Podcasts about Mudhoney

Stāsta komponists un kontrabasists Kristaps Pētersons; pārraides producente – Rūta Paula Svētdien, 2001. gada 7. janvārī ap 18:30 (vai varbūt 19:00 – nav tik būtiski) līdz 11. septembrim bija tālu. "Mudhoney" [1] intensīvi gatavojās savam 12. janvāra koncertam "Great American Music Hall" Sanfrancisko, Deivs Grols [2] – savai dzimšanas dienas ballītei 14. janvārī, bet flautiste Ilona Meija izpildīja Johana Sebastiāna Baha [3] Badinēriju no orķestra svītas Nr. 2 siminorā, BWV 1067. Noslēgumam tuvojās X Senās mūzikas festivāls Valmierā. Esmu pārliecināts, ka Ilonas atskaņojums saucams par stindzinoši spožu, tomēr ēterā pulsēja sajūta, ka ar to būs bijis par maz. Koncerta programma bija veidota ar orķestru numuriem sākumā un beigās, bet vidū mikromodelī – flauta un klavieres ar Badinēriju, ap kuru dažādu kameransambļu sniegumā bija savirknēti vēl vairāki citi izcilu komponistu darbi. Kāds varētu kritizēt, ka šis Baha darbs liekams koncerta sākumā, jo tas, ko mēs mūsdienās saucam par svītu, 18. gs. saskaņā ar franču tradīciju tika dēvēts par uvertīru – reprezentablu svētku mūziku galma publikai ar sākuma punktēto 'staccato' ritmu kā pavadījumu karaļa ienākšanai telpā. Šī forma esot pārņemta no Žana Batista Lullī [4], kurš Luija XIV galmā to tika noslīpēt smailu jo smailu. Nē. Valmierā bija republika. Vēl kāds varētu teikt, ka vārds 'badinerie' franču valodā nozīmē izsmiešanu, ņirgāšanos un, kad tāda tiek atskaņota, labāk izpildīt precīzi pēc autora norādēm, t.i., orķestrāli – flauta, stīgas un čembalo. Jo šādā mikromodelī zūd tembrālā krāsainība un arī telpiski skanējuma avots ir krietni koncentrētāks. Nē. Flautas un klavieru sniegumā daudz klārāk dzirdams, ka Baha mūzikas polifonijā visas balsis uzrakstītas kā personības arī tad, kad nav izvirzītas priekšplānā. "Liela krietnības nepieciešamība, ja vien jūs negribat izlikties to neredzam, ir uzlikta jums, jo jūs dzīvojat zem visuredzošā tiesneša acu skatiena," [5] – tā teicis Boēcijs [6]. Un vēl. Koncertā starp abiem orķestriem bija izveidota kameransambļu sekcija, sagrupēta ap ģeniālo Badinēriju – no formas viedokļa koncerts tātad simetrisks – orķestri kā divi pīlāri ar kamermūziku kā kodolu. Viss ir kārtībā ar šādu formu. Turklāt – atšķirībā no šodienas – 2001. gadā latviešu orķestrantiem vajadzēja atgādināt Baha polifonijas kvalitāti, cik iespējams grafiski, jo tolaik viņus (t.i.,  latviešu orķestrantus) laikam uztrauca galvenokārt tas, lai mamma neuzzina, ka viņi pīpē. 2025. gada 26. decembrī plkst. 00:01 ekonomikas komentētājs un mediju producents Kristaps Pētersons portālā delfi.lv publicēja šādus vārdus: "Tikai izglītība – nekas cits – izvedīs mūs no miglas!" [7]. Es tas neesmu, kas to saka, bet man viņam nākas piekrist. Mazu migliņu tolaik radījām. Mēs smēķējām "Bond", "L&M", "Marlboro", "Camel" – ko nu kurš (un neklausījāmies, kā 2001. gada 7. janvārī ap 18:30 Ilona Meija spēlē Baha Badinēriju – mēs būtu nākuši varbūt, ja to spēlētu kāda ārzemju zvaigzne, bet tad ieeja koncertos būtu jāliek par maksu, nevis par brīvu, kā tas jau no pašiem pirmsākumiem 1991. gadā bija visos Senās mūzikas festivālos Valmierā; un tad tas būtu cits festivāls – tāds, kur spēlē ārzemju zvaigzne, kuras fonā mēs brauktu nopelnīt savu honorāru – tas nebūtu nekas slikts – taču šeit mēs braucām savā brīvajā laikā, spēlējām par brīvu un no sirds [8]). Ilonas Meijas interpretācija [9] noteikti bija tērauda stiprumā, tomēr kaut kas pasaulē bija salūzis, un mēs to nedzirdējām. 2001. gada 7. janvārī pēkšņi līdz 11. septembrim nemaz vairs nebija tālu. Mēs visi esam saistīti, dažkārt tādos veidos, kurus ar prātu grūti aptvert. Šķiet, Bahs savā mūzikā atklāj to stiprāk nekā citi, jo aptverošāk. "Kad kādai balsij nav ko teikt, tai jāklusē," Bahs esot teicis. Šī Baha atziņa būtu bijusi tik noderīga Karlheincam Štokhauzenam [10], ja vien būtu to zinājis, kad viņš nosauca 11. septembra teroraktus ASV par dižāko jebkad eksistējušo mākslas darbu... Nevajag tā gvelzt, meistar, jo vārdu pa vārdam pasaule top. "In dem Maße, als die Genüsse zunehmen, nimmt die Empfänglichkeit für sie ab; Das Gewohnte wird nicht mehr als Genuss empfunden." (Artūrs Šopenhauers) [11] "Jo spēcīgākas baudas, jo vājāks jūtīgums. Tas, kas kļuvis ierasts, vairs nemodina baudu." [12] Avoti Raksts sagatavots, izmantojot Oksfordas mūzikas vārdnīcas, portālu concertarchives.org un bachvereniging.nl, Valmieras integrētās bibliotēkas, Valmieras zonālā Valsts arhīva un Valmieras muzeja materiālus [1] amerikāņu rokgrupa no Sietlas, izveidojusies 1988. g. [2] Grohl, Dave (dzimis Varrenā 1969. g.) amerikāņu dziesminieks, tagadējais grupas "Foo Fighters" līderis un kādreizējais grupas "Nirvana" bundzinieks [3] Bach, Johann Sebastian (dzimis Eizenahā 1685. g. – miris Leipcigā 1750. g.) vācu komponists un ērģelnieks [4] Lully, Jean-Baptiste (Lulli, Giovanni Batista) (dzimis Florencē 1632. g. – miris Parīzē 1687. g.) itāļu izcelsmes komponists, ilgus gadus kalpojis Francijas karaļa galmā kā karaliskās ģimenes mūzikas meistars [5] https://satori.lv/article/boecija-celas-grutibas [6] Boethius, Anicius Manlius Torquatus Severinus (dzimis Romā ap 475. g. – miris Pāvijā ap 525. g.) romiešu filozofs un matemātiķis, kurš sarakstījis "De institutione musica" – traktātu par grieķu mūziku [7] Kristaps Pētersons. "Tikai izglītība un nekas cits izvedīs mūs no miglas" (publikācija portālā "Delfi") [8] Senās mūzikas festivālu Valmierā (vēlāk: Ziemas mūzikas festivāls) nesavtīgi organizēja Valmieras Mūzikas skolas direktors Aivars Cepītis – savā brīvajā laikā, bez maksas un no sirds. Ļoti nozīmīgu pienesumu šī festivāla īstenošanā sniedza pianiste Jautrīte Putniņa (dzimusi Palsmanes pagasta “Rūpnieku” mājās 1929. g. – mirusi Valmierā 2017. g.), katru gadu festivālam gatavojot vairākas koncertprogrammas gan solo, gan kameransambļiem – savā brīvajā laikā, bez maksas un no sirds. Un vēl – festivāls notika pateicoties daudzu Valmieras mūzikas skolas pedagogu ieguldītajam brīvprātīgajam darbam [9] Ilona Meija spēlēja kopā ar Jautrīti Putniņu; Jautrīte muzicējot nekad neatkāpās no saviem pamatprincipiem – pamatīgas skaņdarba apguves – savā atmiņu grāmatā viņa raksta: "Galvenais kods – vibrēt, bet nevirzīties, apstāties un gaidīt laika un telpas izzušanu." Citāts no Putniņa J. "Saules mūzika", izd.: "Valters un Rapa", 412. lpp.: "Mana dzīve – viena vienīga šķēršļu trase" [10] Stockhausen, Karlheinz (dzimis Modrātē 1928. g. – miris Kurtenē 2007. g.) vācu komponists [11] Schopenhauer, Arthur (dzimis Gdaņskā 1788. g. – miris Frankfurtē 1860. g.) vācu filozofs; citāts no Šopenhauers A. "Parerga un paralipomena", 1851, I sējums, "Aforismi par dzīves gudrību", II: "Par to, kas cilvēkam pieder", §28 ("Parerga und Paralipomena", 1851, vol. I, "Aphorismen zur Lebenswisheit", II: "Von dem, was einer hat", §28) [12] Ievas Ginteres tulkojums

Hoy en La Gran Travesía podréis escuchar a Steve Wynn, Led Zeppelin, Mudhoney, Pulled Apart By Horses, Vant, Volbeat, Status Quo, Manic Street Preachers, Metallica, Monster Magnet... ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Eduardo Gutiérrez, Belén B, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Tole, Raquel, Poncho C, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

In which The Curmudgeons revisit the goofy yet ambitious and thrillingly original dawn of grunge music. Unbeknownst to some, the story of what became the dominant mainstream brand of rock 'n' roll in the 1990s dates back to 1984, back when the Seattle area was cold, rainy, gloomy and also a sleepy outpost that was surprisingly actually skipped by major artists of the time. So what you do you when no one's really watching and there isn't a whole lot to do? You mess around wiht your friends and bond over a love for 1970s classic rock, punk, metal, prog rock and other various forms of guitar-driven rock. And you started bands and shared ideas and worked to one up another in finding a way to meld all you loves into one sonic package. And that's exactly what the innovators of grunge did: found a sweet spot in between the fury of punk on the one hand and the grandeur and theatricality of metal on the other. Here. we discuss the first wave of bands that figuratively--and literally-put grunge on the map. We cover Green River, the Melvins, Soundgarden and more...   Listen to all of this awesome proto grunge from the 1980s by accessing our special Spotify playlist: https://open.spotify.com/playlist/3IcoNHpnt15muKt4cg8CLy?si=6c1adf065eb44519   Here's a handy navigation companion to this episode:   (00:52 - 04:23) - Arturo Andrade sets the parameters for our discussion of early grunge   (06:13 - 23:56) - The Parallel Universe, featuring discussions of music of recent vintage from The Men and Cameron Winter   (24:55 - 58:07) - We discuss the origin in story of grunge by providing context about the Pacific Northwest scene in the 1980s. We also analyze great albums from Green River, the Melvins and Sound Garden   (59:02 - 01:18:41) - We analyze a number of great "grunge-adjacent" albums from Sonic Youth, Dinosaur Jr. and The Pixies. And we cover the last great volley from Green River before its members went on to found Mudhoney and Pearl Jam in later years.   Join our Curmudgeonly Community today! facebook.com/groups/curmudgeonrock   Edited with an assist from Descript! web.descript.com/    Hosted on Podbean! curmudgeonrock.podbean.com   Subscribe to our show on these platforms: podcasts.apple.com/us/podcast/the-curmudgeon-rock-report/id1551808911   open.spotify.com/show/4q7bHKIROH98o0vJbXLamB?si=5ffbdc04d6d44ecb   music.amazon.com/podcasts/5fea16f1-664e-40b7-932e-5fb748cffb1d/the-   Co-produced and co-hosted by The Curmudgeons - Arturo Andrade and Christopher O'Connor  

