Podcasts about metropolitan museum

This week episode is a special Book Club episode digging into the brand new book The Costumes of Hollywood with co-authors Coleen Scott & Larry McQueen! We cover Larry's extensive collection, the creation of the book, the importance of preserving Hollywood history and maintaing the legacy of Costume Designers and their teams, advice for Costume Designers on archiving their own pieces and so much more!    The Costumes of Hollywood details the design, creation, and influence of over 100 ensembles from some of the most iconic designers, films, and roles in Hollywood history, spanning the 1920s through the early 21st century. All costumes featured are from The Collection of Motion Picture Costume Design, one of the world's largest private collections, curated over thirty-five years by leading Hollywood costume historian and archivist, Larry McQueen.   The book presents full costumes on display in addition to close-ups, and rarely seen interior details of some garments. Iconic costumes, including many with Academy Award nominations, from Some Like It Hot, Hello Dolly, Cabaret, Rear Window, Ben Hur, Mildred Pierce, Angel, Masters of the Universe, The Piano, The Hunger Games, and so many others are featured. This book gives the audience a rare and heretofore unpublished insight into what collecting, restoring, and reproducing entails, and highlights differences between private collecting and museum-backed collections. The Costumes of Hollywood details the significance of the designer, costume, and wearer via thorough research, interviews, and Larry McQueen's behind-the-scenes knowledge of collecting and working as an archivist in Hollywood.   Within the entertainment field, this book will be of interest to professional costume designers and technicians in film, theatre, and performance, as well as students of film production, history, and costume design and construction. The Costumes of Hollywood will also enrich and entertain anyone with an interest in costume design in film and collecting.   — If you want to support me and this podcast, please subscribe to the Patreon - we have tiers starting at just $3 and you will get access to extended cuts of every episode with more even more stories.  --- The Costumes of Hollywood: Highlights from The Collection of Motion Picture Costume Design Written by Coleen Scott & Larry McQueen --- Larry McQueen is a leading Hollywood costume historian and archivist. He has held the position of consultant for Camden House Auctioneers, Inc. in Los Angeles; Christie's East, New York: Christie's London; Butterfield and Butterfield Los Angeles/ San Francisco; Entertainment Rarities; and Julien Entertainment.   As consultant, he has been responsible for the authentication of film costumes and the estimation of their value. From 1999-2012, Mr. McQueen worked as an archivist with MGM/ UA in creating and maintaining a prop and costume collection of MGM films. In addition, his collection has worked with private estates and costume houses such as Lucille Ball, Jane Withers, Edith Head, Wayne Finkleman, Julie Newmar, Debbie Reynolds, Western Costume Company, Eastern Costume Company, CRC, American Costume Co., and others in researching items and their valuation. Mr. McQueen's private collection of film costumes is one the finest, and consists of over 600 costumes worn in films and television from 1920 to present. Portions of his collection have been exhibited in museums across the globe including the Metropolitan Museum of Art in New York, The Fashion Foundation in Tokyo, and The Victoria and Albert Museum in London. Website: www.filmcostumecollection.com.   Coleen Scott is a costume designer and historian with an MFA in Costume Design from Boston University, where she received the Kahn award upon graduation. She has worked for over 25 years in theater, opera, film, and television. She has worked with Academy Award-winning costume designer Ann Roth as well as designers Stephanie Maslansky and Tina Nigro. She frequently works with her creative partner and photographer, Ben Trivett, doing styling, set decoration, and photo tech for celebrity and editorial portrait photography.   Coleen taught Costume Production and Makeup for Stage and Studio at Saint Ann's School in Brooklyn, NY for thirteen years. Her book The Costumes of Burlesque was published by Routledge in 2019. She is a proud member of lATSE, USA 829, USITT, and is Chair of The Costume Society of America's Western Region. Coleen is tenured faculty in the Theatre Arts and Fashion Department at Santa Rosa Junior College in California heading the Costume Design, Technology and Makeup programs. Website: www.coleenscottdesign.com.     CoH Links: Book Link @ Routledge Website: The Collection of Motion Picture Costume Design Podcast (Apple Podcasts): The Costumes of Hollywood Podcast Podcast (Spotify): The Costumes of Hollywood Podcast Instagram: @CostumesofHollywood --- TFACD Links: Patreon: Tales From A Costume Designer Instagram: @talesfromacostumedesigner Twitter: @talesfromaCD TikTok: @talesfromaCD --- Whitney Anne Adams Links: Website: whitneyadams.com IMDb: Whitney Anne Adams Instagram: @WAACostumeDesign Twitter: @WhitneyAAdams TikTok: @waacostumedesign --- Union Links: Costume Designers Guild IG: @cdglocal892 United Scenic Artists Local 829 IG: @unitedscenicartists IATSE IG: @iatse ---

Jacques Louis David namalował portret małżonków Lavoisier tuż przed wybuchem rewolucji francuskiej. Dlaczego ten monumentalny obraz ukazujący uczonego przy pracy w towarzystwie żony, czule wspartej o jego ramię, został wycofany z Salonu w 1789 roku z obawy przed wzmacnianiem nastrojów rewolucyjnych? Jak to się stało, że jedno z najważniejszych dzieł w twórczości Davida i jeden z najlepszych portretów w malarstwie francuskim trafił do kolekcji Metropolitan Museum of Art w Nowym Jorku.W tym odcinku szukam odpowiedzi na te i wiele innych pytań. ...Dla zainteresowanych serią wykładów o kolekcjach malarstwa w Nowym Jorku, które poprowadzę w październiku, tutaj link: https://arttransfer.pl/rog-obfitosci-kolekcje-malarstwa-w-nowym-jorku/A tutaj mój Patronite: https://patronite.pl/otulina_o_sztuce

Have you ever looked at your work-in-progress and thought it was absolutely hideous? According to acclaimed sculptor Arlene Shechet, that's exactly where the magic happens.In this eye-opening exploration of artistic process, we dive deep into Shechet,'s philosophy of creation, where listening to your work becomes just as important as making it. The American sculptor, whose gravity-defying arrangements have earned places in the Metropolitan Museum of Art and the Whitney, reveals how embracing the "ugly" phases of creation leads to unexpected beauty."I have to have a real appetite for ugly," Shechet, confesses about her creative process. "There are so many points where this thing is just hideous and yet I have to believe in it." This sentiment resonates profoundly with our own artistic journeys—recognizing that every meaningful piece goes through an awkward adolescence before reaching maturity.What truly sets Shechet, apart is her approach to artistic control. After carefully crafting her ceramic sculptures, she surrenders them to a 2,000-degree kiln where "all bets are off." This balance between meticulous creation and acceptance of unpredictability forms the heart of her practice. She meticulously documents every experiment in notebooks, creating a scientific approach to artistic discovery that allows her work to continually evolve.We're particularly struck by Shechet,'s description of her studio as "both a farm and a factory"—a place that cultivates growth while producing tangible objects. Her commitment to pushing boundaries by creating open systems rather than settling into comfortable patterns mirrors our own philosophy of artistic development. When she declares, "I want to make something more than an idea," she articulates the ultimate challenge facing every serious artist: creating work that resists easy description and demands deeper engagement.Join us in this fascinating conversation about embracing discomfort, fighting against creative stagnation, and finding joy in the uncertain journey of making art that matters. Whether you're a seasoned creator or just beginning your artistic path, Shechet,'s wisdom offers valuable perspective on sustaining growth through perpetual discovery.Please visit:https://art21.org/watch/art-in-the-twenty-first-century/s7/arlene-shechet-in-secrets-segment/https://www.youtube.com/watch?v=Dh_lDHY0ZO4https://www.frieze.com/video/arlene-shechet-and-sheena-wagstaff-frieze-masters-podcastSend us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg

À Nice, dans le sud de la France, la Biennale des arts s'inscrit cette année sous le signe de l'océan. Cette édition déployée jusqu'en septembre propose un parcours d'œuvres d'art dans l'espace public. À cette occasion, l'artiste malgache Joël Andrianomearisoa expose une sculpture sur les anciennes murailles qui protégeaient la ville. On peut y lire : « Songer la vague sur un horizon, une promesse ». Une phrase comme suspendue dans le ciel, en écho à la topographie de Nice, entre mer et ciel. ► Son œuvre et les cinq suivantes du parcours d'œuvres d'art dans l'espace public sont à découvrir à Nice jusqu'au 28 septembre 2025. À lire aussiLe plasticien malgache Joël Andrianomearisoa exposé au Metropolitan Museum of Art de New York

À Nice, dans le sud de la France, la Biennale des arts s'inscrit cette année sous le signe de l'océan. Cette édition déployée jusqu'en septembre propose un parcours d'œuvres d'art dans l'espace public. À cette occasion, l'artiste malgache Joël Andrianomearisoa expose une sculpture sur les anciennes murailles qui protégeaient la ville. On peut y lire : « Songer la vague sur un horizon, une promesse ». Une phrase comme suspendue dans le ciel, en écho à la topographie de Nice, entre mer et ciel. ► Son œuvre et les cinq suivantes du parcours d'œuvres d'art dans l'espace public sont à découvrir à Nice jusqu'au 28 septembre 2025. À lire aussiLe plasticien malgache Joël Andrianomearisoa exposé au Metropolitan Museum of Art de New York

