Podcasts about Fashion design

What happens when your body starts screaming louder than your schedule? In this episode, Lyndsay Soprano sits down with clinical herbalist Bonnie D'Arcangelo to talk about trading burnout for balance, and why the answers might be growing in the ground, not sitting on a pharmacy shelf.Bonnie shares her journey from a high-stress corporate life to a deep-rooted holistic healing practice, and how she now bridges the gap between science and herbal medicine to help others reclaim their health. They delve into everything from gut health and water quality to why many supplements fail to work and how, when approached with intention, nature can offer genuine solutions.This isn't about ditching Western medicine—it's about complementing it. Bonnie introduces cutting-edge tools like silicon plasma technology, while also breaking down the basics: better food, cleaner water, and tuning in to what your body's been trying to tell you all along.Tune in if you're ready to stop chasing quick fixes and start working with your body, not against it.Find Bonnie D'Arcangelo Online Here:Website: www.aetherbal.comInstagram: @aetherbal_topicalsFacebook: AEtherbalYouTube: AEtherbalFind The Pain Game Podcast Online Here:Website: thepaingamepodcast.comInstagram: @thepaingamepodcastFacebook: The Pain Game PodcastLinkedIn: Lyndsay SopranoYouTube: The Pain Game PodcastEpisode Highlights:(00:00) Introduction to Blending Science and Herbal Medicine(02:30) Bonnie's Journey from Fashion Design to Herbalism(10:15) The Importance of Gut Health in Healing(18:45) Understanding the Role of Water in Our Bodies(25:00) Overview of Plasma-Based Products(33:10) The Power of Herbal Oxymels and How to Make One(42:00) Final Thoughts on Personalized Healing and Wellness

Geraldine Wharry is one of the world's leading Fashion Futurists. As a Regenerative Futures Architect, she helps partners decode emergence and implement change, whilst adopting strategies leveraging creative, systemic and environmental imperatives.Trusted by organisations ranging from Nike, Samsung, Afterpay, Christian Dior to Seymour Powell, Geraldine's blend of strategic, regenerative and creative foresight has been applied across fashion, beauty, technology, sustainability, culture, media, gaming, the arts, health, travel and industrial design. Geraldine is also a regular speaker on stages ranging from SXSW to the Adidas global headquarters. Her views on a future of fashion that stands at the crossroads of Tech, Purpose and Sustainability are regularly featured on the BBC, Vogue, The Financial Times, BoF and other international press publications. She writes about strategic futures for Dazed Beauty and in her monthly column 'Tomorrow' for Spur Magazine in Japan.Questioning established future foresight methods and innovation implementation problems, by applying regenerative futures thinking and Biomimicry, has been a running thread in Geraldine's practice and the school community hybrid she founded, Trend Atelier. She is a regular guest lecturer at leading universities in Europe.As a Fellow of the Royal Society for the Arts and a member of the United Nations' Conscious Fashion & Lifestyle network, Geraldine Wharry's mission is to inspire leaders, industries and people to enact visionary futures, for the greater good of the people and planet.Support the showThank you for listening! Follow us through our website or social media!https://www.thecolorauthority.com/podcasthttps://www.instagram.com/the_color_authority_/https://www.linkedin.com/company/78120219/admin/

LOUISE WANNIER is an author, artist, and creative entrepreneur. As a visual artist and photographer, she attempts to capture and present the energy and spirit she observes and feels in our complex world. Her work has been exhibited at galleries and museums nationwide and appeared in the book Less Clutter More Life. She has built four companies and advised many others in industries from Education Technology to Fashion Design and is currently creating her own textile art prints and collections for fashion and the home under the label LOUIS JANE™. A graduate of the Fashion Institute for Design and Merchandising in Textile Design, she also holds an MBA from the UCLA Anderson School and a BS in Astronomy from the California Institute of Technology. She feels very fortunate to be “Safta” to nine grandchildren. To learn more, visit LouiseWannier.com.  Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

INTERVIEW: Otago Polytechnic Fashion Design student Emily Mason by Tina Turntables on Radio One 91FM Dunedin

Will Forrest joins the podcast to read from AN INCONVENIENT EARL. We talk about chapter titles, why they decided to write a Regency romance, and why fiction is so powerful. Plus, Will chooses a Sweet Valley High twin!    00:33 Meet Will Forrest: Author, Poet, and General Nuisance 01:24 Will Forrest's Period Costume and Fashion Design 03:38 Reading from An Inconvenient Earl 19:48 Interview with Will Forrest: Writing Historical Romance 28:02 Love It or Leave It 33:58 Conclusion and Where to Find Will Forrest's Books   Find out more about Will Forrest: https://willforrest.com/   HRS is an affiliate of Libro.fm! Sign up for a new monthly membership and get three audiobooks for the price of one with code HISTORICAL! (As an affiliate, HRS may earn a portion of your purchase, for which we thank you!) Check out the official HRS playlist at: https://tidd.ly/4hgCquh    Find out more about your host Katherine Grant: Instagram (@katherine_grant_romance) TikTok (@katherinegrantromance) Facebook (@Katherinegrantromanceauthor)  Goodreads (https://www.goodreads.com/author/show/19872840.Katherine_Grant) Bookbub (https://www.bookbub.com/authors/katherine-grant)   Follow HRS on social media! TikTok (@historicalromancesampler)  Instagram (@historicalromancesampler) 

In Part 1, Caroline quit her underpaid factory job to run her freelance biz full-time. But what happened next? This episode is where it *really* gets juicy. Caroline opens up about the exact moment she raised her rate to $65/hour—and how terrifying it felt to say it out loud. She nearly backed down. She literally shook through the call. But she did it anyway. And now? She's getting clients directly from LinkedIn, turning down work that doesn't fit, and building a business that finally *feels* good. If you've ever been scared AF to charge more, set boundaries, or step into your power—this episode is for you.Resources:020: The Step by Step Guide to Fabric Sourcing for Your Fashion Brand (with low minimums) with Jay Arbetman266: From Self-Doubt and a Factory Job to Freelance Biz Owner: Caroline's One-Year TransformationAbout Caroline:Caroline Kuhlman is a sample maker who specializes in collaborating with pattern makers to bring designs from 2D concepts to real-life garments—faster than factories can. Through her hands-on process, clients gain valuable insights that help prevent costly production mistakes. Caroline loves bringing the tech pack, pattern, and materials together for the first time—and proudly calls herself a sewing nerd at your service.Connect with Caroline:Email her at raconteur@caroinekuhlman.comCheck out her websiteFollow on Instagram Connect on LinkedIn Download my Freelance Price List just for fashion (it's free!): sewheidi.com/price

Send us a textIn today's episode, Monica talks about planning out her 12 week year.After reading the book “12 week year” Monica decides to go hard on her goals leading up to her next birthdayMonica tries to narrow down what her top three goals should be, even though she has so much that she wants to accomplish by her birthday.listen to her talk herself through it while also reading off how to plan your own 12 week year and make sure you are following the steps to make it more achievable.  Is this something you would do? Head over to YouTube to let her know Talk to you soon aka ttyl fashion friends Support the show

Tell us what you think! (SMS)Marta Miller, Owner of Lefty Production Co. and Stitch Texas, returns for her 3rd appearance on Tukatalks to discuss the positive takeaways in the ongoing tariff situation, the importance of being proactive in the fashion industry that always changes, and how the relationship with your factory is like a marriage.Lefty Production Co. is 1 of 75 global TUKAcenters.Tukatalks is the show where fashion industry experts share what NOT to do.EPISODE LINKS:Lefty Production Co: https://www.leftyproductionco.com/Stitch Texas: https://www.stitchtexas.com/If you love Tukatalks, please leave us a five star review on Apple podcasts, or wherever you listen to podcasts. FOLLOW RAM SAREEN:LinkedIn: linkedin.com/in/tukatech/CONNECT:Website: tukatech.com/tukatalksYouTube: youtube.com/c/TUKATALKSNever miss an episode! Subscribe to the newsletter and get new episodes delivered right to your inbox.Tukatalks is the show where fashion industry experts share what NOT to do.

Fluent Fiction - Japanese: Fashion Sparks: A Creative Bond in Vibrant Harajuku Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2025-11-06-08-38-20-ja Story Transcript:Ja: 秋の日、賑やかな原宿の通りは七五三の祭りで活気に満ちていた。En: On an autumn day, the bustling streets of Harajuku were filled with the lively atmosphere of the Shichi-Go-San festival.Ja: 子供たちの笑顔と、色とりどりの着物姿が華やかだった。En: The children's smiles and the bright colors of their kimono made for a splendid scene.Ja: 通りには、たくさんの屋台とポップアップショップが立ち並び、道行く人々は不思議な魅力に溢れた装いをしていた。En: The street was lined with numerous stalls and pop-up shops, and the passersby wore outfits brimming with a unique charm.Ja: ハルキは、原宿の熱気を感じながら、通りを歩いていた。En: Haruki was walking down the street, feeling the hot energy of Harajuku.Ja: 彼は少し内気だが、ファッションデザインに情熱を持っている学生だ。En: Although he was a bit shy, he was a student passionate about fashion design.Ja: 彼の胸には、新しいインスピレーションを探し求める思いがあった。En: In his heart, there was a desire to seek out new inspiration.Ja: 彼は、次のファッションショーのために斬新なアイディアを模索していた。En: He was exploring innovative ideas for his next fashion show.Ja: その時、派手なストリートウェアのショップの前で、彼は精力的に写真を撮っているアユミに出会った。En: At that moment, in front of a flashy streetwear shop, he met Ayumi, who was energetically taking photos.Ja: 彼女は魅力的なストリートファッションを撮影しようとしていた写真家だ。En: She was a photographer trying to capture alluring street fashion.Ja: アユミは活気があり、すぐに人と打ち解ける性格だった。En: Ayumi had a lively personality and was quick to get along with people.Ja: しかし、短い出会いでは深い関係を築くのが難しかった。En: However, in a brief encounter, building a deep relationship was challenging.Ja: 二人は、偶然出会ったことをきっかけに会話を始めた。En: The two began a conversation sparked by their chance meeting.Ja: ハルキは、自分のデザインノートをアユミに見せる決心をした。En: Haruki decided to show his design notebook to Ayumi.Ja: いつもは恥ずかしがり屋のハルキも、彼女の関心に勇気を得て、ノートを広げた。En: Although usually shy, Haruki gained courage from her interest and opened his notebook.Ja: 「すごい！En: "Amazing!Ja: これ、あなたがデザインしたの？En: Did you design this?"Ja: 」とアユミは驚いて言った。En: Ayumi said in amazement.Ja: 「ぜひ一緒にプロジェクトをやりたい！En: "I definitely want to work on a project together!"Ja: 」アユミは自分の予定を変えてでも、ハルキともっと時間を過ごす価値があると感じた。En: Ayumi felt it was worth adjusting her schedule to spend more time with Haruki.Ja: こうして、二人は連絡先を交換し、また一緒にプロジェクトに取り組むことを約束した。En: Thus, the two exchanged contact information and promised to work on a project together again.Ja: ハルキは彼女のおかげでアイディアを表現する自信を持つことができたし、アユミも瞬間的な出会いを超えて、深い繋がりを築くことの重要性を学んだ。En: Haruki gained the confidence to express his ideas thanks to her, and Ayumi learned the importance of building a deep connection beyond a momentary encounter.Ja: 原宿の賑わいの中で、二人の新しい友情とクリエイティブな協力が始まった。En: In the vibrancy of Harajuku, a new friendship and a creative collaboration began for the two.Ja: 色とりどりの街は、これからの二人の未来を象徴するキャンバスのようだった。En: The colorful town seemed like a canvas symbolizing their future to come. Vocabulary Words:bustling: 賑やかなlively: 活気に満ちていたsplendid: 華やかだったnumerous: たくさんのpassersby: 道行く人々brimming: 溢れたenergetically: 精力的にalluring: 魅力的なphotographer: 写真家capturing: 撮影しようとしていたencounter: 出会いflashy: 派手なshy: 内気passionate: 情熱を持っているinspiration: インスピレーションinnovative: 斬新なfashion: ファッションcharm: 魅力exploring: 模索していたamazing: すごいcourage: 勇気express: 表現adjusting: 変えてでもconfidence: 自信connection: 繋がりmomentary: 瞬間的なvibrancy: 賑わいcollaboration: 協力canvas: キャンバスsymbolizing: 象徴する

Digital Product Passports, hosted by Jeanne Langford (Course Leader, MA Fashion Design Management), featuring graduates from the MA Fashion Design Management course, Deepnanda Talukdar and Ritika Mandal.

This first autumn podcast episode features Finnish fashion designer Sofia Ilmonen, who discusses her approach to creating modular, transformable garments that can be reshaped and reassembled like building blocks. Ilmonen details how her use of simple square or rectangular modules contributes to her sustainability goals. She also explains her focus on "sizeless" garments aiming to increase longevity by addressing the poor fit, which she identifies as one of the biggest reasons for discarding clothing. Sofia Ilmonen is a fashion designer whose work centres on modular, transformable clothing that merges sustainability with innovative garment design. At the core of her concept is adaptability — both in silhouette and size — with the aim of promoting a more responsible and inclusive fashion culture. The modular approach extends garment lifespans by allowing pieces to be reassembled and reshaped endlessly.All garments are built from square-shaped modules, a form that not only follows zero-waste cutting principles but also embodies the idea of continuous design. Each module is compatible with any part of a garment and is joined using a unique system of specially designed 3D-printed buttons. This enables infinite transformations without sewing and makes the garments sizeless, adaptable to many body shapes and styles.Sofia's work has been presented in international exhibitions and featured in publications such as British and Scandinavian Vogue. Her Aalto University thesis was recognized with the Marimekko Award and the Finnish Textile and Fashion Prize, and she received the prestigious Mercedes-Benz Sustainability Prize at the Festival de Hyères. Her modular collections have also been showcased at Berlin and Copenhagen Fashion Weeks.Before founding her own label, Sofia worked extensively in London in roles ranging from seamstress and creative pattern cutter to designer. Her three years at Alexander McQueen, immersed in the world of high fashion and craftsmanship, left a profound influence on her design philosophy and continue to shape her practice today.Support the showThank you for listening! Follow us through our website or social media!https://www.thecolorauthority.com/podcasthttps://www.instagram.com/the_color_authority_/https://www.linkedin.com/company/78120219/admin/

If you've ever wondered *how the heck someone actually quits their job to freelance full-time*—this episode is it. Caroline Kuhlman went from working in a sewing factory, filled with doubt about her skills, to running her own thriving freelance fashion business...in just one year. She had no portfolio, no website, and no idea where to start. But she made it happen. In this episode, you'll hear exactly how she did it—and the quiet, powerful steps that helped her finally leave a job that was draining the life out of her.Resources:020: The Step by Step Guide to Fabric Sourcing for Your Fashion Brand (with low minimums) with Jay ArbetmanAbout Caroline:Caroline Kuhlman is a sample maker who specializes in collaborating with pattern makers to bring designs from 2D concepts to real-life garments—faster than factories can. Through her hands-on process, clients gain valuable insights that help prevent costly production mistakes. Caroline loves bringing the tech pack, pattern, and materials together for the first time—and proudly calls herself a sewing nerd at your service.Connect with Caroline:Email her at raconteur@caroinekuhlman.comCheck out her websiteFollow on Instagram Connect on LinkedIn Download my Freelance Price List just for fashion (it's free!): sewheidi.com/price

On today's show, we're chatting with Janelle Abbott, the artist and designer behind JRAT. Raised in her parents' Seattle clothing factory, Janelle grew up with an early respect for the labor that goes into making clothing.  After graduating from Parsons, she rejected corporate fashion, choosing a radically sustainable, zero-waste path.  Through her brand JRAT, she transforms discarded and found materials into one-of a-kind garments – her work merges activism, art, and performance—as she exposes fast fashion's farce through garment reclamation, reminding us that all garments are human artifacts. In this conversation, we're diving into Janelle's journey from growing up surrounded by sewing machines to her own craft in zero-waste design. We'll talk about how her design education shaped her view of the fashion industry, her creative process for sourcing and transforming discarded textiles, and what it really means to practice zero-waste pattern making. Plus, Janelle shares stories about her favorite finds, and why she wants people to be in love with clothes that already exist. Plus so much more. Let's dive right in! DISCUSSED IN THE EPISODE: [2:06] Janelle loved fashion from a young age, growing up in her parents' Seattle clothing factory. [8:14] How thrifting with her mom at St. Vincent de Paul became their bonding time [10:08] Learning to sew at age seven and the freedom to experiment with reworking clothes [12:31] Why she decided to pursue fashion at Parsons despite knowing firsthand how hard the industry is [18:34] Learning zero-waste pattern drafting  [24:04] Taking a seven-year detour to avoid monetizing her creative work [28:15] Her creative process for sourcing and transforming discarded textiles [33:23] Her special upcycling techniques [39:45] JRAT's latest NYFW show, Pretty Ugly Princess, inspired by the 1990s board game [53:09] Personal style, and the pieces that make it into her own closet.  EPISODE MENTIONS:  JRAT Alyza DelPan-Monley Sustainable Style Seattle JeLisa Marshall T Parent Path with Art Adult Human Females Avery Trufleman Doc's Cake Shop Nick of Time Sheerly Touch Ya Heavy Duty Vintage Shop Berriez Down to Clown LET'S CONNECT: 

Prepare-se para uma conversa inspiradora que traz uma nova perspectiva sobre o futuro da cadeia da moda!Nesta semana, no Programa de Quinta, tive o prazer de receber Renata Lima, CEO e founder da QueenCo. Ela é publicitária, com nove anos de experiência em logística de produtos químicos, pós-graduação em Business e Fashion Design pela IFA em Paris. Nosso papo foi muito instrutivo e teve um objetivo claro: desvendar o poder do cânhamo na moda nacional. A grande questão que lançamos para essa discussão foi: Será que o cânhamo vai transformar o futuro da moda?Você vai se surpreender com as múltiplas possibilidades de desenvolvimento do cânhamo e como essa planta incrível permite a regeneração do solo. É uma combinação perfeita de inovação, sustentabilidade e futuro! Não perca este episódio que está imperdível! Venha com a gente descobrir um novo universo de possibilidades.

LOUISE WANNIER is an author, artist, and creative entrepreneur. As a visual artist and photographer, she attempts to capture and present the energy and spirit she observes and feels in our complex world. Her work has been exhibited at galleries and museums nationwide and appeared in the book Less Clutter More Life. She has built four companies and advised many others in industries from Education Technology to Fashion Design and is currently creating her own textile art prints and collections for fashion and the home under the label LOUIS JANE™. A graduate of the Fashion Institute for Design and Merchandising in Textile Design, she also holds an MBA from the UCLA Anderson School and a BS in Astronomy from the California Institute of Technology. She feels very fortunate to be “Safta” to nine grandchildren. To learn more, visit LouiseWannier.com.  Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

In Part 2, we pick up right where we left off—and go deep into the proposal process that helped Jade book aligned, high-paying clients without chasing or convincing. From discovery calls to saying no, you'll hear exactly how she built a business model around energy alignment and long-term relationships—while raising a newborn.Resources:CLO3DStyle3DChris DoThe Fabricant AILook AINano Banana AI4 Fashion Designers Battle for $500 - Freelancer Pitching Challenge264: How Jade Strategically Prepared Her Freelance Business During Pregnancy (Part 1)About Jade:Jade is a seasoned 3D sartorial streetwear designer, pattern maker, and product developer who previously contributed her technical expertise at Alexander McQueen. Since 2013, has led design innovation through her creative studio, Atelier WCMF.With over 20 years of experience in pattern engineering and garment construction, Jade blends traditional craftsmanship with cutting-edge digital tools (such as Clo3D, AI-enabled workflows, and virtual sampling) to streamline development, reduce waste, and deliver consistent high-quality results across collections.Connect with Jacqueline:Email her at j.w@atelier-wcmf.comCheck out her websiteFollow on Instagram Connect on LinkedIn Download my Freelance Price List just for fashion (it's free!): sewheidi.com/price

Branding, Launching, and Financing a business that Empowers Women is covered in this video, along with the following subjects:- What are the biggest misconceptions you've discovered about adaptive fashion?- As a new company, what has been the response from the diabetic community so far?- What role do you think investors and mainstream fashion companies should play in inclusive design?***************************************Branding, launching, and financing a business that empowers women is an exciting journey filled with purpose and potential. It starts with a strong brand identity that resonates with your target audience—women who are looking for products or services that uplift and support them. This involves crafting a compelling brand story that reflects your mission and values, ensuring that your messaging is authentic and relatable. I'll be talking with Natalie and Naomi Kinnamon about Branding, Launching, and Financing a business that Empowers Women.Naomi Kinnamon manages the business road map, the designs, and the supply chain. With experience in operations management within the fashion industry, Naomi has a proven track record of optimizing supply chains, enhancing production efficiency, and ensuring seamless end-to-end logistics. Her approach to operations is deeply rooted in function and inclusivity, with a focus on designing adaptive apparel that addresses the specific needs of people with disabilities—particularly those managing type 1 diabetes, a chronic disease—while maintaining the highest quality standards. Naomi holds a Bachelors in Fashion Design from the Savannah College of Art and Design and has supported her mission-driven brand in driving product development and operational excellence.As the chief operating officer, Natalie Kinnamon focuses on brand, design, and managing PR agencies. With a dynamic background in graphic design and brand strategy, Natalie brings years of experience in visual storytelling into every aspect of branding—from designing compelling campaigns and social content to refining digital experiences that convert views into engagement and clicks into sales. She holds a Bachelors in Graphic Design from University of Maryland Global Campus and is passionate about using design as a tool to communicate purpose, strengthen brand voice, and create meaningful customer experiences.

Today on the Autism Little Learners Podcast, I'm joined by Julia DeNey, founder of Sensational You—a brand dedicated to creating adaptive clothing for children with sensory differences. Julia's journey is such an inspiring one. She started in the world of fashion, but it was her time working in special education that opened her eyes to just how much sensory needs can impact a child's ability to learn and thrive. Sensory friendly clothes can make everyday life easier for autistic kids. In this episode, learn how adaptive clothing supports comfort, confidence, and learning. I can't wait for you to hear this conversation! Takeaways Julia's background in fashion led her to create Sensational You. Sensory needs can significantly impact children's learning. Adaptive clothing can help minimize sensory irritations. Real-life feedback from families is crucial for product development. The importance of understanding dysregulation in children. Innovative designs include built-in sensory tools. Community support has been vital for Sensational You's growth. The future vision includes a wider range of sensory-friendly products. Adaptive fashion should be accessible in mainstream stores. Sensory-friendly solutions are becoming more recognized in society. Bio & Links Julia DeNey studied Fashion Design at Cornell University and later worked as a special-education paraprofessional with autistic students. Combining her design expertise with her classroom experience, she founded Sense-ational You, an adaptive clothing brand that supports individuals with autism, ADHD, and sensory sensitivities. https://shopsenseationalyou.com/ https://shopsenseationalyou.com/pages/back-to-school-sensory-checklist https://www.instagram.com/senseational_you/ https://www.tiktok.com/@senseational_you Chapters 00:00 Introduction to Sensational You 02:52 The Journey from Fashion to Sensory Solutions 05:49 Understanding Sensory Needs in Education 08:40 Innovative Adaptive Clothing Designs 11:31 Real-Life Impact of Sensory Clothing 14:15 Feedback and Community Support 17:19 Future Vision for Sensational You 20:15 Conclusion and Resources You may also be interested in these supports: Visual Support Starter Set: www.autismlittlelearners.com/visuals Visual Supports Facebook Group: https://www.facebook.com/groups/3922278281209994/ Autism Little Learners on Instagram: http://www.instagram.com/autismlittlelearners Autism Little Learners on Facebook: https://www.facebook.com/autismlittlelearners/ If you're enjoying the Autism Little Learners Podcast, I'd love for you to leave a rating and review—it helps more educators and parents find these conversations and join our community.  

Laura Luchtman talks to TCA about her journey from fast fashion to sustainable fashion looking for a greater purpose. She experiments with natural pigments and materials, always searching for solutions to problems that exist in the fashion and textile industry. In this episode, Laura explains how she experiments with color-growing bacteria and how this process creates a new aesthetic, researching to answer that big question: can our what we wear heal us? Laura Luchtman was born in the Netherlands where she lives and works in Rotterdam. She is a textile and surface designer investigating the social, cultural, and ecological dimensions of color. She develops new ways to experience color through bio-based pigments, inclusive systems, and translating color and pattern across different contexts. From her chromatic atelier Kukka in Rotterdam, she works with brands like Puma, ranging from conceptual presentations to applied collections. Her research into sustainable dyes highlights her hands-on approach and commitment to conscious design. Laura's work has been shown globally, published, and presented at TEDx. In 2023, she won the DNA Paris Design Award for Chromarama Riso.Support the showThank you for listening! Follow us through our website or social media!https://www.thecolorauthority.com/podcasthttps://www.instagram.com/the_color_authority_/https://www.linkedin.com/company/78120219/admin/

If you've ever wondered how to keep your freelance momentum going during one of the most life-changing transitions—this episode is for you. Jade Wei didn't wait until after having her baby to get back into freelancing. She made the bold decision to start rebuilding *while* she was pregnant. With no recent work, no active portfolio, and a toddler on the way, she used this time to reset everything—from her niche to her mindset. If you're in a season of transition or feeling like you need a fresh start, this conversation is going to light a fire under you.Resources:CLO3DStyle3DChris DoThe Fabricant AILook AINano Banana AI4 Fashion Designers Battle for $500 - Freelancer Pitching ChallengeAbout Jade:Jade is a seasoned 3D sartorial streetwear designer, pattern maker, and product developer who previously contributed her technical expertise at Alexander McQueen. Since 2013, has led design innovation through her creative studio, Atelier WCMF.With over 20 years of experience in pattern engineering and garment construction, Jade blends traditional craftsmanship with cutting-edge digital tools (such as Clo3D, AI-enabled workflows, and virtual sampling) to streamline development, reduce waste, and deliver consistent high-quality results across collections.Connect with Jacqueline:Email her at j.w@atelier-wcmf.comCheck out her websiteFollow on Instagram Connect on LinkedIn Download my Freelance Price List just for fashion (it's free!): sewheidi.com/price

For our season finale, Amber is in conversation with multi-disciplinary artist and designer Aitor Throup, and Andrew Groves, Professor of Fashion Design at the University of Westminster and founder of the Westminster Menswear Archive. The discussion is a deep dive into the conceptual framework behind Aitor's practice, considering the avant garde at the intersections of football and fashion, the paradoxes at the heart of terrace style, and how racial discrimination is confronted in his designs. It is linked to Aitor's retrospective in Burnley for the British Textile Biennial this year, titled From the Moor. Hosted on Acast. See acast.com/privacy for more information.

What if your biggest freelance project started with a LinkedIn message... and didn't close for another 8 months? That's exactly how Amanda Cabania landed a $9,000 client for a women's golf brand. With no website, minimal marketing, and a lot of uncertainty, she wasn't sure where things would lead—but she stayed patient, followed up, and eventually got the yes. In this episode, Amanda shares how it all played out, what helped her stay grounded through the wait, and what it really looks like to grow a freelance business while raising three kids.About Amanda:Amanda Cabania is a fashion industry professional based in Austin, TX and a proud mom of three young children who keep her on her toes. With 14 years of experience, she began her career in corporate fashion at Forever 21 after graduating from FIDM. While she has a strong background in the corporate world, her true passion lies in supporting and helping small businesses grow. Amanda completed the FAST program just a year ago, and although freelancing is still new to her, she's excited about the journey and hopeful to make it her permanent path.Connect with Amanda:Email her at amanda@amandacabaniadesign.comFollow on Instagram Connect on LinkedIn Download my Freelance Price List just for fashion (it's free!): sewheidi.com/price

Jonathan Bennet, owner of Unsprung Upholstery is originally from Martinsville, VA.  He caught the sewing bug from his great grandmother at a young age. He moved to Richmond, VA on a whim in August of 1989 and earned a BFA in Fashion Design from Virginia Commonwealth University. Directly after graduation, Jonathan taught in the Fashion Design department as an adjunct professor for 13 years. He started his first workroom job in 1997, learned how to make various types of window treatments, cushions, pillows, and more;  since then, he has done freelance workroom client projects in his home for over 25 years. Jonathan opened Unsprung Upholstery LLC in August 2019 and will continue this beautiful journey for the rest of his life!   Website:  UnsprungUpholstery.com IG:  UnsprungUpholstery FB:  Unsprung Upholstery Company   Links and Resources; The Custom Workroom Conference Window Covering Association of America Scholarship Info

In this episode of Sew & So, we sit down with four of those “sewing fairies”—Jaime David (Education Project Manager), Megann Freese (Educator), Hayley Grzych (Educator), and Fabian Renteria (Associate Educator). Together, they pull back the curtain on what it's like to be behind the scenes of one of fashion TV's most iconic shows. From early call times and prepping challenges, to watching contestants “make it work” in real time, the team shares stories of intensity, camaraderie, and unforgettable creative energy.Whether you're a Project Runway fan, a sewist, or just curious about how TV magic comes together, this episode is packed with insights, laughs, and plenty of BERNINA pride.  (:45) Let's meet :Jaime David, Education Project ManagerMegann Freese, EducatorHayley Grzych, EducatorFabian Renteria, Associate Educator(1:35) What one word would each of the team members use to summarize their experience on the set?(3:40) How did each member of the team find out that they would be going to the show?(6:48) How did this overall opportunity to work with the show come about? And how did the experience unfold?(12:04) Hear about a “typical” day on the set!(14:07) How was communication with the contestants monitored to make sure that everyone got the same information and no secrets were revealed?(16:40) Learn about how each challenge were prepped and how the BERNINA team participated.(19:11) The team talk about some of the “make it work” minutes.(21:07) What was the most memorable moment for each team member? You'll want to pay attention to these answers!(26:24) What surprised the team members while on the set?(27:50) Are there any moments they'd like to relive? The team also calls out Nick, David, Rich and Noel for their amazing support!(33:59) What did this experience teach each of them both personally and professionally?(36:48) The team represented BERNINA on set. How did this experience affect how they feel about the brand?!(38:39) Are there any messages the team members would like to send to the contestants?(41:02) Any questions we didn't ask that they wish we had asked? Be sure to subscribe to, review and rate this podcast on your favorite platform…and visit our website sewandsopodcast.com for more information about today's and all of our Guests.

Today I am joined by Lawson Park! Lawson is the founder and designer of Brooks Avenue, a womenswear brand celebrating color, craftsmanship, and self-expression. With a BA in Advertising, PR, and Design from UNC Chapel Hill and her MFA in Fashion Design from FIT, Lawson's approach to design is rooted in color, texture, and storytelling. Her work is shaped by her creative upbringing in Charlotte, NC, blending artisanal techniques and timeless silhouettes into richly detailed, narrative-driven pieces. In this episode, Lawson and I talk about her childhood and how she has always been creative, her time at FIT, why she started her own brand, marketing strategies that have worked for her, how she views wholesale, and so much more! Brooks Avenue WebsiteBrooks Avenue Instagram Brooks Avenue TikTokNational Blood Clot Alliance 

Geoff and Marie's Good Life: Part 9Lucy's TurnGeoff finally gets more quality time with Lucy.Based on posts by Only In My Mind, in 15 parts. Listen to the Podcast at Explicit Novels.I was bringing in the bedsheets from the washing line when my lovelies got home. Colin was inside doing his art homework alone as I'm afraid that art isn't my forté. From the way Angie bounced up the path like a tall, supple Tigger, I assumed that their mission had been successful. Marie followed behind at a more stately pace, but I could tell by her expression that she was pleased."Geoff! It's perfect," Angie enthused. "Show him, Marie!"Marie finally caught up with our friend. "She's not wrong, Geoffrey," she admitted. "The moment we saw it, we knew that was the one." She felt into her handbag and took out a small square box."Just like you and me then," I reminded her, kissing the top of her head."You'll get anywhere saying things like that, you smooth devil," my wife smiled as she showed me our purchase."So what happens now?" I asked. It appeared that they were in the dark too. Did we give her it now, like an engagement ring? Or wait until the ceremony, like a wedding ring?I decided. I took Angie's left hand and dropped to one knee. "Angela, you have added a new thread to the tapestry of our lives. Will you agree to be my betrothed?"Marie was quick to respond. She took her friend's hand from me and turned Angie towards her. "Angela, you have been my closest friend for decades, will you now be my betrothed?""Oh! God! Yes! Thank you. I love you both so much," wailed Angie, hopping up and down in floods of happy tears.Marie held out the ring they had chosen and bought together and together my wife and I slipped it onto the fourth finger of Angie's left hand. As I'd suggested, they had chosen something called a Russian Ring, made of three interwoven strands of different shades of gold. It was perfect. I resolved to get my little Mediterranean goddess a matching necklace.There was the sound of applause from behind us and we turned, rather startled, truth to be told, to find Colin beaming at us, the drawing in his hand forgotten."I think you're supposed to kiss her now, Grandma, Grandad," he observed. We couldn't fault his grasp of etiquette so we did; very chastely and properly with no tongues."Mum's gonna go proper monkey poo this time," he predicted, quite astutely. "Glad I'm not the one that has to tell her." He smiled, congratulated us all and then asked for our opinions of his drawing. We were all impressed, both by his artwork and his attitude and told him so. He disappeared happily back inside to put his drawing safely in his bag."He's not wrong about Linda," I pointed out. "I was thinking about this while I was running and I think I should take her out for tea tomorrow and tell her about our, er; does 'new situation' sound about right?""Thank God!" Marie breathed a sigh of relief. "I don't think she'd accept this updated version of 'the talk' from me. Anyway, I did the one about boys, boobs and periods, now it's your turn."I went and switched the oven on and chose a bottle of wine as I waited for it to reach 180°C. I'd picked up a bottle of Ribeiro in our local supermarket and a Spanish white seemed to fit nicely with the ingredients so I parked it in the fridge to chill.I got the tray with the onions, tomatoes, garlic cloves and potatoes and glugged over a little olive oil before putting it all in the oven for twenty minutes and then went off to see my girls. Angie had calmed down and they were trying to decide her outfit for our ceremony."What about Padme's rainbow dress?" I suggested. I'd had nothing urgent after lunch and had done some research. Angie gave me a long appraising look and typed 'padme rainbow' into the search engine on her phone. She selected 'images' and then studied the screen intently for longer than I expected. Still silent, she showed Marie the dress. "He's a clever old sod, really, isn't he?" My beloved observed. "That's beautiful, and it's perfect for your body shape."Angie agreed. "That's it. I was considering Rey's outfit but this is better. This is the one I want.""You can actually buy these on-line," I offered."Not a chance!" Retorted Angie. Marie looked as puzzled as me at how emphatic Angie's response was. "I'm sure that some are okay," Angie conceded. "But I've seen too many instances on Facebook where the seller shows an image of the original but what actually arrives looks like it was sewn in the dark from old curtains by an arthritic chimp. I want it to look just like that picture.""But at least you'll know how much it is going to cost, dear," Marie said. "Who knows how much your student friends will have to pay to find a fabric like that?""Don't care," Said a defiant Angie. "I can afford whatever I want and it's my money after all."Marie leaned in for a kiss. "We'll contribute too. We always intended to.""No. Thank you, but no." Angie was adamant. "You bought me that beautiful ring. I realize that it would be rude to offer to pay for that, but everything else; everything," she stressed that last word, "is on me."My wife and I shared another look of surprise at our friend's determined outburst. "But Ange," Marie began."Everything, Marie. You've been so kind to me for so long. And these last few weeks;” She teared up again. "You really don't know, do you?"I shrugged. We were into Donald Rumsfeld territory here with 'unknown unknowns' and I didn't think that this was the moment to dive down that particular rabbit hole."You know that apartment I live in?" Angie asked. We did. It was in a massive, tastefully converted, Victorian building near the university. "Don't you think it's rather large and expensive for just one person?" We both just did some head wobbles, shoulder shakes and comme ci, comme ça, hand gestures to indicate that we had wondered but."It's not that expensive," she continued, eyes sparkling with mischief. "Not for me, anyway. You see." She paused for effect. "I own the entire building. A lettings management company deals with renting the other apartments; I just live off the income. I only do the consultancy work for you know who," she tapped the side of her nose. "to stop me getting bored and my brain shutting down." She was winding me up because she knew I suspected that she was some kind of spook."Don't worry about the cost," she said cheerfully. "I can afford it. Last time I checked I had over two million pounds just in my savings accounts."She looked gleefully at the expressions on our faces. "And, once we're officially joined, I'm changing my will to leave it all to you and your kids. Colin certainly won't need a student loan when he goes to Uni.""Angie, darling. There's no need," Marie protested."Who else then?" Angie challenged her. "You two are the closest I've had to a family since I ditched that last useless waste of DNA. I've had more fun, romance, sex and affection from you two lunatics in the last six weeks than from both my husbands combined over two decades."Marie looked helplessly at me. I knew exactly what to do. I leaned forward. "Angie?" I said softly, taking her hand in mine."Yes, Geoff?" She replied, returning my loving gaze."Please can I have an Aston Martin DB12?"We collapsed in each other's arms in fits of giggles. Marie swiped me fondly across the head. "You nutcase. Get back in the kitchen and get our tea ready."I checked, and the potatoes were starting to cook, so I laid the chicken and chorizo slices on top, added the herbs and spices and put the tray back in the oven. "Alexa, set a timer for twenty minutes." Then I went off in search of Colin.I told him that I needed a private chat with his mum. "You think?" Was his smart-ass response. Sometimes he makes me so proud.Anyway, he texted one of his friends and persuaded her to wangle an invite to go over straight from school the following evening to do their homework together. Linda would collect him around seven."So Colin. Mia. Is she nice?""Yes Grandad. She's nice. No Grandad, she's not my girlfriend. We're only thirteen but we get on just fine as friends." Hell. The kid's more mature than half of the lads I used to play rugby with.We chatted some more until Alexa's alarm went off and I hit the kitchen again. Dropped the sliced peppers into the tray, a good mix up and back in for the last twenty minutes.I was starting to set the table when Marie and Angie came in to take over and chased me away to watch the news on TV. Angie had already taken her ring off and had decided to keep it in its box until they were with their friends. Then Marie intended to propose again in front of them all. It sounded lovely and I would have liked to see it, but I'd agreed that this was their moment.Linda arrived on time and about ten minutes later we sat down to eat. She'd called to collect a baguette on the way home as I'd asked and we used it to mop up the juices from our plates. The wine paired well; even Colin agreed, though he only got a sip of his mum's. Perhaps, when he's sixteen, Linda will let him have a glass with his meals.After we'd finished, the ladies declared that they would clear the table as I'd done all of the cooking. It had hardly been a chore but I wasn't about to argue. Instead, I went and asked Colin if he was okay with Aunty Angie being, well, betrothed to Grandma and Grandad.He thought carefully for a while. "Is anyone going to get hurt?"It was a reasonable question. "I hope not. But it's always possible. Even two people who love each other can eventually drift apart.""But you're all happy now?" He persisted. "You all want this?""Yes. All of us." I confirmed."What will I call her then?" He asked.That hadn't occurred to me. "Whatever you and Angie decide. That seems the fairest to me."His face lit up. "When you've told mum, I'm going to ask Aunty Angie if I can call her; Grangie." He announced triumphantly. There were still tears of laughter streaming down my face when the women joined us five minutes later. They all looked suspiciously at the pair of us."You had to be there," I told them, then we cracked up again.Before Linda and Colin left I told her that, as Colin had a homework date the following day, earning a glare from him, I'd treat her to a meal after work as we'd both be on our own. I suggested a Thai in town and we agreed to meet there at five fifteen. She looked warily at me, but I'd been practicing my innocent expression and gave nothing away. Certainly, nothing had been said that evening to suggest there was a problem.Angie saw them off with us and then said her own goodbyes. I copped a feel of her bum as we kissed, well, we're engaged now, or something. Marie must have shared my sentiment only she went for a tit. I slapped her hand gently. "Enough of that. She'll never get away if you start on her nipples." They both reluctantly agreed and then there was just the two of us again."Are we being silly, Geoff? Starting a new way of living? At our age? Is this just desperation?" It wasn't like Marie to second guess herself.I hugged her to me. "I don't think so. We have time, money and our health. The kids are okay so this is our opportunity to be us. Not teacher, boss, researcher, mum or dad; just us. If this is what makes both of us happy, why fight it? You promised, if we reach a place where you're uncomfortable, then you'll tell me. I promise you the same. So let's go and see what's out there.""Tell you what," she replied pulling me closer. "Get the rest of that wine and I'll sit on your lap and we'll finish it while we cuddle then, maybe, an early night?"I was up early next morning. We did make love the night before and it was slow, sensual and fulfilling. We'd both slept like babies.When I'd finished in the bathroom, Marie was looking at her phone. "That was a text from Peter. He and Jen are coming back from Canada on Monday and thought they might stop in to see us on the way back home." She looked worried. "Do we tell them? Or just Pete? But then how do we tell Pete without Jen hearing? Do we insist he keeps it a secret from her? ""We need to make a choice," I told her. "We're telling Linda because she deserves to know the unconventional relationship that Colin will see when Angie is here. Pete isn't in that position but, I think that if Linda knows then her brother should too. And I also think that, if Pete knows, it would be unfair to expect him to keep it from Jen. I'm not sure about discussing the rest of the girls with him; I'm tempted to tell Linda because she'll get suspicious if we're never free to look after Colin on Wednesdays if she wants to go out with Mike or if she has to work late."That's fair. I'll tell Pete that they are welcome to stay and we're looking forward to seeing them. But, Geoff?""Yes?""For pity's sake, will you move the toy box out of the playroom and make sure there's no lube or condoms left in the drawers?""I'll do it now."The rest of the day was quite mundane. Breakfast, grocery shopping, coffee at home and then a walk to the park. "I think I'm happy, Geoff," my wife announced as we strolled. "Not just content; actually happy. My friends have you in their lives, I'm even closer to them than ever and Angie," Marie's voice choked. "I've never seen her so alive. Thank you."I wasn't even tempted to be flippant. "Thank you too. It's strange, but making love to your friends seems to have brought me closer to you. I'm just so relieved you aren't jealous. You aren't are you?"She considered. "No. Truthfully; not at all. What about you?""No. Me neither. In fact, I know you have a bit of a thing for Sue, and it's, I dunno, sweet."She punched me playfully. "I still like Sam though," she admitted."So, now you have both, and me and Angie too."She gave a big happy sigh and we turned and made our way home.The weather was still fine so Marie set off at ten to four to walk to the Black Swan to meet her friends. I red for half an hour and then caught the bus into town. Linda could drop me back off at home on the way to collect Colin from Mia's house.I'd reserved a table and waited at the bar for Linda. She rushed in, all flustered, only two minutes late. "It's okay," I told her. "We're not running to a timetable here."Sorry, Dad," she apologized. "Isn't there always some clown who decides that half past four on a Friday afternoon is the perfect time to start making urgent phone calls?""Is it settled?" I asked her. "Or do you need ten minutes to make some more calls of your own?""God, no!" She laughed. "I'll start working for free after finishing time when my boss stops checking her watch when folk arrive in the morning with just minutes to spare."The waiter saw that my guest had arrived and invited us to follow him to our table. The place was quiet that early so he gave us a place with a nice view over the river."Is your job getting you down?" I asked. She worked in the distribution office for a large retailer."No, the work is fine, the people are great, it's just that our boss is so insecure in her abilities that she sticks rigidly to corporate policy, and it sometimes gets in the way of actual work.""Go on," I invited her. We didn't get to chat like this as much as I'd like."Okay. So: There are six people in our office; two men, four women. We lost both of the guys for a full day on Tuesday to go on a gender harassment awareness course. One's gay and the other is a fifty year old sweetheart. They could have done effectively the same course on-line in an hour but no, she had to make sure that her boss saw our guys in person to make her look good." She gave an exaggerated sigh. "Those lads get more grief from us girls than they'd ever; Oh! It's so frustrating.""I know," I sympathized. "I regarded part of my role as lab manager as insulating the people who actually generated income from stupid policies like that. I'd do what the law required but, if an adult technician doesn't know that it's not okay to touch a colleagues bum, no matter how cute or pert it is, a course isn't enough; a dismissal is much more effective. It solves the immediate issue and also serves 'pour encourager les autres' as your Great Gran would have said. An object lesson to the others," I said in reply to her unspoken question.We chatted in the same vein as we looked through the menu and had just finished our deliberations when our waiter appeared.We ordered spring rolls and prawn toast, I ordered a pork massaman, Linda chose a chicken panang and we decided to share a green papaya salad.

Geoff and Marie's Good Life: Part 8Feel The ForceGeoff faces some peculiar challenges.Based on posts by Only In My Mind, in 15 parts. Listen to the Podcast at Explicit Novels.Angie arrived in time for tea on Tuesday evening and, being a math genius, helped Colin with his math homework. Well why waste an opportunity like that? Marie politely declined our invitation to join us at the pub later that evening for two reasons; first, it was likely to be a very nerdy conversation and she'd just feel marginalized; second, it was likely to involve a discussion of submissive lifestyles, something she really doesn't really engage with: She prefers Angie as a playmate rather than a plaything.So anyway, she thought it would be better for all concerned if it were only Emily, Adrian, Angie and me involved. Truth be told, she had the latest Richard Osman book to start, and she fancied a quiet night in.We watched the first episode of The Mandalorian before we left for the pub and I'm sure that my wife enjoyed it even more than her muted, "I suppose it was okay." suggested.We arrived just before the kids and I got the beer in; All four of us were drinking pints of locally made IPA. We settled down and just caught up before we got down to business. Adrian had made some discrete enquiries and the University's Department of Fashion Design would be interested in creating costumes for our guests if we would be prepared to underwrite the cost of the materials. Angie agreed without even asking how much.I glanced at her and she just frowned and shook her head. "Not now Geoff."When we described Marie's fascination with a Bo-Katan outfit, Emily got quite excited. It turned out that she was on an engineering course and looking for a CAD (computer aided design) project for her coursework. She would love to create Mandalorian armor components in either aluminum or polymer but they would need painting.Angie and I looked at each other and spoke together. "Lucy!" Yes. One of our little sex circle is a talented professional artist.Then Adrian raised the issue of Intellectual Property Rights. He was concerned that Lucas Films or Disney or someone would sue the University for I P R infringement. Again, in chorus, "Megan!" Yes. Tomorrow night, Marie and I would be entertaining a well-respected solicitor. It wouldn't be something I'd be discussing during her visit, but I was rather hoping that we would have her feeling particularly well disposed towards us before she went home to Charles.We also chatted about our costume or character debate but the kids couldn't help us to decide either. Talking about costumes eventually led us, reasonably neatly, to Angie's collar and what it represented. Angie tried to explain. To be fair, it was much as Marie had described to Emily on Sunday."Sometimes," she said. "There's just so much in my life, in my head, that I just need to turn it right down. When I submit to Geoff, I give myself entirely to him. My problems just don't matter anymore; I am entirely his to control. Wearing his collar just symbolizes that. But," she paused and looked intently at the young couple. "It only works because I trust Geoff implicitly. If he ordered me to humiliate myself, here now, then I probably would, and that thought alone strangely excites me. But," she paused again. "At the same time, I feel safe in his power because I know that he would ever do anything that would hurt my body, my mind or my reputation."That's when Emily spoke up. "I think that's how I feel sometimes. As a woman, a shy woman at that, on an engineering course, sometimes it feels so; so; intense. Having somebody to take that weight off me, even just for a while, sounds so appealing." I was proud of the girl.Angie smiled. "Yes, sweetheart. It's like meditation. Losing yourself in the moment." Then the smile morphed into her muckiest grin. "But the orgasms are so much better our way."Adrian sat quietly, just listening. "Do you understand, Geoff?" He asked. "I want to, but I feel a bit lost."It was a hard question to answer but I admired the lad for asking it, so I did my best. "Emotionally, No. I don't understand. The same way that I can't 'understand' being gay. It's personal and probably even individuals with the same inclinations experience them in their own way. But I do try to understand what Angie needs from me. So, while I will only do things that I'm okay with, they're mainly for her benefit, not mine. Does that make sense?""I suppose so," he admitted, as the girls looked on hopefully."Angela." I looked at her. "Did you bring your collar?"She beamed at me. "Yes sir. May I put it on?""You may." I allowed.She reached into her bag and took her gold collar from its box and turned so that Emily could fasten it for her. Adrian sat quietly watching and Emily's hands were trembling as she helped. Her chest was rising and falling in a most intriguing way too."Angela. You and Emily are to go to the ladies' room now. When you return, neither of you will be wearing underwear. Do you both understand?" They both nodded. "Then go." I instructed them. We watched as two pair, both in skirts and sweaters, bolted towards the ladies' loos.I turned back to Adrian. "The issue I have is finding new things that she wants me to tell her that she has to do. I have to retain Angie's respect and affection because, well because I love her. But, at the same time I have to push her boundaries or else I'll disappoint her. The thing is, I'm not a natural Dom. I do it only for Angie's benefit. I really have no pool of experience to draw on.""So where do you get your ideas from, Geoff?" he asked."There are a few websites that publish stories that include submissive fantasies." I explained. "I read through them to find ideas that might excite Angie without going too far." I thought for a moment. "I suspect that Emily may well be far more engaged than even Angie is. Would you be prepared to be her master?" I looked him in the eye. "I know she likes you. I think that she trusts you too. Are you interested enough to take on that responsibility though? are you worthy?"He mused. "You seem to be acting as a surrogate Dad." He was obviously thinking it through. "I don't suppose though that this is a normal father boyfriend chat though, is it? He alternated between voices;'What are your intentions towards my daughter?''Well, I'm going to tell her to do sexually perverted things and spank her if she displeases me.''Well, that's great son. Welcome to the family'."I conceded the point. "So?""Actually, I've wanted to ask her out for a while, but I enjoy her company so much that I was afraid to spoil the friendship we already have. If I do ask her out, then she'll have to guide me how to be a good Dom.""Here's my first bit of advice," I offered. "Agree in advance what are your boundaries, lines that won't be crossed. Will you give her to other men as a sex toy? I couldn't do that to Angie. I'd hope you wouldn't do it to Emily. She might, or might not, be excited at the thought that you could, though. How do you deal with that?"He shook his head. "Fuck! aren't women complicated?" He stopped suddenly as a thought occurred to him. "You realize that when they come back, if Emily's complied, that means that she has submitted to you?""Okay," I stretched the word out, wondering where he was going."Then yes. I'll be her Dom. But I think that if she has submitted to you tonight, it makes sense that you should give her to me. Pass over the mantle, as it were.""You sneaky little fucker!" I complimented him. "You may just be a natural at this. Heads up! They're coming back."The two women returned and went to sit down. I checked to see if there was anyone taking notice but the pub was still fairly quiet apart from a group of lads playing pool in the far corner; and they were making enough noise to keep our conversation private."Stop!" I spoke quietly but firmly. "Who told you to sit down?""No-one, Sir," Angie replied, looking chastened."Then stand in front of your master until you are given permission." I ordered."Yes sir," said Angie."Sorry sir," said Emily, breathing heavily again."Are you still wearing underwear?" I asked them both."No sir," they replied at the same time."Who do you belong to?" I directed this to Angie.You and only you sir." she responded."That's better. You may sit now," I told her. She thanked me and took her seat."Who do you belong to?" This time aimed at Emily."You and only you sir. If you'll have me," she replied, looking hopefully at me."I have no time to train another sub," I told her. She looked devastated. "I think instead I shall give you to Adrian to play with. Do you want her Adrian? Can you think of games to play with your new toy?"Emily was almost quivering with excitement as she waited for his answer. He looked her up and down. "She's a pretty thing," he admitted. He took his time before he answered, dragging out her suspense. "Yes, Geoff. Give her to me and I'll look after her.""Emily. You belong to Adrian now. Please him as you would have pleased me. Do you understand?""Yes sir," she gasped. I suspected that she'd been on the verge of a minor orgasm, just standing there listening to us discussing her ownership.Then Adrian took over. "Emily. Who do you belong to?""You sir, and only you." she answered, breathlessly."Then sit quietly while I decide how to play with you." She thanked him and sat next to Angie."Adrian?" That was me. "Do you think that our toys would like to play with themselves?" Both girls gasped."Does it really matter, Geoff?" He replied. The girls sat rigid with anticipation. "Emily, put your hand between your thighs," he instructed her. "Touch your cunt."The atmosphere at the table was electric. Ever so slowly Emily's tiny hand crept under the hem of her skirt. Angie, watching, licked her lips. Suddenly Emily stiffened in her seat. We had a fair idea of where her hand had reached."Angela. Touch yourself the same way. You may come, but make no noise." I told her, firmly. She too put her hand under her skirt. Adrian added the same instructions to Emily and then we sat and watched, looking around periodically to make sure that our little play was going unobserved, until Emily and then Angie shuddered quietly and sank back in their seats. The smell of their sex was noticeable by then, so I suggested that we send them to the loos again, this time to mop up their lady juice and put their pants back on.While they were gone, Adrian and I discussed some practicalities that two novices like us needed to deal with. One example was putting the girls into Sub mode and then recovering them. In my case, telling Angela to remove her collar worked, but the collar wasn't a pre-requisite; I could dominate her with my tone of voice alone. We also needed a voice command to release them. Adrian had an inspired idea. "We'll just tell them that when we say, 'you are released' they will have independent will again." I told you he was smart.When they got back we gave the girls their new command and they reluctantly resumed their normal demeanor, though Emily's eyes had a sparkle I'd not seen before. Angie leaned over the table so only the four of us could hear. "Geoff," she whispered. "That was so fucking HOT. I'm going to ask Marie if I can give you a proper seeing-to tonight." Emily giggled, not repelled, as I thought she might be, at the thought of wrinklies like us 'doing it.'"Well," I said. "Not to put a damper, as it were, on things. But do you have any wet-wipes in your bag? Your seats could do with a little attention."We chatted some more before Angie and I decided to leave the youngsters to come to their own understanding. The two women had seemed to be happy sharing their secret desire with someone else who understood. Adrian and I'd had our own chat about the moral challenges involved in dictating someone else's sexual activity. Although I had no business really, I did feel somewhat paternalistic towards Emily but I thought that she had chosen wisely with Adrian. I hoped that I was right but, short of keeping her to myself, it wasn't my decision to make.We got home a little before ten, to find that Marie had three coffee cups prepared ready for our return. As we drank, Angie excitedly updated Marie on the plans for our ceremony and even more excitedly described what Adrian and I had made her and Emily do in the pub. "Can we take him to bed and fuck him now, Marie?" She pleaded. "I'm so horny that my knickers are damp."Marie picked up her book and found where her bookmark was. "You two go now and I'll finish this chapter, tidy the kitchen and then join you." She smiled at us both and then added. "And, Geoff. Take one of your tablets 'cos that story got my knickers damp too."Sometimes we like to take turns to make love, but that evening the girls were on a mission. Even before Marie made it to the bedroom, Angie had swallowed so much of my cock that her nose was touching my belly. She'd pulled away before I was too close to finishing and hauled me on top of her. When I tried to return the compliment, she seemed almost annoyed."No fucking way," she told me, in no uncertain terms. "You stick that cock in me this minute and pound me until you come. I'm so fucking turned on I just want you inside me." Well, how could I have argued with a charming invitation like that?Marie arrived just in time to hear Angie yelling, "Yes, yes, fucking yes!" as I approach my climax. To be honest, I'm not sure whether she came or not. That didn't seem to be her objective just then. To use the vernacular, I think she just needed a good dicking.After a couple of minutes cuddling, we calmed down enough to welcome Marie into our embrace and the next ninety minutes or so were only a little less, shall we say, physical. There was kissing this time though. The girls lay face to face as I took Marie from behind until we came and then Angie laid between my wife's thighs as I took her from behind and then Marie rode my cock as Angie straddled my face and they groped each other. By the time we'd cleaned up and settled down, just before midnight, I was content that Angie, and Marie, had both at least come a couple of times.Angie left after breakfast on Wednesday morning. There was some pleasant snuggling and kissing before we all got up but the girls had decided that we should remain fairly chaste because Marie and I were entertaining Megan and Sam that evening and little Geoffrey might need time to recuperate from his efforts the night before. I reluctantly agreed but 'he' wasn't happy at all. But I knew we'd make it up to him that evening.Marie and I did some housework that morning, to prepare for our guests. We changed the bedding and made sure that all the toys were clean and sanitized. (We always do, both before we put them away and before we have guests again.) Marie had an early lunch before she went into town to the charity shop where she had offered to cover a lunchtime shift.I had a lunch date with Jane, the widow of an old friend. She's a pleasantly rounded lady, a little taller than my wife with black hair, brown eyes and an engaging personality. We had agreed to meet the previous week but she'd had to cancel. I hoped everything was okay. We met in a local café as I felt as though I'd spent a lot of time in the pub of late. I was already in the queue when she came in so I ordered two lattes and a couple of slices of carrot cake while she claimed an empty table for two.We chatted amicably for nearly an hour. Apparently, she'd had to postpone our last meeting because Ben, her 19 year old son, had been unwell and she would have felt guilty leaving him. I liked Ben so I was relieved to hear that he was recovered and back at work. We talked about his job, which he hated, and his other options, which were limited. It was odd; he was deceptively bright but his quiet nature and succinct way of speaking led some people to think he was, well, a bit dim. Let's be honest here: His interview technique sucked. I promised to give some thought to careers where, should we say, he might shine more brightly in a solo capacity. We moved on.Jane told me that she'd enjoyed meeting Marie the previous week and lamented that they couldn't see more of each other. I just kept quiet at that point. She then showed some self-awareness that surprised me. "I think Marie was disappointed at some of the gossip I shared with her. Did I offend her?" She asked.I had to be honest. "Well, my work used to involve commercially sensitive information, Marie used to provide pastoral support to her students and some of her friends in the health or legal professions have similar experiences. We just aren't used to sharing information about folk that might embarrass them."She looked shocked. "Oh, dear. And now she can't share any girl talk with me because she'll be afraid it'll be all over town in an hour?" I shrugged, but she was right; that was exactly how my wife felt. "Do apologize for me, won't you?" She asked. "I was never that woman but, just lately, there's so little of interest in my life that I seem to live vicariously through other people's."I asked if she was seeing anyone. She smiled. "Would you be jealous?" She asked, playfully.I replied in kind. "Devastated, my dear. But my love for you would only hold you back."She shook her head. "If only, Geoff. If I could persuade Marie to share, I would be a very happy girl." Oh Jane! If only you knew.I persisted but she was adamant that she had no appetite for on-line dating and gorgeous single men rarely turned up at her door, so she was left to her own devices. I asked her how many devices she actually owned. She looked horrified for a moment and then we both lost it in a fit of the giggles. When we'd composed ourselves, and the other patrons had stopped staring at the pair of us, she admitted that she was tempted to buy a plastic pal but didn't know how or where to start.I looked at her. "If you are serious, would you go in an adult store if someone took you? I mean it, but this must go no further."She sat back, speechless. "Who?" She eventually managed to say."Let's see," I replied. I sent a text to Marie. "Jane lonely. Wants to buy sex toy but too shy. Can I take her to naughty shop? Do you want to come too to keep us out of mischief?"I changed the subject to ask about her plans for Christmas but she seemed distracted. It took three or four minutes for Marie's reply. "We've had a no-show. If I cover, you take Jane now. Be home for half past three. BEHAVE! xxx"

This week the American multidisciplinary artist and designer Hannah Polskin. Hannah combine's fine art and design to create a freeform aesthetic that melds across each project. She is most inspired when she has free rein to take over an entire space, which includes paintings, mirrors, kitchen islands, rugs, menorahs, etc. thus creating an entire visual concept. Hannah was born in New York City in 1989, the youngest of two daughters, to parents Philippa and Howard Polskin, both of who worked in public relations. It was in this environment that Hannah became enamored with office and studios spaces surrounded by her mother's art collection. This gave her the foundation for her ambitions in art and design so it was a natural choice for her to pursue a career in this field. She attended the Savannah College of Art and Design (SCAD), graduating in 2007 with a Bachelor of Fine Arts in Fashion Design.  Hannah then spent nine years working in consumer insights with a Fortune 500 company, which gave her a range of skills that would help her develop her own business. In 2016, she established her own studio in Los Angeles and in 2019 held her first solo show. She describes her style as calm and serene with an energy that becomes therapy while embracing life and love. Her goal is to continue to expand her art to include other mediums such as doors, antiques, jewelry, roman coins, candles and table top sculptures. Hannah lives in Los Angeles with her husband Gil Manzuri. Hannah's links:https://www.hannahpolskin.com/ https://www.instagram.com/hannahpolskinstudio Hannah's favorite female artists:Meret Oppenheim (d)Tracey EminAustyn Weiner Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on Instagram AART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

This week the American multidisciplinary artist and designer Hannah Polskin. Hannah combine's fine art and design to create a freeform aesthetic that melds across each project. She is most inspired when she has free rein to take over an entire space, which includes paintings, mirrors, kitchen islands, rugs, menorahs, etc. thus creating an entire visual concept. Hannah was born in New York City in 1989, the youngest of two daughters, to parents Philippa and Howard Polskin, both of who worked in public relations. It was in this environment that Hannah became enamored with office and studios spaces surrounded by her mother's art collection. This gave her the foundation for her ambitions in art and design so it was a natural choice for her to pursue a career in this field. She attended the Savannah College of Art and Design (SCAD), graduating in 2007 with a Bachelor of Fine Arts in Fashion Design.  Hannah then spent nine years working in consumer insights with a Fortune 500 company, which gave her a range of skills that would help her develop her own business. In 2016, she established her own studio in Los Angeles and in 2019 held her first solo show. She describes her style as calm and serene with an energy that becomes therapy while embracing life and love. Her goal is to continue to expand her art to include other mediums such as doors, antiques, jewelry, roman coins, candles and table top sculptures. Hannah lives in Los Angeles with her husband Gil Manzuri. Hannah's links:https://www.hannahpolskin.com/ https://www.instagram.com/hannahpolskinstudio Hannah's favorite female artists:Meret Oppenheim (d)Tracey EminAustyn Weiner Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on Instagram AART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

Tired of saying yes to everything—and still not getting paid what you're worth? Martha Fogarty was, too. After years of permalance gigs, unpaid invoices, and murky job titles, she drew a line in the sand. In this episode, Martha shares how getting hyper-clear on her niche and offer flipped the power dynamic, brought in multiple five-figure clients, and helped her build a freelance business that's finally on her terms. If you've ever felt like clarity could change everything—this one proves it can.About Martha:Martha is the founder of LIFTOFF — fashion's ultimate brand launch lab. Part design school, part business bootcamp, it's where early-stage founders learn how to build labels that don't just look good but become successful, profitable companies. She's spent 25+ years helping companies go from scrappy idea to runway darlings with record-breaking revenues, including Chris Benz and Brandon Maxwell. Along the way, she's picked up CFDA awards, launched, scaled and sold two brands of her own, and guided dozens of founders from "I think I want to do this" to 7-figure business owners. Her mission? Demystify the fashion industry, skip the gatekeeping, and equip and empower future founders to lead like both the Creative Director and the CEO of their future.Connect with Martha:Email her at martha@321liftoff.netCheck out her websiteFollow on Instagram Connect on LinkedIn Download my Freelance Price List just for fashion (it's free!): sewheidi.com/price

D'IYANU's founder built a multimillion-dollar African-inspired fashion brand by bootstrapping, taking bold risks and mastering Facebook ads. For more on D'IYANU and show notes click here Subscribe and watch Shopify Masters on YouTube!Sign up for your FREE Shopify Trial here.

How to Run A Powerful Company Meeting That Aligns Your Team and Grows Your Business Think your team knows where the business is headed? Think again, unless you're holding company-wide meetings like this. In this episode of the Business of Apparel Podcast, Rachel walks us through exactly how she structures biannual “all hands” gatherings at Unmarked Street. From clarifying the mission and values to reviewing financials, team roles, and growth goals, this is the system that keeps everyone rowing in the same direction. You'll hear how transparency builds trust, why she's implemented people-first policies like core hours, and what she's doing to grow both community and client base in the second half of 2025. Whether you're just starting to grow your team or already leading a growing fashion business, this "CEO minute" offers a full roadmap for how to lead with clarity, purpose, and results. In this episode, you'll hear: - How to structure effective mid-year or annual company meetings - Communicating transparently with contractors and employees - Creating a culture of reliability and ownership - Strategic marketing pivots: what's working, what's not - The power of people-first leadership in the apparel industry   Join The Board here: https://www.thebusinessofapparel.com/the-board   Sign up for the Secrets Behind Billion-Dollar Apparel Brands FREE Course here!   We can't wait to hear what you think of this episode! Purchase the Business of Apparel Online Course: https://www.thebusinessofapparel.com/course To connect with Rachel, you can join her LinkedIn community here: LinkedIn. To visit her website, go to: www.unmarkedstreet.com.   

Just because you land a $10K freelance project doesn't mean it all goes smoothly. Jacqueline's back to share what *didn't* go so great—and the one decision she regrets most. We unpack the lessons she's learning around boundaries, overgiving, and setting clear terms from the start. Whether you're early in your freelance business or landing big wins yourself, this episode is a must-listen for protecting your time, energy, and value.Resources:260: How Jacqueline Landed Her First $10K+ Freelance Fashion Project (Part 1)196: How This Freelancer Does Sourcing & Product Development for Factories (and is making bank)197: How to Sell Yourself As A Freelance Fashion Designer (without feeling gross) with Nikki Rausch250: The $6K Freelancer: How She Replaced Her Salary in 30 DaysConscious Fashion CollectiveThe Power Pause, Neha Ruch BookAbout Jacqueline:Jacqueline is a freelance denim designer who collaborates with ethical brands. Denim production has significant environmental and social consequences, mainly due to chemical dyes, excessive washing, and unethical labor practices. Her work aims to raise awareness that the denim industry should prioritize not only sustainability but also fairness, ethics, responsibility, and promoting slow consumption. Jacqueline is dedicated to contributing towards steering the industry in a positive direction for the future.Connect with Jacqueline:Email her at connect@jacquelinediane.comCheck out her websiteFollow on Instagram Connect on LinkedIn Download my Freelance Price List just for fashion (it's free!): sewheidi.com/price

Discover the untold story of Claire McCardell, the woman who invented casual wear, defied Dior, and changed the way American women dress (with insight from author Elizabeth Evitts Dickinson, who finally put her name back on the label).Buy the Book: Claire McCardell: The Designer Who Set Women Free_______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by branding and design studio  Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______About Claire:Claire McCardell put zippers on the side so women could dress themselves. She gave us pockets when men said we didn't need them. She invented the wrap dress before Diane von Furstenberg and made ballet flats a thing—during wartime, using Capezio dance shoes. At a time when women were being arrested for wearing pants, Claire McCardell was designing clothing that made women feel powerful, stylish, and free.While Dior was cinching waists and romanticizing restriction, Claire was pioneering what became known as the “American Look”—comfortable, functional, and modern. Her name was once as big as Chanel's, and she was the first designer to have her name on a ready-to-wear label. So why don't we remember her?Find out on this week's episode. About Elizabeth:Elizabeth Evitts Dickinson is an award-winning journalist and author based in Baltimore. Her work has appeared in The New York Times, Harper's Magazine, The Washington Post, and more. Her debut book, Claire McCardell: The Designer Who Set Women Free, was published in June 2025 to wide acclaim, including praise from The New York Times Book Review, which called it “the linchpin I didn't know I needed.”  ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

You ever wonder what it *actually* takes to land a $10,000+ freelance project in fashion? Jacqueline's back for her third appearance—and this time, she walks us through how a total stranger found her on Google, filled out her project form, and signed a $10,498 contract without negotiating. We get into the exact pricing strategy, mindset shifts, and proposal she used to close it—and what she did *before* the contract even landed to help seal the deal. Let's get into it.Resources:196: How This Freelancer Does Sourcing & Product Development for Factories (and is making bank)197: How to Sell Yourself As A Freelance Fashion Designer (without feeling gross) with Nikki Rausch250: The $6K Freelancer: How She Replaced Her Salary in 30 DaysConscious Fashion CollectiveThe Power Pause, Neha Ruch BookAbout Jacqueline:Jacqueline is a freelance denim designer who collaborates with ethical brands. Denim production has significant environmental and social consequences, mainly due to chemical dyes, excessive washing, and unethical labor practices. Her work aims to raise awareness that the denim industry should prioritize not only sustainability but also fairness, ethics, responsibility, and promoting slow consumption. Jacqueline is dedicated to contributing towards steering the industry in a positive direction for the future.Connect with Jacqueline:Email her at connect@jacquelinediane.comCheck out her websiteFollow on Instagram Connect on LinkedIn Download my Freelance Price List just for fashion (it's free!): sewheidi.com/price

You've probably been told never to say yes to cheap work. But what if that project could launch your freelance career? That's exactly what Max Guemto did. With no reviews and a fresh Upwork profile, he got a message from a client offering just $150—and instead of walking away, he saw a smart opportunity. In this episode, Max unpacks the mindset, strategy, and communication that made this “cheap” project totally worth it. If you've ever debated whether a low-budget job is worth your time, this story will shift your perspective.About Max:Max Guemto is a freelance 3D fashion and activewear designer currently based in Korea. After earning his degree in textile and clothing technology in Germany, he interned across the globe—from lingerie brands to spinning factories—before diving headfirst into freelancing. With a sharp eye for detail and a deeply strategic mindset, Max helps brands bring functional, innovative activewear to life.Connect with Max:Email him at maxguemto@gmail.comCheck out his website Follow on Instagram Connect on LinkedIn

In this episode of Sew & So, we sit down with Kristine Frailing, founder of The New YorkSewing Center, a vibrant, hands-on sewing school with two locations in New York and virtual classes that reach students in all 50 states. A fashion designer, entrepreneur, and mom, Kristine brings her passion for sewing and empowering others into everything she creates.Kristine shares how her love for sewing began with her great aunt and blossomed into a fashion career that took her to top names like Ford Models, J. Mendel, Gurhan, and David Yurman. She later launched her own clothing line, K.BANASIK, which was sold in stores around the world.We explore how her move to New York City — a place she says "fuels" her — inspired her to open The New York Sewing Center in 2014. With a focus on creativity and confidence, the center teaches students of all ages everything from basic machine skills to upcycling, embroidery, and garment-making.Kristine talks about building a supportive, creative community both in-person and online, how she came up with the idea for affordable open-studio hours, and the powerful role the center played in the early days of the COVID-19 pandemic — including a viral video that sparked a nationwide mask-making effort.She also reflects on her love of movement and making, what inspires her, her favorite creations, and her dream for the future.Whether you're a beginner or an aspiring designer, this episode is filled with inspiration, entrepreneurial insights, and a deep love for the art of sewing.Kristine can be reached at Thenewyorksewingcenter@gmail.com Be sure to subscribe to, review and rate this podcast on your favorite platform…and visit our website sewandsopodcast.com for more information about today's and all of our Guests.

Unmarked Street vs. The Business of Apparel: What's the Difference? Behind the Scenes Have you ever wondered what really separates Unmarked Street from The Business of Apparel? In this episode of the Business of Apparel Podcast, Rachel pulls back the curtain and breaks down the purpose and vision behind her two companies, and how they each can help you grow and protect your apparel business. Sparked by a question from the community, Rachel shares the story of why she left corporate after burnout and illness to launch Unmarked Street as a consulting agency dedicated to helping brands master product development, technical design, and business growth. Then, Rachel goes into how The Business of Apparel was born from her passion for education and mentorship, offering courses, templates, and memberships to empower entrepreneurs with the tools and knowledge that billion-dollar brands use every day. If you're considering freelancing, building an apparel line, or simply curious about how to structure multiple brands, this episode is full of value you won't want to miss. In this episode, you'll hear: - The meaning behind the name “Unmarked Street” - Our transition from freelancing to building an agency team - How Unmarked Street helps clients with product development, technical design, and business growth - What The Business of Apparel offers: courses, templates, memberships - Real-life client success stories and examples of saved costs   Sign up for the Secrets Behind Billion-Dollar Apparel Brands FREE Course here!   We can't wait to hear what you think of this episode! Purchase the Business of Apparel Online Course: https://www.thebusinessofapparel.com/course To connect with Rachel, you can join her LinkedIn community here: LinkedIn. To visit her website, go to: www.unmarkedstreet.com.   

What if you could build a thriving freelance fashion business… while raising a toddler at home? That's exactly what Philippa Cooper—aka Pip—has done, working just two days a week. In this episode, Pip shares how she went from a COVID layoff to building a client roster using platforms like PeoplePerHour and LinkedIn. You'll hear how she doubled project rates, started integrating Clo 3D into her services, and got consistent inquiries without even having a website. If you're trying to make freelancing work in the margins of your day, Pip's story proves it's 100% possible.What if you could build a freelance career during nap time and weekend evenings? That's exactly what Philippa Cooper—aka Pip—has done. Specializing in technical outerwear, she shares how she turned part-time hours into consistent £1K+ months, how Clo 3D transformed her workflow, and why LinkedIn has become her go-to marketing tool. This episode is packed with real strategies, mindset shifts, and tactical advice for freelancers trying to make it work with limited time.Resources:216: What 3D Fashion Design Software Is the Best? With Sylwia SzymczykFacetuneapp.com for professional AI headshotsAbout Philippa: Philippa “Pip” Cooper is a freelance pattern cutter and outerwear specialist based in Southeast England. She helps UK startups develop technical outerwear with a focus on fit, precision, and performance. Using tools like Clo 3D and leveraging her extensive industry experience, Pip creates efficient workflows that support startup founders from concept to production.Connect with Philippa:Email her at pip.cooper.fl@gmail.comCheck out her websiteFollow on Instagram Connect on LinkedIn 

How did a simple t-shirt brand built on optimism grow into a $150 million business? Life Is Good president Tom Hassell shares how the company reshored production, adopted print-on-demand, and stayed committed to purpose-driven growth.For more on Life Is Good and show notes click here. Subscribe and watch Shopify Masters on YouTube!Sign up for your FREE Shopify Trial here.

What happens after you hit $100K on Upwork? For Afroditi, it meant finally stepping away. In this second half of our in-person interview, she shares how she scaled her freelance business, raised her rates, and built a system that brought clients to her. But she also reveals why she chose to leave it all behind. From pricing mindset to proposal tips and her 2025 pivot strategy, this is an honest look at what growth really takes.In Part 2 of our conversation with Afroditi, we pick up after her rocky first year and dive into how she built a stable, high-paying freelance business. She talks about growing from $15 projects to $70/hour clients, using Upwork to teach herself strategy, and why she ultimately chose to leave the platform.Resources:Afroditi's Upwork Profile253: Tabitha's First $1K Month (and Why She's Quitting Her Day Job to Go All In on Freelancing)256: From $15 to $100K: Afroditi's Fashion Freelance Journey on Upwork (Part 1)About Afroditi:Afroditi is a fashion technical designer who earned $100K on Upwork while living in Greece. She now helps early-stage brands with tech packs and development—and is shifting her freelance business off-platform to gain more control.Connect with Afroditi:Follow on InstagramConnect on LinkedIn Download my Freelance Price List just for fashion (it's free!): sewheidi.com/price

Diane Kappa is a lifelong artist and the daughter of an artist. After founding her art licensing business nearly 20 years ago, she spent many years designing to creative briefs—a challenge she still enjoys for its problem-solving aspects. But in recent years, her focus has shifted toward more personal exploration, a journey that has deepened her creative practice and enriched her commercial design work.Linoleum block printing has become her most personal and expressive medium. Drawn to its tactile process, bold shapes, and the meditative rhythm of carving by hand, Diane often combines her hand-carved prints with stitching and layered details. Her work explores the interplay of texture, pattern, and process—three themes that guided her recent artist residency. Texture is revealed through physical and visual layers; Pattern draws inspiration from sources like tattered wallpaper and vintage textiles; and Process honors the thoughtful, hands-on journey behind each piece.Travel continues to inspire her work. Having lived in Budapest for four years, she regularly attends creative retreats in India, France, Mexico, and across the U.S.—experiences that provide time to reset, refocus, and reconnect with what matters most in her art.A passionate teacher, Diane offers block printing classes from her studio, nurturing creative community and helping others reconnect with their artistic voice.Website: https://www.dianekappa.comInstagram: https://www.instagram.com/dianekappa/Retreat: https://www.artistsrising.net/diane-kappa-2026Thank You to Our Sponsors: Jet Creative and UrbanStems!· Jet Creative: A women-owned marketing firm committed to community and empowerment. Whether you're launching a podcast or building a website, Jet Creative can help you get started. Visit JetCreative.com/Podcast to kickstart your journey!· UrbanStems: Your go-to source for fresh, gorgeous bouquets and thoughtful gifts, delivered coast to coast. Treat yourself—or someone you love—with 20% off! Use code BLOOMBIG20 at checkout.

S2 E47 Tate Clough  In this episode, host Bob Cutler sits down with Tate Clough, the youngest guest to appear on Cocktails with Friends—a 21-year-old fashion design student, kitchen team member at Birdies, and aspiring model. Their conversation blends deep respect with light-hearted banter, exploring how Tate's calm, competent energy in the kitchen is matched by bold creativity in fashion. From cleaning up the back of house to sketching hundreds of designs for class, Tate brings thoughtfulness and ambition to every setting. Key Topics Fashion as Identity and Empowerment Tate views clothing as a way to show the world who he is—mixing confidence, creativity, and comfort into a personal expression that breaks from Maine's rural fashion norms. The Future of Sustainable Design From upcycled fabrics to locally sourced materials, Tate's vision for fashion includes eco-consciousness and community-driven aesthetics, inspired by real-world experience and classroom training. Modeling, Mentorship, and Maine Roots Despite modeling opportunities and big-city aspirations, Tate stays grounded through his work at Birdies and the mentorship of supportive family, professors, and now even Bob Cutler himself. Episode Index 1:04 – Tate reflects on joining the Birdies kitchen and how a smooth team dynamic makes the work flow. 4:00 – His Instagram handle (@Tate with 9 A's) reflects his personality and love for fashion. 6:21 – Tate explains how fashion became a personal expression and why "look good, feel good" is a daily mantra. 10:34 – He walks through the design process from sketching hundreds of looks to building a full line concept. 19:03 – Bob and Tate agree: no tie is sometimes the right tie, especially if you want to feel like yourself.  

Neurodivergence — The idea that people experience and interact with the world around them in many ways, with no one ‘right' way of thinking, learning, and behaving. Neurodiversity refers to the diversity of all people, but it is often used in the context of autism spectrum disorder and other neurological or developmental disorders such as ADHD or dyslexia. For the third video interview release on Everything You Didn't Know About Herbalism, we are joined by the insightful herbalist and Tarot reader with a passion for fashion, Brynna Herbener. Take your ears AND eyes along with Tommy and Brynna as they explore the identity of neurodivergence and how different frames of mind lend unique perspectives throughout herbalism that help strengthen our connection and understanding of plants. Be sure to tune in all the way till the end of the episode to listen in to Tommy's first-ever Tarot reading!

Dani Noguera left the music industry with no fashion experience and launched Grin27, a cycling brand rooted in purpose and inclusion. He shares how cold emails, beginner-friendly rides, and staying true to his vision helped him carve out a new lane for his business.Watch the full video interview on YouTube!For more on Grin27 and show notes click here.  Subscribe and watch Shopify Masters on YouTube!Sign up for your FREE Shopify Trial here.

What if your first freelance project paid just $15 and took a week to complete... would you keep going? In this first episode of our two-part series, I sit down in person with Afroditi, a Greek fashion freelancer who started on Upwork with no clients and no portfolio. She opens up about landing that first $15 sketch job, the fear and uncertainty she faced, and why Upwork felt safer than anything else.Afroditi shares the raw, unfiltered truth of her first year freelancing: her strategies, the emotional toll of working without boundaries, and the surprising reasons she didn't give up.Listen to this powerful story of grit and growth, especially if you're just starting out or need a reminder that every expert was once a beginner.Resources:Afroditi's Upwork Profile 253: Tabitha's First $1K Month (and Why She's Quitting Her Day Job to Go All In on Freelancing)About Afroditi: Afroditi is a fashion technical designer based in Athens, Greece. She transitioned from teaching cello to fashion, and after a tough start in the industry, she built her career on Upwork (eventually crossing $100K on the platform).Connect with Afroditi:Follow on Instagram Connect on LinkedIn Download my Freelance Price List just for fashion (it's free!): sewheidi.com/price

CANDYcolored studio podcast episode #251:micah clasper-torch is one of the most warm, caring and genuine people i've had the pleasure of spending time with. we quickly went deep in this interview and you'll not only be smitten by her gracious desire to teach all that she's learned, but you'll go away from this interview filled with wise thoughts and the courage to continue pursuing your creative path. micah's cv is extensive as are her experiences in the design capitals of the US and the world (milano). her book: punch needle fashion is the bridge between the time-loved craft of needle rug hooking and the seemingly intimidating world of fashion. she effortlessly shares how her love to learn and celebrate the craft & its evolution has taken a lovely creative journey discovering how to construct fashion pieces using this timeless art of punch needle. join her in her community: punch needle world. learn, create and be inspired via her book (it's truly like nothing i've seen) and by joining her email list. enjoy! (and thank you micah!!)order the bookpunch needle fashion: 15 punch needle projects for crafting accessories and wearableson amazonbarnes & noble micah's websites:www.micahclasper-torch.compunchneedleworld.com micah's instagrams:@claspertorch@punchneedle.world CONNECT WITH ME:katrinaberg.comemail: k@katrinaberg.comjoin my SWEETlist (my email list)instagram @katrina.berg LEAVE ME FEEDBACK: - what should i talk about next? let me know in the comments below. - did you enjoy this episode? if so, leave me a review!

Could you land a $75/hour freelance gig without even showing a portfolio? Sara Bleske did—and her story might just change the way you think about pitching.After being laid off from her full-time design job, surface and textile designer Sara Bleske didn't wait until everything was “ready.” Instead, she led with sincerity, curiosity, and a desire to be helpful—and ended up landing her dream client from a cold email (yes, really). In this episode, Sara opens up about the moment she hit “send,” the nerves that followed when she thought she got ghosted, and the surprising way it all came together.You'll hear how she navigated the leap into freelancing while juggling motherhood and self-doubt, and how she figured out her niche when her skills felt all over the place. From crafting thoughtful outreach messages to experimenting with social media and tools like ChatGPT, Sara shares the real, raw, and refreshingly simple strategies that helped her get started—and get paid.If you're new to freelancing or have been at it a while, click play now to hear how genuine connection and a little courage can open big doors—even without a perfect portfolio.Resources:008: Freelance Textile Designer: How to Have A Successful Career with Michelle FifisAbout Sara:Sara Bleske is a textile and surface pattern designer with over 15 years of in-house corporate experience in home textiles, decor, apparel, and craft ribbons/trims. She is passionate about creating patterns and surface designs that make people happy.Connect with Sara:Email her at sarablesketextiles@gmail.comFollow on InstagramConnect on LinkedIn Download my Freelance Price List just for fashion (it's free!): sewheidi.com/price

From Zero Reviews to $4K Clients: How Danielle Steman Broke Into Freelance Fashion With Just 8 PitchesEver wondered how to stand out on Upwork without a single rating, review, or testimonial? Danielle Steman did just that—and banked $4,000 from her first two freelance clients.In this episode, you'll meet Danielle, a former engineer from The Netherlands who left behind a stable tech career to carve out a bold new path in fashion. Specializing in made-to-measure and latex pattern making, she built a niche business from scratch—landing high-paying clients with just eight targeted pitches and zero experience on her profile.You'll hear how her technical background gave her an edge, how she uses mobile scanning and CAD to wow clients, and why saying no to non-niche work helped her grow faster. She also shares the mindset shifts that helped her go all-in, and the exact steps she took to start attracting international clients (hint: it's simpler than you think!).If you're new to freelancing or have been at it a while, click play now to learn how confidence, clarity, and a super-specific niche can unlock your freelance fashion career.About Danielle:Danielle Steman is a freelance patternmaker for liberated brands committed to sustainable practices and inclusivity.She specializes in designs that fit like a glove, focusing on made-to-measure and latex garments. A fashion tech aficionado, she thrives on technical challenges and is a strong advocate for Made to Measure and Made to Order as the future of fashion. Over the past two years, she has been deeply engaged in exploring the integration of 2D, 3D, and scanning technologies to craft perfectly fitting patterns at the touch of a button.Connect with Danielle:Visit her website: https://daniellesteman.nl/Email her at info@daniellesteman.nlFollow on InstagramConnect on LinkedIn Download my Freelance Price List just for fashion (it's free!): sewheidi.com/price

No degree, no industry connections, no Illustrator skills—and still crushing it as a fashion freelancer! Tabitha Calvin proves you don't need the "perfect" background to make it happen. Just a year ago, she was a Spanish teacher with a dream—and now she's designing streetwear collections for clients, including a former NBA player!In this episode, we get real about what it's like to build a freelance fashion career from scratch. From teaching herself Illustrator to landing $2,500 streetwear clients through LinkedIn and Upwork, Tabitha's story is packed with hustle, discipline, and major mindset shifts. We talk about hitting that first $1,000 month, dealing with tough client feedback, and the confidence it takes to own your worth as a freelance fashion designer. If you've ever doubted whether you can break into fashion without a degree, connections, or years of experience, this episode will leave you fired up to chase your freelance dreams.If you're just getting started or ready to go all in on your freelance fashion career, click play now and see what's possible when you bet on yourself.About Tabitha:Tabitha is a certified Spanish teacher and freelance fashion designer, finally living the dream she's had since she was 8. After getting into her dream fashion school but unable to afford it, she studied Spanish instead—but fashion never left her heart. She tried the boutique life in college but realized she just wanted to design. Everything changed when she discovered FAST through Heidi's YouTube channel and went all in. Now, she's building a steady client base, growing her network of fellow designers, and working toward her ultimate goal: transitioning into full-time freelance fashion design.Connect with Tabitha:Email her at tatacalvin@gmail.comFollow on InstagramConnect on LinkedIn Sick of being tied to a desk and want more freedom in your day, snag my free training: How to Freelance in Fashion (even if you're terrified you don't have all the answers) by clicking here.