Inspirado por las radiofórmulas americanas, hoy toca disfrutar de una sesión épica de grunge sin (casi) interrupciones. ¿Te gusta el formato? Deja tu comentario para decidir si repetimos con este u otros géneros. Suenan: Soundgarden, Sonic Youth, Alice in Chains, Veruca Salt, Mudhoney, Brad, PJ Harvey, TAD, Nirvana, Hole, Bush, Pearl Jam, Mother Love Bone + info - https://linktr.ee/b90podcast Espacio patrocinado por: Barullo -Unai Elordui - JulMorGon - David Salamanca Sanz - Jaime Marchica Band - Sr.Jota - Theinvisibleband - jorge - Llorx Miller - Yago Llopis - chalsontheroute - boldano - estebansantosjuanesbosch - Vicent Martin - Matias Ruiz Molina - Próxima Estación Okinawa - Rosa Rivas - Achtungivoox - jvcliment - Jaume Solivelles - Javier Alcalde - jmgomez - Ana Isabel Miguélez Domínguez - Iñigo Albizu - Rachael - Power42 - Naïa - Dani GO - Jaime Cruz Flórez - DOMINGO SANTABÁRBARA - faeminoandtired - Jose Manuel Valera - Ivan Castro - Javi Portas - Belén Vaca - Ana FM - tueresgeorge - Eduardo Mayordomo Muñoz - Barrax de Pump - pdr_rmn - fernando - QUIROGEA Integrative Osteopath - J. Gutiérrez - Gabriel Vicente - Carlos Conseglieri - Miguel - Isabel Luengo - Franc Puerto - screaming - HugoBR - angelmedano - Vicente DC - Alvaro Gomez Marin - Alvaro Perez - Sergio Serrano - Antuan Clamarán - Isranet - Paco Gandia - ok_pablopg - Crisele - Wasabi Segovia - Dani RM - Fernando Masero - María Garrido - RafaGP - Macu Chaleka - laura - davidgonsan - Juan Carlos Mazas - Bassman Mugre - SrLara - carmenlimbostar - Piri - Miguel Ángel Tinte - Jon Perez Nubla - Nuria Sonabé - Pere Pasqual - Juanmi - blinddogs - JM MORENTE - Alfonso Moya - Rubio Carbón - LaRubiaProducciones - cesmunsal - Marcos - jocio - Norberto Blanquer Solar - Tolo Sent - Carmen Ventura - Jordi y varias personas anónimas. ✌️

Hey! Ho! Let's Go! Welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! The incredible Craig Finn on the amazing Ramones' cult film Rock 'N' Roll High School...what more can I say, Principal Togar...this episode rules...enjoy!(Episode 51 originally aired on August 24th, 2024).Original Show Notes:This week, we talk to CRAIG FINN of THE HOLD STEADY & 'That's How I Remember It' podcast about the legendary cult classic ROCK 'N' ROLL HIGH SCHOOL! We discuss how discovering THE RAMONES is a young person's game, reading THRASHER magazine in the school library, not knowing what bands sounded like, KTEL record complitaions and ROCK 80 LP, the Summer of 1980 AM Rock Radio, Craig seeing STYX's KILROY WAS HERE tour, vomiting at a DEVO show, $1.92 new wave shows, fantasing about where bands are getting coffee in your hometown when they come through on tour, the VHS release of the film, ROAD TO RUIN LP, Craig getting guitar lessons from punk legend Chris Osgood of The Suicide Commandoes, the singleminded yet 4 headed songwriting beast that was THE RAMONES & the cultish nature of the band, Joe Dante's script, how producer ROGER CORMAN wanted to cut out the middle of The Ramones songs, DISCO HIGH, teaching the Ramones to walk in the film, staying overnight to get concert tickets, getting punished by your parents by them forcing you to go see a LAURIE ANDERSON concert, our big Ramones regrets, the trouble with filmming the Ramones' live footage and how it almost started a riot, learning about Chicken Vindaloo through the band's song lyrics, getting the courage to go to a punk rock show, Violent Femmes, our first punk/new wave show we went too, clove cigarettes, The Replacements, ticket prices vs. record prices, under attended hardcore matinee shows, Clint Howard, PJ Soles & Vince Van Patton, does the movie hold up as a cult film, High School permanent records, how the soundtrack turned us on to the MC5 and ENO and the search for those records, Mudhoney & Tad, how the film smartly adds more and more Ramones to the film as it goes on, the Americana side of the Ramones, what Ramones lyric would Craig wished he had written and what lyric of his is the most Ramones, what would a Roger Corman produced Hold Steady movie consist of and what role Clint Howard would play in it and so much more!!!So, let's tear up our permanent records on this episode of Revolutions Per Movie!!!CRAIG FINN:https://craigfinn.net/https://theholdsteady.net/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Russ Meyer loved women. Women with big boobs, big curves, and big personalities. His entire career was all about putting his fetishes on screen in nudie cuties, dramas, crime films, mondo movies, sex comedies, and any other sort of exploitation film he could get away with, often all in the same film! This month Lee's built a big playlist of selections from his peak years, which stretched from the early 1960s through to the late 1970s. --The Escaped Prisoner from "Lorna" (1964) --Hal Hopper --Lorna from "Lorna" (1964) --Hal Hopper & Bob Grabeau --Whiskey Mash from "Mudhoney" (1965) --André Brummer --Mysterioso Minor & The Snatch from "Faster, Pussycat! Kill! Kill!" (1965) --Bert Shefter, Paul Sawtell & Igo Kantor --Faster, Pussycat! from "Faster, Pussycat! Kill! Kill!" (1965) --The Bostweeds --The Three Weirdos & You'll do Alright Anywhere from "Motorpsycho" (1965) --Paul Sawtell & Bert Shefter --The Delight of Men, It's Only a Dance, Underwatersports, and Crazy Horse from "Mondo Topless" (1966) --The Aladdins --May-September-Romance from "Good Morning... and Goodbye" (1967) --William Loose, Igor Kantor --Finders Keepers Song and The Topless Bar from "Finders Keepers, Lovers Weepers" (1968) --Stu Phillips, William Loose & Marvin Elling --Theme from Vixen!, Vixen Gets Excited, O'Bannion's Theme, Canadian Romp, and Back on Solid Ground from "Vixen!" (1968) --William Loose --The Toys of Our Time from "Cherry... & Harry & Raquel" (1969) --The Jacks and Balls! --Cherry's Theme, Harry's Theme and Raquel Theme from "Cherry... & Harry & Raquel" (1969) --William Loose --Beyond the Valley of the Dolls from "Beyond the Valley of the Dolls"(1970) --The Sandpipers, Stu Phillips & Bob Stone --Find It, Sweet Talkin' Candyman, and In the Long Run from "Beyond the Valley of the Dolls" (1970) --Lynn Carey, Barbara Robison & Stu Phillips --Angel on the Phone & Mr. Dynamite from "Supervixens" (1975) --William Tasker --The Greek Chorus & Coming Home/Homer and Pocahontas from "Up!" (1976) --William Loose --On the Move & Lola Langusta from "Beneath the Valley of the Ultra-Vixens" (1979) --William Loose & Paul Ruhland Opening and closing music: Notre côté B from "Gina" by Michel Pagliaro, and Bubble Gum Girl from "Gas-s-s-s" by Johnny & The Tornados.

This week I'm joined by author and music critic Keith Cameron (Mudhoney: The Sound and the Fury From Seattle, 168 Songs of Hatred and Failure: A History of Manic Street Preachers), who picked the documentary I'M NOW: THE STORY OF MUDHONEY to dive into.We discuss our relationship with the British musical weeklies and how Keith ended up working for them, the power of Radio One DJ John Peel, Keith trying to get his favorite bands on the cover of the NME, the Mudhoney riot at the School of Oriental & African Studies in 1989 (where Mark Arm invited the entire audience onstage before the first note), cracking Green River, seeing Mudhoney's 2nd show opening for White Zombie, the brilliance and haphazardness of SubPop, Jack Endino asking the band if they really wanted to sound like they did while recording them, Mudoney saving SubPop's label at their lowest point, how Caroline records wanted to polish up Mudhoney, the follies of indie labels & the notion of selling out, Mark Arm as a world class lyricist, Keith visiting Seattle & interviewing Nirvana at the time they were kicking out Dan Peters of Mudhoney and replacing him with Dave Grohl, touring with Nirvana vs. Pearl Jam, the handheld camera tour footage of the band, Keith spending time in Mudhoney's childhood locations, Matt Lukin leaving the band and Guy Maddison replacing him, the obstacles and triumphs of continuing to making music for nearly 40 years and more!So let's collectively make the stage collapse on this week's episode of Revolutions Per Movie!!!Keith Cameron:https://keithcameron.co.uk/about-me/https://www.mojo4music.com/author/keith-cameron/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

In the early 1970s, legendary collaborator and self-proclaimed non-musician Brian Eno famously designed a deck of 115 cards containing elliptical imperatives to spark in the user creative connections unobtainable through regular modes of work. He called his creation "Oblique Strategies." For the past six decades, artists the world over in every artistic medium have used Eno's strategy while attempting to overcome a lull in creative output.In 2025, moody-melodramatic-mediocre yet somehow still award-winning* hobby podcasters and self-proclaimed Lightnin' Lickers Jay and Deon found themselves uninspired when contemplating the potential theme of their upcoming forty-fifth episode. Together, they decided... to default back to the alphabet. Because they have a reasonably solid grasp of the alphabet and how it works. They had previously utilized the letters A thru L, so naturally, they went with M.Sonic contributors to the forty-fifth episode of Lightnin' Licks Radio podcast include:  Brothers Johnson, M. M. Knapps, James Todd Smith, Tone Loc. Prince Paul, Camp Lo, Dynasty, Mary Jane Girls. Dire Straits, Uncle Tupelo, various Sesame Street characters, Crash Test Dummies. Emma Ruth Rundle, Marraiges, Drab Majesty, Ted Lucus. The bible, Mudhoney, Pearl Jam, Sir Mix-a-Lot. The Rolling Stones, Mantronix, Afrika Bambaataa, Beck, De La Soul. Big Daddy Kane, Crooklyn Dodgers, Q-Tip, Masta Ace. M.F. Doom, Metal Fingers. Ducks Deluxe, Tyla Gang, The Motors, Brinsley Schwartz, Leif Garrett, Homer Simpson. The Impressions, MC 900-ft Jesus, Curtis Mayfield, Martha and the Muffins, Romeo Void, M & M. DanielLineau, Maps & Atlases, Bandeau, La Rosa Noir, Dave Matthes Band. The Music Machine, Alice Cooper, The Association, Rick Springfield, Joe Walsh, Fleetwood Mac, Stevie Nicks & Lindsay Buckingham. Joe “Beans” Espisito, Harold Faltermeyer and Steve Stevens, The Main Ingredient, The Temptations, Seals & Croft, Stevie Wonder, Leon Ware. Alicia Keys, 21 Savage, J. Cole, and the Clockers.Please defend the rights of (y)our neighbors. Drink Blue Chair Bay responsibly. Stay warm and keep it in your pants.The Letter “M” mixtape: HEAR IT ON SOUNDCLOUD[side one] 1 mudhoney - night of the hunted 2 marth & the muffins - paint by number heart 3 the main ingredient - let me prove my love to you 4 the music machine - talk talk 5 masta ace  -nineteen ninety seventy something [side two] 1 the motors - forget about you 2 curtis mayfield - billy jack 3 marriages - skin 4 maps and atlases - vampires 5 mantronix - who is it [end]

