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4 episodes with Barrington Stage Company
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2 episodes with Barrington Stage Company
2 episodes with Barrington Stage Company
3 episodes with Barrington Stage Company
EAST COAST PREMIEREBook and Lyrics by Mickle Maher Music by Merel van Dijk and Anthony Barilla Directed by Taibi Magar & Tyler Dobrowsky Commissioned and Co-Produced by Daryl Morey, Philadelphia 76ers President of Basketball OperationsPhiladelphia loves sports, so why not a sports-themed musical? Step into the surreal, magical world of Small Ball, where melancholy journeyman basketball player Michael Jordan (no, not that Michael Jordan) has recently started playing in the international league with the Lilliput Existers – as in Lilliput, from Gulliver's Travels. With teammates who are only six inches tall, the team's fortunes, and the post-game press conferences, rest on Michael's shoulders. Small Ball is an off -beat musical delight, commissioned and co-produced by Daryl Morey, President of Basketball Operations for the Philadelphia 76ers. Directed by Co-Artistic Directors Taibi Magar and Tyler Dobrowsky. An East Coast Premiere.Content Advisory: Small Ball contains strong language, adult themes, and surreal humor. Recommended for ages 13 and up.Adam Chandler-Berat - PIPPINPTC: Debut. Broadway: Next to Normal (original cast); Peter and the Starcatcher (original cast); Amélie (original cast); Saint Joan (revival). Off-Broadway: The Jonathan Larson Project; I Can Get It for You Wholesale; Assassins; The Fortress of Solitude (Lortel Award nomination); Rent; Fly by Night; How to Load a Musket; Nantucket Sleigh Ride; Zorba; Titanic. Regional: A New Brain, Barrington Stage Company; Sunday in the Park with George, Huntington Theatre Company; The Year to Come, La Jolla Playhouse. Film: Delivery Man. TV: Gossip Girl (HBO Max); Veep; Elementary; The Good Wife; Doubt; The Code; NCIS: New Orleans; Soundtrack.JORDAN DOBSON, MICHAEL JORDONPTC: Night Side Songs. Broadway: Bad Cinderella (Prince Sebastian, OBC); Hadestown (Orpheus); A Beautiful Noise (Shilo, OBC); West Side Story (Tony, dir. Ivo van Hove). Tour: Rent (Angel), Japan Tour. Regional: Hair, Signature Theatre and Two River Theater; Austen's Pride, Into the Woods, ACT of Connecticut; The Wanderer, Paper Mill Playhouse; Cabaret, Gypsy, Arden Theatre Company; The Color Purple, Theatre Horizon. Film: Maestro (William), dir. Bradley Cooper; Closing Night (Jericho). More: @jordandobson_.
Joe Iconis is a musical theater writer and performer. He has been nominated for a Tony Award, two Drama Desk Awards and a Lucille Lortel Award, is the recipient of an Ed Kleban Award, Jonathan Larson Award and Richard Rodgers Award. Joe's musical Be More Chill (with Joe Tracz) opened this season at Broadway's Lyceum Theatre, following a sold-out Off-Broadway run at The Pershing Square Signature Center and a world premiere at Two River Theatre. He is the author of Broadway Bounty Hunter (with Lance Rubin and Jason SweetTooth Williams; Barrington Stage Company and Greenwich House Theater Off-Broadway), Bloodsong of Love (Ars Nova, NAMT), The Black Suits (Center Theater Group, Barrington Stage Company), ReWrite (Urban Stages, Goodspeed Opera House), Theaterworks USA's The Plant That Ate Dirty Socks and We The People. Musicals currently in development include The Untitled Unauthorized Hunter S. Thompson Musical (for La Jolla Playhouse), Punk Rock Girl, and Love In Hate Nation. His music appeared on Season 2 of NBC's “Smash,” with his song “Broadway, Here I Come!” hailed by The New York Times as a new entry in The Great American Songbook. Albums: Be More Chill (OCR), which has been streamed over 220 million times; Things To Ruin (OCR); Two-Player Game; and The Joe Iconis Rock and Roll Jamboree all available on Sh-K-Boom/Ghostlight Records. His concert act, Joe Iconis and Family, frequently plays Feinstein's/54 Below, The Laurie Beechman Theater, Weston Playhouse, and other venues around the country. Joe is deliriously inspired by Robert Altman, Dolly Parton, Martin Scorsese, Sardi's, The Rolling Stones, whiskey, The Muppets, and The Family of artists he frequently surrounds himself with.
David Harris is an Australian actor who somehow found himself moving from architecture school to the bright lights of Broadway. He shares his early passion for architecture and how he pivoted to a career in performing arts just three days into his studies. He looks back on his journey, including participating in talent quests at RSL clubs in Australia and having friendly competitions with Broadway performer Ricky Rojas. Being in the workshop and eventually being cast in "The Boy From Oz" marked a significant turning point in his career and what he considers his claim to fame. He reminisces about his experience working with Hugh Jackman in the show, and a memorable commercial shoot with him just before New York shut down for COVID (click here to watch). David reflects on the differences in how musical theatre is perceived in Australia, the UK, and the US, his personal experiences with it, and his frustrations with the lack of recognition for musical theatre actors in Australia compared to Broadway performers in the US. He emphasizes the critical importance of swings and understudies in theatre, and his gratitude for them in keeping the show running smoothly. While he's already managed to prove naysayers wrong, David has no plans on stopping when it comes to the pursuit of growth and constant learning. David Harris is a native of Australia, where he's one of the most acclaimed leading men of his generation. In the US, he has received critical praise for his performance of Dan in TheatreWorks' “Next to Normal”. He starred as Jean Valjean in the Connecticut Repertory Theatre production of “Les Misérables”, which was co-starred and directed by Tony Award winner Terrence Mann. He starred as Billy Crocker in Goodspeed's production of “Anything Goes” and as Father in Barrington Stage Company's “Ragtime” in 2017. He originated the role of Max Bronfman in Stephen Schwartz's new production of “Rags” at Goodspeed Opera House. After playing the role of the Duke on the first national tour of “Moulin Rouge” in 2022, he can now be seen playing the same role in “Moulin Rouge” on Broadway. Connect with Brian: Website: www.davidharrisofficial.com Instagram: @davidharrisoz Watch David with Hugh Jackman Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices
Episode 18: Zurie Adams Episode host Erick Ramos-Jacobo, a recent graduate from Massachusetts College of Liberal Arts (MCLA), engages in a dynamic conversation with Zurie Adams: an MCLA alumna, theatre- and filmmaker. In this episode of Thinking Like a Region, they delve into Zurie's journey in the performing arts, her creative inspirations, and her aspirations for a future that intertwines various art forms. “Perfection is not real. The arts have taught me that because even with all of the rehearsals and every precaution, something is going to go wrong, and that is okay.” This episode emphasizes the importance of practical problem-solving, collaboration, and the influence of arts education on personal and professional development. You can find the transcript for this episode here: https://tinyurl.com/TLAW-ZA Thinking Like A Region is a production of the C4 Initiative, Berkshire County's Creative Compact for Collaborative and Collective Impact, based at Berkshire Regional Planning Commission in Pittsfield, MA, and grant-funded by the National Endowment for the Arts. This podcast is produced by Leslie Appleget and Lisa Donovan. For more information about the show or the C4 Initiative, visit brainworks.mcla.edu/c4. THIS EPISODE'S VOICES: Erick Ramos-Jacobo is an immigrant educator, curator, and social practitioner born in Zacatecas, Mexico. Renowned Brazilian Pop artist and Parque Lage professor, Bruno Miguel, noted him as “One of the most promising young curators” (Defining Moments, MASS MoCA, 2022). He's recognized for his work in the arts, particularly in collaboration with organizations like MASS MoCA, Barrington Stage Company, Assets 4 Artists at MASS MoCA, and Madison MoCA. Erick has had the privilege of working alongside curator and educator Dr. Laura Thompson on exhibitions and educational programs featuring notable artists such as Bruno Miguel, Shaun Leonardo, Anne Samat, and Federico Uribe. His passion lies in leveraging the power of the arts to build healthier, more vibrant, and equitable communities for immigrant individuals, with a special focus on museums as a starting point. Erick's curatorial work and educational development are currently on view at MASS MoCA and his newest collaboration, Metamorphosis|Metamorfosis, opened September 2023 at Madison MoCA.
Mark St. Germain's new play, “Forgiveness,” having its World Premiere at Barrington Stage Company in Pittsfield, Massachusetts. Taking place in Minnesota, a former convict is allowed to seek forgiveness from the Governor. They have 10 minutes to plead their case in a dramatic, pressurized process to gain acceptance back into the fold, or be stuck forever on the outskirts of society.
Barrington Stage Company began its run of Mark Camoletti's hilarious 1960 French farce “Boeing Boeing.” The play runs July 17th till August 3rd at Boyd-Quinton Stage, stars Debra Jo Rupp, and the play won a new generation of fans with a critically acclaimed award-winning Broadway production in 2008.
This week on Embrace the Squiggle Colleen and Kristine speak with Rachel Lerner-Ley about how being interesting and authentic landed her the job she wanted! We dig into who you shouldn't conform in interviews and how your unique perspectives and experiences are what will land you the right gig for you. Rachel Lerner-Ley is the Merkin Prize & New Directions Scholars Program Manager at the Broad Institute of MIT and Harvard. Prior to the Broad, she worked in the artistic department at Cleveland Play House (recipient of the 2015 Regional Theatre Tony Award), first as the artistic associate and then as the literary manager and resident dramaturg. Other theatre credits include: Williamstown Theatre Festival, The Civilians, Actors Theatre of Louisville, Barrington Stage Company, WildWind Performance Lab at Texas Tech University, and Girl Be Head. Over the course of her theatre career, she read & reported on hundreds of new play submissions and dramaturged 30+ productions & workshops ranging from world premieres to musicals and classics. She is a graduate of Smith College and a member of the LMDA (Literary Managers and Dramaturgs of the Americas).Connect with Rachel at https://www.linkedin.com/in/rlernerley/ Connect with Colleen at www.maxady.comand on Linkedin at www.linkedin.com/in/comaraConnect with Krsitine at https://www.kristinethody.comand on Linkedin at https://www.linkedin.com/in/kristinethodySubscribe to the podcast Embrace the Squiggle and listen every week for a new career adventure!
Alison Larkin's latest work is a one-person play with music entitled “Grief… A Comedy” - and Alison will perform it tonight through Sunday on Barrington Stage Company's St. Germain Stage in Pittsfield, Massachusetts before bringing the show to this summer's Edinburgh Fringe and then - around the globe.
John McDermott is a scenic designer who resides in Inwood, NYC. He has designed for many Off Broadway theaters, including Bedlam Theater, The Mint, The Flea, Rattlestick Theater, Colt Coeur, and many others. Regional credits include Barrington Stage Company, Shakespeare & Co, American Repertory Theatre, among others. In addition, he has taught as an Associate Professor of Theater at Adelphi University.
In this episode, Hayley and Amy chat with performer and writer Jerusha Cavazos about cultivating equitable and supportive theatrical spaces, the boundless complexity of womanhood, the need for nuanced Black women characters, the virtues of showering, and more! Click here for a transcript of the episode! Episode Notes Hosts: Hayley Goldenberg and Amy AndrewsGuest: Jerusha CavazosMusic: Chloe Geller Episode Resources: Check out Jerusha's music on Spotify! Guest Bio: Jerusha Cavazos (she/her) has appeared on Broadway in The Prom and Off-Broadway in Between The Lines. Regional (select): The Muny, Dr. Phillips Center, Pennsylvania Shakespeare Festival, Chicago Lyric Opera, Barrington Stage Company, Gateway Playhouse. TV: Atlanta on FX & FBI on CBS. Jerusha's original music is streaming on all platforms. @jerushacavazos Find Jerusha Online: Website: www.jerushacavazos.comInstagram: @jerushacavazos Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!
Barrington Stage Company will present their 13th Annual 10X10 New Play Festival, part of the 2024 10X10 Upstreet Arts Festival.
Episode 16: Lisa Dent - MASS MoCA by Erick Ramos-Jacobo Episode host Erick Ramos-Jacobo is a senior at MCLA. In this episode of Thinking Like a Region, Erick interviews Lisa Dent, Director of Public Programs at MASS MoCA. The two discuss Dent's multidisciplinary career and the influence her career as a curator, designer, art critic, and more has had in supporting her new leadership position. “I am a black woman who loves to sing in order to feel heard, and I'm so happy when I'm able to be in community with others.” “I think the skills that I bring to MASS MoCA are the fact that I have had a multidisciplinary life.” This episode focuses on the creative capacities of project management/development, self-advocacy, and public speaking learned from theatre-making and close-looking, interpretation and critical thinking taught by museums. You can find the transcript for this episode here: https://bit.ly/TLAR-LDMM Thinking Like A Region is a production of the C4 Initiative, Berkshire County's Creative Compact for Collaborative and Collective Impact, based at Berkshire Regional Planning Commission in Pittsfield, MA, and grant-funded by the National Endowment for the Arts. This podcast is produced by Leslie Appleget and Lisa Donovan. For more information about the show or the C4 Initiative, visit brainworks.mcla.edu/c4. THIS EPISODE'S VOICES: Lisa has been in the field for close to 30 years, bringing enthusiasm, humor and heart to her work everyday. This has included her creative practice as well as collaborations and management of larger, artistic projects. She has owned and managed departments of small, mid-size, and large organizations through the lens of inclusion, equity, and anti-oppression. Her background includes work in the visual arts, publishing, theater, and film, making her one of the few professionals deeply engaged with artists and colleagues across multiple genres. Lisa received her BFA from Howard University, her MFA from New York University's Tisch School of the Arts, and completed the Whitney Museum Independent Study Program in curatorial studies. She has served on several juries and committees and is currently a board member of Triple Canopy. Erick Ramos-Jacobo is an immigrant educator, curator, and social practitioner born in Zacatecas, Mexico. Renowned Brazilian Pop artist and Parque Lage professor, Bruno Miguel, noted him as “One of the most promising young curators” (Defining Moments, MASS MoCA, 2022). He's recognized for his work in the arts, particularly in collaboration with organizations like MASS MoCA, Barrington Stage Company, Assets 4 Artists at MASS MoCA, and Madison MoCA. Erick has had the privilege of working alongside curator and educator Dr. Laura Thompson on exhibitions and educational programs featuring notable artists such as Bruno Miguel, Shaun Leonardo, Anne Samat, and Federico Uribe. His passion lies in leveraging the power of the arts to build healthier, more vibrant, and equitable communities for immigrant individuals, with a special focus on museums as a starting point. Erick's curatorial work and educational development are currently on view at MASS MoCA and his newest collaboration, Metamorphosis|Metamorfosis, will open September 2023 at Madison MoCA.
During this episode of Why Change? co-hosts Madeleine and Jeff discuss their change of personal and professional seasons, including Madeleine's cross-sector work. Jeff shares his interview with Lisa Donovan which covers a broad array of topics from arts integration to community development, network building, and even professional learning. Madeleine and Jeff discuss the asset-based approaches of cross-sector work, the strength of practitioners at the intersections, and inherent knowledge of rural communities. In this episode you'll learn: The expansive role of the arts intersecting with numerous sectors of community life; How arts education and arts management practices lead the way in cross-sector dialogues; and The multitude of ways cultural practitioners can advance dialogues about social change through multi-sector advocacy. Check out some of the things mentioned during this podcast, including: Voices from the field: Teachers' views on the relevance of arts integration Shell Education books on Arts Integration by Lisa Donovan Teacher as Curator: Formative Assessment and Arts-Based Strategies Leveraging Change—Increasing Access to Arts Education in Rural Areas The Berkshire County Blueprint for Arts Integration and Education Berkshire Regional Arts Integration Network (BRAINworks) Berkshire Cultural Asset Network (BCAN) Think Like A Region TED Talk ABOUT LISA DONOVAN: Lisa Donovan, Ph.D. is a Professor in the Fine and Performing Arts Department at the Massachusetts College of Liberal Arts. A theater artist, educator, administrator and researcher. Before joining MCLA Lisa was the Director of the Creative Arts in Learning Division at Lesley University. She has a broad range of experience in a variety of arts organizations including: Jacob's Pillow Dance Festival, the Berkshire Opera Company, Barrington Stage Company, University of Massachusetts Department of Theater, as well as Boston University's Theater, Visual Arts, and Tanglewood Institutes. She was formerly the Executive Director of the Massachusetts Alliance for Arts Education, has served as co-principal investigator of a research project funded by the Ford Foundation that focused on teachers' perspectives on the relevance of arts integration. Lisa has taught internationally in Japan and Israel, and throughout the United States. She is co-editor of a new book series on arts integration published by Shell Education including Integrating the Arts Across the Content Areas (2012), Strategies to Integrate the Arts in Mathematics (2013) and Strategies to Integrate the Arts in English Language Arts (2013) This episode was produced by Jeff M. Poulin. The artwork is by Bridget Woodbury. The audio is edited by Katie Rainey. This podcasts' theme music is by Distant Cousins. For more information on this episode and Creative Generation please visit the episode's webpage and follow us on social media @Campaign4GenC --- Support this podcast: https://podcasters.spotify.com/pod/show/whychange/support
Mark St. Germain's new play, "The Happiest Man on Earth" had its World Premiere in the Berkshires this Spring. Now, due to overwhelming popular demand, the play is returning to Barrington Stage Company's St. Germain Stage in Pittsfield, Massachusetts. It's re-opening Friday night and runs through October 8.
“A New Brain” was produced off-Broadway in 1998 and an incredible production is currently running on Barrington Stage Company's Boyd-Quinson Mainstage in Pittsfield, Massachusetts, presented in association with the Williamstown Theatre Festival. Broadway stars Adam Chanler-Berat and Mary Testa play Gordon Schwinn and The Mother.
Barrington Stage Company's production of "Faith Healer" is running in Pittsfield, Massachusetts through August 27 on the St. Germain Stage. In the play, the mysterious and charismatic Frank Hardy travels as a faith healer across the Welsh and Scottish countryside.
We are beyond thrilled to be joined by Joe Iconis to chat about his upcoming new musical: The Untitled Unauthorized Hunter S. Thompson Musical opening later this month at La Jolla Playhouse, the epic fan response on social media to Be More Chill, 'Broadway Here I Come' and much more! Joe Iconis is a musical theater writer and performer. He has been nominated for a Tony Award, two Drama Desk Awards and a Lucille Lortel Award, is the recipient of an Ed Kleban Award, Jonathan Larson Award and Richard Rodgers Award. Joe's musical Be More Chill (with Joe Tracz) opened on Broadway in 2019 at the Lyceum Theatre, following a sold-out Off-Broadway run at The Pershing Square Signature Center and a world premiere at Two River Theatre. He is the author of Broadway Bounty Hunter (with Lance Rubin and Jason SweetTooth Williams; Barrington Stage Company and Greenwich House Theater Off-Broadway), Bloodsong of Love (Ars Nova, NAMT), The Black Suits (Center Theater Group, Barrington Stage Company), ReWrite (Urban Stages, Goodspeed Opera House), Theaterworks USA's The Plant That Ate Dirty Socks and We The People. Musicals in development include Punk Rock Girl and Love In Hate Nation. His music appeared on Season 2 of NBC's “Smash,” with his song “Broadway, Here I Come!” hailed by The New York Times as a new entry in The Great American Songbook. PRE-ORDER 'ALBUM' ON VINYL
Look at who is joining in the celebration! Doug Devita is a two-time O'Neill Semi-Finalist (Fable and Just A Rumor), Semi-Finalist for Barrington Stage Company's Burman New Play Award, Normal Avenue's New American Play Series, and Campfire Theatre Festival (Phillie's Trilogy), Semi-Finalist for B Street Theatre's New Comedy Festival (Goddess Of The Hunt and Upper Division), Semi-Finalist for Middlebury Acting Company's American Dreaming Festival (All The King's Horses), and Semi-Finalist for We Screenplay's Diverse Voices Competition (The Fierce Urgency Of Now). Betsyann Faiella (Betsy Ann Fye-ella) founded SAVOYPR to assist creative clients in accomplishing and exceeding their goals. As an artist with a personal passion for talent, Betsyann excels at nurturing the world's most intriguing creatives including filmmakers, performers and artisans. Her skill, warmth and enthusiasm have led to major placements in national and international news and entertainment outlets. Boasting one of the biggest opening night audiences that club-goers have seen in a long time, MOVIE NITE was everything Ms. Kittredge had promised her fans. It was glamorous, humorous, sophisticated, sweet, and it was rich with excellent music, singing, and camaraderie as Ann, musical director Alex Rybeck, and guitarist Sean Harkness gave the people what the wanted, and what they waited for for so long. (Soure: Helene Bloomfield, Broadway World) Steven Maglio was born in East Harlem, N.Y. on December 25, 1958. In 1966, his family moved to the Bronx, and being the new kid on the block, he walked back and forth to school alone for the first few weeks. He heard a recording of Frank Sinatra singing MY KIND OF TOWN, and to pass the time on his new daily trek, he would sing the song to himself over and over. A MAN AND HIS MUSIC.was the beginning of his addiction to Sinatra and that whole world of standard songs and singers.
Barrington Stage Company in Pittsfield, Massachusetts opens its first mainstage show of the season this week as Artistic Director Alan Paul directs “Cabaret.” Set during the twilight of the Jazz Age in pre-war Berlin, “Cabaret” is Kander and Ebb's party at the end of the world with a book by Joe Masteroff; based on the play by John Van Druten and stories by Chstirtopher Isherwood. “Cabaret” will play in Pittsfield on the Boyd-Quinson Mainstage June 14-July 8. Krysta Rodriguez will take on the often bobbed and never forgotten role of Sally Bowles.
Last week we spoke to playwright Mark St. Germain about his new play, "The Happiest Man on Earth" which has its World Premiere preview tonight and runs through June 17 at the Barrington Stage Company's St. Germain Stage in Pittsfield. "The Happiest Man on Earth" is based on the memoir of the same name by Eddie Jaku and stars Kenneth Tigar as Eddie.
Mark St. Germain has written the plays "Freud's Last Session," "Camping with Henry and Tom," "Forgiving Typhoid Mary," and "Becoming Dr. Ruth." His other plays include "Best of Enemies," "Dancing Lessons," and "Eleanor."His new play "The Happiest Man on Earth," will have its world premiere May 24 – June 17 at the Barrington Stage Company's St. Germain Stage in Pittsfield, Massachussets starring Kenneth Tigar and directed by Ron Lagomarsino.. "The Happiest Man on Earth" is based on the memoir of the same name by Eddie Jaku.
When he saw too many kids without a focus and without something to do, especially as opportunities were fewer and farther between amid the pandemic, Dashine Moore took the steps to establish the Beat the Streets basketball program. Now in its third year, Dashine sees the value of the evolving program continue with the cost of traditional summer camps continuing to rise out of the reach of many young people and their families. Galvanizing the support of various nonprofits to make it all come together, Dashine has a particular drive to give back to the community as his own path has been a long and winding. This included five and a half years of incarceration. That experience is a lesson he shares with young people in the program to urge them to make better choices. His time away from his sons in prison also makes it all that sweeter to see the success of his boys, one in prep school and one who just won a state championship as a member of the Taconic High School basketball team. Dashine has a powerful story and I appreciate having the opportunity to share it in this episode. Also, we cover: Kicks for Kids and the support of Barrington Stage Company, the power of role models, legendary youth advocates Manny Slaughter, Shirley Edgerton and Valerie Hamilton, a community center, mentorship programs, financial literacy, his experience at Norfolk prison in Boston, his business Mr. Feets, the economics of sneakers, flipping sneakers, selling paintings, bringing back the Gather-In and more. I hope you enjoy my conversation with Dashine Moore. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-krol/support
Celia Keenan-Bolger (IG:@celiakb)(TW:@celiakb) is currently in The Gilded Age on HBO. She was born on January 26, 1978 in Detroit, Michigan and is a Tony Award winner and Broadway favorite. Celia Keenan-Bolger will return to To Kill a Mockingbird at the Shubert Theatre from October 5, 2021. Keenan-Bolger trained at both the Mosaic Youth Theatre of Detroit and the Detroit School of Arts and graduated from the University of Michigan with a BFA in musical theatre. She began her stage career in regional theatres such as the Goodman Theatre in Chicago and Theatre Works in Silicon Valley, and she made her Off-Broadway debut as Aggie in Summer of '42 in December 2001. During the Kennedy Center's Sondheim Celebration in 2002, she starred as Johanna in Sweeney Todd: The Demon Barber of Fleet Street, and she would then perform again off Broadway in January 2003 in Second Stage Theatre's production of Michael John LaChiusa's Little Fish. Also in 2003, she would originate the role of Clara Johnson in the celebrated musical The Light in the Piazza at both Seattle's Intiman Theatre and Chicago's Goodman Theatre. She originated the role of Olive Ostrovsky in William Finn and Rachel Sheinkin's The 25th Annual Putnam County Spelling Bee at the Barrington Stage Company in the summer of 2004, reprised her performance off Broadway at Second Stage Theatre in January 2005, and did so again on Broadway, marking her Broadway debut in April 2005. She was nominated for her first Tony Award for her performance as Olive and received a Theatre World Award and a Drama Desk Award for Outstanding Ensemble Performance. She remained with the production until September 17, 2006. Her next Broadway venture would be to originate the role of Éponine in the 2006 revival of Les Misérables, playing the role from October 2006 to January 2008, earning a Drama Desk nomination in 2007. Keenan-Bolger returned off Broadway for her next productions, starring as Mary in the musical Saved at Playwrights Horizons from May to June 2008, as Katie in Bachelorette for Second Stage Theatre from July to August 2010, and as Jenny Bridges in A Small Fire from December 2010 to January 2011, once again at Playwrights Horizons. She then landed the role of Molly in New York Theatre Workshop's acclaimed production of Peter and the Starcatcher, which played the Off-Broadway venue from February to April 2011, resulting in yet another Drama Desk Award nomination, and transferred to Broadway in March 2012, leading to her second Tony Award nomination. Ahead of the Broadway premiere, Keenan-Bolger also starred as Mary Flynn in New York City Center's Encores! production of Sondheim's Merrily We Roll Along in February 2012. In the fall of 2013, she took on the role of Laura Wingfield in the Broadway revival of Tennessee Williams' The Glass Menagerie from September 2013 to February 2014. She garnered great acclaim for her performance, winning a Drama Desk Award, earning her third Tony Award nomination, and receiving the Theatre World Dorothy Loudon Award for Excellence in 2014. Keenan-Bolger followed this performance with her Lincoln Center Theater debut, starring as Mother in an Off-Broadway production of Sarah Ruhl's The Oldest Boy from October to December 2014. She was next seen on Broadway as Varya, opposite Diane Lane, in Roundabout Theatre Company's 2016 revival of Chekhov's The Cherry Orchard, and she was last seen off Broadway in Second Stage Theatre's 2017 production of A Parallelogram. Keenan-Bolger returned to Broadway on November 1, 2018, taking on the role of Scout in Aaron Sorkin's new stage adaptation of the classic Harper Lee novel To Kill a Mockingbird. She won her first Tony Award in the category of Best Performance By An Actress In A Featured Role In A Play for her portrayal, and she ended her year-long run in the production on November 3, 2019. She leads the reopening cast of the play once more starting in October 2021. Although primarily known for her career on stage, Ms. Keenan-Bolger has also appeared in a number of high-profile television shows over the years, including Law & Order (2007), Law & Order: Special Victims Unit (2014), Nurse Jackie (2014), The Good Wife (2015), Elementary (2015), Good Behavior (2016), Blue Bloods (2017), NCIS: New Orleans (2017), and Bull (2018). Her film credits include Mariachi Gringo (2012), The Visit (2015), Breakable You (2017), and Diane (2018).
Celia Keenan-Bolger (IG:@celiakb)(TW:@celiakb) is currently in The Gilded Age on HBO. She was born on January 26, 1978 in Detroit, Michigan and is a Tony Award winner and Broadway favorite. Celia Keenan-Bolger will return to To Kill a Mockingbird at the Shubert Theatre from October 5, 2021. Keenan-Bolger trained at both the Mosaic Youth Theatre of Detroit and the Detroit School of Arts and graduated from the University of Michigan with a BFA in musical theatre. She began her stage career in regional theatres such as the Goodman Theatre in Chicago and Theatre Works in Silicon Valley, and she made her Off-Broadway debut as Aggie in Summer of '42 in December 2001. During the Kennedy Center's Sondheim Celebration in 2002, she starred as Johanna in Sweeney Todd: The Demon Barber of Fleet Street, and she would then perform again off Broadway in January 2003 in Second Stage Theatre's production of Michael John LaChiusa's Little Fish. Also in 2003, she would originate the role of Clara Johnson in the celebrated musical The Light in the Piazza at both Seattle's Intiman Theatre and Chicago's Goodman Theatre. She originated the role of Olive Ostrovsky in William Finn and Rachel Sheinkin's The 25th Annual Putnam County Spelling Bee at the Barrington Stage Company in the summer of 2004, reprised her performance off Broadway at Second Stage Theatre in January 2005, and did so again on Broadway, marking her Broadway debut in April 2005. She was nominated for her first Tony Award for her performance as Olive and received a Theatre World Award and a Drama Desk Award for Outstanding Ensemble Performance. She remained with the production until September 17, 2006. Her next Broadway venture would be to originate the role of Éponine in the 2006 revival of Les Misérables, playing the role from October 2006 to January 2008, earning a Drama Desk nomination in 2007. Keenan-Bolger returned off Broadway for her next productions, starring as Mary in the musical Saved at Playwrights Horizons from May to June 2008, as Katie in Bachelorette for Second Stage Theatre from July to August 2010, and as Jenny Bridges in A Small Fire from December 2010 to January 2011, once again at Playwrights Horizons. She then landed the role of Molly in New York Theatre Workshop's acclaimed production of Peter and the Starcatcher, which played the Off-Broadway venue from February to April 2011, resulting in yet another Drama Desk Award nomination, and transferred to Broadway in March 2012, leading to her second Tony Award nomination. Ahead of the Broadway premiere, Keenan-Bolger also starred as Mary Flynn in New York City Center's Encores! production of Sondheim's Merrily We Roll Along in February 2012. In the fall of 2013, she took on the role of Laura Wingfield in the Broadway revival of Tennessee Williams' The Glass Menagerie from September 2013 to February 2014. She garnered great acclaim for her performance, winning a Drama Desk Award, earning her third Tony Award nomination, and receiving the Theatre World Dorothy Loudon Award for Excellence in 2014. Keenan-Bolger followed this performance with her Lincoln Center Theater debut, starring as Mother in an Off-Broadway production of Sarah Ruhl's The Oldest Boy from October to December 2014. She was next seen on Broadway as Varya, opposite Diane Lane, in Roundabout Theatre Company's 2016 revival of Chekhov's The Cherry Orchard, and she was last seen off Broadway in Second Stage Theatre's 2017 production of A Parallelogram. Keenan-Bolger returned to Broadway on November 1, 2018, taking on the role of Scout in Aaron Sorkin's new stage adaptation of the classic Harper Lee novel To Kill a Mockingbird. She won her first Tony Award in the category of Best Performance By An Actress In A Featured Role In A Play for her portrayal, and she ended her year-long run in the production on November 3, 2019. She leads the reopening cast of the play once more starting in October 2021. Although primarily known for her career on stage, Ms. Keenan-Bolger has also appeared in a number of high-profile television shows over the years, including Law & Order (2007), Law & Order: Special Victims Unit (2014), Nurse Jackie (2014), The Good Wife (2015), Elementary (2015), Good Behavior (2016), Blue Bloods (2017), NCIS: New Orleans (2017), and Bull (2018). Her film credits include Mariachi Gringo (2012), The Visit (2015), Breakable You (2017), and Diane (2018).
"[in the play Freud's Last Session]... with the sound of the bombers both men react as they did the first time - with fear. But this time instead of disguising it they admit to it. That admittance was the bond between them. Freud also was shaken by the whole experience. At the very end of the play, and repeatedly through the play, there were reports on the BBC about the war. The BBC at that point had a live orchestra, and when the news was finished the orchestra would jump in and play music until the next news bulletin. Every time the news was over, Freud immediately turned it off, so he didn't have to listen to music. Lewis catches on to that at some point and he equates it with Freud's wall that he puts up to shield his emotions because he feels they are being manipulated. But at the very end of the play, after Lewis leaves, Freud listens to the radio and for the first time he doesn't turn off the music. The last image of the play is him just looking at the radio as if trying to really understand music and his own aversion to it.” Episode Description: The similarity is noted between the clinical encounter and the structure of Mark's play where there are two men in a room intensely engaging with each other. We discuss how the trajectory of the play, like in the consulting room, allows for the emergence of latent meanings to be revealed between Freud and Lewis. Mark shares with us what drew him to these two thinkers and how he created a storyline that would demonstrate the underlying emotional struggles of each, individually and together. It is set at the beginning of World War II, three weeks before Freud's death. The play touches on Freud's childhood, his intense relationship with his daughter Anna and his planned euthanasia. We listen to a reading of a piece of the play that entails a powerful encounter between the characters. Mark has adapted this play for the screen, starring Anthony Hopkins as Freud, that is currently being filmed. We close with his mentioning his fiction writing and an upcoming theatrical release The World's Happiest Man. Our Guest: Mark St. Germain writes for the stage, television, and film. He is a recipient of the Outer Critics Circle Award, the Lucille Lortel Award, and the Off-Broadway Alliance Award. Mark has written the plays Freud's Last Session (Best Play Award from the Off-Broadway Alliance), Camping with Henry and Tom, Forgiving Typhoid Mary (Time Magazine's “Year's Ten Best”), and Becoming Dr. Ruth, the story of Dr. Ruth Westheimer. A sampling of his other plays includes Best of Enemies, Ears on a Beatle, Scott and Hem, Dancing Lessons, and Eleanor. His play, The Happiest Man on Earth premieres in the summer of 2023 at the Barrington Stage Company. He has written a memoir, Walking Evil, and a thriller, The Mirror Man. His screen adaptation of his play Freud's Last Session has begun filming. Recommended Reading: Gay, Peter: Freud: A Life for Our Time Jones, Ernest: The Life and Work of Sigmund Freud Green, Roger Lancelyn and Hooper, Walter: C. S. Lewis: A Biography Sayer, George: Jack: A Life of C. S. Lewis St. Germain, Mark: The Mirror Man: A Thriller St. Germain, Mark: Walking Evil: How Man's Best Friend Became My Worst Enemy St. Germain, Mark: Becoming Dr. Ruth St. Germain, Mark: The God Committee
When Melissa got the chance to interview Rachel Lynett, there was so much she wanted to talk about, mainly Rachel's recent foray into self-publishing and their ambitious Shakespeare Project. They touched on so many topics, but the through line was really the many ways Rachel took matters back into their own hands. In this episode, we discuss:Why Rachel started to self-publish their work and what that has to do with David TennantThe advantages and disadvantages of self-publishing Why Rachel is re-writing Shakespeare's comediesQueering theatre And more!Resources MentionedThe cover letter you actually want to writeLulu.comRachel's self-published anthologiesThe Shakespeare ProjectAbout Our GuestRachel Lynett is a queer Afro-Latine playwright, producer, and teaching artist. Their plays have been featured at San Diego Rep, Magic Theatre, Mirrorbox Theatre, Laboratory Theatre of Florida, Barrington Stage Company, Theatre Lab, Theatre Prometheus, Florida Studio Theatre, Laughing Pig Theatre Company, Capital Repertory Theatre, Teatro Espejo, the Kennedy Center Page to Stage festival, Theatresquared, Equity Library Theatre, Chicago, Talk Back Theatre, American Stage Theatre Company, Indiana University at Bloomington, Edgewood College, and Orlando Shakespeare Theatre. Their plays Last Night and HE DID IT made the 2020 Kilroy's List. Rachel Lynett is also the 2021 recipient of the Yale Drama Prize for their play, Apologies to Lorraine Hansberry (You Too August Wilson). Lynett was 2021 recipient of the National Latinx Playwriting award and the runner-up for the 2022 Miranda Family Voces Latinx Playwriting Competition for their play, Black Mexican. Their play, White People by the Lake was also a 2022 Blue Ink Award finalist. They have previously taught at the University of Arkansas, Fayetteville, the University of Wisconsin, Madison, and Alfred University. Lynett was recently a staff writer for The Winchesters and is working on an upcoming feature.Connect with Our GuestConnect with host Melissa Schmitz***Sign up for the 101 Stage Adaptations Newsletter***101 Stage AdaptationsFollow the Podcast on Facebook & InstagramRead Melissa's plays on New Play ExchangeConnect with Melissa on LinkedInWays to support the show:- Buy Me a Coffee- Tell us your thoughts in our Listener Survey!- Give a 5-Star rating- Write a glowing review on Apple Podcasts - Send this episode to a friend- Share on social media (Tag us so we can thank you!)Creators: Host your podcast through Buzzsprout using my affiliate link & get a $20 credit on your paid account. Let your fans directly support you via Buy Me a Coffee (affiliate link).
Barrington Stage Company, under the leadership of new Artistic Director Alan Paul, will produce a 2023 season that will feature two major musical revivals, two world premiere plays, and two modern classic play revivals.But first, we will get a preview of the Barrington Stage Company's 2023 10×10 New Play Festival – 10 Ten-Minute Plays by 10 playwrights which runs from February 16 - March 5 on the St. Germain Stage at the Sydelle and Lee Blatt Performing Arts Center in Pittsfield, Massachusetts.
In episode 12 of the Voices of Indy podcast, the cast of the Phoenix Theatre (Indianapolis) production of tick, tick, Boom sat down with Josh to discuss their upcoming run. Patrick Dinnsen (Jonathan), Gabriela Gomez (Susan) and Eddie Dean (Michael) along with Director Emily Ristine Holloway talk about their backgrounds, the impact of working on a musical like this as well what it's like to work with a small cast. tick, tick...Boom! will be running at the Phoenix Theatre Sept. 30 - Oct. 30. You can get tickets at https://www.phoenixtheatre.org/ Eddie Dean Humbled to be making his return to Phoenix Theatre, this Indianapolis, IN native hopes to motivate and inspire self-reflection through Storytelling. He has recently been seen here in NNPN Rolling World Premiere Play The Magnolia Ballet by Terry Guest. He also portrayed ‘Gator' in Memphis The Musical at Indiana Performing Arts Center and ‘Bobby' in The Color Purple at Civic Theatre in Carmel, Indiana. Other credits include men's understudy for Ain't Misbehavin' and Dante Williams in World Premiere Play SUPADUPA DUPA KID at Barrington Stage Company. All Glory to God! @JustEddieDean . Patrick Dinnsen is an actor/singer/musician hailing from Indianapolis, Indiana, now residing in New York City. Elon MT Grad. Favorite roles include Younger Brother (Ragtime), Eddie Birdlace (Dogfight), and Henry (Next To Normal). He most recently was seen cruising around the Norwegian Fjords as the lead singer/guitarist of the Rolling Stone Rock Room Band for Holland America. Patrick is also a singer-songwriter and has a band with his co-star and fiancée, Gaby, called Ella-Trick. You can see the two of them playing together on the Disney Wonder this winter. Much love to Mom, Dad, Michael & Jesse, Scott & Anna, Kelly, and the kids. Instagram: @pdinns Gabriela Gomez is a Virginia Beach native who resides in New York, New York. She is incredibly excited to be in Indy for this dream of a show. Favorite roles includes Princess Jasmine (Disney Cruise Line's Aladdin), Vanessa (In the Heights), Luisa (Milagro). She is passionate about music and writing for her band, Ella Trick with co-star & fiancé, Patrick Dinnsen. Elon MT. Pantera/Murphy Agency. Much love and gratitude to my family- without you I am nothing! Emily Ristine Holloway is grateful for the opportunity to direct this beautiful musical as the start to the Phoenix Theatre's season. As the artistic director and founding member of Summer Stock Stage and Eclipse, she has directed and produced nearly forty musicals in the last twenty seasons. In addition to producing and directing, Emily also works as a performer. Many of her favorite roles were here at The Phoenix Theatre- Helen in Fun Home, Kate Monster in Ave Q, and Diana in Next to Normal. Emily does voice over work, works as a studio singer, produces school theater and teaches and directs theatre at Butler University.
Founding Artistic Director of Barrington Stage Company in Pittsfield, Massachusetts, Julianne Boyd, will vacate her role on September 30. The Board of Trustees of Barrington Stage Company (BSC) has announced Alan Paul will take over as the company's new Artistic Director.In this exit interview, Alan Chartock speaks with Boyd about founding the company, her plans for after she leaves, and this summer's production of Stephen Sondheim's "A Little Night Music."
The Bard crashed the rehearsals of the Benson Theatre, and had the rewarding opportunity to talk with Kathy Tyree, Jared Cernousek, Kerri Forrester, and Moira Mangiameli! Their show "American Son" opens Thursday, August 18th and will run from the 18th-21st and the 27th-29th. Join us for some really deep conversations about race and perspective in this show, which was written by Christopher Demos-Brown. We were so honored to talk with Director, and Omaha's Queen of Soul, Kathy Tyree; the talented classical singer and now Actor, Kerri Forrester; the recent UNO Graduate of Theatre and Directing, Jared Cernousek, and the Benson Theatre's Executive Assistant, Moira Mangiameli. Moira tells us about the new Benson Theatre and it's creation, orchestrated by Executive and Founding Director, Amy Ryan. American Son made its world premiere at Barrington Stage Company in Pittsfield, MA in June 2016. The play won the 2016 Laurents/Hatcher Award for Best New Play by an Emerging Playwright. It then premiered on Broadway in 2018, and ran until 2019. It was later adapted as a Netflix original movie which was nominated for an Emmy in 2020. You may have heard us speak about Kenny Leon on our podcast before when talking about August Wilson's plays, and it's important to note that Kenny Leon directed both the Broadway play and the Film. Join us for a timely, heavy, yet fun interview about this play and meet the makers of this play at the new Benson Theatre! ***** BENSON THEATRE CONACT INFO: Website and Tickets: https://bensontheatre.org/ Facebook: https://www.facebook.com/BensonTheatre Instagram: https://www.instagram.com/bensontheatre/ Twitter: https://twitter.com/BensonTheatre 6054 Maple Street, Omaha, NE ***** HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on You Tube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!
Barrington Stage Company in Pittsfield, Massachusetts presents Stephen Sondheim and Hugh Weeler's “A Little Night Music” on the Boyd-Quinson Mainstage August 6-28.Outgoing founding Artistic Director Julianne Boyd directs the love-laden and confused weekend in the country in a new production starring Emily Skinner as Desiree Armfeldt and Jason Danieley as Fredrik Egerman.
This amazing episode features an incredible live panel from BroadwayCon 2022, featuring some of the leading multi-hyphenates in the Broadway, television, and film communities. Topics include process and product, boundaries, and so much more. John Cariani – Broadway: Caroline, or Change; The Band's Visit; Something Rotten! (Outer Critics Circle Award nom.); Fiddler on the Roof (Tony Award nom.; Outer Critics Circle Award). Off-Broadway: The Atlantic, The Public, Transport Group. Regional: Williamstown Theatre Festival, The Old Globe, Center Theatre Group, Barrington Stage Company, Hudson Valley Shakespeare Festival. Several films. Television includes The Marvelous Mrs. Maisel, Blacklist, The Good Wife, Homeland; recurring roles on Law & Order (CSU Tech Beck), Numb3rs, and The Onion News Network. Playwright: Almost, Maine; Last Gas; LOVE/SICK; cul-de-sac. Jen Waldman has been working in the Broadway community for over two decades, first as an actor (Wicked and Titanic) and now as a coach to some of Broadway's brightest stars. She is the founder and artistic director of Jen Waldman Studio (JWS), and her clients have appeared in nearly every single Broadway musical for the last 15 years. In addition to her work at JWS, her hypens include: director, choreographer, artistic director, keynote speaker, leadership coach, speaking coach, podcaster, actor, teacher, and mentor. Jen co-hosts the podcast The Long and the Short of It, with listeners in over 100 countries. JenWaldman.com Kaisha S. Huguley is a New York based actor, singer, entrepreneur, creative, & educator originally born and raised in Washington, D.C. Most recently, Kaisha performed in solo cabaret, @kaishacreates, A One Woman Showcial making her Green Room 42 Debut. When Kaisha is not on the stage, she's creating content for her online fanbase on her TikTok, Podcast: A Kaisha Story, YouTube Channel, and Blog. Additionally, Kaisha is the Director of Diversity & Cultural Creative Initiatives as well as a Faculty Member at The American Musical & Dramatic Academy in New York. She develops curriculum and teaches courses on the business of the arts & entertainment industry. Kaisha is committed to giving back to the next generation of artists & creatives. To follow Kaisha's journey to her dreams, simply follow her on Instagram @KaishaCreates to join her Gram Fam :) Jennifer Ashley Tepper is producer of the musicals Be More Chill, Broadway Bounty Hunter, and Love In Hate Nation. She is also the Creative and Programming Director at Feinstein's/54 Below, and the author of The Untold Stories of Broadway book series. She is the creator of The Jonathan Larson Project and historian consultant on the upcoming film version of tick, tick...BOOM! Tepper was recently named recipient of a 2020 Lincoln Center Emerging Artist Award. Learn more about your ad choices. Visit megaphone.fm/adchoices
Episode 3: Julianne Boyd - Barrington Stage Company by Alison Blakeslee & Eve McDougall NOTE: This episode was recorded in Spring 2021. Some information may be dated. Today's episode is hosted by Alison Blakeslee, a freshman at the Massachusetts College of Liberal Arts, and Eve McDougall, a junior at Monument Mountain Regional High School. In this episode of Thinking Like a Region, Blakeslee and McDougall interview Julianne Boyd, theatre director, founder, and artistic director at Barrington Stage Company in Pittsfield, MA. Boyd discusses how her passion for theatre from a young age shaped her future career, how she was led to Barrington Stage, the Stage's mission and endeavors, and more. Boyd believes that “you don't have to be brilliant to be creative…you just have to be in touch with your emotions.” This episode focuses on the creative capacities of deep listening, experimentation, and collaboration. Listen in to hear how Barrington Stage Company serves a passion of a region. You can find the transcript for this episode here. Thinking Like A Region is a production of the C4 Initiative, Berkshire County's Creative Compact for Collaborative and Collective Impact, based at Massachusetts College of Liberal Arts in North Adams, MA, and grant-funded by the National Endowment for the Arts. This podcast is produced by Lisa Donovan and Leslie Appleget. For more information about the show or the C4 Initiative, visit brainworks.mcla.edu/c4. THIS EPISODE'S VOICES: Julianne Boyd is a theatre director and the founder and artistic director at Barrington Stage Company in Pittsfield, MA. Boyd received her B.A. in theatre and education at Arcadia University and her doctorate in theatre at the City University of New York. Notably, with the Company, Boyd produced the Tony Award-winning musical, The 25th Annual Putnam County Spelling Bee in 2004. Alison Blakeslee is a freshman at the Massachusetts College of Liberal Arts. Eve McDougall is a junior at Monument Mountain Regional High School.
Welcome back to The Nerd Expansion! Today's guest is the one and only Joel Waggoner and his nerd love is Comedy Song Writing. Woah. It's awesome.JOEL WAGGONER (he/him-ish) is a singer/songwriter, performer, multi-instrumentalist, music director, arranger, teacher, comedian, and one-time game show winner. He performed on Broadway in School of Rock and Be More Chill. His breakout Instagram series "Advent Carolndar" with Julia Mattison has been featured on Jimmy Kimmel Live! with Ben Platt and NPR Weekend Edition. Off-Bway: Southern Comfort (Public Theater), The Joel Waggoner Experience (Joe's Pub). TV: Original series, Wig Mediums on Broadstream,“$100,000 Pyramid” Season 3 Premiere. Joel's original musicals include Presto Change-o and The SupaDupa Kid, both produced at Barrington Stage Company. Vocal Arranger: Joe Iconis & Family Album, Broadway Bounty Hunter (Off-Bway Cast Recording.) MFA from NYU Tisch. “Unlikely Warrior” available on iTunes.Find Joel:www.JoelWaggoner.comUnlikely Warrior video Wig MediumsOn Instagram: Joel WaggonerAdvent CarolndarJoelCappellaJoel & Sasha:Pamphlet by Joel Waggoner & Sasha WeissEmpathy by Joel Waggoner (commissioned by Sasha Weiss)Control by Joel Waggoner (performed by Sasha Weiss)Joel recommends:The Quitters PodcastOh My GauzeA Slight Change of Plans PodcastHosted By: Nick Bowan & Sasha WeissTheme song written by Korrie YamaokaPerformed by Sasha Weiss & Korrie Yamaoka
Guided by respected journalistic standards, the principle of fairness, the quest for truth, a commitment to social, economic and environmental justice, and an abiding admiration for the independent spirit of the Berkshires, The Berkshire Edge offers in-depth local news reports and features, perspectives on the arts, wide-ranging commentary, and a comprehensive calendar of events – all written, illustrated, and, in some cases performed, with wit, intelligence, insight and humor. Here are a few stories from the Edge this week: 1. The Great Barrington fire department subdued a blaze at the mothballed former Searles Elementary School in Great Barrington. The fire reminds us of the frustration Great Barrrington has had in rejuvenating its abandoned properties: 2. The writer Mickey Friedman, one of our regular feature writers and columnists, has written a thoughtful essay on why he will continue to wear a mask to avoid COVID19 exposure, even though the requirements for mask-wearing seem to be easing: 3. Now here'a story dear to your heart. Our local AM/FM station, WSBS, was knocked off the air, and had to resort to online streaming: 4. Despite the pandemic, the iconic Pittsfield Fourth of July Parade — “America's Parade” — will proceed this year as usual: 5. And at last there seems to be a full array of performances and concerts at the many summer venues: The Mavericks and Nick Lowe at Tanglewood, And “Ain't Misbehavin' at Barrington Stage Company: 6. And finally, our columnist Carole Owens has written a fascinating column reminding us of how vital a role the Berkshires played in sustaining the “underground railroad” before the Civil War and emancipation of black citizens:
Barrington Stage Company presents “Ain't Misbehavin': The Fats Waller Musical Show” on the Boyd-Quinson mainstage in Pittsfield, Massachusetts. “Ain't Misbehavin”' is a musical revue tribute to the black musicians of the Harlem Renaissance in the 1920s and '30s. Conceived by Richard Maltby Jr. and Murray Horwitz, the Tony Award winning musical is choreographed and directed this season at Barrington Stage by Emmy Award-nominee Jeffrey L. Page.
The Barrington Stage Company presents the World Premiere production of “Andy Warhol in Iran,” written by Brent Askari and directed by Skip Greer. The show is running through the June 25th on BSC's St. Germain Stage in Pittsfield, Massachusetts.In 1976 Andy Warhol, the portrait painter of the rich and famous, travels to Tehran to take Polaroids of the Shah's wife. While there, Warhol encounters a young revolutionary who throws his plans into turmoil and makes him realize there is a world beyond himself.Actor Henry Stram plays Andy Warhol. Henry has been seen on Broadway in "Network," "The Elephant Man," "Junk," "Inherit the Wind," "The Crucible," and "Titanic."
Early on, Caroline Fairweather knew that she was going to be on stage and would be doing it for years to come. From her earliest days in a production at the former Berkshire Theatre Festival as a child, shining in the golden era of Taconic High School's Theatre program under the legendary Jess Passetto, as a theatre major at Williams College to now headlining with roles in the Theatre Barn, Barrington Stage Company and Williamstown Theatre Festival, among others - she's following her passion with all she's got. In our conversation, we cover her training in the Suzuki acting method, self-awareness and being yourself in an industry where its counterintuitive to do so, work at the Forest of Arden company, making virtual Zoom performance work during the pandemic, open mic at the old J.Allen's with Mike Duffy, karaoke at NYC in K-town, upcoming performances this summer in Boston Marriage and Fiddler's Three at the Theatre Barn and Who's Afraid of Virginia Woolf in Connecticut, choosing to audition in NYC or the Berkshires for "summer stock" productions, artistic directors who operate food trucks, the nightmare of doing your taxes as an actor after working for a variety of different companies in a given year, following your dream in NYC in a "rich kid's game," giving it her all and enjoying every moment. I hope you'll enjoy my conversation with Caroline Fairweather. --- Support this podcast: https://anchor.fm/john-krol/support
For Video Edition, Please Click Here and Subscribe: https://youtu.be/deNN3RVbATM What happens when you Look at Creativity through the Lens of Therapy and vice versa? You have Creativity in An Ever-Changing World with Dr, Judi Bloom and Richard Skipper. In Every episode,they come together with amazing artists who prove that with just a little ingenuity, we all are creative beings and that the gifts lie within despite the challenges of the outside world. Joseph S. Lento, a licensed Teacher of Orchestral Music and School District Administration. In 2014, President Obama named him a National Teacher of Arts and Humanities. Joseph also has commendations from Presidents Carter, G.H.W. Bush and G.W. Bush. In 1999, he was named NYC Public Schools Bronx County High Schools Teacher of the Year. TONYA PINKINS is a Tony Awarding actor/singer who has starred in nine Broadway shows including the original CAROLINE OR CHANGE. Her Award Winning Film RED PILL was recently released on TVOD and has been translated into Spanish, Catalonian, Russian and Greek. Her book RED PILL UNMASKED an historical, spiritual and philosophical memoir on life is available at Amazon.com. Visit her at www.tonyapinkins.com or www.redpillmovie2020.com Doug Devita is a two-time O'Neill Semi-Finalist (Fable and Just A Rumor), Semi-Finalist for Barrington Stage Company's Burman New Play Award, Normal Avenue's New American Play Series, and Campfire Theatre Festival (Phillie's Trilogy), Semi-Finalist for B Street Theatre's New Comedy Festival (Goddess Of The Hunt and Upper Division), and Semi-Finalist for We Screenplay's Diverse Voices Competition (The Fierce Urgency Of Now) and is a member of the Dramatists Guild.
On this episode Roberta spends the hour talking with Sharron Frazier-McClain, Community Engagement and EDI Coordinator for Barrington Stage Company
Barrington Stage Company's annual 10x10 New Play Festival is part of Pittsfield's 10x10 Upstreet Arts Festival. This year's new plays will be performed February 24 – March 13 at the Boyd-Quinson Stage and are directed by Julianne Boyde and Matthew Penn. We are joined by actor Matt Neely.
Barrington Stage Company is presenting Tony and Emmy Award winner Billy Crystal in a presentation of a new musical in development, Mr. Saturday Night, on the Boyd-Quinson Stage (for nine performances - October 22-30. Joining Crystal is famed character actor David Paymer – known for City Slickers, Quiz Show & State & Main returning to his film role of Stan Yankelman, Buddy's brother, for which he was nominated for an Academy Award.
Barrington Stage Company is presenting the World Premiere Musical: A Crossing – A Dance Musical. This story about a group of migrants crossing the southern border is raw, visceral and electrifying — demonstrating the personal impact of crossing an “invisible line.”
From iconic stage roles, to cabaret and rock band performances, this performer is building a successful artistic career while also navigating an autoimmune disorder with grace. - “I would so much rather have tried and failed, or tried and not gotten to where I want to be, than to have never have tried.” An actress, singer, and songwriter, Lauren Marcus made her Broadway debut as Brooke in Be More Chill after previously originating the role at Two River Theatre in 2015, and again off-Broadway at Signature Theatre in 2018. She also starred as Amy in Company at Barrington Stage Company alongside Aaron Tveit, and as Brigid in The Humans at St. Louis Rep., a performance which earned her a BroadwayWorld Regional Theatre Award nomination for Best Supporting Actress in a Drama. As a retro pop singer/songwriter, Lauren performs regularly with her band around New York City, and in 2016 released her debut EP Never Really Done with You. She is also a veteran at cabaret clubs like 54 Below, Joe's Pub, and Rockwood Music Hall. Up next, Lauren will appear in the movie adaptation of Tick, Tick... Boom, and debut a brand new show on June 18th at 54 Below. From Chicago, to New York, to Scotland, Lauren shares that she “always wanted to be an actor”. And like every artist, she has had a unique experience navigating life during COVID-19. She shares with us feeling like she's “living COVID backwards”, having felt fine at the start, but now like she's dragging; and how she pushed through to create her newest song (and video) “Big Hat” for the NPR 2021 Tiny Desk Contest. Lauren talks about her desire and drive to create and leave behind things that will outlive her; a legacy - things her future children can listen to. She candidly opens up about her journey with alopecia, both the internal and external struggles she navigates as a performer, and notes that losing her hair “affected every single aspect” of her life in a way that she never, ever would have guessed. We also discuss Lauren's upcoming show at 54 Below on June 18th! In this episode, we talk about: Lauren's retro pop singer/songwriter style Imposter Syndrome How she and husband Joe Iconis support each other's work Writing a one woman show about her Alopecia journey The number one thing Alopecia has taught her Leading by example, and the importance of visibility Connect with Lauren: IG @laurmarcus Twitter: @laurmarcus Web: LaurenMarcus.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. A very special thanks to our patrons who help make this podcast possible! Learn more about your ad choices. Visit megaphone.fm/adchoices
Summary:In today's episodes of The Tragedy Academy, Jay is joined by Brazilian actor and dancer Glauco Araujo. Glauco walks us through his life growing up in remote farmland in Brazil and how he turned his internal struggles into beautiful art for all to consume.Key Points: Glauco tells his backstory growing up in a remote farm area in BrazilTransitioning from a field outside of Rio to an accomplished dancer and actorGlauco's first contact with balletFavorite ballet dancer Rudolph Nureyev and relating to his struggleMoving to New York wanting to something moreSeeking therapyCharity: Disciple Actors GuildEpisode Highlights:[02:23] Glauco tells us his experience growing up on a farm outside of Rio De Janeiro and his aspirations of wanting something more [05:05] Glauco shares where his passion for dance was born. Starting with performing at Carnival, to working in the Paralympics, and also working for Modern Dance in Chicago.[07:20] Glauco expresses his awe every time he visited Rio as a kid, comparing it to being in Times Square for the first time. [09:47] Glauco gives us a rundown of his initial contact with a ballet which was getting his first job in a dance company in Rio where he was lucky enough to have a director who believed in him. Although he does admit that he hated ballet at first.[12:49] Glauco begins to immerse himself into the ballet by studying its history which is where he discovered his favorite dancer, Rudolf Nureyev.[17:37] Glauco reveals how he relates to Rudolph's struggle; the diversity he had to overcome by being gay, the humble beginnings, his grit in following his dreams. [19:36] Glauco shares the difficulties growing up in Brazilian culture that is traditionally machismo and suppressive, and evangelical.[21:51] Gluaco expresses his relief and gratitude for finally living in a place that allows him to be free and is encouraged to live out his dreams.[26:00] Glauco moves to New York where he feels a burning desire to do more than dance, something that allows the human connection. [29:14] When moving to New York, a director sees Glauco perform and offers him a role in a short film about dancing. [31:02] Glauco reveals that most opportunities that have come into his life have been through connecting with people.[34:37] Staying out of trouble is Glauco's #1 advice to his younger self, but through this, he recognizes that his aggressions as a kid acted as a way to protect himself. [38:46] Glauco and Jay discuss how people don't change without new experiences which also means you cannot judge people without people having a chance to be confronted in what they believe in.[40:30] Glauco confesses how therapy was his savior in overcoming and accepting past trauma. He feels that the only way to help others in seeking mental help is by setting the example.[42:58] Charity: Disciple Actors Guild; helps performers pay their rent and bills [46:01] Glauco shares heartwarming messages he has received on social media [48:34] Jay and Glauco discuss the very prominent body dysmorphia in dance and how we judge ourselves to the worst degrees.[51:00] Plugs: 2 short films that will be out in June. Actorsguild.org[54:00] OutroConnect with Glauco:WebsiteInstagramYouTubeIMDB Tweetable Quotes: “I think the motivation should be to get out of the small town and be in a big city...I had a dream to be an artist”“I was lucky enough to have a director who believed in me… a raw talent”“I got the job first and started taking ballet classes, and I HATED ballet in the beginning”“Where I came from you don't have a choice”“I don't have to be afraid when I got outside, I'm free here. I can be myself. it's like everything is in favor of me”“If there's 50% of love… try to nurture that 50%” Glauco Araujo is a Brazilian-born professional dancer and actor trained both here in the U.S. and in Brazil. In Rio, Glauco danced with the Rio Dance Company (modern dance), as well as with the integrated dance company ANDEF (disability dance). In 2012, Glauco represented Brazil in the closing ceremony of the Paralympic games in London. And from 2015 to 2017 Glauco acted and danced lead roles at Momenta Dance Company with a repertoire including Doris Humphrey, Martha Graham and Charles Weidman, as well as classic choreographers like August Bournonville, Mikhail Fokine, Jules Perrot and Marius Petipa; and disability choreographers Alice Sheppard and Ginger Lane. At Momenta, a dance piece entitled Meloudious Marco was created for Glauco in which he was featured in the lead role of Marco. Glauco was drawn to NYC in early 2017 and was given a scholarship in at Alvin Ailey from 2017 to 2018. In 2018, he was the featured dancer in Aria, a duet choreographed for him by Pedro Ruiz, with live accompaniment by the Camerata NY Orchestra. Glauco danced and acted the following year in Sasha Spielvogel's new musical Come Back Once More So I Can Say Goodbye — a celebration of the 50th anniversary of Stonewall. Glauco's next featured role was in Joshua Bergasse's musical A Crossing, performed with Barrington Stage Company. Glauco has teamed several times, beginning in 2018 to the present, with the award-winning German dancer/director Severine Reisp. Their films have been recognized in a number of international film festivals: A Tango to Remember– Best Romance Film, Los Angeles Film Awards; Best Woman Filmmaker, The Atman Film Festival; Cinematic Award Winner, Cyprus International Film Festival; Ruminate– Best Musical and Best Dance Choreography, Oniros Film Awards; Best Musical/Dance Film, Los Angeles Film Awards. Another film, Lucid, written and directed by Juan Wang has received a Best Film award from The Heibei Television Artists Association. Glauco costarred in this short film with the beautiful and talentedactress and formerAmerican Ballet Theater dancer, Elina GoldeMiettinen. Another film project that Glauco and Elina collaborated on Stop What You're Doing(Music Video), directed by Severine Reisp. This music video won Best Music Video at the Athens International Digital Film Festival Award. On TV, Glauco most notably had a featured comic role in a promo commercialfor Betty in New York, and last January Glauco played the devious Pawnbroker on The Investigation Discovery Channel in Homicide City: Charlotte. Drawn to the New York theater scene, Glauco has worked nonstop onstage for the past three years, working often with Triangle Theater and The Snarks, ACC and EAG. His New York debut was as the romantic lead, Peter Latham, in Pierre Barillet's Forty Carats. His comic turn was followed by his hilarious performance as the effete Bob Lamb in Tina Howe's Museum. In a series of scene nights, Glauco's range has covered the hot-headed role of Ken in John Logan's Red, the sweet-hearted Cornelius in Thornton Wilder's The Matchmaker, the deceptive Morris Townsend in Ruth and Augustus Goetz's The Heiress, and the diabolic Adolf Eichmann Raul Wallenberg's Saved Me. In Soledad Bailada y Casi Compartida, presented at the University of Seville, and on tour around Spain. Glauco has been thrilled to work alongside Broadway and West End actors Anthony Newfield, Alison Fraser and Karen Archer in Richard Alleman's new play Adrift, playing the Brazilian, and provocative Zumba instructor, Flavio. Glauco has been honored to be part of special performances to benefit the Episcopal Actors' Guild and the Cape May Stage. Reviewed in the Times Square Chronicles, “Betsy (Alison Fraser) longs for something more, alongside interactions of the less virtuous kind with the handsome and sweet-talking Flavio, played seductively by the appealing Glauco Araujo (Spielvogel's Come Back Once More).” Recently, Glauco performed in a short bio-pic entitled Dance for Freedom directed by Severine Reisp, highlighting the challenges people of color face today, and which has garnered recognition as the First-Place Recipient of the Dr. David Milch Foundation/CCNY Award in short film competition. In her review, juror Timberkly Whitfield, program executive and producer for A&E, as well as a host on the History Channel and A&E, wrote: “Glauco Araujo is a beautiful dancer and you capture him in such a way that really moved me. I felt inspired by his story that even in the face of racism he doesn't see himself as a victim. Strong production values. You checked all the boxes on this one — FANTASTIC!” Link from past Interviews http://diversityrulesmagazine.com/2021/02/28/march-feature-interview-glauco-araujo/http://www.ourtownny.com/news/the-universal-language-of-the-arts-YE1547010https://elespecial.com/glauco-araujo-el-bailarin-que-ha-conquistado-de-brasil-new-yorkhttps://www.noticiali.com/glauco-araujo-sobreviviendo-a-traves-de-la-creatividad/
Barrington Stage Company is celebrating one of the greatest composers of the 20th Century. From “I Got Rhythm” to “Embraceable You” to “Summertime,” George Gershwin's soaring, glorious music will lift your spirits and warm your hearts. Featuring a cast of stellar Broadway singers, this concert is titled, appropriately enough, “Who Could Ask for Anything More?” The production runs from June 10 – July 3rd outdoors at the BSC Production Center on Laurel Street in Pittsfield, MA. To tell us more, we welcome Julianne Boyd (Director) - the Founder and Artistic Director of Barrington Stage Company and Musical Director Darren Cohen. Together, they've conceived the concert which features Allison Blackwell, Britney Coleman, Alan H. Green, Jacob Tishler, and Alysha Umphress.
We continue our look at how the relaxing of state restrictions will impact some businesses. Like many indoor performance spaces, the Barrington Stage Company in Pittsfield has had an up and down time of it since the pandemic shut down the Company last spring. But this summer, they're planning indoor and outdoor performances with audiences for the first time in months. We’ll hear from Julianne Boyd, the Company's artistic director, about what those performances will look like and what she's most looking forward to this summer.
We continue our look at how the relaxing of state restrictions will impact some businesses. Like many indoor performance spaces, the Barrington Stage Company in Pittsfield has had an up and down time of it since the pandemic shut down the Company last spring. But this summer, they're planning indoor and outdoor performances with audiences for the first time in months. We’ll hear from Julianne Boyd, the Company's artistic director, about what those performances will look like and what she's most looking forward to this summer.
For Video Edition, Click and Subscribe here: https://youtu.be/GMclg3J08cw https://broadwaycares.org/category/post-event/broadway-backwards/ Danny Whitman Danny has serves as Director of Development for Broadway Cares/Equity Fights AIDS since 2009. He first volunteered with Broadway Cares in the mid-1990s after witnessing an audience appeal when attending The Will Rogers Follies at the legendary Palace Theatre. In addition to overseeing fundraising efforts, Danny serves as producer for Broadway Backwards, which he co-created in 2006. Danny is also a composer/lyricist, having collaborated on the musical The Cuban and the Redhead, which has been featured at the Eisemann Center in Dallas, TX, in the National Alliance for Musical Theatre’s Festival of New Musicals, the Los Angeles Festival of New American Musicals, the Village Theatre’s Festival of New Musicals and in development at Off- Broadway’s award-winning York Theatre Company. Robert Bartley Robert directed the hit Off-Broadway premiere of Bedbugs - The Musical, which garnered a rave from The New York Times and was nominated for an Innovative Theatre Award as Best Musical. He also directed the New York Off-Broadway premiere of Jim Brochu’s Character Man (Urban Stages) which was nominated for the 2014 Drama Desk and Outer Critics Circle Awards for Outstanding Solo Performance, and productions of Character Man across the country at Barrington Stage Company, Stage Door Theatre, American Theater Group and Stages in Houston. In 2006, Robert created Broadway Backwards, now in its sixteenth year, which he continues to direct, choreograph and write, and has featured countless performers.
Episode Summary Desireé Davar, Anita in the World Tour and on Broadway, tells us about her audition for West Side Story. My "Thank You 5” segment is about my go-to cast album for inspiration. In “Professor’s Corner” this week, Ralph Perkins is back once again, keeping it real, as he talks about “Doing the work!” Intro to this Episode In this episode of “In The Holding Room,” we are joined by performer Desireé Davar. She has performed all over the United States in some of the most prestigious regional theaters, and all over the world in the world tour of West Side Story. She performed the role of Anita in West Side Story and with the release of Steven Spielberg’s theatrical trailer of West Side Story we thought it was the perfect time to hear what it was like auditioning for this show on Broadway. In “Thank you 5” this week, I talk about my go-to Broadway cast album for finding inspiration. They always say, “Write what you know.” well these guys did and their show speaks to my heart, speaks to my creativity, and gets me motivated! Ralph Perkins has choreographed professionally for several regional theaters across the country, and Las Vegas venues. Among his credits are La Cage Aux Folles, Camelot and 1776 for Goodspeed Musicals, South Pacific for The Asolo Repertory Theater and Papermill Playhouse, The Wizard of Oz, Hello Dolly! (nominated for best choreography St. Louis Critics Circle Awards) South Pacific and The King and I for The Muny in St. Louis, and Sweet Charity for The Barrington Stage Company. Ralph also choreographed Follies and Sunday in the Park with George (winner of the "Louie" Award for best musical) for The Repertory Theater of St. Louis, Urinetown: The Musical and Kiss Me Kate in which he received Kevin Kline Award nominations for outstanding choreography. Residing and working in Las Vegas, Nevada for many years, Ralph was choreographer for EFX starring Tommy Tune at the MGM Grand, Tournament of Kings at the Excalibur and he also worked with Siegfried and Roy at The Mirage, to name a few. In 2002 Ralph relocated to West Hartford, CT to become Director of Dance for the Theatre Division at The Hartt School at the University of Hartford. Ralph is also on the adjunct faculty of The Hartt School Dance Division teaching the Martha Graham Technique Resources: For all your audition needs including sheet music, tracks, monologues, advice and so much more visit: https://performerstuff.com/ Engage with the show: Facebook: Facebook/IntheHoldingRoom Instagram: In_the_holding_room Website: https://intheholdingroom.com/ Desireé Davar http://www.superheroesinlove.com/ http://www.desireedavar.com/ Instagram @SuperheroesinLove, @DesireeDavarDromard
Episode Summary Desireé Davar, Anita in the World Tour and on Broadway, tells us about her audition for West Side Story. My "Thank You 5” segment is about my go-to cast album for inspiration. In “Professor’s Corner” this week, Ralph Perkins is back once again, keeping it real, as he talks about “Doing the work!” Intro to this Episode In this episode of “In The Holding Room,” we are joined by performer Desireé Davar. She has performed all over the United States in some of the most prestigious regional theaters, and all over the world in the world tour of West Side Story. She performed the role of Anita in West Side Story and with the release of Steven Spielberg’s theatrical trailer of West Side Story we thought it was the perfect time to hear what it was like auditioning for this show on Broadway. In “Thank you 5” this week, I talk about my go-to Broadway cast album for finding inspiration. They always say, “Write what you know.” well these guys did and their show speaks to my heart, speaks to my creativity, and gets me motivated! Ralph Perkins has choreographed professionally for several regional theaters across the country, and Las Vegas venues. Among his credits are La Cage Aux Folles, Camelot and 1776 for Goodspeed Musicals, South Pacific for The Asolo Repertory Theater and Papermill Playhouse, The Wizard of Oz, Hello Dolly! (nominated for best choreography St. Louis Critics Circle Awards) South Pacific and The King and I for The Muny in St. Louis, and Sweet Charity for The Barrington Stage Company. Ralph also choreographed Follies and Sunday in the Park with George (winner of the "Louie" Award for best musical) for The Repertory Theater of St. Louis, Urinetown: The Musical and Kiss Me Kate in which he received Kevin Kline Award nominations for outstanding choreography. Residing and working in Las Vegas, Nevada for many years, Ralph was choreographer for EFX starring Tommy Tune at the MGM Grand, Tournament of Kings at the Excalibur and he also worked with Siegfried and Roy at The Mirage, to name a few. In 2002 Ralph relocated to West Hartford, CT to become Director of Dance for the Theatre Division at The Hartt School at the University of Hartford. Ralph is also on the adjunct faculty of The Hartt School Dance Division teaching the Martha Graham Technique Resources: For all your audition needs including sheet music, tracks, monologues, advice and so much more visit: https://performerstuff.com/ Engage with the show: Facebook: Facebook/IntheHoldingRoom Instagram: In_the_holding_room Website: https://intheholdingroom.com/ Desireé Davar http://www.superheroesinlove.com/ http://www.desireedavar.com/ Instagram @SuperheroesinLove, @DesireeDavarDromard
Episode Summary Matthew Goodgame in “Performers Spotlight” tells us what it was like auditioning for some of the shows he has been in, on the West End and around the world, and some tips he uses to keep his cool. In “Thank You 5” I’ll be talking about the embarrassing situation I got put in as a young dancer, and how teachers and instructors can avoid doing this to others. In “Professor’s Corner”, Ralph Perkins will be getting real when it comes to your college program and why you need to earn the right for your teacher to give you notes. Intro to this Episode In this Episode of “In The Holding Room” we are joined by performer, Matthew Goodgame for “Performer Spotlight”. Recently, Matthew was Sky Masterson at the Théâtre Marigny in Paris, and he starred in 42nd Street atTheatre Royal, Drury Lane in London as Pat Denning and U/S Julian Marsh. Just a few of his other credits include: Billy Flynn in Chicago, Greaseball in Starlight Express, Billy Crocker in Anything Goes, and Danny Zuko in Grease In “Thank you 5” this week: Do you know what a dance belt is? Did you when you were 10? I didn’t. Man, I wish someone told me…here’s why. Ralph Perkins has choreographed professionally for several regional theaters across the country, as well as Las Vegas venues. Among his credits are La Cage Aux Folles, Camelot and 1776 for Goodspeed Musicals, South Pacific for The Asolo Repertory Theater and Papermill Playhouse, The Wizard of Oz, Hello Dolly! (nominated for best choreography St. Louis Critics Circle Awards) South Pacific and The King and I for The Muny in St. Louis, and Sweet Charity for The Barrington Stage Company. Ralph also choreographed Follies and Sunday in the Park with George (winner of the "Louie" Award for best musical) for The Repertory Theater of St. Louis, as well as Urinetown, The Musical and Kiss Me Kate, in which he received Kevin Kline Award nominations for outstanding choreography. Residing and working in Las Vegas, Nevada for many years, Ralph was choreographer for EFX starring Tommy Tune at the MGM Grand, Tournament of Kings at the Excalibur and he also worked with Siegfried and Roy at The Mirage, to name a few. In 2002 Ralph relocated to West Hartford, CT to become Director of Dance for Theatre at The Hartt School,University of Hartford. Ralph is also on the adjunct faculty of The Hartt School dance division, teaching the Martha Graham Technique. Resources For all your audition needs including sheet music, tracks, monologues advice and so much more visit: https://performerstuff.com/ Engage with the Show facebook.com/InTheHoldingRoom Matthew Goodgame https://www.nyfa.edu/musical-theatre/
Episode Summary Matthew Goodgame in “Performers Spotlight” tells us what it was like auditioning for some of the shows he has been in, on the West End and around the world, and some tips he uses to keep his cool. In “Thank You 5” I’ll be talking about the embarrassing situation I got put in as a young dancer, and how teachers and instructors can avoid doing this to others. In “Professor’s Corner”, Ralph Perkins will be getting real when it comes to your college program and why you need to earn the right for your teacher to give you notes. Intro to this Episode In this Episode of “In The Holding Room” we are joined by performer, Matthew Goodgame for “Performer Spotlight”. Recently, Matthew was Sky Masterson at the Théâtre Marigny in Paris, and he starred in 42nd Street atTheatre Royal, Drury Lane in London as Pat Denning and U/S Julian Marsh. Just a few of his other credits include: Billy Flynn in Chicago, Greaseball in Starlight Express, Billy Crocker in Anything Goes, and Danny Zuko in Grease In “Thank you 5” this week: Do you know what a dance belt is? Did you when you were 10? I didn’t. Man, I wish someone told me…here’s why. Ralph Perkins has choreographed professionally for several regional theaters across the country, as well as Las Vegas venues. Among his credits are La Cage Aux Folles, Camelot and 1776 for Goodspeed Musicals, South Pacific for The Asolo Repertory Theater and Papermill Playhouse, The Wizard of Oz, Hello Dolly! (nominated for best choreography St. Louis Critics Circle Awards) South Pacific and The King and I for The Muny in St. Louis, and Sweet Charity for The Barrington Stage Company. Ralph also choreographed Follies and Sunday in the Park with George (winner of the "Louie" Award for best musical) for The Repertory Theater of St. Louis, as well as Urinetown, The Musical and Kiss Me Kate, in which he received Kevin Kline Award nominations for outstanding choreography. Residing and working in Las Vegas, Nevada for many years, Ralph was choreographer for EFX starring Tommy Tune at the MGM Grand, Tournament of Kings at the Excalibur and he also worked with Siegfried and Roy at The Mirage, to name a few. In 2002 Ralph relocated to West Hartford, CT to become Director of Dance for Theatre at The Hartt School,University of Hartford. Ralph is also on the adjunct faculty of The Hartt School dance division, teaching the Martha Graham Technique. Resources For all your audition needs including sheet music, tracks, monologues advice and so much more visit: https://performerstuff.com/ Engage with the Show facebook.com/InTheHoldingRoom Matthew Goodgame https://www.nyfa.edu/musical-theatre/
Veteran Broadway press agent Jim Byk is the co-founder of The Press Room, a theatrical and entertainment publicity office based in New York City. Current clients include Hamilton, The Book of Mormon, Born for This, Chasing Rainbows: The Road to Oz, Broadway Black’s The Antonyo Awards, Beyond Babel, Working Girl The Musical, Estella Scrooge: A Christmas Carol with a Twist, Havana Music Hall, Make Some Noise: The Legend of Frankie Wilde, Out of the Box Theatrics’ The Last Five Years and Baby, Vineyard Theatre, The Wooster Group, Barrington Stage Company, Miami New Drama’s Seven Deadly Sins, Why Not Theatre’s Mahabharata for the Shaw Festival, actor/pianist Hershey Felder, Rosie’s Theater Kids, Hunter Theater Project, Theatre Row, New York Classical Theatre, Swamp Motel, Shakespeare’s Globe and Southern California’s 3-D Theatricals.
Jeffrey Lo is a Filipino-American playwright and director based in the Bay Area. He is the recipient of the Leigh Weimers Emerging Artist Award, the Emerging Artist Laureate by Arts Council Silicon Valley and Theatre Bay Area Director's TITAN Award. Selected directing credits include The Language Archive and The Santaland Diaries at TheatreWorks Silicon Valley, Vietgone at Capital Stage, A Doll’s House, Part 2 and Eurydice at Palo Alto Players (TBA Awards finalist for Best Direction), Peter and the Starcatcher and Noises Off at Hillbarn Theatre, The Grapes of Wrath, The Crucible and Yellow Face at Los Altos Stage Company and Uncle Vanya at the Pear Theatre (BATCC award for Best Production). As a playwright, his plays have been produced and workshopped at TheatreWorks Silicon Valley, The BindleStiff Studio, City Lights Theatre Company and Custom Made Theatre Company. Jeffrey has also worked with the Oregon Shakespeare Festival and The Asian American International Film Festival. In addition to his work in theatre he works as an educator and advocate for issues of Equity, Diversity and Inclusion and has served as a grant panelist for the Zellerbach Family Foundation, Silicon Valley Creates and Theatre Bay Area. He is the Director Community Partnerships and Casting Director at the Tony Award Winning TheatreWorks Silicon Valley.Jeanne Sakata’s solo play HOLD THESE TRUTHS has won accolades in over twenty productions across the country, most recently at the Cultch Theatre in Vancouver, Barrington Stage Company, Arena Stage, San Diego Repertory, the Guthrie Theatre, Pasadena Playhouse, Portland Center Stage, and ACT Seattle (Drama Desk nomination, Outstanding Solo Performance; Theatre Bay Awards for Outstanding Lead Performance, Direction and Production). Jeanne just finished a new radio play, FOR US ALL, commissioned by LA TheatreWorks, which will premiere in winter 2021. She has also enjoyed recent recurring/guest star TV and film roles in the internationally acclaimed indie film ADVANTAGEOUS, STATION 19, HIGH SCHOOL MUSICAL: THE MUSICAL: THE SERIES, NCIS LOS ANGELES, BIG HERO 6, and DR. KEN, and has performed onstage at such theaters as the Vineyard Theatre, McCarter Theatre, Kennedy Center, Public Theatre, Mark Taper Forum, La Jolla Playhouse, Berkeley Rep and East West Players (Theatre LA Ovation Award, Outstanding Lead Actress, RED by Chay Yew), and many more. Mikiko Suzuki MacAdams is a freelancing set designer based in NYC. Her design work has been seen Off Broadway at the Primary Stages, Working Theater, Epic Theater Ensemble, INTAR, EST, and National Asian American Theatre Company. Regional theatres at Guthrie Theatre, Arena Stage, Barkley Repertory Theatre, the Old Globe, Oregon Shakespeare festival, Long Wharf Theatre, Seattle Repertory Theatre, Actors Theatre of Louisville, Honolulu Theatre for Youth, Playmakers Repertory Company, ACT Theatre, Yale Repertory Theatre, Boston Lyric Opera, the Shed among others. In Japan her work has been seen at the Umeda Arts Theatre, Nissay Theatre, Nissay Opera, Nikikai Opera, Suntory Hall, Aichi Triennale in Nagoya, Kanagawa Prefectural Hall and Biwako Hall. As an associate scenic designer, Broadway credits include My Fair Lady, Fiddler on the Roof and The King and I. Currently, she is a teaching at Yale School of Drama.is a freelancing set designer based in NYC. Her design work has been seen Off Broadway at the Primary Stages, Working Theater, Epic Theater Ensemble, INTAR, EST, and National Asian American Theatre Company. Regional theatres at Guthrie Theatre, Arena Stage, Barkley Repertory Theatre, the Old Globe, Oregon Shakespeare festival, Long Wharf Theatre, Seattle Repertory Theatre, Actors Theatre of Louisville, Honolulu Theatre for Youth, Playmakers Repertory Company, ACT Theatre, Yale Repertory Theatre, Boston Lyric Opera, the Shed among others. In Japan her work has been seen at the Umeda Arts Theatre, Nissay Theatre, Nissay Opera, Nikikai Opera, Suntory Hall, Aichi Triennale in Nagoya, Kanagawa Prefectural Hall and Biwako Hall. As an associate scenic designer, Broadway credits include My Fair Lady, Fiddler on the Roof and The King and I. Currently, she is a teaching at Yale School of Drama.Learn more about the TheatreWorks Silicon Valley at theatreworks.org.Chapters is a multi-part series concerning the history and the lessons of civil rights violations or civil liberties injustices carried out against communities or populations—including civil rights violations or civil liberties injustices that are perpetrated on the basis of an individual’s race, national origin, immigration status, religion, gender, or sexual orientation.This project was made possible with support from Chapman University and The California Civil Liberties Public Education Program, a state-funded grant project of the California State Library.Guests: Jeffrey Lo, Jeanne Sakata, and Mikiko Suzuki MacAdamsHosts: Jon-Barrett Ingels and Jonelle StricklandProduced by: Public Podcasting
Actress, director, writer, producer, and activist Shakina Nayfack answered my call to bare it all on my podcast Baring It All with Call Me Adam, on the Broadway Podcast Network. Shakina received international attention for crowdfunding her gender confirmation with her 2014 KickStartHer campaign and has since written three rock musicals about her transition. Shakina played a guest-starring role in the series finale of Amazon's Transparent, a Musicale Finale on which she was also a writer and producer. Shakina's fans know from her work as "Lola" in Hulu's cult-comedy series Difficult People and most recently, playing "Ellis" on NBC's new comedy Connecting. In this interview we discuss: Connecting on NBC’s Peakcock/Hulu Finding Love Musical Theatre Factory Shakina’s activism Her new audio play Chonburi International Hotel, and Butterfly Club recorded by Audible Rapid Fire Questions End with Shakina baring something she has not talked about previously Stream Connecting on Peacock or Hulu Connect with Shakina: Website Facebook Twitter Instagram YouTube Like What You Hear? Join my Patreon Family to get backstage perks including advanced notice of interviews, the ability to submit a question to my guests, behind-the-scene videos, and so much more! Follow me on Facebook, Twitter, and Instagram Visit: https://callmeadam.com for more my print/video interviews Special Thanks: My Patreon Family for their continued support: Angelo, Reva and Alan, Marianne, Danielle, Tara, and The Golden Gays NYC. Join the fun at https://patreon.com/callmeadamnyc. Theme Song by Bobby Cronin (https://bit.ly/2MaADvQ) Podcast Logo by Liam O'Donnell (https://bit.ly/2YNI9CY) Edited by Drew Kaufman (https://bit.ly/2OXqOnw) Outro Music Underscore by CueTique (Website: https://bit.ly/31luGmT, Facebook: @CueTique) More on Shakina: Originally from Southern California, Shakina enjoys an eclectic career as a performer, director, writer, producer, and social activist. Shakina can be seen on Marvel's Jessica Jones (Netflix) and The Detour (TBS) and heard as the voice of “Hana” in the Gkids remaster and English dub of the Satoshi Kon anime cult classic Tokyo Godfathers. Shakina's autobiographical rock musicals One Woman Show (2013), Post-Op (2015), and Manifest Pussy (2106) all premiered to sold-out houses at Joe's Pub at the Public Theater in New York City. She has performed on Broadway in 24-Hour Plays and Gypsy Of The Year, as well as Off-Broadway in M.J. Kauffman's Masculinity Max at The Public Theater, and in Manuel Versus The Statue Of Liberty (As Lady Liberty). Shakina received international attention for her 2016 Rebel Tour of North Carolina, where she performed in protest of the anti-trans law HB2 ("The Bathroom Bill"). Shakina is also the Founding Artistic Director of Musical Theatre Factory (MTF), a non-profit artist service organization dedicated to developing new work. In 2015 Shakina received a Lilly Award recognizing the remarkable contributions to the American Theatre made by women. She is also a two-time Drama League fellow, having been selected for the New Musical Directing Fellowship (2011) and the Beatrice Terry Fellowship for women playwright/directors (2017), supporting the development of her new play, Chonburi International Hotel, and Butterfly Club. Shakina roots herself as a Butoh-inspired artist trained beneath Diego Piñón, founder of Body Ritual Movement. With an MFA in Experimental Choreography and a Ph.D. in Critical Dance Studies (both from the University of California at Riverside), Shakina has pioneered her own Butoh for the Actor method, developed through masterclasses at the University of California at Santa Cruz, the Chicago Cultural Center, Casa del Teatro in Mexico City, Barrington Stage Company, The Drama League, the Eugene O'Neill Theatre Center, and most recently as adjunct faculty at NYU Tisch Drama. Learn more about your ad choices. Visit megaphone.fm/adchoices
'Nimble and Pivot' Those are two words Artistic Director Julianne Boyd says she and her company Barrington Stage Company in Pittsfield have been living by since the spring. The company - along with other indoor performance venues - have been told to shut their doors for the second time this year thanks to rising cases and hospitalizations in the state. But with the first vaccinations being administered this week, there is hope on the horizon. Hear more about what Barrington Stage Company has planned for next year.
'Nimble and Pivot' Those are two words Artistic Director Julianne Boyd says she and her company Barrington Stage Company in Pittsfield have been living by since the spring. The company - along with other indoor performance venues - have been told to shut their doors for the second time this year thanks to rising cases and hospitalizations in the state. But with the first vaccinations being administered this week, there is hope on the horizon. Hear more about what Barrington Stage Company has planned for next year.
When Amy reached out to me to be a guest on my podcast, I was gobsmacked by her story. We had so many parallels in our stories. Amy’s passion is being a performing artist and like Amy, My first love and passion is music, singing and songwriting. Yet, it was during a very intense performing arts program I experienced a major event in both my mental and physical health. Although Amy’s story around mental health was slightly different than mind, she has found a way to beautiful intertwine art and healing at the same time. Amy Oestreicher is an Audie award-nominated playwright, performer, and multidisciplinary creator. A singer, librettist, and visual artist, she dedicates her work to celebrating untold stories, and the detours in life that can spark connection and transform communities. Amy overcame a decade of trauma to become a sought-after PTSD specialist, artist, author, writer for The Huffington Post, international keynote speaker, RAINN representative, and health advocate. She has given three TEDx Talks on transforming trauma through creativity, and has contributed to NBC’s Today, CBS, Cosmopolitan, Seventeen Magazine, The Washington Post, Good Housekeeping, and MSNBC, among others. Amy has toured her multi-award-winning musical, Gutless & Grateful, to over 200 venues from 54 Below to Barrington Stage Company since its 2012 NYC debut, and developed her full-length play, Flicker and a Firestarter, with Playlight Theatre Co. Her multimedia musical, Passageways (original lyrics, music, book and mixed media artwork) has been performed at HERE Arts Center, Dixon Place, and the Triad Theater. Her plays have been published by Eddy Theatre Company, PerformerStuff, Narcissists Anthology, New World Theatre’s “Solitary Voice: A Collection of Epic Monologues,” and were finalists in Manhattan Repertory’s Short Play Festival, NYNW Theatre Fest, #MeTooTheatreWomen, "Women in the Age of Trump," and Tennessee Williams’s New Orleans Literary Festival, and performed across the country by students for immigration festivals, academic projects, and Sexual Assault Prevention Month. She is founder of "LoveMyDetour," a campaign creating seminars, workshops, curriculum, books, music, and performances designed to entertain, educate, and engage on the intersection of arts and social justice, is part of the National Initiative for Arts and Health in the Military. Her memoir, My Beautiful Detour: An Unthinkable Journey from Gutless to Grateful. was awarded 2nd Place Winner of Best Memoir/Autobiography for the 2019 CT Press Awards, and she is currently recording the audiobook. She is in the process of creating a performance combining puppetry, Butoh, and site-specific theatre on environmental justice, ecofeminism, and sacred feminine mytholofgy to encourage women to claim their role in preserving our planet and has launched a series of workshops, Step Into Joy, inspiring people of all ages, backgrounds, and abilities to claim a walking practice that inspires connection with their environment and respect for various ecosystems. See more at www.amyoes.com. 5 Takeaways from Amy’s Episode: Creativity can help you release trauma. Do what feels good to you. We have the power and the energy to make a difference just by inhaling and exhaling. Believe in your vision. Being vulnerable to really learn what you need. AMY’S RESOURCES: Www.amyoes.com/book OKIKI RESOURCES: Need to Optimize your LinkedIn Profile? Try my new LinkedIn Profile Optimization Course! Video Editing and Subtitle Programs I use (affiliates links are included): Subtitles: Happy Scribe Subtitles and Headers: ClipScribe Need high-quality virtual assistants? Mine is amazing and I met him through iWorker. Pivo App to create amazing video content: Want to create 360 Virtual Tours? Insta360 ONE R Camera Insta360 ONE X Camera Insta360 ONE R Virtual Tour Kit FREEBIES: FREE DOWNLOADABLE PDF: www.okikiconsulting.com/resources My Top 14 Resources for Entrepreneurs and Solopreneurs PDF contains: My Top 4 Free Resources for Creating Content My Top 4 Phone Apps for Creating Video Content My Top 3 Desktop Apps for Creating Video Content My Top 4 Recommended tools for Solopreneurs ABOUT FIYIN: Fiyin Obayan is the founder of Okiki Consulting, where she helps business owners communicate their personal brand or company brand stories through video content, in order to communicate to their target audience. She has been participating in video storytelling for 9 years starting with her previous Myspace Channel, and to her personal YouTube Channel. As an entrepreneur, She has learned to develop that skill for the social media and now specialized in using it for the LinkedIn platform. Through posting regular content from September 2019, She has gone from 1000 connections to 8000 connections on the platforms and gained clients and she wants to empower others to do the same. Contact Fiyin: Website: www.okikiconsulting.com Email: info@okikiconsulting.com Phone: (306)716-0324 Instagram: @Okikiconsulting Facebook: @Okikiconsulting LinkedIn: https://www.linkedin.com/in/fiyinfoluwaobayan/ Business: https://www.linkedin.com/company/okiki
Welcome to the 22nd episode of Broadway Babies! This week Noelle and Stephanie welcome the wonderful Joe Iconis (Be More Chill, Smash)! Joe Iconis is a musical theater writer and performer. He has been nominated for a Tony Award, four Drama Desk Awards, two Lucille Lortel Awards, two Outer Critics’ Circle Awards, and is the recipient of an Ed Kleban Award, a Jonathan Larson Award, and a Richard Rodgers Award. Be More Chill (with Joe Tracz) is currently playing London’s West End, after running at Broadway’s Lyceum Theatre and off-Broadway’s The Pershing Square Signature Center after a world premiere at Two River Theater. Joe is the author of Love in Hate Nation (directed by John Simpkins; Two River Theater), Broadway Bounty Hunter (with Lance Rubin and Jason SweetTooth Williams; Barrington Stage Company and Greenwich House Theater Off-Broadway), Bloodsong of Love (Ars Nova, NAMT), The Black Suits (with Robert Maddock; Center Theater Group, Barrington Stage Company), ReWrite (Urban Stages, Goodspeed Opera House), and Theaterworks USA’s The Plant That Ate Dirty Socks and We the People. Musicals currently in development include The Untitled Unauthorized Hunter S. Thompson for La Jolla Playhouse (directed by Christopher Ashley), Punk Rock Girl! His music appeared on season two of NBC’s Smash. Albums: Be More Chill (OCR and OBCR, which over 500 million streams); Broadway Bounty Hunter (OCR); Things to Ruin (OCR); Two-Player Game, The Joe Iconis Rock & Roll Jamboree, and the upcoming Broadway Bounty Hunter (OCR) all available on Sh-K-Boom/Ghostlight Records. Joe is hugely inspired by Robert Altman, Dolly Parton, The Muppets, and the Family of artists he frequently surrounds himself with. www.MrJoeIconis.com --- Stephanie Andersen (Bare: A Pop Opera, Original Cast, Cast Recording and Revival) and Noelle Hannibal (Hair: 20th Anniversary Production, Star Trek, Buffy) and are professional performers and fangirls with a deep and never-ending love for musical theatre. Join them as they chat about all things Broadway on this special podcast which will feature interviews with some of Broadway's most beloved stars. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/broadway-babies/support
Tonight, we're highlighting two sides of re-opening Massachusetts. First, the Big Dipper Hospitality Group has been pretty outspoken against allowing indoor dining at any of their three Cambridge restaurants, even as the state is relaxing restrictions. Host Arun Rath speaks with co-owner Heather Mojer about this. Then, we head to Pittsfield where the Barrington Stage Company is now planning indoor performances this winter and spring after Governor Charlie Baker gave them and other theaters the go ahead to do so. The Company's Artistic Director Julianne Boyd walks Arun through what their set-up will look like.
Tonight, we're highlighting two sides of re-opening Massachusetts. First, the Big Dipper Hospitality Group has been pretty outspoken against allowing indoor dining at any of their three Cambridge restaurants, even as the state is relaxing restrictions. Host Arun Rath speaks with co-owner Heather Mojer about this. Then, we head to Pittsfield where the Barrington Stage Company is now planning indoor performances this winter and spring after Governor Charlie Baker gave them and other theaters the go ahead to do so. The Company's Artistic Director Julianne Boyd walks Arun through what their set-up will look like.
Joe Iconis is a musical theater writer and performer. He has been nominated for a Tony Award, four Drama Desk Awards, two Lucille Lortel Awards, two Outer Critics’ Circle Awards, and is the recipient of an Ed Kleban Award, a Jonathan Larson Award, and a Richard Rodgers Award. Be More Chill (with Joe Tracz) is currently playing London’s West End, after running at Broadway’s Lyceum Theatre and off-Broadway’s The Pershing Square Signature Center after a world premiere at Two River Theater. Joe is the author of Love in Hate Nation (directed by John Simpkins; Two River Theater), Broadway Bounty Hunter (with Lance Rubin and Jason SweetTooth Williams; Barrington Stage Company and Greenwich House Theater Off-Broadway), Bloodsong of Love (Ars Nova, NAMT), The Black Suits (with Robert Maddock; Center Theater Group, Barrington Stage Company), ReWrite (Urban Stages, Goodspeed Opera House), and Theaterworks USA’s The Plant That Ate Dirty Socks and We the People. Musicals currently in development include The Untitled Unauthorized Hunter S. Thompson for La Jolla Playhouse (directed by Christopher Ashley), Punk Rock Girl! His music appeared on season two of NBC’s Smash. Albums: Be More Chill (OCR and OBCR, which over 500 million streams); Broadway Bounty Hunter (OCR); Things to Ruin (OCR); Two-Player Game, The Joe Iconis Rock & Roll Jamboree, and the upcoming Broadway Bounty Hunter (OCR) all available on Sh-K-Boom/Ghostlight Records. Joe is hugely inspired by Robert Altman, Dolly Parton, The Muppets, and the Family of artists he frequently surrounds himself with. www.MrJoeIconis.com @mrjoeiconis Jennifer Ashley Tepper is producer of the musicals Be More Chill, Broadway Bounty Hunter, and Love In Hate Nation, recent projects that are part of a decade-long collaboration with the group known as Joe Iconis & Family. From producing small concerts in basements to producing a show on Broadway, Tepper has cultivated the theatrical collective which The New York Times called “the future of musical theatre”. She is also the Creative and Programming Director at Feinstein’s/54 Below, where she has curated or produced over 3000 shows, including musicals in concert, original solo acts, theatrical reunions, songwriter celebrations, and more. Tepper's leadership at the venue has gained praise from publications including The Huffington Post, The New York Times, Buzzfeed, Playbill, Newsday, The New York Post, and more. As a writer, Tepper has authored three volumes of The Untold Stories of Broadway book series, published by Dress Circle. NBC New York has called the books an "inspiring Must-Read". Published in 2013, 2014, and 2016, each book has occupied the #1 spot on Amazon.com's Best Sellers List in Broadway & Musicals. On Broadway, Tepper has worked on [title of show], The Performers, Godspell, Macbeth, and The Parisian Woman, and off-Broadway Smokey Joe’s Café and Boys’ Life. Tepper is the conceiver and director of The Jonathan Larson Project which premiered in fall 2018 and received an original cast recording from Ghostlight Records. She is historian consultant on the upcoming tick, tick… BOOM! movie and co-creator of the Bistro Award- winning concert series, If It Only Even Runs A Minute, now in its 11th year. Tepper recently received a 2020 Lincoln Center Emerging Artist Award. She was named one of the 10 professionals on Backstage Magazine's "1st Annual Broadway Future Power List", which stated: "Proving herself both a zeitgeist predictor and theatrical historian with her eclectic programming, Tepper is leading the conversation on contemporary musical theatre." @jenashtep . Want more of My Broadway Memory?! Follow us on Social! @MyBroadwayMemory on Instagram and Facebook and @MyBwayMemory on Twitter MICHAEL KUSCHNER: Instagram or The Dressing Room Project Dear Multi-Hyphenate Podcast BRIAN SEDITA: Instagram, Website, Page to Stage Podcast BROADWAY PODCAST NETWORK: Website or Instagram #MyBroadwayMemory Learn more about your ad choices. Visit megaphone.fm/adchoices
Barrington Stage Company's recent production of Harry Clarke isn't just a play. It's a test-case — the first Actors' Equity Association-approved production since theater went dark. As such, the spotlight was blinding, and all eyes were on this one-man-show, eager to learn whether theater can adapt to the realities of COVID. So what's the verdict? Is it safe to go back into the water? Kevin spoke to lone actor Mark H. Dold and BSC artistic director Julianne Boyd to find out. Resources Visit the Barrington Stage Company website. Follow Mark H. Dold on Instagram. Read the New York Times story about this production: https://www.nytimes.com/2020/07/30/theater/the-first-equity-authorized-indoor-theater-is-moving-outdoors.html Credits The Backdrop is hosted by Kevin Bleyer and produced by Nella Vera. The Backdrop artwork is by Philip Romano. Follow Kevin Bleyer and Nella Vera on Twitter: @kevinbleyer / @spinstripes The Backdrop is a proud member of the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
As this podcast goes to air we are moving into our next full moon. The sun sign is in Leo and the moon is full in Aquarius… a reflective time time to nourish our creations and break through our limitations. Aquarius energy teaches us to break free of our limitation and the social norms to find our true self. The vibrations coming in now are all about breaking free and finding new perspectives. And as we have been talking about... this full moon is allowing each of us to open up fully to our light… to that part that inspires us to go beyond... to heal our wounds... to know that we are all evolving - evolution - revolution. It is also about questioning your own consciousness and where each of us can awaken… individually and collectively. This full moon asks you to feel your truth and then send it back out into the consciousness around you to help share a new reality. Aquarius and Leo energy encourages us to know where we are and insures us to shed expectation from others, to rise above the fear of rejection and align with our essence. When you can reframe your challenges and problems as portals of energy… ways to illuminate the lessons rather than as just limitations, you open yourself up to discover the immense power you hold within yourself to heal and let go of your emotional blocks. All of this I talk about about on the Energy Focus of the week which you can find live on Sunday nights on Facebook or Instagram. Download my free guide to help you set up your own daily Practice. You can find it on my website at TerriAnnHeiman.com. Or if you would prefer some private help, join me in my Empowered Spirit Program. Schedule an Empowered Spirit Discovery Session with me and let's discover what three things are draining you of your energy and if this program is a fit for you. I am seeing clients, virtually and some in person, and I do have just a few spot left for my private mentoring program . In today's episode, I talk with Amy Oestreicher about her life, her challenges and especially her creativity and how it has helped her to overcome her obstacles. Her book, My Beautiful Detour, is one of the most inspiriting story I've heard in a long time. I absolutely fell in love with her! We talk about creating and art as a means to heal, detours, resilience, abuse, PTSD, eating and so much more that went into her own personal healing. Talk about reframing your challenges and problems... wow. Amy Oestreicher is a PTSD Specialist, Audie award-nominated playwright, performer and multidisciplinary creator. Amy overcame a decade of trauma to become a sought-after traumainformed teaching artist, author, writer for The Huffington Post, international keynote speaker, RAINN representative and health advocate. She has given three TEDx Talks on transforming trauma through creativity, and her story has appeared on NBC's Today, CBS, Cosmopolitan, Seventeen Magazine, The Washington Post, Good Housekeeping and MSNBC, among others. A singer, librettist and visual mixed media artist, she dedicates her work to celebrating everyday miracles, untold stories and the detours in life that can spark connection and transform communities. Amy has toured her autobiographical musical, Gutless & Grateful, to over 200 venues from 54 Below to Barrington Stage Company since its 2012 NYC debut, as well as a mental health program for colleges, conferences and organizations. She is currently developing her full-length play, Flicker and a Firestarter, which just had its first AEA Staged Reading, and More Than Ever Now, a play based on her grandmother's story of survival. She most recently premiered her one-woman multimedia musical, Passageways, at HERE Arts Center, for which she created music, book, lyrics and artwork. As the 2014 Eastern Regional Recipient of Convatec's Great Comebacks Award and WEGO Health “Health Activist Hero” and WeGO Health Expert, she speaks for National WOCN conferences and the American College of Surgeons Clinical Congress and writes for the official print publication of the UOAA. She has devised programming for the Transformative Language Arts Network National Conference, the Eating Recovery Foundation, the 40th Anniversary New England Educational Opportunity Association Milestones Conference, three Annual National Mental Health America Conference and others. She has been the featured keynote speaker for national conferences including the Pacific Rim Conference of Diversity and Disability, the International School of Social Work Conference and Women of Resilience. As a playwright, Amy has received awards and accolades for engaging her audiences in dynamic conversation on trauma's effects on society, including Women Around Town's “Women to Celebrate” 2014, BroadwayWorld “Best Theatre Debut,” Bistro Awards “New York Top Pick” and the “Singular Award” at the Sarasolo Theatre Festival, presented annually for a “performance that is exceptionally uncommon, groundbreaking, original and inventive.” Amy has performed excerpts of her solo oral history play, Divers, as part of Brooklyn's immigrants and Exile, Beechwood Art's Giving Voice, Dixon Place, Seekonk Storytelling Television Special, and Museum of Jewish Heritage Festival of Untold Women. She is a cabaret and theatre reviewer for BroadwayWorld, Her theatre education essays and monologues have been published in Creative Pedagogy journals, as part of a theatre curriculum for high school students in the Philippines. Her play, "We Re-Member" honoring the immigration stories of her grandparents, has been performed in twelve states, and her full-length play, Factory Treasure, has been performed at the Philadelphia Arts Center, Identity Theatre, LIU, The Depot and Actors Theatre of Newburyport. Her short plays have been published by the Eddy Theatre Company and finalists in Manhattan Repertory Theatre's Short Play Festival, as well as NYC Playwright's Women in the Age of Trump. Amy's collaboration with Beechwood Arts on the immersion salon, “Resilience and the Power of the Human Spirit,” has traveled around the world to health and arts facilities as a public installation, incorporating her monologues, art, writing and recipes to express the life-altering detours and ultimately the invaluable gifts of her resilient journey. Amy is also an active artist and teacher in the Jewish community, being honored by United Way in 2005 for her music programs at Hollander House, completing artist residencies at Art Kibbutz, and delivering “Hope, Resilience & Biblical Women” keynotes for synagogues and religious schools. She is a teaching artist with Brooklyn's Community World Project, and trained ACTSmart, a Playback Theatre troupe in Amherst, MA. She is also a passionate arts education advocate, a successful mixed media visual artist, a continuing education studio arts teacher and her artwork has been shown in esteemed galleries in Massachusetts, Connecticut, Chicago, San Diego and New York, as well as published in national publications including Conquer, Topology and Cargo Literary. She has recently published her memoir, My Beautiful Detour: An Unthinkable Journey from Gutless to Grateful. See more at www.amyoes.com. Facebook. Instagram. YouTube #lovemydetour Join The Campaign. Walk - “Step into Joy” Step Into Joy Workshops: Walking for Connection, Discovery & Play Covid masks - Art stuff - TedXTalks. Sexual trauma of my PTSD: It's OK to Freeze: Healing From Sexual Assault Spiritual Ecology: The Cry of the Earth As Amy says… we are have this creative force within us. Allow yourself to go within and find this energy to help overcome any obstacle. Reach out to Amy for inspiration, her programs or to bring her to your group and have her share her inspiring story. I fell in love with her. #Lovemydetour - be a part of the movement! And, if you need help on your spiritual path, reach out to me. I have a few openings for my private mentoring program. Thanks again for listening. To your Spirit, Terri PS… Schedule a Virtual Coffee here. Join Terri's Facebook Group Follow Terri on Instagram Find her on LinkedIn EPISODE CREDITS If you like this podcast and are thinking of creating your own, consider talking to my producer, Danny Ozment. He helps thought leaders, influencers, executives, HR professionals, recruiters, lawyers, realtors, bloggers, coaches, and authors create, launch, and produce podcasts that grow their business and impact the world. Find out more at https://emeraldcitypro.com
We're breakin' that glass ceiling, ladies, so grab your hammers (and oil diffusers). That's right, TEA: A Drink with Jam & Bren is a boys' club no longer as we welcome our #WitchTok QUEEN Paige Cilluffo!!! Brennan gets coached on essential oil techniques, Jam recounts how Nadine Cilluffo changed her life, and Paige tells our hosts about her fracking good time with Barrington Stage Company. Follow Paige on IG: @paigec22 To learn more about the Black Women's Health Imperative, visit: bwhi.org
Host Arun Rath hears from State Senator Julian Cyr on what this year’s Cape Cod summer could look like for residents and visitors alike. Then, we hear how the Barrington Stage Company in Pittsfield is adapting this year’s show season for social distancing.
Host Arun Rath hears from State Senator Julian Cyr on what this year’s Cape Cod summer could look like for residents and visitors alike. Then, we hear how the Barrington Stage Company in Pittsfield is adapting this year’s show season for social distancing.
Julianne Boyd is the Artistic Director of Barrington Stage Company, which she co-founded and where she’s directed acclaimed productions of WEST SIDE STORY, THE GLASS MENAGERIE, COMPANY, CABARET, SWEENEY TODD and FOLLIES, among many others. She also conceived and directed the Broadway musical revue EUBIE!, which earned three Tony nominations. And this summer, Boyd will direct a new production of Rodgers + Hammerstein’s SOUTH PACIFIC at BSC in downtown Pittsfield, MA.Hosted by Beth Stevens, Paul Wontorek, and Ryan Lee Gilbert
Amy Oestreicher overcame a decade of trauma to become a sought after PTSD specialist, artist, author, and writer for the Huffington Post. An international keynote speaker and health advocate. She’s given three TEDx talks on transforming trauma to creativity and her story has appeared on NBC’s Today, CBS, Cosmopolitan, Seventeen Magazine, The Washington Post, Good Housekeeping, and MSNBC among others. Amy has toured her autobiographical musical Gutless and Grateful to over 200 many venues from 54 below to Barrington Stage Company since its 2012 New York City debut as well as mental health program for colleges, conferences, and organizations. And you can read her new book out right now. My Beautiful Detour which chronicles her life.
Amy Oestreicher is an artist, writer, and influential speaker whose work is rooted in inspiration and built to be eclectic. From the visual arts to music to writing to education, she is foremost a storyteller. Amy overcame a decade of trauma to become a sought-after PTSD specialist, artist, author, writer for The Huffington Post, international keynote speaker, RAINN representative, and health advocate. She has given three TEDx Talks on transforming trauma through creativity, and her story has appeared on NBC’s Today, CBS, Cosmopolitan, Seventeen Magazine, The Washington Post, Good Housekeeping, and MSNBC, among others. Amy has toured her autobiographical musical, Gutless & Grateful, to over 200 venues from 54 Below to Barrington Stage Company since its 2012 NYC debut, as well as a mental health program for colleges, conferences and organizations. And you can read her new book out, My Beautiful Detour, which chronicles her life. Amy had ambitious plans for college and a Broadway career, until her stomach exploded the week before her senior prom. Months later, she awoke from a coma to learn that she might never be able to eat or drink again. After years on IV nutrition, her first bite of food awakened her senses to life’s ordinary miracles but also brought back memories of being sexually abused by a trusted mentor for months, just before the unexpected rush to the emergency room that fateful Passover night. With determination, imagination, relentless resilience, and an inner “hunger” for life, Amy created a roadmap where none existed. We’re so excited to have Amy on to talk with us today about how she’s overcome trauma, how her detour moved her on to this amazing path of creation that she’s on, and being a woman in the world! Learn more at Jubilance.com/blog
I recently had the great pleasure of interviewing actress Addie Morales, who is currently in rehearsals for North Carolina Theatre’s upcoming production of WEST SIDE STORY, where she’ll be starring in the coveted role of Maria. Addie has previously played the role numerous times regionally at the Lyric Opera of Chicago, Barrington Stage Company, Casa Mañana, and New London Barn. Her other regional credits include TICK, TICK, BOOM at Playhouse Square and THE BUDDY HOLLY STORY at Casa Mañana. Be sure to catch North Carolina Theatre’s production of WEST SIDE STORY. It will be playing at the Raleigh Memorial Auditorium which is located inside Duke Energy Center from October 15th-20th. For more information, please visit: www.nctheatre.com/shows/west-side-story Follow Addie Morales on Instagram: @addie_amber Follow Kare Reviews at www.karereviews.com and on Twitter: @KareReviews Follow Jeffrey Kare on Twitter: @JeffreyKare If you like what you've heard here, please subscribe to any one of the following places where the Kare Reviews Podcast is available. Anchor: https://anchor.fm/jeffrey-kare Apple: itunes.apple.com/us/podcast/kare-reviews-podcast/id1453846013 Google: www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy85NWFhZDFjL3BvZGNhc3QvcnNz Spotify: open.spotify.com/show/6GL69s4zoDQmBcZf3NALTG Breaker: www.breaker.audio/kare-reviews-podcast Overcast: overcast.fm/itunes1453846013/kare-reviews-podcast Pocket Casts: pca.st/47Vw RadioPublic: radiopublic.com/kare-reviews-podcast-6rMdXk --- Support this podcast: https://anchor.fm/jeffrey-kare/support
WAMC’s Alan Chartock In Conversation with Julianne Boyd, Co-Founder and Artistic Director of Barrington Stage Company.
For info and tickets visit BarringtonStageCo.org
Today in the news quite a few theatres announced their 2019 season, Kentucky Shakespeare, Williamstown Theatre Festival, Barrington Stage Company, Elm Shakespeare Company, Saint Vincent Summer Theatre & Gateway Playhouse. I also talk about Rory O'Malley talking over the hosting duties of Geffen Playhouse's Unscripted podcast and this week he interviews a theatre & tv guy who's currently playing a legend at Geffen Playhouse. Join the mailing list to receive notices about upcoming issues, the weekly newsletter and a link to this podcast simply text TREADINGTHEBOARD to 22828. SEASON ANNOUNCEMENTS Kentucky Shakespeare (KY) Williamstown Theatre Festival (MA) Barrington Stage Company (MA) Elm Shakespeare Company (CT) Saint Vincent Summer Theater (PA) Gateway Playhouse (NY) ARTICLES & INTERVIEWS Rory O'Malley is now hosting Geffen Playhouse's Unscripted Podcast. His latest interview is with Dule Hill who is currently in Geffen's Lights Out: Nat King Cole. To purchase an issue of Treading the Boards go to the website ACLTheatreResources.com. THANKS FOR LISTENING AND HAVE A CREATIVE DAY!
Today's episode focuses on the Musical Theater Composition program of the New York Youth Symphony, directed by Anna Jacobs. Her musicals include: POP! (book & lyrics by Maggie-Kate Coleman) ANYTOWN (book by Jim Jack) TEETH (co-book & lyrics by Michael R. Jackson) CAGE MATCH and MAGIC 8 BALL (Prospect Theatre Company; w/ Sam Salmond & Michael R. Jackson) KAYA: TASTE OF PARADISE, a soon-to-be-released movie musical commissioned by the New York Film Academy and featuring Okieriete Onaodowan (screenplay by Jerome Parker, directed by Paul Warner) Anna was recognized for her work as a composer/lyricist with the prestigious Billie Burke Ziegfeld Award. She’s a former Sundance Fellow and Dramatists Guild Fellow, and has been an Artist in Residence at Ars Nova, New Dramatists, Musical Theatre Factory, Goodspeed, and Barrington Stage Company. Anna holds an M.F.A. in Musical Theatre Writing from NYU-Tisch and is on faculty at The New School. www.annakjacobs.com Also featured in this episode are two students in the MT Composition program, Sydney Altbacker and Tate Robinson, along with their new piece "Song for Marilyn" which was written for the class. Follow them on Instagram: Sydney / Tate Watch the full interview with Sydney, Tate, and two other students on the WINMI YouTube Channel. The New York Youth Symphony, founded in 1963 as an orchestra to showcase the metropolitan area's most gifted musicians ages 12-22, has since grown to encompass programs in chamber music, conducting, composition, and jazz, with performances at world class venues including Carnegie Hall, Jazz at Lincoln Center, and Joe's Pub at The Public. --------------- Please consider buying me a coffee to support this work that goes into each episode. Join the WINMI community by following on Instagram or Twitter as well as reaching out to Patrick with any questions or comments: contact.winmipodcast.com -------------------------------Intro music and interludes:"Reverie (small theme)" by _ghost2010 - Licensed under Creative Commons Attribution (3.0)
Nicolette Robinson is an award winning actress and was most recently cast as Jenna , the lead in the Broadway musical, "Waitress." Born and raised in Los Angeles and married to the Hamilton Tony Award winning actor Leslie Odom Jr. , Nicolette opens up about her struggles and triumphs and takes us on an emotional journey that gives listeners an honest and beautiful account of what is is to live the life of an artist. This fall, Robinson made her Broadway debut stepping into the lead role of “Jenna” in the multiple Tony Award nominated musical, WAITRESS. With a book by Jessie Nelson, music by Sara Bareilles, and direction by Diane Paulus, the show has played to full audiences over almost 1,000 performances. On September 4, 2018, Robinson became the first African-American woman and the first mother to play the lead role. Robinson appeared Off-Broadway in the 2015 production of BROOKLYNITE at the Vineyard Theatre, directed by Michael Mayer from a book he co-wrote with Peter Lerman, which earned a 2015 Off Broadway Alliance Award nomination for Best New Musical. She also starred in the new musical, INVISIBLE THREAD, for director Diane Paulus and Second Stage Theatre. Of her performance, Time Out New York wrote that Robinson was “poised and possessed of an ethereal soprano… marvelous.” INVISIBLE THREAD began its life as WITNESS UGANDA – in which Robinson also starred – with book, music, and lyrics by Matt Gould and Griffin Matthews. It was based on the true story of Matthews' humanitarian trips to Uganda, and his work to fund his nonprofit, Uganda Project. The musical premiered in February 2014 at Cambridge's American Repertory Theater before transferring to Off-Broadway. Robinson also co-starred in Barrington Stage Company’s A LITTLE MORE ALIVE, with book, music, and lyrics by Nick Blaemire. In this heartfelt and original folk-pop musical, two estranged brothers reunite at their childhood home after their mother’s funeral. An unexpected revelation distorts their memories and uncovers secrets. Robinson starred as ‘Lizzie’, the hospice worker who’d been caring for the mother, and the Berkshire Eagle called her “luminous.” On television, Robinson co-starred with Ruth Wilson and Dominic West as ‘Jane’ on Showtime’s Golden Globe Award-winning drama series, THE AFFAIR. She has also appeared on HART OF DIXIE, UNFORGETTABLE, PERFECT COUPLES, and COLD CASE, among others. Nicolette received the Princess Grade Award for Theater and is a graduate of the University of California Los Angeles School of Theater, Film, & Television. She is primarily based in Los Angeles, where she resides with her husband, Leslie Odom Jr., and their baby daughter.
Tom Coash's full-length play, “Veils,” set in Cairo at the beginning of the Arab Spring, played at Barrington Stage in the fall of 2015. He says an experience from “Veils” inspired him to write the shorter work that appears in this year's 10×10 Festival. He talked with us about both plays and what he has learned in writing them. You should definitely also check out our conversation in Will Call, #18, with playwright Tom Coash and director by Leah C. Gardiner,” from the play's 2015 run at Barrington Stage Company. Save Save Save Save The post Will Call Episode #55.4, BONUS: Tom Coash on “Raghead” at BSC for 10X10 Upstreet Arts Festival appeared first on The Greylock Glass.
The 10X10 Upstreet Arts Festival Explodes into Its 6th Year. The 6th Annual 10×10 Festival is February 16-26, 2017. Participants and locations include Barrington Stage Company, the Beacon Cinema, Berkshire Athenaeum & Berkshire Historical Society, Berkshire Art Association, Berkshire International Film Festival (BIFF), Berkshire Museum, Berkshire Running Center, Berkshire Yoga Dance & Fitness, Dottie's Coffee Lounge, Jacob's Pillow Dance, Word X Word. *note You may begin with young poets curating an evening of spoken word — or with a rising comedian from New York — or with Brazilian jazz, bossa nova and blues. You may begin with young poets curating The post Will Call #55: 10X10 Upstreet Arts Festival hits Pittsfield for its sixth year! appeared first on The Greylock Glass.
The 10X10 Upstreet Arts Festival Explodes into Its 6th Year. The 6th Annual 10×10 Festival is February 16-26, 2017. Participants and locations include Barrington Stage Company, the Beacon Cinema, Berkshire Athenaeum & Berkshire Historical Society, Berkshire Art Association, Berkshire International Film Festival (BIFF), Berkshire Museum, Berkshire Running Center, Berkshire Yoga Dance & Fitness, Dottie’s Coffee Lounge, Jacob’s Pillow Dance, Word X Word. *note You may begin with young poets curating an evening of spoken word — or with a rising comedian from New York — or with Brazilian jazz, bossa nova and blues.… The post Will Call #55: 10X10 Upstreet Arts Festival hits Pittsfield for its sixth year! appeared first on The Greylock Glass.
Well-Strung, a New York City based string quartet, derives their unique blend of vocals and strings by fusing classical music with the pop music of today. Members Edmund Bagnell (1st violin), Chris Marchant (2nd violin), Daniel Shevlin (cello), and Trevor Wadleigh (viola) spend their time making new music and touring internationally. The group was conceived by producer Mark Cortale and Chris Marchant.Daniel Shevlin is originally from South Jersey and has been playing cello since he was ten years old and continued to use this skill when he moved to NYC at 18 to pursue a career in musical theatre. Since then he has appeared off-Broadway in The Sandbox (written and directed by Edward Albee), has toured the U.S. and Asia in productions of Rent and Cabaret, and has worked regionally as both an actor and cellist in many theaters including the Arvada Center, The Maltz-Jupiter Theatre, Riverside Theatre, and Mason Street Warehouse to name a few. He studied musical theater at the American Musical and Dramatic Academy and has been a member of Actors Equity since 2006.Edmund Bagnell comes from South Carolina where he attended the South Carolina Governor’s School for the Arts and went on to attend New York University as music major. His senior year, he was cast as Tobias in the first national tour of Sweeney Todd directed by John Doyle. He has performed as a violinist, actor, and singer in New York and around the country. Credits include Rich in The Last Cyclist and Toby in Gian Carlo Menotti’s The Medium (both Off-Broadway), Charlie Brown in You’re a Good Man, Charlie Brown and Tom Sawyer in Big River (Summer Theater of New Canaan), Charlie in Joanna Gleason’s The Big Holiday Broadcast of 1959 (Fairfield Theater Company), Oramel Howland in The Great Unknown (NYMF), Enoch Snow Jr. in Carousel (Barrington Stage Company), Stewart Smalls in Band Geeks (Ars Nova), Huck Finn in The Adventures of Huckleberry Finn and Dennis in Smoke on the Mountain (Cotton Hall Theater).Chris Marchant grew up in Akron, OH where he began playing violin thanks to his mother’s urging. Throughout high school Chris was involved in school and regional orchestras and choirs. He received a B.A. in Music Ministry from Malone College, where he discovered a love of musical theatre. Credits include Tobias in Sweeney Todd and Spring Awakening (both national tours). Follow on Instagram and Twitter @chrisjmarchant.Trevor Wadleigh is a native of Kent, WA and began studying the viola at age 17 under the tutelage of Joyce Ramée. He earned a Bachelor of Art from the University of Puget Sound with major concentrations in Business and Music Performance as well as a minor in Comparative Sociology. While completing undergraduate coursework, Mr. Wadleigh studied concurrently with Burton Kaplan of NYC under whose direction he completed an Artist’s Certificate program at the Aaron Copland School of Music. He has served as principal and section violist of the Lake Union Civic Orchestra, Yakima Symphony, Brevard Music Center Orchestra, and the Nova Philharmonic.Storyteller/monologist Miss Coco Peru aka Clinton Leupp got his/her start as a downtown favorite in the cabaret world of NY after he wrote, produced, directed, and starred in his first show “Miss Coco Peru in My Goddamn Cabaret” over 20 years ago.On screen, Miss Coco is best known for her roles in Jim Fall’s feature film, trick (Sundance 1999) and Richard Day’s Girls Will Be Girls. (Sundance 2002) For this film Coco shared the Best Actress Award with his two co-stars at the HBO Comedy Arts Festival in Aspen as well as the Best Actor Award at LA’s Outfest Film Festival. Other film appearances include To Wong Foo, Thanks for Everything, Julie Newmar, Nick and Jane, and Straight-Jacket. Coco can be heard in the Disney animated feature, The Wild as Mamma Hippo! She also appears in the highly-ish anticipated sequel of Girls Will Be Girls which will be released some day, hopefully.Coco has appeared on TV in two stand-up comedy specials on LOGO: Wisecrack and Dragtastic, How I Met Your Mother, Arrested Development, Twins, Will and Grace, New York Undercover, Detroit 187, several Bravo reality and clip shows, and in an Orbitz commercial that was nominated for a GLAAD Media Award.Coco’s live one-person shows include: “Miss Coco Peru in My Goddamn Cabaret”, “Miss Coco Peru: A Legend in Progress” (’92 MAC and Bistro Award), “Miss Coco Peru at the Westbeth Theatre” (’95 MAC Nomination), “Miss Coco Peru’s Liquid Universe”(‘98 GLAAD Nomination), “Miss Coco Peru’s Universe” (’99 LA GLAAD Nomination), “Miss Coco Peru’s Glorious Wounds…She’s Damaged” (’01 LA GLAAD Nomination) “Miss Coco Peru is Undaunted” (’04 GLAAD Award Winner, Ovation Nomination), and the hugely successful “UGLY COCO” and “THERE COMES A TIME” and most recently “SHE’S GOT BALLS”. These shows have been performed to sold out audiences in Theatres, Clubs, Restaurants, Ballrooms and Cabarets throughout the US and abroad. She currently has dates scheduled nationwide through 2014.Coco hosts an on-going live series of shows at the Renberg Theater in Los Angeles called Conversations With Coco in which Coco interviews and celebrates the lives and careers of the GLBT community’s favorite icons. Miss Peru’s guests include Liza Minnelli, Jane Fonda, Bea Arthur, Lily Tomlin, Karen Black, Lainie Kazan, Lesley Ann Warren, and drag legend Mr. Charles Busch.Coco’s recent online Youtube videos have been seen by over 2 million viewers. Her video “Coco Goes to KMART,” in which she searches for Celestial Seasoning Tension Tamer tea, has more than over 700,000 views. For this reason, Coco has had to ask her fans to stop sending her the tea. She has received close to 100 boxes!Considered The Hostess with that something extra… Coco has hosted dozens of events including: The GLAAD Media Awards in Los Angeles, Night of a Thousand Gowns in NYC, Chicago Takes Off, Hot and Dry in Palm Springs, Gay Days Anaheim, The Black and White Ball in Reno, LA’s OUTFEST Legacy Awards, the BALIF (Bay Area Lawyers for Individual Freedom) Dinner in San Francisco, Project Inform’s 25th Annual Fundraiser (SF) and Charity Bingo at Harrah’s Atlantic City. She has been honored to be involved with countless Gay and AIDS related charities over the years including The Trevor Project, Aids for Aids, and Lifeworks Mentoring. In fact, the list is so long, the Los Angeles Gay and Lesbian Center honored Coco with the Board of Director’s Award. The award was presented to Coco by Zachary Quinto (Star Trek, Heroes, So NoTorious).She is also available for children’s parties.Photo Credits: Steven C De La CruzCOCO QUOTESOne of the last great storytellers.Lily TomlinMiss Coco is a heavenly hoot… Wry and uncensored, the show is a hilarious exorcism, with music, no less. Hey, that’s entertainment.Los Angeles TimesCoco, a self-described “effeminate, damaged boy from the Bronx,” was the real goods, a dragster with real talent and heart.San Francisco Bay Area ReporterHilarious, inebriating and elegant all at the same time… If there were an award for most girlish and glamorous, funniest, mouthiest diva/icon/trannie/comedian, the inimitable Miss Coco Peru would win hands down.L.A. WeeklyIt’s not often a drag queen scares you with her intellect, but Miss Coco Peru isn’t just any drag queen. Hers is a deep, dark drag performance designed for people who are sick of drag. Don’t miss it.The Stranger, SeattleCOCO AWARDSNot that I’m bragging…2004 Los Angeles GLAAD Media Award Winner, Miss Coco Peru is Undaunted2004 Los Angeles Ovation Award nomination for Best Solo Performance, Miss Coco Peru is Undaunted2003 Outfest Award for Outstanding Actor in a Feature Film, Girls Will Be Girls2003 US Comedy Arts Festival Best Actress Award, Girls Will Be Girls2001 Los Angeles GLAAD Media Award nomination, Miss Coco Peru’s Glorious Wounds… She’s Damaged1999 Los Angeles GLAAD Media Award nomination, Miss Coco Peru’s Universe1998 New York GLAAD Media Award nomination, Miss Coco Peru’s Universe1997 Los Angeles Backstage Bistro Award Winner, Miss Coco Peru’s Universe1993 New York Backstage Bistro Award Winner, A Legend in Progress.1992 Manhattan Legend in Progress.
Shakina Nayfack is the Founding Artistic Director of Musical Theatre Factory and the first transwoman to be honored with a Lilly Award recognizing the remarkable contributions to the American Theatre made by women. Her autobiographical ONE WOMAN SHOW has played Joe’s Pub, 54 Below, Sophie’s, TheatreWorks Silicon Valley, Barrington Stage Company, and was the flagship project of her groundbreaking KickStartHer campaign to crowdsource funds for her gender confirmation. She holds a Bachelors Degree in Community Studies, a Minor and a Graduate Certificate in Theatre Arts from the University of California Santa Cruz, as well as an MFA in Experimental Choreography and a PhD in Critical Dance Studies from UC Riverside. Shakina is a proud alumna of the Drama League Directors Project and a member of the Stage Directors and Choreographers union. Her writings on theatre and dance have been published in The Drama Review and the anthology Dancing Across Borders. Her first book Butoh Ritual Mexicano - Alchemy is Dancing is really good but no one buys it because it was published by an obscure academic press in Germany and it's really expensive, so if you want to read it email her and she'll send you a PDF. Song Presentation: "Your Baby Better Covers His Tracks" from Joel B. New's MACKENZIE & THE MISSING BOY. Recorded live at Musical Theatre Factory (mtf.nyc).
Today's guest is set designer Brian Prather. Brian chats about his long relationship with Barrington Stage Company, re-designing his award-winning set for 'Freud's Last Session' in the round, and how he made it through a two hour production meeting where everyone was speaking Korean. Cory and Brian compare moments in the design process that give them goosebumps and the pros and cons of falling back on what you know. It's anther episode live from Queens...roomier, sunnier, and half as expensive as those podcasts from Manhattan!
As "Wicked" approaches its fifth anniversary on Broadway, producer David Stone talks about the ever-expanding life of the international hit musical, including how the show first came into being, how the production quality is maintained across multiple companies, and whether the show has to be adjusted for local audiences when it plays in other countries. He also talks about how he came to produce his first Off-Broadway hit, "Family Secrets", and his first Broadway failure, "What's Wrong With This Picture?"; his relationship with not for profit theatres, including Barrington Stage Company and Second Stage, on "The 25th Annual Putnam County Spelling Bee" and "Next To Normal"; his particular pride in producing "The Vagina Monologues"; which show he produced for his mother; and why he'd rather create controversy than respond to it. Original air date - August 15, 2008.
As "Wicked" approaches its fifth anniversary on Broadway, producer David Stone talks about the ever-expanding life of the international hit musical, including how the show first came into being, how the production quality is maintained across multiple companies, and whether the show has to be adjusted for local audiences when it plays in other countries. He also talks about how he came to produce his first Off-Broadway hit, "Family Secrets", and his first Broadway failure, "What's Wrong With This Picture?"; his relationship with not for profit theatres, including Barrington Stage Company and Second Stage, on "The 25th Annual Putnam County Spelling Bee" and "Next To Normal"; his particular pride in producing "The Vagina Monologues"; which show he produced for his mother; and why he'd rather create controversy than respond to it. Original air date - August 15, 2008.
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