Podcasts about metropolitan museum

Episode 506 / Ragnar Kjartansson Ragnar Kjartansson is an artist who lives and works in Reykjavik. He engages multiple artistic mediums in his performative practice. The history of film, music, theatre, visual culture and literature find their way into his video installations, durational performances, drawing and painting. Pretending and staging are key tools in Kjartansson's efforts to convey sincere emotion and offer genuine experiences to audiences. Kjartansson's work has been exhibited widely, including solo exhibitions and performances at the Louisiana Museum of Modern Art, Kunstmuseum Stuttgart, Metropolitan Museum of Art, Barbican Centre, Hirshhorn Museum and Sculpture Garden, Reykjavik Art Museum, Palais de Tokyo, and New Museum. 

From Freudian fashion to sumptuous saris, courtly courtesans to iconic opera costumes, we take you "behind the seams" of our recent fashion history-packed day tours of New York City spent at the Fashion Institute of Technology, The New York Historical Society, The Metropolitan Opera and the Metropolitan Museum of Art.  Further learning: Valerie Steele's Dress, Dreams, and Desire at the Museum at FIT The New York Sari and The Gay Harlem Renaissance at the New York Historical Discounted tickets for The Metropolitan Opera Antonio Ratti Center Noel Catherine Vorlée 1783 and ca. 1804 at the Metropolitan Museum of Art Man's Jama with Poppies  Want more Dressed: The History of Fashion?  Our ⁠⁠⁠website⁠⁠⁠ and ⁠⁠⁠classes⁠⁠⁠ Our ⁠⁠⁠Instagram⁠⁠⁠ Our ⁠⁠⁠bookshelf⁠⁠⁠ with over 150 of our favorite fashion history titles Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textNight watchmanI must admit that my first impression of the William Shakespeare action figure was - what is all the big deal.  I even have a background in Shakespeare acting - though I don't have a job with that training. But if you look at the William Shakespeare action figure - even though he has a scroll and quiil - your first reaction is what is all the fuss for?NarratorAs the narrator of this podcast episode, my suggestion is to look at the history of the character behind the William Shakespeare action figure, complete with quill.  Do you have any comments, Mr. Shakespeare. I would be surprised if you didn't.English ShakespeareYes gentlemen, if you visit the city of Stratford-upon-Avon in England today, the first thing you'll probably hear is that I was born in 1564. We don't actually know the exact day, but we do know that I was baptized on April 26th at Holy Trinity Church. Since baptisms usually happened a few days after birth, tradition has settled on April 23rd — St. George's Day — as my birthday. A fitting coincidence, since St. George is England's patron saint and many individuals said during an after my life that Iwould become England's greatest poet.Night watchmenMr. Shakespeare, I am from the State of Mississippi in the United States, and am currently employed as a night watchmen in this toy museum. Could you tell us about YOUR background in Stratford-upon-Avon.ShakespeareCertainly. I was the son of John Shakespeare, a glove maker and part-time wool dealer who rose to become an alderman in the town, and Mary Arden, who came from a well-off farming family.  My parents gave me a household connected both to trade and to old Warwickshire landowners.Night watchmanI can't believe I'm talking to a toy - especially such a small toy - but I guess it isn't every day that you get a chance to talk to the world's greatest writer - even if it is an action figure. Well I might as well ask you - you obviously know that you are very small and stature - but what seems to bother you the most? ShakespeareAh, let's view things in perspective one must realize that after midnight, the Toy Wing of the Metropolitan Museum of Toys and Childhood Artifactsis a very opinionated place.The teddy bear has thoughts about immigration.The race cars debate who's the fastest.And down one quiet aisle,between a plastic model of the Globe Theatreand a bucket of foam swords,stands a small figure in black.Black doublet.White ruff.Quill pen forever poised above a tiny scroll.And my name tag reads:“William Shakespeare Action Figurec. 2010 – Plastic, Paint, and a Suspiciously Confident Smirk.”ShakespeareGood even, kind sir.You may put “suspiciously confident smirk” in the catalogue if you like,but 'twas crafted by a very cheap mould.Support the showThank you for experiencing Celebrate Creativity.

When the artist Jennie C. Jones listens closely to a piece of music, she's particularly attuned to its pauses, in-between moments, and breaks. Widely celebrated for her abstract works in painting, sculpture, and sound art that, in many instances, incorporate architecture or space—through which she often elevates undersung or little-known Black artists and musicians—her practice is largely informed by minimalism and color field painting, as well as by jazz and avant-garde music. Jones currently has two exhibitions on view at the Pulitzer Arts Foundation in St. Louis (through Feb. 1, 2026): “A Line When Broken Begins Again,” which features a selection of new and existing paintings, sculptures, works on paper, and sound pieces, and “Other Octaves,” a group show she curated of works by artists who have been formative to her practice. She was also commissioned to create the 2025 rooftop installation at New York's Metropolitan Museum of Art.On this episode of Time Sensitive, she discusses what listening as a conceptual practice looks like in action, the art of putting together a playlist, and her deep love of things tactile and analog.Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.Show notes: [04:35] “Jennie C. Jones: A Line When Broken Begins Again” (2025)[04:35] “Other Octaves” (2025)[04:57] Carmen Herrera[04:57] Agnes Martin[04:57] Martin Puryear[04:57] Alma Thomas[04:57] Mildred Thompson[05:21] A Free and Shifting Tonal Center (2024)[7:26] Ellsworth Kelly[11:44] Fred Moten[11:44] “Dynamics” (2022)[13:02] Trisha Brown's “Leaning Duets” (1970)[14:40] Tadao Ando[14:55] “These (Mournful) Shores” (2020)[17:21] Moses Williams[17:21] Louis Dotson[18:20] Richard Tuttle[30:25] Olly Wilson[31:28] Maryanne Amacher[31:28] Arthur Russell[37:10] Jennie C. Jones: Compilation (2015)[38:30] “The Theater of Refusal: Black Art and Mainstream Criticism” (1993)[42:25] “Slow Birds” (2004) [42:25] "Slowly in a Silent Way, Caged” (2010)[42:25] Charlie Parker[1:09:47] “Jennie C. Jones: RPM (revolutions per minute)” (2018)[1:12:06] “Ensemble” (2025)

The Author Events Series presents Harmonia Rosales | Chronicles of Ori: An African Epic  In Conversation with Imani Roach In Chronicles of Ori, her debut book, Harmonia Rosales retells the African myths she has long treasured, crafting an enthralling epic that spans the birth of the universe to the modern world of colonialism and resistance. She writes of the powerful, temperamental deities called the Orishas; of the founding of Yorubaland by the shrewd leader Oduduwa; of the young heroine Eve, born in a time of violence and despair, who would help her people regain their past splendor; and of shimmering serpents and monstrous shadows who stalk the lands of mortals. At the center of these linked tales is the bond, sometimes fraying, between the Orishas and the humans who worship them. It was the Orishas who made humans, and who gave them their most precious resource: their Oris, or destinies. Vividly brought to life by Rosales's artwork, Chronicles of Ori will enlighten and delight readers for years to come. Harmonia Rosales is an American artist from Chicago whose work depicts and honors African myths and the diaspora. She lives in Los Angeles, California. Imani Roach is the inaugural director of the Brind Center for African and African Diasporic Art at the Philadelphia Museum of Art. There she is planning the first permanent gallery devoted to the arts of Africa and its diaspora in the PMA's 150-year history, set to open Fall, 2026. In this role she also works with colleagues across the institution on educational, curatorial and conservation initiatives that center Black art. She was previously Assistant Curator for the Arts of Africa at the Metropolitan Museum of Art in New York during the renovation and reinstallation of the Michael C. Rockefeller wing's African collection. A scholar of African Modernism and a proud Philadelphia resident since 2012, she has designed and led courses on the arts of Africa at Haverford College, the University of Pennsylvania, University of the Arts, Moore College of Art and Design and elsewhere. She has also worked in the arts journalism space, both as a senior editor at Guernica Magazine and as the first Managing editor of Artblog. Beyond her career as an art historian, she is also a regularly gigging vocalist and a new mom.  Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night! All tickets are non-refundable. (recorded 10/21/2025)

Lisa Z. Lindahl is an award-winning inventor, artist, author, and entrepreneur best known for transforming women's sports with her 1977 invention of the first sports bra, the Jogbra. As CEO of JBI Inc. from 1977–1992, she helped shape a global industry, earning ten patents and seeing her invention archived at the Smithsonian National Museum of American History and even displayed at The Metropolitan Museum of Art as a “revolutionary piece of women's undergarments.”In 1999, she co-founded Bellisse and co-invented the Compressure Comfort® Bra, a breakthrough medical garment now supporting breast cancer survivors worldwide. She has been inducted into the National Inventors Hall of Fame (2022), received a U.S. Congressional Commendation, and has long served as an advocate for women's health, most notably through her leadership roles at the Epilepsy Foundation of America.She is the author of Beauty as Action (2017), her philosophical guide to practicing “True Beauty,” and the acclaimed memoir Unleash the Girls (2019).In this second part of our conversation, we talk about:True beauty is harmony rather than glamourThe problem of living in a culture rooted in fear, competition, and accumulation“Practicing beauty” works through simple, everyday disciplinesLisa's 16 practices of beautyThe three-legged stool of truth, beauty, and justiceTo learn more about Lisa's work, visit:https://www.lisalindahl.com/ https://beautyinaction.com/ Links Mentioned:Beauty as Action by Lisa Z. LindahlUnleash the Girls (Lisa's memoir on inventing the sports bra)This season of the podcast is sponsored by Templeton Religion Trust.Support the show