In the early 1970s, legendary collaborator and self-proclaimed non-musician Brian Eno famously designed a deck of 115 cards containing elliptical imperatives to spark in the user creative connections unobtainable through regular modes of work. He called his creation "Oblique Strategies." For the past six decades, artists the world over in every artistic medium have used Eno's strategy while attempting to overcome a lull in creative output.In 2025, moody-melodramatic-mediocre yet somehow still award-winning* hobby podcasters and self-proclaimed Lightnin' Lickers Jay and Deon found themselves uninspired when contemplating the potential theme of their upcoming forty-fifth episode. Together, they decided... to default back to the alphabet. Because they have a reasonably solid grasp of the alphabet and how it works. They had previously utilized the letters A thru L, so naturally, they went with M.Sonic contributors to the forty-fifth episode of Lightnin' Licks Radio podcast include:  Brothers Johnson, M. M. Knapps, James Todd Smith, Tone Loc. Prince Paul, Camp Lo, Dynasty, Mary Jane Girls. Dire Straits, Uncle Tupelo, various SesameStreet characters, Crash Test Dummies. Emma Ruth Rundle, Marraiges, Drab Majesty, Ted Lucus. The bible, Mudhoney, Pearl Jam, Sir Mix-a-Lot. The Rolling Stones, Mantronix, Afrika Bambaataa, Beck, De La Soul. Big Daddy Kane, CrooklynDodgers, Q-Tip, Masta Ace. M.F. Doom, Metal Fingers. Ducks Deluxe, Tyla Gang, The Motors, Brinsley Schwartz, Leif Garrett, Homer Simpson. The Impressions, MC 900-ft Jesus, Curtis Mayfield, Martha and the Muffins, Romeo Void, M & M. DanielLineau, Maps & Atlases, Bandeau, La Rosa Noir, Dave Matthes Band. The Music Machine, Alice Cooper, The Association, Rick Springfield, Joe Walsh, Fleetwood Mac, Stevie Nicks & Lindsay Buckingham. Joe “Beans” Espisito, Harold Faltermeyer and Steve Stevens, The Main Ingredient, The Temptations, Seals & Croft, Stevie Wonder, Leon Ware. Alicia Keys, 21 Savage, J. Cole, and the Clockers.Please defend the rights of (y)our neighbors. Drink Blue Chair Bay responsibly. Stay warm and keep it in your pants.The Letter “M” mixtape:[side one] 1 mudhoney - night of the hunted 2 marth & the muffins - paint by number heart 3 the main ingredient - let me prove my love to you 4 the music machine - talk talk 5 masta ace  -nineteen ninety seventy something [side two] 1 the motors - forget about you 2 curtis mayfield - billy jack 3 marriages - skin 4 maps and atlases - vampires 5 mantronix - who is it [end]

DJ Jesse Luscious presents the World Debut of an unreleased Rites of Hadda tune from their upcoming "Inevitable Machete" release & adds Alt Blk Era, Big Audio Dynamite, Mikey Dread, & Rankin Roger (both with The Clash) to his Black Punk celebration (see last week for the full Black Punk show). He spins new tracks from Kicked In The Teeth, Wolfbrigade, The Noise, Phantom Corporation, The Wytches, London Clay, DFMK, Alkemia, Beauty (Philly), Superfang, Gimic, Dollar Store, Your Heterosexual Violence, Scene Killers, & KUTE, classics from Mudhoney, The Dwarves, War On Women, Henry Rollins, Maid Of Ace, The Dead Milkmen, Crazy & The Brains, Buzzcocks, Gang Of Four, Camper Van Beethoven, & The Rezillos, and the Luscious Listener's Choice!  Kicked In The Teeth- Wooden Gun Gimic- Irrational Demographic (edit) DFMK- Playa Nuclear Crazy And The Brains- Saturday Night Live Buzzcocks- Breakdown Rezillos- Top Of The Pops Rites Of Hadda- Middle England, Mate (edit) Dollar Store- At Such A Cost Wytches- Talking Machine Scene Killers- Mind Waste Your Heterosexual Violence- I Could Be With You Kute- Man On The Street Superfang- Sleeping Dogs Gang Of Four- Ether Alt Blk Era- Upstairs Neighbours Big Audio Dynamite- E=MC2 Clash (feat. Mikey Dread)- Rockers Galore UK Tour Clash (feat. Ranking Roger)- Rock The Casbah Dead Milkmen- Beach Party Vietnam Camper Van Beethoven- Take The Skinheads Bowling Noise- Have You Seen The Sun? Dwarves- Demonica Alkemia- 1+1 Mudhoney- Touch Me I'm Sick (edit) Henry Rollins- Followed Around Maid Of Ace- Energy Beauty- Enforced Phantom Corporation- Pound Of Flesh Wolfbrigade- Hostile Wasteland War On Women- Dick Pics London Clay- The Obelisk

Hoy 1 de noviembre en La Gran Travesía podréis escuchar a Kings of Leon, Buddy Holly, Love, RHCP, Slade, Mudhoney, Roxy Music... entre muchos otros. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo. Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas tiendas, Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, JBSabe, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

