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Episode No. 776 of The Modern Art Notes Podcast features artist Mark Thomas Gibson and curator Ben Colman. The Tang Museum at Skidmore College is presenting "Mark Thomas Gibson: We Are a Constellation," a survey of Gibson's recent considerations of US history and the relationship between our past and our present. The exhibition was curated by Ian Berry in collaboration with the artist and is on view through January 3, 2027. Gibson's work is also featured in "The Crossing: Picturing the American Revolution" at the Michener Art Museum, Doylestown, Penn. "The Crossing" looks at how artists have represented Continental Army commander-in-chief George Washington's crossing of the Delaware River on Christmas night, 1776. "The Crossing" is particularly interested in how artists have built on and often 'refuted' Emanuel Leutze's famed 1851 Washington Crossing the Delaware, which is in the collection of the Metropolitan Museum of Art, New York. The exhibition, which was curated by Laura Igoe, is up through January 10, 2027. An exhibition of Gibson's recent work opens at Philadelphia's Fleisher/Ollman Gallery tomorrow, and remains on view through November 7. Among the institutions that have presented solo shows of Gibson's work are the Museum of Fine Arts, Boston, The Library Company of Philadelphia, and the Museum of Contemporary Art Detroit. Colman is the curator of "Georgia O'Keeffe: Architecture" at the Detroit Institute of Arts. Across about 35 paintings, the exhibition examines O'Keeffe's career-long interest in buildings and the built environment. It's on view through January 3, 2007. The DIA has published a catalogue that is available from Amazon and Bookshop for $32-34. Instagram: Mark Thomas Gibson, Ben Colman, Tyler Green. Air date: September 17, 2026.
I'm excited to share with you my conversation with the eminent contemporary artist, portraitist, musician and thinker, Paul Benney. Paul's artwork spans genres from Neo-Expressionism to Photorealism. His award- winning paintings are represented in major public collections around the world, including The Metropolitan Museum of Art in New York, The National Gallery of Australia, The National Portrait Gallery in London and even The Throne Room of Buckingham Palace. His portraits and contemporary works have been featured across television, radio and documentary programmes on all major international networks, earning him a reputation as one of the most distinguished contemporary artists working today. Yet his creativity extends far beyond the canvas. A lifelong musician, he has recently written and released an album, Tree of Ghosts, adding another dimension to an already remarkable artistic journey. This conversation is full of anecdotes, insights, warmth and humour covering the extraordinary life of one of our most talented yet humble creatives today. Not to be missed! Related links: Paul's website • Tree of Ghosts - SALLIS Artwork discussed: Queen Camilla • Queen Elizabeth • Sir Mick Jagger • Speaking in Tongues • Scrying Mirror • Sinking Car Bandwidth Conversations is proudly sponsored by Klira. Editing and post-production work for this episode was provided by The Podcast Consultant.
Ich dzieła znamy z muzeów, szkół i podręczników, a nazwiska stanowią fundament kanonu kultury. Obaj pochodzili z Hiszpanii. Zmienili oblicze sztuki nowoczesnej, choć reprezentowali zupełnie odmienne kierunki. „Pierwsza komunia”, „Portret Gertrudy Stein”, „Panny z Awinionu”, „Portret Ambroise'a Vollarda” i „Guernica” – te obrazy ojca kubizmu odnaleźliśmy w Muzeum Picassa w Barcelonie, Metropolitan Museum of Art i Museum of Modern Art w Nowym Jorku oraz w Muzeum Narodowym Centrum Sztuki Królowej Zofii w Madrycie. W tym ostatnim muzeum widzieliśmy słynny obraz Dalego „Trwałość pamięci” (lub „Uporczywość pamięci”), a inne dzieło prowokatora surrealizmu, zatytułowane „Pojawienie się twarzy i patery z owocami na plaży”, odnaleźliśmy w Wadsworth Atheneum w Hartford w USA. Na koniec odwiedziliśmy Teatr-Muzeum Dalego w hiszpańskim mieście Figueres. Gościem Jerzego Jopa był dr hab. Piotr Rosiński, profesor UJK w Kielcach, historyk sztuki.
Artists Dru Donovan and Jon Rubin join PhotoWork with Sasha Wolf to share their memories of legendary photographer, artist, and teacher Larry Sultan and discuss the release of Water Over Thunder: Selected Writings (MACK), the first publication devoted to Sultan's wide-ranging use of writing as a personal, artistic, and pedagogical tool, illustrated throughout with previously unseen materials from his archive. Former students, assistants, and friends of Sultan, Donovan and Rubin share personal stories about his approach to photography, teaching, and mentorship, while reflecting on his lasting influence and the privilege of collaborating with his family on this book. Dru Donovan Dru Donovan works with both photography and video to examine the connection between physical and emotional occurrences by constructing or revisiting human experiences. Donovan's work has shown nationally and internationally and was included in reGeneration2: Tomorrow's Photographers Today at the Musée de l'Elysée in Lausanne, Switzerland, and in the 2010 California Biennial at the Orange County Museum of Art, Fraenkel Gallery, Yancey Richardson Gallery, Williamson Knight Gallery and Philadelphia Photo Arts Center. Donovan's photographs were published in Aperture Magazine, Blind Spot, Picture Magazine and Matte Magazine. In 2011 TBW Books published her first book, Lifting Water. In 2011-2012 she participated in the Lower Manhattan Cultural Council's Workspace studio residency. Awards Donovan has received are the John Gutmann Photography Fellowship in 2015 and the John Simon Guggenheim Memorial Foundation Fellowship in 2016. https://drudonovan.com Jon Rubin Jon Rubin is an interdisciplinary artist who creates collaborative interventions into public life that re-imagine individual, group, and institutional behavior. His socially engaged projects include running a barter-based nomadic art school, founding a national museum, operating a restaurant that produces a live talk show with its customers, and co-directing another that only serves cuisine from countries with which the United States is in conflict. In 2019, with the support from Creative Capital, Rubin built an exact replica of his friend Sohrab Kashani's Tehran apartment so they both could live and work together in a parallel universe that bypassed the Trump travel ban. Rubin has exhibited at the Shanghai Biennial; the San Francisco Museum of Modern Art; the Mercosul Biennial; the Carnegie International; The Lyon Biennale; The Museum of Contemporary Art, Denver; The Museo Tamayo Arte Contemporaneo, Mexico; The Rooseum, Sweden; as well as in backyards, living rooms, and street corners. In 2017 the Solomon R. Guggenheim Museum commissioned a major new work by Rubin and collaborator Lenka Clayton, entitled A talking parrot, a high school drama class, a Punjabi TV show, the oldest song in the world, a museum artwork, and a congregation's call to action circle through New York. With the participation of six diverse venues around New York City, the artists arranged for an essential element from each site—referenced in the project's title—to circulate from one place to the next, creating a six-month network of social and material exchange. His work has been reported on internationally by outlets including The New York Times, The Associated Press, Art in America, Artforum, The Boston Globe, La Repubblica, Al Jazeera, BBC World News, and NPR's All Things Considered. Conflict Kitchen, Rubin's collaborative seven-year work with artist Dawn Weleski, was named as one of the 100 Artworks that “Defined the Decade” by Artnet News. Rubin is a Professor in the School of Art at Carnegie Mellon University. In 2016 he was awarded an Honorary Doctorate from the Columbus College of Art and Design. https://www.jonrubin.net Larry Sultan Larry Sultan (American photographer, b. Brooklyn, NY, 1946; d. Greenbrae, CA, 2009) was raised in California's San Fernando Valley. His work, heavily influenced by the post-war popular culture of Los Angeles, plays with notions of documentary and staged photography and reveals the psychological nuances found in the everyday suburban landscape and family life. Acclaimed for his use of color and light, Sultan is also known for uniquely collapsing the distance between himself and his subject. His series include Swimmers (1978-82), Pictures from Home (1983-92), The Valley (2004) and Homeland (2006-2009). Sultan co-authored the ground-breaking work, Evidence (1977) with Mike Mandel. A beloved and highly influential educator, Sultan taught at the San Francisco Art Institute from 1978 to 1988 and served as a Distinguished Professor of Photography at California College of the Arts, San Francisco, from 1989 to 2009. Sultan's work has been widely published, exhibited, and collected worldwide including Tate Modern, London; The National Gallery, London; Stedejik Museum, Amsterdam; Musée de l'Elysée, Lausanne; Centre Pompidou, Paris; The National Gallery of Art, Washington DC; Museum of Modern Art, NY; the Metropolitan Museum of Art, NY; Whitney Museum of American Art, NY; the Solomon Guggenheim Museum, NY; Los Angeles County San Francisco Museum of Art, CA; Art Institute of Chicago, IL. Sultan was the recipient of numerous awards, including a Guggenheim Fellowship, US Department of International Arts and Lectures Grant, National Endowment for the Arts Photography Fellowship. Sultan's project Pictures from Home was developed for the stage and premiered on Broadway in 2023. https://www.larrysultan.com
No episódio 160 do Moda Importa, Marcella Lorenzon & Su Biazoli analisam três acontecimentos que revelam como a moda escolhe quem será celebrado, o que continuará relevante e quais encontros serão transformados em desejo.O cancelamento da retrospectiva de John Galliano no Metropolitan Museum of Art abre uma discussão que vai além da polêmica: existe diferença entre estudar uma trajetória importante para a moda contemporânea e homenagear quem a construiu? Entre o Met, Anna Wintour, a indústria e a reação do público, quem ainda tem autoridade para conceder esse reconhecimento?Na sequência, a Hermès mostra outra forma de exercer poder. Uma maison que não precisa acompanhar tendências para permanecer no centro do luxo e que construiu sua exclusividade a partir do tempo, do acesso, do savoir-faire e de uma relação com o desejo que ultrapassa as bolsas Birkin e Kelly.Por fim, a colaboração Celine x Reebok aproxima o luxo francês do sportswear dos anos 1980 e 1990 sem apagar a identidade de nenhuma das marcas. Um encontro que recupera memória, alcança públicos diferentes e mostra por que algumas collabs parecem inevitáveis assim que aparecem.Entre John Galliano, o Met, Hermès, alta-costura, Celine e Reebok, este episódio investiga as diferentes formas de poder que ajudam a definir o que a moda legitima, preserva e transforma em desejo.E falamos de moda, muita moda. Porque moda importa.Inscreva-se no canal, curta o vídeo e ative as notificações para acompanhar os próximos episódios.Acompanhe:Moda Importa @modaimportaoficialMarcella Lorenzon @marcellalorenzonSu Biazoli @subiazoliTrilha:Sonora Trilhas @sonoratrilhasEdição de áudio e vídeo:Fick Branding & Business @fick.ag#ModaImporta #JohnGalliano #Hermès
[REBROADCAST FROM February 16, 2023] A new memoir recounts one person's journey serving as a museum guard at the Metropolitan Museum of Art for a decade. Facing the devastating loss of his brother, Patrick Bringley left his job at The New Yorker to seek solace and escape to work at one of the most famous museums in the world. Bringley discusses his book, All the Beauty in the World. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Pete Hegseth's entire life has been leading to this moment. A war for the very soul of our nation. But can he save the institution responsible for his sense of self from the woke mind virus, or is it too late? — A production of BRINK Website: thisispropaganda.show Instagram: instagram.com/thisispropagandashow Email: propaganda@brink.com — CREDITS Written, Produced, and Hosted by Malcolm Critcher and Joshua Belhumeur Co-Producer: Reed Chandler __ Some dialogue and quotations have been condensed, paraphrased, or reconstructed based on contemporaneous accounts, interviews, and other source material. All archival clips from film and television used under fair use, for educational purposes only. 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Here's Why.” Military.com, 16 Jan. 2024, www.military.com/daily-news/2024/01/16/army-delists-calling-ads-making-them-harder-find-youtube-after-years-of-political-blowback.html. Arnold, Tyler. “Does the Navy Endorse Drag Shows? TikTok Video Has Lawmakers Demanding Answers.” EWTN News, 9 May 2023, www.ewtnnews.com/world/us/does-the-navy-endorse-drag-shows-tik-tok-video-has-lawmakers-demanding-answers. “Artist Amy Sherald Has Canceled Her Upcoming Show at the Smithsonian.” NPR, 24 July 2025, www.npr.org/2025/07/24/nx-s1-5479078/artist-amy-sherald-has-canceled-her-upcoming-show-at-the-smithsonian. “Asked to Flag ‘Negative' National Park Content, Visitors Gave Their Own 2 Cents Instead.” NPR, 26 June 2025, www.npr.org/transcripts/nx-s1-5444323. Associated Press. “Sergeant, 23, Is First Woman Awarded Silver Star since World War II.” 16 June 2005. “Before Lady Liberty, There Was Lady Columbia, America's First National Mascot.” Smithsonian Magazine, www.smithsonianmag.com. Ben-Shalom, Miriam. 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Brofer, Jennifer. “Marines Conduct ‘Don't Ask, Don't Tell' Repeal Training.” DVIDS, 1st Marine Logistics Group, 29 Apr. 2011, www.dvidshub.net/video/114054/marines-conduct-dont-ask-dont-tell-repeal-training. Carter, Ash. “Remarks on Ending the Ban on Transgender Service in the U.S. Military.” 30 June 2016. U.S. Department of Defense, www.defense.gov. “CHOOSE: Drag Queens or Fatties for US Navy Recruitment.” YouTube, uploaded by BlazeTV, www.youtube.com/shorts/VES0RUssfO8. Craven, Jasper. “Battle of the Sexes.” The Baffler, no. 80, Sept. 2025, thebaffler.com/salvos/battle-of-the-sexes-craven. “‘Cruelty Was the Point': Transgender Troops Look Back on Their Ban as It's Set to End.” Military Times, 15 July 2026, www.militarytimes.com/news/your-military/2026/07/15/cruelty-was-the-point-transgender-troops-look-back-on-their-ban-as-its-set-to-end/. “Emma.” The Calling, U.S. Army, May 2021. “Executive Order 14004: Enabling All Qualified Americans to Serve Their Country in Uniform.” 25 Jan. 2021. Federal Register, www.federalregister.gov. “Executive Order 14183: Prioritizing Military Excellence and Readiness.” 27 Jan. 2025. The American Presidency Project, University of California, Santa Barbara, www.presidency.ucsb.edu. “Executive Order 14253: Restoring Truth and Sanity to American History.” 27 Mar. 2025. Federal Register, doc. 2025-05838, www.federalregister.gov. “Executive Order 14347: Restoring the United States Department of War.” 5 Sept. 2025. Federal Register, www.federalregister.gov. “The Female Combatants, or Who Shall.” 