Podcasts about metropolitan museum

Seriah, the host of the excellent show "Where Did the Road Go", joins us this week for a swapcast conversation about all the topics we're interested in. We talk UFOs, ancient civilizations, pyramids, Gobekli Tepe and Derenkuyu. We throw in some scifi discussion as well for good measure.You can find Seriah's podcast here: https://wheredidtheroadgo.com/  Join us, Ben from UnchartedX, Adam Young, and Karoly Poka for an afternoon at The Metropolitan Museum of Art in New York where we will peruse their collection of Ancient Egyptian artifacts, then we will move to the Explorer's Club for dinner and presentations from us and Ben!https://eveningattheexplorersclub.eventbrite.com/Join our Patreon, support the show, get extra content and early access!https://www.patreon.com/brothersoftheserpentSupport the show with a paypal donation:https://paypal.me/snakebros

Seriah, the host of the excellent show "Where Did the Road Go", joins us this week for a swapcast conversation about all the topics we're interested in. We talk UFOs, ancient civilizations, pyramids, Gobekli Tepe and Derenkuyu. We throw in some scifi discussion as well for good measure. You can find Seriah's podcast here: https://wheredidtheroadgo.com/     Join us, Ben from UnchartedX, Adam Young, and Karoly Poka for an afternoon at The Metropolitan Museum of Art in New York where we will peruse their collection of Ancient Egyptian artifacts, then we will move to the Explorer's Club for dinner and presentations from us and Ben! https://eveningattheexplorersclub.eventbrite.com/ Join our Patreon, support the show, get extra content and early access! https://www.patreon.com/brothersoftheserpent Support the show with a paypal donation: https://paypal.me/snakebros   Chapters 00:00 Introduction to the Podcast and Guests 03:06 Exploring UFOs and the Unknown 05:52 The Nature of Alien Encounters 08:53 Consciousness and Perception in the Paranormal 12:02 The Absurdity of Encounters 14:57 Sci-Fi Inspirations and Cultural Reflections 24:07 Skepticism Towards New Discoveries 25:49 Exploring Promising Technologies 28:01 Debating the Validity of Claims 30:00 Understanding the Water Table Dynamics 32:00 Unraveling the Mysteries of the Giza Plateau 34:56 Investigating the Sphinx's Secrets 39:00 Diving into Ancient Wonders 43:59 Connecting Cultures: Egypt and Turkey 50:00 The Enigmatic Sabians and Their Legacy 54:02 The Origins of Megalithic Structures 57:43 Gobekli Tepe: A Turning Point in Archaeology 01:02:38 The Evolution of Tools and Techniques 01:10:12 Dating Gobekli Tepe: Challenges and Discoveries 01:21:14 The Purpose and Symbolism of Gobekli Tepe 01:29:31 Future of Archaeological Research

We start off with some good old spaceweather news, which leads into a discussion of the Earth's rapidly weakening magnetic field and the possibility of a polarity flip. We then move on to some discussion of further observations on the construction of pyramids and new things we learned in our recent trip in Egypt.In the second half of the show, we talk about the amazing cart ruts we visited in the Phrygian Valley in Turkey. We show lots of pictures and video, and discuss and discard multiple hypotheses on what they are and how they were formed.Join us, Ben from UnchartedX, Adam Young, and Karoly Poka for an afternoon at The Metropolitan Museum of Art in New York where we will peruse their collection of Ancient Egyptian artifacts, then we will move to the Explorer's Club for dinner and presentations from us and Ben!https://eveningattheexplorersclub.eventbrite.com/Join our Patreon, support the show, get extra content and early access!https://www.patreon.com/brothersoftheserpentSupport the show with a paypal donation:https://paypal.me/snakebros

Our guest for today's podcast is Wendy Li, Chief Investment Officer of Ivy Invest.  Before founding Ivy Invest, Wendy spent her career as an institutional investor managing billions of dollars for some of New York's largest endowments and foundations. Most recently, Wendy was Managing Director of Investments at the Mother Cabrini Health Foundation (MCHF). At MCHF, she was responsible for developing the foundation's investment strategy, sourcing and executing investments across asset classes, and exercising day-to-day management over MCHF's $4B portfolio. Prior to MCHF, Wendy held similar responsibilities at UJA-Federation of New York. She began her career in the Investment Office of the Metropolitan Museum of Art. Wendy is a graduate of Columbia University and a CFA charterholder.   Without further ado, here is our conversation with Wendy Li.

Comedian Ali Siddiq joins us ahead of his Atlanta performance at the Fox Theatre on June 13. Plus, Kosmo Vinyl shares the story of Gill-Scott Heron’s version of “Me and the Devil,” and we listen back to Lois’s 2023 conversation with Metropolitan Museum of Art president Daniel H. Weiss about his book, “Why the Museum Matters.”See omnystudio.com/listener for privacy information.

For the 37th episode of “Reading the Art World,” host Megan Fox Kelly speaks with Ian Wardropper, author and former director of The Frick Collection, about his illuminating new book “The Fricks Collect: An American Family and the Evolution of Taste in the Gilded Age,” published by The Frick Collection in association with Rizzoli Electa.Wardropper shares the fascinating story of Henry Clay Frick's evolution from a rough Pittsburgh businessman to one of America's most discerning collectors. Through careful research into the Frick archives, Wardropper shows how Frick spent his first twenty years collecting contemporary American art — learning to develop his eye and work with dealers — before making the leap to Old Master paintings at the highest level of the market.Our conversation reveals Frick's distinctive approach to collecting: his relentless focus on quality over quantity, his willingness to edit and refine his holdings, and his vision for creating harmonious environments where great paintings lived alongside exceptional decorative arts. Wardropper also brings to light the crucial role of Helen Clay Frick, whose strong opinions and different tastes shaped the collection's growth after her father's death, including her establishment of the world-renowned Frick Art Research Library.This episode provides essential insights for collectors, museum professionals, and anyone interested in how great collections are built and sustained across generations. Wardropper's deep understanding of both the Frick family's story and the institution's transformation offers a compelling look at American collecting at its finest.ABOUT THE AUTHOR Ian Wardropper served as the Anna-Maria and Stephen Kellen Director of The Frick Collection for 14 years, leading the institution through its most transformative period, including the first comprehensive renovation in nearly 90 years and the innovative Frick Madison project. Previously, he held curatorial positions at the Metropolitan Museum of Art as Chairman of European Sculpture and Decorative Arts and at the Art Institute of Chicago for twenty years. A specialist in European decorative arts and sculpture, Wardropper oversaw ambitious exhibitions, a major capital campaign that raised $242 million, and pioneering digital initiatives including the acclaimed "Cocktails with a Curator" series. He holds a Ph.D. in art history from NYU and was named a Chevalier de l'Ordre des Arts et Lettres by the French Minister of Culture.PURCHASE THE BOOK https://shop.frick.org/the-fricks-collect-an-american-family-and-the-evolution-of-taste-the-gilded-age-softcoverSUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

We start off with some good old spaceweather news, which leads into a discussion of the earth's rapidly weakening magnetic field and the possibility of a polarity flip. We then move on to some discussion of further observations on the construction of pyramids and new things we learned in our recent trip in Egypt. In the second half of the show, we talk about the amazing cart ruts we visited in the Phrygian Valley in Turkey. We show lots of pictures and video, and discuss and discard multiple hypotheses on what they are and how they were formed.   Join us, Ben from UnchartedX, Adam Young, and Karoly Poka for an afternoon at The Metropolitan Museum of Art in New York where we will peruse their collection of Ancient Egyptian artifacts, then we will move to the Explorer's Club for dinner and presentations from us and Ben! https://eveningattheexplorersclub.eventbrite.com/ Join our Patreon, support the show, get extra content and early access! https://www.patreon.com/brothersoftheserpent Support the show with a paypal donation: https://paypal.me/snakebros   Chapters 00:00 Welcome to Brothers of the Serpent 02:01 Space Weather News 05:32 Earth's Magnetic Field Dynamics 10:05 Geomagnetic Excursions and Their Implications 15:49 Magnetic Field Weakening and Its Consequences 20:08 Mars, Venus, and Planetary Magnetic Fields 24:22 Life on Other Planets: The Case of Europa 28:08 Life in Extreme Environments 29:51 Theoretical Life Forms and Energy 31:21 Science Fiction Inspirations 33:35 Podcast Reflections and Communication Barriers 34:35 Debating Ancient Structures 37:43 Pyramid Construction Insights 39:20 The Anatomy of Pyramids 42:30 Theories on Pyramid Design 50:30 Mythology and Historical Interpretation 58:24 Exploring the Met and Event Details 59:08 The Mystery of Cart Ruts 01:01:03 Colonial Cart Ruts: A Historical Perspective 01:03:20 Investigating Turkish Cart Ruts 01:06:03 Analyzing the Characteristics of Ruts 01:09:12 Theories on Rut Formation 01:12:32 Erosion and Its Impact on Ruts 01:15:58 The Case for Hand-Carved Ruts 01:19:20 Challenging Conventional Explanations 01:27:59 Concluding Thoughts on Cart Ruts 01:29:25 Exploring the Mechanics of Ruts 01:36:00 Drone Footage Insights 01:43:11 The Mystery of Disappearing Ruts 01:50:06 Theories and Speculations on Cart Ruts