Experimental songforms, percussion, breakbeats, prepared piano, sound-art… LISTEN AGAIN to the art of sound… stream on demand at fbi.radio or podcast here. Not Drowning, Waving – Amaravot [Not Drowning, Waving Bandcamp] We’re starting with an Australian band who were really decades ahead of the ball with ambient pop, melding field recordings and live tapes with creative studio techniques, acoustic instrumentation, effects and electronics. Because of David Bridie‘s soft voice and slice-of-life lyrics, I feel Not Drowning, Waving were seen as less revolutionary than they really were – and yet when David released solo albums that emphasised songwriting over sonic creativity, the music media predictably celebrated his “maturity” and suchlike nonsense. I love David’s solo work, and the often-twee but always lovely work of the post-NDW acoustic ensemble My Friend The Chocolate Cake, but Not Drowning, Waving nevertheless hold a special significance. For many, their career higlight was the groundbreaking album Tabaran, much of which was recorded with musicians in Rabaul, Papua New Guinea including the remarkable vocalist Telek (now Sir George Telek MBE!). Their travels to PNG triggered the band’s strong sense of social justice, and they became tireless promoters of West Papuan independence. The song “Blackwater“, about the brutal suppression of independence for West Papua, is haunting and still as relevant today. Fast forward to now, and David Bridie & George Telek have been friends for more than half their lives. A concert performing Tabaran was put together early last year, celebrating 50 years of Papua New Guinean independence, and the band (including Telek) enjoyed being together so much that they created a whole album’s worth of new material. My dirty secret is that, despite the stunning highlights like “Blackwater”, I always preferred the albums before (Cold and the Crackle and Claim) and after it (Circus) in their catalogue because I wasn’t so into the Papuan stringband music. However, whether I’ve mellowed over the years (lol, lmao) or whatever it is, this new album feels wonderful from start to finish, and Telek is an integral member. What an achivement! I have no idea how it sounds to those who didn’t, to some extent, experience the band while they previously existed, but I hope they have an enduring legacy. On Diamond – It’s Me Calling [Eastmint Records/Bandcamp] Naarm/Melbourne’s On Diamond are the perfect example of indie pop done experimental. Frontwoman Lisa Salvo writes beautiful, touching songs that have slippery chord changes and deeply unusual arrangements created together by the band. Previous members, often involved in the more experimental end of Naarm’s music scene include the brilliant drummer/composer Maria Moles, drummer Joe Talia (who recorded & mixed the album), and guitarist/vocalist Hannah Cameron (who contributes backing vocals along with Aarti Jadu and others). Along with Salvo’s vocals, Jules Pascoe on bass, Myka Wallace on drums and Scott McConnachie on synths and those frequently demented guitar solos, the band itself now features the glittering harp of Genevieve Fry and the percussion of Australian legend Duré Dara, born in Malaysia to an Indian background, a celebrated restaurateur with Order of Austrlaia Medal as well as jazz musician and improvisor. That’s a loaded band, put in service of Salvo’s aforementioned songs, which take strange, sidelong looks at matters of grief, longing and the passing of time. In a better world we’d be hearing these songs on rotation all day, but you – yes you – have the power to fix that, in the palm of your hand. gushes – Game One [PTP/Switch Hit Records/Bandcamp] gushes – CUT [PTP/Switch Hit Records/Bandcamp] Trust PTP (aka Protect The Peace, fka Purple Tape Pedigree) to release one of the most bizarre & brilliant albums of the year (in conjunction with artist collective Switch Hit Records). Jennae Santos’ gushes presents an unrestrained amalgam of prog metal, psych rock, jazz & classical and electronic experimentation. But there’s more than just this: the album begins with voices talking in Tagalog, and influences from Indigenous Filipinx psychology and combat swirl around with land-sea ecologies, plant medicine and queer politics of decolonization… Delicious Collision is a fully-through-composed experimental rock opera, appropriately given Santos’ background (on top of everything else) in theatre, site-specific performance & dance. Agriculture – The Reply [The Flenser/Bandcamp] With The Flenser you know you’re going to expect dark, probably metal-adjacent music, and you know it’ll probably diverge from typical genre norms. Ecstatic black metal band Agriculture do indeed employ black metal’s tremolo guitars and blast beats to reach for altered states, but then the thunder gives way to a different kind of ecstasy at times – gorgeous harmonies and clean guitar? The last track on the album somehow combines it all together – blissful chugging blackgaze, and a fragile interlude of just voice and guitar. Channeling Zen Buddhism and social collapse alongside queer history & survival, The Spiritual Sound is easily among the albums of the year. sunn O))) – Raise the Chalice [Sub Pop/Bandcamp] So yeah, the southern lords of drone metal, sunn O))), have signed to Sub Pop, the little label that could. That’s the Sub Pop that was the centre of the Seattle sound, from Mudhoney & early Soundgarden to Nirvana – in fact Nevermind‘s profits, after their contract was bought out by Geffen, were what brought them back from early ’90s financial difficulties, and their (excellent) debut Bleach, which remained a Sub Pop release, was enough to keep the label chugging along for ages. The label pretty quickly expanded out of Seattle/grunge into all sorts of other areas, as diverse as Fleet Foxes, The Postal Service, and the greatest, Clipping. Still, the stentorian, rumbling noise of sunn O))) is an interesting step sideways, hopefully a great move for both parties. Their first EP for Sub Pop follows a 7″ (yes, two tracks under 6 minutes each!) back in 2023 for the Sub Pop Singles Club, but one side of this 12″ is the 14-minute “Eternity’s Pillars”, while the flip has 2 tracks each around 8 minutes – still pretty contained. The band for these tracks is the back-to-basics core duo of Greg “The Lord” Anderson and Stephen O’Malley, and the crushingly slow unison guitar/bass is by and large the totality of the sound, but I do love the disconcerting high-pitched flicker that rises through the last part of “Raise the Chalice”. Susannah Stark – Minor Gestures [Night School Records/Bandcamp/STROOM.tv/Bandcamp] When Utility Fog started back in 2003, folktronica was a genre of which I was very fond – but it was already pretty hazy as to what it was. Slightly glitchy hip-hop sampling acoustic instruments like Four Tet was what I thought, I guess, although when Tunng came on the scene literally later that year, it held a lot of similarity without quite being the same. And meanwhile The Books were doing studio-mediated music with acoustic instruments that somehow was something else entirely, despite arguably fitting the mould. So I love that in the years since, there have been untold different approaches to “folk” + “electronics”. On her new album Minor Gestures, Scottish musician Susannah Stark takes her Gaelic (Gàidhlig) folk music in experimental directions, which might involve drone passages on harmonium or modular synth, interpolated field recordings, or sample-based programming. The production touches only serve to heighten the sense of an arcane, otherworldly setting, as if being performed just out of sight or transmitted from a past-future. It’s quite a remarkable album. Haykal, Julmud, Acamol | هيكل، جلمود، أكامول – A'saab أعصاب [Bilna’es/Bandcamp] Cross-media artistic duo Basel Abbas and Ruanne Abou-Ramme formed the record label & publishing platform Bilna’es along with producer Muqata’a as a space for artistic expression & criticism in Palestine & beyond. Along with the amazing productions of Muqata’a, a highlight was the 2022 solo album from Julmud, Tuqoos | طُقُوس. Now Julmud teams up with label founder Abbas, the latter under the name Acamol (Arabic for Panadol/paracetamol), along with Palestinian rapper Haykal on a new album Kam Min Janneh | كم من جنّة (How Many Heavens). The beats, produced by Julmud & Acamol separately & together, present a glitched version hip-hop drawn from the music & percussion of the MENA region, while Julmud & Haykal swap verses evoking the life of dispossession under occupation, colonization & genocide. It bears mentioning that while the killing continues in Gaza despite the so-called ceasefire, settlers continue to violently disrupt the lives of Palestinians in the West Bank with impunity – destroying property, beating and killing people and blocking access to their own land. In that context, this is a powerful work of resistance and solidarity (and some injections of humour). As I’m writing this late, you can read Emad Al Hatu’s excellent article on fbi.radio, as this was made album of the week at the beginning of November. Mohammad Reza Mortazavi – Zendegi [Latency/Bandcamp] Mohammad Reza Mortazavi – Silent [Latency/Bandcamp] French label Latency have no interest in following any kind of expectations – they’ll flip from chamber jazz to minimal techno to post-classical to percussive bass. In 2019 they released the album Ritme Jaavdanegi by Berlin-based, Iran-born percussionist Mohammad Reza Mortazavi, and now Mortazavi is back on Latency with his new album Nexus. The previous album showcased Mortazavi’s incredibly detailed and complex rhythms on traditional Persian instruments – the tombak and daf. On Nexus, Mortazavi’s playing is just as accomplished, but he extends the percussion with electronic effects and his own voice. The music is full of an otherworldly sensation, of suspension in time and place. There’s an incredible 25-minute remix by Ricardo Villalobos of the track “Swamp” from this album, coming out on December 5th – don’t miss it! IKI – Regenerate [IKI Bandcamp] IKI – Dance [IKI Bandcamp] It’s a sure bet that anything involving Danish singer Randi Pontoppidan is going to be something unique, challenging and beautiful. While she hasn’t been a member of Scandinavian vocal ensemble IKI since the beginning, she’s a perfect fit for IKI’s improvisational, electronically-mediated style. Pontoppidan joined Danish, Norwegian & Finnish singers Anna Mose, Guro Tveitnes, Johanna Sulkunen and Kamilla Kovacs four or five years ago, and BODY is their most intimate album. It can sound extremely electronic at times, but even at their most sharply edited & granulated, every sound comes from the voices of the five women. The recorded works reflect the group’s interest in how life extends past the body, and explores how the women become one organism when performing together. george-i & Older Brother – To Be A Man [GRACE/Bandcamp] Portugal-based MC Darius Rodrigues aka Older Brother has been working with London producer George Harris aka george-i for ages. Now the duo have finally come out with the Warm Skin EP on Berlin-based DJ Katiusha‘s label GRACE. And these four tracks of trip-hop-inflected bass music do walk with grace, holding Older Brother’s lyrics about the state of the world, and – on this closing track – seeking a new, post-patriarchy definition of maleness. Sun People – Herbie’s Delay [All Things Records] Austrian producer Sun People has released some creative and hard-hitting jungle & drum’n’bass that hybridizes with footwork and techno. His All Things Records provides an avenue for music of all kinds, so his new LP Look Within isn’t tied to any tempo – faster or slower than 160bpm, with a few beautifully-produced beatless tracks too. But as with “Herbie’s Delay”, there’s still some creative, syncopated jungle/d’n’b to be found too. Hyperfocus – Sentinel [Machinist Music/Bandcamp] For his fifth release (in two years!) on Canadian drum’n’bass master John Rolodex‘s Machinist Music label, Hyperfocus brings beats precision-tooled in the Machinist Music labs with evocative atmospheres and restless basslines. This is where the jungle revival bleeds back into the d’n’b mainstream, and I’m here for it. San – In Plain Sight [Rua Sound/Bandcamp] Appearing for a third time on Dublin jungle/bass label Rua Sound is Bristol’s San, a slightly mysterious individual who is apparently a techno producer working under a separate alias. This is dark stuff for haunting rave dancefloors and lying on your back with headphones on. Constantly changing cut-up breakbeats, deadly deep subs and spooky atmos, taking the cyberpunk ethos of mid-’90s drum’n’bass and applying it to contemporary jungle. POL100 – TRIBE [early reflex/Bandcamp] Turin’s early reflex label brings as usual cutting-edge experimental bass & club music as part of their Eyes series of two-track EPs. Here’s Italian producer POL100 mutating jungle and techno into strange new shapes – it’s half drumfunk and half electro maybe? Well worth your time. Hello Psychaleppo – Al Wa6an | الوطن [Fake Lines/Bandcamp] Joy Moughanni – I Can’t Seem to Find it At Home | مش عم لاقيه بالبيت [Fake Lines/Bandcamp] The first release from non-profit label Fake Lines has launched itself with a mega compilation – 36 tracks over 3 vinyl LPs – called Fake Lines: Sono Levant. It’s packed to the brim with excellent music, gregarious with genre – it may lean towards electronic music but there’s folk, hip-hop and rock of a sort. There’s an emphasis on Levant artists, but the tracklist also reaches further afield to other MENA countries and more. Montreal-based Syrian DJ Hello Psychaleppo contributes some stuttering samples and bass heft, while Lebanese producer Joy Moughanni combines jagged almost-rhythms and sound design to impressive effect. Lone – Ascension.png [Greco-Roman/Bandcamp] I’ve had an on-and-off relationship with Lone‘s music, but new single “Ascension.png” combines chromed cyberpunk and fuzzy vaporwave with jungle and rave bliss, and that makes a winner. Kelly Moran – Chrysalis [Warp/Bandcamp] A year and a half after releasing her last album, Moves in the Field, Kelly Moran returns to her more familiar territory of chiming prepared piano and electronics, with an album that’s complementary to last year’s. For Moves in the Field, Moran took her piano compositions and programmed them into a Disklavier, a physical piano that can be played via digital programming. So Moran was able to perform alongside her digital copy, with dazzling patterns climbing up and down the keyboard. On Don’t Trust Mirrors, the sound is more uncanny – synths and prepared piano melting into each other – but the performances are more clearly human. And those familiar with the previous album will hear echoes of those pieces throughout. Quartz Sand – Chemical Sedimentary (excerpt 2) [Flaming Pines/Bandcamp] I was lucky to get to see Kate Carr & Cath Roberts playing together at a gallery in Hoxton, London back in May. Carr is an Australian sound-artist who runs the impeccable Flaming Pines label and is one of our finest proponents of field recording, as well as music made from non-musical objects; Roberts is an improviser and composer who has been working with the Lyra-8 synthesizer, an “organismic” synthesizer, whose 8 voices interact in non-linear ways along with some effects. The duo’s name, “Quartz Sand”, suggests minerals and inorganic matter (quartz is silicon dioxide, perhaps the most basic inorganic molecule), and the idea of the album’s title, Stratigraphy, is to imply a vertical structure – rather than a typical horizontal time-based structure – as primary. But don’t be fooled: these two near-half-hour pieces aren’t static at all. It’s just that the action happens often between the crinkly, whistly high frequencies and the gurgling, grinding bottom end. It’s like listening to a cross-section of the earth’s crust – in a good way. Lea Bertucci – Two Way Mirror [Cibachrome Editions] It should be well-known and universally acknowledged now that Lea Bertucci is one of the best sound-artist/composers of the last decade and a half. Whether site-specific works exploring & exploiting – for instance – the resonance of a hollow bridge in Köln (2020’s Acoustic Shadows), myriad works live-processing her own saxophone and other instruments, or her work with reel-to-reel tape machines, she’s a master of her craft. Recent times have seen a number of incredible collaborations from Bertucci: in 2022, she operated tapes & electronics around Robbie Lee‘s baroque & medieval instruments on Winds Bells Falls, while on Murmurations, her tapes were as prominent, but she also brought various wind instruments and her voice to the table, next to Ben Vida‘s synths & voice; and on her tectonic collaboration in 2023 with Brisbane’s own Lawrence English, cello, viola and lap steel guitar emerge as well. Earlier this year Lawrence’s ROOM40 released an astounding work of Bertucci together with another masterful sound-artist, Olivia Block. So needless to say her new album The Oracle is a tour de force, engaging her many instruments, field recordings and, importantly, her own voice, all filtered through tape manipulation and digital processing. Only on the last track are percussionists from the Wesleyan University Taiko Ensemble enlisted for a booming – yet obscured – finale. Of course, it’s not just technially interesting or impressive (although it is those things) – it’s also music that will draw you in and move you, despite the vocals being twisted into non-textual shapes. It’ll easily be high on my albums of the year list for 2025. Alexandra Spence – Magenta (with Delphine Dora) [Students of Decay/Bandcamp] Back to Sydney to finish, Alexandra Spence is another brilliant sound-artist who works with field recordings and found objects to tell a story about place and memory. Her last two albums (from 2022) arose from a fascination with oceans and waterways; the scope is wider here, from mountains to backyards, but the ecological and geological also interact here with the personal. As well as recordings of places and non-musical objects, Spence (a clarinettist) here uses sounds from Serge Modular synths and a custom-built lyre, and on tonight’s track, Spence also brings in the voice and instrumentation of French composer & musician Delphine Dora. Listen again — ~222MB

Lou's back from tour, he and Adelle are here to catch y'all up. 4-Track Man is fixed and back with another sluggish introduction. Lou talks Dinosaur Jr tour highlights (Built To Spill, Mudhoney, Babes in Toyland, Kurt Vile, etc), Adelle chats about her recent Wisconsin/Minnesota visit and guess which free-form, lo-fi podcast has an official gear endorsement??? US! Samson has joined the RAW impressions family! Thank You!WATCH on LouTubehttps://youtu.be/Ur9QSmBa8YgEven better we have our very first discount to offer our faithful listeners. Use code BARLOW for 15% off Samson Products.https://www.samash.com/ Speaking of TOUR! Lou's Solo Tour and Lou/Bobby Bare Jr song swap are coming up very soon. https://www.bandsintown.com/a/38301-lou-barlow?came_from=257&utm_medium=web&utm_source=home&utm_campaign=search_barYou have a couple more days to order some new t-shirts from our online store. We will reopen the online store when we have returned in Sept with any remaining merch.https://barlowfamilygeneralstore.com/https://barlowfamilygeneral.substack.com/join our Substack for so, so many extras.. including the new exclusive LP RAW from the POD #5 Hosted on Acast. See acast.com/privacy for more information.