26 Jan. 1776. Lewis Walpole Library, Yale University, findit.library.yale.edu/catalog/digcoll:292042. Fleming, E. McClung. “The American Image as Indian Princess, 1765–1783.” Winterthur Portfolio, vol. 2, 1965. “Fox Commentator Pete Hegseth: If You Want Something, Go After It.” Press Publications, 2015. Fram, Bree. “Media.” Bree Fram, www.breefram.com/media. “Freedom Watch Update.” DVIDS, podcast 72, www.dvidshub.net/podcast/72/freedom-watch-update. “From Wall Street to Iraq: The Pete Hegseth UNCENSORED Story.” Danger Close with Jack Carr, YouTube, uploaded by JackCarrUSA, 24 Oct. 2024, www.youtube.com/watch?v=5FD-5dCM-ts. “Full Speeches: Trump, Hegseth Address Military Leaders at Rare Meeting in Quantico.” YouTube, uploaded by Face the Nation, 30 Sept. 2025, www.youtube.com/watch?v=AhGeNPJlIK4. Gast, John. American Progress. 1872. Autry Museum of the American West, Los Angeles. Halligan, Lindsey. Statement on the National Portrait Gallery. July 2025. Qtd. in LGBTQ Nation, www.lgbtqnation.com. “Harpy Daniels Doubles Down on Navy Drag Queen Backlash: ‘We're Winning.'” YouTube, uploaded by Dave Shadow, www.youtube.com/watch?v=aMPqAopFDAc. “Harpy Daniels: Navy's Drag Queen Digital Ambassador.” YouTube, uploaded by TheDC Shorts, www.youtube.com/watch?v=yK0Y3_S3UtA. “Hegseth Orders Rare Meeting of Top Military Leaders.” YouTube, uploaded by ABC News, Sept. 2025, www.youtube.com/watch?v=pY4bxfi5paQ. Hegseth, Pete. In the Arena: Good Citizens, a Great Republic, and How One Speech Can Reinvigorate America. Threshold Editions, 2016. ---. “Remarks to General and Flag Officers.” Marine Corps Base Quantico, 30 Sept. 2025. U.S. Department of War, www.war.gov/News/Transcripts/Transcript/Article/4318689/. Transcript. ---. The War on Warriors: Behind the Betrayal of the Men Who Keep Us Free. Broadside Books, 2024. “Hegseth's ‘Anti-Woke' Changes Likely to Receive Praise and Pushback from Top Leaders.” Sunrise, YouTube, uploaded by The Hill, www.youtube.com/watch?v=7B6T_HdjCHw. “House Approves ‘Department of War' Renaming in Annual Defense Bill.” The Hill, 23 July 2026, thehill.com/homenews/house/5985402-house-ndaa-passage-department-of-war/. “Law School Will Allow Official Recruiting.” The Harvard Crimson, 26 Aug. 2002, www.thecrimson.com. “A Look Back at Hegseth's Local Roots.” Forest Lake Times, Feb. 2025, www.hometownsource.com. Luckey, Palmer. “Palmer Luckey: AI-Powered Autonomous Weapons, Future of Warfare.” Interview. 60 Minutes, CBS, 18 May 2025, www.cbsnews.com. Mayer, Jane. “Pete Hegseth's Secret History.” The New Yorker, 1 Dec. 2024, www.newyorker.com/news/news-desk/pete-hegseths-secret-history. McMaster, H. R. “Preserving the Warrior Ethos.” National Review, Oct. 2021. Reprinted by the Hudson Institute, www.hudson.org. ---. “Preserving the Warrior Ethos.” Foreign Podicy, Foundation for Defense of Democracies, 7 Jan. 2022, www.fdd.org. Podcast. “Meet the Navy's Drag Queen, ‘Harpy Daniels.'” YouTube, uploaded by PIX11 News, www.youtube.com/watch?v=Eio7p2adUkA. “Military Colonel: ‘We Have an Obligation' to Correct Anti-Trans Rhetoric That Is ‘Factually Untrue.'” YouTube, uploaded by MS NOW, www.youtube.com/watch?v=-EB9BAQDjlk. “National Security Act of 1947.” Harry S. Truman Library and Museum, National Archives and Records Administration, www.trumanlibrary.gov. “National Security Act of 1947.” Office of the Historian, U.S. Department of State, history.state.gov/milestones/1945-1952/national-security-act. “Navy's Drag Queen Recruit: Joshua Kelley's Inspiring Journey.” YouTube, uploaded by Can We Talk? Hosted by Dr. Dan Mason, PhD, www.youtube.com/shorts/9CEaWPXaf_A. “The Navy's Latest Recruiter Is a Drag Queen.” YouTube, uploaded by Michael Knowles, www.youtube.com/watch?v=IdekkMREcDg. Obama, Barack, and Joe Biden. “Remarks by the President and Vice President at Signing of the Don't Ask, Don't Tell Repeal Act of 2010.” 22 Dec. 2010. The White House, obamawhitehouse.archives.gov/the-press-office/2010/12/22/remarks-president-and-vice-president-signing-dont-ask-dont-tell-repeal-a. “Oldest Person Living.” Guinness World Records, www.guinnessworldrecords.com. O'Neill, Robert [@mchooyah]. Post on the U.S. Navy's digital ambassador program. X (Twitter), 4 May 2023. ---. Interview. O'Connor and Company, WMAL, 5 May 2023. Radio broadcast. “Pete Hegseth Medal Flap Puts Focus on What It Takes to Earn a Bronze Star.” The Washington Times, 6 Dec. 2024, www.washingtontimes.com/news/2024/dec/6/pete-hegseth-medal-flap-puts-focus-takes-earn-bron/. Pogrebin, Robin. “Amy Sherald Cancels Her Smithsonian Show, Citing Censorship.” The New York Times, 24 July 2025, www.nytimes.com. “The Rant.” The Princeton Tory, Oct. 2002, theprincetontory.com/wp-content/uploads/2009/09/2002-10.pdf. “Read: Hegseth's Speech to Generals and Admirals.” Air and Space Forces Magazine, 30 Sept. 2025, www.airandspaceforces.com/read-hegseth-speech-generals-admirals/. “Reviving the Warrior Spirit: Secretary of Defense Pete Hegseth on Service, Sacrifice and Strength.” YouTube, uploaded by The White House, 2025, www.youtube.com/watch?v=38hwtrnR66k. Ripa, Cesare. Iconologia. Rome, 1603. Rumsfeld v. Forum for Academic and Institutional Rights, Inc. 547 U.S. 47. Supreme Court of the United States. 2006. “Saving America's Story.” The White House, July 2026, www.whitehouse.gov/releases/2026/07/saving-americas-story/. “Secretary of War Pete Hegseth Addresses Generals and Flag Officers.” DVIDS, 30 Sept. 2025, www.dvidshub.net/video/984046. “Senate Committee Backs Department of War Name Change.” Military Times, 11 June 2026, www.militarytimes.com/news/pentagon-congress/2026/06/11/senate-committee-backs-department-of-war-name-change/. Sherald, Amy. Letter to Lonnie G. Bunch III. 23 July 2025. ---. Trans Forming Liberty. 2024, oil on linen. Whitney Museum of American Art, New York, whitney.org/media/62011. Slack, Megan. “From the Archives: The End of Don't Ask, Don't Tell.” The White House Blog, 20 Sept. 2012, obamawhitehouse.archives.gov/blog/2012/09/20/archives-end-dont-ask-dont-tell. Talbott v. United States. No. 25-5087. U.S. Court of Appeals for the D.C. Circuit. 1 June 2026. GLAD Law, www.gladlaw.org/cases/talbott-v-usa/. “Transgender, at War and in Love.” Directed by Fiona Dawson, The New York Times, 2015. Op-Doc. “Transgender at War.” Vice on HBO, HBO, 2015. “Transgender Troops Face Deadlines to Self-Report under Trump's Ban.” The Washington Post, 22 June 2025, www.washingtonpost.com/national-security/2025/06/22/transgender-troops-trump-ban-hegseth/. TransMilitary. Directed by Gabriel Silverman and Fiona Dawson, SideXSide Studios, 2018. “Trump and Hegseth Deliver Charged Speeches at Military Meeting.” YouTube, uploaded by TODAY, www.youtube.com/watch?v=LGb8nBDzIQ0. Trump, Donald J. “Remarks to Military Leaders at Marine Corps Base Quantico, Virginia.” 30 Sept. 2025. Compilation of Presidential Documents, DCPD-202500970, U.S. Government Publishing Office, www.govinfo.gov. ---. “Remarks at Marine Corps Base Quantico.” 30 Sept. 2025. Factbase, Roll Call, rollcall.com/factbase/. “Trump, Hegseth Summon Hundreds of Generals to Quantico.” Stars and Stripes, 30 Sept. 2025, www.stripes.com. “Trump Moves to Scrub National Parks Sites of Signs That Cast America in a ‘Negative Light.'” NPR, 17 Sept. 2025, www.npr.org/2025/09/17/nx-s1-5540117/government-moves-to-national-scrub-park-sites-of-negative-history. “Trump Order Targets Transgender Troops and ‘Radical Gender Ideology.'” The Washington Post, 28 Jan. 2025, www.washingtonpost.com/national-security/2025/01/28/trump-transgender-troops-military-hegseth/. “Up to 1,000 Transgender Troops Are Being Separated from the Military in New Pentagon Order.” PBS News, 8 May 2025, www.pbs.org/newshour/politics/up-to-1000-transgender-troops-are-being-separated-from-the-military-in-new-pentagon-order. “U.S. Air Force to Deny Early Retirement Benefits to Some Transgender Service Members.” NPR, 8 Aug. 2025, www.npr.org/2025/08/08/nx-s1-5496133/air-force-retirement-benefits-transgender. “Vets for Freedom.” FactCheck.org, www.factcheck.org/tag/vets-for-freedom/. “Vets for Freedom: ‘Finish the Job.'” Secret Money Project, NPR, July 2008, www.npr.org/sections/secretmoney/2008/07/vets_for_freedom_finish_the_jo.html. “Vets for Freedom: ‘I Am the Surge.'” Secret Money Project, NPR, Aug. 2008, www.npr.org/sections/secretmoney/2008/08/vets_for_freedom_i_am_the_surg.html. Wagner, John. “All Hands Update: CFAS Don't Ask Don't Tell Training.” DVIDS, Defense Media Activity, 25 May 2011, www.dvidshub.net/video/116213/all-hands-update-cfas-dont-ask-dont-tell-training. Warren, Elizabeth. Letter to Pete Hegseth. Jan. 2025. United States Senate, www.warren.senate.gov. “White House Calls for a ‘Comprehensive Internal Review' of 8 Smithsonian Museums.” NPR, 12 Aug. 2025, www.npr.org/2025/08/12/nx-s1-5500550/smithsonian-trump-review. “Woman as Symbol, 1590–1800.” American Women: Topical Essays, Library of Congress, guides.loc.gov/american-women-essays/woman-as-symbol. “Woman Soldier Receives Silver Star for Valor in Iraq.” Army News Service, June 2005, www.dvidshub.net/news/538087. “WTF Was That Military Meeting…” YouTube, uploaded by HasanAbi, www.youtube.com/watch?v=l_Pt9NNZBNo. MUSIC ATTRIBUTIONS Playtime Elijah Aaron Licensed from Artlist What You've Been Looking For idokay (feat. Daniel Magen) Licensed from Artlist Quick Boudicca Licensed from Artlist No Man's Land Written and Performed by Joshua Belhumeur Too Many Steps Oran Loyfer Licensed from Artlist Tempted The Hazelnuts Licensed from Artlist American Dream Written and Performed by Joshua Belhumeur Moon Mother Richard Farrell (feat. Zephyr Gold) Licensed from Artlist A Propagandist Walks into a Piano Bar Written and Performed by Joshua Belhumeur Samizdat Written and Performed by Joshua Belhumeur
John Galliano is een van de invloedrijkste modeontwerpers ooit. Maar hij is ook een van de controversieelste. Op het hoogtepunt van zijn carrière, in 2011, werd hij gefilmd toen hij in een café antisemitische opmerkingen maakte. Volgend jaar zou hij een grote overzichtstentoonstelling krijgen in het Metropolitan Museum in New York, maar die komt er toch niet. Er kwam zo veel kritiek, dat de ontwerper zich deze week terugtrok. Wie is John Galliano? Met Linda Gümüs Gerritsen - de hoofdredacteur van de Nederlandse Vogue - lopen we door zijn turbulente leven. Presentatie en montage: Dieuwke Teertstra Redactie: Judith Kutschenreuter Eindredactie: Rosanne Sies
Paryż połowy XVIII wieku, podróż do Italii, Akademia i Salony.Głównym bohaterem Jean-Baptiste Greuze i jego obrazy z początku kariery"Leniwa Włoszka", 1756, Wadsworth Atheneum, Museum of Art, Hartford"Ptasznik" znany jako "Gitarzysta", 1757, Muzeum Narodowe w Warszawie"Rozbite jajka", 1756, Metropolitan Museum of Art, Nowy Jork"Neapolitański gest", 1757, Worcester Art Museum…Dziękuję Patronkom i Patronom za to, że umożliwiacie mi tworzenie „Otuliny o sztuce” i wspieracie moją pracę!Możesz dołączyć do tego grona https://patronite.pl/otulina_o_sztuce Znajdź mnie na Facebooku: https://www.facebook.com/otulinablogpllub Instagramie:https://www.instagram.com/otulina_o_sztuce
Episode 542 / Hew LockeHew Locke OBE RA (b. 1959) received an MA in sculpture at the Royal College of Art in 1994. His work is in the permanent collections of the Tate, London, UK; Metropolitan Museum of Art, New York, NY; Pérez Art Museum, Miami, FL; and British Museum, London, UK, among many others. His work has been the subject of numerous solo exhibitions including Here's the Thing which opened at Ikon Gallery, Birmingham, UK, in 2019 before traveling to the Kemper Museum of Contemporary Art, Kansas City, MO, and the Colby College Museum of Art, Waterville, ME. In March 2022, Locke presented The Procession, The Duveen Hall Commission for Tate Britain, London, UK, which later travelled to The Baltic Centre for Contemporary Art, Newcastle and the Institute of Contemporary Art, Boston. Locke unveiled Gilt, the Façade Commission at The Metropolitan Museum of Art, New York, in September 2022.His groundbreaking show, Hew Locke: what have we here?,opened at the British Museum, London, UK, in Fall 2024. Hew Locke: Passages, the largest solo exhibition of Locke's work to date, debuted at Yale Center for British Art, New Haven, CT, traveled to Wexner Center for the Arts, Columbus, OH, and is currently on view at the Museum of Fine Arts, Houston, TX through September 13. Locke will take part in the 2027 edition of Skulptur Projekte Münster with an installation in the Haus der Niederlande at the Krameramtshaus, Münster, Germany.(photo credit: Hugh Glendinning)
From his home in Hornbæk, northern Copenhagen-born, retired Danish pilot, airline captain, and businessman PERCY BECK RØRVIG recalls living in Manhattan at an early age, joining the Danish Air Force at 18, starting a 30-year long career at Scandinavian Airlines at 24, and piloting the CPH-JFK route for years. Percy calls New York his second home, having lived there for several periods. And he talks about the businesses he took up along the way, borrowing from lessons he learned as a pilot.----------For today's episode, Percy Beck Rørvig chose Alberto Giacometti's Three Men Walking II, from 1949 from the collection of The Metropolitan Museum of Art, New York. https://www.metmuseum.org/art/collection/search/489978 ----------Private Photograph----------This conversation with Christian D. Bruun occurred on June 28, 2026.----------We invite you to subscribe to Danish Originals for weekly episodes. You can also find us at:website: https://danishoriginals.com/ email: info@danishoriginals.com
Christopher Nolan's *The Odyssey* is the latest version of a story that's been rewritten for nearly 3,000 years.But does retelling stories actually preserve the past? Historical fiction selects, compresses, and dramatizes and with every retelling an new interpretation is layered ontop. Nolan's *The Odyssey* is a reminder of the relationship between history, myth, and cultural memory. And why every generation ends up rewriting the past in its own image.This isn't an argument that adaptation is bad. Stories have always changed in the telling. But when fiction becomes our primary connection to the past, it's worth remembering the difference between the story we inherited and the history underneath it.CHAPTERS00:00 Christopher Nolan's The Odyssey01:58 Homer Was Already Retelling the Past02:58 Nolan Adds Another Layer03:40 Translation Is Interpretation05:41 When Stories Become History06:06 The Myth of the 300 Spartans09:17 Hollywood Rewrites the Past11:39 Zero Dark Thirty Makes Memory in Real Time12:33 What Stories Actually PreserveSOURCES / FURTHER READINGHarvard — What to Know Before Seeing Nolan's “The Odyssey” Cambridge University Press — Telling Old Stories Anew: Homer's *Odyssey* as a Tale of Our Times Oxford Academic — Homeric Questions: Did Homer Exist and Is the *Iliad* Accurate? The Metropolitan Museum of Art — Mycenaean CivilizationPerseus Digital Library — Herodotus, *Histories*, Book VII
Joyce talks about the debate on canon law vs sharia law in American politics and the Palestinian Authorities claims that it is adjusting certain methods to appease American values. British fashion designer John Galliano backing away from Metropolitan Museum of Art Exhibit honoring after past antisemitic remarks revealed. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Wystawa „John Galliano: Horizons”, która miała się otworzyć w Instytucie Kostiumów Metropolitan Museum of Art w Nowym Jorku wiosną 2027 roku, nie rozpocznie się zgodnie z planem. Co sprawiło, że wydarzenie zostało przeniesione?
