Podcasts about seattle rock orchestra

In this episode I talk to Emily Anne About her career ending diagnosis as a Cellist, as well as how she managed to get through it and what she is doing today to overcome her situation and how she is  helping  others. Emily Anne's Bio: In 2013, Emily Ann Peterson was diagnosed with a degenerative neurological hand tremor, which forever altered her two-decade livelihood as a cellist, string-arranger, and cello teacher. Refusing to lose her life's love of musical expression, in an act of neurological defiance she accepted an award of a 6-week artist residency to write new music in the Cascade Mountains of the Pacific Northwest. "My grief broke through a creative glass ceiling I never knew existed." says Peterson. She returned from the mountains with an armful of songs, some of which fans can now find on her self-titled EP release from 2014. While touring the US, her interactions with new audiences prompted a question, "If they say I'm brave, then why does this still feel like fear?" Thus began her research which spanned over 2 years of interviewing everyday heroes in pursuit of the true meaning of bravery. These conversations led to Peterson's discovery of the 12 ingredients of bravery, which are reflected in the brazenly honest guidance of her bestselling self-help memoir, Bare Naked Bravery: How to Be Creatively Courageous. By practicing the concepts in her book, readers are able to fully "show up" in the world -- learning to cope with medical conditions, breakups, divorce, depression, and a multitude of other challenges.  Her long-awaited, debut full-length folk-pop album, Covered in Clover, released in July 2019. Emily Ann Peterson co-produced the album with Gary Mula, former owner of the Dutchman and Calleye studio -- an early rehearsal space for grunge legends Nirvana and Mudhoney. She called upon other members of her musical family in Seattle, WA -- including Eric Howk of Portugal. The Man (Atlantic), Andrew Vait of the band SISTERS (Tender Loving Empire), Jess Alldredge (Gospel Song/Tooth & Nail), Alina To of Passenger String Quartet, Coltan Foster and Scott Morning (Origin). Together they tracked 9 songs in a historic burlesque venue, The Columbia City Theater -- the perfect setting for a choir of horns, sweeping symphonic references, and melodies that only a former cellist could compose. Since recording Covered in Clover, Peterson relocated from the Pacific Northwest to Nashville, TN and has also found a home as a teaching artist and consultant. Fortune500 companies, executives, and tech startups seek out her expertise in creative courage, entrepreneurship, and growth strategy. Fans and audience members can find a place to belong online in The School of Bravery, a learning lab for life, career, and creativity. The school was founded by Peterson in 2018 and teaches students how to prepare, launch, and recover from their own seasons of bravery.  Emily Ann Peterson is a TEDx speaker and an alumnus of the Rawls College of Business at Texas Tech University. She currently holds or has held membership in the Northwest Symphony Orchestra, Seattle Rock Orchestra, the National Academy of Recording Arts and Sciences (The Grammys), and the Suzuki Association of the Americas. As a collaborative recording artist, performer, string-arranger, and songwriter she has had the honor of working with Sera Cahoone (Sub Pop), Anaïs Mitchell, Shelby Earl, Shannon Stephens (Asthmatic Kitty), The Portland Cello Project, Rosie Thomas (Sub Pop), David Bazan (Barsuk), Karin Stevens Dance, Barcelona (Universal), and many others. Learn more and join her community at www.emilyannpeterson.com.   Here is where you can find me:   nowheretogobutupnow@gmail.com   instagram: @nowheretogobutupnow   Linktree:   https://linktr.ee/Nowheretogobutup    

In this episode I talk to Emily Anne About her career ending diagnosis as a Cellist, as well as how she managed to get through it and what she is doing today to overcome her situation and how she is  helping  others. Emily Anne's Bio: In 2013, Emily Ann Peterson was diagnosed with a degenerative neurological hand tremor, which forever altered her two-decade livelihood as a cellist, string-arranger, and cello teacher. Refusing to lose her life's love of musical expression, in an act of neurological defiance she accepted an award of a 6-week artist residency to write new music in the Cascade Mountains of the Pacific Northwest. "My grief broke through a creative glass ceiling I never knew existed." says Peterson. She returned from the mountains with an armful of songs, some of which fans can now find on her self-titled EP release from 2014. While touring the US, her interactions with new audiences prompted a question, "If they say I'm brave, then why does this still feel like fear?" Thus began her research which spanned over 2 years of interviewing everyday heroes in pursuit of the true meaning of bravery. These conversations led to Peterson's discovery of the 12 ingredients of bravery, which are reflected in the brazenly honest guidance of her bestselling self-help memoir, Bare Naked Bravery: How to Be Creatively Courageous. By practicing the concepts in her book, readers are able to fully "show up" in the world -- learning to cope with medical conditions, breakups, divorce, depression, and a multitude of other challenges.  Her long-awaited, debut full-length folk-pop album, Covered in Clover, released in July 2019. Emily Ann Peterson co-produced the album with Gary Mula, former owner of the Dutchman and Calleye studio -- an early rehearsal space for grunge legends Nirvana and Mudhoney. She called upon other members of her musical family in Seattle, WA -- including Eric Howk of Portugal. The Man (Atlantic), Andrew Vait of the band SISTERS (Tender Loving Empire), Jess Alldredge (Gospel Song/Tooth & Nail), Alina To of Passenger String Quartet, Coltan Foster and Scott Morning (Origin). Together they tracked 9 songs in a historic burlesque venue, The Columbia City Theater -- the perfect setting for a choir of horns, sweeping symphonic references, and melodies that only a former cellist could compose. Since recording Covered in Clover, Peterson relocated from the Pacific Northwest to Nashville, TN and has also found a home as a teaching artist and consultant. Fortune500 companies, executives, and tech startups seek out her expertise in creative courage, entrepreneurship, and growth strategy. Fans and audience members can find a place to belong online in The School of Bravery, a learning lab for life, career, and creativity. The school was founded by Peterson in 2018 and teaches students how to prepare, launch, and recover from their own seasons of bravery.  Emily Ann Peterson is a TEDx speaker and an alumnus of the Rawls College of Business at Texas Tech University. She currently holds or has held membership in the Northwest Symphony Orchestra, Seattle Rock Orchestra, the National Academy of Recording Arts and Sciences (The Grammys), and the Suzuki Association of the Americas. As a collaborative recording artist, performer, string-arranger, and songwriter she has had the honor of working with Sera Cahoone (Sub Pop), Anaïs Mitchell, Shelby Earl, Shannon Stephens (Asthmatic Kitty), The Portland Cello Project, Rosie Thomas (Sub Pop), David Bazan (Barsuk), Karin Stevens Dance, Barcelona (Universal), and many others. Learn more and join her community at www.emilyannpeterson.com.  

Lemolo’s last effort, The Kaleidoscope, released in 2013, was a critical success and one of our favorite releases of the year. The follow up, Red Right Return has been highly anticipated by fans and press alike. I have heard the new disc, and it is a brilliant collection of highly addictive, progressive, dream-pop ditties. After a few listens, it is obvious that Meagan Grandall has grown as a songwriter, arranger and musician. On the newest record, the songs and arrangements are more complex, and the soundscapes more lush. Seattle Rock Orchestra and Sisters’ very own Emily Westman performed on the new record and, along with Grandall, put together a heavier sound while still maintaining the trademark Lemolo sonic tapestry and dreamy vibe. Grandall’s musical journey has taken her on an interesting path that has led her to discover her true voice, which is beautifully on display on Lemolo’s newest release. Lemolo will celebrate the release of their new disc, Red Right Return on Friday, November 6 at 8:00 p.m. at an all-ages show at The Crocodile. Also on the bill is the amazing Maiah Manser and Mimicking Birds. Tickets for the show are available here. For our first SMI Radio episode of the fall season, we welcome Lemolo into Critical Sun Studio who will talk about Red Right Return, and perform a few songs from the record. Lemolo’s Grandall and drummer Adrian Centoni talk about the evolution of the sound and songwriting, as well as some of the distinctions between their new, highly touted release, The Kaleidoscope.

42 Minutes 177: SISTERS - Diamonds of Gold - 03.24.15 We conclude our Treefort Music Fest Showcase today by connecting with Seattle, and meeting Emily & Andrew of SISTERS who share with us the answer to life, the universe, and everything: (music). Topics Include: Treefort, 2nd Chance, Apes On Tape, Boy See, Hi Ho Silver Oh, Lost Lander, UM, Homer, AK, Sasquatch, Ear Protection, One Arm, Viet Cong, Twin Peaks, Fauna Shade, SOL, Seattle Rock Orchestra. Purchase: Diamonds of Gold http://iheartsisters.bandcamp.com Visit: http://www.sisterstheband.com Read: About Emily as The Log Lady in http://stackeddmagazine.com/2015/02/09/kind-fire-starts-hard-put-immediate-heat-seattle-duo-sisters/ Purchase: Treefort Tickets http://treefortmusicfest.com/tickets http://treefortmusicfest.com/lineup/55

Topics: Treefort, 2nd Chance, Apes On Tape, Boy See, Hi Ho Silver Oh, Lost Lander, UM, Homer, AK, Sasquatch, Ear Protection, One Arm, Viet Cong, Twin Peaks, Fauna Shade, SOL, Seattle Rock Orchestra

When Scott Teske, a classically trained upright bass player, was in his early 20s, he stepped away from the regimented world of classical music to see what playing in a rock and roll band would be like. Teske picked up the electric bass guitar and joined his first band. It didn’t go so well. “It was really jarring at first,” recalled Teske. “I really loved it. But just the way the rock-'n-roll world operates is really almost challenging in a way. People are late for rehearsal. They’re not prepared. After that experience I thought, 'Hmm, I really like this rock-'n-roll thing but how can we take these classical values and apply those values to the rock world?”' Sometimes when the club you want to belong to doesn’t exist, you have to be the person to invent it. This is what Teske did in 2008. The end result is Seattle Rock Orchestra . It’s a laid-back world where the free spirit of rock mixes with the discipline of a symphony.