It's hot! Damn hot! Especially here in the deep south of the USA, where we also add a layer of humidity for you to chew on. So, with that, the good Captain brings to you some swampy, creepy, backwater blues and southern gothic goodness that runs the gamut of rock n' punk n' metal! Go sit out on your front porch, grab your Sunday paper for fanning yourself, swat at those giant mosquitoes, and turn this episode up to 11. Get your swamp on!What is it that we do here at InObscuria? Well, we exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. This episode covers all 3 genres and all 3 categories. You could say this is a well-rounded and slimy episode. As always, we hope that we turn you on to something new.Songs this week include:Moki Bone – “Falling” from Swamp Rock Religion (2019)Mister Earthbound – “The Great Silence” from The Great Silence (2022)Chickasaw Mudd Puppies – “Preacher” from Fall Line (2023)Wolf Twin – “Easy” from Live From The 5 Spot (2023)The Double Agents – “Friends In Low Places” from Friends In Low Places (2002)Daisy's Little Secret – “Bad Way” from Swamp Rock (2008)Wizened Tree – “Give The Rain” from Rock N Roll From Tocantins (2019)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

DJ Jesse Luscious compares "Radio" songs by Rancid & Eastbay - イーストベイ, spins new Acapulco Lips, Sex Germs, Fishbone, Problem Patterns, Teenage Bottlerocket, Weathered Man And The Noise, Glowing Brain, The Planet Smashers, Madame Reaper And The Gentleman's Club, & The Dirty Nil, plays classics from Mudhoney, The Runaways, Neurosis, Flipper, The Minks, Adrenalin O.D., Lene Lovich, The Circle Jerks, Judge, Throw Rag, Los Fastidios, Leftovers, City Mouse, Jawbreaker, The Underground Railroad to Candyland, Negative Trend, Rubber City Rebels, Christ On Parade, Rose Tattoo, & Monty Python, and the Luscious Listener's Choice! Sex Germs- Breeder Sex Germs- In The News Throwrag- Rule Maker Problem Patterns- I'm Fine And I'm Doing Great Los Fastidios- Johnny And The Queer Boot Boys Leftovers- Telephone Operator City Mouse- Four Leaf Clover Adrenalin O.D.- Your Kung-Fu Is Old… And Now You Must Die!!! Adrenalin O.D.- AOD Vs Godzilla Teenage Bottlerocket- Post Mortem Depression Eastbay- Radio Rancid- Radio (Edit) Christ On Parade- Pressured To Succeed Neurosis- Day Of The Lords Mudhoney- Hate The Police Rose Tattoo- Scarred For Life Runaways- American Nights Monty Python- Constitutional Peasant Circle Jerks- American Heavy Metal Weekend Glowing Brain- Long Hair Punks Judge- The Storm Dirty Nil- Fail In Time Jawbreaker- Chesterfield King Acapulco Lips- The Flim-Flam Minks- David Watts Fishbone- All About Me Planet Smashers- Meet Me On The Dancefloor Madame Reaper And The Gentleman's Club- Feast (Edit) Lene Lovich- Lucky Number Weathered Man And the Noise- History Underground Railroad To Candyland- Body Of The Bird Rubber City Rebels- Born Dead Negative Trend- Black And Red Flipper- Sex Bomb  

This week, we lace up our Doc Martins and hike over to the Pacific Northwest to the home of GRUNGE! We discuss bands outside the usual suspects of Nirvana, Soundgarden, Alice In Chains, and Pearl Jam. Your hosts fondly remember this time, as we were young adults when the Seattle scene invaded all US rock n' roll avenues. In retrospect, this sounds like less of a movement and more of a melting pot of many of the genres that had been established in silos during the 70s and 80s. Don't think you like grunge? Then check this out!This episode features songs from bands outside the big 4 of grunge, but we don't think you'll be totally surprised. Many of these groups had similarities with the producers that were chosen, namely, Jack Endino. A perfect amalgam of punk, classic rock, and metal is right in Captain Content and Kevin's wheelhouse. As usual, we have a lot of fun reminiscing about this unique time in rock history. Jump on the hike with us to grab a Starbucks, and don't forget your flannel!Songs this week include:Green River – “Swallow My Pride” from Dry As A Bone / Rehab Doll (1987)The Nymphs – “Death Of A Scenester” from Nymphs (1991)Dig – “I'll Stay High” from Dig (1993)Mammoth Volume – “Matador” from Noara Dance (2000)Tripping Daisy – “Rocketpop” from I Am An Elastic Firecracker (1995)Coffin Break – “So Long To Reality” from Thirteen (1992)Smash Atoms – “Into The Light” from Smash Atoms (2024)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it: InObscuria Store

Howdy Folks, DJ Matador here, I Watched the latest Captain America movie what a piece of crap. That inspired the show, this is all anti Hollywood tracks. CGI is out of control, Theaters are over priced and they only make sequels. Gower talks movies and home repair and Matador talks the end of Secret trail brewing (RIP). This one rips and the opening track inspired the episode Buy the Gary Holt book.  Movies suck now, MATADOR Artist include: Public Enemy, Exodus, Mudhoney, Misfits, Runaways and many more.

The 1980s saw an explosion of independent record labels across the US, shaping the sound and spirit of underground music to this day. This week, Daniel House from Skin Yard and C/Z Records joins us as we dive into some of the finest labels whose DIY ethos, fearless experimentation, and raw energy broke away from the corporate music machine. One of the crucial American indie labels of the era was C/Z Records, the Seattle imprint that will forever be remembered as the second most important label in the burgeoning grunge scene. That being said, it was C/Z, not Sub Pop, who released the defining document of the new sound of the Pacific Northwest with 1986's Deep Six compilation - introducing Soundgarden, The Melvins, U-Men, Green River, Malfunkshun, and Skin Yard. Founded in 1985 by Chris Hanzek and Tina Casale, Skin Yard bassist Daniel House took over operation of C/Z in 1987, subsequently releasing music by Nirvana, Henry Rollins, Built To Spill, The Gits, Hammerbox, Presidents of the United States of America, 7 Year B---h, Coffin Break and many more. Skin Yard was a foundational band in the development of the grunge movement, not only due to the groundbreaking music they recorded between 1985 - 1991, but also the band members' other contributions to Seattle music. Aside from the aforementioned impact that House made with C/Z Records, guitarist Jack Endino would go on to produce and engineer some of the most enduring records of the era - including Nirvana's Bleach, and music by Mudhoney, Tad, Soundgarden, L7, and Screaming Trees. Lead singer Ben McMillan would form the band Gruntruck, and sadly passed away in 2008 at the age of 46. Drummer Matt Cameron is a world class musician who has been behind the kit for Soundgarden and, for the past 25 years, with Pearl Jam. Skin Yard Select is the brand new, limited collection of 14 songs loving curated by Daniel House and Jack Endino, culling tracks from their four studio albums, but also featuring enough rarities to please long-time fans. This beautiful package consists of seven individual 7" singles, each in their own sleeve and pressed on limited edition colored vinyl (or good ol' fashioned black). Get your copy now from https://skinyardselect.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The same year their Seattle cohorts made flannel globally sexy Mudhoney stayed local and loyal to their friends at Sub Pop and released Every Good Boy Deserves Fudge - an unrelenting pounder that sounds the beating heart of the Grunge Hunx Dynasty.

This week, new releases from The Hives and Carsi Blanton. Plus faves from Joy Division, Mudhoney, Fugazi and The Doors. Plus, who's that dueting with Peter Murphy? Roll up a couple for The Duane Strain! Rock. Mock. Dance. Laugh.

Blag Dahlia of the Dwarves returns to the show to talk about the upcoming release of the 1989 Dwarves album Sunshine, Lollipops and Rainbows for Record Store Day 2025 (unreleased until now!)BLAG/DWARVEShttp://www.thedwarves.comhttps://www.blagdahlia.comhttps://thedwarves.bandcamp.comhttps://www.instagram.com/thedwarveshttps://www.instagram.com/blag_dahliahttps://www.facebook.com/TheDwarvesPCHInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comCheck out the Power Chord Hour radio show every Friday night at 8 to 11 est/Tuesday Midnight to 3 est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.Special Thanks to my buddy Jay Vics for the behind the scenes help on this episode!https://www.meettheexpertspodcast.comhttps://www.jvimobile.com

Brisbane, Australia's The Saints are responsible for two of the greatest punk albums of all time, in 1977's '(I'm) Stranded' and 1978's 'Eternally Yours.' This November, look for “The Saints '73-‘78” to be touring North America, featuring original members Ed Kuepper and Ivor Hay, along with The Birthday Party's Mick Harvey, the Sunnyboys' Peter Oxley and Mudhoney's Mark Arm, in service of original lead singer Chris Bailey, lost to us in 2022. Additionally, there's a four-LP boxset version of the milestone debut album out, as well as a new solo album from Ed, done in conjunction with Jim White from the Dirty Three, called 'After the Flood.' Check out Goldmine author Martin Popoff interview The Saints guitarist/ vocalist/songwriter Ed Kuepper in a wide-ranging chat that looks at how The Saints dovetailed into the punk movement, along with a fair bit on each of the three albums covered by the upcoming tour, plus a look at the new solo album. We also touch upon the creative differences that led to Ed's split with Chris after the band's controversial third album, 'Prehistoric Sounds,' issued in October of 1978. Horns? Acoustic guitars? Surely The Saints didn't invent punk?! Learn more about your ad choices. Visit megaphone.fm/adchoices

DJ Jesse Luscious celebrates David Johansen (aka Buster Poindexter) painter, actor, and singer of New York Dolls, who just died a few days ago. He also highlights new and classic pop punk from The Riptides, Ramones, The Lillingtons, The Muffs, The Mr. T Experience, & Teenage Bottlerocket, new songs from Split Dogs, Putan Club, F. Emasculata, Bobbie Peru, The Crimes, Drug Church, & Autogramm, and classics from CH3, Middle-Aged Queers, The Fall, Jello Biafra With Melvins, Cyanide Pills, Mudhoney, Noose, The Heads, Carbon/Silicon, Nervous Twitch, The Chisel, Johnny Thunders And The Heartbreakers, Chelsea, & Joan Jett and the Blackhearts! Split Dogs- Precious Stones F. Emasculata- The Scully Effect/Paper Hearts Channel Three- You Make Me Feel Cheap Middle Aged Queers- Home Is Where Bobbie Peru- Psychopathic Cyanide Pills- Say It Out Loud Crimes- Fly In The Ointment Drug Church- Myopic Noose- The Weekend Joan Jett And The Blackhearts- TMI New York Dolls- Jet Boy New York Dolls- Private World Heartbreakers- I Wanna Be Loved Carbon/Silicon- The News Riptides- She's The Most Lillingtons- I Need Some Brain Damage Teenage Bottlerocket- Bloodbath At Burger King (edit) Ramones- Gimme Gimme Shock Treatment Muffs- Saying Goodbye Mr. T Experience- Psycho Girl (edit) Mr. T Experience- Spiderman Autogramm- Randy (Don't Screw Up) (Radio Edit) Nervous Twitch- Don't Be Mean Chelsea- Urban Kids Chisel- Not The Only One (edit) Heads- Could Be It Doesn't Matter Mudhoney- Here Comes Sickness Jello Biafra With Melvins- Dawn Of The Locusts- March Of The Locusts Deadverse Remix By Dälek Putan Club- Galoo Sahara Laleet El Aeed Fall- Tempo House

What's the best way to get sick as an adult? This week, Aaron, Joey, and Jess talk about historically un-sick parents, hyper-individualistic cultures, COVID, community health, personal comfort vs. social responsibility, and rest. They don't talk about Mudhoney. references Los Angeles Disaster Support Masterlist Mother Jones: Wildfire Smog Is Deadly—But LA's Covid Mask Organizers Have It Covered Reddit: How Sick Day Culture Differs Around the World Parenting in an Individualistic Culture with a Collectivistic Cultural Background: The Case of Turkish Immigrant Families with Toddlers in the Netherlands Eisenhower Matrix If I send you this, it means I'm not going. 