The authorities say they have made progress using controlled explosions and heavy machinery to access the hydropower tunnels. Nepal says that at least nine-hundred people have died in the floods, and more than four-thousand are still missing.Also on the programme, football legend Lionel Messi retires from international competitions. British fashion designer, John Galliano, has withdrawn from a planned exhibition of his work at the Metropolitan Museum of Art in New York. The Met had come in for severe criticism for hosting the exhibition, Galliano was arrested in Paris in 2011 for antisemitic insults and hateful remarks he made against Jews and Asian people at a bar near his home in the city. And the Nomad Games get underway in Kyrgyzstan, featuring sports like Kok Boru (polo but played with a dead goat instead of a mallet). We'll hear from a fan in attendance.(Picture: Rescue workers in Nepal. Credit: Reuters)
In our news wrap Monday, the Supreme Court is allowing construction to continue on President Trump's White House ballroom project as legal challenges play out, the Metropolitan Museum of Art is canceling a planned Met Gala exhibit on British designer John Galliano following a backlash and soccer superstar Lionel Messi says he's retiring from Argentina's national team. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy
Museums are purging their collections of looted treasures. Can they also get something in return? And what does it mean to be a museum in the 21st century? (Part 3 of an updated series originally published in 2023.) SOURCES: Patricia Allan, museum consultant, former curator of world cultures for the Glasgow Museums. Andrea Bayer, deputy director for collections and administration at the Metropolitan Museum of Art in New York. Lonnie G. Bunch III, Secretary of the Smithsonian Institution. Victor Ehikhamenor, Nigerian writer and artist. Patty Gerstenblith, professor emeritus of law at DePaul University College of Law. Tom Wilkening, professor of economics at the University of Melbourne. RESOURCES: "After Seizures, the Met Sets a Plan to Scour Collections for Looted Art," by Robin Pogrebin and Graham Bowley (The New York Times, 2023). "Nigeria Benin Bronzes: Buhari Declaration 'Blindsides' Museum Officials," by Barnaby Phillips (B.B.C., 2023). "Shared Stewardship and Ethical Returns Policy," by the Smithsonian Ethical Returns Working Group (2022). "Protecting Antiquities: A Role for Long-Term Leases?" by Michael Kremer and Tom Wilkening (Working Paper, 2015). EXTRAS: “Stealing Art Is Easy. Giving It Back Is Hard,” series by Freakonomics Radio (2023). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
In August 1986, 18-year-old Jennifer Levin was found strangled in Central Park behind the Metropolitan Museum of Art. Within hours, police were questioning the last person seen leaving a bar with her: 19-year-old Robert Chambers, a handsome private-school dropout who would soon become infamous as the “Preppy Killer.”This is the story of Jennifer Levin, Robert Chambers, and one of the most notorious New York murder cases of the 1980s.Be sure to Subscribe, Rate, & Review on Apple Podcasts, Spotify, and Audible!Support the show by becoming a sponsor on our Patreon: www.Patreon.com/NYMysteryMachineNYMM Merch! www.NYMysteryMachine.comHave a strange and/or paranormal story? Share it here!Don't forget to follow us on all the socials:Instagram:@NYMysteryMachine | TikTok:@NYMysteryMachine Bluesky:@nymysterymachine.bsky.social | X:@NYMysteries | Facebook:@NYMysteryMachine--THANK YOU TO OUR SPONSORS:PRINTFUL: Design your own merch, apparel, and accessories by heading to www.printful.com/a/nymysterymachineAUDIBLE: Get a FREE 30 Day Trial by heading to www.AudibleTrial.com/NYMysteryMachineRIVERSIDE.FM: Looking to record podcast, but need software? Head to https://riverside.fm/?via=nymysterymachine
How did a freshly looted Egyptian antiquity end up in the Metropolitan Museum of Art? Why did it take Kim Kardashian to crack the case? And how much of what you see in any museum is stolen? (Part 1 of “Stealing Art Is Easy. Giving It Back Is Hard,” first published in 2023.) SOURCES: Andrea Bayer, deputy director of collections and administration at the Metropolitan Museum of Art. Matthew Bogdanos, assistant district attorney in the Manhattan District Attorney's Office and chief of the Antiquities Trafficking Unit. Patty Gerstenblith, professor emeritus of law at DePaul University College of Law. Jim Marrone, staff data scientist at StubHub. Victoria Reed, Bettina Burr chair for provenance at the Museum of Fine Arts in Boston. RESOURCES: "Is the Metropolitan Museum of Art Displaying Objects That Belong to Native American Tribes?" by Kathleen Sharp (ProPublica, 2023). "More Than 1,000 Artifacts in Metropolitan Museum of Art Catalog Linked to Alleged Looting and Trafficking Figures," by Spencer Woodman, Malia Politzer, Delphine Reuter, and Namrata Sharma (International Consortium of Investigative Journalists, 2023). "The Art Market 2022: An Art Basel & UBS Report," by Clare McAndrew (2022). "The Tomb Raiders of the Upper East Side," by Ariel Sabar (The Atlantic, 2021). "Kim Kardashian's Met Gala Photo Helped Solve Looted Gold Egyptian Coffin Case," by Samantha Ibrahim (New York Post, 2021). "Tracking and Disrupting the Illicit Antiquities Trade With Open-Source Data," by Matthew Sargent, James V. Marrone, Alexandra Evans, Bilyana Lilly, Erik Nemeth, and Stephen Dalzell (RAND Corporation, 2020). "Provenience and Provenance Intersecting with International Law in the Market for Antiquities," by Patty G. Gerstenblith (North Carolina Journal of International Law, 2020). EXTRAS: "The Hidden Side of the Art Market," series by Freakonomics Radio (2021). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Samar Hejazi is a Palestinian Canadian artist whose multidisciplinary work spans sculpture, textiles and printmaking, challenging traditional perceptions of reality. After spending years in Toronto, she now lives and works in Dubai. She's one of the primary contributors to the Metropolitan Museum of Art Costume Institute's latest exhibit, Costume Art, which debuted at the Met Gala in New York. Samar tells Q guest host Garvia Bailey how she was recruited for the exhibit and why she chose to honour Arab designers on fashion's biggest night.
Wystawa „John Galliano: Horizons”, która odbędzie się wiosną 2027 roku w Instytucie Kostiumów Metropolitan Museum of Art w Nowym Jorku uhonoruje twórczość Johna Galliano. W historii muzeum tylko dwóch innych projektantów było bohaterami wystaw monograficznych. Pierwszym był Yves Saint Laurent w 1983 roku (wystawę organizowała wówczas Diana Vreeland), drugą – Rei Kawakubo z Comme des Garçons w 2017 roku.
Welcome back to ARTMATTERS: The Podcast for ArtistsMy guest today is artist and writer Matthew Weinstein. Over the course of his career, Matthew has exhibited extensively in museums and galleries throughout the United States and internationally. His solo museum exhibitions include the Johnson Museum at Cornell University, the Orlando Museum of Art, the Mint Museum, the Pinakothek der Moderne in Munich, and the Kunsthalle Wien in Vienna. In addition to painting, his practice has also included writing, animation, film, and interactive media. His work has been featured in The New York Times, T Magazine, Artforum, Art in America, and The New Yorker, and is held in the collections of the Metropolitan Museum of Art, the Hirshhorn Museum, the Yale University Art Gallery, the Denver Art Museum, and numerous other public and private collections.I sat down with Matthew in his Greenpoint studio, where he told me why he believes every painting has a beauty mandate and why he distrusts art whose primary goal is to mean something, saying that meaning can feel like litter in a painting. We discuss beauty versus prettiness, humor, queerness, and the way doubt and impatience are ever-present in his studio practice.Matthew also reflects on obsession, arguing that for some artists it isn't a choice, and that it is neither good nor bad, but simply the thing that fuels the work. We discuss the creative crisis that led him to explore animation and why painting and writing remain the bedrock of everything he does. Matthew also discusses his airbrush collaboration paintings, the influence the artist Hiroshege has had on his current work and why it has taken Matthew years to figure out how to paint a straight line. Support this podcast by clicking HERE and becoming a Patreon Supporter!Support this podcast by clicking HERE and becoming a Patreon Supporter!If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM! If you have any questions you want answered, write in to artmatterspodcast@gmail.com host: Isaac Mannwww.isaacmann.cominsta: @isaac.mannguest: Matthew Weinsteinwww.matthewweinstein.cominsta: @matthewaweinsteinThank you as always to ARRN, the Detroit-based artist and instrumentalist, for the music.
(00:51) Die Wiener Albertina kann sich international mit Sammlungen messen wie jenen des Louvre in Paris oder des Metropolitan Museum of Art in New York. Nun feiert das Museum sein 250jähriges Bestehen mit der Jubiläumsausstellung «Sammeln für die Zukunft». Weitere Themen: (05:38) Mit Heinz Strunk auf Tour in Heidelberg: Deutscher Bestsellerautor veröffentlicht neues Buch «Memories of Heidelberg». (09:48) Liebe zwischen mexikanischem Einwanderer und US-Amerikanerin aus gutem Hause: Spielfilm «Dreams» von Michel Franco läuft in Schweizer Kinos. (13:48) Ein Junge sucht den Halt in der Kunst: Neuer Roman «Contrapposto» von US-Erfolgsautor Dave Eggers.
Misha Glenny and guests discuss the French portrait painter Élisabeth Vigée Le Brun (1755 - 1842). From her teens she delighted her high society subjects in and around Paris, notably Marie Antoinette who she painted around 30 times, and she invariably found ways to show her sitters at their best. Some critics were affronted that she, a young woman, dared paint at all and, when they saw how good her portraits were, some spread a rumour that surely this could not really be her work and she must have had a secret male lover finishing her portraits in a studio. The French Revolution forced Vigée Le Brun out of France and so she set off from one European court to another to find more success from Naples to Vienna to St Petersburg and to London, eventually settling back in France. Today her works are on show in major galleries around the world.WithRosalind Polly Blakesley Master of Pembroke College and Professor of Russian and European Art at the University of CambridgeRobert Wenley Deputy Director of Collections and Research at the Barber Institute of Fine Arts, University of BirminghamAnd Francesca Whitlum-Cooper Curator of Later Italian, Spanish and French Paintings at The National Gallery, London.Producer: Simon TillotsonReading list:Joseph Baillio, Katharine Baetjer and Paul Lang (eds), Vigée Le Brun (exhibition catalogue in English, Metropolitan Museum of Art, 2016)Joseph Baillio et al., Elisabeth Louise Vigée Le Brun: 1755-1842 (exhibition catalogue in French, Grand Palais, Paris, 2015/16)Rosalind P. Blakesley, Women Artists in the Reign of Catherine the Great (Lund Humphries Publishers Ltd, 2023), especially chapter 8 ‘The Triumphant Refugee'Lucy Davies, Vigée Le Brun: Self Portrait in a Straw Hat (National Gallery Global, 2025)Angelica Goodden, The Sweetness of Life: A Biography of Elisabeth Louise Vigée Le Brun (Andre Deutsch Ltd, 1997)Franny Moyle, Mrs Kauffman and Madame Le Brun: The Entwined Lives of Two Great Eighteenth-Century Women Artists (Apollo, 2025)Jordana Pomeroy, Daring: The Life and Art of Elisabeth Vigée Le Brun (Getty Publications, 2025)Mary D. Sheriff, The Exceptional Woman: Elisabeth Vigée-Lebrun and the Cultural Politics of Art (University of Chicago Press, 1997)Paris Spies-Gans, A Revolution on Canvas: The Rise of Women Artists in Britain and France, 1760-1830 (Paul Mellon Centre, Yale University Press London, 2022)Elisabeth Vigee Le Brun (trans. Sian Evans), The Memoirs of Elisabeth Vigee Le Brun (Camden Press, 1989)Louise-Elisabeth Vigée-Lebrun, Souvenirs de Madame Louise-Élisabeth Vigée-Lebrun (first published 1869; Tredition Classics, 2012)In Our Time is a BBC Studios productionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.
Episode No. 768 features artist Derrick Adams. The Institute of Contemporary Art/Boston is presenting "Derrick Adams: View Master" through September 7. It is the first mid-career survey of Adams' twenty-year career. The exhibition was curated by Dexter Wimberly and Tessa Bachi Haas. An Adams monograph was published by Monacelli in association with Gagosian, an art dealership chain, last year in anticipation of the exhibition. Adams' work celebrates contemporary Black Life in works that emphasize joy and leisure. Among the institutions presenting solo exhibitions of his work are the Cleveland Museum of Art, the Hudson River Museum, Yonkers, NY, and the Museum of Contemporary Art, Denver. His work is in collection of museums such as the Metropolitan Museum of Art, New York; the Whitney Museum of American Art, New York; the Virginia Museum of Fine Arts, Richmond; the Studio Museum in Harlem; and Adams' hometown Baltimore Museum of Art. Series of Adams' work discussed on the program: Floater; Figure in the Urban Landscape; Profile Pics; and Family Portraits. Instagram: Derrick Adams, Tyler Green. Air date: July 23, 2026.
