Podcast appearances and mentions of ron lagomarsino

Mark St. Germain has written the plays "Freud's Last Session," "Camping with Henry and Tom," "Forgiving Typhoid Mary," and "Becoming Dr. Ruth." His other plays include "Best of Enemies," "Dancing Lessons," and "Eleanor."His new play "The Happiest Man on Earth," will have its world premiere May 24 – June 17 at the Barrington Stage Company's St. Germain Stage in Pittsfield, Massachussets starring Kenneth Tigar and directed by Ron Lagomarsino.. "The Happiest Man on Earth" is based on the memoir of the same name by Eddie Jaku.

Listen: Lauren Class Schneider talks to Ron Lagomarsino, director of “Chester Bailey” at Irish Rep. Class notes actively covers New York’s current theater season on, off, and off-off Broadway. For a transcript of this episode, please email transcripts@broadwayradio.com and include the episode name. The post Class Notes: From “Chester Bailey,” director Ron Lagomarsino appeared first on BroadwayRadio.

Ron Lagomarsino: Fresh off of the successful opening of Driving Miss Daisy starring Dana Ivey and Morgan Freeman, Director Ron Lagomarsino sat down with SDCF's Steve Kaplan in January of 1988 to discuss directing comedy for the stage. In this, the third installation in a series of three interviews devoted to the topic, the listener will notice similarities in the directorial philosophies of these comedic helmers. (Other series interviews include directors Gene Saks and Jerry Zaks - available on Masters of the Stage at a future date or by request from SDC Foundation). Mr. Lagomarsino discusses what he looks for from actors in casting a comedy, and the trust he must develop with them once the cast is formed. He speaks fondly on the experiences of directing Dana Ivey in Daisy and collaborating with Christopher Durang on Laughing Wild, both at Playwrights Horizons. He concludes by revealing how he so adroitly shifts his style to fit pieces like Hay Fever, Laughing Wild and Noises Off - by not pretending to have all the answers. Ultimately, this organic process may be what endears him to his casts. Originally recorded - January 18, 1988. Running Time - 1:15:13 ©1988 SDCF

Fresh off of the successful opening of "Driving Miss Daisy" starring Dana Ivey and Morgan Freeman, Director Ron Lagomarsino sat down with SDCF's Steve Kaplan in January of 1988 to discuss directing comedy for the stage. In this, the third installation in a series of three interviews devoted to the topic, the listener will notice similarities in the directorial philosophies of these comedic helmers. (Other series interviews include directors Gene Saks and Jerry Zaks - available on Masters of the Stage at a future date or by request from SDCFoundation). Mr. Lagomarsino discusses what he looks for from actors in casting a comedy, and the trust he must develop with them once the cast is formed. He speaks fondly on the experiences of directing Dana Ivey in "Daisy" and collaborating with Christopher Durang on "Laughing Wild", both at Playwrights Horizons. He concludes by revealing how he so adroitly shifts his style to fit pieces like "Hay Fever", "Laughing Wild" and "Noises Off" - by not pretending to have all the answers. Ultimately, this organic process may be what endears him to his casts.

The panel - playwright Allan Knee ("Late Night Comic"), director Ron Lagomarsino ("Driving Miss Daisy"), director Lloyd Richards ("Fences"), casting director Meg Simon ("Fences"), playwright Alfred Uhry ("Driving Miss Daisy"), and playwright August Wilson ("Fences") - discuss directing styles, collaboration between playwright and director, developing and casting their current productions, and the emergence of casting directors for the stage.

The panel -- playwright Allan Knee (Late Night Comic), director Ron Lagomarsino (Driving Miss Daisy), Tony Award winning-director Lloyd Richards (for Fences), casting director Meg Simon (Fences), Tony Award winning-playwright Alfred Uhry (1999 for Parade and 1997 for his play The Last Night of Ballyhoo), and playwright August Wilson (Tony winner for Fences) -- discuss directing styles, collaboration between playwright and director, developing and casting their current productions, and the emergence of casting directors for the stage.

The panel of directors Walter Bobbie ("Chicago"), director/choreographer Wayne Cilento ("Dream"), Scott Elliott ("Present Laughter"), Ron Lagomarsino ("Last Night at Ballyhoo"), Gene Saks ("Barrymore"), and playwright Alfred Uhry ("Last Night at Ballyhoo") talk about how they got started, developing their current productions, a show's relevance to contemporary audiences, determining the length of a play, and how directors maintain an ongoing show.

The panel of directors Walter Bobbie (Chicago, Tony Award), Tony Award-winning choreographer Wayne Cilento (for The Who’s Tommy), Scott Elliott (Present Laughter), Ron Lagomarsino (Last Night at Ballyhoo), Gene Saks (Tony Award winner for Best Direction for I Love My Wife, Brighton Beach Memoirs and Biloxi Blues), and Tony Award winning-playwright Alfred Uhry (1999 for Parade and 1997 for his play The Last Night of Ballyhoo) talk about how they got started, developing their current productions, a show's relevance to contemporary audiences, determining the length of a play, and how directors maintain an ongoing show.