Jeffrey Gibson talks to Ben Luke, welcome to A brush with… about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work.Gibson—born in 1972 in Colorado Springs, in the US, and based today in Germantown, New York—has created a visual language which fuses text, high colour and rich pattern, and a diverse materiality to evoke joy and exuberance as well as critique and resistance. A member of the Mississippi Band of Choctaw Indians and of Cherokee descent, Jeffrey brings together Indigenous languages and histories, queer aesthetics, an abiding concern with broader ancient, historic, Modern and contemporary visual culture, and a profound engagement with popular music and literature. His works range from painting, in which he trained, to myriad sculptural forms, performances and installations and video. With this interdisciplinary practice, he deliberately confronts orthodoxies in the art world and art history, questioning biases regarding taste, value and legitimacy, confronting and subverting stereotypes of Indigenous people and culture, and proposing a radical interaction with the objects and spaces he creates. He reflects on his work's overarching collage aesthetic, the deliberate confrontation in his work with decorative and craft traditions, and the role of colour in his work generally and in his new works for an exhibition at Hauser & Wirth in Paris. He discusses the early impact of Henri Matisse, his love of Magdalena Abakanowicz's textile sculptures, the importance to him of Frank Bowling and David Hammons. He talks about his connection with the poet Layli Long Soldier, whose poem inspired the title for his US pavilion presentation at the Venice Biennale in 2024, and recalls a remarkable and formative encounter with the writer and critic Hélène Cixous. He also discusses the experience of encountering the music of Goldie and drum and bass in London in the 1990s and how it is reflected in his work today. Plus, he gives insight into his studio life and answers our usual questions, including the ultimate, what is art for?Jeffrey Gibson: THIS IS DEDICATED TO THE ONE I LOVE, Hauser & Wirth, Paris, 20 October-20 December; The Genesis Facade Commission, Jeffrey Gibson: The Animal That Therefore I Am, Metropolitan Museum of Art, New York,12 September–May 2026; Jeffrey Gibson: the space in which to place me, The Broad, Los Angeles, until 28 September; Jeffrey Gibson: POWER FULL BECAUSE WE'RE DIFFERENT, MASS MoCA, North Adams, US, until September 2026; Jeffrey Gibson: boshullichi / inlʋchi / we will continue to change, Kunsthaus Zürich, Switzerland, until December 2026; An Indigenous Present, co-curated by Jeffrey Gibson, ICA Boston, 9 October-8 March 2026; Frist Art Museum, Nashville, 26 June-27 September 2026, Frye Art Museum, Seattle, 7 November 2026-14 February 2027. Hosted on Acast. See acast.com/privacy for more information.

Just as we sat down to record, we got the news about Brent Hinds Motorcycle accident, so we were in a bit of shock. We compartmentalized to talk about the dangers of AI, all things Led Zeppelin, The Who and the guitar that used to be Keith Richards, but now Mick Taylor and the Metropolitan Museum are at odds over it.See omnystudio.com/listener for privacy information.

Giora Schmidt is a virtuoso American-Israeli violinist. He has appeared as a soloist with many prominent symphony orchestras around the globe including the Atlanta, Chicago, Cleveland and Philadelphia symphonies and the Toronto, Vancouver and Israel Philharmonics. He has performed at Carnegie Hall, The Kennedy Center and The Metropolitan Museum of Art in New York. He has collaborated with Itzhak Perlman and Pinchas Zukerman. And he even performed on an airplane!My featured song is “Fishin'” featuring Mindi Abair on saxophone, from the album The PGS Experience by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH GIORA:www.gioraschmidt.com____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

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Welcome to The Times of Israel's Daily Briefing, your 20-minute audio update on what's happening in Israel, the Middle East and the Jewish world. New York reporter Luke Tress joins host Jessica Steinberg for today's episode. Tress discusses the recent decrease in antisemitic hate crimes in New York, although Jews are still the most targeted group. He also talks about several small, new Jewish organizations advocating for change in the way the Jewish community approaches growing antisemitism and anti-Zionism, as well as their readiness to face off against legacy Jewish organizations. Tress touches on the legal implications of antisemitic crimes, particularly in light of the recent case involving the alleged killer of two Israeli embassy staffers. He also discusses how the Washington District Attorney is examining the possibility of a death penalty sentence for Elias Rodriguez, who allegedly killed two staff members from the Israeli Embassy in May outside a DC museum. Check out The Times of Israel's ongoing liveblog for more updates. For further reading: Antisemitic hate crimes in New York decrease in recent months — NYPD Amid record antisemitism, US Jewish activists call on leaders to vacate their echo chamber US prosecutors consider death penalty for alleged killer of Israeli embassy staffers Subscribe to The Times of Israel Daily Briefing on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts. This episode was produced by the Pod-Waves. IMAGE: Police arrest a pro-Palestinian, anti-Israel protester near the Metropolitan Museum of Art, where the Met Gala takes place, May 6, 2024, in New York. (AP Photo/Andres Kudacki, File)See omnystudio.com/listener for privacy information.

Kristy returns to Art and Cocktails to share the inspiring story behind writing and publishing her book. We talk about the dream that began in childhood, the process of bringing it to life, and the milestones that followed. These include holding the finished copy in her hands, receiving an endorsement from Jerry Saltz, and seeing her work translated into Taiwanese. Kristy also addresses the myths that hold artists back from writing, why you do not have to identify as a “real writer” to publish a book, and how to navigate both traditional and self-publishing while keeping your vision intact. She shares details about her upcoming Essential Publishing Bootcamp with Frannie, a live two-day workshop that helps artists and creatives turn their book ideas into reality. Participants will learn about the different publishing paths, receive a step-by-step workflow for bringing a book to life, and review examples of real winning pitches that secured book deals. Whether you are interested in traditional publishing, indie presses, or self-publishing on Amazon, this workshop will provide the tools to make it happen. Kristy Gordon is a Canadian-born artist based in New York City whose paintings have been exhibited internationally, including at the Metropolitan Museum of Art's Uris Center, the European Museum of Modern Art in Barcelona, and the National Academy Museum in New York City. She is a three-time recipient of the Elizabeth Greenshields Foundation Grant and earned her MFA from the New York Academy of Art, where she now teaches. Her work appears in more than 600 collections worldwide and has been featured in Vogue, Hyperallergic, and Fine Art Connoisseur. She is represented by Garvey|Simon, Blumka Contemporary, and Grenning Gallery. Learn more about Kristy's Essential Publishing Bootcamp and sign up at https://www.down2art.com/Write-Your-book. Create! Magazine is now accepting submissions for our upcoming issue. Apply to the current call for art at https://www.createmagazine.co/call-for-art. Publish your own art catalog: https://www.createmagazine.co/art-catalog  

In this episode of THE MENTORS RADIO, Host Dan Hesse talks with Ursula Burns, Chairwoman of Teneo and founding partner of private equity company Integrum Holdings. But Ursula is best known for serving as Chairwoman and CEO of Xerox during a 36-year-career there, where she became the first black female CEO of a Fortune 500 company. In addition, Ursula serves on several private company boards, while also providing leadership counsel to several community, educational and non-profit organizations including the Ford Foundation, the MIT Corporation, the Metropolitan Museum of Art and the Mayo Clinic, among others. President Obama appointed her to lead the White House national program on STEM and she served as Chair of the President's Export Council. Since February 2022, Ursula Burns has served as Vice Chair of the U.S. Department of Commerce's Advisory Council on Supply Chain Competitiveness. Ursula holds a master's degree in mechanical engineering from Columbia and a bachelor's degree in mechanical engineering from NYU.  She's a member of the National Academy of Engineering, the American Academy of Arts and Sciences and the Royal Academy of Engineering. Listen to this episode below, or on ANY PODCAST PLATFORM here. BE SURE TO LEAVE US A GREAT REVIEW on Apple Podcasts or Spotify, and share with friends and colleagues! SHOW NOTES: URSULA BURNS: BIO: Bio: Ursula Burns DEIC Power 100 BOOKS: Where You Are Is Not Who You Are: A Memoir, by Ursula Burns ARTICLES / NEWS: Pioneering CEO Ursula Burns Wants to Make Stories Like Hers Less Rare– WSJ Ursula M. Burns – The New York Times In Her New Memoir, Ursula M. Burns Recounts Blazing a Trail to the Top of Xerox – The New York Times “I'm Here Because I'm As Good As You” – The Harvard Review Former Xerox CEO Ursula Burns on becoming the 1st black female Fortune 500 chief exec– YouTube Expect to see a sizable uptick in M&A in 2024, says Teneo's Ursula Burns – CNBC

Det romerska riket var antikens största och mest inflytelserika imperium. Från att ha varit en liten stadsstat på några kullar vid Tibern, omgiven av etruskiska grannar, utvecklades Rom under 300‑ och 200‑talen f.Kr. till en stormakt i sydvästra Europa och Nordafrika. Därefter växte det till ett kejsardöme som sträckte sig från Skottland i nordväst till Mesopotamien i sydöst – Medelhavet blev i praktiken en romersk insjö.Men hur började det? Byggdes Rom verkligen på sju kullar? Fanns det någon sanning bakom sagan om Romulus och Remus, bebisarna räddade av en varginna, som sedan växte upp till hämndlystna och modiga stadsgrundare? Vem var Lucretia, vars självmord gjorde henne till en kvinnlig förebild för romarna vid Tibern? Hur kunde det lilla Rom underkasta alla grannstäder och skapa ett politiskt system som möjliggjorde expansion åt alla håll? Hur utvecklades strategin "söndra och härska"? Och vilka sanningar finns i Asterix-albumen?I detta avsnitt av podden Harrisons dramatiska historia samtalar Dick Harrison, professor i historia vid Lunds universitet, och Katarina Harrison Lindbergh, fackboksförfattare, om det äldsta Rom. Vi möter både tveksamma hjältedramer och historiska analyser av Forum Romanum, en skildring av det ursprungliga proletariatet och det dödliga nätverket som romarnas stormän utvecklade kring sina residens.Bild: Romulus och Remus diar vargen vid en flodstrand (eftert. Justus van Egmont). Bild donerad till Wikimedia Commons som del av Metropolitan Museum of Art‑projekt.Wikimedia Commons.Klippare: Aron SchuurmanProducent: Urban Lindstedt Hosted on Acast. See acast.com/privacy for more information.