Artists Katherine Hubbard and Sophie Thun explore how Hubbard's work is positioned within queer feminist art and critically engages with the tradition of analogue photography. The conversation was recorded during the installation of the exhibition on 7 June 2026. Katherine Hubbard The Great Room 12.6. – 30.8.2026 How do you capture the inner life of a person whose reality no longer aligns with the outer world? And how do you remain in relation to someone who is both intimately familiar and irreversibly changing? Katherine Hubbard began her five-year project The Great Room in 2020, at the onset of the Covid-19 pandemic, when her mother, Antonette Berger, became increasingly unwell and the artist became her primary caretaker. It took several months in a time of anxiety and isolation until Berger was diagnosed with LATE (limbic-predominant age-related TDP-43 encephalopathy), a form of dementia. Hubbard has described this diagnosis as both necessary and insufficient: a gesture towards control and classification that ultimately fails to grasp the lived, shifting reality of her mother's condition. It is precisely this gap that the project inhabits. More Katherine Hubbard (b. Philadelphia, PA, 1981) considers analog photography as a mimesis of the body and asks how its procedures might be called upon to investigate social politics, history, and narrative. In her photographs the positioning of one's body has an essential relationship to how one processes images, exploring this encounter as a time-based experience. Hubbard's writing practice forms the core of her performances, harnessing the malleability of vision to frame a politics of looking. Hubbard is a 2024 Guggenheim fellow in photography and received her MFA in 2010 from the Milton Avery Graduate School of the Arts at Bard College. She is Associate Professor and MFA Photography Program Director at Pratt Institute, School of Art in Brooklyn, NY. Solo exhibitions include The great room, Company Gallery, New York (2023); Avoid glancing blows, Company Gallery, New York (2020); Katherine Hubbard, Higher Pictures, New York (2018); stages, Baxter St. Camera Club of New York, New York (2017); and Bring your own lights, The Kitchen, New York (2016). Her work has been exhibited in group exhibitions including Time Management Techniques, The Whitney Museum of American Art, New York; Ecstatic Land, Marfa Ballroom, Texas; A Collection of Slow Events, The Luminary, St. Louis, Missouri; The Artist's Museum, The Institute of Contemporary Art, Boston; and Greater New York, MoMA PS1. Hubbard's performances have been presented at the Chinati Foundation, Marfa, Texas; Konstfack, Stockholm, Sweden; the Metropolitan Museum of Art, New York; and the Whitney Museum of American Art, New York. Her work is included as part of the permanent collection at the Whitney Museum of American Art. Sophie Thun (*1985, lives and works in Vienna) works primarily with analogue photography techniques, their spaces, processes and production and exhibition conditions. Thun grew up in Warsaw and completed her master's degree at the Academy of Fine Arts in both Vienna and Krakow. Thun has been a member of the board of the Secession since 2021, where she had a solo exhibition in 2020; from 2023 to 2025 she was interim professor of the photography class at the Kunstakademie Düsseldorf. Since 2026, she has been Professor of Artistic Photography at the Institute of Fine Arts and Media Art at the University of Applied Arts Vienna. The Dorotheum is the exclusive sponsor of the Secession Podcast. Programmed by the board of the Secession. Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard Audio Editor: Paul Macheck Executive Producer: Bettina Spörr
Caitlin Keogh (b. 1982 in Anchorage, Alaska) lives and works in New York. Her work has recently been included in group shows at Fondation Carmignac, Porquerolles, France, and The Church, Sag Harbor, NY. Keogh has been the subject of solo exhibitions at the Institute of Contemporary Art, Boston, MA; Melas Papadopoulos, Athens, Greece; and MoMA PS1, Long Island City, NY. In 2021, Keogh completed a mural in the city of Holbaek, Denmark in conjunction with Holbaek Art, and in 2019, she participated in Art Basel Parcours, Basel, Switzerland. Her work has also been exhibited at the Berkeley Art Museum and Pacific Film Archive, CA; MoMA Warsaw, Poland; the Whitney Museum of American Art, New York, NY; Künstlerhaus Bremen, Germany; the Costume Institute at the Metropolitan Museum of Art, New York, NY; and the Queens Museum, Flushing Meadows, NY. Her work is represented in the collections of the Institute of Contemporary Art, Boston; the Whitney Museum of American Art, New York; Amorepacific Museum of Art, Seoul; the Rollins Museum of Art, Winter Park, Florida; and the Rhode Island School of Design Museum, Providence. Caitlin Keogh 07.10.25, 2025 Colored pencil on paper mounted on panel 16 3/8 x 11 5/8 x 3/4 in (41.5 x 29.5 x 2 cm) Caitlin Keogh Beige Matrix, Woman With Opera Glasses, 2026 Acrylic on canvas 72 x 96 in (183 x 244 cm) Caitlin Keogh Ultramarine Matrix, La Fornarina, 2026 Acrylic on panel, postcard 23 1/4 x 13 in (59.1 x 33 cm)
Louis Comfort Tiffany truly gave the Gilded Age a new way to see the world, showing a talent for innovation, extraordinary artistic vision and the empowerment of those with whom he collaborated and hired. He was also known for employing and developing opportunities for women as not only creators but also as skilled managers. This episode focuses on the work of the women of Tiffany, highlighting two of the most famous: Agnes Northrup, known for her stunning landscape windows, and Clara Driscoll, known for her innovation in lamp design, including the "dragonfly," one of Tiffany's most emblematic designs. Joining the Gilded Gentleman table are two undisputed experts in the work of Louis C. Tiffany - Alice Cooney Frelinghuysen of New York's Metropolitan Museum of Art and Lindsy Parrott, Executive Director of The Neustadt Collection. Produced and edited by Kieran Gannon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
It's Jubilee in July! This special series features conversations from our annual Cherry Bombe Jubilee, held this past April at The Glass House in New York City. Today, we're sharing Kerry Diamond's keynote conversation with Rita Sodi and Jody Williams, the acclaimed chefs, restaurateurs, and partners behind some of New York City's most beloved restaurants, including Via Carota, Buvette, I Sodi, The Commerce Inn, and Bar Pisellino. The conversation is introduced by Deanna Ting, managing editor of Resy's editorial team. Rita and Jody join Kerry to talk about their favorite produce, the beauty of simplicity, and how their different cooking styles complement each other. They also discuss their self-taught paths to the kitchen, how they met, their culinary partnership with The Metropolitan Museum of Art, and their Via Carota Craft Cocktails line. Then, we'll hear a Jubilee solo talk from Zahra Tangorra, chef and author of the memoir “Extra Sauce.” Zahra shares what “extra sauce” means to her: pleasure, survival, big swings, messy joy, and living with as much flavor as possible. Thank you to Veuve Clicquot and Airbnb Experiences for supporting our show. Click here for tickets and more information on Cherry Bombe's Farmers & Makers event. Click here to order The Game Changers issue of Cherry Bombe magazine. Click here for more information on Cherry Bombe memberships. Sign up for our free Radio Cherry Bombe newsletters at cherrybombe.substack.com More on Deanna: Instagram, website More on Rita and Jody: Via Carota, I Sodi, The Commerce Inn, Buvette, Bar Pisellino More on Zahra: Instagram, "Extra Sauce" cookbook More on Kerry: Instagram, “So You Want To Open A Restaurant” Substack series
What does it really mean to build bridges that last for decades? I want you to meet Bircan Unver, whose lifelong commitment to responsibility, creativity, and global citizenship has shaped more than 25 years of meaningful work through Light Millennium. From growing up as the eldest of seven children in Turkey to creating an internationally recognized nonprofit connected with the United Nations, Bircan shares how art, public media, and open dialogue can bring people together across cultures. We explore why responsibility begins with each of us, how local communities can help solve global challenges, and why issues like water security, environmental stewardship, and human connection matter more than ever. I believe you'll enjoy hearing how one person's unstoppable mindset continues to inspire collaboration, education, and hope for a better future. Highlights: 06:55 - How growing up with responsibility shaped Bircan's lifelong commitment to serving others. 18:30 - Why public access television became the foundation for sharing voices and building community. 26:15 - The story behind founding Light Millennium and creating a nonprofit built on dialogue and education. 36:55 - How local communities can play a meaningful role in advancing United Nations goals. 49:45 - Why water security, cybersecurity, and gender equality are becoming deeply connected. 55:40 - Bircan reflects on preserving ideas through books, creativity, and lifelong learning. About the Guest: Bircan Ünver is the Founder-President of The Light Millennium, a Charitable Global Human Advancement Organization (LMGlobal.Org, 2001, New York); Executive Producer of the LMTV Programs; Multi-Media and Event Producer; Host, Author, Publisher, Public Speaker; [Head] NGO Representative of The Light Millennium to the United Nations Department of Global Communications since 2005 (formerly, UN.DPI); and Chair, Outreach and Partnerships Subcommittee at Global NGO Executive Committee and director for the 2021-2023 term. She has been also a Content Provider at QPTV since 1992, and she is the editor and co-founder of the U.S. Turkish Library & Museum Project. She has undertaken the Organization's e-publications, public programs since its inception in August 1999, and #LightMillenniumTV Series and Specials in all aspects of it since January 2000; along with, the LMGlobal.Org's all UN-related activity and programs since 2005. Bircan is the author and director of the Compulsory Peace & ICTs Education from Kindergarten to K-12, and Beyond Campaign, which she launched it through the Light Millennium Global in support of the Summit of the Future in 2024. The Campaign has delivered its 8th session along with the Coalition for the Campaign, which contains 22 organizations and educational institutions including The Light Millennium Global as the leading organization. Further, she is also author of the bi-annual international high school project, “J.U.C. Media, Research, Writing & Innovation Awards”. The third of its kind was dedicated to the “Water Action Decade” and was delivered (virtually) on the World Water Day, March 22, 2025. Bircan served as a mentor to the GPODS for three consecutive terms in Winter'22, Summer'22, and Fall'22 Fellowship Programs; and delivered lectures on “How to associate with the UN-NGO”, Public Access TVs in the U.S., and the latest one was on the #WaterActionDecade and the #2023UNWater Conference. To attach that, on behalf of LMGlobal.Org, she organized and hosted an Outside-UN Side Event ID #W175, titled, “What Is Your Commitment To The #WaterActionDecade? ~ Seven Core Ideas Toward #WaterAwareness, #WaterConscience and #GameChangers” in NYC on March 21, 2023, and was the head delegate of the LMGlobal.Org at the #UN2023WaterConference. Based on LMGlobal.Org's Commitments to the #WaterActionDecade, she launched #OneMinuteWaterActionCommitment during the #W175 Side Event, along with continues to work toward #WaterAwareness toward building up #WaterConscience. She served as the chair of the ATAA Committee on UN Relations, guided its association to the UNDGC in 2020, and also served as the New York Regional Vice-President of ATAA (Assembly of Turkish American Associations) from October 2019 to January 2022. Furthermore, she served on several Planning Committees of the UN-Civil Society Conferences, and the Planning Committee of the High-Level Forum on the Culture of Peace (HLF-CoP). She has been a strong advocate of the UN Vision, Programs & Sustainable Development Goals (2015-2030) along with the relevant UN Days, which are in line with the LMGlobal.Org's Mission/Purposes since its association with the UNDGC (formerly, UN.DPI/NGO) in December 2005. Currently, Bircan is on the Advisory Board of the Turkish Forum (based in Germany). She encourages and guides interested civil society organizations and members of academia toward their educational institutions' associations with the UN, along with engaging them with the UN Programs that are within her networks and beyond. Further, she is an Ambassador of Peace and Goodwill for Anuvrat (Anuvibha) Global Organization (Jaipur, India, since 2014); and a Member of the Global Movement for the Culture of Peace (GMCoP, since 2012). Bircan is also the founder and president of the IsikBinyili.Org Association based in Istanbul (2010), which is a sister organization and counterpart of the LMGlobal.Org. Author of the following four book titles in print (Turkish): “En Kutsalı Yaratmak” (The Most Sacred is to Create) (1995, 2022), “Sanatın Labirentlerinde” (The Labyrinths of Arts) (2016), and “Işık Yollarında (“The Ways of the Light”) (poetry, 2017), and “Bin Yıl Daha…” (2020, A Thousand Years More…). Also, she is the author of the concept and compilation of the “Hope Never Fades” (English) book (Istanbul, 2023). Bircan initially received her local and studio television production certificates at QPTV.Org in 1992. Based on this capacity, she produced and broadcasted near to 260 television programs through local channels in New York City, which are also available online through www.vimeo.com/channels/LightMillenniumTV including 36 #OneMinute #WaterAction PSAs. Bircan celebrated her 30th Anniversary at QPTV.Org through a video profile, titled, “A Turkish Experience in America” (Duration: ~9 min. Production Year: 2022). Her works through The Light Millennium Global is a recipient of various national (U.S.) and international awards and recognitions including two awards from the Foundation of Alliance Community 2023 Hometown Media Awards (F-ACM-HMA for her “GroundWater” Light Millennium TV program in Web-based Programming and Online Events / Independent Producer categories (received at Brick TV, New York), the Anuvrat Ahimsa Award For International Peace-2023 (received in Mumbai, India), and the 2023 International Volunteer President Award by Institution of Green Engineers (received in Chennai, India), and ashe is also the recipient of the 2024 Best Web-Based Program – Independent Producer for the #HopeNeverFades program by F-ACM-HMA, which was produced based on the 2023 J.U.C. Media, Research & Writing Awards (ACM HomeTown Media Awards, San Jose, CA). Bircan holds a Bachelor of Arts (B.A.) Degree from the Mimar Sinan Fine Arts University (Istanbul, 1988) and a Master's Degree (M.A.) from Media Studies of the New School University (New York City 1999). Ways to connect with Bircan**:** Websites: www.lmglobal.org (active web site) | www.lightmillennium.org (serves as the organization's web archive)#LightMillenniumTV | www.vimeo.com/LMTV | www.vimeo.com/channels/LightMillenniumTV Social Media: Linkedin: http://www.linkedin.com/in/bircan-ünver-7353207 X@lightmillennium Instagram@lightmillennium About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson 00:04 What if the biggest thing holding you back isn't what's in front of you, but rather what you believe? Welcome to Unstoppable Mindset, where inclusion, diversity, and the unexpected meet. I'm your host, Michael Hingston, speaker, author, and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead, and connect with others. Each week, I talk with people who challenge assumptions, face adversity head-on, and show what's possible when we choose curiosity over fear. Together, we focus on mindset, resilience, and the small shifts that lead to meaningful change. Let's get started. Well, hello everyone, and I want to welcome you to another edition of Unstoppable Mindset, and today we get to talk to a very interesting person with a with a lot of roots in Turkey, but she is also doing a lot of work with the United Nations here in the U.S. and other places. Her name is Birchan Umfer, and I hope I got that right. And Bircan Unver 01:23 thank you. Michael Hingson 01:24 Oh, good. And Berjan is is with us, and is going to talk about a number of things that she is working on. She's working on, and for years has been involved with a program called Light Millennium, and we'll we'll talk about all that, but let's just start and and as usual we'll have a great conversation. So, Bir John, I want to welcome you to Unstoppable Mindset. We're glad you're here. Bircan Unver 01:50 Thank you so much, Michael Hingston. It's great honor and privilege to have your guests. Especially, I love the title Unstoppable Minds. It's really inspiring and triggering the mind. Thank you. Michael Hingson 02:08 Well, my pleasure. We're glad that you have the time to to spend with us, and we will we will we will do it and make it work. Well, let's start. I love to start this way because I really want people to learn about you. Tell us kind of about the early Birchan growing up, and then we'll go from there. So tell us about Birchan and growing up, and and and all of that. Bircan Unver 02:32 Thank you. This will be a little bit different than most people know about me, my work. Well, we'll get to Michael Hingson 02:38 your work. Bircan Unver 02:40 Yeah, I know. I mean, the people who already know my work. What I'm gonna say now is completely too different from Berja. So I am a elder of seven siblings, and I was born in an ancient village in Mid Anatolia, actually nearby the Black Sea region, and I'm proud with my age, 1959, and my family moved to town first from the village, and then Istanbul for our educations for their kids, and but I don't know really as a girl child growing up with seven kids, as especially with a traditional family, being older girl is not a good idea. But but maybe it was a kind of tough childhood as a girl child. I I don't feel that I never been a child. That's really what I feel. But on the other hand, and that was you know when you are growing up, living through like I was a kind of second mom, and also our home was kind of everyone our guest from the village town and stay over not only one night, like or a week, like sometimes months, even years. You won't believe that, and it was not because either. So, but those kind of build up maybe my feeling to be responsible, so I consider myself a responsible person because I was responsible for my sisters, brothers, and also washing dishes, making helping my mom to prepare the meal, lunch, breakfast, and clean up. Like you know, I was kind of second person, second mom at home. So those early things, all those stolen my childhood, but at the same time, provide me being able to do everything from very early age. Even though I remember several times at the time. The bread wasn't, you know, you you weren't buying the bread from the market, but from the bakery, real where they were baking the bread. So she was, and time to time also she was making the the bread at home, and then she she wasn't sending me to school because then I had to stay with my brothers and kids so she can make the you know breads a big amount for a couple days. So that said, also gave my idea. I want to suddenly want to work as soon as you know I'm 17, 1617, So and then I started early working at a bank, and it was my first eight years. I worked at a bank in Istanbul. It is called Istanbul Bank, and then my graphic is like life graphic is a little bit different, like curvy, not like straight line. Then after eight years working at a bank, I started to university and fine arts, and then I had kind of interest art history, especially TV production, art history, arts in in the concept is producing art documentaries. That was kind of my vision. Also, it was also my reason initially coming to the U.S. learning TV production. Of course, English as first. So that was very much my childhood until you know 18 until starting at the bank, and then the rest is another story. I have, I must say, I would have three different life. Michael Hingson 06:48 Well, you had certainly an interesting childhood, needless to say, and I, I can understand what you're saying about being the oldest and all the challenges. I was not. I was the youngest, but we only had two siblings, and neither of us we were we were both males, and so we we did not do a lot in terms of preparing meals and all that sort of stuff. Except my brother and I were both in the Boy Scouts, and so when we went camping and other things like that, we learned how to cook on an open or an open fire and and things like that. But still, I understand that you you had a a lot that you had to do. What lessons did you learn by being the oldest child? What kinds of things do you think that you you carry over to what to your life today, because you were the oldest. Bircan Unver 07:44 I think two different components of that. One is also because it wasn't only I was the as a kid at the home and as a girl, girl, but also at the time there wasn't that kind of awareness which we have today. Which I mean, my mom got married with my dad at the age of 15, and she had birth. She had given me birth at the age of 16, the reason I'm bringing up this, when we were going to shopping Kapolechar, Grand Market of Istanbul, when I was 1516, and literally we were halfway age difference between my mom and myself. And when I was saying mom, and the people were surprised, and she and isn't your sister, other sister? They were asking me, and she was my mom. So, but this is in the long later years. I always become the best friend with my mom, and even my brother was saying, "Oh, now I understood that she, you are the joy of my mom because she can kind of a joke, and the others, my kids, like they are kids, but I'm her friend because they kind of feel similar. That is one, you know, lifetime developed feeling and strong connection, different connection with my mom, and the other also, as I mentioned at the beginning, it really this whole, you know, not selected, but where you, which house you born, which condition you grow up, that build up for me early high level responsibility. I feel responsible to do everything, and I, you know, that's a little bit tiring because that's what I want to say here. You say something in our after our initial Zoom meeting. It's really very inspiring. You say something. I just took note. We can solve all the worst problem. We can. You say you don't say we cannot. You say we can. Solve all the world's problems. So, like, it wasn't possible. It's not possible, but you know, as if I could solve the problems or I could carry everything. So it's kind of you know build up my bricks in my life. Michael Hingson 10:18 One of the things that you certainly, it sounds like you learned as you were growing up, though, was was all about responsibility and and and learning to take charge, but learning about responsibility and and feeling that it was okay to be responsible for others in your family and so on. And I think a lot of people don't necessarily learn a lot of lessons about responsibility, like they should. But you were put in a position where you had to do that, which is is certainly a good thing because you clearly have have done that in your life. Bircan Unver 10:54 That's very true, and also it goes with everything. Let's say sometimes some people think maybe unnecessary action when people cut trees, even in their you know backyard or front yard, whatever trees or any type of trees or fruit trees. I really get mad and upset because it is irresponsible to nature, to their own environment, just feeling they're responsible to trees, loving the trees, loving the you know, for instance, if when I was it was two weeks ago, I was working on at my desk, a bees was you know flying around me, and I don't like you know trying to hit and chase the bees, and I just left the window open, moved the room two hours, and it's gone. So I don't want to hurt things, even though if it bites, it would hurt me, right? So to kind of find a way, being responsible, because also I have a subconscious thinking that if I try to chase a herd, if an insect, any of them, they you know they react sharp. So I'm not a threat to them. So they are not threat to me. So I kind of make a subconscious connection, communication. Michael Hingson 12:22 Well, and it's it's better to to learn to love than than not. So I I hear what you're saying. Now you didn't go to college or university, right? Or you did? Bircan Unver 12:35 Of course, I did. That's what I was just briefly brought this stair at that level. That after eight years working at at Istanbul Bank, from literally actually 17 to 24 or 23 late 23 early 24 then I started at the Fine Arts University in Istanbul, and I mainly study both as major Turkish tradition arts and also along with as a minor. We didn't have a minor, but we had we didn't have the minor degree, but we had a selected course. So I was following up several like four years in a row and also whole year around, not a quarter semester base artist troy and contemporary art. So I started writing on art and exhibit and interviewing artists while I started study at the Fine Arts University, which is top university in Fine Arts in Istanbul, Myanmar, Sinan Fine Arts University. Michael Hingson 13:44 So you learned a lot about fine arts, and Bircan Unver 13:47 yeah, Michael Hingson 13:47 and you had obviously learned about finance from the bank, which Bircan Unver 13:51 is didn't learn that Michael Hingson 13:53 much, huh? Bircan Unver 13:53 Not at all, and I didn't like it. That's why I, you know, I changed all my life line. Michael Hingson 14:00 Right, but but you enjoyed art. Bircan Unver 14:03 Yes, and because also art always for me, and it as it is today. Whatever the life problems we cannot be resolved, art is always for me a branch to hold on and to kind of feel strength, connect with the nature, with the art culture, whom I never might met, or maybe you know through art, through music, through books. So it's kind of really, I think the the best human conscious and what we leave behind is what we produce. Creative might be a little bit another discussion. What is the term defined? And now everyone using like creative for everything, but creativity is like really what stays, you know, central. And something as what is already before, and what you brought it something new, that new perspective, like cubism and faism and expressionism and all that different genres or pop arts and another one Dali's movement. So all the Dadaism, so each of them brought something what is already existed, and then you know moved to different level, and also technology and communication brought where we are today. So and music, I'm not any degree. Degree train or understand, but I love music as most people about music and arts and literature and writing is always for me. Also taking pictures. I don't trust my memory much, but this is not new, not because of my age now. But I somewhat I always like take the pictures, whether I have cell phone, the oldest, you know, digital or the manual photo photographs. So even though when I run into where where was it, where I was, who was with, who next to me? I can't remember. But why I love that? Because really, it brings, it captures your life, even you don't remember, and then reconnect. Also, I I come up with a new concept. I haven't done anything yet, but it's kind of developing in my mind, that we can, we are able to capture the past, but we cannot capture the future, because you know whether you know unexpected the one photo comes up, or an audio recording, or all those movies, musics, and documentaries and paintings throughout artistry, you can really capture the past depending on what you know your background or interest and education, but you cannot capture the future. But you can imagine, we can imagine the future. We can invest into the future. Michael Hingson 17:16 Well, and and the the reality is that that the future is based on so many things that happen in the past, and so you can learn to to use some of that information and and have a better idea of what the future might be like, and that's that's pretty fascinating too. So so, how long did you go to college Bircan Unver 17:42 in in Turkey the basic four university education is annual base, not semester base. It's a four years, and actually when I started it was five years. Then later on they the system education board changed it to like four years plus two years. So I graduated from a four years fine arts, and then I have a master's degree based in New York News School University. Michael Hingson 18:20 Ah, in New York. Bircan Unver 18:21 Yeah. Michael Hingson 18:22 Okay. So that was was that two years. Bircan Unver 18:27 Yes, but it was a little bit different again. Yeah. See, because first when I was here for the first time, 18 919, 89 to 1994, I started and I took to six credits and I love it. But I had to go back to Istanbul, so then I got the you know absence live of absence, and then but coming back three years later, I readmitted, and then I finish it. I got my graduate diploma in 1999 May 1999 Michael Hingson 19:12 Okay, so Bircan Unver 19:14 you've been dealing late. You've been Michael Hingson 19:17 dealing with school for a while, but but while all that was going on, you got interested in, and you started to to do things regarding public access television. And you started that, if I read your biography correctly, in in 1991, you started doing things with public public access TV. Tell us a little bit about that, and why did you do that? Bircan Unver 19:41 That's really the kind of key point in my life. In as for the initial one of the two reasons that I came to the U.S. as the first time, I was you know the first aim to learn English. The second also. To learn the TV production, and then my first year was in the U.S. was in L.A. and then I was looking for the schools and just I'm I I'd like to get the formal education, formal training, and then one of my friends there, whom I met there, she said my aunt is TV producer at Queens Public TV in New York, and she is looking for someone like you who really wants to get in and all that. And then I think a couple months later, I had a very brief trip to New York, and I met with her, and then I met with her at QPTV. Now she is unfortunately not with us, but she was also she was the first Turkish producer at QPTV, and I'm forever grateful in memory of her. She was the one who introduced me QPTV, so I met Victor at QPTV in 1990, and then when I went back to LA, I decided to move to New York. So as soon as I moved to New York and I registered to QPTV's both field production and studio, and at the time, there were seven, eight months waiting list. Eventually, I got it on the list, 1991, and first I got the field production certificate, and it was I think six months something, and we had a group project and solo project, and then studio and studio production. It's when the same group project after you are learning all the equipment and then shooting and everyone is crewing everyone is helping each other within the same group of the class and then also producing group project and then the individual project that it is the similar step for the field production and the studio, that also provides a certificate to enabling us to use QPTV equipment, studios taking out the equipment, inviting studios, studios. Unfortunately, after COVID 19, there has been a long dragging issue. They haven't opened the studios. This is I don't want to get in because it is beyond our concept, but because that was my initial reason also moving to New York. And then once I started producing program and airing, I really loved idea from one idea, just idea, and then put paper and develop it. Bring yes, bring the crew, especially with the manual three-inch tapes, and to present, put everything in a tape, and then submit it an ARC schedule. I really love that. So then, while I was there, and then I said, "Okay, I want to really have a master's degree on TV production. So my master's degree from New Zealand University is in media studies. So and I got my diploma May 1999 So, but New Zealand was amazing. I learned all the first my you know my life although it was 39 maybe 3839 years old when I was Photoshop and Premiere or Evid and all the first offline digital all the software program I learned at the new school and I edited my first program offline at the new circle as well, but when I got diploma, and then I had nowhere no access to continue. Also, you know, it's just I, I never been about the person. My mind and my heart wealthy, but not financial terms. And then, so QPT was always my second home because it provides me continuing the producing and provides me access, provides me equipment. It's like provides the community. That's what it is exists for, especially in support of the Article First Amendment and freedom of expression, and also QPTV format is really, really not well known, or not QPTV loaned. It is public access, pack programming, public education and government programming, non-commercial. So it's it is not much known widely, but it is really one of the best symbol of democracy. And now it's kind of a little bit diminishing because also widespreading out other web streaming platforms like this or other, so that there are so many. Discussion and issues, and also there is one petition to the New York Senate that is called Team New York that could also bring in all the web streaming to this community media access public access media. So then, Michael Hingson 25:19 oh, go ahead. Bircan Unver 25:20 No, I mean the question is so QPTV had has been the longest since 1991. I've been providing content, and as long as I am in the US, if I'm out of the country, even if I am out of the country, my previously submitted programs are rerunning in different, you know, whenever they schedule for my new programs, I determine which time slot because I have a time slot to be scheduled, and whether 28 minutes or one hour. But especially again after COVID 19, I couldn't produce anything at the studio at QPTV, but like this Zoom-based programs, and then for the late million organization, the programs I produce and then edit them, reformat them to schedule for QPTV. But it wasn't as it used to be produced at QPTV, at the studio with the crew, that's the excitement teaming up. It's really, I love it. But Zoom, this type also make more maybe manageable, but also bring more intonation speakers. You know, through online connection. If Speaker 1 26:54 you enjoy Unstoppable Mindset and would like to help us continue bringing these conversations to you each week, we've created a way for you to support the show. Your contribution helps us cover production costs and continue sharing stories, insights, and ideas that inspire people to live with purpose and possibility. If supporting the podcast feels right for you, you'll find the link in the show notes. Thank you for being part of the Unstoppable Mindset Community. Michael Hingson 27:28 So you you started in public access television and and and are still doing that essentially. But in 2000 you started Light Millennium TV. Tell us about Light Millennium Television. Bircan Unver 27:42 Thank you so much. Because Late Millennium, I still consider it's my third child because already 25th anniversary. The flyer on my back says 25th That also refers the 25th anniversary of the Light Millennium. I think a the experience and production, and also providing three platform QPTV, Queens Public TV, but actually the 1992 Communication Act and PAC programming, public government public education and government programming; those emerge with my new school education, like Fatrus, Plato, the concept of the two ways of messaging, and for the first time in my life, at the age of I think it was I was 39 I was able 3039, I was able to use. It was very new, also for the war. Internet. We had the internet at the new school as our media class, the open forum. One week media theory class. We have open discussion forum about Greek philosophy, further is communication, media theory. The other class we had the classic format. So all these together merged in my mind, and I really felt I found my medium. That medium is the internet, which me, especially someone is living in New York, who has you know 30 years first life in Turkey, Istanbul, that culture, and then I I didn't want to kind of disconnect from my root cultures, and internet provided me that connections, and also I always like to write and communicate, so so it becomes like natural medium. And then when I just graduated in May 1999 I send out by then like 40 people with my friends. Colleagues, and then I said, "Oh, I want to start a platform. This platform is going to be ours. And everyone wants to say, kind of to expand the QPTV's concept, because when I say QPTV's concept, this is the again First Amendment, and they don't control the content. They don't say anything you can do, you cannot unless it is a threat to someone's life. So it's all the content, or you are responsible as the producer. So I really love that freedom and responsibility again. And then then I was mentoring at the New York Food Moon Finance and Television, and I was kind of trying to find what I want to do, and I was already producing programs at QPTV. I never give up as as long as I could afford to produce the time and edit. Edit is always more time consuming, and then the executive director of the at the time 1999 Woman Film Man Television, she said you can form a nonprofit. I never taught it before, and I'm forever thankful to her. And then I said I don't know what to do where to start because she perhaps she saw the potential because I was producing non-commercial and publishing, trying to promote, you know, through group emails, and whatever the you know social media available at the time. Well, mostly email and group emails, and then she suggested me a volunteer lawyers of arts that she said they can help you, and I never knew and I never thought I if I never came to U.S. maybe I will never had a concept of forming a nonprofit or light minimum. So that U.S. and all combination brought me and news called Queens Public TV, First Amendment, United Nations Article of 19 Universal Declaration of Human Rights. Everything together kind of merged in my mind. Also, the projects I produce, I communicate, is contact with people, I learn from them. So then, when I contacted with them, they ask me, you know, what is my statement this type? And then I drafted all of them, and they put in medical, you know, terms and terminology, and I was lucky that we got a pro bono at the time one of the you know major U.S. law firms. I I think I can say now because they even though I think merged K Shuler, but they took our case and they formed my organization on on a pro bono basis and officially the first as a non profit organization done with the 500 1c T V together. So we officially formed 2001 July 17, and we and then right after that they filed 501c3 for us, and then we granted that in September 18, 2002. Bircan Unver 33:14 My memory is not good, but I I remember that date as of today because it was kind of imprinted in my mind, but also the beauty was that the granted granting 501 c3 was effective of the formation date, which is July 17 2001 So then, since I developed started the light minimum concept, introducing speaking people trying creating an open platform that everyone can you know contribute be part of it, so then I started in January 2000 on January 13 2000 started first monthly the like TV series at like at QP TV. That's how it came about. Michael Hingson 34:02 Yeah, you have certainly created quite a niche in in the whole light millennium and all the other things that you've done, which is pretty fascinating. How did you get connected with the United Nations? Because I know you're doing work with them. Bircan Unver 34:18 Thank you. Actually, the concept with the UN use, I don't do work for them. Michael Hingson 34:29 Right. Bircan Unver 34:29 We do work with them. Right. You're connected Michael Hingson 34:34 with them. You're not working for them. I understand that. Bircan Unver 34:36 Yeah, I just you know one word, but it's key key differences. But as as I mentioned, how the light millennium concept emerged, and also my master's degree program, media studies at the New School, and also there is another person I have to mention here, also in. Separate for her respectful and loving memory, Danielle Camille. She was my advisor for my thesis project advisor at the new school, and all that TV ideas and my thesis project. And she loved, and I got all A. And my first TV ideas project was peace, reality, or utopian dream, and it was 11 minutes or so. It was just before the first Clinton administration election, just October, I think 2002 and then I interviewed many academicians, civil society, non-profits who whose focus area on peace and war and you know against nuclear or all that and and then that actually the concept peace reality or utopian dream that took me to the United Nations I don't know now as a as an outsider, at the time it was so welcoming, and I went to photo department. They share me with photos, and I got all the books I was looking for. Of course, public library. I got all the books about the peace and peace organization. So that 12 minutes program, peace rate or utopian dream, and physically led me to step in the UN for the first time, and then producing this project, searching kind of open to me new horizon, and also my advisor was persistent. Birjan, we know you are great. You produce fundamental programs on arts, but I want you to do something else. So that actually also forced me to move beyond producing something beyond arts. And so then then peace, reality, or utopian dream concept came in, but also it wasn't far topic in my life because my son was born 20 when I was 2022 Now he is 45 His name is Borush, and mean is in Turkish peace. Peace also at the time, you know, Africa hunger, and I was hoping when I get 4050, this will be over. It's not the case, but as a vision, I always look for humanistic positive for the humanity, not you know for myself well-being. Michael Hingson 37:38 Well, you you kind of act as a bridge between UN programs and local communities. Tell me more about that because you view that you view yourself as being a bridge between UN programs and the local community. Why do you why do you view yourself as more of a bridge? Bircan Unver 38:00 That's very nice metaphor, and I think it's very true for me too. Maybe I could take it two three step backs. One is the village I was born. There is a river, and and then there was a bridge, and that bridge was kind of fundamental. Really, going to where you know people are established, living in all the agriculture and large