Episode Notes Notes go here Barnes, Lucinda (1993). "A Proclamation of Moment: Adolph Gottlieb, Mark Rottko and Barnett Newman and the letter to The New York Times". Allen Memorial Art Museum Bulletin. XLVII (1). Tomkins, Calvin (9 June 1975). "A Keeper of the Treasure". The New Yorker. pp. 52–54. ^ Robson, Deirdre (2000). Francis Frascina (ed.). Pollock and After: The Critical Debate. Routledge. p. 290. ISBN 9780415228671. Retrieved 9 January 2013. Collins, Bradford R. (June 1991). "Life Magazine and the Abstract Expressionists: 1948-51. A Historiographic Study of a Late Bohemian Enterprise". The Art Bulletin. LXXIII (2). College Art Association: 283–308. doi:10.2307/3045794. JSTOR 3045794. Hale, Robert Beverly (February 1951). "A Report on American Painting Today: 1950". The Metropolitan Museum of Art Bulletin. New series. 9 (6). New York: The Metropolitan Museum of Art: 162–172. doi:10.2307/3257446. JSTOR 3257446. ^Hale, Robert Beverly (1957). "The American Moderns" (PDF). The Metropolitan Museum of Art Bulletin. 16 (1). New York: The Metropolitan Museum of Art: 18–28. doi:10.2307/3257721. JSTOR 3257721. Retrieved 26 November 2012. ^ "Whitney Drops Proposal for Combining its Collections with the Metropolitan's" (PDF). The New York Times. 1 October 1948. Retrieved 26 November 2012. Staff writer (7 December 1948). "Art Museum adds a Modern Section" (PDF). The New York Times. Retrieved 26 November 2012. Knox, Sanka (1 January 1950). "Competition for American Artists Planned by Metropolitan Museum" (PDF). The New York Times. Retrieved 26 November 2012. ^ Louchheim, Aline (25 March 1951). "Sam A. Lewinsohn and His Legacy to Art". The New York Times. Retrieved 1 December 2012. ^ "Subject of the Artist | art school". Encyclopedia Britannica. Retrieved 7 June 2020. ^ Chilvers, Ian; Glaves-Smith, John (2009). Subjects of the Artist School. Oxford University Press. ISBN 978-0-19-923966-5. Retrieved 7 June 2020. {{[cite book](https://en.wikipedia.org/wiki/Template:Cite_book)}}: |website= ignored (help) ^ "Subjects of the Artist school catalog". Archives of American Art. Smithsonian Institution. Retrieved 7 June 2020. ^ Rosenberg, Bonnie. "An Inside Look at the Abstract Expressionists". NewYorkArtWorld. Retrieved 7 June 2020. Steven, Mark; Swan, Annalyn (2005). de Kooning: American Master. New York: Alfred A. Knopf. ISBN 9781400041756. ^ Alloway, Lawrence; MacNaughton, Mary (1995). Adolph Gottlieb: A Retrospective. Hudson Hills. ISBN 9781555951252. Retrieved 27 November 2012. Naifeh, Steven; White Smith, Gregory (1989). Jackson Pollock: An American Saga. New York: Clarkson N. Potter, Inc. / Publishers. ISBN 0-517-56084-4. "18 Painters Boycott Metropolitan; Charge 'Hostility to Advanced Art'" (PDF). The New York Times. 22 May 1950. Retrieved 25 November 2012. ^ Newman, Barnett (1992). John Philip O'Neill (ed.). Barnett Newman: Selected Writings and Interviews. University of California Press. ISBN 9780520078178. Retrieved 1 December 2012. ^ "The Irascible Eighteen". The New York Herald Tribune. 23 May 1950. ^ Rubenfeld, Florence (1997). Clement Greenberg: a life. New York: Scribner. pp. 144. ISBN 9780684191102. Boxer, Sarah (23 December 2010). "The Last Irascible". The New York Review of Books. Retrieved 28 November 2012. ^ Kees, Weldon (June 2003). Robert E. Knoll (ed.). Weldon Kees and the Mid-Century Generation: Letters, 1935-1955. Lincoln, Nebraska: University of Nebraska Press. ISBN 9780803278080. Retrieved 28 November 2012. ^ "The Revolt of the Pelicans". Time. 5 June 1950. Archived from the original on January 31, 2011. Retrieved 27 November 2012. ^ Taylor, Francis Henry (December 1948). "The Almanac". The Atlantic Monthly. Retrieved 27 November 2012. ^ "75 Painters Deny Museum is Hostile" (PDF). The New York Times. 4 July 1950. Retrieved 27 November 2012. "IRASCIBLE GROUP OF ADVANCED ARTISTS LED FIGHT AGAINST SHOW". Life. 15 January 1951. pp. 34–38. Retrieved 27 November 2012. Breslin, James (2012). Mark Rothko: A Biography. Chicago: University of Chicago Press. ISBN 9780226074061. ^ Boxer, Sarah. "The Last Irascible | Sarah Boxer". ISSN 0028-7504. Retrieved 2023-09-12. ^ Levin, Gail (2011). Lee Krasner: A Biography. New York: HarperCollins. ISBN 9780061845253. ^ "Jackson Pollock: Is he the greatest living painter in the United States?". Life. Vol. 27, no. 6. Time Inc. 8 August 1949. pp. 42–45. ISSN 0024-3019. Retrieved 29 November 2012. ^ Bourdon, D. (November 1985). "Sitting Pretty". Vogue (CLXXV): 116. Sandler, Irving (2003). "2". In Daniel A. Siedell (ed.). Weldon Kees and the Arts at Midcentury. University of Nebraska Press. pp. 39–50. ISBN 9780803242951. Retrieved 29 November 2012. ^ Friedman, Bernard Harper (September 1978). "The Irascibles: A Split Second in Art History". Arts Magazine. Vol. 53, no. 1. pp. 96–102. ^ Sandler, Irving (1970). The Triumph of American Painting: a History of Abstract Expressionism. New York: Praeger Publishers. OL 17754003M. ^ Gibson, Ann Eden (1997). Abstract Expressionism: Other Politics. New Haven, CT: Yale University Press. p. 29. ISBN 0300063393. OL 1006293M. This podcast is powered by Pinecast.

Monica L. Miller joins us all this week to discuss her groundbreaking exhibition ⁠Superfine: Tailoring Black Style⁠, which celebrates over 300 years of Black style through the lens of dandyism. On view now at the Costume Institute at the Metropolitan Museum of Art until October 26th, 2025. Further learning: ⁠Monica's tour of the exhibit tour⁠ ⁠Superfine catalog⁠ ⁠Slaves to Fashion⁠ book Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode No. 709 features author Adrienne L. Childs and curator Iris Moon. Childs is the author of "Ornamental Blackness: The Black Figure in European Decorative Arts." The book, which was published by Yale University Press, examines the role decorative arts played in the representation of Black people within European visual and material culture. Amazon and Bookshop offer it for $44-78. From the show: The exhibition guide to the 2022-23 Henry Moore Institute exhibition "Race, Sexuality and Disorder in Victorian Sculpture," which Childs co-curated. Moon is the curator of "Monstrous Beauty: A Feminist Revision of Chinoiserie" at the Metropolitan Museum of Art, New York. The exhibition is a feminist construction of the story of European porcelain. Chinese porcelain arrived in early modern Europe and led to the emergence of chinoiserie, a decorative style that foregrounded European fantasies about the East and the exotic, as well as about women, sexuality, and race. It is on view through August 17. The exhibition catalogue was published by the Met. Amazon and Bookshop offer it for about $35. Instagram: Adrienne Childs, Tyler Green.

Monica L. Miller joins us all this week to discuss her groundbreaking exhibition Superfine: Tailoring Black Style, which celebrates over 300 years of Black style through the lens of dandyism. On view now at the Costume Institute at the Metropolitan Museum of Art until October 26th, 2025. Further learning: Monica's tour of the exhibit tour Superfine catalog Slaves to Fashion book Learn more about your ad choices. Visit megaphone.fm/adchoices