Nat Ward lives in Queens, NY. His work is collected by the Museum of Modern Art, the Guggenheim Museum, the Metropolitan Museum of Art, The Parrish Art Museum, and the Museum of Fine Arts Houston. His previous book of photographs and poetry, Big Throat, was published by +KGP in 2020. Ward founded the collaborative photographic project space A New Nothing with Ben Alper in 2014 and has had features on his photographic work published in Aperture, Interview, Collector Daily, Photobook Journal, Photography & Culture, C4, The British Journal of Photography, Unseen, Vogue, Vogue Italia, Vice, and Juxtapoz. He has exhibited photographic and text-based installations at Nathalie Karg Gallery, New York Live Arts, Hampshire College, and The Jewish Museum. Ward has been awarded residencies and fellowships from Yaddo, The Cooper Union Professional Development Fund, the Edward F. Albee Foundation, and The Sharpe-Walentas Studio Program. His poetry and critical writing have appeared in publications from Wendy's Subway, 1080Press, The Brooklyn Review, and Beautiful Days Press. Ward's poems appear alongside photographs by Sara J. Winson and Aaron Canopy in Shades, published by Push Pull Editions (2024). Ward holds an MFA in Visual Art from Columbia University and an MFA in Poetry from Brooklyn College. https://nat-ward.com https://www.instagram.com/mrnatward/ https://powerhousebooks.com/books/ditch-montauk-new-york-11954/ This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com

This week on Networth and Chill, Vivian sits down with Dan Rossi, the legendary Hot Dog King of NYC, to unpack the remarkable financial journey behind one of New York's most iconic street food empires. From building a pushcart empire of nearly 500 permits across the city to losing it all through regulatory changes, Dan's story is a masterclass in entrepreneurial resilience and the brutal realities of small business ownership. Discover how this disabled Vietnam veteran went from controlling 16% of all pushcart permits in NYC to defending his single remaining cart outside the Metropolitan Museum of Art for over 16 years. Vivian explores the financial strategies that built Dan's multi-million dollar hot dog empire, the devastating impact of the 1995 law changes that stripped away his permits, and how he's maintained his prime real estate spot through sheer determination and unconventional tactics. Learn about the financial sacrifices behind his success, including sleeping in his cart and van for 11 years to protect his valuable location. Whether you're an aspiring entrepreneur, curious about the economics of street food, or want to understand how regulatory changes can reshape entire industries, this episode delivers essential insights on building wealth, weathering financial storms, and the true cost of protecting your networth in America's most competitive market. Find Dan's hot dog's at 5th Ave & 82nd St in NYC and check him out on Instagram! Follow the podcast on Instagram and TikTok! Got a financial question you want answered in a future episode? Email us at podcast@yourrichbff.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on the podcast is part two of our interview with Delita Martin. She's an acclaimed American multimedia artist, and the founder of Black Box Press Studio based in Huffman, Texas. She works in a variety of mediums including printmaking, painting and stitching. Delita frequently incorporates symbolism, and many of her works contain West African masks which highlight the connection between the mortal and spiritual worlds. Her works are in the permanent collections of acclaimed venues such as the Metropolitan Museum of Art, the Minneapolis Museum of Art, and Crystal Bridges. Join us to hear how her relationship approach to business helps grow her studio and lifts everyone with whom she collaborates. https://blackboxpressstudio.com/

NYC's Upper West Siders may be familiar with the 142 year-old, block long, many-storied, red-brick building on Amsterdam Avenue at 103rd Street.Completed in 1883 and designed by Gilded Age architect Robert Morris Hunt – famed for designing the Biltmore Estate in Asheville, N.C. – the base of the Statue of Liberty – the front of the Metropolitan Museum of Art – this building, on Amsterdam and 103rd Street, opened in 1883 as the Association Residence for the Relief of Respectable Aged Indigent Females. In the late 1960s it was set to be torn down. BUT – in time – was saved in great part due to the efforts of two of our guests -- and was resurrected as a major youth hostel inviting visitors from all over the world who want to experience NYC up close and personal.Former Manhattan Borough President and City Council member Ruth Messinger and Bloomington Historial Pam Tice joined us to tell the story of Hunt's building -- a story that encompasses the history of NYC – both its wealth and tendency to provide dignity to its citizens.This BCR program was recorded at 5 Napkin Burger Bar on Broadway and W. 84th St.Alan Winsonbarcrawlradio@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Don't forget to subscribe to our newsletter Hyphenly; it's our no-fluff love letter with hot takes, heartfelt stories, and all the feels of living in between cultures. Come for the nuance, stay for the vibes! Link below ⁠⁠⁠⁠⁠⁠https://immigrantlys-newsletter.beehiiv.com/subscribe⁠⁠⁠⁠ What happens when you blend Arabic calligraphy with Hindu iconography? This week on Immigrantly, host Saadia Khan sits down with artist, chaplain, and designer Sangeetha Kowsik, the visionary behind Ihsan Ishan Design. From working with Jennifer Lopez and leading design at the Metropolitan Museum of Art to becoming a Hindu chaplain at NYU, Sangeetha's journey is a testament to spiritual pluralism and creative defiance. She discusses growing up in a multifaith, multicultural environment, challenging Islamophobia in museum spaces, and creating art that bridges faiths, not just for Hindus and Muslims, but for anyone who believes that beauty and compassion are universal languages. Whether you are religious, spiritual, or simply curious, this episode will leave you thinking differently about sacred spaces, inclusive art, and the power of design. Join us as we create new intellectual engagement for our audience. You can find more information at ⁠⁠⁠⁠⁠http://immigrantlypod.com⁠⁠⁠⁠⁠. Please share the love and leave us a review on ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠ to help more people find us!  You can connect with Saadia on ⁠⁠⁠⁠⁠⁠⁠⁠Twitter ⁠⁠⁠⁠⁠⁠⁠⁠@swkkhan Email: ⁠⁠⁠⁠⁠saadia@immigrantlypod.com⁠⁠⁠⁠⁠ Host & Producer: Saadia Khan I Content Writer: Saadia Khan I Editorial review: Shei Yu I Sound Designer & Editor: Lou Raskin I Immigrantly Theme Music: Simon Hutchinson | Other Music: Epidemic Sound Immigrantly podcast is an Immigrantly Media Production. For advertising inquiries, contact us at ⁠⁠⁠⁠⁠info@immigrantlypod.com⁠⁠⁠⁠⁠ Don't forget to subscribe to our Apple podcast⁠⁠⁠⁠⁠⁠⁠⁠ channel ⁠⁠⁠⁠⁠⁠⁠⁠for insightful podcasts. Follow us on social media for updates and behind-the-scenes content. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the podcast is part one of our interview with Delita Martin. She's an acclaimed American multimedia artist, and the founder of Black Box Press Studio based in Huffman, Texas. She works in a variety of mediums including printmaking, painting and stitching. Delita frequently incorporates symbolism, and many of her works contain West African masks which highlight the connection between the mortal and spiritual worlds. Her works are in the permanent collections of acclaimed venues such as the Metropolitan Museum of Art, the Minneapolis Museum of Art, and Crystal Bridges. Join us to hear how her relationship approach to business helps grow her studio and lifts everyone with whom she collaborates. https://blackboxpressstudio.com/

[REBROADCAST FROM April 16, 2025] A new exhibit at the Metropolitan Museum of Art explores the earliest days of photography and the daguerreotype. Curator Jeff Rosenheim discusses the new exhibition "The New Art: American Photography, 1839–1910," on view at the Met through July 20. 