Jan Dibbets behoort tot de grootste Nederlandse naoorlogse kunstenaars. Naar aanleiding van de tenoonstelling Jan Dibbets 1967-1977 in het H'ART Museum gaat Yoeri Albrecht met Dibbets in gesprek.Perspectief, ruimte en tijd vormen de rode draad in het werk van Jan Dibbets (1941), die deze thema's al ruim zeven decennia onderzoekt. Zijn oeuvre beweegt zich op het snijvlak van fotografie, videokunst, landschapskunst en beeldende kunst, en bezorgde hem een internationale reputatie. Werk van Dibbets maakt deel uit van de collecties van onder meer The Metropolitan Museum of Art in New York, Tate Modern in Londen en het Stedelijk Museum in Amsterdam.Vanaf begin 2026 is de tentoonstelling Jan Dibbets 1967-1977 in het H'ART Museum te zien. Een expositie over de beslissende jaren in het oeuvre van Jan Dibbets. In De Balie gaat Yoeri Albrecht met hem in gesprek.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

The Art Newspaper's editor-in-chief, Americas, Ben Sutton, and art market editor, Kabir Jhala, are in Miami Beach for Art Basel's latest edition and discuss the top sales and the wider mood at the fair. As staff at the Musée du Louvre in Paris vote to strike, Ben Luke talks to Vincent Noce, our correspondent in Paris, about the deepening crisis at the museum, following the robbery in October. And this episode's Work of the Week is Helene Scherfbeck's The Tapestry (1914-16). It features in a new exhibition of the Finnish artist's work opening this week at the Metropolitan Museum of Art in New York. We talk to the curator of the exhibition, Dita Amory, about the painting.Art Basel Miami Beach, 5-7 December 2025.Seeing Silence: The Paintings of Helene Schjerfbeck, Metropolitan Museum of Art, New York, 5 December-5 April 2026 Hosted on Acast. See acast.com/privacy for more information.

En Partenariat avec le Salon Histoire de Lire 2025 Les Très Riches Heures du duc de Berry sont bien plus qu'un simple manuscrit. Célébré comme la « Joconde » des manuscrits, ce recueil d'offices et de prières personnalisé pour le duc de Berry, frère du roi Charles V, témoigne du faste et du raffinement artistique de la fin du Moyen Âge. Réalisé tout au long du XVe siècle sur vélin, à la détrempe, à l'or, à l'argent et à l'encre, ce livre exceptionnel compte parmi ses enlumineurs les frères Limbourg, éminents artistes attachés à la cour de Bourgogne puis de Berry. Composées de 121 miniatures, elles captivent par leurs représentations de châteaux historiques (Palais de la Cité, Palais du Louvre, château de Vincennes), de scènes princières et des travaux des champs rythmés par les saisons. Pour la première fois depuis la mort du prince en 1416, tous ses livres d'heures aujourd'hui connus sont réunis en un seul et même endroit. Cette rencontre au sommet, permise par les prêts des oeuvres les plus prestigieuses - dont les Belles Heures conservées au Metropolitan Museum of Art - est accompagnée par la présentation d'une grande partie de la bibliothèque du duc de Berry, l'une des plus fameuses du Moyen Âge.Marie-Pierre Dion est notre invitée en direct du Salon, à Versailles, pour les Interviews HistoireHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Send us a textEbenezer is back.This is the second night for Ebeneezer Smith as the new night watchmen at the Metropolitan Museum of toys and childhood artifacts KEY in lock. DOOR opening.]EBENEZER (muttering to himself):Well, I'm here. Again.      This time I doubt I'll meet any human beings I can talk with…The toys might be a different story.But honestly? I don't understand what happened last night. I have no idea if that conversation with Slinky was a one-time deal——or just a bit of bad beef.Support the showThank you for experiencing Celebrate Creativity.

Send us a textOur story tonight doesn't start in a toy store.No bright aisles.No sales.No blinking “Buy One, Get One Free” signs.Instead, we begin on a quiet city street, just after closing time, in front of an old stone building most people walk past without ever truly seeing.During the day, it's a respectable institution:The Metropolitan Museum of Toys and Childhood Artifacts.But tonight… it's dark.The front doors are locked.The lights are dim.And a slightly nervous job applicant stands on the front steps of this museum, wondering whether this was really such a good idea.  Interview interviewSupport the showThank you for experiencing Celebrate Creativity.

Lisa Z. Lindahl is an award-winning inventor, artist, author, and entrepreneur best known for transforming women's sports with her 1977 invention of the first sports bra, the Jogbra. As CEO of JBI Inc. from 1977–1992, she helped shape a global industry, earning ten patents and seeing her invention archived at the Smithsonian National Museum of American History and even displayed at The Metropolitan Museum of Art as a “revolutionary piece of women's undergarments.”In 1999, she co-founded Bellisse and co-invented the Compressure Comfort® Bra, a breakthrough medical garment now supporting breast cancer survivors worldwide. She has been inducted into the National Inventors Hall of Fame (2022), received a U.S. Congressional Commendation, and has long served as an advocate for women's health, most notably through her leadership roles at the Epilepsy Foundation of America.She is the author of Beauty as Action (2017), her philosophical guide to practicing “True Beauty,” and the acclaimed memoir Unleash the Girls (2019).In this first part of our conversation, we talked about:Lisa's earliest encounters with beauty, from frozen rivers to childhood moments of oneness with natureThe story behind the first Jogbra prototype and why sewing “stretch on stretch” is its own artWhy the need for the sports bra was far greater than she ever imaginedThe surprising moment when she realized that “beauty is what really matters.”What she means by true beauty and why she believes it is eternalTo learn more about Lisa's work, visit:https://www.lisalindahl.com/ https://beautyinaction.com/ Links Mentioned:Beauty as Action by Lisa Z. LindahlUnleash the Girls (Lisa's memoir on inventing the sports bra)This season of the podcast is sponsored by Templeton Religion Trust.Support the show

For ten years, New York-based artist and illustrator Abbie Zabar had unique, early-morning access to the Great Hall at New York's Metropolitan Museum of Art. With colored-pencils and a small square of paper, Abbie drew the dramatic floral arrangements on display in the Great Hall, designed by Chris Giftos, the Met's floral master who served […] The post Episode 744: Abbie Zabar's new book, BOUQUET: Floral Arrangements at the Metropolitan Museum appeared first on Slow Flowers Podcast with Debra Prinzing.

The new exhibit "Divine Egypt" at the Metropolitan Museum of Art brings together nearly 250 works of art from Ancient Egypt that depict the deities they worshiped. Curator Diana Craig Patch discusses the history and artistic value of these objects. "Divine Egypt" is on view through January 19.

Synopsis When is Hanukkah this year? When is Lupercalia, or Easter, or Midsummer’s Eve? When is your birthday? Figuring out when big events happen is incredibly important, and humans have been doing it for a long time. But while we can see some similarities in the process of calendar evolution, many civilizations had very different ways of conceptualizing and measuring time. Join Em and Dr. Jesse for a discussion of non-Roman calendars! Notes 0/ Check out the Nerd and Tie podcast network! Official announcement here. 1/ A lot of Mayans live in Yucatán in Mexico. Between 1847–1933, the Mayan fought a long and bloody war against the government of Mexico, and for a while controlled an independent state. Eventually they won the right to break up some of the haciendas, making it a fairly successful indigenous land movement. Now in Yucatán, a lot of the land is collectively owned/managed by the Maya. 2/ St Patrick will be coming up in the future! His episode has been recorded. 3/ Sir Capricorn’s name turns out to be Sesame. He is amazing! 4/ Gobekli Tepe (settled roughly 9500 BCE) 5/ Wurdi Youang (Australia) 6/ Warren Field (Scotland) 7/ Hawaii 8/ Yoruba calendar 9/ Babylonian calendar (from the 2nd millennium BCE). See Lis Brack-Bernsen’s “The 360-Day Year in Mesopotamia” The early astronomical text known as MUL.APIN (from 1000 BCE). 10/ Ancient Egyptian calendar! And some fun artifacts from the Metropolitan Museum of Art. 11/ Mayan calendar! Very intriguing. Here is the film 2012 which posits many incorrect things, not just about the Mayan calendar.