fields, and it was kind of nostalgic to me. It's a bridge, but it's a stone, short bridge. That's the the first part. The second Istanbul. You know, my life main path when I was in Istanbul, Turkey in Istanbul, and Istanbul the Bosphor and then the Istanbul Bridge. Now the name changed, and now three bridges, and not just the bridge itself, but also Turkish geographic Turkey's geographical space place on Earth and especially on in between Europe and Asia and Black Sea and then the Mediterranean Sea and then when you go down North Africa, and then you go up like Russia and North Europe. So you see that that connection physically, geographically, and troy physical bridges. We live, we grow up with this kind of as part of our DNA and vision. When I was working on this, the first the initial need you know in the non-profit world to describe the need need was to connect with my culture, people, friends, family, the internet medium, and then village is also metaphor, and when we associated with the. I let I'm proud to say it. Let the association process. That was also my vision from that small video for the class project. And then, then I realize this is also. I think today is real fact that local communities, even Queens here, people are paying 1000s of dollars to come to New York to get visas. All that trying to get the sponsor, you know, to attend a conference, and I I didn't see much interest within the local nonprofits there, and that little bit was shocking realization for me. So I brought to my programs UN visions programs, MDGs, UN days, sustainable development goals. For instance, when it was announced at the UN for the 2023 agenda, we created dreams for humanity. So we brought people from lots of life, poets, authors, and youths to really share their ideas for humanity, for peace. Michael Hingson 41:12 Well, you-it sounds like, from all that I've read and and studied, you're you're, or at some point, you kind of have moved more into dealing with a lot of things with the environment. So I know that your program has been able to get a credit accredited as an observer observer status with the UN Environment Program. How is how has that affected what you do and all of your work going forward. Bircan Unver 41:43 Thank you. This is also another important, I think, milestone for us. The first in connection with the UN, associated with the in the formerly United Nations Department of Public Information, and then it has changed to Department of Global Communications. Officially, we've been associated since 2005, active and good standing, and we are able to be presented at the UN with six representatives, and therefore we are able also to reflect back to our committee's networks from the UN and it's two ways. I really like the concept two ways messaging, and then always environment in somewhat it involves in our programs. But let's say through water, through energy, through, for instance, when the forest fires really burns my heart. So being sensible and trying to, as much as I could, to attend the meetings, especially MDGs for the first phase of the Millennium Declaration, really, it's. I consider UN is the best school I ever had, and it's for me lifetimes to call, and I learn about so many countries I will never otherwise know them much. Some of the names you hardly hear in media and anywhere else, so it's kind of opens and to see the global spectrum. Also, one of the things I really love at the UN, whether you you are a ambassador or president or prime minister of a country that has maybe a population 1 million or 2 million or 1 billion or two 1.6 billion, the largest one, so you have the same minutes of speaking time, same voting, especially of course, I'm talking about the general assembly. So those things I follow up, and we try to incorporate time to time. And water issue always, I wanted to involve. I want to do something about, but it's just not like because I love the tourists, and I'm not, you know, scientist, so I'm not officially trained. So also, I'm not able to protect the, you know, fires in the forest. And every year it's getting worse and worse. And then I'm sensible, but you know, you can't do much about it. And eventually, although our last name is same, but we are not blood connected. Professor Oljoymer, at the time he was vice president for the UN Water at the UN, and we connected. And I was following up, and I was aware his work before we met. We connected through the UN. So then, especially during the COVID era, then when I've seen his speeches, natural-based solutions, and then his piece on smart water, so I propose him if we can do something. About water, and then he was very supportive, very kind, very modest. We had our first water program on the World Water Day in March 2001 and then it has turned out an annual program, and we kind of made the global connections and collaborations, and especially first three, four of them, Professor Olja led and guide, and also we worked together in a sense that I brought one part of the speakers and he brought other parts. So it was also great, diverse speakers and also the level of the speakers from whether civil society, academia, UN, and youth, all that. So we already presented six of them, and 2023 we were part of the UN Water Conference. We presented a program, and then last year we participated and presented a program site event in Nice on the Ocean Conference, and we kind of we also had previously on the ocean again. So plastic also become whether ocean, whether water, whether land life, like plastic, is becoming a huge in every level. Not plastic, but also chemical, all all sorts of polluters on in environment. So then we become promoting, producing, and there are really great level of academicians and experts, and they also like to share and connect their research and their findings. So it's a platform to break down together, and then when it is a video, when it is posted as both a summary along with the full presentation or speech, so it becomes a really source where you know you can find diverse voices, diverse solutions, diverse ideas, and also we align them in support of the UN days, UN conferences, SDGs, sustainable development goals like Water Days. Also, we collaborate with an organization in India, IGEN Green Institution, Green Engineers Institute of Green Engineers. So they are focusing on energy SDG seven. So we contribute them, bringing speakers. Bircan Unver 47:40 So then they join us to our program. So really, it's an organic volunteer base. So that that actually, I was so proud that we got a call, invitation to submit the application for this accredited status, and it was June 2025 after the ocean conference. I think ocean conference kind of brought them cumulatively and maybe brought their attention. And then October they asked our official documents, the bylaws and and certificate of organization, which is the regular require any formal application at the UN, and then I I submitted them in I think it was October 1525 but I haven't heard anything, and then I thought maybe you know they didn't consider, and then literally a year later, in June, last June, we got approval, and with a, it's not just accredited for a special one particular conference. It is an observer status assembly to contribute draft ideas. I mean, to contribute drafts, draft resolution to observe, to participate, and then also to be responsible to provide every four-year quadrennial report. Let's say if we fail to produce contribution at any level to this cause, then you know we may lose that observed status, but of course we'll do our best to contribute and to continue. Michael Hingson 49:27 With all of the work that you've done in all of this, I want to come back to World Water Day in a moment. But with all the work that you've done and all the the the things that you've done in public television and so on, when you host these meetings or you participate in these meetings, do they get televised? Also, are you able to bring those to to the public through public television? Bircan Unver 49:53 When it is Zoom, then I edit within my time slot within the limits of. Time slots and QPTV provides two different time slots. One is 20-eight minutes, the other one is 50-eight minutes. So then, let's say if it's two-hour session, I you know a little bit edit and then title, etc. and part one, part two, and also depending on the length of the session or 20-eight minutes. So then I schedule them through the local channels, as we spoke at QPTV. Also, I make them available through our vmail.com/lmtv channel on web on the web. Also, when we have a summary or outcomes, so we also provide those links and share through social media. Try our best to make those information available, visible, and reachable. Michael Hingson 50:51 Well, that I'm glad you do that. I'm glad that it gets to be something that is a lot more publicized than you just attending a meeting-that's important, I would think, to do when when you talk about World Water Day and so on. One of the things that that I I understand you do is you compare water security directly with cybersecurity and gender equality. Those are three different sorts of things when you include water security. Tell us more about that. Bircan Unver 51:24 This was our latest program in last March, and we had in our prior program on AI a discussion on AI a public discussion on AI policy or AI arc. So he's a professor and at the SUNY, and he's a mathematician, and he's also teaching cybersecurity. And when I was talking about when we met about the water conference upcoming, actually in this December, in the United Emirates on I think December six to eight. Even I was thinking to attend, but I wanted part a bit this time virtually instead of going there. So when we were talking about and and I really like this idea and I say as I asked exactly what you asked for, and then his really statement explanation made great sense because everything is nowadays control troy some form of electronic or AI or a combination of those systems, right? Competing systems. So if or if there is a technical issues, that's one case. But if there is a hack, especially water is the life source for everyone, whether you are billion or trillion, or you are you know ordinary people on the you know everyday life. So water is the source for everything, including producing the energy. AI. So water is the life itself. So then, when he said, if any hacking, whether you know small you know some you know people with a bad intention or some maybe big corporation because some profit purpose they want to sell more you know bottled water whatever or some international security issues you you may name this many other things. So if a computer system, if the control mechanism, if the AI system, whatever that combination in that system, is hack, then everything is a huge risk, and that's number one. How it connects with the water. Also now you know we smart how everything is electronic. Everything and then when that somewhat the life collapses there. So including water, including energy. So everything is so much you know interconnected. And then how that the gender equality came. Also, we follow Michael the UN annual-based dedication team for each UN Day or conferences. For instance, last year, water and gender equality, because water and gender required is also so inseparable concept and conditions in many parts of the world, and then also our professor Emre Tokus, he also. Make beautiful connection that if woman or when woman, if and when women are more in the security, cyber security, IT technology sectors, they are more sensitive. They are more like maybe natural in their dealings, like mother protection. So more protective, so there is less risk than where it is now. So to increase the gender equality, both not burden on the woman, you know, where it's the water scarcity that woman has to carry the burden. Girls, even five, seven years old, when developing countries, when it comes to developing countries, and then if the girls are, and also that was staggering. Stats he gave sort of shocked me today because he is a professor at SUNY. So what I mean by that, he said one of his class has only four girls out of 31. of his class has only one girl. One of his class doesn't have no girl. So even though if if girls are girls are not getting in this field, how we gonna bring the gender balance in all cross-cutting sectors of society. So that's how both from the UN perspective, the dedication team, also cybersecurity, the profile from a university that girls are not showing attention, interest studying cybersecurity. That was the fact based on his class last semester. One Michael Hingson 56:46 of the things that you have done, as I understand, is you've written several books. Bircan Unver 56:53 Yes, there are more, but hopefully I could get work on them, publish them as well. The my first book was Michael, based on my interviews with artists and my reviews on art exhibits, and also when I had questionnaire surveys like with artists, galleries, academicians, professors, students. When I before my first life prior prior the U.S. So when I went back after four years and I was really eager to get in a job for as a TV producer and somewhat that didn't work despite all my efforts even I my project load and everyone was after me, but they want to take the project, but not give me the role what I deserve for. So then I kind of close myself, and then I said I want to compile my books, my articles, my interviews. So that was how my first book came about in Turkish. To create is the most sacred. So, like the value to give the highest value for the creativity, intellectual production. That is through all those interviews, reviews, and questions. So that's that was the first book. The second book is in a way a bridge again between U.S. and Istanbul, New York and Istanbul, or maybe L.A. New York and Istanbul. Because when I came in, also I've done freelance journalism, so I wrote some you know reviews and the magazine. I used to, you know, send and appear my interviews and reviews. So and it was include not too frequent, but it was include some of major exhibits, both from LA and also from the Metropolitan Museum in MoMA in New York. Also Turkish artists here. So I met them, you know, when I was living. I started living in here. So then I a combination of those, and also that was another metaphor developed in my mind when I was Istanbul. I was feeling like the labyrinths of arts. So that's my second book title in Turkish labyrinths in arts. So like you are like this kind of narrow and small world in Istanbul art worlds and very high competition, and then nobody expanding to New York and LA expansion means bringing some, for instance, Franz Bacon, Thomas Hart Benton, and Max Ernst and Marina Magritte. Those also the last part connecting with the New York Istanbul from my art based on my art background. Michael Hingson 59:51 So, were any of the books published in English? The Bircan Unver 59:54 last 120, 23 is English, but. It is a compilation concept is written me. I directed the project, and of course I have some pieces also beside the concept. But it is a compilation by 24 contributors. It is based on the JUC Media Research Writing Awards 2021 and 2023 High School Awards Project, and also it is also engaging the youth to involve the UN programs at an early age and encourage them award them. So that also the next one is going to be on the Water Action Decatur in the same line, same concept, and also I have a book project since 2022 I couldn't still 2022 2020 actually. I dream, therefore I am. I have 80% of the book manuscript is ready, but I couldn't finalize it, and so the other one also I was hoping but couldn't to have a book for the 25th anniversary of the latentium. Unfortunately, it didn't happen. It's a little bit seemingly not going to happen this year to come up 25th anniversary of late millennium, but I had 20 anniversary of the late millennium in Turkish, and so this is completely different issue because I introduced like Millennium both in Turkish and in English, so it's like Tiffany Sister is the Turkish one, and then I formed Turkish sister in 2010, and then so on the 20th anniversary of the Turkish organization, as it is association, official association. So I compile the first part, the concept vision, very much like Millennium, because it's the system. But the second part based on the programs, activities, and challenges in Istanbul. So this book also in English will be first the the manifesto and the first all the history will be very much in English, the original one. But the second part is going to be completely, you know, selected ideas and projects and programs from the website and public programs from the last 20-five years, and it's hard hard things to do. It it's very challenging. I couldn't do it. Michael Hingson 1:02:47 It's it's a lot of work. Well, Berjan, I I want to tell you that we have now been talking for more than an hour. Time flies when you're having fun. Man, I'm going to go. I'm going to have to go ahead and and end our time, but we'll have to do this again and and continue the discussion. But I really appreciate you taking the time to be here, and I hope that people will monitor your programs and and and read your books if they can read Turkish or English, whichever works. Troy Bircan Unver 1:03:18 has so many English pieces, and now everyone welcome to look out our website. And what's the Michael Hingson 1:03:26 website again? Bircan Unver 1:03:28 lmglobal.org. Michael Hingson 1:03:32 lmglobal.org. Okay. Bircan Unver 1:03:34 Yes, but the whole archive from 2019 to 2000 no, 2019 no. of course not 2019 1999 to 2018 The archive. Our initial website is light millennium.org Millennium is with double N double N. So the everything we are talking about, all the process, our UN programs, and the reports from the UN NGO briefings, some conferences we participated. If anyone has any question, I'll be happy to provide the link and you know to contact them. Michael Hingson 1:04:17 And we will put that information in the show notes, the notes for the podcast. So I want to thank you for being here. This has been absolutely informative. I really appreciate your time, and I hope the programs continue to go well. So I want to thank you again for being here, and this has just been a lot of fun. Bircan Unver 1:04:39 Thank you so much, Michael Kingston, it is great honor and privilege. Especially, you are a hero, and your your story is amazing, and you are also taking really one of the challenges works like producing these programs, and we never met in real life. And then this is also like Millennium and your work. How we connected through? Otherwise, there was no like regular environment or database environment that we could meet. Your work and your dedication and your inspiring contribution really connected us and bring us together in this session. Thank you, and I'm really grateful for that. Michael Hingson 1:05:29 Thank you for being here with me on Unstoppable Mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about. If you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to michaelhingson.com and download my free ebook, Blinded by Fear. It explores the invisible beliefs that hold us back and shows you how to reframe them so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review, and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning, and keep choosing to live with an unstoppable mindset
Episode No. 767 features artist Young Joon Kwak and curator Laura Igoe. Kwak is featured in the 2026 Whitney Biennial at the Whitney Museum of American Art, New York. Curated by Drew Sawyer and Marcela Guerrero with assistance from Beatriz Cifuentes and Carina Martinez, it's on view through August 23. Kwak uses sculpture, performance, and collective action to explore bodily transformation, intimacy, and the politics of visibility. Through visually lush, often highly detailed sculptures, Kwak challenges traditional and dominant modes of representation while manifesting ways that trans and queer bodies might be seen. Kwak is the co-founder of Mutant Salon and lead performer in the electronic-dance-noise band Xina Xurner with Marvin Astorga. They have had solo exhibitions at museums such as the Berkeley Art Museum & Pacific Film Archive, University of California, Berkeley; the Leslie-Lohman Museum of Art, New York; and ARKO Art Center, Seoul. Kwak's work is in the collections of BAMPFA, the Crocker Art Museum, Sacramento; the Dallas Museum of Art; the Speed Art Museum, Louisville; and the Los Angeles County Museum of Art. Igoe is the curator of "The Crossing: Picturing the American Revolution" at the Michener Art Museum, Doylestown, Penn. The exhibition looks at how artists have represented Continental Army commander-in-chief George Washington's crossing of the Delaware River on Christmas night, 1776. Upon reaching the New Jersey side of the river, Washington and his troops would attack carousing Hessian mercenary soldiers fighting for the British, earning a pivotal victory for the Patriots. "The Crossing" is particularly interested in how artists have built on and 'refuted' Emanuel Leutze's famed 1851 Washington Crossing the Delaware, which is in the collection of the Metropolitan Museum of Art, New York. The exhibition is on view through January 10, 2027. As discussed on the program: Kwak's Glitter Mani Festo. Igoe was a guest on Episode No. 732, when she discussed her election to the Jenkintown, Penn. school board. Instagram: Young Joon Kwak, Laura Igoe, Tyler Green. Air date: July 16, 2026.
On June 10, the Metropolitan Museum of Art in New York returned two pieces of artwork to Cambodia: an Angkor statue and a sandstone lintel. It's the latest repatriation effort by the U.S.'s premier art museum, and the third time the Met has had to give up Cambodian artifacts specifically. Matthew Campbell's The Man Who Stole The Gods: A True Story of War, Obsession, and a Global Art Conspiracy (Penguin, 2026) dives into the story of the Cambodian antiquities trade, from looted temples in the Cambodian forests, through dealers in Bangkok like Douglas Latchford, and then into museums and billionaire homes in the West. And he also digs into how this trade fell apart: How the U.S. Department of Justice and activists in Cambodia pressured dealers and museums like the Met to give this art back. Matthew is an award-winning reporter for Bloomberg Businessweek. His previous book, Dead in the Water—co-authored with Kit Chellel—was selected as a Book of the Year by The Economist, the Financial Times, and The Times. Matt has reported from more than twenty-five countries on crime, corruption, terrorism, economics, and the environment. His work has earned some of journalism's highest honors, including awards from the Gerald Loeb Foundation, the Overseas Press Club, the National Press Club, SOPA, and SABEW for both feature and investigative reporting You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Man Who Stole the Gods. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
On June 10, the Metropolitan Museum of Art in New York returned two pieces of artwork to Cambodia: an Angkor statue and a sandstone lintel. It's the latest repatriation effort by the U.S.'s premier art museum, and the third time the Met has had to give up Cambodian artifacts specifically. Matthew Campbell's The Man Who Stole The Gods: A True Story of War, Obsession, and a Global Art Conspiracy (Penguin, 2026) dives into the story of the Cambodian antiquities trade, from looted temples in the Cambodian forests, through dealers in Bangkok like Douglas Latchford, and then into museums and billionaire homes in the West. And he also digs into how this trade fell apart: How the U.S. Department of Justice and activists in Cambodia pressured dealers and museums like the Met to give this art back. Matthew is an award-winning reporter for Bloomberg Businessweek. His previous book, Dead in the Water—co-authored with Kit Chellel—was selected as a Book of the Year by The Economist, the Financial Times, and The Times. Matt has reported from more than twenty-five countries on crime, corruption, terrorism, economics, and the environment. His work has earned some of journalism's highest honors, including awards from the Gerald Loeb Foundation, the Overseas Press Club, the National Press Club, SOPA, and SABEW for both feature and investigative reporting You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Man Who Stole the Gods. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies
On June 10, the Metropolitan Museum of Art in New York returned two pieces of artwork to Cambodia: an Angkor statue and a sandstone lintel. It's the latest repatriation effort by the U.S.'s premier art museum, and the third time the Met has had to give up Cambodian artifacts specifically. Matthew Campbell's The Man Who Stole The Gods: A True Story of War, Obsession, and a Global Art Conspiracy (Penguin, 2026) dives into the story of the Cambodian antiquities trade, from looted temples in the Cambodian forests, through dealers in Bangkok like Douglas Latchford, and then into museums and billionaire homes in the West. And he also digs into how this trade fell apart: How the U.S. Department of Justice and activists in Cambodia pressured dealers and museums like the Met to give this art back. Matthew is an award-winning reporter for Bloomberg Businessweek. His previous book, Dead in the Water—co-authored with Kit Chellel—was selected as a Book of the Year by The Economist, the Financial Times, and The Times. Matt has reported from more than twenty-five countries on crime, corruption, terrorism, economics, and the environment. His work has earned some of journalism's highest honors, including awards from the Gerald Loeb Foundation, the Overseas Press Club, the National Press Club, SOPA, and SABEW for both feature and investigative reporting You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Man Who Stole the Gods. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Kim Dacres is a first-generation American sculptor of Jamaican descent, who lives in Harlem and works in the Bronx. Dacres's work has been exhibited around the world, including recent solo exhibitions in Paris, New York, NY, and Los Angeles, CA. The artist's first site-specific and permanent outdoor sculptural installation, in partnership with Artbridge at the historic Harlem River Houses, was unveiled in June 2026. She has a MS.Ed from CUNY Lehman College in Teaching English to Speakers of Other Languages (2010) and a BA from Williams College in, Political Science, Art Studio, and Africana Studies (2008.). Kim spent ten years teaching and leading in New York City public schools before becoming an artist. Dacres's work has been exhibited around the world, including solo exhibitions at Charles Moffett Gallery in New York, (2023), Gavlak Gallery in Los Angeles, CA (2020) and Palm Beach, FL (2021). Dacres has also participated in group exhibitions internationally and within the U.S., including Surrealism and Us: Caribbean and African Diasporic Artists Since 1940 at the Modern Art Museum of Fort Worth (2024), Black American Portraits at Spelman College Museum of Fine Art, Atlanta, GA (2023) and Los Angeles County Museum of Art, Los Angeles, CA (2021), Sounds of Blackness at The Metropolitan Museum of Manila, Philippines (2023), Godhead – Idols in Times of Crisis at Lustwarande 12th Edition, Tilburg, Netherlands (2022), Arrangements in Black at Phillips, New York, NY (2022), From a Place, Of a Place, presented by ArtNoir X regularnormal X Meatpacking District, New York, NY (2021), Through the Looking Glass, presented by UTA Artist Space, Beverly Hills, CA (2021), Dueling Consciousness, presented by Zidoun-Bossuyt, Luxembourg (2023). Learn more about Kim Dacres here. Follow Kim on Instagram here. Follow the show on IG at @theartofitallshow and follow the host at @dariasimoneharper! Don't forget to rate, review, and subscribe. Sharing an episode with a friend never hurts either;)
Imagine setting fire to half your art budget before lunchtime. Seven hot air balloons grounded in a field. Fourteen speakers. The Birmingham Symphony Orchestra waiting to be paid. And a city council expecting you to reach a hundred thousand people by the end of the week. That is the kind of corner Luke Jerram has found himself in. And it is also the corner that produced Play Me, I'm Yours - pianos in the street for anyone to play. Two thousand of them. Seventy cities. Welcome to Extraordinary Creatives. I'm Ceri Hand. Follow the show so episodes like this land in your feed every week. Luke Jerram is the artist behind Museum of the Moon, Gaia, Helios, Park and Slide, Sky Orchestra, and Glass Microbiology. His work has been seen by tens of millions of people. Close to a thousand exhibitions across forty countries. Pieces held in over eighty permanent collections, including the Metropolitan Museum of Art in New York, the Rijksmuseum in Amsterdam, and the Wellcome Collection in London. And he has built all of this from a studio in Bristol, with a team around him, without gallery representation. In this conversation you will hear how he funds projects nobody has made before, why he turned down Red Bull and Coca-Cola, and what he calls stamina of dissatisfaction - the last five percent that lifts a piece from good enough to worthy of people's attention. I hope you find this as inspiring as I did. KEY TAKEAWAYS Most artists make a piece, show it once, and move on. Luke lives with a piece across a hundred installations and refines it. That last 5% of refinement makes the work land, turns it into something enduring that funds the next project and the next. Being an artist is a marathon, not a sprint. A diverse practice takes longer to build. But that willingness to keep reinventing yourself creates adaptability. Don´t underestimate your ability to solve problems and learn from failure. It´s up to us to decide on the rules we play by. BEST MOMENTS “I like creating artworks that leave space for other people to be creative.” “If you knew you had to be rejected 100 times before you were a millionaire, you'd be really excited to get your first rejection, wouldn't you?” “There's no such thing as luck. You've got to be ready … when the phone call comes … make it easy for them to say yes.” For the text version of the topics, we cover each week in the Beat the Block Shorty episodes, straight to your inbox, head to http://cerihand.com/subscribe. RESOURCES https://www.lukejerram.com https://www.instagram.com/lukejerramartist HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/
Photographers Jarod Lew and Reagan Louie join PhotoWork with Sasha Wolf to discuss how they explore cultural identity, personal loss, and trauma through photography. Lew and Louie are Asian American photographers from different generations, and their work reflects how the exploration of cultural identity in contemporary photography has evolved over the decades. While Louie takes a documentary photography approach, Lew works through more conceptual constructs. Their conversation with Wolf highlights the visual differences between their practices while revealing striking resonances in how they discuss their approach. https://www.jarodlew.com https://www.reaganlouie.com Jarod Lew is an artist who draws on photography to explore intergenerational encounters with diasporic loss, displacement, and postmemory. Through this exploration, his work contends with the performativity of race and its instability as a locus of meaning. His project, Please Take Off Your Shoes was shortlisted for the Aperture Portfolio Prize in 2021, and was exhibited in a group exhibition at SFMOMA titled Kinship: Photography and Connection in 2023. His other project, In Between You and Your Shadow, examines his relationship with his mother, who was the fiancé of Vincent Chin--the subject of a hate-crime that brought national attention to matters of Asian American civil rights. In 2025, Lew will mount his first museum exhibition at the University of Michigan Museum of Art titled- Strange You Never Knew. His works are held in public and private collections including the Cantor Art Center, Detroit Institute of Arts, Kadist, San Francisco, Harvard Art Museum, University of Michigan Museum of Art and the San Francisco Museum of Modern Art. Lew's work has been written about in Aperture, Artforum, Elephant Magazine, and Aesthetica Magazine. Lew graduated with an MFA in photography at the Yale School of Art. Reagan Louie's photography and installations explore global transformation and cultural identity. He is currently at work on several projects that focus on the relationship between home and homeland; including a book about his family's immigration from China to America. And a Virtual Reality experience about his ancestral home, Wing Wor. His work is exhibited at institutions: San Francisco Museum of Modern Art, Museum of Modern Art NY, Philadelphia Art Museum, Fotomuseum Winterthur, Gwangju Biennale. Louie's photographs are in the public collections of the Metropolitan Museum of Art, San Francisco Museum of Modern Art, Museum of Modern Art NY, Los Angeles County Museum of Art, Oakland Museum, Cantor Art Museum. Louie's photographs are widely published. His books have received critical acclaim. The New York Times Book Review named his first book on China, “Toward a Truer Life”, the photography book of the year. He is the recipient of numerous awards - The Guggenheim fellowship, National Endowment for the Arts Fellowship, Lange-Taylor Prize, and Fulbright Fellowship.
Episode No. 765 is a holiday clips episode featuring artist Hew Locke. The Museum of Fine Arts Houston is presenting "Hew Locke: Passages," the first US survey of Locke's career, through September 13. Across sculpture, painting, photography and installations, Locke's work considers colonialism, its power, and the ways in which we respond to colonialism and its impacts. Locke, who is Guyanese-British, particularly focuses on British imperialism and how it was constructed, including through monarchy, trade, and (sometimes forced) migration. The show was curated by Martina Droth. The catalogue, which was edited by Droth and Allie Biswas, was published by the YCBA. Bookshop and Amazon offer it for $60-70. In-gallery materials are available here in both English and Spanish. Locke's work has been featured in solo exhibitions at The British Museum, London, the Metropolitan Museum of Art, New York, Tate Britain, London, the Institute of Contemporary Art / Boston, Pérez Art Museum Miami, and more. In addition to the images below, here are links to works and exhibitions discussed on the program: Hew Locke, Ark, 1994. Hew Locke, Menace to Society (series), 1999-2001. Hew Locke, The Nameless, 2010. "Hew Locke: what have we here" at the British Museum; "A Conspiracy of Icons: The Art of Donald Locke," at the High Museum of Art, Atlanta; and "The Other Story: Afro-Asian Artists in Post-War Britain" at the Hayward Gallery, London. Instagram: Hew Locke, Tyler Green. Air date: July 2, 2026.
I interviewed Brett Renfer about Metropolitan Museum of Art Experiments with XR & AI on Wednesday, June 17, 2026 at Augmented World Expo in Long Beach, California. You can check out the The Temple of Dendur and Oceanic Art in Virtual Reality within the Atopia VR application. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality
Em 7 de março de 2004, o cineasta Jorge Furtado fez o que ele fazia quase todas as manhãs: pegou pra ler a edição da Folha de S.Paulo daquele dia. A maior foto da capa mostrava um quadro pendurado numa parede com a imagem de uma mulher sentada de braços cruzados. O Jorge reconheceu a obra logo de cara: era a “Mulher em Branco”, do Picasso. A matéria dizia que aquele “desenho de Pablo Picasso” tinha sido encontrado quase por acaso numa sala do INSS, em Brasília. O que era bem estranho… considerando que a “Mulher em Branco” pertence ao Metropolitan Museum de Nova York. Assim começou a saga do Jorge Furtado com aquele que ficou conhecido como “o Picasso do INSS”. Anos depois, a história inspirou a produção do documentário “O Mercado de Notícias”. E agora, em 2026, ela inspirou a repórter Bia Guimarães a embarcar numa espécie de caça ao tesouro: afinal, de onde veio e que fim teve o “Picasso do INSS”? Membros do Clube da Novelo podem ouvir os episódios do Rádio Novelo Apresenta antecipadamente, além de ter acesso a uma newsletter especial e a eventos com a nossa equipe. Quem assinar o plano anual ganha de brinde uma bolsa da Novelo. Assine em https://clube.radionovelo.com.br Inscreva-se no canal da Rádio Novelo no YouTube: https://www.youtube.com/@RádioNovelo Siga a Rádio Novelo no Instagram: https://www.instagram.com/radionovelo/ -- Cansado de rolar a tela e não encontrar nada para assistir? A Rádio Novelo agora é parceira da MUBI, um serviço de streaming com curadoria especializada em cinema. De 26 de junho a 6 de julho, você garante 70% de desconto por seis meses de assinatura. Acesse mubi.com/novelo e assista ao melhor cinema. -- Esqueça o cartão de crédito: com a Wise, você paga em mais de 40 moedas com a taxa de câmbio comercial — a mesma que você vê no Google. Converta e mantenha seu dinheiro na moeda de destino e pague sem se preocupar com cotação ou tarifas. Ah, e você ainda pode sacar em mais de 3 milhões de caixas eletrônicos. Quem sabe vai de Wise. Baixe o app hoje. -- Insider: tecnologia aplicada à rotina – peças que desamassam no corpo, facilitam a evaporação do suor e seguem confortáveis por horas. Utilize o cupom RADIONOVELO e tenha 15% OFF na 1ª compra e 10% OFF nas próximas – e ainda soma com os descontos do site. https://creators.insiderstore.com.br/RADIONOVELO Palavras-chave: artes plásticas, cinema, jornalismo, fake news
Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsBibliographyAguilar, L. A., et al. “Total Solar Eclipse Triggers Dawn Behavior in Birds.” Science, 2025. Used for the updated science support showing that the April 8, 2024 total eclipse altered North American bird behavior, including dawn-like vocal responses.Britannica. “9 Celestial Omens.” Used for the Thales / Battle of the Eclipse tradition and the broader theme of celestial events being interpreted as historical omens.Britannica. “Apopis.” Used for Apep/Apopis as the serpent enemy of Re/Ra, the demon of chaos, and the force outside the ordered cosmos.Britannica. “Eclipse — Medieval European.” Used for medieval eclipse records, especially the 733 CE annular eclipse described as a “black and horrid shield.”Britannica. “Hindu Calendar.” Used for Hindu sacred timing, lunar-solar calendrical structure, and the religious context that helps explain eclipse observance as ritually serious time.Britannica. “Ma'at.” Used for Ma'at as truth, justice, balance, and cosmic order in ancient Egyptian religion.Britannica. “Navagraha.” Used for Rahu and Ketu as eclipse-associated shadow planets and lunar-node powers in Indian astral religion.Britannica. “Samudra Manthana / Churning of the Ocean of Milk.” Used for the mythic background of devas, asuras, amrita, Vishnu, Mohini, Rahu, and Ketu.Britannica. “Solar Eclipse.” Used for basic solar-eclipse definition and the Moon's shadow crossing Earth.Britannica. “The Sun Was Eaten: 6 Ways Cultures Have Explained Eclipses.” Used for comparative eclipse mythology, especially devourer myths, Chinese dragon traditions, Rahu, and Batammaliba reconciliation themes.Britannica. “What Causes Lunar and Solar Eclipses?” Used for clear basic mechanics of lunar and solar eclipses.CDLI / Cuneiform Digital Library Initiative. “Solar Omens of Enūma Anu Enlil: Tablets 23 (24)–29 (30).” Used for bibliographic information on van Soldt's edition of the solar omen tablets.European Space Agency. “27 August.” Used for the 413 BCE lunar eclipse during the Athenian retreat from Syracuse and Nicias' delay.Exploratorium. “Eclipse Stories from Around the World.” Used for global comparative eclipse stories, including Norse wolves, Batammaliba reconciliation, and other recurring mythic patterns.Foundation for the Preservation of the Mahayana Tradition. “Practice During Solar and Lunar Eclipses.” Used for Tibetan Buddhist practice advice, merit multiplication, and eclipse as intensified sacred time.Izzuddin, Ahmad, Mohamad A. Imroni, Ali Imron, and Mahsun. “Cultural Myth of Eclipse in a Central Javanese Village: Between Islamic Identity and Local Tradition.” HTS Teologiese Studies/Theological Studies, 2022. Used for Batara Kala, eclipse devouring myths in Java, pregnancy/livestock concerns, and living village practice.NASA. “Why Do Eclipses Happen?” NASA Science. Used for solar and lunar eclipse geometry, alignment, lunar nodes, and the reason eclipses do not occur every month.NASA Space Place. “Lunar Eclipses and Solar Eclipses.” Used for simple public-facing explanations of solar and lunar eclipse mechanics.National Folk Museum of Korea. “Solar and Lunar Eclipse / Ilsik, Wolsik.” Used for Bulgae, the Korean fire dogs from the Dark World who cause eclipses by biting the Sun and Moon.NOAA NESDIS. “NOAA Satellites View Total Solar Eclipse.” Used for environmental effects during totality, including temperature drops, changes in local air circulation, cloud behavior, and animal confusion.Rochester, University of. “Surprising Facts and Beliefs About Eclipses During Medieval and Renaissance Times.” Used for the point that medieval astronomers understood eclipse prediction while still interpreting eclipses as morally or religiously serious.Sefaria. Sukkah 29a. Used for rabbinic material treating eclipses as ominous signs.Sunnah.com. Sahih al-Bukhari, Book 16, “Eclipses.” Used for the hadith that the Sun and Moon do not eclipse because of the life or death of any person and that the correct response is prayer and invocation.The Metropolitan Museum of Art. “The Solar Eclipse and the Substitute King.” Used for Mesopotamian eclipse omens, danger to the king, priestly divination, substitute kingship, and the šar pūḫi ritual.U.S. Fish & Wildlife Service. “Wildlife Behavior and a Solar Eclipse.” Used for darkening skies, cooling temperatures, and wildlife shifting toward nighttime routines.University of Pittsburgh World History Center. Lilly Taylor, “Solar Eclipses and World History.” Used for the Batammaliba tradition of making peace and ending disputes during eclipse.van Soldt, Wilfred H. Solar Omens of Enūma Anu Enlil: Tablets 23 (24)–29 (30). Leiden: Nederlands Historisch-Archaeologisch Instituut te Istanbul, 1995. Used for Mesopotamian solar omen literature and the textual archive of unusual solar phenomena.This keeps Part 1 sourced without dragging Part 2's Mesoamerica, Andes, North American Indigenous, Australian, Arctic, Pacific, colonial, and modern eclipse-pilgrimage sources into the wrong half.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A
Episode No. 764 features artist Louis Fratino. The Baltimore Museum of Art is exhibiting "Fratino and Matisse: To See This Light Again" through September 6. The exhibition shows how Matisse -- specifically Baltimore's great Matisse collection -- has informed Fratino's painting. The exhibition was co-curated by Virginia Anderson and Katy Rothkopf. Fratino, who earned his undergraduate degree at Baltimore's Maryland Institute College of Art, often depicts intimate personal spaces and experiences, usually by centering queer life and the male body. His work has been the subject of a solo show at the FLAG Art Foundation, New York; he has been included in group exhibitions at museums such as the Long Island Museum, Stony Brook, NY; the Institute of Contemporary Art, Boston, the RISD Museum, Providence; and the Columbus Museum of Art. His work is well-collected by art museums such as the Art Institute of Chicago, the British Museum, London, the Metropolitan Museum of Art, New York, the MCA Chicago, and the MFA Houston. Air date: June 25, 2026.
Painter Frederic E. Church was born in 1926 on Temple Street, Hartford. In the 200 years since then, his paintings have travelled the world and helped define American art. This hour, we'll speak with Victoria Johnson, author of a new biography all about Church. Plus, we’ll be joined by Betsy Kornhauser, former curator at the Wadsworth Atheneum and the Metropolitan Museum of Art, to explore Church’s current legacy. Guests: Victoria Johnson is a professor of urban policy and planning at Hunter College and the author of “Glorious Country: How the Artist Frederic Church Brought the World to America and America to the World”. Elizabeth Kornhauser is Senior Curator and Chair of the Frederic Church Bicentennial Committee at The Olana Partnership. She is Curator Emerita at the Metropolitan Museum of Art, and former Chief Curator at the Wadsworth Atheneum Museum of Art. Music featured (in order): String Quartet No. 12, “American”: IV. Finale – Antonin Dvorak, as performed by the Cleveland Quartet Color and Light – Sunday in the Park with George OBC Everytime I See River – Van Morrison When I Paint My Masterpiece – Emmylou Harris Both Sides Now – Joni Mitchell Painter Song – Norah Jones The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe and Dylan Reyes contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects. In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge. So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below. Thank you and enjoy the episode!Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Cash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsCore historical / comparative sourcesEncyclopaedia Britannica. “moon worship.” Good for the broad comparative frame: lunar symbolism, death-rebirth, hunting vs. agrarian patterns, and why the moon is sometimes male and sometimes female.Encyclopaedia Britannica. “The moon,” in Nature Worship: Celestial Phenomena as Objects of Worship or Veneration. Good for lunar phases, magical timing, menstruation/tides, dangerous dark days, eclipse anxiety, and symbolic variation.Encyclopaedia Britannica. “Celestial phenomena as objects of worship or veneration,” in Nature Worship. Useful for the broader claim that many hunting and gathering societies, and some pastoral and royal cultures, conceived the moon as male.MesopotamiaOracc / Ancient Mesopotamian Gods and Goddesses. “Nanna-Suen.” Best core reference for the identity, names, and cultic status of the Mesopotamian moon god.Encyclopaedia Britannica. “Sin.” Best quick reference for Nanna/Sin as moon god, his bull symbolism, Ur, fertility functions, and Nabonidus.Encyclopaedia Britannica. “Enheduanna.” Useful if you want to reference the priestly/literary world attached to the cult of Nanna at Ur.EgyptEncyclopaedia Britannica. “Khonsu.” Strong for Khonsu as youth, moon god, Pyramid Text background, and Karnak.Encyclopaedia Britannica. “Thoth.” Strong for Thoth as moon god of reckoning, learning, writing, and later Hermetic importance.The Metropolitan Museum of Art. Collections and bulletin material on Iah / Osiris-Iah and Egyptian lunar symbolism. Best for the more specialized lunar material beyond Khonsu and Thoth.Levant / Anatolia / Near EastEncyclopaedia Britannica. “Yarikh.” Best starting point for the Ugaritic / West Semitic moon god and the Nikkal marriage material.Encyclopaedia Britannica. “Kushukh.” Best for the Hurrian moon god, oath function, iconography, and Hittite adoption.Encyclopaedia Britannica. “Religions of the Hittites, Hattians, and Hurrians,” in Anatolian religion. Best broad source for Arma and the Hittite/Luwian/Hurrian lunar world.Encyclopaedia Britannica. “Men.” Best source for the later Anatolian moon god, iconography, and possible tie to Mao.ArabiaEncyclopaedia Britannica. “Arabian religion.” Good for the broad astral background of pre-Islamic Arabian religion.Encyclopaedia Britannica. “Pre-Islamic deities,” in Arabian religion. Essential for Wadd, ʿAmm, Ḥawl, and for correcting outdated claims about Almaqah and Syn.India and IranEncyclopaedia Britannica. “navagraha.” Good for Chandra/Soma in astrology and lived Hindu cosmology.Encyclopaedia Britannica. “nakshatra.” Best for lunar mansions, lunar months, and Chandra's mythic/calendar role.Encyclopaedia Britannica. “soma.” Essential for Soma as sacred drink and later lunar identification.Encyclopaedia Iranica. “Māh Yašt.” Best specialist source for the Iranian moon, lunar phases, and the “seed of the Bull” symbolism.Northern / Eastern EuropeBritannica Kids / Students. “Sól and Máni.” Good clean source for the Norse sibling pair and the male moon.Encyclopaedia Britannica. “Mēness.” Best source for the Baltic moon god, renewal, prayer, and agricultural strength.Encyclopaedia Britannica. “Slavic religion: Folk conceptions.” Essential for the masculine Slavic moon, kinship language, and lunar veneration.JapanEncyclopaedia Britannica. “Tsukiyomi.” Best short source for Tsukuyomi as moon god.Encyclopaedia Britannica. “Izanagi.” Useful for the birth of Tsukuyomi from purification and the Shintō context.Encyclopaedia Britannica. “Ukemochi no Kami.” Best source for the separation myth involving Tsukuyomi and Amaterasu.Indigenous / circumpolar traditionsEncyclopaedia Britannica. “Oral literatures,” in Mythologies of the Indigenous Peoples of the Americas. Best broad source for the Arctic male moon pursuing his sister the sun.Encyclopedia.com. “Igaluk.” Useful specialist entry for the Inuit moon god story.MesoamericaEncyclopaedia Britannica. “Aztec religion.” Best for the Teotihuacán fire myth and Tecciztécatl becoming the moon.Susan Milbrath. “The Moon in Meso-America.” Oxford Research Encyclopedia of Planetary Science (2020). Best specialist source for masculine moon material in Central Mexico and broader lunar roles in Mesoamerica.Qabalah / Jewish mysticism / occult sourcesHistorical Jewish mysticismEncyclopaedia Britannica. “sefirot.” Best concise source for the sefirot, including Yesod as “foundation.”Encyclopaedia Britannica. “Jewish mysticism,” in Judaism. Good for the broader Kabbalistic context.My Jewish Learning. “What Are the Sefirot?” Good readable support source for explaining sefirot on air.Western esoteric / occult QabalahDion Fortune. The Mystical Qabalah. Weiser, 2000. Strongest single occult source for Yesod as astral foundation, imaginal reservoir, and “treasure house of images” current.Aleister Crowley. 777 and Other Qabalistic Writings of Aleister Crowley. Weiser, 1986. Best for formal occult correspondences, including the Yesod-Moon scheme.Aleister Crowley. Magick Without Tears. New Falcon, 1991. Useful for Crowley's practical Qabalistic framing.Lon Milo DuQuette. The Chicken Qabalah of Rabbi Lamed Ben Clifford. Weiser, 2001. Good modern, readable summary of Yesod in Western occult terms.Israel Regardie. The Tree of Life: A Study in Magic. Weiser, 1972. Strong for Golden Dawn style Yesod/astral-plane framing.Gareth Knight. A Practical Guide to Qabalistic Symbolism. Weiser, 2001. Very useful for Yesod symbolism and the broader Tree of Life structure.Science / symbolism supportNASA Science. “Moon Phases.” Best source for the simple but important physical point that moonlight is reflected sunlight.NASA Science. “Eclipses.” Useful if you want a clean science-side reference when talking about eclipses before contrasting that with mythic fear and ritual response.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A
Today, I'm joined by award-winning journalist Matthew Campbell to talk about his new book, The Man Who Stole the Gods. For decades, the Bangkok-based Brit, Douglas Latchford, bought priceless Cambodian artworks that had been looted from ancient religious sites. Some of these pieces made their way to the collections of museums as august as the Metropolitan Museum of Art in New York. In The Man Who Stole the Gods, Matthew shines a light on the looters who stole this art and the international team of sleuths who helped return these works to their native country. If you'd like to support the show, please consider beocming a patron at www.patreon.com/artofcrimepodcast.
Chef Krissy Downey whips up family favorite dishes from Sheinelle's Recipe Box. Plus, Paul Rudd sits down with Jenna and Sheinelle to talk about his new blockbuster “Power Ballad” and stepping into a singing role alongside real-life pop star, Nick Jonas. And, author Ann Patchett dishes on her new novel “Whistler” and her homage to the Metropolitan Museum of Art. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Episode No. 761 features artists Denzil Forrester and William Wylie. Forrester is featured in "Dancing the Revolution: From Dancehall to Reggaetón" at the Museum of Contemporary Art Chicago through September 20. The exhibition explores and expands the visual, political, and spiritual histories of dancehall and reggaetón through contemporary art produced in the Caribbean, New York, London, and beyond. It was curated by Carla Acevedo-Yates with Cecilia González Godino, Iris Colburn, Nolan Jimbo, and nibia pastrana santiago. A catalogue will be published by the museum and DelMonico Books in July. It is available from Bookshop and Amazon for $60-65. The Grenada-born Forrester is best known for paintings that mine London's dub reggae culture and music clubs of the 1980s for subject and verve. The drawings he made in urban dance halls then continue to inform his work. His paintings are full of references to diaspora, the policing of Black people and culture in the UK, and dub reggae music itself. White Columns, New York, the Institute of Contemporary Art, Miami and the Kemper Museum of Contemporary Art, Kansas City have presented solo exhibitions of his work in the US; in the UK, Nottingham Contemporary, the Jackson Foundation Gallery, Cornwall have too. His work is in the collection of museums such as the Tate, London, and the Metropolitan Museum of Art, New York. Wylie's new photobook is titled "The Eighty-Eight: Photographs from a Japanese Pilgrimage." It features pictures from Wylie's experience fo the Shikoku Pilgrimage, a trail that vists 88 temples associated with the Buddhist monk Kūkai (Kōbō Daishi) on the island of Shikoku. The book was published by George F. Thompson Publishing in association with the Center for the Study of Place, and features an essay by Pico Iyer. Amazon offers it for about $42. This is Wylie's seventh book. His pictures are in the collection of museums such as the Metropolitan Museum of Art, New York, the National Gallery of Art, Washington, and the Yale University Art Gallery. Air date: June 4, 2026.
We meet a teacher whose college fashion designs have gone on display at the famous Metropolitan Museum of Art in New York. Nadia Pinkney says she was shocked when the curator said they wanted to display her collection, which was inspired by a family history of Alzheimer's disease. She describes seeing the exhibition as an out-of-body experience and hopes it will encourage more people to talk about difficult topics like dementia.Also: the passengers catching a bus to nowhere in Switzerland. The project is designed to encourage people to slow down and talk to new people face to face.The mother who's found comfort from being able to hold her late daughter's hand again, after it was donated for a rare transplant.The Polish influencer who's raised millions of dollars for a cancer charity by hosting a livestream for nine days, non-stop.The grandmother fighting to preserve Chile's wetlands for the next generation.Plus the Canadian truck driver who rescued a moose called Rebel; and why musicians in southern England are holding improvised concerts with nightingales.Our weekly collection of inspiring, uplifting and happy news from around the world.(Photo: Nadia Pinkney with her designs on show at the Met in New York. Credit: Nadia Pinkney)Presenter: Holly Gibbs. Music composed by Iona Hampson
P.M. Edition for May 14. A privacy-focused alternative to bitcoin called Zcash is winning over crypto evangelists. WSJ special writer Greg Zuckerman explains what's got the crypto community so excited, along with the risks of the coin. Plus, Pentagon leaders say the war in Iran is costing so much that they're running out of money for other operations. And New York's Metropolitan Museum of Art has agreed to merge with the Neue Galerie, cosmetics billionaire Ronald Lauder's esteemed museum for German and Austrian modern art. We hear from Journal reporter Kelly Crow about why that's an important move for the Met. Alex Ossola hosts. Sign up for the WSJ's free What's News newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices
As a part of the “Move 26” challenge, podcaster (“The Secret Life of Books”) and professor Sophie Gee joins for a literary walk. We explore the Metropolitan Museum together and look for items related to the iconic children's novel “From the Mixed-Up Files of Mrs. Basil E. Frankweiler.” Resources & links related to this episode: Secret Life of Books podcast, hosted by Sophie Gee and Jonty Claypole From the Mixed-Up Files of Mrs. Basil E. Frankweiler by E. L. Konigsburg (Amazon, Bookshop) Join the "Move 26" challenge in the Happier app Get in touch: podcast@gretchenrubin.com Visit Gretchen's website to learn more about Gretchen's best-selling books, products from The Happiness Project Collection, and the Happier app. Find the transcript for this episode on the episode details page in the Apple Podcasts app.
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