What did beauty look like in the land of pyramids and pharaohs? In this episode, we dive into the anti-aging secrets of Ancient Egypt- from fragrant youth-restoring oils to eyeliner that doubled as medicine (and maybe poison). Discover how sacred rituals, science, and status intertwined in the ancient world's most iconic beauty culture. Tune in and uncover the timeless obsession with staying young. Are. You. Ready?***************Sources and Further Reading: Books & Academic Texts:Tyldesley, Joyce. Cleopatra: Last Queen of Egypt. Profile Books, 2008.Roehrig, Catharine H. Hatshepsut: From Queen to Pharaoh. The Metropolitan Museum of Art, 2005.Ikram, Salima. Death and Burial in Ancient Egypt. The American University in Cairo Press,2003.Barber, Elizabeth Wayland. Women's Work: The First 20,000 Years – Women, Cloth, and Society in Early Times. W. W. Norton & Company, 1994.Pinch, Geraldine. Magic in Ancient Egypt. British Museum Press, 1994.Manniche, Lise. Sacred Luxuries: Fragrance, Aromatherapy, and Cosmetics in Ancient Egypt.Cornell University Press, 1999.Fletcher, Joann. The Search for Nefertiti: The True Story of an Amazing Discovery.HarperCollins, 2004.Watterson, Barbara. Women in Ancient Egypt. British Museum Press, 2007.Lucarelli, Rita.“The Ritual and Symbolism of Anointing in Ancient Egypt.” Journal ofEgyptian Archaeology, vol. 103, 2017.Scientific & Archeological Studies:Walter, Philippe et al. “Lead-Based Compounds in Ancient Egyptian Cosmetics: Toxicity and Medicinal Use.” Journal of Archaeological Science, 2010.Link to articleSeiler, Roger et al. “Heavy Metal Toxicity in New Kingdom Egyptian Mummies.” ForensicScience International, vol. 309, 2019.Zakrzewski, Sonia R. “Bioarchaeological Insights into Ancient Egyptian Medicine and Cosmetic Use.” Antiquity, vol. 91, no. 358, 2017, pp. 958–972.Ancient Texts & Translations:The Ebers Papyrus (ca. 1550 BCE). Translated by H. E. Rycroft, 1930.The Book of the Dead– Referenced for funerary anointing and cosmetic/spiritual rituals.Pliny the Elder. Natural History (Book 13, Book 28, Book 33–36 especially) – Roman-eraencyclopedia detailing Egyptian beauty rituals, the use of natron, lead-basedointments, kohl, and anti-aging recipes involving honey, salt, and vinegar.Public domain translation: Perseus Digital Library – Pliny's Natural HistoryExpert Commentary & Interviews:Dr. Philippe Walter, chemist, Louvre Museum — commentary in Science Advances, 2010.Dr. Joann Fletcher, Egyptologist, University of York — interview in National Geographic,2015.Dr. Rita Lucarelli, UC Berkeley — keynote lecture, Annual Egyptological Congress, 2017.Dr. Zahi Hawass, Egyptologist — featured in The Mummy Chronicles: Secrets of Ancient Egypt, 2018.Articles & Online Publications:BBC History. “Ancient Egyptian Beauty Secrets.”Smithsonian Magazine. “Ancient Egyptian Makeup Might Have Been Medicinal.”****************Leave Us a 5* Rating, it helps the...

We actually recorded this just before we left for Egypt in March this year; it's been in the hopper for a while! Dan Friday, a Native American craftsman and professional glassmaker, joins us to talk about his fascination with glass artifacts of ancient Egypt. Dan was with us on one of our Egypt tours a few years ago, and shared some of his fascination with us at the time. Along with glassmaking and ancient glass, we also discuss the egyptian vases, the fascinating topic of the Rupert's Drop, connections between ancient mythologies, and much more. Join us, Ben from UnchartedX, Adam Young, and Karoly Poka for an afternoon at The Metropolitan Museum of Art in New York where we will peruse their collection of Ancient Egyptian artifacts, then we will move to the Explorer's Club for dinner and presentations from us and Ben!https://eveningattheexplorersclub.eventbrite.com/Join our Patreon, support the show, get extra content and early access!https://www.patreon.com/brothersoftheserpentSupport the show with a paypal donation:https://paypal.me/snakebros 

L'invité et l'invitée :· Robinson Baudry MCF à l'université Paris-Nanterre· Caroline Husquin, MCF à l'université de Lille Le livre : Les Chauves. Histoire d'un préjugé dans la Rome antique, Paris, Armand Colin, 2025 La discussion :· Un sujet relativement neuf dans l'historiographie (1:00)· Les conceptions antiques de la chevelure et de la pilosité, et le vocabulaire latin qui y est associé (4:00)· Venus calva, et l'enjeu de la calvitie féminine (11:00)· Âge, calvitie, et « beauté convenable » du citoyen (16:00)· Les cheveux rasés des adeptes d'Isis (19:45)· Le stéréotype du chauve ridicule au théâtre (25:00)· Calvitie et compétition politique (27:15)· Calvitie et christianisme (35:00) Le conseil de lecture : Lydie Bodiou et Véronique Mehl (dir.), Dictionnaire du corps dans l'Antiquité, Rennes, PUR, 2019.Image de couverture : buste, Ier siècle CE, Metropolitan Museum 12.233Un podcast créé, animé et produit par André Loez et distribué par Binge Audio. Contact pub : project@binge.audio".Un podcast créé, animé et produit par André Loez et distribué par Binge Audio. Contact pub : project@binge.audioDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

We actually recorded this just before we left for Egypt in March this year; it's been in the hopper for a while! Dan Friday, a Native American craftsman and professional glassmaker, joins us to talk about his fascination with glass artifacts of ancient Egypt. Dan was with us on one of our Egypt tours a few years ago, and shared some of his fascination with us at the time. Along with glassmaking and ancient glass, we also discuss the egyptian vases, the fascinating topic of the Rupert's Drop, connections between ancient mythologies, and much more.   Join us, Ben from UnchartedX, Adam Young, and Karoly Poka for an afternoon at The Metropolitan Museum of Art in New York where we will peruse their collection of Ancient Egyptian artifacts, then we will move to the Explorer's Club for dinner and presentations from us and Ben! https://eveningattheexplorersclub.eventbrite.com/ Join our Patreon, support the show, get extra content and early access! https://www.patreon.com/brothersoftheserpent Support the show with a paypal donation: https://paypal.me/snakebros    Chapters 00:00 Introduction to Glass Making and Artistry 05:56 Historical Significance of Glass in Egypt 11:56 Precision in Ancient Glass Artifacts 18:01 Vibration and Polishing Techniques in Glass Making 27:01 Exploring Ancient Glass and Polishing Techniques 29:36 Precision in Ancient Vase Production 30:28 The Art of Glass Annealing 32:00 Vibrations and Stone Cutting Theories 33:37 Understanding Rupert's Drop and Internal Stress 36:54 The Fragility of Glass and Its Applications 39:03 Machinery and Tools for Glass and Stone Work 42:24 The Complexity of Stone Cutting in Peru 46:53 The Aesthetic and Functional Aspects of Ancient Stones 52:19 Exploring Ancient Civilizations and Shared Histories 54:28 The Importance of Human Connection and Education 56:57 Experiencing the Mystique of the King's Chamber 01:00:26 The Enigma of Ancient Structures and Their Builders 01:03:09 Mysteries of Peru and the Anunnaki 01:06:50 Theories on Ancient Construction Techniques 01:10:01 Unexplained Phenomena and Ancient Technologies 01:15:10 Cultural Myths and Their Significance 01:22:16 Cultural Narratives and Flood Myths 01:24:51 Art as a Reflection of Heritage 01:27:26 The Process of Glassblowing and Artistic Creation 01:32:27 Exploring the Intersection of Tradition and Modernity 01:39:02 Symmetry in Art: A Deeper Look 01:48:01 Ancient Engineering and Mythology 01:49:19 Exploring Ancient Materials and Techniques 01:51:11 Advancements in Archaeological Projects 01:53:32 Controversies in Archaeological Preservation 01:54:52 Debates on Excavation Practices 01:56:50 The Future of Archaeological Discoveries 02:00:06 Diving into Underwater Archaeology 02:02:34 The Importance of Shared History 02:06:15 Repatriation and Cultural Heritage 02:09:25 Evolving Perspectives in Egyptology

A delegation of seven Māori and Pasifika artists are at New York's Metropolitan Museum of Art, for the grand reopening of the Arts of Oceania Galleries.

New York’s Metropolitan Museum of Art is opening its Galleries of the Arts of Oceania to the public for the first time since 2021. It comes after a major renovation that allowed curators to reimagine how to present art from the vast region. Senior Arts correspondent Jeffrey Brown reports for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders

We visit major museum projects unveiled this week in London and New York: Ben Luke takes a tour of V&A East Storehouse in London's Queen Elizabeth Olympic Park, which offers unprecedented access to the Victoria and Albert Museum's collection. He meets the deputy director of the V&A, Tim Reeve, and speaks to key members of the team that are making this radical museological vision for London a reality: the museum's lead technician, Matt Clarke, its senior curator Georgia Haseldine, and Kate Parsons, the director of collections care and access. The Art Newspaper's editor-in-chief, Americas, Ben Sutton, visits the Metropolitan Museum of Art, which this week unveiled its revamped Michael C. Rockefeller Wing. The wing holds the Met's collections of work from Africa, the Ancient Americas, and Oceania. Ben talks to Alisa LaGamma, the curator of African art who is in charge of the Rockefeller Wing, and the Papua New Guinea-born, Brisbane-based artist Taloi Havini, one of a number of contemporary artists who created new works for the the project. And this episode's Work of the Week is Down and Up (2024-25) by Rachel Whiteread. It features in a new show of Whiteread's work, the first at the Goodwood Art Foundation, a not-for-profit contemporary art gallery and sculpture park in West Sussex, UK. Ben Luke talks to Rachel about the work.V&A East Storehouse, London, opens 31 May.The Michael C. Rockefeller Wing at the Metropolitan Museum of Modern Art New York, reopens 31 May.Rachel Whiteread, Goodwood Art Foundation, West Sussex, UK, 31 May-2 November.Summer subscription offer: get up to 50% off an annual print & digital subscription to The Art Newspaper. Link here: https://www.theartnewspaper.com/subscriptions-SUMMER25P&D?promocode=SUMMER25&utm_source=special+offer+banner&utm_campaign=SUMMER25 Hosted on Acast. See acast.com/privacy for more information.

Manhattanhenge is a phenomenon where the sunset perfectly aligns with Manhattan's grid. Lainey Nguyen reports. And, there's a new wing at the Metropolitan Museum of Art. Livia Regina reports. The WFUV “What's What” podcast explores current events, culture, news and hot topic issues surrounding the New York metropolitan area, and stretches out for a wider view — including features, interviews and music news exclusively from FUV. New episodes air every weekday after 4pm.

New York’s Metropolitan Museum of Art is opening its Galleries of the Arts of Oceania to the public for the first time since 2021. It comes after a major renovation that allowed curators to reimagine how to present art from the vast region. Senior Arts correspondent Jeffrey Brown reports for our arts and culture series, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders

Within her work, Catalina Chervin (b. 1953, Argentina) depicts what the human mind intuits rather than what the eyes see—replacing empirical knowledge with subconscious feeling. Chervin studied at the Escuela Nacional Superior Ernesto de la Cárcova in Buenos Aires and worked with the Robert Blackburn Printmaking Workshop in New York City. Her work is held in prominent institutions worldwide, including The Metropolitan Museum of Art, New York; The Brooklyn Museum, New York; the New York Public Library; El Museo del Barrio, New York; the Art Museum of the Americas, Washington, DC; the Blanton Museum of Art (University of Texas), Austin; the Victoria & Albert Museum, London; The British Museum, London; and the Albertina Museum, Vienna. Catalina Chervin Untitled, 2004 Hard and soft ground etching with spite bite aquatint, printed on Somerset White paper Master Printer: Lothar Osterburg, New York, 2004 Image size: 15 x 11 in (38.1 x 27.9 cm) Sheet size: 21 x 16 in (53.3 x 40.6 cm) Artist proof edition of 5 Catalina Chervin Song 3, 2010 Hard ground and soft ground etching with dry point, printed on Rives De Lin with Kozo chine collé Master printer: Lothar Osterburg, New York, 2010 Image size: 15 x 11 in (38.1 x 27.9 cm) Sheet size: 21 x 16 in (53.3 x 40.6 cm) Edition of 20 Catalina Chervin, IT 1, 2015, Hard and soft ground etching, printed on Somerset Textured White paper, Master Printer: Lothar Osterburg, New York, 2015, Image size: 15 x 11 in (38.1 x 27.9 cm), Sheet size: 21 x 16 in (53.3 x 40.6 cm), Edition of 20

Metropolitan Museum of Art curator Stephanie Herdrich joins Carl for an in-depth look at how the career and personal life of Gilded Age artist John Singer Sargent evolved over his ten-year period in Paris from the 1870's to the mid 1880's.  Sargent is the subject of a major new exhibition at the Metropolitan Museum of Art that focuses on this period beginning in his late adolescent years and leading up to the creation of his masterpiece -  the grand, imposing and scandalous portrait of Virginie Gautreau, known as  "Madame X". Stephanie discusses some of Sargent's greatest works during this period, as well as some of his most important professional and personal relationships, all of which contributed to a boundary breaking artistic vision. This show was edted by Kieran Gannon.

We were thrilled to record a live episode of You Are What You Read at PEN America's World Voices Festival with bestselling authors Jodi Picoult and Fiona Davis. This was a conversation about women in literature… in both books and in publishing. Jodi talks about her latest novel, By Any Other Name, a story about two women, centuries apart—one of whom is the real author of Shakespeare's plays—who are both forced to hide behind another name. Fiona tells us about her novel, The Stolen Queen, set in 1978 when two women team up to find one of the Metropolitan Museum of Art's missing Egyptian artifacts. We'd like to thank PEN America for hosting us for this conversation. We are thrilled to share it with you today.  Learn more about your ad choices. Visit megaphone.fm/adchoices

We are joined by Marc Young to discuss the Khafre Scans, the credibility of the conclusions from the scan data, and the future of this type of technology if it is viable. In the second half of the show, we talk about Marc's encounters with fraud in academia, and the problems with the peer review system.We are going to Peru in October of 2025!! Sign up now and join us, Ben from UnchartedX, and Yousef Aywan from the Khemet School on an epic journey through the highlands of Peru:https://unchartedx.com/2025peru2/Join us, Ben from UnchartedX, Adam Young, and Karoly Poka for an afternoon at The Metropolitan Museum of Art in New York where we will peruse their collection of Ancient Egyptian artifacts, then we will move to the Explorer's Club for dinner and presentations from us and Ben!https://eveningattheexplorersclub.eventbrite.com/ Join our Patreon, support the show, get extra content and early access!https://www.patreon.com/brothersoftheserpentSupport the show with a paypal donation:https://paypal.me/snakebros 

We are joined by Marc Young to discuss the Khafre Scans, the credibility of the conclusions from the scan data, and the future of this type of technology if it is viable. In the second half of the show, we talk about Marc's encounters with fraud in academia, and the problems with the peer review system.   We are going to Peru in October of 2025!! Sign up now and join us, Ben from UnchartedX, and Yousef Aywan from the Khemet School on an epic journey through the highlands of Peru: https://unchartedx.com/2025peru2/ Join us, Ben from UnchartedX, Adam Young, and Karoly Poka for an afternoon at The Metropolitan Museum of Art in New York where we will peruse their collection of Ancient Egyptian artifacts, then we will move to the Explorer's Club for dinner and presentations from us and Ben! https://eveningattheexplorersclub.eventbrite.com/   Join our Patreon, support the show, get extra content and early access! https://www.patreon.com/brothersoftheserpent Support the show with a paypal donation: https://paypal.me/snakebros   Chapters 00:00 Introduction to Geophysical Archaeology 01:30 Understanding Synthetic Aperture Radar Technology 04:59 Applications of SAR in Archaeology 08:49 Challenges in Validating Geophysical Data 12:00 Exploring Potential Sites for Scanning 16:00 Natural Features and Geological Considerations 20:02 Interpreting Geophysical Data and Findings 24:58 The Role of Water in Archaeological Structures 26:37 Exploring Ancient Structures and Water Tables 29:19 Theories of Ancient Civilizations and Doomsday Bunkers 30:47 Geological Insights and Ancient Engineering 34:24 Hydraulic Systems and Water Management in Ancient Egypt 36:56 Data Interpretation and the Search for Hidden Structures 39:20 Skepticism and Media Representation of Scientific Findings 46:31 The Challenges of Peer Review and Data Release 54:37 Skepticism and Scientific Methodology 01:02:31 The Sun et al. Paper and Its Controversies 01:20:42 Investigating Scientific Fraud 01:23:05 The Consequences of Whistleblowing 01:27:10 The Integrity of Scientific Research 01:29:49 The Role of Money in Science 01:33:04 The Challenges of Peer Review 01:38:59 Corruption and Conspiracy in Academia 01:48:01 The Future of Scientific Publishing 01:58:24 The Intersection of Science and Political Narratives 02:01:15 Conspiracies in the Scientific Community 02:04:49 The Evolution of Skepticism in Alternative History 02:09:31 The Journey from Speculation to Scientific Inquiry 02:12:55 Future Endeavors and Academic Integrity 02:16:51 The State of Science and Integrity in Research

Episode No. 707 of The Modern Art Notes Podcast is a holiday weekend clips episode featuring artist Lorna Simpson. The Metropolitan Museum of Art, New York is presenting "Lorna Simpson: Source Notes," a survey that focuses on paintings that Simpson has made over the last decade. Across more than 30 works, "Simpson" spotlights the artist's explorations of gender, race, identity, representation, and history. The exhibition, which is on view through November 2, was curated by Lauren Rosati in "close collaboration with the artist." The exhibition catalogue was published by the Met. Amazon and Bookshop offer it for about $40-45. This conversation was taped in 2017 on the occasion of “FOCUS: Lorna Simpson," at the Modern Art Museum of Fort Worth. The exhibition featured new work that juxtaposes beauty and promise with disaster and upheaval, often in the context of the representation of black women in Ebony magazine from the 1950s to the 1970s. It was curated by Alison Hearst. Instagram: Lorna Simpson, Tyler Green.

Last year I went to an exhibition at the Städel museum in Frankfurt that was entitled Holbein and the Renaissance in the North. That is the elder Holbein, the father of the Holbein who came to England. This exhibition has now ended, but there is still a great summary available on the Städel website.Though obviously not present at the exhibition, one key focus was the Fugger chapel in the church of St. Anne in Augsburg, one of the earliest and most significant Renaissance building north of the Alps. I wanted to kick off this episode with this chapel and then move on to Holbein, Burgkmair etc. But as I dug deeper and deeper into the late 15th and early 16th century art in Southern Germany, the more connections and links emerged that I hope you will find as fascinating as I did.Links to artworks:Fugger chapel: Die Fuggerkapelle | St. Anna AugsburgRiemenschneider Heilig Blut Altar: The Altar of the Holy Blood | ReliquarianThe Hare: Young Hare, 1502 - Albrecht Durer - WikiArt.orgSchongauer St. Anthony: Martin Schongauer | Saint Anthony Tormented by Demons | The Metropolitan Museum of ArtRhinocerus: Albrecht Dürer | The Rhinoceros | The Metropolitan Museum of ArtRitter, Tod und Teufel and other works: Albrecht Dürer (1471–1528) - The Metropolitan Museum of ArtThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I...

In this powerful episode of SHE MD, hosts Mary Alice Haney and Dr. Thaïs Aliabadi sit down with Amy Griffin, author of the memoir "The Tell”. Amy shares what “The Tell” is about. She recounts her experience of childhood trauma and finds healing through unconventional methods. The conversation addresses the complexities of repressed memories, the pursuit of perfection, and the transformative power of vulnerability.Access more information about the podcast and additional expert health tips by visiting SHE MD Podcast and Ovii. Sponsors: Equip: To learn more about Equip treatment, visit equip.health/sobermomlife. Cymbiotika: Go to Cymbiotikia.com/SHEMD for 20% off your order + free shipping today.KiwiCo: Get $15 off on your Summer Adventure Series at kiwico.com/SHEMDNutrafol: Nutrafol is offering our listeners ten dollars off your first month's subscription and free shipping when you go to Nutrafol.com and enter promo code SHEMDStriVectin: StriVectin – Discover the Science Behind Great SkinOpill: Opill is birth control in your control, and you can use code SHEMD for twenty five percent off your first month of Opill at Opill.com AMY GRIFFIN'S KEY TAKEAWAYS:Embrace Vulnerability: Allow yourself to be open and honest about your feelings.Seek Support: Reach out to trusted friends or professionals for guidance.Explore Alternative Therapies: Consider therapies like psychedelic-assisted therapy, ensuring you have medical supervision.Practice Self-Compassion: Treat yourself with the same kindness you offer others.Be Patient with Healing: Understand that healing is a journey, not a destination.Own Your Truth: Listen to your inner voice and find empowerment in acknowledging and owning your experiences.Seek Joy Amidst Challenges: Look for light even in the darkest times, knowing that joy can follow pain.IN THIS EPISODE: (00:00) Intro(05:47) What happened to “The Tell” author Amy Griffin? (08:42) Children's role in uncovering hidden truths(13:16) Breaking free from perfectionism and control(17:48) Graphic details of childhood sexual abuse(25:55) MDMA-assisted therapy: A transformative experience(40:58) Vulnerability as a source of strength(42:12) What is “The Tell” by Amy Griffin about?(44:58) Finding light after facing the darknessRESOURCES:Amy Griffin's - InstagramAmy Griffin's - LinkedInThe Tell Book GUEST BIOGRAPHY:Amy Griffin is the Founder and Managing Partner of G9 Ventures, a private fund that invests in generation-defining brands. G9 has partnered with over 60 companies, including Bobbie, Bumble, Evvy, Kitsch, Midi Health, On Running, Oura, Saie, and Spanx. Amy is an enthusiastic champion of women with more than 70% of G9's portfolio companies being female founded or led. She is known for her ability to help build brands by fostering community, creating authentic connections, and solving problems. Amy serves on the Board of Directors of Bumble, Spanx, and Gagosian and is a member of the Board of Trustees of The Metropolitan Museum of Art, the Women's Board of the Boys Club of New York, and the Advisory Board of the One Love Foundation. She is a frequent speaker at notable conferences and events, including those hosted by The New York Times, The Information, JPMorgan, among others. Amy's debut memoir, The Tell, about the transformative power of sharing one's story, will be published in March 2025. Amy graduated with a BA in English from the University of Virginia where she was Captain and MVP on the women's volleyball team. She lives in New York City with her husband, John, and their four children.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

I am so excited to say that my guest on the GWA Podcast is the esteemed American artist, Lorna Simpson. Working across photography to painting, video to collage, Simpson is a multimedia artist who – since the 1980s – has gained widespread acclaim for her pioneering approach to conceptual photography. Whether it's fusing text with image, obscuring her subject's identity, using techniques such as repetition, collage or manipulation – Simpson has conjured a plethora of ways to reinvent the image, and, by doing so, raises questions about gender, race, memory, and history. Her work, mostly centred on the female body, is full of seemingly open-ended narratives – as she has said: “I think the idea of identity or persona is interesting to me in that it is malleable and fluid. And that has always been part of the work in terms of [thinking about] who gets to determine who we are. Do we get to determine that, and what are the parameters of that, given the society that we live in?” Engaging with found images and objects, whether that be cut-outs from Ebony or Jet Magazines, or photographs she finds on eBay, which she melds with inks or collages of jewels, Simpson has continuously reconfigured what painting and photography means. Born in 1960, and raised in Queens and Brooklyn in a childhood that put the arts first, Simpson received her BFA from the School of Visual Arts, New York, and following that, an MFA from the University of California San Diego, where she began to focus on the portraits of Black women she found in magazines, adding suggestive phrases from elsewhere. By 1990, she had a major exhibition at MoMA, and throughout the decades has continued to push boundaries with her seemingly limitless approach to materials. But in 2015, she turned to painting, showing her first nine-feet-tall canvases at the Venice Biennale, and this month will present a major exhibition – that considers the entirety of her painting practice – at the Metropolitan Museum of Art here in New York – where we are recording today. Titled “Source Notes”, it will feature Simpson's monumental and spellbinding paintings, which, steeped in monochromatic blues, silvers, blacks and greys, appear in settings that evoke the cosmological or natural world. An extension of her photographic work, Simpson's paintings see the manipulated figure and body pressed into landscapes akin to waterfalls or meteorites, and I can't wait to find out more… https://lsimpsonstudio.com/ Lorna Simpson: Source Notes –  https://www.metmuseum.org/exhibitions/lorna-simpson-source-notes?utm_source=google&utm_medium=cpc&utm_campaign=&utm_term=lorna%20simpson%20art&utm_content=39536&mkwid=s&pcrid=743882408399&pmt=b&pkw=lorna%20simpson%20art&pdv=c&slid=&product=&gad_source=1&gad_campaignid=22399716678&gbraid=0AAAAADmlGN7UtMbglt7UAR4dicGAOa9Vx&gclid=CjwKCAjw24vBBhABEiwANFG7ywIA72_JjPaxVUdfQSWW_h8NFYNWzddlSHz6KV38M9zgiG4rs_9UNxoCVFkQAvD_BwE https://www.hauserwirth.com/artists/2860-lorna-simpson/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Music by Ben Wetherfield

Kelly shares the remarkable story of Armia Khalil, a Metropolitan Museum of Art security guard with a secret talent. As a child, Armia played in the mud and created little sculptures by the Nile River. Years later, the artistic young man immigrated to the US with just $375 and a suitcase of woodworking tools. After years of struggle, he landed a job as a security guard at the Met, where a chance conversation with a curator led to his lifelong dream coming true. It's a powerful reminder that everyone—from bus drivers to baristas—carries a universe of dreams inside them. What might we discover if we took a moment to see the artists walking among us? This episode was inspired by Dodai Stewart's New York Times article. (published January 8, 2025).⁠ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This was a fun discussion! Back in the tangent cube at last, we cover some of the highlights of our long trip through Egypt and Turkey, from Cappadocia and Derenkuyu to Gobekli Tepe and Karahan Tepe, the Pyramids and the Osirieon, ancient tools and lost vaults of knowledge. We talk about the mythology connected with the structures, and focus a lot of time on the Osiris Myth. Thank you all for your patience as we travel, and your continued support!We are going to Peru in October of 2025!! Sign up now and join us, Ben from UnchartedX, and Yousef Aywan from the Khemet School on an epic journey through the highlands of Peru:https://unchartedx.com/2025peru2/Join us, Ben from UnchartedX, Adam Young, and Karoly Poka for an afternoon at The Metropolitan Museum of Art in New York where we will peruse their collection of Ancient Egyptian artifacts, then we will move to the Explorer's Club for dinner and presentations from us and Ben!https://eveningattheexplorersclub.eventbrite.com/ Join our Patreon, support the show, get extra content and early access!https://www.patreon.com/brothersoftheserpentSupport the show with a paypal donation:https://paypal.me/snakebros

Episode No. 706 features curators Leslie King-Hammond and Edward Saywell, and curator Jared Ledesma. Along with Patrick Murphy and Jennifer Farrell, Hammond and Saywell are the co-curators of "Witnessing Humanity: The Art of John Wilson" at the Museum of Fine Arts, Boston. The exhibition surveys Wilson's 60-year career, spotlighting the ways in which Wilson addressed anti-Black violence, the civil rights movement, labor, family life, and more. "Wilson" is on view in Boston through June 22 before traveling to the Metropolitan Museum of Art, New York in the fall. The richly illustrated exhibition catalogue was published by the MFA. It is available from Amazon and Bookshop for about $50. Ledesma is the curator of "Grace Hartigan: The Gift of Attention" at the North Carolina Museum of Art, Raleigh. The exhibition is a focused examination of how Hartigan's relationships with New York poets, including Barbara Guest, James Merrill, and Frank O'Hara, influenced her paintings and works on paper. It is on view through August 10, 2025 before traveling to the Portland (Me.) Museum of Art and the Sheldon Museum of Art, University of Nebraska, Lincoln. An excellent catalogue was published by the museum. Amazon and Bookshop offer it for around $35. Instagram: Jared Ledesma, Tyler Green.

Peter Aguero isn't just a performer—he's a presence. Known for his emotionally charged, wildly entertaining, and deeply human stories, Peter has become one of the most beloved voices in the storytelling world. A longtime host and GrandSLAM champion with The Moth, Peter's work explores grief, rage, love, redemption, and the quiet moments that define who we are. In this episode, we sit down with Peter to trace the creative arc of his life—from growing up in South Jersey and leaving football behind, to traveling the country with Chicago City Limits, and eventually becoming a core figure in The Moth's rise to cultural prominence. Along the way, we explore why storytelling isn't just communication—it's how we make sense of being human. Peter's story intersects with some of the greats, including his longtime friendship with creative musician and experimental educator Dave Gould, who introduced him at a transformative moment in Iowa City. Together, their work reminds us that story is not just scientific—it's deeply experiential. It's memory. It's identity. It's the way we heal, connect, and lead. We also revisit some of Peter's most memorable performances, including: “You're Not Alone” (The Moth Mainstage, Metropolitan Museum of Art) — a heartbreaking and healing story about Christmas with his mother “The Italian Ice Fight” — a wild, true tale about a summer job that ended with a hammer, a fight, and a lesson in fear Daddy Issues (his one-man show) — a raw, theatrical journey through masculinity, shame, and survival Appearances on Conan and in venues like the Bitter End, Highline Ballroom, and under-the-radar NYC gems like Under St. Mark's In this episode, you'll learn: + How vulnerability builds creative credibility + Why your real voice is more powerful than your polished one + How to structure stories that resonate emotionally—without overproducing + What brands and leaders can learn from live storytelling and audience honesty + How to tell stories that invite recognition, not just applause Whether you're leading a brand, creating a presentation, or trying to inspire others—this episode is a reminder that the most unforgettable stories are the ones that don't try too hard. They just tell the truth.

This was a fun discussion! Back in the tangent cube at last, we cover some of the highlights of our long trip through Egypt and Turkey, from Cappadocia and Derenkuyu to Gobekli Tepe and Karahan Tepe, the Pyramids and the Osirieon, ancient tools and lost vaults of knowledge. We talk about the mythology connected with the structures, and focus a lot of time on the Osiris Myth. Thank you all for your patience as we travel, and your continued support! We are going to Peru in October of 2025!! Sign up now and join us, Ben from UnchartedX, and Yousef Aywan from the Khemet School on an epic journey through the highlands of Peru: https://unchartedx.com/2025peru2/ Join us, Ben from UnchartedX, Adam Young, and Karoly Poka for an afternoon at The Metropolitan Museum of Art in New York where we will peruse their collection of Ancient Egyptian artifacts, then we will move to the Explorer's Club for dinner and presentations from us and Ben! https://eveningattheexplorersclub.eventbrite.com/   Join our Patreon, support the show, get extra content and early access! https://www.patreon.com/brothersoftheserpent Support the show with a paypal donation: https://paypal.me/snakebros   Chapters 00:00 Welcome Back and Reflections on the Journey 02:53 Exploring Cappadocia's Underground Cities 05:42 The Role of Special Permissions in Archaeology 08:51 Airflow and Structural Integrity of Ancient Tunnels 11:39 Connections to Ancient Myths and Stories 14:45 The Evolution of Gobekli Tepe's Structures 22:02 Symbolism of the Lion's Gate and Sphinxes 26:52 Samson, Gilgamesh, and the Cycle of Civilizations 33:35 The Significance of Hair and Statues in Ancient Egypt 45:36 Exploring Ancient Symbolism and Mythology 47:06 The Osiris Myth: Variations and Interpretations 49:40 Experiencing the Osirian: Personal Reflections 51:32 Architectural Insights: The Construction Techniques of Ancient Egypt 54:38 Theories on Ancient Tools and Techniques 57:41 The Connection Between the Temple and the Osirieon 01:00:21 Excavation Insights: The History of the Osirieon 01:02:56 The Alignment and Purpose of Ancient Structures 01:06:26 The Osiris Myth: A Foundation of Civilization 01:25:06 The Evolution of Myths and Civilizations 01:27:15 The Eye of Horus and Lunar Symbolism 01:29:26 The Sabians: Pilgrims of Knowledge 01:31:46 Hermeticism and Ancient Astronomers 01:35:08 Exploring Gobekli Tepe and Its Mysteries 01:39:02 Lithics and Their Connection to Ancient Cultures 01:42:57 Contrasting Technologies: Lithics vs. Megaliths 01:48:22 The Evolution of Craftsmanship in Ancient Civilizations 02:01:17 Midden Accumulation and Cultural Practices 02:05:48 Future Discoveries in Neolithic Archaeology

Ever wondered why medieval women were out there plucking their hairlines like their lives depended on it? Join me as we dig into the bizarre beauty trend that left brows bald and foreheads freakishly high. Turns out, looking like a pious, pale ghost was peak hotness in the Middle Ages. We're talking virtue, control, and erasing yourself to fit an impossible ideal. Strap in—it's about to get weird.Are. You. Ready?***************Sources & References:The Trotula: A Medieval Compendium of Women's Medicine, ed. and trans. Monica H. Green (University of Pennsylvania Press, 2001).Karras, Ruth Mazo. Unmarriages: Women, Men, and Sexual Unions in the Middle Ages. University of Pennsylvania Press, 2012.Heller, Sarah-Grace. Fashion in Medieval France. Palgrave Macmillan, 2007.Phillips, Kim M. Medieval Maidens: Young Women and Gender in England, 1270–1540. Manchester University Press, 2003.Classen, Albrecht. “Beauty and Cosmetics in the Middle Ages.” In Handbook of Medieval Culture, 2015.Green, Monica H. “Women's Medical Practice and Health Care in Medieval Europe.” Signs, Vol. 14, No. 2 (1989).The Metropolitan Museum of Art – Heilbrunn Timeline of Art History: “Fashion in Fifteenth-Century Europe.”Images referenced: Rogier van der Weyden, Portrait of a Lady (c. 1460).Quotes from Dr. Eleanor Janega in this episode are paraphrased based on ideas discussed in her book The Once and Future Sex, her blog Going Medieval, and various interviews and media appearances.***************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on Social Media & Subscribe to our YouTube Channel!TikTok:tiktok.com/@beautyunlockedthepodYouTube:@beautyunlockedspodcasthour****************Intro/Outro Music:Music by Savvier from Fugue FAME INC

The Irish-born Augustus Saint-Gaudens came to this country as a small child and over the course of his career and life, reaching into the early years of the 20th century, became an artist that truly defined a look for America in sculpture.  His extraordinary natural talent grew into a master artist who was able to create lifelike depictions in marble and bronze that brought a realism never before seen in American sculpture. Saint-Gauden's style combines realistic imagery, allegory and architectural elements to create unique and very modern experiences for viewers. He's perhaps best known for his monumental casts of Civil War heroes from Admiral Daniel Farragut, General William Tecumseh Sherman and President Abraham Lincoln.Joining The Gilded Gentleman for this episode is Thayer Tolles, the Marica F. Vilcek Curator of American Painting and Sculpture at New York's Metropolitan Museum of Art.  Thayer is a noted historian, writer and specialist in Saint-Gaudens life and work. This episode offers a full view of Saint-Gaudens extraordinary life and a detailed look at some of his most famous works. Listeners can also visit the Saint Gaudens National Historical Park in Cornish, New Hampshire. 

The 2025 Met Gala dress code was ‘Tailored for You' and on the night, many of the guests were inspired by the themes and concepts on show at the Metropolitan Museum of Art's Costume Institute exhibition ‘Superfine: Tailoring Black Style.'On the night we saw heavy influences of the Black Dandy, a little international flavour and a lot of tailoring with highlights coming from the likes of Zendaya, Lewis Hamilton and Teyana Taylor.In this Met Gala special I chat with fashion creator Aston Em, beauty editor Kayla A. Greaves and stylist Justin Friedman to find out their top 5 blue carpet looks. As well as sharing my own favourite moments, I also share information on the history of the Met Gala and how Monica L. Miller's book Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity formed the basis of the exhibition.LinksFind Aston on Instagram: https://www.instagram.com/astonemmmFind Kayla on Instagram: https://www.instagram.com/kaylaagreavesFind Justin on Instagram: https://www.instagram.com/tomfordforgucciWHERE TO FIND MESubstack: https://beautymenotes.substack.comThreads: https://www.threads.net/@charisse_kenion/Instagram: https://www.instagram.com/charisse_kenion/TikTok: https://www.tiktok.com/@charissekenionFind me on ShopMy: https://shopmy.us/beautymeBusiness inquiries: info@charissekenion.com  

Under 1920-talet förnyades musik, konst, litteratur, underhållning och mode när stadsdelen Harlem på Manhattan bubblade av kreativitet. Lyssna på alla avsnitt i Sveriges Radio Play. I veckan öppnar den stora modesutställningen “Superfine: Tailoring Black Style” på The Metropolitan Museum of Art i New York och i veckans program ska vi blicka tillbaka mot 1920-talet i stadsdelen Harlem där mycket av det som visas på utställningen har sin början.I programmet berättar vi också om den hyllade modeskaparen Grace Wales Bonner, som fått stor uppmärksamhet tack vare sin unika blandning av sportplagg och skräddade silhuetter, där brittisk tradition och svart kultur smälter samman. I år gjorde hon efterlängtad Metgala-debut, och det med besked.Vi tar också en titt på filmen Harlem Is Heaven från 1932 och så berättar vi om konstnären och författaren Richard Bruce Nugent som blev känd för sin skönhet och sina kvickheter. Han tyckte om att både roa och chockera sina åhörare och det sägs att folk åkte till Harlem bara för att få se en skymt av denna omtalade man.

Before Monet painted water lilies or Degas sketched ballerinas, a wave was crashing in from the East. In this episode, we explore how Japanese woodblock prints—especially Hokusai's ‘The Great Wave off Kanagawa'—reshaped the way Western artists thought about space, subject, and form. From flattened perspective to everyday scenes, ukiyo-e wasn't just decorative—it was revolutionary. We'll unpack the rise of Japonisme, its deep (and sometimes uneasy) influence on Impressionism, and how one iconic wave helped turn the tide of art history. Today's image: Katsushika Hokusai, ‘Under the Wave off Kanagawa (Kanagawa oki nami ura),' (1830-32). Woodblock print; ink and color on paper. Metropolitan Museum of Art, New York. ______ New episodes every month. Let's keep in touch! Email: artofhistorypod@gmail.com Instagram: @artofhistorypodcast | @matta_of_fact

We recorded this in a hotel room right next to the Giza Plateau in Egypt, and we spend the first hour discussing the results of the now-famous Synthetic Aperture Radar scans of the Khafre Pyramid, and the claims of large structures hidden in the bedrock below the pyramid proper.We also talk a bit about the strange "well shaft" of the Great Pyramid, which we explored again this year, and the mysterious "Grotto" chamber at the top of the well shaft. Finally, we read some very interesting new findings by physicist Max Fomitchev-Zamilov in the subject of the Egyptian stone vases. Max has discovered that there is a higher concentration of radioactive elements in vases of higher quality and precision, at least in the limited samples he has been able to scan. We read about his preliminmary results from his website, which can be found here:https://maximus.energy/index.php/2025/03/30/excess-of-thorium-232-in-ancient-egyptian-stone-vessels/We also read from a related article on Max's website, about "nuclear machining", a technique that Max says could explain the seeming ease with which the ancient vases were manufactured, as well as the higher concentration of radioactive materials in the quality samples.https://maximus.energy/index.php/2025/01/14/nuclear-machining-hypothesis/Join us, Ben from UnchartedX, Adam Young, and Karoly Poka for an afternoon at The Metropolitan Museum of Art in New York where we will peruse their collection of Ancient Egyptian artifacts, then we will move to the Explorer's Club for dinner and presentations from us and Ben!https://eveningattheexplorersclub.eventbrite.com/Join our Patreon, support the show, get extra content and early access!https://www.patreon.com/brothersoftheserpentSupport the show with a PayPal donation:https://paypal.me/snakebros

With the Metropolitan Museum of Art's annual Gala on the first Monday of May and the new exhibition on John Singer Sargent and Paris, there is most definitely fashion in the air.  In this ENCORE episode with listener favorite Dr. Elizabeth L. Block we delve into the stories of some of the most important designers and couture houses of Belle Epoque Paris. This episode was based on Liz's first book, "Dressing Up: How American Women Influenced French Fashion". Don't miss LIz's news book "Beyond Vanity: The Power and History of Hairdressing" and our accompanying episode.

Aviation safety consultant Jeff Guzzetti talks about concerns for flight safety nationwide following an incident last week at Newark Airport, where air traffic controllers briefly lost all contact with airplanes trying to take off and land there. Then, a new immunotherapy drug could help some cancer patients avoid surgery. Oncologist Dr. Andrea Cercek joins us to discuss. And, Black Dandyism and superfine tailoring took the stage at Monday night's annual Met Gala. Jonathan Square, an adviser to the Metropolitan Museum of Art, talks about what this celebration of traditional Black fashion means in our cultural and political moment.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

It's the first Monday in May. AKA it's time for the annual MET Gala. Or as some call it, "fashion's biggest night." Celebrities will walk the steps of the Metropolitan Museum of Art hoping their looks live up to the annual theme of the gala. This year's theme is a special one. It's called "Superfine: Tailoring Black Style," and it's the very first Black fashion tradition to be selected for the theme of the Costume Institute's fundraiser. Brittany and her guests, culture writer Shelton Boyd-Griffith and editor-in-chief of Black Fashion Fair Antoine Gregory, discuss how celebrities can be sure to be on theme and how the theme is rooted in the very first fashion statements made by enslaved people.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Send us a textThe MET Gala is an annual fundraising event for the Costume Institute at the Metropolitan Museum of Art in New York City where celebrities, designers, and cultural icons show up dressed to embody a specific theme that aligns with the Costume Institute's newest exhibit.This year's theme for 2025 is Black Style and dandyism.Originating in the 18th and 19th centuries, dandyism is a cultural and aesthetic movement that champions elegance, refinement, and self-expression — particularly through clothing. But for Black men, especially in the Atlantic diaspora, dandyism wasn't just style — it was resistance. A way to reclaim power, pride, and identity in the face of oppression.This year's theme, “Superfine: Tailoring Black Style”, centers around Black excellence, Black creativity, and Black identity. It explores how Black individuals across the U.S. and Europe have used fashion not just to express themselves, but to rewrite the narrative. Support the showhttps://www.youtube.com/@lifeonpodcast/videos

We recorded this in a hotel room right next to the Giza Plateau in Egypt, and we spend the first hour discussing the results of the now-famous Synthetic Aperture Radar scans of the Khafre Pyramid, and the claims of large structures hidden in the bedrock below the pyramid proper. We also talk a bit about the strange "well shaft" of the Great Pyramid, which we explored again this year, and the mysterious "Grotto" chamber at the top of the well shaft. Finally, we read some very interesting new findings by physicist Max Fomitchev-Zamilov in the subject of the Egyptian stone vases. Max has discovered that there is a higher concentration of radioactive elements in vases of higher quality and precision, at least in the limited samples he has been able to scan. We read about his preliminmary results from his website, which can be found here: https://maximus.energy/index.php/2025/03/30/excess-of-thorium-232-in-ancient-egyptian-stone-vessels/ We also read from a related article on Max's website, about "nuclear machining", a technique that Max says could explain the seeming ease with which the ancient vases were manufactured, as well as the higher concentration of radioactive materials in the quality samples. https://maximus.energy/index.php/2025/01/14/nuclear-machining-hypothesis/     Join us, Ben from UnchartedX, Adam Young, and Karoly Poka for an afternoon at The Metropolitan Museum of Art in New York where we will peruse their collection of Ancient Egyptian artifacts, then we will move to the Explorer's Club for dinner and presentations from us and Ben! https://eveningattheexplorersclub.eventbrite.com/ Join our Patreon, support the show, get extra content and early access! https://www.patreon.com/brothersoftheserpent Support the show with a paypal donation: https://paypal.me/snakebros

Kent Monkman is one of the most vital and provocative voices in contemporary painting. Based between Toronto and New York, and a member of the Fisher River Cree Nation in Treaty 5 Territory, Monkman is known for his epic, genre-bending canvases that challenge dominant historical narratives and reframe them through Indigenous and queer perspectives. Monkman has developed a distinctive visual language that subverts classical European art traditions—particularly those of 19th-century and 20th-century history painting—to expose the distortions and omissions of colonial narratives. His work blends these European conventions with Indigenous histories, recontextualizing colonization while exploring themes of resilience, sexuality, joy, and identity. At the center of many of these works is Miss Chief Eagle Testickle, Monkman's time-traveling alter ego. Clad in high heels, Miss Chief operates as both a trickster figure and a witness to colonial encounters, embodying Indigenous worldviews and queering history in a way that destabilizes settler-colonial perspectives. Through Miss Chief, Monkman reimagines historical events, placing Indigenous presence and agency at the forefront. Monkman's large-scale commissions include mistikôsiwak (Wooden Boat People), a pair of monumental paintings created for the Metropolitan Museum of Art in 2019, which directly confronted the institution's colonial legacies. His work has been exhibited in major museums across North America and Europe, and is part of significant public and private collections. As his first major U.S. museum exhibition, "History is Painted by the Victors," opens at the Denver Art Museum, Monkman joined me to reflect on the road to this moment—a journey that spans decades of challenging entrenched narratives in Western art history. We spoke about how growing up in Winnipeg, amidst the complexities of Indigenous representation in Canadian institutions, shaped his relationship to museums; how painting serves as both a political tool and a personal method for processing historical trauma; and the collaborative energy that fuels his expansive studio practice.

Silas Farley, former New York City Ballet dancer and current Dean of the Colburn School's Trudl Zipper Dance Institute, explores the profound connections between classical ballet, Christian worship, and embodied spirituality. From his early exposure to liturgical dance in a charismatic Lutheran church to his career as a professional dancer and choreographer, Farley illuminates how the physicality of ballet can express deep spiritual truths and serve as an act of worship.Episode Highlights from Silas Farley“The physicality of ballet is cruciform. The dancer stands in a turned-out position... the body becomes the intersection of the vertical and the horizontal plane.”“Sin makes the soul curve in on itself, whereas holiness or wholeness in God opens us up.”“We are Christian humanists. We don't need to be intimidated by beauty.”“There's knowledge and insight in all the different parts of our bodies, not just in our brain.”“The mystery of the incarnation is that when the creator of all things wanted to make himself known to his creation, he didn't come as a vapor or as a mountain or as a bird. But he came as a man.”Resources for Ballet EngagementLocal community ballet companies/schools“B is for Ballet” (ABT children's book)“My Daddy Can Fly” (ABT)Celestial Bodies, by Laura JacobsApollo's Angels, by Jennifer HomansSilas Farley's Podcast: Hear the Dance (NYC Ballet)The Nutcracker (NYC Ballet/Balanchine)Jewels (1967, Balanchine)Agon (Balanchine/Stravinsky)About Silas FarleySilas Farley is a professional ballet dancer and choreographer. Dean of the Trudl Zipper Dance Institute at the Colburn School in Los Angeles, Silas is a former New York City Ballet dancer, choreographer, and educator. He also currently serves as Armstrong Artist in Residence in Ballet in the Meadows School of the Arts at Southern Methodist University.His work includes choreography for the Metropolitan Museum of Art, Houston Ballet, and the New York City Ballet. He hosts the Hear the Dance podcast and creates works that integrate classical ballet with spiritual themes.Silas also serves on the board of The George Balanchine Foundation.Show NotesSilas Farley's Early Dance Background & FormationSilas Farley: Originally from Charlotte, North Carolina; youngest of 7 children (4 brothers, 2 sisters); multiracial family (white father, Black mother)First exposure through charismatic Lutheran church's liturgical dance ministrySaw formal ballet at age 6 when Christian ballet company Ballet Magnifica performedDance initially experienced as form of worship before performanceLiturgical vs Classical BalletLiturgical dance:Amplifies worshipFunctions as embodied prayerNot primarily performativeHistorical examples: David with Ark of Covenant, Miriam after Red Sea crossingClassical ballet:Performed on proscenium stageRequires specific trainingFocuses on virtuosic movementsExplicitly performativeBoth forms serve as offerings/vessels for transmitting energy to audienceTechnical Elements of Ballet: Turnout, Spiritual Turnout, and Opening UpFoundational concept of “turnout”—rotation of feet/hips outward“That idea of turnout makes the body more expressive in a way. Because if our toes are straightforward, like the way we're designed, you only see a certain amount of the leg. Whereas if the body stands turned out, you see the whole inside of the musculature of the leg. It's a more complete revelation of the body.”Creates more complete revelation of body's musculaturePhysicality conveys “spiritual turnout” - openness/receptiveness“Spiritual turnout: that you are open   and receptive and generous. And that's embodied in the physicality of ballet.”“So much of what developed as ballet as we know, it happened at the court of Louis the XIV in the  1660-1670s.”“It's not artificial, it's actually supernatural.”Physical & Spiritual Connections in Ballet“Our walk  with God is that he's  defining us so that we are becoming open. We're open to him. We're open to receive his love. We're open to be vessels of his love. We're open to receiving and exchanging love with  other people.”Freedom within the constraints movements and positionsSwan Lake: “They're so free. They're almost like birds. But that's come through a lifestyle of discipline.”“You get a hyper awareness of your own body.”Develops hyper-awareness of bodyLinks to incarnational theology—Christ as God-manFreedom through discipline and submissionMovement vocabulary builds from simple elements (plié, tendu)Plie: Mama and Dada“As a dancer grows up in ballet, the dancer then develops  this enormous vocabulary of movement  that are all reducible back to the microcosm of the plié and the tendu.”Creates infinite lines suggesting eternityCombines circular power with eternal linesTheological Dimensions of BalletSilas's choreographed interpretation of C.S. Lewis's The Four Loves, as a balletBallet and the Art of Choreography“The music and choreography were like brothers.”“Songs from the Spirit”“The music becomes my map.”Choreographing in silenceThe Role of the Audience and Their ExperienceIdeas to dialogue withA set of ideas to gather together and embodyArvo Part, The Genealogy of Jesus in Luke 3Uniting my heart with JesusI'm never didactic about it.An embodied musical experience“If I  say ‘family, friendship, romance, divine love,' you all instantly have associations, beauty, pain, trauma, consolation that are associated with those four loves.”“ I'm not writing a sermon about any of these ideas. I'm choreographing a ballet. I'm assembling these classical steps with this music to create a visceral, embodied musical experience.”The audience: “They come to it with their experiences, their own eyes and ears and their own bodies. And that's enough.”Arvo Part: “Music is white light, and the prism is the soul of the listener.”“The musical ideas are refracted through the hearer.”“The audience is always in my heart and mind.”“I always think of the artwork as an act of hospitality.  … I'm just setting the table.”What's Unique about Ballet as a Physical ArtformBeautiful interconnectednessAsking the body to reach to its limits“The Infinite Line” in BalletRadiating out into multiple eternal lines at the same timeConstant reaching in many directions at onceCruciform positioning: intersection of vertical and horizontal planes“The body becomes radiant”Use of “épaulement”—spiraling of body around spine's axisReveals pulse points (neck, wrists) creating vulnerable energy exchange with audienceOpening up the life force of the dancerNo separation between dancer and instrument (“I am the work of art”)Cruciform physicalityContemporary Cultural ContextModern culture increasingly disembodied due to screens/digital media“We live in an increasingly disembodied culture, we are absorbed with screens two dimensional, uh, highly edited and curated,  mediated self presentation   as opposed to like visceral nitty gritty blood, sweat, tears, good, bad, and ugly of life itself. So we get insulated from the step that makes life what it is.”Education often treats people as “brains on sticks”“The Christian life is a lifestyle of in embodied discipleship to the God man, Jesus  Christ. And he's not a brain on a stick. He's the God man. He has a jawbone and he went through puberty and he has wounds like the beautiful hymn. It says, rich wounds, yet visible and beauty glorified. The mystery of the incarnation is that when the creator of all things wanted to make  himself known to his creation, he didn't come as a  vapor or as a mountain or as a bird, but he came as a man. And so he sublimates and affirms the glory of his creation, the materiality of his creation and the body as the crown of his creation by coming as a man.”Church needs more embodied practicesBallet offers counterpoint to disembodied tendenciesImportance of physical discipline in spiritual formationRomans 12:1 and making our bodies as living sacrificesHow to Experience Ballet“There's nothing you need to know before going to experience ballet.  You have a body, you have eyes, you have ears. That's all you need. Just let it wash over you.Let it work on you in its own kind of visceral way, and let that be an entry point  to not be intimidated by the, the music,  or the wordlessness or the tutu's or the point shoes or whatever.There's so many different stylistic manifestations of ballet. But just go experience it.And if you can, I would really encourage people almost as much or more than  watching it go see if like your local YMCA or  something has an adult ballet class, or if you're a kid, maybe ask your parents to sign you up to go try a class and just feel what that turned-out physicality feels like in your own body.It's so beautiful. It's very empowering.”Production NotesThis podcast featured Silas Farley and Macie BridgeEdited and Produced by Evan RosaHosted by Evan RosaProduction Assistance by Macie Bridge, Alexa Rollow, Zoë Halaban, Kacie Barrett & Emily BrookfieldA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give

Maisonette Co-founder & CEO Sylvana Ward Durrett joins Hollywood Gold to share an inside look at her time as Director of Special Projects at Vogue, as captured in the documentary The First Monday in May. The film follows the creation of The Metropolitan Museum of Art's stunning exhibition, China: Through the Looking Glass, and its transformation into the unforgettable 2015 Met Gala theme. Durrett reveals how every dazzling detail comes together under the leadership of fashion icon Anna Wintour, in addition to spilling a few jaw-dropping celebrity stories that you won't want to miss with the 2025 Met Gala around the corner. Hosted on Acast. See acast.com/privacy for more information.

In this week's two-part episode, we recap our recent fashion history day tours of NYC and hear from a few of the past Dressed guests who joined us along the way. In Part I, we chat about our immersive day-long tours of the Fashion Institute of Technology and The Metropolitan Museum of Art. Episodes with our featured guests: Dress Like an Egyptian, an interview with Dr. Colleen Darnell Making Lace: Then and Now, an interview with Eleana Kanagy-Loux Part I and Part II Want more Dressed: The History of Fashion?  • Our website and classes • Our Instagram • Our bookshelf with over 150 of our favorite fashion history titles Learn more about your ad choices. Visit megaphone.fm/adchoices

During my daily Metropolitan Museum visits, an ancient marble sculpture connected to the Eleusinian Mysteries—one of history's best-kept secrets—inspired me to start a major creative project, “Secrets of Adulthood.” Resources & links related to this episode: Life in Five Senses Outer Order, Inner Calm Secrets of Adulthood Get in touch: podcast@gretchenrubin.com Visit Gretchen's website to learn more about Gretchen's best-selling books, products from The Happiness Project Collection, and the Happier app. Find the transcript for this episode on the episode details page in the Apple Podcasts app. See omnystudio.com/listener for privacy information.