The US rapper Sean "Diddy" Combs is awaiting a bail decision after being found guilty on prostitution charges relating to his sex parties. He was cleared of three more serious charges including sex trafficking and racketeering. The closely-followed trial in New York lasted almost two months, featuring sometimes emotional testimony from more than 30 witnesses including his ex-partners. The courtroom heard lurid details about Mr Combs' so-called "freak-off" hotel sex parties that involved women including his girlfriends, male escorts and copious drug taking. Also in the programme: Ukraine wants answers from America over a scaling back of military aid, warning the move will embolden Russia; and the composer who has written a piece of music based on the movements of moths. (File photo: Sean "Diddy" Combs arrives at the Metropolitan Museum of Art Costume Institute Gala, New York City, 1 May, 2017. Credit: Reuters/Lucas Jackson/File Photo)

"These spaces are sacred." The Brooklyn trio reflect on 12 years of throwing parties that celebrate New York's queer community of colour. New York nightlife has a truly unique ecosystem. And for the last 12 years, the art collective Papi Juice has been right at the center of it, hosting parties, workshops, artist residencies, performances and exhibitions that affirm and celebrate the lives of queer and trans people of colour. In this RA Exchange recorded during Pride Weekend in Brooklyn, reviews editor Kiana Mickles sits down with the Papi Juice trio—Mohammed, Adam and Oscar—to talk about intersectionality and how they've maintained their principles and political integrity by continuing to put their community first. The DJs and multimedia artists have been active in leading fundraisers for Black trans organisations and archiving queer nightlife in Brooklyn. They recently received an award from the City Council of New York for their contributions to culture and have partnered with institutions like The Brooklyn Museum, MoMA PS1, El Museo del Barrio, Creative Time, The Metropolitan Museum of Art and the Leslie-Lohman Museum of Gay and Lesbian Art. In this interview, Mohammed, Adam and Oscar reflect on meeting for the first time, navigating New York's cabaret laws, creating a distinct visual identity, learning to work through internal conflict and differences in taste, and working towards a shared vision across many years. Listen to the episode in full. -Chloe Lula

Lisa Yuskavage creates works that affirm the singularity of the medium of painting while challenging conventional understandings of genres and viewership. At once exhibitionist and introspective, her rich cast of characters and their varied attributes are layered within compositions built of both representational and abstract elements, in which color is the primary vehicle of meaning. Yuskavage's work has been the subject of numerous solo exhibitions, including Lisa Yuskavage: Wilderness, which was on view at the Aspen Art Museum in 2020 and the Baltimore Museum of Art in 2021. In 2015, The Rose Art Museum, Brandeis University, Waltham, Massachusetts, presented Lisa Yuskavage: The Brood, a major survey spanning twenty-five years of the artist's work. The show traveled to the Contemporary Art Museum St. Louis in 2016. Lisa Yuskavage: Drawings just opened at The Morgan Library & Museum and is on view through January 4, 2026.Museum collections which hold works by the artist include the Art Institute of Chicago; Hirshhorn Museum and Sculpture Garden, Washington, DC; The Metropolitan Museum of Art, New York; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York, among others. She and Zuckerman discuss changing the world, vulnerability, why make art, using pushback as an opportunity, pushing against resistance, getting rid of self-doubt, and how Art makes you feel less alone!

Dan Rossi sells hot dogs in the most coveted spot for a street vendor in all of New York City – outside the Metropolitan Museum of Art. He's been in this location for nearly twenty years, and he's spent much of that time fighting politicians, public health officials, the NYPD, the Met, and other vendors to hold on to his precious location. In recent years he's taken to sleeping in his van next to the spot, to be sure nobody takes it. But vending outside The Met is actually Dan's second act. Long before he was there, he rose to prominence as one of the most successful people in New York's street vending industry – then lost it all. We hear the whole story, including how Dan clawed his way back, in this week's show.The Sporkful production team includes Dan Pashman, Emma Morgenstern, Andres O'Hara, Grace Rubin, Kameel Stanley, and Jared O'Connell. Publishing by Shantel Holder.Transcript available at www.sporkful.com.Right now, Sporkful listeners can get three months free of the SiriusXM app by going to siriusxm.com/sporkful. Get all your favorite podcasts, more than 200 ad-free music channels curated by genre and era, and live sports coverage with the SiriusXM app.

Positivity is at the heart of any kind of success. A desire to succeed, paired with a positive mindset, good friends, and hard work, can create momentum and growth in any direction you choose. On this episode of The Unfinished Print, a Mokuhanga Podcast, I speak with Michael Verne, a gallerist specializing in Japanese prints and paintings. Michael shares his approach to success, the power of positivity in business, and how he navigates the ups and downs of running a small, focused gallery. Through rich stories, both his own and those of the artists he represents, Michael offers insight into how storytelling shapes his business, sustains its growth, and supports educating people about mokuhanga and Japanese art. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Michael Verne and The Verne Collection - website The Metropolitan Museum of Art - is the largest art museum in North and South America. It began to be assembled by John Jay (1817-1894) in the late 19th century. Incorporated in 1870, the museum has collected many essential pieces, such as the works of Henri Matisse (1869-1954) and Pierre-Auguste Renoir (1841-1919). For more information about the MET, you can find it here. Daniel Kelly - is a visual artist and printmaker based in Kyoto, Japan. Daniel Kelly has shown all over the world, and is many museum collections as well. More information can be found, here.   Morning Calm (1983) 14.5" x 20.5" Tomikichirō Tokuriki (1902-2000) - was a Kyoto based mokuhanga printmaker and teacher. His work touched on many themes and styles. From “creative prints” or sōsaku hanga in Japanese, and his publisher/printer prints, or shin hanga prints of traditional Japanese landscapes.  Dance of Shimazu (1950's)  Sanford Smith and Works On Paper Exhibit - Sanford Smith (1939-2024) was one of the more important New York City art promoters of his time. Founding Sanford L. Smith + Associates, Sanford Smith created many art fairs such as the Works On Paper show, now known as Art On Paper which focused on works on paper such as prints, watercolours and photographs. More information can be found, here.   Willy Loman - is a fictional character in the novel Death of as Salesman by Arthur Miller, first published in 1949. Sadao Watanabe (1913-1996) - was a stencil and dyeing printmaker (katazome 型染め) from Japan. His works were specifically Biblical in nature. His work was also in stained glass which can be found in Nagoya, Aichi, Japan.  Eve (1965)  John Carroll University - is a private Jesuit University located in the suburbs of Cleveland, Ohio, USA and founded in 1886.  New Heights Podcast - is a podcast hosted by American football players Jason and Travis Kelce. It is produced by Michael Verne's son Brian Verne who is the CEO of Wave Sports and Entertainment. The Armoury Show - is an annual international art fair held in New York City, primarily focusing on contemporary art by living artists, but also featuring works by 20th-century masters. Pace Gallery -  is a gallery located in New York City and founded in 1960. Today the gallery is a leader in exhibiting some of the top artists in their media. There are galleries in London, Los Angeles, Hong Kong, Seoul, Geneva and East Hampton. More information can be found, here. Joel Stewart - is an American visual artist based in Kyoto, Japan.  Joel works in ceramics, installation, printmaking and mixed media. More information about Joel can be found, here.  Karatsu (2016) watercolour on paper 30" x 22" Quiet Elegance - is a book published by the Charles E. Tuttle Company in 1997 written by Betsy Franco and Michael Verne. The Charles E. Tuttle Company is now called simply Tuttle.  Dan Rather - is an American journalist who was the head anchor of the CBC Evening News from 1981 - 2005.  Joshua Rome -  is an American mokuhanga printmaker based Vermont after spending many years in Japan. His themes are of landscapes and the human condition. More information can be found, here.  Mixing Hours (1998) shibui (渋い) - is a Japanese concept that refers to a subtle, simple, and refined beauty. Yuko Kimura - is a contemporary printmaker based in California who used etching, aquatint, monotype, indigo dye, and cyanotype on pleated, stitched or twisted paper for her works. Yuko creates process videos on her website so you can see her process of her complex works. More information can be found, here.   Fusion no. 22 2010 etching and enamel on copper in abaca handmade paper 8" x 6"  wabi sabi - is a traditional Japanese aesthetic concept that embraces the beauty of imperfection, impermanence, and simplicity. Rooted in Zen Buddhism, it values natural materials, asymmetry. Takauchi Seihō (1864 - 1942)-  was a painter of Nihonga. His paintings were famous because of his travels to the West and the influences gathered from that. More information can be found, here.  Spring and Autumn (left screen) c 1889 Allen Memorial Art Museum - is an art museum located in Oberlin, Ohio and was founded in 1917.  Katustori Hamanishi -  is a mezzotint artist known for his diptychs , triptychs and quadtychs. More information can be found, here.  Cosmos Field (2022) 23.75" x 17.75" mezzotint Shigeki Kuroda - is a visual artist who works in aquatint, mezzotint, drypoint, and etching. For more information about his work can be found, here.  Mild Breeze (1953) 25.1" x 18.1" etching and aquatint Clifton Karhu (1927-2007) -  was a mokuhanga printmaker based in Japan. Karhu lived in Japan for most of his life after studying with Tetsuo Yamada and Stanton Macdonald-Wright. HIs themes were of his home city of Kyoto, Japan. More information can be found, here.  Katsura Moonlight (1982) 15.75" x 11./81" Tollman Collection  - is a well known Japanese art gallery located in Daimon, Tokyo, Japan. More information can be found, here.  Toko Shinoda (1913-2021) - was a Japanese visual artist who was made famous for her works in Sumi ink paintings and prints. More information can be found, here.  Winter Green (1990) ink on paper Hideo Takeda -  is a Tokyo based graphic illustrator, mokuhanga printmaker, and all around artist who challenges what it means to be an artist in this modern world. More information can be found, here.   Green (2009) Painting 13" x 9.5" Sarah Brayer - is a visual artist who is based in Kyoto, Japan. Her works are predominantly poured Japanese paper (washi). Sarah was the first Western artist to work at the Taki paper mill in Echizen. This is where she currently make her paperworks. Sarah have worked continuously in Echizen since 1986 as the only Western artist to do so. Sarah Brayer has also produced mokuhanga in her career. More information can be found, here.  ' Sea Meets Sky (Japan Blue Series) woodblock monotype, chine colle, 16" x 14" Cameron Bailey - is a mokuhanga printmaker based in Queens, New York. His mokuhanga technique is in reduction where Cameron creates beautiful and powerful landscapes. More information can be found, here.  Tempest (2025) 16" x 24"  Shirō Kasamatsu (1898–1991) was a mokuhanga print designer during the shin-hanga movement of the early 20th century, and later focused on his own mokuhanga printmaking during the sōsaku-hanga period of the 1950's. More information can be found, here.  Co Corridor (1960's/1970's) oban 10"x 15" Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier. This experience made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925.  The Acropolis At Night (1925) 10.13" x 16.5" Kawase Hasui (1883-1957), a designer of more than six hundred woodblock prints, is one of the most famous artists of the shin-hanga movement of the early twentieth century. Hasui began his career under the guidance of Kaburaki Kiyokata (1878-1971), joining several artistic societies early on. However, it wasn't until he joined the Watanabe atelier in 1918 that he began to gain significant recognition. Watanabe Shōzaburō (1885-1962) commissioned Hasui to design landscapes of the Japanese countryside, small towns, and scenes of everyday life. Hasui also worked closely with the carvers and printers to achieve the precise quality he envisioned for his prints. Mishima River, Mutsu (1919) 14" 9"  Shibata Zeshin (1807 - 1891) - was a laquer ware painter and print designer during the 19th Century.  Album of Lacquer Pictures by the Venerable Zeshin (1887) 6.5" x 7"  Kiyoshi Saitō (1907-1997) - was a Japanese woodblock printmaker and artist who worked in the sōsaku hanga style of mokuhanga. HIs fame outside of Japan was fairly comprehensive with his peak fame being in the 1950's and 1960's. For a comprehensive book on his life and times, Saitō Kiyoshi: Graphic Awakening published by The John & Mable Ringling Museum is an excellent source. Can be found, here. Lecture by Dr. Paget about Saitō can be found, here. My interview with Professor Paget can be found, here.  Otaru, Hokkaido (1948) 18" x 24" Munakata Shikō (1903-1975) - arguably one of the most famous modern printmakers; Shikō is renowned for his prints of women, animals, the supernatural and Buddhist deities. He made his prints with an esoteric fervour where his philosophies about mokuhanga were just as interesting as his print work.  Princess Showing Upper Arm (1958) 9" x 7.5" Sekino Jun'ichirō (1914-1988) - was a mokuhanga printmaker who helped establish the sōsaku hanga, creative print movement in Japan. His themes were of landscapes, animals and the abstract. Sekino exhibited and became a member with Nihon Hanga Kyōkai and studied with Ōnchi Kōshirō (1891-1955) and Maekawa Senpan (1888-1960).  Cats and There Kittens (1960) 18" x 13" Katsuyuki Nishijima - is a contemporary mokuhanga printmaker based in Japan who carves and prints his own work. His prints are colourful and focused on the Japanese landscape. More information can be found, here.  Moon Over Lake 10.25" x 14.75" Mayumi Oda - is a Buddhist teacher and artist based in Hawai'i. Her artwork has gained international recognition, having traveled worldwide. In addition to her artistic pursuits, Mayumi is an environmental activist and resides and works at Ginger Hill Farm, an eco-retreat on the Big Island of Hawai'i. Explore more about Mayumi Oda's work, here. Bell Telephone (1976)  21" x 15" colour screen print  Nicholas Cladis - is an artist and paper historian who teaches and lives in Iowa. He lived in Echizen from 2014-2020 where he studied how to make washi, taught at the Fukui Prefectural University, as well as being the International liaison for the paper making union. More info can be found on his website, here. You can find Nicholas' episode with The Unfinished Print, here.  Craig Anczelowtiz - is a mixed media collage artist who splits his time between New York and Japan. Craig's works focus on Japenese themes and nostalgia. More information can be found, here.  Meiji Beauty #8 (2025) vintage Japanese papers, gouache, plexi, gold leaf, and ink on thick washi 20" x 28"  © Popular Wheat Productions Opening and closing musical credit -Next Journey by Robomoque (2023) on Gunn-R-Rotation Records  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)  Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***    

Project Censored's Managing Editor, Mischa Geracoulis, hosts this week's program. Mischa's guest is photographer Glen Ellis Friedman, who talks about his new book, Fearless Vampire Killers, a collection of his photos of the punk-rock band Bad Brains. Friedman is an American photographer, who began his work while still in junior high school, photographing his friends skateboarding. Later he covered the punk-rock and hip-hop music scenes, when those genres began drawing widespread public attention in the 1980s. Friedman's photographs have been shown in exhibits around the world, and are included in many museum collections, including the collection of the Metropolitan Museum of Art in New York.   The post A conversation with photographer Glen Friedman appeared first on KPFA.

Fiona Davis joined us for June's “Bookaccino Live” Book Group to discuss her New York Times bestseller, THE STOLEN QUEEN, which is a Bookreporter Bets On selection. She shares how the idea for the book came to her, the extensive research that she did (yes, including a trip to Egypt), and what it was like spending hours at the Metropolitan Museum of Art to better understand how it is run behind the scenes. Fiona also explains how she developed her characters to work well with the timing of the story. And, to the delight of her readers, she talks about what's next for her. Our Latest “Bookreporter Talks To” Interviews: Kaira Rouda: https://youtu.be/0P_bOFWTFQ8 Jeanine Cummins: https://youtu.be/sZL0N-UuChk Julie Clark: https://youtu.be/L3MTzzyFcG4 Lori Foster: https://youtu.be/GScWl6dBexk Chris Pavone: https://youtu.be/8icmR8CaYBk Janet Skeslien Charles: https://youtu.be/-X7szSaX-DE Victoria Christopher Murray: https://youtu.be/9DTZoKTNAOA Our Latest “Bookaccino Live” Book Group Events: Beatriz Williams: https://youtu.be/q1lwGj7ZUlg Marjan Kamali: https://youtu.be/ePn3taNUHRI Anna Quindlen: https://youtu.be/OgMczT4JlTs Lisa Wingate: https://youtu.be/X4RKP3mT4Rc Ashley Elston: https://youtu.be/nQgw214dyjs Ariel Lawhon: https://youtu.be/rowGE3T2rfE Amanda Peters: https://youtu.be/sWX2Mxw5fT Shelley Read: https://youtu.be/3KdG1kIfcgc William Kent Krueger: https://youtu.be/IsIQJn3vYNI Ann Napolitano: https://youtu.be/VNYNugzjVbo Sign up for newsletters from Bookreporter and Reading Group Guides here: https://tbrnetwork.com/newsletters/ FOLLOW US on Facebook: https://www.facebook.com/bookreporter Website: https://www.bookreporter.com Art Credit: Tom Fitzgerald Edited by Jordan Redd Productions

It's the Witch Wave Season 8 Finale! Tourmaline is an award-winning artist, filmmaker, writer, and activist whose work is dedicated to Black trans joy and freedom. She's the author of the new book Marsha: The Joy and Defiance of Marsha P. Johnson, which is the first comprehensive – and utterly beautiful! - biography of the visionary trans activist. Her prior book, One Day in June, is a picture book about Marsha and the Stonewall Uprising. Tourmaline is a TIME 100 Most Influential Person in the World awardee and a Guggenheim Fellow. She has frequently appeared on ABC News, as well as in the New York Times and Vogue. Her art is in the permanent collection of the Metropolitan Museum of Art, the Tate, and the Getty Museum. She created the critically acclaimed film Happy Birthday, Marsha!, and she has directed Pride campaigns for Dove, Marc Jacobs, and Reebok. She previously worked with Queers for Economic Justice and the Sylvia Rivera Law Project.Tourmaline lives in Miami, Florida, but she was able to join Pam in person in the podcast studio here in Brooklyn!On this episode, Tourmaline discusses the magical activism of Marsha P. Johnson, the importance of freedom dreaming and liberatory manifestation, and how we can conjure future flourishing for all. Pam also talks about the deep kinship between witches and the queer community, and answers a listener question about a bewitching gift for a new mom.Check out the video of this episode over on YouTube (and please like and subscribe to the channel while you're at it!)Our sponsors for this episode are Ritual + Shelter, Mixed Color, Wheel of Fate, The Witch Summit, LOGOS Candles, BetterHelp, PaganPagesOrg, and Black Phoenix Alchemy LabWe also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave

Seriah, the host of the excellent show "Where Did the Road Go", joins us this week for a swapcast conversation about all the topics we're interested in. We talk UFOs, ancient civilizations, pyramids, Gobekli Tepe and Derenkuyu. We throw in some scifi discussion as well for good measure.You can find Seriah's podcast here: https://wheredidtheroadgo.com/  Join us, Ben from UnchartedX, Adam Young, and Karoly Poka for an afternoon at The Metropolitan Museum of Art in New York where we will peruse their collection of Ancient Egyptian artifacts, then we will move to the Explorer's Club for dinner and presentations from us and Ben!https://eveningattheexplorersclub.eventbrite.com/Join our Patreon, support the show, get extra content and early access!https://www.patreon.com/brothersoftheserpentSupport the show with a paypal donation:https://paypal.me/snakebros

Seriah, the host of the excellent show "Where Did the Road Go", joins us this week for a swapcast conversation about all the topics we're interested in. We talk UFOs, ancient civilizations, pyramids, Gobekli Tepe and Derenkuyu. We throw in some scifi discussion as well for good measure. You can find Seriah's podcast here: https://wheredidtheroadgo.com/     Join us, Ben from UnchartedX, Adam Young, and Karoly Poka for an afternoon at The Metropolitan Museum of Art in New York where we will peruse their collection of Ancient Egyptian artifacts, then we will move to the Explorer's Club for dinner and presentations from us and Ben! https://eveningattheexplorersclub.eventbrite.com/ Join our Patreon, support the show, get extra content and early access! https://www.patreon.com/brothersoftheserpent Support the show with a paypal donation: https://paypal.me/snakebros   Chapters 00:00 Introduction to the Podcast and Guests 03:06 Exploring UFOs and the Unknown 05:52 The Nature of Alien Encounters 08:53 Consciousness and Perception in the Paranormal 12:02 The Absurdity of Encounters 14:57 Sci-Fi Inspirations and Cultural Reflections 24:07 Skepticism Towards New Discoveries 25:49 Exploring Promising Technologies 28:01 Debating the Validity of Claims 30:00 Understanding the Water Table Dynamics 32:00 Unraveling the Mysteries of the Giza Plateau 34:56 Investigating the Sphinx's Secrets 39:00 Diving into Ancient Wonders 43:59 Connecting Cultures: Egypt and Turkey 50:00 The Enigmatic Sabians and Their Legacy 54:02 The Origins of Megalithic Structures 57:43 Gobekli Tepe: A Turning Point in Archaeology 01:02:38 The Evolution of Tools and Techniques 01:10:12 Dating Gobekli Tepe: Challenges and Discoveries 01:21:14 The Purpose and Symbolism of Gobekli Tepe 01:29:31 Future of Archaeological Research

We start off with some good old spaceweather news, which leads into a discussion of the Earth's rapidly weakening magnetic field and the possibility of a polarity flip. We then move on to some discussion of further observations on the construction of pyramids and new things we learned in our recent trip in Egypt.In the second half of the show, we talk about the amazing cart ruts we visited in the Phrygian Valley in Turkey. We show lots of pictures and video, and discuss and discard multiple hypotheses on what they are and how they were formed.Join us, Ben from UnchartedX, Adam Young, and Karoly Poka for an afternoon at The Metropolitan Museum of Art in New York where we will peruse their collection of Ancient Egyptian artifacts, then we will move to the Explorer's Club for dinner and presentations from us and Ben!https://eveningattheexplorersclub.eventbrite.com/Join our Patreon, support the show, get extra content and early access!https://www.patreon.com/brothersoftheserpentSupport the show with a paypal donation:https://paypal.me/snakebros

Our guest for today's podcast is Wendy Li, Chief Investment Officer of Ivy Invest.  Before founding Ivy Invest, Wendy spent her career as an institutional investor managing billions of dollars for some of New York's largest endowments and foundations. Most recently, Wendy was Managing Director of Investments at the Mother Cabrini Health Foundation (MCHF). At MCHF, she was responsible for developing the foundation's investment strategy, sourcing and executing investments across asset classes, and exercising day-to-day management over MCHF's $4B portfolio. Prior to MCHF, Wendy held similar responsibilities at UJA-Federation of New York. She began her career in the Investment Office of the Metropolitan Museum of Art. Wendy is a graduate of Columbia University and a CFA charterholder.   Without further ado, here is our conversation with Wendy Li.

We start off with some good old spaceweather news, which leads into a discussion of the earth's rapidly weakening magnetic field and the possibility of a polarity flip. We then move on to some discussion of further observations on the construction of pyramids and new things we learned in our recent trip in Egypt. In the second half of the show, we talk about the amazing cart ruts we visited in the Phrygian Valley in Turkey. We show lots of pictures and video, and discuss and discard multiple hypotheses on what they are and how they were formed.   Join us, Ben from UnchartedX, Adam Young, and Karoly Poka for an afternoon at The Metropolitan Museum of Art in New York where we will peruse their collection of Ancient Egyptian artifacts, then we will move to the Explorer's Club for dinner and presentations from us and Ben! https://eveningattheexplorersclub.eventbrite.com/ Join our Patreon, support the show, get extra content and early access! https://www.patreon.com/brothersoftheserpent Support the show with a paypal donation: https://paypal.me/snakebros   Chapters 00:00 Welcome to Brothers of the Serpent 02:01 Space Weather News 05:32 Earth's Magnetic Field Dynamics 10:05 Geomagnetic Excursions and Their Implications 15:49 Magnetic Field Weakening and Its Consequences 20:08 Mars, Venus, and Planetary Magnetic Fields 24:22 Life on Other Planets: The Case of Europa 28:08 Life in Extreme Environments 29:51 Theoretical Life Forms and Energy 31:21 Science Fiction Inspirations 33:35 Podcast Reflections and Communication Barriers 34:35 Debating Ancient Structures 37:43 Pyramid Construction Insights 39:20 The Anatomy of Pyramids 42:30 Theories on Pyramid Design 50:30 Mythology and Historical Interpretation 58:24 Exploring the Met and Event Details 59:08 The Mystery of Cart Ruts 01:01:03 Colonial Cart Ruts: A Historical Perspective 01:03:20 Investigating Turkish Cart Ruts 01:06:03 Analyzing the Characteristics of Ruts 01:09:12 Theories on Rut Formation 01:12:32 Erosion and Its Impact on Ruts 01:15:58 The Case for Hand-Carved Ruts 01:19:20 Challenging Conventional Explanations 01:27:59 Concluding Thoughts on Cart Ruts 01:29:25 Exploring the Mechanics of Ruts 01:36:00 Drone Footage Insights 01:43:11 The Mystery of Disappearing Ruts 01:50:06 Theories and Speculations on Cart Ruts

Monica L. Miller joins us all this week to discuss her groundbreaking exhibition ⁠Superfine: Tailoring Black Style⁠, which celebrates over 300 years of Black style through the lens of dandyism. On view now at the Costume Institute at the Metropolitan Museum of Art until October 26th, 2025. Further learning: ⁠Monica's tour of the exhibit tour⁠ ⁠Superfine catalog⁠ ⁠Slaves to Fashion⁠ book Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode No. 709 features author Adrienne L. Childs and curator Iris Moon. Childs is the author of "Ornamental Blackness: The Black Figure in European Decorative Arts." The book, which was published by Yale University Press, examines the role decorative arts played in the representation of Black people within European visual and material culture. Amazon and Bookshop offer it for $44-78. From the show: The exhibition guide to the 2022-23 Henry Moore Institute exhibition "Race, Sexuality and Disorder in Victorian Sculpture," which Childs co-curated. Moon is the curator of "Monstrous Beauty: A Feminist Revision of Chinoiserie" at the Metropolitan Museum of Art, New York. The exhibition is a feminist construction of the story of European porcelain. Chinese porcelain arrived in early modern Europe and led to the emergence of chinoiserie, a decorative style that foregrounded European fantasies about the East and the exotic, as well as about women, sexuality, and race. It is on view through August 17. The exhibition catalogue was published by the Met. Amazon and Bookshop offer it for about $35. Instagram: Adrienne Childs, Tyler Green.

Monica L. Miller joins us all this week to discuss her groundbreaking exhibition Superfine: Tailoring Black Style, which celebrates over 300 years of Black style through the lens of dandyism. On view now at the Costume Institute at the Metropolitan Museum of Art until October 26th, 2025. Further learning: Monica's tour of the exhibit tour Superfine catalog Slaves to Fashion book Learn more about your ad choices. Visit megaphone.fm/adchoices