One pebble can create countless ripples—and this episode follows the journey of Jhaelen Hernandez-Eli who's done exactly that. From Singapore to North Carolina, architecture studios to unexpected sales roles, and a decade inside a rocket-ship design firm, the path winds through public service at NYC EDC and executive leadership at the Metropolitan Museum of Art.Now, that journey culminates in a new strategy practice helping nonprofits, museums, and campuses plan, fund, and deliver capital projects that truly transform communities. At the core of every chapter is one question: How can institutions be more useful? We explore themes of equity, climate resilience, and elevating new voices—all in service of creating places that matter.Things we cover: Why capital projects shape public life and accessHow the Met's $2B program advanced equity and climate prioritiesSelecting architects beyond the usual shortlistLessons from sales, procurement, and negotiationPublic service as a lever for middle-class jobsSalary transparency, trade-offs, and leverageTeaching as a platform for opening the “black box”Launching a mission-driven firm and curating a values-based teamDisclaimer: The views shared on Career Cheat Code are those of the guests and don't reflect the host or any affiliated organizations. This podcast is for inspiration and information, highlighting unique career journeys to help you define success and take your next step. If you enjoyed this episode, please like, rate, and subscribe to this podcast on whatever platform you're using, and share this podcast with your friends and your networks. For more #CareerCheatCode, visit linktr.ee/careercheatcode. Host - Radhy Miranda LinkedIn Instagram Producer - Gary Batista LinkedIn Instagram To watch on YouTube Follow us on Instagram Follow us on TikTok Follow us on LinkedIn

What does it take to change an entire industry? Thirty years ago, Jomo Tariku, then an industrial design student, noticed something profound missing in his university library: contemporary African furniture designers. This observation sparked a decades-long journey of persistence and vision. I sit down with Jomo to discuss his path from sketching designs in his garage while working other jobs to having his celebrated work featured in The Metropolitan Museum of Art and the film Black Panther: Wakanda Forever. He shares how his father's incredible story as a refugee gave him the hubris to persist through a 27-year wait for recognition. Tune in to learn how he translates his heritage (from the horns of the Nyala antelope to the powerful symbolism of the Afro-comb) into functional, modern art. Tune in to this story about patience, process, and the fight to redefine the creative canon. Chapters 02:22 The Collector's Home: Early Influences from a Father's Travels 05:13 Breadcrumbs: From Drawing Objects to Industrial Design 09:34 The Missing Narrative: A Thesis on African Furniture 14:14 The "Hubris" of an Orphan: A Father's Legacy of Courage 18:59 The Story of the Mito Chair: Connecting Continents with an Afro-Pick 24:37 A Commission for Seneca Village: The Met Afrofutures Room 26:08 The Designer's Process: Collaboration and Master Craftsmanship 31:40 The Balance of Beauty and Function 33:41 How 3D Printing Changed the Game 39:36 The Cost of a Prototype 42:18 The Nyala Chair: "The One That Put Me on the Map" 42:48 The 27-Year Wait and the Rise of BADG 45:10 Advocating for a More Inclusive Canon 47:33 Redefining Success: Joy, Research, and Community   Connect with Jomo: Follow Jomo on Instagram: https://www.instagram.com/jomotariku Jomo's Website: https://jomotariku.com/   Support the Show Website: http://www.martineseverin.comFollow on Instagram: @martine.severin | @thisishowwecreate_ Subscribe to the Newsletter: http://www.martineseverin.substack.com This is How We Create is produced by Martine Severin. This episode was edited by Daniel Espinosa.   Subscribe wherever you get your podcasts Leave a review Follow us on social media Share with fellow creatives  

...or ‘What is Whitby?' In which our investigators are finally quorate—and yet have seldom seemed so divided. Emotions are laid bare and minds fractured through an onslaught of sound and fury, god rays and cuckoo clocks, and the longest day of all time. And then, impossibly, a decision is made.   A Call of Cthulhu scenario by Danann McAleer. Episodes released weekly.   Cast: Dr. Henry Carraig-Muire - Joseph Chance Rev. Perregrine McCutcheon - Dan Wheeler Lady Helen Marjorie Bjarmia Potts - Dominic Allen Keeper of Arcane Lore – Danann McAleer   CW: This podcast contains mature themes, strong language and cosmic horror. Human discretion is advised.   The Apocalypse Players is an actual play (or live play) TTRPG podcast focused on horror tabletop roleplaying games. Think Dimension 20 or Critical Role, but fewer dragons, more eldritch horrors, and more British actors taking their roleplaying very seriously (most of the time). We primarily play the Chaosium RPG Call of Cthulhu, but have also been known to dabble with other systems, most of which can be found on our Patreon: www.patreon.com/apocalypseplayers We now have a free Discord server where you can come worship at the altar of the Apocalypse, play Call of Cthulhu online, and meet like-minded cultists who will only be too eager to welcome you into the fold. New sacrifices oops we mean players are always welcome. Join here: discord.com/invite/kRQ62t6SjH For more information and to get in touch, visit www.apocalypseplayers.com The Apocalypse Players are: Dominic Allen @domjallen Joseph Chance @JosephChance2 Danann McAleer @DanannMcAleer Dan Wheeler @DanWheelerUK   Kevin MacLeod, at Incompetech: Vanishing by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4578-vanishing License: https://filmmusic.io/standard-license Virtutes Instrumenti by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4590-virtutes-instrumenti License: https://filmmusic.io/standard-license Spy Glass by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4410-spy-glass License: https://filmmusic.io/standard-license Morgana Rides  by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4080-morgana-rides- License: https://filmmusic.io/standard-license   With very special thanks to Finn McAleer for the use of his fiddle music, especially his album ‘Rough As Folk' (with The Great Bearded Tits). More of Finn's music can be found here: https://www.youtube.com/@finnnnn   Music and SFX from Epidemic Sound, including: Radestsky March - Trad. When I am Calling Your Name - Giant Ember Ave Maria - Trad. String Quartet in D - Andante (Trad.) Scorpion Dance - Mike Franklyn Sneaky Fingers (T. Mori) Trollmors Vaggsang (String Quartet Version) - Trad. Prayer - Arvid Svenungsson The Spy - Wendy Martini Hallucinarium - Kalak Lucky Bird - River Run Dry Polska Fran Knaggalve - Trad. Persapojkarnas Polska - Trad. Joyful Occasions - Ludvig Moulin Folksong on Piano - Trad. Horror Composition 5 (SFX Producer) Vivaldi - The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 “Spring” II. Largo e pianissimo sempre - Michelle Ross Vivaldi - The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 “Summer” III. Presto - Michelle Ross Largo from Xerxes - Trad. Taproot - Esme Cruz Distant Chanting - Jon Bjork Vacuum Sealer - Edward Karl Hanson It Lurks Below - Trailer Worx Godsend - Johannes Bomlof Amaranth Fields - Reynard Seidel Let Them Try - Hampus Naeselius Evil Intentions – Experia Dead Bodies - Experia Trailed By Horror - Trailer Worn Av Jord, Till Jord - Silver Maple Hold Me Now - Spring Gang Eye For Detail - Jay Barton It Will Fall - Daniella Ljungsberg Scandinavian Folk 10 - Trad. Scandinavian Folk 11 - Trad. Sneaky Steak - Daniel Fridell House of Horror - Marc Torch Sign Here - Enigmanic Serenity's Reality 5 - August Wilhelmsson Jokers - Mary Riddle Corrivation - Ethan Sloan Fear of the Dark - Etienne Roussel Shadows Unseen - DEX 1200 Onus - Ethan Sloan O'Connor's Jig - Roy Edwin Williams Game Over - Daniel Fridell Notre Dame - Lennon Hutton Eye for Detail - Jay Varton The Dark Ages Theme From Elvira Madrigan - W. A. Mozart Lantern Room - Torii Wolf Finnegan's Ruin – Eludent Radetzky March - Johann Strauss I Sacrifice - Dream Cave Jehile's Reel - Roy Edwin Williams As History Unfolds - Christoffer Moe Ditlevsen Absence of Evidence - Anna Dager   From xeno-canto: European Herring Gull — XC1042747 Little Egret — XC1033934 & XC1036555 Lionel Frederic European Robin — XC138375 Fernand Deroussen   Creative Commons: Trepak (Russian Dance) from the Nutcracker, Tchaikovsky; Artur Rodzinski, Royal Philharmonic Symphony Orchestra Spem in Alium by Thomas Tallis, from Janet Cardiff: The Forty Part Motet. Metropolitan Museum of Art, New York, 10 September – 8 December 2013.

Episode No. 731 features artist Hew Locke. The Yale Center for British Art is presenting "Hew Locke: Passages," the first US survey of Locke's career. Across sculpture, painting, photography and installations, Locke's work considers colonialism, its power, and the ways in which we respond to colonialism and its impacts. Locke, who is Guyanese-British, particularly focuses on British imperialism and how it was constructed, including through monarchy, trade, and (sometimes forced) migration. The exhibition, which is on view through January 11, 2026, was curated by Martina Droth. The catalogue, which was edited by Droth and Allie Biswas, was published by the YCBA. Bookshop and Amazon offer it for $60-70. In-gallery materials are available here in both English and Spanish. Locke's work has been featured in solo exhibitions at The British Museum, London, the Metropolitan Museum of Art, New York, Tate Britain, London, the Institute of Contemporary Art / Boston, Pérez Art Museum Miami, and more. As discussed on the program: "Hew Locke: what have we here" at the British Museum; and "The Other Story: Afro-Asian Artists in Post-War Britain" at the Hayward Gallery, London. Instagram: Hew Locke, Tyler Green. Air date: November 6, 2025.

The Metropolitan Museum of Art, also known as The Met, in New York City, is one of the most worthwhile museums to visit while in the city. With 5+ floors and hundreds of thousands of pieces, including paintings, sculptures, historical artifacts, and more, spanning over 5,000 years of art from around the world.Before you go, read this article covering some of the most famous art, tour options, ticket prices, and must-know tips for your museum visit.Here's what we'll cover:What is the Metropolitan Museum of Art?Where is the MET?What famous art is at the MET?How much are MET tickets?Does the MET offer tours?What to know before visiting the MET in NYCQuick Links:Get your tickets to The Met ahead of time hereBook a guided tour of The Met hereJoin the newsletter for free access to the NYC Navigation & Transportation Guide + curated Google Maps lists: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://rebrand.ly/nyc-newsletter⁠What is the Metropolitan Museum of Art?Founded in 1870, The Metropolitan Museum of Art, commonly known as The Met, presents over 5,000 years of art from around the world.Today, tens of thousands of objects are on display at the museum's two-million-square-foot building. The Met spans four full blocks and features over five floors of exhibitions, making it the largest art museum in the Americas and the third-largest in the world.Where is the MET in NYC?The Met is located on 5th Avenue from 80th Street to 84th Street on the Upper East Side of Manhattan. It's the heart of what's commonly referred to as Museum Mile, the most diverse art-viewing stretch of mile in the country.What Famous Art is at the MET Museum?With over 1.5 million total works in The Met's archive, of which tens of thousands are currently on display, there is much to see at this renowned museum.There are certainly experts with much more museum and art knowledge than we possess, but we want to highlight some of our personal favorite collections and works of art at The Met:Temple of DendurCloudy Mountains by Fang CongyiRough Waves by Ogata KōrinThe Horse Fair by Rosa BonheurTapestry Room from Croome Court and any of the exhibitions with tapestries and rugs on displayAutumn Rhythm by Jackson PollockSelf-Portrait with a Straw Hat by Vincent van GoghBridge Over a Pond of Water Lilies by Claude MonetWashington Crossing the Delaware by Emanuel LeutzeBouquet of Sunflowers by Claude MonetWheat Field with Cypresses by Vincent van GoghIrises by Vincent van GoghEgyptian Jewelry found in the Egyptian Art areaArms and armor collectionAutumn Landscape by Tiffany Studios, and any of the Tiffany stained glass piecesMusical instrumentsRecommendations by this episode's guest and museum expert, Kylie Brooks:Temple of DendurThe entire American WingMadame X and all of John Singer Sargent's worksCostume InstituteHow Much are MET Museum Tickets?Here is the full price breakdown:$30 for adults$22 for seniors$17 for studentsKids 12 and under are freePay as you wish for residents of NY, NJ, and CTDoes the MET Offer Tours?If financially viable, taking a tour will provide you with the best possible experience at The Met.See our full selection of tour options here.Here are some things to know before visiting The Met in New York City:Either come at the very beginning of the day or near the end for fewer crowdsWear comfortable shoesEat before going – See our Afternoon on the Upper East Side mini guideMost visitors will stay for 1-2 hours, but you could spend countless hours hereIdeally, save a museum day for poor weather, although many others will also have that ideaThe Met store has some fantastic gift and souvenir optionsDownload the Bloomberg Connects app and bring headphones to listen to the associated audio guideDo NOT try to see the whole museum in one day, it's not possible

This week's Dressed Classic episode revisits our 2020 conversation with Dr. Jonathan Michael Square joins us to discuss some of his object based research into Brooks Brother's coats worn by enslaved servants during the 19th century. Some of the research we discuss in this episode is included in his contributions to the 2025 Superfine: Tailoring Black Style exhibition at The Metropolitan Museum of Art and its associated exhibition catalog. Recommended Reading: Miller, Monica, ed. Superfine: Tailoring Black Style. New York: The Metropolitan Museum of Art, 2025. Want more Dressed: The History of Fashion?  Our ⁠⁠⁠⁠website⁠⁠⁠⁠ and ⁠⁠⁠⁠classes⁠⁠⁠⁠ Our ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ Our ⁠⁠⁠⁠bookshelf⁠⁠⁠⁠ with over 150 of our favorite fashion history titles Dressed is a part of the ⁠⁠⁠⁠AirWave Media⁠⁠⁠⁠ network Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest is the inimitable Lonnie Holley, and to say that he has a rich and long history is an understatement. While Lonnie is a relatively recent addition to Jagjaguwar since 2018, he's been creating for decades as a sculptor, painter, musician, and poet; his visual art work is included in the permanent collection of the Metropolitan Museum of Art, and his musical collaborators include Bon Iver, Richard Swift, and Alabaster Deplume. There's no story quite like Lonnie's, and co-hosts Tom Davies and longtime Jagjaguwar A&R Eric Deines make it down just the tip of the iceberg in this dynamic conversation exploring Lonnie's catalog of songs and stories. Links:  Secretly Frequencies: Lonnie Holley Playlist Secretly Society Podcast Episodes Secretly Society Podcast on Secretly Store Secretly Society General Information   Lonnie Holley: Lonnie Holley Website Link Lonnie Holley on Instagram Lonnie Holley on X Lonnie Holley on Facebook

We have a legend on the program!! She needs no introduction, but here is one anyways… Natasha Jen is an award-winning designer, educator, and partner at Pentagram. Born in Taipei, Taiwan, she joined Pentagram's New York office in 2012. A six-time National Design Award nominee, Natasha's work is recognized for its innovative use of graphic, verbal, digital,  and spatial interventions that challenge conventional notions of media and cultural contexts. Her work is immediately recognizable, encompassing brand identity systems, packaging, exhibition design, digital interfaces, signage and wayfinding systems, print, and architecture.Working at the intersection of technology and culture, Natasha has developed branding for some of the most well-known brands in the consumer and tech spaces. Her clients include a wide range of collaborators—from global technology brands to cultural institutions and start-ups—including Google, Pfizer, Waze, Reddit, Lightmatter, Galaxy Digital, The Asian American Foundation, Harvard Graduate School of Design, the Metropolitan Museum, Fernando Romero Enterprise, Bjarke Ingels Group, and OMA New York.Natasha, unbothered by the outside noise, offers insight into the inner workings of Pentagram. How they decide who gets what project, how they split the profit amongst 24 partners, how they borrow talent from other partners' teams, what they think about the memes about them... and more! It was a delightful and insightful conversation, and we are happy to share it with you!

We live in a world filled with both light and darkness, and it is in our darkest times that we need the greatest compassion. Written by a Buddhist monk from Medieval (Heian Period) Japan, this horror story brings us a woman who transforms into a demon known as an Oni. Yet the demon-woman's story challenges us to find hope, even in the darkness of her life.Mosaic Family Services is dedicated to serving survivors of human rights abuses from around the world and within the community of North Texas. https://mosaicservices.org/Mythos & Logos are two ancient words that can be roughly translated as “Story & Meaning.”Support the channel by subscribing, liking, and commenting to join the conversation!Patreon: https://www.patreon.com/c/mythosandlogos00:00 Introduction & Charity Announcement00:29 Screen Map of Japan00:39 Tsuina of Yoshida Shrine00:49 Dōjōji by Kōgyo Tsukioka01:20 A Woman Scorned01:37 Map of Japan, Jotokuji Temple, Momoyama Period02:10 The Demon of Mount Togakushi by Tsukioka Yoshitoshi02:46 The Demon Within02:50 Kyōri no bijin by Mizuno Toshikata03:09 Yamanba by Itō Seiu03:33 Companion In Solitude 閑居友 2:3 A Deeply Resentful Woman Becomes A Demon While Alive04:26 Apologies for the missed edit! The text leaves whether she receives the memorial unclear. Ironic considering when the sound cuts out!04:28 Transforming Suffering04:52 Jien, Collection of Portraits of Famous Writers in Chinese Literature05:06 Chapter 27 of the Lotus Sutra, Arthur M Sackler Museum, Harvard University05:31 Buddha and Bodhisattvas, Mogao Caves05:47 Lotus Sutra, Chapter 206:42 Chapter 20 of the Lotus Sutra, Jigage E Shō Zokuhen06:46 Devadatta Falling Into Hell by Katsushika Hokusai06:51 Chapter 12 of the Lotus Sutra, Metropolitan Museum of Art07:15 Wild Mountain Woman in a Cloak of Leaves by Hokkei07:58 Zhiyi Statue, Mii-dera Onjo-ji, photographed by Hyppolyte de Saint-Rambert, licensed under Creative Commons08:05 The Profound Meaning of the Lotus Sutra08:14 Compassion in Darkness08:24 Oni Chanting the Name of the Buddha by Shibata Zeshin08:49 Kujō Yoshitsune by 菱川師宣09:22 Namanari Noh Mask, photographed by Takiyama Ichiemon, licensed under Creative Commons09:25 Ooeyama Emaki09:29 Chapters 12 and 14 of the Lotus Sutra, Metropolitan Museum of Art09:52 OutroAll works of art are in the public domain unless otherwise noted.Ambiment - The Ambient by Kevin MacLeod is licensed under a Creative Commons Attribution license.

Happy 80th birthday to Maggi Hambling, our guest this week! We meet Maggi in her studio to discuss her 6 decades of making painting and sculpture.Maggi Hambling CBE was born in Suffolk in 1945. She studied at the East Anglian School of Painting and Drawing from 1960 under Cedric Morris and Lett Haines, then at Ipswich School of Art, Camberwell, and finally the Slade School of Art, graduating in 1969.In 1980 she was the First Artist in Residence at the National Gallery, London, and in 1995 she won the Jerwood Painting Prize (with Patrick Caulfield). Public sculpture includes A conversation with Oscar Wilde (1998) at Adelaide Street, London, facing Charing Cross Station and Scallop (2003), a sculpture to celebrate Benjamin Britten, at Aldeburgh beach, Suffolk and for which the artist was awarded the Marsh Award for Excellence in Public Sculpture. A Sculpture for Mary Wollstonecraft was unveiled in Newington Green, London in 2020.Hambling's work is held in public collections including at Tate, British Museum, CAFA, Beijing and the Metropolitan Museum of Art, New York.Visit: http://maggihambling.com/ Hosted on Acast. See acast.com/privacy for more information.

New York's Metropolitan Museum of Art has its first solo exhibition of work by Ojibwe artist George Morrison. On Tuesday, friends and family of Morrison gathered to honor the influential Minnesota painter. MPR News reporter Melissa Olson was there. She joined Minnesota Now to share what she learned from those who knew Morrison and how his Minnesota roots continue to inspire artists today.

In today's episode, East-German born, New York based artist, Cornelia Thomsen shares her story of finding her way into becoming an artist. She gives insights into her socialistic upbringing in a small village near Dresden, and how she managed to get accepted to be trained as a porcelain painter at famous Meissen Porcelain Manufactory.Cornelia (a humble powerhouse!) shares how she had believed that the world she lived in would be it, until the Fall of the Berlin Wall, when she stormed into the big world and embraced it. Her worldview became liberated by the discovery of abstract art.Cornelia talks about resilience being her super power, and how she persistently worked as an artists, went to art school near Frankfurt (with two small children at home), moved to New York and started a gallery together with her husband (and meanwhile 3 children). Cornelia and I have known each other for almost 20 years, sharing experiences and emotions, raising children in Manhattan - an East German and a West German united on neutral grounds.Her work has been shown internationally, and is in collections of world renowned museums like LACMA in LA, museum of fine arts in Houston, the Parrasch Art Museum in Watermill, New York and others.AND: In August, just briefly after recording this episode, her newest series of works, the complete sets of Golden Ratio Series have been acquired by the Metropolitan Museum of Art in New York City.#### On another note: I am so proud and excited to announce that SHIFT HAPPENS' Season 5 is supported by London based jewellery brand Tilly Sveaas. Its founder, Tilly Sveaas creates gorgeous, timeless pieces that have been featured in Vogue, Harper's Bazaar, Marie Claire, The Times, The New York Times etc. … Her jewellery is for women of all ages. Guess who is wearing it too: noone less then Taylor Swift. Go to www.tillysveaas.co.uk and use my code SHIFTHAPPENS to get 15% off. To learn more about my guest Cornelia Thomsen, please visit her social media page:Instagram: @corneliathomsenartInstagram: @thomsengalleryWebsite: Cornelia ThomsenTo learn more about SHIFT HAPPENS, click here To learn more about Claudia's business Curated Conversations and her Salons in New York, Zurich and Berlin, click hereYou can also connect with Claudia on Instagram @shifthappens.podcast and LinkedIn at ClaudiaMahlerNYCThis podcast is created, produced and hosted by Claudia Mahler.

Creativity is more than expression—it's impact. In this episode, United Arts Collier CEO Elysia Dawn shows how arts organizations can build stronger, more inclusive communities by using creativity as a bridge between people, cultures, and causes. Her story reminds nonprofit leaders that when we remove barriers to participation, we create space for connection, healing, and shared purpose. A former professional ballet dancer turned arts leader, Elysia has dedicated her life to sharing the transformative power of creativity. Drawing on her experiences performing with world-class companies and curating programs at the Metropolitan Museum of Art, she now leads a movement in her hometown to make the arts accessible for all—championing collaboration, advocacy, and community pride through United Arts Collier. Along the way, she opens up about the realities of nonprofit leadership—funding, inclusivity, and sustainability—and how creative problem-solving and storytelling can help organizations thrive. Whether you lead a nonprofit, support the arts, or believe in the power of creativity, this episode is a reminder that the arts don't just enrich lives—they strengthen communities. Prefer Video? Watch the full episode on YouTube: https://youtu.be/_fWCJdZtCEI Standout Quotes “The arts are for everybody—we're here to lower barriers and bring people together.” (28:10) “Creative collaboration is how we stretch our reach and resources—it's what keeps nonprofits sustainable.” (35:42) “Follow your heart, but keep your eyes and ears open to how you can serve your community.” (48:08) Chapters & Timestamps 00:00 – Welcome & Introduction to IMPACTability® 01:04 – From Ballet to Boardroom: Elysia's Journey into Nonprofit Leadership 06:10 – Lessons from The Met: Blending Art, Strategy, and Audience Growth 12:44 – Returning Home: Leading Through Creativity in Collier County 17:59 – The Mission: Arts Education, Advocacy & Access 22:20 – Building Community Through Collaboration & Inclusion 29:10 – The Healing Power of the Arts: Wellbeing and Connection 34:33 – Funding, Sustainability & Creative Problem-Solving in the Arts 42:45 – Honoring the Past, Inspiring the Future: The Collier Arts Archive Project Guest Bio Elysia Dawn believes in the power of creativity to connect people and strengthen communities. A Naples native and former professional ballet dancer, she knows firsthand how the arts can shape lives—and she's made it her mission to ensure those opportunities are accessible to everyone. Today, as CEO of United Arts Collier, Elysia leads with both artistry and strategy, bringing people together across Collier County through arts education, community partnerships, and advocacy. Her journey from performing with Boston Ballet and Complexions Contemporary Ballet to curating performances at the Metropolitan Museum of Art taught her that creativity isn't just about performance—it's about purpose. Elysia's leadership reflects her belief that the arts can be a force for unity, healing, and economic growth. She continues to serve on statewide and regional councils that champion arts and culture, while keeping her focus rooted in community—using collaboration and inclusion to turn creative vision into real-world impact. Learn More & Connect Website:

With just over two months left in office, Mayor Eric Adams is urging federal officials to fast-track the long delayed reconstruction of the Brooklyn Queens Expressway's triple cantilever in Brooklyn Heights. Meanwhile, former Congressman George Santos says his 84 days in prison were “humbling” as he defends President Trump's decision to commute his sentence. And the Metropolitan Museum of Art's rooftop has closed until 2030 to make way for a new contemporary art wing.

A new book is just one of multidisciplinary artist Cannupa Hanska Luger's (Mandan, Hidatsa, & Arikara and Lakota) many current creative projects. He's the 2025 artist-in-residence for Verbier 3-D Foundation, a contemporary art non-profit in Switzerland. He has new work that is part of an augmented reality exhibition with other Indigenous artists at the Metropolitan Museum of Art's American Wing. He has a public sculpture installation at the University of Massachusetts Boston. And he designed a terrifying sports mascot costume for the Jordan Peele horror film, “Him.” His new hybrid art book and graphic novel, “Surviva: A Future Ancestral Field Guide,” is a creative take on the Indigenous knowledge necessary for survival in a post-colonial future. We'll hear from Luger about his creative drive and the message thread throughout all his acclaimed work.

Send us a textDeborah Howes is the President of Howes Studio and a pioneer in digital museum education. With over three decades leading EdTech programs at top cultural institutions including the Metropolitan Museum of Art, MoMA, the Art Institute of Chicago, and MOCA Los Angeles. She now helps museums and nonprofits transform analog learning into dynamic digital experiences.

Have you ever visited a museum and noticed that there doesn't seem to be very much separating the public from the precious art or artifacts on display? Often, it's nothing more than a velvet rope, and sometimes even less. What would happen if you tripped and stumbled right into a shelf of priceless Etruscan urns? Well, they would obviously break, but what happens to you after picking the shards of three-thousand-year-old ceramic out of your hair? In 2010, a young woman was attending a class at the Metropolitan Museum of Art in New York City when she tripped and accidentally punched a hole in a piece of priceless artwork. The painting in question was Picasso's “The Actor,” and was valued at 130 million dollars right until the unnamed student opened a six-inch gash in the canvas... Learn more about your ad choices. Visit megaphone.fm/adchoices

~ The Japanese dialogue in this English language video podcast has been shortened for timing purposes. ~ The way of the Buddha is more a philosophy than a religion. It is a path, not a faith. Its core precepts describe a practice that leads to an experience. Arnold Toynbee once said that the coming of the dharma to the West might prove the greatest event of the 20th century. Shodo Harada Roshi has been described as a teacher's teacher of Zen Buddhism. He is a longtime friend of Commonweal. Come join us for a unique and precious experience of the Buddhist truth, the Buddhist way, and the Buddhist community. Shodo Harada Roshi Shodo Harada Roshi is Abbot of Sogen-ji, a 300-year-old Rinzai Zen monastery in Okayama, Japan. He is also Abbot of Tahoma Monastery on Whidbey Island north of Seattle. He founded Enso House, a hospice affiliated with Tahoma, where his students attend the dying. He is a master of Japanese calligraphy, and has conducted demonstrations at the Asian Art Museum in San Francisco and the Metropolitan Museum in New York. His translator and colleague, Priscilla Daichi Storandt, is co-abbot at Tahoma and a senior teacher in her own right. Find out more on his website. Host Michael Lerner Michael is the president and co-founder of Commonweal. His principal work at Commonweal is with the Cancer Help Program, CancerChoices.org, the Omega Resilience Projects, the Collaborative on Health and the Environment, and The New School at Commonweal. He was the recipient of a MacArthur Prize Fellowship for contributions to public health in 1983 and is author of Choices in Healing: Integrating the Best of Conventional and Complementary Therapies (MIT Press). *** The New School is Commonweal's learning community and podcast — we offer conversations, workshops, and other events in areas that Commonweal champions: finding meaning, growing health and resilience, advocating for justice, and stewarding the natural world. We make our conversations into podcasts for many thousands of listeners world wide and have been doing this since 2007. Find out more about The New School at Commonweal on our website: tns.commonweal.org. And like/follow our Soundcloud channel for more great podcasts.

Stephen Auth is the Executive Vice President and Chief Investment Officer of Equities at Federated Hermes in New York City, overseeing more than $85 billion in assets. A Princeton graduate with a lifelong interest in both finance and art, Stephen is known for his strategic leadership on Wall Street and his bold work as an author, missionary, and Catholic lay leader. Alongside his wife, Evelyn, he has written books including The Missionary of Wall Street and Pilgrimage to the Museum, blending faith, story, and culture to point people toward Christ. In this episode, Brad sits down with Stephen to talk about his journey from a working-class upbringing in Newark to Princeton, Wall Street, and ultimately to street-corner missionary work in New York City. Stephen shares how a near-death heart condition in 2002 became a turning point for his faith, leading him to deeper service and evangelization. He recounts dramatic stories from the streets of New York, the founding of the Lumen Institute, and how his eye for art became a tool for evangelization at the Metropolitan Museum of Art. Along the way, Stephen offers insights on integrating faith and work, the importance of generosity, and the timeless values that anchor both investing and discipleship. “Humility at the highs, confidence at the lows, integrity always.” – Stephen Auth “If you got run over by a truck tonight, do you really think you'd be ready to meet the Lord? Whatever you're doing, you don't think you can go into the church with it—how can you go into heaven with it?” – Stephen Auth “My problem was simple: God had given me many talents, but I had been using them for my own purposes, not His.” – Stephen Auth This Week on The Wow Factor: Growing up in Newark, New Jersey, and earning a scholarship to Princeton University Balancing economics and art history, and how art became a lifelong passion Rising to Chief Investment Officer of Equities at Federated Hermes and navigating financial crises The heart condition in 2002 that became a spiritual wake-up call Confession after 20 years away and the moment of clarity: talents used for God, not self Founding the Lumen Institute to form Catholic business leaders Launching the Mission in New York City and encountering resistance, hostility, and surprising conversions Stories from The Missionary of Wall Street — including “Sox,” an ex-con on a drug run who stopped to pray the rosary Lessons from objections on the street: loneliness, unforgiveness, and the lie that “I'm not welcome back” Turning art tours into pilgrimages and discovering the search for God in the history of Western art Why faith integration makes him both a better investor and a more joyful leader Stephen Auth's Word of Wisdom: Humility at the highs. Confidence at the lows. Integrity always. Those principles work on Wall Street and they work in faith and life, too. Connect With Stephen Auth: Federated Hermes Stephen Auth's Website Stephen Auth's Books Stephen's Instagram Stephens Facebook Connect with The Wow Factor:    WOW Factor Website    Brad Formsma on LinkedIn     Brad Formsma on Instagram     Brad Formsma on Facebook     X (formerly Twitter)    

Early voting is underway in the New Orleans mayor's race primary. For the next two weeks on Louisiana Considered, we'll be bringing you interviews with the top three candidates. Up first, The Times-Picayune/Editorial director and columnist Stephanie Grace spoke with city councilmember Oliver Thomas. He discussed his long political career, successes and failures of previous administrations and what he's learned from his time in prison 15 years ago after pleading guilty to bribery charges.In 1837, the children of Frédéric Frey, a German-born New Orleans merchant and financier, sat down for a portrait with French portrait painter Jacques Amans. Curiously, an enslaved Afro-Creole teenager named Bélizaire was included.However, for roughly a century of the painting's history, Bélizaire wasn't there. He'd been painted over, removed from the Frey family portrait. And only recently, that modification was removed to restore Bélizaire to the painting. Now, this piece of Louisiana history is on display at the Metropolitan Museum of Art in New York.Baton Rouge-based art and antique collector Jeremy Simien tells us more about the complex history of the nearly 200-year-old painting.–Today's episode of Louisiana Considered was hosted by Adam Vos. Our managing producer is Alana Schreiber. We get production support from Garrett Pittman and our assistant producer Aubry Procell.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App and wherever you get your podcasts. Louisiana Considered wants to hear from you!Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

In this episode, designer Conner Ives chooses eight items of clothing that chart his life and career in the fashion industry so far.Conner began his brand whilst studying at Central Saint Martins. Since then, his clothes have been featured in exhibitions at the Metropolitan Museum of Art and worn by the likes of Rhianna, Dua Lipa, Naomi and Taylor Russell. But his most recognizable piece is arguably the slogan t-shirt he released this year, bearing the words ‘Protect The Dolls', raising funds and awareness for the trans community.You can see pictures of Conner's pieces in the accompanying newsletter here. If you enjoy the episode, then don't forget to hit the heart button and subscribe for more Threads of Conversation. Get full access to Threads of Conversation at threadsofconversation.substack.com/subscribe

For 29 September 2025, Feast of Saints Michael, Gabriel and Raphael, Archangels, based on Daniel 7:9-10, 13-14 (Photo by Fr. Lawrence Lew, OP. Terracotta lunette c.1475 by Andrea della Robbia, and now housed in the Metropolitan Museum of Art, NYC.)

The Art Newspaper's chief contributing editor, Gareth Harris, has just published a new book, Towards the Ethical Art Museum, which explores a range of issues affecting museums in the 21st century, from questions of provenance and restitution to funding and governance and responsibilities to staff and the communities the museums serve. He joins Ben Luke to discuss the book. One of the exhibitions of the year has just opened in Florence in Italy: the Fondazione Palazzo Strozzi and the Museo di San Marco are jointly presenting Fra Angelico, devoted to the great 15th-century Florentine master. Our digital editor, Alexander Morrison talks to Carl Brandon Strehlke, a curator emeritus of the Philadelphia Museum of Art, and curator of the exhibition. And this episode's Work of the Week is PsychoBarn (Cut-Up) by Cornelia Parker, an installation first made in 2023 and relating closely to the British artist's 2016 project for the roof commission for the Metropolitan Museum of Art in New York, Transitional Object (PsychoBarn). The work is in a major new group exhibition at the Kunstmuseum in Basel, Ghosts: Visualising the Supernatural and Luke speaks to its curator, Eva Reifert.Towards the Ethical Art Museum, by Gareth Harris, published by Lund Humphries, out now in the UK, £19.99 (hb), published in November in the US and Canada, US $34.99, CA $46.99.Fra Angelico, Palazzo Strozzi and the Museo di San Marco, Florence, 26 September-25 January 2026.Ghosts: Visualising the Supernatural, Kunstmuseum, Basel, until 8 March 2026.Student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available. https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

A new exhibit at the Metropolitan Museum of Art spotlights the work of John Wilson, a Boston-born artist who dedicated his career to creating art about the Black American experience. Curators Jennifer Farrell and Leslie King Hammond discuss "Witnessing Humanity: The Art of John Wilson," which is showing at the Met through February 8, 2026. 

Parvenir à insuffler la vie aux objets est un très vieux rêve de l'humanité. Depuis la Préhistoire, les humains sont capables de reproduire et de recopier fidèlement ce qu'ils voient avec la peinture ou la sculpture, parfois même en profitant de formes naturelles évocatrices . Script: Sigi de la chaîne L'Opératorium @LOperatorium https://www.youtube.com/channel/UCQsRUy57omVJVI6Vxv0cuew Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Pour soutenir la chaîne, au choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl 00:00 Introduction 03:15 Mécanique hydraulique 12:54 Horlogerie et automates mécaniques 18:26 Androïdes 22:14 Conclusion Abonnez-vous à ma chaine: https://www.youtube.com/c/LHistoirenousledira Instagram: https://www.instagram.com/laurentturcot Musique issue du site : https://epidemicsound.com Images provenant de https://www.storyblocks.com Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Sources et pour aller plus loin: Christian Bailly, L'Âge d'Or des Automates, 1848-1914 (Ars Mundi, 1991 réédition de 1987) Alfred Chapuis et Edmond Droz, Les Automates (Editions du Griffon, 1949) Hélène Fragaki, "Automates et statues merveilleuses dans l'Alexandrie antique" Journal des Savants (2012), pp. 29-67. https://www.persee.fr/doc/jds_0021-8103_2012_num_1_1_6293 Alexis Kugel, Un Bestiaire mécanique. Horloges à automates de la Renaissance, 1580-1640, Editions Monelle Hayot et Galerie J. Kugel, 2016. Lebrère, Marylène. “L'artialisation Des Sons de La Nature Dans Les Sanctuaires à Automates d'Alexandrie, Du IIIe s. Av. J.-C. Au Ier s. Apr. J.-C.” Pallas, no. 98, 2015, pp. 31–53, http://www.jstor.org/stable/43606227. Rabeyroux Anne. "Images de la « merveille » : la « Chambre de Beautés »" Médiévales, n°22-23, 1992. DOI : https://doi.org/10.3406/medi.1992.1238 Jane Irwin, Nisi Shawl, “Clockwork Game: The Illustrious Career of a ChessPlaying Automaton”, Fiery Studios, Illustrated edition, May 6, 2014. Joanne Pillsbury, (6 novembre 2015) “Modeling the World: Ancient Architectural Models Now on View” Met Museum (Blogue) https://www.metmuseum.org/blogs/now-at-the-met/2015/modeling-the-world-ancient-architectural-models Susan Fourtané (31 août 2018) “The Turk: Wolfgang von Kempelen's Fake Automaton Chess Player” Interesting Engineering https://interestingengineering.com/the-turk-fake-automaton-chess-player Kat Eschner (20 juillet 2017) “Debunking the Mechanical Turk Helped Set Edgar Allan Poe on the Path to Mystery Writing” Smithonian Mag https://www.smithsonianmag.com/smart-news/debunking-mechanical-turk-helped-set-edgar-allan-poe-path-mystery-writing-180964059/? Marielle Brie (29 mai 2020) "Histoire des automates : androïdes et animaux" Sciences et médecine, outils techniques https://www.mariellebrie.com/histoire-des-automates-androides-et-animaux/ "Automates Jaquet-Droz" Wikipédia (FR) https://fr.wikipedia.org/wiki/Automates_Jaquet-Droz Jane Irwin et Nisi Shawl, Clockwork Game: The Illustrious Career of a ChessPlaying. Illustrated Edition (Fiery Studios, 2014) "Model Cattle stable from the tomb of Meketre | Middle Kingdom", The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544254?fbclid=IwAR10Zu4rB_WpUJyYxahJ3h8zwX9Gq-SBITfh3PgzB6rq-ntXGfs1vu5MC_Y "125 ap. J.-C. Les automates de Héron d'Alexandrie", Atelier Canopé 95 https://atelier-canope95.canoprof.fr/eleve/Automates%20et%20robots/res/robot.dossierHtml/co/04heronDalexandrie_2.html "Heronis Alexandrini Spiritalium Liber", Gallica BnF https://gallica.bnf.fr/ark:/12148/bpt6k1522249g/f60.item.r=HERONIS%20ALEXANDRINI%20SPIRITALIUM%20LIBER "Démonstrations publiques des automates Jaquet-Droz" MySwitzerland https://www.myswitzerland.com/de/erlebnisse/veranstaltungen/demonstrations-publiques-des-automates-jaquet-droz/#:~:text=Les%20trois%20automates%20sont%20parfaitement,lointains%20anc%C3%AAtres%20des%20robots%20modernes. Images: https://www.musees.strasbourg.eu/oeuvre-musee-des-arts-decoratifs/-/entity/id/318051 https://www.britishmuseum.org/collection/object/H_1958-1006-3048 (image) https://westfalen.museum-digital.de/singleimage?imagenr=270 (image) https://www.ambrosiana.it/scopri/collezioni/?filter_by=autore&term=da-vinci (image) http://www.codex-atlanticus.it./#/Overview Reconstitution dans 4 films en noir et blanc (automaton cinema preview site Todd Karr): https://www.youtube.com/watch?v=Y_PSC25NP68 Le texte et Les Sources ont été vérifiés de manière indépendante par un historien PhD. Autres références disponibles sur demande. #histoire #documentaire #automates #droides #robot

This week episode is a special Book Club episode digging into the brand new book The Costumes of Hollywood with co-authors Coleen Scott & Larry McQueen! We cover Larry's extensive collection, the creation of the book, the importance of preserving Hollywood history and maintaing the legacy of Costume Designers and their teams, advice for Costume Designers on archiving their own pieces and so much more!    The Costumes of Hollywood details the design, creation, and influence of over 100 ensembles from some of the most iconic designers, films, and roles in Hollywood history, spanning the 1920s through the early 21st century. All costumes featured are from The Collection of Motion Picture Costume Design, one of the world's largest private collections, curated over thirty-five years by leading Hollywood costume historian and archivist, Larry McQueen.   The book presents full costumes on display in addition to close-ups, and rarely seen interior details of some garments. Iconic costumes, including many with Academy Award nominations, from Some Like It Hot, Hello Dolly, Cabaret, Rear Window, Ben Hur, Mildred Pierce, Angel, Masters of the Universe, The Piano, The Hunger Games, and so many others are featured. This book gives the audience a rare and heretofore unpublished insight into what collecting, restoring, and reproducing entails, and highlights differences between private collecting and museum-backed collections. The Costumes of Hollywood details the significance of the designer, costume, and wearer via thorough research, interviews, and Larry McQueen's behind-the-scenes knowledge of collecting and working as an archivist in Hollywood.   Within the entertainment field, this book will be of interest to professional costume designers and technicians in film, theatre, and performance, as well as students of film production, history, and costume design and construction. The Costumes of Hollywood will also enrich and entertain anyone with an interest in costume design in film and collecting.   — If you want to support me and this podcast, please subscribe to the Patreon - we have tiers starting at just $3 and you will get access to extended cuts of every episode with more even more stories.  --- The Costumes of Hollywood: Highlights from The Collection of Motion Picture Costume Design Written by Coleen Scott & Larry McQueen --- Larry McQueen is a leading Hollywood costume historian and archivist. He has held the position of consultant for Camden House Auctioneers, Inc. in Los Angeles; Christie's East, New York: Christie's London; Butterfield and Butterfield Los Angeles/ San Francisco; Entertainment Rarities; and Julien Entertainment.   As consultant, he has been responsible for the authentication of film costumes and the estimation of their value. From 1999-2012, Mr. McQueen worked as an archivist with MGM/ UA in creating and maintaining a prop and costume collection of MGM films. In addition, his collection has worked with private estates and costume houses such as Lucille Ball, Jane Withers, Edith Head, Wayne Finkleman, Julie Newmar, Debbie Reynolds, Western Costume Company, Eastern Costume Company, CRC, American Costume Co., and others in researching items and their valuation. Mr. McQueen's private collection of film costumes is one the finest, and consists of over 600 costumes worn in films and television from 1920 to present. Portions of his collection have been exhibited in museums across the globe including the Metropolitan Museum of Art in New York, The Fashion Foundation in Tokyo, and The Victoria and Albert Museum in London. Website: www.filmcostumecollection.com.   Coleen Scott is a costume designer and historian with an MFA in Costume Design from Boston University, where she received the Kahn award upon graduation. She has worked for over 25 years in theater, opera, film, and television. She has worked with Academy Award-winning costume designer Ann Roth as well as designers Stephanie Maslansky and Tina Nigro. She frequently works with her creative partner and photographer, Ben Trivett, doing styling, set decoration, and photo tech for celebrity and editorial portrait photography.   Coleen taught Costume Production and Makeup for Stage and Studio at Saint Ann's School in Brooklyn, NY for thirteen years. Her book The Costumes of Burlesque was published by Routledge in 2019. She is a proud member of lATSE, USA 829, USITT, and is Chair of The Costume Society of America's Western Region. Coleen is tenured faculty in the Theatre Arts and Fashion Department at Santa Rosa Junior College in California heading the Costume Design, Technology and Makeup programs. Website: www.coleenscottdesign.com.     CoH Links: Book Link @ Routledge Website: The Collection of Motion Picture Costume Design Podcast (Apple Podcasts): The Costumes of Hollywood Podcast Podcast (Spotify): The Costumes of Hollywood Podcast Instagram: @CostumesofHollywood --- TFACD Links: Patreon: Tales From A Costume Designer Instagram: @talesfromacostumedesigner Twitter: @talesfromaCD TikTok: @talesfromaCD --- Whitney Anne Adams Links: Website: whitneyadams.com IMDb: Whitney Anne Adams Instagram: @WAACostumeDesign Twitter: @WhitneyAAdams TikTok: @waacostumedesign --- Union Links: Costume Designers Guild IG: @cdglocal892 United Scenic Artists Local 829 IG: @unitedscenicartists IATSE IG: @iatse ---

Have you ever looked at your work-in-progress and thought it was absolutely hideous? According to acclaimed sculptor Arlene Shechet, that's exactly where the magic happens.In this eye-opening exploration of artistic process, we dive deep into Shechet,'s philosophy of creation, where listening to your work becomes just as important as making it. The American sculptor, whose gravity-defying arrangements have earned places in the Metropolitan Museum of Art and the Whitney, reveals how embracing the "ugly" phases of creation leads to unexpected beauty."I have to have a real appetite for ugly," Shechet, confesses about her creative process. "There are so many points where this thing is just hideous and yet I have to believe in it." This sentiment resonates profoundly with our own artistic journeys—recognizing that every meaningful piece goes through an awkward adolescence before reaching maturity.What truly sets Shechet, apart is her approach to artistic control. After carefully crafting her ceramic sculptures, she surrenders them to a 2,000-degree kiln where "all bets are off." This balance between meticulous creation and acceptance of unpredictability forms the heart of her practice. She meticulously documents every experiment in notebooks, creating a scientific approach to artistic discovery that allows her work to continually evolve.We're particularly struck by Shechet,'s description of her studio as "both a farm and a factory"—a place that cultivates growth while producing tangible objects. Her commitment to pushing boundaries by creating open systems rather than settling into comfortable patterns mirrors our own philosophy of artistic development. When she declares, "I want to make something more than an idea," she articulates the ultimate challenge facing every serious artist: creating work that resists easy description and demands deeper engagement.Join us in this fascinating conversation about embracing discomfort, fighting against creative stagnation, and finding joy in the uncertain journey of making art that matters. Whether you're a seasoned creator or just beginning your artistic path, Shechet,'s wisdom offers valuable perspective on sustaining growth through perpetual discovery.Please visit:https://art21.org/watch/art-in-the-twenty-first-century/s7/arlene-shechet-in-secrets-segment/https://www.youtube.com/watch?v=Dh_lDHY0ZO4https://www.frieze.com/video/arlene-shechet-and-sheena-wagstaff-frieze-masters-podcastSend us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

Jeffrey Gibson talks to Ben Luke, welcome to A brush with… about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work.Gibson—born in 1972 in Colorado Springs, in the US, and based today in Germantown, New York—has created a visual language which fuses text, high colour and rich pattern, and a diverse materiality to evoke joy and exuberance as well as critique and resistance. A member of the Mississippi Band of Choctaw Indians and of Cherokee descent, Jeffrey brings together Indigenous languages and histories, queer aesthetics, an abiding concern with broader ancient, historic, Modern and contemporary visual culture, and a profound engagement with popular music and literature. His works range from painting, in which he trained, to myriad sculptural forms, performances and installations and video. With this interdisciplinary practice, he deliberately confronts orthodoxies in the art world and art history, questioning biases regarding taste, value and legitimacy, confronting and subverting stereotypes of Indigenous people and culture, and proposing a radical interaction with the objects and spaces he creates. He reflects on his work's overarching collage aesthetic, the deliberate confrontation in his work with decorative and craft traditions, and the role of colour in his work generally and in his new works for an exhibition at Hauser & Wirth in Paris. He discusses the early impact of Henri Matisse, his love of Magdalena Abakanowicz's textile sculptures, the importance to him of Frank Bowling and David Hammons. He talks about his connection with the poet Layli Long Soldier, whose poem inspired the title for his US pavilion presentation at the Venice Biennale in 2024, and recalls a remarkable and formative encounter with the writer and critic Hélène Cixous. He also discusses the experience of encountering the music of Goldie and drum and bass in London in the 1990s and how it is reflected in his work today. Plus, he gives insight into his studio life and answers our usual questions, including the ultimate, what is art for?Jeffrey Gibson: THIS IS DEDICATED TO THE ONE I LOVE, Hauser & Wirth, Paris, 20 October-20 December; The Genesis Facade Commission, Jeffrey Gibson: The Animal That Therefore I Am, Metropolitan Museum of Art, New York,12 September–May 2026; Jeffrey Gibson: the space in which to place me, The Broad, Los Angeles, until 28 September; Jeffrey Gibson: POWER FULL BECAUSE WE'RE DIFFERENT, MASS MoCA, North Adams, US, until September 2026; Jeffrey Gibson: boshullichi / inlʋchi / we will continue to change, Kunsthaus Zürich, Switzerland, until December 2026; An Indigenous Present, co-curated by Jeffrey Gibson, ICA Boston, 9 October-8 March 2026; Frist Art Museum, Nashville, 26 June-27 September 2026, Frye Art Museum, Seattle, 7 November 2026-14 February 2027. Hosted on Acast. See acast.com/privacy for more information.

Giora Schmidt is a virtuoso American-Israeli violinist. He has appeared as a soloist with many prominent symphony orchestras around the globe including the Atlanta, Chicago, Cleveland and Philadelphia symphonies and the Toronto, Vancouver and Israel Philharmonics. He has performed at Carnegie Hall, The Kennedy Center and The Metropolitan Museum of Art in New York. He has collaborated with Itzhak Perlman and Pinchas Zukerman. And he even performed on an airplane!My featured song is “Fishin'” featuring Mindi Abair on saxophone, from the album The PGS Experience by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH GIORA:www.gioraschmidt.com____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Welcome to The Times of Israel's Daily Briefing, your 20-minute audio update on what's happening in Israel, the Middle East and the Jewish world. New York reporter Luke Tress joins host Jessica Steinberg for today's episode. Tress discusses the recent decrease in antisemitic hate crimes in New York, although Jews are still the most targeted group. He also talks about several small, new Jewish organizations advocating for change in the way the Jewish community approaches growing antisemitism and anti-Zionism, as well as their readiness to face off against legacy Jewish organizations. Tress touches on the legal implications of antisemitic crimes, particularly in light of the recent case involving the alleged killer of two Israeli embassy staffers. He also discusses how the Washington District Attorney is examining the possibility of a death penalty sentence for Elias Rodriguez, who allegedly killed two staff members from the Israeli Embassy in May outside a DC museum. Check out The Times of Israel's ongoing liveblog for more updates. For further reading: Antisemitic hate crimes in New York decrease in recent months — NYPD Amid record antisemitism, US Jewish activists call on leaders to vacate their echo chamber US prosecutors consider death penalty for alleged killer of Israeli embassy staffers Subscribe to The Times of Israel Daily Briefing on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts. This episode was produced by the Pod-Waves. IMAGE: Police arrest a pro-Palestinian, anti-Israel protester near the Metropolitan Museum of Art, where the Met Gala takes place, May 6, 2024, in New York. (AP Photo/Andres Kudacki, File)See omnystudio.com/listener for privacy information.

Kristy returns to Art and Cocktails to share the inspiring story behind writing and publishing her book. We talk about the dream that began in childhood, the process of bringing it to life, and the milestones that followed. These include holding the finished copy in her hands, receiving an endorsement from Jerry Saltz, and seeing her work translated into Taiwanese. Kristy also addresses the myths that hold artists back from writing, why you do not have to identify as a “real writer” to publish a book, and how to navigate both traditional and self-publishing while keeping your vision intact. She shares details about her upcoming Essential Publishing Bootcamp with Frannie, a live two-day workshop that helps artists and creatives turn their book ideas into reality. Participants will learn about the different publishing paths, receive a step-by-step workflow for bringing a book to life, and review examples of real winning pitches that secured book deals. Whether you are interested in traditional publishing, indie presses, or self-publishing on Amazon, this workshop will provide the tools to make it happen. Kristy Gordon is a Canadian-born artist based in New York City whose paintings have been exhibited internationally, including at the Metropolitan Museum of Art's Uris Center, the European Museum of Modern Art in Barcelona, and the National Academy Museum in New York City. She is a three-time recipient of the Elizabeth Greenshields Foundation Grant and earned her MFA from the New York Academy of Art, where she now teaches. Her work appears in more than 600 collections worldwide and has been featured in Vogue, Hyperallergic, and Fine Art Connoisseur. She is represented by Garvey|Simon, Blumka Contemporary, and Grenning Gallery. Learn more about Kristy's Essential Publishing Bootcamp and sign up at https://www.down2art.com/Write-Your-book. Create! Magazine is now accepting submissions for our upcoming issue. Apply to the current call for art at https://www.createmagazine.co/call-for-art. Publish your own art catalog: https://www.createmagazine.co/art-catalog  

This week on Networth and Chill, Vivian sits down with Dan Rossi, the legendary Hot Dog King of NYC, to unpack the remarkable financial journey behind one of New York's most iconic street food empires. From building a pushcart empire of nearly 500 permits across the city to losing it all through regulatory changes, Dan's story is a masterclass in entrepreneurial resilience and the brutal realities of small business ownership. Discover how this disabled Vietnam veteran went from controlling 16% of all pushcart permits in NYC to defending his single remaining cart outside the Metropolitan Museum of Art for over 16 years. Vivian explores the financial strategies that built Dan's multi-million dollar hot dog empire, the devastating impact of the 1995 law changes that stripped away his permits, and how he's maintained his prime real estate spot through sheer determination and unconventional tactics. Learn about the financial sacrifices behind his success, including sleeping in his cart and van for 11 years to protect his valuable location. Whether you're an aspiring entrepreneur, curious about the economics of street food, or want to understand how regulatory changes can reshape entire industries, this episode delivers essential insights on building wealth, weathering financial storms, and the true cost of protecting your networth in America's most competitive market. Find Dan's hot dog's at 5th Ave & 82nd St in NYC and check him out on Instagram! Follow the podcast on Instagram and TikTok! Got a financial question you want answered in a future episode? Email us at podcast@yourrichbff.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dan Rossi sells hot dogs in the most coveted spot for a street vendor in all of New York City – outside the Metropolitan Museum of Art. He's been in this location for nearly twenty years, and he's spent much of that time fighting politicians, public health officials, the NYPD, the Met, and other vendors to hold on to his precious location. In recent years he's taken to sleeping in his van next to the spot, to be sure nobody takes it. But vending outside The Met is actually Dan's second act. Long before he was there, he rose to prominence as one of the most successful people in New York's street vending industry – then lost it all. We hear the whole story, including how Dan clawed his way back, in this week's show.The Sporkful production team includes Dan Pashman, Emma Morgenstern, Andres O'Hara, Grace Rubin, Kameel Stanley, and Jared O'Connell. Publishing by Shantel Holder.Transcript available at www.sporkful.com.Right now, Sporkful listeners can get three months free of the SiriusXM app by going to siriusxm.com/sporkful. Get all your favorite podcasts, more than 200 ad-free music channels curated by genre and era, and live sports coverage with the SiriusXM app.

It's the Witch Wave Season 8 Finale! Tourmaline is an award-winning artist, filmmaker, writer, and activist whose work is dedicated to Black trans joy and freedom. She's the author of the new book Marsha: The Joy and Defiance of Marsha P. Johnson, which is the first comprehensive – and utterly beautiful! - biography of the visionary trans activist. Her prior book, One Day in June, is a picture book about Marsha and the Stonewall Uprising. Tourmaline is a TIME 100 Most Influential Person in the World awardee and a Guggenheim Fellow. She has frequently appeared on ABC News, as well as in the New York Times and Vogue. Her art is in the permanent collection of the Metropolitan Museum of Art, the Tate, and the Getty Museum. She created the critically acclaimed film Happy Birthday, Marsha!, and she has directed Pride campaigns for Dove, Marc Jacobs, and Reebok. She previously worked with Queers for Economic Justice and the Sylvia Rivera Law Project.Tourmaline lives in Miami, Florida, but she was able to join Pam in person in the podcast studio here in Brooklyn!On this episode, Tourmaline discusses the magical activism of Marsha P. Johnson, the importance of freedom dreaming and liberatory manifestation, and how we can conjure future flourishing for all. Pam also talks about the deep kinship between witches and the queer community, and answers a listener question about a bewitching gift for a new mom.Check out the video of this episode over on YouTube (and please like and subscribe to the channel while you're at it!)Our sponsors for this episode are Ritual + Shelter, Mixed Color, Wheel of Fate, The Witch Summit, LOGOS Candles, BetterHelp, PaganPagesOrg, and Black Phoenix Alchemy LabWe also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave