you didn't forget you wanted to catch that on camera. I said, Well, you did. So it's funny. It's a comedy Michael Hingson  44:28 story. I'm sure the ghost thought it was funny. Linda MacKenzie  44:30 Yeah, he did. I bet. So, yeah. So there's, there's, I have hundreds and hundreds and hundreds of stories and and that's my book coming out in 2027 that's going to be called, and then what happened? Paranormal stories, believe it or not, you know. And those are going to have 40 stories in there on things that have happened to me, where people are going to say what? And you can believe it or not, that's coming Michael Hingson  44:58 up too. So do. Well, and that's that's ultimately it. People can decide to believe it or not, and a lot of people will poo, poo it. It doesn't change the reality of the situation, though, Linda MacKenzie  45:12 no, but you know, it's okay. Wherever you are is good, as long as you love one another, or at least try and be kind to one another. I think we can accomplish a lot just by doing that, yeah, and agree to disagree. You know, we we don't have to get upset if the other person has 100% doesn't agree with us. We have to just agree to disagree and not try and get heated. But the Michael Hingson  45:38 other, the other side of that, or the other part of that, not the other side, is that if you really take that, that tact, and you agree to disagree and you continue to converse, you never know what you're going to learn, as opposed to what we see so often now, somebody disagrees, and there's just this complete block wall that comes up. There's no discussion at all, and that's never a good thing to do. Linda MacKenzie  46:03 Well, this morning on my radio show was interesting. I went out with a girlfriend of mine, and she's really into these conspiracy theories, and I'm just not there, you know. So she was trying to put her point through and saying, you know, the collective consciousness has to understand this so we can do something about it. And I said, Yeah. I said, Well look, I said, Here's what I've decided. I said, I'm 76 if somebody else wants to do the activism for this kind of stuff, then at 50, go and do your thing. I said, but I think that when you start getting angry and you start getting heated, what's happening is the collective consciousness is there for everyone. We're all part of everything. We are part of everyone and everything. And so when you get upset, that's not helping the consciousness to make everything right. And if you get a group of people thinking the same thought, you can actually change consciousness and make the world better. So instead of sitting there, do something about it. Donate to something. But don't just sit there and talk about it, you know, actually do something about it and start making sure that you're staying positive about it, and what you can do positively for the situation. And don't get caught in the controversy because you're making more negative energy, yeah, and that never works, no. Positive always overcomes negative. So if you want something to happen, think positive, be buoyant, positive always overcomes negative. So you need to do that. Michael Hingson  47:39 And it is, it is so true, and so many people, you know, we're, we're in a world now where there's so much negativity. It's so unfortunate, because I think people miss out when they do that. And you're right, that's, it's not really part of the good, constructive collective consciousness, either, Linda MacKenzie  48:00 right, right? So we just have to, you know, people think that they can't do anything when things happen. And what I'm saying if you come from the premise that everything is energy, right? And so if you are just loving your spouse or loving your dog or being kind to people that energy is positive, right? And so sure you are doing something, because if we make a lot of positive energy in that collective consciousness, as above so below, right? So if we go ahead and do that, then it will drift down, and we will have a better, happier place, but being negative doesn't help you. Negative makes your immune system depressed. It gives you illness, and it's these are all proven things, so you might as well stay positive. And I don't mean Pollyanna, where you don't things, but you know, understand things and understand that there's a greater force in the back of things too, that, you know, it's not just all about us. You know, there is a for me. I believe that there's a God, and God is in control, and so we have to trust that to some degree. Michael Hingson  49:14 On September 11, and I wrote about this in my book thunder dog, and I've talked about it a few times here, when I was running away from tower two, because I was very close to it when it collapsed. The first thing I thought of as I started to run was, God, I can't believe that you got us out of a building just to have it fall on us. And immediately I heard in my head, as clearly as we're talking right now a voice that said, don't worry about what you can't control. Focus on running with Roselle, who is my guide dog, and the rest will take care of itself. And I immediately had this absolute sense of peace and calm and conviction that if I did that, I'd be fine. And I was so. I'm saying that in part to tell you I understand exactly what you're saying, and that was kind of perhaps one of my experiences. But the bottom line is that we need to learn to listen. And one of the things that I talk about and live like a guide dog is that so many people worry about every little thing that comes along. They are just worried about, how am I going to deal with this? Or the politicians are going to do this to me and that to me and everything else. And the reality is, we don't have control over any of that. What we have control over is how we deal with stuff. It doesn't mean that we shouldn't be aware of what's going on around us. But by the same token, if we worry about every little thing, and we don't really worry about the things over which we have some influence, we're only hurting ourselves. Linda MacKenzie  50:50 And it delays it, and it delays it, and it delays it. So you if you want things to get over quickly, learn to listen. And sometimes, you know, people would say, what is meditation? And I said, Well, it's kind of like prayer. You're listening to God's answers, you know. So I mean, there, I've never been alone, because I've always had a very strong connection with God. And as a matter of fact, it was very interesting. I'll tell you the story about the radio network, and basically, I had just been offered by Sci Fi Channel. They said, We love working with you. So would you take and there was a big 51:31 ghosty, a ghost Linda MacKenzie  51:36 show coming up. It was very big. And I said, No, I won't do that because it wasn't in truth, and you just want to make people cry. You want to feed off those emotions. That's not me. So Mary from sci fi said, You know what, Linda, we like working with you, so just go home and design a show for us, and we will do it. So I got home and I was so excited, because now I was going to make the big money, and I was going to get known and God comes in, and he goes, Linda. And I said, What? And he said, I want you to start a radio network. I said, What? And he says, Well, look. He goes, I gave you all the tools to do it. He goes, You were a data com engineer, you've been in radio. He goes, you're doing positive stuff. He goes, I want you to do a positive network. And I'm going, Wait a minute. I says, you know, I'm just getting this big opportunity, you know? And he goes, Well, listen, he goes, You know, when you're doing a lecture, now you're he goes, you get 1000 people coming to your lecture. He goes, so you're a point of light. He goes, think if you were to get 4045, people to do a radio network, all with positive thought. He goes, then you become a lighthouse. And I said, Okay. And I said, But what about this opportunity? And he goes, Well, you don't have to do it. And I said, well. I said, God is asking me, and I'm going to say, No, I'm not going to do that. I said, No, that's not going to happen. I said, and my Italian came in because I said, Okay, I'll do it. But when I get upstairs, you and I have it a sit down, and he just laughs. He thinks I'm funny so, and he has always been with me 100% of the time. And a lot of times he'll tell me, No, you can do this yourself. You do it, you know. And so I but I've been in a realm where I can go back and forth and I understand, you know. And I talk, you know, you can talk to anybody you want, sure, if you're if you're there, you know, if I need help from Einstein, I'll say, Hey, Uncle L, I need you what? And I go, ask God, Michael Hingson  53:43 yeah, it's it's interesting. It's so many people just belittle so much and but everyone has to make their own choices, and I don't have control over the the choices that people make. I can only talk about my experiences and what I do and so on, and people have to make up their own minds. Which is, which is the way it should be. I think that all of us are individuals that are given the opportunity to make choices, and we can decide how we want to proceed, and the time will come when we will have to defend our positions, or it will have all gone really well. And so the bottom line is that that we make the choices and we have to live by what happens as a result the consequences Linda MacKenzie  54:36 right, and we have to take to learn, to get take responsibility for our actions. You know, the songs on this album address all the major things that we need to do to stay positive and to have a happy life. And so it's not just for kids, it's for parents, and it's for grandparents, and it's for anyone who wants to listen. And it's it's going to be a good. Thing when I get this all done, and I'm it's one of them, my, one of my projects that I wanted to do for a lifetime. And once I get this done, I'll be happy. Michael Hingson  55:09 So well, you do a lot of different stuff. You must have a personal life too. How do you balance the two? Well, and what do you do in your personal life? Linda MacKenzie  55:20 Well, I love to exercise. I do. I love to cook. So once a month I do a psychic soiree, you know, so I do. I've been on a specific diet, you know, no dairy, no salt, no sugar, no effervescence, no since 1992 I don't go to medical doctors. I haven't been to a medical doctor since 1992 and I do everything with just herbs and exercise and getting enough sleep and stuff. So I cook for dinners, and I have a family, and we go out, and I have wonderful friends and bands that I follow in town, so we go out. And I'm actually even going out on a date next this coming Thursday night, which hasn't been for a long time, but so there's and then I do a lot of working with the senior centers and so and then do and I love watching dumb TV that I don't have to think. I like dumb Michael Hingson  56:23 I like dumb TV too. I know exactly what you mean when you say that. I have always been a fan, also, of old radio shows. So I love listening to all the old time radio shows from the 30s, 40s and 50s and so on. And some of them can make you think. But by the same token, the reality is that there's something to be said for just being able to escape, right? Linda MacKenzie  56:46 My latest thing is watching Chinese soap operas. They're 40 episodes long, and I love them. And even though they're subtitles, you get to see how they think and how a different kind of person, you know, culture thinks and does, and it's interesting that you can see how much the same they are as we you know, that they want the same things, they have the same values. You know, because we are all the same, and we have to understand that Michael Hingson  57:19 I know, one of the things that I've said many times, that I know, I'm sure, that a lot of people just think I'm crazy, but I point out that what happened on September 11 was not a religious war. It was a bunch of thugs who wanted to try to bend the world to their will. But that's not the the Islamic religion. The reality is that all of the religions, all the major religions, especially in the world, are always to get to God, and Far be it from me, to judge someone else because they happen to belong to a different religion or subscribe to something different than what I do. Linda MacKenzie  57:54 Well, it's interesting that I did a study on religion. As a matter of fact, on on our radio network we have James Bean, and he's been doing, he was on wisdom radio, so for 40 years, he's been doing spiritual awakenings, where he does comparative religions. And it's interesting that all of the religions have a, you know, a Jesus, you know, or a Mohammed, and they all die, and they all get resurrected in three days. Every single one of the religions has that. And if you and every single one of the religions has a version of the Our Father, Mm, hmm, almost exact words, because Jesus, you know, so, so you know, as far as respecting other religions. I think you have to too. But nothing should be overwhelming, you know, right? Like, oh, absolutely nothing should be overwhelming on because of religion. Like, I don't think that the girls should have to wear burkas because it's religious, right, you know. I think there's some things that you know are not exactly right. Michael Hingson  59:00 Well, you know, Tolstoy once said The biggest problem with Christianity is that people don't practice it. It's the same sort of That's right, concept. I agree with you. I don't think that girls and women should have to wear burkas or not be educated, or not be educated. Well, I wish, I really wish they would be educated, yeah. And so today, actually, yeah, oh, they do and and I think more and more people are beginning to realize it, but not enough yet, in some of these countries where they're willing to stand up and and say, We're not going to tolerate this anymore. Linda MacKenzie  59:32 But I hope about the money, though, unfortunately, so it's power and money, but when they understand that it's the love and kindness that's more important, and that's the only thing that you take with you. Yeah, maybe we can change this world, and I hope we do well. Michael Hingson  59:50 I agree with what you're saying, and I think that people, but people do need to, at some time, recognize that there's something. To be said for principle in the world too. 1:00:02 Yes, I agree. So what Michael Hingson  1:00:08 do you hope that people gain today from listening to your show? Linda MacKenzie  1:00:13 Well, today we did a really, kind of an interesting thing. It was called Linda's world. And once a month, at the end of the month, I don't even know what I'm going to say, and so I come on and I just talk, and we talk a little bit about current events, and then we talked about anti aging, and I do herb of the week, and I give you different kinds of information on that, and we did all these things on anti aging and what vitamins and different things that can help you doing it. And so it's really we do spirit, and we do mind, body, spirit. So you know, you can go to healthy life.net, and click on podcast on demand. There's two buttons at the top. One is Listen Live. You just click on that. We don't have an app. We don't track you. We just allow you to listen for free. And we also have a podcast network with 3200 podcasts from wonderful, wonderful people, some who have passed over, but now, but they're still there, and they have still valuable information called HR and podcasts.com that's 3200 free podcasts there that people can access as well. So you can go to the podcast on demand button, click that, and you'll find my face, or look for Linda McKenzie, and click on that, and there'll be, I think, three months of shows that you can listen to, and you can see all the different kinds of topics. And I'm usually booked six months in advance, because I've been doing radio for so long, there's a lot of people that really like to come in, so I hope that people get one idea, one thought that makes their life positive from the show. And hopefully I'm giving 60 of them, Michael Hingson  1:01:52 yeah, I hear exactly what you're saying. And you know, if I can inspire one person when I speak, if I can get people to think a little bit more about something, then I've done my job right, and I think that's the only way to do it. Well, if people want to reach out to you, what's the best way for them to contact you? Linda MacKenzie  1:02:14 Okay, well, you can reach me if you want to email me. It's Linda at Linda mckenzie.net and that's m, A, C, K, E, N, Z, I, E, all one word, and Linda mckenzie.net that's my website, or they can go through healthy life.net and get me through that way too. And of course, I'm on all of the social media sites as well, right? You know? And on my website is all my appearances. I go up to San Jose and do expos and talks. And, you know, just did, just came and finished a past life regression class. I think I'm going to be doing a gemstone healing class. And, you know, whatever strikes me for the moment is what I do. So you never know. So you go on there, and you know, they want me. I've done a TV show this year, and they want me to do another one and continue. I said, Well, kind of have to pay me, because I'm doing a lot of stuff, you know, you know, you have to give me a little bit more money if you want another one. So I gave them their one, first one, and it's called Live with Linda, and that you can reach on, it's on Roku and Amazon, and that was just last September, and it's live with Linda, and it's also on soul search.tv and you can get it there as well. Michael Hingson  1:03:30 So did the Sci Fi Channel ever come back to you anymore? Linda MacKenzie  1:03:33 No, no, just checking that time, you know, I wasn't young and cute anymore. Now cute. I'm still, Michael Hingson  1:03:40 yeah, you're cute. I believe it'd be cute. You're cute. I'm cute. Yeah. Well, I want to thank you for being here, and I want to thank you all for listening. I hope that you've learned something that you find there are relevant things that Linda has had to say. I'd love to hear from you. Please email me at Michael H, I, at accessibe, A, C, C, E, S, S, i, b, e.com, I'd love to hear your thoughts about today, wherever you are experiencing the podcast. Podcast, please give us a five star rating. We value it, and we value your thoughts and your comments, and for all of you, and Linda you as well. If you know of anyone else who we ought to have as a guest on unstoppable mindset, please introduce us. We're always looking for more people to visit with and talk with. As I've said many times, I believe everyone has a story to tell and and we a

Herodotos från Halikarnassos lade under 400-talet f.Kr. grunden till historieämnet genom sin metodiska skildring av krig, kulturer och makt i den antika världen. Han var den förste som försökte förklara historiska skeenden genom systematiska undersökningar.Herodotos huvudsakliga fokus var de grekisk-persiska krigen, men hans omättliga nyfikenhet omfattade även folk, seder, landskap, myter och maktförhållanden. Hans verk är ett försök att förstå världen i sin helhet. Det är en hissnande resa där vi får möta grymma kungar, kloka rådgivare, etnografiska skildringar av begravningsriter – och guldsökande myror stora som hundar.I detta avsnitt av Historia Nu Premium samtalar programledaren Urban Lindstedt med antikvetaren Allan Klynne om Herodotos och hans betydelse för historieskrivningens framväxt. Är du en vanlig prenumerant får du bara lyssna på tio minuter. Vill du höra hela avsnittet blir du premium-medlem via historia.nu/premium. Genom att bli premiummedlem hjälper du oss att stå fria från annonsmarknadens svängningar och säkrar att Historia Nu kan fortsätta berätta historien – år efter år.I sitt stora verk Historia lade Herodotos grunden till västerländsk historieskrivning. Han reste sannolikt till Egypten, och kanske så långt som till Babylon. Han samlade in berättelser från Libyen, Indien och länder bortom Svarta havet.Herodotos föddes omkring 484 f.Kr. i Halikarnassos (nuvarande Bodrum i Turkiet), en grekisk stad under persiskt styre. Han tillhörde en välbärgad familj med både grekiska och kariska rötter. Redan i unga år började han resa och samla in berättelser. Under sina färder besökte han bland annat Egypten, Libyen, Babylonien, Skytien och flera delar av det persiska riket – platser han beskrev med imponerande detaljrikedom.Senare bosatte han sig i Aten, där han uttryckte beundran för den atenska demokratin och dess öppna politiska klimat. Mot slutet av sitt liv flyttade han till kolonin Thurii i södra Italien. Där färdigställde han troligen sitt livsverk Historiae och avled omkring 424 f.Kr.Herodotos skrev Historia mellan cirka 430 och 424 f.Kr. Verket består av nio böcker – en uppdelning som gjordes av senare redaktörer och namngetts efter de nio muserna.Berättelsen inleds med kung Krösus i Lydien och kulminerar i de grekisk-persiska krigen under 400-talets första hälft, särskilt Xerxes I:s invasion av Grekland. Böckerna I–V skildrar förspelet till konflikterna: det persiska rikets uppkomst, öst-västliga relationer och interna händelser i Grekland. Böckerna VI–IX behandlar själva kriget, inklusive de avgörande slagen vid Salamis, Plataiai och Mykale (480–479 f.Kr.).Men Herodotos nöjde sig inte med att beskriva strider. I stället erbjuder han ett tvärsnitt av sin samtida värld. I Bok II presenterar han en omfattande skildring av Egypten: dess geografi, historia, religion och samhällsstruktur. Böckerna III–IV behandlar det persiska imperiets förvaltning, kung Kambyses fälttåg och Dareios I:s politiska reformer.Bildtext: Porträttbyst av Herodotos, romersk marmorskulptur från 100-talet e.Kr. Denna byst föreställer den grekiske historikern Herodotos, ofta kallad "historieskrivningens fader", och är ett romerskt verk som sannolikt återger ett äldre grekiskt original. Herodotos är mest känd för sitt verk Historiae, där han skildrar de grekisk-persiska krigen och försöker förstå världens orsaker genom berättelser och undersökningar. Källa: Metropolitan Museum of Art via Wikimedia Commons. Bilden är public domain.Musik: The Sands Of Ancient Ruins av LIVINGFORCE, Storyblock Audio.Klippare: Emanuel Lehtonen Hosted on Acast. See acast.com/privacy for more information.

Fr. Eric Nicolai preached this meditation at Ernescliff College on January 26, 2026.Mark 3:22-30: The scribes who had come down from Jerusalem were saying, ‘Beelzebul is in him' and, ‘It is through the prince of devils that he casts devils out.' So he called them to him and spoke to them in parables, ‘How can Satan cast out Satan? If a kingdom is divided against itself, that kingdom cannot last. Satan's strategy: division, confusion, and counterfeit good. He wants to confuse good and evil, make it all amorphous. The devil wants to divide. He is bothered by unity. He is irritated by a Hail Mary recited together. It is like a nuclear blast against his own cohesion. The devil always wants to scatter and divide. He wants to pit one person against the other. He wants to divide. He wants comparisons and division.Don't let him win. Satan wants to divide a family, the church. It Omnes unum sint.Music: Vienna Philharmonic Orchestra.Thumbnail: St. Michael the Archangel vanquishing the devil. Lorenzo Zucchi after Stefano Torelli 1725 Metropolitan Museum of Art.

Nytt poddavsnitt ute! Vi har spanat in utställningar vi drömmer om att se under 2026 – i Norden, Europa och också en i USA. Det blir allt från renässansens perfektion till performance, konst i industrimiljöer och verk som nästan aldrig lämnar sina museer.I Norden tar vi upp Basquiat – Headstrong på Louisiana i Danmark, en utställning som fokuserar på Jean-Michel Basquiats teckningar på papper från början av 1980-talet. I Oslo visas Edvard Munch & The Chocolate Factory på MUNCH, där de målningar som Munch gjorde för Freias chokladfabrik 1923 presenteras tillsammans med skisser och arkivmaterial. I Sverige finns den fasta installationen Tidens rum – Vadstena klosterkyrka 1470 på Sancta Birgitta Klostermuseum, där kyrkorummet visualiseras med hjälp av ljud, bild och digital teknik.I Europa pratar vi om Van Eyck: The Portraits på National Gallery i London, där alla Jan van Eycks bevarade porträtt visas samlade. I Florens visas Rothko in Florence på Palazzo Strozzi med två satellitutställningar, där Mark Rothkos måleri sätts i relation till den italienska konsttraditionen. På Musée d'Orsay i Paris arrangeras Mary Cassatt: The Choice of Independence, en utställning som samlar målningar, pasteller och grafik från hela hennes karriär. I Rom visas Cartier and Myths på Kapitolinska museerna, där Cartiers smycken presenteras i dialog med antikens bildvärld.I USA tar vi upp Raphael: Sublime Poetry på The Metropolitan Museum of Art i New York, den första heltäckande presentationen av Raphael som har visats i USA, med verk inlånade från samlingar i Europa och Nordamerika.Lyssna om du vill få reslust, konstlust och en lista att spara inför 2026. Finns där poddar finns eller via link i bio!Support till showen http://supporter.acast.com/konsthistoriepodden. Hosted on Acast. See acast.com/privacy for more information.

Mark Dover is a Grammy winning clarinetist and a member of Imani Winds. But like more and more artists these days Mark moves in many musical circles. Yes he's been a soloist with the Atlanta, Baltimore, and Albany Symphonies, and the American Composers Orchestra. He's also a member of the chamber ensemble yMusic. He's performed at venues including Carnegie Hall, Madison Square Garden, the Kennedy Center and the Metropolitan Museum of Art. But he's also performed with the Knights, a very adventurous ensemble. And he also plays improvisational music too including with Vulfpeck, one of my favorite bands that includes guitarist Cory Wong, a previous guest on this podcast.My featured song is my recent single called “Moon Shot”. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH MARK:www.markdovermusic.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Welcome back to ARTMATTERS: The Podcast for ArtistsOn this week's episode I'm joined by New York artist Fran Shalom. Fran has exhibited widely throughout the United States, including a solo show at the Fogg Art Museum at Harvard, and the Hunterdon Museum in New Jersey. She has been the recipient of a Pollock Krasner Artist Grant, a MacDowell Colony Fellowship, and an Art Omi Residency. Her work is included in the collections of the Metropolitan Museum of Art, the Brooklyn Museum, the Rose Art Museum, and the Bibliothèque Nationale in Paris. Fran and I recorded this episode after hours at her solo exhibition at the Kathryn Markel Gallery in Chelsea, surrounded by her recent paintings. In this conversation Fran discusses beginner's mind and call-and-response painting, how she builds trust in improvisation despite recurring doubts, and the many paintings buried beneath each finished surface. She tells me about getting rid of precious moments, loving the fiddly finishing bits, navigating flatness and why not everything in a painting needs to function, Finally we discuss Fran's early-career transition from photography to self-taught painting, balancing her three practices (art, family, Zen), and why generosity matters more than networking.Support this podcast by clicking HERE and becoming a Patreon Supporter!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM! If you have an any questions you want answered, write in to artmatterspodcast@gmail.comhost: Isaac Mannwww.isaacmann.cominsta: @isaac.mann guest: Fran Shalom  www.franshalom.cominsta: @fshalom64Thank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.

Episode No. 742 features artist Woody De Othello, and artists Jason Garcia, Michael Namingha, and curator Bess Murphy. The Pérez Art Museum Miami is presenting "Woody De Othello: coming forth by day," a presentation of new ceramic and wood sculptures, tiled wall works, and a large-scale bronze, all of which explore the primordial relationship between body, earth, and spirit. The exhibition was organized by Jennifer Inacio with the support of Fabiana A. Sotillo. It is on view in Miami through June 28 after which it will travel to the Manetti Shrem Museum of Art, University of California, Davis. De Othello's sculpture, painting, and drawing often investigate the still life genre. His previous institutional solo exhibition was at The Bowes Museum in the UK. Museums that have featured his work in group shows include the Metropolitan Museum of Art, New York, the Seattle Art Museum, the University of Michigan Museum of Art, and the Fine Arts Museums of San Francisco. The Whitney Museum of American Art included him in its 2022 biennial. Later this year, his work will be featured in a Public Art Fund solo presentation in Brooklyn's Brooklyn Bridge Park. He is an artist trustee of the San Francisco Museum of Modern Art. Garcia and Murphy are the co-curators of "Tewa Nangeh/Tewa Country" at the Georgia O'Keeffe Museum in Santa Fe. Namingha is among the 13 artists in the exhibition, 12 of whom are from the six Tewa Pueblos of northern New Mexico (Nambé, Ohkay Owingeh, Pojoaque, San Ildefonso, Santa Clara, and Tesuque).  "Tewa Nangeh" presents the work of Tewa artists while highlighting O'Keeffe's erasure of Tewa people. It is on view through September 7. Garcia's work is in the collection of museums such as the Heard Museum in Phoenix, the Art Institute of Chicago, the Nelson-Atkins Museum of Art, Kansas City, and the Smithsonian's National Museum of the American Indian. Namingha's work is also on view through April 5 at the Museum of Indian Arts and Culture, Santa Fe in "Essential Elements: Art, Environment, and Indigenous Futures." The El Paso Museum of Art and the IAIA Museum of Contemporary Native Arts, Santa Fe have featured solo exhibitions of his work; he's been in group shows at museums such as the Minneapolis Institute of Arts, the Metropolitan Museum of Art, New York, and the Hood Museum of Art, Dartmouth College. Instagram: Woody De Othello, Jason Garcia, Michael Namingha, Tyler Green. Air date: January 22, 2026.

This month's Convo By Design Icon Registry inductee is architect, Peter Pennoyer, FAIA who shares his lifelong passion for architecture, tracing its roots to his upbringing in New York City and the rich urban fabric that shaped his design philosophy. From classical influences to modern interventions, in this conversation recorded in 2021, Pennoyer discusses how context, history, and creativity inform his work across New York, Miami, and beyond. This episode offers a rare glimpse into Pennoyer's process, highlighting how tradition and innovation coexist in his projects. Designer Resources Pacific Sales Kitchen and Home. Where excellence meets expertise. Design Hardware – A stunning and vast collection of jewelry for the home! TimberTech – Real wood beauty without the upkeep In this episode, Pennoyer explores the balance between respecting historic streetscapes and embracing contemporary design, sharing insights on notable projects including French modern townhouses in Manhattan, Adirondack retreats, and reimagined New England homes. Listeners will hear about his approach to materials, light, and functionality, as well as the lessons learned from urban and natural environments. From small creative spaces to sweeping estates, Pennoyer reveals how architecture can feel both inevitable and personal. Show Topics / Outline: Early Influences Growing up in NYC, next to an architect's modernized Victorian townhouse. Father's role on the Art Commission (Design Review Commission) and early exposure to civic architecture. Walking through the Metropolitan Museum during new wing constructions and its impact. Philosophy of Context and Streetscape Importance of buildings as parts of streets rather than standalone monuments. Learning from historic architecture and urban fabric. Balancing preservation with creative reinterpretation. Firm Origins and Approach Founding Peter Pennoyer Architects in 1990, NYC and Miami. Learning along the way; responding to each commission individually. Miami as a freer design environment vs. New York's strict urban constraints. Design Inspirations and Innovation Interest in unusual historic ideas, color, and modern adaptation (e.g., Adirondack home with vibrant red windows). Classical architecture as a living, evolving language. Integrating modern functionality with traditional forms. Key Projects Adirondacks Retreat: Rustic materials, vibrant accents, blending modern and traditional. French Modern Townhouse, Upper East Side: Maximizing light in a constrained footprint; stair design, flow, and functionality. New England House: Rebuilding a landmarked site with respect to site and history. Fifth Avenue Maisonette: Reimagining space for luxury, comfort, and personal lifestyle integration. Architecture and Society Lessons from pandemics and historical health-driven design. Flexibility in modern living: home and work blending, privacy, and adaptability. The balance of aesthetics, comfort, and livability in contemporary classical design. Process and Collaboration Importance of team and long-term partnerships in shaping projects. Working with interior designers and artisans to achieve cohesive spaces. Creative problem-solving under structural, site, and regulatory constraints. Links & References: Peter Pennoyer Architects – Official Website Adirondack Long Barn Project Upper East Side French Modern Townhouse New England Landmark House Rebuild Fifth Avenue Maisonette

The second part of the discussion of embroidery history covers blackwork and Opus Anglicanum, then embroidery samplers and beetle-wing embroidery. Research: Абильда, Айжан. “Scythians are creators of embroidery art.” Qazaqstan Tarihy. May 24, 2019. https://e-history.kz/en/news/show/7178#:~:text=Embroidery%20is%20a%20traditional%20East,a%20wedding%20or%20a%20party. Angus, Jennifer. “Nature’s Sequins.” Cooper Hewitt. Sept. 14, 2018. https://www.cooperhewitt.org/2018/09/14/natures-sequins/ “The art of printing textile.” Musee de L’Impression sur Etoffes. https://www.musee-impression.com/en/the-collection/ Badshah, Nadeem. “Bayeux tapestry to be insured for £800m for British Museum exhibition.” The Guardian. Dec. 27. 2025. https://www.theguardian.com/world/2025/dec/27/bayeux-tapestry-to-be-insured-for-800m-for-british-museum-exhibition “Bayeux Tapestry.” UNESCO. https://www.unesco.org/en/memory-world/bayeux-tapestry “The Bayeux Tapestry.” La Tapisserie de Bayeux. Bayeux Museum. https://www.bayeuxmuseum.com/en/the-bayeux-tapestry/ Binswanger, Julia. “These Delicate Needles Made From Animal Bones May Have Helped Prehistoric Humans Sew Warm Winter Clothing.” Smithsonian. Dec. 11, 2024. https://www.smithsonianmag.com/smart-news/these-delicate-needles-made-from-animal-bones-may-have-helped-prehistoric-humans-sew-warm-winter-clothing-180985601/ Britannica Editors. "Scythian art". Encyclopedia Britannica, 27 May. 2018, https://www.britannica.com/art/Scythian-art “Chasuble (Opus Anglicanum).” The Met. https://www.metmuseum.org/art/collection/search/466660 Chung, Young Yang. “Silken Threads: A History of Embroidery in China, Korea, Japan, and Vietnam.” Abrams. 2005. Daniels, Margaret Harrington. “Early Pattern Books for Lace and Embroidery.” Bulletin of the Needle and Bobbin Club. https://www2.cs.arizona.edu/patterns/weaving/articles/nb33_lac.pdf “DMC.” Textile Research Center Leiden. https://trc-leiden.nl/trc-needles/organisations-and-movements/companies/dmc “Dragon Robe Decoded.” Sotheby’s. May 23, 2019. https://www.sothebys.com/en/articles/dragon-robe-decoded Embroiderers’ Guild. https://embroiderersguild.com/ Embroiderers’ Guild of America. https://egausa.org/ “Embroidery Techniques from Around the World: Crewel.” Embroiderer’ Guild of America. Oct. 28, 2024. https://egausa.org/embroidery-techniques-from-around-the-world-crewel/ Francfort, H.-P., 2020, “Scythians, Persians, Greeks and Horses: Reflections on Art, Culture Power and Empires in the Light of Frozen Burials and other Excavations”, in: , Londres, British Museum, p. 134-155. https://www.academia.edu/44417916/Francfort_H_P_2020_Scythians_Persians_Greeks_and_Horses_Reflections_on_Art_Culture_Power_and_Empires_in_the_Light_of_Frozen_Burials_and_other_Excavations_in_Londres_British_Museum_p_134_155 “Girlhood Embroidery.” Pilgrim Hall Museum. https://www.pilgrimhall.org/girlhood_embroidery.htm Gower, John G., and G.C. Macaulay, ed. “The Complete Works of John Gower.” Clarendon Press. 1901. https://www.gutenberg.org/files/71162/71162-h/71162-h.htm#Page_1 “Introducing Opus Anglicanum.” Victoria and Albert Museum. https://www.vam.ac.uk/articles/about-opus-anglicanum?srsltid=AfmBOor2pOTddjxaPC9AXHvvQuGXD4Tyx9N3zBeISzMSDHX1KnaUnfnL “Introducing the Scythians.” British Museum. May 30, 2017. https://www.britishmuseum.org/blog/introducing-scythians Nazarova, Yevhenia. “Ukraine's Ancient 'River Guardians.'” Radio Free Europe. Oct. 17, 2021. https://www.rferl.org/a/scythian-dig-ukraine-river-guardians-discovery/31507187.html "Ancient Peruvian Textiles." The Museum Journal XI, no. 3 (September, 1920): 140-147. Accessed December 22, 2025. https://www.penn.museum/sites/journal/843/ “Embroidery – a history of needlework samplers.” Victoria & Albery Museum. https://www.vam.ac.uk/articles/embroidery-a-history-of-needlework-samplers “History of The Broderers.” The Worshipful Company of Broderers. https://broderers.co.uk/history-broderers “The History of Britain's Bayeux Tapestry.” Reading Museum. https://www.readingmuseum.org.uk/collections/britains-bayeux-tapestry/history-britains-bayeux-tapestry Kennedy, Maev. “British Museum to go more than skin deep with Scythian exhibition.” The Guardian. May 30, 2017. https://www.theguardian.com/culture/2017/may/30/british-museum-skin-scythian-exhibition-tattoo-empire Lattanzio, Giaga. “Byzantine.” Fashion History Timeline. FITNYC. https://fashionhistory.fitnyc.edu/byzantine/ Leslie, Catherine Amoroso. “Needlework Through History: An Encyclopedia.” Greenwood Press. 2007. Libes, Kenna. “Beetle-Wing Embroidery in Nineteenth-Century Fashion.” Fashion History Timeline. FITNYC. https://fashionhistory.fitnyc.edu/beetle-wing-19thcentury/ Liu Y, Li Y, Li X, Qin L. The origin and dispersal of the domesticated Chinese oak silkworm, Antheraea pernyi, in China: a reconstruction based on ancient texts. J Insect Sci. 2010;10:180. doi: 10.1673/031.010.14140 “Mrs. Jacob Wendell (Mary Barrett, 1832–1912).” The New York Historical. https://emuseum.nyhistory.org/objects/68658/mrs-jacob-wendell-mary-barrett-18321912 Muntz, Eugene and Louisa J. Davis. “A short history of tapestry. From the earliest times to the end of the 18th century.” London. Cassel & Co. 1885. Accessed online: https://archive.org/details/shorthistoryofta00mntz/page/n3/mode/2up Pohl, Benjamin. “Chewing over the Norman Conquest: the Bayeux Tapestryas monastic mealtime reading.” Historical Research. 2025. https://academic.oup.com/histres/advance-article/doi/10.1093/hisres/htaf029/8377922 Puiu, Tibi. “Pristine 2,300-year-old Scythian woman’s boot found in frozen Altai mountains.” ZME Science. Dec. 29, 2021. https://www.zmescience.com/science/scythian-boots-0532/ Razzall, Katie. “Bayeux Tapestry to return to UK on loan after 900 years.” BBC. July 8, 2025. https://www.bbc.com/news/articles/c14ev1z6d5go Royal School of Needlework. https://royal-needlework.org.uk/ Salmony, Alfred. “The Archaeological Background of textile Production in Soviet Russia Territory.” The Bulletin of the Needle and Bobbin Club. Volume 26. No. 2. 1942. https://www2.cs.arizona.edu/patterns/weaving/periodicals/nb_42_2.pdf “Sampler.” Victoria & Albert Museum. https://collections.vam.ac.uk/item/O46183/sampler-jane-bostocke/ Schӧnsperger, Johann. “Ein ney Furmbüchlein. 1525-1528. Met Museum Collection. https://www.metmuseum.org/art/collection/search/354716 Schӧnsperger, Johann. “Ein new Modelbuch … “ 1524. https://www.metmuseum.org/art/collection/search/354660 Shrader, Dustin. “Embroidery Through the Ages.” Impressions. July 28, 2023. https://impressionsmagazine.com/process-technique/embroidery-through-the-ages/39234/#:~:text=The%20Age%2DOld%20Beginning&text=We%20tend%20to%20typically%20think,to%20generation%20across%20the%20millennia. “Silk Roads Programme.” UNESCO. https://en.unesco.org/silkroad/silkroad-interactive-map Sons of Norway's Cultural Skills Program. “Unit 8: Hardanger Embroidery.” 2018. https://www.sofn.com/wp-content/uploads/2018/11/unit8hardanger_rev8.11.pdf “Suzhou Embroidery.” Smithsonian National Museum of Asian Art.” https://asia-archive.si.edu/learn/for-educators/teaching-china-with-the-smithsonian/videos/suzhou-embroidery/ Teall, John L., Nicol, Donald MacGillivray. "Byzantine Empire". Encyclopedia Britannica, 5 Dec. 2025, https://www.britannica.com/place/Byzantine-Empire Warner, Pamela. “Embroidery: A History.” B.T. Bedford, Ltd. 1991. Watt, James C. Y., and Anne E. Wardwell. “When Silk Was Gold: Central Asian and Chinese Textiles.” Metropolitan Museum of Art. Harry N. Abrams. New York. 1997. https://cdn.sanity.io/files/cctd4ker/production/d781d44d3048d49257072d610034400182246d3e.pdf Watt, Melinda. “Textile Production in Europe: Embroidery, 1600–1800.” The Met. Oct. 1, 2003. https://www.metmuseum.org/essays/textile-production-in-europe-embroidery-1600-1800 See omnystudio.com/listener for privacy information.

Folks are rising up across the country outraged by ICE's reign of terror. Our main story is on the popular fightback in Minnesota, but first we have headlines from ArcelorMittal, Ford, the Metropolitan Museum of Art, Portland State University, Blinkit, Barnes and Noble, and Kaiser Permanente. We follow up on last week's historic strike by 15,000 nurses in NYC. A recent piece in Dissent Magazine details the surge in the use of robots at Amazon and the harms born by workers. Also this week, we discuss the corrosive impact on working people of having a far right government using Nazi slogans in power. Join the discord: discord.gg/tDvmNzX  Follow the pod at instagram.com/workstoppage, @WorkStoppagePod on Twitter,  John @facebookvillain, and Lina @solidaritybee

The first installment of this two-parter covers ancient embroidery around the world, and then focuses on European embroidery, Chinese dragon robes, and the Bayeux Tapestry. Research: Абильда, Айжан. “Scythians are creators of embroidery art.” Qazaqstan Tarihy. May 24, 2019. https://e-history.kz/en/news/show/7178#:~:text=Embroidery%20is%20a%20traditional%20East,a%20wedding%20or%20a%20party. Angus, Jennifer. “Nature’s Sequins.” Cooper Hewitt. Sept. 14, 2018. https://www.cooperhewitt.org/2018/09/14/natures-sequins/ “The art of printing textile.” Musee de L’Impression sur Etoffes. https://www.musee-impression.com/en/the-collection/ Badshah, Nadeem. “Bayeux tapestry to be insured for £800m for British Museum exhibition.” The Guardian. Dec. 27. 2025. https://www.theguardian.com/world/2025/dec/27/bayeux-tapestry-to-be-insured-for-800m-for-british-museum-exhibition “Bayeux Tapestry.” UNESCO. https://www.unesco.org/en/memory-world/bayeux-tapestry “The Bayeux Tapestry.” La Tapisserie de Bayeux. Bayeux Museum. https://www.bayeuxmuseum.com/en/the-bayeux-tapestry/ Binswanger, Julia. “These Delicate Needles Made From Animal Bones May Have Helped Prehistoric Humans Sew Warm Winter Clothing.” Smithsonian. Dec. 11, 2024. https://www.smithsonianmag.com/smart-news/these-delicate-needles-made-from-animal-bones-may-have-helped-prehistoric-humans-sew-warm-winter-clothing-180985601/ Britannica Editors. "Scythian art". Encyclopedia Britannica, 27 May. 2018, https://www.britannica.com/art/Scythian-art “Chasuble (Opus Anglicanum).” The Met. https://www.metmuseum.org/art/collection/search/466660 Chung, Young Yang. “Silken Threads: A History of Embroidery in China, Korea, Japan, and Vietnam.” Abrams. 2005. Daniels, Margaret Harrington. “Early Pattern Books for Lace and Embroidery.” Bulletin of the Needle and Bobbin Club. https://www2.cs.arizona.edu/patterns/weaving/articles/nb33_lac.pdf “DMC.” Textile Research Center Leiden. https://trc-leiden.nl/trc-needles/organisations-and-movements/companies/dmc “Dragon Robe Decoded.” Sotheby’s. May 23, 2019. https://www.sothebys.com/en/articles/dragon-robe-decoded Embroiderers’ Guild. https://embroiderersguild.com/ Embroiderers’ Guild of America. https://egausa.org/ “Embroidery Techniques from Around the World: Crewel.” Embroiderer’ Guild of America. Oct. 28, 2024. https://egausa.org/embroidery-techniques-from-around-the-world-crewel/ Francfort, H.-P., 2020, “Scythians, Persians, Greeks and Horses: Reflections on Art, Culture Power and Empires in the Light of Frozen Burials and other Excavations”, in: , Londres, British Museum, p. 134-155. https://www.academia.edu/44417916/Francfort_H_P_2020_Scythians_Persians_Greeks_and_Horses_Reflections_on_Art_Culture_Power_and_Empires_in_the_Light_of_Frozen_Burials_and_other_Excavations_in_Londres_British_Museum_p_134_155 “Girlhood Embroidery.” Pilgrim Hall Museum. https://www.pilgrimhall.org/girlhood_embroidery.htm Gower, John G., and G.C. Macaulay, ed. “The Complete Works of John Gower.” Clarendon Press. 1901. https://www.gutenberg.org/files/71162/71162-h/71162-h.htm#Page_1 “Introducing Opus Anglicanum.” Victoria and Albert Museum. https://www.vam.ac.uk/articles/about-opus-anglicanum?srsltid=AfmBOor2pOTddjxaPC9AXHvvQuGXD4Tyx9N3zBeISzMSDHX1KnaUnfnL “Introducing the Scythians.” British Museum. May 30, 2017. https://www.britishmuseum.org/blog/introducing-scythians Nazarova, Yevhenia. “Ukraine's Ancient 'River Guardians.'” Radio Free Europe. Oct. 17, 2021. https://www.rferl.org/a/scythian-dig-ukraine-river-guardians-discovery/31507187.html "Ancient Peruvian Textiles." The Museum Journal XI, no. 3 (September, 1920): 140-147. Accessed December 22, 2025. https://www.penn.museum/sites/journal/843/ “Embroidery – a history of needlework samplers.” Victoria & Albery Museum. https://www.vam.ac.uk/articles/embroidery-a-history-of-needlework-samplers “History of The Broderers.” The Worshipful Company of Broderers. https://broderers.co.uk/history-broderers “The History of Britain's Bayeux Tapestry.” Reading Museum. https://www.readingmuseum.org.uk/collections/britains-bayeux-tapestry/history-britains-bayeux-tapestry Kennedy, Maev. “British Museum to go more than skin deep with Scythian exhibition.” The Guardian. May 30, 2017. https://www.theguardian.com/culture/2017/may/30/british-museum-skin-scythian-exhibition-tattoo-empire Lattanzio, Giaga. “Byzantine.” Fashion History Timeline. FITNYC. https://fashionhistory.fitnyc.edu/byzantine/ Leslie, Catherine Amoroso. “Needlework Through History: An Encyclopedia.” Greenwood Press. 2007. Libes, Kenna. “Beetle-Wing Embroidery in Nineteenth-Century Fashion.” Fashion History Timeline. FITNYC. https://fashionhistory.fitnyc.edu/beetle-wing-19thcentury/ Liu Y, Li Y, Li X, Qin L. The origin and dispersal of the domesticated Chinese oak silkworm, Antheraea pernyi, in China: a reconstruction based on ancient texts. J Insect Sci. 2010;10:180. doi: 10.1673/031.010.14140 “Mrs. Jacob Wendell (Mary Barrett, 1832–1912).” The New York Historical. https://emuseum.nyhistory.org/objects/68658/mrs-jacob-wendell-mary-barrett-18321912 Muntz, Eugene and Louisa J. Davis. “A short history of tapestry. From the earliest times to the end of the 18th century.” London. Cassel & Co. 1885. Accessed online: https://archive.org/details/shorthistoryofta00mntz/page/n3/mode/2up Pohl, Benjamin. “Chewing over the Norman Conquest: the Bayeux Tapestryas monastic mealtime reading.” Historical Research. 2025. https://academic.oup.com/histres/advance-article/doi/10.1093/hisres/htaf029/8377922 Puiu, Tibi. “Pristine 2,300-year-old Scythian woman’s boot found in frozen Altai mountains.” ZME Science. Dec. 29, 2021. https://www.zmescience.com/science/scythian-boots-0532/ Razzall, Katie. “Bayeux Tapestry to return to UK on loan after 900 years.” BBC. July 8, 2025. https://www.bbc.com/news/articles/c14ev1z6d5go Royal School of Needlework. https://royal-needlework.org.uk/ Salmony, Alfred. “The Archaeological Background of textile Production in Soviet Russia Territory.” The Bulletin of the Needle and Bobbin Club. Volume 26. No. 2. 1942. https://www2.cs.arizona.edu/patterns/weaving/periodicals/nb_42_2.pdf “Sampler.” Victoria & Albert Museum. https://collections.vam.ac.uk/item/O46183/sampler-jane-bostocke/ Schӧnsperger, Johann. “Ein ney Furmbüchlein. 1525-1528. Met Museum Collection. https://www.metmuseum.org/art/collection/search/354716 Schӧnsperger, Johann. “Ein new Modelbuch … “ 1524. https://www.metmuseum.org/art/collection/search/354660 Shrader, Dustin. “Embroidery Through the Ages.” Impressions. July 28, 2023. https://impressionsmagazine.com/process-technique/embroidery-through-the-ages/39234/#:~:text=The%20Age%2DOld%20Beginning&text=We%20tend%20to%20typically%20think,to%20generation%20across%20the%20millennia. “Silk Roads Programme.” UNESCO. https://en.unesco.org/silkroad/silkroad-interactive-map Sons of Norway's Cultural Skills Program. “Unit 8: Hardanger Embroidery.” 2018. https://www.sofn.com/wp-content/uploads/2018/11/unit8hardanger_rev8.11.pdf “Suzhou Embroidery.” Smithsonian National Museum of Asian Art.” https://asia-archive.si.edu/learn/for-educators/teaching-china-with-the-smithsonian/videos/suzhou-embroidery/ Teall, John L., Nicol, Donald MacGillivray. "Byzantine Empire". Encyclopedia Britannica, 5 Dec. 2025, https://www.britannica.com/place/Byzantine-Empire Warner, Pamela. “Embroidery: A History.” B.T. Bedford, Ltd. 1991. Watt, James C. Y., and Anne E. Wardwell. “When Silk Was Gold: Central Asian and Chinese Textiles.” Metropolitan Museum of Art. Harry N. Abrams. New York. 1997. https://cdn.sanity.io/files/cctd4ker/production/d781d44d3048d49257072d610034400182246d3e.pdf Watt, Melinda. “Textile Production in Europe: Embroidery, 1600–1800.” The Met. Oct. 1, 2003. https://www.metmuseum.org/essays/textile-production-in-europe-embroidery-1600-1800 See omnystudio.com/listener for privacy information.

กึ๋น-กุลภัทร ยันตรศาสตร์ คือสถาปนิกชาวไทยที่มีผลงานการออกแบบพิพิธภัณฑ์ระดับโลกมากมาย งานที่กำลังทำคือพิพิธภัณฑสถานแห่งชาติของอินเดีย ซึ่งเมื่อสร้างเสร็จทุกส่วนแล้วจะมีขนาดใหญ่ที่สุดในโลก ห้องหนึ่งในพิพิธภัณฑ์ Louvre ที่ประเทศฝรั่งเศส ส่วนงานที่เสร็จแล้วมี The Michael C. Rockefeller Wing at The Metropolitan Museum of Art หรือ The Met ที่นิวยอร์ก Northwest Coast Hall at the American Museum of Natural History ที่นิวยอร์ก Grand Rapids Art Museum ที่มิชิแกน Academy Museum of Motion Pictures ที่ลอสแอนเจลิส The Ross Pavilion and West Princes Street Gardens หรือ The Quaich Project ที่สกอตแลนด์ Tchaikovsky Academic Opera and Ballet Theatre ที่รัสเซีย และอีกมากมาย รวมถึง Dib Bangkok ด้วย จุดเปลี่ยนสำคัญของกึ๋นคือการใช้ชีวิตที่ญี่ปุ่น 15 ปี เป็นมือขวาของสถาปนิกระดับโลกอย่าง Tadao Ando 8 ปี เริ่มต้นจากเด็กฝึกงานที่ต้องถูพื้น เทขยะ จนได้ไปพักในบ้านเดียวกับอันโดะ จากนั้นเขาตัดสินใจเดินทางไปเปิดบริษัทของตัวเองในนาม WHY Architecture ซึ่งมีสาขาที่นิวยอร์กและลอสแอนเจลิส เขาได้รับความไว้วางใจในวงการงานออกแบบจากฝีมืออันเป็นเอกลักษณ์ คือออกแบบผังอาคารให้เปิดเพื่อเชื่อมต่อกับพื้นที่ภายนอก ทำให้เขามีผลงานมากมายตั้งแต่สถาปัตยกรรมขนาดเล็กไปจนใหญ่ในทั่วทุกมุมโลก เช่นเดียวกันกับพิพิธภัณฑ์ที่ใหญ่ที่สุดในอินเดียที่กำลังจะเกิดขึ้น และมีผลงานล่าสุดคือการออกแบบพิพิธภัณฑ์ศิลปะร่วมสมัยนานาชาติเปิดใหม่กลางกรุงเทพฯ อย่าง Dib Bangkok และที่พิเศษ เขาเล่าถึงบ้านของเขาในหลายเมืองซึ่งเขาออกแบบเอง และได้ลงสื่อนานาชาติมากมายด้วย    ดำเนินรายการ : ทรงกลด บางยี่ขัน กำกับ : ศวิตา ศีลตระกูล, คฑาวุฒิ เผือกสอาด ถ่ายภาพ : ศวิตา ศีลตระกูล, ชนกพัดชา สินอาษา ตัดต่อ : พีรดนย์ รางแดง ควบคุมการผลิต : ชนกพัดชา สินอาษา นักศึกษาฝึกงาน : กรกนก มุกไธสง, ทิพย์นารี โถทอง   #kulapatyantrasast #WHYArchitecture #TadaoAndo #ทาดาโอะอันโดะ #กึ๋นกุลภันทร #กุลภัทรยันตรศาสตร์ #สถาปนิก #สถาปนิกไทย #artmusuem #Metropolitan MuseumofArt  #DibBangkok #GRAM #TheGrand RapidsArtMuseum #AcademyMuseumofMotionPictures #TheQuaichProject #TchaikovskyAcademicOperaandBalletTheatre #ComingofAge #TheCloud #readthecloud #ListentoTheCloud #TheCloudPodcast 

กึ๋น-กุลภัทร ยันตรศาสตร์ คือสถาปนิกชาวไทยที่มีผลงานการออกแบบพิพิธภัณฑ์ระดับโลกมากมาย งานที่กำลังทำคือพิพิธภัณฑสถานแห่งชาติของอินเดีย ซึ่งเมื่อสร้างเสร็จทุกส่วนแล้วจะมีขนาดใหญ่ที่สุดในโลก ห้องหนึ่งในพิพิธภัณฑ์ Louvre ที่ประเทศฝรั่งเศส ส่วนงานที่เสร็จแล้วมี The Michael C. Rockefeller Wing at The Metropolitan Museum of Art หรือ The Met ที่นิวยอร์ก Northwest Coast Hall at the American Museum of Natural History ที่นิวยอร์ก Grand Rapids Art Museum ที่มิชิแกน Academy Museum of Motion Pictures ที่ลอสแอนเจลิส The Ross Pavilion and West Princes Street Gardens หรือ The Quaich Project ที่สกอตแลนด์ Tchaikovsky Academic Opera and Ballet Theatre ที่รัสเซีย และอีกมากมาย รวมถึง Dib Bangkok ด้วย จุดเปลี่ยนสำคัญของกึ๋นคือการใช้ชีวิตที่ญี่ปุ่น 15 ปี เป็นมือขวาของสถาปนิกระดับโลกอย่าง Tadao Ando 8 ปี เริ่มต้นจากเด็กฝึกงานที่ต้องถูพื้น เทขยะ จนได้ไปพักในบ้านเดียวกับอันโดะ จากนั้นเขาตัดสินใจเดินทางไปเปิดบริษัทของตัวเองในนาม WHY Architecture ซึ่งมีสาขาที่นิวยอร์กและลอสแอนเจลิส เขาได้รับความไว้วางใจในวงการงานออกแบบจากฝีมืออันเป็นเอกลักษณ์ คือออกแบบผังอาคารให้เปิดเพื่อเชื่อมต่อกับพื้นที่ภายนอก ทำให้เขามีผลงานมากมายตั้งแต่สถาปัตยกรรมขนาดเล็กไปจนใหญ่ในทั่วทุกมุมโลก เช่นเดียวกันกับพิพิธภัณฑ์ที่ใหญ่ที่สุดในอินเดียที่กำลังจะเกิดขึ้น และมีผลงานล่าสุดคือการออกแบบพิพิธภัณฑ์ศิลปะร่วมสมัยนานาชาติเปิดใหม่กลางกรุงเทพฯ อย่าง Dib Bangkok และที่พิเศษ เขาเล่าถึงบ้านของเขาในหลายเมืองซึ่งเขาออกแบบเอง และได้ลงสื่อนานาชาติมากมายด้วย    ดำเนินรายการ : ทรงกลด บางยี่ขัน กำกับ : ศวิตา ศีลตระกูล, คฑาวุฒิ เผือกสอาด ถ่ายภาพ : ศวิตา ศีลตระกูล, ชนกพัดชา สินอาษา ตัดต่อ : พีรดนย์ รางแดง ควบคุมการผลิต : ชนกพัดชา สินอาษา นักศึกษาฝึกงาน : กรกนก มุกไธสง, ทิพย์นารี โถทอง   #kulapatyantrasast #WHYArchitecture #TadaoAndo #ทาดาโอะอันโดะ #กึ๋นกุลภันทร #กุลภัทรยันตรศาสตร์ #สถาปนิก #สถาปนิกไทย #artmusuem #Metropolitan MuseumofArt  #DibBangkok #GRAM #TheGrand RapidsArtMuseum #AcademyMuseumofMotionPictures #TheQuaichProject #TchaikovskyAcademicOperaandBalletTheatre #ComingofAge #TheCloud #readthecloud #ListentoTheCloud #TheCloudPodcast 

In this special episode of CounterPunch Radio, Bill Ayers, friend of Pilsen Community Books and fellow podcaster at Under the Tree, introduces Amos Kennedy and fellow artists and activists Monica Trinidad and Chi Nwosu. This evening at Pilsen Community Books in Chicago included a packed-house crowd for a celebration for the release of Citizen Printer by renowned letterpress printer Amos P. Kennedy, Jr. A self-described “humble negro printer,” Amos Paul Kennedy, Jr., is internationally recognized for his type-driven messages of social justice and Black power, emblazoned in rhythmically layered and boldly inked prints made for the masses. Borrowing words from civil rights heroes such as Rosa Parks, Fannie Lou Hamer, Frederick Douglass, and Sojourner Truth, Kennedy issues fearless statements on race, capitalism, history, and politics—along with plenty of witty truisms—in his exuberant, colorful, and one-of-a-kind posters and handbills. Amos P. Kennedy, Jr. was working a corporate job when, at nearly forty, he discovered the art of letterpress printing on a tour of Colonial Williamsburg. Kennedy then devoted himself to the craft, earning an MFA in graphic design at the University of Wisconsin–Madison. He now operates Kennedy Prints!, a letterpress printshop in Detroit. He has exhibited in dozens of museums and galleries across the United States, including the Library of Congress, and the libraries of the Museum of Modern Art and the Metropolitan Museum of Art. Monica Trinidad (she/they) is a queer Latine visual artist, communicator, and cultural strategist. A lifelong Chicagoan, Monica has created zines, graphics, mixed media posters, communication strategies, and plans highlighting youth-led, intergenerational, and intersectional grassroots organizing work in Chicago and nationally. Chi Nwosu is a Black, non-binary, queer, Nigerian artist based in Chicago. Their work is an alchemy of cultural narratives that centres marginalised experiences and utilises potent cultural, political, and spiritual symbols. Chi's art invites viewers to imagine collective liberation, envisioning communities rooted in kindness, compassion, and care. Please, head over to Pilsen Community Books and pick up some books! The post Citizen Printer, Bill Ayers w/ Amos Paul Kennedy, Jr., Monica Trinidad, and Chi Nwosu appeared first on CounterPunch.org.

Welcome to the DMF! I'm Justin Younts, and today I'm thrilled to introduce you to Alexandra Beller, an incredible artist, choreographer, and soon-to-be-published author. In this first part of our conversation, we dive deep into Alexandra's upbringing in Queens during the vibrant 80s, a time that profoundly influenced her artistic journey. She shares how the rich diversity of characters and experiences around her shaped her resilience and creativity. From sneaking into the Metropolitan Museum to sketch Rembrandts to her first dance class at summer camp, Alexandra's story is one of passion and discovery. We explore the importance of embodiment in dance and how it transcends mere movement, allowing for a deeper connection to oneself. Alexandra also discusses her academic journey at the University of Michigan, where she double-majored in dance and English, seeking a balance between technical skill and literary prowess. This conversation is not just about dance; it's about finding your voice, challenging societal norms, and embracing the complexities of human expression. Join us as we uncover the layers of creativity and the power of asking 'why' in art. Don't miss out on this inspiring dialogue that encourages you to explore your own artistic potential!00:00:00 - Introduction00:00:29 - Growing Up in Queens, New York00:00:39 - Influence of New York on Career00:02:26 - Early Exposure to Art and Culture00:03:31 - Discovering Dance00:05:08 - College Experience and Majoring in Dance and English00:06:57 - Influence of Literature and Bible Study00:08:42 - Changing Perspectives and Adapting00:09:16 - Challenging Established Norms in Art00:11:11 - Pushing Boundaries in Casting and Directing00:14:01 - Addressing Controversial Content in Older Stories00:15:29 - Questioning Societal Norms in Storytelling00:16:04 - Reimagining Macbeth00:19:17 - The Need for Empathy in Storytelling00:20:00 - Staying True to the Text00:21:52 - The Importance of 'How' in Storytelling00:23:35 - The Role of Improvisation in Creativity00:24:45 - Introduction to Laban and Bartenieff00:25:08 - The Influence of Laban and Bartenieff on Dance00:30:52 - Using Movement for Character Development00:31:30 - Recognizing Non-Neutrality in Acting00:32:04 - Associations and Emotions in Acting00:32:25 - Interpreting Anger in Acting00:34:05 - Understanding Personal Energy in Acting00:34:32 - The Role of Laban's Effort in Acting00:35:57 - Manipulating Energy in Acting00:36:19 - ConclusionCheck out her website: https://www.alexandrabellerdances.org/

It is the first episode of 2026. So we look ahead at the next 12 months with a guide to big museum openings, biennials and exhibitions. Ben Luke is joined by Jane Morris, editor-at-large at The Art Newspaper and Cultureshock, and Gareth Harris, chief contributing editor at The Art Newspaper, to discuss the key art fairs, major museum building projects and the top biennials of the year, and we pick our exhibition highlights.All of the events discussed and many more are featured in The Art Newspaper's guidebook The Year Ahead 2026, an authoritative look at the year's unmissable art exhibitions, museum openings and significant art events. Visit theartnewspapershop.com. £14.99 or the equivalent in your currency.Events discussed:ART FAIRS: Art Basel Qatar, Doha, Qatar, 5-7 Feb; Frieze Abu Dhabi, 17-22 Nov; MUSEUM OPENINGS: Guggenheim Abu Dhabi, date tbc; V&A East, opens 18 Apr; Los Angeles County Museum of Art (Lacma), opens Apr; Lucas Museum of Narrative Art, opens 22 Sep; Dataland, Los Angeles, opens spring; New Museum, New York, date tbc. BIENNIALS: Venice Biennale, In Minor Keys, 9 May-22 Nov; Arthur Jafa and Richard Prince: Helter Skelter, Fondazione Prada, Venice, 9 May-22 Nov; Marina Abramović: Transforming Energy, Gallerie dell'Accademia, Venice, 6 May-19 Oct; Whitney Biennial, opens 8 Mar; Greater New York 2026, MoMA PS1, 16 Apr-17 Aug; EXHIBITIONS: Gainsborough: The Fashion of Portraiture, Frick Collection, 12 Feb-11 May; Raphael: Sublime Poetry, Metropolitan Museum of Art, New York, 29 Mar-28 Jun; Zurbarán, National Gallery, London, 2 May-23 Aug; Michaelina Wautier, Royal Academy of Arts, 27 Mar-21 Jun; James McNeill Whistler, Tate Britain, 21 May-27 Sep, Van Gogh Museum, Amsterdam, 16 Oct-10 Jan 2027; Seurat and the Sea, Courtauld Gallery, ​​13 Feb-17 May; Peggy Guggenheim in London: The Making of a Collector, Peggy Guggenheim Collection, Venice, 25 Apr-19 Oct; Royal Academy, London, 21 Nov-14 Mar 2027, Cezanne, Fondation Beyeler, Basel, 25 Jan-25 May; Leonor Fini, Schirn Kunsthalle, Frankfurt, 22 Oct-28 Feb 2027; Hilma af Klint, Grand Palais, 6 May-30 Aug, Matisse 1941-1954, Grand Palais, Paris, 24 Mar-26 Jul; Chez Matisse: The Legacy of a New Painting, Caixa Forum, Barcelona, 27 Mar-16 Aug; Fratino and Matisse: To See This Light Again, Baltimore Museum of Art, 11 Mar-6 Sep; Matisse's Femme au Chapeau: A Modern Scandal, SFMOMA, San Francisco, 16 May-7 Sep; Marcel Duchamp, MoMA, New York, 12 Apr-22 Aug; Mary Cassatt: An American in Paris, National Gallery of Art, Washington, DC, 14 Feb-30 Aug; Mary Cassatt: After Impressionism, Art Institute of Chicago, 6 Sep-3 Jan 2027; Modern Iran and the Avant-Gardes, 1948-78, Vancouver Art Gallery, 11 Dec-2 May 2027; Spectrosynthesis Seoul, Art Sonje Center, Seoul, 20 Mar-28 Jun; Carol Bove, Solomon R. Guggenheim Museum, New York, 5 Mar-2 Aug; New Humans: Memories of the Future, New Museum, New York, opens early 2026; Hurvin Anderson, Tate Britain, 26 Mar-23 Aug; Tracey Emin: A Second Life, 26 Feb-31 Aug; Ana Mendieta, Tate Modern, London, 9 Jul-10 Jan 2027. Hosted on Acast. See acast.com/privacy for more information.

A thousand facets sits with contemporary artist Karl Fritsch. Karl, creates playful and unconventional contemporary jewelry. He crosses the line with his mix materials to make us ask, what is truly precious.  On the premiere of season 4, I sit with Karl and we talk about his beginnings, how he came into the world of jewelry and how even a comment from his kids will inspire his work.  About: Karl Fritsch has gained international recognition for his ever developing body of work, which has focussed almost solely on rings. Fritsch's jewellery is unmistakable. His works vary from hand-moulded one-off castings, to re-cast, contrastingly daintier jewel-embedded rings, to towering stacks of cut and colourful glass. His ability to continually create new rings is vast and varied. Combining traditional techniques, playing on jewellery history, he has developed has own personal language. He is capable of applying both careful and quick consideration to the materials and objects he works with, and employs precious and base metals, facetted and found stones in his work with egalitarian abandon, turning the most ordinary into the extraordinary. “Of course the ring wants to be beautiful. The technique also wants to be beautiful, and most often it's the idea that wants to be the most beautiful. But sometimes a ring likes nothing better than to sit in the mud and not give a damn about how it looks. If it's exactly what it wants to be in a given moment, it is precise, perfect and the most beautiful”. Karl Fritsch Born in Germany in 1962, Karl Fritsch was classically trained at the Goldsmith's College in Pforzheim, and then attended the Academy of Fine Arts in Munich. He has exhibited extensively, presented guest lectures around the world and his work is held in private and public collections internationally, including the Stedelijk Museum in Amsterdam, The Pinakothek of Modern Art in Munich, the Metropolitan Museum in New York and the Museum of New Zealand Te Papa Tongarewa. He has been the recipient of a number of awards including the Herbert Hoffman Prize from the International Craftsmen Trade Fair in Munich and the prestigious jury-selected Francoise van den Bosch Award (2006), given every 2 years to an international jewellery and object maker who is recognised for his/ her oeuvre, influence and contribution to the field. You can follow Karl on Instagram @karlfritschrings or his website https://www.karl-fritsch.com/ Please visit @athousandfacets on Instagram to see some of the work discussed in this episode. Music by @chris_keys__ Learn more about your ad choices. Visit podcastchoices.com/adchoices

En mai 2022, l'annonce fait l'effet d'une bombe dans le monde de l'art. L'ancien directeur du Louvre et de son antenne d'Abu Dhabi, Jean-Luc Martinez, est soupçonné avec son ancien bras droit de « trafic en bande organisée ». En clair : d'avoir acheté ou conseillé l'achat d'œuvres et d'objets qui avaient été pillés, dont ils n'ont pas vérifié la provenance et qui se sont retrouvés exposés dans les prestigieuses vitrines du Louvre.Après plus de trois ans d'enquête, un tentaculaire réseau de trafiquants a été mis au jour, en partie implanté à Paris, et qui a aussi arnaqué le prestigieux Metropolitan Museum de New York. Ce trafic vient d'être raconté en longueur dans «L'or pillé des pharaons» (Buchet-Chastel), une enquête signée par le journaliste spécialiste du marché de l'art Vincent Noce.Récit de cette affaire avec Nicolas Jacquard, grand reporter au service police justice du Parisien. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Derek Fordjour was born in Memphis, Tennessee to Ghanaian parents. He is the recipient of the 2025 Gordon Parks Foundation Artist Fellowship, the 2023 St. Jude Children's Research Hospital Spirit of the Dream Award, and previously served as the Alex Katz Chair at Cooper Union. He has received public commissions for the Highline, the NYC AIDS Memorial, MOCA Grand Avenue and the MTA's Arts & Design program. Fordjour's work has been reviewed in The New York Times, Financial Times, The Wall Street Journal, and The Los Angeles Times. A monograph of his work will be published by Phaidon in 2027.He is a graduate of Morehouse College in Atlanta Georgia, earned a Master's Degree in Art Education from Harvard University and an MFA in painting from Hunter College. His work is held in the private and public collections of the Metropolitan Museum of Art, Whitney Museum of American Art, Guggenheim Museum, and The Royal Collection in London among others. He is the founder of the Contemporary Arts Memphis.He and Zuckerman discuss his work, particularly his exhibition “Night Song,” identity, memory, and community, how art can evoke emotional responses and create shared experiences, his creative process, the importance of collaboration, his commitment to giving back to the community through his foundation in Memphis, and how art is life!

Send us a textNIGHT WATCHMAN (to mic, mock-host energy):Good evening, ladies and gentlemen, and welcome to Late Night at the Toy Museum.Tonight's top story: New Year's Eve is the day after tomorrow, which means the museum is preparing the traditional celebration of “fresh starts”… by using the same extension cords from 1997.And speaking of 1997—remember when our biggest problem was keeping a Tamagotchi alive?Now I can't even keep my phone alive without carrying a charger like it's a life-support system.But enough about me—let's talk about the real drama.No beeping no dramatic monologues no existential crisis from a pocket size objects oh what do we have here he has arrived       Tonight's featured guest is a toy that goes down, comes back up, and somehow still looks smug about it.Now back in the Metropolitan Museum of Toys and Childhood Artifacts, the corridors are quieter than usual. Not because the toys are asleep—no, they've never been less asleep than the week between Christmas and New Year's—but because everyone is waiting.NARRATOR (cont.):Tomorrow night, this museum celebrates New Year's Eve. Tonight is the last night before the countdown begins… and the night watchman makes his rounds with the steady patience of a man who has survived dolls, robots, and electronic creatures.NIGHT WATCHMAN (EBENEZER):All right, Mr. Museum. One more quiet night. That's all I ask.(beat)No beeping. No dramatic monologues. No existential crises from pocket-sized objects.NIGHT WATCHMAN (cont.):…Oh.NARRATOR:He has arrived at the Classics & Skill Toys case. Marbles. Jacks. A paddle ball that looks like it has seen war. And in the center, on a small velvet stand, a simple circle of plastic with a string—resting like a relic.NIGHT WATCHMAN:Don't.YO-YO (smooth, slightly theatrical):I was not doing anything… until you accused me of doing something.Support the showThank you for experiencing Celebrate Creativity.

Send us a textNARRATOR:Welcome back to the Metropolitan Museum of Toys and Childhood Artifacts—where the lights dim, the doors lock, and the exhibits do what exhibits are not supposed to do.[SFX: A security door clicks shut.]NARRATOR (cont.):Tonight, our night watchman makes his rounds with a thermos of tea, a sensible flashlight, and the quiet confidence of a man who believes no object smaller than a breadbox could possibly ruin his evening.[SFX: Footsteps. Keys jingle softly.]NIGHT WATCHMAN (EBENEZER SMITH):All right, Mr. Museum… let's see what you've got for me tonight. No juggling dolls. No ventriloquist dummies practicing stand-up. No remote-control cars attempting a heist.[SFX: He stops walking. The ambience hushes slightly.]NIGHT WATCHMAN (cont.):Oh. The Digital Fads case.NARRATOR:A glass display case labeled “Pocket Companions: 1990s–2000s.” Inside: a pager, a flip phone, a tiny handheld game, and—resting on a velvet stand like a jewel—an egg-shaped plastic keychain with three little buttons.[SFX: A tiny electronic “BEEP-BEEP!”]NIGHT WATCHMAN:…No.[SFX: “BEEP! BEEP! BEEP!” intensifies.]NIGHT WATCHMAN (cont.):Absolutely not. We are not doing this tonight. I remember you. I remember the… the neediness.NARRATOR:The night watchman leans closer. The little screen glows with a pixelated face that looks… concerned. Accusatory. Dramatic.[SFX: “BEEP!” a little sadder now.]NIGHT WATCHMAN:Fine. All right. Rule of the museum: if you're going to speak, you tell me your name and what you are. No mysterious beeping from the shadows. Understood?[SFX: One polite beep. Then a short, proud chime.]Support the showThank you for experiencing Celebrate Creativity.

Send us a textNARRATOR:It's Christmas Eve at the Metropolitan Museum of Toys and Childhood Artifacts—after the last visitor has gone,after the gift-shop lights click off,after the lobby wreath stops smelling like “busy” and starts smelling like “quiet.”[SFX: KEY RING JINGLE. DOOR CLICKS. FOOTSTEPS ON TILE.]NIGHT WATCHMAN (GENTLE, CONTENT):All right, everybody…Merry Christmas Eve.(beat)Now… let's have a peaceful night.No surprises.No—NIGHT WATCHMAN (LOOKING UP):…No surprises.NARRATOR:In the Seasonal Traditions Gallery, under the dim night-lights, something small sat on a shelf as if it had always belonged there.An elf doll.Not blinking.Not moving.Just… waiting.Support the showThank you for experiencing Celebrate Creativity.

UnCabaret founder and host, Beth Lapides, talks about creating the show to have a place to perform then how it shifted to a place where she nurtured Taylor Negron, Judy Toll, Patton Oswalt, Margaret Cho, Bob Odenkirk, Janeane Garofalo, and everyone else to be the best performer they could. She talks about how to be creative and how to stop getting in your own way, how life is change and change is good.  She finds joy in pulling weeds and eating just the right amount of pizza. Bio:  BETH LAPIDES works at the intersection of comedy, creativity and consciousness. She is the creator, host and producer of the legendary, genre shifting, UnCabaret - widely considered to be the original “alt-comedy” show. The LA Times called her the ‘godmother of alternative comedy.” She's produced UnCab for Comedy Central, Amazon Studios, audible etc. And created its spin offs Say The Word and The Other Network. UnCabaret continues to help launch and relaunch some of your favorite iconic comedic voices. Beth is the author of Recorded Books' original audio book “So You Need To Decide,” which was on Vulture's Top 10 Comedy Books of 2022 and which Variety called “a potentially life-changing treasure.” Her first published book, “Did I Wake You? Haiku For Modern Living,” opened the door to a wave of comedy haiku. Her very first books were handmade artist books and were shown, among other places at the Metropolitan Museum of Art. Her wide ranging muti-disciplinary career has included writing for O Magazine, correspondent-ing on NPR's All Things Considered, touring her solo shows – currently It's A Lot – hosting a daily radio show for Comedy World, shepherding an extremely short lived talk show for MTV, developing a pilot with an Emmy award winning producer, hosting a podcast called Life and Beth, and running a campaign to make First Lady an elected position. An occasional actress, she was the first guest star on Will and Grace and the performance artist on Sex and The City – and has appeared in many indie films most often as an offbeat authority figure. Beth had a parallel career as a teacher and muse, known for her ability to help creators find their authentic voice – understand their own process, transform, complete and produce their work. She's gone from teaching comedians to coaching a vast array of creatives - currently in a framework called The Infinite Creator. Learn more about your ad choices. Visit megaphone.fm/adchoices

UnCabaret founder and host, Beth Lapides, talks about creating the show to have a place to perform then how it shifted to a place where she nurtured Taylor Negron, Judy Toll, Patton Oswalt, Margaret Cho, Bob Odenkirk, Janeane Garofalo, and everyone else to be the best performer they could. She talks about how to be creative and how to stop getting in your own way, how life is change and change is good.  She finds joy in pulling weeds and eating just the right amount of pizza. Bio:  BETH LAPIDES works at the intersection of comedy, creativity and consciousness. She is the creator, host and producer of the legendary, genre shifting, UnCabaret - widely considered to be the original “alt-comedy” show. The LA Times called her the ‘godmother of alternative comedy.” She's produced UnCab for Comedy Central, Amazon Studios, audible etc. And created its spin offs Say The Word and The Other Network. UnCabaret continues to help launch and relaunch some of your favorite iconic comedic voices. Beth is the author of Recorded Books' original audio book “So You Need To Decide,” which was on Vulture's Top 10 Comedy Books of 2022 and which Variety called “a potentially life-changing treasure.” Her first published book, “Did I Wake You? Haiku For Modern Living,” opened the door to a wave of comedy haiku. Her very first books were handmade artist books and were shown, among other places at the Metropolitan Museum of Art. Her wide ranging muti-disciplinary career has included writing for O Magazine, correspondent-ing on NPR's All Things Considered, touring her solo shows – currently It's A Lot – hosting a daily radio show for Comedy World, shepherding an extremely short lived talk show for MTV, developing a pilot with an Emmy award winning producer, hosting a podcast called Life and Beth, and running a campaign to make First Lady an elected position. An occasional actress, she was the first guest star on Will and Grace and the performance artist on Sex and The City – and has appeared in many indie films most often as an offbeat authority figure. Beth had a parallel career as a teacher and muse, known for her ability to help creators find their authentic voice – understand their own process, transform, complete and produce their work. She's gone from teaching comedians to coaching a vast array of creatives - currently in a framework called The Infinite Creator.

Send us a textNARRATOR:It's Christmas Eve at the Metropolitan Museum of Toys and Childhood Artifacts—after the last visitor has gone,after the gift-shop lights click off,after the lobby wreath stops smelling like “busy” and starts smelling like “quiet.”[SFX: KEY RING JINGLE. DOOR CLICKS. FOOTSTEPS ON TILE.]NIGHT WATCHMAN (GENTLE, CONTENT):All right, everybody…Merry Christmas Eve.(beat)Now… let's have a peaceful night.No surprises.No—NIGHT WATCHMAN (LOOKING UP):…No surprises.NARRATOR:In the Seasonal Traditions Gallery, under the dim night-lights, something small sat on a shelf as if it had always belonged there.An elf doll.Not blinking.Not moving.Just… waiting.Support the showThank you for experiencing Celebrate Creativity.

Kevin Townley Jr. is one of those fascinatingly multi-talented creative people who doesn't fit neatly into any box—he's an actor, filmmaker, writer, meditation teacher, and now author of "Look, Look, Look, Look, Look Again," a book that connects 26 artists to Tibetan Buddhist teachings about transforming negative emotions into wisdom. His upbringing was pretty wild: raised in 1990s Colorado by his father in a spiritual commune filled with tarot cards, alchemy experiments, and Native American rituals after his parents had a messy divorce (his mom literally punched his dad in the school playground). Despite growing up poor and dealing with instability, Kevin learned early on to embrace his theatrical, queer sensibility—dyeing his hair orange and wearing purple suits to middle school as an act of defiant self-expression that basically made bullies back off. He didn't formally start practicing Buddhism until his 30s, though it was always part of his world growing up in Boulder's spiritual scene. Now he's making independent films the DIY way, gathering NYC creative friends to shoot projects over months without traditional Hollywood budgets or gatekeeping. His approach to everything—from Buddhism to filmmaking—seems to be about creating nurturing, non-judgmental spaces where people can express themselves authentically. The whole conversation reveals someone who turned a chaotic childhood into a superpower: an ability to see possibilities where others see obstacles and to gather communities around creative visions without manipulation or cruelty. BIO: Kevin Townley is a writer, filmmaker, actor, singer, and meditation teacher. He began formally studying Buddhism in 2010 and currently practices with the Sokuko-Ji Zen community under the guidance of Kyoun Sokuzan. He has taught Buddhism and meditation for over a decade. His film and television work include appearances in My Super Ex-Girlfriend, Men in Black III, The Detour, and Law & Order. With his band, Bambï, Townley adapted Rossner's Looking for Mr. Goodbar into the rock opera called GOODBAR, performed at The Public Theater. He has written extensively for the Waterwell theater company and Rookiemagazine. He has also led hundreds of art tours in museums across the United States, including the Metropolitan Museum of Art, the Art Institute of Chicago, and Boston's Museum of Fine Arts.

Send us a textNARRATOR (WARM, LOW):Welcome to Celebrate Creativity…and Conversations with Toys.  This episode is VIEW-MASTER: CLICK INTO WONDER.This podcast is a dramatization that blends historical research with fiction, satire, and imagined conversations between people, toys, and other objects. It is not a documentary and not professional advice of any kind. No character, toy, product, or brand depicted in this podcast is authorized by, endorsed by, or officially affiliated with any company, manufacturer, museum, or organization; references to specific names are for storytelling only and do not imply sponsorship or approval.I'm George Bartley… now let's have some fun.It's after hours at the Metropolitan Museum of Toys and Childhood Artifacts—the place where the lights go low,the cameras blink like sleepy fireflies,and the toys… well.The toys finally have time to talk.[SFX: KEY RING JINGLE. A DOOR SOFTLY CLICKS SHUT.]NIGHT WATCHMAN (EASY, FRIENDLY):Evening, everybody.All right… let's see what kind of trouble you're in tonight.[SFX: FOOTSTEPS SLOW. THEN STOP.]Support the showThank you for experiencing Celebrate Creativity.

Episode 506 / Ragnar Kjartansson Ragnar Kjartansson is an artist who lives and works in Reykjavik. He engages multiple artistic mediums in his performative practice. The history of film, music, theatre, visual culture and literature find their way into his video installations, durational performances, drawing and painting. Pretending and staging are key tools in Kjartansson's efforts to convey sincere emotion and offer genuine experiences to audiences. Kjartansson's work has been exhibited widely, including solo exhibitions and performances at the Louisiana Museum of Modern Art, Kunstmuseum Stuttgart, Metropolitan Museum of Art, Barbican Centre, Hirshhorn Museum and Sculpture Garden, Reykjavik Art Museum, Palais de Tokyo, and New Museum. 

From Freudian fashion to sumptuous saris, courtly courtesans to iconic opera costumes, we take you "behind the seams" of our recent fashion history-packed day tours of New York City spent at the Fashion Institute of Technology, The New York Historical Society, The Metropolitan Opera and the Metropolitan Museum of Art.  Further learning: Valerie Steele's Dress, Dreams, and Desire at the Museum at FIT The New York Sari and The Gay Harlem Renaissance at the New York Historical Discounted tickets for The Metropolitan Opera Antonio Ratti Center Noel Catherine Vorlée 1783 and ca. 1804 at the Metropolitan Museum of Art Man's Jama with Poppies  Want more Dressed: The History of Fashion?  Our ⁠⁠⁠website⁠⁠⁠ and ⁠⁠⁠classes⁠⁠⁠ Our ⁠⁠⁠Instagram⁠⁠⁠ Our ⁠⁠⁠bookshelf⁠⁠⁠ with over 150 of our favorite fashion history titles Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textNARRATOR / NIGHT WATCHMAN (gentle, amused):It's amazing what feels different in a museum at midnight.In the daytime, the lights are bright, the brochures are tidy, the gift shop is cheerful……but when the doors are locked and the echoes stretch a little longer…you start to notice the small things.The way the glass cases hold their breath.The way the EXIT signs glow like tiny red moons.And, sometimes…the way one little plastic head keeps nodding…long after everyone's gone home.Tonight, we're back in the Metropolitan Museum of Toys and Childhood Ar    tifacts.And down one of the quieter aisles—past the superhero lunchboxes, past the snow globes that never stop snowing—Somewhere between Shakespeare in his ruffled collar and a slightly bewildered Jane Austen…there he is.Support the showThank you for experiencing Celebrate Creativity.

Send us a textNight watchmanI must admit that my first impression of the William Shakespeare action figure was - what is all the big deal.  I even have a background in Shakespeare acting - though I don't have a job with that training. But if you look at the William Shakespeare action figure - even though he has a scroll and quiil - your first reaction is what is all the fuss for?NarratorAs the narrator of this podcast episode, my suggestion is to look at the history of the character behind the William Shakespeare action figure, complete with quill.  Do you have any comments, Mr. Shakespeare. I would be surprised if you didn't.English ShakespeareYes gentlemen, if you visit the city of Stratford-upon-Avon in England today, the first thing you'll probably hear is that I was born in 1564. We don't actually know the exact day, but we do know that I was baptized on April 26th at Holy Trinity Church. Since baptisms usually happened a few days after birth, tradition has settled on April 23rd — St. George's Day — as my birthday. A fitting coincidence, since St. George is England's patron saint and many individuals said during an after my life that Iwould become England's greatest poet.Night watchmenMr. Shakespeare, I am from the State of Mississippi in the United States, and am currently employed as a night watchmen in this toy museum. Could you tell us about YOUR background in Stratford-upon-Avon.ShakespeareCertainly. I was the son of John Shakespeare, a glove maker and part-time wool dealer who rose to become an alderman in the town, and Mary Arden, who came from a well-off farming family.  My parents gave me a household connected both to trade and to old Warwickshire landowners.Night watchmanI can't believe I'm talking to a toy - especially such a small toy - but I guess it isn't every day that you get a chance to talk to the world's greatest writer - even if it is an action figure. Well I might as well ask you - you obviously know that you are very small and stature - but what seems to bother you the most? ShakespeareAh, let's view things in perspective one must realize that after midnight, the Toy Wing of the Metropolitan Museum of Toys and Childhood Artifactsis a very opinionated place.The teddy bear has thoughts about immigration.The race cars debate who's the fastest.And down one quiet aisle,between a plastic model of the Globe Theatreand a bucket of foam swords,stands a small figure in black.Black doublet.White ruff.Quill pen forever poised above a tiny scroll.And my name tag reads:“William Shakespeare Action Figurec. 2010 – Plastic, Paint, and a Suspiciously Confident Smirk.”ShakespeareGood even, kind sir.You may put “suspiciously confident smirk” in the catalogue if you like,but 'twas crafted by a very cheap mould.Support the showThank you for experiencing Celebrate Creativity.

When the artist Jennie C. Jones listens closely to a piece of music, she's particularly attuned to its pauses, in-between moments, and breaks. Widely celebrated for her abstract works in painting, sculpture, and sound art that, in many instances, incorporate architecture or space—through which she often elevates undersung or little-known Black artists and musicians—her practice is largely informed by minimalism and color field painting, as well as by jazz and avant-garde music. Jones currently has two exhibitions on view at the Pulitzer Arts Foundation in St. Louis (through Feb. 1, 2026): “A Line When Broken Begins Again,” which features a selection of new and existing paintings, sculptures, works on paper, and sound pieces, and “Other Octaves,” a group show she curated of works by artists who have been formative to her practice. She was also commissioned to create the 2025 rooftop installation at New York's Metropolitan Museum of Art.On this episode of Time Sensitive, she discusses what listening as a conceptual practice looks like in action, the art of putting together a playlist, and her deep love of things tactile and analog.Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.Show notes: [04:35] “Jennie C. Jones: A Line When Broken Begins Again” (2025)[04:35] “Other Octaves” (2025)[04:57] Carmen Herrera[04:57] Agnes Martin[04:57] Martin Puryear[04:57] Alma Thomas[04:57] Mildred Thompson[05:21] A Free and Shifting Tonal Center (2024)[7:26] Ellsworth Kelly[11:44] Fred Moten[11:44] “Dynamics” (2022)[13:02] Trisha Brown's “Leaning Duets” (1970)[14:40] Tadao Ando[14:55] “These (Mournful) Shores” (2020)[17:21] Moses Williams[17:21] Louis Dotson[18:20] Richard Tuttle[30:25] Olly Wilson[31:28] Maryanne Amacher[31:28] Arthur Russell[37:10] Jennie C. Jones: Compilation (2015)[38:30] “The Theater of Refusal: Black Art and Mainstream Criticism” (1993)[42:25] “Slow Birds” (2004) [42:25] "Slowly in a Silent Way, Caged” (2010)[42:25] Charlie Parker[1:09:47] “Jennie C. Jones: RPM (revolutions per minute)” (2018)[1:12:06] “Ensemble” (2025)

The Author Events Series presents Harmonia Rosales | Chronicles of Ori: An African Epic  In Conversation with Imani Roach In Chronicles of Ori, her debut book, Harmonia Rosales retells the African myths she has long treasured, crafting an enthralling epic that spans the birth of the universe to the modern world of colonialism and resistance. She writes of the powerful, temperamental deities called the Orishas; of the founding of Yorubaland by the shrewd leader Oduduwa; of the young heroine Eve, born in a time of violence and despair, who would help her people regain their past splendor; and of shimmering serpents and monstrous shadows who stalk the lands of mortals. At the center of these linked tales is the bond, sometimes fraying, between the Orishas and the humans who worship them. It was the Orishas who made humans, and who gave them their most precious resource: their Oris, or destinies. Vividly brought to life by Rosales's artwork, Chronicles of Ori will enlighten and delight readers for years to come. Harmonia Rosales is an American artist from Chicago whose work depicts and honors African myths and the diaspora. She lives in Los Angeles, California. Imani Roach is the inaugural director of the Brind Center for African and African Diasporic Art at the Philadelphia Museum of Art. There she is planning the first permanent gallery devoted to the arts of Africa and its diaspora in the PMA's 150-year history, set to open Fall, 2026. In this role she also works with colleagues across the institution on educational, curatorial and conservation initiatives that center Black art. She was previously Assistant Curator for the Arts of Africa at the Metropolitan Museum of Art in New York during the renovation and reinstallation of the Michael C. Rockefeller wing's African collection. A scholar of African Modernism and a proud Philadelphia resident since 2012, she has designed and led courses on the arts of Africa at Haverford College, the University of Pennsylvania, University of the Arts, Moore College of Art and Design and elsewhere. She has also worked in the arts journalism space, both as a senior editor at Guernica Magazine and as the first Managing editor of Artblog. Beyond her career as an art historian, she is also a regularly gigging vocalist and a new mom.  Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night! All tickets are non-refundable. (recorded 10/21/2025)

Lisa Z. Lindahl is an award-winning inventor, artist, author, and entrepreneur best known for transforming women's sports with her 1977 invention of the first sports bra, the Jogbra. As CEO of JBI Inc. from 1977–1992, she helped shape a global industry, earning ten patents and seeing her invention archived at the Smithsonian National Museum of American History and even displayed at The Metropolitan Museum of Art as a “revolutionary piece of women's undergarments.”In 1999, she co-founded Bellisse and co-invented the Compressure Comfort® Bra, a breakthrough medical garment now supporting breast cancer survivors worldwide. She has been inducted into the National Inventors Hall of Fame (2022), received a U.S. Congressional Commendation, and has long served as an advocate for women's health, most notably through her leadership roles at the Epilepsy Foundation of America.She is the author of Beauty as Action (2017), her philosophical guide to practicing “True Beauty,” and the acclaimed memoir Unleash the Girls (2019).In this second part of our conversation, we talk about:True beauty is harmony rather than glamourThe problem of living in a culture rooted in fear, competition, and accumulation“Practicing beauty” works through simple, everyday disciplinesLisa's 16 practices of beautyThe three-legged stool of truth, beauty, and justiceTo learn more about Lisa's work, visit:https://www.lisalindahl.com/ https://beautyinaction.com/ Links Mentioned:Beauty as Action by Lisa Z. LindahlUnleash the Girls (Lisa's memoir on inventing the sports bra)This season of the podcast is sponsored by Templeton Religion Trust.Support the show

The Art Newspaper's editor-in-chief, Americas, Ben Sutton, and art market editor, Kabir Jhala, are in Miami Beach for Art Basel's latest edition and discuss the top sales and the wider mood at the fair. As staff at the Musée du Louvre in Paris vote to strike, Ben Luke talks to Vincent Noce, our correspondent in Paris, about the deepening crisis at the museum, following the robbery in October. And this episode's Work of the Week is Helene Scherfbeck's The Tapestry (1914-16). It features in a new exhibition of the Finnish artist's work opening this week at the Metropolitan Museum of Art in New York. We talk to the curator of the exhibition, Dita Amory, about the painting.Art Basel Miami Beach, 5-7 December 2025.Seeing Silence: The Paintings of Helene Schjerfbeck, Metropolitan Museum of Art, New York, 5 December-5 April 2026 Hosted on Acast. See acast.com/privacy for more information.

En Partenariat avec le Salon Histoire de Lire 2025 Les Très Riches Heures du duc de Berry sont bien plus qu'un simple manuscrit. Célébré comme la « Joconde » des manuscrits, ce recueil d'offices et de prières personnalisé pour le duc de Berry, frère du roi Charles V, témoigne du faste et du raffinement artistique de la fin du Moyen Âge. Réalisé tout au long du XVe siècle sur vélin, à la détrempe, à l'or, à l'argent et à l'encre, ce livre exceptionnel compte parmi ses enlumineurs les frères Limbourg, éminents artistes attachés à la cour de Bourgogne puis de Berry. Composées de 121 miniatures, elles captivent par leurs représentations de châteaux historiques (Palais de la Cité, Palais du Louvre, château de Vincennes), de scènes princières et des travaux des champs rythmés par les saisons. Pour la première fois depuis la mort du prince en 1416, tous ses livres d'heures aujourd'hui connus sont réunis en un seul et même endroit. Cette rencontre au sommet, permise par les prêts des oeuvres les plus prestigieuses - dont les Belles Heures conservées au Metropolitan Museum of Art - est accompagnée par la présentation d'une grande partie de la bibliothèque du duc de Berry, l'une des plus fameuses du Moyen Âge.Marie-Pierre Dion est notre invitée en direct du Salon, à Versailles, pour les Interviews HistoireHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Lisa Z. Lindahl is an award-winning inventor, artist, author, and entrepreneur best known for transforming women's sports with her 1977 invention of the first sports bra, the Jogbra. As CEO of JBI Inc. from 1977–1992, she helped shape a global industry, earning ten patents and seeing her invention archived at the Smithsonian National Museum of American History and even displayed at The Metropolitan Museum of Art as a “revolutionary piece of women's undergarments.”In 1999, she co-founded Bellisse and co-invented the Compressure Comfort® Bra, a breakthrough medical garment now supporting breast cancer survivors worldwide. She has been inducted into the National Inventors Hall of Fame (2022), received a U.S. Congressional Commendation, and has long served as an advocate for women's health, most notably through her leadership roles at the Epilepsy Foundation of America.She is the author of Beauty as Action (2017), her philosophical guide to practicing “True Beauty,” and the acclaimed memoir Unleash the Girls (2019).In this first part of our conversation, we talked about:Lisa's earliest encounters with beauty, from frozen rivers to childhood moments of oneness with natureThe story behind the first Jogbra prototype and why sewing “stretch on stretch” is its own artWhy the need for the sports bra was far greater than she ever imaginedThe surprising moment when she realized that “beauty is what really matters.”What she means by true beauty and why she believes it is eternalTo learn more about Lisa's work, visit:https://www.lisalindahl.com/ https://beautyinaction.com/ Links Mentioned:Beauty as Action by Lisa Z. LindahlUnleash the Girls (Lisa's memoir on inventing the sports bra)This season of the podcast is sponsored by Templeton Religion Trust.Support the show

For ten years, New York-based artist and illustrator Abbie Zabar had unique, early-morning access to the Great Hall at New York's Metropolitan Museum of Art. With colored-pencils and a small square of paper, Abbie drew the dramatic floral arrangements on display in the Great Hall, designed by Chris Giftos, the Met's floral master who served […] The post Episode 744: Abbie Zabar's new book, BOUQUET: Floral Arrangements at the Metropolitan Museum appeared first on Slow Flowers Podcast with Debra Prinzing.

The new exhibit "Divine Egypt" at the Metropolitan Museum of Art brings together nearly 250 works of art from Ancient Egypt that depict the deities they worshiped. Curator Diana Craig Patch discusses the history and artistic value of these objects. "Divine Egypt" is on view through January 19.

Synopsis When is Hanukkah this year? When is Lupercalia, or Easter, or Midsummer’s Eve? When is your birthday? Figuring out when big events happen is incredibly important, and humans have been doing it for a long time. But while we can see some similarities in the process of calendar evolution, many civilizations had very different ways of conceptualizing and measuring time. Join Em and Dr. Jesse for a discussion of non-Roman calendars! Notes 0/ Check out the Nerd and Tie podcast network! Official announcement here. 1/ A lot of Mayans live in Yucatán in Mexico. Between 1847–1933, the Mayan fought a long and bloody war against the government of Mexico, and for a while controlled an independent state. Eventually they won the right to break up some of the haciendas, making it a fairly successful indigenous land movement. Now in Yucatán, a lot of the land is collectively owned/managed by the Maya. 2/ St Patrick will be coming up in the future! His episode has been recorded. 3/ Sir Capricorn’s name turns out to be Sesame. He is amazing! 4/ Gobekli Tepe (settled roughly 9500 BCE) 5/ Wurdi Youang (Australia) 6/ Warren Field (Scotland) 7/ Hawaii 8/ Yoruba calendar 9/ Babylonian calendar (from the 2nd millennium BCE). See Lis Brack-Bernsen’s “The 360-Day Year in Mesopotamia” The early astronomical text known as MUL.APIN (from 1000 BCE). 10/ Ancient Egyptian calendar! And some fun artifacts from the Metropolitan Museum of Art. 11/ Mayan calendar! Very intriguing. Here is the film 2012 which posits many incorrect things, not just about the Mayan calendar.

One pebble can create countless ripples—and this episode follows the journey of Jhaelen Hernandez-Eli who's done exactly that. From Singapore to North Carolina, architecture studios to unexpected sales roles, and a decade inside a rocket-ship design firm, the path winds through public service at NYC EDC and executive leadership at the Metropolitan Museum of Art.Now, that journey culminates in a new strategy practice helping nonprofits, museums, and campuses plan, fund, and deliver capital projects that truly transform communities. At the core of every chapter is one question: How can institutions be more useful? We explore themes of equity, climate resilience, and elevating new voices—all in service of creating places that matter.Things we cover: Why capital projects shape public life and accessHow the Met's $2B program advanced equity and climate prioritiesSelecting architects beyond the usual shortlistLessons from sales, procurement, and negotiationPublic service as a lever for middle-class jobsSalary transparency, trade-offs, and leverageTeaching as a platform for opening the “black box”Launching a mission-driven firm and curating a values-based teamDisclaimer: The views shared on Career Cheat Code are those of the guests and don't reflect the host or any affiliated organizations. This podcast is for inspiration and information, highlighting unique career journeys to help you define success and take your next step. If you enjoyed this episode, please like, rate, and subscribe to this podcast on whatever platform you're using, and share this podcast with your friends and your networks. For more #CareerCheatCode, visit linktr.ee/careercheatcode. Host - Radhy Miranda LinkedIn Instagram Producer - Gary Batista LinkedIn Instagram To watch on YouTube Follow us on Instagram Follow us on TikTok Follow us on LinkedIn

Episode No. 731 features artist Hew Locke. The Yale Center for British Art is presenting "Hew Locke: Passages," the first US survey of Locke's career. Across sculpture, painting, photography and installations, Locke's work considers colonialism, its power, and the ways in which we respond to colonialism and its impacts. Locke, who is Guyanese-British, particularly focuses on British imperialism and how it was constructed, including through monarchy, trade, and (sometimes forced) migration. The exhibition, which is on view through January 11, 2026, was curated by Martina Droth. The catalogue, which was edited by Droth and Allie Biswas, was published by the YCBA. Bookshop and Amazon offer it for $60-70. In-gallery materials are available here in both English and Spanish. Locke's work has been featured in solo exhibitions at The British Museum, London, the Metropolitan Museum of Art, New York, Tate Britain, London, the Institute of Contemporary Art / Boston, Pérez Art Museum Miami, and more. As discussed on the program: "Hew Locke: what have we here" at the British Museum; and "The Other Story: Afro-Asian Artists in Post-War Britain" at the Hayward Gallery, London. Instagram: Hew Locke, Tyler Green. Air date: November 6, 2025.

This week's Dressed Classic episode revisits our 2020 conversation with Dr. Jonathan Michael Square joins us to discuss some of his object based research into Brooks Brother's coats worn by enslaved servants during the 19th century. Some of the research we discuss in this episode is included in his contributions to the 2025 Superfine: Tailoring Black Style exhibition at The Metropolitan Museum of Art and its associated exhibition catalog. Recommended Reading: Miller, Monica, ed. Superfine: Tailoring Black Style. New York: The Metropolitan Museum of Art, 2025. Want more Dressed: The History of Fashion?  Our ⁠⁠⁠⁠website⁠⁠⁠⁠ and ⁠⁠⁠⁠classes⁠⁠⁠⁠ Our ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ Our ⁠⁠⁠⁠bookshelf⁠⁠⁠⁠ with over 150 of our favorite fashion history titles Dressed is a part of the ⁠⁠⁠⁠AirWave Media⁠⁠⁠⁠ network Learn more about your ad choices. Visit megaphone.fm/adchoices