What did beauty look like in the land of pyramids and pharaohs? In this episode, we dive into the anti-aging secrets of Ancient Egypt- from fragrant youth-restoring oils to eyeliner that doubled as medicine (and maybe poison). Discover how sacred rituals, science, and status intertwined in the ancient world's most iconic beauty culture. Tune in and uncover the timeless obsession with staying young. Are. You. Ready?***************Sources and Further Reading: Books & Academic Texts:Tyldesley, Joyce. Cleopatra: Last Queen of Egypt. Profile Books, 2008.Roehrig, Catharine H. Hatshepsut: From Queen to Pharaoh. The Metropolitan Museum of Art, 2005.Ikram, Salima. Death and Burial in Ancient Egypt. The American University in Cairo Press,2003.Barber, Elizabeth Wayland. Women's Work: The First 20,000 Years – Women, Cloth, and Society in Early Times. W. W. Norton & Company, 1994.Pinch, Geraldine. Magic in Ancient Egypt. British Museum Press, 1994.Manniche, Lise. Sacred Luxuries: Fragrance, Aromatherapy, and Cosmetics in Ancient Egypt.Cornell University Press, 1999.Fletcher, Joann. The Search for Nefertiti: The True Story of an Amazing Discovery.HarperCollins, 2004.Watterson, Barbara. Women in Ancient Egypt. British Museum Press, 2007.Lucarelli, Rita.“The Ritual and Symbolism of Anointing in Ancient Egypt.” Journal ofEgyptian Archaeology, vol. 103, 2017.Scientific & Archeological Studies:Walter, Philippe et al. “Lead-Based Compounds in Ancient Egyptian Cosmetics: Toxicity and Medicinal Use.” Journal of Archaeological Science, 2010.Link to articleSeiler, Roger et al. “Heavy Metal Toxicity in New Kingdom Egyptian Mummies.” ForensicScience International, vol. 309, 2019.Zakrzewski, Sonia R. “Bioarchaeological Insights into Ancient Egyptian Medicine and Cosmetic Use.” Antiquity, vol. 91, no. 358, 2017, pp. 958–972.Ancient Texts & Translations:The Ebers Papyrus (ca. 1550 BCE). Translated by H. E. Rycroft, 1930.The Book of the Dead– Referenced for funerary anointing and cosmetic/spiritual rituals.Pliny the Elder. Natural History (Book 13, Book 28, Book 33–36 especially) – Roman-eraencyclopedia detailing Egyptian beauty rituals, the use of natron, lead-basedointments, kohl, and anti-aging recipes involving honey, salt, and vinegar.Public domain translation: Perseus Digital Library – Pliny's Natural HistoryExpert Commentary & Interviews:Dr. Philippe Walter, chemist, Louvre Museum — commentary in Science Advances, 2010.Dr. Joann Fletcher, Egyptologist, University of York — interview in National Geographic,2015.Dr. Rita Lucarelli, UC Berkeley — keynote lecture, Annual Egyptological Congress, 2017.Dr. Zahi Hawass, Egyptologist — featured in The Mummy Chronicles: Secrets of Ancient Egypt, 2018.Articles & Online Publications:BBC History. “Ancient Egyptian Beauty Secrets.”Smithsonian Magazine. “Ancient Egyptian Makeup Might Have Been Medicinal.”****************Leave Us a 5* Rating, it helps the...

We actually recorded this just before we left for Egypt in March this year; it's been in the hopper for a while! Dan Friday, a Native American craftsman and professional glassmaker, joins us to talk about his fascination with glass artifacts of ancient Egypt. Dan was with us on one of our Egypt tours a few years ago, and shared some of his fascination with us at the time. Along with glassmaking and ancient glass, we also discuss the egyptian vases, the fascinating topic of the Rupert's Drop, connections between ancient mythologies, and much more.   Join us, Ben from UnchartedX, Adam Young, and Karoly Poka for an afternoon at The Metropolitan Museum of Art in New York where we will peruse their collection of Ancient Egyptian artifacts, then we will move to the Explorer's Club for dinner and presentations from us and Ben! https://eveningattheexplorersclub.eventbrite.com/ Join our Patreon, support the show, get extra content and early access! https://www.patreon.com/brothersoftheserpent Support the show with a paypal donation: https://paypal.me/snakebros    Chapters 00:00 Introduction to Glass Making and Artistry 05:56 Historical Significance of Glass in Egypt 11:56 Precision in Ancient Glass Artifacts 18:01 Vibration and Polishing Techniques in Glass Making 27:01 Exploring Ancient Glass and Polishing Techniques 29:36 Precision in Ancient Vase Production 30:28 The Art of Glass Annealing 32:00 Vibrations and Stone Cutting Theories 33:37 Understanding Rupert's Drop and Internal Stress 36:54 The Fragility of Glass and Its Applications 39:03 Machinery and Tools for Glass and Stone Work 42:24 The Complexity of Stone Cutting in Peru 46:53 The Aesthetic and Functional Aspects of Ancient Stones 52:19 Exploring Ancient Civilizations and Shared Histories 54:28 The Importance of Human Connection and Education 56:57 Experiencing the Mystique of the King's Chamber 01:00:26 The Enigma of Ancient Structures and Their Builders 01:03:09 Mysteries of Peru and the Anunnaki 01:06:50 Theories on Ancient Construction Techniques 01:10:01 Unexplained Phenomena and Ancient Technologies 01:15:10 Cultural Myths and Their Significance 01:22:16 Cultural Narratives and Flood Myths 01:24:51 Art as a Reflection of Heritage 01:27:26 The Process of Glassblowing and Artistic Creation 01:32:27 Exploring the Intersection of Tradition and Modernity 01:39:02 Symmetry in Art: A Deeper Look 01:48:01 Ancient Engineering and Mythology 01:49:19 Exploring Ancient Materials and Techniques 01:51:11 Advancements in Archaeological Projects 01:53:32 Controversies in Archaeological Preservation 01:54:52 Debates on Excavation Practices 01:56:50 The Future of Archaeological Discoveries 02:00:06 Diving into Underwater Archaeology 02:02:34 The Importance of Shared History 02:06:15 Repatriation and Cultural Heritage 02:09:25 Evolving Perspectives in Egyptology

New York’s Metropolitan Museum of Art is opening its Galleries of the Arts of Oceania to the public for the first time since 2021. It comes after a major renovation that allowed curators to reimagine how to present art from the vast region. Senior Arts correspondent Jeffrey Brown reports for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders

Metropolitan Museum of Art curator Stephanie Herdrich joins Carl for an in-depth look at how the career and personal life of Gilded Age artist John Singer Sargent evolved over his ten-year period in Paris from the 1870's to the mid 1880's.  Sargent is the subject of a major new exhibition at the Metropolitan Museum of Art that focuses on this period beginning in his late adolescent years and leading up to the creation of his masterpiece -  the grand, imposing and scandalous portrait of Virginie Gautreau, known as  "Madame X". Stephanie discusses some of Sargent's greatest works during this period, as well as some of his most important professional and personal relationships, all of which contributed to a boundary breaking artistic vision. This show was edted by Kieran Gannon.

We were thrilled to record a live episode of You Are What You Read at PEN America's World Voices Festival with bestselling authors Jodi Picoult and Fiona Davis. This was a conversation about women in literature… in both books and in publishing. Jodi talks about her latest novel, By Any Other Name, a story about two women, centuries apart—one of whom is the real author of Shakespeare's plays—who are both forced to hide behind another name. Fiona tells us about her novel, The Stolen Queen, set in 1978 when two women team up to find one of the Metropolitan Museum of Art's missing Egyptian artifacts. We'd like to thank PEN America for hosting us for this conversation. We are thrilled to share it with you today.  Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined by Marc Young to discuss the Khafre Scans, the credibility of the conclusions from the scan data, and the future of this type of technology if it is viable. In the second half of the show, we talk about Marc's encounters with fraud in academia, and the problems with the peer review system.   We are going to Peru in October of 2025!! Sign up now and join us, Ben from UnchartedX, and Yousef Aywan from the Khemet School on an epic journey through the highlands of Peru: https://unchartedx.com/2025peru2/ Join us, Ben from UnchartedX, Adam Young, and Karoly Poka for an afternoon at The Metropolitan Museum of Art in New York where we will peruse their collection of Ancient Egyptian artifacts, then we will move to the Explorer's Club for dinner and presentations from us and Ben! https://eveningattheexplorersclub.eventbrite.com/   Join our Patreon, support the show, get extra content and early access! https://www.patreon.com/brothersoftheserpent Support the show with a paypal donation: https://paypal.me/snakebros   Chapters 00:00 Introduction to Geophysical Archaeology 01:30 Understanding Synthetic Aperture Radar Technology 04:59 Applications of SAR in Archaeology 08:49 Challenges in Validating Geophysical Data 12:00 Exploring Potential Sites for Scanning 16:00 Natural Features and Geological Considerations 20:02 Interpreting Geophysical Data and Findings 24:58 The Role of Water in Archaeological Structures 26:37 Exploring Ancient Structures and Water Tables 29:19 Theories of Ancient Civilizations and Doomsday Bunkers 30:47 Geological Insights and Ancient Engineering 34:24 Hydraulic Systems and Water Management in Ancient Egypt 36:56 Data Interpretation and the Search for Hidden Structures 39:20 Skepticism and Media Representation of Scientific Findings 46:31 The Challenges of Peer Review and Data Release 54:37 Skepticism and Scientific Methodology 01:02:31 The Sun et al. Paper and Its Controversies 01:20:42 Investigating Scientific Fraud 01:23:05 The Consequences of Whistleblowing 01:27:10 The Integrity of Scientific Research 01:29:49 The Role of Money in Science 01:33:04 The Challenges of Peer Review 01:38:59 Corruption and Conspiracy in Academia 01:48:01 The Future of Scientific Publishing 01:58:24 The Intersection of Science and Political Narratives 02:01:15 Conspiracies in the Scientific Community 02:04:49 The Evolution of Skepticism in Alternative History 02:09:31 The Journey from Speculation to Scientific Inquiry 02:12:55 Future Endeavors and Academic Integrity 02:16:51 The State of Science and Integrity in Research

Episode No. 707 of The Modern Art Notes Podcast is a holiday weekend clips episode featuring artist Lorna Simpson. The Metropolitan Museum of Art, New York is presenting "Lorna Simpson: Source Notes," a survey that focuses on paintings that Simpson has made over the last decade. Across more than 30 works, "Simpson" spotlights the artist's explorations of gender, race, identity, representation, and history. The exhibition, which is on view through November 2, was curated by Lauren Rosati in "close collaboration with the artist." The exhibition catalogue was published by the Met. Amazon and Bookshop offer it for about $40-45. This conversation was taped in 2017 on the occasion of “FOCUS: Lorna Simpson," at the Modern Art Museum of Fort Worth. The exhibition featured new work that juxtaposes beauty and promise with disaster and upheaval, often in the context of the representation of black women in Ebony magazine from the 1950s to the 1970s. It was curated by Alison Hearst. Instagram: Lorna Simpson, Tyler Green.

Last year I went to an exhibition at the Städel museum in Frankfurt that was entitled Holbein and the Renaissance in the North. That is the elder Holbein, the father of the Holbein who came to England. This exhibition has now ended, but there is still a great summary available on the Städel website.Though obviously not present at the exhibition, one key focus was the Fugger chapel in the church of St. Anne in Augsburg, one of the earliest and most significant Renaissance building north of the Alps. I wanted to kick off this episode with this chapel and then move on to Holbein, Burgkmair etc. But as I dug deeper and deeper into the late 15th and early 16th century art in Southern Germany, the more connections and links emerged that I hope you will find as fascinating as I did.Links to artworks:Fugger chapel: Die Fuggerkapelle | St. Anna AugsburgRiemenschneider Heilig Blut Altar: The Altar of the Holy Blood | ReliquarianThe Hare: Young Hare, 1502 - Albrecht Durer - WikiArt.orgSchongauer St. Anthony: Martin Schongauer | Saint Anthony Tormented by Demons | The Metropolitan Museum of ArtRhinocerus: Albrecht Dürer | The Rhinoceros | The Metropolitan Museum of ArtRitter, Tod und Teufel and other works: Albrecht Dürer (1471–1528) - The Metropolitan Museum of ArtThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I...

I am so excited to say that my guest on the GWA Podcast is the esteemed American artist, Lorna Simpson. Working across photography to painting, video to collage, Simpson is a multimedia artist who – since the 1980s – has gained widespread acclaim for her pioneering approach to conceptual photography. Whether it's fusing text with image, obscuring her subject's identity, using techniques such as repetition, collage or manipulation – Simpson has conjured a plethora of ways to reinvent the image, and, by doing so, raises questions about gender, race, memory, and history. Her work, mostly centred on the female body, is full of seemingly open-ended narratives – as she has said: “I think the idea of identity or persona is interesting to me in that it is malleable and fluid. And that has always been part of the work in terms of [thinking about] who gets to determine who we are. Do we get to determine that, and what are the parameters of that, given the society that we live in?” Engaging with found images and objects, whether that be cut-outs from Ebony or Jet Magazines, or photographs she finds on eBay, which she melds with inks or collages of jewels, Simpson has continuously reconfigured what painting and photography means. Born in 1960, and raised in Queens and Brooklyn in a childhood that put the arts first, Simpson received her BFA from the School of Visual Arts, New York, and following that, an MFA from the University of California San Diego, where she began to focus on the portraits of Black women she found in magazines, adding suggestive phrases from elsewhere. By 1990, she had a major exhibition at MoMA, and throughout the decades has continued to push boundaries with her seemingly limitless approach to materials. But in 2015, she turned to painting, showing her first nine-feet-tall canvases at the Venice Biennale, and this month will present a major exhibition – that considers the entirety of her painting practice – at the Metropolitan Museum of Art here in New York – where we are recording today. Titled “Source Notes”, it will feature Simpson's monumental and spellbinding paintings, which, steeped in monochromatic blues, silvers, blacks and greys, appear in settings that evoke the cosmological or natural world. An extension of her photographic work, Simpson's paintings see the manipulated figure and body pressed into landscapes akin to waterfalls or meteorites, and I can't wait to find out more… https://lsimpsonstudio.com/ Lorna Simpson: Source Notes –  https://www.metmuseum.org/exhibitions/lorna-simpson-source-notes?utm_source=google&utm_medium=cpc&utm_campaign=&utm_term=lorna%20simpson%20art&utm_content=39536&mkwid=s&pcrid=743882408399&pmt=b&pkw=lorna%20simpson%20art&pdv=c&slid=&product=&gad_source=1&gad_campaignid=22399716678&gbraid=0AAAAADmlGN7UtMbglt7UAR4dicGAOa9Vx&gclid=CjwKCAjw24vBBhABEiwANFG7ywIA72_JjPaxVUdfQSWW_h8NFYNWzddlSHz6KV38M9zgiG4rs_9UNxoCVFkQAvD_BwE https://www.hauserwirth.com/artists/2860-lorna-simpson/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Music by Ben Wetherfield

Kelly shares the remarkable story of Armia Khalil, a Metropolitan Museum of Art security guard with a secret talent. As a child, Armia played in the mud and created little sculptures by the Nile River. Years later, the artistic young man immigrated to the US with just $375 and a suitcase of woodworking tools. After years of struggle, he landed a job as a security guard at the Met, where a chance conversation with a curator led to his lifelong dream coming true. It's a powerful reminder that everyone—from bus drivers to baristas—carries a universe of dreams inside them. What might we discover if we took a moment to see the artists walking among us? This episode was inspired by Dodai Stewart's New York Times article. (published January 8, 2025).⁠ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This was a fun discussion! Back in the tangent cube at last, we cover some of the highlights of our long trip through Egypt and Turkey, from Cappadocia and Derenkuyu to Gobekli Tepe and Karahan Tepe, the Pyramids and the Osirieon, ancient tools and lost vaults of knowledge. We talk about the mythology connected with the structures, and focus a lot of time on the Osiris Myth. Thank you all for your patience as we travel, and your continued support! We are going to Peru in October of 2025!! Sign up now and join us, Ben from UnchartedX, and Yousef Aywan from the Khemet School on an epic journey through the highlands of Peru: https://unchartedx.com/2025peru2/ Join us, Ben from UnchartedX, Adam Young, and Karoly Poka for an afternoon at The Metropolitan Museum of Art in New York where we will peruse their collection of Ancient Egyptian artifacts, then we will move to the Explorer's Club for dinner and presentations from us and Ben! https://eveningattheexplorersclub.eventbrite.com/   Join our Patreon, support the show, get extra content and early access! https://www.patreon.com/brothersoftheserpent Support the show with a paypal donation: https://paypal.me/snakebros   Chapters 00:00 Welcome Back and Reflections on the Journey 02:53 Exploring Cappadocia's Underground Cities 05:42 The Role of Special Permissions in Archaeology 08:51 Airflow and Structural Integrity of Ancient Tunnels 11:39 Connections to Ancient Myths and Stories 14:45 The Evolution of Gobekli Tepe's Structures 22:02 Symbolism of the Lion's Gate and Sphinxes 26:52 Samson, Gilgamesh, and the Cycle of Civilizations 33:35 The Significance of Hair and Statues in Ancient Egypt 45:36 Exploring Ancient Symbolism and Mythology 47:06 The Osiris Myth: Variations and Interpretations 49:40 Experiencing the Osirian: Personal Reflections 51:32 Architectural Insights: The Construction Techniques of Ancient Egypt 54:38 Theories on Ancient Tools and Techniques 57:41 The Connection Between the Temple and the Osirieon 01:00:21 Excavation Insights: The History of the Osirieon 01:02:56 The Alignment and Purpose of Ancient Structures 01:06:26 The Osiris Myth: A Foundation of Civilization 01:25:06 The Evolution of Myths and Civilizations 01:27:15 The Eye of Horus and Lunar Symbolism 01:29:26 The Sabians: Pilgrims of Knowledge 01:31:46 Hermeticism and Ancient Astronomers 01:35:08 Exploring Gobekli Tepe and Its Mysteries 01:39:02 Lithics and Their Connection to Ancient Cultures 01:42:57 Contrasting Technologies: Lithics vs. Megaliths 01:48:22 The Evolution of Craftsmanship in Ancient Civilizations 02:01:17 Midden Accumulation and Cultural Practices 02:05:48 Future Discoveries in Neolithic Archaeology

The Irish-born Augustus Saint-Gaudens came to this country as a small child and over the course of his career and life, reaching into the early years of the 20th century, became an artist that truly defined a look for America in sculpture.  His extraordinary natural talent grew into a master artist who was able to create lifelike depictions in marble and bronze that brought a realism never before seen in American sculpture. Saint-Gauden's style combines realistic imagery, allegory and architectural elements to create unique and very modern experiences for viewers. He's perhaps best known for his monumental casts of Civil War heroes from Admiral Daniel Farragut, General William Tecumseh Sherman and President Abraham Lincoln.Joining The Gilded Gentleman for this episode is Thayer Tolles, the Marica F. Vilcek Curator of American Painting and Sculpture at New York's Metropolitan Museum of Art.  Thayer is a noted historian, writer and specialist in Saint-Gaudens life and work. This episode offers a full view of Saint-Gaudens extraordinary life and a detailed look at some of his most famous works. Listeners can also visit the Saint Gaudens National Historical Park in Cornish, New Hampshire. 

It's the first Monday in May. AKA it's time for the annual MET Gala. Or as some call it, "fashion's biggest night." Celebrities will walk the steps of the Metropolitan Museum of Art hoping their looks live up to the annual theme of the gala. This year's theme is a special one. It's called "Superfine: Tailoring Black Style," and it's the very first Black fashion tradition to be selected for the theme of the Costume Institute's fundraiser. Brittany and her guests, culture writer Shelton Boyd-Griffith and editor-in-chief of Black Fashion Fair Antoine Gregory, discuss how celebrities can be sure to be on theme and how the theme is rooted in the very first fashion statements made by enslaved people.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy