Podcasts about Mudhoney

Blag Dahlia of the Dwarves returns to the show to talk about the upcoming release of the 1989 Dwarves album Sunshine, Lollipops and Rainbows for Record Store Day 2025 (unreleased until now!)BLAG/DWARVEShttp://www.thedwarves.comhttps://www.blagdahlia.comhttps://thedwarves.bandcamp.comhttps://www.instagram.com/thedwarveshttps://www.instagram.com/blag_dahliahttps://www.facebook.com/TheDwarvesPCHInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comCheck out the Power Chord Hour radio show every Friday night at 8 to 11 est/Tuesday Midnight to 3 est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.Special Thanks to my buddy Jay Vics for the behind the scenes help on this episode!https://www.meettheexpertspodcast.comhttps://www.jvimobile.com

Interview by Kris PetersGrinding Eyes craft a uniquely dark sonic landscape, fusing psychedelic shoegaze, drone rock, and ambient garage punk. The Sydney band released their third studio album, Out of Focus, last Friday, further capitalizing on the momentum built through their 2018 self-titled album and 2021's Taste the Monochrome.Known for their relentless touring, Grinding Eyes have shared stages with The Jesus and Mary Chain, Uncle Acid & The Deadbeats, Swervedriver, Graveyard, Moon Duo, Dinosaur Jr., Monkey Wrench, Superchunk, New Candys and Mudhoney, as well as Australian bands, Amyl and the Sniffers, Cosmic Psychos, Spiderbait, The Drones, Straight Arrows, DMA's, Psychedelic Porn Crumpets, POND, King Gizzard & The Lizard Wizard, and Tropical Fuck Storm.The band's line up also boasts members from past and present bands The Mess Hall, Treatment, The Laurels, Bliss and Kimono Drag Queens, further cementing their deep roots in Australia's underground music scene. But Grinding Eyes are more than just the sum of their past bands. They are a sonic extension into another realm of musical experimentation held back without boundaries or expectations.Vocalist Matt Wicks joined HEAVY to tell us more."With this album, I suppose we sort of concentrated a little bit more on the sounds where previously we've pretty much done everything live," he measured. "We would dive straight in, start recording, do a lot of long sessions and sort of see what comes out. On this one we tried to refine it a little bit more, do most of the songwriting and we actually played most of these songs live for a couple of months. So they became a life of their own. We wanted to really harness more of a tighter sound where we could mess with it more in the studio than just having the sort of raw organic rock and roll feel of it."In the full interview, HEAVY spoke with Matt about the release of Out Of Focus following a year of delays. Matt expressed his relief regarding the album's completion and highlighted the band's creative evolution, mentioning that they have already started writing new material. The album features a mix of musical styles, reflecting their organic songwriting process.During their forthcoming Australian tour, the band intends to perform a substantial portion of the new album alongside some older tracks. Furthermore, they will support Pig's Pigs Pigs Pigs Pigs Pigs Pigs on their European tour later this year.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Brisbane, Australia's The Saints are responsible for two of the greatest punk albums of all time, in 1977's '(I'm) Stranded' and 1978's 'Eternally Yours.' This November, look for “The Saints '73-‘78” to be touring North America, featuring original members Ed Kuepper and Ivor Hay, along with The Birthday Party's Mick Harvey, the Sunnyboys' Peter Oxley and Mudhoney's Mark Arm, in service of original lead singer Chris Bailey, lost to us in 2022. Additionally, there's a four-LP boxset version of the milestone debut album out, as well as a new solo album from Ed, done in conjunction with Jim White from the Dirty Three, called 'After the Flood.' Check out Goldmine author Martin Popoff interview The Saints guitarist/ vocalist/songwriter Ed Kuepper in a wide-ranging chat that looks at how The Saints dovetailed into the punk movement, along with a fair bit on each of the three albums covered by the upcoming tour, plus a look at the new solo album. We also touch upon the creative differences that led to Ed's split with Chris after the band's controversial third album, 'Prehistoric Sounds,' issued in October of 1978. Horns? Acoustic guitars? Surely The Saints didn't invent punk?! Learn more about your ad choices. Visit megaphone.fm/adchoices

DJ Jesse Luscious celebrates David Johansen (aka Buster Poindexter) painter, actor, and singer of New York Dolls, who just died a few days ago. He also highlights new and classic pop punk from The Riptides, Ramones, The Lillingtons, The Muffs, The Mr. T Experience, & Teenage Bottlerocket, new songs from Split Dogs, Putan Club, F. Emasculata, Bobbie Peru, The Crimes, Drug Church, & Autogramm, and classics from CH3, Middle-Aged Queers, The Fall, Jello Biafra With Melvins, Cyanide Pills, Mudhoney, Noose, The Heads, Carbon/Silicon, Nervous Twitch, The Chisel, Johnny Thunders And The Heartbreakers, Chelsea, & Joan Jett and the Blackhearts! Split Dogs- Precious Stones F. Emasculata- The Scully Effect/Paper Hearts Channel Three- You Make Me Feel Cheap Middle Aged Queers- Home Is Where Bobbie Peru- Psychopathic Cyanide Pills- Say It Out Loud Crimes- Fly In The Ointment Drug Church- Myopic Noose- The Weekend Joan Jett And The Blackhearts- TMI New York Dolls- Jet Boy New York Dolls- Private World Heartbreakers- I Wanna Be Loved Carbon/Silicon- The News Riptides- She's The Most Lillingtons- I Need Some Brain Damage Teenage Bottlerocket- Bloodbath At Burger King (edit) Ramones- Gimme Gimme Shock Treatment Muffs- Saying Goodbye Mr. T Experience- Psycho Girl (edit) Mr. T Experience- Spiderman Autogramm- Randy (Don't Screw Up) (Radio Edit) Nervous Twitch- Don't Be Mean Chelsea- Urban Kids Chisel- Not The Only One (edit) Heads- Could Be It Doesn't Matter Mudhoney- Here Comes Sickness Jello Biafra With Melvins- Dawn Of The Locusts- March Of The Locusts Deadverse Remix By Dälek Putan Club- Galoo Sahara Laleet El Aeed Fall- Tempo House

What's the best way to get sick as an adult? This week, Aaron, Joey, and Jess talk about historically un-sick parents, hyper-individualistic cultures, COVID, community health, personal comfort vs. social responsibility, and rest. They don't talk about Mudhoney. references Los Angeles Disaster Support Masterlist Mother Jones: Wildfire Smog Is Deadly—But LA's Covid Mask Organizers Have It Covered Reddit: How Sick Day Culture Differs Around the World Parenting in an Individualistic Culture with a Collectivistic Cultural Background: The Case of Turkish Immigrant Families with Toddlers in the Netherlands Eisenhower Matrix If I send you this, it means I'm not going. 

Coming in at number 20 on Rolling Stones Greatest Grunge Albums list is the 1987 Green River EP, Dry As A Bone. Joining Bakko this EP Is the host of the Rock & Or Roll Podcast, BJ Kramp. Dry As A Bone is a precursor of the Seattle scene featuring members that would go on to form the bands Pearl Jam & Mudhoney . Bakko & BJ go track by track and discuss the history and making of this record and it's importance in to the eventual Grunge explosion. #Grunge About Whatever, Nevermind Whatever, Nevermind is a 25 part podcast by Bakko of Cobras & Fire counting down the 25 Greatest Grunge albums according to Rolling Stone. Each Episode features a special guest host from the Podcast Community. In addition to the 25 album episodes will be bonus interviews from the people responsible for the music. Featuring artists, producers record label execs and more. Whatever, Nevermind Archive: https://cobrasandfire.com/category/podcast/whatever-nevermind Pantheon Podcasts https://open.spotify.com/show/1MQIGBGYdRgjE7ThmfwdW9 https://iheart.com/podcast/255319888/ https://www.pandora.com/podcast/whatever-nevermind-a-grunge-podcast/PC:1001096816 https://deezer.com/show/1001525961 https://podcasts.apple.com/us/podcast/whatever-nevermind-a-grunge-podcast/id1789046419 https://music.amazon.com/podcasts/53272646-10d8-47b7-bcac-10a6105ba7b4 Reach out to us! Rate, review, and subscribe at Apple Podcasts: Cobras & Fire: Comedy / Rock Talk Show on Apple Podcasts Join our fanpage on Facebook: (2) Cobras ON Fire: Private Group | Facebook Click like and follow on Facebook: (2) Cobras & Fire: Rock Podcast | Chicago IL | Facebook Follow us on Instagram Follow us on Threads: @cobrasandfirepodcast • Threads, Say more Subscribe to our YouTube channel: Cobras & Fire Rock Podcast - YouTube Follow us on Bluesky: Cobras & Fire Podcast (@cobrasfirepodcast.bsky.social) — Bluesky Email us: Buy a shirt!:"Cobras and Fire Podcast" T-shirt for Sale by CobrasandFire | Redbubble | cobras and fire t-shirts - cobras fire t-shirts Stitcher: Cobras & Fire: Comedy / Rock Talk Show on Stitcher Spreaker: Cobras & Fire: Comedy / Rock Talk Show | Listen to Podcasts On Demand Free | TuneIn Find it all here: Cobras and Fire Podcast - Comedy Rock Talk Show Learn more about your ad choices. Visit megaphone.fm/adchoices

Janice Headley dives into Eternally Yours by The Saints. (In his list, Kurt wrote the name of a single from the album, “Know Your Product.”) This is the story of how The Saints brought punk from “down under,” featuring exclusive insights from founding guitarist Ed Kuepper and Mudhoney’s Mark Arm, who has been filling in for the late Saints frontman Chris Bailey in recent shows. Hosts: Dusty Henry and Martin DouglasWritten and produced by: Janice HeadleyAudio mixing and mastering: Roddy NikpourPodcast manager: Isabel KhaliliEditorial director: Larry Mizell Jr. Support the podcast: kexp.org/cobainSee omnystudio.com/listener for privacy information.

Jason and Paul are joined by Pearl Jam Radio's Rob Bleetstein, KROQ's Nicole Alvarez, and engineer/mixer Brett Eliason to look back Pearl Jam's unique 4+ hour syndicated radio broadcast Self-Pollution Radio.The show, hosted by Eddie Vedder with Pearl Jam bandmates Jeff Ament and Stone Gossard featured live performances from Pearl Jam, Mudhoney, Soundgarden, Fastbacks, Mad Season and more plus a bespoke playlist of studio cuts of bands rarely seen on radio including early demos from Dave Grohl.The tone spotlit activism, change, and awareness including, but not limited to, women's rights.It was a significant moment in Pearl Jam (and radio) history and began a tumultuous yet definitive year for the band.Donate to help the LA fires recovery efforts:LA Fire Dept Foundation: https://supportlafd.kindful.comWorld Central Kitchen: https://donate.wck.org/give/499865/?_gl=1*1wcn6f8*_gcl_au*MTg3Mjg5NDM0Ny4xNzM2NjE5MjMy*_ga*MTQ4OTI2NzUwMi4xNzM2NjE5MjMy*_ga_5WKVY8503C*MTczNjcwODA4NS4yLjAuMTczNjcwODA4NS42MC4wLjA.#!/donation/checkout?c_src=navbarAmerican Red Cross: https://www.redcross.org/donate/donation.html/Donate to our January 2025 fundraiser benefitting OUR Rescue to stop human & sex trafficking: https://www.instagram.com/linking/fundraiser?fundraiser_id=790324139948661&source_name=SHARE_LINKThe biggest donator gets a 90 Original shirt and patch. 90 lost everything in the Palisades fire and their owner is a friend. Let's do two great things at once!Buy Podcast MerchBecome a PatronWatch Us on YouTubeFollow Us on InstagramFollow Us on FacebookFollow Us on Twitter Hosted on Acast. See acast.com/privacy for more information.

Part 1 of my conversation with guest Phil Stacey about our favorite concerts.  Show notes: Cold weather running tips What makes a great concert? Small shows vs. stadiums Hard to pare down the list Limited to one show per artist Good idea for a sequel involving a time machine Phil leaned toward larger shows Didn't include: R.E.M., the Cure, Sleater-Kinney, Drive-By Truckers, Tedeschi Trucks Band  Jay: Prefer the intimacy of club shows We were at the same shows before we knew each other Phil: First concert was Van Halen in 1986 Setlist.fm is a great resource MTV's Saturday Night concerts Jay's first show was a festival show in Kingston, NH with Cheap Trick, Ratt, Twisted Sister and Lita Ford in 1984 Jay: Not a fan of festival shows anymore Adventures in seeing Rush Jay: Didn't see R.E.M. when they played my college  Other favorites: PJ Harvey, Hot Snakes, Lollapalooza '92, Afghan Whigs, Soundgarden, Mudhoney, Drive-By Truckers, Alice in Chains/Screaming Trees, Peter Gabriel, White Stripes, Hold Steady, Mission of Burma, Gord Downie To be continued Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

This week, we are joined by New Zealand musician & composer LUKASZ PAWEL BUDA (Hunt For The Wilderpeople; The Phoenix Foundation), who picked the Dave Markey music documentary 1991: THE YEAR PUNK BROKE to discuss. We talk about discovering Nirvana & Sonic Youth, what it's like for Luke to compose music for director Taika Waititi's films, 1991's director Dave Markey's history with SST records, Luke taking the teenage trek to see grunge bands live and does Pearl Jam count as a grunge band, how this movement captured in the film eventually became a world wide sensation, the Sonic Youth Goo VHS tape, Thurston's stream of conciousness rants in the movie, the start of documenting everything with film & video, how Sonic Youth did not come off as goofballs on their albums but did in their videos, Meat Puppets Up On The Sun, the Sub-Pop situation, selling out, Jawbreaker, what was selling out in New Zealand like, Flying Nun Records, Bad Moon Rising, the ceiling of the underground, Nirvana's Bleach, hearing Smells Like Teen Spirit for the first time, Chris's Sub-Pop band playing with Mudhoney and Nirvana the day their album went gold, seeing Sonic Youth wearing shorts, The Crucifucks, Steve Shelley's drumming, Markey's knack of knowing where to film at any given moment, the incredible coolness of Kim Gordon, how the film gloriously shows how Sonic Youth actually made these songs come to life, how impressive it is that Sonic Youth could still hold onto what made them singualr while moving into a more accessable world, Miles Davis' Bitches Brew, how Nirvana ecplised Sonic Youth's popularity by the time this film came out, Courtney Love, the overwhelming Redding Festival lineup that year, how the Super 8mm format enhanced the film, blind spots in musical cultutre, The Pixies and the melancholy that happens as your tour ends.So grab the tiny mic and scream straight into the camera on this week's episode of Revolutions Per Movie!!!LUKASZ PAWEL BUDA:https://thephoenixfoundation.bandcamp.comhttps://www.monikermusic.nethttps://lukebuda1.bandcamp.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Charlamos sobre el disco 'Ten' del Pearl Jam, con Miguel Ballester como invitado. Miguel Ballester es un baterista de Sant Boi (Barcelona) y el creador de la escuela online Quientocaque.com. En sus veinte años de carrera ha colaborado con artistas como Dani Flaco, Daniel Higiénico, Lichis (La Cabra Mecánica), Hugo Salazar, Cesk Freixas, Carlos Ann, Lucas Masciano, Alessio Arena, Carlos Chaouen, Alejandro Martínez, Alice & The Wonders o Gnaposs, entre otros. Miguel es también coautor del libro de transcripciones del disco ‘La noche eterna, los días no vividos' de Love Of Lesbian junto a Oriol Bonet, el baterista de la banda. En esta primera parte, Miguel y yo hablamos sobre: La vibrante comunidad musical que había en Seattle a finales de los ochenta y principios de los noventa. Cómo el guitarrista Stone Gossard y el bajista Jeff Ament formaron Pearl Jam de las cenizas de Mother Love Bone tras la muerte de su cantante, Andrew Wood. Los orígenes de Eddie Vedder y su viaje de ida de San Diego a Seattle. El rock de los setenta como influencia fundamental en Pearl Jam. La colaboración entre miembros de Pearl Jam y Soundgarden para grabar ‘Temple of the Dog'. La irrupción de la música ‘grunge' y el rock alternativo en el ‘mainstream'. Y por el camino nos encontramos con Chris Cornell, Alice In Chains, Nirvana, Mudhoney, Sonic Youth, The Who, Deep Purple, REM, Blind Melon, Faith No More, The Doors, Neil Young, los Simpson y la Game Boy. Si quieres participar en la elección de los discos que tratamos en el podcast, ¡visita discoprestado.com y date de alta en mi lista de correo! La música original de 'Disco prestado' forma parte de mi EP 'The Entertainer', disponible en todas las plataformas y marcaliana.com/musica Contacto: discoprestado@proton.me ¡Salud y buena música! Marc Aliana marcaliana.com

Unlock the full episode here: https://www.patreon.com/c/coldpodDerek Madison aka Grasshopper is a Toronto legend who has worked with many seminal Toronto artists throughout the 90's and 2000's, spanning genres such as grunge, indie rock and hip hop. Up until recently, his store Grasshopper Records was a fixture of the Dundas West strip. Grasshopper sat down with us to discuss Godspeed You! Black Emperor, wandering the streets of Toronto as a kid, getting exposed to punk by his uncle, Yonge St in the 80's, joining a goth band, Slither Club, Dawn Wilkinson, opening a store in the 8th grade, SEED Alternative School, The Rivoli, sneaking into shows as a kid, Dinosaur Jr, The Jesus Lizard, Mudhoney, begging the promotor of Lee's Palace to book Nirvana, Sonic Youth, The Beastie Boys, starting Grasshopper the day after seeing Nirvana live, The Twilight Zone (club), Sassy Magazine, Play De Record, smoking hash for the first time, going to Jamaica, Sebadoh, De La Soul, the after hours at 44 Dovercourt, getting a cease and desist from UofT, Phleg Camp, getting introduced to RZA by The Butthole Surfers, touring with Unsane, Da Grassroots, working with Gadget in the 90s, Main Source, The Philosopher Kings, befriending Lenny Kravitz, meeting Biggie, never asking for an autograph, Sean Paul, all ages shows, Liars, The Strokes and much more!GrasshopperJosh McIntyreAustin Hutchings----COLD POD

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Ed Kuepper and Mudhoney's Mark Arm from The Saints '73-'78 discuss the new (I'm) Stranded box set, how they'd never ever met in person (at the time we recorded this), why Mark was asked to sing in the Saints and what the band has meant to him, how the Saints got started and their early interest in Elvis, Beatles, and the Rolling Stones, why AC/DC and their success in Australia didn't much motivate the Saints, how Mark first heard the Saints and whether or not they're unheralded, why Ed and Mark's music strikes a good balance between aggression and humour, what's special about this box set, an Ed and Jim White collaboration, what's next for the Saints and Mudhoney, tour dates, other future plans, and much more.Support vish on Patreon! Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters to Santa. Follow vish online.Related episodes/links:Ep. #919: Oren AmbarchiEp. #913: QuiversEp. #910: The Hard QuartetEp. #866: Jim White and Marisa AndersonEp. #849: Jim White and Guy PicciottoEp. #764: MudhoneyEp. #642: Warren EllisEp. #323: Nick Cave and Warren EllisSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Arthur Samuel Wilbur Chantry II is a graphic designer often associated with the posters and album covers he has done for bands from the Pacific Northwest, such as Mudhoney, Mono Men, Soundgarden, and The Sonics.

Dusty Henry dives into Tales of Terror by Tales of Terror. Their run was short and marked with tragedy, but their influence has kept their music alive for generations — from the local Sacramento scene to other bands like Mudhoney and Nirvana.  Hosts: Dusty Henry and Martin DouglasAudio producers: Dusty Henry and Roddy NikpourPodcast manager: Isabel KhaliliEditorial director: Larry Mizell Jr.  Support the podcast: kexp.org/cobainSee omnystudio.com/listener for privacy information.

No 'blurred lines' in this 2013 episode - just deep cuts from the likes of Courtney Barnett, Mudhoney, Phoenix, Melody's Echo Chamber and These New Puritans. Learn more about your ad choices. Visit megaphone.fm/adchoices

Yes, this is our last foray into the 'Dark Side of the 90s' Vice series. In keeping with the total and complete theme of FG itself, we just had to talk more about the birth of the Seattle sound and Sub-Pop records. This episode focuses more on the independent label scene and just how corporations really tried to ruin everything. At least there is a silver lining in the fact that Sub-Pop is still kicking as a label and has become a cultural touchstone to the city of Seattle. This episode talks to Bruce Pavitt (Sub-Pop co-founder), Charles Peterson (photographer), and others to get a more complete picture. Link to watch the episode: https://www.dailymotion.com/video/x83x9km*first on Patreon March 2022----Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon! Hosts: Lauren @lauren_melanie & Jai @jai_stylefactoryFollow Fashion Grunge PodcastFind more Fashion Grunge on LinktreeJoin me on Substack:  The Lo Down: a Fashion Grunge blog/newsletter☕️ Support Fashion Grunge on Buy Me a Coffee: https://www.buymeacoffee.com/fashiongrunge

695 Mudhoney - Every Good Boy Deserves Fudge

This week, we talk to CRAIG FINN of THE HOLD STEADY & 'That's How I Remember It' podcast about the legendary cult classic ROCK 'N' ROLL HIGH SCHOOL! We discuss how discovering THE RAMONES is a young person's game, reading THRASHER magazine in the school library, not knowing what bands sounded like, KTEL record complitaions and ROCK 80 LP, the Summer of 1980 AM Rock Radio, Craig seeing STYX's KILROY WAS HERE tour, vomiting at a DEVO show, $1.92 new wave shows, fantasing about where bands are getting coffee in your hometown when they come through on tour, the VHS release of the film, ROAD TO RUIN LP, Craig getting guitar lessons from punk legend Chris Osgood of The Suicide Commandoes, the singleminded yet 4 headed songwriting beast that was THE RAMONES & the cultish nature of the band, Joe Dante's script, how producer ROGER CORMAN wanted to cut out the middle of The Ramones songs, DISCO HIGH, teaching the Ramones to walk in the film, staying overnight to get concert tickets, getting punished by your parents by them forcing you to go see a LAURIE ANDERSON concert, our big Ramones regrets, the trouble with filmming the Ramones' live footage and how it almost started a riot, learning about Chicken Vindaloo through the band's song lyrics, getting the courage to go to a punk rock show, Violent Femmes, our first punk/new wave show we went too, clove cigarettes, The Replacements, ticket prices vs. record prices, under attended hardcore matinee shows, Clint Howard, PJ Soles & Vince Van Patton, does the movie hold up as a cult film, High School permanent records, how the soundtrack turned us on to the MC5 and ENO and the search for those records, Mudhoney & Tad, how the film smartly adds more and more Ramones to the film as it goes on, the Americana side of the Ramones, what Ramones lyric would Craig wished he had written and what lyric of his is the most Ramones, what would a Roger Corman produced Hold Steady movie consist of and what role Clint Howard would play in it and so much more!!!So, let's tear up our permanent records on this episode of Revolutions Per Movie!!!CRAIG FINN:https://craigfinn.net/https://theholdsteady.net/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Con motivo de los próximos conciertos de MUDHONEY en nuestro país, charlamos con Mark Arm sobre sus recuerdos de la escena grunge antes de la explosión de Nirvana, sus primeros recuerdos de Europa, su guitarra favorita... + info - https://linktr.ee/b90podcast Espacio patrocinado por: Jorge Sánchez - Javier Alcalde - Naïa - luis palo - Dani GO - kharha - garageinc78 - Juan Carlos Acero Linares - Jaime Cruz Flórez - davicin blackmetal - DOMINGO SANTABÁRBARA - bcn_music_fan -faeminoandtired - Jose Manuel Valera - Ivan Castro - Nerdo IsMe - Javi Portas - Belén - Ana FM - tueresgeorge - boldano - Eduardo Mayordomo Muñoz - Barrax de Pump - PDR - Fernando - QUIROGEA - Jorge - J. Gutiérrez - Gabriel Vicente - Carlos Conseglieri - Miguel - Isabel Luengo - Franc Puerto - screaming - HugoBR - angelmedano - Vicente DC - victorguibor - Alvaro Gomez Marin - Achtungivoox - Alvaro Perez - Sergio Serrano - Antuan Clamarán - Mario Sosa - Isranet - Paco Gandia - ok_pablopg - Crisele - David Reig - Wasabi Segovia - Dani RM - Fernando Masero - María Garrido - RafaGP - Macu Chaleka - laura - Infestos - Öki Þeodoroson - davidgonsan - Juan Carlos Mazas - 61garage - JJM - Rosa Rivas - Bassman Mugre - SrLara - Próxima Estación Okinawa - Barullo - Megamazinger - Francisco Javier Indignado Hin - Unai Elordui - carmenlimbostar - Piri - Miguel Ángel Tinte - Jon Perez Nubla - Raul Sánchez - Nuria Sonabé - Pere Pasqual - Juanmi - JulMorGon - blinddogs - JM MORENTE - Alfonso Moya - Rubio Carbón - LaRubiaProducciones - cesmunsal - Marcos - jocio - Norberto Blanquer Solar - Tolo Sent - LIP -Carmen Ventura - Jordi y varias personas anónimas.

Mia Zapata and the Gits: A True Story of Art, Rock and Revolution (Ferel House, 2024) by Steve Moriarty, shares the story of the Seattle based The Gits and their charismatic front person Mia Zapata. The Gits were on the verge of international rock stardom but on July 7, 1993, days before their third US tour, Mia Zapata, The Gits 27-year-old singer-songwriter, was brutally assaulted and murdered by a stranger. Zapata's death sent chilling ripples through progressive communities throughout the United States. She became a cause-celebre for women's rights activists outraged by the brutal killing and lack of law enforcement support.  This book reclaims Zapata's story to focus on the art she and The Gits created and not her tragic end. Much has been written and said about her murder, yet Zapata's life and work remain overshadowed by the circumstances of her death. Zapata's friend and bandmate, Steve Moriarty, tells her story--and the story of their band, The Gits--from their first meeting in 1985 to their last goodbye. Moriarity and Zapata met in 1985 as first-year students at Antioch College, where they discovered the power of punk rock and found an outlet for their progressive ideas through music. Zapata, Moriarity, and fellow students Matt Dresdner and Andy Kessler attended a show by San Francisco punk legends Dead Kennedys that inspired the friends to start a band fueled by Mia's provocative lyrics. They quickly gained critical praise and dedicated fans.  Moriarty details their struggles as newcomers to the then-pre-tech outpost of the Seattle music scene. Interspersed are the tales Zapata told of her legendary ancestor, Mexican revolutionary Emiliano Zapata, to entertain the band as they spent countless hours on the road crammed into a single un-air-conditioned van touring the US and Europe. They shared stages with Beck, Nirvana, Mudhoney, Joan Jett, Bikini Kill, L7, and more--all who expected Mia and The Gits to be the next "big thing." The Gits's story is more than a biography; it's a testament to the ability of artists and musicians to challenge the status quo and the power of friendship to change the world. Moriarty reframes the sensationalist story as he shares his personal narrative and presents, with intimacy, grit, and humor, the lived experience of The Gits and his dear friend, Mia Zapata. Included are never before seen paintings, letters, and pictures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Mia Zapata and the Gits: A True Story of Art, Rock and Revolution (Ferel House, 2024) by Steve Moriarty, shares the story of the Seattle based The Gits and their charismatic front person Mia Zapata. The Gits were on the verge of international rock stardom but on July 7, 1993, days before their third US tour, Mia Zapata, The Gits 27-year-old singer-songwriter, was brutally assaulted and murdered by a stranger. Zapata's death sent chilling ripples through progressive communities throughout the United States. She became a cause-celebre for women's rights activists outraged by the brutal killing and lack of law enforcement support.  This book reclaims Zapata's story to focus on the art she and The Gits created and not her tragic end. Much has been written and said about her murder, yet Zapata's life and work remain overshadowed by the circumstances of her death. Zapata's friend and bandmate, Steve Moriarty, tells her story--and the story of their band, The Gits--from their first meeting in 1985 to their last goodbye. Moriarity and Zapata met in 1985 as first-year students at Antioch College, where they discovered the power of punk rock and found an outlet for their progressive ideas through music. Zapata, Moriarity, and fellow students Matt Dresdner and Andy Kessler attended a show by San Francisco punk legends Dead Kennedys that inspired the friends to start a band fueled by Mia's provocative lyrics. They quickly gained critical praise and dedicated fans.  Moriarty details their struggles as newcomers to the then-pre-tech outpost of the Seattle music scene. Interspersed are the tales Zapata told of her legendary ancestor, Mexican revolutionary Emiliano Zapata, to entertain the band as they spent countless hours on the road crammed into a single un-air-conditioned van touring the US and Europe. They shared stages with Beck, Nirvana, Mudhoney, Joan Jett, Bikini Kill, L7, and more--all who expected Mia and The Gits to be the next "big thing." The Gits's story is more than a biography; it's a testament to the ability of artists and musicians to challenge the status quo and the power of friendship to change the world. Moriarty reframes the sensationalist story as he shares his personal narrative and presents, with intimacy, grit, and humor, the lived experience of The Gits and his dear friend, Mia Zapata. Included are never before seen paintings, letters, and pictures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Mia Zapata and the Gits: A True Story of Art, Rock and Revolution (Ferel House, 2024) by Steve Moriarty, shares the story of the Seattle based The Gits and their charismatic front person Mia Zapata. The Gits were on the verge of international rock stardom but on July 7, 1993, days before their third US tour, Mia Zapata, The Gits 27-year-old singer-songwriter, was brutally assaulted and murdered by a stranger. Zapata's death sent chilling ripples through progressive communities throughout the United States. She became a cause-celebre for women's rights activists outraged by the brutal killing and lack of law enforcement support.  This book reclaims Zapata's story to focus on the art she and The Gits created and not her tragic end. Much has been written and said about her murder, yet Zapata's life and work remain overshadowed by the circumstances of her death. Zapata's friend and bandmate, Steve Moriarty, tells her story--and the story of their band, The Gits--from their first meeting in 1985 to their last goodbye. Moriarity and Zapata met in 1985 as first-year students at Antioch College, where they discovered the power of punk rock and found an outlet for their progressive ideas through music. Zapata, Moriarity, and fellow students Matt Dresdner and Andy Kessler attended a show by San Francisco punk legends Dead Kennedys that inspired the friends to start a band fueled by Mia's provocative lyrics. They quickly gained critical praise and dedicated fans.  Moriarty details their struggles as newcomers to the then-pre-tech outpost of the Seattle music scene. Interspersed are the tales Zapata told of her legendary ancestor, Mexican revolutionary Emiliano Zapata, to entertain the band as they spent countless hours on the road crammed into a single un-air-conditioned van touring the US and Europe. They shared stages with Beck, Nirvana, Mudhoney, Joan Jett, Bikini Kill, L7, and more--all who expected Mia and The Gits to be the next "big thing." The Gits's story is more than a biography; it's a testament to the ability of artists and musicians to challenge the status quo and the power of friendship to change the world. Moriarty reframes the sensationalist story as he shares his personal narrative and presents, with intimacy, grit, and humor, the lived experience of The Gits and his dear friend, Mia Zapata. Included are never before seen paintings, letters, and pictures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Mia Zapata and the Gits: A True Story of Art, Rock and Revolution (Ferel House, 2024) by Steve Moriarty, shares the story of the Seattle based The Gits and their charismatic front person Mia Zapata. The Gits were on the verge of international rock stardom but on July 7, 1993, days before their third US tour, Mia Zapata, The Gits 27-year-old singer-songwriter, was brutally assaulted and murdered by a stranger. Zapata's death sent chilling ripples through progressive communities throughout the United States. She became a cause-celebre for women's rights activists outraged by the brutal killing and lack of law enforcement support.  This book reclaims Zapata's story to focus on the art she and The Gits created and not her tragic end. Much has been written and said about her murder, yet Zapata's life and work remain overshadowed by the circumstances of her death. Zapata's friend and bandmate, Steve Moriarty, tells her story--and the story of their band, The Gits--from their first meeting in 1985 to their last goodbye. Moriarity and Zapata met in 1985 as first-year students at Antioch College, where they discovered the power of punk rock and found an outlet for their progressive ideas through music. Zapata, Moriarity, and fellow students Matt Dresdner and Andy Kessler attended a show by San Francisco punk legends Dead Kennedys that inspired the friends to start a band fueled by Mia's provocative lyrics. They quickly gained critical praise and dedicated fans.  Moriarty details their struggles as newcomers to the then-pre-tech outpost of the Seattle music scene. Interspersed are the tales Zapata told of her legendary ancestor, Mexican revolutionary Emiliano Zapata, to entertain the band as they spent countless hours on the road crammed into a single un-air-conditioned van touring the US and Europe. They shared stages with Beck, Nirvana, Mudhoney, Joan Jett, Bikini Kill, L7, and more--all who expected Mia and The Gits to be the next "big thing." The Gits's story is more than a biography; it's a testament to the ability of artists and musicians to challenge the status quo and the power of friendship to change the world. Moriarty reframes the sensationalist story as he shares his personal narrative and presents, with intimacy, grit, and humor, the lived experience of The Gits and his dear friend, Mia Zapata. Included are never before seen paintings, letters, and pictures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Mia Zapata and the Gits: A True Story of Art, Rock and Revolution (Ferel House, 2024) by Steve Moriarty, shares the story of the Seattle based The Gits and their charismatic front person Mia Zapata. The Gits were on the verge of international rock stardom but on July 7, 1993, days before their third US tour, Mia Zapata, The Gits 27-year-old singer-songwriter, was brutally assaulted and murdered by a stranger. Zapata's death sent chilling ripples through progressive communities throughout the United States. She became a cause-celebre for women's rights activists outraged by the brutal killing and lack of law enforcement support.  This book reclaims Zapata's story to focus on the art she and The Gits created and not her tragic end. Much has been written and said about her murder, yet Zapata's life and work remain overshadowed by the circumstances of her death. Zapata's friend and bandmate, Steve Moriarty, tells her story--and the story of their band, The Gits--from their first meeting in 1985 to their last goodbye. Moriarity and Zapata met in 1985 as first-year students at Antioch College, where they discovered the power of punk rock and found an outlet for their progressive ideas through music. Zapata, Moriarity, and fellow students Matt Dresdner and Andy Kessler attended a show by San Francisco punk legends Dead Kennedys that inspired the friends to start a band fueled by Mia's provocative lyrics. They quickly gained critical praise and dedicated fans.  Moriarty details their struggles as newcomers to the then-pre-tech outpost of the Seattle music scene. Interspersed are the tales Zapata told of her legendary ancestor, Mexican revolutionary Emiliano Zapata, to entertain the band as they spent countless hours on the road crammed into a single un-air-conditioned van touring the US and Europe. They shared stages with Beck, Nirvana, Mudhoney, Joan Jett, Bikini Kill, L7, and more--all who expected Mia and The Gits to be the next "big thing." The Gits's story is more than a biography; it's a testament to the ability of artists and musicians to challenge the status quo and the power of friendship to change the world. Moriarty reframes the sensationalist story as he shares his personal narrative and presents, with intimacy, grit, and humor, the lived experience of The Gits and his dear friend, Mia Zapata. Included are never before seen paintings, letters, and pictures. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mia Zapata and the Gits: A True Story of Art, Rock and Revolution (Ferel House, 2024) by Steve Moriarty, shares the story of the Seattle based The Gits and their charismatic front person Mia Zapata. The Gits were on the verge of international rock stardom but on July 7, 1993, days before their third US tour, Mia Zapata, The Gits 27-year-old singer-songwriter, was brutally assaulted and murdered by a stranger. Zapata's death sent chilling ripples through progressive communities throughout the United States. She became a cause-celebre for women's rights activists outraged by the brutal killing and lack of law enforcement support.  This book reclaims Zapata's story to focus on the art she and The Gits created and not her tragic end. Much has been written and said about her murder, yet Zapata's life and work remain overshadowed by the circumstances of her death. Zapata's friend and bandmate, Steve Moriarty, tells her story--and the story of their band, The Gits--from their first meeting in 1985 to their last goodbye. Moriarity and Zapata met in 1985 as first-year students at Antioch College, where they discovered the power of punk rock and found an outlet for their progressive ideas through music. Zapata, Moriarity, and fellow students Matt Dresdner and Andy Kessler attended a show by San Francisco punk legends Dead Kennedys that inspired the friends to start a band fueled by Mia's provocative lyrics. They quickly gained critical praise and dedicated fans.  Moriarty details their struggles as newcomers to the then-pre-tech outpost of the Seattle music scene. Interspersed are the tales Zapata told of her legendary ancestor, Mexican revolutionary Emiliano Zapata, to entertain the band as they spent countless hours on the road crammed into a single un-air-conditioned van touring the US and Europe. They shared stages with Beck, Nirvana, Mudhoney, Joan Jett, Bikini Kill, L7, and more--all who expected Mia and The Gits to be the next "big thing." The Gits's story is more than a biography; it's a testament to the ability of artists and musicians to challenge the status quo and the power of friendship to change the world. Moriarty reframes the sensationalist story as he shares his personal narrative and presents, with intimacy, grit, and humor, the lived experience of The Gits and his dear friend, Mia Zapata. Included are never before seen paintings, letters, and pictures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Michael A talks to one of the pioneers of Grindcore, metal legend Scott Carlson, bassist and singer of the influential band that almost wasn't, Flint's own Repulsion. They talk about meeting in the 80s and bonding over Redd Kross, Mudhoney and Mother Love Bone, Scott spins tales of metal madness, failure and surprise delayed success, and they're left with more questions than answers about Faygo Rock 'n' Rye. Will Repulsion make another album? Scott has an answer. Flint is one of the most unique cities in the world, with a vibe and a heart like no other. Any musician who plays here is somehow transformed by it. This podcast explores the experiences of those musicians, visitors or native Flintoids, both onstage and off. We'll check out some of their music, look at their history in my hometown of Flint, and have a few laughs along the way. We call it The Flint Connection. More Michael A/Albadore content here: ⁠https://linktr.ee/albadore⁠

Our guest is Steve Moriarty, former drummer of the band The Gits and author of the new book Mia Zapata and The Gits: A Story of Art, Rock, and Revolution.The Gits, led by their charismatic frontwoman Mia Zapata, formed in Ohio before joining the burgeoning Seattle music scene of the early 90s. They were on the brink of international stardom when, on July 7, 1993, just days before their third US tour, Mia was brutally murdered. Her death came as a shock to the Seattle music scene and eventually became a national story. It would be a decade before her killer was arrested. During that time, the focus of Mia's story shifted further and further away from her talents and the music she created with The Gits. In this book, Steve Moriarty is determined to shift the focus from Mia's tragic end back to the art she and The Gits created, recounting their journey from their first meeting at Antioch College in 1985 to their rise in the Seattle music scene. Steve narrates the band's struggles, their inspirations, and the camaraderie that fueled their music, as well as the band's tours and performances alongside iconic acts like Nirvana, Mudhoney, and Joan Jett.Purchase a copy of Mia Zapata and The Gits: A Story of Art, Rock, and Revolution Episode Playlist ---------- BookedOnRock.com The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:FACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

The Saints made history with the record "(I'm) Stranded" in 1976 - nearly 50 years later founder/songwriter Ed Kuepper is revisiting the early Saints material with some old bandmates and new friends, including Mark Arm of Mudhoney. Today Ed and Mark discuss the impact and legacy of The Saints with an upcoming tour and 4LP Boxset. Topic Include: How did Ed and Mark come to work together? How did Mark originally experience The Saints? Prehistoric Sounds didn't make it to the US Did Sire get behind The Saints? Promo copies of “Eternally Yours” seem to be plentiful Choosing “(I'm) Stranded” and “No Time” for the Fatal Records single Recording session for “(I'm) Stranded” & “No Time” Was there a 2nd mix before making the Fatal records single? Master tapes and multitracks have been lost Were there test pressings of the Fatal Records single? Sending singles around the world, getting 1st reviews Getting telegrams from record labels across the world Rare contents of the upcoming Saints boxset Original mix of the “(I'm) Stranded” LP – test pressings and remix The album was recorded in the same studio as the single Potential for technology to separate the instruments of the “(I'm) Stranded” single EMI's response to the updated album mix Mark's feeling good about upcoming tour The Saints Paddington Town Hall show recording Playful rivalry with Radio Birdman Ed and Chris Bailey were on good terms and jointly planning the boxset and reissues Present day contact with Kym Bradshaw Any discussion of Saints shows beyond the Australian dates? Will Mark be singing only or possible guitar as well? Hard-Ons version of “Know Your Product” The additional photography in the Saints boxset The original name of the album was “Erotic Neurotics” with a different cover Memories of the photo of The Saints and Nick Cave from Melbourne The status of the album cover location and artwork Interview wrap-up Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Jason and Paul welcome acclaimed graphic artist and cartoonist, Ward Sutton, to the program to talk about his success as a political cartoonist as well his alter ego for The Onion, Stan Kelly. Oh - and of course - Ward will illuminate the guys on the stories behind some of his most iconic gig posters for Mudhoney and Pearl Jam.Please consider donating to our July 2024 fundraiser benefitting American Foundation for Suicide Prevention. Donate right HERE and if you donate the most money you'll receive a 2012 Prague Pearl Jam poster courtesy of this episode's guest, Ward Sutton.Support Ward directly here:Posters & PrintsTshirts & apparelBecome a PatronWatch Us on YouTubeFollow Us on InstagramFollow Us on FacebookFollow Us on TwitterJoin the PJ Pod community Hosted on Acast. See acast.com/privacy for more information.

Send us a Text Message.What happens when you skip the merch lines at a Pearl Jam concert to connect with friends instead? Find out as we recount our Seattle adventure, from the stress-free concert experiences to a chaotic but thrilling event day where we raised an astonishing $27,000. We share the laughs, including Trey's technical difficulties and his hilarious pre-party antics at KEXP, making for an episode full of memorable stories and surprising moments.Join us on a journey of securing auction items for our charity event, where unexpected cancellations turned into serendipitous encounters with generous drummers in Gig Harbor. We paint a vivid picture of the magical evening that unfolded, featuring notable guests and amazing auction items, culminating in a special moment with a signed symbol for my daughter. Despite the initial chaos, the event was a resounding success, raising $25,000 for Smash and creating an electric atmosphere of camaraderie and community support.Reflect on the emotional impact of Pearl Jam's performances with us, as we share personal anecdotes and discuss how live renditions of songs from their album "Dark Matter" deepen our connection to the music. From Eddie Vedder's heartfelt speeches to our humorous attempts at impressing each other with wine selections, this episode is a rollercoaster of emotions, music, and community. It's dedicated to celebrating meaningful causes and the sheer joy of live performances.www.TheTouringFanLive.commedia@TheTouringFanLive.Comwww.facebook.com/TheTouringFanLiveInstagram-@TheTouringFanLiveCopyright The Touring Fan Live 2024

En este episodio, analizaremos discos fundamentales en la escena musical del noroeste estadounidense con Superfuzz Bigmuff de los originarios de Seattle, Mudhoney; no uno, sino tres discos de los vecinos de Portland, Wipers: Is This Real?, Youth of America y Over The Edge; y Jamboree, el icónico álbum de Beat Happening de Olympia. También exploraremos el puente intercontinental creado por estos álbumes y cómo las experiencias de Sub Pop y K Records inspiraron sellos independientes en todo el continente. Como bonus, celebraremos el 35º aniversario del álbum debut de Nirvana, Bleach, que no solo marca el comienzo de la banda que llevaría este sonido al mainstream, sino que también sirve como un mapa sonoro para toda una generación. Jack Endino, productor del álbum, se une a este episodio para contar la historia completa desde ambos lados del Pacífico, confirmando que Seattle y Chile tienen mucho más en común que solo un continente compartido. Agradecimientos especiales: Aldo Benincasa, baterista de la banda chilena de rock psicodélico The Ganjas Samuel Maquieira, guitarrista de The Ganjas y Yajaira Ejival, director del sello discográfico Static Discos con sede en Tijuana, México Luis Alvarado, fundador y director de Buh Records, un sello con sede en Lima, Perú Rodrigo Herbage, director de Sello Fisura en Chile Félix Sisti Ripoll, miembro de la banda 107 Faunos y del sello discográfico Discos Laptra de Argentina Esli Meuly, guitarrista y vocalista de la banda de Seattle Muñeca Jack Endino, productor discográfico, ingeniero de grabación y masterización, mezclador y músico de Seattle Equipo: Host: Albina CabreraAssistant Producer: Gisela Casa MadridEditor: Dusty HenryProductor de audio: Roddy NikpourPodcast manager: Isabel KhaliliDirector editorial: Larry Mizell Jr.Apoya este podcast: kexp.org/elsonidoSupport the show: http://kexp.org/elsonidoSee omnystudio.com/listener for privacy information.

Dusty Henry and Martin Douglas dive into the three albums by the Portland band Wipers, the band with the most entries on Kurt's list (unless you count "anything by Kleenex"). Greg Sage's melodic punk riffs not only inspired Nirvana, but also other Northwest bands before them, including The Melvins and Mudhoney.  Hosts: Dusty Henry and Martin DouglasAudio producers: Dusty Henry and Roddy NikpourPodcast manager: Isabel KhaliliEditorial director: Larry Mizell Jr.  Support the podcast: kexp.org/cobainSee omnystudio.com/listener for privacy information.

On this episode of Adventures in Vinyl we discuss one of our favorite soundtracks even if it came from a rom com!  That sound track is Singles:  The Orignal Motion Picture SoundtrackSong of the Week!The Toadies - Possum KingdomSpacehog -  In the MeantimeStump the Barron!Sponge - Have You Seen MarySingles - The Original Motion Picture SoundtrackIf you like this podcast be sure to check us out on our website at www.adventuresinvinyl.com where you can find links to our episodes and through our support section you can find a place to order your very own adventures in vinyl T Shirt.   Follow us on instagram @adventures.in.vinyl and send us a message if there is a certain album you would like for us to cover and be sure to subscribe to the podcast and leave a 5 star review on your favorite platform of choice.

Dusty Henry dives into Superfuzz Bigmuff by Mudhoney, whose debut represents the culmination of ideas that we now categorize as “grunge.” Nirvana picked up the grunge baton from Mudhoney and carried it to the finish line.  Hosts: Dusty Henry and Martin DouglasAudio producers: Dusty Henry and Roddy NikpourPodcast manager: Isabel KhaliliEditorial director: Larry Mizell Jr.  Support the podcast: kexp.org/cobainSee omnystudio.com/listener for privacy information.

Captain Content laced up his Doc Martins and led us over to the Pacific Northwest to the land of everything GRUNGE! How is it possible that we are on our 6th ep in this series and we still haven't played a single note of Nirvana, Soundgarden, Alice In Chains, and Pearl Jam??? Listen along as we uncover the depth of the Seattle scene that invaded the rock n' roll world over 30 years ago. This episode features songs from bands outside the big 4 of grunge, or the Seattle sound, or whatever you want to call that stuff that happened in the early 90s. A perfect amalgam of punk, classic rock, and metal is right in our wheelhouse. We have a lot of fun reminiscing about this unique time in rock history. Grab a Starbucks, put your flannel on, and join us on the trek!Songs this week include:Bakers Pink – “Euphoria” from Bakers Pink (1993)Bundle Of Hiss – “Fire Place” from Sessions: 1986-1988 (2000) Loudermilk – “Tooth For A Tooth” from Man With Gun Kills Three! (1998)Truly – “Strangling” from Fast Stories… From Kid Coma (1995)Alcohol Funnycar – “Try To Understand” from Time To Make The Donuts (1993)Daddy Hate Box – “Edge” from Sugar Plow - EP (1990)Econoline Crush – “Nowhere Now” from Affliction (1995)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Mudhoney were the early success of the Seattle grunge scene but never quite hit mainstream success like their many local peers and former bandmates. The fellas discuss noise guitar solos, drummer Dan Peters' stint in Nirvana, and how punk it is to never ever have band practice.Email us your complaints (or questions / comments) at 1001AlbumComplaints@gmail.comListen to our episode companion playlist (compilation of the songs we referenced on this episode) here:https://open.spotify.com/playlist/3ckASfrtyoMhqTnRmWASZi?si=487ca0a365504d07Listen to Every Good Boy Deserves Fudge here:https://open.spotify.com/album/4HJavRkzA8bYyGt7ireR4J?si=2IVDULR5QZ-NQBY4yZLMNwIntro music: When the Walls Fell by The Beverly CrushersOutro music: After the Afterlife by MEGAFollow our Spotify Playlist of music produced directly by us. Listen and complain at homeFollow us on instagram @thechopunlimited AND @1001AlbumComplaintsSupport us on Patreon, now including our new show Song Battle!https://www.patreon.com/1001AlbumComplaintsWe have 1001 Merch! Support us by buying some.US Merch StoreUK Merch StoreNext week's album: Bon Jovi - Slippery When Wet

In Episode 250, Sean and Andy take it back to the early days of grunge when they talk to Craig Montgomery, the front of house engineer for Nirvana. He details mixing and managing small tours and festivals in a van with Kurt, Dave, and Krist from 1989 to 1993 as well as going on to tour manage for Hole, and mix and tour manage other well-known artists including TAD, Mudhoney, Weezer, and The Presidents of the United States. This episode is sponsored by Allen & Heath and RCF.After getting off the road, Craig settled back home in Seattle, where he had a nearly 15-year tenure as the house sound engineer for famed venue The Triple Door, which he's only recently retired from. And, as always, there are lots of useful tips and tricks scattered in with all the amazing history Craig has to share, so you'll definitely want to give this one a listen!Episode Links:Craig Montgomery Reddit AMAPhotos From The Nirvana Days99 Percent Invisible: “Whomst Amongst Us Let The Dogs Out”American Songwriter: Nirvana Sound Engineer Craig Montgomery Shares Stories About the BandEpisode 250 TranscriptBe sure to check out the Signal To Noise Facebook Group and Discord Server. Both are spaces for listeners to create to generate conversations around the people and topics covered in the podcast — we want your questions and comments!Also please check out and support The Roadie Clinic, Their mission is simple. “We exist to empower & heal roadies and their families by providing resources & services tailored to the struggles of the touring lifestyle.”The Signal To Noise Podcast on ProSoundWeb is co-hosted by pro audio veterans Andy Leviss and Sean Walker.Want to be a part of the show? If you have a quick tip to share, or a question for the hosts, past or future guests, or listeners at home, we'd love to include it in a future episode. You can send it to us one of two ways:1) If you want to send it in as text and have us read it, or record your own short audio file, send it to signal2noise@prosoundweb.com with the subject “Tips” or “Questions”2) If you want a quick easy way to do a short (90s or less) audio recording, go to https://www.speakpipe.com/S2N and leave us a voicemail there

Stone Gossard and Jeff Ament are two of the Seattle scene's most foundational musicians from the 80's and 90's. Stone and Jeff started playing together in 1984 as members of Green River, which eventually dissolved, leading singer Mark Arm to form Mudhoney. Later, Jeff played bass and Stone played guitar in Mother Love Bone until their lead singer Andrew Wood died of an overdose just days before their major label debut in March of 1990. Reeling from Andy's death, Jeff and Stone started recording with Soundgarden's Chris Cornell on a side project called Temple Of The Dog that featured vocals from a then unknown singer from San Diego named Eddie Vedder. Later that year, Jeff and Stone asked Eddie to join their new band with guitarist Mike McCready. As Pearl Jam, they released their debut album Ten in August of ‘91—the album went 13 times platinum and charted on Billboard for nearly five years. Since then, Pearl Jam have released 11 more albums and built a die-hard fan base thanks in part to their outstanding live shows. Last week they released their latest album, Dark Matter, which was produced by Andrew Watt, who's recently worked with Miley Cyrus, Iggy Pop, Post Malone and Ozzy Osborne. On today's episode Leah Rose talks to Stone Gossard and Jeff Ament about how Andrew Watt's encyclopedic knowledge of Pearl Jam helped inspire some of their best performances to date. Stone and Jeff also open up about the inner-workings of their professional relationship, and Stone remembers the first time he met Eddie Vedder, who marked the occasion by passing him a hand-written poem. You can hear a playlist of some of our favorite Pearl Jam songs HERE.See omnystudio.com/listener for privacy information.

Mark Arm of Mudhoney comes by the show to discuss the sewage tunnel boring machine named after his band, the record store that changed his life, surfing at Kelly Slater's ranch, being radicalized by KISS and Aerosmith, seeing Robert Goulet at the airport, hanging out backstage with David Matthews, and more! Host: Yasi Salek Guest: Mark Arm Producer: Jesse Miller-Gordon Audio Producer: Chris Sutton Additional Production Supervision: Justin Sayles Theme Song: Hether Fortune Learn more about your ad choices. Visit podcastchoices.com/adchoices

Matt Korvette from Pissed Jeans talks about their excellent, ferocious, and funny new album, Half Divorced, Philly, Kurt Vile, and Atom and His Package, writing angry, funny songs as, and even for, adults, having fun playing music like Mudhoney does, hating our phones, helicopter parents and what kids get up to these days, covering a Pink Lincolns song and how everywhere is bad, tour, other future plans and much more.Support vish on Patreon! Thanks to Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Related episodes/links:Ep. #821: Kurt VileEp. #764: MudhoneyEp. #748: Meg BairdEp. #747: Fucked UpEp. #731: Bill NaceEp. #715: Laurie KilmartinEp. #536: Jade HairpinsEp. #90: The Jesus Lizard Week with Mac McNeillyEp. #89: The Jesus Lizard Week with David YowSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Phil Ek is an American record producer, engineer and mixer. Ek began his career in Seattle, Washington in the early 1990s recording live sound in clubs. He then moved into studio recording, recording small projects and demos for local bands. Around this time, Ek was frequently working with influential producer Jack Endino. Producing Built to Spill's second album, There's Nothing Wrong with Love, proved to be Ek's mainstream breakthrough (the album has since ranked in the Top Ten of Spin Magazine's top indie records of all time). Phil Ek has worked with such indie rock bands as Band of Horses, Fleet Foxes, Modest Mouse, The Shins, Built to Spill, Duster, 764-HERO, Big Business and Mudhoney. IN THIS EPISODE, YOU'LL LEARN ABOUT: Working in Seattle during the 90's Prioritizing instruments when recording The legacy of Build To Spill's “There's Nothing Wrong With Love” Overdubbing vs. recording live off the floor Getting the right scratch tracks in order to capture the true energy of a song Editing for feel vs perfection Should you track with or without reverb? Setting up room mics for options How to make reverb sound big but without being muddy Creating a 3D sound To learn more about Phil Ek, visit: https://philek.com/ For tips on how to improve your mixes, visit https://masteryourmix.com/ Get your copy of The Recording Mindset: A Step-By-Step Guide To Creating Pro Recordings From Your Home Studio by visiting: https://therecordingmindset.com Looking for 1-on-1 feedback and training to help you create pro-quality mixes? Check out my new coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

Lee is joined by friend and fellow podcaster Vaughn Kuhlmeier to talk about two early examples of what would come to be known as the Hixploitation genre, those being Russ Meyer's "Mudhoney" (1965), and Jerry Gross' "Girl on a Chain Gang (1966). Much of the conversation revolves around how both films contain the elements that the subgenre would build off of later on in the 1970s especially, and just how very different these two films are from one another in tone and style. Was Meyer too reserved? Was Gross not exploitive enough? The hosts also talk about what they've watched recently and respond to a listener comment. "Mudhoney" IMDB  "Girl on a Chain Gang" IMDB  Check out Vaughn's stuff: Motion Picture Massacre  Wanted: Alive or Preferably Dead  Douchecast 5K  Motion Picture Massacre Presents  The latest episode of Lee's other podcast, Last Call at Torchy's  If you want more Torchy's, consider joining Legion Pateron for that, as well as many other great podcasts.  Featured Music: "Whiplash" by Rikki & The Rikatones, Get Hot or Go Home by John Kerby, and Track Down Baby by Tom James.

CiTR Fundrive Show w. Nomeansno & Mudhoney ! Nardwuar and guest DJ Roger Allen play excerpts from Nardwuar vs. John Wright of Nomeansno and Steve Turner of Mudnoney (Full interview to come later!) as part of CiTR's Fundrive Show. Doot doo !

Jason and Paul welcome in the new year with an excellent guest, Mark Arm of Mudhoney! Mark discusses songwriting, dealing with a band member moving away, fame (or lack thereof), and getting harassed by crazy people in Florida. All that and much more in this conversation with Mark Arm.Become a PatronFollow Us on InstagramFollow Us on FacebookFollow Us on TwitterJoin the PJ Pod community Hosted on Acast. See acast.com/privacy for more information.

Universe: “Super Fuzz or Big Muff?”Mudhoney: “Both!”What else would you expect from a band that titled their mischievously visceral '88 debut EP after both pedals (Superfuzz Bigmuff)?Formed in the late '80s by guitarists Mark Arm and Steve Turner after the dissolution of their band Green River (which included future Mother Love Bone and Pearl Jam cofounders Jeff Ament and Stone Gossard), Mudhoney long ago solidified themselves as the Seattle scene's big brothers and tightest pack. Through their 11 LPs, five EPs, and six live albums, Mudhoney has routinely diversified and further defined their eccentric brand of raucous, aggressive, unfiltered rock 'n' roll. Possibly more impressive than the band's wide influence and devoted authenticity is the foursome's bond. Drummer Dan Peters and bassist Matt Lukin (also a founding member of the Melvins) were the rhythmic bedrock for Arm and Turner's exploding-M-80 tones since the beginning. (Arm and Turner have been friends since high school and have been playing off each other since then.) But Lukin left the band in 2001 because tour life became too much, and Guy Maddison has been thundering ever since. To see a group's career that's pushing past 35 years and only have one member swap is as inspirational as it is baffling. How?!“We like each other a lot. We get along. We love what we're doing,” remarks Arm. “Why stop, even if no one gives a shit?”Friendship matters to Arm and Turner, but gear isn't a concern unless it points them in one direction—east. More specifically, toward Detroit, Michigan. And even more specifically, to the Stooges. Both namecheck the livewire band and their raw power several times in our Rig Rundown. However, in a 2018 interview with Premier Guitar, they acknowledged regenerating sounds that echo influences from Neil Young and the Byrds to Devo and the Dead Kennedys. But after chasing “I-Wanna-Be-Your-Dog” sizzle, what else leads them to the gear they use? Has that mentality changed since the late '80s?“If you think about the aesthetics of where we come from—garage punk, and punk rock in general—a lot of it was made with cheap gear, and a lot of it was reclaiming gear that guitarists had kind of dismissed as garbage. Like the Mustang. That was my ultimate guitar back when I was a kid, but it was poo-pooed when I finally got one. I could get them for $150. The Danelectro and Silvertone amps were kind of high-rated garbage when we were getting into them. We based a lot of our sound on cheap gear, so it makes sense to me that I still buy the cheap gear,” concluded Turner.They're still pragmatic about their setups, preferring equipment that's familiar and reliable. Where they chase the dragon is in stompboxes. Turner trusts the Big Muff (his favorite iteration is from the mid-'80s), while Arm's torrid tone burns with a Super Fuzz clone. However, both have additional hot-sauce stompboxes and other effects on their pedalboards that are being auditioned trial by fire.Hours before Mudhoney's headlining set at Nashville's Basement East, Arm and Turner brought PG's Chris Kies onstage to catalog their setups. Turner started the party by talking about a pair of guitars—his battle-tested late-'60s Guild Starfire IV and a recently-acquired Fender Gold...

For the 35th anniversary of Mudhoney's first 12-inch record, SUPERFUZZ BIGMUFF, we take a detailed look at how it was made. After Mark Arm met Steve Turner at a show in Seattle, they became fast friends and began playing in multiple bands together. They started Green River with Jeff Ament and Alex Shumway and eventually added Stone Gossard on second guitar. Tensions over the musical direction of the band eventually caused Green River to dissolve with Ament and Gossard going on to form Mother Love Bone and Arm and Turner deciding to form Mudhoney. With Mudhoney, they had a vision for fuzz drenched guitars and blending 60s garage with punk rock. They eventually added Dan Peters on drums and Matt Lukin on bass and had their first practice on New Year's Day in 1988. Bruce Pavitt of Sub Pop offered to pay for some studio time with Jack Endino so he could hear the material they were working on. From those sessions, they released the "Touch Me I'm Sick" single in the summer of 1988. At that point, they went back into the studio with Jack Endino to work on the songs that would become SUPERFUZZ BIGMUFF. In this episode, Mark Arm describes his approach of “vocalizing” rather than singing, and how playing guitar with this band changed how he thought about song arrangements. Steve Turner talks about his discovery of vintage fuzz boxes and how they informed the Mudhoney sound at a time when fuzz pedals were out of fashion. From the early days of Sub Pop to rocking baby blue 60s guitars to Dan Peters' unique drum patterns to Matt Lukin's relief of playing simple songs to Sonic Youth knighting them as the next big thing to a pivotal moment in Seattle music, we'll hear the stories of how the record came together.

In addition to being a gorgeous rom com, the movie Singles also ended up preserving the Seattle music scene of the early 90's in film amber. Cameron Crowe's homage of vignettes to his adopted home brought together now iconic artists like Pearl Jam, Alice in Chains, Chris Cornell and Soundgarden, and Mudhoney. Whether the artists thought the project was a good idea or not varied, but the results were undeniable. To top it off, Paul Westerberg was airlifted in from Minneapolis to tie it all together and the result is one of the most undeniably important compilations of the decade. Sean Fennessey joins us this week to talk about the Singles Soundtrack. Follow Sean Fennessey on Twitter @seanfennessey Listen to the Singles Soundtrack HERE Buy tickets for the Bandsplain x 60 Songs That Explain the '90s live event in Los Angeles on 11/16 HERE Host: Yasi Salek Guest: Sean Fennessey Producer: Jesse Miller-Gordon Audio Editor: Adrian Bridges Additional Production Supervision: Justin Sayles Theme Song: Bethany Cosentino Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this Radio Friendly Unit Shifter of the TMEP Show, we celebrate the release of "In Utero" -- 30 years ago on September 21, 1993 -- with rare insights into Kurt Cobain and Nirvana from the people who knew them: Mudhoney's Steve Turner, Violent Femmes' Brian Ritchie, and “Nevermind” producer Butch Vig (from Garbage). -------------------------------------------------- Get in touch with Too Much Effing Perspective Contact us: hello@tmepshow.com Website: https://tmepshow.com Social: @tmepshow Learn more about your ad choices. Visit megaphone.fm/adchoices

Melvins are playing a 40-year anniversary show at The Showbox in Seattle on Friday September 1. Buzz Osborne of Melvins talks about the highlights of the band's career, being an influence on Soundgarden, Mudhoney and Nirvana, and the songs that define the band. Support the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.