Coming in at number 20 on Rolling Stones Greatest Grunge Albums list is the 1987 Green River EP, Dry As A Bone. Joining Bakko this EP Is the host of the Rock & Or Roll Podcast, BJ Kramp. Dry As A Bone is a precursor of the Seattle scene featuring members that would go on to form the bands Pearl Jam & Mudhoney . Bakko & BJ go track by track and discuss the history and making of this record and it's importance in to the eventual Grunge explosion. #Grunge About Whatever, Nevermind Whatever, Nevermind is a 25 part podcast by Bakko of Cobras & Fire counting down the 25 Greatest Grunge albums according to Rolling Stone. Each Episode features a special guest host from the Podcast Community. In addition to the 25 album episodes will be bonus interviews from the people responsible for the music. Featuring artists, producers record label execs and more. Whatever, Nevermind Archive: https://cobrasandfire.com/category/podcast/whatever-nevermind Pantheon Podcasts https://open.spotify.com/show/1MQIGBGYdRgjE7ThmfwdW9 https://iheart.com/podcast/255319888/ https://www.pandora.com/podcast/whatever-nevermind-a-grunge-podcast/PC:1001096816 https://deezer.com/show/1001525961 https://podcasts.apple.com/us/podcast/whatever-nevermind-a-grunge-podcast/id1789046419 https://music.amazon.com/podcasts/53272646-10d8-47b7-bcac-10a6105ba7b4 Reach out to us! Rate, review, and subscribe at Apple Podcasts: Cobras & Fire: Comedy / Rock Talk Show on Apple Podcasts Join our fanpage on Facebook: (2) Cobras ON Fire: Private Group | Facebook Click like and follow on Facebook: (2) Cobras & Fire: Rock Podcast | Chicago IL | Facebook Follow us on Instagram Follow us on Threads: @cobrasandfirepodcast • Threads, Say more Subscribe to our YouTube channel: Cobras & Fire Rock Podcast - YouTube Follow us on Bluesky: Cobras & Fire Podcast (@cobrasfirepodcast.bsky.social) — Bluesky Email us: Buy a shirt!:"Cobras and Fire Podcast" T-shirt for Sale by CobrasandFire | Redbubble | cobras and fire t-shirts - cobras fire t-shirts Stitcher: Cobras & Fire: Comedy / Rock Talk Show on Stitcher Spreaker: Cobras & Fire: Comedy / Rock Talk Show | Listen to Podcasts On Demand Free | TuneIn Find it all here: Cobras and Fire Podcast - Comedy Rock Talk Show Learn more about your ad choices. Visit megaphone.fm/adchoices

Janice Headley dives into Eternally Yours by The Saints. (In his list, Kurt wrote the name of a single from the album, “Know Your Product.”) This is the story of how The Saints brought punk from “down under,” featuring exclusive insights from founding guitarist Ed Kuepper and Mudhoney’s Mark Arm, who has been filling in for the late Saints frontman Chris Bailey in recent shows. Hosts: Dusty Henry and Martin DouglasWritten and produced by: Janice HeadleyAudio mixing and mastering: Roddy NikpourPodcast manager: Isabel KhaliliEditorial director: Larry Mizell Jr. Support the podcast: kexp.org/cobainSee omnystudio.com/listener for privacy information.

Jason and Paul are joined by Pearl Jam Radio's Rob Bleetstein, KROQ's Nicole Alvarez, and engineer/mixer Brett Eliason to look back Pearl Jam's unique 4+ hour syndicated radio broadcast Self-Pollution Radio.The show, hosted by Eddie Vedder with Pearl Jam bandmates Jeff Ament and Stone Gossard featured live performances from Pearl Jam, Mudhoney, Soundgarden, Fastbacks, Mad Season and more plus a bespoke playlist of studio cuts of bands rarely seen on radio including early demos from Dave Grohl.The tone spotlit activism, change, and awareness including, but not limited to, women's rights.It was a significant moment in Pearl Jam (and radio) history and began a tumultuous yet definitive year for the band.Donate to help the LA fires recovery efforts:LA Fire Dept Foundation: https://supportlafd.kindful.comWorld Central Kitchen: https://donate.wck.org/give/499865/?_gl=1*1wcn6f8*_gcl_au*MTg3Mjg5NDM0Ny4xNzM2NjE5MjMy*_ga*MTQ4OTI2NzUwMi4xNzM2NjE5MjMy*_ga_5WKVY8503C*MTczNjcwODA4NS4yLjAuMTczNjcwODA4NS42MC4wLjA.#!/donation/checkout?c_src=navbarAmerican Red Cross: https://www.redcross.org/donate/donation.html/Donate to our January 2025 fundraiser benefitting OUR Rescue to stop human & sex trafficking: https://www.instagram.com/linking/fundraiser?fundraiser_id=790324139948661&source_name=SHARE_LINKThe biggest donator gets a 90 Original shirt and patch. 90 lost everything in the Palisades fire and their owner is a friend. Let's do two great things at once!Buy Podcast MerchBecome a PatronWatch Us on YouTubeFollow Us on InstagramFollow Us on FacebookFollow Us on Twitter Hosted on Acast. See acast.com/privacy for more information.

Part 1 of my conversation with guest Phil Stacey about our favorite concerts.  Show notes: Cold weather running tips What makes a great concert? Small shows vs. stadiums Hard to pare down the list Limited to one show per artist Good idea for a sequel involving a time machine Phil leaned toward larger shows Didn't include: R.E.M., the Cure, Sleater-Kinney, Drive-By Truckers, Tedeschi Trucks Band  Jay: Prefer the intimacy of club shows We were at the same shows before we knew each other Phil: First concert was Van Halen in 1986 Setlist.fm is a great resource MTV's Saturday Night concerts Jay's first show was a festival show in Kingston, NH with Cheap Trick, Ratt, Twisted Sister and Lita Ford in 1984 Jay: Not a fan of festival shows anymore Adventures in seeing Rush Jay: Didn't see R.E.M. when they played my college  Other favorites: PJ Harvey, Hot Snakes, Lollapalooza '92, Afghan Whigs, Soundgarden, Mudhoney, Drive-By Truckers, Alice in Chains/Screaming Trees, Peter Gabriel, White Stripes, Hold Steady, Mission of Burma, Gord Downie To be continued Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

This week, we are joined by New Zealand musician & composer LUKASZ PAWEL BUDA (Hunt For The Wilderpeople; The Phoenix Foundation), who picked the Dave Markey music documentary 1991: THE YEAR PUNK BROKE to discuss. We talk about discovering Nirvana & Sonic Youth, what it's like for Luke to compose music for director Taika Waititi's films, 1991's director Dave Markey's history with SST records, Luke taking the teenage trek to see grunge bands live and does Pearl Jam count as a grunge band, how this movement captured in the film eventually became a world wide sensation, the Sonic Youth Goo VHS tape, Thurston's stream of conciousness rants in the movie, the start of documenting everything with film & video, how Sonic Youth did not come off as goofballs on their albums but did in their videos, Meat Puppets Up On The Sun, the Sub-Pop situation, selling out, Jawbreaker, what was selling out in New Zealand like, Flying Nun Records, Bad Moon Rising, the ceiling of the underground, Nirvana's Bleach, hearing Smells Like Teen Spirit for the first time, Chris's Sub-Pop band playing with Mudhoney and Nirvana the day their album went gold, seeing Sonic Youth wearing shorts, The Crucifucks, Steve Shelley's drumming, Markey's knack of knowing where to film at any given moment, the incredible coolness of Kim Gordon, how the film gloriously shows how Sonic Youth actually made these songs come to life, how impressive it is that Sonic Youth could still hold onto what made them singualr while moving into a more accessable world, Miles Davis' Bitches Brew, how Nirvana ecplised Sonic Youth's popularity by the time this film came out, Courtney Love, the overwhelming Redding Festival lineup that year, how the Super 8mm format enhanced the film, blind spots in musical cultutre, The Pixies and the melancholy that happens as your tour ends.So grab the tiny mic and scream straight into the camera on this week's episode of Revolutions Per Movie!!!LUKASZ PAWEL BUDA:https://thephoenixfoundation.bandcamp.comhttps://www.monikermusic.nethttps://lukebuda1.bandcamp.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Charlamos sobre el disco 'Ten' del Pearl Jam, con Miguel Ballester como invitado. Miguel Ballester es un baterista de Sant Boi (Barcelona) y el creador de la escuela online Quientocaque.com. En sus veinte años de carrera ha colaborado con artistas como Dani Flaco, Daniel Higiénico, Lichis (La Cabra Mecánica), Hugo Salazar, Cesk Freixas, Carlos Ann, Lucas Masciano, Alessio Arena, Carlos Chaouen, Alejandro Martínez, Alice & The Wonders o Gnaposs, entre otros. Miguel es también coautor del libro de transcripciones del disco ‘La noche eterna, los días no vividos' de Love Of Lesbian junto a Oriol Bonet, el baterista de la banda. En esta primera parte, Miguel y yo hablamos sobre: La vibrante comunidad musical que había en Seattle a finales de los ochenta y principios de los noventa. Cómo el guitarrista Stone Gossard y el bajista Jeff Ament formaron Pearl Jam de las cenizas de Mother Love Bone tras la muerte de su cantante, Andrew Wood. Los orígenes de Eddie Vedder y su viaje de ida de San Diego a Seattle. El rock de los setenta como influencia fundamental en Pearl Jam. La colaboración entre miembros de Pearl Jam y Soundgarden para grabar ‘Temple of the Dog'. La irrupción de la música ‘grunge' y el rock alternativo en el ‘mainstream'. Y por el camino nos encontramos con Chris Cornell, Alice In Chains, Nirvana, Mudhoney, Sonic Youth, The Who, Deep Purple, REM, Blind Melon, Faith No More, The Doors, Neil Young, los Simpson y la Game Boy. Si quieres participar en la elección de los discos que tratamos en el podcast, ¡visita discoprestado.com y date de alta en mi lista de correo! La música original de 'Disco prestado' forma parte de mi EP 'The Entertainer', disponible en todas las plataformas y marcaliana.com/musica Contacto: discoprestado@proton.me ¡Salud y buena música! Marc Aliana marcaliana.com

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Ed Kuepper and Mudhoney's Mark Arm from The Saints '73-'78 discuss the new (I'm) Stranded box set, how they'd never ever met in person (at the time we recorded this), why Mark was asked to sing in the Saints and what the band has meant to him, how the Saints got started and their early interest in Elvis, Beatles, and the Rolling Stones, why AC/DC and their success in Australia didn't much motivate the Saints, how Mark first heard the Saints and whether or not they're unheralded, why Ed and Mark's music strikes a good balance between aggression and humour, what's special about this box set, an Ed and Jim White collaboration, what's next for the Saints and Mudhoney, tour dates, other future plans, and much more.Support vish on Patreon! Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters to Santa. Follow vish online.Related episodes/links:Ep. #919: Oren AmbarchiEp. #913: QuiversEp. #910: The Hard QuartetEp. #866: Jim White and Marisa AndersonEp. #849: Jim White and Guy PicciottoEp. #764: MudhoneyEp. #642: Warren EllisEp. #323: Nick Cave and Warren EllisSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Dusty Henry dives into Tales of Terror by Tales of Terror. Their run was short and marked with tragedy, but their influence has kept their music alive for generations — from the local Sacramento scene to other bands like Mudhoney and Nirvana.  Hosts: Dusty Henry and Martin DouglasAudio producers: Dusty Henry and Roddy NikpourPodcast manager: Isabel KhaliliEditorial director: Larry Mizell Jr.  Support the podcast: kexp.org/cobainSee omnystudio.com/listener for privacy information.

No 'blurred lines' in this 2013 episode - just deep cuts from the likes of Courtney Barnett, Mudhoney, Phoenix, Melody's Echo Chamber and These New Puritans. Learn more about your ad choices. Visit megaphone.fm/adchoices

Yes, this is our last foray into the 'Dark Side of the 90s' Vice series. In keeping with the total and complete theme of FG itself, we just had to talk more about the birth of the Seattle sound and Sub-Pop records. This episode focuses more on the independent label scene and just how corporations really tried to ruin everything. At least there is a silver lining in the fact that Sub-Pop is still kicking as a label and has become a cultural touchstone to the city of Seattle. This episode talks to Bruce Pavitt (Sub-Pop co-founder), Charles Peterson (photographer), and others to get a more complete picture. Link to watch the episode: https://www.dailymotion.com/video/x83x9km*first on Patreon March 2022----Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon! Hosts: Lauren @lauren_melanie & Jai @jai_stylefactoryFollow Fashion Grunge PodcastFind more Fashion Grunge on LinktreeJoin me on Substack:  The Lo Down: a Fashion Grunge blog/newsletter☕️ Support Fashion Grunge on Buy Me a Coffee: https://www.buymeacoffee.com/fashiongrunge

695 Mudhoney - Every Good Boy Deserves Fudge

This week, we talk to CRAIG FINN of THE HOLD STEADY & 'That's How I Remember It' podcast about the legendary cult classic ROCK 'N' ROLL HIGH SCHOOL! We discuss how discovering THE RAMONES is a young person's game, reading THRASHER magazine in the school library, not knowing what bands sounded like, KTEL record complitaions and ROCK 80 LP, the Summer of 1980 AM Rock Radio, Craig seeing STYX's KILROY WAS HERE tour, vomiting at a DEVO show, $1.92 new wave shows, fantasing about where bands are getting coffee in your hometown when they come through on tour, the VHS release of the film, ROAD TO RUIN LP, Craig getting guitar lessons from punk legend Chris Osgood of The Suicide Commandoes, the singleminded yet 4 headed songwriting beast that was THE RAMONES & the cultish nature of the band, Joe Dante's script, how producer ROGER CORMAN wanted to cut out the middle of The Ramones songs, DISCO HIGH, teaching the Ramones to walk in the film, staying overnight to get concert tickets, getting punished by your parents by them forcing you to go see a LAURIE ANDERSON concert, our big Ramones regrets, the trouble with filmming the Ramones' live footage and how it almost started a riot, learning about Chicken Vindaloo through the band's song lyrics, getting the courage to go to a punk rock show, Violent Femmes, our first punk/new wave show we went too, clove cigarettes, The Replacements, ticket prices vs. record prices, under attended hardcore matinee shows, Clint Howard, PJ Soles & Vince Van Patton, does the movie hold up as a cult film, High School permanent records, how the soundtrack turned us on to the MC5 and ENO and the search for those records, Mudhoney & Tad, how the film smartly adds more and more Ramones to the film as it goes on, the Americana side of the Ramones, what Ramones lyric would Craig wished he had written and what lyric of his is the most Ramones, what would a Roger Corman produced Hold Steady movie consist of and what role Clint Howard would play in it and so much more!!!So, let's tear up our permanent records on this episode of Revolutions Per Movie!!!CRAIG FINN:https://craigfinn.net/https://theholdsteady.net/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Mia Zapata and the Gits: A True Story of Art, Rock and Revolution (Ferel House, 2024) by Steve Moriarty, shares the story of the Seattle based The Gits and their charismatic front person Mia Zapata. The Gits were on the verge of international rock stardom but on July 7, 1993, days before their third US tour, Mia Zapata, The Gits 27-year-old singer-songwriter, was brutally assaulted and murdered by a stranger. Zapata's death sent chilling ripples through progressive communities throughout the United States. She became a cause-celebre for women's rights activists outraged by the brutal killing and lack of law enforcement support.  This book reclaims Zapata's story to focus on the art she and The Gits created and not her tragic end. Much has been written and said about her murder, yet Zapata's life and work remain overshadowed by the circumstances of her death. Zapata's friend and bandmate, Steve Moriarty, tells her story--and the story of their band, The Gits--from their first meeting in 1985 to their last goodbye. Moriarity and Zapata met in 1985 as first-year students at Antioch College, where they discovered the power of punk rock and found an outlet for their progressive ideas through music. Zapata, Moriarity, and fellow students Matt Dresdner and Andy Kessler attended a show by San Francisco punk legends Dead Kennedys that inspired the friends to start a band fueled by Mia's provocative lyrics. They quickly gained critical praise and dedicated fans.  Moriarty details their struggles as newcomers to the then-pre-tech outpost of the Seattle music scene. Interspersed are the tales Zapata told of her legendary ancestor, Mexican revolutionary Emiliano Zapata, to entertain the band as they spent countless hours on the road crammed into a single un-air-conditioned van touring the US and Europe. They shared stages with Beck, Nirvana, Mudhoney, Joan Jett, Bikini Kill, L7, and more--all who expected Mia and The Gits to be the next "big thing." The Gits's story is more than a biography; it's a testament to the ability of artists and musicians to challenge the status quo and the power of friendship to change the world. Moriarty reframes the sensationalist story as he shares his personal narrative and presents, with intimacy, grit, and humor, the lived experience of The Gits and his dear friend, Mia Zapata. Included are never before seen paintings, letters, and pictures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Mia Zapata and the Gits: A True Story of Art, Rock and Revolution (Ferel House, 2024) by Steve Moriarty, shares the story of the Seattle based The Gits and their charismatic front person Mia Zapata. The Gits were on the verge of international rock stardom but on July 7, 1993, days before their third US tour, Mia Zapata, The Gits 27-year-old singer-songwriter, was brutally assaulted and murdered by a stranger. Zapata's death sent chilling ripples through progressive communities throughout the United States. She became a cause-celebre for women's rights activists outraged by the brutal killing and lack of law enforcement support.  This book reclaims Zapata's story to focus on the art she and The Gits created and not her tragic end. Much has been written and said about her murder, yet Zapata's life and work remain overshadowed by the circumstances of her death. Zapata's friend and bandmate, Steve Moriarty, tells her story--and the story of their band, The Gits--from their first meeting in 1985 to their last goodbye. Moriarity and Zapata met in 1985 as first-year students at Antioch College, where they discovered the power of punk rock and found an outlet for their progressive ideas through music. Zapata, Moriarity, and fellow students Matt Dresdner and Andy Kessler attended a show by San Francisco punk legends Dead Kennedys that inspired the friends to start a band fueled by Mia's provocative lyrics. They quickly gained critical praise and dedicated fans.  Moriarty details their struggles as newcomers to the then-pre-tech outpost of the Seattle music scene. Interspersed are the tales Zapata told of her legendary ancestor, Mexican revolutionary Emiliano Zapata, to entertain the band as they spent countless hours on the road crammed into a single un-air-conditioned van touring the US and Europe. They shared stages with Beck, Nirvana, Mudhoney, Joan Jett, Bikini Kill, L7, and more--all who expected Mia and The Gits to be the next "big thing." The Gits's story is more than a biography; it's a testament to the ability of artists and musicians to challenge the status quo and the power of friendship to change the world. Moriarty reframes the sensationalist story as he shares his personal narrative and presents, with intimacy, grit, and humor, the lived experience of The Gits and his dear friend, Mia Zapata. Included are never before seen paintings, letters, and pictures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Mia Zapata and the Gits: A True Story of Art, Rock and Revolution (Ferel House, 2024) by Steve Moriarty, shares the story of the Seattle based The Gits and their charismatic front person Mia Zapata. The Gits were on the verge of international rock stardom but on July 7, 1993, days before their third US tour, Mia Zapata, The Gits 27-year-old singer-songwriter, was brutally assaulted and murdered by a stranger. Zapata's death sent chilling ripples through progressive communities throughout the United States. She became a cause-celebre for women's rights activists outraged by the brutal killing and lack of law enforcement support.  This book reclaims Zapata's story to focus on the art she and The Gits created and not her tragic end. Much has been written and said about her murder, yet Zapata's life and work remain overshadowed by the circumstances of her death. Zapata's friend and bandmate, Steve Moriarty, tells her story--and the story of their band, The Gits--from their first meeting in 1985 to their last goodbye. Moriarity and Zapata met in 1985 as first-year students at Antioch College, where they discovered the power of punk rock and found an outlet for their progressive ideas through music. Zapata, Moriarity, and fellow students Matt Dresdner and Andy Kessler attended a show by San Francisco punk legends Dead Kennedys that inspired the friends to start a band fueled by Mia's provocative lyrics. They quickly gained critical praise and dedicated fans.  Moriarty details their struggles as newcomers to the then-pre-tech outpost of the Seattle music scene. Interspersed are the tales Zapata told of her legendary ancestor, Mexican revolutionary Emiliano Zapata, to entertain the band as they spent countless hours on the road crammed into a single un-air-conditioned van touring the US and Europe. They shared stages with Beck, Nirvana, Mudhoney, Joan Jett, Bikini Kill, L7, and more--all who expected Mia and The Gits to be the next "big thing." The Gits's story is more than a biography; it's a testament to the ability of artists and musicians to challenge the status quo and the power of friendship to change the world. Moriarty reframes the sensationalist story as he shares his personal narrative and presents, with intimacy, grit, and humor, the lived experience of The Gits and his dear friend, Mia Zapata. Included are never before seen paintings, letters, and pictures. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Michael A talks to one of the pioneers of Grindcore, metal legend Scott Carlson, bassist and singer of the influential band that almost wasn't, Flint's own Repulsion. They talk about meeting in the 80s and bonding over Redd Kross, Mudhoney and Mother Love Bone, Scott spins tales of metal madness, failure and surprise delayed success, and they're left with more questions than answers about Faygo Rock 'n' Rye. Will Repulsion make another album? Scott has an answer. Flint is one of the most unique cities in the world, with a vibe and a heart like no other. Any musician who plays here is somehow transformed by it. This podcast explores the experiences of those musicians, visitors or native Flintoids, both onstage and off. We'll check out some of their music, look at their history in my hometown of Flint, and have a few laughs along the way. We call it The Flint Connection. More Michael A/Albadore content here: ⁠https://linktr.ee/albadore⁠

The Saints made history with the record "(I'm) Stranded" in 1976 - nearly 50 years later founder/songwriter Ed Kuepper is revisiting the early Saints material with some old bandmates and new friends, including Mark Arm of Mudhoney. Today Ed and Mark discuss the impact and legacy of The Saints with an upcoming tour and 4LP Boxset. Topic Include: How did Ed and Mark come to work together? How did Mark originally experience The Saints? Prehistoric Sounds didn't make it to the US Did Sire get behind The Saints? Promo copies of “Eternally Yours” seem to be plentiful Choosing “(I'm) Stranded” and “No Time” for the Fatal Records single Recording session for “(I'm) Stranded” & “No Time” Was there a 2nd mix before making the Fatal records single? Master tapes and multitracks have been lost Were there test pressings of the Fatal Records single? Sending singles around the world, getting 1st reviews Getting telegrams from record labels across the world Rare contents of the upcoming Saints boxset Original mix of the “(I'm) Stranded” LP – test pressings and remix The album was recorded in the same studio as the single Potential for technology to separate the instruments of the “(I'm) Stranded” single EMI's response to the updated album mix Mark's feeling good about upcoming tour The Saints Paddington Town Hall show recording Playful rivalry with Radio Birdman Ed and Chris Bailey were on good terms and jointly planning the boxset and reissues Present day contact with Kym Bradshaw Any discussion of Saints shows beyond the Australian dates? Will Mark be singing only or possible guitar as well? Hard-Ons version of “Know Your Product” The additional photography in the Saints boxset The original name of the album was “Erotic Neurotics” with a different cover Memories of the photo of The Saints and Nick Cave from Melbourne The status of the album cover location and artwork Interview wrap-up Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Jason and Paul welcome acclaimed graphic artist and cartoonist, Ward Sutton, to the program to talk about his success as a political cartoonist as well his alter ego for The Onion, Stan Kelly. Oh - and of course - Ward will illuminate the guys on the stories behind some of his most iconic gig posters for Mudhoney and Pearl Jam.Please consider donating to our July 2024 fundraiser benefitting American Foundation for Suicide Prevention. Donate right HERE and if you donate the most money you'll receive a 2012 Prague Pearl Jam poster courtesy of this episode's guest, Ward Sutton.Support Ward directly here:Posters & PrintsTshirts & apparelBecome a PatronWatch Us on YouTubeFollow Us on InstagramFollow Us on FacebookFollow Us on TwitterJoin the PJ Pod community Hosted on Acast. See acast.com/privacy for more information.

En este episodio, analizaremos discos fundamentales en la escena musical del noroeste estadounidense con Superfuzz Bigmuff de los originarios de Seattle, Mudhoney; no uno, sino tres discos de los vecinos de Portland, Wipers: Is This Real?, Youth of America y Over The Edge; y Jamboree, el icónico álbum de Beat Happening de Olympia. También exploraremos el puente intercontinental creado por estos álbumes y cómo las experiencias de Sub Pop y K Records inspiraron sellos independientes en todo el continente. Como bonus, celebraremos el 35º aniversario del álbum debut de Nirvana, Bleach, que no solo marca el comienzo de la banda que llevaría este sonido al mainstream, sino que también sirve como un mapa sonoro para toda una generación. Jack Endino, productor del álbum, se une a este episodio para contar la historia completa desde ambos lados del Pacífico, confirmando que Seattle y Chile tienen mucho más en común que solo un continente compartido. Agradecimientos especiales: Aldo Benincasa, baterista de la banda chilena de rock psicodélico The Ganjas Samuel Maquieira, guitarrista de The Ganjas y Yajaira Ejival, director del sello discográfico Static Discos con sede en Tijuana, México Luis Alvarado, fundador y director de Buh Records, un sello con sede en Lima, Perú Rodrigo Herbage, director de Sello Fisura en Chile Félix Sisti Ripoll, miembro de la banda 107 Faunos y del sello discográfico Discos Laptra de Argentina Esli Meuly, guitarrista y vocalista de la banda de Seattle Muñeca Jack Endino, productor discográfico, ingeniero de grabación y masterización, mezclador y músico de Seattle Equipo: Host: Albina CabreraAssistant Producer: Gisela Casa MadridEditor: Dusty HenryProductor de audio: Roddy NikpourPodcast manager: Isabel KhaliliDirector editorial: Larry Mizell Jr.Apoya este podcast: kexp.org/elsonidoSupport the show: http://kexp.org/elsonidoSee omnystudio.com/listener for privacy information.

Dusty Henry and Martin Douglas dive into the three albums by the Portland band Wipers, the band with the most entries on Kurt's list (unless you count "anything by Kleenex"). Greg Sage's melodic punk riffs not only inspired Nirvana, but also other Northwest bands before them, including The Melvins and Mudhoney.  Hosts: Dusty Henry and Martin DouglasAudio producers: Dusty Henry and Roddy NikpourPodcast manager: Isabel KhaliliEditorial director: Larry Mizell Jr.  Support the podcast: kexp.org/cobainSee omnystudio.com/listener for privacy information.

Dusty Henry dives into Superfuzz Bigmuff by Mudhoney, whose debut represents the culmination of ideas that we now categorize as “grunge.” Nirvana picked up the grunge baton from Mudhoney and carried it to the finish line.  Hosts: Dusty Henry and Martin DouglasAudio producers: Dusty Henry and Roddy NikpourPodcast manager: Isabel KhaliliEditorial director: Larry Mizell Jr.  Support the podcast: kexp.org/cobainSee omnystudio.com/listener for privacy information.

Captain Content laced up his Doc Martins and led us over to the Pacific Northwest to the land of everything GRUNGE! How is it possible that we are on our 6th ep in this series and we still haven't played a single note of Nirvana, Soundgarden, Alice In Chains, and Pearl Jam??? Listen along as we uncover the depth of the Seattle scene that invaded the rock n' roll world over 30 years ago. This episode features songs from bands outside the big 4 of grunge, or the Seattle sound, or whatever you want to call that stuff that happened in the early 90s. A perfect amalgam of punk, classic rock, and metal is right in our wheelhouse. We have a lot of fun reminiscing about this unique time in rock history. Grab a Starbucks, put your flannel on, and join us on the trek!Songs this week include:Bakers Pink – “Euphoria” from Bakers Pink (1993)Bundle Of Hiss – “Fire Place” from Sessions: 1986-1988 (2000) Loudermilk – “Tooth For A Tooth” from Man With Gun Kills Three! (1998)Truly – “Strangling” from Fast Stories… From Kid Coma (1995)Alcohol Funnycar – “Try To Understand” from Time To Make The Donuts (1993)Daddy Hate Box – “Edge” from Sugar Plow - EP (1990)Econoline Crush – “Nowhere Now” from Affliction (1995)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

In Episode 250, Sean and Andy take it back to the early days of grunge when they talk to Craig Montgomery, the front of house engineer for Nirvana. He details mixing and managing small tours and festivals in a van with Kurt, Dave, and Krist from 1989 to 1993 as well as going on to tour manage for Hole, and mix and tour manage other well-known artists including TAD, Mudhoney, Weezer, and The Presidents of the United States. This episode is sponsored by Allen & Heath and RCF.After getting off the road, Craig settled back home in Seattle, where he had a nearly 15-year tenure as the house sound engineer for famed venue The Triple Door, which he's only recently retired from. And, as always, there are lots of useful tips and tricks scattered in with all the amazing history Craig has to share, so you'll definitely want to give this one a listen!Episode Links:Craig Montgomery Reddit AMAPhotos From The Nirvana Days99 Percent Invisible: “Whomst Amongst Us Let The Dogs Out”American Songwriter: Nirvana Sound Engineer Craig Montgomery Shares Stories About the BandEpisode 250 TranscriptBe sure to check out the Signal To Noise Facebook Group and Discord Server. Both are spaces for listeners to create to generate conversations around the people and topics covered in the podcast — we want your questions and comments!Also please check out and support The Roadie Clinic, Their mission is simple. “We exist to empower & heal roadies and their families by providing resources & services tailored to the struggles of the touring lifestyle.”The Signal To Noise Podcast on ProSoundWeb is co-hosted by pro audio veterans Andy Leviss and Sean Walker.Want to be a part of the show? If you have a quick tip to share, or a question for the hosts, past or future guests, or listeners at home, we'd love to include it in a future episode. You can send it to us one of two ways:1) If you want to send it in as text and have us read it, or record your own short audio file, send it to signal2noise@prosoundweb.com with the subject “Tips” or “Questions”2) If you want a quick easy way to do a short (90s or less) audio recording, go to https://www.speakpipe.com/S2N and leave us a voicemail there

Stone Gossard and Jeff Ament are two of the Seattle scene's most foundational musicians from the 80's and 90's. Stone and Jeff started playing together in 1984 as members of Green River, which eventually dissolved, leading singer Mark Arm to form Mudhoney. Later, Jeff played bass and Stone played guitar in Mother Love Bone until their lead singer Andrew Wood died of an overdose just days before their major label debut in March of 1990. Reeling from Andy's death, Jeff and Stone started recording with Soundgarden's Chris Cornell on a side project called Temple Of The Dog that featured vocals from a then unknown singer from San Diego named Eddie Vedder. Later that year, Jeff and Stone asked Eddie to join their new band with guitarist Mike McCready. As Pearl Jam, they released their debut album Ten in August of ‘91—the album went 13 times platinum and charted on Billboard for nearly five years. Since then, Pearl Jam have released 11 more albums and built a die-hard fan base thanks in part to their outstanding live shows. Last week they released their latest album, Dark Matter, which was produced by Andrew Watt, who's recently worked with Miley Cyrus, Iggy Pop, Post Malone and Ozzy Osborne. On today's episode Leah Rose talks to Stone Gossard and Jeff Ament about how Andrew Watt's encyclopedic knowledge of Pearl Jam helped inspire some of their best performances to date. Stone and Jeff also open up about the inner-workings of their professional relationship, and Stone remembers the first time he met Eddie Vedder, who marked the occasion by passing him a hand-written poem. You can hear a playlist of some of our favorite Pearl Jam songs HERE.See omnystudio.com/listener for privacy information.

Mark Arm of Mudhoney comes by the show to discuss the sewage tunnel boring machine named after his band, the record store that changed his life, surfing at Kelly Slater's ranch, being radicalized by KISS and Aerosmith, seeing Robert Goulet at the airport, hanging out backstage with David Matthews, and more! Host: Yasi Salek Guest: Mark Arm Producer: Jesse Miller-Gordon Audio Producer: Chris Sutton Additional Production Supervision: Justin Sayles Theme Song: Hether Fortune Learn more about your ad choices. Visit podcastchoices.com/adchoices

Matt Korvette from Pissed Jeans talks about their excellent, ferocious, and funny new album, Half Divorced, Philly, Kurt Vile, and Atom and His Package, writing angry, funny songs as, and even for, adults, having fun playing music like Mudhoney does, hating our phones, helicopter parents and what kids get up to these days, covering a Pink Lincolns song and how everywhere is bad, tour, other future plans and much more.Support vish on Patreon! Thanks to Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Related episodes/links:Ep. #821: Kurt VileEp. #764: MudhoneyEp. #748: Meg BairdEp. #747: Fucked UpEp. #731: Bill NaceEp. #715: Laurie KilmartinEp. #536: Jade HairpinsEp. #90: The Jesus Lizard Week with Mac McNeillyEp. #89: The Jesus Lizard Week with David YowSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.